C5000 - Home cinema amp YAMAHA - Free user manual and instructions

USER MANUAL C5000 YAMAHA

Thank you and congratulations on your purchase of this Yamaha product.

You can enjoy the high-quality stereo sound of this preamplifier at home.
This Owner's Manual describes the unit's features, connection procedures, and operations.
To use the product properly and safely, we suggest that you read this manual and Safety Brochure (separate booklet) thoroughly.

Keep the manual in a safe, accessible place for future reference.

You can download a PDF version of this manual from the following Yamaha website.

https://download.yamaha.com/

Features

Left-right symmetrical design creates a bookmarked structure
Class A operation of full-stage, full-floating balanced signal transmission from input to output
Full-floating and balanced phono EQ amplifier with balanced inputs
High-accuracy controls that employ a proprietary bearing structure and high-rigidity lever switches
Twin transformer designed specifically for audio, which is completely separate from the control power supply
Stable mechanical grounding construction dramatically lessens the impact of external vibration.
Tone control circuit that features a proprietary parallel volume system
Newly-designed brass spiked feet
Gain control function that enables ultra fine volume adjustment

About this manual

The illustrations as shown in this manual are for instructional purposes only.
The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.

“WARNING” describes precautions to be followed to avoid the possibility of serious injury or even death.
CAUTION describes precautions to be followed to avoid the possibility of injury.
"NOTICE" describes precautions to be followed to avoid the possibility of malfunction/damage to the product, or damage to data.
"Note" describes supplemental information about the product.
Before starting to use the product, please be sure to read the separate "Safety Brochure".

Table of contents

Features 2

About this manual 2

Supplied accessories 4

Maintenance 4

Mirror-finish side panels. 4

Surfaces other than the mirror-finish side panels 4

Part Names and Functions

Front panel 6

Rear panel. 10

Balanced and unbalanced connections . . 14

Remote control 16

Installing batteries in the remote control. .18

Operating the remote control 18

Connections

Connecting an external component 20

Connecting a turntable 22

Connecting a recording component 22

Connecting another preamplifier 23

Connecting a power amplifier and an active subwoofer 23

Trigger connections 24

Controlling the power on-and-off operation of a connected component, such as a power amplifier, in sync with this unit. 24

Controlling the unit's power on-and-off operation in sync with a connected component, such as an AV receiver. 24

Remote connections 25

Operating the unit from another room 25

Remote connection between Yamaha components 25

Connecting the power cord. 26

Operations

Turning the power on 28

Selecting the input and output 28

Selecting the input from the EXT.IN jacks...29

Adjusting the turntable input setting 29

PHONO selector 29

Subsonic filter 30

Adjusting the volume level 30

Lowering the volume level momentarily . . 31

Adjusting the tone 31

Connecting headphones 32

Reference Materials

General specifications 34

Block diagram 36

Audio characteristics 37

Frequency response (tone control) 37

Total harmonic distortion (PHONO). 37

Frequency response (subsonic filter) 38

Volume curve. 38

Troubleshooting. 39

Index 41

Supplied accessories

Please make sure that the following accessories are included in the package.

Remote control
Batteries (AAA, R03, UM-4) (x2)
Power cord
Owner's Manual (this book)
Safety Brochure (separate booklet)

WARNING

Do not use the supplied power cord for other devices.

Maintenance

To use this product for an extended period of time, we recommend that you maintain it regularly.

WARNING

• Check the power cord regularly to see if it is dusty. If so, wipe off the dust completely. Otherwise, fire or electric shock might be caused.
• Do not use aerosol or flammable gas spray for cleaning or lubrication. Otherwise, flammable gas will build up inside the unit, causing possible explosion or fire.

NOTICE

• Use a dry soft cloth to clean the unit. Using cleaning agents, such as benzene or thinner, detergent, or chemically-treated cloth might cause color changes or deterioration of the surface. If the surface gets very dirty, damp a cloth with detergent (diluted with water), wring the cloth tightly, and wipe off the dirt.
• If you wipe the surface area in the vicinity of the Yamaha logo with force, the logo might peel off or fiber from the cloth might stick to the surface.

Mirror-finish side panels

We recommend that you use a cleaning cloth such as those made for pianos. If the surface is very dirty, use a soft cloth that is damp with water and wrung tightly.

Surfaces other than the mirror-finish side panels

Wipe other surfaces using a soft dry cloth. If the surface gets very dirty, dampen a cloth with detergent diluted in water, wring the cloth tightly, and then wipe the dirt from the surface.

Part Names and Functions

This section lists the names and describes the function of various parts on the front and rear panels, and the remote control.

Front panel

NATURAL SOUND PRE-AMPLIFIER C-6000

STANDBY/ON
2

4

5

1 STANDBY/ON/OFF (Power) switch/indicator

Turns the power to the unit on (standby) or off.

STANDBY/ON: Switches between standby and on using the AMP key on the remote control.

OFF:Turns the power to the unit off.

Power status Indicator
On mode Lit brightly
Standby mode Lit dimly
Off mode Off

The unit will enter standby mode not only when you press the AMP key on the remote control, but also in one of the following events:

• If the unit is powered on but not operated for eight hours while the auto power standby function is turned on, or
• If you turn off the power to the device that is connected to this unit's TRIGGER IN jack.

For more information, refer to "AUTO POWER STANDBY switch" in the "Rear panel" section (page 13) and to "Trigger connections" (page 24).

Note

After you turn on the unit, it will take a few seconds before the unit can reproduce sound.

NOTICE

If you plan not to use the unit for an extended period of time, be sure to unplug the power cord from the AC outlet. Even when the STANDBY/ON/OFF (Power) switch is turned off (the power indicator is dark), a minimal amount of electric current is still flowing to the unit.

Remote control sensor

Receives signals from the remote control. For more information, refer to "Operating the remote control" (page 18).

3 PHONES jack

Connect your headphones here to listen to music privately. For more information, refer to "Connecting headphones" (page 32).

4 TRIM selector

Switches the headphone amp gain. The unit will adjust the volume level when headphones are plugged in to avoid sudden changes in volume by modifying the level balance between the audio output from the PHONES jack and from the speakers.

Choices: -6 dB, 0 dB, +6 dB, +12 dB

GAIN selector

Switches the preamp gain. The unit will smoothly adapt to the power amp gain and speaker sensitivity, enabling you to make fine volume adjustments. For more information, refer to "Adjusting the volume level" (page 30).

Choices: -12 dB, -6 dB, 0 dB

OUTPUT selector

Specifies which OUTPUT jacks will output signals, as follows:

Use this selector if multiple power amplifiers are connected.

	OUTPUT selector
	OFF ALL BAL LINE1 LINE2
BAL jacks	—	Output	Output	—	—
LINE 1 jacks	—	Output	—	Output	—
LINE 2 jacks	—	Output	—	—	Output

7 PHONO selector

Indicates the type of cartridge installed on the turntable that is connected to the PHONO jacks on the rear panel (MM, MC 300Ω, MC 100Ω, MC 30Ω, MC 10Ω). For more information, refer to "Adjusting the turntable input setting" (page 29).

NOTICE

Before you replace the cartridge, be sure to turn off the power to this unit.

Front panel

BASS control

Adjusts the low-frequency response in the range from -10dB to +10dB (in 0.5 dB steps). The center position produces a flat response.

9 TREBLE control

Adjusts the high-frequency response in the range from -10dB to +10dB (in 0.5 dB steps). The center position produces a flat response.

10 BALANCE control

Adjusts the audio output balance between the left and right speakers in the range from L (the right channel is muted) to R (the left channel is muted) to compensate for sound imbalances caused by speaker locations or listening room conditions.

EXT. DIRECT switch/indicator

If you press the EXT. DIRECT switch once, the EXT. DIRECT indicator will light up, and the audio source input at the EXT. IN jacks will be output at the connected output jacks. For more information, refer to "Connecting another preamplifier" (page 23) and "Selecting the input and output" (page 28).

If you press the EXT. DIRECT switch again or rotate the INPUT selector, the signal specified by the INPUT selector will become the input source, and the EXT. DIRECT indicator will turn off.

Note

If EXT. DIRECT is selected, no signal will be output at the LINE 2 OUT (recording) jacks nor at the PHONES jack.

INPUT selector/indicator

Enables you to select the input source to play back. Options are: PHONO, PHONO BAL, TUNER, CD, BAL 1, BAL 2, LINE 1, and LINE 2. The indicator for the selected input source lights up.

Note

If LINE 2 is selected here, audio signals will not be output at the LINE 2 OUT (recording) jacks.

SUBSONIC FILTER switch

Toggles between ON (enabled) and THROUGH (disabled) for the subsonic filter. For more information, refer to "Adjusting the turntable input setting" (page 29).

Note

If the INPUT selector is set to any option other than PHONO or PHONO BAL, the filter will be disabled.

AUDIO MUTE switch/indicator

Press this switch to reduce the current volume level by approximately 20dB . The indicator will light up. Press again to restore the audio output to the previous volume level. The indicator will turn off.

15 VOLUME control

Adjusts the volume level. This setting will not affect the output level at the LINE 2 OUT (recording) jacks.

Note

The VOLUME control will not affect the volume level if EXT. DIRECT is selected as the input source. To adjust the volume level, use the volume control on the external preamplifier or another component connected to the EXT. IN jacks.

16 Feet

If the unit is unstable, adjust the height of the feet as needed by rotating them.

Rear panel

Note

For information regarding the connection procedure, refer to "Connections" (page 19).

1 PHONO jacks

RCA and XLR-type jacks. If the INPUT selector is set to PHONO, the signals at the RCA-type PHONO jacks will be the input source. If the INPUT selector is set to PHONO BAL, the signals at the XLR-type PHONO jacks will be the input source.

Your preamplifier comes with a shorting plug installed on each RCA-type PHONO input jack. If you are planning to connect an external component to these jacks, remove the shorting plugs. For more information, refer to "Connecting a turntable" (page 22).

CAUTION

Handle the shorting plugs carefully. Do not allow children to play with the shorting plug; otherwise they might swallow it.

NOTICE

• Shorting plugs are intended for unused INPUTS ONLY; using them on OUTPUTS can cause serious damage to your components.
  If you are planning not to use the RCA-type PHONO input jacks, insert the shorting plugs into the jacks to prevent random static or noise from degrading the audio signal.

2 SIGNAL GND (ground) terminal

If you connect your turntable to the RCA-type PHONO input jacks, also connect the turntable to this terminal. Doing so may reduce noise.

BAL 1/BAL 2 jacks

These are two sets of XLR-type balanced input jacks. If the INPUT selector is set to BAL 1 or BAL 2, signals at the corresponding XLR jacks will be the input source.

Note

Set the ATTENUATOR selector and PHASE selector appropriately for the playback components that are connected to the unit.

4 ATTENUATOR selector

Enables you to set the allowable input level for the XLR-type balanced input jacks (BAL 1 and BAL 2 jacks). For more information, refer to "Adjusting the volume level" (page 30).

BYPASS The allowable input level will not change. Usually select this option.

ATT. (-6 dB). The input gain will be lowered by 6 dB to raise the allowable input level. Select this option if the audio output from the connected component sounds distorted.

5 PHASE selector

Specifies the HOT pin position for the XLR-type balanced input jacks (BAL 1 and BAL 2 jacks).

NORMAL: Pin #2 is specified as HOT.

INV: Pin #3 is specified as HOT.

For more information, refer to "Balanced and unbalanced connections" (page 14).

TUNERjacks

These are RCA input jacks. If the INPUT selector is set to TUNER, signals at these jacks will be the input source. Connect your tuner here.

Rear panel

CDjacks

These are RCA input jacks. If the INPUT selector is set to CD, signals at these jacks will be the input source. Connect your CD player here.

8 LINE 1 jacks

These are RCA input jacks. If the INPUT selector is set to LINE 1, signals at these jacks will be the input source.

LINE 2 IN jacks

These are RCA input jacks. If the INPUT selector is set to LINE 2, these jacks will be the input source.

LINE 2 OUT (recording) jacks

These are RCA input jacks for recording. These jacks normally output the input source signals selected via the front panel or remote control. For information on the connection procedure, refer to "Connecting a recording component" (page 22).

Note

• Connect the LINE 2 IN jacks and LINE 2 OUT (recording) jacks to the same component.
• The LINE 2 OUT (recording) jacks will not output any signals if the INPUT selector is set to LINE 2 or the EXT. DIRECT switch is pressed.

EXT.IN jacks

These jacks feature XLR-type input jacks and RCA input jacks. If the EXT. DIRECT switch is pressed, signals at these jacks will be the input source. Connect your preamplifier here. For more information, refer to "Connecting another preamplifier" (page 23).

CAUTION

You cannot adjust the volume level of the signals input at the EXT. IN jacks. Therefore, be sure to connect to the EXT. IN jacks a component that features a volume control.

Note

The volume level is fixed. Operating the VOLUME control or GAIN selector on this unit will not change the volume level of the signal from the EXT. IN jacks. Adjust the volume level using the volume control on the component connected to the EXT. IN jacks.

BAL jacks

These are XLR-type output jacks. Connect these jacks to the balanced input jacks on the power amplifier.

LINE 1/LINE 2 jacks

These are RCA output jacks. Connect these jacks to the RCA input jacks on the power amplifier.

TRIGGER IN/TRIGGER OUT jacks

These are monaural mini jacks. Connect external components that support the trigger function here. For more information, refer to "Trigger connections" (page 24).

REMOTE IN/REMOTE OUT jacks

These are monaural mini jacks. Connect external components that support the remote function here. For more information, refer to "Remote connections" (page 25).

SERVICE jack

This jack is used to service the product. It is rarely used.

AUTO POWER STANDBY switch

Specifies whether the unit automatically enters standby mode.

ON: The unit enters standby mode automatically if it is powered on but not operated for eight hours.

OFF: The unit does not enter standby mode automatically.

AC IN jack

Connect the supplied power cord here. For more information, refer to "Connecting the power cord" (page 26).

Balanced and unbalanced connections

This unit features XLR-type balanced jacks and RCA-type unbalanced input jacks.

Note

Do not use balanced and unbalanced connections between two components simultaneously. Doing so would create a ground loop that could generate static and noise.

Balanced connection

A balanced connection is designed to cancel and prevent unwanted noise. Since longer cables tend to pick up more noise, a balanced connection is useful if you need to use long cables. Generally, if your components feature balanced outputs, you should use balanced connections.

Jacks for balanced connections

XLR-type jacks on this unit are used for balanced connections. The input and output jacks utilize different designs. Input jacks are female, and output jacks are male. For balanced connections, balanced cables with XLR connectors are used. Connect a male connector on the cable to a female jack on the unit, and connect a female connector to a male jack on the unit.

XLR connector (female) XLR jack (male)

When connecting a cable to an output jack, be sure to align the holes on the connector with the pins on the jack, and then insert the connector into the jack until you hear a click. To remove the cable, while pressing and holding down the lever on the female XLR connector, pull it out from the jack.

Balanced connection polarity

When making a balanced connection, you must set the polarity correctly. Generally, pin #2 is Hot, but sometimes pin #3 can be Hot. Refer to the owner's manual for the connected component to learn which pin at the output jack is Hot.

To set the polarity for the BAL 1 and BAL 2 input jack pins, use the PHASE selector on the rear panel.

XLR connector (male)XLR jack (female) Note

• The PHONO and EXT. IN jacks do not feature a PHASE switch. The pin polarity of these jacks is standard and fixed.
  Pin #2 is Hot on Yamaha players.

When connecting a cable to an input jack, be sure to align the pins on the connector with the holes in the jack, and then insert the connector into the jack until you hear a click. To remove the cable, while pressing and holding down the lever on the input jack on the unit, pull out the male XLR connector from the jack.

If the PHASE selector is set to NORMAL, pin #2 becomes Hot.

XLR-type input jack

If the PHASE selector is set to INVERTED, pin #3 becomes Hot.

XLR-type input jack

XLR-type output jack

Unbalanced connection

If you are connecting an audio component that features only standard RCA jacks, use the RCA jacks on this unit for unbalanced connections. For unbalanced connections, unbalanced cables with RCA connectors should be used. These jacks and connectors do not feature a male or female design nor polarity differences.

Remote control

Infrared signal transmitter

Outputs infrared control signals toward the unit.

2 AMP key

Turns on the power to the unit or switches it to standby mode. For more information regarding standby mode, refer to "Front panel" (page 6).

Input select keys

Enable you to select the input source to be played back.

BAL: Selects the component connected to the XLR-type BAL 1 or BAL 2 jacks as the input source.

PHONO: Selects the turntable connected to the PHONO jacks (XLR-type or RCA) as the input source. Press the BAL key to select the source at the XLR-type jacks, or the UNBAL key to select the source at the RCA jacks.

LINE: Selects the component connected to the RCA-type LINE 1 or LINE 2 jacks as the input source.

EXT. DIRECT: Selects the component connected to the EXT. IN jacks as the input source. If EXT. DIRECT is selected as the input source, audio signals will not be output at the LINE 2 OUT or PHONES jacks.

CD: Selects the component (usually, a CD player) connected to the RCA-type CD jacks as the input source.

TUNER: Selects the component (usually, a tuner) connected to the RCA-type TUNER jacks as the input source.

Note

Audio signals of the selected input source will be output at the LINE 2 OUT (recording) jacks. If LINE 2 is selected as the input source, audio signals will not be output at the LINE 2 OUT (recording) jacks.

4 Tuner control keys

Enable you to control the functions of the connected Yamaha tuner. Use the BAND key to switch the reception band, and the PRESET keys to select a preset station. For more information, refer to the owner's manual for your tuner.

Note

Some Yamaha tuner models might not support these key functions.

CD key

Turns on the power to a connected Yamaha CD player, or switches it to standby mode.

OPEN/CLOSE key

Opens or closes the disc tray of a connected Yamaha CD player. For more information, refer to the owner's manual for your CD player.

Note

Some Yamaha CD player models might not support the

CD key and/or OPEN/CLOSE key functions.

CD player control keys

Enable you to control the functions of a connected Yamaha CD player. For more information, refer to the owner's manual for your CD player.

(Play)

Starts playback.

(Pause)

Pauses playback. Press to time playback.

(Stop)

Stops playback.

1-√D(Shift)

Skipping to the next track, or returns to the beginning of the current track.

SOURCE key

Selects the source to be played on the Yamaha CD player. The playback source changes each time this key is pressed.

LAYER key

Toggles the playback layer of a hybrid super audio CD between "Super audio CD" and "CD."

Note

Some Yamaha CD player models might not support these key functions.

8 VOLUME + / - keys

Adjust the volume level.

Note

The VOLUME + / - keys on the remote control will not affect the volume level if EXT. DIRECT is selected as the input source. To adjust the volume level, use the volume control on the external amplifier connected to the EXT. IN jacks.

9 MUTE key

Reduces the current volume level by approximately 20 dB. Press the key again to restore the audio output to the previous volume level. Pressing the VOLUME + or -key on the remote control will also cancel muting.

Installing batteries in the remote control

1 Remove the battery compartment cover.
2 Insert two batteries (AAA, R03, UM-4) according to the polarity markings (+ and -) on the inside of the battery compartment.

3 Reinstall the battery compartment cover.

WARNING

• Do not toss the batteries into an open fire, or expose them to high temperatures, such as direct sunlight or open flame. Otherwise, the battery might explode, causing fire or injury.
• Do not try to recharge non-rechargeable batteries. Otherwise, batteries might explode or leak, causing blindness, chemical burns or injury.
  If a battery is leaking, do not touch the liquid. Otherwise, blindness or chemical burns might be caused. If your eyes, mouth, or skin comes in contact with the liquid, immediately wash the site thoroughly with water and seek medical attention.

CAUTION

• Do not use a new and old batteries at the same time. Otherwise, fire, burns, or irritation due to leaking battery liquid might be caused.
• Do not use two different types of batteries at the same time. For example, if you use an alkaline battery and a manganese battery together, or two batteries from two different manufacturers or with different product numbers at the same time, fire, burns, or skin irritation due to leaking battery liquid might be caused.
• Keep the batteries out of the reach of children. Otherwise, a child might swallow the battery by accident. Also, leaking battery liquid might cause skin irritation.
• Insert the two batteries according to the polarity markings (+ and -). Otherwise, fire, burns, or skin irritation due to leaking battery liquid might be caused.
  If you plan not to use the remote control for an extended period of time, or if the batteries are exhausted completely, remove them from the remote control. Otherwise, all batteries will eventually become exhausted and might leak, causing skin irritation or damage to the remote control.

Operating the remote control

To operate the remote control, aim it directly at the remote control sensor on the front panel of the unit.

Connections

This section explains how to connect the unit to an audio source, such as a tuner or CD player, and a power amplifier.

CAUTION

Turn off the power to all components before making any connections.

NOTICE

• Do not use balanced and unbalanced connections between two components simultaneously. Doing so would create a ground loop that could generate static and noise.
• If you are planning to connect external components, read and follow the instruction manuals for those components. Otherwise, this unit or external components might malfunction.

Connecting an external component

NOTICE

Do not use balanced and unbalanced connections between two components simultaneously. Doing so would create a ground loop that could generate static and noise.

Connecting a turntable

Connect your turntable to the PHONO jacks on this unit. The unit provides XLR-type balanced jacks and RCA-type unbalanced input jacks.

Balanced connection

Unbalanced connection

Note

If you connect the turntable to the RCA jacks on this unit, listen to and compare the sound with the SIGNAL GND (ground) terminal connected and unconnected, and then select whichever less noisy.

NOTICE

Do not use balanced and unbalanced connections between this unit and the turntable simultaneously. Doing so would create a ground loop that could generate static and noise.

Connecting a recording component

You can connect a recording device, such as a hard disk recorder to the unit, and record audio input from the unit. Connect the recording component to both LINE 2 IN jacks and LINE 2 OUT (recording) jacks.

Note

Make sure that you connect the LINE 2 IN jacks and LINE 2 OUT (recording) jacks to the same component.
The signal from the LINE 2 OUT (recording) jacks is essentially identical to the signal from the output jacks specified by the OUTPUT selector. If the INPUT selector is set to LINE 2, no signal will be output at the LINE 2 OUT (recording) jacks.

Hard disk recorder,

Connecting another preamplifier

If you connect the output of another preamplifier to the EXT. IN jacks on this unit and press the EXT. DIRECT switch, the source signal will pass through the unit and will be output to the connected power amplifier. The source signal input at the balanced EXT. IN jacks will be output at the balanced BAL jacks. The source signal input at the unbalanced EXT. IN jacks will be output at the LINE 1 and LINE 2 jacks.

Note

If the EXT. DIRECT switch is turned on, you will not hear any sound from the headphones connected to the PHONES jack.

Other preamplifier

AV amplifier, etc.

Connecting a power amplifier and an active subwoofer

You can connect a power amplifier and an active subwoofer to the BAL, LINE 1, or LINE 2 output jacks on this unit.

Balanced connection

Unbalanced connection

NOTICE

Do not use balanced and unbalanced connections between two components simultaneously. Doing so would create a ground loop that could generate static and noise.

Trigger connections

Controlling the power on-and-off operation of a connected component, such as a power amplifier, in sync with this unit

You can control the power on-and-off operation of a connected component, such as a Yamaha CD player or power amplifier, in sync with this unit.

Use a system cable to connect the unit's TRIGGER OUT jack to the connected component's TRIGGER IN jack.

Controlling the unit's power on-and-off operation in sync with a connected component, such as an AV receiver

You can control the unit's power on-and-off operation in sync with a connected component, such as a Yamaha AV receiver. Use an optional system cable to connect the unit's TRIGGER IN jack to the connected component's TRIGGER OUT jack. While the unit is in standby mode, turning on the power to the connected component will also turn on the unit, and the signal at the EXT. IN jacks will be selected as the input source. When the power to the connected component is turned off, the unit will enter standby mode.

Note

If the power switch of this unit is turned OFF, power to the unit will not be triggered from a connected component.
Unless the input source is selected via the EXT. DIRECT switch, turning off the connected component will not turn off power to the unit.

Remote connections

Operating the unit from another room

If you connect an infrared receiver and transmitter to the unit's REMOTE IN/OUT jacks, you will be able to operate the unit and/or external component from another room, using the supplied remote control.

Remote connection between Yamaha components

If you have another Yamaha component that supports remote connections, as this unit does, an infrared transmitter is not necessary. You can transmit remote signals by connecting an infrared receiver to the unit's REMOTE IN jack, and the REMOTE IN jack of the other component to the unit's REMOTE OUT jack, using monaural mini-plug cables. Up to three Yamaha components (including this unit) can be set up for remote connection.

Infrared receiver

Infrared transmitter

Infrared receiver

Monaural mini-plug cable

REMOTE INOUT

Remote control

External component (CD player, etc.)

Remote control

Yamaha component (up to 3 components, including this unit)

Connecting the power cord

After all connections are complete, make sure that the STANDBY/ON/OFF (Power) switch is turned off, then plug the power cord into the AC IN connector of the unit, and then plug the power cord into the AC outlet.

WARNING

If you notice any of the following abnormal conditions, turn off the power to the unit immediately, and disconnect the power plug from the AC outlet.

• The power cord or plug is damaged.
• The unit is emitting odor, strange noise, or smoke.
• Liquid has been spilled or objects have fallen into the unit.
• The sound is suddenly muted during operation.
• The unit is cracked or damaged.

Otherwise, continued use of the unit might lead to electric shock, fire, or malfunction. Contact your nearest Yamaha dealer or service center for check-up or repair.

• Do not touch the power cord or plug during lightning storms. Otherwise, an electric shock might be caused.
• Be sure to use a power outlet with the power voltage labeled on the unit. If the unit is plugged into an outlet of an inappropriate voltage, fire, electric shock, or malfunction might be caused.
• Use only the supplied power cord. Do not use the supplied power cord for other devices. Otherwise, fire, burning, or malfunction might be caused.
• Plug the unit into an AC outlet that is clearly visible and easily reached, so that you can unplug the unit easily and quickly from the AC outlet in case of emergency. Even when the power switch is turned off, a minimal amount of electric current is still flowing to the unit, unless you unplug the unit from the AC outlet.
  If a lightning storm is approaching, turn off the power to the unit immediately, and disconnect the power plug from the AC outlet. Otherwise, fire or malfunction might be caused.
  If you plan not to use the unit for an extended period of time, be sure to unplug the power cord from the AC outlet. Otherwise, fire or malfunction might be caused.

• Do not use an AC outlet that is so loose that the plug does not stay firmly in place. Otherwise, fire, electric shock, or burning might be caused.
• When disconnecting the power cord from the AC outlet, grasp the plug; do not pull the cord. Otherwise, the power cord might be damaged, causing an electric shock or fire.
• Insert the power plug into the AC outlet all the way firmly. If the plug is not inserted completely, use of the unit might cause an electric shock. Or, dust might build up on the plug, causing fire or burning.

NOTICE

If you plan not to use the unit for an extended period of time, be sure to unplug the power cord from the AC outlet. Even when the STANDBY/ON/OFF switch is turned off (the power indicator is dark), a minimal amount of electric current is still flowing to the unit.

Operations

This section explains basic operating procedures. You can follow these procedures to take advantage of the unit's functions. These procedures are intended only as examples.

Turning the power on

CAUTION

Be sure to lower the volume level to minimum before turning the power on.

Turn the power on by setting the STANDBY/ON/OFF (Power) switch on the front panel to STANDBY/ON.

If the unit is in standby mode, you can also turn the power on using the remote control.

NOTICE

Turn on the power to all components in the following sequence: power amplifier, preamplifier (this unit), other components (such as a CD player and tuner).

Reverse this sequence when you turn the power off.

Selecting the input and output

Select a pair of output jacks using the OUTPUT selector.

Select the audio source using the INPUT selector.

The corresponding indicators will light up.

Selecting the input from the EXT.IN jacks

Press the EXT. DIRECT switch. The EXT. DIRECT indicator will light up. The INPUT selector setting will be disabled, and the audio source input from the EXT. IN jacks will be output at a pair of the output jacks. The source signal input at the balanced input jacks will be output at the balanced BAL output jacks. The source signal input at the LINE input jacks will be output at the LINE 1 and LINE 2 output jacks.

If you press the EXT. DIRECT switch again or rotate the INPUT selector, the signal specified by the INPUT selector will become the input source. The EXT. DIRECT indicator will turn off.

Note

If EXT. DIRECT is selected, no signal will be output at the LINE 2 OUT (recording) jacks nor at the PHONES jack.

Adjusting the turntable input setting

PHONO selector

Set the PHONO selector according to the turntable cartridge.

Options for turntable cartridge

CAUTION

If an MM-type cartridge is used on the turntable, be sure to set the PHONO selector to MM.

Note

Impedance labels on the PHONO selector indicate approximate values. Listen to and check the sound with different impedance settings to select the most appropriate option.

NOTICE

Before you replace the cartridge, be sure to turn off the power to this unit.

Subsonic filter

Turn on the SUBSONIC FILTER switch to apply the subsonic filter, as needed.

A resonating turntable tone arm or a warped vinyl record could cause a very low frequency rumble (subsonic noise) that might apply load and damage to the speakers. A subsonic filter will cut such noise to protect the speakers.

Note

The subsonic filter is disabled whenever any audio source other than the turntable (connected to the PHONO jacks) is selected as the input source, even if the SUBSONIC FILTER switch is turned on.

Adjusting the volume level

Set the gain using the GAIN selector so that you can make fine volume adjustments.

Adjust the volume level using the VOLUME control.

Note

If you still hear distortion even if the VOLUME control is turned down, the signal might exceed the allowable input level. If the audio source is being input at the balanced input jacks (BAL 1 or BAL 2), set the ATTENUATOR selector to ATT. (-6 dB).

Lowering the volume level momentarily

Press the AUDIO MUTE switch to reduce the current volume level by approximately 20 dB. Press the switch again to restore the previous volume level.

Adjusting the tone

Adjust the volume level balance between the left and right speakers using the BALANCE control.

Adjust the volume level of the high and low ranges using the BASS and TREBLE control.

Note

If both BASS and TREBLE controls are set to the center, the audio signal will bypass the tone control circuit.
- The BASS, TREBLE, and BALANCE control settings will not affect the input signals at the EXT. IN jacks nor the output signals at the LINE 2 OUT (recording) jacks.

Connecting headphones

If headphones are connected to the PHONES jack, no signal will be output at the output jacks (BAL, LINE 1, and LINE 2 output jacks) on the rear panel.

Use the TRIM selector to switch the headphone amp gain so you can adjust the level balance between the audio output from the PHONES jack and the speakers to avoid sudden changes in volume.

Note

If EXT. DIRECT is selected, no signal will be output from the PHONES jack.

Reference Materials

General specifications

Rated output voltage/output impedance (Input 200mV 20 Hz to 20 kHz, THD 0.01%

BAL (BYPASS). 2 Vrms/150Ω

BAL (ATT. -6dB) 1 Vrms/150Ω

LINE 1/LINE 2. 1 Vrms/150Ω

LINE 2 OUT (recording). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Maximum output voltage (1 kHz, THD 0.05%)

BAL. 6 Vrms

LINE 1/LINE 2. 3 Vrms

LINE 2 OUT (recording). 3 Vrms

Input sensitivity/Input impedance

BAL/LINE 1/LINE 2, 1 V

BAL 1/BAL 2. .200 mVrms/52 kΩ

TUNER/CD/LINE 1/LINE 2 IN 200mVrms / 47k

EXT.IN. 1 Vrms/20 kΩ

LINE 2 OUT (recording) (150mV,1kHz)

PHONO (MC 300Ω) 100 μVrms/300Ω

PHONO (MC 100Ω) 100 μVrms/100Ω

PHONO (MC 30Ω) 100 μVrms/30Ω

PHONO (MC 10Ω) 100 μVrms/10Ω

PHONO (MM, XLR-type). 2.5 mVrms/52 kΩ

PHONO (MM, RCA-type) .2.5 mVrms/47 kΩ

Maximum input signal voltage LINE 2 OUT (recording) (1kHz, THD 0.05%)

BAL (BYPASS). 2.8 Vrms

BAL (ATT. -6dB) 5.6 Vrms

TUNER/CD/LINE 1/LINE 2 IN. 2.8 Vrms

PHONO (MC) 2 mVrms

PHONO (MM) 50 mVrms

EXT.IN 5.6 Vrms

Frequency response (JEITA, load 22 kΩ)

10 Hz to 100 kHz +0/-3 dB

20 Hz to 20 kHz +0/-0.3 dB

Total harmonic distortion plus noise (JEITA, input 0.5 V, 20 Hz to 20 kHz)

BAL 1/BAL 2/TUNER/CD/LINE 1/LINE 2 IN BAL/LINE 1/LINE 2 .0.0100%

PHONO (MC) LINE 2 OUT (recording) 0.0200%

PHONO (MM) LINE 2 OUT (recording) 0.0200%

Channel separation

(Input 1.0k terminated, 1kHz / 10kHz JEITA)

BAL 1/BAL 2/TUNER/CD/LINE 1/LINE 2 IN 110 dB or higher

PHONO (MC) 80 dB or higher

PHONO (MM) 98 dB or higher

Function separation

(IHF-A network, input 1.0 kΩ terminated, JEITA)

BAL 1/BAL 2/TUNER/CD/LINE 1/LINE 2 IN 110 dB or higher

PHONO (MC) 75 dB or higher

PHONO (MM) 95 dB or higher

Signal to noise ratio

(IHF-A network, input 1.0k terminated, JEITA)

BAL 1/BAL 2/TUNER/CD/LINE 1/LINE 2 IN 110 dB or higher

PHONO (MC 300Ω) .80 dB or higher

PHONO (MM) 98 dB or higher

Residual noise (IHF-A network)

BAL/LINE 1/LINE 2 3 V

Tone control characteristics

Bass Boost/cut 30 Hz/±9 dB Turnover frequency 350 Hz

Treble Boost/cut 20 kHz/±9 dB

Turnover frequency 3.5 kHz

Headphone jack rated output power

(1 kHz, 32Ω, 0.2% THD)

35mW+35mW

RIAA equalization deviation

MC/MM ± 0.5 dB

Subsonic filter characteristics

MC/MM 15 Hz/-3 dB

Power supply

[Models for U.S.A. and Canada]. .AC 120 V, 60 Hz

[Model for China] .AC 220 V,50 Hz

[Model for Korea] .AC 220 V,60 Hz

[Model for Australia]. AC 240 V, 50 Hz

[Models for U.K. and Europe] .AC 230 V,50 Hz

[Model for Asia] . . . AC 220-240 V, 50Hz / 60Hz

[Models for Central and South America,

and Taiwan] .AC 110 V,60 Hz

Power consumption

60W

Standby power consumption

Off mode. 0.1 W

Standby mode 0.2 W

Dimensions (W× H× D)

435× 142× 451mm

Weight

19.1 kg

• The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website then download the manual file.

Block diagram

Audio characteristics

Frequency response (tone control)

Total harmonic distortion (PHONO)

Frequency response (subsonic filter)

Volume curve

Troubleshooting

Refer to the table below if this unit does not function properly. If the instructions below do not help, or if the problem you are experiencing is not listed below, turn off the unit, disconnect the power cord, and contact the nearest authorized Yamaha dealer or service center.

Problem Cause Remedy			See page
Power does not turn on.	The power cord is not connected to the AC IN connector on the rear panel or is not plugged into an AC outlet.	Connect the power cord firmly. 26
	The unit has been exposed to a strong external electric shock (such as lightning or strong static electricity).	Turn off the unit, disconnect the power cord from the AC outlet, wait for about 30 seconds, and then plug the unit in again.	26
	There is a problem with the internal circuitries of this unit.	Disconnect the power cord from the AC outlet and contact the nearest authorized Yamaha dealer or service center.	26
No sound is heard.	Incorrect input or output cable connections.	Connect the cables properly. If the problem persists, the cables might be defective.	20
	No appropriate input source has been selected.	Select an appropriate input source using the INPUT selector on the front panel (or one of the input selector keys on the remote control).	28
	The OUTPUT selector setting does not match the output jacks that are being used.	Select an appropriate output using the OUTPUT selector.	28
The volume level cannot be adjusted.	EXT. DIRECT is selected as the input source.	Adjust the volume level on the connected component. Alternatively, connect the external component to a pair of the input jacks other than the EXT. IN jacks, and then select the corresponding input source.	20 28
Only one channel speaker can be heard.	The playback component is not connected properly.	Make sure that the connections are made properly. If the problem persists, the cables might be defective.	20
Problem Cause Remedy			See page
A "humming" noise is heard.	Incorrect input or output cable connections.	Connect the cables properly. If the problem persists, the cables might be defective.	20
	The turntable is not grounded to the GND terminal.	Connect the turntable to the GND terminal of this unit.	22
	Both balanced and line cables are being used simultaneously between two components.	Do not use both balanced and line cables simultaneously between two components. Doing so would create a ground loop that could generate static and noise.	21
Playback audio from the component connected to the BAL 1 or BAL 2 balanced input jacks sounds distorted.	The level of the signal at the balanced input jacks is exceeding the allowable input level.	If the level of the signal at the XLR-type balanced output jacks on the connected playback component is doubled compared to the RCA unbalanced jacks, set the ATTENUATOR selector located below the input jacks to ATT. (-6 dB).	30
Bass lacks depth when BAL 1 or BAL 2 (balanced input) is selected.	The polarity is incorrect.	Select the correct polarity using the PHASE selector.	14
The volume level of the vinyl record is too low.	The PHONO switch on the front panel is set incorrectly.	Set the PHONO switch to the MM or MC position according to the type of magnetic cartridge of the turntable.	29
The remote control does not work or function properly.	The remote control has been used out of the operating range.	The remote control must be used within a maximum distance of 6 m and no more than 30 degrees off-axis from the remote control sensor on the front panel.	18
	Direct sunlight or lighting (from an inverter type of fluorescent lamp, strobe light, etc.) is hitting the remote control sensor on the front panel.	Change the orientation of the lighting or reposition the unit.	18
	The batteries are weak. Replace all batteries. 18

Index

A

AC IN jack 26

Adjusting the turntable input 29

ATTENUATOR selector 30

AUDIO MUTE switch 31

AUTO POWER STANDBY switch 13

B

BAL1jack. 11

BAL 2 jack. 11

BALANCE control 31

Balanced connection 14

BAL jack 13

BASS control 31

C

Connecting a power amplifier 23

Connecting a recording component 22

Connecting a subwoofer 23

Connecting a turntable 22

Connecting headphones 32

E

EXT.DIRECT switch 29

External In jack 23

EXT.IN jack 23

G

GAIN selector 30

Ground terminal 22

1

INPUT selector 28

L

LINE 1 jack 13

LINE 2 jack 13

LINE 2 IN jack 12

LINE 2 OUT (recording) jack 12

0

OUTPUT selector 28

P

PHASE selector 14

PHONES jack 32

Phono jack 22

PHONO jack 22

PHONO selector 29

Power indicator 6

Power switch 6

R

Remote connection 25

Remote control sensor 18

REMOTE jack 25

S

SERVICE jack 13

SIGNAL GND terminal 22

Signal ground terminal 22

STANDBY/ON/OFF indicator 6

STANDBY/ON/OFF switch 6

SUBSONIC FILTER 30

SUBSONIC FILTER switch 30

T

TREBLE control 31

Trigger connection 24

TRIGGER jack 24

TRIM selector 32

Turning the power on 6

U

Unbalanced connection 15

V

VOLUME control 30

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Fonctions

Prises REMOTE IN/REMOTE OUT

BAL (BYPASS). 2 Vrms/150Ω

BAL (ATT. -6dB) 1 Vrms/150Ω

LINE 1/LINE 2. 1 Vrms/150Ω

LINE 2 OUT (enregistrement) . . 200mVrms / 1,2k

EXT.IN. 1 Vrms/20 kΩ

LINE 2 OUT (enregistrement) (150mV,1kHz)

PHONO (MC 300Ω) 100 μVrms/300Ω

PHONO (MC 100Ω) 100 μVrms/100Ω

PHONO (MC 30Ω) 100 μVrms/30Ω

PHONO (MC 10Ω) 100 μVrms/10Ω

PHONO (MM, type XLR) 2,5 mVrms/52 kΩ

PHONO (MM, type RCA). 2,5 mVrms/47 kΩ

Accentuation/attenuation. 30 Hz/±9 dB

Accentuation/attenuation. 20 kHz/±9 dB

Buchsen REMOTE IN/REMOTE OUT

BAL (BYPASS). 2 Vrms/150Ω

BAL (ATT. -6dB) 1 Vrms/150Ω

LINE 1/LINE 2. 1 Vrms/150Ω

LINE 2 OUT (Aufnahme) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

EXT.IN. 1 Vrms/20 kΩ

PHONO (MC 100Ω) 100 μVrms/100Ω

PHONO (MC 30Ω) 100 μVrms/30Ω

PHONO (MC 10Ω) 100 μVrms/10Ω

PHONO (MM, XLR). 2.5 mV rms/52 kΩ

PHONO (MM, Cinch) 2.5 mV rms/47 kΩ

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Funktioner

REMOTE IN/REMOTE OUT-uttag

Dessa ar mono-minikontakter. Anslut externakomponenter som stoder triggerfungtionen har. For merinformation, sc "Fjarransluttingar" (sidan 145).

SERVICE-uttag

BAL (BYPASS). 2 Vrms/150Ω

BAL (ATT. -6dB) 1 Vrms/150Ω

LINE 1/LINE 2 . 1 Vrms/150Ω

LINE 2 OUT (inspelning) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Maximal utgangsspanning (1 kHz, THD 0,05%)

BAL. 6 Vrms

LINE 1/LINE 2. 3 Vrms

EXT.IN. 1 Vrms/20 kΩ

LINE 2 OUT (inspelning) (150mV,1kHz)

PHONO (MC 300Ω) 100 μVrms/300Ω

PHONO (MC 100Ω) 100 μVrms/100Ω

PHONO (MC 30Ω) 100 μVrms/30Ω

PHONO (MC 10Ω) 100 μVrms/10Ω

PHONO (MM, XLR-typ) 2,5 mVrms/52 kΩ

PHONO (MM, RCA-typ) 2,5 mVrms/47 kΩ

Maximal ingängssignal for spanning

LINE 2 OUT (inspelninq) (1kHz, THD 0,05%)

BAL (BYPASS). 2,8 Vrms

BAL (ATT. -6dB) 5,6 Vrms

TUNER/CD/LINE 1/LINE 2 IN. 2,8 Vrms

PHONO (MC) 2 mVrms

PHONO (MM) 50 mVrms

EXT.IN 5,6 Vrms

Frekvensætergivning (JEITA, belastning 22 kΩ)

10 Hz till 100 kHz. +0/-3 dB

20 Hz till 20 kHz. +0 / - 0,3 dB

Total harmonisk distorsion + brus

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Caratteristiche

Specifications of the system are given in Table 1.

Prese REMOTE IN/REMOTE OUT

BAL (BYPASS). 2 Vrms/150Ω

BAL (ATT. -6dB) 1 Vrms/150Ω

LINE 1/LINE 2. 1 Vrms/150Ω

LINE 2 OUT (registratione) . . . 200 mVrms/1,2 kΩ

EXT.IN. 1 Vrms/20 kΩ

PHONO (MC 100Ω) 100 μVrms/100Ω

PHONO (MC 30Ω) 100 μVrms/30Ω

PHONO (MC 10Ω) 100 μVrms/10Ω

PHONO (MM, tipo XLR) . . . 2,5 mVrms/52 kΩ

PHONO (MM, tipo RCA) . . . 2,5 mVrms/47 kΩ

Rumore residuo (rete IHF-A)

BAL/LINE 1/LINE 2 3 V

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Funciones

Interruptor/indicator AUDIO MUTE

Jacks REMOTE IN/REMOTE OUT

BAL (BYPASS). 2 Vrms/150 Ω

BAL (ATT. -6dB) 1 Vrms/150 Ω

LINE 1/LINE 2 . 1 Vrms/150 Ω

LINE 2 OUT (grabacion) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

EXT.IN. 1 Vrms/20 kΩ

LINE 2 OUT (grabacion) (150mV,1kHz)

PHONO (MC 300 Ω) 100 μVrms/300 Ω

PHONO (MC 100 Ω). 100 μVrms/100 Ω

PHONO (MC 30 Ω) 100 μVrms/30 Ω

PHONO (MC 10Ω) .100 Vrms / 10

PHONO (MM, tipo XLR) . . . 2,5 mVrms/52 kΩ

PHONO (MM, tipo RCA) . . . 2,5 mVrms/47 kΩ

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Eigenschappen

NORMAL: Pin #2 is HOT.

BAL (BYPASS). 2 Vrms/150Ω

BAL (ATT. -6dB) 1 Vrms/150Ω

LINE 1/LINE 2. 1 Vrms/150Ω

LINE 2 OUT (opname) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

EXT.IN. 1 Vrms/20 kΩ

LINE 2 OUT (opname) (150mV,1kHz)

PHONO (MC 300Ω) 100 μVrms/300Ω

PHONO (MC 100Ω) 100 μVrms/100Ω

PHONO (MC 30Ω) 100 μVrms/30Ω

PHONO (MC 10Ω) 100 μVrms/10Ω

PHONO (MM, XLR-type). 2,5 mVrms/52 kΩ

PHONO (MM, RCA-type) 2,5 mVrms/47 kΩ

Maximaal spanning ingangssignaal LINE 2 OUT (opname) (1kHz, THD 0,05%

BAL (BYPASS). 2,8 Vrms

BAL (ATT. -6dB) 5,6 Vrms

TUNER/CD/LINE 1/LINE 2 IN. 2,8 Vrms

PHONO (MC) 2 mVrms

PHONO (MM) 50 mVrms

EXT.IN 5,6 Vrms

Frequentierresponse (JEITA, belasting 22k

10 Hz tot 100 kHz. +0/-3 dB

20 Hz tot 20 kHz. +0 / - 0,3 dB

Totale harmonische verrorming met ruis (JEITA, ingang 0,5 V, 20 Hz tot 20 kHz)

BAL 1/BAL 2/TUNER/CD/LINE 1/LINE 2 IN BAL/LINE 1/LINE 2 .0,0100%

PHONO (MC) LINE 2 OUT (opname) 0,0200%

PHONO (MM) LINE 2 OUT (opname) 0,0200%

Kanaalscheiding

(ingang 1,0 kΩ terminated, 1 kHz/10 kHz, JEITA)

BAL 1/BAL 2/TUNER/CD/LINE 1/LINE 2 IN 110 dB of hoger

PHONO (MC) 80 dB of hoger

PHONO (MM) 98 dB of hoger

Functiescheiding

(IHF-A network, ingang 1,0 kΩ terminated, JEITA)

BAL 1/BAL 2/TUNER/CD/LINE 1/LINE 2 IN 110 dB of hoger

PHONO (MC) 75 dB of hoger

PHONO (MM) 95 dB of hogcr

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Функцин

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TexHnueckoe 6cIyXnBaHne

TTO6bI HIOJIb3OBaTB DAHHbI IPOyKT B TeueHHe DINTeJIbHO BpemeHN, peKOMEHdyETcpeYJnPHO IIPOBOIDHTBTEXIIHueCKOE 06ClyKHBaHHe.

PNEyPExKDeHne

• PeryIaHIO npOBepaIte cINIOBoi Ka6eIb Ha HAIuHne HA HeM NbIi. B Clyuae cKoJIeHnI PbIi NOIHocTbIO COtpTe ee. B npOTNBOM Cnyuae 3TO MOKeT pNIBcTNI K NOXApY IINI NOPaKeHnIO 3JNEKTpUcckm TOKOM.
  He nCnoB3yIe IJn OUHCTKn IIN CMA3Kn a3pO30JI INn cnpen, codepxauine ropuue ra3bl. B npTUBOM cnUae ropuynrA3 MOXET CKONITBCR BHTPN annapaTa, YTO MOXET pNBECTN K B3pbBy INn NOXAPy.

YBEDOMJIEHNE

• Iy nctkn annapata noh3yntecb mKo cyxoh TkaHbU. NcnoIb3ObaHne MOIOUX cpeCTB, TaKIN Kk 6eH3nH nn pa36aHTeJb, YnCTaue CpeCTBO nIIN o6pa6oTahHna XmMnueckncoCTabOM TkaHb, MoKET Bb3BaTb N3MeHeHne UBeTA nn NOBpeXdHne NOBepXHOCTn. PnCnblHom 3arpa3HeHn NOBepXHOCTu YBlaXHNTe TkaHb NcCTAum CpeCTBOM (pa3BeDeHHbM BOIo), TuaTeJIbHO OTOXMITE TkaHb N BbITPnte pRzB.
• Pn ycnneHHom npotnpaHm NOBepxHOCTN B 06naCTn IOROTnA Yamaha IOROTn MOKet OTKneTbCra NIN BOJOKHa OT TKAHN MOrYT pnnnHyTB K NOBEPXHOCTN.

Бokobbie панелс зеркальн biom nOKpbITnem

PekomeHyetyerHcIOJIb3OaBtBuHCTIyIO caIfoKy, aHAIOTnHyIO caIfoKAM IINI FOptEINHO. EcINIOBepxHOCTb OHHe rpa3Ha, HcIOJIb3yIte MmTKyIO yBIAJKeHHyIO BOIOH TIIATeJIbHO OTKaTyo TKaHB.

PobepxhoCTn,OTmHbIe OT 6OKOBbIX nHeJe C 3epKaJIbHbIM NOKpbITNeM

IpoTHpaHte ocTaJIbHbIE IOBepxHOCTM MrgKoI cyXOITKaHbIO. Ipn CnJIbHOM 3aIrpA3HCHNIOBcpxHOCTN yBIAJXHTe TKAHb HCTTtMM CpeCTBOM, pa3BeJeHHbIM BOIOI, TIIaTeJIbHO OTOXMITE KAHb H COPTHe Tpr3b C IOBepxHOCTN.

Ha3BaHnKOMNoHcHTOB nnx yHKcnn

B daHHOM pa3JeIe IpeIcTaBJIeHbI Ha3BaHnI n yHKIIIN pa3JIuHbIX KOMIOHETOB Ha nepeIHeN 3aJHeN IaHeN IN nyJIbTe DY.

Передна панель

NATURAL SOUND PRE-AMPLIFIER C-6000

1 NepeknioaTeNb/mHnkaTOp STANDBY/ON/OFF (NtTaHne)

BkIOueHHe (peKHMoeOKNJaHHN) HIN BbIKIOueHHe HHTaHHn aHnapata.

STANDBY/ON: IpeKIOHoeHne MEKdy BKOHOeHHbIM peKHMOM H pcKHMOM OKNJaHHc C IOMOIIbIO KHONK AMP Ha IIyIbTe IV.

OFF: BBKIOUCHHC INTATINH aIIIapapaTa.

Состаянке ритань Идмкатор
Вълочеву Горот ярко
Рекиме ожUIDань Горот Тугково
Вълочеву Н Горот

AIIIapat IpepeIeT BpeKHM OxHdAHn Hc ToJIbKO IIpHn HaKaTHn HA KHOIKy AMP Ha IIyJIbTe JY, HO H B OJHOM H3 CJIeDyIOHnx CJIyuaeB:

Bo3MOxHbIe 3NaueHnA: -6 nB,0 nB,+6 nB,+12 nB

5 CeIeKTop GAIN

IpeKIOHHe yCHIEHHI pCycHHTeJI. AIIapat IIABHO aIaITnpyTeK yChIEHHIO yCHHTeJI MOUHOCTN H CYBCTBHTeJIbHOCTN KOJOHOK, YTO IO3BOJIeT BIIIOJIHTb TOIKyIO HAcTPOIky IpOMKOCTN. IIO.IpO6He cM.Bpa3Je "HaCtpoiKa yPoBHr IpOMKOCTN" (ctp. 310).

Bo3MOxHbIe 3HaueHHa: -12B, -6B, 0B

6 CejekTop OUTPUT

OnpeJeHHe rHe3I OUTPUT,pee3 KOTopbIe BBIOJrTc nHHaJIb, cCJyIOIHm 6pa3OM.

HcIOJIb3yIe TaHHbI cJIeKTop IINHn HCCKOJIbKHX IOIKIIIOHcHHbIX YCHITCEJMe MOIHOCTH.

YctaHOBe TceNekTop ATTENUATOR n ceneKTop PHASE B noNoXeHne, COOTBeCTbIooJIe KOMnOHeHTam Bocnpoun3BedeHn, KOToPbIe NOkIIIOUeHb KannapaTy.

4 Cenektop ATTENUATOR

I03BOJIaTe yCTaHaBINbATb IOnyCTHMbI yPoBeHb BXOJHOrO cHHaJIa IJIa CMMETpHbIX BXoIHbIX rHe3I TIIa XLR (rHe3I BAL 1 n BAL 2).IIOJpo6Hee cm. B pa3JeIe "HacTPOIIka yPoBHra rPOMKocTH" (cTp. 310).

BYPASSIOnyctHMBI yPOCBH BXOHHORO cHTHaJIa Hc H3MeHITcR. B 06bHuHx ycIOBHX CJIeNyET BbIbHpTa bHaHoe 3HaueHHe.

ATT.(-6b):BXOHOe yCHJIeHHe 6yET CHHXKeHO Ha 6 b,TO6bI IIOHNrT BoNcyCTHMbI yPOBeHb BXOHOrO CnHrHaJIa.Bb6epHTe JAnHoe 3HaueHne, ECIN ayIOHCnHJIa, BbIOHMbI H3 IOKHOeHHORo KOMIOHEHTA,3ByHT NCKaKeHHO.

CenekTop PHASE

OnpceJnEETIOJOKeHHe KOHTaKaTc HOIT nI
CHMMETPHHBIX BXOINbIX THe3TnIIa XLR (rHe3BAL1 H BAL2).

NORMAL: KOHTAKT #2 BBi6paH B KaCCTBC KOHTAKTA HOT.

INV: KOHTaKT #3 BbI6paH B KauEcTBe KOHTaKTa HOT.
Piap06Hee cm. B pa3JeIe "CmmMetpHnHbe H
HecmmetpHnHbe coeHHcHn" (ctp. 294).

6 THe3daTUNER

3TO BXOJIHbIe THe3Ha RCA. Eecn ccKeTOp INPUT yCTaHOBJIeH BIOJOKeHHe TUNER, CHTHaJIbI, BBOIMMbIe uepe3 3TH THe3Ha, 6yDyT HcTOUHKOM BXOJHOrO CHTHaJIa. IIOKIIIOOHTE K Hm TIOheP.

3aHЯ paHeIb

7 THe3da CD

TO BxOJIHbIe rHe3Ja RCA.EcIN ceJIeKToP INPUT yCTAHOBJIeB HIOJOKeHHe CD, CHTHaJIbI, BBOJHMbIE Chepe3 OTH THe3Ja, 6yUT HCTOCHKO BxOJHOrO CHTHaJIa. IIOJKIOUHTe K HUM CD-IPONHPbBaTeJIb.

8 THe3da LINE 1

TO BXOHNIE THe3JA RCA. Ecn CEJIeKTop INPUT yctaHOBcH BIOIOKeHHc LINE 1, cHrHaJIb, BBOHMbc Hepe3 OTN THe3Jia, bYdT NCTOCHNKOM BXoHOrO CnHJaIa.

9 THe3da LINE 2 IN

TO BxOIIHbE IHe3Ja RCA. EcJIn ceJIeKTop INPUT YcTaHOBJIeH BIOJOKeHne LINE 2, 3TN IHe3Ja 6yIyT HCTOCHIKOM BXOJHORO CHHaJIa.

10 The3da LINE 2 OUT (3aanncb)

3TO BXOJIHbIC rHc3Ja RCA IINI 3aHHn. YpeC3 HIX
06bHIHO BbIOBHTC8 CHTHaJIbI HCTOCHKa BXOJHO
CHHaJIa, BbIbpaHHbc C IIMOIIbIO IIpcIHcN IaHcIJ INI
HJbTa IV. IHfOpMaIIHIO O IIpoJeIype IIOIKIOHeHN
CM.B pa3DeIe "IIOIKIOHeHne 3aHHcbIbAIooIEr
KOMIOHEHTa" (ctp. 302).

PpMueaHne

IopKJIIOHTe rHe3da LINE 2 IN u rHe3da LINE 2 OUT (aINCb) K ODNHY KOMNoHeHTy.
- The LINE 2 OUT (3a) He 6ydt BbOuHb CmHaBc, ecn ceneKTop INPUT yctaHOBneB nolooHe LINE 2 HxHkat nepeKnIOATEbEXT.DIRECT.

1 ένειδησις EXT.IN

Tn H3Ia HMeIOT XapaKTepeHCTKN BxOJIbIX THe3I
TIHa XL R IN BXoIHbIX THe3RCA.EJIN HAKaT
IpeKIOuATEJB EXT.DIRECT,CHTHaJI,IEpeJaBaembe
Yepe3 3TH THe3Ia,6yDyT HcTOHkOM BXoHOrO cHHaJa.
PiokIOOHTC K Hm IpcYcHITcIb.IoIp06Hcc cm.
B pa3JeIe "PiokIOUeHne npyToI ppeUcHITeJIA" (ctp. 303).

BHIMAHNE

HeBo3MOxHO HaCTpaNBaTb yPoBeHb rPOMKoCTn CnHaNoB, BBOIMMbIX uepe3 rHe3da EXT. IN. NToTOMy 063aTeNbHO nOdkIOHTe K rHe3dAmEXT. IN KOMnoHEr, KOtOpBm IMeet YHKUO ynpabNeHHrPOMKoCTbHO.

PpMueaHne

YpOBeHb rPOMKoCTn RbIaTeC TcNkCuPobAHbIM.
HcNoIb3OBaHne peryIaTopa VOLUME nnn ceneKToPA
GAIN Ha annapaTe He nImeHHT ypOBeHb rPOMKoCTn
CirHaJa, BBOdMOrO YpeE3rHe3daEXT.IN. OTperyIuPyIte
ypOBeHb rPOMKoCTn C NOMOuBIO peryIaTopa rPOMKoCTn Ha
KOMNoHEHe, NOdKIOUeHHOM KrHe3dAM EXT.IN.

THe3da BAL

TO BxOHNbIe THe3Ja TINa XLR. IOnKIOHHTe DaHHbIe THe3Ja K CnMMcTpNHBIM BXODHBIM THe3JAm Ha ycHInTEJIe MOIHOCHT.

THe3da LINE 1/LINE 2

3To BIXOJIHIE IHe3Ia RCA.IIOKIIIOHTeJaHHBe IHe3Ia K BXoIHbIM IHe3IaM RCA Ha ycHJInTeJe MOUHOCTN.

THe3da TRIGGER IN/TRIGGER OUT

3TO MOHOOHOHUNCCKNC MHHN-THC3a. IIOIKIOHTc B HMMBHEIHHE KOMIOHOENTb, KOToPbIe IOIDepKHBaOT TpHITcpeHyO fYHKINHO. IIOJPO6Hce cm. B pa3JeIe "TpHITrepHbIE coeINHeHN" (CTp. 304).

Гнэдд REMOTE IN/REMOTE OUT

TO MOHOOHNHcckHe MHHH-THe3Ja. IIOKIOHTe B HMMBHEIHNE KOMIOHENTbI, KOtOpBIE IOIDepKHBaOT fYHKIIIO INCTAHIOHOHOrO yIpaBILHn. IIOIpO6Hcc cm. B pa3JeIe "INCTAHIOOHbIe coeINHeHH" (ctp. 305).

THe3do SERVICE

JaHHoe rHe3IO HcHIOJIb3yETcI JINO6CJyKJBAHnI npOyKaT. OHO peIKo HcHIOJIb3yETcI.

IpekeKIOUaTeIb AUTO POWER STANDBY

OnpceJeT aBToMaTHuCeckn IepexoI anIapata B peKIM OKHaHII.

ON: aIIIapat IepcXoJNT BpcKHM OxHJaHHaBTOMaTHueckn,ecJI INHTaIHNE BKIOUeHO,HIO HHKaKHe ONcpaINH HC BbIIOJIHIAOTcB TcYCHCBOcMb YacOB.

OFF: aIIIapat He IepexoHT BpeKHM OxHJaHHaBTOMaTHueckn.

THe3do ACIN

ПОДКЛIOOHTE K HEMY ПИнlaIaEмьснIOBOH Ka6eJIb.
ПОДрбHee cm.В ра3дeJIe "ПОДКЛIOUeHHe cHIOBOrO Ka6eJI" (cIp. 306).

CnMMeTpNbIe N HeCnMMeTpNbIe CoeINHeHnA

aHHb aHapar HMeet cMMeTpHbIe rHe3da TIIa XLR n HeCHMMeTpHbIC BXoHNbc rHe3da TIIa RCA.

PpmeaHne

He nCnoJIb3yIte CmMMeTpNHyBIE HecmMMeTpNHyBie coeINHeHnM MEXdy DByM KOMNoHEHTaM OJHObpeMeHHO. 3To MoKxET CΦOpMnPoBaTb KOHTyp 3a3EmHeHn, KOTOpBn CO3daet CTaTuueckne NOMexn Wym.

CmmMeTpnuHoe coeunHeHne

CHMMETPNHHe COeHNHeHHe IpeHa3HaeHo,JIy yctpaHEnn HpeIOTBpaueHn HeKeJIaTeIbHO IOIyMa. IocKOJIbky 6OJee IINIIHbIE Ka6eHN O6bHIO c03dIoT 6OJIbIc IIyMa, CHMMETPNHOC COeHHcHcE 9ΦΦcKTHBHO, KOrJa Hco6XoIHMO HcIOJIb3OBaTb IINIIHbIC Ka6eJN. KaI npaBHIO, eJIN KOMIOHEHTb HMeOT CHMMETPNHbIE BIXOdb, cIcIyCT HcIOJIb3OBaTb CHMMETPNHbIC COeHNHeHn.

THe3da dIa cMMMeTpNHybIX CoeINHeHn

THe3a TnHa XLR Ha aHHom aannapate HcnoJb3yOTc
IIra cMMTePHHBIX coeHHHeHH. BxoJIbIe H
BbXoJIbIe rHe3Ja HMeIOT pa3HbI dH3aH. Ha BXOJe
rHc3IOBbIc pa3bCMBI, Ha BbXoJIe IITEKePbHC pa3bCMbl.
IIra cMMTePHHBIX coeHHHeHH HcNOJB3yOTc
CHMMTePHHBIC Ka6cJIH C pa3bEmAMH XLR. IIOKIOHTc
IIIteKePbIpa3bEM Ka6JIg K THe3IOBOMy pa3bemy Ha
aIIIapate, a THe3IOBOI pa3bEM Ka6JIg K IIIteKePHOMy
pa3bemy Ha aIIIapate.

Iay3a npn BOCpOuH3BcJeHH. HaKmHTe DHH 00 100BO36HOBJEHHBOCpOuH3BeJeHH.

(OCtAHOBka)

OCTAHOBKa BOCIIpON3BcDEHnA.

Dnponyck

IepexoHa cIeayIOuIOpOxKy HIN BO3Bpar K Haayy TekyIe IOpOxKn.

Khonka SOURCE

Bb6op HcToHHKa IJI BOCpOHN3BeEHHc NOMOIIIO CD-IPoHrPbBAteJI. Pn KaKJDOM HaKaTHN 3TOI KHOINH3MCHHeCTcHcTOOHNK IIIBOCpOHN3BCeHHa

Khonka LAYER

П配电Кюченсья ВOCIPON3BeДeHЯ Гбрногу ДSCKa Super Audio CD megду "Super audio CD"и "CD".

PpmeaHne

HekotopbIe moJen CD-npOurPbIbATEnei Yamaha MoryT He noDepxNBAt b yHKcnn 3TNX KHOJOK.

8 KhonKu VOLUME + / -

PeyIINPOBka ypOBHr rpoMkoctH.

PpmeaHne

KhoNKnVOLUME + / - Ha npJIbTe Ny he BnIyOT ha ypoBeH bPOMKOCTn,ecIn npaMeTpEXT.DIRECTBbI6paH BkaueCTBe nctOuHnKa BXoHOro CnHana.OTperyIpyuTe ypoBeHb POMKOCTn c NOMOsbIO peryIaTopa rpoMkoCTn Ha BHeuHem ycunnteJe, NOckIoUeEHHom KrHe3dAmEXT.IN.

9 Khonka MUTE

YMeHbIeHHe TeKyIeTo yPoBHa rPOMKocTHnH3HTeJIbHO Ha 20 d.HaKMnTe KHOIIky eue pa3 IJIBO3o6HOBJeHHa 3ByaHHa HpeMbUeM yPoBHe rPOMKocTHn. HJaKaTHe KHOIIKN VOLUME +HIn -Ha IIyIbTe DY TaKke OTMcHaeT pHiTJyIeHHe 3Byka.

YctaHObKa 6atapeek B nyIbT Dv

1 CHMITE KpbIiKy OTdJIeHnA nna 6atapeek.

2 BCTaBbTe IBe 6aTapeiKn (AAA, R03, UM-4) B COOTBeTcTBnC O6o3HaueHnMaN nOJrphocTn (+n-) Ha BVHTpeHne CTOpOHe OTdeneHnI dIg 6aTapeek.

3 YcTaHOBnTe Ha MeCTO KpbIuKy OTJeHnna 1n76aTapeek.

！ PPEyPPEKDEHNE

He 6pocaiTe 6aTapeKn B OTKpbITbI OOrHb N He NODBepraTe INX BO3eNCTBIO BBICOKIN TBmepaTyp, HAnpIMep, PnMbIX COJIHeYHbIX Lyuei INI NtOkPbIToro PnAmEHn. B IpOTNBHom Cnyae 6aTapeKa MoKeT B3OPBaTcA IN Bbl3BaTb Noxap JIn6o pNpBeCTN K TpaBMe.
He nbTaIte NOBtOpHc 3apAaITb 6aTapeKn, He npEJaHa3NaeHHbIe IJIpe3ApJkN. B IpOTNBOM Cnyae 6aTapeKmMoryT B3OpBaTbCra NIN NoTeYb, YTO MoKeT Bbl3BaTb CIneNoTy, XIMNUeCKNe OXoRn ININ TpaBMy.
Ecn6bTaepKa nTeKna, He npKacaiTecb KxNIOKcTn. B npOTNBOM clyaee 3TO MOKeT BblBaTb cIeNTy INXMMUeCKne OXKOrn. EcnB rna3a, B pot INHa KOxy NOnaJa XNIOKcTb, HEmdJIeHNO IpomOITe 3TO MeCTo 6OJbShIM KONUeCTBOM BObl N ObpaTNTecb 3a MedINCHKOINOMOuBIO.

! BHIMAHHE

He nCnoB3yIte OJHOBpeMeHNO HOBbIe N CTapBle 6aTapeKn. B npOTNBOM Cnyae 3TO MOKeT Bbl3BaTb noXap, oxOrn nn pa3dpaxKeHne n3-3a yTeKn 3NeKTPOJNTa.
He nCnOJIb3yIte OJHOBpeMeHNO 6aTapeKn IByx pa3HbIX TINOB.HanpIMep,ecn BbI NCNoJIb3yTe BmEcTe UeIoOHyIO u MapraHnceByIO 6aTapeKn, INI OJHOBpeMeHNO DBe 6aTapeKu IByx pa3HbIX npOn3BODInTEJe INI Cpa3HbIMN HOMepAMN IN3dEIN, 3TO MOXET BbI3BaTb NOxAp, OXOrn INI PA3dPaXKeHne KOKN N3-3a YTECKN 3NeKTPOJNTa.
XpaHNTe 6aTapeuKn B HeIOCTyHOM DnA DeTeMecTe. B IpOTNBOM Cnyae pe6eHOK MoKe TcnyaHaHO npOrnOtNb 6aTapeuKy.YteKa 3NeKtpoNtTaKaKke MOKe TBb3BaTb pa3DpaXeHHe KOKN.
BCTaBte DBe 6aTapeKn B COOTBETCTBn C o6o3HaueHnMa NIOJrPHocTn (+ n-).B IpOtnHBOM cnUyae 3TO MoKet Bb3BaTb NoXap, OxOrn nn pa3dpaxKeHne Koxn n3-3a yTeKn 3JeKTpOJTnTa.
EcnBbI pAnHypeTe He nCnObl3oBaT nyIbT Dy B TeueHne dnteNbHoro nepnoDa BpeMeHn NIO6 6aTaepKn noJIHOCTbIO pa3pXKeHb, I3BNEKeNTe IN 13 PylbTa DY. B npOTNBHom cIyae BCE 6aTaepKn B KOHeuHOM NTore 6dyT pa3pXKeHb IM MOrYT NToeYb, YTO Bbl3OBet pa3dpaXeHne KoxNnn NobPexkDeHne NylbTa DY.

YnpabIeHne c nOoBIO npIbTa Dy

IynpabHcHn c HMOIObIO IyIbTa DY HApabBte erIO pmo Ha ceHcop IHeTaHHoHHoro ynpabJIeHHa IpeJeHne IHaehn aIIapata.

Подключения

B daHHOM pa3deJe OINcIbAIOTcI IpoUeIpybI IOIKJIOueHnAanapataK HCTOuHHky ayINOCIHHaJIa, HAIIpHMep, TIOHEpy HJNCD-IPoINrPBtAEJIIO, H yCNJIHTeJIHO MOIHOCTHN.

BHUMAHNE

OTKIOUHTE NITAHNE BCEX KOMHOENTOB nepeB bIINHHeHm NOKIOUeHn.

YBEOMJIENHE

He nCnoB3yIte CMMMeTpNbIe I HeCmMMeTpNbIe CoEINHeHn MekNy DByM KOMNoHEHTaMn OndHOpeMeHHo. To MoKeT cOpMnPoBaT KoHTyp 3a3EmnHn, KOToPbI Co3daET CTaNueckne NOMEXN UWM.
- EcnBblnHpyeTe noKJIueHHe BHeWHX KOMNoHEtOB, O3HaKoMbTeCb C pyKOBoCTBaMn NO 3TNM KOMNoHEtAM n CLeNyIte yKa3aHHbIM B HIX INHCTpyKcHbM. B IpOTNBHom Cnyaae MoKeT Bo3HNKHyTb HeNCnPabHOCTb aNpapaT NIN BHeWHx KOMNoHEtOB.

TpurrepHbIe coeHHeHnA

Ynpablenhe onepaueeBkIoyehn I BbIKIOyeHnIITAHN NOKIIoyeHHOROKOMHOENTa, HapnPmep,ycnntela MouHocTc,CNHxPOHHo C daHHbIMannapatom

MoKHO ynpabTb opeaHcBkHooCHn H BbIKIOUeHHI IHTaHHN IOIKIOUeHHO KOMIOHeHTa, HAnpHMeP, CD-IPoHrpblBaTeJIYamaHa HIN ycHInTeJI MOHOCTH, CnHXPOHNO C daHHbIM aIIIapATOM HeIOJB3yIte cHCTeMHBI Ka6eJI bI JIA coEHNHEHHI rHe3Ja TRIGGER OUT Ha aIIIapATE c THe3JOM TRIGGER IN HA IOIKIOUeHHOM KOMIOHeHTe.

YnpabIeHne onepaueNei BkIIOUeHn I BbIKIOUeHn NITaHn aannapaTa cINxPOHNO C NOkIIOUeHHbIM KOMTOHErTOM, Hapumep, AV-pecNBepom

MoJHNO yIpaBnTb OncpAHHc BkJIIOUcHn H BbIKIOUeHHN IITaHHN aIInapaTc CHHXPOHH C IOIKIOUcHHbIM KOMIOHcHTOM, HAIIpHMep, AV- pccHBcpom YamaHa. HeIOJIb3yIte DoIOJIHNTEJBHbI IN Ha aIInapaTe c rHe3dOM TRIGGER OUT Ha IOIKIOUcHHOM KOMIOHeHrE. KoJa aIInapaT hAXOHTC BpeKHM OKNaIHn, IIIN BKKIOUeHHN IITaHHN Ha IOIKIOUcHHOM KOMIOHcHTc IIPOHOrET BKIOUcHHe H aIInapaTa, a CHHaJI, IIpeDaBaembYpe3 rHe3JaEXT. IN 6byET BB6paH B KaueCTBe HCTOuHHKa BXoIHORO CHHaJIa. IIpN BbIKIOUeHHN IITaHHN IOIKIOUcHHO KOMIOHOHTa DAHHbI aIInapaT IIpeXoDHT B peKHM OKHaDAHH.

PpMueaHne

Korda nepeknoyateIb nitaHnaHa annapate yctaHOBneB noJoxeHne OFF, ntaHne annapata He 6ydet BkIOUaTbc C NOKIOUeHHORO KOMNOHEHTA.
EcnnntOchHK BXoHOro CnHaHa He BbI6paH c nOmoBIO nepeKIOUcATEeNr EXT.DIRECT,TO npn BbIKIOUeHN NITaHnI NOkKIOUeHHOrO KOMHOHeTa H npON30JET BbIKIOUeHne NITaHnI annapata.

3aroprca cootbetcTByIOuHnHnKaTopbI.

BbI6Op BXoHOrO cnrHaJa n3 rHe3d EXT.IN

HaKMTHe Ha HepeKIOHouateJIbEXT.DIRECT.3aROpHTc HnHKatopEXT.DIRECT.CeIEKToP INPUT 6yIeT OTKIOueH, H NCTOCHIK ayINOCHHaJa, BBOHMbI Ype3 rHc3JaEXT.IN, 6yIeT BBIOHNTbcYpe3 npy BIXOIIbIX rHc3J. HxOHNbIH CNHAI, BBOHMbI Ype3 CMMcTpNtHbIC BXOHNbIE rHc3Ja, 6yIeT BBIOHNTbcYpe3 CMMetpNtHbIE BixOHNbIE rHc3Ja BAL. HcxOHNbIH CNHAI, BBOHMbI Ype3 BXOHNbIE rHc3Ja LINE, 6yIeT BBIOHNTbcYpe3 BixOHNbIE rHc3Ja LINE 1 n LINE 2.

IIpnIOBTOPHOMHaKaTHHnHaIpeKJIOHouateJIbEXT. DIRECT HIN IIpn IOBOPoCeIeKToPA INPUT cHrHaI, OIIpeJeJIeEMbIcEJIeKToPOM INPUT, cTaHET HcTOUHKOM BXOJHOrO cHrHaJa. HNikatop EXT.DIRECT nOracHeT.

PpmeaHne

EcnBb6paHnepeKnUoyateIbEXT.DIRECT,CnHnHHe 6yJTe BbBOuNTbcyauepe3rhe3da LINE2OUT(3aNNcb)upe3 rhe3do PHONES.

HactpoIka BXODHOrO cnHaJa npOnrpbBaTeJia

CelenkTop PHONO

YCTAHOBHTe ceJIeKTop PHONO B IOJOKeHHe, COOTBCTCTBYIOIIcc TIOJOBKe 3ByKOCHIMATJII INOHPTbIBaTeJI.

BapnaTbI NaCTpOuKn IaI rOIOBKn 3ByKoCHMaTeNl npOnrPbIBaTeNl

BHIMAHHE

EcnHa nponpmbateNe nCnObn3yetyr cnoOBKa 3ByKoCHMaTeN Tuna MM,6a3aTeNbHO yCTaHOBtEceneKTop PHONO B noJoxeHne MM.

PpmeaHne

06o3haeHn conpoTbneHn Ha ceneKeIope PHONO yka3bBAIO np6nn3ntbHbIe 3hauehn. NocnyaWte n npOBepbTe 3ByK c pa3HbIMn HAcTPOkAMn CONpOuBHeHn, T06bbl6paTb Han6Oone noDxOJaun BapnaHT.

YBEOMJIEHNE

Ipeep3aMeHOrrOIOBKN3BYKOCHMMaTeJI06raTeNbHO OKIIOUHTe NITaHn e aannapata.

HΦpa3ByKOBOI ΦnIbTp

BkiHOTNEIpeKJIHOaTeJbSUBSONIC FILTER, TIO6bI INPMeHHITb HINΦpa3ByKOBoI ΦHbTp npH Heo6XOJIMOCTH.

Pe3OHpyIOUHToIaHP mIPOHrPBbAteJHIN
IcΦOpMnPObAHHa BHHIOBa IIACTHHKa
MORYBb3bBAbT OeHb HN3KoYAcTOIHb POKOT
(HHpa3ByKOBOI IIIy), KOTOpB MoKc TcO3JaBaTb
HaPy3ky HIN IOBpeXdEHN JIA KOJOHOK.
Hfpa3ByKOBOI fHbTp IO3BOJIeT yCTpaHHTb TaKOH
Wym, YTO6bI 3aIIHTb KOJIOHN.

PpmeaHne

Hhpa3bkyoBof hnbTp otKnIOueH,ecnB KaeeCTBe
NCTOCHKA BXoHOrO CnHa Nba Bbl6paH IIOboi
NCTOCHK ayuOnCnHaHa,OTnuHbI OT npOnrPbBaTeNa
(NoDKIOUeHHbIK rhe3dAM PHONO),daXe ecn
nepeKnOyateNB SUBSONIC FILTER BKIOueH.

Hactpoia ypoBna rpomKoctn

HaCtpoIte ychJIeHHe c HOMOIIbIO CEJIeKToPA GAIN, 1TO6b BIIIOJIHHb TOIKYIO peyIHpOBky rPOMKOCTH.

HactpoTe ypOBeHb rPOMKocTH C IIOMOUbHO peryJIaTopa VOLUME.

PpumeyaHne

EcnBbCblBnTe NCKaKeHne DaKe B HnKHeM noLoXeHHpeYrIaTopaVOLUME,CnHaN MoKeT npBeBbAaB DonyCTmMb BxOAnHO yPoBeHb.EcnnctOuHNk ayDnOncrHaHa BBOJntcyepe3 CmmMeTpnuHbIe BXoHbIe rHe3da (BAL 1 nII BAL 2),ycTaHOBtce ceneKTOp ATTENUATOR B noLoXeHne ATT.(-6d5).

MrHOBeHHoe yMeHbWeHne yPOBn rPOMKoCTn

HaKMHTe Ha HepeKJIOHuaTeJB AUDIO MUTE
YMCHeHbIChHH TaKyIeTO yPOBn rPOMKOCTH
HpN6JIH3NeTteJbHO Ha 20 b.HaKMITE Ha HepeKJIOHauTeJIb
Ewe pa3 IJI BOCCTaHOBJIeHHa PpeIbIyIeTO yPOBn
rPOMKOCTH.

Hac tropona tem6pa

HacpoTte 6aIanC yPOBn rPOMKocm Mekdy npaBOH n BoBoN KOIOHKOc IOMOIIbIO pcryTAToPA BALANCE.

HacpoTe yPoBeHb rPOMKocTH BbICOKoTo Hn3KOTo dHaHa3OHa c NMOUbIO peryIaTOpOB BASS n TREBLE.

PpmeaHne

Ecnn o6a peryarntopa BASS n TREBLE yctahOBnHeBb UeHTpabHoe noToxKeHne, aydnocnHaI 6ydtO6xoDnTb CXemy npapBHeHn TEMbPOM.
Hactpoikn perynatopOB BASS, TREBLE n BALANCE He NOBnIaOT Ha CnHaNbI, BBODMbIe uepe3 rHe3daEXT. IN, n Ha CnHaNbl, BbIOMbIe uepe3 rHe3da LINE 2 OUT (aanncb).

Покlioарнон

HayushnKOB

EcnHayHHNKnIOKIOHOeHbKrHe3Iy PHONES, CnHnA Hc 6yET BBBOHTbcra Hepe3 BbIXOJIbIe rHe3Ja (BbIXOJIbIe rHe3a BAL, LINE 1 n LINE 2) Ha 3aJHcII NaHCII.

C HOMOIIbIO CEJIeKTopa TRIM HepeKIOHHTe ycHJIeHHe HayIHIKOB, YTO6bI HaCTpONITb 6aJIaHC yPOBn MEKdy ayINOCHTHaJOM, BbIBoIMMbIM Yepe3 IHe3IO PHONES, H KOJOHKAmH BO H36cKaHc BHC3aIIHBIX H3McHCHN IpOMKOCTH.

PpmeaHne

Ecnn Bb6pan nepeknouateIbEXT.DIRECT,cnHAn He 6yJeT BbBOuNTbcrae3rHe3do PHONES.

CnpaBoHbIe MaTePnAJIbI

200 MB, cpeHekBaIpaTnHoe 3NaueHHe/52 KOM

TUNER/CD/LINE 1/LINE 2 IN

200MB,cpEINHeKBAIpaTnHoc3NaueHHe/47KOM

EXT.IN

1B,cpcHckBaIpaTHHoc3Hauchnc/20KOM

LINE 2 OUT (3auncb) (150 MB, 1 kTq)

PHONO (MC 300 OM)

100MKB,cpedHeKBAipaTnHoe3NaueHne/300OM

PHONO (MC 100 OM)

100MKB, cpcIHeKBA,IpaTHTHoe 3HaueHHe/100OM

PHONO (MC 30 OM)

100MKB，cpeHckBaIpaTHHOC3HaueHHe/30OM

PHONO (MC 10 OM)

100MKB,cpEINKeBaIpaTHHoe3NaueHHe/10OM

PHONO (MM, mm XLR)

.2,5MB，cpeIIIEKBAIpaTHHIOE3NaueHHe/52KOM

PHONO (MM, TmRCA)

2.5MBcpeHEKBApaTnHoe3aueHHe/47KOM

MaKcMaJIbHoe HAnpJKeHne BXoHOrO cUrHana LINE 2 OUT (3aNNcb) (1 KfU, KHU 0,05%)

BAL (BYPASS)

2,8B，cpedHeKBaipnHoe3naeHne

BAL (ATT. -6 έb)

5,6B,cpeHneKBaipnHoe3haueHne

TUNER/CD/LINE 1/LINE 2 IN

2,8B，cpedHeKBaDpaTHHoe3HaueHHe

PHONO (MC)

2MB,cpcHnKBaIpaTHuHoc3HaueHHc

PHONO (MM)

50MB,cpcHcKbIpaTHHoc3HaCHHC

EXT.IN

5,6B，cpaHekBaapnHoe3aueHne

HactoTHaXapaKTepeNtka(JEITA,Harpy3ka22KOM)

or 10TIO 100Ku. +0/-3

or 20 II do 20 KII .+0/-0,3 nB

Ko3ΦnueHt HeuHeHbIX NCKaKeHc yUeTOM wyma (JEITA, BxoD 0,5 B, ot 20 Tq do 20 KTu)

BAL 1/BAL 2/TUNER/CD/LINE 1/LINE 2 IN →

BAL/LINE 1/LINE 2 .0,0100%

PHONO (MC) LINE 2 OUT (3aIIcB) ..0,0200%

PHONO (MM) LINE 2 OUT (3a11ncb).0,0200%

Pa3deneHne KaHana

(BXoJ,1,0KOM,3aMKHyTbH,1KΓ/10KΓ,JEITA)

BAL 1/BAL 2/TUNER/CD/LINE 1/LINE 2 IN

110BHHBbIIe

PHONO (MC) 80 I6 HIN BbIIc

PHONO (MM) 98 JB HIN BIIIC

Pa3deneHne yHKn

(cetb IHF-A, BXoJ 1,0 KOM, 3aMKHyTbI, JEITA)

BAL 1/BAL 2/TUNER/CD/LINE 1/LINE 2 IN

110B HIN BIIIE

PHONO (MC) 75 AB HIN Bblie

PHONO (MM) 95 nB nHn BnIc

Coothouhe nCnHan/ym

(cetb IHF-A, BXoJ 1,0 KOM, 3aMKHyTbJ, JEITA)

BAL 1/BAL 2/TUNER/CD/LINE 1/LINE 2 IN

110B HIN BIIIE

PHONO (MC 300Ω) 80 έБ έЛВ ВИЗ

PHONO (MM) 98 AB HIN BHIIE

OctaToHbI Wm (cTeb IHF-A)

BAL/LINE 1/LINE 2 3 kB

XapakTepeuCTnK nperynpovBkn Tem6pa

Hn3KHe YactoTbI

IIOIbem/cpe3 30 I/±9 nB

Hactota IepexoIa 350

BbICOKHe NaCTOTbI

IIOJIbEM/cpe3 20KΓ/±9πB

Hactora nepexoia 3,5 K

HomHaBbH BbIXoHb MaHcTb pa3bema nHaayuHKnOB (1 Kt, 32 Om, 0,2% KH)

35 MBT+35 MBT

BbipabHnBaHne OTKIOHeHnRIAA

MC/MM 5

XapakTepcntuHΦpa3ByKOBOro fNbTpa

MC/MM 15 / - 3 AB

UcOuHnK nTaHnA

[MoJIeJIINIJI CIIIA N KaIIaIbI]

120B IepemHHoro Toka,60I

[MoJIbKra]

220B npcmehnhoro toka,50I

[MoJIbKOpEn]

220B Iepemehoro Toka,60I

[MoJIbIABCTpaJIN]

240 B I npcmchHoro ToKa, 50 T

[MoJIeJIbIJIa CoeIHHeHHOro KopoJIeBCTBa H

ctpaH EbpIbI] .230 B IepemHHoro ToKa, 50 I

[MoJIbIJI A3HH]

220-240B nepemehnHoro ToKa,50 T/60T

[MoJIeJIINIJIIeHTpaJIbHOHIOJHOJAMepNKU

[ TaBbHa]. 110 B IepemehHoro ToKa, 60 Tc

3Hepronotpe6neHne

60BT

3Hepronotpe6lenHeBpexnmeOxuaHna

BbIKIOeHIOe coCTOHHHe. 0,1 B

PcKHM OKnIaHHa 0,2Br

Pa3Mepb（LxBxΓ）

435× 142× 451MM

Bec

19,1K

*B coIcPkaHHn DaHHoro pyKOBOCTBa IIpHbcIeHbI IocJIeIHHe Ha MOMcHT IIy6JIHKaIIHH TeXHHueCKHC xapaKTEpHCTHKn. JINI IOJIyUeHHN IocJIeIeHHe BepCnn pyKOBOCTBa IIOCeITHe Be6-caIT KopIIopaHn YamaHa n 3aIpy3HTe paJI c pyKOBOCTBOM.

БлOK-cхema

XapakTepnctnkn aydnocnHaJa

Yactotha xapaKtepncTnka (perynipobka tem6pa)

Ko3ΦnucneHT HeiHHeiHbIX nCKaJKeHn (PHONO)

HΦpa3ByKOBoI ΦnIbTp

Kpmba rpoMkoCTn

Bo3MOxHbIe HeuCnpaBHOCTN I cnoc6bIXx yCTpaHeHnI

Ecn nn Hn anapat pa6oatae He npabHbHo, cm. Ta6JNUy Hnke. Ecn HncippaBHOCTb He yka3aHa B Ta6JIuie Hn BHe cMOJIn ycTaHHTb ee, cJeIy HnCtpyKIIHM Ta6JIuHb, OTKIOUHTe aIInapat, OTCoeINHITe CnIOBOi Ka6JIb H 6paHTecb K 6JIHKaIIcMcy ABTOpH3OBAHHOMy IIIEpy IN B ccpBnchBn IeHTp YamaHa.

Heincpapabnoctb Пичina Cnoco6 yctpanenenia Cm.стр.
Питане не Велиочаетс.	Слобов Кабел Н подочуен К заиму AC IN на заиму панелей яйпьун в розту лесен Horо Ток.	Плковские саловский саловский cootbetCTbyuolum Obla3om.	306
	Данный саллар.Tлбергся сальногу лесатриechкому наразжени OT BVEшник Истонник (налример, молноя яй сальhoe CTatuneckoe лесатриechв).	Быковские саловский саловский cootbetOT розту лесен Horo TOKA, подочу的老 Okono 30сянд, a zatem сюва подочу саллар.	306
	Имeel сproblema c Bvytrpenhimi sxemamnдан Horo annapata.	Олковские саловский саловский cootbetК подочу的老Та в образлесь к подочу АВTORINIOBAHOMU ДИЕРУ IYI B cepBicnbYцentr YamaHa.	306
Звк не снышen.	Кабел Вхда/вхда 6ыліпослочны He nprabinlbNo.	Правл�но подочу的老 Салу Искрпавrostь coхсангетс, кабел могутSBытdeфektbIMn.	300
	Ньл bbl blybrancoobetCTbyuossi nctouhnik.	С пошью салекtopа INPUT на пошney панели (плл однои зз салекtopьх конлор k intочни вхдогу синнala на полte ДY) blyberite cootbetCTbyuolum Истонik BXODHORO синнala.	308
	Пложенье салекtopа OUTPUT He cootbetCTbyeT nCOnl3yembIM BxODHBM rHe3dAm.	Быserite cootbetCTbyuolum Вьхodс сnomошью салекtopа OUTPUT.	308
Невозмен nootregulipovabt у探测ь громкости.	Вариант EXT.DIRECT blybranв в качеве IncotchNiKa BxODHORO синнala.	ОтreyларуITE gromkoctь на подочenvHom komIoонente. Лбо подочу ВHEшни komIoонente K пape BXODNbIX rHe3d, OTlquhnybIX OT rHe3dEXT. IN, a zatem blyberite cootbetCTbyuolum Источник BXODHORO синнala.	300 308
Звк снышen ИЗ калонки тOLTь одногу канala.	Восрочьв徜аяшиkompoentnet nookluyen He nprabinlbNo.	Убетiletsв в TOM, чTO подочу Ид�пньпсьпь. Былonahevblправильно. ECSII Искрпавrostь coхсангетс, кабел могутSBытdeфektbIMn.	300
Héncnpabnoctb Ппч.	Инспаьськг.	Ispavilho no podkluchite ka6eili.Есл нсраввсьость coхсан'tя, ka6eili Mогут 6ыт DeфektbIM.	300
	Пошррьвateь He 3a3emlen чered TEmpinhal GND.	Порочite npoirрьвateь к Терminалу GND dathoro appapata.	302
	Симmetричные и линneyные ka6eili И сponьзOTь ODнOBpeMeHNo MeKdУ DByMa КOMIOHENTAm.	He ispoJIb3yIte cimmetpruHbIe i linneHbIe ka6eili odnoBpeMeHNo Mekdy DByMa KOMIOHENTAm.ЗTo Может сфOPMIPoBaT b KONTyp 3a3emlenia, KOTopbI cos3daet STATUeCKIe NOMEXI n shm.	300
Восрочевedingne aydnocgHana c komnoentA, pondknoeHHORO К симmetpruHbIM BXODhIM rHe3dAm BAL 1 по BAL 2, 3byuHt nckaxeHNo.	Урочь сигналь в симmetpruHbIX BxODhIX rHe3dax празыаETДОуCTMlbI BXODHou yproBeH.	Eclу урочь сигналь в симmetpruHbIX BxODhIX rHe3dax TIna XLR Na PodkluchENHOM Восрочь BodaIeM KomnoHente B Два раза 6obIe no copBHeNIO C НecimmetpruHbIMr rHe3dAmRCA, установite сelenkopf ATTENUATOR, pacnoJoxeHbIM NOBxOHNIM rHe3dAm, B noLOXeHne ATT. (-6 nb).	310
ВниKennч чastotax OTcyTCTByet rIy6uHa, korda Вbl6pano Зачение BAL 1 по BAL 2 (симmetpruHbI BXoD).	Неверhoe зачени полурноcti.	Быберite nprabinbHyIO polarpoctb c помоцьу сelenkoptra PHASE.	294
Урочь rPOMKOstn Винлобови пlaCTINHKN Слишkom Ni3Kni.	Пerekniochten PHONO Na пerejdne NaHelen uCTahOBlen B нeprabinlbHoe pIoJoxeHne.	ПerebeJte nepeKljuOatelb PHONO B noLoJoxeHne MM nll MC B coOTbETCBM C TINOM MaHHTHO rOLOBKN 3ByKOCHMATEJI пошррьвateЯ.	309
Пульт Ду не pa6otoet надlexaamm образом.	Пульт Ду Incplb3yETc За рideламп рбочero dmaIa3Ona.	Пульт Ду дOLжен Incplb3ObTaCBA В рideлax Maksimailho PacStOJHn6 M nPod yrglom He 6bONEe 30 rpaDCsOB BheOCEBO rOKIOHEn OT ceHCopa Dny napeJen naHeli.	298
	Празм oleonadache coIlnchbIX Lucey nll ocBeSeHnY (OT INHercepHNO phlyopecuntHNO LamMbI, stpo6oKoNa n T,d) Na ceHcop Dny na peedNei naHeli.	Изmenite oprieNTaIIO nCTOChnka CBeta nll noLOXeHne annapata.	298
	Раразженьibles 6bTapeiKn. Поменя Ite BCE 6bTapeiKn. 298

yka3aTeJIb

s

SUBSONIC FILTER 310

B

BkIOueHHe IITaHHa 286

F

Tnc3IOACIN 306

THe3IO BAL 293

Tnc3IO BAL 1 291

Tnc3IO BAL 2 291

THe3IO External In 303

Tnc3IOEXT.IN 303

THe3IO LINE 1 293

THe3IO LINE 2 293

ΓHc3IO LINE 2 IN 292

THe3IO LINE 2 OUT (aIIINc6b) 292

Tnc3IO PHONES 312

ΓHc3IOno Phono 302

THe3IO PHONO 302

ΓHc3IO REMOTE 305

THe3IO SERVICE 293

THe3IO TRIGGER 304

A

IHaTHHIOHHoe coeHHHeHHe 305

M

HHKATop STANDBY/ON/OFF 286

HnKaTopIHTaHne 286

H

HactpoiKa BxoDHoro CnHaJa IponIrpBbateJr... 309

HechMMMeTpHHeoe coeHHHeHne 295

#

IpekeJIOHaTeJIb AUDIO MUTE 311

IpeckJIOHuaTeJIb AUTO POWER STANDBY... 293

IpekeJIIOuateJIbEXT.DIRECT 309

IpcckJIOHauTeJIb STANDBY/ON/OFF 286

IpeKJIOHauTeJIb SUBSONIC FILTER 310

IIpeKJIIOUaTeJIb IIHTaHHe 286

IIOKJIIOUcHHe 3aINHCbIBaHOIIeTO KOMIOHeHTa... 302

IoiKIOHHe HauHHKOB 312

IoiKIOueHHe IPOHpBbAteJIa 302

PioknHcHc ca6Bypepa 303

IIOKIIIOueHHe yCHJIHTeJRA MOIOIOCTH 303

P

Perylntop BALANCE 311

PeryIaTOp BASS 311

PeryJrTop TREBLE 311

Peryltrap VOLUME 310

C

CeJIeKTop ATTENUATOR 310

CeJekTop GAIN 310

Cejektop INPUT 308

CenekTop OUTPUT 308

CeJekTop PHASE 294

CenekTop PHONO 309

CefekTop TRIM 312

Cencop nctaHIOHO ynpabIeHH 298

ChmmertpHnIOe coedHHeHne 294

T

TcpmHaJI SIGNAL GND 302

TepMHHaJI 3a3eMJIeHHJ 302

TcpmHnHaJI 3a3eMJIeHHn eHHaJa 302

TpHrTepHoe coeHHHeHHe 304

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