PRO800 - Synthesizer BEHRINGER - Free user manual and instructions

USER MANUAL PRO800 BEHRINGER

Quick Start Guide PRO-800 Classic Analog 8-Voice Polyphonic Synthesizer with 2 VCOs, Classic VCF, Arpeggiator, Sequencer and 400 Program Memories in Eurorack Format V 4.02 3Quick Start GuidePRO-800 Terminals marked with this symbol carry electrical current of sucient magnitude to constitute risk of electric shock. Use only high-quality professional speaker cables with ¼" TS or twist-locking plugs pre-installed. Allother installation or modication should be performed only by qualiedpersonnel. This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the enclosure - voltage that may be sucient to constitute a risk ofshock. This symbol, wherever it appears, alerts you to important operating and maintenance instructions in the accompanying literature. Please read themanual. Caution To reduce the risk of electric shock, do not remove the top cover (or the rear section). No user serviceable parts inside. Refer servicing to qualiedpersonnel. Caution To reduce the risk of re or electric shock, do not expose this appliance to rain and moisture. Theapparatus shall not be exposed to dripping or splashing liquids and no objects lled with liquids, such as vases, shall be placed on the apparatus. Caution These service instructions are for use by qualied service personnel only. Toreduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions. Repairshave to be performed by qualied servicepersonnel. Warning Please refer to the information on the exterior of bottom enclosure for electrical and safety information before installing or operating the device.

1. Please read and follow all

instructions and warnings.

2. Keep the apparatus away from

water (except for outdoor products).

3. Clean only with dry cloth.

4. Do not block ventilation openings.

Do not install in a conned space. Install only according to manufacturer's instructions.

5. Protect the power cord from

damage, particularly at plugs and appliance socket.

6. Do not install near any heat

sources such as radiators, heat registers, stoves or other apparatus (including ampliers) that produce heat.

7. Do not defeat the safety purpose

of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other (only for USA and Canada). A grounding- type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not t into your outlet, consult an electrician for replacement of the obsolete outlet.

8. Use only attachments and

accessories recommended by the manufacturer.

specied carts, stands, tripods, brackets, or tables. Use caution to prevent tip-over when moving the cart/apparatus combination.

10. Unplug during storms, or if not in

servicing, especially after damage.

12. The apparatus with protective

earthing terminal shall be connected to a MAINS socket outlet with a protective earthing connection.

13. Where the MAINS plug or an

appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.

Avoid installing in conned spaces like bookcases.

15. Do not place naked ame

sources, such as lighted candles, on the apparatus.

BESCHRÄNKTE GARANTIE

Top Panel (1) PROGRAM DISPLAY – indicates current program in Preset or Manual Modes; and parameters when using the menus. (2) PROGRAM SELECT 0-9 switches. used to select program numbers 0-100. There are four banks of programs, making 400 programs overall. These buttons are also used to access menu functions as described below. (3) PRESET – when active, shows the PRO-800 is programmed according to memory. When unlit indicates manual mode, when blinking indicates that a parameter has been edited but not stored. (4) PERF – switches the PRO-800 to manual mode. Front panel controls will be active. First press accesses patch parameters, second accesses manual mode (display shows P800). (5) SETTINGS – enter the settings menu. (6) TUNE – activates tuning of oscillators and lters. (7) SYNC SOURCE – choose from internal, MIDI, USB or Sync In. (8) SYNC CLOCK – First press sets clock BPM. Second press: clock subdivision (¼, ⁄ etc) Third press: clock in PPQN settings: 24, 48, 96, 192 are available. (9) REC – used for storing programs or sequences. Also used to latch the arpeggiator. (10) SEQ 1 – selects sequence bank 1 for recording or playback. (11) SEQ 2 – selects sequence bank 2 for recording or playback. (12) ARP UP DN – controls arpeggiator by key position. See Arpeggiator below. (13) ARP ASSIGN – controls arpeggiator by key order. See Arpeggiator below. (14) VALUE – used to adjust parameter values such as tempo. (15) FREQUENCY – adjusts the over a 4 octave range for both oscillators. The frequency range can be set using the additional parameters menu (see below). (16) SYNC – forces OSC A to follow OSC B in hard synchronization. (17) SAWTOOTH – enables a full-level waveshape containing all harmonics. (18) TRIANGLE – enables a full-level triangle wave, containing little harmonic energy. (19) PULSE – enables a full-level waveshape depending on the setting of the pulse width control. (20) PULSE WIDTH – adjusts the harmonic content of the pulse wave by setting its cycle from around 1 to 99%. 50% is approximately a square wave. (21) LEVEL – determines the volume of the oscillator. Signal is clean up to 5, then a distortion eect is gradually introduced. (22) FINE – raises OSC B frequency up to one semitone for detuning eects. (23) FIL ENV – adjusts the level of the lter envelope generator source for the Polymod. (24) OSC B – adjusts the level of OSC B source for the Polymod. (25) FREQ A – selects OSC A frequency as a destination of the Polymod. (26) FILTER – selects lter cuto frequency as a destination of the Polymod. (27) UNISON TRACK – with no keys pressed the current program will be switched to UNISON operation where all 8 voices are assigned to one note monophonically. With a chord held and unison then engaged, the chord will track up and down the keyboard. Pressing the button while holding a single note turns the Pro 800 into a monophonic synthesizer. (28) NOISE – increase the noise generator level. (29) LFO FREQUENCY – adjust the LFO speed from about 0.25 to 20 Hz. (30) SHAPE – LFO shape selection is made in the additional parameters menu and are assigned in pairs.

1. Tri-Pulse 2. Sine-Random 3.

Saw-Noise. (31) INITIAL AMOUNT – programs mod depth independently of an external MOD wheel. (32) FREQ A-B – applies LFO modulation to both oscillator frequencies. (33) PW A-B – applies LFO modulation to pulse width of both oscillators. (34) FILTER – applies LFO modulation to the lter cuto frequency. (35) GLIDE – increases the portamento between notes. (36) CUTOFF – adjusts the cuto frequency of the 24 dB/octave (4-pole) low-pass lter. (37) RESONANCE – adjusts the resonance of the lter. This emphasizes the frequencies around the cuto point. (38) ENVELOPE AMOUNT – sets the depth of the applied envelope. If set to 0, the lter envelope will have no eect. (EN) Step 2: Controls (EN) Step 2: Controls Top Panel Rear PanelPRO-800 Controls (EN) Step 2: Controls 18 19Quick Start GuidePRO-800 (39) KEYBOARD – when the FULL switch is selected CV is applied to the lters cuto frequency with the lter tracking the keyboard. When in the OFF position notes played higher on the keyboard will have more of their overtones suppressed than notes played in the lower register. The ½ setting gives an eect in between the FULL and OFF settings. Full setting allows a self-oscillating lter to accurately track the keyboard. (40) ATTACK – controls the attack time of the lter’s envelope. (41) DECAY – controls the decay time of the lter’s envelope. (42) SUSTAIN – controls the sustain level of the lter’s envelope. (43) RELEASE – controls the release time of the lter’s envelope. (44) ATTACK – controls the attack time of the amplier’s envelope. (45) DECAY – controls the decay time of the amplier’s envelope. (46) SUSTAIN – controls the sustain level of the amplier’s envelope. (47) RELEASE – controls the release time of the amplier’s envelope. (48) MASTER TUNE – adjust the overall tuning of the synth (+- 1 semitone). (49) POWER LED – indicates power is on. (50) VOLUME – sets the master volume. (51) SYNC IN – allows sync connection to external sources. (52) FILTER CV IN – allows the lter cuto to be controlled by external sources. (amount set in settings) (53) PHONES – headphone connection. (54) AUDIO OUT – ⁄

audio output. (55) MIDI IN – accepts incoming MIDI data from the selected midi channel. Rear Panel (56) OUTPUT – Connect to a mixer or audio interface ¼" Jack cable. (57) FOOTSWITCH – connect a footswitch for sustain control. (58) MIDI CHANNEL SELECTION. Move the four dip switches to select the MIDI channel.

THRU for outputting MIDI data. (60) USB PORT – Capable of sending and receiving MIDI information over USB. Also used for updates. (61) POWER SWITCH – Turns the synthesizer on and o. (62) POWER INPUT – Connect the supplied power supply only.

(EN) Step 3: Getting started PRO-800 Getting started OVERVIEW This ‘getting started’ guide will help you set up the PRO-800 and briey introduce its capabilities. CONNECTION To connect the PRO-800 to your system, please consult the connection guide earlier in this document. SOFTWARE SETUP The PRO-800 is a USB Class Compliant MIDI device, and so no driver installation is required. The PRO-800 does not require any additional drivers to work with Windows and MacOS. HARDWARE SETUP Make all the connections in your system. Keep the PRO-800 power turned o when making any connections. Ensure your sound system is turned down. Turn on the PRO-800 before turning on any power ampliers and turn it o last. This will help prevent any turn on or turn o “pops or thumps” in your speakers.

We recommend leaving 15 minutes or more time for the PRO-800 to warm up before recording or live performance. (Longer if it has been brought in from the cold.) This will allow the precision analog circuits time to reach their normal operating temperature and tuned performance. FIRMWARE UPDATE Please check the behringer.com website regularly for any updates to the Behringer SYNTHTRIBE app. The app looks for the latest rmware le which can then be downloaded and used to update the PRO-800.20 21Quick Start GuidePRO-800

Upon rst power-up, the PRO-800 tunes itself. The tune light illuminates, and the display indicates the oscillator or lter being tuned from A1 through A8, b1 through b8 and F1 through F8 for Oscillator A, B and the Filter respectively. The routine takes about 20 seconds to complete depending on the tuning of your instrument. It is normal to have to retune the instrument during the rst 30 minutes of operation as the electronics warm to a stable operating temperature. To tune, simply press the tuning button as required.

Pressing the PRESET button switches between manual mode, in which the synthesiser parameters sound parameters reect the active sonic state of the instrument, and preset mode in which the sound is a stored patch. You can edit a stored patch, manual patch or preset patch at any time by completing the following:

1. Press the RECORD button on the keypad. It will blink.

2. Press the two-digit location to which you want to save

the patch. The patch is saved. It will overwrite whatever sound patch was there before. You can cancel a patch store any time while the RECORD button is blinking by pressing it before pressing another button.

ADDITIONAL PARAMETERS MENU

Below is a table summarising the parameters and keypad buttons required to access the synthesiser additional parameters. To access these parameters, press PERF once. To select a parameter, press the keypad number repeatedly to scroll through the options, name and value will be displayed. To edit it, used the VALUE control. LFO SHAPE The PRO-800 supports six waveforms in addition to the standard Triangle and Square waves including Sine, (Saw) Ramp Up, Random, Noise. To select the desired waveform:

1. For Triangle, Sine or Saw:

1. If you are in preset mode, make sure Settings

is lit, else press it to access the additional parameters menu.

2. Switch the LFO-MOD Shape button to Triangle.

3. Press the 1 button once and use the Value control

to select the Triangle, Sine or Saw. The display indicates the current selection.

2. Switch the LFO-MOD Shape button to Square.

VCF Aftertouch Amount

LFO Aftertouch Amount

to select the Square, Random or Noise. The display indicates the current selection.

OSCILLATOR FREQUENCY CONTROL MODE

Oscillator A and B frequency ranges are now controllable in three modes: Octave (the default value), Chromatic and Free. The range remains the same, but it is now possible to sweep the frequency of the oscillators with a greater or smaller degree of ne control. To select the oscillator sweep mode, press button 8 twice on the additional parameters page and use the VALUE control to select it.

GLOBAL SETTINGS MENU

Access Global Settings by pressing SETTINGS once and use the keypad numbers to scroll through the options. Holding the SETTINGS button and pressing the TUNE button lets you tune the last note played. This will be saved in the preset data. PRESET PARAMETERS To access the PRESET parameters hold the PRESET button and use the keypad buttons to select the parameter required. AUTOTUNE The TUNE button starts the auto-calibration of the oscillators and lters, muting the output during the process. A short press will reset all tuning data and fully calibrate the device. A long press will start a faster recalibration of the tuning, adjusting to temperature changes of the analog circuits. CHORD MODE Holding a chord and switching the UNISON TRACK on stores that chord an allows it to be transposed across the keyboard. The chord will be saved as part of the preset. This can also be set by pressing the sustain pedal while holding a chord in UNISON mode. TRANSPOSITION By holding the PERF and SETTINGS buttons then playing a note on an attached MIDI keyboard the keyboard will transpose to the note played relative to C. KEYBOARD MODES The PRO-800 can be either in Polyphonic, Unison or Chord mode.

1. The synthesizer starts in Polyphonic mode, in which any

new note will be assigned to one of the 8 voices.

2. If you switch Unison Track on with no pressed key, you

are in Unison mode, all 8 voices will play the same note.

3. If you switch Unison Track on with one or more pressed

keys, you are in Chord mode. The pattern those keys made will now be transposed over the whole keyboard range by new notes.

4. If you switch on Unison Track with one key pressed you

enter single voice unison mode. Key Parameter Choices / (Comments) 1 MIDI Rx Channel O / 1 – 16 / All / Dipswitch MIDI Tx Channel Thru / 1 – 16 / All / Dipswitch MIDI CC O / Tx / Rx / TxRx MIDI PC O / Tx / Rx / TxRx Sync In Forward On / O Sync In Polarity Rise / Fall Sync In Start/Stop On / O Sync In PPQN 1 PPS / 2 PPQ / 4 PPQ / 24 / 48 Local On / O Soft Thru On / O 2 Transpose - 3 Preset Dump (Second press to conrm SysEx dump) 4 Voice Select 1 – 8 Voice Kill On / Kill 5 Retune Element Osc A / Osc B / VCF Octave All / Oct 0-7 6 Retune Encoder Second press to initiate 7 Screen Brightness - Display Parameter Time - Preset Name Display 8 Autotune Precision 0.5 c / 1.0 c / 1.5 c / 2.0 c 9 External Filter Mod - Voice Priority Last / Low / High 0 Factory Reset (second press conrms restoration of factory settings) Key Parameter Comments 1 Bank A - 2 Bank B - 3 Bank C - 4 Bank D - 5 Preset Copy (copies the current preset values) 6 Preset Paste (pastes the copied preset to a new location. Second press conrms) 7 Randomise Preset - 8 Bank Copy First press copies current bank. Then navigate to another bank and use 9 9 Bank Paste Hold PRESET and press twice to paste the copied bank to its new location 0 Reset to basic patch22 23Quick Start GuidePRO-800 The foot switch input can be used to latch a new pattern of notes. New notes will be assigned to voices using one of those priority rules:

1. Last: New notes will always play; the oldest notes may

2. Low: Only the lowest notes will play. In Unison or Chord

mode, legato will be active.

3. High: Only the highest notes will play. In Unison or Chord

mode, legato will be active. The assignment priority is set in the additional parameters menu. ARPEGGIATOR The arpeggiator has two buttons to set its parameters. To set the arpeggio type hold the ARP UP-DN button and use the keypad to select: 1 – Arpeggio Up 2 – Arpeggio Down 3 – Arpeggio Up and Down 4 – Arpeggio Up then Down To assign the arpeggiator hold the ARP ASSIGN button and use the keypad to select: 1 – Played order 2 – Random order Holding ARP button and pressing REC holds the current notes played. The foot switch input can also be used to hold the arpeggiator. Holding a note or chord then pressing the ARP UP-DN button holds the note/chord in a drone without arpeggiation. SEQ RECORDING

3. Start playing. (Recording does not begin until the rst

5. The sequence will play continuously loop until the

appropriate SEQ switch is switched o.

6. Care must be taken to not exceed the note limit, which

is approximately 400, but may be less if the specic sequence contains long rests. If the note limit is exceeded, the sequence will only contain the last 400 notes— the earliest notes will be lost.

7. When both banks are being used, care must also be taken

to not exceed the 400-note limit. The sequencer assigns memory priority to the bank which is currently being recorded, and will “steal” notes from the other bank once the 400 total note limit is reached. For example, if SEQ 1 already has a 250-note sequence recorded in it, you will erase SEQ 1 if you attempt to record more than about 150 notes in SEQ 2. SEQ PLAYBACK

1. To playback a sequence, press SEQ 1 or SEQ 2.

2. The playback speed can be varied from 1/4 to 4X real-time.

The SPEED control position for 1:1 playback speed is to the left of centre. This provides more control range of higher speeds.

3. The playback speed can also be programmed. As the

sequencer is playing back, set SPEED as desired, then press the RECORD switch (which will not light). Now whenever the sequence is selected it will play at this speed. The programmed speed can be edited and re-recorded (just like the synthesizer controls). To stop, press the appropriate SEQ switch or the footswitch POWER UP Pressing the PRESET button while powering up the PRO-800 loads a generic preset, which can then be edited. Holding the SETTINGS button while powering up resets all settings to factory default. Holding the 0 key on the keypad while powering up performs a button test. Eurorack Installation Disconnect from Main PCB The PRO-800 can be taken out of its factory chassis and tted into a standard Eurorack case (not supplied). We recommend that this procedure is carried out only by an experienced service technician to prevent personal injury or damage to the PRO-800. The Eurorack case will need to have a suitable power supply with enough capacity to power the PRO-800. Consumption is 1.2 A at 12 v DC. A 10 pin to 16 pin adapter ribbon cable is supplied with the PRO-800. Please ensure that the Eurorack case will supply +/- 12v DC and ground to the correct pins, and that the cable is at the correct orientation before proceeding. Procedure Please follow all steps in the correct order.

1. Disconnect the power and all other connections to

2. Undo the eight screws on the top panel as shown.

There is no need to undo any other screw.

3. Carefully lift the top panel assembly, and turn it over so

that the PCB is facing upwards. Be careful not to pull the ribbon cable from the lower side of the main PCB.

4. Disconnect the 24 pin ribbon cable from the main PCB of

the PRO-800 and remove the assembly from the chassis.

5. Store the chassis assembly and power supply in a safe,

6. Securely connect the 10 pin end of the supplied ribbon cable

adapter to the main PCB of the PRO-800.

7. Having ensured that your Eurorack case is isolated from

the mains connect the 16 pin end of the ribbon cable to a spare outlet in the case.

8. Secure the PRO-800 to the case using the eight

9. Perform a full safety test before using the PRO-800.

1 PPS / 2 PPQ / 4 PPQ /

VCF Aftertouch Amount

VCF Aftertouch Amount

VCF Aftertouch Amount

1 – 2 – 3 – 4 – ARP ASSIGN

86 56 - OSC B Fine - - 87 57 - VCF Freq - - 88 58 - VCF Reso - - 89 59 - VCF ENV amount - - 90 5A - VCF Rel - - 91 5B - VCF Sus - - 92 5C - VCF Dec - - 93 5D - VCF Atck - - 94 5E - VCA Rel - - 95 5F - VCA Sus - - CC Num Hex Continuous - Coarse Continuous - Fine tune Stepped params MIDI standard 96 60 - - - NRPN Data increment 97 61 - - - NRPN Data decrement 98 62 - - - NRPN Param LSB 99 63 - - - NRPN Param MSB 100 64 - VCA Dec - - 101 65 - VCA Atck - - 102 66 - Pmod Filter Env amount - - 103 67 - Pmod OSC B amount - - 104 68 - LFO Freq - - 105 69 - LFO Amount - - 106 6A - Glide - - 107 6B - VCA Vel - - 108 6C - VCF Vel - - 109 6D - Mod delay - - 110 6E - Vib Freq - - 111 6F - Vib Amt - - 112 70 - Unison Detune - - 113 71 - Noise - - 114 72 - VCA Aftertouch - - 115 73 - VCF Aftertouch - - 116 74 - LFO Aftertouch - - 117 75 - Pitch Range - - 120 78 - - - All sounds o 123 7B - - - All notes o110 111Quick Start GuidePRO-800 Specications Synthesizer Architecture Number of voices 8 Type of oscillators 2 x 3340 per voice Type Analog Oscillators 16 (32.70 Hz to 8372.02 Hz across 4 ranges) LFO 1 (0.08 Hz to 20 Hz) VCF 1 x 4-pole low pass (24 dB/oct. slope) Envelopes VCF, VCA Connectivity Output ¼" TS, unbalanced, max. +5.0 dBu Audio out ⁄" TS, unbalanced, max. +20.0 dBu Footswitch ¼" TS, unbalanced Headphones ⁄" TRS, unbalanced, max. 7.5 mW @ 32 Ohm Headphones output impedance 8 MIDI In Out/Thru 2 x 5-pin DIN/ 16 channels USB (MIDI) USB 2.0, type B Sync in TS 3.5 mm 1PPS, 2PPQ, 24PPQ, 48PPQ Fliter CV IN TS 3.5 mm 0 V to +10 V USB Type Class compliant USB 2.0, type B Supported operating systems Windows 7 or higher/ Mac OS X 10.11.6 or higher Program Section Display 4 number, 8-segment display Buttons 0 – 9 program select Preset, perf, settings, tune Sync source, sync clock, rec SEQ 1, SEQ 2, ARP UP-ON, Arp Assign. Control Value encoder Oscillator Section Controls Frequency (OSC A & B): -5 to +5 Level (OSC A & B) 0 to 10 Pulse Width (OSC A & B) 0 to 10 Fine (OSC B only) Switches Shape (OSC A & B): Sawtooth, Triangular and Pulse OSC A sync: on/o POLY-MOD Section Controls FIL ENV 0 to 10 OSC B S 0 to 10 Switches Freq A destination Filter destination Control Noise level 0 to 10 Controls Frequency 0 to 10 Initial amount 0 to 10 Switches Shape: Triangle or Pulse Freq A-B PW A-B Filter Controls Rate: 0 to 10 Controls Cuto frequency: 0 to 10 Resonance: 0 to 10 Envelope amount: 0 to 10 Attack: 0 to 10 Decay: 0 to 10 Sustain: 0 to 10 Release: 0 to 10 Switch KYBD amount: o, ½, FULL Noise Section LFO-MOD Section Glide Section Filter Section112 113Quick Start GuidePRO-800 Specications Controls Attack: 0 to 10 Decay: 0 to 10 Sustain: 0 to 10 Release: 0 to 10 Controls Volume: 0 to 10 Master tune -5 to +5 LED Power External power adaptor 12 V DC 1200 mA Power consumption 14.4 W maximum Operating temperature range 5°C to 45°C (41°F to 113°F) Dimensions (H x W x D) 96.6 x 424.4 x 135.6 mm (3.8 x 16.7 x 5.3") Weight 1645 g (3.63 lb) Eurorack HP 80 hp Amplier Section Output Section Power Requirements Physical Environmental

Pleaseregister your new Music Tribe equipment right after you purchase it by visiting musictribe.com. Registeringyour purchase using our simple online form helps us to process your repair claims more quickly and eciently. Also, read the terms and conditions of our warranty, ifapplicable.

2. Malfunction. Should your

Music Tribe Authorized Reseller not be located in your vicinity, you may contact the Music Tribe Authorized Fulller for your country listed under “Support” at musictribe.com. Shouldyour country not be listed, pleasecheck if your problem can be dealt with by our “OnlineSupport” which may also be found under “Support” at musictribe.com. Alternatively, please submit an online warranty claim at musictribe.com BEFORE returning theproduct.

3. Power Connections.

Beforeplugging the unit into a power socket, please make sure you are using the correct mains voltage for your particular model. Faulty fuses must be replaced with fuses of the same type and rating withoutexception.

其他的重要信息FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION Behringer PRO-800 Responsible Party Name: Music Tribe Commercial NV Inc. Address: 122 E. 42nd St.1, 8th Floor NY, NY 10168, United States Email Address: legal@musictribe.com PRO-800 This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment o and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• • Reorient or relocate the receiving antenna.

• • Increase the separation between the equipment and receiver.

• • Connect the equipment into an outlet on a circuit dierent from that to which the receiver is connected.

• • Consult the dealer or an experienced radio/TV technician for help. This equipment complies with Part 15 of the FCC rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Important information: Changes or modications to the equipment not expressly approved by Music Tribe can void the user’s authority to use the equipment. Hereby, Music Tribe declares that this product is in compliance with Directive 2014/35/EU, Directive 2014/30/EU, Directive 2011/65/EU and Amendment 2015/863/EU, Directive 2012/19/EU, Regulation 519/2012 REACH SVHC and Directive 1907/2006/EC. Full text of EU DoC is available at https://community.musictribe.com/ EU Representative: Music Tribe Brands DK A/S Address: Gammel Strand 44, DK-1202 København K, Denmark UK Representative: Music Tribe Brands UK Ltd. Address: 8

Floor, 20 Farringdon Street London EC4A 4AB, UnitedKingdom Correct disposal of this product: This symbol indicates that this product must not be disposed of with household waste, according to the WEEE Directive (2012/19/EU) and your national law. Thisproduct should be taken to a collection center licensed for the recycling of waste electrical and electronic equipment (EEE). Themishandling of this type of waste could have a possible negative impact on the environment and human health due to potentially hazardous substances that are generally associated with EEE. At the same time, your cooperation in the correct disposal of this product will contribute to the ecient use of natural resources. For more information about where you can take your waste equipment for recycling, please contact your local city oce, or your household waste collection service. 120 121Quick Start GuidePRO-800We Hear You