Code 25 - Guitar amp MARSHALL - Free user manual and instructions

USER MANUAL Code 25 MARSHALL

1) Read these instructions.2) Keep these instructions.3) Heed all warnings.4) Follow all instructions.5) Do not use this apparatus near water.6) Clean only with dry cloth.7) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including ampliers) that produce heat.8) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not t into your outlet, consult an electrician for replacement of the obsolete outlet.9) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.10) Only use attachments/accessories specied by the manufacturer.11) Unplug this apparatus during lightning storms or when unused for long periods of time.12) Refer all servicing to qualied service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.13) WARNING: To reduce the risk of re or electric shock, do not expose this apparatus to rain or moisture.14) The appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable. 15) The apparatus shall not be exposed to dripping or splashing and that no objects lled with liquid, such as vases, shall be placed on the apparatus.This “bolt of lightning” symbol indicates uninsulated material within your unit may cause an electric shock. For the safety of everyone in your household, please do not remove product covering.The “exclamation point” calls attention to features for which you should read the enclosed literature closely to prevent operating and maintenance problems. COMPLIANCE STATEMENT This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) This device must accept any interference received, including interference that may cause undesired operation.Warning: Changes or modications to this unit not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment. Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:- Reorient or relocate the receiving antenna.- Increase the separation between the equipment and receiver.- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. - Consult the dealer or an experienced radio/TV technician for help.This equipment complies with FCC RF radiation exposure limits set forth for an uncontrolled environment. This equipment should be installed and operated with a minimum distance of 20 centimeters between the radiator and your body. Industry Canada caution. This device complies with Industry Canada licence-exempt RSS standard(s). Operation is subject to the following two conditions: (1) This device may not cause interference, and (2) This device must accept any interference, including interference that may cause undesired operation of the device.Francais:Le présent appareil est conforme aux CNR d’Industrie Canada applicables aux appareils radio exempts de licence. L’exploitation est autorisée aux deux conditions suivantes:(1) l’appareil ne doit pas produire de brouillage, et (2) l’utilisateur de l’appareil doit accepter tout brouillage radioélectrique subi, même si lebrouillage est susceptible d’en compromettre le fonctionnement.

CODE is a new generation of Marshall amplier. Fully programmable, CODE combines authentic modelling of classic and contemporary Marshall tones with professional quality FX. CODE preamp, power amp and speaker cabinet models have been developed in collaboration with audio software pioneers Softube to create Marshall-Softube (MST) modelling. Featuring Bluetooth

& USB connectivity, and Marshall Gateway™ compatibility, CODE is a powerful tool that lets you make music your way. CODE is loaded with sonic possibilities. It has 14 MST preamps, 4 MST power amps and 8 MST speaker cabinets. CODE features 24 FX: including Compressor, stompbox Distortions, Auto Wah, Pitch Shifter, Chorus, Vibrato, Phaser, Vibes, Flanger and Tremolo. It includes Studio, Vintage, Multi and Reverse Delays, Tap Tempo, and studio quality Reverbs. Including Gate, you can have up to 5 FX simultaneously. Using the Marshall Gateway App for your iOS or Android device you can control CODE’s settings remotely via Bluetooth and share Presets with other CODE users. You can stream audio from your device, computer or MP3 player through CODE’s speaker or headphones for practice, or jam along with tracks from your music library. Connect via USB to use your CODE amplier as a DAW interface. We sincerely hope that you enjoy your CODE amplier and we wish you every success, whatever your performance situation. Thank you for choosing Marshall. - The Marshall TeamMARSHALL AMPLIFIER HISTORY (CONT.) MST modelling recreates the tonal and sonic characteristics of some of the most successful and respected amplier preamps from the past fty plus years. JTM45™ The JTM45 was the rst Marshall amplier. It was made in 1962 by Jim Marshall and his small team of engineers in a workshop at his music store in Hanwell, London. This 30 Watt two channel amplier began a revolution that changed forever the sound of rock and blues music. The JTM45 is still made today as part of the Vintage Re-Issue™ Series and Handwired™ Series. 1962 Bluesbreaker™ The 1962 Bluesbreaker was the rst combo made by Marshall. Launched in 1965, it had two 12” speakers with an output of 30 Watts. The 1962 was famously used by Eric Clapton on the inuential blues album ‘John Mayall’s Bluesbreakers’ in 1966 – hence the 1962’s ‘Bluesbreaker’ nickname. The 1962 Bluesbreaker is still made today as part of the Vintage Re-Issue Series™ and Handwired™ Series. 1959™ Plexi™ To the minds and ears of many, the 100 Watt Super Lead heads of the mid to late 1960s are the holy grail of great rock tone. Being non-master-volume, when cranked, the 1959 power valves overdrive producing highly responsive, harmonically rich tones. The 1959 amplier is still made today as part of the Vintage Re-Issue Series™ and Handwired™ Series. JCM800 2203™ The 2203 is one of the most important ampliers Marshall has ever made. It evolved in the ‘70s from the JMP and 1959 Plexi heads. In the ‘80s the 2203 became the JCM800 2203 we know today: a straightforward single channel amplier that was favoured by the heavy metal scene that dominated much of that decade. Its popularity remained well into the ‘90s with the emergence of Grunge and Britpop, and it’s still revered today and is considered the benchmark by which modern all metal ampliers are measured. JCM2555™ Silver Jubilee™ The 25/50 Silver Jubilee Series was created in 1987 to celebrate the 25th anniversary of the founding of Marshall Amplication and 50 years of Jim Marshall being in the music business. Based on the JCM800 2203 and 2204™ Master Volume models, Silver Jubilee ampliers had a special preamp circuit that featured three gain ‘modes’ which were Clean, Rhythm Clip and a switchable Lead Channel. The 2555 was the 100 Watt head in the Jubilee series, which was a limited edition. By popular demand the JCM2555 was re- issued as the 2555X™ in 2015. JCM2000™ DSL100™ Launched in 1997, the JCM2000 Dual Super Lead’s ‘dual mode’ design meant that guitarists could choose either a Clean or Crunch tone from the Classic Gain Channel, whilst the Ultra Gain Channel provided two lead sounds: Lead 1 & Lead 2. This tonal versatility was aided by the Deep and Tone Shift features. It is the JCM2000 DSL100’s tonal range and versatility that made it massively popular in its day, so much so, that its legacy lives on in the current DSL Series.

MARSHALL AMPLIFIER HISTORY

JVM410H™ When the JVM410H launched in 2006 it caused quite a stir. This 100 Watt head is an all-valve tonal monster that has four channels, each with three modes: Green, Orange and Red, offering guitarists a range of 12 unique tones. Each mode recongures the channel gain stages in order to develop different amounts of gain and tone. The JVM410H’s vast tonal spectrum makes it the most versatile amplier Marshall has ever made, used by many professional players. POWER AMPLIFIERS MST modelling recreates four classic and vintage valve power output topologies. A valve power stage is a vital part of an all-valve amplier’s sound and its tonal character. SPEAKER CABINETS Marshall speaker cabinets are perhaps as famous as Marshall ampliers. The iconic 4 x 12” design has changed little since Jim Marshall designed the rst one in 1965. Since then the Marshall 4 x 12” has become the touchstone for all other speaker cabinets. MST modelling recreates the sonic characteristics of eight classic Marshall speaker cabinets, including a variety of 4 x 12”, 2 x 12” & 1 x 12” speaker congurations. Marshall speaker cabinets differ not only in their speaker congurations, but in the speakers that they use, how they are wired and the size of the cabinet. ENGLISH ENGLISH GETTING STARTED To begin using CODE:

• Ensure that the power ON/OFF switch is set to the OFF position (#13 in this manual).

• Connect the supplied power cord to the rear power socket of the amplier before plugging into the mains electricity supply.

• Plug your guitar cable into the amplier INPUT jack socket (#2 in this manual).

• Set the MASTER volume control to zero (#9 in this manual).

• Turn the amplier ON using the ON/OFF switch.

• Gradually turn the MASTER up to your desired volume level.

Use this jack socket to connect your guitar to the amplier. Use a good quality screened/shielded guitar cable to help prevent noise interference.

Controls the amount of Gain introduced to a Preset. The higher the Gain, the harder the preamp is driven.

Turning the BASS control will adjust the warmth and low-end depth of your sound.

Adjusting the MIDDLE control will vary the amount of body in your sound by boosting or cutting midrange frequencies.

Increasing the TREBLE will make your sound brighter and more cutting. Turning the TREBLE down will decrease tonal edge and make the sound softer.

Controls the volume level within a selected Preset. Because GAIN, BASS, MIDDLE, TREBLE & VOLUME are stored as part of a Preset, these panel tone controls only become active when they are used. This means that until they are turned their position is not related to their setting within a Preset. When you turn a tone control it becomes active. The display screen will show its current setting and the stored setting. When a GAIN, BASS, MIDDLE, TREBLE or VOLUME control is activated the EXIT/STORE LED will ash red to show that the Preset’s stored settings have changed.

To record with CODE using your DAW:

• Connect to your computer via USB.

• Select your CODE amplier as the input source on your computer and within your DAW. To stream audio from your computer through CODE:

• Connect to your computer via USB.

• Select your CODE amplier as your computer’s output source.

• Use the MASTER control to adjust the volume level (#9 in this manual). To get CODE rmware updates: http://my.marshall.com/Downloads Follow this link to quickly and easily keep your CODE amplier’s rmware up to date. MIDI data:

• Your CODE amplier can also send and receive MIDI data related to the front panel controls via the USB.

Connect via USB to use CODE as a DAW interface, to play tracks from your music library, to get rmware updates and control via MIDI. ENGLISH ENGLISH

A Preset is a combination of preamp, power amp & speaker models, with tonal settings and FX: Chorus, Flanger, Tremolo, Delay etc, stored to a single location within your CODE amplier’s memory. This is like a ‘snapshot’ of the whole amplier’s settings (excluding MASTER), which can be recalled using the PRESET selector, or with the optional CODE footcontroller. Turn the PRESET selector to explore your CODE amplier’s factory Presets. To discover how to edit a Preset, go to ‘EDITING A PRESET’ in this manual

Controls the overall volume level of your CODE amplier. MASTER Volume control settings are not stored as part of a Preset.

Use this jack socket to connect the CODE footcontroller (PEDL-91009 sold separately).

11. MP3 PLAYER INPUT

Use this dedicated mini-jack socket to connect an MP3 player to practice with or jam along to music.

12. HEADPHONE OUTPUT

Use this mini-jack socket to connect headphones for ‘silent’ practice. This can also be used as a line out.

This is the mains power ON/OFF switch. SECTION SWITCHES (14 - 20) The Section Switches represent different ‘sections’ in the guitar signal chain. This is the route that a guitar signal travels through a conventional amplier setup from the guitar to the loud speaker(s). Marshall STOMPBOX MOD DELAYREVERB

This is where you will nd FX that would typically plug into a conventional amplier between the guitar and the amplier’s input. These FX would typically be in pedal form, and also known as ‘stompboxes’. The ‘stompbox’ FX in the PRE FX section are: Compressor Compressor affects an audio signal’s dynamic range. CODE’s compressor decreases, or ‘compresses’, any part of your guitar sound that peaks above a certain threshold. Any part of your guitar sound that remains below the threshold is unaffected. Compressor can add clarity and consistency to your guitar sound whether clean or overdriven. Compressor’s editable parameters are: ‘STOMPBOX’ FX A:>>|<< A:>>|<< POWER AMP CABINET PREAMP ENGLISH ENGLISH Pressing the Section Switches (#14 – #20 in this manual) will activate (Red LED on) and bypass (LED off) that Section.

PARAMETER VALUE RANGE DESCRIPTION

Tone 0 - 10 Adjusts the Compressor’s higher and lower frequencies. Ratio 0 - 10 Controls how much Compression is applied to a signal above the threshold. Compression 0 - 10 Adjusts the point at which Compression is applied to the signal. Level 0 - 10 Controls the overall volume level of the Compressor. Distortion CODE’s stompbox Distortion’s three Modes simulate solid-state Distortion and Overdrive FX pedals. GUV Mode is a Marshall Guv’nor™ with Drive and Tone controls. ODR & DIS Modes provide avours of classic overdrive and distortion stompboxes. Stompbox Distortion is particularly effective when used with classic and vintage MST preamp models to provide more drive and sustain. Distortion’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Mode GUV, ODR & DIS Marshall Guv’nor, Classic OD pedal & Classic Distortion pedal. Drive 0 - 10 Controls the amount of Overdrive or Distortion applied to the signal. Tone 0 - 10 Adjusts the amount of upper mid and higher frequen- cy content in the Overdrive or Distortion before the signal reaches the amplier panel tone controls. Level 0 - 10 Controls Distortion’s overall volume level.

Auto Wah Auto Wah is a dynamic lter, similar to a Wah Wah pedal. A Wah Wah pedal has a ‘rocker’ footplate to control the frequency at which the lter operates. Auto Wah has no ‘rocker’ footplate, so in ENV Mode the rocker automation responds to input level. In LFO Mode the rocker motion is fully automated. Auto Wah’s editable parameters are: ‘STOMPBOX’ FX A:>>|<< A:>>|<< ENGLISH

PARAMETER VALUE RANGE DESCRIPTION

Mode ENV & LFO Envelope Filter & Low Frequency Oscillator. Frequency 0 - 10 Controls the resting frequency, or fully closed posi- tion, of the Wah, thereby setting how far the lter opens when playing. Sensitivity 0 - 10 ENV Mode: Controls how much the Wah opens in relation to the pick attack. LFO Mode: Controls the speed at which the Wah opens and closes. Set to zero and Auto Wah acts as a xed rocker Wah. Resonance 0 - 10 Adjusts the magnitude, bandwidth and shape of the lter’s resonant peak. Pitch Shifter Pitch Shifter generates chromatic harmonies with the ability to ne tune. This enables you to pitch up or down to produce octaves or 3rd, 4th or 5th harmonies. Pitch Shifter can also produce more discordant, quirkier sounds. Pitch Shifter’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Semitone -12 to +12 Selects the pitch of the generated note chromatically from an octave below to an octave above the note played. Fine Tune -50 to +50 Fine tunes the pitch of the generated note. Regeneration 0 - 10 Adjusts the percentage of the signal fed back into the Pitch Shifter. Set to zero for a single pitch shifted tone. Mix 0 - 10 Adjusts the balance between the guitar signal and the generated note. FRONT PANEL FUNCTIONS (CONT.) ENGLISH

AMP is short for preamp. MST modelling faithfully recreates classic and modern Marshall valve tones as well as other famous valve amp tones. Each AMP model creates an authentic preamp setting. The MST preamp models are classied into three groups: Clean, Crunch & Overdrive. Your CODE amplier’s MST preamp models are: A:>>|<< PREAMP MODELS OD JVM OD DSL OD American OD Silver Jubilee JVM410H on OD1 Channel in Red Mode. JCM2000 DSL Lead 2 Channel. Classic American higher gain overdrive. JCM2555 Silver Jubilee Lead Channel. OVERDRIVE JTM45™ CL DSL CL American CL JVM Acoustic Simulator JTM45 2245 on a clean setting. DSL100H on the Classic Gain Channel, Clean setting. Classic American pure-valve sound. JVM410H on the Clean Channel in Green Mode. Simulates the sound of an electro-acoustic guitar. CLEAN Bluesbreaker™ Plexi™ CR American JCM800™ ‘50s British 1962 Bluesbreaker combo overdriven. 1959SLP Overdriven. Classic American valve overdrive. JCM800 2203 overdriven (high sensitivity input). Classic British valve combo overdrive. CRUNCH If the noise Gate is applied, when your sound level drops below the set threshold it will activate, preventing any signal below that threshold from passing through. It progressively attenuates the guitar signal, following its dynamics, to suppress unwanted noise. GATE

PARAMETER VALUE RANGE DESCRIPTION

Threshold 0 - 10 Sets the point at which the Gate begins to close. The Natural preamp is designed to be used with external FX without the tonal colour of an MST modelled preamp. It provides EQ for tonal shaping and access to the Gate. NATURALFRONT PANEL FUNCTIONS (CONT.) FRONT PANEL FUNCTIONS (CONT.)

MOD is short for Modulation. Modulation FX in a conventional setup can be in stompbox or rack form and often connect via an amplier’s FX loop: Chorus Chorus and Vibrato FX apply a subtle pitch variation to the guitar signal taking your sound from shimmering, delicate undulations to full on wobble. This can add depth and width to clean sounds and fatten up solos. Chorus’s editable parameters are: MODULATION FX A:>>|<<

PARAMETER VALUE RANGE DESCRIPTION

Mode CLS & VIB Classic Chorus & Vibrato. Speed 0 - 10 Controls the rate of the Chorus or Vibrato effect. Depth 0 - 10 Adjusts the depth of the Chorus or Vibrato effect. Tone 0 - 10 Boosts or cuts high & low frequency content in the sound. Flanger Flanger can produce Chorus-like sounds, but is more vivid and is harmonically more complex. It can create weird and wonderful sonic textures, like ‘jet plane’ Doppler FX and resonant metallic whooshes. Flanger’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Mode JET & MET Jet Flanger & Metallic Flanger. Speed 0 - 10 Controls the rate of the Flanger effect. Depth 0 - 10 Adjusts the depth of the Flanger effect. Regeneration 0 - 10 Adjusts the amount of signal that is fed back to the effect input, which makes the Flanger effect sharper. Phaser Phaser uses all-pass lters to shift the guitar signal very slightly. Modulating the shifted, or phased, signal in relation to the original signal produces the classic Phaser sound - great for tight funky lines, sweeps and swells. Phaser’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Mode CLS & VBE Classic Phaser & Vibe. Speed 0 - 10 Controls the rate of the Phaser or Vibe effect. Depth 0 - 10 Adjusts the depth of the Phaser or Vibe effect. Regeneration 0 - 10 Adjusts the amount of signal that is fed back to the effect input, which makes the Phaser effect sharper. Tremolo The cool sounding Tremolo effect is created by the signal amplitude being modulated up and down. Tremolo can produce a variety of sonic characteristics from delicate shimmer to heavy Tremolo throb. Tremolo’s editable parameters are: MODULATION FX A:>>|<<

PARAMETER VALUE RANGE DESCRIPTION

Mode VLV & SQR Valve Tremolo & Square Wave Tremolo. Speed 0 - 10 Controls the rate of Tremolo oscillation. Depth 0 - 10 Adjusts the depth of the Tremolo effect. Skew -50 to +50 Adjusts the shape of the waveform that is performing the amplitude modulation. The variation of the wave shape across the value range moves between vintage and modern sounding Tremolo.

DEL is short for Delay. Delay FX in a conventional setup can be in stompbox or rack form and often connect via an amplier’s FX loop. When you select DEL the switch’s LED will remain lit red for two seconds before ashing to indicate the current Delay tempo. CODE’s Delay FX are: DELAY TYPES A:>>|<< Studio Studio Delay is a high delity delay line. Its longer delay time enables you to layer what you play in up to 4 second loops. Studio Delay’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Time 0 - 4000 Controls the Delay repeat time in milliseconds. Feedback 0 - 10 Adjusts the number of Delay repeats. Frequency 0 - 10 Adjusts the amount of higher frequency content in the Delay repeats. Level 0 - 10 Adjusts the level of the Delay effect.FRONT PANEL FUNCTIONS (CONT.)

REV is short for Reverb. Reverb FX in a conventional amplier setup can be in stompbox form, rack form or integrated within an amplier. Your CODE’s Reverb FX are: FRONT PANEL FUNCTIONS (CONT.)

The DEL Section Switch LED will ash in time to the current Delay time or tempo when active. A:>>|<< ENGLISH ENGLISH Vintage Vintage Delay recreates the sound of analogue delays. Vintage Delay’s editable parameters are: DELAY TYPES

PARAMETER VALUE RANGE DESCRIPTION

Time 0 - 4000 Controls the Delay repeat time in milliseconds. Feedback 0 - 10 Adjusts the number of Delay repeats. Age 0 - 10 Adjusts the amount ‘utter’ and higher frequency roll-off for a more vintage sounding Delay. Level 0 - 10 Adjusts the volume level of the Delay effect. A:>>|<< Multi Multi Delay adds a rhythmic repeat for more complex delay patterns. Multi Delay’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Time 0 - 4000 Controls the Delay repeat time in milliseconds. Feedback 0 - 10 Adjusts the number of Delay repeats. Tap Pattern 1 - 4 Select from four different Delay repeat patterns Level 0 - 10 Adjusts the volume level of the Delay effect. Reverse Reverse Delay’s repeats run backwards. This can add texture and an eerie quality to your sound. Reverse Delay’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Time 0 - 4000 Controls the Delay repeat time in milliseconds. Feedback 0 - 10 Adjusts the number of Delay repeats. Frequency 0 - 10 Adjusts the amount of higher frequency content in the Delay repeats. Mix 0 - 10 Adjusts the level of the Delay effect relative to the unaffected signal. As the amount to Delay is increased, the unaffected signal is decreased, and vice versa.

Tap Tempo Set the Delay time by tapping the EDIT selector, or by tapping an assigned button on the optional CODE footcontroller. This enables you to quickly and easily match the Delay time with the tempo of the music you are playing. To activate TAP TEMPO:

• Press MOD and DEL Section Switches together.

• The display screen will show the Delay time in milliseconds.

• Either turn the EDIT selector to select the delay time in milliseconds or tap it repeatedly to nd your delay time or to match a tempo.

• Press EXIT/STORE once to exit TAP TEMPO and return to the main Preset screen. DELAY TYPES A:>>|<< REVERB TYPES Room Room Reverb recreates the acoustic reections of small to larger rooms. Room Reverb’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Decay 0 - 10 Controls how long it takes for the reections to fade. Pre-delay 0 - 10 Adjusts the amount of time before the rst reection is heard. Tone 0 - 10 Adjusts the amount of higher frequency content in the reections. Level 0 - 10 Adjusts the level of the Reverb effect. !FRONT PANEL FUNCTIONS (CONT.)

This is the section of a conventional amplier that provides power to drive the speaker(s). The power valves are an integral part of how an all-valve amplier sounds. MST modelling faithfully recreates the four valve power amps models in CODE: FRONT PANEL FUNCTIONS (CONT.) A:>>|<< ENGLISH

REVERB TYPES A:>>|<< REVERB TYPES Hall Hall Reverb recreates the longer acoustic reections of a hall-sized space. Hall Reverb’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Decay 0 - 10 Controls how long it takes for the reections to fade. Pre-delay 0 - 10 Adjusts the amount of time before the rst reection is heard. Tone 0 - 10 Adjusts the amount of higher frequency content in the reections. Level 0 - 10 Adjusts the level of the Reverb effect. Spring Spring Reverb is a classic, analogue way of creating Reverb FX. Conventional Spring Reverb uses a metal tray containing rows of springs. The guitar signal passes along the springs creating a vintage sounding Reverb effect. Spring Reverb’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Decay 0 - 10 Controls how long it takes for the reections to fade. Pre-delay 0 - 10 Adjusts the amount of time before the rst reection is heard. Tone 0 - 10 Adjusts the amount of higher frequency content in the reections. Level 0 - 10 Adjusts the level of the Reverb effect applied to the unaffected signal. Stadium Stadium Reverb recreates the acoustic reections of a very large space. Stadium Reverb’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Decay 0 - 10 Controls how long it takes for the reections to fade. Pre-delay 0 - 10 Adjusts the amount of time before the rst reection is heard. Tone 0 - 10 Adjusts the amount of higher frequency content in the reections. Level 0 - 10 Adjusts the level of the Reverb effect. A:>>|<< Classic Marshall 100W Class A/B 100 Watt with EL34 valves.

PARAMETER VALUE RANGE DESCRIPTION

Presence 0 - 10 In a conventional amplier Presence is a power stage function that adds higher frequency content to the sound. Resonance 0 - 10 In a conventional amplier Resonance is a power stage function that adds lower end thud to the sound.ENGLISH ENGLISH

CAB is short for Speaker Cabinet. A cab’s speaker conguration and its size play a signicant role in the overall sound produced by the whole amplier setup. The MST modelled speaker cabinets in your CODE amplier are faithful recreations of classic Marshall cabs:

1974CX Classic 4 x 12” Celestion G12-T75 speakers. 4 x 12” with Celestion ‘Vintage 30’ speakers. 4 x 12” with Celestion G12M-25 speakers. 4 x 12” with Celestion G12H-30 speakers. Classic 2 x 12” Celestion G12-T75 speakers. 2 x 12” with Celestion ‘Vintage 30’ speakers. Classic 1 x 12” Celestion G12-B150 speakers. 1 x 12” Handwired with G12M-20 speaker. CABINET TYPES

While on any screen pressing EXIT/STORE returns you to the main Preset screen. Press and hold EXIT/STORE while on any screen to QUICK STORE your edited settings. Your edited settings will store over the current Preset and the display will return you to the main Preset screen.

A:>>|<< Vintage Marshall 30W Class A/B 30 Watt with 5881 valves.

PARAMETER VALUE RANGE DESCRIPTION

Presence 0 - 10 In a conventional amplier Presence is a power stage function that adds higher frequency content to the sound. Resonance 0 - 10 In a conventional amplier Resonance is a power stage function that adds lower end thud to the sound. FRONT PANEL FUNCTIONS (CONT.) British Class A Class A 30 Watt with EL84 valves.

PARAMETER VALUE RANGE DESCRIPTION

Presence 0 - 10 In a conventional amplier Presence is a power stage function that adds higher frequency content to the sound. Resonance 0 - 10 In a conventional amplier Resonance is a power stage function that adds lower end thud to the sound. American Class A/B Class A/B 100 Watt with 6L6 valves.

PARAMETER VALUE RANGE DESCRIPTION

Presence 0 - 10 In a conventional amplier Presence is a power stage function that adds higher frequency content to the sound. Resonance 0 - 10 In a conventional amplier Resonance is a power stage function that adds lower end thud to the sound.

To discover how to store and name a Preset, go to STORING A PRESET in this manual.BLUETOOTH Pressing REV and POWER Section Switches together (#18 & #19 in this manual) accesses the Bluetooth

• The blue LED on EXIT/STORE (#21 in this manual) will ash while pairing.

• When paired, the blue LED will stop ashing and remain lit.

• When streaming audio, use the MASTER volume control or your music player to set the volume level. The Marshall Gateway™ App enables you to control your CODE amplier remotely and access Marshall Gateway using your iOS/Android device. Download Marshall Gateway now from the App Store or Google Play. ENGLISH ENGLISH STORING A PRESET (CONT.) To rename the edited Preset and store to the current location:

• While the Preset name is ashing, press & hold EXIT/STORE again briey until the Preset name is displayed with the cursor ashing at its rst letter

• Turn the PRESET selector to change the letter or character.

• When you have found the letter or character you want, push PRESET to select it. The cursor will automatically move to the next character.

• Repeat until you have renamed the Preset. The Section Switches act as naming shortcuts: PRE FX AMP MOD DEL REV POWER CAB Clear Number Upper / Lower Case A Upper / Lower Case Space Backspace Cancel NAMING SHORTCUTS

• To complete the store process, press & hold EXIT/STORE once more until STORED appears on the display screen. Your edited Preset has now been stored to CODE’s memory.

• Hold down the Section Switch that you wish to edit (#14 - #20 in this manual) – the switch LED will light green.

• The display screen will show the current preamp, FX, power stage or speaker cab.

• Turn the PRESET selector (#8 in this manual) to scroll through the section’s preamps, FX, power stages or speaker cabinets.

• When you have found the preamp, FX or power stage that you want to edit, push the PRESET selector to begin editing.

• When you are happy with your edited Preset you can store it to your CODE amplier’s memory.

• If you wish exit without storing your edits, press EXIT/STORE (# 21 in this manual). This will return you to the main Preset screen.

• Scroll away from the Preset and it will revert to its last stored settings.

To store an edited Preset, Store an edited Preset to a new location, and to rename an edited Preset:

• When you have nished editing, press & hold EXIT/STORE briey until the Preset name begins to ash.

• If you wish to store your edited Preset to another location, turn the PRESET selector to nd a new location, then press & hold EXIT/STORE until STORED appears on the display screen. Speaker cabinet models are not editable.

To learn how to store an edited Preset, refer to STORING A PRESET in this manual.

If you wish to keep your edited settings ensure that you store before moving off that Preset.

Be sure that you want to store to the Preset location that you have selected, as the Preset in that location will be overwritten.

Audio streamed via Bluetooth will bypass CODE’s panel features, with the exception of MASTER volume. !ENGLISH ENGLISH GUITAR TUNER Pressing the PRE FX and AMP Section Switches (#14 & #15 in this manual) together accesses the guitar TUNER:• Pluck a string and the note you are playing will display.• Tune the string until the name of the note you wish to tune to appears on the screen.• Arrows to the left of the vertical line means the note is at; arrows to the right of the vertical line means the note is sharp.• When the arrows disappear, that string is tuned to the displayed note.• Press EXIT/STORE to exit the Tuner. FACTORY RESET Performing a factory reset will return CODE’s Presets back to when it was new. To perform a factory reset:• Power OFF the amplier using the ON/OFF switch (#13 in this manual).• Whilst holding down the AMP Section Switch, turn the power ON. • The screen will display a notication that the amplier is about to be returned to its factory settings. • If you are sure that you want to perform a factory reset, press and hold the EXIT/STORE switch to conrm. • If you do not want to restore the factory presets, pressing any other switch will cancel the factory reset operation and boot the amplier as normal. A:>>|<< A:>>|<< A:>>|<< A:>>|<< A:>>|<<

DECLARATION OF CONFORMITY

Before performing a factory reset, be sure that you want to overwrite all of your personal Presets. Manufacturer:Marshall Amplication Plc,Denbigh Road,Bletchley,Milton Keynes,Bucks,United KingdomMK1 1DQKind of equipment: Audio EquipmentType designation: CODE25, CODE50 We, Marshall Amplication Plc, declare under our sole responsibility that the above listed products complies with the following Directives:1. EMC Directive 2014/30/EU;2. Low Voltage Directive (LVD) 2014/35/EU;3. R&TTE Directive 1999/5/EC.The following harmonised standards have been applied:1. EMC• EN 55013:2013 • EN 55020:2007+A11:2011• EN 61000-3-2:2014• EN 61000-3-3:20132. LVD • EN 60065:2014Health & Safety(Article 3(1)(a))• EN 62479:2010• EN 60065:2002 + A1:2006 + A11:2008 + A2:2010 +A12:2011 EMC (Article 3(1)(b))• ETSI EN 301 489-1 V1.9.2:2011• ETSI EN 301 489-17 V2.2.1:2012 Spectrum(Article 3(2))• ETSI EN 300 328 V1.9.1:20153. R&TTESignature: Name: B. Moon Date: 2nd May 2016Name of the responsible party: Jam Industries USA, LLCAddress of the responsible party: 1649 Barclay Blvd, Buffalo Grove, IL 60089, United States of America.Telephone number of the responsible party:800-877-6863Name of equipment: MD116D Guitar AmpliersModel No.: CODE25, CODE50 This device complies with part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

16AVERTISSEMENT ! CONSIGNES DE SÉCURITÉ IMPORTANTES

Turning the BASS control will adjust the warmth and low-end depth of your sound.