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USER MANUAL Poetry Magnifique KORG
Thank you for purchasing the Korg Poetry Magnifique digital piano.
Owner's Manual
Thank you for purchasing the KORG Poetry Magnifique. To help you get the most out of your new instrument, please read this manual carefully.
IMPORTANT SAFETY INSTRUCTIONS
1) Read these instructions.
2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean only with dry cloth.
7) Do not block any ventilation openings. Install in accordance with the manufacturer's instructions.
8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11) Only use attachments/accessories specified by the manufacturer.
12) Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13) Unplug this apparatus during lightning storms or when unused for long periods of time.
14) Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
- WARNING—This apparatus shall be connected to a mains socket outlet with a protective earthing connection.
- Mains powered apparatus shall not be exposed to dripping or splashing. No objects filled with liquids, such as vases or drinking glasses, shall be placed on the apparatus.
- Turning off the power switch does not completely isolate this product from the power line.
- Keep the power plug easily accessible. Do not install this equipment far from a power outlet and/or power strip.
- Do not install this equipment in a confined space such as a box for the conveyance or similar unit.
- Excessive sound pressure from earphones and headphones can cause hearing loss.
- This apparatus is for moderate climates areas use, not suitable for use in tropical climates countries.
- The ventilation should not be impeded by covering the ventilation openings with items, such as newspapers, table-cloths, curtains, etc.
- No naked flame sources, such as lighted candles, should be placed on the apparatus.
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

The lightning flash with arrowhead symbol within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
THE FCC REGULATION WARNING (for USA)
NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
- Reorient or relocate the receiving antenna.
- Increase the separation between the equipment and receiver.
- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
- Consult the dealer or an experienced radio/TV technician for help.
If items such as cables are included with this equipment, you must use those included items.
Unauthorized changes or modification to this system can void the user's authority to operate this equipment.
This transmitter must not be co-located or operated in conjunction with any other antenna or transmitter.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause un - desired operation.
CAN ICES-003 B / NMB-003 B.
This equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment and meets the FCC radio frequency (RF) Exposure Guidelines. This equipment has very low levels of RF energy that it deemed to comply without maximum permissive exposure evaluation (MPE).
This device complies with Industry Canada licence - exempt RSS standard(s). Operation is subject to the following two conditions: (1) this device may not cause interference, and (2) this device must accept any interference, including interference that may cause undesired operation of the device.
This equipment complies with IC radiation exposure limits set forth for an uncontrolled environment and meets RSS-102 of the IC radio frequency (RF) Exposure rules. This equipment has very low levels of RF energy that it deemed to comply without maximum permissive exposure evaluation (MPE).
European Union Directives Conformance Statement
Korg Inc. hereby declares that the product meets the requirements of Directive 2014/53/EU.
You can view the Declaration of Conformity (DoC) to Directive 2014/53/EU on the Downloads page under Support on the Korg website (www.korg.com).

Notice regarding disposal (EU only)

When this "crossed-out wheeled bin" symbol is displayed on the product, owner's manual, battery, or battery package, it signifies that when you wish to dispose of this product, manual, package or battery you must do so in an approved manner. Do not discard this product, manual, package or battery along with ordinary household waste.

Disposing in the correct manner will prevent harm to human health and potential damage to the environment. Since the correct method of disposal will depend on the applicable laws and regulations in your locality, please contact your local administrative body for details. If the battery contains heavy metals in excess of the regulated amount, a chemical symbol is displayed below the "crossed-out wheeled bin" symbol on the battery or battery package.
SUPPLIER'S DECLARATION OF CONFORMITY (for USA)
Responsible Party : KORG USA INC.
Address: 316 SOUTH SERVICE ROAD, MELVILLE, NY
Telephone: 1-631-390-6500
Equipment Type : DIGITAL PIANO
Model: POETRY M
This device complies with Part 15 of FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.
IMPORTANT NOTICE TO CONSUMERS
This product has been manufactured according to strict specifications and voltage requirements that are applicable in the country in which it is intended that this product should be used. If you have purchased this product via the internet, through mail order, and/or via a telephone sale, you must verify that this product is intended to be used in the country in which you reside.
WARNING: Use of this product in any country other than that for which it is intended could be dangerous and could invalidate the manufacturer's or distributor's warranty.
Please also retain your receipt as proof of purchase otherwise your product may be disqualified from the manufacturer's or distributor's warranty.
* Bluetooth is a registered trademark of Bluetooth SIG, Inc.
* All product names and company names are the trademarks or registered trademarks of their respective owners.
Introduction
Thank you for purchasing the Korg Poetry Magnifique digital piano. To help you get the most out of your new instrument, please read this manual carefully.
The Poetry Magnifique features the sound of a Pleyel piano, allowing you to better enjoy Romantic music such as Chopin, as well as the sound of an Italian grand piano, the pinnacle of the modern era.
Enjoy comparing them as you listen to or play along with the demo songs.
Table of Contents
IMPORTANT SAFETY INSTRUCTIONS 2
Introduction 3
Assembling the Stand 4
Caution during assembly 4
Other cautions 4
Before assembly 4
Assembly procedure----4
Check following assembly 8
Parts and their functions 9
Preparing to Play---- 10
Before You Begin 10
Listening to the Demos 11
Playing the Poetry Magnifique 13
Playing a single sound (Single Mode)----13
Using pedals 13
Effects 14
Touch settings 14
Transpose----14
The metronome 15
Performance Modes 16
Playing two sounds at the same time (Layer Mode)----16
Performing with another person (Partner mode) 16
Recording/playing back a performance----17
Recording a Performance----17
Adding to a Recording 17
Playing Back a Recorded Performance----18
Deleting a Recorded Performance 18
Other functions 18
Function Mode 18
Resetting the parameters 20
Transmitting/receiving audio data via USB 20
MIDI 20
Using as a Bluetooth Speaker----22
Appendix 23
Troubleshooting 23
Specifications 23
Sound Demo Song List, Piano Song List----114
MIDI Implementation Chart 115
Assembling the Stand

Warning
At least one other person must help you assemble the stand.
Caution during assembly
In order to assemble the stand safely, please observe the following points.
- Make sure that you have the correct part in the correct orientation, and perform the assembly in the order given.
Other cautions
Please check the following points after assembly.
- Loosened screws
The screws may loosen as time passes after assembly.
You should periodically check whether any screws have become loose. If you feel that the stand vibrates excessively, it is possible that screws have come loose. If so, re-tighten them.
- Moving the digital piano to another location
To move the assembled stand, remove the power cord from the stand, close the key cover, and then move it slowly with at least two people, keeping it as level as possible.
- Disassembly
If you need to disassemble the stand, do so by reversing the steps of the assembly procedure. After disassembly, keep the screws and other parts in a safe place so that they are not lost.

The Poetry Magnifique should always be laid down before disassembled.
Before assembly
- You'll need a Phillips (+) screwdriver.
- The polystyrene foam blocks used to pack the piano are necessary when you assemble the stand. Don't throw away these blocks until you're finished with assembly.

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Polystyrene foam blocks x 6 pcs. 10cm 4cm 30cmAssembly procedure
- Make sure that all of the following parts are available.

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Side panel (left) Speaker box Rear panel Pedal cord Pedal board Pedal unit Side panel (right)Screws (M6) x 6 pcs.

Screws (M4,long)
x 4 pcs.

Caps x 6 pcs.

Screws (M4,short)
Push rivet x 1 pc.
x 6 pcs. Cord holder x 1pc.



- Put the protective sheet, which had covered the Poetry Magnifique, on a flat floor, and place the Poetry Magnifique on that sheet with its rear facing the floor.
When doing this, place the polystyrene foam blocks underneath the piano on both sides.
Placing the piano on the polystyrene foam blocks creates space between the piano and the floor, and makes it easy and safe to lift the piano a bit if you need to adjust the positions of the screw holes.
Ensure that the Poetry Magnifique's key cover will not to open until the end of the assembly.

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Poetry Magnifique Polystyrene foam blocks Protective sheet- Position the speaker box so that the speaker cord is on the piano side and the side covered with fabric is on the top. When doing this, place the polystyrene foam blocks underneath the speaker box.

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Polystyrene foam blocks Poetry Magnifique Speaker box (the side covered with cloth) Polystyrene foam blocks- Place the side panel (right) and the polystyrene foam block as shown in the illustration.
As the side panels are heavy, use caution not to drop them, which might cause injury.

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Polystyrene foam block Side panel (right) Polystyrene foam blocks- Move the side panel (right) towards the piano, and use the screws (M6) to temporarily fasten* the side panel to the piano. Steps that may be difficult:
Placing the side panel on top of the polystyrene foam block that you've placed underneath the piano, line up the screw holes of the side panel and the piano, insert the screws and temporarily tighten them. Lifting the piano 2–3 mm may make it easier to line up the screw holes.
* To temporarily tighten the screws is to tighten them leaving a clearance of about 2 mm.

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Screws (M6)Be careful not to pinch your fingers.
- Use the screws (M6) to temporarily fasten the side panel (right) to the speaker box.
Steps that may be difficult:
Lifting up the speaker box, line up the position alignment pegs with the screw holes, insert the screws and temporarily fasten the screws. The side panel and speaker box will be more stable for inserting the screws once the position alignment pegs are fitted into the side panel.

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Positioning tab Screw (M6)Be careful not to pinch your fingers.
- Use the screws (M6) to temporarily fasten the side panel (left) to the speaker box, as with steps 4 and 6.

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Technical line drawing of a mechanical assembly with no visible text or symbols- Use the screws (M6) to temporarily fasten the side panel (left) to the piano, as with step 5.

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Technical line drawing of a structural beam with supports and load arrows (no text or symbols)-
Firmly tighten the screws that you temporarily tightened in steps 5-8.
-
Temporarily tighten the pedal board to the hardware inside the side panels of the stand, using four screws (M4, long). Be careful not to scratch the side panels.

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Screws (M4,long) Pedal board Screws (M4,long) Side panel (left) Side panel (right)-
With the help of another person, slowly stand up the stand being assembled.
-
Connect the attached pedal cord, observing the correct orientation, to the connector on the reverse side of the pedal unit, and then engage it with a slot in the pedal unit.
The pedal cord can be attached to or detached from the connector with its locking tab held down.

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Locking tab- Lift up either the left or right side of the stand to insert the pedal unit into the pedal board, and then fasten it by pressing a push rivet into the hole (above the cutout) at the rear of the pedal board.
After pressing the push rivet into the hole, lift the stand to check that the pedal unit do not drop.
The push rivet will prevent the pedal unit from falling out. Otherwise, it will not be fully fastened to the pedal board.

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Front Rear Push Rear of pedal board Push rivet-
Firmly tighten the pedal board screws that you tightened temporarily in step 10.
-
Slightly bend the rear panel and insert it into the grooves in the left and right side panels.

Be careful not to pinch your fingers.

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Grooves Rear panel- Lift up the rear panel to align the holes of the rear panel and the brackets, and then temporarily fasten the bottom of the rear panel with the four screws (M4, short). Use the rightmost screw to fix the cord holder in place, and tighten the screw.

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Bracket Hole in the rear panel Rear panel Screws (M4,short) Screws (M4,short)- Fasten the rear panel and the brackets (through the holes aligned in step 16) with two screws (M4, short).

If the screws do not tighten firmly, the direction of the bracket may be misaligned, so adjust the direction of the bracket.

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Screw (M4,short) Screw (M4,short)-
Firmly tighten the rear panel screws that you temporarily tightened in step 16.
-
Ensure that the stand has no gaps and is not tilted, and that all the screws are tightened firmly.
-
Plug the power cord (refer to "Connecting the power cord included with this keyboard" on page 10), the pedal cord and the speaker cord into the jacks underneath and on the left side of the keyboard unit.
When connecting the pedal cord and the speaker cord, observe the correct orientations of the connectors.
The pedal cord or the speaker cord can be detached from the connector with its locking tab held down.

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Locking tab Speaker cord Cord holder Pedal cord Power cord- Use the two cord holders to secure the power cord and pedal cord.
After securing the cord with the cord holder, ensure that excess pressure is not applied to the connectors.
- Put caps on the screw heads on the right and left side panels.

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Caps- Place the Poetry Magnifique where you intend to use it. Make sure to place it in a safe location where the floor is flat and stable.
When setting the digital piano in place, make sure that the stand does not rest on the power cord or pedal cord.
Note Sheet music can be stored in this digital piano. When storing large sheet music, insert the top edge behind the speaker, then the bottom edge into the storage compartment.

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Musical Score Musical Score
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1 Musical Score 2Check following assembly
□ Are any parts left over? If any parts are left over, carefully review the assembly procedure to see where those parts should have been used.
□ Make sure that all screws are tight.
Parts and their functions

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Left side of bottom 17 18 19 20 2122 23Control panel

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1 KORG 2 MIN MAX 3 PANB SING TRANSPOSE 4 FUNCTION 5 6 7 8 9 10 SANK FANG PLEVEL EPIANO EPIANO Z HARPSPELAR VIBCESIVEBAR ONGAN1 ONGAN 2 STRONGS CHOP DISPLAY + TEMPO • SING • MEASURE Poetian's signifique 11 12 13 14 15 16 • HETRONDMS PART1 PART2 P/II1. Power button:
Hold down the power button until "120" appears in the display and the piano is turned on. At the same time, the display and sound buttons light up.
To turn off the piano, hold down the power button until “...” appears in the display, and then release the button. Do not operate the Poetry Magnifique or unplug the power code while “...” appears in the display.
When the Poetry Magnifique is turned off, all parameters return to their factory default settings. However, the Poetry Magnifique can be set to save the parameter settings (Refer to "Save parameter settings" on page 19).
Auto Power Off
The Poetry Magnifique can be set to automatically turn off after a set period of time has passed with no keys being played or with no songs being played back. To disable this feature refer to "Auto power off" on page 19.
2. VOLUME knob:
This knob adjusts the volume for the speakers, the LINE OUT jack and the headphone jacks.
3. PIANO SONG button:
This button is used to enter Piano song mode. In that case, the button lights up. Simultaneously pressing this button and the TRANSPOSE button enters the Sound demo song mode.
4. TRANSPOSE button:
This button is used to adjust transposition. While transposing, the button lights up. Simultaneously pressing this button and the PIANO SONG button enters the Sound demo song mode.
5. FUNCTION button:
This button is used to enter the Function mode, where pitch, temperament and other settings can be specified. Hold down the button to enter the MIDI function mode, where MIDI settings can be specified. The button lights up when the Poetry Magnifique enters the Function mode and blinks when it enters the MIDI function mode.
6. TOUCH button:
This button lets you select the keyboard sensitivity.
7. BRILLIANCE button:
This button is used to adjust the brightness of the tone.
8. REVERB button:
This button is used to turn on/off the reverb, which adds ambience to the sound. When this effect is on, the button will be lit up.
9. CHORUS button:
This button is used to turn on/off the chorus, which adds richness to the sound. When this effect is on, the button will be lit up.
10. BANK button, LEDs:
This button is used to select the desired sound bank. The LED for the bank that's currently selected will light up.
11. Sound buttons:
These buttons are used to select from 30 sounds (10 × 3 banks). Two buttons can be pressed to play two sounds simultaneously (Layer mode).
12. DISPLAY button, LEDs:
This button is used to select the content of the multidisplay. The illuminated LED indicates the current content.
13. Display:
The LED display shows various information as well as the selected setting for the metronome and Function Mode parameter.
14. +,- buttons:
Use these buttons to specify a setting, value or song.
15. METRONOME button:
Use this button to start/stop the metronome. While the metronome is being used, the button is lit. In addition, hold down the button to enter the Metronome settings mode, where various metronome settings can be specified (see page 15).
16. Recorder buttons:
Use these buttons to record ( ●), play back/pause ( ▶ and stop ( ■) performances as well as to select the part to be recorded/ played back (PART1 and PART2).
17. Headphone jacks (left side of bottom):
Two stereo mini headphone jacks are located underneath the key - board to the left-hand side. Plugging headphones into either of these jacks will mute the internal speakers.
18. PEDAL connector:
The cord from the pedal unit plugs into this connector (see "As -sembling the Stand" on page 4).
19. USB • port:
Connect the USB ✉ port on the Poetry Magnifique to your computer with a USB cable to exchange MIDI and audio data.
20. LINE IN jack:
This is the input jack for audio. Use an audio cable with a stereo mini plug to connect to the AUX OUT or similar jack on another audio device. Adjust the input volume on the device to which this instrument is connected.
21. LINE OUT jack:
This stereo mini phone jack is the main audio output jack. Using this jack, the output of the Poetry Magnifique can be connected to the input of an external amplifier, powered speaker, audio in -terface or recorder, etc. The VOLUME knob controls the output volume.
22. SPEAKER connector:
The cord from the speaker box plugs into this connector (see "Assembling the Stand" on page 4).
23. ACIN jack:
Connect the included power cord here. We recommend that you first connect the power cord to the Poetry Magnifique, and then connect the other end of the cord to an AC outlet.

For the following terminals, use a cable of 3 m or less to prevent malfunction.
Headphone jacks, LINE IN jack
Preparing to Play
Before You Begin
Assembling the Poetry Magnifique Piano
The Poetry Magnifique includes the keyboard unit, the stand and anti-tipping brackets, pedal unit, and speaker system. Follow the instructions found on page 4 and fully assemble your Poetry Magnifique before proceeding.
Connecting the power cord included with this keyboard

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to AC outlet Power cordConnect the included power cord to the AC IN jack. We recommend that you first connect the power cord to the Poetry Magnifique, and then connect the other end of the cord to an AC outlet.

Make sure that your AC outlet is the correct voltage for your instrument.
Operating the Key Cover
Opening the key cover
- Using both hands, gently lift the key cover.

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Technical line drawings of two different piano units with visible internal compartments and base supports (no text or symbols)- Fold down the front edge of the key cover.
Closing the key cover
Fold up the music stand before closing the key cover.
- Unfold the front edge of the key cover, and gently begin to lower it.

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Technical line drawings of two identical electrical cabinets or enclosure units, showing front and side views with no text or symbols.- When the key cover begins to close on its own, release it.
The key cover will continue to softly close on its own, from about mid-way down.
Do not forcibly pull the key cover or apply strong pressure while the key cover is closing. Doing so will damage the unit.
Be careful not to pinch your fingers or hands when closing or opening the key cover.

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Illustration showing two hand positions on a surface with no text or symbols, one marked with a prohibition symbol (no text or symbols present)Note The temperature and humidity will affect how fast the key cover automatically closes.
Note The key cover may make a faint clicking sound as it slowly closes. This is normal.
Using the music stand
The key cover serves as a convenient music stand.

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Line drawing of a piano with an open book on top, showing wood grain and a tray (no text or symbols)When placing opened music, do not apply strong pressure onto the key cover.
Headphone Effect
The effect (Stereo sound optimizer) that gives presence to the sound when the headphones are used can be turned on or off (Refer to "Stereo sound optimizer" on page 19).
Listening to the Demos
Built into the Poetry Magnifique are 60 preprogrammed songs. Of these, 10 are Sound Demo Songs that highlight the quality of various internal sounds. The other 50 are familiar Piano Songs and etudes.
During playback of a sound demo song, you can play using the keyboard; however, the sound cannot be changed by using the sound buttons.
During playback of a sound demo song, the settings for effects (reverb and chorus) cannot be changed.
Listening to a Sound Demo Song
The Poetry Magnifique features 10 built-in Sound Demo Songs that use different sounds. Listen to the Sound Demo Songs to hear their typical sounds. (Refer to "Sound Demo Song List" on page 114.)
- Simultaneously press the PIANO SONG button and the TRANSPOSE button.
The PIANO SONG button blinks, and the sound buttons are lit sequentially. In addition, the number for the sound demo song (d01) appears in the display.

flowchart
graph TD
A["Brain Region 1"] --> B["Activation"]
B --> C["Activation Function"]
C --> D["Stable Expression"]
D --> E["Stable Activation Function"]
E --> F["Stable Activation Function"]
F --> G["Stable Activation Function"]
G --> H["Stable Activation Function"]
H --> I["Stable Activation Function"]
I --> J["Stable Activation Function"]
J --> K["Stable Activation Function"]
K --> L["Stable Activation Function"]
L --> M["Stable Activation Function"]
M --> N["Stable Activation Function"]
N --> O["Stable Activation Function"]
O --> P["Stable Activation Function"]
P --> Q["Stable Activation Function"]
Q --> R["Stable Activation Function"]
R --> S["Stable Activation Function"]
S --> T["Stable Activation Function"]
T --> U["Stable Activation Function"]
U --> V["Stable Activation Function"]
V --> W["Stable Activation Function"]
W --> X["Stable Activation Function"]
X --> Y["Stable Activation Function"]
Y --> Z["Stable Activation Function"]
After about 3 seconds, the PIANO button blinks, the Play/Pause button lights up, and playback of the Sound Demo Song begins. When playback of Sound Demo Song d01 is finished, the remaining Sound Demo Songs will play back sequentially. When playback of d10 is finished, playback begins again with d01. At this time, the sound button for the song being played back blinks.
- When the sound buttons are blinking sequentially, press the sound button for the demo song that you want to hear.
If a different sound button is pressed, even while a song is being played, playback of the corresponding demo song will begin after a few seconds. In addition, a song can be selected by pressing the + or - button beside the display.
- Press the Stop button to end playback, and press the Play/Pause button to return to the beginning of the song.
While the song is stopped, the PIANO SONG button blinks, and the sound buttons light up sequentially.
- Press the PIANO SONG button again to exit playback of Sound Demo Songs.
The tempo cannot be changed during playback of a Sound Demo Song. In addition, the metronome cannot be used.
The playback of a Sound Demo Song cannot be paused.
Listening to a Piano Song
Two types of performances have been prepared for each Piano Song: one with the Italian grand piano sound and one with the Pleyel piano sound. Listen to and compare the two performances.
Various functions useful for practice are available, such as changing the tempo or muting the right- or left-hand part to focus on one hand. (Refer to "Piano Song List" on page 114.)
1. Press the PIANO SONG button.
The PIANO SONG button lights up and the number for the piano song (001) appears in the display.
The PIANO button lights up and the PLEYEL button blinks.

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PASO STIN TRANSFER FUNCTION 3 SINO — 18 BEIJING REVER CHARGE 2 2 VEGET STICKS 0.01 6 5 3.4 + - + - N/A + - + - 6 6 HEASURE2. Press the PIANO button or PLEYEL button to select the desired sound.
For the Italian grand piano sound, press the PIANO button; for the Pleyel piano sound, press the PLEYEL button.
The button for the selected sound lights up, and the other button blinks.
Note You can select either the Italian grand piano sound or the Pleyel piano sound.
3. Press the Play/Pause button to begin playback of the Piano Song.
When playback of the first piano song is finished, playback continues sequentially with the second, third, etc.
When playback of the fortieth piano song is finished, playback begins again with the first piano song.
Note If no sound was selected in step 2, the Piano Song with the PIANO sound automatically begins to play back after about 3 seconds.
4. Use the Play/Pause button to toggle between playback (button lit) and pause (button blinks).
5. Press the Stop button to end playback and return to the beginning of the song.
6. Press the DISPLAY button, and then, after the SONG LED is lit, press the + or - button beside the display to select a song.
7. To change the sound, press the PIANO button or PLEYEL button, and then press the Play/Pause button.
8. Press the PIANO SONG button again to exit playback of Piano Songs.
Playback will begin automatically after the Piano Song number is changed. However, playback will not begin automatically after the sound (PIANO or PLEYEL) is changed. In that case, press the Play/Pause button to begin playback of the Piano Song.
Changing the tempo
1. Press the DISPLAY button, and then, after the TEMPO LED is lit, press the + or - button to change the tempo.
With Piano Songs, the tempo is displayed as a percentage of the original tempo. The setting range is -50% to +50% of the original.

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PAN1 PLE0 EPM1 EPM2 HARTS1 UNIVERSITY OGRACI OGRACI STENCE CHUR DISPLAY 3000 WEASURE -25 + - RETURNOME PART1 PART2The setting continues to change while the button is held down. To restore the tempo to the original setting, simultaneously press the + and - buttons.
Each song is saved with its own tempo, so selecting a different song will automatically change the tempo to the one saved with that song, even if the tempo was changed for the previous song. In addition, the original tempo will be restored when the Poetry Magnifique is turned off.
Practicing one hand at a time (left-hand/right-hand separation function)
With some Piano Songs, the left hand is usually assigned to Part 1 and the right hand to Part 2. By muting one of the parts, the Poetry Magnifique will play only one of the parts—or hands—and you can play the muted part. The part you play is up to you. This function is available with Piano Songs 1 through 23.
1. To mute the left-hand part, press the PART1 button; the button blinks in green. To mute the right-hand part, press the PART2 button; the button blinks in green.
2. Play along with the playback of the song.
3. To unmute a part that has been muted, press the button that is blinking.
The button lights up in green.

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PRED PULS C PRED C PRED C VOC/CHATAR ORGAN1 ORGAN2 STENFD5 CHIP 0.01 NCTRONIC PART1 PART2 1.3 1.3The muting level can be adjusted. Refer to “Functions for Piano Song Mode” on page 18.
Playing the Poetry Magnifique
Playing a single sound (Single Mode)
You can select a sound from the thirty sounds supplied with the instrument (10 sounds x 3 banks).
- Press the sound button for the sound that you want to play.
The selected button will light up.
- Press the BANK button to select one of the three sounds.
Each press of the BANK button switches the bank in the order 1,
2, 3, 1, ..., and the corresponding LED to the right of the BANK button will light up.
For example, to select the Clav sound, press the HARPSI/CLAV button, after which its button lights up. Then, press the BANK button twice to select bank 3 (Clav); the LED below and to the right of the BANK button will light up.
In addition, the bank selected for a sound button remains the same, even if a different sound button is pressed.

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TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMA TOMANote Each time the Poetry Magnifique is turned on, the sound in bank 1 is selected for all sound buttons.
Playing the Poetry Magnifique while using a single sound such as an acoustic piano is referred to as the Single Mode. The Poetry Magnifique can also be played in Layer Mode or Partner Mode, which are characteristic of digital pianos.
For details on the various modes, refer to "Performance Modes" on page 16.
| Button | Bank | Sound | # |
| PIANO 1 Italian | Grand Piano | 4 | |
| 2 Classic Piano | 4 | ||
| 3 Jazz Pianno | 4 | ||
| PLEYEL *1 | 1 | PLEYEL Piano | 4 |
| 2 PLEYEL Ballad 4 | |||
| 3 | PLEYEL 1843 *2 | 4 | |
| E.PIANO1 | 1 | Stage Electric Piano | 1 |
| 2 Bright Electric Piano | 1 | ||
| 3 Electric Grand Piano | 1 | ||
| E.PIANO2 | 1 | Digital Electric Piano1 | 2 |
| 2 Digital Electric Piano2 | 2 | ||
| 3 | 60's Electric Piano | 1 | |
| HARPSI/CLAV | 1 | Harpsichord 1 | 2 |
| 2 Harpsichord 2 | 2 | ||
| 3 Clay | 2 | ||
| VIBES/GUITAR | 1 V | ibraphone | 1 |
| 2 Marimba | 1 | ||
| 3 Acoustic Guitar | 2 | ||
| ORGAN1 1 Jazz | Organ1 | 2 | |
| 2 Jazz Organ2 | 2 | ||
| 3 Jazz Organ3 | 2 | ||
| ORGAN2 1 Pipe Organ1 2 | ||
| 2 Pipe Organ2 2 | ||
| 3 Positive Organ 2 | ||
| STRINGS 1 Strings 2 | ||
| 2 Cinema Strings 2 | ||
| 3 Analog Strings 2 | ||
| CHOIR 1 Aah Choir 2 | ||
| 2 Ooh Voices 2 | ||
| 3 Classical Choir 3 |
The # column shows the number of oscillators, or voices, used to create a single note for that sound. (Refer to "About maximum polyphony" on page 23.)
*1: PLEYEL pianos manufactured in Chopin's era were tuned at 430 Hz (A4). Playing with the pitch of each PLEYEL sound set to 430 Hz therefore allows you to enjoy the ambiance of that era.
For details on changing the pitch, refer to "List of functions" on page 19 and "Additional Functions and Descriptions" on page 19.
*2: The Pleyel 1843 sound reproduces the 1843 Pleyel piano with 80 sound-producing keys. Keys A0 to B0 and G #7 to C8 do not produce sound.
In addition, the touch sensitivity for producing quiet notes is subtle.
Using pedals

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Soft pedal Damper pedal Sostenuto pedalThe Poetry Magnifique includes all three of the pedals found on a grand piano. Using the pedals can add expression, control, and sophistication to any performance.
Soft pedal (left)
The Soft pedal slightly reduces the volume and softens the tone. Accurate half-pedaling allows you to control the depth of the effect by how far down the pedal is pressed. ("half-pedaling").
Sostenuto pedal (center)
This pedal provides a similar effect as the Damper pedal—allowing notes to continue to sound after the key is released—but the effect only applies to the notes already being held down when the Sostenuto pedal is pressed. New notes played after the Sostenuto pedal has been pressed will not sustain.
Damper pedal (right)
As mentioned above, the Damper pedal allows notes to continue to sound after the key has been released, adding a rich, resonant decay. You can also add damper resonance to the PIANO and PLEYEL sounds. Accurate half-pedaling allows you to control the depth of the effect by how far down the pedal is pressed. ("half-pedaling").
Effects
Brilliance
This effect changes the brightness of the tone.
The setting can be changed by holding down the BRILLIANCE button and pressing the + or - button beside the display.

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PRODUCTION TRANSITION FUNCTION TIME PULSE ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFO ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OF ON/OFOThe setting appears in the display with 003 producing a brighter sound and 001 producing a less bright sound.
Brilliance cannot be turned off.
Note The same setting is applied to all sounds and remains applied until the Poetry Magnifique is turned off. When the instrument is turned on, the default setting 002 is selected.
Note By performing the "Save parameter settings" (see page 19) operation before the Poetry Magnifique is turned off, the new settings specified for each sound can be saved as the default settings.
Reverb
This effect adds ambience and depth to the sound, producing the sense of performing in a concert hall.
Each press of the REVERB button turns the reverb on (button lights up) or off (button turns off).
To change this setting, hold down the REVERB button and press the + or - button beside the display.

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Formula: LOGICAL FORMATICAL FORMATICAL FORMATICAL FORMATICAL FORMATICAL FORMATICAL FORMATICAL FORMATICAL FORMATICAL FORMATICAL FORMATICAL FORMATICAL 0.02The setting appears in the display with 003 producing a deep reverb effect and 001 producing a light reverb effect.
Note As a factory default, the on/off setting for this effect as well as this effect's setting are saved with each sound.
Note By performing the "Save parameter settings" (see page 19) operation before the sound is switched, the new settings specified for each sound can be saved as the default settings.
Chorus
Chorus adds modulation to the sound, producing an expansively rich sound.
Each press of the CHORUS button turns the Chorus effect on (button lights up) or off (button turns off).
To change this setting, hold down the CHORUS button and press the + or - button beside the display.

flowchart
graph TD
A["Function Block"] --> B["Control Block"]
B --> C{Condition}
C -->|Yes| D["Display"]
C -->|No| E["Output"]
D --> F["Speed"]
F --> G["0.02"]
The setting appears in the display with 003 producing a deep chorus effect and 001 producing a light chorus effect.
Note As a factory default, the on/off setting for this effect as well as this effect's setting are saved with each sound.
Note By performing the "Save parameter settings" (see page 19) operation before the sound is switched, the new settings specified for each sound can be saved as the default settings.
Touch settings
The keyboard sensitivity, or touch, can be programmed. With the "Light" setting, loud notes will be produced even if the key is lightly pressed, and with the "Heavy" setting, loud notes will not be produced unless the key is strongly pressed.
To change the setting, hold down the TOUCH button and press the + or - button beside the display.

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PAND SONG TRANSPOSE FUNCTION TOUCH SHILLIANCE REVERB CHORUS 001| Display | Touch sensitivity | |
| 001 | Light Loud notes can be produced even by pressing lightly, which produces a brighter sound. | |
| 002 | Normal Normal piano touch, recommended with Poetry Magnifique. | |
| 003 | Heavy Loud notes can be produced only by pressing hard, which makes it easier to produce soft notes. Since this allows for a more expressive perfor - mance, it is intended for advanced players. | |
| 004 | Stable | Sensitivity variations are reduced, and a relatively stable sound is produced.This makes playing easy, even for beginners and children. |
| 005 | Steady | Steady notes are produced, like with an organ, regardless of the force used to press the key. |
Note The diagram below shows the relationship between how hard you press the key and how loud or quiet the notes sound.

line
| Playing strength | Loudness | | ---------------- | -------- | | 001 | 004 | | 002 | 003 | | 003 | 002 | | 004 | 001 | | 005 | 004 |Note When the instrument is turned on, the touch setting is reset to 002 (Normal).
Note The settings are applied to all sounds.
Transpose
In some cases, a song may be written in a difficult key (e.g., many black keys), or you may wish to shift the pitch to match another instrument or vocalist. In such cases, you can transpose (shift the pitch) so that you can use an easier fingering, or use the same familiar fingering to play at a different pitch. This is called the Transpose function.
For example if you transpose upward by one semitone, playing the notes shown at the lower left will produce the pitches shown at the right.

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Musical notation showing a treble clef and a time signature with notes and rests, likely representing a musical phrase or rhythm.While holding down the TRANSPOSE button, press the keyboard key (F#6-F7) for the desired transposition.
If a keyboard key other than C7 is pressed, the TRANSPOSE button lights up to indicate that the keyboard is transposed.
The pitch of the entire keyboard is transposed according to the pitch of the pressed keyboard key in relation to C7.
To return to the original pitches, hold down the TRANSPOSE button and press the C7 key.
The TRANSPOSE button turns off, and transposition is canceled.

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PROMO GENT TRANSPONE FRAVING TOMA GARL ASHER CHORD + C4 F6 C7 F7| key | Effect |
| F#6 - B6 | 6-1 semitones lower |
| C7 Standard pitch | |
| C#7 - F7 | 1-5 semitones higher |
Note When the instrument is turned on, the transposition is reset.
The metronome
The Poetry Magnifique is equipped with a metronome, which can be changed to a bell sound. this is convenient for practicing.
Turning on/off the metronome
- Press the METRONOME button.
The button lights up, and the metronome starts.

- To stop the metronome, press the METRONOME button again.
The button turns off.
Specifying the tempo
Regardless of whether the metronome is turned on or off, press the DISPLAY button, and then, after the TEMPO LED is lit, press the + or - button to change the tempo.
The setting range is ♪ = 40–240.
To return to the default setting (120), simultaneously press the + and - buttons.

Note The tempo can also be specified in the Metronome Settings Mode.
Specifying the Time Signature, Volume, Accent Sound, Tempo and Sound
- Hold down the METRONOME button until the Metronome Settings Mode is entered.
The METRONOME button blinks.
- Press the appropriate button shown below to select a parameter and display its setting in the display, and then press the + or - button to change the setting.
To return the sound or volume to its default setting, simultaneously press the + and - buttons.

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Accent Sound Tempo 120 Hold down the Metronome Settings Mode Time Signature —Sound Volume| Setting (Button) | Setting Range Default | setting |
| Accent Sound (●) | oFF (no accent sound), on1 (emphasized sound for the accent beat), on2 (bell sound for the accent beat) | off |
| Tempo (■) | 40–240 (same as tempo setting) 120 | |
| Sound (▶/I) | 1 (acoustic), 2 (electronic) 1 | |
| Time Signature (PARTI) | 02 (2/4), 03 (3/4), 04 (4/4), 06 (6/4) 04 | |
| Volume (PARI2) | 01–13 10 |
- After changing the setting, press the METRONOME button to exit the Metronome Settings Mode.
When the Metronome Settings Mode is exited, the METRONOME button returns to its lighting status (lit or not lit) before the Metronome Settings Mode was entered.
Note By performing the "Save parameter settings" (see page 19) operation before the Poetry Magnifique is turned off, the settings specified for the sound, accent sound and volume can be saved as the default settings.
Performance Modes
Playing two sounds at the same time (Layer Mode)
You can play two sounds at the same time on the keyboard. This is called the Layer Mode.
1. While holding down the button of a sound to be layered, press another sound button.
The two selected sound buttons light up.

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FLOORING TRANSFER FUNCTION TAXI SHEM RCDG CIRCU TAXI SHEM RCDG CIRCU TAXI SHEM RCDG CIRCU TAXI SHEM RCDG CIRCU TAXI SHEM RCDG CIRCU TAXI SHEM RCDG CIRCU TAXI SHEM RCDG CIRCU TAXi SHEM RCDG CIRCU TAXi SHEM RCDG CIRCU TAXi SHEM RCDG CIRCU TAXi SHEM RCDG CIRCU TAXi SHEM RCDG CIRCU TAXi SHEM RCDG CIRCU TAXi SHEH RCDG CIRCU TAXi SHEH RCDG CIRCU TAXi SHEH RCDG CIRCU TAXi SHEH RCDG CIRCU TAXi SHEH RCDG CIRCU TAXi SHEH RCDG CIRCU TAXi SHEH RCD8 CIRCUIn order to use sounds in different banks, first select the banks in the Single mode for the sound buttons to be pressed.
For example, to play by layering the Italian Grand Piano and Jazz Organ 2 sounds, select bank 1 (Italian Grand Piano) for the PIA - NO button and bank 2 (Jazz Organ 2) for the ORGAN1 button, and then press both buttons simultaneously.
To adjust the volume balance of the two sounds, press the FUNCTION button, then the HARPSI/CLAV button, and then press the + or - button to adjust the setting. After selecting the setting, press the FUNCTION button again.
(Refer to "Layer Mode settings" below and "Function Mode" on page 18.)
2. To return to Single Mode, press any single Sound Button.
When selecting Layer Mode, the total number of voices that can play at the same time is reduced, depending on the total number of oscillators used per voice by the selected sounds. (Refer to "About maximum polyphony" on page 23.)
Sounds accessed by the same Sound Button cannot be layered. For example, Italian Grand Piano and Jazz Piano are both accessed via the PIANO button and thus cannot be layered.
Layer Mode settings
In Layer Mode, the volume balance between sounds can be adjusted, the octave for each sound can be shifted, and the damper pedal can be enabled or disabled for each sound. (Refer to "Function Mode" on page 18.)
Note The leftmost or uppermost selected sound button is layer 1, and the other (rightmost or lowermost) one is layer 2 (see the diagram at the below).

flowchart
graph LR
A["PLANO"] --> B["EPIANO"]
B --> C["HARPSU/CLAV"]
D["VIBES/GUITAR"] --> E["ORGAN 1"]
E --> F["ORGAN 2"]
F --> G["STRINGS"]
G --> H["CHOIR"]
style A fill:#fff,stroke:#000
style B fill:#fff,stroke:#000
style C fill:#fff,stroke:#000
style D fill:#fff,stroke:#000
style E fill:#fff,stroke:#000
style F fill:#fff,stroke:#000
style G fill:#fff,stroke:#000
style H fill:#fff,stroke:#000
For example, if E.PIANO1 and ORGAN1 are selected, E.PIANO1 is layer 1 and ORGAN1 is layer 2.
Performing with another person (Partner mode)
Two people can play in the same range with the keyboard divided in half between them. This is called the Partner mode.
Entering Partner Mode
With the Poetry Magnifique turned off, hold down the BANK button, and then press the Power button. When a dot appears in the
lower-right corner of the display, release the BANK button.
When the Poetry Magnifique is in Partner Mode, a dot appears in the lower-right corner of the display.

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VOLUME PARTNERS 100% 20% 30% 40% 50% 60% 70% 80% 90% 100% 110% 120% Partner mode indication 120The PIANO sound is used for both the left and right sides of the key - board.
The right side of the keyboard, from E4 to C8, produces sounds two octaves lower in pitch (E2–C6).
The left side of the keyboard, from A0 to E b4, produces sounds two octaves higher in pitch (A2–Eb6).

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E4A0 E4 C8Pitches A2 to E6 for the player on the left side
Pitches E2 to C6 for the player on the right side
The left side of the keyboard will be output from the left speaker (L channel), and the right side of the keyboard will be output from the right speaker (R channel).
Changing the sound for both sides
Press a sound button. Both sides will change to the same sound.
Selecting sounds for the left and right sides
Simultaneously press the two sound buttons for the sounds to be used. The two pressed sound buttons light up.
Sound for left side of keyboard

flowchart
graph LR
A["PIANO"] --> B["LEVEL"]
B --> C["EPIANO"]
C --> D["EPIANO 2"]
D --> E["HARPSI/CLAV"]
F["VIDES/GUITAR"] --> G["ORGAN 1"]
G --> H["ORGAN 2"]
H --> I["STRINGS"]
I --> J["CHOR"]
K["Sound for right side of keyba"]
The leftmost or uppermost selected sound button is for the left side of the keyboard, and the other (rightmost or lowermost) one is for the right side of the keyboard.
For example, if the sound from the E.PIANO1 button is to be applied to the left side and the sound from the ORGAN1 button is to be applied to the right side, hold down the E.PIANO1 button, and then press the ORGAN1 button.
In order to use sounds in different banks, select the banks in Single Mode before entering Partner Mode.
Damper Pedal Assignments
In Partner Mode, the Soft pedal acts as a damper pedal for the left side of the keyboard; the Damper pedal acts as the damper pedal for the right side of the keyboard.
The Sostenuto pedal has no function in Partner Mode.
The volume balance of the sounds for the left and right sides can be adjusted with "Volume balance for Layer Mode (or Partner Mode)" in "Function Mode" on page 18.
Exiting Partner Mode
Turn off the Poetry Magnifique to exit Partner Mode.
When only the Power button is pressed to turn on the Poetry Magnifique, it will be in the normal mode (Single Mode).
In Partner Mode, a demo song cannot be played back and a user song cannot be recorded or played back. In addition, no Function Mode settings other than the volume balance for Partner Mode and no MIDI function mode settings can be specified.
Recording/playing back a performance
The recorder of the Poetry Magnifique allows you to easily record and play back keyboard performances. This is called a user song.
A user song has two parts. You can separately record the right- and left-hand parts of a song, then play back the two parts at the same time.
If you record to a part where data has already been recorded, the previous performance data will be deleted and overwritten with the new data. Therefore, before recording to a part, be sure it does not contain any data that you wish to save.
In addition, you can check each part according to the lighting status of its button.
| Part button Status | |
| Not lit No recorded data | |
| Lit in green Playing back recorded data | |
| Blinks in green Recorded data, muted | |
| Lit in red Recording | |
| Blinks in red Recording standby | |
User Songs can be saved until the data storage space of the Poetry Magnifique is full.
Recording a Performance
If the Poetry Magnifique is turned off before the LED for the recorded part lights up in green, the recorded song data and stored settings may be corrupted.

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FRAID FLEXIS E.PAROLI E.PAROLI GARPICELAV 1 HAR CHAIN1 HARAN2 STRAW5 CHA9 DISPLAY 120 + - 2 WETRIN 3 K/11 K/12 K/13 K/14 K/15- Press a sound button to select the song to be recorded.
- Press the Record button.
The Record button lights up.
- Press the button for the part to be recorded until the button blinks in red.
- Recording starts when you start playing the keyboard.
The Play/Pause button and the corresponding part button light up.
Recording can also be started by pressing down on any of the three pedals or by pressing a sound button.
Start recording with a count-off
Instead of playing the keyboard, press the Play/Pause button to receive a two-measure count-off before recording starts.
- To stop recording, press the Stop or Play/Pause button.
When recording is finished, the Record button goes dark (not lit), and the performance data is automatically saved.
• Changes made to the sound while recording are saved.
- Changes made to the tempo while recording are saved. (If the tempo cannot be changed, enable the tempo setting during playback.)
- Changes made to effects (on/off and effect setting) while recording are not saved.
- The time signature cannot be changed while recording.
- A maximum of 999 measures can be saved. When the number of saved measures exceeds 900, the Record button begins blinking. When 999 measures are saved, recording stops automatically.
- When the remaining space for recording is less than 1%, the Record button begins blinking. When no space remains, recording stops automatically.
Note The amount of space remaining for recording can be checked and a part can be deleted from the recording. Refer to "Function Mode" on page 18.
Adding to a Recording
Recording Over a Recorded Part
Example: Recording an addition to a previously recorded Part 1
Punch-in recording
- Press the Play/Pause button to start playback.
- Press the Record button.
The Poetry Magnifique enters recording standby mode, and the Record button lights up.
- Press the PART1 button until it blinks in red.
- Start playing the keyboard when reaching the point where the recording is to be added.
The original recording is overwritten from the point where the keyboard is played.
Recording from a paused point
- Press the Play/Pause button to start playback.
- Press the Play/Pause button when reaching the point where the recording is to be added.
- Press the Record button.
The Poetry Magnifique enters recording standby mode, and the Record button lights up.
- Press the PART1 button until it blinks in red.
- Press the Play/Pause button or start playing the keyboard to start recording.
The original recording is overwritten from the point where recording started.
Recording an Additional Part
Example: Recording Part 2 for a previously recorded Part 1
- Press the Record button.
The Poetry Magnifique enters recording standby mode, and the Record button lights up.
- Press the PART2 button until it blinks in red.
- Press the PART1 button until it displays the desired lighting status.
For recording while Part 1 is played back, the PART1 button should light up in green.
For recording while Part 1 is muted, the PART1 button should blink in green.
- Press the Play/Pause button or start playing the keyboard to start recording.
Playing Back a Recorded Performance
Playing Back
- Press the Play/Pause button to start playing back the performance.
The Play/Pause button lights up.
Note During playback, effects can be applied and the effect setting changed.
A performance cannot be played back while the Poetry Magnifique is in Piano Song Mode, Sound Demo Song Mode, Partner mode or Function Mode.
- Press the Play/Pause button during playback to pause it.
The Play/Pause button blinks.
- To resume playback from the point where it was paused, press the Play/Pause button again.
The Play/Pause button lights up.
Returning to the Beginning of the Song
- Press the Stop button during playback to stop playing back the performance.
- Press the Play/Pause button to start playing back the song from the beginning.
Skipping to a Specific Measure
- While the song is playing, stopped or paused, press the DISPLAY button; the MEASURE LED in the display lights up.
The current measure appears in the display.
- Press the + or - button to move to a specific measure.
If playback was stopped, it will be paused (the Play/Pause button blinks) after moving to the specific measure. Pressing the Play/Pause button will start playback from that point.
To quickly return to the first measure (001), simultaneously press the + and - buttons.
Changing the Playback Tempo
Press the DISPLAY button, and then, after the TEMPO LED is lit, press the + or - button to change the tempo.
The setting continues to change while the button is held down. To restore the tempo to the original setting, simultaneously press the + and - buttons.
Playing the Right- and Left-hand Parts Separately
As with Piano Songs, one part can be muted while the other is played back. Refer to "Practicing one hand at a time (left-hand/right-hand separation function)" on page 12.
Deleting a Recorded Performance
Each part of a recorded performance can be deleted.
- Press the FUNCTION button, then the ORGAN2 button.
- Press the + or - button to select the part to be deleted, and then press the Play/Pause button to delete the part.
- After the part is deleted, press the FUNCTION button again.
(Refer to "Function Mode" on page 18 and the "List of functions" on page 19.)
Other functions
Function Mode
The pitch as well as temperament settings etc. can be specified from the Function Mode. For the functions that can be set, refer to the "List of functions" below.
In Partner Mode, no settings other than the volume balance for Partner Mode can be specified.
Adjusting Parameter Settings in the Function Mode
- Press the FUNCTION button.
The FUNCTION button and the PIANO button will light.
- Press the appropriate button shown below to select a parameter.
The pressed button lights up, and the current setting appears in the display.

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Minimum remaining space for recording Part volume Temperature Pitch — PEAKI PLATEL 8 PRAVIL 6 PRAVIL 2 MATHKELAN Volume balance of layer mode Octave of layer mode — VELLOVER INRANT 5000 3 STRAW CHAM Pedal of layer mode Delete part of User Song Auto power off Stereo sound optimizer Save parameter settings 400- Press the + or - button to select a setting.
To restore the default setting, simultaneously press the + and - buttons.
Note The procedures for checking the amount of recording space remaining, for changing a layer octave and for saving parameter settings differ slightly.
- To exit Function Mode, press the FUNCTION button.
The FUNCTION button goes dark.
Note The setting for the auto power off function is saved when it is changed.
Note Normally, when the Poetry Magnifique is turned off, all parameters return to their factory default settings. However, by performing the "Save parameter settings" (see page 19) operation before the Poetry Magnifique is turned off, the settings specified for the pitch and part volume balance can be saved as the default settings.
Functions for Piano Song Mode
In Piano Song Mode, the FUNCTION button can be used to specify the muting level for each part of a Piano Song. The specified muting level is the same for both Part 1 and Part 2.
- Press the FUNCTION button; the current muting level appears in the display.
The FUNCTION button lights up.
- Press the + or - button to select a setting.
When muted with a setting of 0, there will be no sound, and with a setting of 12, the sound will be at full volume.
To restore the default setting (0), simultaneously press the + and - buttons.
- After specifying the desired setting, press the FUNCTION button.
The FUNCTION button goes dark.
List of functions
| Button Function Setting Display | ||
| Description [default setting] | ||
| PIANO | Pitch *1 | 27.5...52.5 |
| 427.5...430.0...440.0...452.5Hz [440.0] | ||
| In order to adapt the Poetry Magnifique pitch to that of another instrument, you can adjust the pitch in steps of 0.5 Hz. | ||
| PLEYEL | Temperament *2 | 00...02 |
| Equal...Werckmeister temperament [00: Equal] | ||
| Select from three temperaments, including the Equal temperament, Kirnberger temperaments and a Werckmeister temperament. | ||
| E.PIANO1 | Volume balance for parts | -12...00...12 |
| Only 2 layer...Both...Only 1 layer [00] | ||
| Specify the volume balance for parts during playback of a Piano Song. | ||
| E.PIANO2 | Minimum remaining space for recording | 100...000 |
| Remaining space of 100%...0% | ||
| HARPSI/CLAV | Volume balance of layer mode (or partner mode) | 1-9...9-1 |
| 1-9 (Layer 1 min)...9-9 (Both max.)...9-1 (Layer 2 min.) [9-9] | ||
| Adjust the volume balance between the sounds for layer 1 (or left side) and layer 2 (or right side). | ||
| VIBES/GUITAR | Octave of layer mode (L1, L2) *3 | -01, 00, 01 |
| ±1 Octave [00] | ||
| Specify the sound range for layer 1 and layer 2. | ||
| ORGAN1 | Pedal of layer mode | o-_, _-o, o-o |
| Only 1, Only 2, Both layers [o-o] | ||
| Select the layer (or right side and left side) that the damper effect is applied to. | ||
| ORGAN2 | Delete part of User Song | P1, P2 |
| Part1, Part2 : After selecting a part, press Play/Pause (▶/10) button to perform operation. | ||
| Delete the selected part of a User Song. | ||
| STRINGS | Stereo sound optimizer *4 | oFF, on |
| On, Off [oFF] | ||
| Turn on/off the effect that gives presence to the sound when the headphones are used. | ||
| CHOIR Auto power off oFF, on | ||
| Record (●) | Save parameter settings *5 | — |
| Press Record (●) button to perform operation. | ||
| Save the values and settings for parameters in the Function Mode. | ||
Additional Functions and Descriptions
\*1: Pitch
Press the DISPLAY button to select 430 Hz. Playing with the pitch of each PLEYEL sound set to 430 Hz therefore allows you to enjoy the ambiance of that era. To return to 440 Hz, simultaneously press the + and - buttons.
\*2: Temperament
Temperament types
| Display | Temperament |
| 00 | Equal temperament (default setting): Spacing all semitones at equal pitch intervals, this temperament is the most widely used. |
| 01 | Werckmeister: The Werckmeister III scale was created in the later Baroque period to allow relatively free transposition. |
| 02 | Kirnberger: The Kirnberger III scale is used mainly for tuning harpsichords. |
About stretched tuning
In order to produce the most natural resonance, PIANO and PLEYEL sounds use a “stretched tuning” that makes the notes of the lower range slightly flatter than equal temperament, and the upper range slightly sharper. This is how an acoustic piano is normally tuned by professional tuners.
\*3: Octave of layer mode (L1, L2)
Setting procedure
- Press the + or - button beside the display to select a layer. L1 appears for layer 1, and L2 appears for layer 2.
2. Press the Play/Pause button.
The octave setting (00) appears in the display.
3. Press the + or - button beside the display to select an octave setting.
To restore the default setting, simultaneously press the + and - buttons.
To select the octave for the other layer, press the VIBES/GUITAR button to select the layer.
If the sound is in the Single mode, -- appears in the display, and a setting cannot be specified.
\*4: Stereo sound optimizer
This gives presence to the sound that is reproduced, as if playing an acoustic piano, even when headphones are used.
When headphones are plugged into the headphone jack, enabled effects are applied to all sounds. The effects will be applied to the output from the LINE OUT jack.
\*5: Save parameter settings
This operation will save the parameter settings in Function Mode (pitch and volume balance for parts), the metronome settings (accent sound, sound and volume) and the sound settings (reverb, chorus and brilliance) specified when the Record button was pressed.
The Record button lights up while the settings are being saved; do not turn off the Poetry Magnifique until the button goes dark (not lit).
Resetting the parameters
To return all parameters to their factory default settings, turn off the Poetry Magnifique, and then hold down the Play/Pause button and press the Power button until "8.8.8." appears in the display.
The User Songs will not be erased. To erase a User Song, perform the "Delete part of selected song" operation.
Transmitting/receiving audio data via USB
Connect the USB port on the Poetry Magnifique to your computer with a USB cable to exchange MIDI and audio data.
Note For the latest information on OS support, please see our dedicated web page (https://www.korg.com/support/os/).
When playing back audio from your computer through the speakers of the Poetry Magnifique
- Turn the volume all the way down on both the Poetry Magnifique and your computer.
- Connect your computer to the USB port on the bottom of the Poetry Magnifique with a USB cable.
When the Poetry Magnifique is connected to the computer, the computer will recognize it as a USB audio device. - Select "Poetry M" as the playback device for the computer.
- Play back sound on the computer while slowly turning up the volume. As you raise the volume on the Poetry Magnifique, you should be able to hear the sound coming through the speakers.
- To adjust the volume balance, raise the volume on your computer while playing the keyboard of the Poetry Magnifique, along with the sound played back from the computer.
Using your computer to record what you play on the Poetry Magnifique
- Turn the volume all the way down on both the Poetry Magnifique and your computer.
- Connect your computer to the USB port on the bottom of the Poetry Magnifique with a USB cable.
When the Poetry Magnifique is connected to the computer, the computer will recognize it as a USB audio device.
- Select "Poetry M" as the recording device for the computer.
- Adjust the recording level on your computer while playing the keyboard of the Poetry Magnifique.
- Record the sound coming from the Poetry Magnifique, following the steps required by the application running on your computer.
When connecting to your computer, you may hear a loud noise depending on the settings, so adjust the volume on your computer.
MIDI
What can you do with MIDI?
Thanks to MIDI, you can use the Poetry Magnifique to control other instruments, use other instruments to control the Poetry Magnifique, and use a sequencer to create complex musical pieces. When you use the Poetry Magnifique keyboard or pedal, or select a sound, the notes, pedal activation and change in sound are transmitted to another in - strument, or are recorded by a sequencer.
Connections
Connect the USB ➕ port on the Poetry Magnifique to your computer with a USB cable.
When the Poetry Magnifique is first connected to your Windows computer, the USB-MIDI driver pre-installed with the operating system will be used automatically. This preinstalled USB-MIDI driver will not allow the Poetry Magnifique to access multiple programs or applications at the same time. To remedy this situation, simply download the KORG USB-MIDI driver at www.korg.com and install the driver as instructed with the supporting documentation.
Even if the Poetry Magnifique will not be used with multiple applications, we recommend installing the KORG USB-MIDI driver, which should provide improved operating stability.
MIDI function mode
When the Poetry Magnifique is turned on, the MIDI parameters are set to transmission channel 1, all reception channels (1–16), Local On and Multi-Timbral On. These settings can be changed from the MIDI function mode.
Setting procedure for parameters in the MIDI function mode
- Hold down the FUNCTION button (for at least 3 seconds). The FUNCTION button blinks and the PIANO button lights up.
- Press the appropriate button shown below to select a parameter. The pressed button lights up, and the current setting appears in the display.

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Local On/Off MIDI channel — Multi-timbral On/Off CC FilterPC Filter Dump recorded songs DISPLAY • TIMPS • LIME • HEAD/FL COI- Press the + or - button to select a setting.
- To exit Function Mode, press the FUNCTION button. The FUNCTION button goes dark.
Note All MIDI settings are applied to all sounds.
Note Normally, when the Poetry Magnifique is turned off, all parameters return to their factory default settings.
List of MIDI functions
| Button | Function | Setting Display |
| Description [default setting] | ||
| PIANO | MIDI Channel *1 | C01...C16 |
| 1...16 [C01] | ||
| Specify the transmission channel for MIDI data. | ||
| PLEYEL | Local On/Off | on, oFF |
| Enabling (turn on)/disabling (turn off) the Poetry Magnifique sound source [on] | ||
| Disable (turn off) in order to prevent echo back. | ||
| E.PIANO1 | PC Filter *2 | on, oFF |
| Enabling/disabling program change transmission/reception filtering[oFF: transmission/reception] | ||
| If an incompatible program change number is received, the Poetry Magnifique sound is not changed. | ||
| E.PIANO2 | CC Filter | on, oFF |
| Enabling/disabling control change transmission/reception filtering [oFF: transmission/reception] | ||
| HARPSI/CLAV | Dump recorded songs *3 | ddd |
| Sending/receiving recorded song data | ||
| VIBES/GUITAR | Multi-timbral On/Off | on, oFF |
| Operating as a 16-part multi-timbral sound module [on: operating] | ||
\*1: MIDI channel
In Layer Mode, this setting will be the transmission channel for layer 1, and the transmission channel for layer 2 will automatically be set to the following channel.
For example, if MIDI channel C07 is selected for layer 1, MIDI channel C08 will automatically be specified for layer 2. If MIDI channel C16 is selected for layer 1, MIDI channel C01 will be specified for layer 2.
\*2: Table of sounds and corresponding program change numbers.
CC0: Bank Select (MSB) for all sounds is set to 121.
| Button | Bank | CC32 | PC | Sound |
| PIANO | 1 | 0 | 0 | Italian Grand Piano |
| 20 | 1 | Classic Piano | ||
| 32 | 0 | Jazz Piano | ||
| PLEYEL | 1 | 1 | 0 | PLEYEL Piano |
| 21 | 1 | PLEYEL Ballad | ||
| 30 | 3 | PLEYEL 1843 | ||
| E.PIANO1 | 1 | 0 | 4 | Stage Electric Piano |
| 21 | 4 | Bright | Electric Piano | |
| 30 | 2 | Electric Grand Piano | ||
| E.PIANO2 | 1 | 0 | 5 | Digital Electric Piano1 |
| 21 | 5 | Digital Electric Piano2 | ||
| 32 | 4 | 60's Electric Piano | ||
| HARPSI/CLAV | 10 | 6 | Harpsichord 1 | |
| 21 | 6 | Harpsichord 2 | ||
| 30 | 7 | Clav | ||
| VIBES/GUITAR | 1 0 11 V | ibraphone | |
| 2 0 12 Marimba | |||
| 3 0 24 Acoustic Guitar | |||
| ORGAN1 1 0 | 16 Jazz Organ1 | ||
| 2 1 16 Jazz Organ2 | |||
| 3 0 17 Jazz Organ3 | |||
| ORGAN2 1 0 | 19 Pipe Organ1 | ||
| 2 1 19 Pipe Organ2 | |||
| 3 2 19 Positive Organ | |||
| STRINGS 1 0 | 48 Strings | ||
| 2 0 50 Cinema Strings | |||
| 3 1 50 Analog Strings | |||
| CHOIR 1 0 52 | Aah Choir | ||
| 2 1 52 Ooh Voices | |||
| 3 2 52 Classical Choir |
\*3: Dump recorded songs
Recorded songs can be saved to a computer or songs saved to the computer can be imported onto the Poetry Magnifique.

In order to perform a data dump of recorded songs, use MIDI data filer software (KORG MIDI Data Filer—see www.korg.com) as well as a USB cable (sold separately).
Press the button; "ddd" appears in the display, and the Poetry Mag - nifique enters send/receive standby mode.
Sending
Press the Play/Pause button to begin dumping.
While sending, the Play/Pause button blinks in red, and "____" appears in the display.
When sending is finished, the Play/Pause button goes dark (not lit), and "ddd" appears in the display.
Receiving
When sending begins from the computer, all recorded song data on the Poetry Magnifique is erased.
While receiving, the Record button blinks in red, and “____” appears in the display.
When receiving is finished, the Record button goes dark (not lit), and "ddd" appears in the display.

To cancel sending/receiving, press the FUNCTION button to exit MIDI setting mode, or select a different MIDI parameter. However, if receiving is cancelled after it has already begun, all recorded song data on the Poetry Magnifique will have been erased.
Recording to the Recorder
When the recorder of the Poetry Magnifique is in recording standby mode, recording can be started with MIDI messages sent from an external MIDI keyboard, etc.
• The performance is recorded only when Local Off is set.
- When Part 1 is in recording or recording standby mode: The performance is recorded when an event with the specified MIDI channel and a channel of +1 is received.
- When Part 2 is in recording or recording standby mode: The performance is recorded when an event with channels of +2 and +3 of the specified MIDI channel is received.
Using as a Bluetooth Speaker
If a computer, tablet, smartphone, audio player, etc., compatible with Bluetooth audio is connected, the Poetry Magnifique can be used as a Bluetooth speaker.
Adjust the volume on the output from the device connected via Blue-tooth audio. It cannot be adjusted with the VOLUME knob on the Poetry Magnifique.
Note The auto power off function of the Poetry Magnifique will not operate during playback of a device connected via Bluetooth audio.
Multiple devices cannot be connected at the same time.
Connecting a New Device (Pairing)
When a new device is connected, "pairing" (mutually registering connection information) must be performed.
Note The information for up to eight paired devices can be stored. When a ninth device is paired, the information for an existing device is deleted so that the new information can be stored.
Even if pairing failed, the information for that device may be stored on the Poetry Magnifique. If the information for eight devices has already been stored, the information for an existing device is deleted.
In order to reconnect to the device whose information was deleted, delete the Poetry Magnifique's information from that device, and then perform pairing again.
- When the Poetry Magnifique is turned on, it enters the pairing standby mode.
Pairing is enabled for only 1 minute after "120" appears in the display when the Poetry Magnifique is turned on.
- Turn on the Bluetooth function for the device to be connected, and then select "KORG Poetry M" in the list of the settings screen that appears.
When a message appears, requesting permission for pairing, allow pairing.
When a passkey is requested, enter "0000".
Note The passkey may also be called a PIN code, password, etc.
- If pairing is successful, the connected device enters a connection-ready mode and displays a connection with "KORG Poetry M".
Since the displays differ depending on the device, refer to the manual of your device.
Reconnecting to a paired device
- If the Bluetooth function for the device to be connected was turned off when the Poetry Magnifique was turned on Turn on the Bluetooth function for the device to be connected.
- If the Bluetooth function for the device to be connected was turned on when the Poetry Magnifique was turned on Turn off the Bluetooth function for the device to be connected, and then turn it on again, or select "KORG Poetry M" in the list of paired devices.
If a connection cannot be established again, turn off the Bluetooth function for the device, and then turn it on again. If a connection still cannot be established, cancel pairing or delete the information from the device, and then try performing the operation described above in "Connecting a New Device (Pairing)".
Cutting the Connection
Perform the operation by using the Bluetooth settings screen on the connected device.
If the Poetry Magnifique is turned off while it is connected to a device, it may be difficult for the connection to be re-established the next time.
Appendix
Troubleshooting
If any of the following problems should occur, carefully examine the instrument to see if you can discern what the trouble may be, and try resolving it by following the suggestions below. If the instrument still does not function properly, please contact your dealer.
The instrument will not turn on
• Make sure that the power cord is correctly plugged into the Poetry Magnifique and into the AC outlet.
• Firmly press the power button.
No sound
- Is the cable from the speaker box connected securely to the SPEAKER connector on the Poetry Magnifique?
- Be sure that the volume is set to an adequate level, and not set to the MIN value.
- Make sure that the MIDI Local function is not set on OFF (see page 21). If it is, set it to ON (or turn the instrument off and then on again).
- Check to see that nothing is connected to the headphone jacks; any connection to either of these jacks will mute the internal speakers.
Notes are interrupted or sound generation is heavy
The maximum polyphony may have been exceeded; see "About maximum polyphony."
The sound has changed.
Effects such as reverb and chorus are saved with each sound.
The effect settings that are applied differ depending on the order that sounds are selected in Layer Mode or the sounds selected for a User Song; therefore, different nuances may be heard even with the same combination of sounds. Be careful when selecting sounds.
The pitch or tone of the piano sounds wrong in some key regions
The Poetry Magnifique's piano sounds replicate the sound of an actual piano as faithfully as possible. This means that in some regions of the keyboard, you may feel that certain overtones seem stronger, affecting the pitch or tone. This is not a malfunction.
Your external MIDI device does not respond to MIDI data sent from the Poetry Magnifique.
• Make sure that the USB cable is connected correctly.
• Make sure that the Poetry Magnifique is transmitting MIDI data on the same channel that the MIDI device is receiving on.
About maximum polyphony
If the number of notes being played simultaneously exceeds the maximum polyphony, some notes will be lost. The Poetry Magnifique is equipped with a mechanism that stops the first note played to give priority to notes played later. Some Poetry Magnifique sounds, although they may be a single sound, are generated by two or more oscillators (one note of a sound-generating circuit). Sounds using just one oscillator, such as the bank 1 and 2 sounds of the VIBES/GUITAR button, have a maximum polyphony of 120 notes. Sounds using two oscillators, such as the bank 1 and 2 sounds of the E.PIANO2 button, have a maximum polyphony of 60 notes.
120 ÷ Number of sound oscillators = Maximum polyphony
Keep the maximum polyphony in mind and carefully choose sounds when using Layer Mode to play two sounds simultaneously or when using the damper pedal.
Specifications
Keyboard RH3 (Real weighted hammer action 3) 88 keys (A0–C8)
Touch Curves Five available
Pitch Control Transpose, Master tuning
Temperament Three types
Sound Generation Stereo PCM System
Polyphony 120 notes (max)
* The maximum polyphony varies depending on the sound.
Sounds 30 sounds (10 x 3 banks)
Effects Brilliance, Reverb, Chorus (3 levels each)
Recorder Two parts, maximum 14,000 notes (approximately 100 KB)
Demo Songs 60 (Sound Demo Song × 10, Piano Song × 50)
Metronome Tempo, Time Signature, Accent, sound and Volume controls
Pedal Damper*, Sostenuto, Soft* (*half-pedaling supported)
Connections LINE IN jack, LINE OUT jack, Headphone jack × 2, USB • port (Type-B), PEDAL connector, SPEAKER connector
Controls Power button, VOLUME knob, PIANO SONG button, TRANSPOSE button, FUNCTION button, TOUCH button, BRILLIANCE button, REVERB button, CHORUS button, BANK button, Sound button × 10, DISPLAY button, +, - button, METRO NOME button, play back/pause (▶) button, stop (■) button, record (●) button, PART1 button, PART2 button
Wireless method: Bluetooth (A2DP Sink)
Speakers 12 cm × 2
Amplification 40 W × 2
Power supply Internal switching adapter, AC 100\~240V, 50-60Hz
Power consumption
25 W (no-load power consumption: 0.4 W at 230 V)
Dimensions (W × D × H)
1349 × 349 × 766 mm / 53.11 × 13.74 × 30.16 inches 1349 × 349 × 1011 mm / 53.11 × 13.74 × 39.80 inches (with the key cover opened)
Weight 47 kg / 103.62 lbs. (including Stand)
Included Items Power cord, Stand with Speaker Box & Pedal unit, Chopin Piano Masterpieces, Owner's Manual
- Specifications and appearance are subject to change without notice for improvement.
Operating requirements (USB connection)
Windows Microsoft Windows 10 (32bit/64bit)
Microsoft Windows 11 or later (64bit)
macOS macOS 12 Monterey or later (Intel/Apple Silicon)
Operation of the Poetry Magnifique is not guaranteed with all computers that satisfy these operating requirements.
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

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Musical Score Musical Score
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1 Musical Sare 24. Bouton TRANSPOSE:
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Powerulse Function Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulse Powerulsetext_image
Musical notation showing a treble clef and a time signature with notes, indicating a dynamic shift or rhythm.Pitch Control Transposition, accordance fin
Amplification 40 W × 2
Dimensions (L x P x H)
1349 × 349 × 766 mm
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

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Musical Score Musical Score 1 2natural_image
Technical line drawings of two identical electrical cabinets or enclosures with internal grating and mounting base (no text or symbols)natural_image
Two technical line drawings of a shared electric fan or electrical enclosure unit (no text or symbols visible)natural_image
Illustration showing two hand positions on a textured surface with no text or symbols, one marked with a prohibition symbol (no text or symbols present)natural_image
Line drawing of a piano with an open book and metal frame (no text or symbols)
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Musical notation showing a treble clef and a time signature with notes and restsTO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

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Musical Score Musical Score
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1 øp Musical Score 2natural_image
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Two technical line drawings of industrial electrical cabinets or enclosures, showing front and side views with no text or symbols.natural_image
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Musical notation showing a treble clef and a right-handled musical staff with notes and restsDimensiones (Anch. x Prof. x Alt.)
1349 × 349 × 766 mm
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

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Musical Score Musical Score 1 2組み立て後のチェック
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Technical line drawings of two views of a shared air conditioner unit (no text or symbols)- キー・カバー先端のふちを置みます。
キー・カバーの閉じ方
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FINDING TIMEFRAME FUNCTION TIME SPEED CHICKNESS CHANGE CHANGE 2 TIME RUSTAIN CHANGE SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT 120text_image
Musical notation showing a treble clef and a time signature with notes and restshttps://www.korg.com/support/os/
Sound Demo Song List
| Song No. | Sound Buttons | Sound Title Composer | |||
| d01 PIANO | Italian Grand Piano | Waltz in F major Op.34-3 "Valse Brillante" F.Chopin *1 | |||
| d02 PLEYEL | PLEYEL Piano 1843 | Nocturne in B | minor Op.9-1 F.Chopin *2 | ||
| d03 E.PIANO | Stage Electric Piano Jam Session | Naoki Nishi | |||
| d04 | E.PIANO2 | Digital Electric Piano2 | In Memory | Michael Geisel | |
| d05 | HARPSI/CLAV | Harpsichord1 | Les Petis Moulins a vent | F.Couperin | *1 |
| d06 | VIBES/GUITAR | Vibraphone | Gekka-Bijin | Naoki Nishi | |
| d07 | ORGAN1 | Jazz Organ1 | Improvisation | Michael Geisel | |
| d08 | ORGAN2 | Pipe Organ1/Positive Organ | Prelude and Fugue in C Major, BWV 553 | J.S.Bach | |
| d09 STRINGS | Italian | GrandPiano/Strings/Cinema Strings/AnalogStrings | Prelude in E minor Op.28-4 | F.Chopin(arranged byKatsuhiro Oguri) | *1 |
| d10 | CHOIR | Aah Choir | Autumn Flares | Michael Geisel | |
Piano Song List
All piano songs have been composed by F. Chopin.
| No. | Title | left-hand/right-hand separation function | No. | Title | left-hand/right-hand separation function | ||
| 1 | Etude in E major Op.10-3 "Chanson de l'adieu" | o | *1 | 26 | Etude in C # minor Op.10-4 | x | *2 |
| 2 | Waltz in D♭ major Op.64-1 "Petit chien" | o | *1 | 27 | Etude in A♭ major Op.25-1 "Aeolian Harp" | x | |
| 3 | Fantaisie-Impromptu in C♯ minor Op.66 | o | 28 | Etude in E minor Op.25-5 | x | ||
| 4 | Nocturne in E♭ major Op.9-2 | o | 29 | Etude in G♭ major Op.25-9 "Butterfly" | x | ||
| 5 | Mazurka in B♭ major Op.7-1 | o | 30 | Etude in A minor Op.25-11 "Winter Wind" | x | ||
| 6 | Prelude in C major Op.28-1 | o | *1 | 31 | Etude in C minor Op.25-12 "Ocean" | x | |
| 7 | Prelude in E minor Op.28-4 | o | *1 | 32 | Prelude in B♭ minor Op.28-16 | x | |
| 8 | Prelude in B minor Op.28-6 | o | *2 | 33 | Prelude in D minor Op.28-24 | x | |
| 9 | Prelude in A major Op.28-7 | o | *1 | 34 | Mazurka in G major Op.67-1 | x | |
| 10 | Prelude in D♭ major Op.28-15 "Raindrop" | o | *1 | 35 | Mazurka in G minor Op.67-2 | x | |
| 11 | Nocturne in B♭ minor Op.9-1 | o | *2 | 36 | Mazurka in C major Op.67-3 | x | |
| 12 | Waltz in E♭ major Op.18 "Grand Valse Brillante" | o | *1 | 37 | Mazurka in A minor Op.67-4 | x | |
| 13 | Waltz in A♭ major Op.34-1 "Valse Brillante" | o | *1 | 38 | Ballade in G minor Op.23 | x | |
| 14 | Waltz in C♯ minor Op.64-2 | o | *1 | 39 | Ballade in F minor Op.52 | x | |
| 15 | Waltz in F major Op.34-3 "Valse Brillante" | o | *1 | 40 | Nocturne in D♭ major Op.27-2 | x | |
| 16 | Waltz in A♭ major Op.69-1 "L'adieu" (Op.posth) | o | *1 | 41 | Nocturne in C♯ minor KK.IVa-16/Bl 49 (Op.posth) | x | |
| 17 | Waltz in B minor Op.69-2 (Op.posth) | o | *1 | 42 | Polonaise in G minor KK.Ila-1 (Op.posth) | x | |
| 18 | Waltz in E minor KK.IVa-15 (Op.posth) | o | *1 | 43 | Barcarolle in F♯ major Op.60 | x | |
| 19 | Waltz in A minor KK.IVb-11 (Op.posth) | o | *1 | 44 | Sonate II in B♭ minor Op.35-3 | x | |
| 20 | Etude in G♭ major Op.10-5 "Black Keys" | o | 45 | Sonate III in B minor Op.58-1 | x | ||
| 21 | Etude in C minor Op.10-12 "Revolutionary" | o | *2 | 46 | Sonate III in B minor Op.58-2 | x | |
| 22 | Polonaise in A major Op.40-1 "Militaire" | o | *1 | 47 | Sonate III in B minor Op.58-3 | x | |
| 23 | Polonaise in A♭ major Op.53 "Héroïque" | o | *2 | 48 | Sonate III in B minor Op.58-4 | x | |
| 24 | Scherzo in B♭ minor Op.31 | x | *2 | 49 | Berceuse in D♭ major Op.57 | x | |
| 25 | Etude in C major Op.10-1 "Water fall " | x | *2 | 50 | Largo in E♭ major KK.IVb-5 | x |
*1: Performed by Katsuhiro Oguri / *2: Performed by Aki Fujii
Piano Song data supervision: Katsuhiro Oguri
| Function... Transmitted Recognized | Remarks | |||
| Basic Channel | Default Changed | 1 1-16 | 1 1-16 | |
| Mode | Default Messages Altered | X X********** X | 3 X | |
| Note Number | True Voice | 3-125********** | 0-127 0-127 | Reception range differs depending on sound. |
| Velocity | Note On Note Off | O 9n, V=1-127 X 8n, V=64 | O 9n, V=1-127 X | |
| After Touch | Key's Channel | X X | X O | |
| Pitch Bend | X | O | ||
| Control Change | 0, 32 1 5 6 7 10 11 38 64, 66, 67 65 71 72, 73 74 75, 76, 77, 78 91, 93 100, 101 120 121 | O X X X O X X X X X X X X X O | O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O | Bank Select (MSB, LSB) *1 Modulation *1 Portamento Time *1 Data Entry MSB *1 Volume *1 Pan *1 Expression *1 Data Entry LSB *1 Damper, Sostenuto, Soft *1 Portamento On/Off *1 Resonance *1 EG Time (Release, Attack) *1 Brightness *1 Decay Time, Vibrato Rate, Depth, Delay *1 Reverb Send, Chorus Send *1 RPN (LSB, MSB) *1 All Sounds Off *1 Reset All Controllers *1 |
| Program Change | True Number | O 0-52********** | O 0-52 0,1,2,3,4,5,6,7,11,12, 16,17,19,24,48,50,52 | Only some values can be set. *2 Used with Bank Select; all 30 sounds can be selected. |
| System Exclusive | O | O | *3 | |
| System Common | Song Position Song Select Tune Request | X X X | X X X | |
| System Real Time | Clock Commands | X X | X X | |
| Aux Messages | Local On/Off All Notes Off Active Sensing System Reset | X O X X | O O (123-125) X X | |
| Notes *1: Transmitted and received when CC filtering is disabled.*2: Transmitted and received when PC filtering is disabled.*3: Includes Inquiry and GM Mode On.Though GM Mode On is recognized, not all GM sounds are supported. | ||||
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WARNING!
This Product is only suitable for sale in Japan. Properly qualified service is not available for this product if purchased elsewhere. Any unauthorised modification or removal of original serial number will disqualify this product from warranty protection.
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