PV 20 USB - Hand blender PEAVEY - Free user manual and instructions

Product type	Compact mixing console
Brand	Peavey
Model	PV 20 USB
Dimensions (W x D x H)	56.2 cm x 40.0 cm x 8.9 cm
Weight	Approximately 6.5 kg
Power supply	Internal transformer, 100-240 V AC, 50/60 Hz
Microphone inputs	16 x XLR balanced (pin 2 hot)
Line inputs	16 x 1/4" TRS balanced
Stereo inputs	2 pairs of 1/4" jacks (channels 5/6 and 7/8)
RCA inputs	2 pairs (for line sources)
Main outputs	2 x 1/4" TRS balanced (Right/Left)
Headphone output	1/4" TRS (tip left, ring right)
Monitoring output (Control Room)	2 x 1/4" TRS
Send outputs (Monitor / EFX)	1/4" TRS (Monitor Send and EFX Send)
USB connectivity	USB type B port for recording/playback
Effects processor	Digital, 16 presets (reverbs, delays, chorus)
Equalization	3 bands per channel (Hi, Mid, Low) with +/-15 dB
Low-cut filter	80 Hz per microphone channel
Phantom power	48 V switchable
LED indicators	Clip/Mute per channel, output level (6-segment LEDs)
Cleaning	Use a dry cloth only
Repairability	Entrust to a Peavey authorized technician
Safety	Do not expose to moisture, disconnect during storms

Frequently Asked Questions - PV 20 USB PEAVEY

How to connect a microphone to the PV20 USB?

Use an XLR input (pin 2 hot) to connect your microphone. Activate the 48V phantom power if needed via the Phantom Power switch on the front panel.

How to use the USB connectivity?

Connect the console's USB port to your computer. For recording, the stereo master signal is sent to the PC. To listen to the PC in the mix, enable Tape/USB to Mix and adjust the level with the Record Level knob.

How to set up a reverb effect?

Turn the EFX Select knob to choose an effect (e.g., Hall Reverb). Adjust the time with the EFX Time knob. Adjust the send level with the EFX Send knob on each channel and the master EFX Send Master.

What to do if the Clip LED lights up?

Reduce the gain of the corresponding channel (GAIN knob) or lower the equalization. The LED lights up 3 dB before actual clipping.

How to connect a stage monitor?

Use the MON Send output (TRS jack) to send the monitor mix to an amp or speaker. The overall level is adjusted by the master MON Send Master.

Can I plug an electric guitar directly?

Yes, plug it into a 1/4" line input. If the guitar has a low level, increase the GAIN. For optimal sound, use a DI box between the guitar and the XLR input.

How to use the Control Room output?

The Control Room outputs replicate the same signal as the headphone output. Adjust the volume with the Headphone Level knob.

What is the difference between inputs A and B on the stereo channels?

Inputs A are 1/4" jacks, inputs B are RCA. Use the A/B switch to select the active source.

How to clean the console?

Unplug the device and use a dry, soft cloth. Never use liquids or abrasive products.

What to do in case of sound issues (hiss, distortion)?

Check cables and connections. Make sure gains are properly set (Clip LED does not flash continuously). Reduce equalization if necessary. Residual noise is normal at low levels.

USER MANUAL PV 20 USB PEAVEY

Stylized Chinese text logo with geometric design, likely a brand or company name

PV ^® 10 • PV ^® 14 • PV ^® 20

Compact Mixer

Operating Manual

Close-up of a black audio workstation with multiple knobs and control knobs (no visible text or labels)

Intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

Intended to alert the user of the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

CAUTION: Risk of electrical shock — DO NOT OPEN!

CAUTION: To reduce the risk of electric shock, do not remove cover. No user serviceable parts inside. Refer servicing to qualified service personnel.

WARNING: To prevent electrical shock or fire hazard, this apparatus should not be exposed to rain or moisture, and objects filled with liquids, such as vases, should not be placed on this apparatus. Before using this apparatus, read the operating guide for further warnings.

Protective earthing terminal. The apparatus should be connected to a mains socket outlet with a protective earthing connection.

IMPORTANT SAFETY INSTRUCTIONS

WARNING: When using electrical products, basic cautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any of the ventilation openings. Install in accordance with manufacturer's instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding plug. The wide blade or third prong is provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point they exit from the apparatus.

11. Only use attachments/accessories provided by the manufacturer.

12. Use only with a cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

15. Never break off the ground pin. Write for our free booklet "Shock Hazard and Grounding." Connect only to a power supply of the type marked on the unit adjacent to the power supply cord.

16. If this product is to be mounted in an equipment rack, rear support should be provided.

17. Note for UK only: If the colors of the wires in the mains lead of this unit do not correspond with the terminals in your plug, proceed as follows: a) The wire that is colored green and yellow must be connected to the terminal that is marked by the letter E, the earth symbol, colored green or colored green and yellow. b) The wire that is colored blue must be connected to the terminal that is marked with the letter N or the color black. c) The wire that is colored brown must be connected to the terminal that is marked with the letter L or the color red.

18. This electrical apparatus should not be exposed to dripping or splashing and care should be taken not to place objects containing liquids, such as vases, upon the apparatus.

19. The on/off switch in this unit does not break both sides of the primary mains. Hazardous energy can be present inside the chassis when the on/off switch is in the off position. The mains plug or appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.

20. Exposure to extremely high noise levels may cause a permanent hearing loss. Individuals vary considerably in susceptibility to noise-induced hearing loss, but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a sufficient time. The U.S. Government's Occupational Safety and Health Administration (OSHA) has specified the following permissible noise level exposures:

Duration Per Day In Hours Sound Level dBA, Slow Response

8 90
6 92
4 95
3 97
2 100
1 1/2 102
1 105
1/2	110
1/4 or less

According to OSHA, any exposure in excess of the above permissible limits could result in some hearing loss. Earplugs or protectors to the ear canals or over the ears must be worn when operating this amplification system in order to prevent a permanent hearing loss, if exposure is in excess of the limits as set forth above. To ensure against potentially dangerous exposure to high sound pressure levels, it is recommended that all persons exposed to equipment capable of producing high sound pressure levels such as this amplification system be protected by hearing protectors while this unit is in operation.

SAVE THESE INSTRUCTIONS!

a) The wire that is colored green and yellow must be connected to the terminal that is marked by the letter E, the earth symbol, colored green or colored green and yellow.

b) The wire that is colored blue must be connected to the terminal that is marked with the letter N or the color black.

c) The wire that is colored brown must be connected to the terminal that is marked with the letter L or the color red.

a) The wire that is colored green and yellow must be connected to the terminal that is marked by the letter E, the earth symbol, colored green or colored green and yellow.

b) The wire that is colored blue must be connected to the terminal that is marked with the letter N or the color black.

c) The wire that is colored brown must be connected to the terminal that is marked with the letter L or the color red.

a) The wire that is colored green and yellow must be connected to the terminal that is marked by the letter E, the earth symbol, colored green or colored green and yellow.

b) The wire that is colored blue must be connected to the terminal that is marked with the letter N or the color black.

c) The wire that is colored brown must be connected to the terminal that is marked with the letter L or the color red.

a) The wire that is colored green and yellow must be connected to the terminal that is marked by the letter E, the earth symbol, colored green or colored green and yellow.

b) The wire that is colored blue must be connected to the terminal that is marked with the letter N or the color black.

c) The wire that is colored brown must be connected to the terminal that is marked with the letter L or the color red.

Logo referenced in Directive 2002/96/EC Annex IV(OJ(L)37/38,13.02.03 and defined in EN 50419: 2005

The bar is the symbol for marking of new waste and is applied only to equipment manufactured after 13 August 2005

Correct Disposal of this product. This marking indicates that this product should not be disposed with other house hold wastes throughout the EU. To prevent possible harm to the environment or human health from uncontrolled waste disposal, recycle it responsibly to promote the sustainable reuse of material resources. To return your used device, please use the return and collection systems, or contact the retailer where the product was purchased. They can take this product for environmental safe recycling.

Features and specifications are subject to change without notice.

Peavey Electronics Corporation • 711 A Street • Meridian, MS 39301

[phone] • FAX [phone] • www.peavey.com

ENGLISH

PV ^® 10, PV ^® 14 and PV ^® 20

Compact Mixers

Congratulations on purchasing the Peavey PV ^® 10, PV ^® 14, or the PV ^® 20 Compact Mixer. The PV 10, PV 14, and PV 20 are studio-quality mixing consoles designed to meet diverse needs while occupying a small space. These are the perfect consoles for small venue performances or home recording environments. PV series mixers feature built-in DSP effects that are useful in real-world recording and sound reinforcement, while parameter controls allow you to tailor each effect to meet your needs.

Please read this guide carefully to ensure your personal safety as well as the safety of your equipment.

FEATURES:

• Six XLR mic inputs on PV ^ 10, ten XLR mic inputs on PV ^ 14, and sixteen XLR mic inputs on the PV ^ 20
• Two stereo channels with RCA and 1/4" inputs
• Three-band channel EQ
  • A/B stereo input selector reduces patching
• Inserts on all mono channels
• 80 Hz low-cut switch on all mic inputs
• USB connectivity (standard on the PV 20, optional on both PV10 & PV 14)
• Clip LEDs monitor the entire signal path for clipping
  • Signal LEDs on every input channel
• Mute switches with LED indicator on every input channel
  • 48 Volt phantom power switch
  • Effects send on every channel with stereo return
• Internal digital effects with 16 selections, including reverb, delay and vocal enhancement
• Effect parameter adjustment allows you to customize each effect selection
  • Monitor send on every channel
  • Zero latency record monitoring capabilities
  • Control room output with level control
• Contour EQ switch
• Internal universal input power supply
• Optional rack-mount kit (PV 10 and PV 14 Only)

Installation Note:

This unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12"

① Gain

This control establishes the nominal operating level for the channel. The input gain can be adjusted over a wide range to compensate for soft voices or very loud drums. To maximize the signal-to-noise ratio, the gain should be set to the proper level, with the channel Fader (12) set to o. If the clip LED comes on and remains lit, try reducing the gain.

② 80 Hz Low Cut

The low cut filter has a corner frequency of 80 Hz. When engaged, it can improve clarity by removing low frequencies that make a mix sound muddy. This feature is especially useful when playing outside on a windy day or on a hollow-sounding, noisy stage. These kinds of ambient noises can rob your sound system of power. Engaging this switch will remove those frequencies from the system and restore power where needed.

3 Hi EQ

This active tone control (shelving type: ±15 dB) varies the level of the high frequency range.

④ Mid EQ

This active tone control (peak dip: ±15 dB) varies the level of the mid frequency range.

5 Low EQ

This active tone control (shelving type: ±15 dB) varies the level of the low frequency range.

Caution: Excessive low frequency boost causes greater power consumption and increases the possibility of speaker damage.

6 MON Send (MON Send 2 on the PV®20 only)

This control adjusts the level of the channel signal sent to the monitor output. The signal is taken before the channel Fader (12) but after the channel EQ.

⑦ EFX Send

This control adjusts the level of the channel signal added to the effects mix. The effects send signal is taken after the channel Fader (12) so that adjustments made to the fader will also affect the send level.

8 Pan

This knob controls the placement of the signal in the stereo field. When rotated completely counterclockwise, the signal is present only on the left channel; when rotated completely clockwise, only in the right channel. This control functions as a balance control to adjust the relative level of the left and right signals on stereo channels 5/6 and 7/8 on the PV ^ 10 (11/12 and 13/14 on the PV ^ 14, 17/18 and 19/20 on the PV ^ 20).

9 Mute

The mute button is a quick way to remove the channel signal from the left/right main mix, as well as effects and monitor sends, without disturbing the control settings.

10 Clip/Mute LED

This light normally indicates that the channel signal level is nearing the overload point, but it also lights when mute is engaged. The clip indicator circuit monitors the signal at many points in the channel to ensure that it catches all instances of clipping. It illuminates at +19 dBu and warns that the gain or EQ boost should be reduced. When it lights, roughly 3 dB of headroom remains.

821Hz 3 0 3 9 6 12 -15 15 9 6 12 -15 15 3 0 3 9 6 12 -15 15 MON 1 40 +10dB MON 2 3 40 +10dB EX 3 6 40 +10dB PAN L R C R CUP SIG MUTE 1 -4 D -8 -0 -0 -4 D 20 -90 12 2 3 4 5 6 7 8 9

Signal LED

The signal LED lights when the channel level reaches approximately -20 dBu. This not only indicates which channels are active, but also serves as a mini level meter.

Fader

The channel Fader is the channel output control, which sets the signal level to the left and right mix and the effects send control. The optimum setting is the o (unity gain) position.

Tape In/Out

The tape input jacks are designed to accommodate tape, CD, or computer sound card output levels. The output level is +4 dBu for connecting to a recorder or sound card input. The tape inputs can be used as an additional stereo input by engaging

the Tape/USB to Main Mix switch (27). The tape input can also be used to monitor the recorder/sound card output without the risk of feedback.

PV20 USB 13 14 TAPE IN Tape OUT 8 R EFX VOC IN 2 VOC EN II 5-WANDER DOUBLE TARE EQUITY DELAY 3 DELAY 2 DELAY 1 HALL REV HALL REV R/WAN REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WM REV R/WM REV R/WM REV R/WM REV R/WM REV R/WM REV R/WM REV R/WM REV R/WM REV R/WM REV R/WM REV R/WM REV R/WM REV R/WM REV R/WM REV R/WM REV R/WM REV R/WM REV R/WM REV R/WM REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/WR REV R/FR REV R/FR REV R/FR REV R/FR REV R/FR REV R/FR REV R/FR REV R/FR REV R/FR REV R/FR REV R/FR REV R/FR REV R/FR REV R/FR REV R/FR REV R/FR REV R/FR REV R/FR REV R/FR REV R/FR REV R/FFX DEFEAT CLIP SIGNAL TIME 0 10 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 HEADPHONE

NOTE: The USB input is routed to the Tape Input left/right. If another device is connected to the Tape Input, this signal will be combined with the USB input signal.

EFX Select

This rotary switch selects one of sixteen available effects. As shown in the table below.

	Effect	Description Application Parameter
1 Hall	Rev Medium Concert Hall	Ensemble Rev Time
2 Large	Hall Rev Larger Concert Hall Darker	Gen Reverb	Rev Time
3 Room 1 Rev		Intimate Room Bright	Pop Vocal Rev Time
4 Room 2 Rev		Larger Room Darker Drums, Rhythm	Rev Time
5 Plate 1 Rev		Bright	Pop Vocal Rev Time
6 Plate 2 Rev		Darker	Drums	Rev Time
7	Cathedral	Large Space, Long and Darker	Choir	Rev Time
8 Spring		Classic Spring	Guitar	Rev Time
9	Delay 1	Single Delay (Slap-back)	Voc/Inst	Dly Time
10	Delay 2	Warm Delay with Repeats	Instruments	Dly Time
11	Delay 3	Dark Delay with Repeats	Instruments	Dly Time
12	Tape Delay	Warm Delay	Instruments	Dly Time/Feedback
13	Doubler	Single Delay, 30-120 ms	Instruments	Dly Time
14	Shimmer	Warm Delay with Modulation	Instruments	Dly Time
15	Vocal Enhancement 1	Brightens and Adds Room Reverb	Vocals	Rev Level
16	Vocal Enhancement 2	Brightens and Adds Spring Reverb	Vocals	Rev Level

16 EFX Time

This control adjusts the time of the particular reverb or delay.

17 Green Signal LED and Red Clip LED

The green Signal LED and red Clip LED are used to set the operating input level to the PV ^ 10, PV ^ 14, and PV ^ 20 effects processors. The signal level to the processor is affected by channel Fader, the Effects Send and the Effects Send Master Controls. Start with the Master Control (20) set to o (12 o'clock) and adjust the channel sends so that the signal LED lights and the clip LED blinks on occasionally, if at all. The clip LED lights 6 dB below clipping. Pressing the EFX defeat mutes the effects signal and lights the clip/mute LED.

18 EFX Return

EFX Return

Once the input level is set (see 17) use the EFX Return control to mix the effects processor output into the main left/right outputs. Remember, a little reverb goes a long way.

19 MON Send Master

This is the master output level control for the monitor mix. The output level sent to the Monitor Send jack (37) is controlled by the channel Monitor Send controls (6) and by this master control.

20 EFX Send Master

This is the master output level control for the EFX mix. The output level sent to the EFX Send jack and the internal effects processor is controlled by the channel Fader (12), the channel EFX Send controls (7), and by this master control. The o position is the recommended setting for this control.

21 Headphone Level

This knob sets the headphone and control room output levels. To avoid damage to your hearing, make sure to turn the dial fully counterclockwise before using headphones. Slowly turn the knob clockwise until you reach a comfortable listening level. Normally, the signal in the headphones is the left/right signal. If the Tape to Control Room (26) is engaged, the tape signal is also included.

22 LED Meters

Two eight-segment LED arrays are provided to monitor the levels of the main left/right outputs. These meters range

from -30 dB to +19 dB. The o dB position on the meter corresponds to +4 dBu at the outputs.

19 20 23 24 25 26 27 29 30 MONT SEND MONE SEND ETX SEND L CUP R 18 P -3 B -13 20 -30 TAPS/USB TO MAIN TAPS USB TO ETF/WR TAPS/USB / 12 MIX CONTOUR USB EQUIPPED HEADPHONE 21 28 22 MASTER LEVEL -PO -6 -6 -18 20 -90

23 Power LED

This LED indicates AC power is supplied to the unit, the power switch is on, and the unit is functioning properly.

24 Phantom Power LED

This LED lights when the Phantom Power Switch (25) has been engaged.

Front Panel

25 Phantom Power Switch

This Switch applies +48 VDC voltage to the input XLR connectors to power microphones requiring phantom power.

If phantom power is used, do not connect unbalanced dynamic microphones or other devices to the XLR inputs.

26 Tape To CTRL/HP

Depressing this switch adds the tape return to the Control Room (39) and Headphone Outputs (41) for zero latency monitoring.

27 Tape/to Mix (Tape/USB to Mix)

Depressing this switch routes the signal from the Tape Inputs (13) or USB Input (44) to the Left/Right Outputs (40). The USB input level is controlled by the computer volume control.

28 Tape/USB to Main (PV®20 only)

This knob provides a convenient way to adjust the Tape Input (13) or USB Input (44) volume. (On models PV ^ 10 and PV ^ 14, adjust the USB Input (44) volume with the computer volume control.)

29 Contour Switch

Engaging this switch enhances the signal by adding both bass and treble frequencies. This is especially effective at lower volumes or for tape/CD playback.

30 Master Level Faders

These Master Faders control the levels sent to the main left/right outputs. Best results are obtained when these controls are set near the o point.

Rear Panel

XLR balanced inputs are optimized for a microphone or other low impedance source. Pin 2 is the positive input. Because of the wide range of gain adjustment, signal levels up to +14 dBu can be accommodated.

32 Line (1/4") Inputs

Line inputs provide 1/4" balanced (TRS) 10 k Ohm impedance input. The tip is the positive input and should be used for unbalanced inputs. It has 20 dB less gain than the XLR input and does not have phantom power available. The Mic and Line inputs should not be used simultaneously.

33 Insert

The 1/4" TRS connectors allow external signal processors to be inserted into the channel signal path. Tip=Send; Ring=Return; Sleeve=Ground.

34 Stereo (1/4") Inputs

These 1/4" unbalanced inputs work as a stereo line input using both jacks or as a mono input if the connection is made to the left/mono input only. The A/B input selector must be in the "A" position for these jacks to be active.

35 RCA Inputs

These RCA inputs work as stereo line inputs. The A/B input selector must be in the “B” position for these jacks to be active.

36 A/B Switch

The A/B input selector switch expands the capability of the PV ^® 10, PV ^® 14, and the PV ^® 20 mixers by allowing two stereo sources to be connected to each stereo line input. Instead of repatching, the switch selects which input jacks are active.

37 MON Send

The MON Send features a 1/4" TRS Z-balanced jack in the master section. This output can be used with the Tip, Ring, Sleeve (TRS) balanced or Tip, Sleeve (TS) unbalanced connectors. The MON mix is determined by the amount of signal being sent to the MON bus in each channel and by the Monitor Master control (19).

38 EFX Send

EFX Send

The EFX Send features a 1/4" TRS Z-balanced jack in the master section. These outputs can be used with Tip, Ring, Sleeve (TRS) balanced, or Tip, Sleeve (TS) unbalanced connectors. The EFX mix is determined by the amount of signal being sent to the EFX bus in each channel and by the EFX master control.

39 Control Room Outputs

The Control Room outputs feature two 1/4" TRS Z-balanced jacks. These outputs can be used with Tip, Ring, Sleeve (TRS) balanced, or Tip, Sleeve (TS) unbalanced connectors. The Control Room output level is adjusted with the Headphone level control (21).

40 Left/Right Outputs

The left/right Outputs feature two 1/4" TRS Z-balanced jacks and two fully balanced XLR outputs. The 1/4" outputs can be used with Tip, Ring, Sleeve (TRS) balanced or Tip, Sleeve (TS) unbalanced connectors. The output level is set by the Master Level Faders (30). Both outputs can be used simultaneously.

41 Headphone Output

The Headphone Output is a 1/4" TRS (Tip= Left; Ring = Right; Sleeve = Ground). The signal sent to this output is normally the left/right mix. When the Tape to Control Room switch is engaged, the tape input signal is added to the left/right mix and can be monitored in the headphones.

Rear Panel

POWER 42 43 PENET PENET-500V 100V 600V, 80V 100V 42 PENET-500V 100V 600V, 80V 100V 43

42 Power Switch

Depressing the power switch supplies power to the unit.

Warning: The power switch in this unit breaks only one side of the line. Hazardous energy may be present inside the mixer when the power switch is in the OFF position.

43 Removable Power Cord

This receptacle is for the IEC line cord (included) that provides AC power to the unit. Connect the line cord to this connector and to a properly grounded AC supply. Damage to the equipment may occur if an improper line voltage is used (see voltage marking on unit). Never remove or cut the ground pin of the line cord plug. The console is supplied with a properly rated line cord. If lost or damaged, replace this cord with one of the proper rating.

NOTE FOR UK ONLY:

If the colors of the wires in the mains lead of this unit do not correspond with the colored markings identifying terminals in your plug, proceed as follows: (1) The wire that is colored green and yellow must be connected to the terminal marked by the letter E, or by the earth symbol, or colored green or green and yellow. (2) The wire that is colored blue must be connected to the terminal that is marked with the letter N, or colored black. (3) The wire that is colored brown must be connected to the terminal that is marked with the letter L or colored red.

44 USB port and USB Record Level Control

The USB port is used to connect the PV ^® Series USB mixer to a computer for recording or playing back digital audio to/from your computer. The USB port sends the mixer's main/tape stereo out to the computer. The amount of the main mix signal being sent to the USB port can be adjusted using the Record Level control located next to the USB port. The USB port receives digital audio from the computer; it can then be assigned through the “Tape/USB to Mix” switch (27) to the main left/right output. The USB input level is controlled by the computer volume control.

Compatible with Windows XP, Windows 7 and Windows 8. Also compatible with Mac OS X 10.0 or later.

INPUT 1 - GROUND 2 - POSITIVE 3 - NEGATIVE OUTPUT 1 - GROUND 2 - POSITIVE 3 - NEGATIVE BALANCED T-POS R-NEG S-NGD UNBALANCED T-POS S-NGD TRS INSERT SLEEVE TIP RING TIP = SND RING = RET SLEEVE = GND DIGITAL AUDIO PORT COMPUTER MIN RECORD LEVEL 44

Block Diagram-PV ^® 10, PV ^® 14 & PV ^® 20

graph TD
    subgraph MONO_INPUT
        A["LINE"] --> B["XLR"]
        B --> C["GAIN"]
        C --> D["INSERT"]
        D --> E["LOW-CUT"]
        E --> F["3-BAND EQ"]
        F --> G["LEVEL MUTE"]
        G --> H["CLIP/MUTE"]
        H --> I["DIGITAL EFX"]
        I --> J["EFX DEFEAT"]
        J --> K["TIME ADJUST"]
        K --> L["EFX SELECTOR"]
        L --> M["EFX RETURN"]
        M --> N["EFX SEND"]
    end

    subgraph STEREO_INPUT
        O["A"] --> P["LEFT/MOND"]
        P --> Q["A/B INPUT SELECT"]
        Q --> R["EC LOW-EQ"]
        R --> S["MUTE"]
        S --> T["Balance"]
        T --> U["TAPE OUTPUT"]
        U --> V["LCD METER"]
        V --> W["LEFT"]
        W --> X["MAIN OUTPUTS"]
        X --> Y["RIGHT"]
        Y --> Z["HEADPHONES"]
        Z --> AA["TAPE INPUT"]
        AA --> AB["CONTROL ROOM"]
        AB --> AC["LEFT"]
        AC --> AD["CONTROL ROOM"]
        AD --> AE["TAPE TO CONTROL ROOM"]
        AE --> AF["MON 1 SEND"]
        AF --> AG["MON 2 SEND"]
        AG --> AH["MON 1 SEND"]
        AH --> AI["MON 2 SEND"]
    end

    subgraph USB Outputs
        AJ["USB MODELS ONLY"] --> AK["DIGITAL AUDIO PORT"]
        AK --> AL["USB"]
    end

    style MONO_INPUT fill:#f9f,stroke:#333
    style STEREO_INPUT fill:#ccf,stroke:#333
    style USB Outputs fill:#cfc,stroke:#333
    style Digital_Audio_Port fill:#fcc,stroke:#333
    style Digital_Budio_Port fill:#fcc,stroke:#333
    style Digital_Audio_Port_OUT
    style Digital_Budio_Port_OUT
    style Digital_Budio_Port_OUT_OUT
    style Digital_Audio_Port_OUT_OUT
    style Digital_Budio_Port_OUT_OUT_OUT
    style Digital_Budio_Port_OUT_OUT_OUT
    style Digital_Budio_Port_OUT_OUT_OUT
    style Digital_Budio_Port_OUT_OUT_OUT_OUT
    style Digital_Budio_Port_OUT_OUT_OUT_OUT
    style Digital_Budio_Port_OUT_OUT_OUT_OUT
    style Digital_Budio_Port_OUT_OUT_OUT_OUT
    style Digital_Budio_Port_OUT_OUT_OUT_OUT
    style Digital_Budio_Port_OUT_OUT_OUT_OUT
    style Digital_Budio_Port_OUT_OUT_OUT_OUT
    style Digital_Budio_Port_OUT_OUT_OUT_OUT
    style Digital_Budio_Port_OUT_OUT_OUT_OUT

PV ^® 10, PV ^® 14 & PV ^® 20 Series Specifications

Inputs

Function Input Z(ohms min)	Input GainSetting Min** Nominal* Max				Bal/Unbal	Connector
Microphone(150 ohms)	2.2k Max Gain(60 dB)	-76 dBu	-56 dBu	-38 dBu	Bal XLR Pin 1 GndPin 2 (+)Pin 3 (-)
	Min Gain(10 dB)	-24 dBu	-4 dBu	+14 dBu
Line(10 k ohms)	10k Max Gain(40 dB)	-56 dBu	-36 dBu	-18 dBu	Bal 1/4"	TRS;Tip (+)Ring (-)Sleeve Ground
	Min Gain(-10 dB)	-10 dBu	+14 dBu	+32 dBu
Stereo LineInput	10k Max Gain(20 dB)Nominal	-36 dBu	-16 dBu	+2 dBu	Unbal 1/4"	TS;Tip (+)Sleeve Ground
		-21 dBu	-1 dBu	+17 dBu
Tape 10k N/A	(10 dB)	-17 dBu -10 dBV +12 dBu Unbal RCA Phono

o dBu=0.775 V (RMS)
** Min Input Level (sensitivity) is the smallest signal that will produce nominal output (+4 dBu) with channel and master faders set for maximum gain.
* Nominal settings are defined as all controls set at 0 dB (or 50% rotation for rotary pots) except the gain adjustment pot which is as specified.

Outputs

Function	Min Load Z (ohms)	Output Levels		Bal/ Unbal	Connector
		Nominal	Max
Main Left/Right	600	+4 dBu	+22 dBu	Bal	XLR Pin Ground TipPin 2 (+), Pin 3 (-) 1/4" TRS: Tip (+), Ring (-)Sleeve Ground
Effects and Monitor Sends	600	+4 dBu	+22 dBu	Bal	1/4" TRS: Tip (+), Ring (-)Sleeve Ground
Control Room	600	+4 dBu	+22 dBu	Bal	1/4" TRS: Tip (+), Ring (-)Sleeve Ground
Headphone	8	+4 dBu (no load)	+22 dBu	Unbal	1/4" TRS; Tip Left, Ring RightSleeve Ground
Tape	2.2k	+4 dBu	+22 dBu	Unbal	RCA Phono
USBo dBu=0.775 V (RMS)

Gain

Mic Input Gain Adjustment Range:	10 dB to 60 dB
Mic Input to Left/Right Balance Output	88 dB (max gain)
Line Input Gain Adjustment Range:	-10 dB to 40 dB
Line Input to Left/Right Balance Output	60 dB (max gain)
Stereo Line Input Gain Adjustment Range:	Off to +20 dB
Stereo Line Input to Left/Right Output	40 dB (max gain)

PV ^® 10, PV ^® 14, & PV ^® 20 Specifications

Frequency Response

Mic Input to Left/Right Output 14 Hz to 25 kHz +0 dB/-1 dB

Total Harmonic Distortion

<0.02% 20 Hz to 20 kHz Mic to Left/Right Output (10 Hz to 80 kHz BW)
<0.005% Typical (22 Hz to 22 kHz BW)
<0.0007% Mic Pre-amp Distortion

Hum and Noise

Output	Residual Noise	S/N Ratio (Ref: +4dBu)	Test Conditions
Master Left/Right	97 dBu-90 dBu-83 dBu	101 dB94 dB87 dB	Master Fader Down, Channel Levels DownMaster Fader Nominal, Channel Levels DownMaster Fade Nominal, Channel Faders Nominal,Panned Odd Channels (left), Even Channels (right)
Monitor Send -95 dBu-80 dBu		99 dB84 dB	All controls offAll channel sends nominal, masters nominal
Effects Sends -100 dBu-80 dBu		104 dB84 dB	All controls offAll channel sends nominal, masters nominal
(Hum and noise measurements: 22 Hz to 22 kHz BW)

Equivalent Input Noise (EIN)

-129 dBu (input terminated with 150 ohms)

Crosstalk/Attenuation

Adjacent Input Channels (1 kHz) >90 dB	Mute Button Attenuation (1 kHz) >90 dB
Left to Right Outputs (1 kHz) >75 dB	Channel Fader Kill (1 kHz) >85 dB

Common Mode Rejection Ratio (Mic Input)

50 dB minimum (20 Hz to 20 kHz)
70 dB typical @ 1 kHz

Meters

8 segment, peak reading (o db = +4 dBu)

Signal/Overload Indicators

Red LED lights 3 dB below clipping

Dimensions

PV10: 12.125" wide x 14.75" deep x 3.5" high(30.80cm x 37.47cm x 8.89cm)	PV20: 22.125" wide x 15.75" deep 3.5" high(56.2cm x 40.0cm x 8.9xm)
PV14: 16.125" wide x 14.75" deep x 3.5" high(40.96cm x 37.47cm x 8.89cm)

Installation Note:

This unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12"

Weight

PV10: 9.3 lbs. (4.22 kg)

PV14: 12.1 lbs (5.49kg)

PV20: 16.3 lbs. (7.39kg)

Power Requirements

PV10: 100-240 VAC 50/60 Hz 15 Watts

PV14: 100-240 VAC 50/60 Hz 17 Watts

PV20: 100-240 VAC 50/60 Hz 30 Watts

ESPAÑOL

PV ^® 10, PV ^® 14 and PV ^® 20

Compact Mixers

Descripción

Back panel of a device showing power switch, battery, and power bank with labeled buttons and ports

<0.02% 20 Hz to 20 kHz Micr a Izq/Salida Dcha (10 Hz to 80 kHz BW)
<0.005% Tipical (22 Hz to 22 kHz BW)
<0.0007% Mic Pre-amp Distorción

Hum and Noise

50 dB minimum (20 Hz to 20 kHz)

70 dB typical @ 1 kHz

Medidores

8 segment, peak reading (o db = +4 dBu)

PV10: 9.3 lbs. (4.22 kg)

PV14: 12.1 lbs (5.49kg)

PV20: 16.3 lbs. (7.39kg)

17 Green Signal LED and Red Clip LED

27 Tape to Mix (Tape/USB to Mix)

43 Removable Power Cord

50 dB minimum (20 Hz to 20 kHz)
70 dB typique @ 1 kHz

Vue Metres

8 segment, lecture crête (o db = +4 dBu)

PV10: 9.3 lbs. (4.22 kg)

PV14: 12.1 lbs (5.49kg)

PV20: 16.3 lbs. (7.39kg)

Puissance requise

PV10: 100-240 VAC 50/60 Hz 15 Watts

PV14: 100-240 VAC 50/60 Hz 17 Watts

PV20: 100-240 VAC 50/60 Hz 30 Watts

DEUTSCH

PV ^® 10, PV ^® 14 Und PV ^® 20

24 Phantomspeisung-LED

INPUT 1 - GROUND 2 - POSITIVE 3 - NEGATIVE BALANCED T POSI R INEGI S I GNDI UNBALANCED T POSI S I GNDI TRS INSERT S L E V E T P R I N G T P = S N D R I N G = R E T S L E V E = G N D OUTPUT 1 - GROUND 2 - POSITIVE 3 - NEGATIVE DIGITAL AUDIO PORT COMPUTER MIN RE C A R O L E T E L 44

Block Diagram-PV ^® 10, PV ^® 14 & PV ^® 20

graph TD
    subgraph MONO_INPUT
        A["LINE"] --> B["GAIN"]
        B --> C["INSERT"]
        C --> D["LOW-CUT"]
        D --> E["3-BAND EQ"]
        E --> F["LEVEL MUTE"]
        F --> G["CLIP/MUTE"]
        G --> H["Digital EFX"]
        H --> I["EFX DEFEAT"]
        I --> J["EFX SELECT"]
        J --> K["EFX SEND"]
    end

    subgraph STEREO_INPUT
        L["A"] --> M["A/B INPUT SELECT"]
        M --> N["MUTE"]
        N --> O["Balance"]
        O --> P["TAPE OUTPUT"]
        P --> Q["LLED METER"]
        Q --> R["LEFT"]
        R --> S["MAIN OUTPUTS"]
        S --> T["RIGHT"]
        T --> U["HEADPHONES"]
        U --> V["TAPE INPUT"]
        V --> W["TAPE TO MIX"]
        W --> X["TAPE TO CONTROL ROOM"]
        X --> Y["CONTROL ROOM"]
        Y --> Z["MINI 1/2/20"]
        Z --> AA["DIGITAL AUDIO PORT"]
        AA --> AB["USB MODELS ONLY"]
        AB --> AC["LEFT/MONO"]
        AC --> AD["COMPROM"]
        AD --> AE["MINI 1/2/20"]
    end

    subgraph Stereo_INPUT
        AF["LEFT/MONO"] --> AG["A/B INPUT SELECT"]
        AG --> AH["MUTE"]
        AH --> AI["Balance"]
        AI --> AJ["TAPE OUTPUT"]
        AJ --> AK["LLED METER"]
        AK --> AL["LEFT"]
        AL --> AM["MAIN OUTPUTS"]
        AM --> AN["RIGHT"]
        AN --> AO["HEADPHONES"]
        AO --> AP["TAPE INPUT"]
        AP --> AQ["TAPE TO MIX"]
        AQ --> AR["TAPE TO CONTROL ROOM"]
        AR --> AS["DIGITAL AUDIO PORT"]
        AS --> AT["USB MODELS ONLY"]
        AT --> AU["LEFT/MONO"]
        AU --> AV["EFX RETURN"]
        AV --> AW["MINI 1/2/20"]
        AW --> AX["DIGITAL AUDIO PORT"]
        AX --> AY["USB MODELS ONLY"]

    subgraph ESTE
        AZ["CLK/PUTE"] --> BA["INTERCAP/REFINCE"]
        BB["ELISA"] --> BC["LOGIC PROBLEM PLANNING"]
        BD["ENBRIDGE"] --> BE["ENBRIDGE PLANNING"]
    end

    style MONO_INPUT fill:#f9f,stroke:#333
    style STEREO_INPUT fill:#ccf,stroke:#333
    style ESTE fill:#cfc,stroke:#333

Tape/ to Mix (Tape/ USB to Mix)

Depressing the power switch supplies power to the unit.

If the colors of the wires in the mains lead of this unit do not correspond with the colored markings identifying terminals in your plug, proceed as follows: (1) The wire that is colored green and yellow must be connected to the terminal marked by the letter E, or by the earth symbol, or colored green or green and yellow. (2) The wire that is colored blue must be connected to the terminal that is marked with the letter N, or colored black. (3) The wire that is colored brown must be connected to the terminal that is marked with the letter L or colored red.

(24) Phantom Power LED

⑳ Tape/to Mix (Tape/USB to Mix)

If the colors of the wires in the mains lead of this unit do not correspond with the colored markings identifying terminals in your plug, proceed as follows: (1) The wire that is colored green and yellow must be connected to the terminal marked by the letter E, or by the earth symbol, or colored green or green and yellow. (2) The wire that is colored blue must be connected to the terminal that is marked with the letter N, or colored black. (3) The wire that is colored brown must be connected to the terminal that is marked with the letter L or colored red.

⑳ Tape/to Mix (Tape/USB to Mix)

(28) Tape/USB to Main (PV™20のみ)

If the colors of the wires in the mains lead of this unit do not correspond with the colored markings identifying terminals in your plug, proceed as follows: (1) The wire that is colored green and yellow must be connected to the terminal marked by the letter E, or by the earth symbol, or colored green or green and yellow. (2) The wire that is colored blue must be connected to the terminal that is marked with the letter N, or colored black. (3) The wire that is colored brown must be connected to the terminal that is marked with the letter L or colored red.

Effective Date: 11/01/2011

What This Warranty Covers

Your Peavey Warranty covers defects in material and workmanship in Peavey products purchased and serviced in the U.S.A. and Canada.

What This Warranty Does Not Cover

The Warranty does not cover: (1) damage caused by accident, misuse, abuse, improper installation or operation, rental, product modification or neglect; (2) damage occurring during shipment; (3) damage caused by repair or service performed by persons not authorized by Peavey; (4) products on which the serial number has been altered, defaced or removed; (5) products not purchased from an Authorized Peavey Dealer.

Who This Warranty Protects

This Warranty protects only the original purchaser of the product.

How Long This Warranty Lasts

The Warranty begins on the date of purchase by the original retail purchaser. The duration of the Warranty is as follows:

Product Category Duration
Guitars/Basses, Amplifiers, Preamplifiers, Mixers, Electronic Crossovers and Equalizers 2 years *(+ 3 years)
Drums 2 years *(+ 1 year)
Enclosures 3 years *(+ 2 years)
Digital Effect Devices and Keyboards and MIDI Controllers 1 years *(+ 1 year)
Microphones 2 years
Speaker Components 1 year(incl. Speakers, Baskets, Drivers, Diaphragm Replacement Kits and Passive Crossovers)
Tubes and Meters	90 Days
Cables Limited Lifetime
AmpKit Link, Xport, Rockmaster Series, Strum'n Fun, RetroFire, GT & BT Series Amps	1 year
Marvel Jr. Guitar	90 Days

[* Denotes additional Warranty period applicable if optional Warranty Registration Card is completed and returned to Peavey by original retail purchaser within 90 days of purchase.]

What Peavey Will Do

We will repair or replace (at Peavey's discretion) products covered by Warranty at no charge for labor or materials. If the product or component must be shipped to Peavey for Warranty service, the consumer must pay initial shipping charges. If the repairs are covered by Warranty, Peavey will pay the return shipping charges.

How To Get Warranty Service

(1) Take the defective item and your sales receipt or other proof of date of purchase to your Authorized Peavey Dealer or Authorized Peavey Service Center.

OR

(2) Ship the defective item, prepaid, to Peavey Electronics Corporation, International Service Center, 412 Highway 11 & 80 East, Meridian, MS 39301. Include a detailed description of the problem, together with a copy of your sales receipt or other proof of date of purchase as evidence of Warranty coverage. Also provide a complete return address.

Limitation of Implied Warranties

ANY IMPLIED WARRANTIES, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED IN DURATION TO THE LENGTH OF THIS WARRANTY.

Some states do not allow limitations on how long an implied Warranty lasts, so the above limitation may not apply to you.

Exclusions of Damages

PEAVEY'S LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO THE REPAIR OR REPLACEMENT OF THE PRODUCT, AT PEAVEY'S OPTION. IF WE ELECT TO REPLACE THE PRODUCT, THE REPLACEMENT MAY BE A RECONDITIONED UNIT. PEAVEY SHALL NOT BE LIABLE FOR DAMAGES BASED ON INCONVENIENCE, LOSS OF USE, LOST PROFITS, LOST SAVINGS, DAMAGE TO ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE, OR ANY OTHER DAMAGES WHETHER INCIDENTAL, CONSEQUENTIAL OR OTHERWISE, EVEN IF PEAVEY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

Some states do not allow the exclusion or limitation of incidental or consequential damages, so the above limitation may not apply to you.

This Warranty gives you specific legal rights, and you may also have other rights which vary from state to state.

If you have any questions about this Warranty or services received or if you need assistance in locating an Authorized Service Center, please contact the Peavey International Service Center at [phone].

Features and specifications are subject to change without notice.

U.S. CUSTOMER WARRANTY REGISTRATION

Optional Product Extended Warranty Registration

Give us some information and put your extended warranty into effect!

Please take a few minutes to fill out this information/survey sheet to help us get to know and serve you better.

To save time, submit your warranty registration online at www.peavey.com/support/warrantyregistration

1.

First Name Initial Last Name

Street Address

City State/Province Postal Code

( )

Telephone Number E-mail Address

( )

Fax Number Date of birth

Gender

□M

□F

2.

Model ____ Serial #

Date of Purchase Price Paid

3.

Name of store where purchased

City State

1. Top two (2) reasons why you purchased from this store/dealer:

□ Availability of product

□ Friend/Relative's recommendation

□ Store credit card

□ Knowledgeable staff

□ Availability of lessons

□ Technical instruction

□ Past favorable experience

□ Best price

□ Advertised special

□ Convenient location

□ Received as a gift

□ Other

1. Where do you most often shop for music and sound products?

□ Independent retailer

□ Mass market retailer

□ Mail order magazines

□ Newspaper ads

□ Internet/Web sites

□ Other.

1. What two (2) factors most influenced your purchase of this product?

□ Peavey brand name

Craftsmanship

□ Features for price

□ Bundled accessories

□ Sound quality

□ Product appearance

Durability

□ Prior experience with Peavey

□ Packaging

□ Other.

1. How did you learn about this Peavey product? (select best answer)

□ Magazine review

□ Newspaper review

□ Radio advertisement

□ Advertised special

□ Friend/Relative's recommendation

□ Salesperson's recommendation

□ Teacher's recommendation

Catalog or flyer

Saw in store

Use by professional

Other

1. Which other brands/models did you consider?

2. How would you describe your level of musicianship/technical expertise?

☐ Beginner - Never played or taken less than one (1) year of lessons

☐ Intermediate - One (1) to five (5) years of lessons or playing

□ Advanced - More than five (5) years of lessons or playing; play professionally

1. Education: (select best answer)

□ High school

Some college

□ Completed college

□ Graduate school

1. Which best describe your family income? (select best answer)

□ Under \$15,000

□ \15,000 - \24,999

□ \25,000 - \34,999

□ \35,000 - \49,999

□ \50,000 - \74,999

□ \75,000 - \99,999

□ \100,000 - \149,999

□ Over - \$150,000

1. Which of the following is your primary source of information on musical products: (select best answer)

□ Television

□ Radio

□ Internet

□ Newspaper

□ Magazines

□ Mail order catalogs

□ Direct mail

□ Literature from manufacturer

□ Other

1. What is your main motivation for buying new equipment?

Replacing old product

□ Want new and leading edge

equipment

7 Fullfill a specific need

□ Supplement existing products

□ Value

Impulse

□ Need for improved performance

□ New technology

□ Availability of product

□ Other

1. Please list your three most frequently visited Web sites.

2. http://

3. http://

4. http://

5. In your opinion, what could Peavey do to improve its products and/or service? Please use the space below to tell us your answer.

Meridian, Ms 39302-5108

P.O. Box 5108

Attn: Warranty Department

Corporation

Peaey Electronics

Abstract black geometric logo design with stylized arrow-like shapes (no text or symbols)