SD1000 - Karaoke system KETRON - Free user manual and instructions

USER MANUAL SD1000 KETRON

Internal Storage: Flash Memory.

USB (Midi Connection).

Sound Card: 512 Voices, 47 Drum Sets, 248 Audio Drum Loops.

Polyphony 128 note.

Multitimbral 32 parts (2x16).

DSP: 11 Effects, 2 × EFX Insert, 20 presets.

Midi: In, Thru.

Main Out: Left/Right Stereo.

Headphone.

Volume Control.

Optional: Bag.

External Power supply 9 V.

Dimensions:Width 147,Depth 109,Height 39

Weight: 0.5Kg

Warning: to reduce the risk of fire or electric shock, do not expose this instrument to rain or moisture.

IMPORTANT SAFETY AND INSTALLATION INSTRUCTIONS

WARNING - When using electrical products, some basic precautions must be followed, including the following:

• Before using this instrument, carefully read the User's Manual.
• When the instrument is used by children, the presence of an adult is required.
• Do not use the instrument near water, for example near a wash-basin, a swimmingpool, a wet surface, etc.
  The instrument must be used only on supports recommended by the manufacturer.
• Do not use the instrument where there is any risk of it getting splashed with water or of water dripping on it, such as near wash basins, swimming pools or on wet surfaces etc. Do not put containers with water on top of the instrument.
  The instrument is to be used in a position where adequate ventilation is provided.
• Use the instrument far away from heat sources such as radiators, heaters, etc.
• Use only the supplied power adaptor for connecting the instrument to the mains. The identification and power adaptor data are reported on the bottom of the instrument.
• Disconnect the power cable if the instrument is not used for longer periods of time.
  If you need to disconnect the instrument from the power supply, use the ON/OFF switch at front of the instrument.
• The instrument must be positioned so that the ON/OFF switch is easily accessible.
• Bring the instrument to an service centre in the following cases:

a. Damages on the power adaptor or plug.
b. Objects or liquids fallen into its inside.
c. The instrument has been exposed to rain.
d. Abnormal running or an evident decrease of the instrument's performance.
e. The instrument has fallen down or the enclosure has been damaged.

• Never try to repair the instrument yourself. All operations must be performed by specialised engineers.

KEEP THESE INSTRUCTIONS IN A SAFE PLACE

HOW TO AVOID RADIO/ TV INTERFERENCE

This instrument operates at radio frequencies, and if not correctly installed according to the instructions supplied, it may cause interference with radio and television reception.

Though this instrument has been designed according to the applicable standards and notwithstanding the reasonable protections against interference it has been equipped with, there is no guarantee that such events will not occur. In order to check if the interference is actually caused by this instrument, switch it off and see if the interference disappears.

Then switch it on again and check if the interference appears again. Once you have made sure that the interference is originated by this instrument, take one of the following measures:

• Modify the instrument's position with respect to the receiver.
• Increase the distance between the instrument and the receiver.
• Connect the instrument's plug to a different outlet to make sure that the instrument and the receiver are connected to two different circuits.
• If necessary, contact a specialised technician.

POWER SUPPLY

• Before connecting this instrument to any other equipment (amplifier, mixer, other MIDI instruments, etc.) make sure that all units are switched off.
• Read the instructions about Radio and TV interference.

HOW TO CLEAN THIS INSTRUMENT

• Use only a soft and dry cloth to clean the external surface of your instrument. Never use petrol, thinners or solvents generally speaking.

OTHER PRECAUTIONS

If you wish to use your instrument abroad and if you have any doubts about the power supply, contact a qualified engineer previously.

The instrument should never be subject to strong vibrations.

AC POWER ADAPTOR

To connect this instrument to the wall socket you will need the supplied KETRON AC Power adaptors. Use of other AC adaptors could result in damage to the instrument's power circuit. So be sure to ask for the right kind.

INFORMATION FOR USERS

"Observe European Directives 2002/95, 2002/96 and 2003/108 with regard to the reduced use of harmful substances on electrical and electronic instruments and also observe waste disposal regulations."

The symbol with the bin crossed out on the instrument points out that it must be separated from other waste at the end of its useful life span and not just thrown away in the bin.

The user must therefore hand the instrument over to differentiated waste disposal centres authorised to process electronic and electro-technical waste at the end of its useful life span, or give it back to the retailer when purchasing a new similar type of device on a basis of 1-to-1 ratio.

The differentiated disposal of the equipment for the possible future recycling of its constructional

parts contributes in safeguarding the environment and human health.

The user is subject to administrative fines in the case of the abusive disposal of the product.

INTRODUCTION

Thank you for purchasing the new KETRON SD1000 Professional Sound Module. The SD 1000 instrument represents an interesting integration to the sector of sound modules in terms of compactness and musical performance. Not only does it avail of all the sound acoustics necessary for the perfect reproduction of musical files in General Midi standard and Kar format, but it also has other additional sound banks with an incredible variety of orchestral Voices: Grand Piano Stereo over 88 notes, Acoustic and electric guitars, Brass and saxophones of unique quality, sampled organs, Accordions, Bass, Strings, acoustic and electronic Drum Sets and so on. The SD1000 unit is also equipped with a considerable number of audio Drum and Percussion Loops split-up into a very wide variety of musical styles, which definitely make SD1000 stand out from all other similar models on the market. The applications of SD1000 are best exploited in combination with a MIDI player (such as KETRON MIDJAY for example) or with sequencers on computer (Logic®, Cubase®, Cakewalk® and others), but it can also be connected to Master keyboards or multi-purpose keyboards (Arranger, Synth, Digital pianos, etc.).

Before you use your SD1000 instrument, make sure you read all the instructions carefully in order to fully exploit its potentials and to ensure its long life.
Keep this manual in a safe place for future reference.

CONTENTS OF THE PACKAGE

The original package of your SD1000 instrument includes the following material:

a) SD1000 unit
b) Instruction manual
c) DC Feeder - 9 Volts

Optional accessory: Midi to USB cable. This is required to use SD1000 with a Laptop, due indeed to the fact that portable computers do not have their own Midi interface (unless they are equipped with additional boards such as Firewire, USB, etc.).

This cable is used for the communication of the midi data from your portable computer with the Midi In of SD1000 via the USB connection.

TURNING ON

To turn the SD1000 unit on, simply connect the feeder supplied with the instrument to the mains. The LED on the front panel lights up to point out that the instrument is working.

1 On / Off: Main ON/OFF switch of the SD1000 instrument. When the LED lights up, it points out that the instrument is working. The LED will flash if there is any Midi In activity.
2 Volume: Slider that controls the general volume of SD1000. This volume also affects the Headphone output.
3 Headphone: Connection for stereo headphones with low impedance.

4 Midi In / Thru: Midi In and Thru connection of SD1000. Connect the Midi In of SD1000 to the Midi out of the computer, of the Midi player or of the Master keyboard. The Thru connection is used to send a copy of the Midi In to another device (i.e.:Expander). Midi Thru not available when USB midi is active. Advice: Do not use midi port while midi Usb is active.
5 Out L / R: Left and Right audio outputs to be connected to the mixer or audio amplifier.
6 Power Dc In: Connection for the DC 9 V feeder of SD1000.
7 USB: USB port for computer connection.

ADVICE ON USING THE INSTRUMENT

In this section we show you how we think you should use SD1000 to fully exploit its performance in musical applications.

HOME STUDIO (with computer, sequencer or external players)

In this context, SD1000 is able to express its performance to the best. It can be connected to your computer (Pc or Mac) via the Midi cable (if you already have a board with Midi interface) or via the Midi to USB cable supplied as an optional accessory by KETRON. Using musical sequencer programs such as Cubase®, Logic®, Cakewalk® or similar you will be able to successfully integrate SD1000 in your musical elaborations (Midi files, Jingles, Audio Mix etc.) exploiting its amazing sound versatility in the best way possible.

Your SD1000 not only offers the sounds that are by now part of the GM standard references but you will also find other Sound Banks with many characteristic sounds in the traditional families (Piano, Strings, Sax, Brass, etc.).

The main feature that definitely distinguishes SD1000 from other sound modules is the presence of the numerous audio Loops (Drum Loops that you can download free of charge from our Internet site: www.ketron.it). Just imagine if you add these Loops to your musical creations... these can enrich, if not indeed replace, the rhythm of your songs and they could make the difference with everything that you have elaborated

up to now in the sphere of Midi files! Just a quick example: Think of a Midi file of Caribbean music, where you often hear not very convincing parts of Latin percussions.

Apply some of the Patterns available in the data base of the additional Loops (or rather replacement loops) of the existent Drum track (Copy & Paste). In just a few steps you will be able to replace the Midi rhythmic structure with audio Loops and the result will be amazing.

Once your musical file is complete and you have saved it in the format that your prefer, you

can naturally play it back with any type of sequencer or Midi player (i.e.: MIDJAY or similar) by connecting it to your SD1000. The use of laptops has become more and more popular in the world of musical entertainment to play back Midi files.

The advantage of having a musical board integrated in the computer is however often penalised by the fact that such boards only avail of a few sounds and of rather modest quality.

In this case again, we think that the use of SD1000 instead of built-in boards offers a considerable opportunity.

MIDI KEYBOARD (Master keyboard, Arranger, Accordion, etc.)

SD1000 can be used as a supplementary module to enrich the sound palette of your keyboard. Another ideal solution is that of coupling SD1000 with Master keyboards without sounds or with current mini remote keyboards (multimedia keyboards) that are used increasingly in the live set-up. We are sure that such a powerful and compact sound module will certainly become part of your musical set-up.

OPERATING NOTES

As you will have already noticed, the SD1000 unit has external connections (described previously) and one general volume control for the rear outputs and for the headphones.

Obviously everything else that may modify the Sound, the Volume, the Reverb, the Effects etc. must be performed via MIDI messages.

For those who are already familiar with this type of Editing procedure, simply observe the table of MIDI implementations of SD1000 to be able to manage the Sounds of the instrument in all its potentials.

For those who are still learning, we have prepared a set of files on our Internet site www.ketron. it (that you can download free of charge) with the configuration of the Map of sounds that can be used to work with the most commonly used sequencer programs and musical notes, such as Cubase®, Logic®, Cakewalk®.

HOW TO USE AUDIO DRUM LOOPS

You can download the Drum Loops for SD1000 from our Internet site www.ketron.it

The files appear with a set of Folders, which are catalogued per type of music (Salsa, Cha, Merengue, Jazz, etc.). These are actually Midi files that contain information on how to play the rhythm Patterns of the various Loops contained in the sound generation of SD1000.

To better understand the sound possibilities that these loops offer, we suggest that you listen to the

Demo.mid files within the reference folders of the various musical rhythms.

We remind you that these patterns contain all the information necessary (program change, volume, etc.) to be played immediately without any other settings.

IMPORTANT INFORMATIONSON SOUND LIST

On SD 1000 Sound List (on the bottom of this guide) you'll find some remarks associated with the Voices name which explain how the voices are structured:

(M): MULTI VOICE These sounds are obtained with two or more voices played simultaneously. An extensive use of multi voices will cause an important polyphony reduction. Also some sounds may have a different voice response on stereo panorama due to the different tones associated on left or right pan address.

(ST): STEREO These sounds are true stereo voices obtained with a double tone slot for each note played. An extensive use of stereo sound will reduce the global polyphony.

(LDM): LIVE DRUM MODELING On these acoustic drum sets some percussions plays randomly with different samples and/or sound nuances on the same instrument (such as Snare, Rim shot, Claps, Snap), thus enhancing the natural feel of a live drummer's performance.

(FXV): EFX INSERT VOICE The latest 8 Voices of SD1000 Sound List (on the bottom of this guide) are obtained applying an EFX insert module (such HQ Distortion, Overdrive, Phaser, Chorus and others). A smart use of the EFX Inserts will permit you to raise the sound quality of your musical works.

OTHER FEATURES

DSP: For those of you who have already worked with multi-timbre sound modules, you will already know that the DSP's (effects and sound post-treatment) are integral part of these systems, which are used via the various controllers and/or Sys Exclusive. Here is SD1000 Routing:

However, you will be interested to know that together with the typical sections of Reverb and Chorus, you will also find other DSP effects, such as:

Rotary: with Rate and Depth controls.

Wha Wha: Amount. This controls the intensity of the Wha effect on the track.

HQ Distortion: Type, Drive, Gain (Available only on Insert #1 EFX).

2 x Insert EFX: Chorus, Flanger, Phaser, Tremolo, 4 Band Parametric EQ, Compressor and Delay efx. Advice: You could use (at most) 2 different Insert an all available tracks.

The Master Control section also envisages the following controls:

Tune: This controls the general tune of the module (Data Value).

Arabic Scale: This controls the intervals for the Arabic scale (Data Value).

Global Transposer: Global transposition of the instrument (Data Value).

CÓMÖ UTILIZAR LOS AUDIO DRUM LOOPS

TECLADO MIDI (Master keyboard, Arranger, Acordeão, etc.)

Rotary: com controlos de Rate e Depth.

VOICE BANK B (Control Change 0, Value = 1)

P. Ch. Name	Remark	P. Ch. Name	Remark	P. Ch. Name	Rema
1 Jingle		48 Slow Arcos St		95 Lower 8' - 4'
2 Dark Grand St		49 Bowed Strings St		96 Jazzy
3 House St		50 Dark Strings St		97 Pop Strat
4 Suitcase		51 Dah		98 Telecast
5 Mark		52 Classic Choir		99 Strato
6 Funk Dx		53 Men_Doo		100 Texas
7 Fm Tine		54 Girl_Doo St		101 Western
8 DX Piano		55 Laah		102 Fingerpick
9 ToyPad		56 Voices		103 5th Stops
10 Orch. Bell		57 Swing Tpt		104 Wha guitar
11 Mallet		58 Cornet		105 Hawaiian
12 Short Vibe		59 Euphonium		106 Mandolin
13 Karimba		60 Miles Tpt		107 Django
14 Etnowood		61 Flughorn		108 ClassicFx
15 Metallophone		62 Stereo Brass St		109 Pedalsteel
16 Windchimes		63 GrowBras		110 Rock&Roll
17 Rotor Fast		64 Octabrass		111 Reed 8'
18 Jazz Organ		65 Soprano		112 Fisa 8'
19 Drawbar		66 Circus Sax		113 Gategroup St
20 Positive		67 Lounge Tenor		114 Amazing St
21 French Musette		68 Growl Sax		115 Housesynth St
22 Francaise		69 Melo Trumpet		116 Resonance
23 Cassotto		70 Horn Swell		117 Key Lead St
24 Tango		71 Trumpets St		118 Juno Synth St
25 Classic		72 Soft Trombones St		119 Obx Poly St
26 Folk		73 Latin Flute St		120 JX Brass
27 Funk Strat		74 Pop Flute		121 Alarm&Sirene
28 60' Stopped		75 Andes		122 Jet
29 Muted velo		76 Voice Flute		123 Ppif&Jew_Harp
30 Vintage		77 Analogs St		124 Rain
31 12 Strings		78 Flanger		125 Vocals
32 Solidbody		79 Brightpad		126 Thunder
33 WarmBass		80 Wiring St		127 Train
34 Folk Bass		81 Wow St		128 Sweep
35 MuteBass		82 Polysynth St
36 Deep Bass		83 Trance St
37 Precision		84 Wave
38 Reso Bass		85 Rave Bass
39 Saw Bass		86 Modular Bass St
40 House Bass		87 Percussive Bass St
41 Philarmonic		88 Wild Bass St
42 Quartet		89 2nd Perc
43 GlockString		90 3th Perc
44 OctaStrings1		91 Power Fast
45 OctaStrings2		92 Tonebar
46 Marcato		93 Dark B3
47 String&Fall St		94 Jimmy Org.

VOICE BANK C (Control Change 0, Value = 10)

P. Ch. Name	Remark	P. Ch. Name	Remark	P. Ch. Name	Remark
1 Piano&Strings St, M	48	Symphony St, M	95	Stream
2 Grand&Pad St, M	49	Full Ensemble St, M	96	Digi Pro
3 Octapiano St	50	Digistring	97	UsPad
4 Electropad M	51	Disco Strings St, M	98	Bottled Air
5 Msk	52	Country Violin	99	Bellvox
6 StagePno	53	Tuuh	100	DigiPad St
7 Rodes	54	Ooh Girls	101	Syntax St
8 Elopiano	55	Aah Girls St	102	Bright Analog St, M
9 FM Layer	56	Choir	103	Aura Pad M
10 Chinese Bell	57	Tbones&Cornet St, M	104	Acoustic Dream St, M
11 Stereochrom	58	Slide Trombone	105	Tres
12 Bright Vibes	59	Dixie Tpt	106	Banjo 5 String
13 Toy Box	60	Open Horn St	107	Futozao
14 Mbira	61	Brass Fall Off	108	Hackbrett
15 XMas Bell	62	Horn Pad St, M	109	Paraguayan Harp
16 FM Marimba	63	Multi Brass St, M	110	Short Mandolin
17 Pop Organ	64	Brass Cool St, M	111	Harp Glissando
18 Gospel	65	Altosax	112	Bouzuki
19 Power Slow	66	Jazz Alto	113	Tinkles
20 Principale	67	Alto Straight	114	Triangle
21 Dry Organ	68	Rock Sax	115	Tambora
22 Alpen	69	Superhorn St, M	116	Claves
23 Bellow	70	Tpt Slide Up St	117	Ac.Tom
24 Steirisch	71	Dry Trumpet	118	Bruhtom
25 DynaFolk	72	Trumpet Section M	119	Snare
26 CountryFx	73	Open Trombones St, M	120	Crash
27 Humbuck	74	Irish Flute	121	Scratch1
28 StratoFx	75	Staccato Flute	122	Scratch2
29 Ac. Stereo St	76	Asian Flute	123	Scratch3
30 Acid	77	Fife	124	Scratch4
31 Plucked	78	Ethnic Flute	125	Scratch5
32 Flamenco	79	Staccato Whistle	126	FxSlap
33 Acoustic Bass	80	Pipe	127	Laser
34 Bass&Guit1	81	Solo Dance St	128	Wind
35 Oberbas1	82	Juicy
36 RetroBass	83	Drama
37 Fusion	84	Odissey
38 Oberbas2	85	Minimug M
39 Pedalbass	86	Attack St, M
40 Bass&Guit 2	87	Phantom M
41 Slow Violin	88	Soloist St, M
42 Electric Violin	89	Warmness
43 Chamber	90	Explorer
44 Tzivago	91	Choral M
45 Staccato St, M	92	Cyber St, M
46 String Fall St	93	Magic M
47 Harp&Orchestra St, M	94	Glockpad

P. Ch. Name Remark

1	Layered Piano M	48	Vocal_Praise M	95	Etnovox	St, M
2	Latin Piano St, M	49	Cinema Strings	96	Whisper	M
3	Fm Thin	50	Score M	97	Evopad	St, M
4	Rdx Operator M	51	AahMix St	98	Plucking	St, M
5	Twin Electro M	52	Humming	99	Mallet Area St, M
6	Stage Mix M	53	Lah Choir St, M	100	80's Pad	St, M
7	Huge FM M	54	Lah Mello Choir M	101	Fluty Pad	St, M
8	Digitine St, M	55	Church Choir M	102	Nylon Theme	St, M
9	Glasshouse St, M	56	Night Vocals	103	BottledChoir
10	Fantasyland St, M	57	Mmh	104	Brass Hits	St, M
11	Italian Positive	58	Boom&Uap	105	Southern Harp	M
12	Principale&Octave M	59	Horn Crescendo M	106	Ungarian Zither M
13	Full Organ M	60	Emperor Brass St, M	107	Alpen Choir	M
14	ChorusB3	61	Dry Tenor	108	Mallet World	M
15	Hot Organ	62	Sax Club	109	Country&WesternM
16	16-8-5	63	Swing Tenor	110	StereoFolk	St, M
17	Pipe Octave	64	Baritone	111	Alpen Musette
18	Tonewheel M	65	Glenn Sax M	112	Jazz Accordion
19	Movie Organ M	66	Boogie Sax M	113	Bright Musette	M
20	Fast Drawbars M	67	Octasax M	114	335 Jazz
21	Carousel Org M	68	Countie Sax M	115	Smooth_Bass
22	Diatonic M	69	Sax Section M	116	Funky Muted
23	Blues Harp	70	Saxes M	117	Country Gtr
24	Conservatory M	71	Billy Sax M	118	Nylon Slide
25	Classic Bright	72	Pop Sax M	119	Power Guit
26	Thin Folk	73	Lute	120	Clean Chorus FX
27	Jazz Octave M	74	Mandola	121	Tremolo Mark FX
28	Muted Wha	75	Latin Harp	122	Phase Electro FX
29	Rock Strat	76	Portuguese	123	Organ OverdriveFX
30	Str Power	77	Fingered&Slide	124	Metal FX
31	Valve Lead M	78	Fingered Gtr	125	Distorted FX
32	Smooth ElectroM	79	Finger Slap	126	Crunch FX
33	Strat&Folk M	80	Planet	127	Jazz Combo	St, M, FX
34	Open Country St, M	81	Rock Synth M	128	Echolead	St, FX
35	Golden Steel M	82	Chuck St, M
36	Cntry Detune	83	Smooth Lead St, M
37	Acoust. Picking M	84	Synth Plug St, M	Remark:
38	Twin Folk M	85	Subbass	ST = Stereo Voice
39	Gipsy	86	Synvoice	M = Multi Voice
40	Brazilian	87	Deep Jazz	FX = Fx Insert Voice
41	Rockabilly	88	Memory Synth
42	Funk Bass	89	Evolution
43	Maxipick	90	Sideral St, M
44	Ooh Mix St	91	North Wire St, M
45	Duh Group M	92	Blowing St, M
46	Dah Quartet M	93	Aural St, M
47	Lah Trio M	94	Velvet St, M

SOUND FAMILY MAP

PIANO CHROMATIC ORGAN

Bank Prg.Ch Sound

01 Grand Piano
03 Electric
12 Dark Grand
04 Honky-tonk
10 5 Msk
05El.Piano1
06 El.Piano2
16 Funk Dx
15 Mark
08Clavi
02 Rock Piano
10 3 Octapiano
1 1 Jingle
10 1 Piano&Strings
13 House
1 4 Suitcase
17 Fm Tine
18DX Piano
10 4 Electropad
07 Harpsichord
10 2 Grand&Pad
11 1 Layered Piano
11 2 Latin Piano
10 6 StagePno
10 7 Rodes
10 8 Elopiano
11 3 Fm Thin
11 4 Rdx Operator
11 5 Twin Electro
11 6 Stage Mix
11 7 Huge FM
10 9 Fm_Layer
11 8 Digitine
11 121 Tremolo Mark
11 122 Phase Electro

Bank Prg.Ch Sound

0 12 Vibraphone
013Marimba
0 14 Xylophone
09 Celesta
0 10 Glockenspiel
011MusicBox
0 15 TubularBells
1 13 Karimba
19 ToyPad
0 113 Tinkle bell
1 10 Orch. Bell
1 11 Mallet
1 12 Short Vibe
1 14 Etnowood
1 15 Metallophone
1 16 Windchimes
10 10 Chinese Bell
10 11 Stereochrom
10 12 Bright Vibes
10 13 Toy Box
10 14 Mbira
10 15 XMas Bell
10 16 FM Marimba
11 9 Glasshouse
11 10 Fantasyland

Bank Prg.Ch Sound

10 19 Power Slow
0 18 Percussive
0 19 Rock Organ
021 Theatre
1 20 Positive
191 Power Fast
196Jazzy
1 19 Drawbar
1 17 Rotor Fast
0 20 Church
192 Tonebar
1 93 Dark B3
1 94 Jimmy Org.
1 18 Jazz Organ
10 17 Pop Organ
10 18 Gospel
017 Rotary
10 20 Principale
10 21 Dry Organ
11 11 Italian Positive
11 12 Principale&Octave
11 13 Full Organ
11 14 ChorusB3
11 15 Hot Organ
11 16 16-8-5
11 17 Pipe Octave
11 18 Tonewheel
11 19 Movie Organ
11 20 Fast Drawbars
11 21 Carousel Org
1 95 Lower 8^ -4
1 89 2nd Perc
1 90 3th Perc
11 87 Deep Jazz
11 123 Organ Overdrive

ACCORDION GUITAR

Bank Prg.Ch Sound

022 Musette
0 23 Harmonica
024 Bandoneon
1 21 French Musette
1 22 Francaise
1 23 Cassotto
1 24 Tango
10 22 Alpen
10 23 Bellow
10 24 Steirisch
11 22 Diatonic
11 23 Blues Harp
11 24 Conservatory
11 111 Alpen Musette
11 112 Jazz Accordion
11 113 Bright Musette
1 111 Reed 8'
1 112 Fisa 8

Bank Prg.Ch Sound

0 25 Nylon
0 26 Steel
027 Jazz
028Clean
030Overdrive
1 27 Funk Strat
1 26 Folk
1 99 Strato
1 30 Vintage
1 32 Solidbody
1 25 Classic
10 29 Ac. Stereo
1 105 Hawaiian
1 107Django
031 Distorted
11 26 Thin Folk
11 30 Str Power
1 110 Rock&Roll
1 102 Fingerpick
0 29 Muted
1 28 60' Stopped
1 29 Muted velo
1 31 12Strings
197 Pop Strat
1 98 Telecast
1 100 Texas
1 101 Western
1 103 5th Stops
1 104 Wha guitar
1 108 ClassicFx
1 109 Pedalsteel
10 25 DynaFolk
10 26 CountryFx
10 27 Humbuck
10 28 StratoFx
10 30 Acid
10 31 Plucked
10 32 Flamenco
11 25 Classic Bright
11 27 Jazz Octave
11 28 Muted Wha
11 29 Rock Strat
11 31 Valve Lead
11 32 Smooth Electro
11 33 Strat&Folk
11 34 Open Country
11 35 Golden Steel

Bank Prg.Ch Sound

11 36 Cntry Detune
11 37 Acoust. Picking
11 38 Twin Folk
11 39 Gipsy
11 40 Brazilian
11 41 Rockabilly
11 114 335 Jazz
11 116 Funky Muted
11 117 Country Gtr
11 118 Nylon Slide
11 119 Power Guit
11 120 Clean Chorus
0 32 Harmonics
11 110 StereoFolk
11 124 Metal
11 125 Distorted
11 126 Crunch
11 127 Jazz Combo
11 77 Fingered&Slide
11 78 Fingered Gtr
11 76 Portuguese

STRINGS / CHOI R BRASS

Bank Prg.Ch Sound		Bank Prg.Ch Sound		Bank Prg.Ch Sound
0	49 Strings Ens.	11	47 Lah Trio	0	62 Brass Sect.
1	49 Bowed Strings	10	43 Chamber	0	57 Trumpet
0	41 Violin	10	44 Tzivago	0	58 Trombone
0	42 Viola	10	45 Staccato	0	60 Muted Tpt
0	47 Harp	10	46 String Fall	0	63 SynBrass1
1	47 String&Fall	10	47 Harp&Orchestra	1	62 Stereo Brass
0	53 Choir Aah	10	48 Symphony	1	57 Swing Tpt
0	54 Voice Ooh	10	49 Full Ensemble	10	60 Open Horn
0	55 Synth Voice	10	50 Digistring	1	60 Miles Tpt
1	53 Men_Doo	10	51 disco Strings	10	59 Dixie Tpt
1	55 Laah	10	52 Country Violin	1	61 Flughorn
1	51 Dah	11	49 Cinema Strings	1	70 Horn Swell
0	46 Pizzicato	11	48 Vocal_Praise	1	71 Trumpets
0	43 Cello	11	107 Alpen Choir	1	72 Soft Trombones
0	50 SlowStrings	11	58 Boom&Uap	0	64 SynBrass2
10	41 Slow Violin	11	86 Synvoice	1	63 GrowBras
0	44 Contrabass	0	56 Hits	1	59 Euphonium
0	51 SynStrings1			10	61 Brass Fall Off
1	54 Girl_Doo			10	70 Tpt Slide Up
1	52 Classic Choir			10	63 Multi Brass
1	56 Voices			0	59 Tuba
10	53 Tuuh			0	61 French Horn
10	54 Ooh Girls			1	58 Cornet
10	55 Aah Girls			1	64 Octabrass
0	52 SynStrings2			1	69 Melo Trumpet
0	45 Tremolo			10	57 Tbones&Cornet
0	48 Timpani			10	58 Slide Trombone
1	41 Philarmonic			10	62 Horn Pad
1	42 Quartet			10	64 Brass Cool
1	43 GlockString			10	69 Superhorn
10	56 Choir			10	71 Dry Trumpet
11	51 AahMix			10	72 Trumpet Section
11	52 Humming			10	73 Open Trombones
11	53 Lah Choir			11	59 Horn Crescendo
11	54 Lah Mello Choir			11	60 Emperor Brass
11	55 Church Choir			11	104 Brass Hits

SAX / FLUTE PAD

Bank Prg.Ch Sound

167 Lounge Tenor

066 Contralto

068 Bariton Sax

065 Altosoft

10 66 Jazz Alto

072 Clarinet

074Flute

076PanFlute

176VoiceFlute

079 Whistle

173 Latin Flute

174 Pop Flute

067 Tenor Sax

069Oboe

10 65 Altosax

1 65 Soprano

1 66 Circus Sax

1 68 Growl Sax

175 Andes

1074 Irish Flute

073 Piccolo

075 Recorder

077Bottle

078Shakushi

070 Engl.Horn

071Bassoon

10 67 Alto Straight

10 68 Rock Sax

11 61 Dry Tenor

11 62 Sax Club

080Ocarina

3xh	33h	Chorus/Flanging feedback, 0 to 7Fh
3xh	34h	Chorus/Flanging/Short-Delay high pass filter on input: 0 = no filter to 1.2 kHz
3xh	35h	HDAMP: high frequency filter on delay feedback, , 0 to 7Fh = 0 to 100 %
3xh	36h	Modulation rate: 0 = ~0,023 Hz, ...64 = ~0,89Hz, till 127 = ~5,8 Hz (~1Hz to ~20Hz for Tremolo)
3xh	37h	Modulation depth, 0 to 7Fh
3xh	38h	Tremolo modulation shape: 0 = triangle, till 127 = square
3xh	39h	Rotary speed: 0=slow, 1=fast (only for Rotary preset # 23)
Insert MFX Delay Controls
3xh	58h	Delay Preset, 0..4 (off, mono1, mono2, stereo1, stereo2)
3xh	59h	Delay ON/OFF, 0 = OFF, else ON
3xh	5Ah	Delay Mode, 0=mono, 1=stereo
3xh	5Bh	Delay PreLP, 0 to 7Fh
3xh	5Ch	Delay Level, 0 to 7Fh
3xh	5Dh	Delay Time, 0 to 7Fh = 0 to 1365ms
3xh	5Eh	Delay Feedback, 0 to 7Fh
3xh	5Fh	HDAMP: high frequency filter on delay feedback, , 0 to 7Fh = 0 to 100 %

Some presets have been predefined for each of the 5 Insert Effects blocks: Compressor, , Distortion, Mod-FX (Chorus etc) and Delay. Presets are selected through MIDI NRPN messages.

1.2 Compressor/Limiter Presets

Preset is selected by using MIDI NRPN 3x40h, with value = preset number, from 0 to 8

Nb	Name	Preset Default values
		Attack	Release	Threshold	Ratio	Boost
0	NO COMPRESSION	64	0	127	0	0
COMPRESSOR
1	COMPR 1: -18dB 2:1	64	0	73	64	24
2	COMPR 2: -15dB 3:1	64	0	82	84	32
3	COMPR 3: -18dB 5:1	64	0	73	100	48
4	COMPR 4: -21dB 7:1	64	0	64	110	48
5	COMPR 5: -24dB 12:1	64	0	55	117	64
LIMITER
6	LIMITER 1: -6dB	64	0	109	127	0
7	LIMITER 2: -12dB	64	0	91	127	0
8	LIMITER 3: -18dB	64	0	73	127	0

Notes:

Preset value for Compressor Knee value is always 0 (Hard Knee).

1.3 Distortion Presets

Preset is selected by using MIDI NRPN 3x60h, with value = preset number, from 0 to 13

Nb	Name	Preset Default values
		Drive	Type	Hi-Cut Filter Frequency	Post Gain	Pre Gain	RC LP Filter	Low Lev Cut
OFF
0	OFF	0	0	127	127	127	127	0
TUBE DISTORTION
1	TUBE DIST Low 1	3	1	100	60	64	127	1
2	TUBE DIST Low 2	4	2	80	50	64	127	2
3	TUBE DIST Medium 1	5	1	70	40	64	127	2
4	TUBE DIST Medium 2	5	2	70	40	64	127	3
5	TUBE DIST High 1	6	1	60	40	64	127	3
6	TUBE DIST High 2	6	2	60	40	64	127	3
SPECIAL DISTORTION
7	SMOOTH OD	6	6	50	30	64	80	3
8	DISTORTION	7	1	40	30	64	127	3
9	CRUNCH	5	5	60	40	64	80	3
10	FUZZ	6	7	80	40	64	127	3
11	GRUNGE	5	4	110	40	64	127	2
12	METAL	8	3	40	40	64	127	4
13	MESS	10	0	80	30	64	127	4

Notes:
Preset value for Hi-Cut Filter Q is always 0.

1.4 Parametric Equalizer Presets

Presets are selected by using MIDI 3x70h, with value = preset number, from 0 to 13

Nb	Name	Preset Default Values
		Gain Low	Gain Low Mid	Gain High Mid	Gain High	Freq Low	Freq Low Mid	Freq High Mid	Freq High	Quality Low Mid	Quality High Mid
0	Flat	64	64	64	64	40	24	64	127	0	64
1	JC Clean	80	30	90	64	40	20	50	60	0	80
2	Acoustic	90	20	110	64	40	26	113	50	30	100
3	Black Panel	80	40	90	64	40	28	30	40	0	40
4	Brit Combo	60	80	80	64	100	64	7	127	0	30
5	Tweed	64	30	80	64	50	42	28	60	100	20
6	Stack Classic	64	20	85	64	80	40	30	40	20	40
7	Metal	64	50	100	64	80	50	35	127	0	70
8	R-Fier	64	20	70	64	80	30	30	80	30	50
9	Dyna Amp	64	20	75	64	40	32	25	127	64	50
10	Crunch	64	75	30	64	40	10	8	127	20	70
11	VO Drive	64	64	90	64	40	20	30	127	64	60
12	BG Lead	64	64	70	64	40	20	64	127	64	64
13	MS HiGain	64	80	50	64	40	10	6	127	80	70

1.5 Chorus/Flanger/Phaser/Tremolo/Rotary Presets

Preset is selected by using MIDI NRPN 3x30h, with value = preset number, from 0 to 23

Nb	Name	Preset Default Values
		Volume	Delay	Feedback	Hdamp	Chorus Rate	Chorus Depth
0	OFF	0	/	/	/	/	/
1	Chorus Light 1	56	20	0	0	40	30
2	Chorus Light 2	56	40	0	0	30	30
3	Chorus Medium 1	64	26	0	0	45	40
4	Chorus Medium 2	64	60	0	0	35	50
5	Chorus Deep 1	64	64	0	0	40	70
6	Chorus Deep 2	64	80	0	0	45	90
7	Chorus Fast 1	64	30	0	0	70	10
8	Chorus Fast 2	64	60	0	0	60	20
9	Resonant Chorus	64	30	80	0	40	20
10	Long Time Chorus	64	100	0	0	20	20
11	Flange Light	64	8	32	0	30	30
12	Flange Medium	72	13	72	0	40	80
13	Flange Slow Deep	72	2	50	0	20	90
14	Flange Deep	72	6	100	0	50	100
15	Phaser Light	64	0	80	0	50	50
16	Phaser Medium	64	0	90	0	60	80
17	Phaser Slow Deep	64	0	100	0	20	110
18	Phaser Fast	64	0	40	0	120	60
19	Tremolo Slow	64	0	0	0	20	60
20	Tremolo Medium 1	64	0	0	20	40	70
21	Tremolo Medium 2	64	0	0	40	60	90
22	Tremolo Fast	64	0	0	60	100	110
23	Rotary Slow	90	30	0	0	50	20

Note:
Preset value for Pre-High-pass-Filter is always 0 (off).

2.0 HQ Distortion

HQ Distortion Top Level Controls
3Dh	00h	Distortion ON/OFF: = 0 OFF, else ON
3Dh	01h	Noise Reduction: 0..4
3Dh	02h	Booster: 0..3
3Dh	03h	Type (Preset): 0..7 = OFF, Warm-Drive, Overdrive, Cry, Distortion, Metal, Max-Saturation, Fuzz (using Preset parameter below)
3Dh	04h	Drive: 0..127
3Dh	05h	Tone: 0..127 (using PEQ parameters below)
3Dh	06h	Level (Post-Gain): 0..127
HQ Distortion Preset Parameter Controls (see note below)
3Dh	10h	Input High Pass Cutoff): 0..127
3Dh	11h	Input High Pass Mode: 0..2
3Dh	12h	Bias Level): 0..127
3Dh	13h	Input Low Pass Cutoff): 0..127
3Dh	14h	Input Low Pass Mode: 0..7
3Dh	15h	Type (internal): 0-22
3Dh	16h	Pre-Gain: 0..127 (should be set normally to 127, Distortion drive amount should be set by “Drive” parameter, NRPN 3D04h)
3Dh	17h	PEQ Freq low): 0..127
3Dh	18h	PEQ Gain low): 0..64..127 = -12..0..+12dB
3Dh	1Ah	PEQ Freq high): 0..127
3Dh	1Bh	PEQ Gain high): 0..64..127 = -12..0..+12dB
HQ Distortion Routing Controls
3Dh	7Fh	Routing switch of Distortion block: 0 = default, else input on MIC2IN (DAAD4R)	0

Note: details about the HQ Distortion Preset Parameters Controls please see dedicated Distortion Library module documentation.

3. MIDI Implementation

2 ports of 16 channels are provided for a total of 32 channels. MIDI Message "F5 nn" is used to switch between the two ports (nn=1 or 2).

MIDI Message	HEX Code	Description
NOTE ON	9nH kk vv	Midi channel n(0-15) note ON # kk(1-127), velocity vv(1-127). vv=0 means NOTE OFF
NOTE OFF	8nH kk vv	Midi channel n(0-15) note OFF # kk(1-127), vv is don't care.
PITCH BEND	EnH bl bh	Pitch bend as specified by bh|bl (14 bits) Maximum swing is +/- 1 tone (power-up). Can be changed using « pitch bend sensitivity ». Center position is 00H 40H.
PROGRAM CHANGE	CnH pp	Program (patch) change. Specific action on channel 10 (n=9): select drumset. Refer to sounds / drumset list. Drumsets can be assigned to other channels (see SYSEX MIDI channel to part assign and part to rhythm allocation)
CHANNEL AFTERTOUCH	DnH vv	vv pressure value. Effect set using Sys. Ex. 40H 2pH 20H-26H
CTRL 00	BnH 00H cc	Bank select: Refer to sounds list. No action on drumset
CTRL 01	BnH 01H cc	Modulation wheel. Rate and maximum depth can be set using SYSEX
CTRL 05	BnH 05H cc	Portamento time.
CTRL 06	BnH 06H cc	Data entry: provides data to RPN and NRPN
CTRL 07	BnH 07H cc	Volume (default=100)
CTRL 10	BnH 0AH cc	Pan (default=64 center)
CTRL 11	BnH 0BH cc	Expression (default=127)
CTRL 64	BnH 40H cc	Sustain (damper) pedal
CTRL 65	BnH 41H cc	Portamento ON/OFF
CTRL 66	BnH 42H cc	Sostenuto pedal
CTRL 67	BnH 43H cc	Soft pedal
CTRL 71	BnH 47H cc	TVF Resonance modify (same as nrpn 0121h)
CTRL 72	BnH 48H cc	Env release time modify (same as nrpn 0166h)
CTRL 73	BnH 49H cc	Env attack time modify (same as nrpn 0163h)
CTRL 74	BnH 4AH cc	TVF cutoff freq modify (same as nrpn 0120h)
CTRL 75	BnH 4BH cc	Env decay time modify (same as nrpn 0164h)
CTRL 76	BnH 4CH cc	Vibrato rate modify (same as nrpn 0108h)
CTRL 77	BnH 4DH cc	Vibrato depth modify (same as nrpn 0109h)
CTRL 78	BnH 4EH cc	Vibrato delay modify (same as nrpn 010Ah)
CTRL 84	BnH 54H vv	Portamento control
CTRL 91	BnH 5BH vv	Reverb send level vv=00H to 7FH
CTRL 93	BnH 5DH vv	Chorus send level vv=00H to 7FH
CTRL 98	BnH 62H vv	NRPN low
CTRL 99	BnH 63H vv	NRPN high
CTRL 100	BnH 64H vv	RPN low
CTRL 101	BnH 65H vv	RPN high
CTRL 120	BnH 78H 00H	All sound off (abrupt stop of sound on channel n)
CTRL 121	BnH 79H 00H	Reset all controllers
CTRL 123	BnH 7BH 00H	All notes off
CTRL 126	BnH 7EH 00H	Mono on
CTRL 127	BnH 7FH 00H	Poly on (default power-up)
CTRL CC1	BnH ccH vvH	Assignable Controller 1. cc=Controller number (0-5Fh), vv=Control value (0-7Fh). Control number (ccH) can be set on CC1 CONTROLLER NUMBER (Sys. Ex 40 1x 1F). The resulting effect is determined by CC1 controller function (Sys.Ex. 40 2p 40-4A)
CTRL CC2	BnH ccH vvH	Assignable Controller 2. cc=Controller number (00h-5Fh), vv=control value (0-7Fh). Control number can be set on CC2 CONTROLLER NUMBER (Sys.Ex. 40 1x 20). The resulting effect is determined by CC2 controller function (Sys.Ex.40 2p 50-5A).
RPN 0000H	BnH 65H 00H 64H 00H 06H vv	Pitch bend sensitivity in semitones (default=2)
RPN 0001H	BnH 65H 00H 64H 01H 06H vv	Fine tuning in cents (vv=00 -100, vv=40H 0, vv=7FH +100
RPN 0002H	BnH 65H 00H 64H 02H 06H vv	Coarse tuning in half-tones (vv=00 -64, vv=40H 0, vv=7FH +64
NRPN 0108H	BnH 63H 01H 62H 08H 06H vv	Vibrate rate modify (vv=40H -> no modif)
NRPN 0109H	BnH 63H 01H 62H 09H 06H vv	Vibrate depth modify (vv=40H -> no modif)
NRPN 010AH	BnN 63H 01H 62H 0AH 06H vv	Vibrate delay modify (vv=40H -> no modif)
NRPN 0120H	Bnh 63H 01H 62H 20H 06H vv	TVF cutoff freq modify(vv=40H -> no modif)
NRPN 0121H	BnH 63H 01H 62H 21H 06H vv	TVF resonance modify (vv=40H -> no modif)
NRPN 0163H	Bnh 63H 01H 62H 63H 06H vv	Env. attack time modify(vv=40H -> no modif)
NRPN 0164H	BnH 63H 01H 62H 64H 06H vv	Env. decay time modify(vv=40H -> no modif)
NRPN 0166H	BnH 63H 01H 62H 66H 06H vv	Env. release time modif(vv=40H -> no modif)
Standard Sysex	F0H 7EH 7FH 09H 01H F7H	General MIDI reset (note 4)
Standard Sysex F0H	7FH 7FH 04H 01H 00H II F7H	Master volume (II=0 to 127, default 127) (note 4). Not reset by GS reset
SYSEX F0H 26H 7BH 0CH 00H 00H vv F7H		Master tune (default vv=40H) -100.vv=0 to +100. vv=7FH.
SYSEX F0H 41H 00H 42H 12H 40H 00H 04H vv xx F7H		Master volume (default vv=7FH) (note 4) Not reset by GS reset.
SYSEX F0H 26H 7BH 07H 00H vv F7H		Master Transposer (default vv=40H, no transpose) (note 4)
SYSEX F0H 26H 7BH 39H 00H vv F7H		Master pan (default vv=40H, center) (note 4)
SYSEX F0H 26H 7BH 30H 00H vv F7H		MIDI Port vv=0H (Channels 00H - 0FH), 01H (Channels 10H -1FH)
SYSEX F0H 26H 7BH 71H 1FH vv 00H F7H		Vv= Round Robin. 0=OFF, 1=On
SYSEX F0H 26H 7BH 1AH 1pH vv efx F7H		Load EXF Channel, p=Channel (00H-0FH), vv=(00H-13H) 00H:Chorus1 01H:Chorus2 02H:Phaser1 03H:Phaser2 04H:Flanger1 05H:Flanger2 06H:Tremolo1 07H:Tremolo2 08H:Delay1 09H:Delay2 0AH:Echo Pan 0BH:Rotor Slow 0CH:Rotor Fast 0DH:Organ Overdrive* 0EH:Valve Distortion* 0FH:Power Distortion* 10H:Metal Distortion* 11H:Tweed Amp.Simulator 12H:British Amp. 13H:Jazz Amp.Simulator Simulator vv=7FH (off) efx=3AH(EFX1),3BH(EFX2) *=available only on EFX1
SYSEX F0H 41H 00H 42H 12H 40H 00H 7FH 00H xx F7H		GS reset (note 4)
SYSEX F0H 26H 7BH 0EH 00H 00H F7H		GM reset (note 4)
SYSEX F0H 26H 7BH 00H 00H vv F7H		Reverb type (vv=0 to 7), default = 03H 10H:Room1 11H:Room2 12H:Room3 13H:Hall1 14H:Hall2 15H:Plate 16H:Delay 17H:Pan delay (note 5)
SYSEX F0H 26H 7BH 02H 00H vv F7H		Reverb master level, default = 32 (note 5)
SYSEX F0H 26H 7BH 01H 00H vv F7H		Chorus type (vv=0 to 7), default = 02H 10H:Chorus1 11H:Chorus2 12H:Chorus3 13H:Chorus4 14H:Feedback 15H:Flanger 16H:Short delay 17H:FB delay (note 5)
SYSEX	F0H 26H 7BH 03H 00H vv F7H	Chorus master level, default = 26 (note 5)
SYSEX F0H 26H 7	BH 0FH 00H 0pH vv F7H	Part to rhythm allocation, p is part (0 to 15), vv is 00 (sound part) or 01 (rhythm part). This SYSEX allows a part to play sound or drumset. There is no limitation of the number of parts playing drumset.
SYSEX F0H 41H 0	OH 42H 12H 40H 1pH 40H v1 v2 ... v12 xx F7H	Scale tuning, p is part (0 to 15), v1 to v12 are 12 semi-tones tuning values (C, C#, D, ... A#, B), in the range -64 (00H) 0 (40H) +63(7FH) cents.This SYSEX allows non chromatic tuning of the musical scale on a given part.Default v1, v2, ... ,v12 = 40H, 40H,...,40H (chromatic tuning).Scale tuning has no effect if the part is assigned to a rhythm channel or if the sound played is not of chromatic type. (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 1pH 1FH vv xx F7H	CC1 Controller number (00-5FH) (default = 10H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 1pH 20H vv xx F7H	CC2 Controller number (00-5FH) (default = 11H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 00H vv xx F7H	Mod pitch control (-24,+24 semitone) (default = 40H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 01H vv xx F7H	Mod tvf cutoff control (default = 40H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 02H vv xx F7H	Mod Amplitude control (-100%-+100%) (default=40H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 03H vv xx F7H	Mod Ifo1 rate control (default = 40H). n is don't care. Rate is common on all channels
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 04H vv xx F7H	Mod Ifo1 pitch depth (0-600 cents) (default=0AH) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 05H vv xx F7H	Mod Ifo1 tvf depth (default = 0H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 06H vv xx F7H	Mod Ifo1 tva depth (0-100%) (default = 0H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 10H vv xx F7H	Bend pitch control (-24,+24 semitone) (default = 42H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 11H vv xx F7H	Bend tvf cutoff control (default = 40H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 12H vv xx F7H	Bend Amplitude control (-100%-+100%) (default=40H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 14H vv xx F7H	Bend Ifo1 pitch depth (0-600 cents) (default=00H) (note 3)
SYSEX	FOH 41H 00H 42H 12H 40H 2pH 15H vv xx F7H	Bend Ifo1 tvf depth (default = 0H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 16H vv xx F7H	Bend lfo1 tva depth (0-100%) (default = 0H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 20H vv xx F7H	CAF pitch control (-24,+24 semitone) (default = 40H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 21H vv xx F7H	CAF tvf cutoff control (default = 40H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 22H vv xx F7H	CAF Amplitude control (-100%-+100%) (default=40H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 24H vv xx F7H	CAF lfo1 pitch depth (0-600 cents) (default=00H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 25H vv xx F7H	CAF lfo1 tvf depth (default = 0H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 26H vv xx F7H	CAF lfo1 tva depth (0-100%) (default = 0H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 40H vv xx F7H	CC1 pitch control (-24,+24 semitone) (default = 40H) (note 3)
-SYSEX F0H 41H	OH 42H 12H 40H 2pH 41H vv xx F7H	CC1 tvf cutoff control (default = 40H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 42H vv xx F7H	CC1 Amplitude control (-100%-+100%) (default=40H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 44H vv xx F7H	CC1 lfo1 pitch depth (0-600 cents) (default=00H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 45H vv xx F7H	CC1 lfo1 tvf depth (default = 0H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 46H vv xx F7H	CC1 lfo1 tva depth (0-100%) (default = 0H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 50H vv xx F7H	CC2 pitch control (-24,+24 semitone) (default = 40H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 51H vv xx F7H	CC2 tvf cutoff control (default = 40H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 52H vv xx F7H	CC2 Amplitude control (-100%-+100%) (default=40H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 54H vv xx F7H	CC2 lfo1 pitch depth (0-600 cents) (default=00H) (note 3)
SYSEX	F0H 41H 00H 42H 12H 40H 2pH 55H vv xx F7H	CC2 lfo1 tvf depth (default = 0H) (note 3)
SYSEX F0H 41H 0	OH 42H 12H 40H 2pH 56H vv xx F7H	CC2 lfo1 tva depth (0-100%) (default = 0H) (note 3)

Notes :

1. NRPN sending method: CTRL#99=high byte, CTRL#98=low byte, CTRL#6=vv. Example: NRPN 0108h = 40h -> CTRL#99=1, CTRL#98=8, CTRL#6=64.

2. x or xx means « don't care »

3. Cross system exclusive :

Address can be 040h xxh xxh or 050h xxh xxh

If addresse = 040h xxh xxh : system exclusive applies to midi port 1 (midi channels 0-Fh) if received on midi port1, applies to midi port 2 (midi channels 10-1Fh) if received on midi port 2. If addresse = 050h xxh xxh, cross system exclusive : applies to port 2 if received on port1, applies to port 1 if received on port2

1. Non cross system exclusive applying only on receiving port :

System exclusive applies to midi port 1 (midi channels 0-Fh) if received on midi port1.

System exclusive applied to midi port 2 (midi channels 10-1Fh) if received on midi port2.

1. Non cross system exclusive applying on both ports :

System exclusive will be applied to all midi channels (0-1Fh). Can be received on port 1 or port 2.
indifferently.

This is the case for all system exclusive concerning reverb and chorus because reverb and chorus are the same for both ports 1 and 2.

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