AVR10 - Home Theater System ARCAM - Free user manual and instructions

USER MANUAL AVR10 ARCAM

Important Safety Instructions

1. Read these instructions.
2. Keep these instructions.
3. Hccd all warnings.
4. Follow all instructions
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in accordance with the manufacturer's instructions.
8. Don't install any heating sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9. Donotoeatfeethasafetypurposeofthe polarized or grounding-type plug.

A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

1. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
2. Only use attachments/accessories specified by the manufacturer.
3. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus.

When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip over.

1. Unplaginisapparatusdunlightnngtromsorwhen unused for long periods of time.

2. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

3. Object or liquid entry
   WARNING - Take care that objects do not fall and liquids are not spilled into the enclosure through any openings. The equipment shall not be exposed to dripping or splashing. Liquid-filled objects such as vases should not be placed on the equipment.
4. Climate
   The equipment has been designed for use in moderate climatics and in domestic situations.
5. Cleaning
   Unplug the unit from the mains supply before clearing.
   The case should normally only require a wipe with a soft, lint free cloth. Do not use chemical solvents for cleaning.
   We do not advise the use of furniture cleaning sprays or polishes as they can cause permanent white marks.
6. Power sources
   Only connect the equipment to a power supply of the type described in the operating instructions or as marked on the equipment.
   The primary method of isolating the equipment from the mains supply is to remove the mains plug. The equipment must be installed in a manner that makes disconnection possible.
7. Abnormal smell
   If an abnormal smell or smoke is detected from the equipment, turn the power off immediately and unplug the equipment from the wall outlet. Contact your dealer and do not reconnect the equipment.
8. Damage requiring service
   The equipment should be serviced by qualified service personnel when:

A. The power-supply cord or the plug has been damaged, or
8. Objects have fallen, or liquid has spilled into the equipment, or
C. The equipment has been exposed to rain, or
12. The equipment does not appear to operate normally or exhibits a marked change in performance, or
E The equipment has been dropped or the enclosure damaged.

CAUTION: To reduce the risk of electric shock, do not remove cover (or back). No user serviceable parts inside. Refer servicing to qualified service personnel.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

The lightning flash with an arrowhead symbol within an equilateral triangle, is intended to alert the user to the presence of uninsulated 'dangerous voltage' within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The explanation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
CAUTION: In Canada and the USA, to prevent electric shock, march the wide blade of the plug to the wide slot in the socket, and insert the plug fully into the socket.

Class II product

This equipment is a Class II or double insulated electrical appliance. It has been designed in such a way that it does not require a safety connection to electrical earth ("ground" in the U.S.)

Warning

Mains plug/appliance coupler is used to disconnect device and i. vall remain readily operable.

Safety Compliance

This equipment has been designed to meet the IEC/HN 60065 International electrical safety standard.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

This device may not cause harmful interference, and
This device must accept any interference received, including interference that may cause undesired operation.

The building installation shall be regarded as providing protection in accordance with the rating of the wall socket outlet.

Caution on installation

For proper heat dispersal, do not install this unit in a confined space, such as a boxknee or similar enclosure.

More than 0.3m (12in) is recommended.
Do not place any other equipment on this unit.

FCC Information (for US customers)

PRODUCT

CONTAINS TRANSMITTER MODULE FCC ID: APILUXASTRO1, APILUXABT01

This product complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this product may not cause harmful interference, and (2) this product must accept any Interference received, including interference that may cause undesired operation.
IMPORTANT NOTE: DO NOT MODIFY THIS PRODUCT!
This product, when installed as indicated in the instructions contained in this manual meets FCC requirements. Modification not expressly approved by ARCA/AM may void your authority, granted by the FCC, to use the product. CAUTION (or BLC.liocthw/We/FF)
To comply with FCC RF exposure compliance requirement, separation distance of at least 20cm must be maintained between this product and all persons.
- This product and its antenna must not be collocated or operating in conjunction with any other antenna or transmitter.

NOTE

This product has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation.

This product generates, uses and can radiate radio frequency energy and, if no, installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this product does cause harmful interference to radiioor television reception which can be determined by turning the product OFF and ON, the user is encouraged to try to correct the interference by one or more of the following measures:

Reorient or relocate the receiving antenna.
L. Increase the separation between the equipment adi: canadians: CAN ICES-3 (B) / NMB-3 (B) "for the receiver. indoor use only"

Connects the product into an bullet on a circle different from that up which the receiver is connected.

Consult: the local retailer authorised to distribute this type of product or an experienced radio / TV technician for help.

IC Information (For Canadian customers)

PRODUCT

CONTAINS TRANSMITTER MODULE IC:

6132A-LUXASTRO1,6132A-LUXABT01

This product complies with RSS-247 of Industry Canada. Operation is subject to the following two conditions: (1) this product may not cause harmful interference, and (2) this product must accept any interference received, including interference that may cause undesired operation. This Class B digital apparatus complies with Canadian ICEs 003.

CAUTION

To reduce potential radio interference to other users, the antenna type and its gain should be so chosen that the equivalent isotropically radiated power (e.i.p.) is not more than that permitted for successful communication. [1] the device for operation in the band 5,150-5,250 MHz is only for indoor use to reduce the potential for harmful interference to co-channel mobile satellite systems. [1] high-power radars are allocated as primary users (i.e. priority users) of the bands 5,250-5,350 MHz and 5,650-5,850 MHz and that these radars could cause interference and/or damage to LE-LAN devices.

For Canadian customers / Pour les clients

canadiens: CAN ICES-3 (B) / NMB-3 (B) "for

indoor use only

ATTENTION

RF Exposure Information

This equipment complies with FCC/IC radiation exposure limits set forth for an uncontrolled environment and meets the FCC radio frequency (RF) Exposure Guidelines in Supplement C to OF-165 and RSS-107 of the IC radio frequency (RF) Exposure rules. This equipment has very low levels of RF energy that are deemed to comply without testing of specific absorption ratio (SAR).

Safety Information (for European customers)

Avoid high temperatures. Allow for sufficient heat dispersion when installed in a rack.

Handle the power cord carefully. Hold the plug when unplugging this cord.

Keep the unit free from moisture, water, and dust.

Unping the power cord when not using the unit for long periods of time.

Do not obstruct the ventilation holes.

Do not let foreign objects into the unit.

Do not let insecticides, benzene, and thinner come in contact with the unit.

Never disassemble or modify the unit in any way.

Ventilation should not be impeded

Ventilation openings with items, such as newspapers, tablecloths or curtains.

Naked flame sources such as lighted candle should not be placed on the unit.

Safety Information (for European customers)

Observe and follow local regulations regarding battery disposal.

Do not expose the unit to dropping or splashing fluids.

Do not place objects filled with liquids, such as vases, on the unit.

Do not handle the mains cord with wet hands. When the switch is in the OT position, the equipment is not completely switched off from MAIRS.

The equipment shall be installed near the power supply so that the power supply is easily accessible.

A note about recycling

This product's packaging materials are recyclable and can be reused. Please dispose of any materials in accordance with the local recycling regulations. When discarding the unit, comply with local rules or regulations.

Batteries should never be thrown away or incinerated but disposed of in accordance with the local regulations concerning battery disposal.

This product and the supplied accessories, excluding the batteries, constitute the apolicable product according to the WEEE directive

Correct disposal of this product

These markings indicate that this product should not be disposed with other household waste throughout the HL.

Pb

To prevent possible harm to the environment or human health from uncontrolled waste disposal and to material resources, this product must be disposed of responsibly.

In disguise of your product, please use your real return and collection systems or constate. The installer where the product was purchased.

Radio specifiction (or Europe model)

Type Frequency Range Max. RF Power

Bluetooth 2,402-2,480MHz 70dBm

w.l AN (2.4Gbit) 2.4Gbit 0.2/2.85MHz 70dBm

5GHz Radio 5.15G-5.250MHz 236dBm

Welcome

Thank you and congratulations...

for purchasing your Arcam HDA Receiver.

Arcam has been producing specialist audio products of remarkable quality for over three decades and the new Receivers are the latest in a long line of award winning Hi-Fi. The design of the HD4 range draws upon all of Arcam's experience as one of the UKs most reworked audio companies, to produce Arcam's best performing range of products yet designed and built to give you years of viewing and listening enjoyment.

This handbook is intended to give you a detailed guide to using the Receiver. It starts by giving advice on installation, moves on to describe how to use the product and finishes with additional information on the more advanced features. Use the contents list shown on this page to guide you to the section of interest.

We hope that your HDA receives will give you years of trouble-free operation. In the unlikely event of any fault, or if you simply require further information about Arcam products, our network of dealers will be happy to help you. Further information can also be found on the Arcam website at www.arcam.co.uk.

The HDA development team

Contents

Safety Guidelines EN-2

Welcome

Before You Begin... EN-6

Trademark Acknowledgments EN-8

Rear Panel Connections and Controls EN-9

Audio/Video Connections EN-10

Connection Guide EN-12

Radio & Wireless Audio Connectors EN-13

Other Connectors EN-14

Speakers

Connecting Speakers EN-16

Operation

Extended front panel menu EN-18

Updating firmware via USB EN-18

Front Panel Operation EN-19

Remote Control EN-20

Customising the Remote

Essential Setup

Auto Speaker Setup

Setup Menus

Connecting to a Network

EN-4

EN-15

EN-17

EN-22

EN-28

EN-29

EN-30

EN-34

Decoding Modes EN-35

Tuner Operation EN-37

Troubleshooting EN-38

Specifications EN-40

Worldwide Guarantee EN-42

Professional Installation?

It may be that the Receiver has been installed and set up as part of your Hi-Fi installation by a qualified Arcam dealer. In this case, you may wish to skip the sections of this handbook dealing with installation and setting up, and move directly to the sections dealing with using the unit. Use .no Canteen list to guide you to these sections.

DIY setup?

The Receiver is a powerful and sophisticated piece of AV equipment. If you are setting the unit up yourself, it is recommendent that you read this handbook thoroughly before beginning. For instance, correct speaker configuration and placement is a key to getting the most out of your Receiver and making sure that all the elements of your system work in harmony.

Before You Begin...

Arcam HDA Receiver

The Receivers are high-quality and high-performance home-cinema processors and amplifiers built to Arcam's quality design and manufacturing standards. They combine digital processing with high-performance audio and video components, cobring you an unrivalled home entertainment studio.

The Receiver allows switching and control of seven analogues and six digital audio sources in addition to internal FM and DAB+ radio - as well as networked audio sources - making any of the models an ideal hub for both home-cinema and two-channel stereo systems.

Since many of these source components are also capable of generating video signals, the Receiver includes broadcast quality switching for HDVI (7 x HDMI2.0e, HDCP2.2) video/ audio signals. Control of the Receiver is either by front panel control buttons, IR remote control, IP (Ethernet) control or RS232 port.

The remote control supplied with: The Receiver is a multidevice 'unilateral' learning remote control which is simple to use, and once set up it is able to control a complete system. It can be programmed using its vast internal code library to control CD and BD players, PVRs, TVs and other devices.

The installation of the Receiver in a listening room is an important process which requires care at every stage. For this reason, the installation information is very comprehensive and should be followed carefully to achieve an unvalued level of performance.

The Receiver is designed to produce a level of performance that will truly bring music and movies to life.

Placing the unit

Place the unit on a level, firm surface, avoid tg direction sunlight and sources of heat or damp.
Do not place the Receiver on top of a power amplifier or other source of heat.

Do not place the amplifier in an enclosed space such as a bookcase or closed cabinet unless there is good provision for ventilation (see page EN-2). The Receiver will run warm during normal operation.

Do not place any other component or item on it of the amplifier as this may obstruct airflow around the heat-sink, causing the amplifier to run hot. (The unit, placed on top of the amplifier would become hot, too.)
Make sure the remote-control receiver on the front panel display is unobstructed, otherwise this will impair the use of the remote control. If line of sight is impractical, a remote control repeater can be used with the rear panel connector (see page EN-34).
Do not place your record deck on top of a unit. Record decks are very sensitive to the noise generated by mains power supplies which will be heard as a background 'hum' if the record deck is too close.

Power

cthe amplifier is supplied with a moulded mains plugalready fitted in the lead. Check that the plug supplied fitsyour supply - should you require a new mains lead, pleasecontact your Arcam dealer
e/ your main supply online or main sales blog is a different, please contact your Arcan dealer immediately.
The Receiver can be switched for operation between 220-240V (switch position 230V) and 110-120V (switch position 115V).
NOTE: Ensure that the Receiver is switched off and the power lead removed before changing the position of the voltage range switch.
Push the BC plug end of the power cable into the socket on the back of the amplifier, making sure that it is pushed in family. Plug the other end of the cable into your main socket and, if necessary, switch the socket on.
The Receiver can be turned on using the power switch on the front panel. While switched on, the front panel HD will glow white.

Standby power

The Receiver can be switched into standby mode using the button on the remote control. While in standby mode the front panel LED will glow red and (with default settings) power consumption is less than 0.5 Watts.

While in Standby mode, it may be possible to hear a slight residual hum coming from the mains transformer inside the amplifier. This is perfectly normal. However, if the unit is to be left unused for an extended period, we recommend that you disconnect it from the mains supply to save power.

Interconnect cables

We recommend the use of high-quality screened cables that are designed for the particular application. Other cables will have different impedance characteristics that will degrade the performance of your system (for example, do not use ceiling intended for video use to carry audio signals). All cables should be kept as short as practically possible.
It is good practice when connecting your equipment to make sure that the mains power-supply calling is kept as far away as possible from your audio cables. Failure to do so may result in unwanted noise in the audio signals.
For information on speaker cabling, please refer to the "Speakers' section, beginning on page EN 16.

Radio interference

The Receiver is an audio device containing microprocessors and other digital electronics. Each model has been designed to very high standards of electromagnetic compatibility.

This is a Class A product. In a domestic environment this product may cause radio interference, in which case the user may be required to take adequate measures.

If the Receiver causes interference to radio or television reception (which can be determined by switching the Receiver off and on), the following measures should be taken:

• Re-orient the receiving antenna or route the antenna cable of the affected device as far as possible from the ARCAM Receiver and its cabling.
• Relocate the affected device with respect to the ARCAM Receiver.
• Connect the affected device and the Receiver to different main outputs.

If the problem persists, please contact your Arcam dealer.

Trademark Acknowledgments

Dolby Vision, Dolby Atmos, Dolby Audio

Manufactured under License from Dolby Labs Laboratories, Dalian, Dalian Vision, Dalian Atmos, Dalian Airline, and the registered trademark of Dolby Electronics.

DTS:X® For DTS patents, see http://patentsdb.com Manufactured under license from DTS Licensing Limited, DTS, the Symbol, DTS in corresponding icon with the symbol. DTSX and the DTSX logo are registered trademarks or trade marks of DTS, Inc. in the United States and/or other countries. ® DTS, Inc. All Rights Reserved.

DTS VirtuaX® For DTS patents, see http://patentsdb.com Manufactured under license from DTS Licensing Limited, DTS, the Symbol, DTS and the symbol together, VritiX and the DTS VirtuaX logo are registered trademarks and/or trade marks of DTS, Inc. in the United States and/or other countries. ® DTS, Inc. All Rights Reserved.

IMAX® & DTS® Manufactured under license from IMAX Corporation, MAX® is a registered trademark of IMAX Corporation in the United States and/or other countries. For DTS patents, see http://patentsdb.com. Manufactured under license from DTS Licensing Limited, DTS, the Symbol, DTS and the symbol together and registered trademarks or trade marks of DTS, Inc. in the United States and/or other countries. ® DTS, Inc. All Rights Reserved.

Auro-3D® Manufactured under license from Auto Technologies, Aero, Aero 3D, Auto Codex and AutoMate are registered Trademarks of Auto Technologies.

AAC/AAC Plus and Plus is a trademark of Coding Technologies See: http://codtech.whoist.com.net In more information.

LDMI, the HDVI logo and High-Delphi EMI Multimedia Interfex are trademarks or registered trademarks of LDMI Licensing LLC.

Bluetooth® The Bluetooth® brand name and logos are registered trademarks owned by the Bluetooth BG, Inc. and any use of such marks by a 100%OWN International Industries, Incorporated in, under copyright. Other trademarks and trade names are licensed by their respective owners.
Qualcomm® apuXHD	Qualcomm® is a trademark of Qualcomm incorporated, registered in the United States and other countries, ApX® is a trademark of Qualcomm Technologies international Ltd., registered in the United States and other countries.
Sensory Apple AppPlay	App, AirPlay and the AirPlay logo, iPod, iPhone and iPad are trademarks of Apple Inc., registered in the U.S. and other countries. App Store is a service mark of Apple Inc. AirPlay 2 works with iPhone, iPad and iPod touch with OS 11.4 or later, Mac with OS X Mountain Lion or later, and PC with Windows 10.2.2 or later.
Wi-Fi CERTIFIED	The Wi-Fi CRRIDABLE LOGO is a certification mark of the Wi-Fi Alliance.
D'OncoVirusLife	Google, Google Play, Chironneau, and other related marks are trademarks of Google LLC. The Google Assistant requires an internet connection and is not available in certain countries and languages. Availability and extent of certain Features and services are device specific, service and network dependent and may not be available in all areas. Controlling for an application in your home requires compatible smart devices. Subscriptions for services and applications may be required and additional terms, conditions and/or charges may apply.
vTuner	This product is protected by certain intellectual copyright rights of NUIs and Sledgeback. Use or distribution of such technology outside of this product is prohibited without written consent from NUIs and fledge back or unauthorized copying.
MP3	MP3GAP® Audio Studio Coding Technology Limited from Copyright Clearance Center and Thermo Fisher Inc.

FLAC 11. Decader Copyright #3000, 2001, 2002, 2003 2004, 2005, 2006, 2007, 2008 & onwards

Redistribution and use in source and binary forms, will or without modification, are permitted provided that the following conditions are met: - Redistributons of source code must retain the above copyright notice, this list of conditions and the following disclaimer - Redistributons in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution. - Neither the name of the Xiphos Foundation nor the names of its contributors may be used to encase or promote products derived from this software without specific prior written permission.

THIS SCHOOL IS PROVISIONAL TO THE CIPPLICITY COLDING AND COPIRATIONS AS IS AND ANY LOGPES OR VIHUL WARDANIELS INCLUDING BUT NOT LIKIDLY TO ILLI HILDUL WARDANIELS OR MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED IN NO PARTNET SHALL THE FOUNDATION OF CONTRIBUTORS BE PERLE OR ANY DIRECT INTECT, INCENTRAL, SPECIM, EXTERIOR, OR CONSEQUENTAL DAMAGE INCLUDING BUT NOT LIMITED TO PROCEDURE OF SUBSTITUTE GOODS OR SERVICES LOSS OR USE DATA OR PROFIT OR BUSINESS INTERVENTION HOVERE CAUSE AND ON ANY THEORY OF LIABILITY WHEN IN CONTRACT, STRY LIABILITY, OR TORT INCLUDING NEAGENCE OR OTHERWISE ASIBING IN ANY WAY OUT OF THE US OR ITS SO SU (VAIL, VILL) ASSETS OR THE POSIBILITY OF SUCH DAMAGE

MQA (Master Quality Authorized)

MQA is an award-winning British technology that delivers the sound of the original master recording. The master MQA file is fully authenticated and is small enough to stream or download.

WQA must contain all import information.

Acam, APOE, include MQA technology, which entables you to play back MQA studio files and a stream, delivering the sound of the original master recording.

'MQA' or 'MQA Studio' indicates that the source is recording and playing on MQA stereo files and their owners' proviceance to ensure that the sound is copyright to that of the source material. MQA studio indicates it is playing an MQA Studio file, which has obtained approval in the music by the artist producer or has been verified by the copyright owner.

MQA and the Sound Wave Desire are registered race marks of MQA Limited in 2016

Audio/Video Connections

Before connecting your Receiver to your source components and speakers, please read through the next few pages which will explain all the insul and output connectivity that is available. The "Speakers' section explains how to connect up your speakers to avoid carriage to the amplifier and how to arrange your speakers for best performance.

General

The inputs are named to make it easier to reference connected devices (eg. BID) [MB] they all have the same input circuit, so there is no reason why you should not connect a different device to any of the inputs. For example, if you had two BD players and the AV input was not being used, then the second BD player could be connected to the AV input.

When connecting a video source, its audio must be connected to the corresponding sociels. For example, if you had a satellite decoder plugged into a SATEQ input, the audio must be connected to the SATEQ inputs!

Making Connections

take care to place cables as far from any power supply cooling as is practicable, to reduce hum and other noise problems.

NOTE: For each input, you must set the 'Video Source' and 'Audio Source' settings according to the connection type. (see 'Input Config.' on page EN-31)

HDMI Connectors

PVR, UHD, BD, SAT, AV, GAME, STB

Connect the HDVI video outputs of your source equipment to these corresponding HDVI inputs.

OUTPUT (Zone2 - AVR20, AVR30, AV40)

Connect this output to the IDM Video Input of your Display device. Output is compatible with IDMM Enhanced Audio Return Channel (eARC). If you have a supported television then sound from the Television's internal Tuner (eg. Freeview, Ffreeat, DVB T) will be available using the Receiver's Display input.

Digital audio connectors

SAT, PVR, BD, CD, STB, AV

Connect these inputs to the digital outputs of your available source equipment.

Zone 2 connectors (AVR20, AVR30, AV40)

The Z2 out HDM connector can be used to connect the output of the receiver to a system located in a second room.

Analogue preamplifier outputs

All preamplifier analogue outputs are buffered, have a low output impedance, are at line level and follow the Zone 1 volume control setting. They are able to drive long cables or several inputs in parallel if required.

For more information on connecting speakers or additional power amplifiers, see pages FN-9 and FN-16.

The AVM0 has X-R outputs in addition to the phano pre-puts for connection to an external amplifier.

Analogue audio inputs

STB, GAME, AV, BD, PVR, CD

Connect the left and right inputs to the left and right outputs of your source equipment.

Front panel AUX input

The front panel AUX input can be used as an analogue input, using a stereo 3.5mm lead.

Front panel PHONES socket

This socket accepts headphones with an impedance rating between 32 and 500 fitted with a 1.5mm stereo jack plug. The headphone socket is always active, except when receiver is muted.

When the handheld jack is immersed, the snubber outputs and analogic presamplifier outputs are automatically mixed.

Connection Guide

Blu-ray Disc (BD)/DVD player

IIC diagram shows how to make audio and video connections from a typical BDTAV player.

Whether HDV, digital or analogue connections are used, connecting using the input/inputs labeled on the Receiver-wild operation.

Satellite receiver

A satellite receiver is connected with the same order of preference according to the outcome provided by the satellite receiver.

CD player

Connect the digital output in the digital CD input of the Receiver and analogue output to the analogue CD input of the Receiver, using a high quality interconnect cable.

NOTE: For each input, you must set the 'Audio Source' setting according to the connection type. (see "Input Config." on page EN-31)

Radio & Wireless Audio Connectors

DAB/FM Connector

The Receiver is fitted with an FM and a DAB/DAB1 receiver module. The type of aerial you need depends on your listening preferences and the local conditions.
Your Receiver is capable of superb radio reception, but only if it is receiving a good quality transmission signal.
Try the aerials supplied with your unit. If you are in a medium to strong signal area, these should be adequate for good reception. In areas with poor signal strength, you may require a roof or loft mounted aerial.
Contact your local Arcam dealer or aerial installation experts for advice about local reception conditions.

In strong signal areas, the DAB/FM/Fuvec aerial supplied can be used with reasonable results. Mount the aerial as high up as possible on a wall.

In the UK the "elements need to be positioned vertically for DAB reception since broadcasts are vertically polarised. In other localities, check with your Arcan dealer or try both horizons and vertical positions for best reception.

Try each usable wall of the room to see which gives best reception and use tacks or adhesive tape to secure the aerial in a 'T shape, but note that, no tacks should come into contact with the internal wire of the aerial.

When installed and receiving DAB/TM, check the signal strength by pressing the front panel or remote control's INFO button until the signal quality indicator is displayed.

In weak signal areas, a high gain, externally mounted or roof mounted aerial is desirable in order to receive the highest number of services.

In Band II transmission areas (such as the UK), use a multi-criterion. Yap aircraft with the elements mounted vertically, as the transmitters are vertically polarised. If you are close to more than one transmitter, use an omnidirectional or folded dipole serial.
If the DAB services in your area are parameterised in 1-band, then ask your dealer for advice for the best aerial to use.

Wi-Fi/Bluetooth

fusing the Wi-Fi or Bluetooth features of the Receiver, please attach the single antenna for the Bluetooth and the two antennas as for the Wi-Fi.

Other Connectors

Serial connector

RS232 serial connector

The connector is used with control devices having an RS232 serial port (for example, Cistron and ANX touch-screen controllers).

Network connector

Networking is a large subject and on my the briefest guidelines are presented in this handbook. Please contact your Arcane dealer or socialist installer for more information about introducing the Receiver into your computer network.

Ethernet

If an Ethernet cable is connected, the Receiver will automatically attempt to connect to your network.

You should use CATS cable plugged into the RJ45 socket labelled ETHERNET on the rear panel.

If your network uses static IP addressing rather than DHCP, you will need to provide IP address: gateway and DNS; see page Dh-33 for information on setting up the network.

USB connector

The Receiver can be unicast via the USB socket on the host of the unit, if no network connection and so "Over The Air" update is not available.

Trigger connectors

The trigger connectors (TRIG Z1 and TRIG Z2) provide an electrical signal whenever the Receiver is switched on and the relevant zone enabled.

The trigger signal can be used to switch on and off compatible pieces of home entertainment equipment, for example, you could set up a trigger to turn on your television and BD player whenever the Receiver was switched on.

There are two trigger output sockets on the Receiver, each capable of outputting a 12V, 70mA switching signal. The socket is disagreed for mono 35mm jacklet tip in the trigger output, sleeve is ground.

TRIGZ1

Use for remotely turning on and off power amps or source equipment for Zone 1. On = 12V Off = 0V

TRIG Z2 (Not AVR10)

Use for remotely turning on and off power amps or source equipments for Zorc 7.0n = 12V, Off = 0V.

Infrared (IR) connectors

The infrared inputs 21 IR and 22 IR allow the connection of external IR receivers, either when the Receiver front panel IR receiver is fully or partially obstructed or to allow the use of a remote control in zone 2.

There are two IR inputs on the Receiver, each designated for stereo or mono 3.5mm Jacks. Tip is the modulated signal, sleeve is ground.

Z1IR

This input is intended for use with a local IR receiver when the front panel of the Receiver is blocked.

Z2 IR (Not AVR10)

This input is intended for use with an Ili receiver in Zone 2 to allow remote control of Receiver from a second room.

A supplier of infrastructure receivers and emitter accessories and systems Xantech. See www.xantech.com for more information, or ask you to email us.

NOTE: The IR inputs on the Receiver are designed for modulated signals. If the external IR receiver demodulates the IR signal, it will not work. Also the unit does not provide power for external receivers on the IR jack, therefore an external power source will be required.

NOTE: Sockets referring to '22' relate to connections used in multi-room installation. For more information on these connectors, see page EN-1.1.

Speakers

The AVR10/AVR20/AVR30/AV40 allows you to connect up to sixkron speakers. The AVR0 needs additional power amplifiers for all channels. The AVR10/AVR20/AVR30 has 7 channels of amplification. 5 channels of amplification correspond to speakers installed in the front left, centre, (front right, surround left, surround right). The remaining 2 channels of amplification can be assigned as:

bi-amp the front left and right
surround back left and surround back right
height 1 left and right
Zone 2 left and right (AVR20, AVR30, AV40)

Height front left, height front right, height back left, height back right and five more additional speakers can be attached using an additional power amplifier, see page EN 16 for more information.

With the addition of correctly installed and configured height channels, Do by Atmos for the Home, DTSX or Auro 3D brings the ultimate cinema sound experience to your home theatre in create powerful, mixing audio that flows around you.

The configuration and placement of your speakers is very important. All speakers, with the exception of the subwoofer(s), should be arranged around your normal viewing/listening position. The subwoofer should be placed in a position which gives an even frequency response in all listening positions. Incorrect placement leads to bass boom in some areas. Often the only way to find a good position for your subwoofer(s) is by experimentation. A good place to start experimenting is close to a wall but at least 1m away from any corners. You can also consult your subwoofer/handbook for placement suggestions.

Connecting Speakers

To connect each of the speakers, uncrew the corresponding terminals on this back of the Receiver, insert the speaker wires through the hole in each port and screw the terminals back up. Make sure that the red (positive/-) terminal of the speaker is connected to the red (positive/-) terminal on the back panel, and the black (negative/-) terminal of the speaker is connected to the black (negative/-) terminal on the back panel.

It is important that no stray strands of wire from these connections are allowed to touch another cable or the product casing. Failure to ensure this can cause a short circuit and damage your Receiver.

Ensure the unit is switched off whilst connecting speakers. Do not over-tighten the loudspeaker terminals, or use a wrench, pliers, etc., as this could damage the terminals and this would not be covered under the product's warranty.

Speaker cables

The speakers should be connected to the amplifier using good-quality, high-purity, low impedance copper cables. Cheap speaker cables should be avoided - they are a false economy and can significantly degrade the sound quality.

The cable runs to the speakers should be as short as possible. Connections in the speaker terminals should always be finger tight, whether using tape wires or spadecom connectors.

Bi-amping the Front Left & Front Right speakers

Hi amping is the use of two amplifier channels per speaker. Hi amping can provide better sound quality than conventional single wiring. If you do not have Surround Back speakers (i.e., you have a 5" surround system, not a 7" system) then you can use the spare Surround Back speaker outputs to amplify the front left and right speakers if your speakers support hi-mping. The spare channels can alternatively be used to power stereo speakers in another room (Zone 2).

Speakers that support bi-amping have two sets of 1 / 7 terminals per speaker, usually linked together by metal strips. These metal strips MUST be removed when bi-amping; failure to remove them will result in damage to the amplifier that is not covered under warranty.

To iB-amp the front left and right speakers, remove the metal strips from the speaker terminals. Connect the wooder or LF terminals to the FL and FR terminals on the Receiver. Connect the tweeter or HF terminals to the SBL and SBR terminals on the Receiver. Finally, navigate to the Setup Menu 'Spkr Types' and set the Use Channels 6+7 for menu option to iBamp L-R see page EN-32.

Connecting Subwoofer

The Receiver also allows up to four active subomega to be connected to the SUB or Ch13/14/15/16 outputs. Refer to your subwoofer handbook for the correct setting up and connection procedure for your particular subwoofer(s).

[16

Using external power amplifiers

he internal power amplifier of the Receiver can be supplemented or replaced with external power amplification, such as the Arcam PA720. Connect the PREAMP OUT sockets to your power amplifier inputs:

FL, FR

Connect these to the equivalent Right and Left front channels of your power amplifier.

C

Connect these to the Centre front channel of your power amplifier.

SUB

Subwoofer outputs. Connect this to the input of your active subwoofer(s), if present.

SR, SL

Surround Right and Surround Left outputs. Connect these to the Surround Right and left power amplifier inputs.

SBR, SBL

Surround Back Right and Surround Back Left outputs. Connect these to the Surround Back Right and Surround Back Left power amplifier Inputs.

Height 1 (Height Front), Height 2 (Height Back)

Height Front and Height Back Connects these to the Height channel power amplifier inputs.

All preamplifier analogue outputs are buffered, have a low output impedance and are at line level. They are able to drive long cables or several inputs in parallel if required.

Operation

Operating your Receiver

For information display we recommend you use the OSD (On-Screen Display) on your display device wherever possible.

Switching on

Press the front panel power button in The power LED will glow white. When initialisation is complete, the display shows the volume setting and the name of the selected input.

Please wait until the unit has finished initialising before operating the Receiver. It is recommended that if the unit is switched off, you should wait at least 10 seconds before switching the unit back on.

Standby

The Receiver has a standby mode which can be entered by pressing STANDBY on the remote control. When in standby mode, the display is blank and the POWER ons are red.

If the unit is to be left unused for an extended period, we recommend that you disconnect it from the mains supply to save power.

To switch on from standby

Press the STANOGY button on the remote control, any key on the front panel (other than the power button) or rotate the volume knob.

Front panel display

The Receiver is ready for use after about four seconds.

he display window shows the currently selected source and the last selected information view setting (this information line can be changed using the INPUT).

The current volume setting for Zone 1 is displayed on the front panel. The volume setting for Zone 2 is displayed temporally whenever it is set.

The front panel display is also used for unit setup after processing the MENTION of the front panel or remote.

Selecting a source

To select a particular source, press the INPUT-INPUT+ buttons until that source is shown on the front panel display, or if available) press the corresponding source button on the remote. The following sources are available:

STB Set Top Box input

GAME Game console input

AV Audio Visual input

SAT Sane life input

3D Blurring Disc/DVD player input

UHD UHD player input

PVR Personal Video Recorder input

CD Compact Disc player input

FM Internal tuner input

IDAR Internal tuner input (this source is market dependent, and may not be available on your Receiver)

NHT Ethernet input

USB External USB solid-state device (e.g. pen drive) input

AUX Auxiliary (front panel) input

DISPLAY The Audio Return Channel (eARC) from a compliant display. Use this with a compliant television using internal TV tuners.

Most audio inputs have both analogue and digital connections. You must specify the type of connection used for each input using the 'Audio Source' option in the 'input Config,' menu, see page EN 31. Note that an incorrect setting will result in no sound - the default for inputs with HDMI is HDMI audio; if you are not using HDMI audio then this setting must be changed. For inputs that do not have HDMI, the default is a digital audio.

The processing mode and Stereo Direct functions are remembered and recalled for each Individual input.

Stereo Direct

To listen to a pure analogue stereo input, press the DIRECT button. The Stereo Direct mode automatically bypasses all processing and any surround functions. In direct mode, digital processing is shut down to improve the sound quality and reduces digital noise with the Receiver to an absolute minimum.

Note: when Stereo Direct mode is selected, no bass management is performed, meaning that bass signals will not be redirected to a subwoofer.

Volume control

It is important to realise that the level of the volume indicator is not an accurate indication of the power delivered to your loudspeakers. The Receiver often delivers its full output power long before the volume control reaches its maximum position, particularly when listening to heavily recorded music. In comparison, some movie sound tracks can appear very quiet, as many directors like to keep maximum levels in reserve for special effects sequences.

Headphones

To use headphones with the Receiver, plug the headphones into the PHONES socket in the centre of the front panel.

When headphones are plugged into the front panel/PHONES socket, the outputs for Zone 1 are muted and the audio will be down-mixed to two channels (20). The two-channel down-mix is required so that the centre channel and surround information can be heard via the headphones.

Extended front panel menu

Pressing the MENU on the Front panel and holding it for longer than four seconds will bring up the Extended Menu, allowing you to perform the following:

Restore to factory defaults

This option allows you to restore all settings on your Receiver to the defaults that it left the factory with.

Check for update

Checks for an over-the-air firmware update (requires external network connection):

This option allows you to restore all settings to their state as saved using the 'Stones secure backup' feature. This option is useful if settings are accidentally changed:

Store secure backup

This option allows you to save all the Receiver settings to a secure area of memory. If the settings can be retrieved using the restore option above.

Restore USB backup

This option allows you to restore all the settings from a file previously saved on a USB flash drive.

Store USB backup

This option allows you to save at the settings to a USB flash drive.

Region

Set the regior you are incoed- Europe, (Rm) US or Canada

Change remote code

The default BCS system code the Recover responds to is 16. If required, for example due to another device in your system also using this BCS system code, it can be changed to 19. The supplied remote card can also be reprogrammed to use BCS system code 19 commands, see page EN-22.

Standby mode

"Auto" uses the power saving auto standby feature, which will cause the unit to go into standby after 70 minutes if no signal is present or user input occurs. "manual" allows the user full control of when the unit gets into standby.

Protection sensitivity

This option allows adjustment of the protection sensitivity of the power amplifier (not AWG). Caution should be used with this setting as it is deliberately configured for maximum protection and should only be adjusted when using speakers that are 'complex loads'.

Use display HDMI

If so, to "no" the Receiver will ignore the EIDD of the display and send all resolutions from the source through the Receiver.

Display type

Adjust the position of the OS0 depending on if a 169.8/21.9 display is being used.

Updating firmware via USB

The firmware in your receiver can be updated from a USB flash drive containing firmware update files.

You can download the latest firmware nle, together with upgrading instructions from the Arcam website (www.arcam.co.uk).

Front Panel Operation

[19

EN

Remote Control

The universal remote controller

The Receiver is supplied with a so-called 'universal' backhaul remote control that can control up to eight devices. It is pre programmed for use with the Receiver and many other Arcam products (FIM/DAB tuners, CD players and 3D players).

With its extensive built in library of codes, it can also be used with thousands of third party audio-visual components. TVs, satellite and set-too boxes, PVRs, CD players, etc. See the list of codes at the back of this handbook.

It is also a learning' remote, so you can teach it almost any function from an old single-device remote.

Using the remote control

case keep in mind the following when using the remote protocol:

Ensure there are no obstacles between the remote control and the remote sensor on the Receiver. The remote has a range of about 7 metres. (If the remote sensor is obscured, the 71 IR remote control input jack on the rear panel is available. Please consult your dealer for further information.)
Remote operation may become unreliable if strong sunlight or fluorescent light is shining on the remote sensor of the Receiver.
- Replace the batteries when you notice a reduction in the operating range of the remote control.

Inserting batteries into the remote control

1. Open the battery compartment on the back of the handset. To do this, press the catch on the battery cover as indicated by the arrow on the catch and remove the battery cover.
2. Install two 'AAA' batteries, as indicated in the battery compartment.
3. Replace the battery cover. To do this, locate the lug on the battery cover into the corresponding hole on the short edge of the battery compartment. Now press the opposite end of the battery cover (with the catch) down so that the cover is flush with the main body of the remote and the catch clicks.

Notes on batteries:

□ Incorrect use of batteries can result in hazards such as leakage and bursting.
Do not mix old and new batteries together.
Do not use non-identical batteries together although they may look similar; different batteries may have different voltages.

Ensure the plus (+) and minus (-) ends of each battery match the direction indicated in the battery compartment.

Remove batteries from equipment that is not goi to be used for a month or more.
When disposing of used batteries, please comply with governmental or local regulations that apply in your country or area.

Useful information

Backlight

A backlight comes on for eight seconds whenever a key is pressed. This helps you use the handsc in subduced lighting conditions.

LED blinks

Short blinks indicate a valid key press.

Multiple short blinks convey information (such as a device code) or signal the beginning and successful completion of a programming sequence.

The symbol is used in the manual to indicate an LED blink.

Timeouts and unassigned keys

Time out - After 30 seconds the remote calls the programming state and returns to normal operation.

Stuck key timeout - After any key is pressed continuously for 30 seconds, the remote stops sending IR transmission so conserve battery life. The remote remains off until all keys are released.
Unassigned keys - The remote ignores any unassigned key.
preses for a particular Device Mode and does not transmit
12

Low voltage indicator

When the batteries are running down, the backlight flashes briefly whenever you press a button.
If this happens, fit two new AAA alkaline batteries as soon as possible.

Device Mode/Source keys

As the remote can control your receiver as well as a range of other equipment. many of the buttons have more than one function depending on the device mode selected on the remote control.

The Device Mode keys (shown below) select the source on the Rescuer. If none of these keys is pressed,brickily, a command is transmitted to change the source on the unit. Also the functionality of the remote control changes to operate the selected source device; it's like having a bundle of different remotes in your hand.

HID	Internal F/M or DAB laser input
ALR	Auxiliary input
NET	Ethernet input (e.g. Internet radio)
WT	Bluetooth input
AV	Audio-visual input
SAT	Satellite input
PSB	Personal Video Recorder (or Digital Video Recorded) input
SMI	Games console input
BD	Blu-ray Disc or DVD player
CB	Compact Disc player input
SIB	Sci Top Box recorder input
UHD	UHD player input

Each Device Mode changes the behaviour of many of the remote keys to control the source device; approximately, in this example, in CD mode 4 plays the previous CD track, but in AV mode 3 issues the IV 'channel down' command.

The remote remains in the last selected Device Mode so it is not necessary to press a Device Mode key before every command key all you are doing is playing or skipping tracks on a CD, for example.

Navigation keys

The Navigation keys steer the cursor in Setup menus or on-screen menus. They also replicate the navigation functions of original remotes supplied with other home entertainment devices in your system. OK confirm a setting.

Volume control

By default, the remote is set up so that the volume control and mode button always control the volume of the Receiver, regardless of which Device Mode the remote is currently set for. This is known as volume 'punch through'.

For example, if you are listening to a CD, you will probably have the remote in CD Device Mode to control the CD player. You can use the volume controls on the remote directly to adjust the volume of the Receiver without first having to press AMP to put the remote into AMP Device Mode. The volume buttons 'punch through' the CD Device Mode on the remote to the AMP Device Mode.

Volume punch through can be disabled individually for any Device Mode I desired.

Customising the remote

he remoise offers a code to creating feature that allows you to copy up to 16 functions from an original remote control onto the remote keyboard. For details of this, and other customisation features, see 'Customising the Remote' on page EN 22.

The remote complies with Part 15 of the FCC rules

This equipment has been tested and found to comply with the limits for a class B digital device, pursuant to part 15 of the FCC. Rules, those limits are合规 to provide a reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

Scortien or relocate the receiving antenna.

Increase the separation between the equipment and receiver.

Connect the equipment into an outlet or a circuit different from that in which the receiver is connected.

Consult the dealer or an experienced radio/IV technician for help.

Customising the Remote

Code learning

The supplied remote comes with a complete library of pre-programmed codes. After you have set up the remote for your device, you may find that there are one or more functions on your original remote which do not have a place on the keypad. For convenience, the remote offers a Code Learning feature that allows you to copy up to 16 functions from an original remote control onto the remote keypad.

Before you start, make sure that:

The original remote control is working correctly.
The remotes are not pointing at your device.
The remoteshave freshbatteries.

TheRemote are not in direct sunlight or under strong fluorescent lights.

NOTE

Learned functions are mode-dependent. You could assign up to eight different functions to a single key - a separate learned function for each mode.

Direct code setup (Method 1)

The first method is to program the remote with the 3-digit code number for the device you wish to control - see "device code tables". Make a note of the suggested number or numbers - the most popular code is listed first. Now power on the device.

Press the Device key for the product you want to set up, together with the 1 key. Hold down both buttons for three seconds until the I-D stays lit.
You are now in setup mode, and you can release the buttons.
2. Enter a 3 digit code for the device.
If the 5-digit code number you entered is correct for the device, it will turn off. If it doesn't turn off, enter the new code number from your list until the device does turn off.
3. Once you have found the correct code, press the Device key again. The LED blinks three times to confirm that the code has been successfully stored.

Library search setup (Method 2)

Library search allows you to scan through all the codes contained in the remote's memory. It can take a lot longer than the previous method, so only use this method if:

• Your device does not respond to the remote after you have tried all the codes listed for your board.

Your brand is not listed at all in the Device Code tables.

1. Press the Device key for the product you want to set up, together with then key. Hold down notch buttons for three seconds until the LED stays lit.
2. Point the remote control at the product you wish to control and press the button on the navigation pad. Each time the button is pressed, the code counts up (for down) one code number with a sigma to power off the device.
3. Continue pressing the up or down button, in approximately one second intervals, until the device turns off. (DO NOT alternate the up and down button - you need to move in only one direction.)
4. To store the correct code, press the Device key again. The IHD blinks three times to confirm that the code has been successfully scored.

Learning setup (Method 3)

The third method involves 'teaching' the Arcam remote from the original remote for the device. The two remotes should be facing each other, about 10cm apart.

1. Press the Device key for the product you want to set up together with the key. Hold down both buttons for three seconds until the LED stays lit.
2. Press the button on the Arcan remote that you want to assign a command to. The LED links once indicating that the remote is ready to learn the command.
3. Press and hold the appropriate key on the other remote until the 1-D blinks twice . This indicates the Arcam remote has learned the command from your other remote.

4. Continue learning the commands from your other remote by pressing the next button on the remote and repeating steps 2 and 3.

5. Once the remote has learned all the selected commands, press and hold the Device key you used to enter learning together with the Numeric key to store the learned commands.

NOTE

If the Arcam remote LED blinks five times
there was an error in the learning process. In this case, please start the Learning Setup from the start.
The Aard keys do not leam commands.

Important notes

Once you start a Code Learning session, you have approximately ten seconds to conduct each step. Any longer, and a minute, means that you'll have to start the process again.
The Learning feature is mode-specific - you can copy one feature per mode onto a key.
The rotator can learn approximately 16 functions in total. To replace a learned function, simply assign a new function to the same key.
- Treated functions are retained when you change barriers.

Code Learning fails, try altering the distance between the two remotes; make sure that the ambient light is not too bright.

Deleting the learned data

To delete all the learned data for a device:

1. Press the Devise key for the product you want to set up, together with the 3 key. Hold down both buttons for three seconds until the LED stays lit.
2. Press and hole down the Device key for the product that you want to erase, together with the key for three seconds until the HD blinks twice

3. If no further any presses are made for 30 seconds after the LED clicks twice, the remote leaves erase mode without deleting the learned data.

4. If you press the Device key together with the key one more time within 30 seconds after HD blinks twice, you can finish the erase mode deleting all the data learned on the Device. The LED blinks three times to confirm.

To delete the learned data for a key for a device:

1. Press the Device key for the product you want to set up, logon with this key. Hold down both buttons for three seconds until the LED stays lit.
2. Press and hold down the key on which you want to delete the data for three seconds. The LED blinks twice if any further key press is made; the remote escapes from erase mode without deleting the learned data.
3. If any further key press is not made for 30 seconds, the I-H2 clinks twice 12 the retrograde escape from the crash made automatically without deleting the learned data.
4. If you press the Device key together with the 3 key again within 30 seconds after the I-EO blinks twice, all the data learned for that Device is deleted and you have erase mode. The LED alinks three times In confirmation.

Reading stored code numbers

1. Press the Device key for the product that you want to set up together with the 4key, Hold down both keys for three seconds until the ID blinks.
2. Press the INpO and count the number of blinks (一 = 1,二 = 2,三 = 3 etc.There is a time gap between digits.(Note that 0^ is represented by ten blinks.

Locking/Unlocking a specific Device Mode

When you first unpack your remote and insert the batteries, it is able to control certain Arcam components automatically (e.g. BD players, Amplifiers, Tuners and CD players). We achieve this by programming specific Arcam device codes onto the relevant Device Mode keys, then locking the Device Modes so you don't reprogram them inadvertently.
If you want to override these locked default settings - to control a third-party BD player, for example - you will first need to unlock BD Mode before setting up the remote using one of the learning methods described on the previous page.

Here are the factory default settings:

Device Mode	Default status	Default codes
AMP	Locked 00	( Arcam code 16)
BD	Locked 00	( Arcam)
AV	Unlocked 108 (Philips TV)
UHD	Unlocked Code learning only
GAME	Unlocked Code learning only
STB	Unlocked 030 (Bushy/Goodmans/Grundig, from SAT database)
SAT	Unlocked 128 (Sky + Digital, from SAT database)
PVR	Unlocked 08 (Humax PVR, from SAT database)
CD	Locked 00	(Arcam)

Alternative codes are available for multi-room solutions, or in the case of code clashes with other manufacturer's products.

For example:
AMP(system code 19):002
Note that you need to change the system code on the product you wish to control, as well as the remote.

1. AMP, BD and CD are the Device keys that may be Locked or Unlocked. Lock and Unlock are toggles (they change from Lock to Unlock to Lock, etc).
2. Press and hold the Device and @keys together for three seconds.
   The power HD says it, showing that it is in lock/unlock setup mode.
3. If there is no further key input for 30 seconds, the LED goes off and the remote leaves Lock/unlockset up mode.
4. To toggle the status of a device and then verify the status of a device, press the 1 key in sequence.

If you have locked the device, the LED bilinks three times
If unlocked the device, the LED blinks five times
5. If you press a valid Device key within 30 seconds, the 1.D link three times: and the remote leaves 1ock/unlock setup mode.

Controlling the volume of other devices

By default, the volume keys and mute key control the amplifier volume.

You can configure these buttons so they send volume commands to another device. In the following example, the volume commands are sent to a linked AV device (your television, for instance):

1. Press AV for three seconds, until the LED lights and stays on.

2. Press VOP

3. Press Apgain. The I-D bink three times

The volume and mute keys will now send the volume commands to the TV.

To set the volume buttons to control the amplifier once 3, repeat the above steps, except pressAMP in step 3.

Hidden commands

Command	Effect
AMP+	Sends a Power On command
AMP+	Sends a Power Off command
AMP+OK	Sends a Zone command
AMP+	Cycles through HDMI outputs 1, 2, 3&2
CD+	Sends a Power On command
CD+	Sends a Power Off command
BD+	Sends a Power On command
BD+	Sends a Power Off command
BD+	Sends a Resolution command

Factory default reset

You can reset your remote to the original factory default settings.

Press and hold both the (home) and MENU keys for about five seconds until the power LED blinks five times
All programming and setup codes that you have entered into the remote are erased and the remote returns to the original factory default settings.

Device codes

The tables that are in the final section of this Handbook list 3-figure codes for different manufacturers' devices.

Use these when setting your remote up to control your devices, as described in Direct code setup: Method 1 (see previous page).

If more than one code number is listed, try the first number. If the results are unsatisfactory, continue trying the numbers for that manufacturer to get the best fit with the functionality required.

If the manufacturer of your equipment is not listed, you can try Library search setup: Method 2 (see previous page). This method allows you to scan through every code contained in the remote's memory.

AMP Device Mode

The Allow Mode button configures the remote to control the Receiver. Pressing this button does not affect the currently selected input on the Receiver.

The functionality of the remote is centric sensitive for the internal sources and is described in the following table.

	Single press - Toggles Receiver power between standby and on in the current zone (zone in which the command is received). Press and hold - Forces all zones into standby, regardless of which zone the command was received in.
L.D	The number keys can be used for direct entry of numeric values
SMC	Sync. Delays may be introduced into the video signal by video processing which causes a mismatch between the audio and video timing. You will not see this by speech sound being out of synchronization with the liu movements in the video, to compensate for this, you can adjust the liu sync delay. Press the synchon- and use the ① and ② navigallum buttons. Press again to exit the liu sync trim menu.
HIO	Into cycles through the information displayed on the lower left portion of the front panel display when on TUNINET input/USB
	Brings up the DTSK dialogue control adjustment.
VIO	Displays the unit's setup menu on the On Screen Display.
TUGER	Toggles Dialby Audio Processing.
AIOB	Toggles Dialby Live EQ on/off.

STM	Brings up a temporary subwoofer rim control. Use the ① and ② navigation buttons. Press RTN again to exit the sub trim control. As this is a temporary adjustment, the sub trim level is reset to the value set in the Speaker Levels menu when the unit is turned off or put into standby.
T	Toggles the music function of the AVR.
AVI	Adjust amplifier volume.
MIMO	Cycles through the available surround and downmix modes.
GND	Cycles through the front panel display's brightness options.
AVR	Reset remote to AMP mode.
MOC	Sacro direct on/off. Provides a direct analogouc path from the analogue inputs to the left and right front outputs. Switches off any surround processing modes and shuts down the DEP circuits for the best stereo sound quality.

Navigate the files and menus on the screen.
OK selects the highlighted file or enters the highlighted menu on the screen equivalent to 'Enter' or 'Select' on some remote controls.

Up
L
Right
Down
AMP Power on from Standby
AMP Standby from Power on

Network commands

	AMP OK select Zone 2
#D	Red button.
#B#B	Green button.
#F#B	Yellow button.
#B#	Blue button.
#B#C	Tuner input.
#A	Aux input.
#I	input.
#B	USB input.
#K	AV input.
#A	SAT input.
#B	PWR input.
#MC	Game console input.
#D	BD input.
#C	CD input.
#B	STB input.
#D	UHD input.

When using the network client, the keys below are used to navigate music files in AMP Devices Mode.

	Navigates the files on screen. OK selects/plays the highlighted hie.
	Selects the previous/next track in the current plast.
	Pause and playback of the current track.
	Stops playback.
HD	Adds the currently displayed radio station to the favourites list when using the network client.
camu	Removes the currently displayed radio station to the favourites list when using the network client.
	Returns navigation to the top level of the network client menus (Home)

BD

BD/DVD Device Mode

The 8 device Mode button configures the remote in control the functions of Arcane Bluay Disc and 1900 players, although this can be changed. Pressing this button also selects BD as the source.

	Loggers power between stnancy and ran.
▲	Open/close disc tray.
1.5	Searches for and plays the track corresponding to the key pressed when playing a CD.
REF	Cycles through the front panel display's brightness options.
0002	Cycles through the repeat options (track, disc, etc.).
←	Fast rewind.
→	Fast forward.
←	Press and release to skip back to the beginning of the current/previous track.
→	Press and release to skip forwards to the beginning of the next track.
■	Stop playback of a BD or DVD.
■II	Pause and playback of the current track.
●	Start recording (on products that have this feature).
#EM	Disc menu.
#LP	Activators BD/DVD player menu if available.

	Navigate setup and BD/DVD programme selection menus. OK selects the highlighted file or enters the highlighted menu on the screen - equivalent to Enter' or Select' on some remote controls. ▲ Up ● Left ● Right ● Down BD +▲ Power on from Standby BD +▼ Standby from Power on BD -▼ changes the picture resolution (for BD, only on the Home screen).
	Returns navigation to the top level of the menu (Home').
	Changes audio decode format (Dolby Digital, DTS,etc.).
AVI	Retries remote to AMP mode.
IPD	RED button for BD
GREEN	GREEN button for BD
YELLOW	YELLOW button for BD
BLUE	BLUE button for BD.

AV

AV Device Mode

The AVDeVic mode button configures the remote to control the functions of a television or other display device. You will need to configure this Device Mode to work with your equipment. Pressing this button also selects AVS the source.

	Toggles power between standby and on. (Some TVs require you to use a number key to turn them on)
	Functions as original remove number key usually for channel selection.
	Display INFO or OSD (On Screen Display) function, if available.
	AV: this function is TV specific.
	Channel down.
	Channel up.
	Displays picture information; this function is TV specific.
	Guide.
	Navigates setup and programme selection menus. OK confirms a selection (equivalent to Enter or Select on some remote).
	Returns navigation to the top level of the menu (Home).
	Resettes remote to AV mode.
	RED key for Text TV
	GREEN key for Text TV
	YELLOW key for Text TV
	BLUE key for Text TV.

UHD

UHD Device Mode

The UHD/ve Mode button selects uHDOsour. The UHD page allows code learning from a dedicated UHD remote - see "Customising the Remote" on page EN-22

CN-25

STB

STB Device Mode

The STDevice.Model button success as the source. If configured to work with your set top six decoders device, the remote can subsequently control the dev

	Logges power between standby and on.
a.s	Functions as original remote number key usually for channel selection.
10	Display INFO or OSD (On Screen Display) function, if available.
200	Selects the Library or Media function.
←	Rewind.
→	Hasi Forward.
↔	Channel down.
↔	Channel up.
■	Stop playback.
||	Pause and playback of the current track.
●	Record.
#0	Opens the EPG (Electronic Program Guiel) on some satellite and cable set top boxes.
POPUP	Turns on the Menu function if the set top box uses this feature.
●	Navigate setup and programme selection menus. OK confirms a selection (equivalent to "Enter" or "Select" on some remote).
●	Returns navigation to the top level of the menu ("Home").
AUX	Selects the Help function.
AVI	Resettes remote to AMIP mode.
IP	RED button for set top box.
GREEN	GREEN button for set top box.
YELLOW	YELLOW button for set top box.
BLUE	BLUE button for set too box.

SAT

SAT Device Mode

The device Nerve button selects as source. If configured to work with your satellite receiver, the remote can subsequently control the device.

	Toggles power between standby and on.
	- functions as original remote number key - usually for channel selection.
	Display (NFO or OSD) (On Screen Display), function, if available.
	Channel down.
	Channel up.
	Displays programme information.
	Guide (or Situp on some set top boxes).
	Navigate setup and programme selection menu. OK confirms a selection (equivalent to "Enter" or "Select" on some remotes).
	Returns navigation to the top level of the menu ("Home").
	Back.
	Reset's remote to AMP mode.
	RED button for Satellite.
	GREEN button for Satellite.
	YELLOW button for Satellite.
	BLUE button for Satellite.

PVR

PVR Device Mode

The device: Mode button selects a source. It configured to work with your personal (hand-disc) video recorder or similar device; the remote can subsequently control the device.

	Loggers power between standby and on.
L2	Functions as original remote number key - usually for channel selection.
M0	Display NFO or OSD (On Screen Display) function, if available.
MEE	Selects the Library or Media function.
←	Rewind.
→	Fast forward.
←	Channel down.
→	Channel up.
■	Stop playback.
→II	Pause and playback of the current track.
●	Record.
#NPS	Opens the EPG (Electronic Program Guide) on some satellite and cable set top boxes.
#NPUP	Turns on the Menu function if the PVR uses this feature.
●	Navigate setup and programme selection menus. OK confirms a selection (equivalent to 'Enter' or 'Select' on some remotes).

	Returns navigation to the top level of the menu ('Home').
	Selects the Help function.
	Resettes remote to AMP mode.
	RED button for PVR.
	GREEN button for PVR.
	YELLOW button for PVR.
	BLUE button for PVR.

CD

CD Device Mode

The CDevic Mode buitian selcs aolhe source

The Burton is configured to control the CD functions of Arcam CD players, although this can be changed (see "locking/unlocking a specific Device Modes" on page 19.23).

	Loggers power between standby and active.
▲	Open/close disc tray.
▲	Searches for and plays the track corresponding to the key pressed.
STEP	Cycles through the front panel display's brightness options.
WOOZ	Cycles through the repeat options (track, disc, etc.)
←	Fast rewind.
→	Fast forward.
↔	Press and release to skip back in the beginning of the current/previous track.
||	Press and release to skip forwards to the beginning of the next track.
■	Stop playback of a CD.
|||	Pause and playback of the current track.
nUP	n'normal play' i.e. the display does not show the letter P), press the ↑ and ↓ keys to select the track and then MENANTS the track. n'program play' mode, the MENANTS deletes the stored track.

	Navigate setup and CD programme selection menu. OK selects the highlighted file or enters the highlighted menu on the screen - equivalent to 'Enter' or 'Select' on some remote controls. A Up C Left H Right D Down CD + A Power on from Standby CD + B Standby from Power on
MY	Review remote in AMP mode.
E200	Plays the programmed packs.

[1N-27

Essential Setup

Before you use your Receiver it is essential that you enter some information into the 5c-up menu about your speaker configuration. This allows the Receiver to process any surround sound if its spatial origin to exactly match your system and give you the ultimate surround sound experience.

There are three pieces of vital information which are outlined in the sections 'Speaker Types', 'Speaker Distances' and 'Speaker Levels'.

The way you enter this information manually into the Receiver is given later in the Setup Venus section on page H-30.

When calibrated using Dirac Live room equalisation the speaker levels and delays will be established automatically and applied when the equalisation is turned on, speaker types however must be manually entered. For use with equalization turned off, the speaker size, speaker distance and speaker levels settings must be entered manually. It is important to understand why these speaker settings must be entered, which is why, this section is presented before the section on equalisation.

Speaker types

You need to set the type of speakers that you have connected to you: Receiver.

Large capable of full frequency range reproduction Small not capable of full frequency range reproduction at the low frequency end

None speaker not present in your configuration

The term 'large' and 'small' do not necessarily relate to the physical size of your speakers. As a rule of thumb, if a speaker cannot reproduce a flat frequency response down to about 40% and very few centi, it is often better to consider them as 'small' for set up purposes of home cinema.

When a speaker is set to Small, very low frequency sounds are redirected away from this speaker to a 'Large' speaker or a 'subwoofer', which are far better suited in reproducing these low-frequency sounds.

Note that it is not possible to set all speakers to Small unless there is a subwoofer in your speaker configuration. If you did not have a subwoofer, you will be forced to set your from speakers to Large.

(Advanced users may wish to automatically override the 'Small' speaker setting for purely stereo music listening when not watching movies. This can be achieved in the 'Input Config.' menu - see page EN-31

Crossover frequency

If you have set any speakers as being Small, then you will be required to set a value for the crossover frequency. This is the frequency below which signals are filtered away from these small speakers and redirected to Large speakers or the subwoofer (if present). A frequency of 80-Hz is often a good starting point, however, you will probably have to experiment with different values to find the best value for your system or consult your speaker handbook.

Use Channels 6+7 for

If not used in the main zone, it is possible to assign the Surround Back channels to Height 1, b-amp the Front Left Right channels or to provide an armful output to Zane 2.

Speaker Levels

Finally the levels of all the speakers in the system need to be adjusted to match each other at the listening position, again to create a proper surround effect. To help with this the Receiver can generate a test noise for each speaker which should be measured with a sound pressure level (SPL) meter. The meter should do so to fit weighting and slow response. Several smartphone/tablet apos are available which can also perform this function. The level of noise measured at the listening position from each speaker should be adjusted on the Speaker Trims page of the Setup menu so that the meter reads 75dB SPL it does not matter what the system volume setting of the Receiver is before turning the test noise on as the volume setting is overriden to the duration of the speaker noise test.

There are several basic SPL meters on the market at reasonable prices aimed at home cinema enthusiasts. Check your local technology store, search online or ask your dealer. If you do not have an SPL meter or suitable app, you can try to adjust the noise level of each speaker by cat. In this case it is not possible to adjust the speakers to the absolute 75dB SPL volume level, but you should aim for all speakers sounding easily loud. Sitting speaker test noise levels by ear is not recommended as it is very difficult to do accurately, but is often better than doing nothing at all

Speaker Distances

It is essential for the distance from each speaker to the listening position to be accurately measured and entered into the 'Setup' menu. This ensures that the sounds form the various speakers arrive at the listening position at the correct time to recreate a realistic surround effect. The distance can be increased in coordinates or inches.

DIRAC

Dirac Live for Arcam

There is a proprietary automatic loudspeaker calibration function built into your receiver from Dirac Research. Using a PC/MAC based application, this attempts to set the essential speaker settings for all the speakers in your system. It also calculates room equilibration (room KQ) fit values to remove some of the worst effects of resonant frequencies in the listening room.

Your Receiver package is supplied with a calibration microphone, which should be inserted into a USB socket on a PC or MAC connected to the same network as the Receiver and positioned as directed by the Dirac Live PC/MAC application. This microphone picks up the spatial calibration tones generated by the speakers when Dirac Live application is run. The Receiver then uses this signal and computes

speaker delays,
H. saeaker kycj.
problem resonant frequencies in the room with need control by filtering.

To help the system be as accurate as possible when performing Dirac Live setup, there are a few guidance rules that should be followed:

• Minimise any background sounds in the listenin room and other nearby rooms.

• Close all windows and doors in the listening room.

• Turn off all fans including air conditioning systems.
  Mounting the microphone or a tripod or similar.

Position the set up microphone pointing upward roughly head height when sat in the normal listening position. It is no necessary to point the microphone directly at the speaker generating the test tone, the microphone should be pointing ventrically towards the ceiling. It helps if you are able to position the microphone exactly where your head would normally be for listening, with the microphone in direct unobstructed view of all speakers.)
If your system includes an active subwoofer, set by setting its output level / gain control to a value roughly matching the front speakers.
When activated, a calibration tone is played through each channel of the Receiver in turn, including the subwoofer channel. The calibration tone cycles round each of the speaker's multiple times as the different parameters are calculated. Follow the 'progress' information on your PC MAC.
By default, Room EQ is not applied to any of the source Inputs. You should enable Room EQ for inputs you think benefit from this feature, as required, by listening when playing typical source material through each input. After being calculated, this is enabled from within the Input (Config menu).
While room equilibration can help to reduce problems with cleaning room acoustics, it is usually far better to try to solve these problems with the room directly. Proper loudspeaker positioning, acoustic wall treatments and moving the listening position away from walls should produce far better results overall. However, it may be difficult to do this in a home environment, so Room EQ is your next best choice.

atProblems

We advise you to look over the reportut measurements on the screen following Dirac Live setup for any obviously incorrect results, in particular to ensure the reported speakers match your configuration and that the speaker distances to the listening position appear roughly correct. If the results are not what you expected re-cun Dirac Live setup. The Dirac Live setup is normally quite accurate but occasionally false results can be generated. Problems may be as a result of:

external sounds or rumbling/handling noises pick up by the microphone
square reflections of hard surfaces (e.g. windows wall) close to the listening position.
11 very strong acoustic resonances within the room,
12 obstacles (such as a sofa) between speakers and microphone.

If you are still experiencing difficulties or you wish to have that most accurate results for ultimate outcome performance, we recommend using the manual method of establishing speaker distances and levels.

Using subwoofoers

If your system includes active subbroofores you may need to set the subbroofer output level/gain control set to a higher or lower value.
Please refer to the航班 application and quick start guide for full details of how to use the system with your Receiver.

Downloading the Dirac Live application

To download the Dirac Live PC/MAC application and quick start guide, please visit:

Using Dirac

You can store up to three Dvac EQ curves in the Receiver. Each input can use a different curve, for example a "Movie" curve on the BD input and "Music" curve on the CD input.

This can be seen as a per input basis using the AUDIO

The remote.

Alternatively use the Room EO menu item in the Audio settings menu to set the curve for each input. See "Room EO" on page 1-N31.

Note: When Dirac is run for the first time, the curve will be applied to all inputs. Subsequent curves will not be automatically applied, use the methods above to choose the required curve for the input in question.

Setup Menus

The Setup menus allow you to configure all aspects of your Receiver. The next few pages will go through the menu items and explain their functions. The Setup menus will probably look quite daunting if you are new to setting up home cinema, but, the majority of them need only be configured once when you first install the system (or if your system changes or you move house!).

Entering Setup mode

To enter the setup menu, press the MENU on the remote control or font panel. The font panel display shows the setup menu (splitware right).

Navigating the setup menu

... using the remote control

The setup menu can be navigated by using the cursor (arrow) keys on the remote control. This is by far the easiest method.

1. To enter the setup menu, press the MENU (which is located immediately under the navigation buttons).
2. Use the 念 and 念 keys to navigate up and down the main section headings.

3. Once you have the main section that you require highlighted, use the key to enter the section.

4. Use the and keys to navigate up and down the section settings in the right-hand panel. Some settings may be grayed out. These are either for information only (e.g. incoming sampling frequency) or are not currently selectable. Scroll bars on the sides of the right-hand panel indicate your position in the settings list where there are more items than can be displayed at once.

5. PressingOpelec is a setting to change it, pressing OK again de selects the sciting.
6. At any time, press the mENTION to exit the menu. Any changes to settings are saved.

... using the keys on the front panel

The Receiver front panel controls can be used to configure the unit. Follow the instructions for using the remote control, in this case using INNOLDN, for INPUT left INFO and MOutlight.

Input Config.

The audio and video settings on this page of the Setup menu can be tailored specifically and independently for the currently selected input.

When a different input is selected on the input line, all the input-specific settings for that input are displayed below it. These settings are applied to the named input only and are stored in memory and recalled each time the unit is powered up and whenever that input is selected.

Input - The currently selected input connectors to which the settings below are:

Name The display name of the input. You can change the name of any input to more closely match your setup. For example, if you had two satellite receivers, you could connect the main receiver to the Sat audio and video input connectors and change the Name to 'SAT1'. You could then connect the second satellite receiver to the UHD audio and video input connectors, but change the UHD Name to 'SAT2'. It is then clearer to users of your Receiver which inputs they wish to select when scrolling through.

Lip Sync - each input can have its own scaling to add a time delay between the audio and video signals to compensate for the sound and picture not being synchronised. This is normally required when video processing is used in the system for scaling or de-interlacing video. The range of lip sync delays is 0 to 250 milliseconds.

The lip sync adjustment can on y correct for delayed video. If the audio is late set lip sync to :s minimum.

Mode Set the initial audio decode mode for stereo sources on this input.

Last Mode recalls the last used setting for this in p when a stereo source was applied. See section "Two-channel source modes" on page EN-35 for more information.

MCH.Mode - Sets the initial audio decode mode for multi-channel digital sources on this input.

1. Last Mode recalls the last used setting for this in when a stereo source was applied. See section "Multi-channel source modes" on page EN-35 for more information.

Bass -

Treble -

These allow you to alter the bass and treble tone controls for all currently active speakers for each individual input. For example, if your PVR source sounds a little bass light, you can always correct for this by selecting PVR on the input line at the top of this menu and edit 2 or 3d to the Bass control. Then, whenever the PVR input is selected, the bass is automatically aposted for as long as that input is selected.

Room EQ- When the Dac Live application is run and EQ filters are downloaded into one of the three slots available, this can be selected.

Not Calculated: (Information only) There are no KQ filters, so cannot be selected.

Project Name: Dirac Live Room EQ is applied to the current source and will display the name of the project from the Dirac Live application.

1 Off: Dirac Live Room HQ is not applied to the current source.

Input Trim - Sets the maximum analogue input signal level (sensitivity) on this input before the ADC (Analogue-to-Digital converter) signal path choices. Options are 1, 2 and 4 volts RMS maximum input. The default is 2Vrms maximum. For example, analogue sources with low output levels may benefit by choosing the 1V maximum setting. This helps maximise signal to noise performance of the Receiver and also helps keep the various analogue sources sounding about the same level for any given Receiver volume control setting.

Dolby Audio Processing - Applies Dolby Audio Processing to the incoming audio.

Off (dc'ull) Dolby Audible Processing is not applied to this input.
Movetable for movie viewing.

Musicable for music listening.
11 Nightpresses the audio to be more suitable for late night viewing or listening.
Stereo Mode - If you have configured your system to have a subwoofer, then you have the flexibility to choose how bass information is distributed between the front, left/right, speakers and the subwoofer when listening to stereo (two channel only) analogue and digital sources. Choose the option which gives you the most solid, even sounding bass. If you are using a subwoofer for stereo, please also see Sun Stereo below to set the level of the subwoofer. For best results test with a setup disc or live programme material. This setting can be used to override your normal speaker settings in the Sokr Types menu whenever the Receiver plays stereo material. It's quite common to find that two channel stereo music listening is best done with a slightly different sub/ speaker setting than for surround movies.
As Spkr Types: When an analogue or digital stereo source is played, your normal speaker configuration (as in Spkr Types menu) is used to reproduce the signal.
Left/Right: Full frequency stereo information. All audio is sent to the front left and right speakers only without any bass redirection. You can use this setting if you consider your front left/right speakers to be able to handle the full frequency range of music. If you have set your front left/right speaker size as Small in the Spiky Types setup page, you may wish to use this option to override the setting to Large for stereo music listening, if you have full frequency range left/right speakers. It can often be beneficial to set full frequency range speakers to Small in the Spiky Types setup page for use with movies, if you have a subwoofer in your system. Doing so may deliver more impact on movie soundtracks as subwoofer designs to handle reproduction of high bass content. However, you may find that for stereo music a better overall result is obtained by not using the subwoofer and effectively treating the front left/right speakers as Large.

Left/Right+Sub: Full frequency range stereo is fed to the front left and right speakers and extracted bass is sent up the subwoofer. In this case, the low frequency information is effectively duplicated.
Sat+Sub: Use this setting if you really do have Small satellite front left and right speakers, or if you prefer the overall sound of bass being handled by the subwoofer. Full bass management is used so that analogie and digital stereo sources are fed to the DSP where the bass is filtered off front left and right and redirected to the subwoofer.

NOTE: The Stereo Mode function is not available when using an analogue source in Stereo Direct mode.
Sub Stereo If Left/Right+Sub or Set+Sub is selected in Stereo Mode above, this setting adjusts the level of the subwoofer when the source is two channel stereo.
IMAX mode - Selects it! IMAX mode is enabled from the incoming audio stream (aud) or forced on or off.
Auro-matic 3D - Selects the mode of the Auto-matic 3D up/down.
Smal: Adjusts the uprrxcr for a small sized room.
Medium: (default) Adjusts the upriver for a medium-sized room
Large: Adjusts the upmixer for a large-sized room.
Movie: Adjusts the upmixer for film material.
Speech: Adjusts the upmixer to focus on speech in reliability.
Auro-matic 3D Strength - Adjusts the amount of unprocessed to processed signal when using the Aero-Matic 3D upmixer.
Audio Source - Selects the particular connection type for each input. The default is HDMI for inputs with an HDMI connection and Digita for inputs without an HDMI connection. This setting must be changed if another connection is used.
Select from the list: the audio type you are using on this source.

L1 HDMI: the unit is forced to use the HDMI audio input for this source.
11 Digital: The unit is forced to use the optical (TOSLINK) or coaxial (S/PDF) digital audio input for this source
Analogue: the unit is forced to use the analogue audio input for this source.
CD Direct -Turns off the compressed audio decoding machine delay and should only be used for sources that will only transmit PCM audio (e.g. a CD player).

General Setup

General information and system controls.
Source Input (information only) The currently selected input to which the settings below relate.
Incoming Format - (information only) The format of the digital audio stream connected to this input, if present.
Incoming Sample Rate (Information only) The sample rate of the digital audio stream connected to this input, if present.
Incoming Bit Rate - (information only) The bit rate of the digital audio stream connected to this input, if present.
Dialnorm - (Information only) It is a Delay Digit's audio stream is connected to this input, this is the Dialogue Normalisation setting requested by the sream.
Incoming Resolution Information only Shows the incoming video resolution.
Audio Compression - Allows selection of compression which is ideal for late night listening. The compression effect increases the volume of the quiet passages and decreases the volume of the lounder passages. Compression only applies to Dolby/EDS sound track formats that support this function.
Off: (deafult) no audio compression is applied.
Medium: compression is applied so that loud portions of a soundtrack are reduced in level. Dolby True HD stream is compressed automatically as set by the incoming stream.
High: the maximum amount of dynamic range compression is applied, so that the difference between loud and quiet portions of a soundtrack is minimised.
This setting applies to all inputs when a relevant digital audio stream is detected. It is stored in memory and recalled each time the unit is powered up.

Balance - To alter the sound balance temporarily between front left and right speakers. You can alter the sound stage to either the left or the right by up to 6dB. Note that it is not possible to shift the audio signal completely over to one channel. This function results in equal left/right balance when the input is changed.

DTS Dialogue Control - Sets the level of the dialogue channel in compatible DTS audio streams.

Maximum Volume - Limits the maximum volume setting the system can be turned up to in the main zone. This is a useful feature to prevent accidental overdriving of low power-handling speakers (for example). It is stored in memory and recalled each time the unit is powered up.

Max On Volume Limits the maximum volume the system operates in the main zone when it is switched on or comes out of Sundby. The system comes on at this stored volume setting if the last used (possibly very loud) volume exceeds this value. It is stored in memory and recalled each time the unit is powered up.

Display on time - Sets the time that the front panel display remains illuminated after receiving a command. The default is always on.
Control - Enables or disabilts RS232 or IP (NH1) control, a system that allows control from various third party home automation systems. Note, only RS232 or IP control can be used, not both.
Power on Determines how the unit powers on

Stby:in Standby mode
On:On

Last state: Last state (default)

Language
Sorok: The language for the setup menu
English, French, German, Spanish, Dutch, Russian, Chinese.

Speaker Types

Settings for the types of loudspeaker you have connected in your configuration. These settings are applied to all audio inputs and are stored in memory and recalled each time the unit is powered up.

Front Left/Right -

Centre -

Surr.Left/Right

Surr. Back L/R -

Height Front

Height Back -

Here you set the type of speakers that you have connected to your Receiver.

Large: capable of full frequency range reproduction
1 Small: not capable of full frequency range reproduction at the low frequency end
None: speaker not present in your configuration

NOTE: It is not possible to set all speakers to Small unless there is a subwoofer in your speaker configuration. If you do not have a subwoofer, you will be forced to set your front speakers to Large.

Subwoofer - configures the dedicated sub-out terminals are used for a single subwoofer channel (using the two parallel outputs).
Channel 13 & 14
Channel 15 & 16
Configures the speaker positions that channels 13, 14, 15 & 16 are used for.
Height Type - configures the type of height speakers - ceiling mounted or Go by enabled.
Use Channels 61-7 for - If your main zone speaker set up does not include Surround Back Left and Right speakers, you can choose to use the Surround Back amplifier channels as the Height 1 amplifiers, to B-Amp the Front Left and Right part, or as a stereo power amplifier for Zoric 2.
Filter Slope - Configures the filter slope used for bass management - 1263, 24dB, 36dB, 48dB/octave.
Sub Galn - configures the output level trim for all outputs configured as subweavers in dB8 steps from Gd8 to 30dB.

Speaker Distances

Colibration settings for the distances between the loudspeakers and the listening position.

NOTE: Speakers that are not present in your

configuration will be greyed out.

If Dirac live is used, these settings will be shown in time (ms) and not distance.
These settings are applied to all audio inputs and are stored in memory and recalled each time the unit is powered up.
Units - Select whether you wish to measure distances in Imperial or metric units.

Front Left -

Centre

Front Right -

Surr. Right

Surr. Back Right -

Surr. Back Left -

Surr.Left-

Left Top Front -

Right Top Front -

Left Top Back

Right Top Back

Subwoofer

Channel 13

Channel 14

Channel 15

Channel 16

As described in "Essential Setup" on page EN-28, measure the distance from each loudspeaker in your system to your ear in the main listening position and enter the values. This allows the Receiver to calculate the correct relative delay for each loudspeaker.

Speaker Levels

Calibration settings for the test noise signal level through the loudspeakers are measured at the listening position.

NOTE: Speakers that are not present in your configuration will be greyed out.

These settings are applied to all audio inputs and are stored

in memory and recalled each time the unit is powered up.

Test Tone - selects the internal test tone generator or allows the use of an external loss tone from the currently selected HDVI input (e.g. paged from a BD).

Front Left -

Centre -

Front Right -

Surr. Right -

Surr. Back Right -

Surr. Back Left -

Surr.Left

Left Top Front

Right Top Front -

Left Top Back

Right Top Back -

Subwoofer

Channel 13

Channel 14

Channel 15

Channel 16

Use the and navigation buttons on the remote control to select the relevant speaker. Press to enable/ disable the calibration noise and the and navigation buttons to adjust the noise level from each speaker.

As described in "Essential Setup" on page EN-28, adjust the level of the test noise from each speaker so that an SPL meter at the listening position measures /5 38 SP.

Video Inputs

Settings to optionally assign a video source to each of the normally audio-only inputs.

These articles are stored in memory and recalled each time the unit is powered up.

Video Input CD-

Video Input Aux -

Video Input FM -

Video Input DAB -

Video Input Net -

Video Input BT -

The de'call: for each of the audio inputs is 'home'. You could however, associate 'Set' video with 'M or Digital Radio audio to receive radio commentary of a sports game with pictures from 'sacilli coverage, for example.

HDMI Settings

The settings in this menu control the output resolution from the video processor in the Receiver. These settings are applied to all video inputs and arc stored in memory and recalled each time the unit is powered up.
Zone 1 OSD Selects whether the main zone pop-up OSD messages are On or Off. It is stored in memory and recalled each time the unit is powered up.
When On, all user adjustments that are made during the general use of the Receiver are displayed on screen as well as the front panel display. This includes the adjustment of volume, subwoofer level, lip sync, tone controls, etc. It is stored in memory and recalculated each time the unit is powered up.
When Off, the above user adjustments will not appear on screen, only on the front panel display. This leaves the picture on your display device clear of pop up text. However, regardless of this setting the Setup menus are always displayed on screen.

Zone 1 Out - This setting controls the output for zone 1 from either output 1, output 2 or both.
Zone 1 Lipsync - (Information only) Displays how much lip sync is automatically applied to the HDMI output to compensate for video processing delays in the attached display device. Not all display devices support this function.
HDMI Audio to TV - this sealing controls the audio being sent directly to the TV.
HDMI Bypass & IP - This setting controls the functionality of HDMI bypass & IP control while in standby. Selecting "low Power" (default) will mean that IP control (network) and HDMI bypass are disabled. Selecting "HOM&IP On" means that IP Control (network) & HDMI bypass is enabled.
HDMI Bypass Source Selects which input is used for I-DIMI bypass function, either a specific input or the last input used.
CEC Control Selects if CEC control is enabled on output 1. eARC Control - This setting enables/disables volume control from the display.
TV Audio - This setting enables/disables auto-switching to cABC audio from the display.
Power Off Control - This setting controls/disables auto power control from other CEC-enabled devices.

Zone Settings (AVR20, AVR30, AV40)

Lists the volume and control settings for Zone 2. These settings are applied to all audio inputs and are stored in memory and recalled each time the unit is powered up.
Z2 Input Selects the input to be routed to Zone 2. The default is Follow Z1, i.e. the same source as currently selected in Zone 1.
Zone 2 Status - Selects if Zone 2 is in Sardly or On.
Zone 2 Volume - The current volume in Zone 2.
Zone 2 Max. Vol - limits the maximum volume acting the system can be turned up to in the Zone 2, this is a useful feature to prevent accidental overdriving of low power handling speakers, for example.
Zone 2 Fixed Vol The Zone 2 volume control can be locked at the current value for use with an external amplifier with its

own volume control in Zone 2.

Zone 2 Max On Vol - Limits the maximum volume the system operates in the 70nC 2 when it is switched on or comes out of Standby. The system comes on at this volume if the last used (possibly very loud) volume exceeds this value.

Network

The Receiver is fitted with a network audio client which is capable of X-Ray 2 and Chromecast built-in as well as stored music on a network storage device such as a PC, or an NAS drive.
The wireless network is configured using the Apple AirPlay setup or the Google Home app.
SSID = Information only! Displays the SSID the receiver is currently connected to, "wired" if a wired connection is used, or "not connected" if no connection is present.
IP Address - Information only) IP address assigned by the DHCP server, or if not using DHCP, the IP address you have assigned to the Receiver for your network.
MAC address - [Information only]: The unique address of the network card in your receiver.
Friendly name (nformation only) The network "friendly name" of your receiver.

Bluetooth

The Receiver is fitted with a Bluetooth audio input.
Pair Device - Makes the Receiver discoverable by Bluetooth devices.
Clear Paired Device List - Clears the Receiver's list of paired Bluetooth devices.
Paired Devices - Displays a list of the devices paired with the Receiver.

Connecting to a Network

In order to use the AirPlay and Chromecast built-in functionality of the Receiver you will need to connect it to your home network via a wireless or wired connection.

The following sections detail how to do this.

Note: before attempting to setup a wireless connection ensure the supplied wireless antennas are fitted to the antenna sockets, on the rear of the receiver.

Home Automation Control

When connected to a network the Receiver can be controlled and monitored remotely using dedicated home automation software.

The same controls are also available via the RS232 Input. Various third party systems are available providing sophisticated control over all your entertainment devices. Contact your dealer or installer for details. The technical details of the remote control protocol are available upon request, by contacting Arcam a [e-mail].

For details of the available controls please refer to the control document which can be found at www.arcam.co.uk for further information.

AirPlay Setup

Wired Connection

Connect an ethemet cable to the Receiver.

To listen to audio via AirPlay on your Receiver, ensure your Apple device is connected to the same network as the Receiver and simply select the Receiver as the AirPlay audio playback device.

Note: The Receiver will appear as ARCAM modelname:xxxxxx in the AirPlay speaker menu, where xxxxxx is the last 6 digits of the units MAC address.

Wireless Connection

Hunsour your Apple device is connected to the wireless network you wish to connect the receiver to.

Open the Wi-Fi settings menu on the Apple device and select the Receiver from the "Set up new AirPlay speaker" menu. Follow the instructions on screen. To listen to audio via AirPlay on your Receiver, ensure your Apple device is connected to the same network as the Receiver and simply select the Receiver as the AirPlay audio playback device.

Note: The Receiver will appear as AKCAM modelname XXXXX in the Affliay speaker setup menu, where xxxxx is the last 6 digits of the unit's MAC address.

Chromecast built-in Setup

Wired Connection

Connect anEthernet cable to the Receiver.

Wired & Wireless Connection

Download and open the Google Home application.

You should be prompted that there is a device available for setup. If not simply tap "Add" followed by "Setup a Device". Select the Receiver and follow the instructions on screen.

Decoding Modes

Introduction

Your Receiver receiver provides all the key decoding and processing modes for analogue and digital signals, including the atmost high definition audio formats over HDMI.

Modes for digital sources

Digital recordings are usually encoded to include information about their format type. The receiver detects automatically the relevant format in a digital signal such as Dolay Atmos, TrueHD, Dolby Digital Plus, DTSX, DTS-HD Master Audio, Aero 3D, Dolby Digital, or DTS - and switches in the appropriate decoding.

Modes for analogue sources

Analogue recordings do not contain information about their encoding formats, so the desired mode - such as Dolby Surround - needs to be selected manually.

Mode memory

Dolby Digital or DTS audio (including the high definition formats) can be output in two mix modes, selected using the MODE button:

• Surround (e.g., five main channels plus a subwoo for a 5.1 source)

Stereo downmix.

Two-channel audio, regardless of whether it is analogue or digital can also be output in two mix modes, selected using the mode button:

Surround (e.g., Delby Surround, DT's NeuralX, etc.) Stereo.

The Receiver stores the settings for each source. Thus the decoding mode for the following groups of source material can be stored independently:

Delby Digital (multi channel) and DTS source mate

Two channel Dobby, PCM or Analogue source mate

Two-channel source modes

The following decoding and surround modes are for creating multi-channel stereo modes from 2-channel sources. They are available on the Receiver for standard and high definition Dolby Digilat 7.0, D1S 7.0, PCM or analogue sources:

Stereo -

16 Channel Stereo -

Dolby Surround

Dolby Virtual Height -

DTS NeuralX -

DTS Virtual:X

Auro-matic 3D -

Stereo

In this mode the Receiver works as a conventional high quality audio amplifier. Note that if the subwoofer is enabled in stereo mode, then some processing of the signal is carried out.
- Stereo Direct: this achieves the most direct signal path if an analogue connection is present.
16 Channel Stereo: this produces an output from all speakers by copying the left output to all left speakers and the right output to all right speakers. The centric speaker outputs a mix of left and right.

Dolby Surround

McDoyboy Surround allows the Receiver to derive up to 16 outputs from a two or multi-channel source to take better advantage of all amplifiers andSpeakers in your setup .

Dolby Virtual Height

Dolby Virtual Height creates an immersive audio experience by virtualising height content over traditional speaker configurations without the need for height speakers. Note this mode is NOT available if height speakers are selected.

DTS Neural:X

DIS NeuralX is an advanced up-mixer that renders up to 17.1A channels of immersive audio from nearly any lower gH channel count content.

DTS Virtual:X

DTS VirtualX creates an immersive audio experience by visualising height content over traditional speaker configurations without the need for height speakers. Note this mode is NOT available if height speakers are selected.

Auro-matic 3D

Automatic 3D creates an immersive audio experience by creating additional channels from the incoming audio to match the available output channels, enhancing the listening experience.

Multi-channel source modes

Digital multi-channel source material is normally provided as "5.1 audit", the "5.1 channels" comprise of left, centre and right front speakers, two surround speakers and a low frequency effects (LFE) channel. Since the LFE channel is not a full range channel, it is referred to as "1".

Surround systems decadic and re幅度的 S.1 channels directly. The DTS-ES matrix enhanced decoding system creates one extra rear channel from information buried in the two surround signals of the S.1 source. The ES enhanced system is sometimes referred to as a 6.1 system. This extra surround back channel is normally reproduced through two separate loudspeakers, creating a 4.7.1 system.

D15-Fe discrete is a true 6.1' source, with xx discretely encoded channels, plus the '1' LFE channel.

Dolby Digital Plus, Dolby TrueHD, Dolby Atmos, DTS.X, D15.1HD, Auris 3D zinc high-resolution surround formats found on Blu-Ray discs

Decoding modes

The modes given in the following table are available for multichannel digital sources.
Special modes such as DTS-ES 6.1 discrete. Dolby Digital Plus, Dolby TrueHD, Dolby Atmos, DTSX, DTS-HD and IMAX HHANCHD. Auro 3D are only available from the correct source material.

High resolution audio sources

Dolby Almos	Dolby Almos content is mixed as audio objects instead of traditional channels, so can take full advantage of the number and pacement of your speakers.
Dolby TrueHD	Provides up to 7.1 full channels at 96kHz, 24bit resolution, with potentially no losses in the compression process. Data rates can be up to 18kbps.
Dolby Digital Plus	Provides up to 7.1 discrete channels of audio with less compression than traditional Dolby Digit encoding. Data rates can be up to 6Mbps.
DTS-HD Master Audio	Provides up to 7.1 full channels at 96kHz, 24bit resolution, with potentially no losses in the compression process. Data rates can be up to 24.5Mbps.
DTSX® DTSX® a decoder package that renders immersive content which has been encoded with DTSX encoding. DTSX content consists of audio objects or a combination of audio channels and objects. The DTSX decoder package also plays back legacy DTS formats including DTS HD Master Audio lossless and lossy streams. Supports greater than 7.1 channel output configurations (including height:speakers). Provides "Dialogue-Control" so consumers can adjust the sound to their preference or the listening environment. Remaps any DTS content to any speaker layout Supports Blu-ray Disc (BD), DVD and streaming media formats, and legacy streams up to 1978Hz. Includes Neuralix, the latest upmixing/downmixing technology from DJS.
IMAX FNANCHS IMAX® Enhanced products must be high quality level of standards ensuring the best color, contrast, clarity and sound on the market. These are products endorsed by IMAX to fully deliver the most immersive at-home entertainment experience and leverage the full quality and scale of IMAX Enhanced content. The IMAX Enhanced program introduces a new standard in home entertainment.
AURO 3D	AURO 3D is a decoder package that renders the audio at three levels -ear level, height level and the "Voice of God" level, creating an immersive sphere of audio.

For Dolby Digital sources

Dolby Digital 5.1	Dolby Digital 5.1 sources deliver sound with five discrete full range channels: left, center, right, surround left, surround right, plus LFE channel.
Dolby Digital Stereo Downmix Provide a stereo downmix of the source material for use with headphones.
Dolby Digital 5.1 + Dolby Surround This mode is used to derive information for the individual surround back channels from the surround channels using the Dolby Surround decoder.
For DTS sources
DTS 5.1 Less common than the Dolby Digital format, but generally recognised within the audio industry as being of superior sound quality. DTS 5.1 delivers surround sound with five full range channels plus an LFE channel.
DTS 5.1 Stereo Downmix Provides a stereo downmix of the source material for use with headphones.
DTS-E5.6 Matrix This is a 3.1 channel format based on DTS 5.1. It has the sixth channel matrix-encoded into the surround left and surround right channels. The sixth channel is a surround center channel and is directed to the surround back left and surround back right speakers.
DTS-H5.6 Discrete This is a pure discnotic 6.1 channel sound format. DTS-H5 discnotic mode operates only on sources with DTS-H5.6 discnotic audio encoding.
DTS96/24 Provides up to 5.1 channels of audio at 96k/d 24bit resolution for superior sound quality compared to standard DTS 5.1

Tuner Operation

The Receiver is fitted with an TMODA0/DApR (digital) radio tumor. D4B broadcasts are not available in all locations.

This section deals with lung opacification, for information on setting up the tune and installing serials, see page EN-13.

When a timer input is selected, the OSD shows a list of radio prcesses plus an information panel giving all available information about the current frequency (for Ht) or station (for DAB).

The front panel will also give the same information, pressing the INFO will cycle through the various items of information:

FM

□ Processing mode (default)

□ Radiotext (if available)

□ Programme type (if available)

□ Signal strength

DAB

□ Processing mode (default)

□ Radiotext (if available)

□ Programme type

□ Signal quality

□ Bit-rate of transmission

Tuning/Channel Selection

When switching to the Internal TUNER source, the Receiver enters the last used tuner band, both FM or DAB. Repeatedly pressing RANES through the available tuner bands on your Receiver.

FM analogue radio

Frequency tuning on FM radio is performed using the and buttons on the remote control in TUN device mode. Individual presses move the frequency down and up one step, if you press and hold either of the tuning buttons for two seconds, the timer scans to the next strong signal. You can stop a scan at any time by pressing one of the tuning buttons again.

In Europe, the internal FM radio is capable of receiving ROS (Radio Data System) and radio signals that are transmitted on some stations. The ROS information typically includes the radio station name, the music or speech genre as well as additional information related to the current programme. On music stations this is often information on the currently playing track.

DAB digital radio

Digital Audio Broadcasting (DAB) is becoming more widely available. See www.worlddab.org/country_information for information on DAB availability.

You will need to scan for available stations before being able to listen to them.

To scan for DAB stations, first select the DAB timer then press and hold until the display indicates scanning has started. The Receiver will then scan all the DAB radio frequencies and complete a list of the stations that are available.

When the scan is complete, you can scroll through the station list using the and buttons on the remote control. To listen in the currently displayed station press, hit . If you do not press within two seconds, the display will revert to a splaying the currently playing station.

Saving and selecting Presets

Preset selection uses the and keys on the remote to browse and to select the preset when the remote is in TUN device mode.

Up to 50 presets can be stored and these can be from any band, for example Preset. I could be an EN station, preset two a DAB station, etc. Pressing the OK key causes the next available preset number to be displayed, then pressing the OK key again stores the current frequency/channel in that present. If a different preset number is required, press the and keys until the desired number is displayed before pressing the OK key for a second time.

Deleting Presets

When in tumor browse mode (using and to scroll through the preselect), the yellow button on the remote is used to delete the currently highlighted but not paying station or frequency.

Troubleshooting

Problem Check the following:

There are no lights on the unit	□ The power cord is plugged into the receiver and the main socket it is plugged into is switched on. □ The power button is pressed in. □ If a red led is present, the receiver is in standby mode. Press any button on the front panel or the standby button on the remote control.
The unit responds erratically or not at all to the remote control	□ There are fresh batteries in the remote control. □ The front panel window is visible and you are pointing the remote control towards it.
The front panel display is blank	□ The display hasn't been turned off. Press the DISPLAY button on the front panel or remote control.
No picture is being produced	□ Your viewing device is turned on and switched to display your receiver. Test by pressing the MODEL button on the receiver or on the remote and look for the main menu screen on your display device. □ The correct video input is selected on the receiver. □ The video source is on, is operating normally, and is in 'play' mode if appropriate.
There are bright edges or 'ghosts' on the picture	□ Ensure the 'sharpsiness' control on your display device is switched off or set to near minimum. □ For HDMI connections, try using a shorter cable or alternatively a different brand.
No sound is produced	□ The correct input has been selected. □ The audio source has been set correctly in the 'input config'/Menu. □ The source equipment is on, is operating normally and is in 'play' mode if appropriate. □ The volume is turned up to a reasonable level and the receiver is not in mute mode.
The sound is poor or distorted	□ You have not excessively increased the input sensitivity (IE. Reduced the maximum input signal voltage) in the input config. Menu if an analogue input is being used. □ You have selected the correct size of speakers to suit your system in the setup menu.

Problem Check the following:

Sound only comes from some of the speakers	☐ You have an appropriate surround source selected and playing. ☐ The bd/odv disc is encoded in the appropriate format, and the correct format has been selected in the disc start menu of the bo player if applicable). ☐ The bd/dvd player has been set to output its main audio on the digital output. ☐ The display window indicates that the disc you are playing is a multichannel recording (you may need to press the INIFy several times until you get to the incoming format display). ☐ All the speakers are correctly connected to the speaker terminals and are secure. ☐ You have not selected 'sereo' as the decoding mode. ☐ Your speaker balance is correct. ☐ You have configured the receiver to include all the speakers in your system.
Unable to select Dolley or DIS decoding modes	☐ The receiver can only apply dolby and disc decoding to sources which have been encoded in the same format. ☐ Check that: ☐ Digital source is selected and connected. ☐ The source is playing appropriately encoded material. ☐ The bd/dvd disc is encoded in the appropriate format and that the correct format has been selected in the disc start menu of the bd player (if applicable). ☐ The bd/dvd player has been set to outcast 'bitstream' audio on the digital output.
When playing a Dolley BD/DVD, the AV selects Dolary Surround	☐ You have a digital connection from your od/odv player. ☐ Sometimes dolby od/odv discs contain material at either the beginning or the end of the main movie that is not in full 5.1 format, but in two channels.
Hum on the analogue input	☐ All cables are making a good connection, if necessary withdraw the cable from the connector and plug it fully in again (turn the power off before doing this). ☐ The connections inside the source cable connector are not broken or badly soldered. ☐ If the hum originates only when one particular source component is connected, that an aerial cable, or disk connection to this source is grounded isolated. Contact your installation contractor.

Problem Check the following

There is radio or television reception interference	Where the interference is coming from. Switch off each source component in turn, then any other equipment. Most electronic equipment does generate low levels of interference. Try rearranging cable from the nuisance source away from other cables. Ensure that the cable used is high quality, specified for its purpose, and is properly screened. If the problem persists, contact your dealer.
The source switching changes randomly or freezes on one source	There are no static or impulse interference problems caused by nearby power equipment switching, e.g., heating or air conditioning control. Switch the receiver off, wait ten seconds, then switch it on again to clear an operating problem. Contact your installer if the problem returns or persists. There is no direct sunlight shining on the infra-red detector behind the front panel display.
Volume is always too loud when I turn on	The 'max on volume' setting is not set too high.
If files or a NAS drive cannot be played	The files are in a compatible format. The computer is connected via a network and not usb - the receiver usb port cannot be used for a direct connection to a computer
If you cannot connect to a wired network	The ethernet cable you are using is correctly connected between the receiver and the network hardware. The network is set up for fixed ip addressing and you have the receiver set to use dhcp. The network is set up for dhcp and you have the receiver set to use fixed ip addressing.
If you cannot connect to a favourite internet radio station	The station is still broadcasting or is not congested - try again later.
If the internet radio station sound quality is poor or broken	The radio station has a low bit rate (use: theINFO key to find this). The network is not slow or congested.

CN-39

Specifications

AV40

Stereo line inputs
Maximum input	4.5V rms
Nominal sensitivity	1V, 2V, 4V (user adjustable)
Input impedance	47kΩ
Signal/noise ratio (A-wtd ref 100W)	93dB/110dB
normal/stereo direct
Frequency response	20Hz - 20kHz ± 0.1dB
Preamplifier outputs
Nominal output level (single-ended/balanced)	IV RMS/2V RMS
Output impedance	560Ω
THD+N (20Hz-20kHz)	-100dB
Headphone output
Maximum output level into 32Ω	5Wms
Output impedance	<100Ω
General
Mains voltage	110-120V or 220-240V, 50-60Hz
Power consumption (maximum)	50W (thermal dissipation approx. 170 BL/night)
Power consumption (idle, typical)	40W (thermal dissipation approx. 170 BL/night)
Power consumption (standby)	<0.5W
Dimensions W x D(including speaker terminals) x H (including feet)	433 x 425 x 171mm
Weight (net)	10.6kg
Weight (packed)	13.9kg
Supplied accessories	Mains headRemote control with 2 x AAA batteriesManualDAB/M aerial3 x WiFi/Blucoish antennasCalibration microphoneUSB cable
E&OE
NOTE: All specification values are typical unless otherwise stated.

Continual improvement policy: Arcam has a policy of continual improvement for its products. This means that designs and specifications are subject to change without notice.

AVR30

Continuous power output, per channel, 8Ω/4Ω
2 channels driven, 70Hz - 70kHz, <0.037% THz	120W/700W
2 channels driven, 1kHz, 0.7% THz	140W/770W
7 channels driven, 1kHz, 0.7% THz	100W/180W
Residual noise & hum (A wtd)	<0.15mW
Stereo line Inputs
Maximum Input	4.5V rms
Nominal sensitivity	1V, 2V, 4V (user adjustable)
Input impedance	4.7kΩ
Signal/noise ratio (A-wto re-100W) norma/stereo direct	93dB/110dB
Frequency response	20Hz - 20kHz ± 0.1dB
Preamplifier outputs
Nominal output level	1V RMS
Output impedance	560Ω
THD-N (20I z - 20d Iz)	-100dB
Headphone output
Maximum output level into 32Ω	5Vrms
Output impedance	<100Ω
General
Mains voltage	110-120V or 220-240V, 50-60Hz
Power consumption (maximum)	1.5kW (Thermal dissipation approx. 5200 BTU/hour)
Power consumption (sole, typical)	100W (Thermal dissipation approx. 340 BTU/hour)
Power consumption (standby)	<0.5W
Dimensions W x D(including speaker terminals) x H (including feet)	433 x 425 x 171mm
Weight (net)	18.1kg
Weight (packs)	21.4q
Supplied accessories	Mains loadRemote control with 2 x AAA batteriesManualDAFB/Macromal3 x WHI/Bluetooth antennasCalibration microphoneUSB cable
E&OE
NOTE: All specification values are typical unless otherwise stated.

AVR20

Continuous power output, per channel, 8Ω/4Ω
2 channels driven, 20Hz - 20kHz, <0.02% THD	11GW/175W
2 channels driven, 1kHz, 0.2% THD	125W/190W
7 channels driven, 1kHz, 0.2% THD	90GW/110W
Residual noise & hum (A wind)	<0.19mV
Stereo line Inputs
Maximum input	4.5V rms
Nominal sensitivity	IV, 2V, 4V (user adjustable)
Input impedance	47kΩ
Signal/noise ratio (A-wtd ref 100W) normal/stereo direct	93cB/110dB
Frequency response	20Hz - 20kHz ± 0.263
Preamplifier outputs
Nominal output level	1V RMS
Output impedance	560Ω
THD+N (20Hz - 20kHz)	-100dB
Headphone output
Maximum output level into 32Ω	5Wms
Output impedance	<100Ω
General
Mains voltage	110-120V or 220-240V, 50-60Hz
Power consumption (maximum)	1.5kW (Thermal dissipation approx. S200 STU/hour)
Power consumption (idle, typical)	100W (Thermal dissipation approx. 340 STU/hour)
Power consumption (standby)	<0.5W
Dimensions W x D(including speaker terminals) x H(including feet)	433 x 425 x 171 mm
Weight (net)	16.6kg
Weight (packaged)	19.9kg
Supplied accessories	Maira loadRemote control with 2 x AAA batteriesManualOAB+M aerial3 x W/H/Bluetooth antennasCalibration microphoneUSB cable
E&OE
NOTE: All specification values are typical unless otherwise stated.

AVR10

Continuous power output, per channel, 8Ω/4Ω
7 channels driven, 70Hz - 20kHz, <0.07% THD	80W/100W
7 channels driven, 1kHz, 0.2% THD	85W/120W
7 channels driven, 1kHz, 0.2% THD	60W/85W
Rtssidual noise & hum (A-wtd)	<0.1mW
Stereo line Inputs
Maximum input	4.5V rms
Nominal sensitivity	1V, 2V, 4V (user adjustable)
Input impedance	4/8Ω
Signa/noise ratio (A-wtd net 100W); normal/stereo direct	93c/s/110cB
Frequency response	20Hz - 20kHz ± 0.2dB
Preamplifier outputs
Nominal output level	0.8V RMS
Output impedance	560Ω
THD+N (20 lZ - 20k lZ)	-100dB
Headphone output
Maximum output level into 32Ω	5Vrms
Output impedance	<100Ω
General
Mains voltage	110~120V or 220~240V, 50~60Hz
Power consumption (maximum)	1.5kW (Thermal dissipation approx. 5200 BTU/hour)
Power consumption (idle, typical)	90W (Thermal dissipation approx. 340 BTU/hour)
Power consumption (standby)	<0.5W
Dimensions W x D(including speaker terminals) x H (including feed)	433 x 425 x 171mm
Weight (net)	16.5kg
Weight (packed)	19.8kg
Supplied accessories	Mains loadRemote control with 2 x AAA batteriesManualD/A/B/M actuarial3 x WH/H/Bluckstone antennaCalibration microphoneUSB cable
D&OE
NOTE: All specification values are ycosical unless otherwise stated.

Worldwide Guarantee

This entitles you to have the unit repaired free of charge, during the first five years after purchase, provided that it was originally purchased from an authorised Arcam dealer. The Arcam dealer is responsible for all after-sales service. The manufacturer can take no responsibility for defects arising from accident, misuse, abuse, wear and tear, neglect or through unauthorised adjustment and/or repair, neither can they accept responsibility for damage or loss occurring during transit to or from the person claiming under the guarantee.

The warranty covers:

Parts (excluding disc drives) and labour costs for five years from the purchase date (see below for additional terms and conditions). After five years you must pay for both parts and labour costs.

Disc drives (of any type) are covered under this warranty for three years from the purchase date.

The warranty does not cover battery replacement at any time.

The warranty does not cover transportation costs at any time.

Claims under guarantee

This equipment should be backed in the original packing and returned to the dealer from whom it was purchased. It should be sent carriage prepaid by a repuable carrier - not by post. No responsibility can be accepted for the unit whilst in transit to the dealer or distributor and customers are therefore advised to insure the unit against loss or damage whilst in transit.

For further details contact Arcam at [e-mail].

Problems?

If your Arcam cluster is unable to answer any query regarding this or any other Arcam product please contact Arcam Customer Support at the above address and we will do our best to help you.

On-line registration

You can register your product online at www.arcam.co.uk.

HANDBOOK

ARCAM HDA

AMPLIFICATEURS AVR D'AMBIANCE

AV40/AVR30/AVR20/AVR10

Bienvenue

MQA (Master Quality Assurance)

SAT, PVR, BD, CD, STB, AV

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UcxoHna HacTpoiKa RU-27

ABTomatnuecka Hactpoika DInHaMVKOB

RU-28

Meho Hactpon

RU-29

IopKIOUeHne K cetN

RU-34

PekmblIeKoN-PoBaHn

RU-35

Pa6ota Tiohepa

RU-37

UctpaHHe HncnpaBHOCTe

RU-38

Texnuecknx xapaKTepeNtkn

RU-40

MekdyHapoHaR rapaHTnA

RU-42

Bam Heo6xOaMa npofoecchoHaJIbHaY yCTaHOBA?

BIOHc BIOOHO, Hb Hb pccOBep Bg yciHOHcn Hac Oocn Kaic VACu HauoIO oboOppyBaHH H H KauVIOHpO aHmHnOOMKAMHnAcm. 20 Amot Cuyue BnMOKTEIPOyTtBpaLHaHnDaHnOFO pyKOBaCTBa, CBHAnHcE cyHIOHOHKn HAc poYoi, H npoeHN HcpeCIOHOHx PaJpHnH, KOpPhe KaoAOHc AIOHnOHOH PpcBHePa. HcnoHcye cioCpKaHnC, Toobie npneR Knn PaqPbaH.

BbIXOTHTeYCTaHOBTb pecuBep camoTcTeNbHo?

Pecoeep 00 mounan n cokxian hacte N-600pdoobnae Ecmh ony cyaananae peoeep cepocotentibno. Mm PekOMEHUYAM RAN JNO HAYNA YCABOKH BHNMAETBINO IPOAHTI NO PYKOROPTRIO NO AKCTYTAIAH. HAPNHP, UAPMHNBA KHOYAHpy AYNHANNNN AN PAAHCHINOC HOOJIY KACPEI BCC NPPWYPTRKE KATO OPO CPOEepa. Taeky eDutc, oOc Oe TNEH NCTVCTTc corncacaaio

Ipeed nauanom pa60tbl...

PecuBep Arcam HDA

B Decbepax ytaioe hpoecocdoaamllix KIOIOTeO3 BnKOKo 8cEcbh BmCOWH NPOOBATEFHOCTO, a cyoAETN CPOEKTOBOHb O COOTDBTBN C yobWEM KANEOH CTAOTAM APOOONOOB KOMMOH ANAT. OHN CONCHB C C500 LpPpyo c6oabOny C auccknnx npakkcpncnna Hya: n BAOQCOKMOHToH, YooB cospB pR 902 HPCOQOHN CHIN JCMENH PBBIEHNNHBIH [H]D

11000 BHHHHEH HHPYHCHCNKHN PPOHPOPNHHK 110000BEOOBOE EEEAHAR, PCCHRPA
OBIEC-11301 TEPENKHO-E HYPNTHNECE CEMHC
AABIOOPMNN N I EEOHIOIPOPMA FCTAOHMM
AYIOOIOHAE A BOKC CO CHMBA AOIOOHKM
AUYDOONNAHTNO DAEETN MOEN ADE3FAM
KINHIOIOTAPANJN JIN JIAHIN KMOHOAPR N
D2yIKHbTbHbX CTePOCHcH.

Pockbby Mhme v 2x10000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000

HpyyI yI IIEEEOBSSMHN CIOBCOPOAMN PPOPMAHCHC OBOH yIIEPCPOAH CIOBMOH N HbAIAHNOHO OYIAPINAEH PBOVTHNMM YCIOCTHBM, KOTOBPHNPCT R KOTOBMOH IN IOCOPK TICPOBN CIECCOO BYPAAHNB KECI CCAOM. HIO AOKO HOAHPARMAPOH CIOV TCOBMOAEM EIO COTCBHNN BOUONHN BYHTHYPEB BMOPTIK KODIP INYPPANDEH CFTFEEMAMN BD-NEeepam, TEPcOaTbHM, Daeoeonoeamn C FyIeHb HApN TETepeopam DOYDVAAYCTPOMTAM

PnpnKpOeHm K HcTbHcykEcoaHema e0 ayIyIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaIaa IhaOpCooA aBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBcBb

IopKIOUeHHe Pa3bEmOB

F 10a6oTecoe oTom,fo6paPaeMeCTaKabenn MNNO paaue ot noBbKabeneepnntnnHm, 4008 yyeHHTe foHOBN LUM N DpyrBoHNAKUeLUEYIM

IPMMEUHME, DnK Kdooexdoa pbaema bbl doxbnb ycmohummb hcmpouu 13 uCmouhka udeocuzhana U mCmouhku 3eyk. cunzana e coomaeemtu c umon nockoentius. (CMompue Beod konpuyaauha) Ha cmpru. RT-00.)

Pa3beMBiHDMI

PVR, UHD, BD, SAT, AV, GAME, STB

TcHcYTHBnHnHnHnHnDAMNnnpoepe TNOHCHCNHnHnHnA HnHnHnINFOHCPNCH NHCNNNHNHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnH nHH

Cef 104586BcHbIeTnEaVbAeHbIeYyOoepoe 1000000000000000000000000000000000000000000000000000000000000000000000000

Ethernet-pa3bem

Eco Kaikens Ethernet nokowuy, peckapew aowawewel. nonstaetca knokowuy Caukey Cen

B:00296 HNCCOIOAOT 100K CATE5, NMOHIOEIKI K PERSUEY R45 C TOMETOK ETHERNET,NAJADIN NAHIEY.

Peepoeep6000000000000000000000000000000000000000000000000000000000000000000000000

ZUK

TnEeae neeem nppeaepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnepnep

Z2 IR (kpome AVR10)

30K 200000000000000000000000000000000000000000000000000000000000000000000

TOTBAPKHOHHPPOOEXHHPKHOA0CTOPKOTETHEHUPPOPOPOYyPOPOINCAIPOHNOKHOANXHIXIOJINOHOPPOHNCHNHOHOPPOPNMOCPOPNNVHPPKcAwwxkntech.com Nnnpocne BAnroNpKoPAKONNAnrC

IPMMEVAHME. BxObHbe NK-paBEmHa Hpcaueeppe npedhaehnbe nn Dmynopboanbbx cuZnaHO. Ecnu BheunH NK-puemHM NEMDynpuyem NK-cuaHON, an He y63em paobamb. TaKke pecuepep He oecneuvaeem 3ekmponumHaH dn BheunH NpuemHkoepez NK-paBEm, naMoMy noHaDobumc BHeunH ucmOnHK 3ekmponumHaH.

IPMMEUHHE. Poemkncn oemeknKzOmmocm K noekknoeHHm, komoBte uonohyomcn npu yctanokha a hcknKbux nnoncunx. 4moBu noluytmb ondnonlmchbny uHnpomauqio6 3mtix paTeMaem, cAmptmuR na CpaTnuR 8U-9.

HnHaMKN

Pecnncnau AVR10/AVR20/AVR30/AVR4 39300NtI 11111111111111111111111111111111111111111111111111111111111111111

Духалыбс ушенидуха néсянюпесуюп néсядураюдушимьк
□印津国泽贝萨希园非园非园非园非园
PnKoHnHnepeBxN（1）neoro n nparo nnamko
11100200000000000000000000000000000000000000000000000000000000000000000

BepnHnepeeHneue,aeonHnepeepnroa.
BepnHn 3nnr nnnn,epnHn snnn npnnn Hp
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 24

Pn npnnnnoynycttnnoe H nactpnoe peaoa Knaanos pennnn Dohoy Atnncs,DTXN HuaA 3D cbeetnehtor HnecepeoHnne Hnne Bauero Jmaue Hnro Hnntetotn ncoedT MNNHn DnHnHnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBn

KoHpyaepn a paMaeeuhe BauXh DmAMIKOB Oohb BaHXo. Rce JuaAHHM, ae Aae HcHMe Cabyepepa, daBbHbO bYtchOBcHbBOPKytIeNpA, cKTOIOB bBuO hooPnpOATpABeE BHeOe/PpOcUyBaBe eMyHb. CabHyccpJIOOHCHaoOpHbN HOMAH, KTOIOB dOCCUHcHbPaaBHOACDcHbCvAoHINHcXbaKcPcHbO bAcex PNOHIXPnpocOyHaHHa. HApBHeBcHpaMeJeHmei DmHAHOpN pRnOgFtK UqpepeHcy BOCIOBTHHNHbO HxOaHbO NIOOIOB HIOHO BDOHIOB IIBaIeBO cBABypePAaTetOnkckMeHbTAHbN CnoCob XPOHIOH MXXOJIy 130 HAHbA HcXbPHCpKOB-OB PBOHIOB TIOHIOB pOcIOH IOHO BMOIOK 1 MIOpO f HO BoKO YoN. HIXtpyauBbBIO MeMeTe HApBoaOte No KcNpyaunl baIoue CBOOyPe.

IopKnIOueHHe dHAmNKOB

[1]HOBIOJIKUOJIHIN,DAIIMANKOHIOI KIOYIOHIOI COOHTHEKHOIOHIOI KIMMHN HIEHYOHIOHIOHIOOPOCKOPO, KIOYIOHIOI [POMKHO] DIAIMANKOHIO B OTEOTOKA KENMOI M C-083 336pHTBE TCHMMN YIFYEETC, YIOT KENMOIH KOHONO I, LEBRA [PONKATOH NHBH] [DIAIMANKOHIO KIOYIOHOOH. K KENMOI KOHONO I, POMKHO] (PONKTOH NHBH) [TMBHO] TMBHO TMBHO A, OEMMA VEPHORO LEBRA (OTPHALTEMBA) [DAIIMANKOHIO KIOYIOHIOE K KENMOI KENMOI I, POMKHO]

Bannno, Tnnae npnnnna Hnna npnoa Pnna nnnnncn nnne 100000000000000000000000000000000000000000000000000000000000000

Npepe noknueHm duhamukob y6dumc, mmo npupop otnknohve. He zamuaubuime kmeMmu duhamukac uoukuomcuho a mokke Hncnsaumzaeauhni KNOKIOK0ybuU m.d., mak kkaMO moKem npuebceu N noepoekho zu kmeM. TAKAN HEUPPBOHcMb he exoodm 6aparunuHmhe 6b3aamenbMcpaoueOduem 3mo20 ycmpoicmba.

Ka6ennuHaMKOB

DAMHANINOHNIOHNIOIIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIO

HuaKaKaKaJIOJIINHOKIOJIINHOI BIKMOHOIOPOOHEIOI NIOIPOKHOENHMMNPHAMKOOScpe HecoxaMkoI batarOate yKoHsEhAOMKOOTTOI INOITNOIIEI PAI OIOHNEI IPOOOIA JINOHCOAEHNBOIEI POPODAI CHANEOHOKIO

DBykKaHaBHe yCunEnHne 3Byka nIpeDnI neBbI nIpeDnI npAbbI nnHAMKOB

Dyckhahie Hc ychthie 3y2-03-14HCTMCHNBOHHE dykKhanoc yCHTHnE TIOOHO DHPANH. Dzykshahohoe
yckhao 3x 30000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000

HaHnHnK, KOTcOe moepnabot Doyckanbne Oeyinme, NwcrTo no 1360pa IeHN -F. Ka npaHIO, Hm cOeBHe MeKg CooBtMeTNNNcHnAo 403TAtAe TnM aTannnnncnKe KOnrAHTbHEOxOIMU OZdntbPnnpOcKnHnE HdoXhHnOHO YCnHnE, DaHHN HeOxOHTb He OxDyHn CytOaIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraIraI

Dn Dnydaihanlnc ycnHnepeepnerno nnporo n nporo dnnnno 0yanaire MeTnNckne KcKraa.
DnNnOuHnCabe cappeepn F-BeBogn dnennmPL FR1r pepepepe PpFIOHnEhOcKoAChnTnHnDnAnMn HbBnOgKnKnKwM SOL N SDR npepepe B konoe HnNnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHn Hmho nOcbnsyPkene kane H+7 nIaBnPncbe-CPo3aa, OxWpntre cp. RU-31.

IopKnIOueHne Ca6ByepeOB

IcnoB3ObaHne BHeuHnx ycHnTee MoHOCtN

RyepnHHH yHHTA HOOHTO pOHRA MOP 5HTB
JHOHN HAMEMAH - HUHAN CYTHENETHA TAKK KAC
ARCAM720. PNOCKNATRE PASTNNPREMP OUT +XOXHBN
PRESMENI BURGER CYNTHENETBAO HOOHTO

FL (nepeohu nebbl), FR (nepeohu npaebu)

Trogkoumeyix K. konctetbchvuyuym npnnoy N neovoy neevnnn nnan Bv yonnnnne nnuonnn

C

TodKroHnck 96KIL KIePbAHIbNc Hpepe NswKlany Bauero WcFIOEN WOLOOCT.

Ca6oyep

Bauchoi-palast cabibbycaba. Tognicowite ero ko exocipacy pumyta bauri arthricnababa caba onco onco inerative.

SR, SL

8600000000000000000000000000000000000000000000000000000000000000000000000000000000

SBR,SBL

Exchuaia pahbaa baiho HIOBOHO BAIHOO BOHOBHIO GBDHOHO BDOHO HOJIOKIOHO HIOX KBOHOUM DEXAMOH YIJI BAO HOHO HIOHO BAIHOHO HIOHO HOOHMOCHAO BOYBOYCOHO MEOHO

Bepxuhui 1 (Bucoma cnepeul), aepxuhui 2 (Bucoma hazaad)

CROUPOLOPEK, BUK, KUB, KUB, KUB, KUB, KUB, KUB, KUB, KUB, KUB, KUB, KUB, KUB, KUB, KUB,

P 1000000000000000000000000000000000000000000000000000000000000000000000000000000000

3KcnnyataunyyctpoNCTBa

3Kcnnyataa npecbepa

JITIOCTOPOKHEKOPDAPPMHMBDEPHNTHYEMRBM BCHPCHINCHNCHCRHPBAPSHMCHOHNAICCAEHNCCYCTOCHNT

BkIouyeHne

Hannamihe Khoynu khyamna Hnepedn nai ena. Nmikatapok imi hainan baiyacn cibin bn Cknc o, Iocic haecehnnn Hnuihni3a3zau, H daqirana otoobpa3r yoepebipoxckn Hnaba3n bia6p3n hnoo4o panewha.

Nepa Hauwana Pabotn cpebnnao nokpokrta,oka yctpoTbOe 3aeepuH NHHcHbAaLb. CnH cyTOPOBt BAKHOIO-10, pekoeDgEOMNOKPd3b MIMM 10 cekyH, nepoTOPOBm KINOHJYWVYKOTC

PekmOxuaHn

PcpeoHIOEeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoeepoe

ECN yCPOKCTBO He dyer wncnbsbabcB 3 TeyHHe
pOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIO

IyBbIXoJa n3peKnMa OKndaHn

Hakkaikko Kekpaa KEMK OOKADHAA Ka HINIOKAKTAI KIOHOHOR ynpaee B, noyio kOkiye na hepeynan hai (Ba KcKOeYnEHN MOKOTK PANTKAI) mN TIOBOPHEHPE pykny 10000000000000000

DncnneHa nepeHne naHei

PecheepSydernotKpOeTeNnWmEIOUepeHne TcEP

HJFJIINHIOOIOOIOOOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIO

Ha Tepa-cha Naeha Otoobpaetnck Teyuayy Upyoohb rpoomco 20 h301.1 Hapotka o Rpoomco 20 h302.2 Otoobpaetncn Hcckn Kopo KoO pOeKmH 2v KxKjH 1

Dnncnnaeepnne nane Taekncknnybeyc np Hactoikna yctpohctba noce haknna Kcnk NENU Hnepn-000000000000000000000000000000000000000000

Bb6op nToHnKa cnHa

JUBBAPORA ONUPEYER-FOHO ECOTARAVC VHTA HKA KANWATP
SHOKI YINJU, IYUKHUNKU, JYUNHUNKU

CHHNAI HsOBaTHIOHdAeTIOOHeHepTeKnHbAeBnVHnVAI (Pp. HANHHNHOHAMOTcCOBETCTBOILyO KHTOHVCTOBHcHbHAHnPHyTeKtAeHbONHOYTOPOB3AENHnOJIOYCHcHcyKoEIOKTHCAHnHn

STB BxdoHn pasbem deKoepa cnVIIana

CAME BxdoHn pasbem nIeKoepa nIeCTBxN

AV Bxdo. audHO-BnDEO

SAT BxdoHn pasbem cIyTHNKoepa TB

BD BxdoHn pasbem nIeKoepa BIIuay IeKoepa/DVD3 nIeepa

UHD BxdoHn pasbem cIyTHNKoepa UHD

PVR BxdoHn pasbem nepocanabHoro HApCmAb HIIooXHa

CD BxdoHn pasbem nIeKoepa KcMgAeT-Drckos

HM BxdoHn pasbem bCTpOncHIO nIeHCPa

IDAB BxdoHn pasbem aIeDpEeHNO IeKoepa [ot kToHn HII CIII HAI HaeHIN ot cIpaHb/peYOna HIO Moket δBb HeDCOTyE HII aaipeH pceHaepe]

NET BxdoHn pasbem nIeKoepa cIeY

USB BxdoHn pasbem aIIeHIIero US3-ycpOeTba [He IpKwep, DcIcua]

AUX BCnOMraterHn BxdoHn pasbem (na IeHpy-ⅡeHⅣ)

DISPLAY PeBeocBnHn aBykoJoK anH (fABC) ot coTtBtCtCtHcyHn HtC tJcHcHcLc, UcIcHcHcYcCtC cCoHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcH

B DuaHCHI HcOxHJHXAUYDcHbCpUeMnMnKCHOHAnHApHHeN 1XyPPOBBE TFOQKTHQHOPW, BHTIOHNH YKoBHIN NHIIOIOOHOYIOHO EIOHIMNE, VIOI OyBHyH CIOIOHNCMOHcyk,czUHOaN K MNOH BEEK KHOHpydRAI pssBaEMo, OZOpTne cR. RUI-3C. OCBatate BHAMHEAE, UTO HEPANDAHBEY TCEOKHAER PDRIGIERK JOTCYBCD8OyA. HAcTePOH XOd NOYMNAHIO

-1DIII (H) HAIYAHINHIO, EONHIO HE XICHOHYEAYBOK B OOPWATC HIXO, HIXY HOYPOKBOHIO, BAO YAMCHMOH, I (P) OCYCYYHNO BAOI F DAVI HO YAMPOHIO KIOHIO, ADOY CHIKOHO IIPPOPOO BAOI.

Rnna 200300100000000000000000000000000000000000000000000

Crepeo perynatop

[1]JINPOCTYI BAHRAMYI BAYLA KITANDEKARI AXOCHAMA-ALHOTOMORI CIEPEOAPEMEM, HANHIVITE KUCHNI DIRHEZCEMITE CIEPEO
oeepyto 003n 003n 003n 003n 003n 003n 003n 003n 003n 003n 003n 003n 003n 003n 003n 003n 003n 003n 003n 003n 003

Pn mnnnne. nnnnne pnnnnn Cnpnnnepn Hcnyeae Bnntyipnncnne HnKoHCTOHNNM Cnannnnn 300nane, HTO HNKOHCTOHe CnHnHn Hcnpnnnnaa HnAHOHnHa cNoSyepn

Perynupobka rpoMkoctn

BANHO TOMHINH YO yOPOHIOI NIKJOKIOI PTOKOHIO HE ABOHIO TOTBHNOI OTOBAPKEH yOPOHN MOUHCN, NOYABAHMO H NUYAMMIA. PecRbepc NaOIO HO BNIH MHOYHIO KMOIOHTB HAI MNNHADBOI O TO KOHIMTA, KODA 0yTNMO pPOKoTHN DQIO DO KOHIEHO MANKHARIO TPOKOHIO OOCOIO HO KONBOI SKAYCNIC B CBOKNIO yOPOHN CHINHNA, HAOCHEN HNHOKOTBE HNDOTBVE TPEKA KΦHMMM NORYCQATCBN OEHb TKVMA, TIK IK NHONDE POMDCCOOH KOPHINHMI NKAMMHI MANKHARIO YPOHIN B OOCPBC BRCPOPCBDCNCHCNCHUNLHLKXFFCKO

Hayushnkn

THOHO ACTIONSCORES: HAYIINHIGK C PECP/PEP, INHIOHIOHP 18.3694 T HIOHIO PHONES, KIOIOIO HO BAO/YIWCH A JHJPO EPCJCKA CHAI CHA

NHNIOHNOHN HIN BINO O BHTEHPHONES HAHEHRE
NAHNNBIOHOHOHO 336MNEI 3001 8 BYD ONOHOHO
AAYK BYCJ MKNIKIHINHOO JY JOX KANHIER (LO)
DYNKHOHOHOHO HOOCLEE MKNIHPOSAOHIE HEOKOHO
DTRTO, TTOB UENPOTAHN KAI NIK ANOBPOBO YOKA
MOHOHO HOI POPTOHTUH UEPER HBNH.

PacunpeHHoe MeHOp nepeDne naHenn

Hnne Hnnnne Bmnnnepnne Tnnnnn nynnnn nee eee nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnnee nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nnnnne nannnee

C6poc K 3aBODCKM HAcTPONkAM

1. Onlay nioson potenti pyhce hactnokn pepeoek 1402K4A1HJHHPN1P1F5Y

PpOBepuBb6HOBnHeHn

PObjEeBaeHJHnHHeOcIOHHeHHI pOIOHBMnB C cETN (TpeSyTeoTOOIOHOHHeHHK BIEHInC hETN).

BocTaHOBHeHHe HAcTpoEK

310000HIOOORHC BYB BOCCTAHNBA ECCHECPOWKJ 320000CCHN4,420000COPOHN4XRC CTOOLODCSNHAD 330000COPOHN4XRC HCPOTOOH. 340000COPOHN4XRC CTOOLODCSNHAD 350000COPOHN4XRC CTOOLODCSNHAD 360000COPOHN4XRC CTOOLODCSNHAD

Be3onachoe coxpaHHe HAcTpoek

370n1000000000000000000000000000000000000000000000000000000000

BocctaHOBTb pe3epBHyIO KONIO USB

37 online noobotnet 06cc700b8, Bce hctpOBNH 33. cua, copecchino-ho HA USB Hocnlo

XpaHntb pe3epBHyIO KONIO USB

30.10.1941 no208n 6000BHT BEE HACTPOIN HA USD HACHTATNT

Pernoh

CyBCTBtEnbHOCTb 3aunTbi

301 HAPAMETICHEKCHI CYPYAOHNH-YYC BY CHINOHOT
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Peripalpatae lohokohai kashanoro holo hauzimochnck of toho kahoi fopamat akhen nolomvsh (16:90-21:30)

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1. H. Kornikov, K. Khonny, Y. Uspic, B. I. Puzincky, K. Koropavl, B. J. Xizhinski, H. Gashchuk, N. Kry, Y. Zucchinian, O. Sib, K. Khonny, T. Teuwe, T. Prex, C. Kryzhyn, N. Prok, H. Taraportar, N. Kryzhanyak
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DIRAC

ФункдiracLiveArcam

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Kak pabnlo, fyuunna Hcctponk Dirac Live n0bongnet
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3arpyka npinojKeHHa Dirac Live

Iaerayrnoyiporapamma Dirac Live C PIMKAK Kparrkoro pyoocdoepnboeaoaetotomtecebeepai

live dirac.com

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Dirac

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Tunbi DnHIMKOBIN: TPOBCCIOIACICHA HAIHOBOBOA HIOPOBOHO ACTOHNIKA, BUA OBAHNR KOHPHyPAJYJTHAMMKOB (KAK YKSE30H MCHNBI TUNBI HAMKOB) BYJC1CIOIIOHARH NBNSOCTOASDEEHNOT CHIHANBOH.

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Auro-Matic 3D obop pexiva noobius hero
mipopoeia-Auro-Matic 3D.

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Uppo: the unit is forced to use the optical (TOsLINK) or coaxial (S/PDF) digital audio input for this source
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1. BvBkN: (HOYVONKBIO)CKM BYAUYBOHCPIUPKRACHCIA. CnpnHm: INP CKMHN ByDyT PNPUUCbIpyoWKnB yAcKTH BYKOBNO DOPKKN. NotOK Dooy True HD AOXTOMAPCKN CKMAETCB 6 COOTBTCTBN C cyTOHKOANK DNQDAIETOPOKT.
BbCokn: PmmeHcTc MckM2hHe CKaHMe DnHMMeKcKTO DnMa3OHa Dn CBeDHeN K MHNMyy DnHpUu MkDg FpOMMm N TIOHHN YIACKAMBAByKOBOO DOOOKKA.
Dahin Hantopko Pnyimnemno Kc oek Dkipokp
paeepepn npbnapynepnn Kcoepctcyoepero
ylopofo zayonokono, Oe XaHpyrA a naTtA a
akvapnokoy Kaozai paa npkkiNneY yctpoKpOa.
Baanh -VIOIIOOYCHOJI JIPKPOWCHOOPO WMOONCHH BANHECA BYKO MOKHO NCPHYOMNVAHMMNIV (IPMAM N NEHM) BN KMOHTE BAGER AT OJTHNOH NBOHN NMOBBN HBNANK, NOBABIN BYO NO S. OP, OOBAPNTI BHANMAH,TO EEOHOONHOLOHIOHOHIEPEN PABIKD ANKHOHAI HAU OOH KAHNI DAIHAR OYI QUN NCBOPMT BEOHTYE OAOHEMHIN BANHC MEKUY REBIM N PABIKA DAAHKMCM PN MNEHEHIMA KBOHO OPOHNA
Auaonooe ynpn. DTS -YcHbBnEaBpOyP001- 342000000000000000000000000000000000000000000

Makummanhahpomkomoctb-OF3H4W-HE MEKCHMFAHJHOI pOMPCXH, KORYOPK MOKOH HACPOML LIM CIPCMB H INHIOH 1000000000000000000000000000000000000000000000000000000000000000000000000

Mace. spromokocb bknokohena - 1pH-2HCHNCKAHNBHNOFIOKOH CHCTEB TABHOB OBCTIH NIKI KBNOKOHVA HNNBIOK OIOOJI BHHNIOKHOKN CCAHNTB GyeDITNOKOOBA-I HCTPOKA COXPAHIN NKPAMETPOFIOKOH, ECNI NCONEIEI NKTIOB3B3HOE BHANMOH IOFOKOH (ROWONKO, OENBH) POMKOE) BILIO BAOOCHNA. CHXAHPNBA B NAHTH N AHTAPYDAKZKANJ3DN PAH NIKOHOHN YCTPOHCA.

OmoPb.OboIaKmienHbocbYc01-03aBpEbeHJ, aTe-CHe-KOTOPCIO KcIbJIbIeDJIbIeDJIbIeN aHaFcA OCTeTBA KIOJIbJIbIeHOF FIOJIcIyE-BHI KOMJIaJIbI, Yo aYooJIbHI-BIO IcJIbJIbIcBQDA EKIOJIbHI.

Yynpaenehe -BIOOCHNHCIOKHOONHNCYNYPEDHAPRPS232MNAIP(N-1)CINCA,NOAPBCCCNHBAIYynpaenehePcAHHHbXJAAHJIACMAOTAMTHPOBBHNHXCINCTCIOPAHNNHPWHTHEOB.ObatnHtNHAMHe,40MOKNHOHNBOSSATTOBbYypaeneheRS232MNAIP, HHOEoQDIOOPeMeHHIO.

Cemb-HaTPOKABAKUQHAEyycipnoCTBa

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Last state: Noonee Hee coctonHHe (no yomnHmHc)
BbBb BbBb 3BnB MEHNO HACTOOBN,DOCTYINBE NIKINKANIKI KINCKI,FOCHNYEICNNIK,HNCKI,AKHNIK,HNHEPDAKINK,SYCKNK,ATKAOKN

TnbliHnHaMKOB

HICPOPHN TINUMI JUNANMOK, KOOTIPMH KONPHENB HAIJIU KONHOYAPAHJ, JIHNHCC HICPOPHN IINHCHKCHIOH KCC AOCN KOGZH-HAUYOPADHCA, COXDHOOH CCK INEWSHTA HBNKBOHCHP CKI NIK HKNQO BDO HO-001CYP1G43.

Ipeohui neebu/npaebu

UeHmp.2pOmKoZOBOpumenb -

Obemn.n8b//np8b#
06bemn.3aHui neBbI npabbi

Bbicomcnepeo

Bbicomaho3a0

(\text{品} \mathrm { E C } _ { 1 } + \text{公} \mathrm { C } \text{公} \mathrm { R } \text{公} \mathrm { R } \text{公} \mathrm { R } \text{公} \mathrm { R } \text{公} \mathrm { R } \text{公} \mathrm { R } \text{公} \mathrm { R } \text{公} \mathrm { R } \text{公} \mathrm { R } \text{公} \mathrm { R } \text{公} \mathrm {R } \text{公} \mathrm { R } \text{公} \mathrm { R } \text{公} \mathrm { R } \text{公} \mathrm { R } \text{公} \mathrm { R } \text{公} \mathrm { R } \text{公} \mathrm { R } \text{公} \mathrm { R } \text{公} \mathrm { R } \text{公} \mathrm {

Bonbou: BOBONHOOC BOCIOFOB3OCHNBOHOT 1BMBIOHOBCO1
Maniba: HOMO-MOXOCHTI ROCP10287HJTHOR POMIOHOACOTIOHO MANBOIAIIAI1AIBKIXHACOTAX

Фундул Дно: 3 KOnФудул He"ДИМКИС ПИМЕЧАНО. Иебоэможиу указаим дг зася duhamukom mon m'ManuH, сени Конфύzypaquu duhamukov hem caboyepa. Ссану caboyepa, samnompebyemу укazаим дг поюнх duhamukom mon k'bOlsoiu.

Cabiophep 30 onn mssonrert 56o8pexnn, np
KIOPOAPB RINHNNHNE BRRQHN HKNWNI HAIROEIECHIOH
Kahna KcNHOYOTR pOJ OPHORO cabiyepe Taas
NtnehnhbHXBRIQoJ.

13u14kahan

15U16KaHAN-

Yumpoumea - HUHENPEI BACCTOBHBA E 8EHNHLX MHTNPOKBOBHOAAMHHKPCKCTMEPEH

Nepedhu neebu

UeHmp.2pOko2oOpumenb-

NpeoHn npaBb

06bEMH.np86b1-

06bemh.3aohui npabbi

06bemH, npedhui nehui

06.12.2023

JebbI aepxHn cnepedu

PpaaBbeepxHui cpepu

Jeebuepx

Ppaebiu cepx

Ca6eydcp

Kahan 13

Khanan 14-

Kahan 15-

Kahan 16-

NAK CHIIMHO B MCHOJIHNA HeippoaHa Hc.1p. RU 27,
MUMPOE PACTIOHO O KAIJIO JYAMHIMA JO YCNH
POTCCHYUMHHH N BHPWIO IOHNHHE 3B-HENH,3IO
TCEHINHIE PCCCATIHIN KOPPEXHOC BPOH O HCNCHUBH

3apekpechepa JnKdO dHaAMKa

YPOBHN DnHAMNKOB

Hao yao kai hui oponk yozhao chun hua tccorbo huyuohipoco hui xue pchA HEMAHKA AHPKPOBCH BIOKPCNCTYBIHAN

IPNMEVHAHJE. DnAMUKU, KOAPbIX h a auew KOnOyuaa, 6y3ym bdyedEnh cepb ycaemom.

HnHHe HnHApOeNnHnHnHcN KO aee NnOoHnB 2yHOp03bEMAM,ccpAaNtCN BNNMnNnBnOoTcN ON KAKOM DOK OCHYIN CYTOACTO.

TeCN-moh -Bb00 bpyhenero rehepatore taTcero 00hna hnnnncrte cctcrno on Hana of aupaHoro 8411111111111111111111111111111111

IpepeHu nebby

UeHmp.2pOmKo2oOpumenb-

Ipeodn npaaib

Obemn npaebu

06bemH.3aHn npabbl-

Obemn. npeohu nebbu

Obemn. Jeebii

Jeebubepxhu cnepeo

PpaaBb bepxHu cnepedu

JeebBepx

Ppaabuueepx

Ca6eyep-

Kahan 13-

Kahan 14 -

Kahan 15-

Kanam 16

MnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHn HNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNN

ypoeHb LywOe H KaKdoMn-Hmke.

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Bx.BuJeopa3bEmbl

HACPOKDAONOHHTPHORH HAIANHEWII
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Budeo6xod CD-

BudoeoxoAux

BudeoxoDM

Budeoxod DAB

BudoeoxoNET

BudoeoxoBDT-

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HactpoKn HDMI

Hactpovn B daHmO Meo hnoaonot pernyopabot
p30pehuebna baoxoloro carnarca C baegepoeocoa
peceepa, daHne Hactpovn pinnmeHOTcK oBcEM
DIOHIM DaEOOeOEBM. cXpaHOTnB P 197H N
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O6ooHDHUI 一 一 101napcipipypaipcicxoyuovb o6oju HDMI Ipyiunpcknn B PCKPCKUHNBv6op amur Kncn Bnnoctna (no yomnauHn)
mcaa, 100 yfynpu (Ipyiunpcknn (no c) n. o60nu HDMI OHNCHN. Bu6op omn HDMI n I pO uonhA, 100 yfynpu (Ipyiunpcknn (no c) n. o60nu HDMI

McmuHnK 6xOaD HDM1 - Kx60p kXoA pXoB cXoE aHDMb CHNCHN HxOy PnXoY KxOy KxOy KxOy O nocRnHpa.

UHa ypaenHn CEC-8660pynpaenHn CEC HA 0KQo2.1

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TB Ayduo - STOTI NAMOLOK ENKOVAH/STOKIKAHAO ACTOMIMYCE KIDENKOHE HIB AYIDU EARC ACTON.

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HacpoKn 30hbl (AVR20, AVR30, AV40)

Coccykai CICCKI HICIOPOI IOPKOCHNI INAMPOPIP ynpnaneia 3a0a2. DInbHne HAcNPOI pnnmertioi KcKcBcEeHINHcKpOaHBM, COCAHOHOTK 5bWATY BBOOOIOIOI PKN KNOOHNKIOHOHYPCTO3A.

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fpmkocmb 30ha2 -Teyuaan rpookoctb 30ha2.

Makc. xporokmcba 30a2 - o pahnuehch MAKC 11111111111111111111111111111111111111111111111111111111

DnKcnpoabHn npomKocmb 630ha2 rpoMooctb 30ha2. KOTOPAN MOKY6B 1abNOKPOPAHBAI BTEyEBAI BIE-HIMN DNTIOBtOBaOH C BEEHHWYCHNTTEM C COCTeEHKO HICPOPOKTOPOKMOH V 30ha2

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Becpnoopnca cebt. cnpbtaaonc no nbooanow nyocnnae AirFly Apple Inc pncnoknny Google Home.

SSID = (Tofu-ku hongkou) 106bapnncnue amnch cenn (SSID), x toponpa a hactoiee bdoen ro kudinckn pepeae npocaoan, encn mnohcyee nnpocaoe coednne.

VAHETCOEAHHEH，ECNNOKHOHHEHEOTCYTCTBYET.

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MAC-odpec -{ronko hinfopawip} yhnnanbniadpdec C2C0B1JN 113463658

JNPKCEMKHOUM -OHIOH HOOOOMDIOH CCHOOO JDPKCTBENHOUM WABILIOO DEVSEHS

bIouy3

Pecnep 60bopycbH ayDxOxOxOblteooth

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Conjarenhe ycpoimcna -OTcEpaKpCnCnAeXyPCJ103, CONjepaHcHx C PCPbBEmo

HnBnVIOHOOBABHpyKpAeAirPbIcHronCest builin, peBaepoepoe4 8bBnDkOeHKnKoBHeHIO pOBOHOH 1NfEpcOBOHOB CETi.

Rcogy,ckpaeyexkyofoohcnaehkao 1000
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6ecnpoalior ooeiHg yocdooboe3y. 00
nonaerae aieHHHIOOchmHNK 39HIOHOH3yHa

IopKIOUeHne Kcetu

SdHneppea.

DomaunnaCnCTema

abTOMaTHueckoro ynpaBHeHn

KOR3 DECEBEO NOJIOOCHK CcVHONMOEYIADEHNOYPNBBBCTC NOMOHO CHINIMPOBAHCHOUPDAMMO O OBCCHNEHHPFCAHNN ANCMATMHNDOA

Teke breswe mthymoanenw Taokoeocmmy Hpees noot RS3232

IOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIOIO IOIPOOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPOPO

JINI HU YU CHEN JINI CECKAR KAPCIMUNA OBPDAHINCEK KOKOMENTHAO YI YANGHAI YU TPOCKTCHN, KOTZHO MOKHO HAI NAO B6-CABITW. www.orcam.cam.co.uk

Hacrpoika AirPlay

PpOBoDnoe CoeMHHeHne

PaoocoeHntte cetepoKaebb Ethernet K pecnepy.

Ima npocryuunauhau Aydu upee AirPlay h a buaen pecepepeyepre, Ua taue yctpckcto Appe noaknoeho K Toal kce CTo U m pcpeep. H npoc osepepe erdo a Kahectoe yctpckctta BoocpoedaeH an ayuui AirPlay

PmIeHnueAH. PecAbeBBycOToBpaHbAaC MCHUdAMNHAt AIIPlaToc HMeHemMaeBbEARCANxxxxxx, rde xxxxxx-100xCTN666 61#fph MAC, aUCCCA yp123456789

BecnpoBOdHoe POnkNoyehne

TnKoKoNcYcPcRbChE Aplle KIOKcCcO, K KIOpOa nKIOKcOepeKep

HactpoiKa Chromecast built-in

PpOBoDHoe CoeMHHeHne

IopoeAurne cetobai Kabenb Eternet Kpeaepy.

BecnpoBOdHoe POnkKIOueHne

Bpnyte npnncne Gogle Hcme nycnoae er.

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Dn npocuunbny ayno nao nopeepnoeae
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bae ycpnoa noqnoe Hn kro cne, nro
peoeep. hao nhe n anohok Cnromecad builin a
npocnohna n noepie neepep e kaneke cypnochna
BCIOPOEAEH

Pnmeyane. Pecnncp Eeicnt Cieoepnck H MCHN HAPNTKNI INMENH MNEYAR CAMXOOO, type XOOOOX -XOOOJI6I 6 (1) MDC-1000C yOIOY

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Peccehre houpeepnber Bce knoeepne pepeaeky npoeepnn H oepapn aen ananrnnn Hpnpoeox CmHao, BocnBae pOamTb BucOKo daOpCCHN nocnepnHO tonkneHDM).

Pekmbi dny ufo poobbix nctouhknOB

HIOPOBENI 3A 100000000000000000000000000000000000000000000000000000000000000000000000000000000000000

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NaHpme, Do By Surunnd NeobxpoMnB aBapb bOyHn.

3anomnHaHnepeKIma

Ayio Dolby Digital Media DIS (xHOBH) (xHOBH) (xHOBH) (xHOBH) (xHOBH) (xHOBH) (xHOBH) (xHOBH) (xHOBH) (xHOBH) (xHOBH) (xHOBH) (xHOBH) (xHOBH) (xHOBH) (xHOBH) (xHOBH) (xH OBH)

OObshnE03yUHmI (HTHPM, TPTb oOIOK KAnHOH NcAsSyFcp, yHJTHKCHSA 5.1)

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C NOMLOE C KOHNK PEXMM

06Obemnny zayk (KanpimcE, Dolby Surroul, DTS Neubrad A1.17

Ciepe.

PcBcBcCoCpAePcIbApOHHnBnKAnIOIO IcIOHnHnA. TAKAM ocbOo, pOcHm dNkOJIPOBHHnBnBnCtclDyocuX 1pyIIOIOHOHnMOKOJIOHNHnBnEBAHBOVIO

MocnHnn Doly Digital (mhoKanhae) nD1S
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PexmbI DbyxKaHaJIbHbIX NCTOYHKOB

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Cmepeo. -

16-KaHaHbHoe cmepeo

Opnm Dolby Surround

Dolby Virtual Height -

Dekodep DTS Neural:X-

DTS Virtual:X-

Auro-Matic 3D

Crepeo

H HnH pnnnepeepnepnepnak 00000000000000000000000000000000000000000000000000000000000000000000

Ctepeo perynato: novotetoc Hanyuetaero KHeTb 3a yka,ecm Ectb aHaHoroOoe NoCIOHHe.
16-Kanahnoe Ctepeo: BbOBDIT 3Bk H3 JHANHKO, KOTIpy TReBb BXOHOH PAHEH HA BCE JINHAMKIA, a IpaBb - HA BCC PONBAE DHNAMKII. Cen pTaeIbHbIMAMKHOBDIT 33yK KOJ SIBNJACIK, kR JINPABIXYPMHAKIO

DopMaT Dolby Surround

Ooaii Dolly Surround houaohebei Huyu Hua Coo BAOJIOI M JYXH IN EOCEN HAOBOHAI JIIM KAOHINBHIO 00KFOHCHIO HIOHOHEAR HOX YCUNHIEH NIPAMHOKB B ABELOB DACTVC.

Dolby Virtual Height

Hckncnep Dolby Virtual Height obcccehne BnBcBnBnCk
KbEeTcB 38y2 33 cTt BpRytBnAaBnKoHTHa BnCBtO
R CBAEBN 1. TpDnAaBnBBnKoFmDyBnABn
PrrnKoBnBOCTON 60C HcoBQBDIOCHV KcOHOBxOBH
dePbXn DnMnBKnO. PpnMaHne 30 pckm HocOcyTe,
ecnAocIbOyBTOBnBCnOHNE OPOHNH.

Декорд.TS Neural:X

IeepDISNeurX-ATOycnepnctroBnn anoptnnoNbuaoeroMnauippoaHn，noaoumoun 0nOHTnpeobpaosaeJe7.1.4KanoePraee

DTS Virtual:X

Dekoeep DTS Neural: X coegaet 0eefk oobemhoro
BvHbHnHcN: CnHbHnO HApHbHnHxKoHbHx, PnHbHnHxC. TTo pRbHn HcOCTyHcx, ECFV
KcTcNtBcYrCH BcHcTHxKoHbOHx

Auro-Matic 3D

Auto-Matic 3D Notoconer Hacarpatthi Kaekfoktor
PnycyCTBnA, Cc220001
jipnncnHnHnHn HxO2000
Kb1383 BxOQnIeTo AyoDCNtBn73, YTOo5 ZcE6BnT0
pocDnepEnBb3vC13cEeOCTyINHnOBXOJIeB EaIaAMnK
NnOoSbTeTtemCaAeOeTOTpOCyUBAHnA

Pekmbl MHOROKaHaJIbHbIX NCTOCHIKOB

LippoaHANHOHIOHIOIPOHIO
PcOeOoAIOHIOHIOHIOIPOHIO
KAK KAYOIO S.T. KAHANI S.T COCTIOI H
NEOEOIO IAEBO, OePpAOIO IO pOPOIO DHIAMOO,
IKYX JAMMOKO OIOBMOIO OYKIA KAIHNAI HKOHOACIOI.
OCOIOIO KAIHAI KAIHOACIOI HOHIOHIOKAIHOOM C
NOHNOI PABLOCHOOHIO OHOSOHABETCR KAK T.S.

CckmHb003BnyDekpOyET Hc0pO-600ADT
KAN 51 HcpcnccnHNO. YyNHNCHC CcHcnnn
PcIyDQoHOBHcBcIaHNND D15ES cIaHbIIN
PONIOHREHHN TNNHHK KAHNTV NcFpOeMnH,
XPAHNCNcK IyRyCNHANbO bEOMHO OYK ANOMHBA
5.1.YiHyTHCNHcCnHbS EYHbNHO HNBOHcNt CcHcNHO
6.1.3rO pOeHNHeHHn OgbHn KAHN OEBMHO
8yKa OHnHO BcNPOBaOHTOncepe 3sA OgEHNH
DHaHnHO,OBpaY CIcCTMy VJ.

DTS-ES Discrete Narmatoc HCTOHHKOM 6.1c CHeTIO DACKPTEI3A4HPOBHBHMKHIJAMKHMIKAIOTN HAKKIXHAROTI8

Doy by Digital Plus, Dolly TruthHDoy Almos, DTXZ. DTSHDyAuro 3D 20mmolonopomermaBomeo 300kDa bocokoro papaueiHmchnohEybemnnaI a daacKa B-Bay

PekmbldeKoDn-poBaHn

KoHnH, HIOOCHYCHNHIC 1CIOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO OHOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOOOHOO

CocBSe peRnA, TaRae kAC DTS-ES 5.1 discrete, Dolby Digital Plus, Dolby TruSHD, Dolby Airnes, D1SX, D1S HD, MAX ENHANCED in Auto 3D, pcynmnl rtoke npk Harnnnn COOTETCTEYKINX MCTMNIKOB

AynonctouHnK BbCOKOrpa3peHn

Dolay Almos Kanch Dolay Almos	MinkampyecnKanBvWbOcbckn, a Hc TpaIaHmHnHac KANHIM, PONAMY MOKZI BOCITBbBHeBcHc HcCMAH NPOBbUcPcHMaN KOHINCCCTBa pactoTakChnB BaAunJdAmHKn.
Dolay TrueHD Pnpocctaner KOnf	KuparapuKo 7.1 nohnnk kauhno c cacrton 96 KU, parapuHem 74-61 Be3 tntepb npri CcknAe. Ckpocctb Hpepeyra daHnX moKpn coctatantb do 18 MoTc/°
Dolay Digital Plus Pnpocctaner	KuparapuAaNo 7.1 dRcpenBax ayDIOB c mEeB cTneHnKo CkAan No cnaaBHNc c oobnHnKoLiporabHae Doly Digital Ckpocctb pepeaHn DaHHK MoKet coctatantb do 6 MoTc/°
DTS-HD Master Audio Pnpocctaner	KuparapuAaNo 7.1 nohnnk kauhno c cacrton 96 KU, parapuHem 24-61 Be3 tntepb npri CcknAe. Ckpocctb HpepeaHa daHnX moKet coctatantb do 24.5 MoTc/°
DTSX* DTSX kannetra deokopoea	Kotopc oboece-Heaert Konentc c nohnm bdofoekto npucyHnHn, daQyprnAnHn c honHnko KoYpOBeHN D15X. KauHcH 135X cctoTn 1a yduOpOeKnHn 10 kDaOaHnau yduOpOaHn n yduOpOeKnHn. Deokopc DTSX taKepeopopoeHn yctapeuee foepaBt DTS, bauHn aotokn D15-HD Master Audin 63 be3 noTc/°
	HoupycnBnBt kauhnoe eKoHn puyanBn Bnnc KaHn 7.1 (KauHn) eKpHnnc paHnHn)
	OboCtCnBnBt xJyauHnDC 1y paHnDC, KToOpoc 10uBnDC: TOnHbBnDCBm peHnHnBnBt 1Bx B CoTReCTTHC CO CBOHnpejPoTHeBMM YnCpHnBm upocyHnBnBnHn
	Pepeaepaepener noob KoiTe TTDS B coTReCTTHC c noBm PaCnOeKe Hm dHnBnKo
	PioupEaepaepener fOpaMaBt BnRay Disc (RD), D9D a noTocOeBoro MybMeJa, a taKoKe ycTapeaepaepener totoKo 192 KU.
	BnHnCaJe NeurALX, HooBtuOy TeKhoHOrO NoocBuaioe/oNoHkaioeero MknUppoBnAor DTs.
IMAX Enhanced Ipoccykui IMAX*	Enhanced oBcAe TaBm BocOkm pUoHm TaCpaHm obcEbnHm HauHcyuOy UoCtHOCT, KOnPcTCHOCT, YcHoCTb 3Bk, 3HnPoccykui, daobpcnHm IMAX, ChocOBHm R OOHm Mpc pOeBnKaHbTa CaHm 3Bk, 3HnPoccykui, pOaHnHm pOaBnCHeHm c HcOuBHeHm BocOeBcCt BcHnOo HcCkoHm IMAX Enhanced Ipoccykui IMAX Enhanced ycAouHnBn HooBn CbAepd bobcHn pOaHnHnBn PbeueueeHn

AURC 3D AUROC 3D nperectamert c obok na kaxhenl dekeo, kotopb j bosponpoedn 3ayk Hn npoc x ypnnhckn ha ypcnhc yek, yho-cho hncn n yho-cho d'ohcnba botan, coaynba adapcknt noprnyckn a cdefpy bya.

Диюctоннов Dolby Digital

Dolby Digital 5.1 Hcnpouchnik Dolby Digital 5.1 nperectamert 3ayk c pithy jckcprenbma IeKoOpaRdAeBHeNnK KANAHM NCHM, IeKoPraHn-Hn, IeKoBm ObeAeHNO 3ayka, IePahmOB oBeMeHIO 3oyk n KaIbOM HNkXb-ACTon.

Dolby Digital Stereo Downmix Npoc Hnner yem hne TncoN KOHAnO cTepeo dNnnonoBosAer NeyuNko. Dolby Digital 5.1 + Dolby Surround IeNn h yexm hnoTnOyepTn pRyBaEeHEmn NfOeMaHn APrOyOnHx TnHnHn KANABO oBeMeHIO 3ayka n KaIbOM oBeMeHIO 3oyka c POMCbo HnDeODepa Dolby Surround.

Диюctоннов DTS

DTS 5.1 MChoc pacinpac biHnHn B IeNnMOL Dolby Digital: b ayLaoPoc paicnipnnaHcy Kak oBecepeNaaOoi npoeooKoHO KeYeTTO 3ayka. DT 5.1 oBecepeHnOe obembl B 3ayk c TnOaHIO pTN NAIABOB c NtNIM DaTbSOHc HnKANOM HNkXb NACO.

DTS 5.1 Stereo Downmix TcOeHnK IeNnMOL HNCO KANAO cTepeo dNnnonoBosAer NuyuNko. DTS-5.1 Matrix Eto fopat m KauH IeNnMOL HNCO KANAO cTepeo dNnnonoBosAer NuyuNko. DTS-5.1 Discrete IeNnMOL HNCO KANAO cTepeo dNnnonoBosAer NuyuNko. DTS-5.1 Discrete IeNnMOL HNCO KANAO cTepeo dNnnonoBosAer NuyuNko. DTS-5.1 Discrete IeNnMOL HNCO KANAO cTepeo dNtNnonoBosAer NuyuNko. DTS-5.1 Discrete IeNnMOL HNCO KANAO cTepeo dNnnonoBosAer NuyuNko. DTS-5.1 Discrete IeNnMOL HNCO KANAO cTepeo dNnnonoBosAer NuyuNko. DTS-5.1 Discreet IeNnMOL HNCO KANAO cTepeo dNnnonoBosAer NuyuNko. DTS-5.1 Discrete IeNnMOL HNCO KANAO cTepeo dNnnonoBosAer NuyuNko. DTS-5.1 Discrete IeNnMOL HNCO KANAO cTepeo dNsnonoBosAer NuyuNko. DTS-5.1 Discrete IeNnMOL HNCO KANAO cTepeo dNnnonoBosAer NuyuNko. DTS-5.1 Discrete IeNnMOL HNCO KANAO cTepeo dNnnonoBosAer NuyuNko. DTS-5.1 Disfinite DTS-5.2 IePocdoantner do 5.1 ydaKoHnAeBc c TaCtOToN 90 KU, pazPeueHm 24 6v n obecne-voetet eBnKorreHoe KHeTcAo 3ayka no cpaenHmio coTcAepTbM DTS 5.

Pa60Ta Tiohepa

PecedaoobpOyDae-THOEPOMFMDAD/DA3-（KUPOOOE ayIOH）,MTOOEOO BYAMNCHEMCMOH 1BHHbIeYcIyHn HEOHIOJIICSHIOHOCHE

B Daimoh paopeo oocaaabaetoe pabore nhepa. Hcoopayno a hactpale nhepa yctahake anen H cnoiH 401-196 RU-11

HactpoiKa/Bb6Op KaHa

TUNER
pocepoe pocepoe 10000000000000000000000000000000000000000000000000000000000000000000000000000000000

AhanorOBoE FM-paio

Hacpohna HactoF FM-paiporpveuHIOO cyeocettonn c noonboe hnoon H N y nIbte dcta-ooHIOHO npypanoe bpeoewy cyprOeBCTUN. OtnbEsH hakatana hnoonno nnoBHTN KIN noosbHbHcTACOTy H aenDnA T. Pohk haukarin H yckopnHn BhoiKOHOHAcHPOrA 9 Teyehine AByx CeyHN, ToHep BuOnHHT NoK x CTeayCto ChInBOHnO HbN, BuKeene octo BTOHnPoBck S Booboe HPCW, HauRn OJyN KNOHOHcKADHnA CIC pds.

Bepone acpnoe HpaKoKet noyab
CnHnHnPi paoTcKa, nepeaabeae HekotopbMa
ctan BnHnI-ooepnHnR205 cOeepoepoepnHnHnHnE
peAocchnnmMy3kKnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnHnH nOoPwne MyBaBncBHe CbeHHN OeeHHN eepjck
NfFpOePpOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeOeO

UnpoBoe padnoBoeaHne

Ldpoe paoepae (DAB) ctaipnntc
boc bonee doctyn Hm. Cmonite
www.worlddb.org/country information prn monyehna
HpOoMnIO pOcTym-0CTDA3

BAM 1060000000000000000000000000000000000000000000000000000

JINI NOKCA DAB CTHHNI BUCOPAE DAB TOEPE,ATES HAMMATE INYCIPWIMIE KHOHYO, NOKA HA JICHEK HE O OPBIFRCH HANNA KONKA. PECPSE PEPENIH MIOKAC HOXN HIXHIN PAPOBOCTI DAB IN CCKHNI CHIKORO DOXYTHYNXPAQOTAHNI

Pnncne 3abepueHn noKbA Bcoketene npckpyuOaB CIBCK PABPOCHIN C HOMONIO KHOH N R yNtEe HcTcHINHcHcHcHcTgYpABHHN.1Rn pCtckyHcHcHcHcHcO OTOpaKaMDA CTBAHIA HApHsTe ECHN He HAcHZeTE B THeHaeDaxceHyd,HeActee CyDeT OToBpaKaHcHcHcHcO DocPbOoBHaHn B TeKhyH MOnH cTAtyH.

CoxpaHnne N Bb6op npedBapntelhbxHa

Hbopn 100000000000000000000000000000000000000000000000000000000000000000000000000000000

ydaene npebpntelbno hactpoehhbx padnoctaun

HIOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHOHO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO HO OHOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO HOOO Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo O0 Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oo Hoo Oe

UctpaHHeH HeCnPpAusbocTei

Посьема сюнокусяпсocсимь

Издмитрий ушаловский не пось

□ Каблелы ведимлары ведимлары ведимлары ведимлары ведимлары ведимлары ведимлары ведимлары ведимлары ведимлары ведимлары ведимлары ведимлары ведимлары ведимлары ведимлары ведимлары вед trimурахаллары □ Мата Каблела р�оть. □ Рета Каблела крашайен □ Синлары Каблела □ Доставлиа Каблела □ Нараллары Каблела □ Нараллары Каблела □ Нараллары Каблела □ Нараллары Каблела □ Нараллары Каблела □ Нараллары Каблела □ Нараллары Каблела □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黃доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггеля □ 黄доггILA □ 黄доггILA □ 黄доггILA □ 黄доггILA □ 黄доггILA □ 黄доггILA □ 黄доггILA □ 黄доггILA □ 黄доггILA □ 黄доггILA □ 黄доггILA □ 黄доггILA □ 黄доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггila □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黑доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггila □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黯доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггila □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黭доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггila □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黫доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггila □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黿доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггURA □ 黱доггURA □ 黱доггURA □ 黱доггURA □ 黱доггURA □ 黱доггURA □ 黱доггURA □ 黱доггURA □ 黱доггURA □ 黱доггURA □ 黱доггURA □ 黱доггURA □ 黱доггURA □ 黿доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黿доггURA □ 黱доггURA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黵доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггALA □ 黱доггALA □ 黱доггALA □ 黱доггALA □ 黱доггALA □ 黱доггALA □ 黱доггALA □ 黱доггALA □ 黱доггALA □ 黱доггALA □ 黱доггALA □ 黱доггALA □ 黱доггALA □ 黿доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黲доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггERA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黀доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггOLA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黱доггILA □ 黲доггALA □ 黲доггALA □ 黲доггALA □ 黲доггALA □ 黲доггALA □ 黲доггALA □ 黲доггALA □ 黲доггALA □ 黲доггALA □ 黲доггALA □ 黲доггALA □ 黲доггALA □ 黲доггALA □ 黵доггILA □ 黵доггILA □ 黵доггILA □ 黵доггILA □ 黵доггILA □ 黵доггILA □ 黵доггILA □ 黵доггILA □ 黵доггILA □ 黵доггILA □ 黵доггILA □ 黵доггILA □ 黵доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггila □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黴доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггila □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黐доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггILA □ 黽доггALA □ 黽доггALA □ 黽доггALA □ 黽доггALA □ 黽доггALA □ 黽догgALA □ 黽догgALA □ 黽догgALA □ 黽догgALA □ 黽догgALA □ 黽догgALA □ 黽догgALA □ 黽догgALA □ 黽догgALA □ 黽догgALA □ 黽догgALA □ 黽догgALA □ 黽догgALA □ 羊dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黐dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黐dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgALA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgALA □ 黽dогgARA □ 黽dогgALA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黐dогgARA □ 黐dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgALA □ 黽dогgALA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黽dогgARA □ 黐dогgARA □ 黽dогgARA □ 黐dогgARA □ 黽dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgALA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黽dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgALA □ 黐dогgALA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黽dогgARA □ 黐dогgARA □ 黽dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黽dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黽dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgALA □ 黐dогgALA □ 黐dогgARA □ 黐dогgARA □ 黐dогgALA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黽dогgARA □ 黐dогgARA □ 黐dогgARA □ 黽dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgALA □ 黐dогgALA □ 黐dогgALA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黽dогgARA □ 黐dогgARA □ 黽dогgARA □ 黽dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgALA □ 黐dогgARA □ 黐dогgALA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黃dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgABA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黃dогgARA □ 黐dогgARA □ 黃dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgARA □ 黐dогgALA □ 黐dогgALA □ 黐dогgASA □ 黐dогgASA □ 黐dогgASA □ 黐dогgASA □ 黐dогgASA □ 黐dогgASA □ 黐dогgASA □ 黐dогgASA □ 黐dогgASA □ 黐dогgASA □ 黐dогgASA □ 黐dогgASA □ 黐dогgASA □ 黃dогgASA □ 黐dогgASA □ 黐dогgASA □ 黐dогgASA □ 黐dогgASA □ 黐dогgASA □ 黐dогgASA □ 黐dогgASA □ 黐dогgASA □ 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Поседу чу витрий рисьп.
Букхостахдамсьдддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддд <|im_start|>assistant	Бубгий и лесьдддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддддд	Вубгий и лесьддддддддддддддддддддддддддддддддддддддддддддддддддддд	Вубгий и лесьддддддддддддддддддддддддддддддддддд	Вубгий и лесьдддддддддддддддддддддд	Вубгий и лесьдддддддддддддддд	Вубгий и лесьддддддддд	Вубгий и лесьдд	Вубгий и лесь	Вубгий Бубгий Бубгий Бубгий Бубгий Бубгий Бубгий Бубгий Бубгий Бубгий Бубгий Бубгий Бубгий Бубгий Бубгий Бубгий Бубгий Бубг� Бубг� Бубг� Бубг� Бубг� Бубг� Бубг� Бубг� Бубг� Бубг� Бубг� Бубг� Бубг� Бубг� Бубг� Бубг� Бубг� Був Був Був Був Був Був Був Був Був Був Був Був Був Був Був Був Був Був Був Був Був Був Був Був Був Бу. Бу. Бу. Бу. Бу. Бу. Бу. Бу. Бу. Бу. Бу. Бу. Бу. Бу. Бу. Бу. Бу. Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу Бу B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B B G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F F G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G C1000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000010000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000015

RU-38

Dx

EiB NauKxH pIcxM pIyD yH TeBaKxHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcH TeBaKxHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHbHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHdHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHcHcHcHdHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHcH TeBaKxHdHcHcHcHcHcHcHc TeBaKxHdHcHcHcHcHcHc TeBaKxHdHcHcHcHcHc TeBaKxHdHcHcHcHc TeBaKxHdHcHcHc TeBaKxHdHcHc TeBaKxHdHc TeBaKxHdHc TeBaKxHdHc TeBaKxHdHc TeBaKxHdHc TeBaKxHdHc TeBaKxHdHc TeBaKxHdHc TeBaKxHdHc TeBaKxHdHc TeBaKxHdHc TeBaKxHd Hc TeBaKxHd Hc TeBaKxHd Hc TeBaKxHd Hc TeBaKxHd Hc TeBaKxHd Hc TeBaKxHd Hc TeBaKxHd Hc TeBaKxHd Hc TeBaKxHd Hc TeBaKxHd Hc TeBaKxHd H TeBaKxHd H TeBaKxHd H TeBaKxHd H TeBaKxHd H TeBaKxHd H TeBaKxHd H TeBaKxHd H TeBaKxHd H TeBaKxHd H TeBaKxHd H TeBaKxHd H TeBaKxHd H TeBa Kx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TBeKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H TeBaKx H

FL-39

TexnuecknxapaKTepuCTMKN

AV40

HACOHN HANHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINHINH

TapaTHn paCnPoCTpaHReTc HnHexeJeDyUoEe:

dnnn (a kncnne nnnn nn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nnnn nn

HauckobodmofoTunnpnpeocctabnercn rapaHmBteHe nmbnm cda noynk

TapaHmua He nookpwaem pacxoohn ha zamHy axkywnmnpa.

IapaHmua He noKpwaem 3ampam, c8aahHe cmpaHcnnpuOkou mosap.

PpeTeH3nn no rapaHTm

OcypyosnHaeonno hntyynokao-ho apnnnhye ykakoyin bocapae-dnepy, y kopooreo o hou nnpocpckno, hncipnneepnkyckopckcnoyckopckcn 0 1 ahojpnjxhna, he nohtoh. I pahnabnnn HCCO OIOIOIOIOI 60000000000000000000000000000000000000000000000000000000000000000000

Jnnpnnnnnne nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn

Bo3HnKnn npo6neMbI?

Ee enepn Eae ene eonrnnnna nnnnne aenrnne anennnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne enannnee ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnnee ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne ennnnne enannnee

OhnaH-pernctpaun

Bumokc tepckopoea npoobcehny poykHa cpe www.arcam.co.uk

MANUALE

ARCAM HDA

AMPLIFICATORI SURROUND AVR

AV40/AVR30/AVR20/AVR10

Benvenuto

Question: Is a good product in class? In an ambient home, this is the best way to make money.
Question: Do you have a good product in class?

PVR, UHD, BD, SAT, AV, GAME, STB

Collegare le uiche videoHDM del dispositivo sorgeente a quosti corrispondenti ingressi HDM.

USCITA (Zone2 - AVR20, AVR30, AV40)

SAT, PVR, BD, CD, STB, AV

STB, GAME, AV, BD, PVR, CD

Stby: in modalita Standby

Surround (ed es, Dolby Surround, DT5 NeuralX, ect
Stereo.

MOA (Master Quality Authorized)

Chromecast built-in 设置

无线连接

将以太网线缆连接到接收器。

无线连接

PVR, UHD, BD, SAT, AV, GAME, STB

H

Zone2-AVR20,AVR30,AV40]

3.请在本表中填写到的DVDH DMI ENHanced Audio Return Channel。
如表所示，请在TV上看到声音的“DIO”音量，将音量调整到10dB（FCC=47Hz）；
Press the OK button to read the text.

digiitel odiO kT

SAT, PVR, BD, CD, STB, AV

01

2AVR20,AVR30 AV40)

22HDM1-

哈尔拉托 克利安 克 奎

STB, GAME, AV, BD, PVR, CD

中

前用印AUX

AUX 3.5mm

前用期日托上

$ echo "The command's menu is: 42,0123456789";
$ echo "This command is a random number list".

中

中

甲乙

M 1

#

L. 10.3.4.5.6.7.8.9.10.11.12.13.14.15.16.17.18.19.20.21.22.23.24.25.26.27.28.29.30.31.32.33.34.35.36.37.38.39.40.41.42.43.44.45.46.47.48.49.50.51.52.53.54.55.56.57.58.59.60.61.62.63.64.65.66.67.68.69.70.71.72.73.74.75.76.77.78.79.80.81.82.83.84.85.86.87.88.89.90.91.92.93.94.95.96.97.98.99.100

T

歌樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂

舍地

명목	요这部分
AMP+	선류 기재 썸명목지poons
AMP+	선류 기재 썸명목지poons
AMP+OK	고수 힘명목지poons
AMP+	HDM 힘명목지,1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,39,40,41,42,43,44,45,46,47,48,49,50,51,52,53,54,55,56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71,72,73,74,75,76,77,78,79,80,81,82,83,84,85,86,87,88,89,90,91,92,93,94,95,96,97,98,99,100,101,102,103,104,105,106,107,108,109,110,111,112,113,114,115,116,117,118,119,120,121,122,123,124,125,126,127,128,129,130,131,132,133,134,135,136,137,138,139,140,141,142,143,144,145,146,147,148,149,150,151,152,153,154,155,156,157,158,159,160,161,162,163,164,165,166,167,168,169,170,171,172,173,174,175,176,177,178,179,180,181,182,183,184,185,186,187,188,189,190,191,192,193,194,195,196,197,198,199,200,201,202,203,204,205,206,207,208,209,210,211,212,213,214,215,216,217,218,219,220,221,222,223,224,225,226,227,228,229,230,231,232,233,234,235,236,237,238,239,240,241,242,243,244,245,246,247,248,249,250,251,252,253,254,255,256,257,258,259,260,261,262,263,264,265,266,267,268,269,270,271,272,273,274,275,276,277,278,279,280,281,282,283,284,285,286,287,288,289,290,291,292,293,294,295,296,297,298,299,300,301,302,303,304,305,306,307,308,309,310,311,312,313,314,315,316,317,318,319,320,321,322,323,324,325,326,327,328,329,330,331,332,333,334,335,336,337,338,339,340,341,342,343,344,345,346,347,348,349,350,351,352,353,354,355,356,357,358,359,360,361,362,363,364,365,366,367,368,369,370,371,372,373,374,375,376,377,378,379,380,381,382,383,384,385,386,387,388,389,390,391,392,393,394,395,396,397,398,399,400,401,402,403,404,405,406,407,408,409,410,411,412,413,414,415,416,417,418,419,420,421,422,423,424,425,426,427,428,429,430,431,432,433,434,435,436,437,438,439,440,441,442,443,444,445,446,447,448,449,450,451,452,453,454,455,456,457,458,459,460,461,462,463,464,465,466,467,468,469,470,471,472,473,474,475,476,477,478,479,480,481,482,483,484,485,486,487,488,489,490,491,492,493,494,495,496,497,498,499,500,501,502,503,504,505,506,507,508,509,510,511,512,513,514,515,516,517,518,519,520,521,522,523,524,525,526,527,528,529,530,531,532,533,534,535,536,537,538,539,540,541,542,543,544,545,546,547,548,549,550,551,552,553,554,555,556,557,558,559,560,561,562,563,564,565,566,567,568,569,570,571,572,573,574,575,576,577,578,579,580,581,582,583,584,585,586,587,588,589,590,591,592,593,594,595,596,597,598,599,600,601,602,603,604,605,606,607,608,609,610,611,612,613,614,615,616,617,618,619,620,621,622,623,624,625,626,627,628,629,630,631,632,633,634,635,636,637,638,639,640,641,642,643,644,645,646,647,648,649,650,651,652,653,654,655,656,657,658,659,660,661,662,663,664,665,666,667,668,669,670,671,672,673,674,675,676,677,678,679,680,681,682,683,684,685,686,687,688,689,690,691,692,693,694,695,696,697,698,699,700,701,702,703,704,705,706,707,708,709,710,711,712,713,714,715,716,717,718,719,720,721,722,723,724,725,726,727,728,729,730,731,732,733,734,735,736,737,738,739,740,741,742,743,744,745,746,747,748,749,750,751,752,753,754,755,756,757,758,759,760,761,762,763,764,765,766,767,768,769,770,771,772,773,774,775,776,777,778,779,780,781,782,783,784,785,786,787,788,789,790,791,792,793,794,795,796,797,798,799,800,801,802,803,804,805,806,807,808,809,810,811,812,813,814,815,816,817,818,819,820,821,822,823,824,825,826,827,828,829,830,831,832,833,834,835,836,837,838,839,840,841,842,843,844,845,846,847,848,849,850,851,852,853,854,855,856,857,858,859,860,861,862,863,864,865,866,867,868,869,870,871,872,873,874,875,876,877,878,879,880,881,882,883,884,885,886,887,888,889,890,891,892,893,894,895,896,897,898,899,900,901,902,903,904,905,906,907,908,909,910,911,912,913,914,915,916,917,918,919,920,921,922,923,924,925,926,927,928,929,930,931,932,933,934,935,936,937,938,939,940,941,942,943,944,945,946,947,948,949,950,951,952,953,954,955,956,957,958,959,960,961,962,963,964,965,966,967,968,969,970,971,972,973,974,975,976,977,978,979,980,981,982,983,984,985,986,987,988,989,990,991,992,993,994,995,996,997,998,999,1000,1010、

中國長垣九台山

LIOI 1

（含）MENU 贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝贝
贝原藏用默藏于蒙国藻贝歌皂藻贝

长垣司

子海海海的马自的，

則對目，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥對，樂藥

月樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂樂乐

图

1. 4
   5.OK会中电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电
   6.1020202020202020202020202020202020202020202020202020202020202020202020202020202020202020

…

HDMHDAHMAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAHSAH

中本中人

□HDM：C）中C）国HDMH 1

DABB 1A 1A 1A DAB B 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A 1A

山 1

FRISEJCTAGM

TUN 1000

出50的F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F

F

云

KO-35

混沌之法

2023.12.05 Sunday 14:59	80W/100W
2023.12.05 Sunday 14:59	83W/170W
2023.12.05 Sunday 14:59	60W/85W
SWAP ANYTHING IN THE CRYSTAL	<0.15mV
SWAP ANYTHING IN THE CRYSTAL
SWAP ANYTHING IN THE CRYSTAL
SWAP ANYTHING IN THE CRYSTAL
SWAP ANYTHING IN THE CRYSTAL
SWAP ANYTHING IN THE CRYSTAL
SWAP ANYTHING IN THE CRYSTAL
SWAP ANYTHING IN THE CRYSTAL
SWAP ANYTHING IN THE CRYSTAL

##

Aram 电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电电

#

子日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日日

山

月

中

必中

中

[e-mail] Arc-m#

怎能有息或身

Aram 1

二、欧拉在粤

网台网口www.arcam.co.uk

device code tables

Brix	55
Deprui	15
Fucaricau	15
Gini 555
Savvi	60
X# Salarie Ratio	$15

Alfa A27/380/09/09

Alfa A27/380/09/09

Alfa A27/380/09/09

Alfa A27/380/09/09

Alfa A27/380/09/09

Alfa A27/380/09/09

Alfa A30/40/09/09

Alfa A30/40/09/09

Alfa A30/40/09/09

Alfa A30/40/09/09

Alfa A30/40/09/09

Alfa A30/40/09/09

Europa 01/02 352	08697
Blue Sky	109 172 249 200
Buenos Aires	264 273 282 289
Brasil	063 108
Burma	262
Busanis	163
Ecuador	419
Enellos	173 179 129 198
Estonia	270
Brasil Energia 204 745
Brickwalla RAS
Brother	410
Brava	264
Bré	144 247
Brìnza 311 063 069 07
Cama	028 115 121 125
Cama	176 144 242 245
Cama	246 262 262 285
Cama	286 287 287 314
Cama	407 402
Camper	280
Carlo	301 310 311 312
Cantabria	315 318
Cuglielaghi 245 245 247
Cugli	029 039 108 264
Cle	029 094 108 166
Cinell	272
Cine	251 294 297
Cinlarion	191 252 258
Custorico	264 271 198 199
Cunlina	165 156 159 187
Cunlina	165 171 185 187
Cunlina	267 262 255 260
Cunlina	267 282 285 299
Cunlina	267 403 409 410
Concor	108 169 149 171
Concor	225 285 252 267
Concor	418
Correa	219
Correa	225
Correa	171 277
Corred###al 202	172 173 179 198
Corrueiro	108
Cuayal	146 166 221 267
Cuayal	263 085 086 090
Davon	108 144 171 185
Davon	245 250 255 265
Davon	261 257 271 282
Davon	262 403 409 418
Co-Edificades	264 155 163
Culic	111 363
Dolomir	108 607
Darwood	108 120 117 170
Dunedin	219 410
Darwin	0.4 250
Dyckley	194
Dycegal	134
Dinver	011 060 069 108
Dinver	129 125 101 196
Dinver	199 457
Derfer 749
Denver	074 177 282 403
Deseret	108

Duyin-27

Duluzion 225

Dugan 331

Dugie 187

Dunys 602

Dimash 219 230 304 208

150

Ghoshmari 132

Udoes 108

Dual 108 123 127 158

Eklre 108 123 127 158

233,243,248,249

550,276,285,293

Dumont 287 137 105 109

110,195,204,204,204,207

Dudardand 293 287

T. Yaxar 164

Bst. OAS 11/230

Edison 1/2

Edison Kevine 1/2

Elbe 08/17 1139 120

44,100,195,203,229,240,249,250,267

ELA 108 248

Elra 166

Elcins Co.

Elkira

Tecknics 285 108 1674

Chima

Elin 287 108 152

Elia 251 13/2 910

Elman

Hitz 138 171 40

Heronson 296 130 240

Isc

Ikon

Bourlone 296

Burschon

Furayka

Evelina

Ercen U 089

Esquilin

Ferrari

Fepasson

Gyakso

Fikalis

Finlanda

Tirlix

Ola

Tinlin

Xer

Xho

Xinlin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xim

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xis

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xisin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xsin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

X in

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xiz

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xinz

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xz

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xzin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xizin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xxin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xuin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xaz

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xtin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xit

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

Xin

XIN

Formart	108 109 110 119
Fina	108 143
Hontech	159 129 166 171
Futuro Cereña	283 159 157 247
Furial	294 264 286 293
Galaxi	108 185 255 265
Galaxy	255
Galeria	17
Gis. 137/1/48 161	171 138 162 169
Gev	179 147 159 166
Geolig	164 147 144 149
Gelari	184 171
General	171
General Technic	171
Galvan 18/220 300
Galvanik	249 264
Galvaniz	159 171
Galvaniz 271
Galvaniz/388/052 000	168 154 149 153
Gallus	164 169 171 191
Gallus	195 197 195 214
Gallus	225 219 230 231
Gallus	264 269 270 271
Gallus	265 268 268 269
Golejno	172
Golejno 388 052 000	168 154 149 153
Golejno	164 169 171 191
Golejno	195 197 195 214
Golejno	225 219 230 231
Golejno	264 269 270 271
Golejno	265 268 268 269
Golejno	265 268 268 269
Golejno	265 268 268 269
Golejno	265 268 268 269
Golejno	265 268 268 269
Golejno 388 052 000	168 154 149 153
Golejno	164 169 171 191
Golejno	195 197 195 214
Golejno	225 219 231 232
Golejno	264 269 270 271
Golejno	265 268 268 269
Golejno	265 268 268 269
Golejno	265 268 268 269
Golejno 388 052 000	168 154 148 153
Golejno	164 169 171 191
Golejno	195 197 195 214
Golejno	225 219 230 231
Golejno	264 269 270 271
Cian Nix	168 154 149 153
Granadik 022 022 022	168 154 149 153
Granadik	168 154 149 153
Granadik 022 022 022	168 154 149 153
Granadik	168 154 149 153
Granadik 022 022 022	168 154 022
Granadik	168 154 149 153
Granadik 022 022 022	168 154 022
Kac-407	168 154 149 153
Kac-262	168 154 149 153
Kac-262	168 154 149 153

Harmfuls	069 127 138
	110 126 137 145
	136 144 149 158
	157 151 222 225
	229 218 252 251
	260 265 298 298
	402 404 414
Harmless	161
Humane	159
Humana	297
Hld	203
Hollister	172
Horn	108 158 171 277
	410
Illness	173 179
Illam	054 108 177 224
	24 410
Hitless	273
Hilustre	302
Hit	204
Hirachei	022 059 048 08
	029 030 030 089
	040 041 033 037
	050 056 050 084
	108 115 121 126
	127 128 129 134
	135 140 147 157
	156 161 161 176
	166 169 172 219
	210 226 239 276
	229 236 250 254
	413 415 417 421
	423
Iliusa 273
III	108 195 151
Iohem	059 117 153 246
	250
Hossein	204
Huyer 159 161 173
Husnur	063 069 077 108
	118 152 149 250
	263 264 293 407
Yiyanda 152 155 161	317
Hunmua	44
Kc	094 108 159 177
	439 410
Udei	291 297
Yipimba 108 113 127
Yipimba	154 165 229 243
	200 260 267 407
Yipalem	152 141 147 148
	242 211 273 279
Yipenski 171
Inno-IC	127 139 161 189
	237 215
Yinusatu 110
Intemai	233
Intemai	067 108 132 134
	137 141 147 154
	165 179 212 274
	265 265 355 616
Inteory	085 085 108 132
	144 156 171 210
Iwacr	171
kotii 117/118
kotii 119/120
madi	074 108 163 237
	249 264 249
Sita 225
tc	141 159
U	171

In.	08/159 171/99410
in.	0412371111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111
Jepuisin 293
Juno 293
Jouleol 069 074 283	206
Juc.	120159279709
K.Cesic 107
Kudu	136
Kubai	12729273380416
Kamimorion	66440
Kapirich	0891411471480
Kircher	0412439391091176525277742828240748
Kathiric	187
Kawei	409
Kindo	0601081271372292462462462707275275
Karnady	140197
Kernes	10829261
Kayniat	207235
Klton	246264793
Kretzel	05810823929264273
Kreting 386 N/A 274
Kroika 405
Kronen 410
Kula-technique	144158233
Laser	574
Lasser	116
Longo	1081107040410
Lanot	248264
Lei 426
Li	01321401308060000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000
Liesenkauser	138
Lies	0610741031111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111110
Lioene	04609999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999
Ligik	076187253
Luna	137197229222649
Lumineson	329249249249
Luzor	0300000024103103103103103103103103103103103103103103103103103103103103103103103103103103103103103103103103103103
M.I.Technique	1631041051012740426
M.I.SC.	074
Macromic	059
Magnanimy	168164158163

Magnolium	185 199
Magnaporchis	106
Magnusius	251
Magnus	651 071 252 253 254 450
Manihotum	249 254
Manuret 108
Marmal	664
Marmal 231 074 779-407
Manuret	108
Manuret 205 037 05	660
Manuret 205 037 05	342 063 069 070 329 096 100 108 116 36 14 159 171 72 16 160 219 320 407 409 416
Manit	749
Manit 031 407
Manit	611 074 138 110 127 162 14 929 249 202 264 279 285 287 293 407 408
Manit	273
Manirex	410
Manirex 286
Manirx	152
Manirx 135
Manirx 037 152 236 387	100 01 108 218 76 95 756 964 765 322 525
Minimax	674 249 703 764 382 295
Minimax	286
Minimax 092 097 100 172 233
Minimax	110 047
Minimax 097 095 077 077 017 32 107 704 224 249
Minimax	158 191 289 225 253 267 767
Minimax	031 229 033
Manure	109 152 299 418
Manure	219 251
ManuLig	250
ML	108 131 131
Multiliter 241 254 407
Multiliter	691 285 330 506 199 397 77 189 267
Munierama 251
Naroi	407
Narinamma	170
Naroi	137
Neudernann	037 013 253 393 024 084 095 092 031 01 16 118 119 34 13 137 154 69 66 311 212 76 77 273 233 245 202 251 205 256 374 404
No	664 168 420
Neuflum 105 049 750
Neuflum 289
Nirai 108
Nirai 219
Nirai 29 264

Nkpa	108
Nisam	268
Nkabo	172 179
Nqambani	172 179
Nakia	602 074 112 135
Np	135 179 59 52
Np	171 113 15 26
Ndambende	158 22 27 27
Nzabu	275 376 79 44
Nzadnene	665 125 16 173
Nzabu	171 27 35 49
Nzabu	271 270 28 26
Nzabu	203
Nzim N	108
Nzim K	108
Oweta	98
Oweta	108
Oweta 032 101 103	133
Okono	108 255
Oweta 054 108 109	400
Opea	250
Ogwai	04 008 09 104
Otheta	989
Otof	025 055 20 302
Otof	055 059 06 070
Otof	074 103 18 38
Otof	152 135 18 58
Otof	185 255 29 49
Otof	235 249 30 251
Otof	226 407 40 410
Otof 13 26 074	10 116
Otof 226	228 229 07 410
Oomund 219
Ouaji	108
Ouaji	09 060 11 115
Ouaji	118
Oul	090 104 20 282
Otu Vanda	07 067 09 045
Otu Vanda	07 067 09 045
Otu Vanda	07 067 09 045
Otu Vanda	121 101 18 10
Otu Vanda	111 110 18 19
Otu Vanda	121 151 18 58
Otu Vanda	185 255 29 49
Otu Vanda	185 255 29 49
Otu Vanda	171 133 18 58
Otu Vanda	171 133 18 58
Otu Vanda	171 133 18 58
Otu Vanda	171 133 18 58
Otu Vanda	171 133 18 58
Otu Vanda	171 133, 18 58
Otu Vanda	171 133, 18 58
Otu Vanda	171 133, 18 58
Otu Vanda	171 133, 18 58
Otu Vanda	171 133, 18 58
Otu Umaru 148	67 26 54
Otu Umaru 148	401 407 403 404
Otu Umaru	44
Otu Umaru 148	171 179
Umaru 06 144 149	146
Umaru 06 144 149	146

Plica	02/09/09 0049/09
	02/01/05 0047/07
	08/02/02 138/09
	11/11/12 116/19
	12/12/13 251/08
	402/42
Philo	11/11/09 22:09
Phoenix 090 108 110
Fleisch	108 132 199 402
Flotel	882
Rhyolino	256 750
Fremewind	122
Ferment	066 069
Fermentation	147 161
Ferrieron	269
P1923
P1929
P1925
No 201 427
Prentice 189 171 267
Poincare 231 108 268
Poincare 120 185
Poincare 120 178 299
Poincare 120 178 299
Poincare 120 178 299
Poincare 120 178 299
Poincare 120 178 299
Poincare 120 178 299
Quadrant 120 249 295
Quadrant 120 249 295
Quadrant 120 249 295
Quadrant 120 249 295
Quadrant 120 249 295
Quadrant 120 249 295
Poincare 120 178 299
Poincare 120 178 299
Poincare 120 178 299
Poincare 120 178 299
Poincare 120 178 299

Selbst	02/29/06/07 10:00
	104/105/106 178
	132/134/135 167
	140/145/150 199
	237/242/251 251
	275/279/283
Sember 101 180 20
Sorwning	05/06/08/10 128
	108/111/120 257
	257/260/261 008
	410
Sonst	108
Summl. 108/249 264 410
Sury	193
Surya 03/03 135 151	352
	074/08/08 106
	123/159 189 218
	271/298 340 467
	481/500
Schulz Loring	04/08/11 6117
	130/161 167 48
	150/171 247 49
	250/264 275 277
	296 410
Schmieder	05/06/06 069 288
	108/111/120 411
	132/159 189 218
	255/264 275 277
	295 410
Schlumder	05/06/06 069 288
	108/111/120 411
	132/159 189 218
	255/264 275 277
	295 410
Schlumder I [phone]
Seite 056
Seg	06/06/11 1131
	141/158 163 47
	185/195 219 264
	267/269 285 293
	410
Stichtech	76/77 407
Steuern 08/08 100	110
	137/155 197 226
	226/245 246 447
	340/350 430
Sect	294
Sensor	117
Simsen 04/04 040
Simsen 213
Siz	074
Shep 02/02 081 082	129/131 126 42
	433
Systentum 10/149	108
Sintesth	108
Sthak	108-44,449,264
Steuern 10/18 185 201	100/101 238 219
	221 259 294
Sise	059
Sliee	213 007
Sliee Sremeider	03/07 082 286
	294 037
Sliee	094 074 171 204
	277 410
Syrn 220
Syrn 220	104 207
Syrn 220
Brüneurly	025/06/06 169
	274/118 148 38
	163/195 198 384
	212/249 218 261
Sly	187 197 207
Sxy	294 207
Stryanad	127

Sins.	118
Solomon 242
Sons 101129/40
Sons	134
Sono 279
Sono 110 156
Sonoam	109
Sono 0722 1-212 213	71415518177
Kunshinor	374108493544
Sono 170
Sonder 108
Staat 158 171 204
Staat 171
Stars	251
Sten	288089151575225245245247
Stins	410
Strino	115125286
Sumar 2/3
Sumar	074109171
Superior	285
Superset 1071108 171 213
	240
Superset 2/3
Swissac
Taudinur 108	187194207200
Tunching	173446254
Tachip	158159226
Torling	061066665673307181181281591181893268267
Touran 260 418
Tr.	152
Irrn	122
Tst Foreign	131160
Trr	1081441791651661017145247264
Techine	108123185743764361
Techina	24728786427
Techinat	108118248
Techinod	115133249
Technjagen 069 22	140
Tonsor	108159171248
Tosso 242
Tson	171388
Tseva	173181719
Teufelum 177 177	19519522521270
Teuca 177
Teewer	137233
Teusari 331 077	1082272
	202261427
Teuwer	108125171293
Toonon	08808913419310247
Tiewer	331407
Tiera	53109108229467
Tovar 064 108 112	120124419159171512929626
Touco 171

Testis 089/247/09	109
Testis 089/247/09	109/116/127/144
Testis 089/247/09	1,016024225
Testis 089/247/09	2492922634
Testis 089/247/09	275282147
Testis 127 225 249	226
Testis 127 225 249	2492922634
Testis 127 225 249	275282147
Testis 127 225 249	226
Testis 127 225 249	2492922634
Testis 127 225 249	275282147
Testis 127 226 250	226
Testis 127 226 250	2492922634
Testis 127 226 250	275282147
Testis 127 226 250	226
Testis 127 226 250	2492922634
Testis 127 226 250	275282147
Testis 127 226.250	226
Testis 127 226.250	2492922634
Testis 127 226.250	275282147
Testis 127 226.250	226
Testis 127 226.250	2492922634
Testis 127 226.250	275282147
Testis 127 127 225 249	226
Testis 127 127 225 249	2492922634
Testis 127 127 225 249	275282147
Testis 127 127 226 250	226
Testis 127 127 226 250	2492922634
Testis 127 127 226 250	275282147
Testis 127 127 226 250	226
Testis 127 127 226 250	2492922634
Testis 127 127 226 250	275282147

Videton 111145 173'95 2014.00

Wston 108140,247

Kolmogorov 167

Wug 069

Vosum 137221

Wakir 286

Wallham 134145 169'171 168

Woson 051079 108127 179,71194216 704-293410

Wan Park 148158 185 Wegvass 243249264262 408

Wwher 350

Whithick 108110

Wotson 413

Wharale 413418

White Wellington 108'10'149'265

Wwicby 428

Wisor 249

Woson 250

Woden 110120225278 707

Xemis 298

Xyox 353

Yamz 554

Yoko 064128136144 159,61170171 22410

Zinsek 221

Zinssal 137197

ARCAM

WWW.ARCAM.CO.UK

THE WEST WING, STIRLING HOUSE

WATERBEACH, CAMBRIDGESHIRE, CB25 9PB

[phone]H303 ISSUE F