CD10 - Keyboard General Music - Free user manual and instructions

Frequently Asked Questions - CD10 General Music

USER MANUAL CD10 General Music

© 1995 by Generalmusic S.p.A. All rights reserved.

1. Keyboard

Tastiera

Clavier

Tastatur

Toetsenbord

Klaviatur

Keyboardet

Teclado

1. Control panel

Copyrights and liability. 7

Power supply, Connections and Demo, 8

POwER SUPPLY, 8

Loading the batteries, 8

Connecting the power supply to the mains, 8

AMPLIFICATION, 8

Built-in speakers, 8

External amplification, 8

Stereohedgephones,8

PEDALS,8

Damper, 8

Volume, 8

DEMO,8

The keyboard and the sections, 9

THE KEYBOARD, 9

THEINSTRUMENT SECTIONS,9

UPPER AND LOWER, 9

Programming LAYER, 9

Programming SINGLE, 9

Returning to SPLIT, 9

Changing the split point, 9

ASSIGNING SOUNDS TO THE UPPER AND LOWER SECTIONS, 10

Assigning a Sound to the Upper section, 10

Assigning a Sound to the Lower section, 10

REGULATING THE VOLUME OF THE UPPER AND LOWER SECTIONS, 10

The Styles, 10

DRUM, BASS, ACC1, ACC2, 10

REGULATING THE VOLUME OF DRUM, BASS, ACC1 AND ACC2, 10

AUTOMATIC SUSTAINOF THE LOWER SECTION, 10

Activating/deactivating Lower Memory, 10

SELECTING A STYLE, 10

CHANGING THE TEMPO, 11

CONTROLLING THE STYLE, 11

[START/STOP], 11

[TOUCH START/CONTINUE], 11

[INTRO/END], 11

[TAP TEMPO], 11

[FILL BASIC], 11

[FILL VAR], 11

[VARIATION], 11

[ARRANGE], 11

[ATOSET], 11

STOPPING THE STYLE WHEN YOU RELEASE THE KEYS, 12

BASS FOLLOW. 12

Harmony, Digital Effects, Master Tuning, 12

HARMONY, 12

Activating Harmony, 12

Using Harmony, 12

Deactivating Harmony, 12

DIGITAL EFFECTS, 13

MASTER TUNING, 13

Drums & Samples Pads, 13

Transposer, 13

Tune, 13

Sel. Sounds & Styles with the [PAGE] buttons, 13

Selecting a Sound, 13

Selecting a Style, 13

The two sound banks, 14

Selecting a sound bank, 14

The Song, 14

THE SEQUENCECBUTTONS,14

[PLAY/DEL], 14

[REC], 14

[LOWER], 14

[UPPER],14

[START/STOP], 14

[TOUCH START/CONTINUE], 14

SPECIAL SECTIONS, 14

RECORDING, 14

Preparation (before recording), 14

Recording, 15

Escaping from "record", 15

"OVERDUBBING", 15

MIDI, 15

What is Midi, 15

DELETE, 15

SONG NAME, 15

Midi Connections, 15

INSTRUMENTAL SECTIONS AND MIDI CHANNELS, 16

Common Channel, 16

Programming the Midi Channels of CD10, 16

GENERAL MIDI, 16

Sound compatibility, 16

The sixteen General Midi sections, 16

CD10 AS A SLAVE, 16

Changing the Sound, 16

Changing a Style, 17

Controlling a Style, 17

CD10 AS A MASTER, 17

Changing the Sound, 17

Changing the Style, 17

Controlling the Style, 17

SPECIAL MIDI FUNCTIONS, 18

Local ON/OFF, 18

Slave:Tracks,18

MIDI Clock, 18

Start/Stop ON/OFF, 18

MIDI Filters, 18

MIDI Dump, 19

DYNAMICS, 19

Technical specifications, 20

1. Volume. Regulates the General Volume. The regulation is proportional to the individual volume settings of each sound section.
2. Manual Controls. Groups of buttons which control the Rhythms and Automatic accompaniment. [START/STOP] starts or stops the Style (or Song). [TOUCH START/CONTINUE] starts the Style when you play a note or a chord in the Lower section (or starts the Song playback from its current position). [INTRO/END] starts and stops the Style with an introduction or an ending. [TAP TEMPO] starts the Style after beating time on the button. [FILL BASIC] triggers the Fill In and/or returns to the Basic Style. [FILL VAR] triggers the Fill variation and activates a variation of the Style.
3. Automatic Styles. [VARIATION] activates/deactivates the variation of the Style. [ARRANGE] activates/deactivates the automatic arrangements.

4. Lower Section. Controls of the Lower section of the keyboard. [SPLIT] activates/deactivates the split point between the Upper and Lower sections. [LOWER] activates/deactivates the Lower section.

5. [STYLEs] and [SOUNDS] buttons. [STYLEs] predisposes the keypad for Style selection. [SOUNDS] predisposes the keypad for Sound selection. Pressed together they act as an [ESC] function that cancels certain edit situations and allows you to escape from Song "record" mode and from MIDI and DELETE programming modes.

6. Keypad. Inserts numbers and letters. When the [STYLES] LED is on, the keypad selects Styles, when the [SOUNDS] LED is on, the keypad selects Sounds for the Upper section; if you press [LOWER] when this LED is on, the keypad selects Sounds for the Lower section.
7. [PAGE] buttons. In MIDI mode these buttons pass to the previous edit page or the next. When the LED of the [SOUNDS] button is on, these buttons scroll through the Sound bank. When the LED on the [STYLES] button is on, these buttons scroll through the Style bank. Pressed together they select a different Sound Bank (Sound Bank 1 or 2).
8. [TEMPO-DATA] buttons. These allow you to change the playing speed (Tempo) of the Styles. Press the buttons together to set the

tempo to the intermediate value of 120. In MIDI edit mode, these buttons permit the modification of the parameter values.
9. Accompaniment. Regulates the volumes of the automatic accompaniment sections (Drum, Bass, Acc1, Acc2).
10. Balance. Balances the volume between the Upper and Lower sections.
11. Master Tuning. Transposition and fine tuning of the instrument.
12. Utility. [AUTOSET] changes the Sound of the sections, tempo and effects when you change the Style. [HARMONY] harmonises the Upper section with the chord played on the Lower section.
13. Sequencer. Buttons which control, record and modify a Song.
14. [DIGITAL EFFECTS] button. Activates/deactivates the effects (reverb and modulations).
15. Drums & Samples Pads. Play special percussion sounds that change according to the currently selected Style.

1. [DEMO] button. Starts a continuous sequence of demonstration songs. To stop the sequence, press DEMO again.
2. Styles list. The Styles are listed in family groups. Each Style corresponds to a number which can be selected either on the keypad or via MIDI.
3. Display. Normally displays the tempo, Style and Sound of the Upper section. Other information may appear during editing situations.
4. Sounds list. Sounds are grouped in family groups according to General MIDI standard. Each Sound corresponds to a number that can be selected either on the keypad or via MIDI.

Connection panel

1. MIDI IN/OUT ports. Sockets for connection to other musical instruments (or computer). [MIDI IN] allows another instrument to control CD10. [MIDI OUT] allows CD10 to control another instrument.
2. Damper. Socket for the Damper (or Sustain) pedal. This pedal holds the notes of the Upper section.
3. Volume. Socket for the Volume pedal. Controls the general volume of the instrument.
4. OUTPUT LEFT/RIGHT sockets. Sockets for connection to an amplifier or an amplified mixer. Connect both the sockets for the stereo reproduction or only the [RIGHT/M] output for mono. Use cables with 1/4' mono jacks on one end to connect to CD10, and mono jacks suited to the inputs of the amplifier/mixer at the other end.
   Use two 1/4 mono jacks to connect to an amplification system for musical instruments:

Use two RCA type mono jacks to connect to a home stereo system:

1. Phones. Stereo headphones. Use an RCA-1/4' adapter for walkman or minidisc headphones.
2. Power supply socket. Connect an optional power supply to this socket. If batteries are present in the battery compartment, the power supply will have priority.

Important: Do not use a power supply of a different brand that is not designed specifically for the CD10. Some power supplies may appear to be similar to the proper power supply but may damage the circuits of the instrument. Check that the adapter shows the following symbol (= internal positive pole):

1. ON/OFF switch. Switches the instrument [ON] or [OFF].

Introduction

About CD10

CD10 is a keyboard with automatic accompaniments (called Styles). Styles allow you to play in live situations backed by the accompaniment of a "virtual band"; a single player can give the impression that he is playing all the instruments of the band alone, offering hours of personal enjoyment and for the pleasure of his friends.

Naturally, CD10 can also be used as a solo keyboard for performances with a real band; thanks to its realistic sounds CD10 can perform as an electronic organ, a piano or a string orchestra.

All the CD10 sounds are "sampled"; in other words they are recordings of actual instruments using a technique similar to that used for Compact Discs. Sampling provides sounds which are not only very realistic and clear but also extremely powerful.

To unleash more audio power, CD10 may be connected to an external amplification system (stereo amplifiers, amplified speakers, amplified mixers) or it can exploit the built-in speakers.

Important: remember that when you turn off your instrument, all the contents of the memory will be cancelled.

Every time you turn off the instrument, all newly programmed settings return to their original factory-set values (default situation). Split points, sounds that have been assigned to the various sections, Style selections and MIDl assignments all return to their default settings.

The Song recorded by the Sequencer is cancelled but you can store this in an external sequencer with MIDI DUMP.

Maintenance

• Clean the surface with a soft cloth dampened with a solution of light detergent and water.
• Clean the display with special lens or monitor liquid.

Safety

• Read through the chapter "Power supply and connections" before you turn on your instrument.
• Use only the type of battery indicated and the power supply provided by Generalmusic.
• Never use the instrument near water.
• Check the volume of the amplifier before you start playing. Remember that excessive volumes may cause permanent hearing loss.
• Keep the instrument away from heat sources. Do not expose your instrument to very low temperatures.
• The instrument should be positioned to allow proper ventilation at all times.
• Do not drop objects or spill liquids into the enclosure through the openings. If this should accidentally happen, turn off the instrument immediately and call your local servicing centre.
• Do not open the instrument.
• Call qualified service personnel when a ) the power supply is damaged; b ) objects fall, or liquids spill into the instrument accidentally; c ) the instrument is left out in the rain; d ) the instrument does not appear to operate normally; e ) the instrument has been dropped or the enclosure damaged.

Copyrights and liability

The information in this publication has been carefully prepared and checked. The manufacturers however decline all liability for eventual errors. All rights are reserved. This publication may not be copied, photocopied or reproduced in part or in whole without prior written consent from Generalmusic S.p.A.

Generalmusic reserves the right to apply any aesthetic, design or function modifications it considers necessary to any of its products without prior notice.

Generalmusic declines all liability for damage to property or persons resulting from improper use of the instrument.

Power supply, Connections and Demo

Power supply

CD10 runs either on batteries or from the mains (by means of the optional power supply).

Either method may be used. When the power supply is plugged to the mains, the battery supply is automatically disconnected.

Loading the batteries

Unplug the power supply from the wall socket if the plug is inserted.

Use 1,5V, "half torch" batteries. We recommend the use of alkaline batteries which have a longer life.

1. Turn the instrument upside down to gain access to the battery compartment on the underside of the instrument:

1. Open the lid and slide in the batteries with the "+" and "-" signs on the batteries in correspondence with the signs marked in the battery compartment (the "-" should face the interior of the compartment).
2. Replace the lid of the battery compartment and turn the instrument the right way up.
3. Turn on the ON/OFF switch (ON).

Connecting the power supply to the mains

Only a Generalmusic power supply should be used; the power supply is available on request. Any other power supply, even if very similar, may damage the instrument.

1. Connect the power supply jack to the "12V DC" socket at the back of the instrument.
2. Insert the power supply plug to the mains socket.
3. Turn on the instrument using the ON/OFF switch.

Amplification

CD10 is fitted with built-in speakers but may also be connected to an external amplification system or you can connect a set of headphones.

Use the [VOLUME] buttons to regulate the volume of the built-in amplification and the stereo headphones.

Built-in speakers

The speakers operate when no headphones are connected and they are independent from the external amplification outputs.

External amplification

Connect an external amplification system to the LEFT and RIGHT sockets for the stereo signal or only to the RIGHT/M socket for mono.

To exclude the built in speakers and just use an external amplifier all you need to do is plug headphones (or even just a normal jack plug) into the PHONES socket.

Use the [VOLUME] buttons to regulate the volume output from the CD10.

Stereo headphones

Connect a set of stereo headphones to the PHONES socket. The built-in speakers are excluded when you insert the Phones jack into this socket.

Pedals

Optional pedals supplied by Generalmusic may be connected for Damper and Volume control.

Damper

A footswitch ("switch control" pedal) must be fitted.

Press this pedal to sustain the notes of the Upper section, just like the sustain pedal of a piano.

Volume

A "continuous control" pedal must be fitted.

This pedal regulates the general volume and performs the same function as the [VOLUME] buttons.

Demo

When you have set up your CD10 for playing, press the [DEMO] button to start a short sequence of demonstration songs that are resident in the instrument's ROM and listen to how your CD10 plays them.

While the demo sequence is playing, all panel functions and controls are rendered inactive, except the [MASTER VOLUME] control which allows you to control the overall volume.

The sequence repeats continuously until the [DEMO] button is pressed again.

The keyboard and the sections

The keyboard

CD10 has a velocity sensitive keyboard (dynamic) which means that it reacts to how hard or softly you strike the keys. The harder you play (the higher the keystrike velocity), the louder the instrument will sound, such as occurs in a classic acoustic piano.

You can also choose to deactivate the velocity sensitivity by setting the Dynamic function (a function found in MIDI mode) to "off".

The instrument sections

CD10 can play six instrument sections, two on the keyboard (Upper and Lower) and four as automatic accompaniment (Drums, Bass, Acc1, Acc2).

Upper and Lower

SPLIT:

When you turn on the instrument, Upper plays in the right section of the keyboard and Lower in the left section.

• LAYER:

Upper and Lower play together over the full keyboard extension.

• SINGLE:

Upper plays over the full keyboard extension, while Lower does not play.

Programming LAYER

1. Press the [SPLIT] button; the LED turns off.
2. Upper and Lower play together over the full keyboard extension.

Programming SINGLE

1. If [SPLIT] is on, press the button so that the LED turns off.
2. Press the [LOWER] button to turn off its LED.
3. Upper plays over the entire keyboard extension while Lower does not play.

Returning to SPLIT

1. If they are off, press the [LOWER] and [SPLIT] button so that their LEDs turn on.
2. Upper plays in the right section of the keyboard, and Lower plays in the left section.

The "split point" of the keyboard is indicated by the white triangle silkscreened above the keyboard.

You can change the split point by following the steps described in the next paragraph.

Changing the split point

1. Press and hold the [SPLIT] button. Play the highest note limit for the Lower section.
2. The split point corresponds to the note just played.

Assigning sounds to the Upper and Lower sections

The CD10 Sounds list is silkscreened on the control panel on the right of the display. You can assign the Sounds of your choice to the Upper and Lower sections.

Assigning a Sound to the Upper section

1. If it is off, press the [SOUNDS] button so that its LED turns on.
2. Specify the number of the Sound required by entering the corresponding number on the keypad. If the number selected is between 00 - 09, you must also specify the zero. If the number selected is between 100 - 127, press the [SOUNDS] button for the hundreds, then enter the last two numbers.

Example: To select "01 Piano1" specify [0][1]. To select "127 Gunshot" specify [SOUNDS][2][7].

1. The name of the Sound selected appears on the display next to the word "Sounds".

Assigning a Sound to the Lower section

1. If it is off, press the [SOUNDS] button so that its LED turns on.
2. Press and hold the [LOWER] button while you select the sound.
3. Select the Sound in the same way that you selected the Sound for the Upper section.
4. The Sound you have selected flashes on the display next to the word "Sounds" (the display then again displays the new Sound selected on the Upper section).

Regulating the volume of the Upper and Lower sections

You can regulate the volume of the Upper and Lower sections with the BALANCE buttons. When one of these buttons is pressed, a graphical representation of the balanced volumes of the two sections is displayed for an instant.

[LOWER] increases the volume of the Lower section over that of the Upper section while [UPPER] increases the volume of Upper over that of the Lower section.

Drum, Bass, Acc1, Acc2

These instrumental sections are engaged by the Style to play automatic arrangements. They are not free to be played on the keyboard in real time.

Regulating the volume of Drum, Bass, Acc1 and Acc2

You may regulate the volume of these instrumental sections with the ACCOMPANIMENT buttons. When you press a button, a graphical representation of the volume of the sections is displayed for an instant..

[MIN] decreases the volume and [MAX] increases the volume.

Automatic sustain of the Lower section

The notes played on the Lower section can be held even when you raise your hand from the keyboard. This can be obtained by activating the function LOWER MEMORY, which is off when you turn on your instrument.

Activating/deactivating Lower Memory

1. Press the two [MIDI] buttons simultaneously to enter MIDI Programming Mode.
2. Scroll the "pages" forwards with [PAGE>] button until you reach LOWER MEM:

LOWER MEM. = off

1. Use the [TEMPO-DATA] buttons to turn the function ON or OFF.
2. Press the two [ESC] buttons together to escape from MIDI Mode.

The Styles

A Style is an automatic accompaniment that can be controlled by playing chords on the keyboard.

The buttons in the MANUAL CONTROLS and AUTOMATIC STYLES sections allow you to start or stop the accompaniment and to select the way in which the Styles are played.

The list of Styles is silkscreened on the control panel on the left of the display.

Selecting a Style

When you turn on the instrument, a Style will be ready for you to play. Follow these steps to select a different Style.

1. If it is off, press the [STYLES] button to activate it (LED lights up).
2. Enter the number of the required Style on the keypad. If the number selected is between 00 and 09, you must also enter the zero.

Example: To select "01 Rock2" enter [0][1].

1. The name of the Style you have selected appears on the display next to the word "Styles".

Changing the tempo

You can change the metronome tempo with the [TEMPO-DATA] buttons. The currently selected tempo appears on the display next to the word "Tempo".

If the [AUTOSET] LED is ON when you change the Style, the tempo will also be changed according to the Style selected. Press the two [TEMPO-DATA] buttons together to restore the intermediate setting of 120.

Controlling the Style

In order to play all the accompaniment sections, you must play a note or a chord with your left hand (below the split point). The single note corresponds to a major chord.

[START/STOP]

Starts or stops the Style.

[TOUCH START/CONTINUE]

The TOUCH START function starts the Style when you play a note on the left section of the keyboard, without having to press [START/STOP].

1. When the Style is not playing, press [TOUCH START/CONTINUE].
2. Play a note or a chord on the left section of the keyboard.
3. The Style starts automatically.
4. To deactivate the function, press [TOUCH START/CONTINUE] again.

[INTRO/END]

An alternative to [START/STOP], this button Starts or stops the Style with an Intro(duction) or an Ending.

[TAP TEMPO]

Allows you to establish the playing speed of the Style by beating time on the button.

1. When the Style is not playing, tap on the button two or more times. The established playing speed (corresponding to the metronome tempo) appears on the display next to the word "Tempo".
2. Press [START/STOP]. The Style starts with the tempo you have set.

[FILL BASIC]

Triggere a Fill In (one or more "random" bars). If the Style variation pattern is playing, it introduces the Fill In and triggers the basic Style pattern.

1. While the basic Style is playing, press [FILL BASIC].
2. A Fill In will be triggered.
3. At the end of the Fill In, the basic Style continues to play.

or

1. While the Style variation pattern is playing ([VARIATION] button LED on), press [FILL BASIC].
2. A Fill In will be triggered.
3. At the end of the Fill In, the Style returns to the basic pattern. ([VARIATION] button LED off).

[FILLVAR]

Triggers a Fill In variation and recalls the Style variation.

1. While the basic Style pattern is playing, press [FILL VAR].
2. A Fill In variation will be triggered.
3. At the end of the Fill In variation, the Style variation will play ([VARIATION] LED on).

[VARIATION]

Activates/deactivates the Style variation, namely a slightly different version of the basic Style pattern.

The button's LED is turned ON or OFF automatically by the [FILL VAR] and [FILL BASIC] buttons.

[ARRANGE]

Activates/deactivates the instrument sections Bass, Acc1, Acc2. If the LED is on, all the automatic accompaniment sections will play, while if the LED is off only the Drum section will play.

[AUTOSET]

Activates/deactivates (1) selection of the sounds of the Upper and Lower sections in the Style, (2) regulation of the volume of the instrumental sections recorded in the Style, (3) automatic variation of tempo and effects.

If the LED is on, these settings will also change when you change the Style. If the LED is OFF, these settings do not change when you change the Style.

Stopping the Style when you release the keys

Once you have played the note or the chord to control the Style, the automatic accompaniment sections continue to play until you press [START/STOP] or [INTRO/END].

You can however set CD10 so that the automatic accompani-ment sections stop when you raise your hand from the keyboard. To do this, simply set the AUTOSTOP function to ON.

1. Press the two [MIDI] buttons simultaneously to enter MIDI Mode.
2. Scroll the "pages" forward with [PAGE>] until you reach AUTOSTOP:

AUTOSTOP = off

1. Use the [TEMPO-DATA] buttons to set the function to ON. If you want to deactivate the function, press the [TEMPODATA] again.
2. Press both [ESC] buttons to escape from MIDI Mode.

Bass Follow

Generally, the Bass accompaniment plays the notes that you play on the keyboard. This is the case when the BASS FOLLOW function is ON. If you want the Bass section to follow only the programmed pattern of the Style, without including "additional" notes played on the keyboard, you should set BASS FOLLOW to OFF.

1. Press the two [MIDI] buttons simultaneously to enter MIDI Mode.
2. Scroll the "pages" forward with [PAGE>] until you reach BASS FOLLOW:

BASS FOLLOW = on

1. Use the [TEMPO-DATA] buttons to set the function to OFF. To reactivate the function, press [TEMPO-DATA].
2. Press both [ESC] buttons to escape from MIDI Mode.

Harmony, Digital Effects, Master Tuning

Harmony

This function allows you to harmonise the melody you play with your right hand with the chords you play with your left hand.

Activating Harmony

1. Press the [HARMONY] button (LED lights up).
2. The LED of the button [SPLIT] lights up automatically. The Freestyle function is set automatically to OFF.

In this way, the keyboard has been split into two sections: the Upper section for the melody and the Lower section for

the chords.

The keyboard must be split in this way, regardless of the On/Off status of the Lower section.

Using Harmony

Play a melody with your right hand and at the same time play a note or a chord with the left hand.

The chord of the left hand is united in harmony to the melody of the right hand.

Deactivating Harmony

Press [HARMONY]. (LED turns off).

Digital Effects

CD10 incorporates two digital effects processors:

• a reverb, which adds ambience to the sound (16 different types);
• a modulation effect, which adds the classical effects of chorus, delay, flanger or rotary (16 different types) to the sound. Each Style has two effects that change when you change the Style.

The button [DIGITAL EFFECTS] toggle between Effect ON and OFF. The LED lights up when the effects are activated and turns off when they are deactivated.

Master Tuning

Changes the pitch of CD10 to adapt it to the tuning of other instruments of the band. Master Tuning consists of the following two sections:

• TRANSPOSER changes the pitch in semitone steps;
• TUNE changes the pitch in steps 1/64th of a semitone (ideal for tuning to an acoustic instrument with inaccurate tuning).

Transposer

1. Press [<] to transpose down by a semitone or [>] to transpose up by a semitone. The minimum value is -6 (semitones) and the maximum value is +6 (semitones).
2. Whenever you press a TRANSPOSER button, the current Transpose setting in semitones appears on the display.

Tune

1. Press the two buttons [<] and [>] to activate TUNE.
2. Press [<] to lower the tuning by 1/64th of a semitone or [>] to raise by 1/64th of a semitone. The minimum value is -48/64 and the maximum value is +48/64.
3. Whenever you press a TUNE button, the tuning value appears on the display.
4. Press the two buttons [<] and [>] together to return to the TRANSPOSER function.

Drums & Samples Pads

On electric keyboards, the sets of percussive sounds are known as drumkits where a different percussion instrument is assigned to each note of the keyboard. CD10 has eight drumkits and each Style recalls the drumkit most suited to play its Drum section.

In addition to the traditional percussion instruments, the CD10

drumkits also contain "special" sounds, called samples.

The three large buttons in the DRUMS & SAMPLES PADS section are pads and they play the percussion instruments or samples.

The three pads play the sounds contained in the drumkit of the instrumental Drum section, or sounds contained in the drumkits assigned as Sounds to the Upper section.

Selecting Sounds & Styles with the [PAGE] buttons

In addition to the standard selection method, Sounds and Styles can also be selected with the [PAGE<] and [PAGE>] buttons of the keypad.

Selecting a Sound

1. If this is off, press the [SOUNDS] button to activate it (LED lights up).

2. If you are assigning the Sound to the Lower section, press and hold the [LOWER] button.

3. Scroll through the Sound bank with the [PAGE<] or [PAGE>] button.

Selecting a Style

1. If this is off, press the [STYLES] button to activate it (LED lights up).
2. Scroll through the Style Bank with [PAGE<] or [PAGE>] button.

The two sound banks

CD10 has two sound banks that can be assigned to the Upper and Lower sections. The sounds of the first bank is silkscreened on the control panel. You will find the second bank in the Appendix of this manual.

Bank 1 and Bank 2 have different versions of the same sound. For example, if sound 00 in Bank 1 is a GrandPiano, sound 00 in Bank 2 will also be a piano sound.

Bank 2 is perfectly compatible with the sounds of the General MIDI standard (see chapter on "Midi"). In Bank 1, however, the "Drums" group replaces the "Percussion" group so that the drumkits can be played on the keyboard.

Selecting a sound bank

1. Press the two [BANK 1/2] buttons on the keypad.
2. The name of the bank selected ("Sound Bank 1" or "Sound Bank 2") appears on the display.

Sound Bank 1

Sound BANK 2

1. Once you have selected the bank, select the sound. The bank selected will be active until you select the other bank (followed by selection of a sound).

The Song

CD10 incorporates a multitrack Sequencer that can be used to record a Song played in real time or to record the data received by CD10 via MIDI IN.

The sequencer buttons

[PLAY/DEL]

(1) Recalls the Song for playback.
(2) In "record" mode, it activates the "delete" functions.

[REC]

Recalls a Song and activates it for recording.

[LOWER]

Track of the Lower section.

The status of this button can show three different situations. Led off: track empty. Led flashing: track is recording. Led on: track is recorded.

[UPPER]

Track of the Upper section.

The status of this button can show three different situations. Led off: track empty. Led flashing: track is recording. Led on: track is recorded.

[START/STOP]

Starts or stops the Song playback.

[TOUCH START/CONTINUE]

The CONTINUE function restarts the Song from the point is was stopped with [START/STOP].

Special sections

In addition to the Upper and Lower sections, the Song records the following special sections: Chord, Common Channel, Tempo, Pads. It is not necessary to press any buttons to record these sections (these are "ghost" tracks that are recorded in any case).

Special sections

Chord: The Arrangement chords. Controls	the following sections: Drum, Bass, Acc1 and Acc2. It cannot be overdubbed.
Common Channel: Style controls: Style selected, activation/deactivation of the Style control buttons. It cannot be overdubbed.
Tempo: Metronome Tempo.	It cannot be overdubbed.
Pads: Notes played on the [DRUMS & SAMPLES P ADS]. It can be overdubbed.

Recording

Preparation (before recording)

1. Press [REC] to enter "record" mode. The [STYLES] or [SOUNDS] LED flash.
2. The LED of the [LOWER] and [UPPER] buttons flashes: you can record the two tracks. If you do not want to record a track, tap the button to turn off the LED.
3. You may select a Style if you wish. If not, you will record the Style selected at the moment of entering record mode.

4. If the [AUTOSET] LED is off, you can select the initial Sounds for the Upper and Lower sections, otherwise the Style selects the Sounds automatically.

5. If the [AUTOSET] LED if off, you can change the initial tempo of the Song.

6. If the [AUTOSET] LED is off you can change the initial volume of the accompaniment sections or the initial balanced levels of the Upper and Lower sections.
7. If the [AUTOSET] LED is off you can activate or deactivate the [DIGITAL EFFECTS] button. This initial state may be changed during recording.

Recording

1. Press [START/STOP] or [INTRO/END] to start recording.
2. During recording, you can change the Style, Sound, tempo, accompaniment volume and balanced level of the Upper and Lower sections, use the Style controls, activate/deactivate [DIGITAL EFFECTS].
3. Stop recording with [START/STOP] or [INTRO/END].
4. The leds of the [UPPER] and [LOWER] tracks should be on. If so, the Upper and Lower sections are recorded.

Escaping from "record"

Press the two buttons together [ESC].

"Over dubbing"

You can record new notes in the tracks you have recorded.

1. Press [REC] to enter Song "record" mode.
2. Press repeatedly the button of the track you wish to record, until the corresponding LED flashes. Both tracks can be recorded.

The special sections Chord, Common Channel, Tempo are

not recorded again. To record these again you must first

cancel them. You can however add notes to the Pads track.

1. Start recording with [START/STOP].
2. Add the notes to the Upper and/or Lower and/or Pads sections.
3. Stop recording with [START/STOP].
4. Press the two [ESC] buttons to escape from "record" mode.

Delete

1. If necessary, press [REC] to enter Song "record" mode.
2. Press [PLAY/DEL] to activate DELETE mode.
3. Select the track to cancel with the [TEMPO-DATA] buttons.
4. Press the [PLAY/DEL] button to cancel the selected track. In order to escape from DELETE mode without deleting data, press the two [ESC] buttons.

Song Name

1. If necessary, press [REC] to enter Song "record" mode.
2. Press [PLAY/DEL] to activate DELETE mode.
3. Press [NAME] (on the keypad) to enter the name of the Song or change an existing name.
4. Enter the letters on the keypad (each key corresponds to three characters that you can select in cycle, each time you tap the key).
5. Press [PAGE>] to move forwards one position. Press [PAGE<] to return backwards one place.
6. When you have completed entering the name, press the [ESC] buttons to escape from "record" mode and confirm the name of the Song.

MIDI

What is Midi

Midi is a system for communicating between electronic musical instruments. With Midi you can:

(a) control another musical instrument from the CD10 keyboard;
(b) control Sounds and Styles of CD10 with another device (keyboard, sequencer, computer);
(c) connect CD10 to a sequencer or a computer (which includes both (a) and (b) ) in order to programme Songs externally and store the CD10 Song by means of the MIDI DUMP function.

Midi Connections

These are the main rules to follow when making a Midi connection:

• In musical language, an instrument that controls another instrument is called a master while the instrument that is controlled by the master is known as the slave.
• Connect the MIDI OUT socket of the master to the MIDI IN socket of the slave by means of a standard Midi cable.
• In order to programme the Songs on an external sequencer or computer, connect the MIDI OUT of CD10 to the MIDI IN of the sequencer/computer and the MIDI OUT of the sequencer/computer to the MIDI IN of CD10.
• Do not connect two sockets on the same instrument to each other.

Instrumental sections and Midi channels

Each of the six sections of CD10 corresponds to a Midi channel (1-16).

The factory default settings are as follows:

Instrumental section Midi channel

Drum 10

Bass 2

Acc1 3

Acc2 6

Lower 4

Upper 5

The corresponding parts on connected Midi devices must be programmed to the same Midi channels. Here are a number of practical examples, with CD10 programmed as in the above table:

• If CD10 controls an expander with only the Upper section extended over the full keyboard extension, the expander must receive on Midi Channel 5.
• If CD10 controls a multi-timbral expander, in other words with several instrumental sections, the sections of the expander should be programmed as the sections of CD10: channel 10 on the Drum section, Channel 2 on the Bass section, and so on....
• If CD10 is controlled by another instrument, the sections of the other instrument must be programmed as the CD10 sections, or the sections of CD10 as the master instrument sections.

Common Channel

In addition to the six sections, CD10 receives and transmits Style control data on a special channel (Style number, tempo, activation/deactivation of Style control buttons).

This channel, known as the Common Channel, must also be assigned a MIDI channel, which is generally 1 or 16. By default, the CD10 MIDI Common is set to channel 16. An instrument transmitting or receiving Style control commands from CD10 must necessarily transmit or receive these data on the Common channel.

Programming the Midi Channels of CD10

1. Press the two [MIDI] buttons simultaneously to enter MIDI Mode.
2. The first three MIDI pages contain the parameters for the channels assigned to the sections. Each page is divided into two sections. The first page contains the Lower and Upper sections, the second page contains Drum and Bass and the third, Acc1 and Acc2. The Common Channel is on page four.
3. Pass from section to section or from page to page with the [PAGE<] and [PAGE>] buttons.
4. Change the MIDI channel assigned to the section using the [TEMPO-DATA] buttons.
5. Press both [ESC] buttons simultaneously to escape from MIDI Mode.

General Midi

Sound compatibility

General Midi (GM) standards stipulate similar sound mappings and sound selection methods for different instruments. When CD10 is controlled by an external sequencer, the correct sounds will be selected.

CD10 has two sound banks; Bank 2 is General Midi compatible while Bank 1 is slightly different ("Drums" group instead of "Percussive" group). When the option GENERALMIDI is ON, a drumkit from the "Drums" group will always be selected on Midi Channel 10, while the sounds of the other groups (including "Percussive") may be selected on all the other channels.

The sixteen General Midi sections

Six instrument sections that can be controlled directly by CD10, but the General Midi standard requires that a multi-timbral expander is able to receive on sixteen different parts.

When the GENERALMIDI option (in MIDI edit) is set to ON, CD10 receives on sixteen sections, including the six standard CD10 sections. The following is a map of the sections and corresponding MIDI channels.

MIDI channel Part
1 GM 01
2	Bass
3	Acc1
4	Lower
5	Upper
6	Acc2
7 GM 07
8 GM 08
9 GM 09
10	Drum
11	GM 1 1
12	GM 12
13	GM 13
14	GM 14
15	GM 15
16	GM 16 (or Common Channel)

If you assign a different MIDI channel to an instrument section of CD10, the channel left "empty" will not be able to receive data.

CD10 as a slave

Changing the Sound

1. If you need to select a Sound from Bank 2, send the following message to the CD10 section:

Control Change 0, value 01

Control Change 0 is often also called Bank Select. It is not necessary to send this message for Bank 1 Sounds.

1. After sending Control Change 0, send the Program Change number corresponding to the Sound to select. For example, in order to select Sound "16 Organ 1" you must send Program Change number 16.

It is also possible that the master transmits Program Change numbers from 1 to 128 instead of from 0 to 127. In this case however, increase the Program Change number to be sent to CD10 by 1.

1. The Sound selected is assigned to the section.

Changing a Style

1. Send the Program Change number to CD10 corresponding to the Style to select on the Common Channel. For example, in order to select Style "07 Fusion 1" send Program Change number 7.
2. The Style is selected. The Sounds of the accompaniment sections change automatically. If the LED of the [AUTOSET] button is ON, the Sounds of the Upper and Lower sections, as well as the Tempo will change.

Controlling a Style

In order to simulate the Style controls, send the Program Change numbers or Control Change numbers listed in the following tables to CD10 on the Common Channel.

These messages, however, are transmitted to another instrument (or computer) when the corresponding buttons are pressed on the C10 control panel.

Style Control ProgramChange

Intro 121
Fill Basic 122
Fill V aryation 123
Sync Start	124
Variation On	125
Variation Of f	126
End	127

The Control Change messages are always followed by the value assigned to the same.

Style Control ControlChange-Value

Intro 112-17
Fill Basic 112-18
End	112-19
Sync Start	112-20
Fill V ar	112-37
Variation On	112-102
Variation Of f	112-38
Harmony On	112-103
Harmony Off	112-39

Memory On 112-104

Memory Off 112-40

Eff1 On 112-105

Eff1 Off 112-41

Eff2 On 112-106

Eff2 Off 112-42

Arrange On 112-107

Arrange Off 112-43

Autoset On 112-109

Autoset Off 112-45

Tempo Increment 118-tempo variation by 2

Tempo Decrement 119-tempo variation by 2

In order to synchronise the tempo of CD10 with that of the master, set the MIDI CLOCK to EXT (see paragraph on "Special functions of Midi-Midi Clock").

CD10 as a master

Changing the Sound

When you select a Sound in CD10, the corresponding Program Change number is sent to the slaved instrument on the section corresponding to that of CD10. Even when you change a Style, the Program Changes of the sections are sent to the slave instrument.

When you select a Sound of Bank 2, CD10 transmits Control Change message 0 — with value 01 — just before the Program Change.

Changing the Style

The Styles of the slave instrument must be similar to those of CD10. If not, ignore the name of the CD10 Style and use only the number.

The slave instrument must receive the Style change data on a Midi channel. If possible, assign this channel to the Common Channel, since CD10 transmits the Style change data on the Common Channel.

Controlling the Style

The slave instrument must receive the same control messages utilised by CD10 (see tables on "Style Control" in previous paragraph).

If this is not possible, Start/Stop is the only standard Midi message that may be received by the slave instrument.

In order to synchronise the slave tempo to that of CD10, set the CD10 MIDI CLOCK to INT (see paragraph on "Special functions of the Midi—Midi Clock"). The slave's Midi Clock must be set to EXT.

Special MIDI functions

Local ON/OFF

The CD10 sections can play the sounds of a slave instrument without playing its own internal sounds. The sections that play the slave without playing the internal sounds are said to be in LOCAL OFF.

To work with an external sequencer, set (1) CD10 in Single Mode, (2) the Upper section in Local Off. In the external sequencer, activate the MIDI Thru. When you play on the CD10 keyboard, you will not hear the Upper section but the corresponding section of the external sequencer.

1. Press the two [MIDI] buttons simultaneously to enter MIDI Mode.
2. Scroll through the "pages" with [PAGE>] or [PAGE<] until you arrive at the first LOC page. There are three LOC pages, each with two of the six CD10 sections: page 1 shows the Lower and Upper sections, page 2 shows the Drum and Bass sections while page 3 shows Acc1 and Acc2.
3. Pass from page to page with [PAGE<] and [PAGE>].
4. Use the [TEMPO-DATA] buttons to toggle between ON and OFF for the selected section.
5. Press the two [ESC] buttons to escape MIDI mode.

Slave:Tracks

As a slave, CD10 may receive two, six or sixteen sections via Midi. Receiving two parts provides major polyphony (in other words a greater number of voices).

When you turn on the master, the SLAVE:TRACKS function is automatically set to ON and CD10 receives on the six sections. If you prefer to work with only the Upper and Lower sections, enter MIDI Mode and set this function to OFF.

1. Press the two [MIDI] buttons simultaneously to enter MIDI Mode.
2. Scroll through the "pages" with [PAGE>] or [PAGE<] until you reach SLAVE:TRACKS.
3. Use [TEMPO-DATA] to toggle between ON or OFF.
4. Press both [ESC] buttons to escape from MIDI Mode.

MIDI Clock

The Midi Clock is the existing synchronism between the two electronic musical instruments. MIDI CLK = INT (internal) means that the instrument is synchronised with its internal tempo and can start and change the tempo to a slave. MIDI CLK = EXT (external) means that the instrument is synchronised with the tempo of a master, therefore, in order to start the Style, the appropriate command must be sent from the master.

CD10 as master

CD10 Internal clock

slave External clock

CD10 as slave

CD10 External Clock

masterInternalClock

1. Press the two [MIDI] buttons simultaneously to enter MIDI Mode.
2. Scroll through the "pages" with [PAGE>] or [PAGE<] to reach CLK.
3. Use the [TEMPO-DATA] buttons to toggle between INT or EXT.
4. Press the two [ESC] buttons to escape MIDI Mode.

Start/Stop ON/OFF

The Start/Stop message can be received or transmitted or can be prevented from doing so. If the function is set to ON, Start/ Stop is received and transmitted; if the function is set to OFF, Start/Stop is ignored.

1. Press the two [MIDI] buttons simultaneously to enter MIDI Mode.
2. Scroll through the "pages" with [PAGE>] or [PAGE<] to reach START/STOP.
3. Use the [TEMPO-DATA] buttons to toggle between ON or OFF.
4. Press both the [ESC] buttons to escape MIDI Mode.

MIDI Filters

Some messages can be "filtered" (excluded) from communications. This may help to avoid problems of compatibility between CD10 and a musical backing on sequencers programmed for other musical instruments, which might have different Program Changes or other non-compatible messages with respect to CD10.

1. Press the two [MIDI] buttons simultaneously to enter MIDI Mode.
2. Scroll through the "pages" with [PAGE>] or [PAGE<] to the first page of F.IN (=Filter In, filters on Midi In) or F.OUT (=Filter Out, filter on Midi Out).
3. Each page shows a MIDI message filter:

Note Note

P.Chg Program Change

C.Chg Control Change

Damp Damper Pedal

Bend Pitch Bend

Man.C. Manual Controls (= Style control by means of Program Change)

G.Mus. Generalmusic Controls (= Style and tempo controls by means of Control Change).

Use [PAGE<] and [PAGE>] to pass from one page to another.

1. Use [TEMPO-DATA] to toggle between ON and OFF for the filter.
2. Press the two [ESC] buttons to escape from MIDI Mode.

MIDI Dump

The Song stored in the instrument's memory can be transmitted to an external sequencer (or computer), or to a Midi Data Filer, or to another CD model by means of System Exclusive data transmitted via DUMP-SAVE.

CD10 will then be able to receive the Song from the external sequencer, from the Midi Data Filer or from another CD by means of the DUMP-LOAD.

Saving the Song:

1. Press the two [MIDI] buttons simultaneously to enter MIDI Mode.
2. Scroll through the "pages" with [PAGE>] or [PAGE<] to reach the DUMP SAVE page.
3. Press the two [MIDI] buttons simultaneously to start the procedure. The display shows the request to enter the name of the "file" to send to the external sequencer:

NAME:?

1. Enter the letters on the keypad (each key has three letters that can be selected in cycle by tapping the button). Press [PAGE>] to move forward a space. Press [PAGE<] to move back a space. The name can consist of no more than seven letters.
2. Confirm the name by pressing the [MIDI] buttons or cancel Dump with the [ESC] buttons. On the display, a question mark appears after the name of the "file", asking you to confirm the procedure.

NAME:FILE001?

1. Start recording in the sequencer connected to CD10.
2. Press the two [MIDI] buttons together to start transferring the Song to the external sequencer. CD10 shows the following message "Wait please".
3. At the end of the recording, stop the recording in the external sequencer and save the data on a floppy disk.

Loading a Song in CD10:

This procedure cancels the Song in the memory of CD10! If another CD (models CD2, CD3, CD10, CD20, CD30) or an external sequencer transmit Midi Dump Data (System Exclusive) to CD10, the instrument automatically sets itself for reception, regardless of the currently set mode.
The procedure can also be started manually as follows:
1. Press the two [MIDI] buttons simultaneously to enter MIDI Mode.
2. Scroll the "pages" using [PAGE>] or [PAGE<], to reach the DUMP LOAD page.
3. Press the two [MIDI] buttons simultaneously in order to set CD10 on hold. The CD10 display shows the following message "Wait please"
4. Start play on the external sequencer. The Song is transferred to the memory of CD10.

1. At the end, the Song is transferred to the memory of CD10. The Song previously in the memory is cancelled. If CD10 receives data from one of the above CD models, Styles 88-95 are replaced by the programmable Styles in the memory of these models. In order to receive the original CD10 Styles, switch off the instrument and the turn it on again (memory is cancelled).

Dynamics

It is possible to activate/deactivate the keyboard dynamics, the reception and transmission via Midi of Velocity messages.

1. Press the two [MIDI] buttons simultaneously to enter MIDI Mode.
2. Scroll through the "pages" with [PAGE>] or [PAGE<] to reach the page DYNAMIC.
3. The [TEMPO-DATA] buttons toggle between OFF or ON for Dynamics.
4. Press the two [ESC] buttons to escape from MIDI Mode.

Technical specifications

Keyboard: 61 keys (Velocity sensitive)

Footswitches: Volume, Damper (Sustain)

Sound generation: PCM 16 bit

Max polyphony: max 32 notes

Multisound: 16 parts

Effects: 2 processors (16 reverbs + 16 modulations)

Sounds: 128+128 General Midi compatible Sounds

Drumkit: 7 General Midi compatible drumkits + 1 GEM WS

compatibledrumkit

Styles: 96 Styles + 96 Variations

Songs: 1 multi-track song that that is erased from memory when

the instrument is powered down

Editing: Overdebbing, Delete

MIDI: IN, OUT

Synchronisation: MIDI: Clock In/Out

Audio outputs: 2 jacks (Left+Right/M)

Headphones

Built-in amplification: 5+5 Watt

Dimensions (H·W·D): 108·966·322 mm

Weight: 6 kg

CD 10

MANUALE

D'ISTRUZIONI

FERMARELO STYLE AL RILASCIO DEI TASTI (AUTOSTOP), 12

Harmony, Digital Effects, Master Tuning, 12

HARMONY, 12

Drums & Samples Pads, 13

Drum, Bass, Acc1, Acc2

[TOUCH START/CONTINUE]

Harmony, Digital Effects, Master Tuning

Harmony

Drums & Samples Pads

[TOUCH START/CONTINUE]

masterClock Internal

Controlla pedale: Volume, Damper (Sustain)

ANDERN DES TEMPOS, 11

STYLESPIELEN,11

[START/STOP], 11

[TOUCH START/CONTINUE], 11

[INTRO/END], 11

[TAP TEMPO], 11

[FILL BASIC], 11

[FILL VAR], 11

[VARIATION], 11

[ARRANGE], 11

[AUTOSET], 11

STYLEAUTOSTOP,12

BASS FOLLOW, 12

Harmony, Digital Effects, Master Tuning, 12

HARMONY, 12

Harmonyaktivieren,12

Drums & Sample Pads, 13

CHORD, CONTROLS, TEMPO, PADS, 14

A_UFNAHME 14

Drum, Bass, Acc1, Acc2

[TOUCH START/CONTINUE]

Harmony, Digital Effects, Master Tuning

Harmony

[TOUCH START/CONTINUE]

Chord, Controls, Tempo, Pads

Drum 10

Bass 2

Acc1 3

Acc2 6

Lower 4

Upper 5

MIDI Channel	Gruppe
1	GM 01
2	Bass
3	Acc1
4	Lower
5	Upper
6	Acc2
7	GM 07
8	GM 08
9	GM 09
10	Drum
11	GM 1 1
12	GM 12
13	GM 13
14	GM 14
15	GM 15
16	(Common Channel)

Damp Damper Pedal (Sustain)

Bend Pitch Bend (Tonhohen-Beugung)

Man.C.Manual Controls Style Control

mittels Program Change)

G.Mus. Generalmusic Controls (= Style und

Tempo Controls mittels Control Change).

Editieren: Overhub, Delete

MIDI: IN, OUT

Synchronisation: M/DI: Clock In/Out

Alimentation, connections, demo, 8

ALIMENTATION 8

Introduction des piles, 8

DRUM, BASS, Acc1, Acc2, 10

REGLAGE DU VOLUME DE DRUM, BASS, ACC1 ET ACC2, 10

SOUTIEN (SUSTAIN) AUTOMATIQUE DELA SECTION LOWER, 10

Activer/desactiver Lower Memory, 10

CHOIX DU STYLE, 10

VARIATIONDU TEMPO, 11

CONTROLE DU STYLE, 11

[START/STOP], 11

[TOUCH START/CONTINUE], 11

[INTRO/END], 11

[TAP TEMPO], 11

[FILL BASIC], 11

[FILL VAR], 11

[VARIATION], 11

[ARRANGE], 11

[ATOSET], 11

ARRET DU STYLE LORS DU RELACHEMENT DES TOUCHES, 12

COMPORTEMENT DE LA BASSE (BASS FOLLOW), 12

Harmony, Digital Effects, Master Tuning, 12

HARMONIE (HARMONY), 12

Drums & Samples Pads, 13

Lesseize sections General Midi,16

UTILISATION DU CD10 EN TANT QU'ESCLAVE (CONTRÔLÉ PAR UN AUTRE INSTRUMENT), 17

Specifications techniques, 20

Panneau de contrôle

Alimentation, connections, demo

Alimentation

Exemple: Pour selectionner "01 Piano1", composer [0][1]. Pour selectionner "127 Gunshot", composer [SOUNDS][2][7].

Drum, Bass, Acc1, Acc2

Activer/désactiver Lower Memory

[TOUCH START/CONTINUE]

Harmony, Digital Effects, Master Tuning

Harmonie (Harmony)

Drums & Samples Pads

[TOUCH START/CONTINUE]

Drum 10

Bass 2

Acc1 3

Acc2 6

Lower 4

Upper 5

Canal	MIDI	Section
1	GM 01
2		Bass
3		Acc1
4		Lower
5		Upper
6		Acc2
7	GM 07
8	GM 08
9	GM 09
10		Drum
11	GM 11
1	2 GM 12
1	3 GM 13
1	4 GM 14
1	5 GM 15
1	6 GM 16	(ou Common Channel)

Spectifications techniques

Editing: Surimpression, Effacement

MIDI: IN, OUT

Synchronisation MIDL: Clock In/Out

Sortie audio: 2 jack mono (Left+Right)

Headphones

Amplification incorporee: 5+5 Watt

Dimensions (H·W·D): 108·966·322 mm

Poids: 6 kg

CD 10

HANDLEIDING

Inhoudsopgave

Bedieningspaneel, 4

DRUM, BASS, Acc1, Acc2, 10

HET VOLUME REGELEN VAN DRUM, BASS, ACC1, ACC2, 10

AUTOMATISCH DOORKLINKEN VAN LOWER SECTIE, 10

Harmony, Digital Effects, Master Tuning, 12

HARMONY, 12

Drums & Samples Pads, 13

DESEQUencer KNOPPEN, 14

[PLAY/DEL], 14

[REC], 14

[LOWER], 14

[UPLLER], 14

[START/STOP], 14

[TOUCH START/CONTINUE], 14

SPECIALE SECTIES, 14

OPNAME,14

Drum, Bass, Acc1, Acc2

Start of stopt de Style.

[TOUCH START/CONTINUE]

Harmony, Digital Effects, Master Tuning

Harmony

Drums & Samples Pads

[TOUCH START/CONTINUE]

Instrumental section Midi channel

Drum 10

Bass 2

Acc1 3

Acc2 6

Lower 4

Upper 5

MIDI channel Part
1 GM 01
2	Bass
3	Acc1
4	Lower
5	Upper
6	Acc2
7 GM 07
8 GM 08
9 GM 09
10	Drum
11 GM 11
1 2	GM 12
1 3	GM 13
1 4	GM 14
1 5	GM 15
1 6	(Common Channel)

Tempo Increment 118-tempo variation by 2

Tempo Decrement 119-tempo variation by 2

CD10 Internal clock

slave External clock

CD10 als slave

CD10	External	Clock
master	Internal	Clock

Man.C. Manual Controls (= Style control by means of Program Change)

G.Mus.

Generalmusic Controls (= Style and tempo controls by means of Con-trol Change).

Multisound: 16 parts (multi-timbraal)

Effecten: 2 processors (16 reverbs + 16 modulatie effecten)

Drumkit: 7 General MIDI drumkits + 1 WS series drumkit

Styles: 96 Styles + 96 Varieties

Songs: 1meer-sporen song

Editing: Overdubbing, Delete

MIDI: IN, OUT

Synchronisatie: MIDI: Clock In/Out

DRUM, BASS, Acc1, Acc2, 10

REGULAR EL VOLUMEN DE DRUM, BASS, ACC1 EACC2, 10

SUSTAINAUTOMATICO DE LA PARTE LOWER, 10

Activar/desactivar Lower Memory, 10

ELEGIR EL STYLE, 10

VARIARELTIEMPO,11

CONTROLAR EL STYLE, 11

[START/STOP], 11

[TOUCH START/CONTINUE], 11

[INTRO/END], 11

[TAP TEMPO], 11

[FILL BASIC], 11

[FILLVAR],11

[VARIATION], 11

[ARRANGE], 11

[ATOSET], 11

DETENER EL STYLE AL SOLTARLAS TECLAS, 12

Harmony, Digital Effects, Master Tuning, 12

HARMONY, 12

Drums & Samples Pads, 13

Drum, Bass, Acc1, Acc2

[TOUCH START/CONTINUE]

Harmony, Digital Effects, Master Tuning

Harmony

Estamericano.

Drums & Samples Pads

[TOUCH START/CONTINUE]

Controles a pedal: Volume, Damper (Sustain)

DRUM, BASS, Acc1, Acc2, 10

ATT ANDRA VOLYM P A DRUM, BASS ACC1, OCH ACC2, 10

AUTOMATISK SUSTAIN P A LOWER SEKTIONEN, 10

Aktivera / ta bort Lower Memory, 10

ATTVALJAEN STYLE 10

ANDRING AV TEMPO, 11

KONTROLL AV STYLES, 11

{START/STOP}, 11

[TOUCH START/CONTINUE], 11

[INTRO/END], 11

[TAP TEMPO], 11

[FILL BASIC], 11

[FILL VAR], 11

[VARIATION], 11

[ARPANGE], 11

[ATOSET], 11

ATT STOPPAEN STYLE NAR TANGENTENSLAPPS, 12

BASS FOLLOW, 12

Harmony, Digitala Effekter, Master Transp, 12

HARMONY, 12

Aktivera Harmony, 12

Anvanda Harmony, 12

DELETE (TA BORT), 15

NAMN PA SONG, 15

MIDI, 16

Vad ar MIDI, 16

Midianslutingar,16

INSTRUMENTSEKTIONER OCH MIDI KANALER, 16

Common Channel (gemensam kanal), 16

AttprogrammeraMidikanalerna pa CD10,16

GENERAL MIDI, 16

Ljudkompabilitet, 16

De sexton General Midi sektionerna, 16

Drum, Bass, Acc1, Acc2

[TOUCH START/CONTINUE]

TOUCH/START Funktionen startar en angiven Style Near Dtrycker ned en tangent istället for [START/STOP] knappen.

[TOUCH START/CONTINUE]

slave External clock

CD10 som Slave

CD10 External Clock

master Internal Clock

Man.C. Manual Controls (= Style control by means of Program Change)

G.Mus. Generalmusic Controls (= Style and

tempo controls by means of Control Change).

Fotpedaler: Volym, Damper (Sustain)

Ljudgenerering: PCM 16 bit

Max polyfoni: max 32 toner

Multisound: 16 parts

Effekter: 2 processor (16 reverb + 16 modulationer)

Ljud: 128+128 General Midi kompatibla ljud

Trumpet: 7 General Midi kompatibla trumpet + 1 GEM WS

kompatibelt trumset

Styles: 96 Styles + 96 Variationer

Editoring: Overdebbing, Delete

MIDI: IN, OUT

Synkronisering: MIDI: Clock In/Out

Audio utgangar: 2 kontakter (Left+Right/M)

Hörlurar

• The following tables show the names of the Bank 1 sounds (shown in UPPER CASE letters) and Bank 2 sounds, (shown in lower case letters). When using CD10 as a slave connected to a MIDI Keyboard operating as a Master, if a split transmitting to CD10 is programmed to play above or below the recommended note ranges, a deterioration in the quality of the sound may be heard. You are advised, therefore, to keep within the recommended sample range for all the sounds listed.

If you use CD10 as a slave, to select a Second Bank sound, you must send a Bank Select message from the master (often referred to as the MDI Controller 0) with a value of "1" (corresponding to the second bank), followed by the respective Program Change. Example: to select "piano2": [Bank Select (1)] [Program Change (2)].

Family	Program Change Sound Range Sound Range	Bank 1 Recommended	Recommended Bank 2	Recommended
Piano
	0 GRANDPIANO C2-C7 grandpiano C2-C7
	1 PIANO 1 C2-C7 piano 1 C2-C7
	2 PIANO 2 C2-C7 piano 2 C2-C7
	3 HONKY-TONK C2-C7 honky-tonk C2-C7
	4 ELECTR. PIANO 1 C2-A6 electr. piano 1 C2-A6
	5 ELECTR. PIANO 2 C2-A5 electr. piano 2 C2-A5
	6 HARPSICHORD C2-E6	harpsichord	C2-E6
	7 CLAVICHORD C2-C7 clavichord	C2-C7
Chrom. Percussion
	8 CELESTA	C2-C7	celesta	C2-C7
	9 GLOCKENSPIEL	A2-C7	glockenspiel	A2-C7
	10 MUSIC BOX	C2-C7	music box	C2-C7
	11 VIBES	C2-C7	vibes	C2-C7
	12 MARIMBA	C2-C7	marimba	C2-C7
	13 XYLOPHONE	C2-C7	xylophone	C2-C7
	14 TUBULAR BELLs	C2-C7	tubular bells	C2-C7
	15 DULCIMER	C2-A6	dulcimer	C2-A6
Organ
	16 ORGAN 1	C2-A6	organ 1	C2-A6
	17 ORGAN 2	C2-C7	organ 2	C2-C7
	18 ORGAN 3	C2-E6	organ 3	C2-E6
	19 CHURCH ORGAN	C2-A6	church organ	C2-A6
	20 REED	D#2-G#5	reed	D#2-G#5
	21 ACCORDION	C2-C7	accordion	C2-C7
	22 HARMONICA	C2-C7	harmonica	C2-C7
	23 BANDONEON	C2-C7	bandoneon	C2-C7
Guitar
	24 NYLON GUITAR	C2-C7	nylon guitar	C2-C7
	25 STEEL GUITAR	C2-C7	steel guitar	C2-C7
	26 JAZZ GUITAR	C2-C7	jazz guitar	C2-C7
	27 CLEAN EL.GUITAR	C2-C7	clean el.guitar	C2-C7
	28 MUTED EL.GUIT.	C2-C7	muted el.guit.	C2-C7
	29 OVER. EL.GUIT.	C2-C7	over. el.guit.	C2-C7
	30 DIST. EL.GUITAR	C2-C7	dist. el.guitar	C2-C7
	31 HARMON. GUITAR	C2-C7	harmon. guitar	C2-C7
Bass
	32 ACOUSTIC BASS	C2-C7	acoustic bass	C2-C7
	33 ELECTRIC BASS	C2-C7	electric bass	C2-C7
	34 PICK BASS	C2-C7	pick bass	C2-C7
	35 FRETLESS BASS	C2-C7	fretless bass	C2-C7
	36 SLAP BASS 1	C2-C7	slap bass 1	C2-C7
	37 SLAP BASS 2	C2-C7	slap bass 2	C2-C7
	38 SYNTH BASS 1	C2-A6	synth bass 1	C2-A6
	39 SYNTH BASS 2	C2-A6	synth bass 2	C2-A6
Strings/Orch.
	40 VIOLIN	C2-A6	violin	C2-A6
	41 VIOLA	C2-C7	viola	C2-C7
	42 CELLO	C2-C7	cello	C2-C7
	43 CONTRABASS	C2-C7	contrabass	C2-C7
	44 TREM. STRINGS	C2-A5	trem. strings	C2-A5
	45 PIZZICATO	C2-C7	pizzicato	C2-C7
	46 HARP	C2-C7	harp	C2-C7
	47 TIMPANI	C2-A6	timpani	C2-A6

Ensemble

	48 STRINGS C2-A6 strings C2-A6
	4 9 SLOW STRINGS C2-A6 slow strings C2-A6
	5 0 SYNTH STRNG 1 C2-A6 synth string 1 C2-A6
	5 1 SYNTH STRNG 2 C2-A6 synth string 2 C2-A6
	52 CHOIR C2-C7 choir C2-C7
	53 VOICE C2-C7 voice C2-C7
	54 SYNTH C2-C7 synth C2-C7
	55 ORCHESTRA HIT C2-C6 or chestra hit C2-C6
Brass
	56 TRUMPET C2-A6 trumpet C2-A6
	57 TROMBONE C2-A6 trombone C2-A6
	58 TUBA C2-A6 flicorno C2-C7
	59 MUTED TRUMPET C2-D#6 muted trumpet C2-D#6
	60 FRENCH HORN A2-C7 french horn C2-C7
	61 BRASS C2-C7 brass C2-C7
	62 SYNTH BRASS 1 C2-C7 synth brass 1 C2-C7
	63 SYNTH BRASS 2 C2-C7 synth brass 2 C2-C7
Reed
	64 SOPRANO SAX C2-C7 soprano sax C2-C7
	65 ALTO SAX C2-C5 alto sax C2-C5
	66 TENOR SAX C2-C7 tenor sax C2-C7
	67 BARITONE SAX C2-B5 baritone sax C2-B5
	68 OBOE C2-C7 oboe C2-C7
	69 ENGLISH HORN C2-C6 english horn C2-C6
	70 BASSOON C2-C7 bassoon C2-C7
	71 CLARINET C2-E6 clarinet C2-E6
Pipe
	72 PICCOLO C2-C7 piccolo C2-C7
	73 FLUTE A2-C7 flute A2-C7
	74 REORDER C2-C7 recorder C2-C7
	75 PAN FLUTE A2-C7 pan flute A2-C7
	76 BOTTLE A2-C7 bottle A2-C7
	77 SHAKUN A2-C7 shakun A2-C7
	78 WHISTLE C2-C7 whistle C2-C7
	79 OCARINA C2-C7 ocarina C2-C7
Synth Lead
	80 SQUARE WAVE C2-C7 square wave C2-C7
	81 SAWTOOTH WV. sawtooth wv. C2-C7
	82 CALLIOPE calliope A2-C7 A2-C7
	8 3 CHIFFER C2-C7 chiffer C2-C7
	84 CHARANG C2-C6 charang C2-C6
	85 SOLO VOX solo vox C2-C7
	86 5TH WAVE E3-A6 5th wave E3-A6
	87 BASS LEAD C2-C7 bass lead C2-C7
Synth Pad
	88 NEW AGE C2-E6 new age C2-E6
	89 WARM C2-A7 warm C2-A7
	90 SYNPOLY C2-C7 synpoly C2-C7
	91 SYNCHOIR C2-C6 synchoir C2-C6
	92 BOWED C2-A7 bowed C2-A7
	93 METAL C2-C7 metal C2-C7
	94 HALO C2-C7 halo C2-C7
	95 SWEEP C2-C7 sweep C2-C7

Synth SFX

	96RAIN C2-C6 rain C2-C6
	97 TRACK C2-G6 track C2-G6
	98CRYSTAL C2-C7 crystal C2-C7
	99 ATMOSPHERE C2-C6 atmosphere C2-C6
	100	BRIGHT	C2-E6	bright A2_C7
	101	GOBLINS	C2-C7	goblins C2-C7
	102	ECHOES	C2-C7	echoes C2-C7
	103	SCI-FI	C2-E6	sci-fi C2-E6
Ethnic
	104	SITAR	C2-C6	sitar C2-C6
	105	BANJO	C2-A6 banjo	C2-A6
	106	SHAMISEN	C2-C6	shamisen C2-C6
	107	KOTO	C2-A6	koto C2-A6
	108	KALIMBA	C2-C7 kalimba	C2-C7
	109	BAGPIPE	C2-A5	bagpipe C2-A5
	110	FIDDLE	C2-A6	fiddle C2-A6
	111	SHANAI	C2-C6 shanai C2-C6
Percussion
	112	DRUMS CD	A0-C8	tinkle bell C2-D6
	113	DRUMS WS	A0-C8	agogo G2-C6
	114	HOUSE KIT	A0-C8	steel drums C2-C7
	115	ROCK KIT	A0-C8	woodblock C3-C7
	116	GATE KIT	A0-C8	taiko drum C2-C7
	117	ELECTRIC KIT	A0-C8	melodic tom C2-C7
	118	JAZZ KIT	A0-C8	synth drum C2-C7
	119	SYMPHONY KIT	A0-C8	reverse cymbal C2-C6
SFX
	120	GUITAR NOISE	C#6-C7	wha wha gtr C#6-C7
	121	BREATH NOISE	C2-A5	breath noise C2-A5
	122	SEASHORE	C2-C7	seashore C2-C7
	123	BIRD TWEET	C2-C7	bird tweet C2-C7
	124	TELEPHONE	C2-C7	telephone C2-C7
	125	HELCIOPTER	C2-C7	helicopter C2-C7
	126	APPLAUSE	C2-C7	applause C2-C7
	127	GUN SHOT	C2-C7	gun shot C2-C7

Styles

DANCE

00 Rock1
01 Rock2
02 Rap
03 House
04 Dance
05 Funk1
06 Funk2
07 Fusion

BEAT

08 8Beat1
09 8Beat2
10 8Beat3
11 8Beat4
12 16Beat1
13 16Beat2
14 16Beat3
15 16Beat4

ROCK'n

16 Boogie
17 Rock'n
18 Twist
19 Charleston
20 Slow Rock1
2 1 Slow Rock 2
22 Ballad1
23 Ballad2

JAZZ

24 Swing1
25 Swing2
26 Swing3
27 Foxtrot
28 BigBand
29 Shuffle
30 Jazz Waltz
31 Dixieland

LATIN

3 2 Bossa
33 Samba
34 Latin
35 Salsa
36 ChaCha
37 Rhumba
38 Mambo
39 Tango

FOLK

40 Waltz1
41 Waltz2
42 March
43 Polka
44 Baroque
45 Country
46 Beguine
47Reggae

ETHNIC

48 Dangdut
49 Keroncong
50 Trot
51 Enka
5 2 Turk 9/8
53 Baladi
54 Malfouf
55 New Saidi

POP

56 Pop1
57 Pop2
58 Pop3
59 Pop4
60 Soul
61 Blues
62 Rock'n
63 Swing4

CD STYLES

64 Funk1
65 Funk2
66 Beat1
67 Beat2
68 CantaLP
69 SexyMF
70 Motown
71 Carwash

CD STYLES

72 Soul1
73 Soul2
74 Soul3
75 Soul4
76 Soul5
77 Soul6
78 Rap1
79 Rap2

CD STYLES

80 Rock1
81 Rock2
8 2 Reggae1
83Reggae2
84 Dance1
85 Dance2
86 Dance3
87 Heavy

PROG

88 House1
89 House2
90 RnBlues
91 HiHop1
92 HiHop2
93 HiHop3
94 HiHop4
95 Brown

SONG

96 SONG

123

Up Quica

Drum WS

Guiro Quica

Drum CD

123

"C" "D" "One"

ROCK KIT
123 Do It! "Yo!" "Uh!"

HOUSE KIT
123 "CmOn! LScrchHScrch

ELECTRIC KIT

123

Zap

"Dance!"

"Do It!"

GATE KIT

123

"Do It!" "Four"

123

JAZZ KIT

Crash Snare Fingers

SYMPHONY KIT

123

Hit C7 Hit G7 Hit C8

MANUFACTURER:MODEL:CD10 Version:1.00

Generalmusic S.p.A. Hyperkeyboard Date: Jan 95

FUNCTION TRANSMITTED RECOGNIZED REMARKS
BASIC CHANNEL Default 1-16 1-16 Changed 1-16 1-16
MODE Default Mode 3 Mode 3 Messages XX Altered **** X
NOTE NUMBER 36-96 21 True Voice 21-108 **** 21-108
VELOCITY	Note ON Note OFF	O 9nH v=1-127 X 9nH v=0	O 9nH v=1-127 X
AFTER TOUCH	Key's Ch's	XX XX
PITCH BENDER		O	O
CONTROL CHANGE	00 01 04 07 64 112 118 119	O O X O	O O Foot Control.	Bank Sel. Mod.Wheel Main Volume Damper Pedal (1) (1) (1)
		O O O	O O O	(1) (1) (1)
		O O O	O O O	(1) (1)
		O O O	O O O	(1) (1)
PROGRAM CHANGE	True #	O (0-127) O (0-127) *** (0-127)
SYSTEM EXCLUSIVE		O	O
SYSTEM COMMON	Song Pos. Tune	XX XX
SYSTEM REAL TIME	Clock Commands	O O	O O	Start/Stop/Continue
		O O	O O
AUXMESSAGE	Reset All Contr Local ON/OFF All Notes OFF Active Sense Reset	O O O O O O	O O O O O

Notes: (1) Generalmusic reserved Control Change

Mode 1: OMNI ON

Mode 3: OMNI OFF, POLY

Mode 2: OMNI ON, MONO O: Yes

Mode 4: OMNI OFF, MONO

X: No

CD10 Hyperkeyboard Copyright © Generalmusic 1995 Release: V. 1.00 (February 93)

1.1 TRANSMITTED DATA

9n kk 00 Note Off

9n kk vv Note On

Bn 00 cc Bank selection

Bn 01 cc Modulation Wheel

Bn 07 cc Main Volume

Bn 40 cc Damper Pedal

Bn 70 cc Generalmusic reserved (See par. 3.1)

Bn 76 cc Generalmusic reserved (See par. 3.1)

Bn 77 cc Generalmusic reserved (See par. 3.1)

Bn 79 OO Reset All Controllers

Bn 7A cc Local Control

Bn 7B OO All Note Off

Cnp pp Program Change

En bb bb Pitch Bend

F8 Timing Clock

FA Start

FB Continue

FC Stop

FE Active Sensing

1.2 TRANSMITTED PARAMETERS DETAILS

n = Midi Channel (01-16 programmable)

kk = Note (36-96)

vv = Key Velocity (01-127)

pp = Program for Section (00-127)

= Program for Sequencer (00-99 = Style/Song

Common MIDI Channel 121 = Intro 122 = Fill Basic

123 = Fill Var 124 = Sync

125 = Variation ON

126 = Variation OFF

127 = End

cc = Controller value (0-127 for continuos controllers,

0-63=OFF, 64-127=ON for switches)

bb = Pitch Bend value (0-127)

2.1 RECOGNIZED DATA

8n kk 00 Note Off

9n kk 00 Note Off

9n kk vv Note On

Bn 00 cc Bank selection

Bn 01 cc Modulation

Bn 04 cc Foot Control

Bn 07 cc Main Volume

Bn 40 cc Damper Pedal

Bn 70 cc Generalmusic reserved (See par. 3.1)

Bn 76 cc Generalmusic reserved (See par. 3.1)

Bn 77 cc Generalmusic reserved (See par. 3.1)

Bn 79 00 Reset All Controllers

Bn 7A cc Local Control

Bn 7B OO All Note Off

Cnp pp Program Change

En bb bb Pitch Bend

F8 Timing Clock

FA Start

FB Continue

FC Stop

FE Active Sensing

FF Reset

2.2 RECOGNIZED PARAMETERS DETAILS

n = Midi Channel (01-16 programmable)

kk = Note (21-108)

vw = Key Velocity (01-127)

pp = Program for Section (00-127)

= Program for Sequencer (00-99 = Style/Song

(Common MIDI Channel) 121 = Intro 122 = Fill Basic

123 = Fill Var 124 = Sync

125 = Variation ON

126 = Variation OFF

127 = End)

cc = Controller value (0-127 for continuos controllers

0-63=OFF, 64-127=ON for switches)

bb = Pitch Bend value (0-127)

3.1 GENERALMUSIC RESERVED CONTROL CHANGE 70, 76, 77

Bn 70 11 INTRO REQUEST

Bn 70 12 FILL BASIC REQUEST

Bn 70 13 END REQUEST

Bn 70 14 SYNC_START REQUEST

Bn 70 25 FILL VAR REQUEST

Bn 70 26-66 VARIATION Disable/Enable

Bn 70 27-67 HARMONY Disable/Enable

Bn 70 28-68 MEMORY Disable/Enable

Bn 70 29-69 EFFECT1 Disable/Enable

Bn 70 2A-6A EFFECT 2 Disable/Enable

Bn 70 2B-6B ARRANGE Disable/Enable

Bn 70 2D-6D AUTOPRESET Disable/Enable

Bn 76 vv TEMPO INIncrement (vv = inc. value)

Bn 77 vv TEMPO DECREMENT (vv = dec. value)

Federal Communications Commission

Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this instrument does cause harmful interference to radio or television reception, which can be determined by turning the instrument off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.
• Increase the separation between the instrument and the receiver.
• Connect the instrument into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/television technician for help.

GENERALMUSIC Code 271030

Specifications are subject to change without prior notice.