SMP 8.2 - Audio Mixer SYNQ AUDIO RESEARCH - Free user manual and instructions

USER MANUAL SMP 8.2 SYNQ AUDIO RESEARCH

Copyright © 2010 by BEGLEC NV

t Hofveld 2C B1702 Groot-Bijaarden Belgium

Reproduction or publication of the content in any manner, without express permission of the publisher, is prohibited.

CE

V1.0

AUDIO RESEARCH

EN - DISPOSAL OF THE DEVICE

Dispose of the unit and used batteries in an environment friendly manner according to your country regulations.

FR-DECLASSES L'APPAREIL

Thank you for buying this SYNQ® product. To take full advantage of all possibilities, please read these operating instructions very carefully.

FEATURES

This unit is radio-interference suppressed. This appliance meets the requirements of the current European and national guidelines. Conformity has been established and the relevant statements and documents have been deposited by the manufacturer.

• 8 channel PA-mixing console with very low noise architecture.
• Internal 24bit DSP-effect unit with 100 presets & foot switch
• USB in/out for direct recording to PC

• 4 balanced input channels, 2 Mono & 3 Stereo channels:

• Input gain

• Inserts on mono channels
• Peak indication @ -5dB
  High pass filter @ 75Hz
  3band equalizer
  1 AUX send EFX send for effects section (post)
  PAN/BAL control

• PFL-switch
  LEVEL control

• 48V Phantom power available on all balanced microphone inputs

• Use of external effects possible
  Balanced Main L/R output controls
• Headphone and control room output
• 2x10 section LED VU-meters
• External power transformer

BEFORE USE

• Before you start using this unit, please check if there's no transportation damage. Should there be any, do not use the device and consult your dealer first.
• Important: This device left our factory in perfect condition and well packaged. It is absolutely necessary for the user to strictly follow the safety instructions and warnings in this user manual. Any damage caused by mishandling is not subject to warranty. The dealer will not accept responsibility for any resulting defects or problems caused by disregarding this user manual.
• Keep this booklet in a safe place for future consultation. If you sell the fixture, be sure to add this user manual.
• To protect the environment, please try to recycle the packing material as much as possible.

Check the contents:

Check that the carton contains the following items:

• User manual
  SMP8.2 mixer
  Power supply

SAFETY INSTRUCTIONS:

CAUTION

RISK OF ELECTRIC SHOCK DO NOT OPEN

CAUTION: To reduce the risk of electric shock, do not remove the top cover. No user-serviceable parts inside. Refer servicing to qualified service personnel only.

The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operation and maintenance (servicing) instructions in the literature accompanying this appliance.

This symbol means: indoor use only

This symbol means: Read instructions

This symbol means: Safety Class II appliance

• To prevent fire or shock hazard, do not expose this appliance to rain or moisture.
• To avoid condensation to be formed inside, allow the unit to adapt to the surrounding temperatures when bringing it into a warm room after transport. Condense sometimes prevents the unit from working at full performance or may even cause damages.
• This unit is for indoor use only.
• Don't place metal objects or spill liquid inside the unit. No objects filled with liquids, such as vases, shall be placed on this appliance. Electric shock or malfunction may result. If a foreign object enters the unit, immediately disconnect the mains power.
• No naked flame sources, such as lighted candles, should be placed on the appliance.
• Don't cover any ventilation openings as this may result in overheating.
• Prevent use in dusty environments and clean the unit regularly.
• Keep the unit away from children.
• Inexperienced persons should not operate this device.
  Maximum save ambient temperature is 40^ . Don't use this unit at higher ambient temperatures.
• Minimum distances around the apparatus for sufficient ventilation is 5cm.
• Always unplug the unit when it is not used for a longer time or before you start servicing.
• The electrical installation should be carried out by qualified personal only, according to the regulations for electrical and mechanical safety in your country.
• Check that the available voltage is not higher than the one stated on the rear panel of the unit.
• The socket inlet shall remain operable for disconnection from the mains.
• The power cord should always be in perfect condition. Switch the unit immediately off when the power cord is squashed or damaged. It must be replaced by the manufacturer, its service agent or similarly qualified persons in order to avoid a hazard.
• Never let the power-cord come into contact with other cables!
• In order to avoid a hazard, the unit shall only be used with the AC-adaptor delivered with it. If the AC-adaptor is damaged, a same model adaptor shall be used only.
• When the power switch is in OFF position, this unit is not completely disconnected from the mains!
• This appliance must be earthed to in order comply with safety regulations.
• In order to prevent electric shock, do not open the cover. Apart from the mains fuse there are no user serviceable parts inside.
• Never repair a fuse or bypass the fuse holder. Always replace a damaged fuse with a fuse of the same type and electrical specifications!
• In the event of serious operating problems, stop using the appliance and contact your dealer immediately.
• Please use the original packing when the device is to be transported
• Due to safety reasons it is prohibited to make unauthorized modifications to the unit.

INSTALLATION GUIDELINES:

• Install the unit in a well-ventilated location where it will not be exposed to high temperatures or humidity.
• Placing and using the unit for long periods near heat-generating sources such as amplifiers, spotlights, etc. will affect its performance and may even damage the unit.
• When installed in a booth or flight case, please make sure to have good ventilation to improve heat evacuation of the unit.
• To avoid condensation to be formed inside, allow the unit to adapt to the surrounding temperatures when bringing it into a warm room after transport. Condense sometimes prevents the unit from working at full performance.

CLEANING THE APPLIANCE:

Clean by wiping with a polished cloth slightly dipped with water. Avoid getting water inside the unit. Do not use volatile liquids such as benzene or thinner which will damage the unit.

CONNECTIONS

For more information on connections, please refer to the next chapter.

Be sure to turn off the mixer before you make changes to the different connections.

In this manual we talk about "line inputs". This is a global name for inputs with a level between 750mV and 2V. This includes tuners, videos, CD-players, etc.

FUNCTIONS

INPUT CHANNEL CONTROL

1. PEAK LED INDICATOR

This LED indicator shows the level of the signal input of the channel. The peak indicator lights up when the input signal reaches 5dB below the channel's clipping point. This indicator shows the level of the Post-EQ/ pre-fader signal. If the PEAK indicator lights more than briefly on high-level transients, you should use the TRIM control to decrease the input sensitivity of the channel. If this does not work, reduce the output level of the connected source.

2. TRIM CONTROL

According to the level of the input signal, use this knob to adjust the input to an appropriate level. The best balance of S/N and dynamic range will be achieved if you adjust the TRIM control so that the peak indicator lights occasionally. This control adjusts the channel's MIC input sensitivity between -50dB and -6dB and the line input sensitivity between -30dB and +14dB.

The mono/stereo combination input channels have a sensitivity of +20dB to-20dB

3. HPF(High-Pass Filter)

This switch toggles the HPF on or off. To turn the HPF on, press the switch In ( ). The HPF cut frequencies below 75Hz

4. EQUALIZER

This 3-band equalizer adjusts the channel's high, mid and low frequency bands. Setting the knob to the "0" position produces a flat frequency response. Turning the knob to the right boosts the corresponding

frequency band, while turning to the left cuts the band.

The following table shows the EQ type, frequency, and maximum cut/boost for each of the three bands.

CONTROL	MAX. BOOST/CUT	FREQUENCY	TYPE
HIGH	±15dB	12kHz	Shelving
MID	±12dB	2.5kHz	Peaking
LOW	±15dB	80Hz	Shelving

5. AUX CONTROL

The AUX knob controls the signal level that the channel sends to the AUX bus.

If you are using stereo channels, the signals from the L and R channels are mixed and send to the AUX bus.

The AUX controls are switched as pré fader. Pré-fader aux outputs are not influenced by the position of the channel fader and are mainly used to control stage monitors.

6. EFX CONTROL.

This knob controls the level of the signals sent to the EFX bus (to the EFX SEND jack on the front panel and to the internal effect module). The channel signals mixed by this bus have their overall level set by the EFX SEND Control.

Since this control is placed after the channel fader, the signal level will be affected by the channel fader's setting.

7. PAN/BAL CONTROL

PAN (Mono Channel)

This control pans the channel signal across the master L and R busses, thus determining the perceived position of the sound from that channel in the output stereo sound field. If a PAN control is set all the way to the left, for example, the sound from that channel will be heard from the left speaker system only.

If it is set all the way to the right, the sound will be heard from the right speaker system only.

Intermediate settings will cause the sound to appear at corresponding locations in the stereo sound field.

BALANCE (Stereo Channel)

This control adjusts the balance or the L/R position of the stereo input signal.

Turning the BALANCE control to the left of center moves the apparent source toward the MAIN MIX L bus, turning it to the right moves the source toward the MAIN MIX R bus.

8. CHANNEL VOLUME KNOB

This is the channel's main level control. It determines the level of the signal that is sent from the channel to the master mixing effect bus. It is the settings of the input channel volume knobs that determine the mix, or the balance of sound levels between the instruments or other sources connected to the inputs. When a channel is not being used, its volume knob should be set at the minimum position to prevent the addition of unwanted noise to the main program signal.

MAIN CONTROL SECTION

1. DSP PROGRAM DISPLAY

The selected DSP effect number is shown on the display.

2. DSP PROGRAM SELECT SWITCH

Turn the program knob to select one of the 100 built-in digital effects. The 24 Bit Digital Effects processor provides high quality effects like Delay, Chorus and Reverb.

3. DSP ON/OFF SWITCH

This switch turns the internal digital effect on/off.

4. EFX RTN VOLUME KNOB

Adjust the level of the signal sent from the internal digital effect to the MAIN bus.

5. CTRL ROOM /PHONES CONTROL

Controls the signal output level of the PHONES and CONTROL ROOM outputs.

1. MAIN L/R MASTER VOLUME KNOB Adjusts the final output level that is sent to the MAIN L/R OUTPUTS.

2. AUX STEREO RETURN CONTROL Adjusts the level of the signal coming from the AUX RETURN connectors (L and R), routed to the MAIN L/R bus.

3. TAPE IN CONTROL This knob controls the level of the playback signal that is coming from the TAPE IN RCA connectors, and that will be routed to the MAIN L/R output.

4. LEVEL METER This LED display shows the level of the MAIN L/R output signal. The "0" point corresponds to the standard output level of +4dB .

5. POWER INDICATOR This indicator lights when power switch of the mixer is turned on.

6. PHANTOM POWER SWITCH This switch toggles the phantom power on or off. If you set the switch on, the mixer supplies power to all channels that provide XLR MIC inputs.

Set this switch on when using one or more condenser microphones that need to receive external power from the mixer.

NOTE: When this switch is on, the mixer supplies DC +48V power to pins 2 and 3 of all XLR-type MIC INPUTS.

• Be sure to leave this switch off ( ) if you do not need phantom power.
• When tuning the switch on ( ), be sure that only condenser MICs are connected to the XLR input jacks.
  Devices other than condenser MICs may be damaged if connected to the phantom power supply. Note, however, that the switch may be left on without problem when connecting to balanced dynamic microphones.
• To avoid damage to speakers, be sure to turn off amplifier (on powered speakers) before turning this switch on or off. We also recommend that you turn all out controls to minimum settings before operating the switch, to avoid risk of loud noises that could cause hearing loss or device damage.

12. PHANTOM POWER INDICATOR

This indicator lights up when the phantom power is switched on.

CONNECTORS

1. CHANNEL INPUTS

BALANCED MIC XLR Connectors

These are balanced XLR-type input jacks (1: Sleeve, 2: Hot, 3:Cold)

BALANCED LINE IN JACK Connectors

A standard 1/4" TRS phone jack is used for balanced or unbalanced line level signals, like used with most electronic keyboards, synthesizers, tape decks and the line outputs from other mixers.

These are input/output jacks located between the head-amplifier and the high pass filter. These jacks can be used to independently connect these channels to devices such as graphic equalizers, compressors, and noise filters. These are 1/4"TRS (tip, ring, sleeve) phone jacks that support bi-directional operation. NOTE: Connection to an INSERT I/O jack requires a special separately-sold insertion cable such as illustrated below.

3. CHANNEL INPUT JACKS

These are unbalanced stereo line input connectors. Two types are provided: Jack type and RCA pin type. For stereo signals, you need of course to connect both Left and Right channels. Channels CH9/10 and CH11/12 can also be used for mono signals. If you need to connect a mono signal, then use only the L MONO Jack input. When the mixer detects no connector in the R input, it will spread the signal of the L MONO Jack input over both L and R channels. NOTE: Channels 7/8 provide 2 types of inputs: jack and RCA connectors. Please use only one of these inputs. Never use both input types at the same time on the same channel.

4. STEREO RETURN L (MONO), R JACK

These are unbalanced 1/4'' TRS phone-type line input jacks. The signal received by these jacks is sent to the MAIN bus and AUX buss. These jacks are mainly used to receive a return signal from an external effect (reverb, delay, etc.)
NOTE: These jacks can also be used as an auxiliary stereo input. If you need to connect a mono signal, then use only the L MONO Jack input. When the mixer detects no connector in the R input, it will spread the signal of the L MONO Jack input over both L and R channels.

5. TAPE IN RCA connectors

Use these RCA connectors when you want to connect a CD, DAT or other external sound source directly to the mixer for monitoring.

You can adjust the signal level using the TAPE/USB control in the MAIN CONTROL SECTION.

6. REC OUT RCA connectors

The REC OUT connectors send the pre-fader signal from the master bus. U can use this output for recording.

7. SEND JACKS

These are unbalanced phone jacks

*AUX

These jacks output sends the signal form AUX bus. You can use this jack, for example to connect powered stage monitors.

*EFX

You can use this jack for example to connect an external effect unit.

8. FOOT SWITCH JACK

A foot switch can be connected to this phone input jack and can be used to turn the digital effects ON/OFF.

9. MAIN L/R OUTPUT JACKS

"Balanced 1/4" Jack outputs. You can use these outputs to connect the power amplifiers for you main speakers, or you can use them when you wish to record the signal that is also influenced by the main output faders.

10. CONTROL ROOM OUTPUT JACKS

These unbalanced 1/4 Jack outputs are controlled by the CTRL ROOM /PHONES CONTROL and are generally used to connect a monitoring system.

11. PHONES JACK

Stereo headphones connector.

REAR PANEL

1. POWER SUPPLY CONNECTOR

Connect the included power supply here. Replace this power supply only with exactly the same type number. Use of a different adaptor may result in fire or electric shock.

2. POWER SWITCH

Used to switch the mixer on/off. We strongly advise to set the master output faders of the mixer and the gain controls of your amplifier to zero before you switch the mixer on or off

3. USB PORT

The built-in stereo USB audio interface allows you to connect your mixer to a PC for recording or playback. Virtually any digital recording software can be used.

The PC/Mac will detect your mixer as a sound card, so normally no drivers are needed. This means also you will be able to use the standard audio interface controls in the MAC or Windows operating system to make all the settings.

Getting Started with Windows XP

The first time you plug the mixer into a USB port, Windows will install the universal drivers for that port. A balloon tip will pop up, telling you it has found the USB Audio codec.

When the installation is ready, the message "Your new hardware is installed and ready to use" will appear

Most of the time, you'll want the output volume from the computer at it's maximum position, but sometimes the default setting is much lower, what makes the output level too low. The volume can be increased in several ways. The simplest is to click the loudspeaker icon (figure 3) in the system tray and drag the slider to the top

If the icon is not there, the volume can be changed by going to Control Panel and opening Sounds and Audio Devices.

To use the mixer as your default input/output device (for system sounds and audio recording software), ensure that it is set for playback and recording in the Audio tab.

The volume can then be set by pressing the Volume button

Getting Started with MAC OS X

Connect the mixer to your mac by using a standard USB cable. The LED will light up to indicate it is receiving USB power. The MAC will recognize the USB audio device and automatically install a universal driver. To select the mixer as the computer's audio input, open the System Preferences from the dock or the main Apple Menu.

Next: open the Sound preferences.

Now, click on the Input tab and select USB Audio Codec. You may notice that the Volume slider sets itself to the highest level. This will allow you to use the level controls of the mixer at their full range.

Then click on the Output tab and select USB Audio Codec. You may notice that the Volume slider sets itself to the full level. You may notice that the Volume slider sets itself to the highest level. This will allow you to use the level MAIN controls of the mixer to set the exact output level.

Recording to the USB I/O

For recording a live performance, you can send the main output mix to a computer by using the USBI/O connector. The output signal will only be influenced by the individual channel settings and channel faders, not by the MAIN L/R master output fader.

You can also assign the outputs of the AUX1 and AUX2 to the USB out, enabling you to build a stereo mix for recording that's independent from the house sound system. Press the USB SEND switch down to send the AUX1 and AUX2 mix to the USB input.

Playback from the USB I/O

For playback, the USB stereo signal goes directly via the TAPE IN to the MAIN OUTPUT mix of the console. You can set the USB playback level by using the TAPE/USB volume knob.

WIRING

APPLICATIONS

SPECIFICATIONS

Power Supply	AC 230 V, 50Hz
Power consumption	25W
Max output level (0.5% thd @ 1kHz)	+26dB (MAIN L/R) +20dB (INSERT) More than 100mW (HEADPHONES) @33Ohm
T.H.D.	<0.1% @ +14dB 20Hz~20kHz (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM)
Frequency response	20Hz~20kHz, +1/-2dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM)
Hum and Noise (average Rs=150Ohm)	-127dB equivalent input noise -95dB residual noise (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) -88dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) Master fader at nominal level and all channel volumes at minimum.
Maximum Voltage Gain	66dB MIC IN TO MAIN L/R 60dB MIC IN TO AUX 66dB MIC IN TO EFX 76dB MIC IN TO CONTROL ROOM L/R 58.2dB IN TO REC L/R 46dB LINE IN TO MAIN L/R 46dB LINE IN TO AUX 46dB LINE IN TO EFX 56dB LINE IN TO CONTROL ROOM L/R 36dB STEREO IN TO MAIN L/R 6dB AUX RETURN IN TO MAIN L/R 16dB TAPE IN TO MAIN L/R
Crosstalk (@ 1kHz)	-70dB between input channels -70dB between input/oputput channels
Gain Control (mono input channel)	44dB Variable (-50dB ~ -6dB) (-30dB ~ +14dB)
Gain Control (combined mono/stereo input channel)	40dB Variable (-20dB ~ +20dB)
Input channel Equalization	HIGH: 12kHz shelving MID: 2.5kHz peaking LOW: 80Hz shelving *Turnover/roll off frequencies: located 3dB below max. boost/cut
LED Meters	2x 10 segment LED for MAIN L/R
Internal Digital Effect	100 selectable presets FOOT Switch control (ON/OFF)
Channel indicators	Peak: an indicator for each channel turns on when the pré-channel fader signal is 5dB below clipping
Phantom Power (balanced input)	+48V DC
Weight	2,8 kg
Dimensions	249(W) x 75(H) x 295(D) mm

Specifications
-INPUT

Input Connector	Input Impedance	Nominal Impedance	Rated Input Level	Connector Type
CH Mic	4kΩ	50 ~ 600Ω	-50dB	XLR 3-31 Type Balanced
CH Line	10kΩ	600Ω	-30dB	Phone Jack (TRS) T = Hot R = Cold S = GND
Stereo Input Mic	3kΩ	600Ω	-44dB	XLR 3-31 Type Balanced
Stereo Input Line	5kΩ	600Ω	-20dB	Unbalanced Phone Jack
Aux Return Insert Input	10kΩ	600Ω	+4dB	Unbalanced Phone Jack
Mono Channel Insert Input	10kΩ	600Ω	0dB	Phone Jack (TRS) T = Out R = In S = GND
Tape In	10kΩ	600Ω	-10dBV	RCA pin Jack

-OUTPUT

Output Connector	Output Impedance	Nominal Impedance	Rated Output Level	Connector type
MAIN	75Ω	10KΩ	+4dB	Unbalanced Phone Jack
CTRL Room Out	75Ω	10KΩ	+4dB	Unbalanced Phone Jack
Aux/ Efx Send	75Ω	600Ω	+4dB	Unbalanced Phone Jack
Mono channel insert output	100Ω	10kΩ	0dB	Phone Jack (TRS) T = Out R = In S = GND
Rec Out	600Ω	10kΩ	-10dBV	RCA pin Jack
Phones Out	100Ω	33Ω	3mW	Stereo Phone Jack

Every information is subject to change without prior notice

You can download the latest version of this user manual on our website: www.beglec.com

MODE D'EMPLOI

Specifications ENTREES

Input Connector	Input Impedance	Nominal Impedance	Rated Input Level	Connector Type
CH Mic	4kΩ	50 ~ 600Ω	-50dB	XLR 3-31 Type Balanced
CH Line	10kΩ	600Ω	-30dB	Phone Jack (TRS) T = Hot R = Cold S = GND
Stereo Input Mic	3kΩ	600Ω	-44dB	XLR 3-31 Type Balanced
Stereo Input Line	5kΩ	600Ω	-20dB	Unbalanced Phone Jack
Aux Return Insert Input	10kΩ	600Ω	+4dB	Unbalanced Phone Jack
Mono Channel Insert Input	10kΩ	600Ω	0dB	Phone Jack (TRS) T = Out R = In S = GND
Tape In	10kΩ	600Ω	-10dBV	RCA pin Jack

SORTIES

Output Connector	Output Impedance	Nominal Impedance	Rated Output Level	Connector type
MAIN	75Ω	10KΩ	+4dB	Unbalanced Phone Jack
CTRL Room Out	75Ω	10KΩ	+4dB	Unbalanced Phone Jack
Aux/ Efx Send	75Ω	600Ω	+4dB	Unbalanced Phone Jack
Mono channel insert output	100Ω	10kΩ	0dB	Phone Jack (TRS) T = Out R = In S = GND
Rec Out	600Ω	10kΩ	-10dBV	RCA pin Jack
Phones Out	100Ω	33Ω	3mW	Stereo Phone Jack

9. MAIN L/R OUTPUT JACKS

Output Connector	Output Impedance	Nominal Impedance	Rated Output Level	Connector type
MAIN	75Ω	10KΩ	+4dB	Unbalanced Phone Jack
CTRL Room Out	75Ω	10KΩ	+4dB	Unbalanced Phone Jack
Aux/ Efx Send	75Ω	600Ω	+4dB	Unbalanced Phone Jack
Mono channel insert output	100Ω	10kΩ	0dB	Phone Jack (TRS) T = Out R = In S = GND
Rec Out	600Ω	10kΩ	-10dBV	RCA pin Jack
Phones Out	100Ω	33Ω	3mW	Stereo Phone Jack

BALANCE (Stereokanal)

4. STEREO RETURN L (MONO), R BUCHSE

Output Connector	Output Impedance	Nominal Impedance	Rated Output Level	Connector type
MAIN	75Ω	10KΩ	+4dB	Unbalanced Phone Jack
CTRL Room Out	75Ω	10KΩ	+4dB	Unbalanced Phone Jack
Aux/ Efx Send	75Ω	600Ω	+4dB	Unbalanced Phone Jack
Mono channel insert output	100Ω	10kΩ	0dB	Phone Jack (TRS) T = Out R = In S = GND
Rec Out	600Ω	10kΩ	-10dBV	RCA pin Jack
Phones Out	100Ω	33Ω	3mW	Stereo Phone Jack

6. Conectores REC OUT RCA

Output Connector	Output Impedance	Nominal Impedance	Rated Output Level	Connector type
MAIN	75Ω	10KΩ	+4dB	Unbalanced Phone Jack
CTRL Room Out	75Ω	10KΩ	+4dB	Unbalanced Phone Jack
Aux/ Efx Send	75Ω	600Ω	+4dB	Unbalanced Phone Jack
Mono channel insert output	100Ω	10kΩ	0dB	Phone Jack (TRS) T = Out R = In S = GND
Rec Out	600Ω	10kΩ	-10dBV	RCA pin Jack
Phones Out	100Ω	33Ω	3mW	Stereo Phone Jack

BALANCE (Canal Estereo)

6. Conectores REC OUT RCA.

9. JACKS MAIN L/R OUTPUT

Saidas jack 1 / 4 balanceadas. Pode usable estas saidas para conectar os amplificadores de potencia as suas colunas principales ou pode uso-las quando desejar gravar o sinal que también é influenciado pelos potenciáromtos principales.

10. JACKS CONTROL ROOM OUTPUT

Estas dais de jack 1/2 sem balanco sao controdasleo controlo CTRL ROOM / PHONES e sao geralmente usadas para conectar a umsystema de monitoracao.

11. JACKS PHONES

Output Connector	Output Impedance	Nominal Impedance	Rated Output Level	Connector type
MAIN	75Ω	10KΩ	+4dB	Unbalanced Phone Jack
CTRL Room Out	75Ω	10KΩ	+4dB	Unbalanced Phone Jack
Aux/ Efx Send	75Ω	600Ω	+4dB	Unbalanced Phone Jack
Mono channel insert output	100Ω	10kΩ	0dB	Phone Jack (TRS) T = Out R = In S = GND
Rec Out	600Ω	10kΩ	-10dBV	RCA pin Jack
Phones Out	100Ω	33Ω	3mW	Stereo Phone Jack

Estas informacoes estáu sujeitas a alteracoes sem aviso previo