HP103E - Digital piano ROLAND - Free user manual and instructions

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USER MANUAL HP103E ROLAND

HP103_e.book Page 1 Sunday, September 12, 2004 1:37 PM Owner’s Manual (p. 1) Bedienungsanleitung (p. 37) Mode d’emploi (p. 73) Manuale dell’utente (p. 109) Copyright © 2004 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. HP103_e.book Page 2 Sunday, September 12, 2004 1:37 PM

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS

WARNING - When using electric products, basic precautions should always be followed, including the following:

Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water. Clean only with a dry cloth. Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. When the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched

particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the

12. Never use with a cart, stand, tripod, bracket,

or table except as specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when

unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing

is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. For the U.K. IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. BLUE: NEUTRAL BROWN: LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug. HP103_e.book Page 1 Sunday, September 12, 2004 1:37 PM Owner’s Manual Thank you, and congratulations on your choice of the Roland Digital Piano HP103e/102e. Main Features Piano Sounds with Rich Resonance and Wide-ranging Expressiveness The stereo sampling piano sound generator realistically reproduces even the sound of the hammers striking the strings, producing the tones of a high-quality concert grand piano. Maximum polyphony of 64 notes ensures that you can use the pedal freely without running out of notes. In addition, this instrument features a “Grand Sound” speaker system, and simulates the full, three-dimensional nature of a concert grand piano (Grand Space), which together help to deliver a sound with even greater clarity and power (Dynamic Emphasis). Pursuing the Playing Feel of a Grand Piano This instrument features a progressive hammer action keyboard, which duplicates the touch of a grand piano, with a heavier touch in the lower register, and a lighter touch in the upper register. The pedal is designed for good-feeling response, and allows subtle performance nuances to be expressed. Comfortable for Use with Headphones Special effects applied to the sound when headphones are used make listening through headphones comfortable, not fatiguing. And in addition to an indicator on the front panel that lights up when you connect a pair of headphones, the HP103e/102e also provides a convenient hook where you can keep your headphones when they’re not in use. A Variety of Helpful Practice Features and Built-in Piano Songs A metronome function and “two-track recorder,” the built-in songs for a collection of scores (60 songs included), and other features let you experience piano lessons in ways possible only with a digital piano. Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS”, “Using the unit safely” (p. 2), and “Important notes” (p. 4). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference. Copyright © 2004 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. HP103_e.book Page 2 Sunday, September 12, 2004 1:37 PM Using the unit safely Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly. Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

• Material damage refers other adverse effects respect to the home furnishings, as well animals or pets. to damage or caused with and all its to domestic

• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

• Do not open or perform any internal modifications on the unit.

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

• Never use or store the unit in places that are:
• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are
• Damp (e.g., baths, washrooms, on wet floors); or are
• Exposed to rain; or are
• Subject to high levels of vibration.

• Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

• The unit should be connected to a power supply only of the type described in the operating instructions, or as marked on rear of the unit.

• Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled. The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

• Immediately turn the power off, remove the power cord from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:
• The power-supply cord, or the plug has been damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been spilled onto the unit; or
• The unit has been exposed to rain (or otherwise has become wet); or
• The unit does not appear to operate normally or exhibits a marked change in performance.

HP103_e.book Page 3 Sunday, September 12, 2004 1:37 PM

• Protect the unit from strong impact.

• If you need to move the instrument, take note of the precautions listed below. At least two persons are required to safely lift and move the unit. It should be handled carefully, all the while keeping it level. Make sure to have a firm grip, to protect yourself from injury and the instrument from damage.

• Check to make sure the knob bolt securing the unit to the stand have not become loose. Fasten them again securely whenever you notice any loosening.
• Disconnect the power cord.
• Disconnect all cords coming from external devices.
• Raise the adjusters on the stand (p. 10).
• Fold down the music rest.

• Do not put anything that contains water (e.g., flower vases) on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.

• Always grasp only the plug on the power-supply cord when plugging into, or unplugging from, an outlet or this unit.

• Whenever you suspect the possibility of lightning in your area, pull the plug on the power cord out of the outlet.

• Be careful when opening/closing the lid so you do not get your fingers pinched (p. 8). Adult supervision is recommended whenever small children use the unit. 118b

• Keep the included the music rest’s attachment screws, screws of stand, and wing nut in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally.

• The unit should be located so that its location or position does not interfere with its proper ventilation.

• Before cleaning the unit, turn off the power and unplug the power cord from the outlet (p. 8). ENGLISH

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/ amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

• Never handle the power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

• At regular intervals, you should unplug the power plug and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

• Never climb on top of, nor place heavy objects on the unit. HP103_2e_UK Page 4 Tuesday, September 28, 2004 8:44 AM HP103e/102e – Important notes Important notes In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “Using the unit safely” (p. 2), please read and observe the following: Power Supply Maintenance

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.
• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/ or damage to speakers or other devices.
• Although the LCD and LEDs are switched off when the POWER switch is switched off, this does not mean that the unit has been completely disconnected from the source of power. If you need to turn off the power completely, first turn off the POWER switch, then unplug the power cord from the power outlet. For this reason, the outlet into which you choose to connect the power cord’s plug should be one that is within easy reach and readily accessible.

• To clean the unit, use a dry, soft cloth; or one that is slightly dampened. Try to wipe the entire surface using an equal amount of strength, moving the cloth along with the grain of the wood. Rubbing too hard in the same area can damage the finish.
• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.
• The pedals of this unit are made of brass. Brass eventually darkens as the result of the natural oxidization process. If the brass becomes tarnished, polish it using commercially available metal polisher. Placement
• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.
• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.
• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.
• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Also, do not allow lighting devices that normally are used while their light source is very close to the unit (such as a piano light), or powerful spotlights to shine upon the same area of the unit for extended periods of time. Excessive heat can deform or discolor the unit.
• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.
• Do not allow rubber, vinyl, or similar materials to remain on the unit for long periods of time. Such objects can discolor or otherwise harmfully affect the finish.
• Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound.
• Do not paste stickers, decals, or the like to this instrument. Peeling such matter off the instrument may damage the exterior finish.

Additional Precautions

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.
• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.
• A small amount of heat will radiate from the unit during normal operation.
• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).
• When you need to transport the unit, pack it in shock-absorbent material. Transporting the unit without doing so can cause it to become scratched or damaged, and could lead to malfunction.
• Do not apply undue force to the music rest while it is in use.
• Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.
• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.
• Before opening or closing the keyboard lid, always make sure that no pets or other small animals are located on top of the instrument (in particular, they should be kept away from the keyboard and its lid). Otherwise, due to the structural design of this instrument, small pets or other animals could end up getting trapped inside it. If such a situation is encountered, you must immediately switch off the power and disconnect the power cord from the outlet. You should then consult with the retailer from whom the instrument was purchased, or contact the nearest Roland Service Center. HP103_e.book Page 5 Sunday, September 12, 2004 1:37 PM Contents ENGLISH

Chapter 4. Recording Your Performance .......................22

Chapter 1. Enjoying the Internal Songs and Demo....... 11

• Connecting to Audio Equipment p. 29
• Connecting to a Computer p. 29
• Connecting MIDI Devices p. 30
• Making MIDI-related Settings p. 30
• MIDI Send Channel Settings p. 31
• Switching Local Control on and Off p. 31
• Transmitting a Performance You Recorded p. 31
• Performing with a Variety of Sounds p. 13
• Adjusting the Keyboard Touch (Key Touch) p. 13
• Adding a Sense of Depth to the Sound (Grand Space) p. 14
• Adding the Right Depth for Headphones (Grand Space) p. 14
• Adding Liveliness to the Sound (Dynamic Emphasis) p. 14
• Applying Effects to the Sound p. 15
• Adding Reverberation to the Sound (Reverb) p. 15
• Changing the depth of the reverb effect p. 15
• Transposing the Key of the Keyboard (Transpose) p. 15
• Playing Two Sounds Together (Dual Play) p. 16
• Adjusting the Volume Balance in Dual Play (Dual Balance) p. 16
• Playing Different Tones with the Left & Right Hands (Split) p. 17
• Changing the Keyboard’s Split Point p. 17
• Using Metronome p. 18
• Sounding the Metronome p. 18
• Changing the Metronome Volume p. 18
• Splitting the Keyboard Into Two Sections for Four-Hand Performances (Twin Piano Mode) p. 19
• ENGLISH Listening to Internal Songs p. 11
• Playing Back All Songs Continuously (All Song Play) p. 11
• Selecting a Song and Playing It p. 11
• Listening to the Demo Songs p. 12
• Playing Back the Tone Demo Songs p. 12
• Listening to a Demo of the Functions p. 12

Chapter 6. Connecting External Devices........................29

• ENGLISH Changing the Damper Pedal’s Resonance p. 25
• Making Detailed Settings (Function) p. 25
• Tuning to Other Instruments’ Pitches (Master Tuning) p. 26
• Changing the Temperament p. 26
• Setting the Tuning Curve (Stretch Tuning) p. 26
• Applying the Damper Pedal to the Left-hand Keyboard Area p. 27
• Changing How Grand Space is Applied (Grand Space Mode) p. 27
• Preventing the Settings from Changing During Performance p. 27
• Disabling Everything Except Piano Play (Panel Lock) p. 27
• Disabling the Buttons When Using a Tone Other Than Piano (Tone Lock) p. 27
• Using the V-LINK function p. 28
• ENGLISH Recording a New Song p. 22
• Recording Along with a Song p. 23
• Selecting and Recording the Track for Each Hand Separately p. 24
• Erasing Recorded Performances p. 24

Chapter 3. Playing Along with the Internal Songs ........ 20

ENGLISH Changing the Tempo............................................................................20 Adding a Count-in to Match the Timing (Count-In)....................20 Playing Each Hand Separately ...........................................................21

HP103_e.book Page 6 Sunday, September 12, 2004 1:37 PM HP103e/102e – Panel Descriptions Panel Descriptions Front Panel

1. [Power On] switch

Turns the power on/off (p. 9).

2. [Volume] knob

Adjusts the overall volume level (p. 9).

3. [Demo] button

You can listen to a demo of the instrument’s tones as well as a demo of the various functions (p. 12).

4. [

(Headphones)] indicator This indicator lights up when headphones are connected to the headphone jack (p. 9).

5. [Grand Space] button

Adds a sense of depth to the sound (p. 14, p. 14).

6. [Dynamics] button

You can add liveliness to the sound to give it superb clarity and distinctness (p. 14).

7. [Brilliance] button

Adjusts the tone brightness (p. 9).

8. [Transpose] button

Transposes the pitch of the keyboard (p. 15).

9. [Split] button

Divides the keyboard into right-hand and left-hand areas, allowing you to play a different sound in each area (p. 17). By holding down this button and the [Reverb] button, and pressing other specified button, you can make settings for various functions (p. 25–p. 28, p. 30–p. 31).

10. [Reverb] button

Adds reverberation to the sound (p. 15).

11. Tone buttons

They are used to choose the kinds of tones (tone groups) played by the keyboard (p. 13).

12. Display

The display indicates values for various settings, including the tone variation, song number, and tempo. Usually these will appear as in the figure above.

13. [-] [+] buttons

Allow you to select the value of various settings. Pressing both the [-] and [+] buttons simultaneously returns the setting of a particular item or function to its original value.

14. [Song/Tempo] Button

Used to select from the internal songs (p. 11, p. 20). Each time you press this button, the song number and the tempo will be displayed alternately.

While the song number is displayed, the button indicator will light in red. While the tempo is displayed, it will light in green.

15. [Metronome/Count In] Button

Turns the metronome on/off (p. 18). Also featured is the count-in sound, which can be played before the song starts, allowing you to begin playing with the song with perfect timing (p. 20).

16. [Play] button

Starts and stops playback of internal songs and recorded performances (p. 11, p. 20). Also starts/stops recording of a performance (p. 22–p. 24).

17. [Rec] button

Puts the HP103e/102e in recording-standby mode (p. 22–p. 24).

18. [Left] button

Plays back or records a performance separately for each hand. (p. 21, p. 23–p. 24). The left-hand performances of the internal songs are assigned to this button. This button and the following [Right] button are collectively referred to as the “track buttons.”

19. [Right] button

Plays back or records a performance separately for each hand (p. 21, p. 23–p. 24). The right-hand performances of the internal songs are assigned to this button.

20. [Key Touch] button

Modifies the playing feel of the keyboard (p. 13). HP103_e.book Page 7 Sunday, September 12, 2004 1:37 PM Panel Descriptions ENGLISH Rear Panel

1. MIDI Out/In connectors

Connect to external MIDI devices to exchange performance data (p. 30).

2. Input jacks

These jacks can be connected to another sound generating device or an audio device, so that the sound of that device will be output from the HP103e/102e’s speakers (p. 29).

3. Output jacks

ENGLISH Allows you to output the piano’s sound to sound reinforcement equipment to obtain a more powerful sound. These can also be connected to a tape recorder or other recording device to record a performance (p. 29). Front Panel Rear Panel Headphones Jack ENGLISH

AC Inlet (Pictured: HP103e) A set of headphones can be connected here (p. 9).

6. AC Inlet

4. Headphones Jacks

Connect the supplied power cord here.

5. Pedal connector

Connect the pedal cable of the special stand to this connector (p. 8). ENGLISH ENGLISH

HP103_e.book Page 8 Sunday, September 12, 2004 1:37 PM HP103e/102e – Before You Start Playing Before You Start Playing Connecting the Pedal Cable Connect the pedal cable to the Pedal jack on the bottom panel of the instrument, at the rear. Setting up the Music Rest Set up the music rest as shown in the figure below. fig.00-01 Connecting the Power Cord Fold the three supporting feet at the back of the rest and check whether the stand is held in place.

1. Insert the included power cord into the AC inlet

on the bottom panel of the instrument, at the rear.

2. Plug the power cord into a power outlet.

NOTE Be sure to use the supplied power cord. Before moving the HP103e/102e, be sure to lower the music stand as a safety precaution. Opening/Closing the Lid To open the lid, use both hands to lift it lightly, and slide it away from yourself. To close the lid, pull it gently toward yourself, and lower it softly after it has been fully extended. fig.00-05 When opening and closing the lid, be careful not to let your fingers get caught. If small children will be using the HP103e/102e, adult supervision should be provided. NOTE If you need to move the piano, make sure the lid is closed first to prevent accidents.

■ Using the Music Holders You can use the holders to hold pages in place. When not using the holders, leave them folded down. fig.mu_stand4 HP103_2e_UK Page 9 Tuesday, September 28, 2004 8:45 AM Before You Start Playing The HP103e/102e has two jacks for plugging in headphones. This allows two people to listen through headphones simultaneously, making it very useful for lessons and when performing piano pieces for four hands. Additionally, this allows you to play without having to worry about bothering others around you, even at night. ENGLISH Connecting Headphones Turning the Power On and Off Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. To turn the power on, turn the [Volume] knob all the way down, and then press the [Power On] switch. When headphones are connected, the [ (Headphones)] indicator (p. 6) lights up, and sounds stop playing from the speakers of the HP103e/102e. The power will turn on, and the Power indicator at the left front of the HP103e/102e will light. The headphone volume is adjusted by the [Volume] knob (p. 9) of the HP103e/102e. After a few seconds, you will be able to play the keyboard to produce sound. Use the [Volume] knob to adjust the volume. NOTE This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally. ENGLISH Plug the headphones into the Phones jack located at the bottom left of the piano. fig.00-06.e Power On ENGLISH Phones jack x 2 Use Stereo headphones. Some notes on using headphones ■ Using the Headphones Hook Whenever you are not using the headphones, you can hang them on the headphone hook at the lower left of the HP103e/102e. Attaching the Headphone Hook To turn the power off, turn the [Volume] knob all the way to the left, and press the [Power On] switch. The Power indicator at the left front of the HP103e/102e will go dark, and the power will be turned off. NOTE If you need to turn off the power completely, first turn off the POWER switch, then unplug the power cord from the power outlet. Refer to “Power Supply” (p. 4). Adjusting the Sound’s Volume and Brilliance Turn the [Volume] knob to adjust the overall volume. ENGLISH Press and twist the headphone hook included with the HP103e/102e into the hole in the bottom of the HP103e/ 102e (refer to the figure below). Turn the wing nut of headphone hook to secure the headphone hook. Power Indicator Press the [Brilliance] button to adjust the brightness of the sound. Select one of the three available settings to obtain the desired brilliance. [Brilliance] button’s indicator Off Lit in red Lit in green Brilliance Medium Mellow Bright Wing Nut Headphone Hook ENGLISH

• To prevent damage to the cord, handle the headphones only by the headset or the plug.
• Connecting the headphones when the volume of connected equipment is turned up may result in damage to the headphones. Lower the volume on the HP103e/102e before plugging in the headphones.
• Listening at excessively high volume levels will not only damage the headphones, but may also cause hearing loss. Use the headphones at a moderate volume level. fig.00-07.e ENGLISH Min Max

HP103_e.book Page 10 Sunday, September 12, 2004 1:37 PM HP103e/102e – Before You Start Playing About the Pedals About the Adjuster The pedals have the following functions, and are used mainly for piano performance. When you move the HP103e/102e or if you feel that the pedals are unstable, adjust the adjuster located below the pedals as follows. Soft Pedal Damper Pedal Sostenuto Pedal ❍ Rotate the adjuster to lower it so that it is in firm contact with the floor. If there is a gap between the pedals and the floor, the pedals may be damaged. In particular when placing the instrument on carpet, adjust this so that the pedals firmly contact the floor. Damper pedal (right pedal) While this pedal is pressed, notes will be sustained even after you take your fingers off the keys. On an acoustic piano, holding down the damper pedal will allow the remaining strings to resonate in sympathy with the sounds that you played from the keyboard, adding a rich resonance. The HP103e/102e simulates this damper resonance. NOTE You can change the amount of resonance applied with the damper pedal. Please refer to “Changing the Damper Pedal’s Resonance” on page 25. Sostenuto pedal (center pedal) This pedal sustains only the sounds of the keys that were already played when you pressed the pedal. Soft pedal (left pedal) When you hold down this pedal and play the keyboard, the sound will have a softer tone.

Adjuster NOTE If the adjuster is difficult to turn, have one person lift either the left or right side of the stand to make it easier for another person to turn the adjuster and make the adjustment. After adjusting the adjuster, press the pedals, and if the front board moves, turn the adjuster further so that it makes firm contact with the floor. Always readjust the adjuster after moving the piano. HP103_e.book Page 11 Sunday, September 12, 2004 1:37 PM

Chapter 1. Enjoying the Internal Songs and Demo

Chapter 1. Enjoying the Internal Songs and Demo

Listening to Internal Songs The song number appears in the display for several seconds. The HP103e/102e comes with 66 piano songs onboard. “Chapter 3. Playing Along with the Internal Songs” (p. 20), Internal Song List (p. 217) The internal songs can be played back consecutively. About the display for the internal songs USr (user) … The location where you can record your performance. (For details on recording → p. 22) Numbers with a “S.” … internal songs. ENGLISH ■ Playing Back All Songs Continuously (All Song Play)

2. Press the [-] or [+] button to select a song.

Holding down the button causes the numbers to change continuously.

The [Song/Tempo] button’s indicator will light in red, the [Play] button’s indicator will blink, and the songs will play back successively, starting with the currently selected song. When you play back an internal song, the reverb effect will automatically be turned on (the button’s indicator lights).

3. Press the [Play] button.

The button’s indicator will light, and the selected song will play. Stopping the playback

4. Press the [Play] button.

1. Hold down the [Song/Tempo] button, and press

the [Play] button. Playing back The button’s indicator goes out, and playback stops. The next time you press the [Play] button, the song that was stopped is played from the beginning. The song number appears in the display for several seconds. ENGLISH You can press the [-] or [+] button to select the song that you want to play back. When all songs have been played, playback will return to the first song and resume. Stopping the playback

2. Press the [Play] button.

ENGLISH ■ Selecting a Song and Playing It 3, 4 Choosing the song to play back ENGLISH

1. Press the [Song/Tempo] button, getting its indicator to light in red.

HP103_e.book Page 12 Sunday, September 12, 2004 1:37 PM HP103e/102e – Chapter 1. Enjoying the Internal Songs and Demo Listening to the Demo Songs You can listen to various demo songs, including those demonstrating the piano and other tones, as well as the function applied to the piano tones. ■ Listening to a Demo of the Functions You can listen to the demo of the functions that can be applied to the piano tones. ■ Playing Back the Tone Demo Songs 1, 3

1. Press the [Demo] button.

The button’s indicator flashes, and playback of the tone demo songs starts. 1, 2

2. Press any of the following buttons.

1. Press the [Demo] button.

The button’s indicator flashes, and playback of the tone demo songs starts. When playback of the last song is finished, playback then returns to the first song. When you press any of the tone buttons while the [Demo] button is flashing, the demo song corresponding to that tone button is played. Button assigned tone demo Demo content [Piano] Piano tone demo songs [E. Piano] E. Piano tone demo songs [Harpsi] Harpsichord tone demo songs [Organ] Organ tone demo songs [Strings] Strings tone demo songs [Split] Demo songs using the Split function (p. 17) Stopping the Tone Demo Songs

2. Press the [Demo] button.

The [Demo] button’s indicator goes off, and the demo quits.

Button assigned function demo Demo content Page [Grand Space] Grand Space demo p. 14 p. 14 [Dynamics] When a button is pressed, the demo assigned to the button is played. Two versions of the demo will be played—one includes the function provided by the button you’ve pressed, the other doesn’t. When you press the button pressed in Step 2, you can switch between demos both with the function switched on and off. Stopping the Demo of the Functions

3. Press the [Demo] button.

The [Demo] button’s indicator goes off, and the demo quits. HP103_e.book Page 13 Sunday, September 12, 2004 1:37 PM

Chapter 2. Performance

Chapter 2. Performance

Performing with a Variety of Sounds You can adjust the touch (playing feel) of the keyboard. ENGLISH The HP103e/102e contains 20 different internal tones. The tones are organized into five tone groups, which are assigned to the Tone buttons. Adjusting the Keyboard Touch (Key Touch)

1. Press the [Key Touch] button.

The button’s indicator will light, and the feel of the keyboard will change. Selecting a tone group

1. Press any Tone button.

The indicator of the button you pressed will light. Selecting variation tones

2. Press the [Variation] button.

Four different tones (numbered 1–4) are assigned to each Tone button. Use the [Variation] button to select among them. Tone number [Variation] button’s indicator

Dark Red Green Orange Red: Heavy. Fortissimo (ff) cannot be produced unless you play more strongly than usual, making the keyboard feel heavier. Dynamic fingering adds even more feeling to what you play. Green: Light. Fortissimo (ff) can be produced by playing less strongly than usual, making the keyboard feel lighter. This setting makes it easy to play, even for children. Orange: Fixed. Sounds at a fixed volume, regardless of your keyboard playing strength. ENGLISH Each time you press the [Variation] button, the button’s indicator will change color, and the four sounds will be selected successively. OFF: Medium. This allows you to play using the most natural touch. This is the closest to the touch of an acoustic piano. ENGLISH When you play the keyboard, you will hear a sound in the selected tone group. For more details, refer to Tone List (p. 216). Each time you press the [Key Touch] button, the button’s indicator will change color, and the feel of the keyboard will change. Some of the number 3 and 4 tones form pairs, which can be layered and sounded together. ENGLISH The tone you’ve selected is heard when you finger the keyboard. When Dual play (p. 16) or Split play (p. 17) is used, only sound number 1 or 2 can be selected. If you use Dual play or Split play with a Tone button for which tone number 3 or 4 is selected, tone number 1 will be selected for that Tone button. ENGLISH

HP103_e.book Page 14 Sunday, September 12, 2004 1:37 PM HP103e/102e – Chapter 2. Performance Adding a Sense of Depth to the Sound (Grand Space) The HP103e/102e includes a “Grand Space” function that allows you to get sounds that have a sense of depth like you get by playing an acoustic grand piano. Using this function gives you the natural-sounding reverberation and depth of sound that an acoustic grand piano provides. The Grand Space function is switched on, giving the sound a greater sense of depth. When Grand Space Mode (p. 27) is set to “1” and a pair of headphones is connected, the sense of depth is optimized for headphones, and when no headphones are connected, the optimal depth for speakers is selected. To cancel the Grand Space function, press the [Grand Space] button once more so its illumination is turned off. Changing the Grand Space Settings

1. Press the [Grand Space] button, getting its indicator to light.

2. Hold down the [Grand Space] button, and press

the [-] or [+] button. You can adjust the sense of depth to any of four levels. A greater sense of depth is produced as the value is increased. The Grand Space function is switched on, giving the sound a greater sense of depth. When Grand Space Mode (p. 27) is set to “1” and a pair of headphones is connected, the sense of depth is optimized for headphones, and when no headphones are connected, the optimal depth for speakers is selected. To cancel the Grand Space function, press the [Grand Space] button once more so its illumination is turned off. Changing the Grand Space Settings

2. Hold down the [Grand Space] button, and press

the [-] or [+] button. The [ (Headphones)] indicator lights up when headphones are connected. Adding Liveliness to the Sound (Dynamic Emphasis) You can add liveliness to the sound to give it superb clarity and distinctness. You can adjust the sense of depth to any of four levels. A greater sense of depth is produced as the value is increased.

Adding the Right Depth for Headphones (Grand Space) You can achieve the kind of sonic depth produced with a grand piano through headphones as well. This feature creates an ambience that makes it seem you are seated in front of a grand piano as you perform.

1. Press the [Dynamics] button, getting its indicator

to light. The Dynamic Emphasis function is switched on, enlivening the sound.

2. To cancel the Dynamic Emphasis function, press

the [Dynamics] button once more so its illumination is turned off. Changing the Dynamic Emphasis Settings

3. Hold down the [Dynamics] button, and press the

1. Press the [Grand Space] button, getting its indicator to light.

Indicator Description

Creates a sound with boosted bass and treble.

Produces a sound with chords in the low registers that are clear and distinct.

Creates a sound with boosted bass. HP103_e.book Page 15 Sunday, September 12, 2004 1:37 PM

Chapter 2. Performance

By applying the reverb effect you can produce a pleasant reverberation, making it sound as though you were performing in a concert hall. Transposing the Key of the Keyboard (Transpose) By using the “Transpose function,” you can transpose your performance without changing the notes you play. For example, even if the song is in a difficult key with numerous sharps (#) or flats (b), you can transpose it to a key that is easier for you to play. When accompanying a vocalist, you can easily transpose the pitch to a range that is comfortable for the singer, while still playing the notes as written (i.e., with the same fingering positions). ENGLISH ■ Adding Reverberation to the Sound (Reverb) ENGLISH Applying Effects to the Sound

1. Press the [Reverb] button.

The button’s indicator will light, and a reverb effect will be applied to the sound. ■ Changing the depth of the reverb effect

1. Continue to hold down the [Transpose] button,

and press a note to indicate the tonic of the key to which you want to transpose. The button’s indicator will light, and the keyboard will be transposed. The amount (depth) of the reverb effect can be set to any of eight levels. When the power is turned on, reverb is set to “4.” You can also transpose by holding down the [Transpose] button and pressing the [-] or [+] button. When you hold down the [Transpose] button, the currently specified value will be displayed.

2. Hold down the [Reverb] button and press the [-] or

[+] button. If you hold down the [Transpose] button and press the [-] and [+] buttons simultaneously, the setting will return to the original value (0). The currently specified value will be displayed. Higher values will produce a deeper effect. This can be set in a range of -6–0–+5 (semitone steps). For example, if you want the E pitch to sound when you play the C key, hold down the [Transpose] button and press the E key. Counting from C as a reference point, one moves up four keys, including the black keys, to reach E, thus “4” appears in the display. If you play C E G ENGLISH When you hold down the [Reverb] button, the currently specified reverb depth value will be displayed. ENGLISH To cancel the reverb effect, press the [Reverb] button, getting its indicator to go dark. When you play back an internal song, the reverb effect will automatically be turned on (the button’s indicator lights). It will sound E G# B To cancel the transpose function, press the [Transpose] button, extinguishing its indicator. ENGLISH When the transpose value is set to “0,” the button’s indicator will remain dark even if you press the [Transpose] button. When you press the [Transpose] button once again, getting its indicator to light, the keyboard will be transposed to the note you specified here. This setting returns to the original value (0) when you turn off the power. ENGLISH

HP103_e.book Page 16 Sunday, September 12, 2004 1:37 PM HP103e/102e – Chapter 2. Performance Playing Two Sounds Together (Dual Play) Simultaneously playing two tones when one key is pressed is called “Dual play.” ■ Adjusting the Volume Balance in Dual Play (Dual Balance) You can change the volume balance between the two layered sounds in Dual play.

1. Simultaneously press the two Tone buttons that

you want to play together. When Dual play is used, the [Variation] button’s indicator will light to indicate the selection of the right button of the two selected tones. The indicator of the button you pressed will light. When you play the keyboard, the tones of the two Tone buttons you selected will sound simultaneously. To cancel Dual play, press any Tone button. When Dual play is used, only sound number 1 or 2 can be selected. If you use Dual play with a Tone button for which tone number 3 or 4 is selected, tone number 1 will be selected for that Tone button. To change the tone of the right button of the two selected tones

When the power is turned on, this will be set to “8-2” (volume of the left button tone - volume of the right button tone).

1. Hold down the [Transpose] button and press the

[Split] button. The indicators of the buttons you pressed will blink. The current volume balance appears in the display.

2. Press the [-] or [+] button to change the value.

The volume balance changes. To return to the original volume balance, press the [-] and [+] buttons simultaneously. fig.disp-dualbal.e

1. Press the [Variation] button.

Dual play now features the tone of the left side’s tone button along with the newly selected tone. To change the tone of the left button of the two selected tones Cancel the Dual play, and then re-select the tone.

Volume of the left button tone Volume of the right button tone Press the [Transpose] or [Split] button, and the button’s indicator will return to the previous state. HP103_e.book Page 17 Sunday, September 12, 2004 1:37 PM

Chapter 2. Performance

ENGLISH Playing Different Tones with the Left & Right Hands (Split) Dividing the keyboard into right-hand and left-hand areas, then playing different sounds in each is called “Split play.” The boundary key is called the “split point.” Split Point (set to F#3, when the power is turned on.) Right-hand Tone

1. Press the [Split] button.

The tone of the right-hand area will change. A tone that is a suitable match for the right-hand tone will be selected for the left-hand area. If you want to change the variation for the right-hand tone, cancel Split play and then re-select the tone. In Split play, the damper pedal will be applied only to the right-hand area of the keyboard. If you want the damper pedal to be applied to the left-hand area, refer to Applying the Damper Pedal to the Left-hand Keyboard Area (p. 27). ■ Changing the Keyboard’s Split Point The button’s indicator will light. The keyboard is divided into right-hand and left-hand areas. You can change the location where the keyboard is divided (the split point) within the range of B1 through B6. The setting is at “F#3” when the piano is powered up. The tone played on the right side is the tone in use before the [Split] button is pressed, while the bass tone is played on the left side. While continuing to hold the [Split] button, press the key that you want to specify as the split point. When using Dual play, press the [Split] button The right hand will play the tone of the left button of Dual play, and the left hand will play a suitable match for the right-hand tone. Changing tone played by the left hand Press the [Variation] button. Each time you press the [Variation] button, the button’s indicator will change color, and the left-hand tone will change. You can also change the setting by pressing the [-] or [+] button while continuing to hold down the [Split] button. If you hold down the [Split] button and simultaneously press the [-] and [+] buttons, the setting will return to its original value (F#3). ENGLISH Some tones assign the tone that had been selected before you pressed the [Split] button to the left hand area of the keyboard. For information about the tones that can be selected for the left hand section, refer to the Tone List (p. 216). The selected left hand tone is remembered for each Tone button. When you turn off the power, it will return to the original setting. The key you pressed becomes the split point, and belongs to the left-hand section of the keyboard. When you continue holding the [Split] button, the currently specified split point will be displayed. ENGLISH To cancel Split play, press the [Split] button, getting its indicator to go dark. ENGLISH

Changing tone played by the right hand The split point key is included in the left-hand keyboard area. When Split play is used, only tone numbers 1 or 2 can be selected. If you use Split play with a Tone button for which tone numbers 3 or 4 selected, tone number 1 will be selected for that Tone button. The split point key is displayed as follows. Display

HP103_e.book Page 18 Sunday, September 12, 2004 1:37 PM HP103e/102e – Chapter 2. Performance Using Metronome Correspondence between beat and tempo display ■ Sounding the Metronome Beat The HP103e/102e features a built-in metronome. Tempo Value While a song plays back, the metronome will sound at the tempo and time signature (Beat) of that song.

5. Once again press the [Metronome/Count In] button, getting the button to go dark.

Sounding the metronome The metronome will stop.

1. Press the [Metronome/Count In] button.

■ Changing the Metronome Volume The metronome will sound. The button flashes in red and green in time with the beat selected at that time. The button lights in red on the downbeats, and in green on weak beats. Changing the tempo

2. Press the [Song/Tempo] button; the button’s indicator lights in green.

3. Press the [-] or [+] button to adjust the tempo.

Changing the beat of metronome The volume of the metronome can be adjusted, with nine volume levels available. This is set to “4” when the instrument is turned on. Hold down the [Metronome/Count In] button and press the [-] or [+] button. The currently specified volume will be displayed. Continue to hold down the [Metronome/Count In] button, and press the [-] or [+] button to sound the metronome, and change the volume.

4. Hold down the [Song/Tempo] button, and press

the [-] or [+] button. The currently selected beat will be displayed. If you hold down the [Song/Tempo] button and press the [-] or [+] button, the beat will change. If you hold down the [Song/Tempo] button and press the [-] and [+] buttons simultaneously, the beat will go back to what it was before you changed it. Display beat Display beat

It is not possible to change the beat during song playback or recording. NOTE When you hold down the [Metronome/Count In] button, the currently specified metronome volume will be displayed. When the metronome volume is set to “0,” the metronome sound does not play. HP103_e.book Page 19 Sunday, September 12, 2004 1:37 PM

Chapter 2. Performance

ENGLISH Splitting the Keyboard Into Two Sections for Four-Hand Performances (Twin Piano Mode) You can divide the keyboard into two separate sections, allowing two people to perform in the same registers.

1. While holding down the [Split] button and press

● When the Twin Piano Mode is switched on, you can make the following settings.

• The keyboard is divided into two separate sections, and the pitch changes.
• The right pedal now functions as the damper pedal for the right keyboard section, and the left pedal functions as the damper pedal for the left keyboard section.

ENGLISH The [Split] button’s indicator will light, and Twin Piano Mode is switched on.

• The center pedal now functions as the Sostenuto pedal for the right keyboard section. NOTE The damper resonance function is not operational in Twin Piano Mode.

2. To exit the function, press the [Split] button.

ENGLISH ENGLISH ENGLISH

HP103_e.book Page 20 Sunday, September 12, 2004 1:37 PM HP103e/102e – Chapter 3. Playing Along with the Internal Songs

Chapter 3. Playing Along with the Internal Songs

Here’s how you can play along with the internal songs. You can slow down the playback tempo of the song, or play back each hand separately. Before you try playing the song, listen to it several times to get a general feel for the song. For details on operation, refer to Selecting a Song and Playing It (p. 11). If you turn on the metronome while the song plays back, the metronome will sound at the beat and tempo of the song. Some of the internal songs have tempos that change during the song. If you press the [-] and [+] buttons simultaneously, you will return to the basic tempo of the song (the tempo before you modified it). Indication of the tempo during song playback While the song is playing, the initial tempo of the song will continue to be displayed, regardless of tempo changes during the song. About the display for the internal songs USr (user) … The location where you can record your performance. (For details on recording → p. 22) Numbers with a “S.” … internal songs. ■ Adding a Count-in to Match the Timing (Count-In) Changing the Tempo If the song has a rapid tempo, you can slow down the tempo so that you can practice it more easily. It is effective to gradually raise the tempo as you practice.

First select the song that you want to play back (p. 11).

1. Press the [Song/Tempo] button, getting its indicator to light in green.

The tempo appears in the display. Correspondence between beat and tempo display Tempo Value Each time you press the [Song/Tempo] button, the tempo and the currently selected song number (prefixed by “S.”) will be displayed alternately. While the tempo is displayed, the [Song/Tempo] button indicator will light in green. While the song number is displayed, it will light in red.

2. Press the [-] or [+] button to adjust the tempo.

The tempo can be adjusted in a range of = 20–250. You can also change the tempo during playback. Pressing the [+] button once increases the tempo by one unit. Holding down the button increases the tempo continuously. Pressing the [-] button once decreases the tempo by one unit. Holding down the button makes the tempo change (slow down) continuously.

Sounding a “count sound” leading up to playback of a song is called “Count-In.” On the HP103e/102e, if you playback a song while the metronome is sounding, two measures of lead-in count will be heard at the beginning of the song. During the count-in, the count measure is indicated in the display as “-2” then “-1.” Sounding the Metronome (p. 18)

Beat When you’re playing along with a song, you can make sure that your playing is in time with the song by sounding a count before the song starts playing. HP103_e.book Page 21 Sunday, September 12, 2004 1:37 PM

Chapter 3. Playing Along with the Internal Songs

ENGLISH Playing Each Hand Separately Selecting the part that you yourself will play

1. Press the [Left] or [Right] button.

The internal songs allow you to select the performance part that will be played back. The indicator of the button you’ve pressed goes out, and the sound of the selected part will no longer be heard. The left-hand performance of the internal songs is assigned to the [Left] button, while the right-hand performance is assigned to the [Right] button. The place where each part of the performance is held is called a “track,” and the [Left] and [Right] buttons are called “track buttons.” For example, if you want to practice the right hand, press the [Right] button and get its indicator to go dark. When you play back the song, the right-hand performance will not sound.

2. Press the [Play] button, getting its indicator to

light. The song will begin playing back. The part you selected in step 1 will not sound. Left-hand Part Right-hand Part Here’s how to practice each hand separately along with the song. Practice your right-hand performance along with the lefthand playback. Once again press the button you selected in step 1. The button’s indicator will light, and the sound will be heard once again. Stopping the song

3. Press the [Play] button.

ENGLISH Even while the song is playing, you can press the track buttons to mute or un-mute the sound. 2, 3 ENGLISH Track buttons Playing back a song The song will stop. First select the song that you want to play back (p. 11). ENGLISH ENGLISH ENGLISH

HP103_e.book Page 22 Sunday, September 12, 2004 1:37 PM HP103e/102e – Chapter 4. Recording Your Performance

Chapter 4. Recording Your Performance

You can easily record your performances. A recorded performance can be played back to hear your own playing, or to add additional parts. The following types of recording can be done using the HP103e/102e. Recording a New Song Record only the keyboard performance without playing along with an internal song.

• Recording just your own keyboard performance (→ “Recording a New Song” p. 22)
• Recording along with an internal song (→ “Recording Along with a Song” p. 23)
• Recording each hand separately (→ “Selecting and Recording the Track for Each Hand Separately” p. 24) ■ Notes Regarding Recording
• Only one song can be recorded.
• Recorded performances are erased when the power is turned off. If you want to keep your performance, you can either record it on an external audio device, or use an external MIDI device to save the performance data on a floppy disk. For details, refer to Chapter 6. Connecting External Devices (p. 29). If you see the following... If you attempt to record using a different internal song when a performance has already been recorded, the following will appear, and the indicators of [Rec] and [Play] button will blink. If it is OK to erase the performance, press the [Rec] button. If you do not want to erase the performance, press the [Play] button.

2 1 4 6,7,8 5,7 Recording settings (select “USr”)

1. Press the [Song/Tempo] button, getting its indicator to light in red.

The song number appears in the display for several seconds.

2. Press [-] and [+] buttons simultaneously, and

“USr” appears in the display. Specifying the tone and tempo for recording

3. Select the tone that you want to play (p. 13).

4. If necessary, turn on the metronome.

Sound the metronome while you set the tempo and beat of the song (p. 18). NOTE If you layer a newly recorded performance without erasing the recorded song, the song tempo and beat will be stored with the settings that were recorded first.

5. Press the [Rec] button.

The [Rec] button’s indicator will light, the [Play] button’s indicator will blink, and you will be in recording-standby mode. Start recording

6. Recording will start when you either press the

[Play] button or play the keyboard. When recording songs that start on an upbeat (that start on a beat other than the first beat of the measure), press the [Rec] button to put the HP103e/102e into recording standby, then press the [Play] button. Two measures of count sound are played, and then recording begins. Two measures of the count sound are played, and the recording begins. Note that recording will also begin as soon as you play anything on the keyboard, even if you do not press the [Play] button. There is no count sound played when you start in this manner. When recording begins, the [Play] button and [Rec] button indicators will light. Go ahead and perform on the keyboard.

HP103_e.book Page 23 Sunday, September 12, 2004 1:37 PM

Chapter 4. Recording Your Performance

7. Press the [Play] or [Rec] button.

Recording will stop, and the indicators for the [Play] and [Rec] buttons will go dark. About the “USr” display When you stop recording, the “ ” display will change to “ The “.” in the lower right of the display indicates that there is already a recorded performance. Play back the recorded performance You will hear the recorded performance. Once again press the [Play] button, and playback will stop. If you record without specifying the recording track, the performance will be recorded to the [Left] button. If you want to record the right and left hands separately on separate recording tracks, refer to Selecting and Recording the Track for Each Hand Separately (p. 24). Starting to record

6. Press the [Play] button.

Recording begins after two measures of count sound. Play along with the song. Stop recording

7. Press the [Play] or [Rec] button.

Recording will stop, and the indicators for the [Play] and [Rec] buttons will go dark. The recorded performance is stored in “USr (User).” ENGLISH

8. Press the [Play] button.

ENGLISH Stop recording Play back the recorded performance

8. Press the [Play] button.

You will hear the recorded performance. Once again press the [Play] button, and playback will stop. ENGLISH Recording Along with a Song You can record a performance that you play along with an internal song. Using the [Left] or [Right] buttons, you can perform and record just the right-hand part of a song while listening to the left-hand playback of an internal song. ENGLISH 2 1 3 6,7,8 4,7 5 Selecting the song to record

1. Press the [Song/Tempo] button, getting its indicator to light in red.

The display will indicate the song number for several seconds.

2. Use the [-] or [+] button to select the song that you

want to play. ENGLISH

3. As necessary, set the metronome and tempo (p.

4. Press the [Rec] button.

The [Rec] button’s indicator will light. Selecting the track to record

5. Press the [Left] or [Right] button.

When you want to record the left-hand performance, press the [Left] button; to record that of the right hand, press the [Right] button. ENGLISH The indicators of the button you pressed and of the [Play] button will blink, and the HP103e/102e enters recordingstandby mode. If “dEL” appears in the display, refer to p. 22.

HP103_e.book Page 24 Sunday, September 12, 2004 1:37 PM HP103e/102e – Chapter 4. Recording Your Performance Selecting and Recording the Track for Each Hand Separately The recorder of the HP103e/102e has two recording tracks, allowing you to record the right and left hands separately. Use the [Left] button or [Right] button to specify the recording track. If you want to re-do the recording, you can re-record just a specific track. If you go on to record additional material without erasing the recorded song, the song tempo, beat, and metronome settings of the original recording will be used for the new material as well. Stop recording

5. Press the [Play] or [Rec] button.

Recording will stop, and the indicators for the [Play] and [Rec] buttons will go dark. Your performance has been recorded to the specified track button. If you want to record on the other track, return to step 2 to record your performance again. You can record while you listen to the previously recorded performance. Play back the recorded performance

6. Press the [Play] button.

You will hear the recorded performance. Press the [Play] button once again, and playback will stop. Erasing Recorded Performances 1 4,5,6 2,5 3 As described in steps 1 and 2 of Recording a New Song (p. 22), select “USr” before you continue. When layering recordings with built-in songs, select the built-in song as described in Steps 1 and 2 of Selecting a Song and Playing It (p. 11).

1. As necessary, turn on the metronome (p. 18).

2. Press the [Rec] button.

The [Rec] button’s indicator will light. The button indicators of tracks that are already recorded will light. The track button for which you will next be recording will be blinking. Selecting the track to record You can erase a recorded performance. Erasing a Performance from the Specified Track You can select a recorded track and erase it. Hold down either the [Left] or [Right] button and press the [Rec] button. The indicator of the button you pressed will go dark, and the performance of the selected track will be erased. Erasing a Song You can erase a song you’ve recorded.

1. Hold down the [Song/Tempo] button and press

the [Rec] button. The following display will appear, and the indicators of the [Rec] and [Play] button will blink.

3. Press the [Left] or [Right] button to select the track

that you want to record. The indicator of the button you pressed will blink, and the HP103e/102e enters recording-standby mode. The track buttons allow you to record to either the [Left] or the [Right] button, one at a time. Start recording

4. Press the [Play] button.

Two measures of the count sound are played, and the recording begins. Go ahead and perform on the keyboard. Note that recording will also begin as soon as you play anything on the keyboard, even if you do not press the [Play] button. There is no count sound played when you start in this manner.

If you decide not to erase the performance, press the [Play] button.

2. Once again press the [Rec] button.

The recorded performance is erased. HP103_e.book Page 25 Sunday, September 12, 2004 1:37 PM

Chapter 5. Changing Various Settings

Chapter 5. Changing Various Settings

Changing the Damper Pedal’s Resonance Button Function Page Temperament p. 26 [E. Piano] Stretch Tuning p. 26 [Harpsi] You can select from eight levels of depth for the resonant sound (resonance level). Applying the damper pedal to the left-hand keyboard area This is set to “5” when the instrument is turned on.

• This setting is enabled only with the piano tones. You cannot set this for other tones. p. 27 [Organ] Hold down the [Brilliance] button, and press the [-] or [+] button. MIDI send channel p. 31 [Strings] fig.disp-reso Local Control p. 31 [Variation] Making Detailed Settings (Function) ENGLISH The currently specified value will be displayed. Larger values will produce a deeper effect. ENGLISH On an acoustic piano, depressing the damper pedal makes the notes you play resonate with other strings, adding rich reverberations and fatness to the sound. The damper pedal on the HP103e/102e recreates this resonance (damper resonance) when depressed. Transmitting a recorded performance p. 31 [Play] How to enter function mode ENGLISH You can make performance-related settings such as tuning and temperament. Grand Space Mode

1. Hold down the [Split] button, and press the

[Reverb] button. p. 27 [Grand Space] The HP103e/102e switches to the set mode. The indicators for the [Split] and [Reverb] buttons and the button to which the function is assigned start flashing. V-LINK [Right] p. 28 Setting the various functions The indicators for pressed button, [Split] button, and [Reverb] button flash. For details on the contents of each function, refer to the explanations that follow. Button Function Page Master Tuning [Piano] ENGLISH

2. Press the button to which the desired function is

assigned. For details on each function, refer to the explanations below.

3. Press the [-] or [+] button to change the value.

If you press the [-] and [+] buttons simultaneously, the value will return to the power-up default setting. ■ How to exit function mode

4. Press the [Split] or [Reverb] button.

p. 26 The button’s indicator will return to the previous state. ENGLISH

HP103_e.book Page 26 Sunday, September 12, 2004 1:37 PM HP103e/102e – Chapter 5. Changing Various Settings Tuning to Other Instruments’ Pitches (Master Tuning) In situations such as when playing ensemble with other instruments, you can tune the HP103e/102e’s standard pitch to the pitch of another instrument. The standard pitch generally refers to the pitch of the note that’s played when you finger the middle A key. This tuning of all the instruments to a standard pitch is called “tuning.” If you press the [Piano] button in step 2 of Making Detailed Settings (Function) (p. 25), a display like the following will appear. Display Temperament Qualities

Mean Tone This scale makes some compromises in just intonation, enabling transposition to other keys.

Werckmeister This temperament combines the Mean Tone and Pythagorean tunings. Performances are possible in all keys (first technique, III).

Kirnberger This is an improvement of the Mean Tone and Just tunings that provides a high degree of freedom of modulation. Performances are possible in all keys (III). The last three digits are indicated in the display. “440.0 Hz” is indicated in the figure above.

415.3 Hz–440.0 Hz–466.2 Hz

Value When playing with tuning other than equal temperament, you need to specify the tonic note for tuning the song to be performed (that is, the note that corresponds to C for a major key or to A for a minor key). While hold down the [E. Piano] button, and press a note to specify the desired tonic key. The tonic note you specify will be displayed as follows. This setting remains in effect until you turn off the power. ■ Changing the Temperament You can play classical styles such as Baroque using historic temperaments (tuning methods). Today, compositions are generally created with equal temperament in mind and are played using equal temperament. However in past ages of classical music, a variety of temperaments were used. Playing a composition with its original tuning lets you enjoy the sonorities of the chords that the composer originally intended. If you press the [E.Piano] button in step 2 of Making Detailed Settings (Function) (p. 25), a display like the following will appear. fig.disp-temp.j Display

If you choose an equal temperament, there’s no need to select a tonic note.

• If you record with a temperament other than equal temperament selected, and then want to play back that performance, use this setting to select the same temperament for playback as the temperament you used when recording.
• When performing in ensemble with other instruments, be aware that depending on the key, there may be some shifting of the pitch. Tune the HP103e/102e to the fundamental pitch of the other instruments. ■ Setting the Tuning Curve (Stretch Tuning) A piano is generally tuned to a pitch with a lower bass range and a higher treble range than equal temperament. This special tuning method for pianos is called “Stretch Tuning.” Temperament Tonic You can choose from among the seven temperaments described below. Display

This tuning eliminates ambiguities in the fifths and thirds. It is unsuited to playing melodies and cannot be transposed, but is capable of beautiful sonorities.

Just Minor fig.disp-On Qualities In this tuning, each octave is divided into twelve equal steps. Every interval produces about the same amount of slight dissonance. This setting is in effect when you turn on the power. This tuning, devised by the philosopher Pythagoras, eliminates dissonance in Pythagorean fourths and fifths. Dissonance is produced by third-interval chords, but melodies are euphonious. Just Major If you press the [Harpsi] button in step 2 of Making Detailed Settings (Function) (p. 25), a display like the following will appear. The Just tunings differ from major and minor keys. You can get the same effect with the minor scale as with the major scale. Values OFF

This is the standard tuning curve. This is the right choice when using Dual play (p. 16), or when playing in ensemble with other instruments. This tuning curve expands the bass and treble ends somewhat. It is suitable for performances such as piano solos. This setting is in effect when you turn on the power. Power-up default setting On

• This effect works only with the piano tones. HP103_e.book Page 27 Sunday, September 12, 2004 1:37 PM

Chapter 5. Changing Various Settings

When you are using Split play (p. 17), you can apply the damper pedal effect to the sound played by the left-hand keyboard range. If you press the [Organ] button in step 2 of Making Detailed Settings (Function) (p. 25), a display like the following will appear. OFF The “Panel Lock” function locks the HP103e/102e in a state where only piano performance can be used, and all buttons will be disabled. This prevents the settings from being inadvertently modified even if children press the buttons accidentally. In the Panel Lock state, only the grand piano sound can be played.

1. Turn the volume to the minimum, and press the

[Power On] switch to turn off the power. Values

■ Disabling Everything Except Piano Play (Panel Lock) The damper pedal effect will be applied to the sound of the left and right hand keyboard area. The damper pedal effect will not be applied to the sound of the left-hand keyboard area.

2. Hold down the [Piano] button and press the

[Power On] switch to turn on the power. The following display will appear. fig.disp—- All buttons are disabled. Adjust the volume. When you play the keyboard, the grand piano sound will be heard. To defeat the Panel Lock function, turn the volume down to the minimum, and turn on the power once again. ■ Disabling the Buttons When Using a Tone Other Than Piano (Tone Lock) Values Even when using Tones other than the Piano, you can set the instrument so all of its buttons are disabled (the settings in effect at that time will be maintained). That way, you won't get switched to the wrong settings if you inadvertently press a few buttons while you’re playing.

When the headphones are connected, the depth effect is optimized for headphones, and when no headphones are connected, the optimal depth for speakers is applied.

The optimal depth for speakers is used, regardless of whether or not headphones are connected. Grand Space is also applied to the sound output from the Output connectors, making this convenient when you want to play through speakers connected to the Output connectors.

The optimal depth for headphones is used, regardless of whether or not headphones are connected.

1. Hold down the [Demo] button and press the [Key

Touch] button. The song or the metronome sound that is playing will stop. The following will appear in the display: All buttons are disabled while the instrument is set like this. To cancel the Tone Lock function, once again hold down the [Demo] button while you press the [Key Touch] button. Alternatively, you can lower the instrument’s volume all the way and switch its power off. Then, turn it on again. ENGLISH Descriptions ENGLISH If you press the [Grand Space] button in step 2 of Making Detailed Settings (Function) (p. 25), a display like the following will appear. Setting ENGLISH Changing How Grand Space is Applied (Grand Space Mode) ENGLISH fig.disp-Off Preventing the Settings from Changing During Performance ENGLISH Applying the Damper Pedal to the Left-hand Keyboard Area ENGLISH

HP103_e.book Page 28 Sunday, September 12, 2004 1:37 PM HP103e/102e – Chapter 5. Changing Various Settings Using the V-LINK function Connecting the HP103e/102e to a V-LINK compatible image device allows you to control the images with the HP103e/ 102e. V-LINK V-LINK ( ) is functionality promoted by Roland that allows linked performance of music and visual material. By using V-LINK-compatible video equipment, visual effects can be easily liked to, and made part of the expressive elements of a performance. How to Use the V-LINK

1. Hold down the [Split] button, and press the

[Reverb] button. The HP103e/102e switches to the set mode.

2. Press the [Right] button.

The button’s indicator flashes. The following appears in the display. fig. Values OFF

The V-LINK function is switched off. The V-LINK function is switched on. You can control images using the twelve keys at the left end of the keyboard.

3. Press the [-] and [+] buttons to switch the V-LINK

function on and off. You can control images using the twelve keys at the left end of the keyboard. While V-LINK is switched on, the following will appear in the display.

• While V-LINK is switched on, no sound is produced when you press any of the twelve keys at the left end of the keyboard. How to exit function mode

4. Press the [Split] or [Reverb] button.

The button’s indicator returns to its original state.

HP103_e.book Page 29 Sunday, September 12, 2004 1:37 PM

Chapter 6. Connecting External Devices

Chapter 6. Connecting External Devices

Connecting to Audio Equipment Connection Examples

• To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections. Input R/L (Line In, Aux In) HP103e/102e

2. Turn on the power of the HP103e/102e.

3. Adjust the volume of each device.

• You cannot use the HP103e/102e to adjust the volume of the connected sound generating device. Turning off the power

1. Set the volume of the HP103e/102e and of the connected devices to the minimum position.

2. Turn off the power to the HP103e/102e.

3. Turn off the connected equipment.

Connecting to a Computer You can use a USB MIDI interface cable (sold separately) to connect the HP103e/102e to your computer. If the HP103e/102e is connected to a computer in which sequencer software such as Roland’s “Visual MT” is installed, a song you’ve recorded on the HP103e/102e can be saved on your computer. ENGLISH Playing the sound of the HP103e/102e through the speakers of an audio system/ Recording the performance of the HP103e/ 102e on a recording device

1. Turn on the power of the connected device.

ENGLISH You can connect audio devices to play the sound of the HP103e/102e through the speakers of your audio system, or to record your performance on a tape recorder or other recording device. When connecting, please use an audio cable with a standard phone plug (sold separately). ❍ Use the following procedure when turning on the power. Connection Examples

1. Turn on the power of the HP103e/102e.

2. Turn on the power of the connected device.

3. Adjust the volume of each device.

• You can adjust the volume of a connected sound module with the HP103e/102e. When Recording HP103e/102e Performances on a Recording Device fig.comp.e USB Connector of your Computer UM-1 etc.

4. Start recording with the connected device.

6. When the performance ends, stop recording on the

connected equipment. MIDI OUT Computer MIDI IN ENGLISH

5. Perform on the HP103e/102e.

ENGLISH ❍ Use the following procedure when turning on the power.

• To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.
• In order to make connections to your computer, you must install “MIDI driver” software on your computer. For details, refer to the owner’s manual for your MIDI interface. Use a USB MIDI interface cable to connect the USB connector of your computer to the MIDI connectors of the HP103e/102e. HP103e/102e Playing the sound of an audio device through the speakers of the HP103e/102e Output R/L (Line Out, Aux Out) HP103e/102e ENGLISH

HP103_e.book Page 30 Sunday, September 12, 2004 1:37 PM HP103e/102e – Chapter 6. Connecting External Devices Connecting MIDI Devices Perform on the HP103e/102e to play a MIDI sound generator By connecting an external MIDI device and exchanging performance data, you can control the performances on one device from the other. For instance, you can output sound from the other instrument or switch tones on the other instrument. ■ What’s MIDI? MIDI stands for Musical Instrument Digital Interface, an international standard which allows performance information to be communicated among electronic musical instruments and computers. The HP103e/102e provides MIDI connectors, which allow performance data to be exchanged with external devices. When these connectors are used to connect the HP103e/102e to external devices, an even wider range of possibilities becomes available.

• A separate publication titled “MIDI Implementation” is also available. It provides complete details concerning the way MIDI has been implemented on this unit. If you should require this publication (such as when you intend to carry out bytelevel programming), please contact the nearest Roland Service Center or authorized Roland distributor. Connection Examples
• To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections. Playing the HP103e/102e from a MIDI sequencer/Recording an HP103e/102e performance on a MIDI sequencer MT Series MT-90s has no MIDI Out connector. Out MIDI

HP103e/102e Making MIDI-related Settings Here’s how you can set the transmit channel and other MIDIrelated settings. How to enter function mode

1. Hold down the [Split] button and press the

[Reverb] button. The HP103e/102e switches to the set mode. The indicators for the [Split] and [Reverb] buttons and the button to which the function is assigned start flashing. Setting various functions

2. Press the button to which the desired function is

assigned. The indicators for pressed button, [Split] button, and [Reverb] button flash. For details on the contents of each function, refer to the explanations that follow.

3. Press the [-] or [+] button to change the value.

If you press the [-] and [+] buttons simultaneously, the setting will return to the original value. How to exit function mode

4. Press either the [Split] button or the [Reverb] button.

The button’s indicator will return to the previous state.

• Set Local Off if you have connected the HP103e/102e to a MIDI sequencer. Refer to Switching Local Control on and Off (p. 31). Also set your MIDI sequencer to MIDI Thru mode (so that messages received at MIDI IN will be re-transmitted without change from MIDI OUT). For details, refer to the owner’s manual of your MIDI sequencer.

HP103_e.book Page 31 Sunday, September 12, 2004 1:37 PM

Chapter 6. Connecting External Devices

MIDI features sixteen MIDI channels, numbered 1–16. Simply connecting a cable is not enough for communication to take place. The connected devices must be set to use the same MIDI channels. Otherwise, no sound will be produced, and no sounds can be selected.

• The HP103e/102e receives all channels 1–16. If you press the [Strings] button in step 2 of “Making MIDIrelated settings” (p. 30), a display like the following will appear. Value On, OFF ■ Transmitting a Performance You Recorded ■ Switching Local Control on and Off ENGLISH If you want to transmit a performance recorded on the HP103e/102e to an external MIDI device or computer, turn this setting “On.” If this is “OFF,” the data will not be transmitted. 1–16 Value If you press the [Variation] button in step 2 of “Making MIDI-related settings” (p. 30), a display like the following will appear. ENGLISH ■ MIDI Send Channel Settings If you press the [Play] button in step 2 of “Making MIDIrelated settings” (p. 30), a display like the following will appear. When connecting a MIDI sequencer, set Local Control to “OFF.” (1) Local On Sequencer MIDI

Sound Generator Local Control ON: The keyboard and the internal sound generator are in a linked state. Sound is emitted Sound Generator Local On On, OFF Power-up default setting OFF If you wish to save the performance recorded on the HP103e/102e, use the following procedure. In this situation, your external sequencer is set its MIDI Thru feature to be OFF. For details, refer to the owner’s manual of your MIDI sequencer.

1. Connect a MIDI sequencer such as the MT series

2. Record the performance on the HP103e/102e (p.

3. Set this setting to “On.”

4. Start recording with the connected MIDI

5. Start playback of the recorded song on the

6. When playback ends, stop recording with the connected MIDI sequencer.

7. Use a connected MIDI sequencer to save the data

on a floppy disk or other media. ENGLISH Each note is sounded twice played Value ENGLISH As illustrated, information describing what has been played on the keyboard is passed to the internal sound generator over two different routes, (1) and (2). As a result, you hear overlapping or intermittent sounds. To prevent this from happening, route (1) must be severed, by setting the unit to what is known as “Local Off.” ENGLISH Local Control OFF: The keyboard and the internal sound generator are in an unlinked state. No sound will be produced by the keyboard when it is played. No sound produced Sound Generator Local Off ENGLISH

• When a Roland MT series instrument is connected, it is not necessary to make the Local Off setting. MT units transmit Local Off messages when their power is switched on. If you turn on the power in the order of the HP103e/102e → MT series, Local Off will be set automatically.

HP103_e.book Page 32 Sunday, September 12, 2004 1:37 PM Troubleshooting If you think there’s a problem, read this first. The power doesn’t come on Is the power cord connected and plugged in correctly? (p. 8) The button doesn’t work Is the panel locked? (p. 27) Is the Tone locked? (p. 27) Turn the power off, then back on. No sound is heard Is the volume level of the HP103e/102e turned all the way down? (p. 9) Are headphones plugged in? (p. 9) Has a plug remained connected to the Phones jack? When headphones are connected, the keyboard’s speaker stops playing. Is Local Off selected? When Local Control is set to OFF, no sound is produced by playing the keyboard. Set Local Control to “On” (p. 31). Is V-LINK switched on? While V-LINK is switched on, no sound is produced when you press any of the twelve keys at the left end of the keyboard (p. 28). No sound is heard (when a MIDI instrument is connected) Have all devices been switched on? Are the MIDI cables connected correctly? Does the MIDI channel match the connected instrument? (p. 31) Sounds are heard twice (doubled) when the keyboard is played Is the HP103e/102e in Dual play? (p. 16) When the HP103e/102e is connected to an external sequencer, set it to the Local OFF mode (p. 31). Alternatively, the sequencer could be set so its MIDI Thru feature is OFF. The tone has changed in the Split or Dual play If you use Dual play or Split play with a Tone button for which tone number 3 or 4 is selected, tone number 1 will be selected for that Tone button (p. 13). Some tones assign the tone that had been selected before you pressed the [Split] button to the left hand area of the keyboard. Please refer to Tone List (p. 216). Tone doesn’t change Is the panel locked? (p. 27) Is the Tone locked? (p. 27) Turn the power off, then back on. Are the indicators for the [Split] and [Reverb] buttons flashing? Setting of functions is in progress. Press the [Split] or [Reverb] button to exit function mode (p. 25, p. 30). Not all played notes are sounded The maximum number of notes that the HP103e/102e can play simultaneously is 64. Frequent use of the damper pedal when playing along with a song may result in performance data with too many notes, causing some notes to drop out. The tuning or pitch of the keyboard or song is off Have you set Transpose? (p. 15) Are the settings for the “Temperament” and “Stretch Tuning” correct? (p. 26) Is the setting for the “Master Tuning” correct? (p. 26) Song doesn’t play back/ Only the sound of a particular instrument in a song does not play Are the indicator for the Track buttons ([Left] and [Right] buttons) extinguished? (p. 21) If the button indicator is out, the music on that track is not heard. Press the track button so the indicator is illuminated.

Can’t record Has one of the track buttons for recording been selected? (p. 22–p. 24) Tempo of recorded song or metronome is off If you select an internal song in which the tempo changes during the song, and then record, the tempo will change in the same way for the performances. The tempo of the metronome will also change in the same way. If you record additional material without erasing the previously recorded song, the song will be recorded at the first-recorded tempo. Please erase the previously recorded song before you rerecord (p. 24). The recorded performance has disappeared Any performance that has been recorded is deleted when the power to the HP103e/102e is turned off. A performance cannot be restored once it’s been deleted. Depressing a pedal has no effect, or the pedal effect doesn’t stop Is the pedal connected correctly? Make sure the pedal cord is securely connected to the pedal jack on the rear of the unit (p. 8). The pedal rattles Adjust the adjuster underneath the pedal so that the adjuster presses firmly against the floor surface (p. 10). Reverberation still audible even with Reverb turned off Since the HP103e/102e’s piano sounds accurately reproduce the depth and reverberation of the original acoustic piano, you may find that reverberation is audible when the Grand Space is enabled. If you want to eliminate the reverberation, turn off the Grand Space function (p. 14-14). In the upper range, the sound changes abruptly beyond a certain key On an acoustic piano, notes in the upper one and a half octaves of the keyboard continue to sound until they decay naturally, regardless of the damper pedal. There is a difference in the timbre as well. Roland pianos faithfully simulate such characteristics of the acoustic piano. On the HP103e/102e, the range that is unaffected by the damper pedal will change depending on the Key Transpose setting. A High-pitched whine is produced When listening through headphones: Some of the more flamboyant and effervescent piano tones feature an ample high-end component, which may make the sound appear to have metallic reverberation added. Since this reverberation becomes particularly audible when supplemented by heavy reverb, you may be able to diminish the problem by reducing the amount of reverb applied to the sound. When listening through speakers: Here, a different cause (such as resonance produced by the HP103e/102e) would be suspect. Consult your Roland dealer or nearest Roland Service Center. HP103_e.book Page 33 Sunday, September 12, 2004 1:37 PM Troubleshooting

• Move the speakers away from any resonating objects. When listening through headphones: Here, a different cause would be suspect. Consult your Roland dealer or nearest Roland Service Center. The volume level of the instrument connected to Input jacks is too low Could you be using a connection cable that contains a resistor? Use a connection cable that does not contain a resistor. ENGLISH Error Messages/Other Messages Display ENGLISH The bass range sounds odd, or there is a vibrating resonance When listening through speakers: Playing at loud volumes may cause instruments near the HP103e/102e to resonate. Resonation can also occur with fluorescent light tubes, glass doors, and other objects. In particular, this problem occurs more easily when the bass component is increased, and when the sound is played at higher volumes. Use the following measures to suppress such resonance.
• Place speakers so they are 10–15 cm from walls and other surfaces. Meaning User Song. Stores recorded performances (p. 22). Usr. The “.” in the display indicates that there is performance material already recorded (p. 22).

Internal song number (p. 11).

This appears when a song with a pickup (a song that does not start on the first beat) is played back. dEL This appears when you attempt to delete a recorded song (p. 22, p. 24). E.32 The amount of performance information is too large, and further recording is not possible. E.41 A problem such as a loose MIDI cable occurred. Make sure the MIDI cables are correctly hooked up.

V-LINK function is On (p. 28). ENGLISH USr

• Error messages are indicated by an “E.” before the number. Press any button, and you can cancel the error message. ENGLISH ENGLISH ENGLISH

HP103_e.book Page 34 Sunday, September 12, 2004 1:37 PM HP103e/102e – Easy Operation List Easy Operation List

Page Press the [Split] and [Reverb] buttons simultaneously, and press the [●] button.

Grand Space Mode [Split]+ [Reverb] → [Piano] p. 26

[Split]+ [Reverb] → [E. Piano]

• [E. Piano] + key p. 26

Stretch tuning [Split]+ [Reverb] → [Harpsi] p. 26

Applying the damper pedal to the left-hand keyboard area [Split]+ [Reverb] → [Organ] p. 27

MIDI send channel settings [Split]+ [Reverb] → [Strings] p. 31

Local Control [Split]+ [Reverb] → [Variation] p. 31

Transmitting a recorded performance [Split]+ [Reverb] → [Play] p. 31

V-LINK [Split]+ [Reverb] → [Right] p. 28 [Transpose] + [Split] → [-][+] p. 16 Press the [

] button, and press the [-] or [+] button. Dual Balance Hold down the [ ] button and press the [-] or [+] button.

Metronome volume [Metronome/Count In] + [-] [+] p. 18

Beat of metronome Depth of the Reverb effect Damper pedal’s resonance level Dynamic Emphasis setting Grand Space setting Hold down the [Split] or [Transpose] button and press the key.

Split Point [Split] + key p. 17 Key Transpose [Transpose] + key p. 15 HP103_e.book Page 35 Sunday, September 12, 2004 1:37 PM Main Specifications ENGLISH Main Specifications Keyboard Keyboard 88 keys (Progressive Hammer Action Keyboard) Touch Sensitivity Touch: Light, Medium, Heavy, Fixed Keyboard Modes Whole, Dual (volume balance adjustable), Split (split point adjustable) Max. Polyphony 64 voices Tones 5 groups, 20 variations Temperament 7 types, selectable tonic Stretched Tuning 2 types Master Tuning

415.3 Hz–466.2 Hz (adjustable in increments of 0.1 Hz)

Transpose Key Transpose (-6–+5 in semitones) Effects Grand Space, Dynamic Emphasis, Reverb (8 levels), Chorus (for E.Piano only), Damper Resonance (for Piano only, 8 levels) ENGLISH Sound Generator Beat Recorder Tracks 2 tracks Song 1 song Note Storage Approx. 5,000 notes Tempo Quarter note = 20–250 Resolution 96 ticks per quarter note Control Play/Stop, Rec, Tempo, All Song Play, Track Select Preset Songs 66 songs + 9 Tone Demo Songs ENGLISH Others 25 W x 2 Speakers 12 cm x 2 Display Beat LED 7-segment, 3-digit LED Headphones indicator Control Volume, Brilliance (3 steps) Pedals Panel Lock, Tone Lock Connectors Output jacks (L/Mono, R), Input jacks (L/Mono, R), Headphones jack x 2 (Stereo), MIDI connectors (In, Out) Power Supply AC 230 V Power Consumption 55 W Dimensions (including piano stand) Including Piano Stand (music rest down) HP103e: 1,412 (W) x 530 (D) x 865.5 (H) mm HP102e: 1,402(W) x 476(D) x 874(H) mm Including Piano Stand (music rest up) HP103e: 1,412(W) x 530(D) x 1,052.5(H) mm HP102e: 1,402(W) x 476(D) x 1061(H) mm Weights (including piano stand) Owner’s manual, Roland 60 Classical Piano Masterpieces, Power Cord, Headphones Hook ENGLISH Rated Power Output

• In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice. ENGLISH

HP103_e.book Page 36 Sunday, September 12, 2004 1:37 PM HP103e/102e – Main Specifications

HP103_e.book Page 37 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 38 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 39 Sunday, September 12, 2004 1:37 PM HP103_2e_D Page 40 Tuesday, September 28, 2004 8:47 AM HP103_e.book Page 41 Sunday, September 12, 2004 1:37 PM Inhaltsverzeichnis DEUTSCH HP103_e.book Page 42 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 43 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 44 Sunday, September 12, 2004 1:37 PM HP103_2e_D Page 45 Tuesday, September 28, 2004 8:48 AM Vorbereitung HP103_e.book Page 46 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 47 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 48 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 49 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 50 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 51 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 52 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 53 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 54 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 55 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 56 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 57 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 58 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 59 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 60 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 61 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 62 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 63 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 64 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 65 Sunday, September 12, 2004 1:37 PM Input R/L (Line In, Aux In) Output R/L (Line Out, Aux Out) HP103e/102e DEUTSCH

HP103_e.book Page 66 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 67 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 68 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 69 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 70 Sunday, September 12, 2004 1:37 PM [Split]+ [Reverb] → [Piano] S. 62

[Split]+ [Reverb] → [Harpsi] S. 62

[Split]+ [Reverb] → [Organ] S. 63

[Split]+ [Reverb] → [Strings] S. 67

Local-Funktion [Split]+ [Reverb] → [Variation] S. 67

[Split]+ [Reverb] → [Play] S. 67

V-LINK [Split]+ [Reverb] → [Right] S. 64

[Transpose] + [Split] → [–][+] S. 52 [Metronome/Count In] + [–] [+] S. 54

[Transpose] + Taste S. 51 HP103_e.book Page 71 Sunday, September 12, 2004 1:37 PM Technische Daten DEUTSCH 88 Tasten, “Progressive Hammer Action” (Hammermechanik) Anschlagdynamik Play/Stop, Rec, Tempo, All Song Play, Track Select Interne Stücke 66 Stücke + 9 Klangdemos 25W x2 Lautsprecher 12cm x2 Anzeige HP103_e.book Page 72 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 73 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 74 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 75 Sunday, September 12, 2004 1:37 PM HP103_2e_F Page 76 Tuesday, September 28, 2004 8:50 AM HP103_e.book Page 77 Sunday, September 12, 2004 1:37 PM Sommaire FRANÇAIS HP103_e.book Page 78 Sunday, September 12, 2004 1:37 PM

8. Bouton [Transpose]

Transpose le clavier (p. 87). HP103_e.book Page 79 Sunday, September 12, 2004 1:37 PM Description FRANÇAIS HP103_e.book Page 80 Sunday, September 12, 2004 1:37 PM HP103_2e_F Page 81 Tuesday, September 28, 2004 8:51 AM HP103_e.book Page 82 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 83 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 84 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 85 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 86 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 87 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 88 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 89 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 90 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 91 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 92 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 93 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 94 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 95 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 96 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 97 Sunday, September 12, 2004 1:37 PM Local On/Off p. 103 [Variation] fig.disp-reso HP103_e.book Page 98 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 99 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 100 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 101 Sunday, September 12, 2004 1:37 PM Input R/L (Line In, Aux In) HP103_e.book Page 102 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 103 Sunday, September 12, 2004 1:37 PM MIDI OUT Mémoire MIDI OUT MIDI

(2) Fonction THRU active HP103_e.book Page 104 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 105 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 106 Sunday, September 12, 2004 1:37 PM [Split]+ [Reverb] → [Piano] p. 98

[Split]+ [Reverb] → [E. Piano]

• [E. Piano] + touche p. 98

Accord étiré [Split]+ [Reverb] → [Harpsi] p. 98

[Split]+ [Reverb] → [Organ] p. 99

[Split]+ [Reverb] → [Strings] p. 103

Local On/Off [Split]+ [Reverb] → [Variation] p. 103

[Split]+ [Reverb] → [Play] p. 103

V-LINK [Split]+ [Reverb] → [Right] p. 100 [Transpose] + [Split] → [–][+] p. 88 [Metronome/Count In] + [–] [+] p. 90

[Split] + touche p. 89 Transposition [Transpose] + touche p. 87 HP103_e.book Page 107 Sunday, September 12, 2004 1:37 PM Fiche technique FRANÇAIS Play/Stop, Rec, Tempo, All Song Play, Track Select Morceaux préprogrammés Pied compris (pupitre abaissé) HP103e: 1412 (L) x 530 (P) x 865,5 (H) mm HP102e: 1.402(L) x 476(P) x 874 (H) mm Pied compris (pupitre relevé) HP103e: 1.412 (L) x 530 (P) x 1.052,5 (H) mm HP102e: 1.402 (L) x 476 (P) x1061(H) mm HP103_e.book Page 108 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 109 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 110 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 111 Sunday, September 12, 2004 1:37 PM

108d: Selection HP103_2e_I Page 112 Tuesday, September 28, 2004 8:53 AM HP103_e.book Page 113 Sunday, September 12, 2004 1:37 PM Sommario ITALIANO HP103_e.book Page 114 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 115 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 116 Sunday, September 12, 2004 1:37 PM HP103_2e_I Page 117 Tuesday, September 28, 2004 8:55 AM HP103_e.book Page 118 Sunday, September 12, 2004 1:37 PM Pedale soft Pedale damper Pedale sostenuto HP103_e.book Page 119 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 120 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 121 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 122 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 123 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 124 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 125 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 126 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 127 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 128 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 129 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 130 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 131 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 132 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 133 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 134 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 135 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 136 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 137 Sunday, September 12, 2004 1:37 PM Input R/L (Line In, Aux In) Output R/L (Line Out, Aux Out) HP103e/102e ITALIANO

HP103_e.book Page 138 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 139 Sunday, September 12, 2004 1:37 PM (1) Local On Sequencer MIDI

Generatore sonoro HP103_e.book Page 140 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 141 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 142 Sunday, September 12, 2004 1:37 PM [Split]+ [Reverb] → [Piano] p. 134

[Split]+ [Reverb] → [E. Piano]

• [E. Piano] + tasto p. 134

Accordatura Stretch [Split]+ [Reverb] → [Harpsi] p. 134

[Split]+ [Reverb] → [Organ] p. 135

[Split]+ [Reverb] → [Strings] p. 139

Local Control [Split]+ [Reverb] → [Variation] p. 139

[Split]+ [Reverb] → [Play] p. 139

V-LINK [Split]+ [Reverb] → [Right] p. 136 [Transpose] + [Split] → [–][+] p. 124 [Metronome/Count In] + [–] [+] p. 126

[Transpose] + tasto p. 123 HP103_e.book Page 143 Sunday, September 12, 2004 1:37 PM 88 tasti (tastiera progressive hammer action) Play/Stop, Rec, Tempo, All Song Play, Track Select Song preimpostate Panel Lock, Tone Lock Connettori HP103_e.book Page 144 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 145 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 146 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 147 Sunday, September 12, 2004 1:37 PM HP103_2e_E Page 148 Tuesday, September 28, 2004 8:57 AM HP103_e.book Page 149 Sunday, September 12, 2004 1:37 PM Contenido ESPAÑOL HP103_e.book Page 150 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 151 Sunday, September 12, 2004 1:37 PM

5. Conector Pedal

HP103_e.book Page 152 Sunday, September 12, 2004 1:37 PM HP103_2e_E Page 153 Tuesday, September 28, 2004 9:01 AM HP103_e.book Page 154 Sunday, September 12, 2004 1:37 PM Pedal celeste Pedal damper Pedal Sostenuto HP103_e.book Page 155 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 156 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 157 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 158 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 159 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 160 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 161 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 162 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 163 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 164 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 165 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 166 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 167 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 168 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 169 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 170 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 171 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 172 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 173 Sunday, September 12, 2004 1:37 PM Input R/L (Line In, Aux In) HP103_e.book Page 174 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 175 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 176 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 177 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 178 Sunday, September 12, 2004 1:37 PM [Split]+ [Reverb] → [Piano] p. 170

[Split]+ [Reverb] → [E. Piano]

• [E. Piano] + tecla p. 170

[Split]+ [Reverb] → [Harpsi] p. 170

[Split]+ [Reverb] → [Organ] p. 171

[Split]+ [Reverb] → [Strings] p. 174

Control local [Split]+ [Reverb] → [Variation] p. 175

[Split]+ [Reverb] → [Play] p. 175

V-LINK [Split]+ [Reverb] → [Right] p. 172 [Transpose] + [Split] → [–][+] p. 160 [Metronome/Count In] + [–] [+] p. 162

[Transpose] + tecla p. 159 HP103_e.book Page 179 Sunday, September 12, 2004 1:37 PM Especificaciones principales ESPAÑOL Play/Stop, Rec, Tempo, All Song Play, Track Select Canciones predefinidas HP103_e.book Page 180 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 181 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 182 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 183 Sunday, September 12, 2004 1:37 PM HP103_2e_NL Page 184 Tuesday, September 28, 2004 9:02 AM HP103_e.book Page 185 Sunday, September 12, 2004 1:37 PM Inhoud NEDERLANDS HP103_e.book Page 186 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 187 Sunday, September 12, 2004 1:37 PM

2. Input-connectors

HP103_e.book Page 188 Sunday, September 12, 2004 1:37 PM HP103_2e_NL Page 189 Tuesday, September 28, 2004 9:04 AM Voorbereiding HP103_e.book Page 190 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 191 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 192 Sunday, September 12, 2004 1:37 PM “Dynamic Emphasis”-demo blz. 194 HP103_e.book Page 193 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 194 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 195 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 196 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 197 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 198 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 199 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 200 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 201 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 202 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 203 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 204 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 205 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 206 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 207 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 208 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 209 Sunday, September 12, 2004 1:37 PM Input R/L (Line In, Aux In) HP103_e.book Page 210 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 211 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 212 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 213 Sunday, September 12, 2004 1:37 PM HP103_e.book Page 214 Sunday, September 12, 2004 1:37 PM [Split]+ [Reverb] → [Piano] blz. 206

[Split]+ [Reverb] → [E. Piano]

• [E. Piano] + toets blz. 206

Stretch Tuning [Split]+ [Reverb] → [Harpsi] blz. 206

[Split]+ [Reverb] → [Organ] blz. 207

[Split]+ [Reverb] → [Strings] blz. 211

Local-functie [Split]+ [Reverb] → [Variation] blz. 211

[Split]+ [Reverb] → [Play] blz. 211

V-LINK [Split]+ [Reverb] → [Right] blz. 208 Houd de [

[Transpose] + [Split] → [–][+] blz. 196 [Metronome/Count In] + [–] [+] blz. 198

“Dynamic Emphasis”-instelling [Transpose] + toets blz. 195 HP103_e.book Page 215 Sunday, September 12, 2004 1:37 PM Specificaties NEDERLANDS Play/Stop, Rec, Tempo, All Song Play, Track Select Interne stukken HP103_e.book Page 216 Sunday, September 12, 2004 1:37 PM Tone List [Split] Off Button name [Piano] [E. Piano] [Harpsi] [Organ] [Strings]

[Split] On [Variation] Tone [Variation] Dark [Variation] Red [Variation] Green Dark Grand Piano Grand Piano / Acoustic Bass Grand Piano / Acoustic Bass + Cymbal Grand Piano / Strings Red Mellow Piano Mellow Piano / Acoustic Bass Mellow Piano / Acoustic Bass + Cymbal Mellow Piano / Strings Green Piano + Strings Orange Piano + Choir Dark Electric Piano1 Electric Piano1 / Electric Bass Electric Piano1 / Acoustic Bass Electric Piano1 / Strings Red Electric Piano2 Electric Piano2 / Electric Bass Electric Piano2 / Acoustic Bass Electric Piano2 / Strings Green Vibraphone Orange Electric Piano + Choir Dark Harpsichord Harpsichord / Strings Harpsichord / Organ Flute Harpsichord / Acoustic Bass Red Coupled Harpsichord Coupled Harpsichord / Strings Coupled Harpsichord / Organ Flute Coupled Harpsichord / Acoustic Bass Green Harpsichord + Strings Orange Harpsichord + Choir Dark Church Organ 1 Church Organ 1 / Organ Bass Church Organ 1 / Strings Church Organ 1 / Choir Red Organ Flute OrganFlute / Organ Bass OrganFlute / Strings OrganFlute / Choir Green Rotary Organ Orange Church Organ 2 Dark Slow Strings Slow Strings / Choir Flute / Slow Strings Red Jazz Scat Jazz Scat / Voice Bass Jazz Scat / Acoustic Bass Jazz Scat / Choir Green Strings Orange Choir A+B: simultaneously playing two tones You can change the volume balance between the two tones, refer to “Adjusting the Volume Balance in Dual Play (Dual Balance). A/B: A, the right-hand tone; and B, the left-hand tone in Split play

HP103_e.book Page 217 Sunday, September 12, 2004 1:37 PM Internal Song List Song No. Song Name Composer Copyright S. 1 © 2004 Roland Corporation S. 2 F. Chopin/ Arranged by John Maul © 2002 Roland Corporation S. 3 Fly Free John Maul © 1998 Roland Corporation S. 4 Masashi & Kazuko Hirashita © 2000 Roland Corporation S. 5 © 1996 Roland Corporation S. 6 Liebesträume III F. Liszt © 2001 Roland Corporation S. 7 Étude, op.10-3 F. Chopin © 2001 Roland Corporation S. 8 Je te veux E. Satie © 1997 Roland Corporation S. 9 Valse, op.64-1 F. Chopin © 2001 Roland Corporation S. 10 © 1995 Roland Corporation S. 11 Fantaisie-Impromptu F. Chopin © 2001 Roland Corporation S. 12 1ére Arabesque C. Debussy © 1995 Roland Corporation S. 13 J. Strauss (II) © 1996 Roland Corporation S. 14 © 1996 Roland Corporation S. 15 Mazurka No.5 F. Chopin © 1995 Roland Corporation S. 16 1ère Gymnopédie E. Satie © 1997 Roland Corporation S. 17 Étude, op.25-1 F. Chopin © 1995 Roland Corporation S. 18 Clair de Lune C. Debussy © 1998 Roland Corporation S. 19 Étude, op.10-5 F. Chopin © 2001 Roland Corporation S. 20 © 1995 Roland Corporation S. 21 © 1995 Roland Corporation S. 22 © 1996 Roland Corporation S. 23 © 1996 Roland Corporation S. 24 To The Spring E. Grieg © 1996 Roland Corporation S. 25 Valse, op.64-2 F. Chopin © 1996 Roland Corporation S. 26 Radetzky Marsch J. Strauss (I) © 1996 Roland Corporation S. 27 Träumerei R. Schumann © 1996 Roland Corporation S. 28 © 1996 Roland Corporation S. 29 Prélude, op.28-15 F. Chopin © 1996 Roland Corporation S. 30 The harmonious blacksmith G. Handel © 1996 Roland Corporation S. 31 © 1996 Roland Corporation S. 32 Türkischer Marsch L. v. Beethoven © 1996 Roland Corporation S. 33 Nocturne No.2 F. Chopin © 1996 Roland Corporation S. 34 Frühlingslied F. Mendelsshon © 1996 Roland Corporation S. 35 Präludium J. S. Bach © 1996 Roland Corporation S. 36 Jägerlied F. Mendelsshon © 1996 Roland Corporation S. 37 Menuet Antique M. Ravel © 1996 Roland Corporation S. 38 Für Elise L. v. Beethoven © 1996 Roland Corporation S. 39 Türkischer Marsch W. A. Mozart © 1996 Roland Corporation S. 40 Ständchen F. Schubert © 1996 Roland Corporation S. 41 Humoreske A. Dvorák © 1996 Roland Corporation S. 42 Blumenlied G. Lange © 1996 Roland Corporation S. 43 Alpenglöckchen T. Oesten © 1996 Roland Corporation

HP103_e.book Page 218 Sunday, September 12, 2004 1:37 PM Song No.

Song Name Composer Copyright S. 44 Menuett G dur L. v. Beethoven © 1996 Roland Corporation S. 45 Venezianisches Gondellied F. Mendelsshon © 1996 Roland Corporation S. 46 Alpenabendröte T. Oesten © 1996 Roland Corporation S. 47 Farewell to the Piano L. v. Beethoven © 1996 Roland Corporation S. 48 Brautchor R. Wagner © 1996 Roland Corporation S. 49 Battle of Waterloo W. Anderson © 1996 Roland Corporation S. 50 Wiener Marsch C. Czerny © 1996 Roland Corporation S. 51 Le Coucou L. C. Daquin © 1996 Roland Corporation S. 52 Menuett G dur J. S. Bach © 1992 Roland Corporation S. 53 Spinnerlied A. Ellmenreich © 1996 Roland Corporation S. 54 Gavotte F. Gossec © 1996 Roland Corporation S. 55 Heidenröslein G. Lange © 1996 Roland Corporation S. 56 Zigeuner Tanz H. Lichner © 1996 Roland Corporation S. 57 La Cinquantaine G. Marie © 1996 Roland Corporation S. 58 Csikos Post H. Necke © 1996 Roland Corporation S. 59 © 1996 Roland Corporation S. 60 La Violette L. Streabbog © 1996 Roland Corporation S. 61 Fröhlicher Landmann R. Schumann © 1996 Roland Corporation S. 62 Sonatine op.36-1 M. Clementi © 1996 Roland Corporation S. 63 Sonatine op.20-1 F. Kuhlau © 1996 Roland Corporation S. 64 Sonatine No.5 L. v. Beethoven © 1996 Roland Corporation S. 65 Hungarian Rag: Hungarian Dance No. 5 Ragtime Arrangement For Solo Piano J. Brahms/ Arranged by John Maul © 1996 Roland Corporation S. 66 Paganini Boogie: Jazz Variation Based on “Caprice No. 24 in A Minor” N. Paganini/ Arranged by John Maul © 1998 Roland Corporation All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws. Profile John Maul John Maul is a musician, composer and arranger having graduated from the Royal Academy of Music in London. John’s work encompasses studio recordings and live performances including work with top UK Jazz artists. His writing credits include commercial music for BBC radio and television, as well as scoring jazz and classical works. Having been a product specialist for Roland U.K., John is now actively involved in music software composing/ programming for both Roland Japan and various music publishers. Quite recently his “Musical Picture Book,” a volume of original piano music encompassing all standards of musical ability, which included the piano and orchestral accompaniment data in SMF format, was published and printed.

HP103_e.book Page 219 Sunday, September 12, 2004 1:37 PM MIDI Implementation Chart Transmitted Function... Recognized Basic Channel Default Changed

1—16 Mode Data entry Volume Expression Hold 1 Sostenuto Soft Effect 1 (Reverb)

RPN LSB, MSB

Notes Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO O : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO X : No

HP103_e.book Page 220 Sunday, September 12, 2004 1:37 PM Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. AFRICA EGYPT Al Fanny Trading Office 9, EBN Hagar A1 Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT

TEL: 20-2-417-1828

SOUTH AFRICA That Other Music Shop (PTY) Ltd. 11 Melle St., Braamfontein, Johannesbourg, SOUTH AFRICA P.O.Box 32918, Braamfontein 2017 Johannesbourg, SOUTH AFRICA TEL: (011) 403 4105 Paul Bothner (PTY) Ltd. 17 Werdmuller Centre, Main Road, Claremont 7708 SOUTH AFRICA 10F. No.18 Anhuaxili Chaoyang District, Beijing 100011 CHINA TEL: (010) 6426-5050 Roland Shanghai Electronics Co.,Ltd. (GUANGZHOU OFFICE) 2/F., No.30 Si You Nan Er Jie Yi Xiang, Wu Yang Xin Cheng, Guangzhou 510600, CHINA Tel: (020) 8736-0428 TAIWAN Room 5, 9fl. No. 112 Chung Shan N.Road Sec.2, Taipei, TAIWAN, R.O.C. TEL: (02) 2561 3339 Theera Music Co. , Ltd. 330 Verng NakornKasem, Soi 2, Bangkok 10100, THAILAND TEL: (02) 2248821 Saigon Music AUSTRALIA/ NEW ZEALAND AUSTRALIA Roland Corporation Australia Pty., Ltd. 38 Campbell Avenue Dee Why West. NSW 2099 AUSTRALIA TEL: (02) 9982 8266 NEW ZEALAND Rivera Digitec (India) Pvt. Ltd. 409, Nirman Kendra Mahalaxmi Flats Compound Off. Dr. Edwin Moses Road, Mumbai-400011, INDIA TEL: (022) 2493 9051 245 Prince Mohammad St., Amman 1118, JORDAN TEL: (06) 464-1200 POLAND KUWAIT Abdullah Salem Street, Safat, KUWAIT TEL: 243-6399 No.41 Nike St., Dr.Shariyati Ave., Roberoye Cerahe Mirdamad Tehran, IRAN TEL: (021) 285-4169 AUSTRIA CZECH REP. Roland Italy S. p. A. MOCO, INC. ROMANIA 32 Shaddock Street, Mount Eden, Auckland, NEW ZEALAND TEL: (09) 3098 715 Roland Corporation Ltd. ARGENTINA INDIA Tom Lee Music Co., Ltd. Service Division 8th Floor, Railway Plaza, 39 Chatham Road South, T.S.T, Kowloon, HONG KONG TEL: 2333 1863 SUPRO MUNDIAL, S.A. Boulevard Andrews, Albrook, Panama City, REP. DE PANAMA TEL: 315-0101 CENTRAL/LATIN AMERICA 22-32 Pun Shan Street, Tsuen Wan, New Territories, HONG KONG TEL: 2415 0911 G2 Calmount Park, Calmount Avenue, Dublin 12 Republic of IRELAND TEL: (01) 4294444 Roland Shanghai Electronics Co.,Ltd. (BEIJING OFFICE) Roland Ireland Swee Lee Company Suite DP-8 40 Ba Huyen Thanh Quan Street Hochiminh City, VIETNAM Tel: (08) 930-1969 5F. No.1500 Pingliang Road Shanghai 200090, CHINA TEL: (021) 5580-0800 IRELAND Roland Shanghai Electronics Co.,Ltd. MEXICO 339 Gil J. Puyat Avenue Makati, Metro Manila 1200, PHILIPPINES TEL: (02) 899 9801 HUNGARY Roland East Europe Ltd. Warehouse Area ‘DEPO’ Pf.83 H-2046 Torokbalint, HUNGARY TEL: (23) 511011 FBS LINES Corniche Road, Aldossary Bldg., 1st Floor, Alkhobar, SAUDI ARABIA P.O.Box 2154, Alkhobar 31952 SAUDI ARABIA TEL: (03) 898 2081 SYRIA Technical Light & Sound Center Rawda, Abdul Qader Jazairi St. Bldg. No. 21, P.O.BOX 13520, Damascus, SYRIA TEL: (011) 223-5384 Zak Electronics & Musical Instruments Co. L.L.C. UNITED KINGDOM Roland (U.K.) Ltd. Zabeel Road, Al Sherooq Bldg., No. 14, Grand Floor, Dubai, U.A.E. TEL: (04) 3360715 NORTH AMERICA Atlantic Close, Swansea Enterprise Park, SWANSEA SA7 9FJ, UNITED KINGDOM TEL: (01792) 702701 CANADA MIDDLE EAST Roland Canada Music Ltd. (Toronto Office) BAHRAIN 170 Admiral Boulevard Mississauga On L5T 2N6 CANADA TEL: (905) 362 9707 Moon Stores No.16, Bab Al Bahrain Avenue, P.O.Box 247, Manama 304, State of BAHRAIN TEL: 211 005 CYPRUS Radex Sound Equipment Ltd. 17, Diagorou Street, Nicosia, CYPRUS TEL: (022) 66-9426 Roland Canada Music Ltd. (Head Office) 5480 Parkwood Way Richmond

B. C., V6V 2M4 CANADA

TEL: (604) 270 6626 U. S. A. Roland Corporation U.S. 5100 S. Eastern Avenue Los Angeles, CA 90040-2938, U. S. A. TEL: (323) 890 3700 As of May 1, 2004 (Roland) HP103_e.book Page 221 Sunday, September 12, 2004 1:37 PM For EU Countries This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC. For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: – Reorient or relocate the receiving antenna. – Increase the separation between the equipment and receiver. – Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. – Consult the dealer or an experienced radio/TV technician for help. This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) This device must accept any interference received, including interference that may cause undesired operation. Unauthorized changes or modification to this system can void the users authority to operate this equipment. This equipment requires shielded interface cables in order to meet FCC class B Limit. For Canada NOTICE This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Cover4.e Page 222 Tuesday, September 28, 2004 5:00 PM