VIBZ 8 - Mixer LD Systems - Free user manual and instructions

Product type	8-channel analog mixer
Number of channels	8 (4 mono + 3 stereo)
Mono microphone/line inputs	4 channels (XLR balanced + 6.35 mm TRS jack)
Stereo line inputs	3 channels (6.35 mm unbalanced jack)
Phantom power	+48 V switchable on XLR inputs
High-pass filter (Low Cut)	95 Hz, switchable (channels 1-4)
Compressor	On channels 1 and 2, adjustable
Equalizer	3-band (Hi: 12 kHz, Mid: 2.5 kHz, Low: 80 Hz) ±15 dB
Built-in effects	24-bit digital multi-effect, 100 presets
Outputs	MAIN MIX (L/R jacks), CTRL OUT (L/R jacks), headphones (jack), 2 TK OUT (RCA)
Additional inputs/outputs	2 TK IN (RCA), AUX SEND, ST RETURN, insert (channels 1-2)
LED indicators	Peak per channel, Peak effect, general level (2x8), power, +48 V
Power supply	External power adapter 18 V DC / 1 A
Dimensions (W x H x D)	265 x 77 x 350 mm
Weight	2.3 kg
Operating temperature	0 °C to +45 °C
Ambient humidity	10 to 80% RH
Microphone stand mounting	Possible via optional adapter LDVIBZMSADAPTOR
Maintenance and cleaning	Use a dry cloth; do not open the device
Safety	Do not expose to water or flames; unplug during storms
Warranty and repairability	Manufacturer warranty according to Adam Hall conditions; repair by qualified personnel

Frequently Asked Questions - VIBZ 8 LD Systems

What types of microphones can I plug into the VIBZ 8?

You can plug dynamic or condenser microphones via the XLR inputs. For condenser microphones, activate the +48V phantom power using switch no. 36 after plugging in the microphone and setting the gain to minimum.

How do I use the built-in compressor?

The compressor is available on channels 1 and 2. Turn the COMPRESSOR knob (no. 6) to the right to increase compression. Fully to the left, it is disabled. It reduces dynamics and enhances signal presence.

Can I connect an external effects processor?

Yes, use the AUX SEND output (no. 35) to send the signal to an external processor, then return the processed signal via the ST RETURN input (no. 23). Once a jack is inserted into AUX SEND, the internal multi-effect is disabled.

How do I set levels to avoid distortion?

Adjust the gain (no. 4) of each channel so that the Peak LED (no. 12) lights up only occasionally. If it stays lit continuously, reduce the gain. Also use the general level scale (OUTPUT LEVEL, no. 34) to prevent the red CLIP LED from lighting up.

What should I do if the sound is too bassy or too trebly?

Use the 3-band equalizer on each channel: treble at 12 kHz, mid at 2.5 kHz, and bass at 80 Hz, with a range of ±15 dB. Turn the knobs to the right to boost, to the left to cut. In the center (detent) position, the equalizer is inactive.

How do I activate the +48V phantom power?

Set the +48V switch (no. 36) to ON. The red LED lights up. Make sure the microphone is plugged in and the gain is at minimum first. Do not unplug the microphone with phantom power enabled.

What effects are available in the internal multi-effect?

The multi-effect offers 100 presets including reverbs, delays, chorus, flanger, etc. Turn the PRESETS DFX selector (no. 16) to choose an effect (the digits flash), then press to confirm (the digits stop flashing).

Can I record the mix directly?

Yes, use the 2 TK OUT output (no. 32) on RCA jacks to send the mixed signal to a recorder or computer. The level is controlled by the MAIN MIX fader (no. 33).

How do I connect headphones?

Connect your headphones (impedance ≥ 30 ohms) to the PHONES jack (no. 25). Adjust the volume with the PHONES/CTRL knob (no. 27). Be careful of high sound levels to protect your hearing.

What should I do if the mixer does not power on?

Check that the power adapter (18V DC / 1A) is properly connected to the DC ADAPTOR IN jack (no. 37) and to a working wall outlet. Make sure the POWER switch (no. 38) is in the ON position. If the POWER LED (no. 39) does not light up, check the fuse or contact an authorized repairer.

USER MANUAL VIBZ 8 LD Systems

Black vibz 8 dc audio mixing console with multiple knobs and control knobs (no readable text or symbols)

VIBZ 8

8-CHANNEL MIXING CONSOLE WITH DFX AND COMPRESSOR

LDVIBZ8DC

CONTENTS / INHALTSVERZEICHNIS / CONTENU / CONTENIDO / TREŚĆ / CONTENUTO

ENGLISH

PREVENTIVE MEASURES 3-4

INTRODUCTION

QUICK START GUIDE WITH CABLING EXAMPLE 5

CONNECTIONS, CONTROLS AND INDICATORS 6-9

SPECIFICATIONS

MANUFACTURER'S DECLARATIONS 12

DEUTSCH

SICHERHEITSHINWEISE

EINFÜHRUNG

We have designed this product to operate reliably over many years. LD Systems stands for this with its name and many years of experience as a manufacturer of high-quality audio products. Please read this User's Manual carefully, so that you can begin making optimum use of your LD Systems product quickly.

You can find more information about LD-SYSTEMS at our Internet site WWW.LD-SYSTEMS.COM

PREVENTIVE MEASURES

1. Please read these instructions carefully.
2. Keep all information and instructions in a safe place.
3. Follow the instructions.
4. Observe all safety warnings. Never remove safety warnings or other information from the equipment.
5. Use the equipment only in the intended manner and for the intended purpose.
6. Use only sufficiently stable and compatible stands and/or mounts (for fixed installations). Make certain that wall mounts are properly installed and secured. Make certain that the equipment is installed securely and cannot fall down.
7. During installation, observ e the applicable safety regulations for your country.
8. Never install and operate the equipment near radiators, heat registers, ovens or other sources of heat. Make certain that the equipment is always installed so that is cooled sufficiently and cannot overheat.
9. Never place sources of ignition, e.g., burning candles, on the equipment.
10. Ventilation slits must not be blocked.
11. Do not use this equipment in the immediate vicinity of water (does not apply to special outdoor equipment - in this case, observe the special instructions noted below. Do not expose this equipment to flammable materials, fluids or gases. Avoid direct sunlight!
12. Make certain that dripping or splashed water cannot enter the equipment. Do not place containers filled with liquids, such as vases or drinking vessels, on the equipment.
13. Make certain that objects cannot fall into the device.
14. Use this equipment only with the accessories recommended and intended by the manufacturer.
15. Do not open or modify this equipment.
16. After connecting the equipment, check all cables in order to prevent damage or accidents, e.g., due to tripping hazards.
17. During transport, make certain that the equipment cannot fall down and possibly cause property damage and personal injuries.
18. If your equipment is no longer functioning properly, if fluids or objects have gotten inside the equipment or if it has been damaged in another way, switch it off immediately and unplug it from the mains outlet (if it is a powered device). This equipment may only be repaired by authorized, qualified personnel.
19. Clean the equipment using a dry cloth.
20. Comply with all applicable disposal laws in your country. During disposal of packaging, please separate plastic and paper/cardboard.
21. Plastic bags must be kept out of reach of children.

FOR EQUIPMENT THAT CONNECTS TO THE POWER MAINS

1. CAUTION: If the power cord of the device is equipped with an earthing contact, then it must be connected to an outlet with a protective ground. Never deactivate the protective ground of a power cord.
2. If the equipment has been exposed to strong fluctuations in temperature (for example, after transport), do not switch it on immediately. Moisture and condensation could damage the equipment. Do not switch on the equipment until it has reached room temperature.
3. Before connecting the equipment to the power outlet, first verify that the mains voltage and frequency match the values specified on the equipment. If the equipment has a voltage selection switch, connect the equipment to the power outlet only if the equipment values and the mains power values match. If the included power cord or power adapter does not fit in your wall outlet, contact your electrician.
4. Do not step on the power cord. Make certain that the power cable does not become kinked, especially at the mains outlet and/or power adapter and the equipment connector.
5. When connecting the equipment, make certain that the power cord or power adapter is always freely accessible. Always disconnect the equipment from the power supply if the equipment is not in use or if you want to clean the equipment. Always unplug the power cord and power adapter from the power outlet at the plug or adapter and not by pulling on the cord. Never touch the power cord and power adapter with wet hands.
6. Whenever possible, avoid switching the equipment on and off in quick succession because otherwise this can shorten the useful life of the equipment.
7. IMPORTANT INFORMATION: Replace fuses only with fuses of the same type and rating. If a fuse blows repeatedly, please contact an authorised service centre.
8. To disconnect the equipment from the power mains completely, unplug the power cord or power adapter from the power outlet.
9. If your device is equipped with a Volex power connector, the mating Volex equipment connector must be unlocked before it can be removed. However, this also means that the equipment can slide and fall down if the power cable is pulled, which can lead to personal injuries and/or other damage. For this reason, always be careful when laying cables.
10. Unplug the power cord and power adapter from the power outlet if there is a risk of a lightning strike or before extended periods of disuse.

CAUTION:

To reduce the risk of electric shock, do not remove cover (or back). There are no user serviceable parts inside. Maintenance and repairs should be exclusively carried out by qualified service personnel.

The warning triangle with lightning symbol indicates dangerous uninsulated voltage inside the unit, which may cause an electrical shock.

The warning triangle with exclamation mark indicates important operating and maintenance instructions.

Warning! This symbol indicates a hot surface. Certain parts of the housing can become hot during operation. After use, wait for a cool-down period of at least 10 minutes before handling or transporting the device.

CAUTION! HIGH VOLUMES IN AUDIO PRODUCTS!

This device is meant for professional use. Therefore, commercial use of this equipment is subject to the respectively applicable national accident prevention rules and regulations. As a manufacturer, Adam Hall is obligated to notify you formally about the existence of potential health risks. Hearing damage due to high volume and prolonged exposure: When in use, this product is capable of producing high sound-pressure levels (SPL) that can lead to irreversible hearing damage in performers, employees, and audience members. For this reason, avoid prolonged exposure to volumes in excess of 90 dB.

INTRODUCTION

LDVIBZ8DC - 8-channel Mixer with Digital Effects Section and Compressor

Four balanced microphone inputs with high-quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with high-quality preamplifiers and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise 3-band EQs with practical selectable mids. The master section of the mixer features an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer.

QUICK START GUIDE WITH CABLING EXAMPLE

1. Make sure that the mixer and all devices to be connected to the mixer are turned off.
2. Connect the devices to the mixer using appropriate cables.
3. Adjust the input gain of the channels 1 to 4 and all level controllers channel-LEVEL and MAIN MIX to minimum. Place all equalizer controllers in the central position (stop). Adjust the volume controller on the active loudspeaker to minimum. Turn on the +48 V phantom power on the mixer only if you are using a condenser microphone.
4. Turn on the devices in the following order: Microphone and keyboard (or other source devices), then the mixer and lastly the active speakers.
5. Always adjust the gain control of the channels 1 and 2 or 3/4 and 5/6 so that the peak LED of the corresponding channel only lights up briefly when signal peaks occur. Avoid the permanent lighting of the peak LED by reducing the input gain (Gain).
   6 channel 7/8: Adjust the output level of the keyboard (or other source devices) so that the peak LED above the channel only lights up briefly when signal peaks occur. Avoid the permanent lighting of the peak LED.
6. Bring the level controllers (fader) of the channels in use and of the sum channel MAIN MIX approximately to the 0 dB mark.
7. Now increase the volume of the active speakers for the incoming signal (e.g. speaking, singing, keyboard) to the desired level.
8. Fine-tuning can now be achieved by adjusting the volume ratios of the channels and by using the equalizer, compressors and effects device as desired.

NOTE: When turning off the devices, please follow these steps: First, set the volume of the active speakers to minimum and turn them off, then the mixer and connected devices can be switched off.

Microphone Electronic keyboard Active speaker vibz & dc Active speaker

CONNECTIONS, CONTROLS AND INDICATORS

1 2 3/4 5/6 7/8 2 THA 2 FL WIT MAX MHz OUTPUT MAX LIME 0 MAX LIME 2 MAX LIME 3.4 MAX LIME 5.6 MAX LIME 7.8 MAX LIME 15 MAX LIME 28 MAX LIME 32 MAX LIME 35 MAX LIME 31 MAX LIME 35 MAX LIME 31 MAX LIME 35 MAX LIME 31 MAX LIME 35 MAX LIME 31 MAX LIME 35 MAX LIME 31 MAX LIME 35 MAX LIME 31 MAX LIME 35 MAX LIME 31 MAX LIME 35 MAX LIME 31 vibz8dc 1 2 3/4 5/6 7/8 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39

38 vibz8dc 8 CHANNEL MIXING CONSOLE B: The 20% AND 10% MODE

① MIC IN CHANNEL 1 - 2 & 3/4 - 5/6

Balanced inputs of the channels 1 and 2, or 3/4 and 5/6 with 3-pin XLR sockets for connecting microphones. Channels 1 and 2 are mono channels, the channels 3/4 and 5/6 can be used as both mono and stereo channels, depending on the incoming signal (XLR and jack L IN = Mono / jack L and R IN = Stereo). A 48 V phantom power supply is available for operating condenser microphones, and it can be switched centrally to the XLR sockets (N° 36). Please set the Gain controller (N 4) to minimum (left stop) before connecting or disconnecting a microphone; and switch on the phantom power only after connecting the microphone, or off before disconnecting.

2 LINE IN CHANNEL 1 / 2

Balanced inputs of the mono channels 1 and 2 with 6.3 mm jack to connect a source device with a line level. Please set the Gain controller (N 4) to minimum (left stop) before connecting or disconnecting jack cables.

3 INSERT CHANNEL1 / 2

3-pin 6.3 mm jack socket for inserting an external signal processing device (Compressor, Gate, etc.) in the respective mixer channel. A special insert cable is required for the connection (Y-cable, 1 x stereo jack to 2 x mono jack or XLR). The assignment is as follows: TIP = Send, RING = Return, SLEEVE = Masse.

4 GAIN CHANNEL 1 / 4

Adjusting the gain of the microphone input from 0 to 50 dB, or the sensitivity of the line input from +15 dBu to -35 dBu. Adjust the Gain controller so that the peak LED of the corresponding channel only lights up briefly when signal peaks occur. Avoid the permanent lighting of the peak LED by reducing the input gain or input sensitivity.

5 LOW CUT CHANNEL 1 - 4

Low cut filter for suppressing low-frequency signals. Especially with voice and singing transmissions, an activated LOW CUT feature (switch in the down position) can reduce disruptive bass frequencies and thus increase speech intelligibility. The cut-off frequency is 95 Hz.

6 COMPRESSOR

Sliding compressor controller for channels 1 or 2. Depending on the setting, the signal is more or less compressed, i.e., the dynamics of the signal is restricted (controller to the left stop = compressor is disabled, controller to the right stop = maximum compression). The level loss caused by the increasingly stronger compression is automatically compensated by the compressor unit. The use of the compressor can provide for an improved clarity of a singing voice in the mix.

7 EQUALIZER HI CHANNEL 1 - 7/8

Equalizer high band for channels 1 to 7/8 (12 kHz, +/-15 dB). When turned to the left, levels are lowered, when turned to the right, they are raised. In the centre position (resting point), the equalizer is inactive.

8 EQUALIZER MID CHANNEL 1 - 5/6

Equalizer mid band for channels 1 to 5/6 (2.5 kHz, +/-15 dB). When turned to the left, levels are lowered, when turned to the right, they are raised. In the centre position (resting point), the equalizer is inactive.

9 EQUALIZER LOW CHANNEL 1 - 7/8

Equalizer bass band for channels 1 to 7/8 (80 kHz, +/-15 dB). When turned to the left, levels are lowered, when turned to the right, they are raised. In the centre position (resting point), the equalizer is inactive.

10 LEVEL DFX / AUX POST CHANNEL 1 - 7/8

Volume controller for adding the signal from channel 1 to 7/8 to the internal digital effects device (effect send, post fader). Use the Line Output AUX SEND (N 35) for activating an external effect. When using the AUX SEND jack socket, the internal effects device is automatically bypassed, and is therefore not usable.

11 PAN CHANNEL 1 / 2 & BAL CHANNEL 3/4 - 7/8

PAN channel 1 and 2: Using the Panorama controller, position the signal of the corresponding channel in the stereo field of the total signal (Centre position = perception of the signal in the middle of the stereo field). BAL channel 3/4 to 7/8: Use the balance controller to set the relative volume between the left and right part of the connected stereo signal. When only the XLR socket or left socket L (MONO) of the line input is in use, the controller performs the function of a Panorama controller.

12 PEAK LED CHANNEL 1 - 7/8

PEAK channel 1 - 5/6: Once the red Peak LED lights up, the corresponding channel is operating at the distortion limit. Adjust the Gain controller (N 4) so that the peak LED of the corresponding channel only lights up briefly when signal peaks occur. Avoid the permanent lighting of the peak LED by reducing the input gain or input sensitivity. PEAK Channel 7/8: Once the red Peak LED lights up, the corresponding channel is operating at the distortion limit. Adjust the output level of the source device so that the peak LED of the corresponding channel only lights up briefly when signal peaks occur. Avoid the permanent lighting of the peak LED.

13 FADER CHANNEL 1 - 7/8

Volume controller for channels 1 to 7/8. Press the Fader button upwards to increase the volume of the corresponding channel and downwards to decrease it.

14 LINE IN L / R CHANNEL 3/4 - 5/6

Unbalanced inputs for the stereo channels 3/4 and 5/6 with 6.3 mm jacks to connect external devices with line level (e.g. keyboard). If only the left input jack is used (L), the channel will be mono.

15 LINE IN CHANNEL 7/8

Unbalanced line input for the stereo channel 7/8. The RCA sockets can be used as an alternative to the jack sockets of the channel.

16 DFX PRESETS

100 different effects presets are available to you. Use the rotary encoder to select one of the presets as desired (digits in the display N 17 will flash), and then confirm the entry by briefly pressing on the encoder (the flashing of the digits in the display stops).

17 DFX DISPLAY

The four digit LED display shows the number of the selected effect preset.

18 DFX PEAK LED

Once the red Peak LED lights up, the input of the internal effects device is operating at the distortion limit. Adjust the Effect Send controller of the input channels (N 10) so that the peak LED only lights up briefly when signal peaks occur.

19 DFX MUTE

In order to mute the internal effects device, briefly press the DFX Mute button once, and again to turn mute off. If Mute is active, the DFX Peak LED lights up continuously.

20 EFFECTS LIST

List of effects programs for the internal effects device.

21 DFX TO MAIN

Volume controller for adding the effects signal of the internal effects device to the sum channel MAIN MIX. Press the Fader button upwards to increase the volume of the effect and downwards to decrease it.

22 DFX MUTE FOOTSWITCH

6.3 mm jack socket for connecting a foot switch (pedal) to remotely activate and disable the mute function of the internal effects device (footswitch optional).

23 ST RETURN L / R

Unbalanced stereo line input with 6.3 mm jack sockets for connecting an external effects device (left input = mono), or another source device with a line level. Use the AUX SEND jack socket in order to activate an external effects device. When using the AUX SEND jack socket, the internal effects device is automatically bypassed, and is therefore not usable.

24 ST RETURN

Volume controller for the stereo line input ST RETURN (N 23). The ST RETURN signal is mixed directly into the sum channel MAIN MIX. Turning the dial to the right increases the volume and turning it to the left decreases it.

25 PHONES

Headphone connection with 6.3 mm stereo jack. Output of the sum channel signal MAIN MIX. The volume can be adjusted via the PHONES / CTRL volume controller (N 27) and is independent of the volume of the MAIN MIX level controller. Use headphones with a minimum impedance of 30 ohms and make sure that the volume stays at a pleasant level, in order to avoid hearing damage caused by loud noise.

26 CTRL OUT L / R

Unbalanced stereo line output with 6.3 mm jack sockets to connect active monitors etc... Output of the sum channel signal MAIN MIX. The volume can be adjusted via the PHONES / CTRL volume controller (N 27) and is independent of the volume of the MAIN MIX level controller.

27 PHONES / CTRL

Volume controller for the stereo line output CTRL (N 26) and the headphone output PHONES (N 25). When using headphones, make sure that the volume stays at a pleasant level, in order to avoid hearing damage caused by loud noise.

28 2 TK IN

Unbalanced stereo line input with RCA sockets for connecting an external audio source with line level (e.g. MP3 player).

29 2 TK IN LEVEL

Volume controller for the stereo line input 2 TK IN (N 28). Turning the dial to the right increases the volume and turning it to the left decreases it.

30 2 TK IN TO MAIN / TO CTRL

This switch allows to route the incoming signal of the stereo line input 2 TK IN either to the stereo line output MAIN MIX OUT (not pressed down = TO MAIN), or to the stereo line output CTRL OUT and headphone output PHONES (pressed down = TO CTRL).

31 MAIN MIX OUT

Unbalanced stereo line output with 6.3 mm jack sockets to connect an active PA system. Output of the master signal of the mixer.

32 2 TK OUT

Unbalanced stereo line output with RCA sockets for connecting an external recording device (e.g. laptop). Output of the master signal of the mixer.

33 MAIN MIX

Volume controller for the stereo line outputs MAIN MIX OUT (N 31) and 2 TK OUT (N 32) Press the Fader button upwards to increase the volume, and downwards to decrease it. Before you turn on the power of the connected PA system, set the volume controller to minimum.

34 OUTPUT LEVEL

8-segment LED level display for visualising the volume level of the stereo sum channel. To avoid distortion, reduce the volume level of the output channel as soon as the red CLIP LED lights up.

35 AUX SEND

Unbalanced mono line output with 6.3 mm jack sockets to activate an external effects device (POST Fader). When using the AUX SEND jack socket, the internal effects device is automatically bypassed, and is therefore not usable.

36 +48V ON / OFF

+48 V phantom power supply for operating high-quality condenser microphones without own power supply. Press down to select the ON position (red LED light is on) to turn on the phantom power for the XLR microphone inputs, and return to the original OFF position to turn it off (red LED light is off). Turn on the phantom power only after connecting a microphone, or off after disconnecting, and set the volume controller of the channels 1 to 4 to minimum before this step.

37 DC ADAPTOR IN

Screwable low-voltage socket for the power supply of the mixer. Please use only the supplied AC power supply to avoid damage to the mixer. Turn on the mixer only after connecting the power supply to the mains and the low-voltage socket. The mains voltage of your power supplier and the operating voltage of the device must be the same!

38 POWER ON / OFF

On / Off switch for the power supply of the device.

39 POWER LED

The power LED lights up once the system is properly connected to the power mains and is switched on.

Note: A mounting point for the optional microphone stand adapter LDVIBZMSADAPTOR is located on the underside of the device.

Close-up of a black metal mechanical clamp or bracket with mounting holes and a flat top (no text or symbols visible)

LDVIBZMSADAPTOR

SPECIFICATIONS

Model Name: LDVIBZ8DC

Product Type: analogue mixer
Type: live / home recording
Number of Channels: 8
Mono Channels:
Mono Mic/Line Input Channels: 4
Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR
Mono Mic Input Type: electronically balanced, discreet design
Frequency Response Mono Mic Input: 10 - 45,000 Hz
Amplification Range Mono Mic Input: 50 dB
Channel Crosstalk: 62 dB
THD Mono Mic Input: 0.0058%
Impedance Mono Mic Input: 4 kOhm
S/N Ratio Mono Mic Input: 113 dB
Mono Line Input Type: electronically balanced, discreet design
Amplification Range Mono Line Input: 50 dB
THD Mono Line Input: 0.0045%
Impedance Mono Line Input: 21 kOhm
S/N Ratio Mono Line Input: 116 dB
Mono Channel Equalizer Treble: +/-15 dB @ 12 kHz
Mono Channel Equalizer Mids: +/-15 dB @ 2.5 kHz
Mono Channel Equalizer Bass: +/-15 dB @ 80 Hz
Channel Insert: channel 1 & 2
Channel Insert Connections: 6.3 mm stereo jack (TIP= send / RING= return)
Phantom Power: +48 V DC switchable to XLR inputs
Low Cut: 95 Hz
Compressor: channel 1 & 2
Control Elements Channels 1 - 5/6: Gain, Low Cut, Compressor (channel 1 & 2 only), EQ Hi, EQ Mid, EQ Low, DFX, Pan/Bal, Channel Fader
Stereo Channels:
Stereo Line Input Channels: 3
Stereo Line Input Connections: 2 x 6.3 mm stereo jack (Lmono, R)
Stereo Line Input Type: unbalanced
Frequency Response Stereo Line Input: 10 - 45,000 Hz
Amplification Range Stereo Line Input: 50 dB
Channel Crosstalk: 62 dB
THD Stereo Line Input: 0.0045%
Impedance Stereo Line Input: 3.7 kOhm
S/N Ratio Stereo Line Input: 116 dB
Stereo Channel Equalizer Treble: +/-15 dB @ 12 kHz
Stereo Channel Equalizer Mids: +/- 15 dB @ 2.5 kHz (not for channel 7/8)
Stereo Channel Equalizer Bass: +/-15 dB @ 80 Hz
Control Elements Channel 7/8: EQ Hi, EQ Low, DFX, Bal, Channel Fader
Main Section:
AUX/Effect Send Channels: 1
AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced
Stereo AUX Return Channels: 1
Stereo AUX Return Connections: 2 x 6.3 mm stereo jack
Stereo Tape Output Channel: 1 x stereo
Stereo Tape Output Connections: 2 x RCA (Cinch)
Stereo Tape Input Channel: 1 x stereo
Stereo Tape Input Connections: 2 x RCA (Cinch)
Unbalanced Stereo Main Outputs: 1
Unbalanced Stereo Main Output Connec-tions:	6.3 mm stereo jack, unbalanced
Impedance Unbalanced Stereo Main Outputs:	120 ohms
Max. Level Unbalanced Stereo Main Outputs:	20 dBV
Stereo Control Room Outputs: 1
Stereo Control Room Output Connections: 2 x 6.3 mm jack
Headphone Output: 1
Headphone Output Connections: 6.3 mm stereo jack
Minimum Headphone Impedance: 30 ohms
Digital Effects Processor: yes
No. of Presets: 100
Foot Switch Connection DFX Mute:	6.3 mm jack (foot switch optional)
Control Elements Main Section:	DFX Presets, DFX Mute, DFX to Main Fader, ST Return, 2 TK In, 2 TK In To Main/To CTRL, Phones/CTRL Fader, Phantom Power +48V, Main Mix Fader, Power
Specifications:
Display Elements:	Channel Peak, Effects Peak, DFX LED Display, Power, Phantom Power, 2 x 8-segment level display
Power Supply:	18V DC / 1A, External PSU (included)
Temperature Range For Operation:	0°C to +45°C
Humidity Range For Operation:	10%rel - 80%rel
Width:	265 mm
Height:	77 mm
Depth:	350 mm
Weight:	2.3 kg
Other Features:	microphone stand adapter optional (LDVIBZMSADAPTOR)

MANUFACTURER'S DECLARATIONS

MANUFACTURER'S WARRANTY & LIMITATIONS OF LIABILITY

You can find our current warranty conditions and limitations of liability at: http://www.adamhall.com/media/shop/downloads/documents/manufacturersdeclarations.pdf. To request warranty service for a product, please contact Adam Hall GmbH, Adam-Hall-Str. 1, 61267 Neu Anspach / Email: [e-mail] / +49 (0)6081 / 9419-0.

CORRECT DISPOSAL OF THIS PRODUCT

(valid in the European Union and other European countries with a differentiated waste collection system)

This symbol on the product, or on its documents indicates that the device may not be treated as household waste. This is to avoid environmental damage or personal injury due to uncontrolled waste disposal. Please dispose of this product separately from other waste and have it recycled to promote sustainable economic activity. Household users should contact either the retailer where they purchased this product, or their local government office, for details on where and how they can recycle this item in an environmentally friendly manner. Business users should contact their supplier and check the terms and conditions of the purchase contract. This product should not be mixed with other commercial waste for disposal.

FCC STATEMENT

1. This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
   (1) This device may not cause harmful interference, and
   (2) This device must accept any interference received, including interference that may cause undesired operation
2. any Changes or modifications not expressly approved by the party responsible for compliance could void the user's authority to operate the equipment.

NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation.

This equipment generates uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation.

If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.

CE COMPLIANCE

Adam Hall GmbH states that this product meets the following guidelines (where applicable):

R&TTE (1999/5/EC) or RED (2014/53/EU) from June 2017

Low voltage directive (2014/35/EU)

EMV directive (2014/30/EU)

RoHS (2011/65/EU)

The complete declaration of conformity can be found at www.adamhall.com.

Furthermore, you may also direct your enquiry to [e-mail].

UKCA-CONFORMITY

Hereby, Adam Hall Ltd. declares that this product meets the following guidelines (where applicable)

Electrical Equipment (Safety) Regulations 2016

Electromagnetic Compatibility Regulations 2016 (SI 2016/1091)

The Restriction of the Use of Certain Hazardous Substances in Electrical and Electronic Equipment Regulation 2012 (SI 2012/3032)

Radio Equipment Regulations 2017 (SI 2016/2015)

UKCA-DECLARATION OF CONFORMITY

Products that are subject to Electrical Equipment (Safety) Regulation 2016, EMC Regulation 2016 or RoHS Regulation can be requested at [e-mail].

Products that are subject to the Radio Equipments Regulations 2017 (SI2017/1206) can be downloaded from

www.adamhall.com/compliance/

EU DECLARATION OF CONFORMITY

Hereby, Adam Hall GmbH declares that this radio equipment type is in compliance with Directive 2014/53/EU.

The full text of the EU declaration of conformity is available at the following

internet address: www.adamhall.com/compliance/

DEUTSCH

Black metal mechanical component with mounting holes and a flat plate (no text or symbols visible)

LDVIBZMSADAPTOR

TECHNISCHE DATEN

APPAREILS RELIÉS AU SECTEUR

38 vibz 8 dc 8 CHANNELS MIXING COUNSOLE WITH DRY AND COUNSOLE

1 ENTRÉES MICRO 1 - 2 & 3/4 - 5/6

Close-up of a black metal mechanical clamp or bracket with mounting holes and a flat top (no text or symbols visible)

LDVIBZMSADAPTOR

CARACTÉRISTIQUES TECHNIQUES

(Valid in the European Union and other European countries with waste separation)

DÉCLARATION DE CONFORMITÉ CE

Close-up of a black metal mechanical clamp or bracket with multiple mounting holes and a cylindrical base (no text or symbols visible)

LDVIBZMSADAPTOR

CARACTERÍSTICAS TÉCNICAS

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 Vibz8dc LO OUTPUT LEVEL OUTPUT TO MAIN PHONES / STYL MAIN NO. MAIN VOUT MAIN LUX MAIN LUX 1 MAIN LUX 2 MAIN LUX 3/4 MAIN LUX 5/6 MAIN LUX 6/8 MAIN LUX 7/8 MAIN LUX 8/9 MAIN LUX 9/10 MAIN LUX 10/11 MAIN LUX 11/12 MAIN LUX 12/13 MAIN LUX 13/14 MAIN LUX 14/15 MAIN LUX 15/16 MAIN LUX 16/17 MAIN LUX 17/18 MAIN LUX 18/19 MAIN LUX 19/20 MAIN LUX 20/21 MAIN LUX 21/22 MAIN LUX 22/23 MAIN LUX 23/24 MAIN LUX 24/25 MAIN LUX 25/26 MAIN LUX 26/27 MAIN LUX 27/28 MAIN LUX 28/29 MAIN LUX 29/30 MAIN LUX 30/31 MAIN LUX 31/32 MAIN LUX 32/33 MAIN LUX 33/34 MAIN LUX 34/35 MAIN LUX 35/36 MAIN LUX 36/37 MAIN LUX 37/38 MAIN LUX 38/39

38 vibz8dc

CHANNEL

MIXING CONSOLE WITH DIP AND CANES ON 2

1 WEJŚCIA MIKROFONOWE (MIC IN) KANAŁÓW 1/2 ORAZ 3/4–5/6

Mechanical clamp device with two metal clips and a flat top (no text or symbols visible)

LDVIBZMSADAPTOR

PRZYŁĄCZA, WYMIARY I MONTAŻ

DEKLARACJA ZGODNOŚCI WE

Close-up of a black metal mechanical component with mounting holes and a cylindrical shaft (no visible text or symbols)

LDVIBZMSADAPTOR

DATI TECNICI

Abstract geometric pattern with overlapping translucent planes (no text or symbols)