AVR883 - Receiver DENON - Free user manual and instructions

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USER MANUAL AVR883 DENON

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DONOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICINGTO QUALIFIED SERVICE PERSONNEL.The lightning flash with arrowhead symbol, within anequilateral triangle, is intended to alert the user to thepresence of uninsulated “dangerous voltage” withinthe product’s enclosure that may be of sufficientmagnitude to constitute a risk of electric shock topersons.The exclamation point within an equilateral triangle isintended to alert the user to the presence of importantoperating and maintenance (servicing) instructions inthe literature accompanying the appliance. CAUTION TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUGTO WIDE SLOT, FULLY INSERT. ATTENTION POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTERODUIRE LALAME LA PLUS LARGE DE LA FICHE DANS LA BORNECORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’ AUFOND.This device complies with Part 15 of the FCC Rules. Operation is subject tothe following two conditions: (1) This device may not cause harmfulinterference, and (2) this device must accept any interference received,including interference that may cause undesired operation.This Class B digital apparatus meets all requirements of the CanadianInterference-Causing Equipment Regulations.Cet appareil numérique de la classe B respecte toutes les exigences duRèglement sur le matériel brouilleur du Canada. “SERIAL NO. PLEASE RECORD UNIT SERIAL NUMBER ATTACHED TO THE REAR OF THE

TO PREVENT FIRE OR SHOCK HAZARD, DO NOT EXPOSETHIS APPLIANCE TO RAIN OR MOISTURE.

1. Read Instructions – All the safety and operating instructions

should be read before the product is operated.

2. Retain Instructions – The safety and operating instructions

should be retained for future reference.

3. Heed Warnings – All warnings on the product and in the

operating instructions should be adhered to.

4. Follow Instructions – All operating and use instructions should

5. Cleaning – Unplug this product from the wall outlet before

cleaning. Do not use liquid cleaners or aerosol cleaners.

6. Attachments – Do not use attachments not recommended by

the product manufacturer as they may cause hazards.

7. Water and Moisture – Do not use this product near water – for

example, near a bath tub, wash bowl, kitchen sink, or laundry tub; in a wet basement; or near a swimming pool; and the like.

8. Accessories – Do not place this product on an unstable cart,

stand, tripod, bracket, or table. The product may fall, causing serious injury to a child or adult, and serious damage to the product. Use only with a cart, stand, tripod, bracket, or table recommended by the manufacturer, or sold with the product. Any mounting of the product should follow the manufacturer’s instructions, and should use a mounting accessory recommended by the manufacturer.

9. A product and cart

combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the product and cart combination to overturn.

10. Ventilation – Slots and openings in the cabinet are provided for

ventilation and to ensure reliable operation of the product and to protect it from overheating, and these openings must not be blocked or covered. The openings should never be blocked by placing the product on a bed, sofa, rug, or other similar surface. This product should not be placed in a built-in installation such as a bookcase or rack unless proper ventilation is provided or the manufacturer’s instructions have been adhered to.

11. Power Sources – This product should be operated only from the

type of power source indicated on the marking label. If you are not sure of the type of power supply to your home, consult your product dealer or local power company. For products intended to operate from battery power, or other sources, refer to the operating instructions.

12. Grounding or Polarization – This product may be equipped with

a polarized alternating-current line plug (a plug having one blade wider than the other). This plug will fit into the power outlet only one way. This is a safety feature. If you are unable to insert the plug fully into the outlet, try reversing the plug. If the plug should still fail to fit, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the polarized plug.

13. Power-Cord Protection – Power-supply cords should be routed

so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the product.

15. Outdoor Antenna Grounding – If an outside antenna or cable

system is connected to the product, be sure the antenna or cable system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the National Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna-discharge unit, connection to grounding electrodes, and requirements for the grounding electrode. See Figure A.

16. Lightning – For added protection for this product during a

lightning storm, or when it is left unattended and unused for long periods of time, unplug it from the wall outlet and disconnect the antenna or cable system. This will prevent damage to the product due to lightning and power-line surges.

17. Power Lines – An outside antenna system should not be

located in the vicinity of overhead power lines or other electric light or power circuits, or where it can fall into such power lines or circuits. When installing an outside antenna system, extreme care should be taken to keep from touching such power lines or circuits as contact with them might be fatal.

18. Overloading – Do not overload wall outlets, extension cords, or

integral convenience receptacles as this can result in a risk of fire or electric shock.

19. Object and Liquid Entry – Never push objects of any kind into

this product through openings as they may touch dangerous voltage points or short-out parts that could result in a fire or electric shock. Never spill liquid of any kind on the product.

Servicing – Do not attempt to service this product yourself as opening or removing covers may expose you to dangerous voltage or other hazards. Refer all servicing to qualified service personnel.

Damage Requiring Service – Unplug this product from the wall outlet and refer servicing to qualified service personnel under the following conditions: a) When the power-supply cord or plug is damaged, b) If liquid has been spilled, or objects have fallen into the product, c) If the product has been exposed to rain or water, d) If the product does not operate normally by following the operating instructions. Adjust only those controls that are covered by the operating instructions as an improper adjustment of other controls may result in damage and will often require extensive work by a qualified technician to restore the product to its normal operation, e) If the product has been dropped or damaged in any way, and f) When the product exhibits a distinct change in performance – this indicates a need for service.

22. Replacement Parts – When replacement parts are required, be

sure the service technician has used replacement parts specified by the manufacturer or have the same characteristics as the original part. Unauthorized substitutions may result in fire, electric shock, or other hazards.

23. Safety Check – Upon completion of any service or repairs to this

product, ask the service technician to perform safety checks to determine that the product is in proper operating condition.

24. Wall or Ceiling Mounting – The product should be mounted to a

wall or ceiling only as recommended by the manufacturer.

25. Heat – The product should be situated away from heat sources

such as radiators, heat registers, stoves, or other products (including amplifiers) that produce heat. FIGURE A

ELECTRODE SYSTEM (NEC ART 250, PART H)

ACCESSORIES Thank you for choosing the DENON AVR-1803/883 Digital Surround A / V receiver. This remarkable component has been engineered to provide superb surround sound listening with AV theater sources such as DVD, as well as providing outstanding high fidelity reproduction of your favorite music sources. As this product is provided with an immense array of features, we recommend that before you begin hookup and operation that you review the contents of this manual before proceeding.

BEFORE USING Pay attention to the following before using this unit:

• Moving the set To prevent short circuits or damaged wires in the connection cords, always unplug the power cord and disconnect the connection cords between all other audio components when moving the set.

• Before turning the power switch on Check once again that all connections are proper and that there are not problems with the connection cords. Always set the power switch to the standby position before connecting and disconnecting connection cords.

• Store this instructions in a safe place. After reading, store this instructions along with the warranty in a safe place.

• Note that the illustrations in this instructions may differ from the actual set for explanation purposes.

• V. AUX jacks The AVR-1803/883’s front panel is equipped with a V. AUX jacks. Remove the cap covering the jacks when you want to use it. t R6P/AA batteries .........................................................................2 y AM loop antenna.........................................................................1 u FM indoor antenna ......................................................................1 i FM antenna adapter ....................................................................1 Setting the power amplifier assignment:

• Make this setting to switch the power amplifier for the surround back channel to zone2. Disconnect the power plug and set the POWER AMP ASSIGN switch on the rear to the desired position. The plug in the AC main again.ENGLISH

CAUTIONS ON HANDLING

• Switching the input function when input jacks are not connected A clicking noise may be produced if the input function is switched when nothing is connected to the input jacks. If this happens, either turn down the MASTER VOLUME control or connect components to the input jacks.

• Muting of PRE OUT jacks, HEADPHONE jack and SPEAKER terminals The PRE OUT jack, HEADPHONE jack and SPEAKER terminals include a muting circuit. Because of this, the output signals are greatly reduced for several seconds after the power switch is turned on or input function, surround mode or any other-set-up is changed. If the volume is turned up during this time, the output will be very high after the muting circuit stops functioning. Always wait until the muting circuit turns off before adjusting the volume.

• Whenever the power switch is in the STANDBY state, the apparatus is still connected on AC line voltage. Please be sure to unplug the cord when you leave home for, say, a vacation.

1. Multi Zone Music Entertainment System

Multi Source Function: This unit’s Multi Source function lets you select different audio sources for listening Different sources can thus be enjoyed in the main room (MAIN) and the subroom (ZONE 2) simultaneously.

2. Dolby Pro Logic II decoder

Dolby Pro Logic II is a new format for playing multichannel audio signals that offers improvements over conventional Dolby Pro Logic. It can be used to decode not only sources recorded in Dolby Surround but also regular stereo sources into five channels (front left/right, center and surround left/right). In addition, various parameters can be set according to the type of source and the contents, so you can adjust the sound field with greater precision.

Using advanced digital processing algorithms, Dolby Digital provides up to 5.1 channels of wide-range, high fidelity surround sound. Dolby Digital is the default digital audio delivery system for North American DVD and DTV.

4. DTS (Digital Theater Systems)

DTS provides up to 5.1 channels of wide-range, high fidelity surround sound, from sources such as laser disc, DVD and specially-encoded music discs.

5. DTS-ES Extended Surround and DTS Neo:6

The AVR-1803/883 is compatible with DTS-ES Extended Surround, a new multi-channel format developed by Digital Theater Systems Inc. The AVR-1803/883 is also compatible with DTS Neo:6, a surround mode allowing 6.1-channel playback of regular stereo sources.

6. Component Video Switching

In addition to composite video and “S” video switching, the AVR- 1803/883 provides 2 sets of component video (Y, P B/CB, PR/CR) inputs assignable, and one set of component video outputs to the television, for superior picture quality.

7. Auto Surround Mode

This function stores the surround mode last used for an input signal in the memory and automatically sets that surround mode the next time that signal is input.

Noise or disturbance of the picture may be generated if this unit or any other electronic equipment using microprocessors is used near a tuner or TV. If this happens, take the following steps:

• Install this unit as far as possible from the tuner or TV.

• Set the antenna wires from the tuner or TV away from this unit’s power cord and input/output connection cords.

• Noise or disturbance tends to occur particularly when using indoor antennas or 300 Ω/ohms feeder wires. We recommend using outdoor antennas and 75 Ω/ohms coaxial cables. For heat dispersal, leave at least 10 cm of space between the top, back and sides of this unit and the wall or other components. 4 inch/10 cm or more 4 inch/10 cm or more WallENGLISH

PART NAMES AND FUNCTIONS

• The shaded buttons do not function with the AVR-1803/883. (Nothing happens when they are pressed.) MULTI ZONE buttons ..................(31, 38) MAIN ZONE buttons....................(31, 38)ENGLISH

This AV Surround Receiver must be setup before use. Following these steps. 2 Speaker system layout Basic system layout

• The following is an example of the basic layout for a system consisting of six speaker systems and a television monitor:

Step 3 (page 19 to 26) Finally, setting up the system. Step 2 (page 18) Next, insert the batteries into the remote control unit. Step 1 (page 8 to 17) Choose the best location to setup the Speakers and connecting the components.Subwoofer Center speaker systemSurround speaker systemsSurround back speaker systemFront speaker systemsSet these at the sides of the TV or screen withtheir front surfaces as flush with the front of thescreen as possible.ENGLISH

• Do not plug in the AC cord until all connections have been completed.

• Be sure to connect the left and right channels properly (left with left, right with right).

• Insert the plugs securely. Incomplete connections will result in the generation of noise.

• Use the AC OUTLETS for audio equipment only. Do not use them for hair driers, etc.

• Note that binding pin plug cords together with AC cords or placing them near a power transformer will result in generating hum or other noise.

• Noise or humming may be generated if a connected audio equipment is used independently without turning the power of this unit on. If this happens, turn on the power of the this unit. Connecting the audio components

• When making connections, also refer to the operating instructions of the other components. The power to these outlets is turned on and off when the power is switched between on and standby from the remote control unit or power switch. CD player Connecting a CD player Connect the CD player’s analog output jacks (ANALOG OUTPUT) to this unit’s CD jacks using pin plug cords. Connecting a turntable Connect the turntable’s output cord to the AVR-1803/883’s PHONO jacks, the L (left) plug to the L jack, the R (right) plug to the right jack. NOTES:

• This unit cannot be used with MC cartridges directly. Use a separate head amplifier or step-up transformer.

• If humming or other noise is generated when the ground wire is connected, disconnect the ground wire. Turntable (MM cartridge) Ground wire Connect the internal amplifier’s subwoofer to the subwoofer terminal. (Refer to page 17.) AC OUTLETS

• SWITCHED (total capacity – 120 W (1 A.)) The power to these outlets is turned on and off in conjunction with the POWER operation switch on the main unit, and when the power is switched between on and standby from the remote control unit. No power is supplied from these outlets when this unit’s power is at standby. Never connect equipment whose total capacity is above 120 W (1 A.). NOTE: Only use the AC OUTLETS for audio equipment. Never use them for hair driers, TVs or other electrical appliances. Connecting the AC OUTLETS AC CORD AC 120 V, 60 Hz Connecting a tape deck Connections for recording: Connect the tape deck’s recording input jacks (LINE IN or REC) to this unit’s tape recording (CDR/TAPE OUT) jacks using pin plug cords. Connections for playback: Connect the tape deck’s playback output jacks (LINE OUT or PB) to this unit’s tape playback (CDR/TAPE IN) jacks using pin plug cords. CD recorder or Tape deck Route the connection cords, etc., in such a way that they do not obstruct the ventilation holes. MD recorder, CD recorder or other component equipped with digital input/output jack CD player or other component equipped with digital output jacks Connecting the DIGITAL jacks Use these for connections to audio (video) equipment with digital output. Refer to page 24 for instructions on setting this terminal. NOTES:

• Use 75 Ω/ohms cable pin cords for coaxial connections.

• Use optical cables for optical connections, removing the cap before connecting. NOTE: If humming noise is generated by a tape deck, etc., move the tape deck away. Subwoofer jackENGLISH

Connecting video components

• To connect the video signal, connect using a 75 Ω/ohms video signal cable cord. Using an improper cable can result in a drop in video quality.

• When making connections, also refer to the operating instructions of the other components. TV or DBS tuner Connecting a TV/DBS tuner TV/DBS

• Connect the TV’s or DBS tuner’s video output jack (VIDEO OUTPUT) to the (yellow) TV/DBS IN jack using a 75 Ω/ohms video coaxial pin plug cord.

• Connect the TV’s or DBS tuner’s audio output jacks (AUDIO OUTPUT) to the TV/DBS IN jacks using pin plug cords. AUDIO VIDEO DVD player or video disc player (VDP), etc. Connecting a DVD player or a video disc player (VDP) DVD

• Connect the video disc player’s video output jack (VIDEO OUTPUT) to the (yellow) DVD/VDP IN jack using a 75 Ω/ohms video coaxial pin plug cord.

• Connect the video disc player’s analog audio output jacks (ANALOG AUDIO OUTPUT) to the DVD/VDP IN jacks using pin plug cords.

• It is also possible to connect a video disc player, DVD player, video camcorder, game machine, etc., to the VCR-2 jacks. AUDIO VIDEO Monitor TV MONITOR OUT

• Connect the TV’s video input jack (VIDEO INPUT) to the MONITOR OUT jack using a 75 Ω/ohms video coaxial pin plug cord. VIDEO Note on connecting the digital input jacks

• Only audio signals are input to the digital input jacks. For details, see page 9, 24. Video deck 2 Video deck 1 Connecting a video decks

• There are two sets of video deck (VCR) jacks, so two video decks can be connected for simultaneous recording or video copying. Video input/output connections:

• Connect the video deck’s video output jack (VIDEO OUT) to the (yellow) VCR-1 IN jack, and the video deck’s video input jack (VIDEO IN) to the (yellow) VCR-1 OUT jack using 75 Ω/ohms video coaxial pin plug cords. Connecting the audio output jacks

• Connect the video deck’s audio output jacks (AUDIO OUT) to the VCR-1 IN jacks, and the video deck’s audio input jacks (AUDIO IN) to the VCR-1 OUT jacks using pin plug cords. Connect the second video deck to the VCR-2 jacks in the same way. AUDIOAUDIO VIDEOVIDEO Connecting a Monitor TVENGLISH

Connecting a video component equipped with S-Video jacks

• When making connections, also refer to the operating instructions of the other components.

• A note on the S input jacks The input selectors for the S inputs and pin jack inputs work in conjunction with each other.

• Precaution when using S-jacks This unit’s S-jacks (input and output) and video pin jacks (input and output) have independent circuit structures, so that video signals input from the S-jacks are only output from the S-jack outputs and video signals input from the pin jacks are only output from the pin jack outputs. When connecting this unit with equipment that is equipped with S-jacks, keep the above point in mind and make connections according to the equipment’s instruction manuals. DVD player or video disc player (VDP) Connecting a DVD player or a video disc player (VDP) DVD

• Connect the DVD/VDP player’s S-Video output jack to the S- VIDEO DVD/VDP IN jack using an S-Video connection cord.

• It is also possible to connect a video disc player, DVD/VDP player, video camcorder, game machine, etc., to the VCR-2 jacks. Connecting a monitor TV MONITOR OUT

• Connect the video deck’s S output jack (S-OUT) to the VCR-1 IN jack and the video deck’s S input jack (S-IN) to the VCR-1 OUT jack using S jack connection cords.

• Connect the video deck’s S output jack (S-OUT) to the VCR-2 IN jack and the video deck’s S input jack (S-IN) to the VCR-2 OUT jack using S jack connection cords. S-VIDEOS-VIDEOS-VIDEOS-VIDEOVideo deck 1 Connect the components’ audio inputs and outputs as described on page 10.ENGLISH

• When making connections, also refer to the operating instructions of the other components.

• The signals input to the color difference (component) video jacks are not output from the VIDEO output jack (yellow) or the S-Video output jack. In addition, the video signals input to the VIDEO input (yellow) and S-Video input jacks are not output to the color difference (component) video jacks.

• Some video sources with component video outputs are labeled Y, C B, CR, or Y, Pb, Pr, or Y, R-Y, B-Y. These terms all refer to component video color difference output.

• At SYSTEM SETUP, the component video input terminal can be assigned for the input sources to which you want to connect AV devices. (For details, see page 25.) DVD player Connecting a DVD player DVD IN jacks

• Connect the DVD player’s color difference (component) video output jacks (COMPONENT VIDEO OUTPUT) to the COMPONENT DVD IN jack using 75 Ω/ohms coaxial video pin-plug cords.

• In the same way, another video source with component video outputs such as a TV/DBS tuner, etc., can be connected to the TV/DBS color difference (component) video jacks. Monitor TV Connecting a monitor TV MONITOR OUT jack

• Connect the TV’s color difference (component) video input jacks (COMPONENT VIDEO INPUT) to the COMPONENT MONITOR OUT jack using 75 Ω/ohms coaxial video pin-plug cords.

• The color difference input jacks may be indicated differently on some TVs, monitors or video components (“CR, CB and Y”, “R-Y, B-Y and Y”, “Pr, Pb and Y”, etc.). For details, carefully read the operating instructions included with the TV or other component. Connecting a Video Component Equipped with Color Difference (Component - Y, P

AM loop antenna assembly Connect to the AMantenna terminals.Bend in the reversedirection.Remove the vinyl tieand take out theconnection line.a. With the antennaon top any stablesurface.b. With the antennaattached to awall.MountInstallation holeMount on wall, etc. Connection of AM antennas

1. Push the lever. 2. Insert theconductor.3. Return the lever.

Note to CATV system installer: This reminder is provided to call the CATV system installer’s attention to Article 820-40 of the NEC which provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical. Notes:

• Do not connect two FM antennas simultaneously.

• Even if an external AM antenna is used, do not disconnect the AM loop antenna.

• Make sure AM loop antenna lead terminals do not touch metal parts of the panel. 14mm 9mm 14mm 19mm 5mm 5mm 5C-2V3C-2V Open the coverANTENNA ADAPTERREMOVECLAMP75 Ω/ohms COAXIAL CABLECLAMPCLAMP PULL PULL SHUT FM antenna adapter assemblyENGLISH

Connecting the external input (EXT. IN) jacks

• These jacks are for inputting multi-channel audio signals from an outboard decoder, or a component with a different type of multi-channel decoder, such as a DVD Audio player, or a multi-channel SACD player, or other future multi-channel sound format decoder.

• When making connections, also refer to the operating instructions of the other components. Decoder with 6-channel analog outputFrontSurroundSubwooferCenter For instructions on playback using the external input (EXT. IN) jacks, see page 35. Connecting the video component equipped with a V. AUX jacks To connect the video signal, connect using a 75 Ω/ohms video signal cable cord. Using an improper cable can result in a drop in sound quality. R VIDEO OUT S-VIDEO OUTOPTICALLR VIDEO OUTLOUTPUTOUTPUT LINE OUT DIGITAL OUT VIDEO OUT S-VIDEO OUT VIDEO OUT LINE OUT S-VIDEO OUT S-VIDEO OUT

Connecting a Video game component

• Connect the Video game component’s output jacks to this unit’s V. AUX INPUT jacks.Video gameVideo camera Connecting a video camera component

• Connect the video camera component’s output jacks to this unit’s V. AUX INPUT jacks. The V. AUX jacks is covered with a cap. Remove this cap in order to use the terminal. (See page 4 for instructions on removing the cap.)ENGLISH

Connecting the ZONE2 jacks

• If another pre-main (integrated) amplifier is connected, the ZONE2 jacks can be used to play a different program source in ZONE2 at the same time.

• Set the POWER AMP ASSIGN switch to “SURR. BACK”. Then plug in the AC main again.

• The same signal is output simultaneously to the SURR. BACK A and B terminals. To use the ZONE2 speaker system in ZONE2:

• Set the POWER AMP ASSIGN switch to “ZONE 2”. Then plug in the AC main again.

• The same signal is output simultaneously to the ZONE 2 A and B terminals. NOTE:

• To use surround back with one speaker, to SURR. BACK A CH. Surround back speaker can be used A + B. NOTE:

• To use ZONE2 with one speaker, to ZONE2 A CH. ZONE2 speaker can be used A + B.

ZONE2 (Rear panel)(Rear panel)ENGLISH

Speaker system connections

• Connect the speaker terminals with the speakers making sure that like polarities are matched (≈ with ≈ , √ with √ ). Mismatching of polarities will result in weak central sound, unclear orientation ofthe various instruments, and the sense of direction of the stereobeing impaired.• When making connections, take care that none of the individualconductors of the speaker cord come in contact with adjacentterminals, with other speaker cord conductors, or with the rearpanel. NOTE:NEVER touch the speaker terminals when the power is on.Doing so could result in electric shocks.Connection the speaker terminals1. Loosen by turningcounterclockwise2. Insert the cord. 3. Tighten by turningclockwise.Connecting banana plugsbanana plugTurn clockwise to tighten, then insert thebanana plug.
• This unit is equipped with a high-speed protection circuit. The purpose of this circuit is to protect the speakers under circumstances such as when the output of the power amplifier is inadvertently short-circuited and a large current flows, when the temperature surrounding the unit becomes unusually high, or when the unit is used at high output over a long period which results in an extreme temperature rise. When the protection circuit is activated, the speaker output is cut off and the power supply indicator LED flashes. Should this occur, please follow these steps: be sure to switch off the power of this unit, check whether there are any faults with the wiring of the speaker cables or input cables, and wait for the unit to cool down if it is very hot. Improve the ventilation condition around the unit and switch the power back on. If the protection circuit is activated again even though there are no problems with the wiring or the ventilation around the unit, switch off the power and contact a DENON service center. Protector circuit

• The protector circuit may be activated if the set is played for long periods of time at high volumes when speakers with an impedance lower than the specified impedance (for example speakers with an impedance of lower than 4 Ω/ohms) are connected. If the protector circuit is activated, the speaker output is cut off. Turn off the set’s power, wait for the set to cool down, improve the ventilation around the set, then turn the power back on. Note on speaker impedance Speaker Impedance• When speaker systems A and B are use separately, speakers withan impedance of 6 to 16 Ω/ohms can be connected for use assurround back/ZONE2 speakers.• Be careful when using two pairs of Surround Back/ZONE2speakers (A + B) at the same time, since use of speakers with animpedance of 12 to 16 Ω/ohms.
• Speakers with an impedance of 6 to 16 Ω/ohms can be connected for use as front, center and surround speakers.• The protector circuit may be activated if the set is played for longperiods of time at high volumes when speakers with an impedancelower than the specified impedance are connected.ENGLISH

• When making connections, also refer to the operating instructions of the other components. Connection jack for subwoofer with built-in amplifier (super woofer), etc. CENTER SPEAKER SYSTEM

• Precautions when connecting speakers If a speaker is placed near a TV or video monitor, the colors on the screen may be disturbed by the speaker’s magnetism. If this should happen, move the speaker away to a position where it does not have this effect. NOTES:

• To use Surround back with one speaker, connect the speaker to SURR. BACK (A).

• The settings must be changed to use this speaker for ZONE2. (See pge 4)ENGLISH

Following the procedure outlined below, insert the batteries before using the remote control unit. Range of operation of the remote control unit Inserting the batteries Point the remote control unit at the remote control sensor as shown on the diagram at the left. NOTES:

• The remote control unit can be used from a straight distance of approximately 23 feet/7 meters, but this distance will shorten or operation will become difficult if there are obstacles between the remote control unit and the remote control sensor, if the remote control sensor is exposed to direct sunlight or other strong light, or if operated from an angle.

• Neon signs or other devices emitting pulse-type noise nearby may result in malfunction, so keep the set as far away from such devices as possible. Approx. 23 feet/7 m30°30° w Insert the R6P/AA batteries properly, as shown on the diagram. q Press as shown by the arrow and slide off. e Close the lid. NOTES:

• Use only R6P/AA batteries for replacement.

• Be sure the polarities are correct. (See the illustration inside the battery compartment.)

• Remove the batteries if the remote control transmitter will not be used for an extended period of time.

• If batteries leak, dispose of them immediately. Avoid touching the leaked material or letting it come in contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.

• Have replacement batteries on hand so that the old batteries can be replaced as quickly as possible when the time comes.

• Even if less than a year has passed, replace the batteries with new ones if the set does not operate even when the remote control unit is operated nearby the set. (The included battery is only for verifying operation. Replace it with a new battery as soon as possible.)ENGLISH

• Once all connections with other AV components have been completed as described in “CONNECTIONS” (see pages 9 to 17), make the various settings described below on the display. These settings are required to set up the listening room’s AV system centered around the this unit.

• Use the following buttons to set up the system: SYSTEM SETUP buttonPress this to display the system setup on the display. CURSOR buttons (•, ª, 0, 1) Press this change what appears on the display.ENTER buttonPress this to switch the display. Also use this button to complete the setting.

Set the slide switch to “AUDIO”.

Use the following buttons to set up the system:

• System setup items and default values (set upon shipment from the factory) NOTE:

• The system setup is not displayed when “HEADPHONE ONLY” is selected. System setup Default settingsSpeakerConfigurationSubwoofer modeDigital InAssignmentAuto Surround Mode Input the combination of speakers in your system and theircorresponding sizes (SMALL for regular speakers, LARGE for full-size, full-range) to automatically set the composition of the signalsoutput from the speakers and the frequency response.This selects the subwoofer speaker for playing deep bass signals.This assigns the digital input jacks for the differentinput sources.Auto surround mode function setting.InputsourceDigitalInputsFront Sp.LargeCenter Sp. SubwooferSurround Sp.Small YesSmallNormalFront & Subwoofer Center Surround L & R12 ft (3.6 m) 12 ft (3.6 m) 10 ft (3.0 m)CD DVD/VDP TV/DBSVCR-1VCR-2 CDR/TAPE

Auto Surround Mode = ONSurround Back Sp.SmallDelay TimeThis parameter is for optimizing the timing with which the audiosignals are produced from the speakers and subwoofer according tothe listening position.Surround Back10 ft (3.0 m)CrossoverFrequencySet the frequency (Hz) below which the bass sound of the variousspeakers is to be output from the subwoofer.80 HzVideo InAssignmentThis assigns the component video input jacks for thedifferent video input sources.InputsourceComponentInputsDVD/VDP TV/DBSVCR-1VCR-2 V. AUX —

Before setting up the system

Press the SYSTEM SETUP button to enter the setting.Check that all the components are correct, then press the POWER operation switch on the main unit orthe POWER button on the remote control unit to turn on the power. Press the ENTER or (down) button to switch to the speaker configuration set up.

NOTE: Press the SYSTEM SETUP button again to finish system set up. System set up can be finished at any time. The changes to the settings made up to that point are entered. NOTE: Please make sure the “AUDIO” position of the slide switch on the remote control unit. (Main unit) (Remote control unit) Setting the speaker configuration

Use the (left) and (right) buttons to select your front speaker type. 1 FRONT LARGE LARGESMALL (left) button (right) buttonPress the ENTER or (down) button to switch to the center speaker setting. Use the (left) and (right) buttons to select your center speaker type. 2 CENTER SMALL LARGESMALL NONE (left) button (right) buttonPress the ENTER or (down) button to switch to the surround speaker setting. Use the (left) and (right) buttons to select your surround speaker type. 3 SURR. SMALL LARGESMALL NONE (left) button (right) buttonPress the ENTER or (down) button to switch to the surround back speaker setting.NOTE:

• When “Small” has been selected for the front speakers, “Large” cannot be selected for the center speaker. (Initial) (Initial) (Initial) NOTE:
• When “Small” has been selected for the front speakers, “Large” cannot be selected for the surround speakers.ENGLISH

Use the (left) and (right) buttons to select your subwoofer setting.

(left) button (right) buttonPress the ENTER or (down) button to enter the settings and switch to the SUBWOOFER MODEsetting.• Parameters Large…… Select this when using speakers that can fully reproduce low sounds of below 80 Hz. Small…… Select this when using speakers that cannot reproduce low sounds of below 80 Hz with sufficient volume. When this setting is selected, low frequencies of below 80 Hz are assigned to the subwoofer.None…… Select this when no speakers are installed. Yes/No…. Select “Yes” when a subwoofer is installed, “No” when it’s not installed. NOTE: Select “Large” or “Small” not according to the physical size of the speaker, but according to the bass reproduction capacity at 80 Hz. If you cannot determine the best setting, try comparing the sound when set to “Small” and when set to “Large”, at a level that will not damage the speakers. Caution: In case the subwoofer is not used, be sure to set “Subwoofer = No”, or the bass sound of front channel is divided to subwoofer channel and not reproduced in some mode.(Initial) Use the (left) and (right) buttons to select your surround back speaker type.

LARGE SMALL NONE (left) button (right) buttonPress the ENTER or (down) button to switch to the subwoofer setting.(Initial) NOTE:

• When “Small” has been selected for the surround speakers, “Large” cannot be selected for the surround back speakers.

• This setting is not displayed when the POWER AMP ASSIGN switch on the main unit’s rear panel is set to “ZONE 2”. (See page 4)ENGLISH

Setting the Subwoofer mode and Crossover Frequency

Use the (left) and (right) buttons to select the Subwoofer mode.

+MAIN NORM (left) button (right) buttonPress the ENTER or (down) button to enter the setting and switch to the Crossover Frequency setting.(Initial) Use the (left) and (right) buttons to select the Crossover Frequency. 7 CR.OVER 80Hz 80Hz100Hz120Hz (left) button (right) buttonPress the ENTER or (down) button to enter the setting and switch to the SPEAKER DISTANCE setting.(Initial) This screen is not displayed when not using a subwoofer.

• Set the crossover frequency and subwoofer mode according to the speaker system being used. NOTES:— Assignment of low frequency signal range —
• The signals produced from the subwoofer channel are LFE signals (during playback of Dolby Digital or DTS signals) and the low frequency signal range of channels set to “SMALL” in the setup. The low frequency signal range of channels set to “LARGE” are produced from those channels.— Crossover Frequency —
• When “Subwoofer” is set to “Yes” at the “Speaker Configuration Setting”, set the frequency (Hz) below which the bass sound of the various speakers is to be output from the subwoofer (the crossover frequency).
• For speakers set to “Small”, sound with a frequency below the crossover frequency is cut, and the cut bass sound is output from the subwoofer instead. NOTE:For ordinary speaker systems, we recommend setting the crossover frequency to 80 Hz. When using small speakers, however, setting the crossover frequency to a high frequency may improve frequency response for frequencies near the crossover frequency. — Subwoofer mode —
• The subwoofer mode setting is only valid when “LARGE” is set for the front speakers and “YES” is set for the subwoofer in the “Speaker Configuration” settings (see pages 20, 21). If “SMALL” is set for the front speakers or “NO” is set for the subwoofer, the subwoofer mode setting does not affect playback of low frequency signal range.
• When the “+MAIN” playback mode is selected, the low frequency signal range of channels set to “LARGE” are produced simultaneously from those channels and the subwoofer channel. In this playback mode, the low frequency range expand more uniformly through the room, but depending on the size and shape of the room, interference may result in a decrease of the actual volume of the low frequency range.
• When the “NORM” playback mode is selected, the low frequency signal range of channels set to “LARGE” are only produced from those channels. In this playback mode there tends to be little interference of the low frequency range in the room.
• Try playing the music or movie source and select the playback mode providing the stronger low frequency range sound.ENGLISH

Setting the delay time

• Input the distance between the listening position and the different speakers to set the delay time for the surround mode. Preparations:Measure the distances between the listening position and the speakers (L1 to L4 on the diagram atthe right).L1: Distance between center speaker and listening positionL2: Distance between front speakers/subwoofer and listening positionL3: Distance between surround speakers and listening positionL4: Distance between surround back speaker and listening positionCAUTION:Set the center speaker at the same distance from the front speakers (left and right) or thesubwoofer, or so that the difference in distance (L2 – L1) is 5 feet or less.Set the surround speakers (left and right) at the same distance from the front speakers (left and right) or the subwoofer, or so that the difference in distance (L2 – L3) is 15 feet or less. Set the surround back speaker at the same distance from the front speakers or the subwoofer, orso that the difference in distance (L2 – L4) is 15 feet or less. L1L2L2L3L4 Center FRFLSubwoofer Listening position

Use the (left) and (right) buttons to set the distance from the front speakers and subwoofer to thelistening position. 8 FRNT/SW 12ft

• The number changes in units of 1 foot each time one of the buttons is pressed. Select the value closest to the measured distance. (“/SW” appears only when subwoofer = yes.) Press the ENTER or (down) button to switch to the center speaker setting.NOTE:• The speaker distance can be adjusted between 0 and 60 feet in steps of 1 foot. Use the (left) and (right) buttons to set the distance from the center speaker to the listening position. 9 CENTER 12ft

• The number changes in units of 1 foot each time one of the buttons is pressed. Select the value closest to the measured distance.Press the ENTER or (down) button to switch to the surround speakers setting.NOTE:
• No setting when “None” has been selected for the center speaker.

Use the (left) and (right) buttons to set the distance from the surround speakers to the listeningposition. 10 SURR. 10ft

• The number changes in units of 1 foot each time one of the buttons is pressed. Select the value closest to the measured distance.Press the ENTER or (down) button to switch to the surround back speaker setting.NOTE:
• No setting when “None” has been selected for the surround speakers.ENGLISH

Use the (left) and (right) buttons to set the distance from the surround back speakers to the listeningposition. 11 S.BACK 10ft

• The number changes in units of 1 foot each time one of the buttons is pressed. Select the value closest to the measured distance.Press the ENTER or (down) button to enter the setting and switch the DIGITAL input (COAX) setting.NOTE:
• No setting when “None” has been selected for the surround back speakers.

• This is not displayed either when ZONE 2 is set with the POWER AMP ASSIGN switch on the main unit’s rear panel. (See page 4) Setting the Digital In assignment Input the type of components connected to the digital input terminals. Use the (left) and (right) buttons to assign the input function connected to the COAXIAL input(COAXIAL) terminal. 12 COAX CD CD DVD TV VCR1 VCR2 TAPE OFF

• Select “OFF” if nothing is connected. Press the ENTER or (down) button to switch the optical input 1 (OPT1) setting.(left) button (right) button Use the (left) and (right) buttons to assign the input function connected to the OPTICAL 1 input(OPTICAL 1) terminal. 13 OPT1 DVD CD DVD TV VCR1 VCR2 TAPE OFF

• Select “OFF” if nothing is connected. Press the ENTER or (down) button to switch the optical input 2 (OPT2) setting.(left) button (right) button(Initial)(Initial) Use the (left) and (right) buttons to assign the input function connected to the OPTICAL 2 input(OPTICAL 2) terminal. 14 OPT2 TV CD DVD TV VCR1 VCR2 TAPE OFF

• Select “OFF” if nothing is connected. Press the ENTER or (down) button to switch the optical input 3 (OPT3) setting.(left) button (right) button(Initial)ENGLISH

NOTE:• PHONO, TUNER and V. AUX cannot be selected. Use the (left) and (right) buttons to assign the input function connected to the OPTICAL 3 input(OPTICAL 3) terminal. 15 OPT2 TAPE CD DVD TV VCR1 VCR2 TAPE OFF

• Select “OFF” if nothing is connected. Press the ENTER or (down) button to enter the setting and switch the Component Video input(VIDEO1) setting.(left) button (right) button(Initial) Setting the Video In assignment Input the type of components connected to the component video input terminals. Use the (left) and (right) buttons to assign the input function connected to the COMPONENT VIDEO1 input (VIDEO 1) terminal. 16 VIDEO1 DVD DVD TV VCR1 VCR2 V.AUX OFF

• Select “OFF” if nothing is connected. Press the ENTER or (down) button to enter the setting and switch the component input 2 (VIDEO2)setting.(left) button (right) button Use the (left) and (right) buttons to assign the input function connected to the COMPONENT VIDEO2 input (VIDEO 2) terminal. 17 VIDEO2 TV DVD TV VCR1 VCR2 V.AUX OFF

• Select “OFF” if nothing is connected. Press the ENTER or (down) button to enter the setting and switch the Auto Surround Mode setting.(left) button (right) button(Initial)(Initial)ENGLISH

Setting the Auto Surround Mode For the three kinds of input signals as shown below, the surround mode played the last is stored in the memory. At next time it the same signal inputs, the memorized surround mode is automatically selected and the signal is played.Note that the surround mode setting is also stored separately for the different input function.SIGNAL Default Auto Surround Modeq Analog and PCM 2-channel signals STEREO w 2-channel signals of Dolby Digital, DTS or other multichannel format Dolby PLII Cinema e Multichannel signals of Dolby Digital, DTS or other multichannel format Dolby or DTS Surround

Use the (left) and (right) buttons to select the Auto Surround mode. 18 AUTOSURR. ON OFF ON (left) button (right) buttonPress the ENTER or (down) button to switch the Ext. In SW Level setting.(Initial) Setting the Ext. In SW Level Set the playback level of the analog input signal connected to the Ext. In terminal. Use the (left) and (right) buttons to select the Ext. In Subwoofer channel Level playback.

+00 +05 +10 +15 (left) button (right) buttonPress the ENTER or (down) button if you want to start the settings over from the beginning.(Initial)

• Select according to the specifications of the player being used. Also refer to the player’s operating instructions.
• +15dB (default) recommended. (0, +5, 10 and +15 can be selected.) After setting up the system

Press the SYSTEM SETUP button to finish system set up. This completes the system setup operations. Once the system is set up, there is no need to make the settings again unless other components or speakers are connected to or the speaker layout is changed.ENGLISH

Operating DENON audio components

• Turn on the power of the different components before operating them.

Set mode switch 1 to “AUDIO”. Set mode switch 2 to the position for the component to beoperated. (CD, CDR/MD or Tape deck)Operate the audio component.

• For details, refer to the component’s operating instructions. While this remote control is compatible with a wide range of infrared controlled components, some models of components may not be operated with this remote control.1. CD player (CD) and CD recorder and MD recorder(CDR/MD) system buttons3. Tuner system buttons2. Tape deck (TAPE) system buttons

• TUNER can be operated when the switch is at “AUDIO” position.ENGLISH

Preset memory DENON and other makes of components can be operated by setting the preset memory. This remote control unit can be used to operate components of other manufacturers without using the learning function by registering the manufacturer of the component as shown on the List of Preset Codes (pages 126~130).Operation is not possible for some models.

Set mode switch 1 to “AUDIO” or “VIDEO”. Set mode switch 2 to the component to be registered.

Set the AUDIO side for the CD, Tape deck or CDR/MDposition, to the VIDEO side for the DVD/VDP, DBS/CABLE,VCR or TV position. Press the ON/SOURCE button and the OFF button at thesame time.• Indicator flash.

Referring to the included List ofPreset Codes, use the numberbuttons to input the preset code (a3-digit number) for themanufacturer of the componentwhose signals you want to store inthe memory.To store the codes of another component in the memory,repeat steps 1 to 4.The preset codes are as follows upon shipment from the factory and after resetting:TV, VCR.....................................................HITACHICD, TAPE ..................................................DENONCDR/MD ...................................................DENON (CDR)DVD/VDP ..................................................DENON (DVD)DBS/CABLE ..............................................ABC (CABLE)NOTES:

• The signals for the pressed buttons are emitted while setting the preset memory. To avoid accidental operation, cover the remote control unit’s transmitting window while setting the preset memory.

• Depending on the model and year of manufacture, this function cannot be used for some models, even if they are of makes listed on the included list of preset codes.
• Some manufacturers use more than one type of remote control code. Refer to the included list of preset codes to change the number and check.
• The preset memory can be set for one component only among the following: CDR/MD, DVD/VDP and DBS/CABLE.

Operating component stored in the preset memory

Set mode switch 1 to “AUDIO” or “VIDEO”. Set mode switch 2 to the component you want to operate.

• For details, refer to the component’s operating instructions. Some models cannot be operated with this remote control unit.NOTE:• Some manufacturers usedifferent names for the DVDremote control buttons, so alsorefer to the instructions onremote control for thatcomponent.ENGLISH

3. Video deck (VCR) system

4. Digital broadcast satellite

0~9, +10 : Channels DISPLAY : Switch display TV/VCR : Switch between TV and video player TV VOL : Volume up/down

• For this CD, CDR, MD and TAPE components, buttons can be operated in the same way as for Denon audio components (page 27).

• The TV can be operated when the switch is at DVD/VDP, VCR, TV position.ENGLISH

• “Punch Through” is a function allowing you to operate the PLAY, STOP, MANUAL SEARCH and AUTO SEARCH buttons on the CD, TAPE, CDR/MD, DVD/VDP or VCR components when in the DBS/CABLE or TV mode. By default, nothing is set.

Press the OFF (ZONE2) button and the ON (MAIN) button atthe same time.• Indicator flash. Input the number of thecomponent you want to set. (SeeTable 1)

Refer to “CONNECTIONS” (pages 9 to 17) and check that all connections are correct. Set the remote control unit’s slideswitch to the AUDIO position. (onlywhen operating with the remotecontrol unit) (Main unit) (Remote control unit)

ON/STANDBY LightTurn on the power.Press the ON/STANDBY button on the main unit orON/SOURCE button on the remote control unit to turn on thepower.• ON/STANDBYWhen the button is pressed, the power turns on and thedisplay lights after approximately 1 second.When pressed again, the power turns off, the standbymode is set and the display turns off.Several seconds are required from the time the power operation switch is set to the “ON” position until sound is output. This is due to the built-in muting circuit thatprevents noise when the power switch is turned on and off.ENGLISH

Select the input source to be played.Example: CD(Main unit) (Remote control unit)To select the input source whenZONE2/REC OUT is selected, pressthe MAIN button then operate theinput function selector. Select the input mode.• Selecting the analog modePress the ANALOG button to switch to the analog input.(Main unit) (Remote control unit)• Selecting the external input (EXT. IN) modePress the EXT. IN to switch the external input.(Main unit) (Remote control unit)(Main unit) (Remote control unit)• Selecting the AUTO, PCM and DTS modesThe mode switches as shown below each time the INPUTMODE button is pressed.

(Main unit)Input mode selection functionDifferent input modes can be selected for the different input sources.The selected input modes for the separate input sources are stored inthe memory.q AUTO (auto mode)In this mode, the types of signals being input to the digital andanalog input jacks for the selected input source are detected and the program in the AVR-1803/883’s surround decoder is selected automatically upon playback. This mode can be selected for allinput sources other than PHONO and TUNER.The presence or absence of digital signals is detected, the signalsinput to the digital input jacks are identified and decoding andplayback are performed automatically in DTS, Dolby Digital or PCM(2 channel stereo) format. If no digital signal is being input, theanalog input jacks are selected.Use this mode to play Dolby Digital signals.w PCM (exclusive PCM signal playback mode)Decoding and playback are only performed when PCM signals arebeing input.Note that noise may be generated when using this mode to playsignals other than PCM signals.e DTS (exclusive DTS signal playback mode)Decoding and playback are only performed when DTS signals arebeing input.r ANALOG (exclusive analog audio signal playback mode)The signals input to the analog input jacks are decoded and played.t EXT. IN (external decoder input jack selection mode)The signals being input to the external decoder input jacks areplayed without passing through the surround circuitry.NOTE:• Note that noise will be output when CDs or LDs recorded in DTS format are played in the “PCM” (exclusive PCM signal playback) or “ANALOG” (exclusive PCM signal playback) mode. Select theAUTO or DTS mode when playing signals recorded in DTS.Notes on playing a source encoded with DTS• Noise may be generated at the beginning of playback andwhile searching during DTS playback in the AUTO mode. Ifso, play in the DTS mode. In some rare cases the noise may be generated when youpreform the operation to stop playback of a DTS-CD or DTS-LD.ENGLISH

Start playback on the selected component.

• For operating instructions, refer to the component’s manual.

Adjust the volume. To select the surround mode while adjusting the surround parameters, channel volume or tone control, press the surround mode button then operate the selector. (Main unit)(Main unit) (Remote control unit)The volume level isdisplayed on themaster volume leveldisplay. The volume can be adjusted within the range of –70 to 0 to 18 dB, in steps of 1 dB. However, when the channel level is set as described on page 41, if the volume for any channel is set at +1 dB or greater, the volume cannot be adjusted up to 18 dB. (In this case the maximum volume is adjusted to “18 dB — (Maximum value of channel level)”.) Input mode when playing DTS sources

• Noise will be output if DTS-compatible CDs or LDs are played in the “ANALOG” or “PCM” mode. When playing DTS-compatible sources, be sure to connect the source component to the digital input jacks (OPTICAL/COAXIAL) and set the input mode to “DTS”. Input mode display ANALOGDIGITAL DIGITAL DIGITAL ANALOG AUTO PCM DTS INPUT AUTO PCM DTS INPUT AUTO PCM DTS INPUT AUTO PCM DTS INPUT

• In the DIGITAL PCM mode

• In the DIGITAL DTS mode

• In the ANALOG mode One of these lights, depending on theinput signal. Input signal display SIGNALDIGITALDIGITALDIGITALSIGNALSIGNAL

• PCM The indicator lights when digital signals are being input properly. If the indicator does not light, check whether the digital input component setup (page 24) and connections are correct and whether the component’s power is turned on. DIGITAL DIGITAL NOTE:

• The indicator will light when playing CD-ROMs containing data other than audio signals, but no sound will be heard. DIGITALENGLISH

Set the external input (EXT.IN) mode.Press the EXT. IN to switchthe external input.Once this is selected, the input signals connected to the FL(front left), FR (front right), C (center), SL (surround left), andSR (surround right) channels of the EXT. IN jacks are outputdirectly to the front (left and right), center, surround (left andright) speaker systems without passing through the surroundcircuitry.In addition, the signal input to the SW (subwoofer) jack isoutput to the PRE OUT SUBWOOFER jack. (Main unit)(Remote control unit) Cancelling the external input modeTo cancel the external input (EXT. IN) setting, press the INPUTMODE (AUTO, PCM, DTS) or ANALOG button to switch tothe desired input mode. (See page 33.)(Remote control unit)(Main unit)• When the input mode is set to the external input (EXT. IN), the playmode (DIRECT, STEREO, DOLBY/DTS SURROUND, 5CH/6CHSTEREO or DSP SIMULATION) cannot be selected.NOTES:• In play modes other than the external input mode, the signalsconnected to EXT. IN jacks cannot be played. In addition, signalscannot be output from channels not connected to the inputjacks.• The external input mode can be set for any input source. Towatch video while listening to sound, select the input source towhich the video signal is connected, then set this mode. Playback using the external input (EXT. IN) jacks

After starting playback [1] Adjusting the sound quality (tone)The tone control function will not work in the direct mode.

• To increase the bass or treble: Turn the control clockwise.(The bass or treble sound can be increased to up to +12 dBin steps of 2 dB.)• To decrease the bass or treble: Turn the controlcounterclockwise. (The bass or treble sound can bedecreased to up to –12 dB in steps of 2 dB.) The tone switches as follows each time the TONE CONTROLbutton is pressed. BASS TREBLE

With the name of the volume to beadjusted selected, turn the SELECTknob to adjust the level.(Main unit) If you do not want the bass and treble to be adjusted, turn onthe tone defeat mode.The signals do not pass through thebass and treble adjustment circuits,so it provides higher quality sound.(Main unit)(Main unit)ENGLISH

• Use this to change the brightness of the display. The display brightness changes in four steps (bright, medium, dim and off) by pressing the main unit’s DIMMER button repeatedly. Front panel display

• Descriptions of the unit’s operations are also displayed on the front panel display. In addition, the display can be switched to check the unit’s operating status while playing a source by pressing the STATUS button. Simulcast playback Use this switch to monitor a video source other than the audio source. Press the VIDEO SELECT button repeatedly until the desired source appears on the display. Cancelling simulcast playback.

• Select “SOURCE” using the video select button.

• Switch the program source to the component connected to the video input jacks. [3] Turning the sound off temporarily (muting)

Use this to turn off the audio output temporarily. Press the MUTING button. Cancelling MUTING mode.

• Press the MUTING button again.

• Muting will also be cancelled when MASTER VOL is adjusted up or down. [4] Combining the currently playing sound with the desired image

[5] Checking the currently playing program source, etc.

[2] Listening over headphones NOTE: To prevent hearing loss, do not raise the volume level excessively when using headphones.

Plug the headphones’ plug into the jack. Connect the headphones to the PHONES jack. The pre-out output (including the speaker output) is automatically turned off when headphones are connected.

Multi-source recording Playing one source while recording another (REC OUT mode) Press the ZONE2/REC button.

With “RECOUT SOURCE” displayed, turn the FUNCTION knob to select thesource you wish to record.

• The “REC” indicator and the indicator of the selected source light. Set the recording mode.• For operating instructions, refer to the manual of thecomponent on which you want to record. To cancel, turn the function knob andselect “SOURCE”.
• When “SOURCE” is selected, the “REC” indicator turns off.

REC RECOUT SOURCE DisplayNOTES:• Recording sources other than digital inputs selected in the RECOUT mode are also output to the multi source audio outputjacks.• Digital signals are not output from the REC SOURCE or audiooutput jacks. (Main unit) (Main unit) (Main unit) [1] Outputting a program source to an amplifier, etc., in a different room (ZONE2 mode) Press the ZONE2 button.

Start playing the source to be output.• For operating instructions, refer to the manuals of therespective components.

VCR -1 -2 V.AUX TAPE PHONO CD TUNER DVD / VDP TV / DBS MULTI ZONE2 SOURCE DisplayNOTES:• The signals of the source selected in the ZONE2 mode are alsooutput from the VCR-1, VCR-2 and CDR/TAPE recording outputterminals.• Digital signals are not output from the ZONE2 output jacks. (Main unit) Light Press the ZONE2/REC button.The display switches as follows eachtime the button is pressed. (Main unit)

With “ZONE2 SOURCE” displayed, turn the FUNCTION knob and select thesource you wish to record.

• The “MULTI” indicator and the indicator of the selected source light. (Main unit)

To cancel, turn the function knob andselect “SOURCE”.

• When “SOURCE” is selected, the “MULTI” indicator turns off. (Main unit)

MULTI ZONE Multi-source playbackENGLISH

[2] Remote control unit operations during multi-source playback (selecting the source)

Set the slide switch to “AUDIO” and “ZONE2”.

(Remote control unit) Press the ZONE2 “ON” button.To cancel the ZONE2 mode.Press the ZONE2 “OFF” button.(Remote control unit) Press the input source button• The ZONE2 source switches directly. The output level of the ZONE 2SPEAKER OUT terminals can becontrolled using the VOLUME + and -buttons on the remote control unit.(Remote control unit)DEFAULT SETTING (ZONE2 VOLUME LEVEL) :- - - dB (MINIMUM) When the ZONE2 SOURCE function isset to TUNER, the preset channel canbe selected using the CHANNEL + and- buttons on the remote control unit.(This is only possible when the mainunit in the ZONE2 mode.)(Remote control unit)The main zone output can beturned on and off with the“MAIN ON/OFF” button.ENGLISH

• 6.1-channel playback using the surround back speaker is possible in the MAIN ZONE.

• The ZONE2 OUT terminal’s output level cannot be adjusted with the remote control unit. Multi-zone playback with multi-source

MULTI ZONE MUSIC ENTERTAINMENT SYSTEM

• When the outputs of the “ZONE2” OUT terminals are wired and connected to integrated amplifiers installed in other rooms, different sources can be played in rooms other than the main zone in which this unit and the playback devices are installed. (Refer to ZONE2 on the diagram below.)

• ZONE2 SPEAKER OUT can be used when “ZONE2” is set to ZONE2 mode at the rear “POWER AMP ASSIGN” switch. In this case, Surround Back Speaker OUT cannot used for MAIN ZONE.

• When a sold separately room-to-room remote control unit (DENON RC-616, 617 or 618) is wired and connected between the main zone and zone2, the remote-controllable devices in the main zone can be controlled from zone2 using the remote control unit. NOTES:

• For the AUDIO outputs, use high quality pin-plug cords and wire in such a way that there is no humming or noise.

• For instructions on installation and operation of separately sold devices, refer to the devices’ operating instructions.

• When the main unit is set to the recording output mode, zone2 remote control key cannot be operated. POWER AMP ASSIGN switch... Set this to switch the surround back channel’s power amplifier for use for the zone2. (main unit) (See pge 4) SURROUND BACK button ........Operate the surround back button to switch surround back channel ON/OFF. (main unit and remote control unit) ZONE2 button ............................Operate the zone2 button to switch zone2 line out and speaker out ON/OFF.(main unit and remote control unit)

• The SPEAKER OUT and LINE OUT terminals can be used simultaneously in ZONE2.

• To use the zone 2 line output and speaker output, turn on the ZONE2 button.

• The output of the ZONE2 SPEAKER OUT terminals can be adjusted with the remote control unit’s ZONE2 VOLUME + and – keys.

SURROUND Before playing with the surround function

• Before playing with the surround function, be sure to use the test tones to adjust the playback level from each speakers. This adjustment can be performed from the remote control unit, as (described) below.
• The adjustment with the test tones is only effective in the DOLBY/DTS SURROUND modes. The adjusted playback levels for the different surround modes are automatically stored in the memory of each surround modes.

Set the DOLBY/DTS SURROUND (Dolby Pro Logic II or DolbyDigital or DTS) modes. Press the TEST TONE button. After completing the adjustment, press the TEST TONEbutton again.(Main unit) (Remote control unit)(Remote control unit)Test tones are output from thedifferent speakers. Use the channelvolume adjust buttons to adjust sothat the volume of the test tones isthe same for all the speakers.(Remote control unit)

(Remote control unit) NOTE: Please make sure the “AUDIO” position of the slide switch on the remote control unit.ENGLISH

• After adjusting using the test tones, adjust the channel levels either according to the playback sources or to suit your tastes, as (described) below.

Select the speaker whose level you want to adjust. The channel switches as shown below each time the button is pressed.

Adjust the level of the selected speaker.

FL CNTR FR SR SBSW SL

NOTE: Please make sure the “AUDIO” position of the slide switch on the remote control unit. Default setting of channel level is 0 dB. The level of the selected speaker can be adjusted within the range of +12 to –12 dB using the SELECT knob or cursor buttons. SW channel level can be turned off by decreasing one step from -12 dB. OFF ´ -12 dB ´ 12 dB Only adjustable when the channel is selected with the CH VOL buttons on the main unit. “SB” appears only when “POWER AMP ASSIGN” switch is SURR. BACK position.ENGLISH

Select the Dolby Surround Pro Logic II mode.Light(Main unit)(Remote control unit) Play a program source with the mark.• For operating instructions, refer to the manuals of therespective components. 5, 74, 61 2 4, 6 5, 7

Select the function to which the component you want to playis connected.Example:(Main unit) (Remote control unit) Display (Main unit) (Remote control unit)To perform this operation from the remote control unit, check that the mode selector switch is set to “AUDIO”. MODE cinema Display

Set the various surround parameters.• CINEMA EQ setting OFF ONor or CINEMA EQ OFF

Select the function to which the component you want to playis connected.Example:(Main unit) (Remote control unit)NOTE:• When making parameter settings, the display will return to theregular condition several seconds after the last button waspressed and the setting will be completed.• CENTER WIDTH setting

• DEFAULT setting YES Y/N NOor orDEFAULT Y/N Select “Ye s” to reset to the factory defaults.

The DTS NEO:6 Cinema orMusic mode can be chosendirectly by pressing the CINEMAor MUSIC button on the remotecontrol unit during playback inthe DTS NEO:6 mode.ENGLISH

or orMODE musicMODE cinema (Main unit) (Remote control unit)To perform this operation from the remote control unit, check that the mode selector switch is set to “AUDIO”. MODE cinema Display Select the optimum mode for the source.(Main unit) (Remote control unit) Set the surround parameters according to the mode.(Main unit) (Remote control unit)• The mode switches as shown below each time the buttonis pressed.• The mode switches as shown below each time the buttonis pressed. DOLBY PLII cinemaDTS NEO:6

• DEFAULT setting YES Y/N NOor orDEFAULT Y/N Select “Ye s” to reset to the factory defaults.

Press the ENTER button to finish surround parameter mode.(Remote control unit)Surround parameters qPro Logic II Mode:The Cinema mode is for use with stereo television shows and allprograms encoded Dolby Surround.The Music mode is recommended as the standard mode forautosound music systems (no video), and is optional for A/Vsystems.The Pro Logic Emulation mode offers the same robust surroundprocessing as original Pro Logic in case the source contents is notof optimum quality. Select one of the modes (“cinema”, “music” or “emulation”). Panorama Control:This mode extends the front stereo image to include the surround speakers for an exciting “wraparound” effect with side wall imaging. Select “OFF” or “ON”. Dimension Control:This control gradually adjust the soundfield either towards thefront or towards the rear.The control can be set in 7 steps from 0 to 6.Center Width Control:This control adjust the center image so it may be heard onlyfrom the center speaker; only from the left/right speakers as aphantom image; or from all three front speakers to varyingdegrees.The control can be set in 8 steps from 0 to 7.DTS NEO:6 MUSIC:CENTER IMAGE (0.0 to 0.5: default 0.2)The center image parameter for adjusting the expansion of thecenter channel in the DTS NEO:6 MUSIC mode has been added.ENGLISH

Dolby Digital mode (only with digital input) and DTS Surround (only with digital input)

Select the Dolby/DTS Surround mode. (Remote control unit)

Play a program source with the , mark.

• The Dolby Digital indicator lights when playing Dolby Digital sources. DIGITAL Light

5, 6, 7, 8 5, 6, 7, 8 5, 6, 7, 8

• The DTS indicator lights when playing DTS sources. Light

• Lights when the 6.1 Surround mode is on.ENGLISH

Press the SURROUND PARAMETER or (down) button to switch to the D. COMP. setting.Use the (left) and (right) buttons to set the CINEMA EQ.

(left) button (right) button(Initial)(Remote control unit)(Remote control unit) Use the (left) and (right) buttons to set the D. COMP.

Press the SURROUND PARAMETER or (down) button to switch to the LFE setting.(left) button (right) button(Remote control unit)(Remote control unit) Use the (left) and (right) buttons to set the LFE level. LFE 0dB

• The level can be adjusted in units of 1 dB from –10 to 0 dB. Set to the desired level according to the speaker systems being used and the source to be played.Press the SURROUND PARAMETER or (down) button to switch to the default setting.(Remote control unit)(Remote control unit)NOTE:This parameter is not displayed during DTS playback.

To reset the settings to the factory defaults, use the (left) and (right) buttons to display “Yes”.

Surround parameters w CINEMA EQ. (Cinema Equalizer): The Cinema EQ function gently decreases the level of the extreme high frequencies, compensating for overly-bright sounding motion picture soundtracks. Select this function if the sound from the front speakers is too bright. This function only works in the Dolby Pro Logic, Dolby Digital and DTS Surround modes. (The same contents are set for all operating modes.) D.COMP. (Dynamic Range Compression): Motion picture soundtracks have tremendous dynamic range (the contrast between very soft and very loud sounds). For listening late at night, or whenever the maximum sound level is lower than usual, the Dynamic Range Compression allows you to hear all of the sounds in the soundtrack (but with reduced dynamic range). (This only works when playing program sources recorded in Dolby Digital.) Select one of the four parameters (“OFF”, “LOW”, “MID” (middle) or “HI” (high)). Set to OFF for normal listening. LFE (Low Frequency Effect): This sets the level of the LFE (Low Frequency Effect) sounds included in the source when playing program sources recorded in Dolby Digital or DTS. If the sound produced from the subwoofer sounds distorted due to the LFE signals when playing Dolby Digital or DTS sources when the peak limiter is turned off with the subwoofer peak limit level setting (system setup menu), adjust the level as necessary. Program source and adjustment range:

1. Dolby Digital: –10 dB to 0 dB

2. DTS Surround: –10 dB to 0 dB

When DTS encoded movie software is played, it is recommended that the LFE LEVEL be set to 0 dB for correct DTS playback. When DTS encoded music software is played, it is recommended that the LFE LEVEL be set to –10 dB for correct DTS playback. SB CH OUT (Surround Back): (1) Dolby Digital/DTS source “OFF” ..................Playback is conducted without using the surround back speaker. “ON” ...................Playback is conducted using the surround back speaker. (2) Other source “OFF” ..................Playback is conducted without using the surround back speaker. “ON” ...................Playback is conducted using the surround back speaker. NOTE: This operation can be performed directly using the “SURROUND BACK” button.ENGLISH

• This unit is equipped with a high performance DSP (Digital Signal Processor) which uses digital signal processing to synthetically recreate the sound field. One of 7 preset surround modes can be selected according to the program source and the parameters can be adjusted according to the conditions in the listening room to achieve a more realistic, powerful sound. These surround modes can also be used for program sources not recorded in Dolby Surround Pro Logic, Dolby Digital or DTS. Surround modes and their features

7 VIRTUAL ROCK ARENA JAZZ CLUB VIDEO GAME MONO MOVIE (NOTE 1) MATRIX 5CH/6CH STEREO Select this mode to enjoy a virtual sound field, produced from the front 2-channel speakers or headphones. Use this mode to achieve the feeling of a live concert in an arena with reflected sounds coming from all directions. This mode creates the sound field of a live house with a low ceiling and hard walls. This mode gives jazz a very vivid realism. Use this to enjoy video game sources. Select this when watching monaural movies for a greater sense of expansion. Select this to emphasize the sense of expansion for music sources recorded in stereo. Signals consisting of the difference component of the input signals (the component that provides the sense of expansion) processed for delay are output from the surround channel. In this mode, the signals of the front left channel are output from the left surround channel, the signals of the front right channel are output from the right surround channel, and the same (in-phase) component of the left and right channels is output from the center channel. This mode provides all speaker surround sound, but without directional steering effects, and works with any stereo program source. Depending on the program source being played, the effect may not be very noticeable. In this case, try other surround modes, without worrying about their names, to create a sound field suited to your tastes. NOTE 1: When playing sources recorded in monaural, the sound will be one-sided if signals are only input to one channel (left or right), so input signals to both channels. If you have a source component with only one audio output (monophonic camcorder, etc.) obtain a “Y” adapter cable to split the mono output to two outputs, and connect to the L and R inputs. NOTE: DIRECT, STEREO and 5CH/6CH STEREO mode can be used when playing PCM signals with a sampling frequency of 96 kHz (such as from DVD-Video discs that contain 24 bit, 96 kHz audio). If such signals are input during playback in the other surround modes, the mode automatically switches to STEREO. Personal Memory Plus This set is equipped with a personal memorize function that automatically memorizes the surround modes and input modes selected for the input different sources. When the input source is switched, the modes set for that source last time it was used are automatically recalled. The surround parameters, tone control settings and playback level balance for the different output channels are memorized for each surround mode.ENGLISH

DSP surround simulation

Select the surround mode for the input channel.(Remote control unit)The surround mode switches in the following order each timethe DSP SIMULATION button is pressed:

• The surround parameter switches in the following order each time the SURROUND PARAMETER button is pressed for the different surround modes.

MONO MOVIE ROCK ARENAJAZZ CLUBVIDEO GAMEMATRIX

• To operate the surround mode and surround parameters from the remote control unit.(Remote control unit) Use the (left) and (right) buttons to set the room size.

LARGEMED-LMEDMED-SSMALL (left) button (right) button(Remote control unit)(1) ROOM SIZEDisplay the parameter you want to adjust, then use the (left) and (right) buttons to set it. ROOM SIZEEFFECTDEFAULTDELAYDEFAULTD. COMP. LFE DEFAULT• ROCK ARENA• JAZZ CLUB• VIDEO GAME• MONO MOVIE• MATRIX • VIRTUAL (Initial) Use the (left) and (right) buttons to set the effect level. EFFECT LEVEL 10

(left) button (right) button(Remote control unit)(2) EFFECT LEVEL(Initial) (Remote control unit)ENGLISH

Use the (left) and (right) buttons to set the delay time. DELAY 30ms 110ms30ms0ms (left) button (right) button(Remote control unit)(3) DELAY TIME(Remote control unit)(6) DEFAULT To reset the settings to the factory defaults, use the (left) and (right) buttons to display “Yes”.

NOY/NYES (left) button (right) button(Initial) Use the (left) and (right) buttons to set the D. COMP.

(left) button (right) button(Remote control unit)Use the (left) and (right) buttons to set the LFE level. LFE 0dB -10dB 0dB NOTE:This parameter is displayed during DOLBY DIGITAL and DTS playback.(Remote control unit)NOTE:This parameter is displayed during DOLBY DIGITAL playback.(Initial)(4) D. COMP.(5) LFE(Initial)(left) button (right) button Press the ENTER button to finish surround parameter mode.(Remote control unit)ENGLISH

• When turned clockwise

• When playing PCM digital signals or analog signals in the 5CH/6CH STEREO, ROCK ARENA, JAZZ CLUB, VIDEO GAME, MONO MOVIE or MATRIX surround modes and the input signal switches to a digital signal encoded in Dolby Digital, the Dolby surround mode switches automatically. When the input signal switches to a DTS signal, the mode automatically switches to DTS surround.

• When the “5CH/6CH STEREO” mode is selected, the display differs according to the Surround Back CH ON/OFF. Surround Back CH ON: 6CH STEREO Surround Back CH OFF: 5CH STEREO Surround parameters e ROOM SIZE: This sets the size of the sound field. There are five settings: “small”, “med.s” (medium-small), “medium”, “med.l” (medium-large) and “large”. “small” recreates a small sound field, “large” a large sound field. EFFECT LEVEL: This sets the strength of the surround effect. The level can be set in 15 steps from 1 to 15. Lower the level if the sound seems distorted. DELAY TIME: In the matrix mode only, the delay time can be set within the range of 0 to 110 ms.ENGLISH

ROCK ARENA JAZZ CLUB VIDEO GAME MONO MOVIE MATRIX VIRTUAL C : Signal E : No signal B : Turned on or off by speaker configuration setting When playing Dolby Digital signals When playing DTS signals

C (0dB) When playing PCM signals (96k) C ( C ) C ( C )

When playing ANALOG signals

C (OFF) C (OFF) C (OFF) C (OFF)

• Only for 2 ch contents.

When the main unit’s power operation switch turn on while pressing the set’s PRESET DDbutton the unit automaticallybegins searching for FM broadcast stations. When the first FM broadcast station is found, that station isstored in the preset memory at channel A1. Subsequentstations are automatically stored in order at preset channelsA2 to A8, B1 to B8, C1 to C8, D1 to D8 and E1 to E8, for amaximum of 40 stations. Channel A1 is tuned in after the auto preset memoryoperation is completed.NOTES:• If an FM station cannot be preset automatically due to poor reception, use the “Manual tuning” operation to tune in the station, then preset it using the manual “Preset memory” operation.• To interrupt this function, press the power operation button.

Press the TUNING UP or DOWN button to tune in the desiredstation. The frequency changes continuously when the button is held in. Auto tuning

• When in the auto tuning mode on the FM band, the “STEREO” indicator lights on the display when a stereo broadcast is tuned in. At open frequencies, the noise is muted and the “TUNED” and “STEREO” indicators turn off.

Watching the display, press the BAND button to select thedesired band (AM or FM). Press the MODE button to set the manual tuning mode. Check that the display’s “AUTO” indicator turns off.

• When the manual tuning mode is set, FM stereo broadcasts are received in monaural and the “STEREO” indicator turns off.

Press the MEMORY button. Press the SHIFT button and select the desired memory block(A to E).(Main unit) (Remote control unit) Press the PRESET UP or DOWN button to select the desiredpreset channel (1 to 8).(Main unit) (Remote control unit) Press the MEMORY button again tostore the station in the presetmemory.To preset other channels, repeat steps 1 to 4.A total of 40 broadcast stations can be preset – 8 stations(channels 1 to 8) in each of blocks A to E.

Recalling preset stations Preparations: Use the “Auto tuning” or “Manual tuning” operation to tune in the station to be preset in the memory.(Remote control unit)(Remote control unit) Watching the display, press the SHIFT button to select thepreset memory block.(Main unit) (Remote control unit) Watching the display, press the PRESET UP or DOWN buttonto select the desired preset channel.(Main unit) (Remote control unit)

NOTE: Please make sure the “AUDIO” position of the slide switch on the remote control unit. NOTE: Please make sure the “AUDIO” position of the slide switch on the remote control unit.ENGLISH

• This unit is equipped with a last function memory which stores the input and output setting conditions as they were immediately before the power is switched off.This function eliminates the need to perform complicated resettings when the power is switched on.
• The unit is also equipped with a back-up memory. This function provides approximately one week of memory storage when the main unit’s power switch is off and with the power cord disconnected.

When the indication of the display is not normal or when the operation of the unit does not shows the reasonable result, the initialization of the microprocessor is required by the following procedure. Switch off the unit and remove the AC cord from the walloutlet. Hold the following ZONE2 button and SURROUND BACKbutton, and plug the AC cord into the outlet. Check that the entire display is flashing with an interval ofabout 1 second, and release your fingers from the 2 buttonsand the microprocessor will be initialized.NOTES:• If step 3 does not work, start over from step 1.• If the microprocessor has been reset, all the button settings arereset to the default values (the values set upon shipment fromthe factory). 2ENGLISH

ADDITIONAL INFORMATION Optimum surround sound for different sources There are currently various types of multi-channel signals (signals or formats with more than two channels). 2 Types of multi-channel signals Dolby Digital, Dolby Pro Logic, DTS, high definition 3-1 signals (Japan MUSE Hi-Vision audio), DVD-Audio, SACD (Super Audio CD), MPEG multi- channel audio, etc. “Source” here does not refer to the type of signal (format) but the recorded content. Sources can be divided into two major categories. 2 Types of sources

• Movie audio Signals created to be played in movie theaters. In general sound is recorded to be played in movie theaters equipped with multiple surround speakers, regardless of the format (Dolby Digital, DTS, etc.). FL C

Multiple surround speakersMovie theater sound fieldListening room sound field In this case it is important to achieve the same sense of expansion as in a movie theater with the surround channels. To do so, in some cases the number of surround speakers is increased (to four or eight) or speakers with bipolar or dipolar properties are used.

• Other types of audio These signals are designed to recreate a 360° sound field using three to five speakers. In this case the speakers should surround the listener from all sides to create a uniform sound field from 360°. Ideally the surround speakers should function as “point” sound sources in the same way as the front speakers. FL C

SL SR These two types of sources thus have different properties, and different speaker settings, particularly for the surround speakers, are required in order to achieve the ideal sound. SL: Surround L channel SR: Surround R channel SB: Surround back channel (1 spkr or 2 spkrs) (For 6.1-channel system)ENGLISH

Surround back speakers A 6.1-channel system is a conventional 5.1-channel system to which the “surround back” (SB) channel has been added. This makes it easy to achieve sound positioned directly behind the listener, something that was previously difficult with sources designed for conventional multi surround speakers. In addition, the acoustic image extending between the sides and the rear is narrowed, thus greatly improving the expression of the surround signals for sounds moving from the sides to the back and from the front to the point directly behind the listening position. FL C

SR chSL ch SL ch SR ch SB ch Change of positioning and acoustic image with 5.1-channel systems With this set, speaker(s) for 1 or 2 channels are required to achieve a 6.1-channel system (DTS-ES, etc.). Adding these speakers, however, increases the surround effect not only with sources recorded in 6.1 channels but also with conventional 2- to 5.1-channel sources. All the Denon original surround modes (see page 48) are compatible with 7.1-channel playback, so you can enjoy 6.1-channel sound with any signal source. Movement of acoustic image from SR to SL Change of positioning and acoustic image with 6.1-channel systems Movement of acoustic image from SR to SB to SL

Number of surround back speakers Though the surround back channel only consists of 1 channel of playback signals for 6.1-channel sources (DTS-ES, etc.), we recommend using two speakers. When using speakers with dipolar characteristics in particular, it is essential to use two speakers. Using two speakers results in a smoother blend with the sound of the surround channels and better sound positioning of the surround back channel when listening from a position other than the center. 2 Placement of the surround left and right channels when using surround back speakers Using surround back speakers greatly improves the positioning of the sound at the rear. Because of this, the surround left and right channels play an important role in achieving a smooth transition of the acoustic image from the front to the back. As shown on the diagram above, in a movie theater the surround signals are also produced from diagonally in front of the listeners, creating an acoustic image as if the sound were floating in space. To achieve these effects, we recommend placing the speakers for the surround left and right channels slightly more towards the front than with conventional surround systems. Doing so sometimes increases the surround effect when playing conventional 5.1-channel sources in the 6.1 surround or DTS-ES Matrix 6.1 mode. Check the surround effects of the various modes before selecting the surround mode.ENGLISH

• Set the front speakers, center speaker and subwoofer in the same positions as in example (1).

• It is best to place the surround speakers directly at the side or slightly to the front of the viewing position, and 60 to 90 cm above the ears.

• Same as surround back speaker installation method (1). Using dipolar speakers for the surround back speakers as well is more effective.

• Connect the surround speakers to the surround speaker jacks.

• The signals from the surround channels reflect off the walls as shown on the diagram at the left, creating an enveloping and realistic surround sound presentation. For multi-channel music sources however, the use of bipolar or dipolar speakers mounted at the sides of the listening position may not be satisfactory in order to create a coherent 360 degree surround sound field. Connect another pair of direct radiating speakers as described in example (3) and place them at the rear corners of the room facing towards the prime listening position.

• Set the front speakers with their front surfaces as flush with the TV or monitor screen as possible. Set the center speaker between the front left and right speakers and no further from the listening position than the front speakers.

• Consult the owner’s manual for your subwoofer for advice on placing the subwoofer within the listening room.

• If the surround speakers are direct-radiating (monopolar) then place them slightly behind and at an angle to the listening position and parallel to the walls at a position 60 to 90 centimeters (2 to 3 feet) above ear level at the prime listening position.

• When using two surround back speakers, place them at the back facing the front at a narrower distance than the front left and right speakers. When using one surround back speaker, place it at the rear center facing the front at a slightly higher position (0 to 20 cm) than the surround speakers.

• We recommend installing the surround back speaker(s) at a slightly downward facing angle. This effectively prevents the surround back channel signals from reflecting off the monitor or screen at the front center, resulting in interference and making the sense of movement from the front to the back less sharp. Speaker setting examples Here we describe a number of speaker settings for different purposes. Use these examples as guides to set up your system according to the type of speakers used and the main usage purpose.

1. DTS-ES compatible system (using surround back speakers)

(1) Basic setting for primarily watching movies (2) Setting for primarily watching movies using diffusion type speakers for the surround speakers For the greatest sense of surround sound envelopment, diffuse radiation speakers such as bipolar types, or dipolar types, provide a wider dispersion than is possible to obtain from a direct radiating speaker (monopolar). Place these speakers at either side of the prime listening position, mounted above ear level. SubwooferSurround speakerFront speaker60 to 90 cmSurround speakerFront speaker60 to 90 cmSurround back speakers(1 spkr or 2 spkrs)60°Front speakers60°MonitorCenter speakerAs seen from aboveAs seen from aboveAs seen from the sideAs seen from the sidePath of the surround sound from thespeakers to the listening positionSurround speakersSurround back speakers(1 spkr or 2 spkrs)60°Surround speakersSurround backspeakerSurround backspeakerPoint slightlydownwardsPoint slightlydownwards

2. When not using surround back speakers

• Set the front speakers with their front surfaces as flush with the TV or monitor screen as possible. Set the center speaker between the front left and right speakers and no further from the listening position than the front speakers.

• Consult the owner’s manual for your subwoofer for advice on placing the subwoofer within the listening room.

• If the surround speakers are direct-radiating (monopolar) then place them slightly behind and at an angle to the listening position and parallel to the walls at a position 60 to 90 centimeters (2 to 3 feet) above ear level at the prime listening position. SubwooferSurround speakerFront speaker60 to 90 cmSurround speakers120°Front speakers60°MonitorCenter speakerAs seen from aboveAs seen from the sideENGLISH

Surround The AVR-1803/883 is equipped with a digital signal processing circuit that lets you play program sources in the surround mode to achieve the same sense of presence as in a movie theater. Dolby Surround (1) Dolby Digital Dolby Digital is the multi-channel digital signal format developed by Dolby Laboratories. Dolby Digital consists of up to “5.1” channels - front left, front right, center, surround left, surround right, and an additional channel exclusively reserved for additional deep bass sound effects (the Low Frequency Effects – LFE – channel, also called the “.1” channel, containing bass frequencies of up to 120 Hz). Unlike the analog Dolby Pro Logic format, Dolby Digital’s main channels can all contain full range sound information, from the lowest bass, up to the highest frequencies – 22 kHz. The signals within each channel are distinct from the others, allowing pinpoint sound imaging, and Dolby Digital offers tremendous dynamic range from the most powerful sound effects to the quietest, softest sounds, free from noise and distortion. 2 Dolby Digital and Dolby Pro Logic Comparison of home surround systems Dolby Digital Dolby Pro Logic No. recorded channels (elements) 5.1 ch 2 ch No. playback channels 5.1 ch 4 ch Playback channels (max.) L, R, C, SL, SR, SW L, R, C, S (SW - recommended) Audio processing Digital discrete processing Dolby Digital encoding/decoding Analog matrix processing Dolby Surround High frequency playback limit of surround channel 20 kHz 7 kHz 2 Dolby Digital compatible media and playback methods Marks indicating Dolby Digital compatibility: . The following are general examples. Also refer to the player’s operating instructions. LD (VDP) Coaxial Dolby Digital RF output jack 1 Set the input mode to “AUTO”. (Page 33) DVD Optical or coaxial digital output (same as for PCM) 2 Set the input mode to “AUTO”. (Page 33) Others (satellite broadcasts, CATV, etc.) Optical or coaxial digital output (same as for PCM) Set the input mode to “AUTO”. (Page 33) Media Dolby Digital output jacks Playback method (reference page) 1 Please use a commercially available adapter when connecting the Dolby Digital RF output jack of the LD player to the digital input jack. Please refer to the instruction manual of the adapter when making connection. 2 Some DVD digital outputs have the function of switching the Dolby Digital signal output method between “bit stream” and “(convert to) PCM”. When playing in Dolby Digital surround on the AVR-1803/883, switch the DVD player’s output mode to “bit stream”. In some cases players are equipped with both “bit stream + PCM” and “PCM only” digital outputs. In this case connect the “bit stream + PCM” jacks to the AVR-1803/883. (2) Dolby Pro Logic II

• Dolby Pro-Logic II is a new multi-channel playback format developed by Dolby Laboratories using feedback logic steering technology and offering improvements over conventional Dolby Pro Logic circuits.

• Dolby Pro Logic II can be used to decode not only sources recorded in Dolby Surround ( ) but also regular stereo sources into five channels (front left, front right, center, surround left and surround right) to achieve surround sound.

• Whereas with conventional Dolby Pro Logic the surround channel playback frequency band was limited, Dolby Pro Logic II offers a wider band range (20 Hz to 20 kHz or greater). In addition, the surround channels were monaural (the surround left and right channels were the same) with previous Dolby Pro Logic, but Dolby Pro Logic II they are played as stereo signals.

• Various parameters can be set according to the type of source and the contents, so it is possible to achieve optimum decoding (see page 42). Sources recorded in Dolby Surround These are sources in which three or more channels of surround have been recorded as two channels of signals using Dolby Surround encoding technology. Dolby Surround is used for the sound tracks of movies recorded on DVDs, LDs and video cassettes to be played on stereo VCRs, as well as for the stereo broadcast signals of FM radio, TV, satellite broadcasts and cable TV. Decoding these signals with Dolby Pro Logic makes it possible to achieve multi-channel surround playback. The signals can also be played on ordinary stereo equipment, in which case they provide normal stereo sound.ENGLISH

DTS Digital Surround Digital Theater Surround (also called simply DTS) is a multi-channel digital signal format developed by Digital Theater Systems. DTS offers the same “5.1” playback channels as Dolby Digital (front left, front right and center, surround left and surround right) as well as the stereo 2-channel mode. The signals for the different channels are fully independent, eliminating the risk of deterioration of sound quality due to interference between signals, crosstalk, etc. DTS features a relatively higher bit rate as compared to Dolby Digital (1234 kbps for CDs and LDs, 1536 kbps for DVDs) so it operates with a relatively low compression rate. Because of this the amount of data is great, and when DTS playback is used in movie theaters, a separate CD- ROM synchronized with the film is played. With LDs and DVDs, there is of course no need for an extra disc; the pictures and sound can be recorded simultaneously on the same disc, so the discs can be handled in the same way as discs with other formats. There are also music CDs recorded in DTS. These CDs include 5.1-channel surround signals (compared to two channels on current CDs). They do not include picture data, but they offer surround playback on CD players that are equipped with digital outputs (PCM type digital output required). DTS surround track playback offers the same intricate, grand sound as in a movie theater, right in your own listening room. 2 DTS compatible media and playback methods Marks indicating DTS compatibility: and . The following are general examples. Also refer to the player’s operating instructions.

Optical or coaxial digital output (same as for PCM) 2 Set the input mode to “AUTO” or “DTS” (page 33). Never set the mode to “ANALOG” or “PCM”. 1 LD (VDP) Optical or coaxial digital output (same as for PCM) 2 Set the input mode to “AUTO” or “DTS” (page 33). Never set the mode to “ANALOG” or “PCM”. 1 DVD Optical or coaxial digital output (same as for PCM) 3 Set the input mode to “AUTO” or “DTS” (page 33). Media Dolby Digital output jacks Playback method (reference page) 1 DTS signals are recorded in the same way on CDs and LDs as PCM signals. Because of this, the un-decoded DTS signals are output as random “hissy” noise from the CD or LD player’s analog outputs. If this noise is played with the amplifier set at a very high volume, it may possibly cause damage to the speakers. To avoid this, be sure to switch the input mode to “AUTO” or “DTS” before playing CDs or LDs recorded in DTS. Also, never switch the input mode to “ANALOG” or “PCM” during playback. The same holds true when playing CDs or LDs on a DVD player or LD/DVD compatible player. For DVDs, the DTS signals are recorded in a special way so this problem does not occur. 2 The signals provided at the digital outputs of a CD or LD player may undergo some sort of internal signal processing (output level adjustment, sampling frequency conversion, etc.). In this case the DTS-encoded signals may be processed erroneously, in which case they cannot be decoded by the AVR-1803/883, or may only produce noise. Before playing DTS signals for the first time, turn down the master volume to a low level, start playing the DTS disc, then check whether the DTS indicator on the AVR-1803/883 (see page 45) lights before turning up the master volume. 3 A DVD player with DTS-compatible digital output is required to play DTS DVDs. A DTS Digital Output logo is featured on the front panel of compatible DVD players. Recent DENON DVD player models feature DTS-compatible digital output – consult the player’s owner’s manual for information on configuring the digital output for DTS playback of DTS-encoded DVDs. Manufactured under license from Digital Theater Systems, Inc. US Pat. No. 5,451,942, 5,956,674, 5,974,380, 5,978,762 and other world-wide patents issued and pending. “DTS”,”DTS-ES Extended Surround” and “Neo:6” are trademarks of Digital Theater Systems, Inc. ©1996, 2000 Digital Theater Systems, Inc. All Rights Reserved. There are two types of DVD Dolby surround recording signals. q 2-channel PCM stereo signals w 2-channel Dolby Digital signals When either of these signals is input to the AVR-1803/883, the surround mode is automatically set to Dolby Pro Logic II when the “DOLBY/DTS SURROUND” mode is selected. 2 Sources recorded in Dolby Surround are indicated with the logo mark shown below. Dolby Surround support mark: Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic” and the double-D symbol are trademarks of Dolby Laboratories.ENGLISH

DTS-ES Extended Surround

DTS-ES Extended Surround is a new multi-channel digital signal format developed by Digital Theater Systems Inc. While offering high compatibility with the conventional DTS Digital Surround format, DTS-ES Extended Surround greatly improves the 360-degree surround impression and space expression thanks to further expanded surround signals. This format has been used professionally in movie theaters since 1999. In addition to the 5.1 surround channels (FL, FR, C, SL, SR and LFE), DTS-ES Extended Surround also offers the SB (Surround Back, sometimes also referred to as “surround center”) channel for surround playback with a total of 6.1 channels. DTS-ES Extended Surround includes two signal formats with different surround signal recording methods, as described below. 2 DTS-ES

Discrete 6.1 DTS-ES Discrete 6.1 is the newest recording format. With it, all 6.1 channels (including the SB channel) are recorded independently using a digital discrete system. The main feature of this format is that because the SL, SR and SB channels are fully independent, the sound can be designed with total freedom and it is possible to achieve a sense that the acoustic images are moving about freely among the background sounds surrounding the listener from 360 degrees. Though maximum performance is achieved when sound tracks recorded with this system are played using a DTS-ES decoder, when played with a conventional DTS decoder the SB channel signals are automatically down-mixed to the SL and SR channels, so none of the signal components are lost. 2 DTS-ES

Matrix 6.1 With this format, the additional SB channel signals undergo matrix encoding and are input to the SL and SR channels beforehand. Upon playback they are decoded to the SL, SR and SB channels. The performance of the encoder used at the time of recording can be fully matched using a high precision digital matrix decoder developed by DTS, thereby achieving surround sound more faithful to the producer’s sound design aims than with conventional 5.1- or 6.1-channel systems. In addition, the bit stream format is 100% compatible with conventional DTS signals, so the effect of the Matrix 6.1 format can be achieved even with 5.1-channel signal sources. Of course it is also possible to play DTS-ES Matrix 6.1 encoded sources with a DTS 5.1-channel decoder. When DTS-ES Discrete 6.1 or Matrix 6.1 encoded sources are decoded with a DTS-ES decoder, the format is automatically detected upon decoding and the optimum playing mode is selected. However, some Matrix 6.1 sources may be detected as having a 5.1-channel format, so the DTS-ES Matrix 6.1 mode must be set manually to play these sources. (For instructions on selecting the surround mode, see page 45.) The DTS-ES decoder includes another function, the DTS Neo:6 surround mode for 6.1-channel playback of digital PCM and analog signal sources. 2 DTS Neo:6

surround This mode applies conventional 2-channel signals to the high precision digital matrix decoder used for DTS-ES Matrix 6.1 to achieve 6.1- channel surround playback. High precision input signal detection and matrix processing enable full band reproduction (frequency response of 20 Hz to 20 kHz or greater) for all 6.1 channels, and separation between the different channels is improved to the same level as that of a digital discrete system. DTS Neo:6 surround includes two modes for selecting the optimum decoding for the signal source.

• DTS Neo:6 Cinema This mode is optimum for playing movies. Decoding is performed with emphasis on separation performance to achieve the same atmosphere with 2-channel sources as with 6.1-channel sources. This mode is effective for playing sources recorded in conventional surround formats as well, because the in-phase component is assigned mainly to the center channel (C) and the reversed phase component to the surround (SL, SR and SB channels).

• DTS Neo:6 Music This mode is suited mainly for playing music. The front channel (FL and FR) signals bypass the decoder and are played directly so there is no loss of sound quality, and the effect of the surround signals output from the center (C) and surround (SL, SR and SB) channels add a natural sense of expansion to the sound field.ENGLISH

TROUBLESHOOTING If a problem should arise,first check the following.

1. Are the connections correct ?

2. Have you operated the receiver according to the Operating Instructions ?

3. Are the speakers, turntable and other components operating property ?

If this unit is not operating properly, check the items listed in the table below. Should the problem persist, there may be a malfunction. Disconnect the power immediately and contact your store of purchase. Symptom Cause Measures Page When playing records DISPLAY not lit and sound not produced when power switch set to on.

• Power cord not plugged in securely.

• Check the insertion of the power cord plug.

• Turn the power on with the remote control unit after turning the POWER switch on.

DISPLAY lit but sound not produced.

• Speaker cords not securely connected.

• Improper position of the audio function button.

• Volume control set to minimum.

• Set to a suitable position.

• Turn volume up to suitable level.

• Input digital signals or select input jacks to which digital signals are being input. 16, 17

DISPLAY not lit and power indicator is flashing rapidly.

• Speaker terminals are short-circuited.

• Block the ventilation holes of the set.

• The unit is operating at continuous high power conditions and/or inadequate ventilation.

• Switch power off, connect speakers properly, then switch power back on.

• Turn off the set’s power, then ventilate it well to cool it down. Once the set is cooled down, turn the power back on.

• Turn off the set’s power, then ventilate it well to cool it down. Once the set is cooled down, turn the power back on. 16, 17 9, 16 9, 16 Sound produced only from one channel.

• Incomplete connection of speaker cords.

• Incomplete connection of input/output cords.

• Connect securely. 16, 17 9 ~ 17 Positions of instruments reversed during stereo playback.

• Reverse connections of left and right speakers or left and right input/output cords.

• Check left and right connections. 17 Humming noise produced when record is playing.

• Ground wire of turntable not connected properly.

• Incomplete PHONO jack connection.

• TV or radio transmission antenna nearby.

• Contact your store of purchase.

Howling noise produced when volume is high.

• Turntable and speaker systems too close together.

• Floor is unstable and vibrates easily.

• Separate as much as possible.

• Use cushions to absorb speaker vibrations transmitted by floor. If turntable is not equipped with insulators, use audio insulators (commonly available).

• Stylus pressure too weak.

• Dust or dirt on stylus.

• Cartridge defective.

• MC cartridge being used.

This unit does not operate properly when remote control unit is used.

• Remote control unit too far from this unit.

• Obstacle between this unit and remote control unit.

• Different button is being pressed.

• < and > ends of battery inserted in reverse.

• Replace with new batteries.

• Insert batteries properly.

Remote control unit Common problems when listening to the CD, records, tapes and FM broadcasts, etc.ENGLISH

• Power amplifier Rated output: Front: 80 W + 80 W (8 Ω/ohms, 20 Hz ~ 20 kHz with 0.08% T.H.D.) 110 W + 110 W (6 Ω/ohms, 1 kHz with 0.7% T.H.D.) Center: 80 W (8 Ω/ohms, 20 Hz ~ 20 kHz with 0.08% T.H.D.) 110 W (6 Ω/ohms, 1 kHz with 0.7% T.H.D.) Surround: 80 W + 80 W (8 Ω/ohms, 20 Hz ~ 20 kHz with 0.08% T.H.D.) 110 W + 110 W (6 Ω/ohms, 1 kHz with 0.7% T.H.D.) Surround Back: 80 W (8 Ω/ohms, 20 Hz ~ 20 kHz with 0.08% T.H.D.) 110 W (6 Ω/ohms, 1 kHz with 0.7% T.H.D.) Dynamic power: 100 W x 2 ch (8 Ω/ohms) 145 W x 2 ch (4 Ω/ohms) 170 W x 2 ch (2 Ω/ohms) Output terminals: Front, Center, Surround: 16 ~ 16 Ω/ohms Surr. Back: A or B 16 ~ 16 Ω/ohms A + B 12 ~ 16 Ω/ohms

• Analog Input sensitivity / input impedance: 200 mV / 47 kΩ/kohms Frequency response: 10 Hz ~ 100 kHz: +1, –3 dB (DIRECT mode) S/N: 100 dB (IHF-A weighted) (DIRECT mode) Distortion: 0.008% (20 Hz ~ 20 kHz) (DIRECT mode) Rated output: 1.2 V

• Phono equalizer (PHONO input — REC OUT) Input sensitivity: 2.5 mV RIAA deviation: ±1 dB (20 Hz to 20 kHz) Signal-to-noise ratio: 74 dB (A weighting, with 5 mV input) Rated output / Maximum output: 150 mV / 7 V Distortion factor: 0.03% (1 kHz, 3 V) 2 Video section
• Standard video jacks Input / output level and impedance: 1 Vp-p, 75 Ω/ohms Frequency response: 5 Hz ~ 10 MHz — +1, –3 dB

• S-video jacks Input / output level and impedance: Y (brightness) signal — 1 Vp-p, 75 Ω/ohms C (color) signal — 0.286 Vp-p, 75 Ω/ohms Frequency response: 5 Hz ~ 10 MHz — +1, –3 dB

• Color component video jacks Input / output level and impedance: Y (brightness) signal — 1 Vp-p, 75 Ω/ohms PB/CB (blue) signal — 0.7 Vp-p, 75 Ω/ohms PR/CR (red) signal — 0.7Vp-p, 75 Ω/ohms Frequency response: 5 Hz ~ 27 MHz — +1, –3 dB 2 Tuner section [FM] (note: µV at 75 Ω/ohms, 0 dBf=1 x 10 –15 W) [AM] Receiving Range: 87.50 MHz ~ 107.90 MHz 520 kHz ~ 1710 kHz Usable Sensitivity: 1.0 µV (11.2 dBf) 18 µV 50 dB Quieting Sensitivity: MONO 1.6 µV (15.3 dBf) STEREO 23 µV (38.5 dBf) S/N (IHF-A): MONO 80 dB (IHF-A weighted) STEREO 75 dB (IHF-A weighted) Total Harmonic Distortion (at 1 kHz): MONO 0.15% (1kHz) STEREO 0.3% (1kHz) 2 General Power supply: AC 120 V, 60 Hz Power consumption: 4.5 A 1 W Max. (Standby) Maximum external dimensions: 434 (W) x 171 (H) x 417 (D) mm (17-3/32” x 6-47/64” x 16-27/64”) Weight: 11.7 kg (25 lbs 6 oz) 2 Remote control unit (RC-916) Batteries: R6P/AA Type (three batteries) External dimensions: 55 (W) x 225 (H) x 34.5 (D) mm (2-11/64” x 8-55/64” x 1-9/64”) Weight: 165 g (Approx. 5.8 oz) (including batteries)

For purposes of improvement, specifications and design are subject to change without notice.65 FRANCAIS

FL CNTR FR SR SBSW SL

5, 6, 7, 8 5, 6, 7, 8 5, 6, 7, 8

C (OFF) C (OFF) C (OFF) C (OFF)

(DTS-ES Extended Surround