SMP 12.22 - DVD Recorder SynQ - Free user manual and instructions

USER MANUAL SMP 12.22 SynQ

Copyright © 2010 by BEGLEC NV

Hofveld 2C - B1702 Groot-Bijgaarden - Belgium

Reproduction or publication of the content in any manner, without express permission of the publisher, is prohibited.

V1.0

Operation Manual EN

Mode d'emploi FR

Dispose of the unit and used batteries in an environment friendly manner according to your country regulations.

FR-DECLASSER L'APPAREIL

Thank you for buying this SYNQproduct. To take full advantage of all possibilities, please read these operating instructions very carefully.

FEATURES

This unit is radio-interference suppressed. This appliance meets the requirements of the current European and national guidelines. Conformity has been established and the relevant statements and documents have been deposited by the manufacturer.

• 12 channel PA-mixing console with very low noise architecture.
• 2 subgroups (ALT 3-4 bus)
• Internal 24bit DSP-effect unit with 100 presets & foot switch
• USB in/out for direct recording to PC

• 6 balanced input channels, 4 Mono & 4 Stereo channels:

• Input gain

• Inserts on mono channels
  Peak indication @ -5dB
  High pass filter @ 75Hz
  3band equalizer
• AUX send with pre/post switch
  FEX send for effects section (post)
  PAN/BAI control
  Combined channel mute/ALT3-4 subgroup routing button
  PFL-switch

LEVEL with 60mm fader control

• 48V Phantom power available on all balanced microphone inputs
  Use of external effects possible
  Balanced Main L/R output controls
• Headphone and control room output
• 2x 10 section LED VU-meters
  External power transformer
  19" brackets for easy rack mounting included

BEFORE USE

• Before you start using this unit, please check if there's no transportation damage. Should there be any, do not use the device and consult your dealer first.
• Important: This device left our factory in perfect condition and well packaged. It is absolutely necessary
  for the user to strictly follow the safety instructions and warnings in this user manual. Any damage caused by mishandling is not subject to warranty. The dealer will not accept responsibility for any resulting defects or problems caused by disregarding this user manual.
• Keep this booklet in a safe place for future consultation. If you sell the fixture, be sure to add this user manual.
  To protect the environment, please try to recycle the packing material as much as possible.

Check the contents:

Check that the carton contains the following items:
- User manual
SMP12.22 mixer
-2 rack mount adapters + 6 screws
Power supply

SAFETY INSTRUCTIONS:

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CAUTION

RISK OF ELECTRIC SHOCK

DC

CAUTION: To reduce the risk of electric shock, do not remove the top cover. No user-serviceable parts inside. Refer servicing to qualified service personnel only.

The lightning flash with arrowhead symbol within the equilateral triangle is intended to alert the use or the presence of un-insulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock.

The exclamation point within the equilateral triangle is intended to alert the user to the presence important operation and maintenance (servicing) instructions in the literature accompanying this appliance.
This symbol means: indoor use only.

This symbol means: Read instructions

This symbol means: Safely Class II appliance

To prevent fire or shock hazard, do not expose this appliance to rain or moisture.
- To avoid condensation to be formed inside, allow the unit to adapt to the surrounding temperatures when bringing it into a warm room after transport. Condense sometimes prevents the unit from working at full performance or may even cause damages.
This unit is for indoor use only.
- Don't place metal objects or spill liquid inside the unit. No objects filled with liquids, such as vases, shall be placed on this appliance. Electric shock or malfunction may result. If a foreign object enters the unit, immediately disconnect the mains power.
- No naked flame sources, such as lighted candles, should be placed on the appliance.
- Don't cover any ventilation openings as this may result in overheating.
Prevent use in dusty environments and clean the unit regularly
- Keep the unit away from children.
Inexperienced persons should not operate this device.
- Maximum save ambient temperature is 40^ . Don't use this unit at higher ambient temperatures.
- Minimum distances around the apparatus for sufficient ventilation is 5cm
- Always unplug the unit when it is not used for a longer time or before you start servicing.
The electrical installation should be carried out by qualified personal only, according to the regulations for
electrical and mechanical safety in your country.
- Check that the available voltage is not higher than the one stated on the rear panel of the unit.
- The socket inlet shall remain operable for disconnection from the mains.
- The power cord should always be in perfect condition. Switch the unit immediately off when the power cord is squashed or damaged. It must be replaced by the manufacturer, its service agent or similarly qualified persons in order to avoid a hazard.
- Never let the power-cord come into contact with other cables!
In order to avoid a hazard, the unit shall only be used with the AC-adaptor delivered with it. If the AC
adaptor is damaged, a same model adaptor shall be used only.
- When the power switch is in OFF position, this unit is not completely disconnected from the mains!
This appliance must be earthed to in order comply with safety regulations.
- In order to prevent electric shock, do not open the cover. Apart from the mains fuse there are no user serviceable parts inside.
- Never repair a fuse or bypass the fuse holder. Always replace a damaged fuse with a fuse of the same type and electrical specifications!
In the event of serious operating problems, stop using the appliance and contact your dealer immediately.
- Please use the original packing when the device is to be transported.
- Due to safety reasons it is prohibited to make unauthorized modifications to the unit.

INSTALLATION GUIDELINES

Install the unit in a well-ventilated location where it will not be exposed to high temperatures or humidity.
- Placing and using the unit for long periods near heat-generating sources such as amplifiers, spotlights, etc. will affect its performance and may even damage the unit.
- The unit can be mounted in 19-inch racks. Attach the unit using the 4 screw holes on the front panel. Be sure to use screws of the appropriate size. (screws not provided). Take care to minimize shocks and vibrations during transport.

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• When installed in a booth or flight case, please make sure to have good ventilation to improve heat evacuation of the unit.
• To avoid condensation to be formed inside, allow the unit to adapt to the surrounding temperatures when bringing it into a warm room after transport. Condense sometimes prevents the unit from working at full performance.

CLEANING THE APPLIANCE:

Clean by wiping with a polished cloth slightly dipped with water. Avoid getting water inside the unit. Do not use volatile liquids such as benzene or thinner which will damage the unit.

CONNECTIONS

For more information on connections, please refer to the next chapter.

Be sure to turn off the mixer before you make changes to the different connections.

In this manual we talk about "line inputs". This is a global name for inputs with a level between 750mV and 2V. This includes tuners, videos, CD-players, etc.

FUNCTIONS

INPUT CHANNEL CONTROL

1. PEAK LED INDICATOR

This LED indicator shows the level of the signal input of the channel. The peak indicator lights up when the input signal reaches 5dB below the channel's clipping point. This indicator shows the level of the Post-EOQ pre-fader signal. If the PEAK indicator lights more than briefly on high-level transients, you should use the TRIM control to decrease the input sensitivity of the channel. If this does not work, reduce the output level of the connected source.

2. TRIM CONTROL

According to the level of the input signal, use this knob to adjust the input to an appropriate level. The best balance of S/N and dynamic range will be achieved if you adjust the TRIM control so that the peak indicator lights occasionally. This control adjusts the channel's MIC input sensitivity between -50dB and -6dB and the line input sensitivity between -30dB and +14dB.

The mono/stereo combination input channels have a sensitivity of +20dB to -20dB

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3. HPF(High-Pass Filter)

This switch toggles the HPF on or off. To turn the HPF on, press the switchThe HPF cut frequencies below 75Hz

4. EQUALIZER

This 3-band equalizer adjusts the channel's high, mid and low frequency bands. Setting the knob to the '0 position produces a flat frequency response. Turning the knob to the right boosts the corresponding frequency band while turning to the left cuts the band.

The following table shows the EQ type, frequency, and maximum cut/boost for each of the three bands.

CONTROL	MAX. BOOST/CUT	FREQUENCY	TYPE
HIGH	±15dB	12kHz	Shelving
MID	±12dB	2.5kHz	Peaking
LOW	±15dB	80Hz	Shelving

5.AUX CONTROL

The AUX knob controls the signal level that the channel sends to the AUX bus. If you are using stereo channels, the signals from the L and R channels are mixed and send to the AU. The AUX controls can be switched as pre fader or post fader controls. Pre-fader aux outputs are not influenced by the position of the channel fader and are mainly used to control stage monitors. Post-fader / outputs are also influenced by the channel faders and are mainly used with effect modules.

6. PRE/POST SWITCH

This button determines whether the AUX signal will be used in Pre or Post fader configuration. Pre means not affected by the position of the channel fader. Post means is affected by the position of the channel fader.

7. EFX CONTROL

This knob controls the level of the signals sent to the EFX bus (to the EFX SEND jack on the front par to the internal effect module). The channel signals mixed by this bus have their overall level set by the ESEND Control. Since this control is placed after the channel fader, the signal level will be affected by the channel fader's setting.

8. PAN /BAL CONTROL

PAN (Mono Channel)

This control pans the channel signal across the master L and R busses, thus determining the perceived position of the sound from that channel in the output stereo sound field. If a PAN control is set all the s the left, for example, the sound from that channel will be heard from the left speaker system only. If it is set all the way to the right, the sound will be heard from the right speaker system only. Intermediate settings will cause the sound to appear at corresponding locations in the stereo sound field.

BALANCE (Stereo Channel)

This control adjusts the balance or the LR position of the stereo input signal. Turning the BALANCE control to the left of center moves the apparent source toward the MAIN MIX L bus turning it to the right moves the source toward the MAIN MIX R bus.

9. MUTE/ALT 3-4 SWITCH

When the Mute/ALT 3-4 switch is pressed, the channel output will be routed to the ALT 3-4 output instead of the main L/R out. The ALT 3-4 bus offers you a second independent stereo sub mix with its own sub master stereo fader. The switch lights up orange to indicate that the mute function is on.

10. PFL SWITCH

When this switch is pressed, the channel input signal can be routed to the PFL bus.

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This switch allows you to monitor the pre-fader channel input signal through the headphone outputs and the control room outputs.

11. PFL INDICATOR

This indicator lights up when the PFL switch is turned on.

12.CHANNEL FADER

This is the channel's main level control. It determines the level of the signal that is sent from the channel to the master mixing, group outs and post fader effect busses. It is the settings of the input channel faders that determine the mix, or the balance of sound levels between the instruments or other sources connected to the inputs. When a channel is not being used, its fader should be set at the minimum position to prevent the addition of unwanted noise to the main program signal.

MAIN CONTROL SECTION

1. DSP PROGRAM DISPLAY

The selected DSP effect number is shown on the display.

2. DSP PROGRAM SELECT SWITCH

Turn the program knob to select one of the 100 built-in digital effects. The 24 Bit Digital Effects processor provides high quality effects like Delay, Chorus and Reverb.

3. AUX PRE CONTROL

Adjust the level of the signal sent from the internal Digital effect to the AUX bus. Like this you can also send for example some effect into your stage monitors

4.DSP.ON/OFF SWITCH

This switch turns the internal digital effect on/off.

5. PFL SWITCH

Set this switch on if you wish to output the effect signal to the PFL bus.

6. PFL INDICATOR

This indicator lights when the PFL switch is turned

7. EFX RTN Fader

Adjust the level of the signal sent from the internal digital effect to the MAIN bus.

8. ALT 3/4 OUTPUT FADER

This fader adjusts the output level of the ALT GROUP.

9. TO MAIN SWITCH

When this switch is on, the output signal of the ALT 3/4 subgroup will be sent to the MAIN L/R busses.

10. MAIN L/R MASTER FADERS

Adjusts the final output level that is sent to the MAIN LR OUTPUTS.

11. LEVEL METER SIGNAL SWITCHES

These level-meter switches, together with the channel PFL switches, select the signal that is sent to the CONTROL ROOM OUT Jacks, the HEADPHONE jack, and the LEVEL METER.

If the input channel's PFL switch is on

then only the channel's PFL output is sent to

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the CONTROL ROOM OUT jacks, the HEADPHONE jack, and the LEVEL METER.

If the input channel's PFL switch is off, then the MAIN L/R signal, the ALT 3-4 signal or the TAPE IN signal can be monitored via the CONTROL ROOM OUT jacks, the HEADPHONE jack, and the LEVEL METER.

12. CTRL ROOM /PHONES CONTROL

Controls the signal output level of the PHONES and CONTROL ROOM outputs.

13. TAPE IN CONTROL

This knob controls the level of the playback signal that is coming from the TAPE IN RCA connectors, and that will be routed to the MAIN L/R output.

14. MASTER AUX/FX SEND

AUXControl

Controls the general output level of all the channel AUX signals, that will be sent to the AUX SEND jack

outpuhs.

·EFXControl

Controls the general output level of all the channel EFX signals, that will be sent to the EFFECT unit and the EFX jack output.

Remark: if this level is set to zero, no audio signal will be sent to the effect unit.

15. PFL INDICATOR

This indicator lights when a PFL switch is turned on

16 LEVEL METER

This LED display shows the level of the signal selected like described in the LEVEL METER SIGNAL

SWITCHES (11) above. The 0 point corresponds to the standard output level of +4dB.

17. RETURN CONTROL

·AUXControl

Adjust the level of the signal coming from the RETURN jacks (L (MONO) and R), routed to the AUX1 an

AUX2 Busses.

MAIN Contral

Adjusts the level of the signal coming from the RETURN jacks (L (MONO) and R), routed to the MAIN L

bus.

18. POWER INDICATOR

This indicator lights when power switch of the mixer is turned on.

19. PHANTOM POWER SWITCH

This switch toggles the phantom power on or off. If you set the switch on, the mixer supplies power to all channels provided XLR MIC input inputs.

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Set this switch on when using one or more condenser microphones that need to receive external power from the mixer. NOTE: When this switch is on, the mixer supplies DC +48V power to pins 2 and 3 of all XLR-type MIC INPUTS.

• Be sure to leave this switch off ( ) if you do not need phantom power.

• When tuning the switch on ( ), be sure that only condenser MICs are connected to the XLR input Jacks.

Devices other than condenser MICs may be damaged if connected to the phantom power supply .Notes : however , that the switch may have an effect on the problem when connecting to a controlled air

Note: However, that the switch may be set on wind-tunnel problem when connecting to balanced dynamic microphones. To avoid damage to speakers, be sure to turn off amplifier (on powered speakers) before turning this switch on or off. We also recommend that you turn all out controls (MAIN master falder, ALT3/4 falder, etc.) to minimum settings before operating the switch, to avoid risk of loud noises that could cause hearing loss or device damage.

20. PHANTOM POWER INDICATOR

This indicator lights up when the phantom power is switched on.

CONNECTORS

1.CHANNEL INPUTS

BALANCED MIC XLR Connectors

These are balanced XLR-type input jacks (1: Sleeve, 2: Hot, 3:Cold)

A standard 1/4-TRS phone jack is used for balanced or unbalanced line level signals, like used with most electronic keyboards, synthesizers, tape decks and the line outputs from other mixers.

These are input/output jacks located between the head-amplifier and the high pass filter. These jacks can be used to independently connect these channels to devices such as graphic equalizers, compressors, and noise filters. These are 14'TRS (tip, ring, sleeve) phone jacks that support bi-directional operation. NOTE: Connection to an INSERTI/O jack requires a special separately-sold insertion cable such as illustrated below.

3.CHANNEL INPUT JACKS

These are unbalanced stereo line input connectors. Two types are provided: Jack type and RCA pin type. For stereo signals, you need of course to connect both Left and Right channels.

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Channels CH3/10 and CH11/12 can also be used for mono signals. If you need to connect a mono signal then use only the L MONO Jack input. When the mixer detects no connector in the R input, it will spread signal of the L MONO Jack input over both L and R channels.

NOTE: Channels 9/10 and 11/12 provide 2 types of inputs: jack and RCA connectors. Please use only one of these inputs for each channel. Never use both input types at the same time on the same channel.

4. STEREO RETURN L (MONO), R JACK

These are unbalanced 1/4 TRS phone-type line input jacks. The signal received by these jacks is sent to MAIN bus and AUX buss. These jacks are mainly used to receive a return signal from an external effect (reverb, delay, etc.)

NOTE: These jacks can also be used as an auxiliary stereo input. If you need to connect a mono signal, use only the L MONO Jack input. When the mixer detects no connector in the R input, it will spread the signal of the L MONO Jack input over both L and R channels.

5. TAPE IN RCA connectors

Use these RCA connectors when you want to connect a CD, DAT or other external sound source directly the mixer for monitoring.

You can adjust the signal level using the TAPE IN control in the MAIN CONTROL SECTION.

6. REC OUT RCA connectors

The REC OUT connectors send the pre-fader signal from the master bus. U can use this output for recording.

7. SEND JACKS

These are unbalanced phone jacks

These jacks output sends the signal form AUX bus. You can use this jack, for example to connect power stage monitors.

EF

You can use this jack for example to connect an external effect unit.

6. FOOT SWITCH JACK

A foot switch can be connected to this phone input jack and can be used to turn the digital effects ON/

9. GROUP OUT (ALT3/4) JACKS

Unbalanced 1/4' Jack outputs for the signals of ALT3/4.

10. MAIN L/R OUTPUT JACKS

Balanced 1/4" Jack outputs. You can use these outputs to connect the power amplifiers for you main speakers, or you can use them when you wish to record the signal that is also influenced by the main cldors.

11. CONTROL ROOM OUTPUT JACKS

These unbalanced 1/4^* Jack outputs are controlled by the CTRL ROOM /PHONES CONTROL and are generally used to connect a monitoring system.

NOTE: The signal monitored by these outputs is selected by the settings of the LEVEL METER SIGNAL SWITCHES, the TAPE IN switch, and the PFL switches on the input channels.

12. PHONES JACK

Stereo headphones connector

NOTE:

The signal monitored by these jacks is selected by the settings of the LEVEL METER SIGNAL SWITCHS, the TAPE switch, and the PFL switches on the input channels.

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REAR PANEL

1. POWER SUPPLY CONNECTOR
Connect the included power supply here. Replace this power supply only with exactly the same type number. Use of a different adaptor may result in fire or electric shock.
2. POWER SWITCH
Used to switch the mixer on/off. We strongly advise to set the master output faders of the mixer and the gain controls of your amplifier to zero before you switch the mixer on or off
3. MAIN L/B OUTPUT
Used to connect the master output (Main L/R) of the mixer to a power amplifier (or other equipment)
4. USB PORT
The built-in stereo USB audio interface allows you to connect your mixer to a PC for recording or playback.
Virtually any digital recording software can be used.
The PC/Mac will detect your mixer as a sound card, so normally no drivers are needed. This means also you will be able to use the standard audio Interface controls in the MAC or Windows operating system to make all the settings.
Getting Started with Windows XP
The first time you plug the mixer into a USB port, Windows will install the universal drivers for that port. A balloon tip will pop up, telling you it has found the USB Audio codec.

When the installation is ready, the message 'Your new hardware is installed and ready to use' will appear

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Most of the time, you'll want the output volume from the computer at its maximum position, but sometimes the default setting is much lower, what makes the output level too low. The volume can be increased in several ways. The simplest is to click the loudspeaker icon (figure 3) in the system tray and drag the slice the top

If the icon is not there, the volume can be changed by going to Control Panel and opening Sounds and Devices.

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To use the mixer as your default input/output device (for system sounds and audio recording software), ensure that it is set for playback and recording in the Audio tab.

The volume can then be set by pressing the Volume button

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Getting Started with MAC OS X

Connect the mixer to your mac by using a standard USB cable. The LED will light up to indicate it is re USB power. The MAC will recognize the USB audio device and automatically install a universal driver. To select the mixer as the computer's audio input, open the System Preferences from the dock or the mac Apple Menu.

Next: open the Sound preferences.

Now, click on the Input tab and select USB Audio Codec. You may notice that the Volume slider sets its the highest level. This will allow you to use the level controls of the mixer at their full range.

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Then click on the Output tab and select USB Audio Codec. You may notice that the Volume slider sets itself to the full level. You may notice that the Volume slider sets itself to the highest level. This will allow you to use the level MAIN controls of the mixer to set the exact output level.

Recording to the USB I/O

For recording a live performance, you can send the main output mix to a computer by using the USB/IO connector. The output signal will only be influenced by the individual channel settings and channel faders, not by the MAIN L/R master output fader.

You can also assign the outputs of the AUX1 and AUX2 to the USB out, enabling you to build a stereo mix for recording that's independent from the house sound system. Press the USB SEND switch down to send the AUX1 and AUX2 mix to the USB input.

Playback from the USB I/O

For playback, the USB stereo signal goes directly via the TAPE IN to the MAIN OUTPUT mix of the console. You can set the USB playback level by using the TAPE/USB volume knob.

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WIRING

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APPLICATIONS HOME RECORDING

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Sound Reinforcement For Live Performance

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SPECIFICATIONS

Power Supply AC 230 V, 50Hz
Power consumption 36W
Max output level (0.5% thd @ 1kHz)	+26dB (MAIN LIR) +20dB [ALT 3/4, AUX/EFX, CTRL ROOM) +20dB (INSERT) More than 100mW (HEADPHONES) @33Ohm
T.H.D. <0.1% @ +14dB 20Hz-20kHz (MIX LIR, ALT 3/4, AUX/EFX SEND, CTRL ROOM) @10kOhm
Frequency response 20Hz-20kHz, +1/-2dB (MIX LIR, ALT 3/4, AUX/EFX SEND, CTRL ROOM) @10kOhm
Hurn and Noise (average Rs=150Ohm)	-127dB equivalent input noise -95dB residual noise (MIX LIR, ALT 3/4, AUX/EFX SEND, CTRL ROOM) -88dB (MIX LIR, ALT 3/4, AUX/EFX SEND, CTRL ROOM) Max fader at nominal level and all channel assign switches off.
Maximum Voltage Gain 74dB MIC IN TO MAIN LIR 74dB MIC IN TO ALT 3/4 66dB MIC IN TO AUX (PRE) 76dB MIC IN TO AUX (POST) 76dB MIC IN TO EFX 80dB MIC IN TO CONTROL ROOM LIR 52.2dB IN TO REC LIR 54dB LINE IN TO MAIN LIR 54dB LINE IN TO ALT 3/4 46dB LINE IN TO AUX (PRE) 56dB LINE IN TO AUX (POST) 60dB LINE IN TO CONTROL ROOM LIR 44dB STEREO IN TO MAIN LIR 44dB STEREO IN TO ALT 3/4 16dB AUX RETURN IN TO MAIN LIR 20dB TAPE IN TO MAIN LIR
Crosstalk (≥ 1kHz)	-70dB between input channels -70dB between input/output channels
Gain Control (mono input channel)	44dB Variable (-50dB ~ +8dB) (30dB ~ +14dB)
Gain Control (combined mono/stereo input channel)	40dB Variable (20dB ~ +20dB)
Input channel Equalization	HIGH 12kHz shunting MID: 2.5kHz peaking LOW: 80Hz shunting *Turnover/(off frequencies: located 3dB below max, bocal/cul)
LED Meters	2x 10 segment LED for MAIN LIR, ALT3/4, TAPE IN or PFL
Internal Digital Effect	100 selectable presets FOOT Switch control (ON/OFF)
Channel indicators	Peak an indicator for each channel turns on when the pre-chefader signal is 5dB below clipping
Phantom Power (balanced input)	+48V DC
Weight	4.5 kg
Dimensions	328(W) x 90(H) x 420(D) mm

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Specifications

-INPUTS

Input Connector	Input Impedance	Nominal Impedance	Rated Input Load	Connector Type
CH Mic	4kΩ	20~500Ω	50dB	XLR 3.31 Type Balanced
CH Line	10kΩ	500Ω	50dB	Phone Jack (TR31T - Hot IR = Gold IR = ON)
Stereo Input fife	5kHz	500Ω	44dB	XLR 3.31 Type Balanced
Stereo Input	5kHz	500Ω	20dB	Unbalanced Phone Jack
Mono Channel Input Signal	10kHz	500Ω	GND	Phone Jack (TR31T - Out IR = Gold IR = ON)
Injection	10kHz	500Ω	-10dBV	DC4 pin, Jank

-OUTPUTS

Outdoor Connection	Dual Input Impedance	Bursthead Impedance	Rated Current Level	Current Type
MIX Dot 1/2	200Ω	200Ω	+48Ω	Unbalanced Power, Noise
All 1/2	75Ω	100Ω	+48Ω	Unbalanced Power, Noise
CTR Room Output	75Ω	100Ω	+48Ω	Unbalanced Phone Jack
Aux Send	75Ω	100Ω	+48Ω	Unbalanced Phone Jack
Mono Channel Insert Input	600Ω	100Ω	5dB	PhonoJack (110Ω) - Cut R = in S = ON
Rec Out	600Ω	100Ω	10dBV	ROA pin Jack
Phones Out	100Ω	35Ω	3mV	Stereo Phone Jack

Every information is subject to change without prior notice. You can download the latest version of this user manual on our website: www.bogloc.com

FRANCAIS MODE D'EMPLOI

MODE D'EMPLOI

11. LAMPE TEMOIN A LED PFL

6. LAMPE TEMOIN A LED PFL

6. CONNECTEURS BCA 'REC OUT'

9. JACKS 'GROUP OUT' (ALT3/4)

Specifications
ENTREES

Input Connector	Input Impedance	Nominal Impedance	Rated Input Output	Connector Type
CH Mic	4kΩ	50 - 500Ω	50dB	XLR 3.31 Type Balanced
CH Line	10kΩ	500Ω	30dB	Phone Jack (TR3T - Hot) = Gold = CND
Stereo Input Mic	5kΩ	500Ω	44dB	XLR 3.31 Type Balanced
Stereo Input	5kΩ	500Ω	20dB	Unbalanced Phone Jack
Mono Channel Input Output	10kΩ	500Ω	0dB	Phone Jack (TR3T - Out) = mrs = CND
Injection	10kΩ	500Ω	-10dBV	DC48 pm, turn

SORTIES

Outer Connection	Input Impedance	Output Impedance	Rated Current Level	Current Type
MIX Channel 1/2	200Ω	200Ω	+48 V	Unbalanced (30Hz, 2A)
All 1/2	75Ω	100Ω	+48 V	Unbalanced (30Hz, 2A)
CTRL Room Out	75Ω	100Ω	+48 V	Unbalanced Phone Jack
Aux Send	75Ω	100Ω	+48 V	Unbalanced Phone Jack
Mono Channel Insert Input	600Ω	100Ω	10dBV	30Hz Jack (10Hz - Cntl R = in S = ON)
Rec Out	600Ω	100Ω	10dBV	RCA pin Jack
Phones Out	100Ω	35Ω	3mW	Stereo Phone Jack

1. HPF(High-Pass Filter)

9. GROUP OUT (ALT3/4) JACKS

10. MAIN L/R OUTPUT JACKS

Input Conductor	Input Impedance	Nominal Impedance	Ratio Input/Output	Connector Type
CH Mio	4kΩ	50~60Ω	50dB	XLR 3.31 Type Balanced
CH Line	10kΩ	60Ω	30dB	Phone Jack (TRB) T = Hcl = Gold = Cnch
Stereo Input/Output	5kΩ	50Ω	44dB	XLR 3.31 Type Balanced
Stereo Input	5kΩ	50Ω	20dB	Unbalanced Phone Jack
Mono Distortion Input/Output	10kΩ	NDC	0dB	Phone Jack (TRB) T = Out = in = CND
Capacitance	10kΩ	NDC	-10kV	DC4-pin, jack

UITGANGEN

Cutter Connection	Input Impedance	Output Impedance	Input/Output Level	Output type
MIX Cut 1 M	200Ω	200Ω	+4dB	Unbalanced Phase/Jack
All 1 M	75Ω	100Ω	+4dB	Unbalanced Phase/Jack
CTRL Room Cut	75Ω	100Ω	+4dB	Unbalanced Phase/Jack
Aut Send	75Ω	500Ω	+4dB	Unbalanced Phase/Jack
Mono Channel Insert Input	600Ω	100Ω	5dB	Phase/Jack (10Hz) - Cut R = in S = ON
Rec Cut	600Ω	100Ω	10dBV	RC4 pin Jack
Phones Cut	100Ω	35Ω	3mW	Stereo Phone/Jack

BALANCE (Stereokanal)

Outer Connection	Differential Impedance	Nominal Impedance	Rated Current Level	Current type
MIX GateOUT	200Ω	200Ω	+4dB	Unbalanced Power Supply
ALL 10V	75Ω	100Ω	+4dB	Unbalanced Power Supply
CTRL Room Out	75Ω	100Ω	+4dB	Unbalanced Phone Jack
Aux Send	75Ω	500Ω	+4dB	Unbalanced Phone Jack
Mono Channel Insert Input	600Ω	100Ω	dB	PianoJack (Hill) - Cut R = in S = ON
Rec Out	600Ω	100Ω	10dBW	ROA pin Jack
Phones Out	100Ω	35Ω	3mV	Stereo Phone Jack

jacks, MIC, INPUT, input XLR

6. Conectores REC OUT RCA

BALANCE (Canal Estereo)

Este controlo alusia o balanco ou a posicao L/R do sinal entada estereo.

6. Conectores REC OUT RCA.

9.JACKS GROUP OUT (ALT3/4)

10.JACKS MAIN L/R OUTPUT

Saldas jack Y2 balancidas. Pode usar estas salidas para encontrar os amplificadores de potencia para suas colunas principalis ou pode usá-as quando desegerar o sinai que tem也非常 influícido-os potencimetros principales.

11. JACKS CONTROL ROOM OUTPUT