LPAD 12CX - Mixer RCF - Free user manual and instructions

Technical Features	RCF LPAD 12CX mixing console, 12 channels, high-quality microphone preamps, 3-band EQ, built-in effects.
Usage	Ideal for concerts, live events, studio recording, and sound reinforcement applications.
Maintenance and Repair	Regularly check connections, clean potentiometers and faders, consult an authorized technician for repairs.
Safety	Use only with appropriate power supply, avoid exposure to moisture, do not open the device without proper training.
General Information	Lightweight, robust design, compatible with various audio equipment, manufacturer warranty included.

Frequently Asked Questions - LPAD 12CX RCF

How can I connect my audio source to the RCF LPAD 12CX?

Use the XLR or TRS jack inputs located on the back of the mixing console to connect your audio sources. Make sure the cable is properly plugged in and the gain level is adjusted.

Why is the sound low when I use the mixing console?

Check the gain level on the concerned channel and ensure the fader for that channel is at least halfway up. Also verify that the master fader is set correctly.

How do I adjust the audio effects on the RCF LPAD 12CX?

Use the effect knob on the channel you want to adjust. Turn the knob to select the desired effect and adjust the effect send level to achieve the desired sound.

The mixing console does not turn on, what should I do?

First check that the power supply is properly connected and the power cable is in good condition. Also make sure the power switch is turned on.

How can I record sound from the RCF LPAD 12CX?

You can use the recording output located on the back of the console to connect an external recording device. Make sure the output level is properly adjusted to avoid distortion.

Is it possible to connect multiple microphones to the RCF LPAD 12CX?

Yes, the RCF LPAD 12CX has multiple microphone inputs. You can connect up to 6 microphones using the available XLR inputs.

How can I fix a feedback problem?

Make sure gain and volume levels are not too high, which can cause feedback. Also position microphones away from speakers to avoid feedback.

What should I do if a channel on the mixing console is not working?

Check the wiring and try plugging another audio source into that channel. If the problem persists, consult the manual for troubleshooting tips or contact technical support.

How can I equalize the sound on the RCF LPAD 12CX?

Use the equalization (EQ) controls on each channel to adjust bass, mid, and treble frequencies according to your preferences. Test to find the best setting for your environment.

USER MANUAL LPAD 12CX RCF

1. Read all precautions, in particular those related to safety, very carefully as they provide important information.

WARNING: to prevent the risk of fire or electric shock, never expose this product to rain or humidity.

2. POWER SUPPLY FROM MAINS

a. The mains voltage is sufficiently high to cause electrocution; install and connect the device before plugging it in.
b. Before powering up, make sure that all the connections have been made correctly and the voltage of your mains corresponds to the voltage shown on the rating plate on the unit. Contact your RCF dealer if it does not.
c. The metallic parts of the unit are earthed through the power cable. The device is a CLASS I apparatus and must be plugged into an earthed socket.
d. Protect the power cable from damage; make sure it is positioned in a way that it cannot be stepped on or crushed by objects.
e. To prevent the risk of electric shock, never open this product: there are no parts inside that the user needs to access.

1. Make sure that no objects or liquids get into the device, as this may cause a short circuit.

The device must not be exposed to drips or splashes. Do not place objects filled with liquid, such as vases, on the device. Do not place naked flames (such as lighted candles) on the device.

1. Never attempt to carry out any operations, modifications or repairs that are not expressly described in this manual.

Contact your authorized service centre or qualified personnel should any of the following occur:

• The device does not work (or works anomalously).
• The power cable has been damaged.
• Objects or liquids have got into the device.

• The device has been subject to a heavy shock.

• Unplug the device if it will not be used for a long time.

• Switch the device off immediately and unplug it if emission of strange odours or smoke is noticed.

• Do not connect the device to any equipment or accessories other than those provided for the purpose.

For suspended installation, only use the dedicated anchoring points. Do not try to hang the device using unsuitable elements or elements which are not specific for this purpose. Also check the suitability of the support surface to which the product is anchored (wall, ceiling, structure, etc.), and the components used for attachment (screw anchors, screws, brackets not supplied by RCF etc.), which must guarantee the security of the system / installation over time, also considering, for example, the mechanical vibrations normally generated by transducers.

To prevent the risk of falling, do not stack multiple units of the device unless this possibility is specified in the user manual.

1. RCF S.p.A. strongly recommends this product is only installed by professional qualified installers (or specialised firms) who can ensure correct installation and certify it according to the regulations in force.

The entire audio system must comply with the current standards and regulations regarding electrical systems.

9. Supports and trolleys

The equipment should be only used on trolleys or supports of the type recommended by the manufacturer, where necessary. The equipment / support / trolley assembly must be moved with extreme caution. Sudden stops, excessive pushing force and uneven floors may cause the assembly to overturn.

1. Numerous mechanical and electrical factors must be considered when installing a professional audio system (in addition to strictly acoustic factors, such as sound pressure, coverage angles, frequency response etc.).

11. Hearing loss

Exposure to high sound levels can cause permanent hearing loss. The sound pressure level which causes hearing loss is different from person to person and depends on the exposure time. Adequate protection devices must be used to prevent potentially dangerous exposure to high sound pressure levels. Ear plugs or protective ear muffs must be worn when a transducer capable of producing high sound levels is used. See the technical specifications in the manual for the maximum sound pressure level.

IMPORTANT NOTES

- To prevent the occurrence of noise on line signal cables, use screened cables only and avoid putting them close to:

• Equipment generating high-intensity electromagnetic fields
• Power cables
• Speaker lines

OPERATING PRECAUTIONS

• Place the device away from sources of heat and always ensure an adequate air circulation around it.
• Do not overload this product for a long time.
• Never force the controls (buttons, knobs etc.).
• Do not use solvents, alcohol, benzene or other volatile substances for cleaning the external parts of the device.

IMPORTANT NOTES

Please read this instruction manual carefully and keep it on hand for future reference before connecting and using the device. The manual is an integral part of the device and must accompany it when it changes ownership as a reference for correct installation and use as well as for the safety precautions. RCF S.p.A. will not assume any responsibility for the incorrect installation and/or use of the device.

IMPORTANT NOTES

INFORMATION ON THE DEVICE

Thank you for purchasing a RCF mixing console.

L-PAD 12CX is a versatile audio mixer equipped with all the tools needed for appropriately processing multiple audio signals from a variety of sources. The features can be expanded by adding optional cards to implement MP3 audio player/recorder or Bluetooth functions.

CLEAR SOUND

RCF mixing consoles devices combine RCF's professional "sound culture" heritage with innovative design and dedicated manufacturing. RCF mixing consoles secure clear sound, accurate sound dynamics and extreme versatility of use by passionate professional users. RCF mixing consoles are designed to combine perfectly with RCF active speakers.

RELIABILITY

All RCF mixing consoles undergo four extensive instrumental quality tests during construction. A listening test is carried out at the end of production followed by a final quality control inspection to locate any appearance defects, such as scratches or dents. The process guarantees outstanding reliability and makes sure that the device you have purchased is of the highest quality.

DESIGN

The unique design of RCF mixing consoles is an expression of typically Italian RCF creativity. RCF mixing consoles combine modern, excellent ergonomic design. In addition to their striking appearance, the original side profile of the mixers makes them easy to grasp securely.

FEATURES

Inputs 6 MIC XLR/line inputs with 14 inch jack (1, 2, 3, 4 mono lines with 5-6, 7-8 stereo line inserts)

4 compressors (Ch. 1 - 4)

2 stereo line inputs with ¼ inch jack (3-4, 5-6)

2 stereo line inputs with 14 inch jack or RCA

1 2TK input with RCA

1 stereo return with 14 inch jack

Outputs 1 2TK output with RCA

1 MAIN MIX stereo output with balanced XLR and 14 inch jack

1 CONTROL ROOM stereo output with 14 inch jack

1 PHONES stereo output with 14 inch jack

1 AUX SEND outputs with 14 inch jack

1 FX SEND output with 14 inch jack

Other features 1 footswitch connector with 14 inch jack for FX MUTE

Three-band EQ on mono channels

Dual-band EQ on stereo channels 9-10, 11-12

1 AUX SEND

1 FX SEND

Internal digital effects: 99 preset effects, including Echo, Echo+Verb, Tremolo, Plate, Chorus, Vocal, Rotary, Small Room, Flange+Verb, Large Hall.

Optional card slot: MP3 player card, MP3 player/recorder card (with USB 1.1 port for USB flash drive up to 32 GB), Bluetoothconnection card

Internal PSU 100 V-240 V, 50-60 Hz, 40 W

Physical specifications Dimensions: L = 480 mm, W = 340 mm, H = 100 mm

Weight: 3.850 kg

FUNCTIONS

MIC input (Ch. 1 - Ch. 7/8) Connect your microphones to these balanced XLR connectors: pin1=Earth, pin2=Hot, pin3=Cold. These inputs are provided with +48 V phantom power for condenser or electret microphones. Gain scale 0 dB/-50 dB.

LINE input (Ch. 1 - Ch. 4) Connect your line level devices to these TRS jack connectors: tip=Hot, ring=Cold, sleeve=Earth. These inputs are suitable for external pre-amplifier and DI-boxes. Gain scale +15 dB/-35 dB.

INSERT (Ch. 1 - Ch. 4) These TRS connectors: tip=send, ring=return, sleeve=common earth allow to send the signal, thru an unbalanced line, to external devices (i.e. compressor) and return the processed signal back into the channel.

GAIN (Ch. 1 - Ch. 6) This controls the level gain (0 dB/-50 dB for microphone input and +15 dB/-35 dB for line input when in use).

LOW CUT switch: Press this button to cut off frequency below 75 Hz with a slope of 12 dB/oct. This is useful to prevent rumbling when using microphones.

1 MIC 2 MIC 3 MIC 4 MIC LINE LINE LINE LINE INSERT INSERT INSERT 1 MIC/LINE 2 MIC/LINE 3 MIC/LINE 4 MIC/LINE GAIN dB 0 MIC LINE -50 -35 +15 LOW CUT GAIN dB 0 MIC LINE -50 -35 +15 LOW CUT GAIN dB 0 MIC LINE -50 -35 +15 LOW CUT GAIN dB 0 MIC LINE -50 -35 +15 LOW CUT

COMP COMP COMP COMP COMP

COMP (Ch. 1 - Ch. 4). A single potentiometer controls both compressor threshold and ratio.

5-6 MIC/LINE L (MONO) R 5-6 MIC/LINE 7-8 MIC/LINE L (MONO) R 7-8 MIC/LINE GAIN dB 0 MIC LINE +15 -50 -35 GAIN dB 0 MIC LINE +15 -50 -35 LOW CUT GAIN dB 0 MIC LINE +15 -50 -35 LOW CUT

9-10 LINE 11-12 LINE L R L R 9-10 LINE 11-12 LINE

STEREO LINE INPUT

(Ch. 5/6 - Ch. 11/12)

Plug in your keyboard, line level or stereo devices here. Gain scale +15 dB/-35 dB (Ch. 5/6 - Ch. 7/8). The corresponding channel works as a mono channel when MIC input 5-6 or 7-8 is used.

RCA LINE INPUT

(Ch. 9/10 - Ch. 11/12) Plug in your low-level or consumer devices, like CD players, computers or mobile phones here (adapter needed).

STEREO RETURN

Connect signals from external devices, such as FX modules, to these unbalanced TRS jacks.

2TK IN - 2TK OUT

These unbalanced RCA connectors are suitable for connecting audio player and recorder devices.

FUNCTIONS

EQ

A three-band EQ is available for mono channels:

HI = ±15 dB@12 kHz

MID = ±15 dB@2.5 kHz

LOW = ±15 dB@80 Hz

Dual-band EQ for stereo channels:

HI = ±15 dB@12 kHz

LOW = ±15 dB@80 Hz

1 EQ HI 12kHz -15 -15 2 EQ HI 12kHz -15 -15 3 EQ HI 12kHz -15 -15 4 EQ HI 12kHz -15 -15 5-6 EQ HI 12kHz -15 -15 6 EQ HI 12kHz -15 -15 7-8 EQ HI 12kHz -15 -15 8-10 EQ HI 12kHz -15 -15 9-10 EQ HI 12kHz -15 -15 10-12 LOW 80Hz -15 -15 -15 -15 -15 -15 -15 -15 -15 -15

AUX: It is an auxiliary send, level - to +15 dB. The signal is routed to the AUX SEND output jack. The POST/PRE function determines whether to extract the signal after the fader position or independently from it.

PRE/POST button: When released, the signal is extracted in pre-fader position (independently from the fader level); when pressed, the signal is extracted from post-fader position (the send level depends on the fader level).

FX SEND: This potentiometer sends the signal to the internal effects device. The signal is also routed to the FX output jack. The signal is extracted in post-fader position.

AUX +15 -∞ +15 -∞ AUX +15 -∞ +15 -∞ AUX +15 -∞ +15 -∞ AUX +15 -∞ +15 -∞ AUX +15 -∞ +15 -∞ AUX +15 -∞ +15 -∞ AUX +15 -∞ +15 +15

PAN or PAN/BAL: This control defines the signal stereo imaging for mono channels or left-right balance for stereo channels.

MUTE button: Press this button (red LED on) to mute the channel.

PFL button: Press this button to listen the signal through the PHONES output even if the fader is in -∞ position or muted. This function is useful to check the channel input level (see the OUTPUT LEVEL meter).

GROUP 1-2 button: Press this button to route the channel signal to the group 1-2 audio output. In this case, the PAN/BAL position control defines the quantity of signal routed to GROUP 1 or GROUP 2.

L-R button: Press this button to route the channel signal to the MAIN MIX output.

FADERS Ch. 1 - Ch. 4:

MONO Channels level control

FADERS Ch. 5/6 - Ch. 7/8:

MONO/STEREO channels level control

FADERS Ch. 9/10 - Ch. 11/12:

STEREO channels level control

MUTE PFL R/2 1 2 3 4 5-6 7-8 9-10 11-12

FUNCTIONS

MAIN MIX output: XLR balanced male connectors. Plug in your active speakers or main sound reinforcement system amplifier (for passive speakers) of here. The output level is +4 dBu. This output is repeated on the TRS jack.

CONTROL ROOM output: Plug your studio monitor or local speakers into these TRS jacks.

GROUP OUT output: TRS jacks. Plug in the lines to be routed to locations or devices other than MAIN here.

AUX SEND output: Plug a wedge stage monitor or external FX device into this TRS jack. The processed signal from the FX device is returned to the mixer via the Stereo Return jacks.

FX SEND output: The signal going to the Internal FX is replicated in this TRS Jack for different application. If the internal FX device is not used, FX SEND can be used as second AUX SEND for connecting a further wedge monitor.

PHONES: TRS stereo jack, Tip = Left, Ring = Right, Sleeve = Common Earth. Plug in your headphones here to listen to MAIN MIX or PFL when pressed.

FOOTSWITCH: TS connector, Tip = FX, Sleeve = EARTH. Connect a footswitch here. Press once to bypass the FX, press again to resume the FX. The same function is available for the FX MUTE button.

OUTPUT LEVEL: These LEDs show the MAIN MIX OUTPUT level.

Keep under CLIP level to prevent generating distorted sounds or dangerous sound levels.

ST RETURN control: This defines the STEREO RETURN input signal level routed to MAIN MIX output.

TO AUX control: This defines the signal STEREO RETURN input level routed to AUX1 output.

SEND AUX control: This is the AUX SEND master level control.

FX control: This is the FX SEND master level control.

CONTROL ROOM/PHONES control: This defines the signal level routed to CONTROL ROOM output and PHONES output.

MAIN MIX-GROUP 1-2 switch: In upper position allows you to listen the MAIN MIX through the CONTROL ROOM speakers. When pressed, it allows to listen to GROUP 1-2 via the CONTROL ROOM speakers.

2TK IN/MP3 control: This defines the signal level from the 2TK IN input or from optional cards (such as the RCF mixing consoles player, recorder or Bluetooth cards) routed to MAIN MIX output.

TO MAIN MIX/TO CONTROL ROOM switch: Defines where to route the signal coming from 2TK IN or optional cards: to MAIN MIX when in upper position, to CONTROL ROOM when pressed (lower position).

INTERNAL FX PROGRAM selector: This encoder can be used to select one of the 100 effects available on the internal DSP. Press the encoder to confirm the selection. See the FX LIST to select the required effect.

FX TO AUX control: This defines the signal level of the internal FX return routed to the AUX.

FADER GROUP 1-2: GROUP 1-2 signal level control. The GROUP 1-2 signal is routed to the MAIN MIX when the L-R button is pressed.

FADER MAIN MIX: MAIN MIX output level control.

MAIN MIX OUTPUT L R L 1 R Z L AUX SEND FOOT SW CONTROL BOARD GROUP OUT MAIN MIX OUT FX SEND PHONES

1. Turn your RCF Mixing Console on.
2. Set all the faders and controls to minimum position (0 or -∞)
3. Plug a microphone into the XLR connector - MIC input of channel 1.
4. Connect your speaker system to the MAIN MIX output and turn it on.
5. Press the PFL button. Sing into the microphone and adjust the GAIN control until the OUTPUT LEVEL is shown by means of LEDs (all green LEDs should light up and the first yellow LED should do so occasionally).
6. Press again the PFL button to cancel the operation.
7. Adjust the FADER up to "0" position.
8. Check whether the MUTE button is in released (UN-MUTED channel).
9. Press the L-R button to route the channel signal to MAIN MIX.
10. Carefully turn up the MAIN MIX fader to reach a reasonable sound level.
11. Enjoy the quality of your RCF mixing console.

Front view of a device chassis with labeled ports and an arrow pointing to a control panel (no text or symbols present)

graph LR
    A["Speaker"] --> B["1 MIC"]
    B --> C["LINE"]
    C --> D["INSERT"]
    D --> E["1 METER"]
    E --> F["LOW CUT"]
    G["MUTE"] --> H["10000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000"] --> I["15 15 35"]
    J["MAIN MIX OUTPUT"] --> K["15 15 35"]
    L["+46V POWER OPB"] --> M["+18 P"]
    M --> N["+19 P"]
    N --> O["+2 P"]
    O --> P["+3 P"]
    P --> Q["+2 P"]
    Q --> R["+2 P"]
    R --> S["+2 P"]
    S --> T["+2 P"]
    T --> U["+2 P"]
    U --> V["+2 P"]
    V --> W["+2 P"]
    W --> X["+2 P"]
    X --> Y["+2 P"]
    Y --> Z["+2 P"]
    Z --> AA["+2 P"]
    AA --> AB["+2 P"]
    AB --> AC["+2 P"]
    AC --> AD["+2 P"]
    AD --> AE["+2 P"]
    AE --> AF["+2 P"]
    AF --> AG["+2 P"]
    AG --> AH["+2 P"]
    AH --> AI["+2 P"]
    AI --> AJ["+2 P"]
    AJ --> AK["+2 P"]
    AK --> AL["+2 P"]
    AL --> AM["+2 P"]
    AM --> AN["+2 P"]
    AN --> AO["+2 P"]
    AO --> AP["+2 P"]
    AP --> AQ["+2 P"]
    AQ --> AR["+2 P"]
    AR --> AS["+2 P"]
    AS --> AT["+2 P"]
    AT --> AU["+2 P"]
    AU --> AV["+2 P"]
    AV --> AW["+2 P"]
    AW --> AX["+2 P"]
    AX --> AY["+2 P"]
    AY --> AZ["+2 P"]
    AZ --> BA["+2 P"]
    BA --> BB["+2 P"]
    BB --> BC["+2 P"]
    BC --> BD["+2 P"]
    BD --> BE["+2 P"]
    BE --> BF["+2 P"]
    BF --> BG["+2 P"]
    BG --> BH["+2 P"]
    BH --> BI["+2 P"]
    BI --> BJ["+2 P"]
    BJ --> BK["+2 P"]
    BK --> BL["+2 P"]
    BL --> BM["+2 P"]
    BM --> BN["+2 P"]
    BN --> BO["+2 P"]
    BO --> BP["+2 P"]
    BP --> BQ["+2 P"]
    BQ --> BR["+2 P"]
    BR --> BS["+2 P"]
    BS --> BT["+2 P"]
    BT --> BU["+2 P"]
    BU --> BV["+2 P"]
    BV --> BW["+2 P"]
    BW --> BX["+2 P"]
    BX --> BY["+2 P"]
    BY --> BZ["+2 P"]
    BZ --> CA["+2 P"]
    CA --> CB["+2 P"]
    CB --> CC["+2 P"]
    CC --> CD["+2 P"]
    CD --> CE["+2 P"]
    CE --> CF["+2 P"]
    CF --> CG["+2 P"]
    CG --> CH["+2 P"]
    CH --> CI["+2 P"]
    CI --> CJ["+2 P"]
    CJ --> CK["+2 P"]
    CK --> CL["+2 P"]
    CL --> CM["+2 P"]
    CM --> CN["+2 P"]
    CN --> CO["+2 P"]
    CO --> CP["+2 P"]
    CP --> CQ["+2 P"]
    CQ --> CR["+2 P"]
    CR --> CS["+2 P"]
    CS --> CT["+2 P"]
    CT --> CU["+2 P"]
    CU --> CV["+2 P"]
    CV --> CW["+2 P"]
    CW --> CX["+2 P"]
    CX --> CY["+2 P"]
    CY --> CZ["+2 P"]
    CZ --> DA["+2 P"]
    DA --> DB["+2 P"]
    DB --> DC["+2 P"]
    DC --> DD["+2 P"]
    DD --> DE["+2 P"]
    DE --> DF["+2 P"]
    DF --> DG["+2 P"]
    DG --> DH["+2 P"]
    DH --> DI["+2 P"]

HOW TO IMPROVE THE SOUND

The RCF mixing console implements several powerful tools to improve the sound quality of your music even more.

COMP: Turn the COMP control clockwise to add a compression effect to the signal. This allows to control the dynamic of the signal, limiting peaks and gaining level in case of low signals.

COMP COMP COMP COMP COMP

EQ: A three-band EQ is available on each mono channel, while a dual-band EQ is available on stereo channels 9-10 and 11-12. Adjust these parameters to subtract noise frequencies or magnify desired sounds.

1 EQ HI 12kHz -15 -15 MID 5kHz -15 -15 LOW 80Hz -15 -15 9-10 EQ HI 12kHz -15 +15 -15 +15 9-12 EQ HI 12kHz -15 +15 -15 +15 LOW 80Hz -15 -15 LOW 80Hz

FUNCTIONS

INTERNAL FX: Keep singing in the microphone, turn clockwise the yellow FX send until the red led PEAK/MUTE lights occasionally.

Turn the INTERNAL FX PROGRAM encoder and press it to confirm the selection of the required FX (see the FX LIST below).

Set the FX knob to 12 o'clock position (the rightmost yellow knob). Now, turn the FX RETURN fader up carefully. Stop at the required level.

Ten effect algorithms are available with ten variations each:

ECHO: Ideal for delay effects. Use for vocals and brass.

ECHO+VERB: Deeper and more sophisticated effect than ECHO preset. It adds a reverb effect to delay rebounds.

TREMOLO: Ideal guitar effect.

PLATE: Recommended for snare drums or percussions, like congas or timbales.

CHORUS: Try it on acoustic guitar or to create a deeper stereo effect on background vocal.

VOCAL: Ideal for adding depth and intensity to leading vocals or solo instruments.

ROTARY: Great for Hammond organs or Rhodes Pianos.

SMALL ROOM: Try it over small percussions like castanet or claves.

FLANGE+VERB: Great for electric guitar to obtain particular effects.

LARGE HALL: Good for voices, electric guitar and main instruments, especially for ballads.

FX LIST

00-09 ECHO

10-19 ECHO+VERB

20-29 TREMOLO

30-39 PLATE

40-49 CHORUS

50-59 VOCAL

60-69 ROTARY

70-79 SMALL ROOM

80-89 FLANGE+VERB

90-99 LARGE HALL

AVAILABLE ACCESSORIES

RCF MIXING CONSOLES PLAYER CARD: USB stick based MP3 Player Card – Max. capacity: 32 GB (Part Number: 133 60 287).

RCF MIXING CONSOLES RECORDER CARD: USB flash drive based MP3 player/recorder card - Max. capacity: 32 GB (Part Number: 133 60 288).

RCF MIXING CONSOLES BLUETOOTH CARD: Bluetooth connection card. This card allows to play your music playlist from Smartphone, Tablet or any Bluetooth device. (Part Number: 133 60 289)

MOUNT ACCESSORIES

Rack ears (RCF Part Number: 133 60 292)

OPTIONAL CARDS

INSTALLATION AND USE

With the help of a small flat screwdriver press horizontally the plastic cover on its right side and remove it carefully.

To install a RCF Mixing Consoles Bluetooth card or a RCF Mixing Consoles player card, plug the 5 pin cable into the 5 pin connector on the PCB board as shown.

To install a RCF Mixing Consoles player/recorder card, plug the 5 pin cable into the 5 pin connector and the 3 pin cable into the 3 pin connector on the PCB board as shown.

Now place the optional card in its site and enjoy the new functions.

RCF MIXING CONSOLES BLUETOOTH CARD

Turn the Bluetooth interface on your mobile device on and press the PAIR button on the card. Your mobile device will recognize the "BT2.1" Bluetooth device. Pair your device with the BT2.1 device. You can now play your favourite music.

Turn clockwise the knob named 2TK/MP3 up to 12 o'clock position and check if the TO MAIN MIX/TO CTRL ROOM switch is in upper position; now raise carefully the MAIN MIX fader up to the desired listening level. You can adjust the volume on the card panel also pressing the buttons VOL+ and VOL-.

RCF MIXING CONSOLES PLAYER CARD

From your computer, copy in a USB drive as many mp3 files as you want, even contained in folders (max 32 GB total), insert the USB pen in the USB dedicated connector on the card, press and hold the PUSH&HOLD button for two seconds, the card will start to play the first file of the first folder, the display will show alternatively the number of the file and the number of the folder which is playing. Press the "◀" or "▶" button to skip to the previous or to the following track. Hold the same buttons pressed to change the selected folder. Use the PLAY/PAUSE button to pause or restart playback. Press STOP to stop playback. Press the loop button (⇨) repeatedly to select random play, loop the current track or loop the entire programme, respectively. Turn clockwise the knob named 2TK/MP3 up to 12 o'clock position and check if the TO MAIN MIX/TO CTRL ROOM switch is in upper position; now raise carefully the MAIN MIX fader up to the desired listening level.

From your computer, copy in a USB drive as many mp3 files as you want, even contained in folders (max 32 GB total). Insert the USB flash drive in the dedicated USB port on the card, press and hold the PUSH & HOLD button pressed for two seconds. The card will start playing the first file in the first folder. The file number and folder number which is playing will be shown on the display. Press the "◀" or "▶" buttons to skip to the previous or to the following music file. Hold the same buttons pressed to change the selected folder. The card allows you to record the program present on MAIN MIX: press the REC button once, now the board is in "rec ready status" and the display shows a flashing REC advise; press REC again to start recording; press PUSH&HOLD button once for stop recording; the card will create a new folder on the USB pen called FrE01 where the created files will find place. Use the PLAY/PAUSE button to pause or restart playback. Press the loop button (⇨) repeatedly to select random play, loop the current track or loop the entire programme, respectively.

Turn clockwise the knob named 2TK/MP3 up to 12 o'clock position and check if the TO MAIN MIX/TO CTRL ROOM switch is in upper position; now raise carefully the MAIN MIX fader up to the desired listening level.

Gently remove the plastic cover with the help of a screwdriver.

MAIN BOX OUTPUT RCF L-PAD 12

Be sure to connect

each connector in its proper position.

Two identical electronic device back panels with cables and ports, no visible text or symbols

5 pin connector3 pin connector

POWER MAX MIX OUTPUT 5 PIN connector 3 PIN connector RCF L-PAD 12 L-CAMPOLE NETWORKS CONNECTOR CONNECTOR CONNECTOR CONNECTOR

AVVERTENZE PER LA SICUREZZA

Small Room, Flange+Verb, Large Hall.

HI = ±15 dB a 12 kHz

LOW = ±15 dB a 80 Hz

1 EQ HI 12kHz -15 +15 2 EQ HI 12kHz -15 +15 3 EQ HI 12kHz -15 +15 4 EQ HI 12kHz -15 +15 5-6 EQ HI 12kHz -15 +15 6-8 EQ HI 12kHz -15 +15 7-10 EQ HI 12kHz -15 +15 8-10 EQ HI 12kHz -15 +15 9-10 EQ HI 12kHz -15 +15 10-12 EQ HI 12kHz -15 +15

MUTE PFL R/2 1 2 3 4 5-6 7-8 9-10 11-12

FUNZIONI

Front view of a control panel with buttons and indicator lights (no text or symbols visible)

graph LR
    A["Speaker"] --> B["1 MICR"]
    B --> C["MUTE"]
    C --> D["MAIN MIX OUTPUT"]
    D --> E["Speaker"]

    subgraph Signal Process
        B1["LINE"] --> B2["LIN"]
        B3["INSERT"] --> B4["LIN"]
        B5["1 MICR"] --> B6["LIN"]
        B7["LIN"] --> B8["LIN"]
        B9["LIN"] --> B10["LIN"]
        B11["LIN"] --> B12["LIN"]
        B13["LIN"] --> B14["LIN"]
        B15["LIN"] --> B16["LIN"]
        B17["LIN"] --> B18["LIN"]
        B19["LIN"] --> B20["LIN"]
        B21["LIN"] --> B22["LIN"]
        B23["LIN"] --> B24["LIN"]
        B25["LIN"] --> B26["LIN"]
        B27["LIN"] --> B28["LIN"]
        B29["LIN"] --> B30["LIN"]
        B31["LIN"] --> B32["LIN"]
        B33["LIN"] --> B34["LIN"]
        B35["LIN"] --> B36["LIN"]
        B37["LIN"] --> B38["LIN"]
        B39["LIN"] --> B40["LIN"]
        B41["LIN"] --> B42["LIN"]
        B43["LIN"] --> B44["LIN"]
        B45["LIN"] --> B46["LIN"]
        B47["LIN"] --> B48["LIN"]
        B48["LIN"] --> B49["LIN"]
        B50["LIN"] --> B51["LIN"]
        B52["LIN"] --> B53["LIN"]
        B54["LIN"] --> B55["LIN"]
        B56["LIN"] --> B57["LIN"]
        B58["LIN"] --> B59["LIN"]
        B60["LIN"] --> B61["LIN"]
        B62["LIN"] --> B63["LIN"]
        B64["LIN"] --> B65["LIN"]
        B66["LIN"] --> B67["LIN"]
        B68["LIN"] --> B69["LIN"]
        B70["LIN"] --> B71["LIN"]
        B72["LIN"] --> B73["LIN"]
        B74["LIN"] --> B75["LIN"]
        B76["LIN"] --> B77["LIN"]
        B78["LIN"] --> B79["LIN"]
        B80["LIN"] --> B81["LIN"]
        B82["LIN"] --> B83["LIN"]
        B83["LIN"] --> B84["LIN"]
        B84["LIN"] --> B85["LIN"]
        B85["LIN"] --> B86["LIN"]
        B86["LIN"] --> B87["LIN"]
        B87["LIN"] --> B88["LIN"]
        B88["LIN"] --> B89["LIN"]
        B89["LIN"] --> B90["LIN"]
        style A fill:#f9f,stroke:#333
    style E fill:#ccf,stroke:#333

MAIN MUX OUTPUT RCF L-PAD 12™

9. Supports et chariots

Large Hall (grand hall), etc.

LOW (graves) = ±15 dB à 80 Hz

LOW (graves) = ±15 dB à 80 Hz

1 EQ HI 12kHz -15 -15 2 EQ HI 12kHz -15 -15 3 EQ HI 12kHz -15 -15 4 EQ HI 12kHz -15 -15 5-6 EQ HI 12kHz -15 -15 6-8 EQ HI 12kHz -15 -15 7-10 EQ HI 12kHz -15 -15 8-10 EQ HI 12kHz -15 -15 9-10 EQ HI 12kHz -15 -15 10-12 LOW 80Hz -15 -15 -15 -15 -15 -15 -15 -15 -15

MUTE PFL R/2 1 2 3 4 5-6 7-8 9-10 11-12

FONCTIONS

Front view of a device chassis with labeled ports and an arrow pointing to a control panel (no text or symbols present)

graph LR
    A["Speaker"] --> B["1 MIC"]
    B --> C["LINE INSERT"]
    C --> D["1 METER"]
    D --> E["LOW CUT"]
    E --> F["MUTE"]
    F --> G["+40V POWER OFF"]
    G --> H["OUTPUT LEVEL"]
    H --> I["MAIN MIX OUTPUT"]
    I --> J["Speaker"]

COMMENT AMÉLIORER LE SON

ACCESSOIRES DISPONIBLES

MAIN MUX OUTPUT BCF L-PAD 12™

Vocal, Rotary, Small Room, Flange+Verb y Large Hall

HI = ±15 dB a 12 kHz

LOW = ±15 dB a 80 Hz

1 EQ HI 12kHz -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -10 EQ HI 12kHz -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -10 EQ HI 12MHz MID 2.5kHz -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -10 EQ HI 12kHz MID 2.5kHz -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -10 EQ HI 12MHz MID 2.5kHz -15 -15 -15 -15 -15 -15 -15 -15 -10 EQ HI 12MHz MID 2.5kHz -15 -15 -15 -15 -15 -15 -10 EQ HI 12MHz MID

MUTE PFL R/2 L/1 R/2 MUTE PFL R/2 L/1 R/2 MUTE PFL R/2 L/1 R/2 MUTE PFL R/2 L/1 R/2 MUTE PFL R/2 L/1 R/2 MUTE PFL R/2 L/1 R/2 MUTE PFL R/2

FUNCIONES

CÓMO HACER QUE LA MESA DE MEZCLAS RCF mixing consoles FUNCIONE

Diagram of a device rear panel with labeled ports and an arrow pointing to a control panel (no text or symbols present)

graph LR
    A["Speaker"] --> B["1 MIK"]
    B --> C["LINE"]
    C --> D["INSERT"]
    D --> E["1 MODE"]
    E --> F["LOW CUT"]
    F --> G["MUTE"]
    G --> H["OUTPUT LEVEL"]
    H --> I["MAIN MIX OUTPUT"]
    I --> J["Speaker"]

Flange+Verb, Large Hall.

Optionaler Kartenslot: MP3 Player Card, MP3 Player/Recorder Card

MUTE PFL R/2 L/1 R/2 MUTE PFL R/2 L/1 R/2 MUTE PFL R/2 L/1 R/2 MUTE PFL R/2 L/1 R/2 MUTE PFL R/2 L/1 R/2 MUTE PFL R/2 L/1 R/2 MUTE PFL R/2

FUNKTIONEN

Diagram of a device rear panel with labeled ports and an arrow pointing to a control panel (no text or symbols present)

graph LR
    A["Speaker"] --> B["1 MIC"]
    B --> C["LINE INSERT"]
    C --> D["1 METER"]
    D --> E["LOW CUT"]
    B --> F["MUTE PFL"]
    F --> G["10 GHz"]
    G --> H["1 L R"]
    H --> I["3"]
    I --> J["+REV POWER OPB"]
    J --> K["100"]
    K --> L["-10"]
    L --> M["-7"]
    M --> N["-5"]
    N --> O["-2"]
    O --> P["0"]
    P --> Q["2"]
    Q --> R["-4"]
    R --> S["-7"]
    S --> T["-10"]
    T --> U["-20"]
    U --> V["-8"]
    V --> W["OUTPUT LEVEL"]
    W --> X["MAIN MIX OUTPUT"]
    X --> Y["Speaker"]

SO KÖNNEN SIE DEN SOUND VERBESSERN

MAIN SWITCH OUTPUT BCF L-PAD 12™

Two identical electronic device back panels with cables and connectors, no visible text or symbols

MASS MIX OUTPUT 5 PIN connector 3 PIN connector RCF L-PAD 12 RCAI L-CAMM METER/CONSENSO R/CAMM R/CAMM R/CAMM R/CAMM R/CAMM R/CAMM R/CAMM R/CAMM R/CAMM R/CAMM R/CAMM R/CAMM R/CAMM R/CAMM R/CAMM R/CAMM R/CAMM R/CAMM R/CAMM R/CAMM R/CAM

5-Pin-Verbinder3-Pin-Verbinder

REAR PANEL / PANNELLO POSTERIORE / PANNEAU ARRIÈRE / PANEL TRASERO / GERÄTERÜCKSEITE

Line drawing of a device rear panel with multiple ports and control buttons (no text or symbols)

VDE AC IN SOCKET AC VDE socket to connect the mixer to AC power supply.

ON-OFF SWITCH Switches the mixer on and off

+48 V PHANTOM POWER SWITCH Switches the microphone input +48 V phantom power on and off (Ch. 1 - Ch. 6). Turn the +48 V phantom power on only when using a condenser or electret microphone.

Front view of a device control panel with buttons and indicator lights (no text or symbols visible)

Line drawing of a device front panel with buttons and indicator lights (no text or symbols)

Line drawing of an industrial control panel with multiple switches and buttons (no text or symbols)

Front view diagram of a device rear panel with switches and buttons (no text or labels)

20 Hz to 22 kHz,+/-1 dB

<0.03% @ +0 dB, 22 Hz\~22 kHz A-weighted

0 dB to -50 dB

+15 dB (balanced)

75 Hz

<-100 dBr A-weighted

+48 V with switch control

Line input

Frequency response

Distortion (THD+N)

Sensitivity range

Compressor

1/4' TRS balanced

20 Hz to 22 kHz,+/-1 dB

<0.03% @ +0 dB, 22 Hz\~22 kHz A-weighted

+15 dB\~ -35 dB

GAIN: 0 --> 9 dB | THRESHOLD: 20 dB --> 5 dB ↓

Stereo input channels

Mic input

LOW CUT

Line input

Frequency response

Distortion (THD+N)

Sensitivity range

SNR

XLR balanced

75 Hz

1/4' TRS or TRS/RCA unbalanced

20 Hz to 22 kHz,+/-1 dB

<0.03% @ +0 dB, 22 Hz\~22 kHz A-weighted

-15 dBu\~ +35 dBu

<-100 dBr A-weighted

Channel EQ

High

Mid

Low

Mono channel Stereo channel

+/-15 dB @12 kHz +/-15 dB @12 kHz

+/-15 dB @2.5 kHz

+/-15 dB @80 Hz +/-15 dB @80 Hz

2-TRACK IN

TAPE IN

Frequency response

Distortion (THD+N)

Gain range

RCA jack

20 Hz to 22 kHz,+/-1 dB

<0.03% @ +0 dB, 22 Hz\~22 kHz A-weighted

OFF to 15 dB

STEREO RETURNS

Input

Frequency response

Distortion (THD+N)

GAIN range

SNR

1/4' TRS unbalanced

20 Hz to 22 kHz,+/-1 dB

<0.03% @ +0 dB, 22 Hz\~22 kHz A-weighted

OFF TO +15 dB

<-100 dBr A-weighted

Impedances

Microphone input

All other inputs

Tape out

All other outputs

1.8 kΩ

10 kΩ or higher

1 kΩ

120 Ω

DSP section

A/D and D/A converters

Type of effects

Controls

24 bit

Echo, Echo+Verb, Tremolo, Plate, Chorus, Vocal Rotary, Small Room, Flange + Verb, Large Hall

100 position presetting selector (10 preset effects * 10 variations) Mute switch & footswitch with LED indicator

TIP: FX SLEEVE: EARTH

Main mix section

Max. MAIN MIX output

AUX range

Fader range

PHONES/CONTROL ROOM range

Hum & noise

Crosstalk

+22 dBu XLR balanced (+16 dBu unbalanced)

OFF to +15 dB

OFF to +10 dB

OFF to +15 dB

<-80 dB @ 20 Hz\~22 kHz A-weighted 1 channel & MAIN level:0 dB, other channels: minimum

<-80 dB @0 dB 20 Hz\~22 kHz A-weighted MAIN level:0 dB, other channels: minimum

Power supply

Main voltage

Fuse

Power consumption

100-240 V AC \~ 50/60 Hz

T1.6AL AC250 V

40 W max.

SUGGESTED CONFIGURATIONS / CONFIGURAZIONI SUGGERITE / SUGGESTIONS DE CONFIGURATIONS / CONFIGURACIÓN RECOMENDADA / EMPFOHLENE KONFIGURATIONEN

"LIVE" CONFIGURATION