MC12D - Sound system YORKVILLE - Free user manual and instructions

USER MANUAL MC12D YORKVILLE

Instructions pertaining to a risk of fire, electric shock, or injury to a person CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED

SERVICE PERSONNEL. Read Instructions: The Ouners Manual should be read and understood before operation of your unit. Please, save these instructions for future reference and heed all warnings. Clean only with dry cloth. Packaging: Keep the box and packaging materials, in case the unit needs to be returned for service.

Warning: To reduce the risk or fe or electric shock, do not expose this apparatus to rain or

moisture. Do not use this apparatus near waterl

Warning: When using electric products, basic precautions should always be followed,

including the following Power Sources Your unit should be connected to a power source only of the voltage specified in the owners manual or as marked on the unit. This unit has a polarized plug. Do not use with an extension cord or receptacle unless the plug can be fully inserted. Precau- tions should be taken so that the grounding scheme on the unit is not defeated. An apparatus with CLASS | construction shall be connected to a Mains socket outlet with a protective earthing ground. Where the MAINS plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable. Hazards Do not place this product on an unstable cart, stand, tripod, bracket or table. The product may fall, causing serious personal injury and serious damage to the product. Use only with cart, stand, tripod, bracket, or table recommended by the manufacturer or sold with the product. Follow the manufacturers instructions when installing the product and use mounting accessories recommended by the manufacturer. Only use attachments/accessories specified by the manufacturer Note: Prolonged use of headphones at a high volume may cause health damage on your ears. The apparatus should not be exposed to dripping or splashing water; no objects filled with liquids should be placed on the apparatus. Terminals marked with the “lightning bolt’ are hazardous live; the external wiring connected to these terminals require installation by an instructed person or the use of ready made leads or cords. Ensure that proper ventilation is provided around the appliance. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus including amplifiers) that produce heat. No naked flame sources, such as lighted candles, should be placed on the apparatus. Power Cord Do not defeat the safety purpose of the polarized or grounding-type plug. À polarized plug has two blades with one wider than the other. À grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outiet, consult an electrician for replacement of the obsolete outlet. The AC supply cord should be routed so that it is unlikely that it will be damaged. Protect the power cord from being walked on or pinched particularly at plugs. f the AC supply cord is damaged DO NOT OPERATE THE UNIT. To completely disconnect this apparatus from the AC Mains, disconnect the power supply cord plug from the AC receptacle. The mains plug of the power supply cord shall remain readily operable. Unplug this apparatus during lightning storms or when unused for long periods of time. Service The unit should be serviced only by qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normallÿ, or has been dropped.

Introduction Thank you for using the Yorkville MC12D 12-channel unpowered mixer. The MC12D has been designed to be one of the most versatile, user-friendly and feature-equipped mix- ing consoles for live performances. Experience from many of our customers coupled with our own personal experience has Led us to produce a mixer that not only has a comprehensive feature set, but is also extremely easy to use right out-of-the-box! This manual contains information to help you get the maximum performance from the MC12D, we hope you'll take the time to read it. Features at a Glance + 12 channel inputs, up to 10 microphones and 2 stereo sources + 2 monitor (pre-fader) and 2 effects (post-pader) sends per channel + Mute and Solo switches on all channels + 100mm Faders + Built-in 24-bit digital effects unit with 16 presets and Modify control + Built-in soft-knee compressor/limiter with status of gain reduction on all mono channels + Stereo channels include an additional RCA inputs with Level controls + 12-Segment LED VU-Meter with peak and average reading function + Pre-fader and after-fader listen capability in Solo Mode + Built-in 9-band 2/3 octave graphic EQ with additional Bass and TReble contriols on Main Outputs + Media In and Out with seperate controls (can be used as a record buss or additional feed for music during set breaks). + Summed Mono output with built-in selectable 120Hz crossover for driving subwoofers. + 48 Volt Phantom Power supply on all mic channels

Input Channels 1-8 Instrument In High à 1. Bal Line Input : : The Bal Line input %4-inch TRS (stereo) 5 jack for connecting line-level sources, e.g. Sweep instrument amp line outputs. Balanced or 0 ER 251 unbalanced sources may be connected us- ing balanced or unbalanced shielded cable. na ae Note: Channels 7 and 8 have Cas unbalanced instrument-level à <a à D Mid 2 H-inch inputs rather than line- [Mic Mic level so that guitars and bass- Insert tip: seno Insert Tip: END es can be connected directly purs RETURN pans RETURN 25 A 0 to the board. L FI s cr 2. Mic Input The Mic input is a standard Low-impedance Gain Gain XLR mic-level input. = = — 15 75 0 35 0 35 Fi © || © 1, % 3. Insert Jack Pda Fra # h Use a Y-insert cable (e.g. the Apex A203SPY o or A210SXY) to connect sound processing mon 4 5 6 ; - EQ, compressor, etc - directly to an input HPF HPF channel. Tip=Send, Ring=Return. a 2 8 LEA pu LEA ©: i O O io 4. Gain Control To aid in matching input signal levels, adjust 1 7 EFX the Gain Level while using a signal that rep- resents the loudest signal that will be used; set the Gain just 2 _5 before the Limit LED begins to illuminate. This will optimize the channel's gain for a given Aux source’s output voltage. During a sound check, depress the channel Solo Switch and using the Gain control, set the PFL Level to O (zero dB) on the VU Meter display. The channels NA 2 Limit LED can also be useful as a Gain indicator. ren 5. HPF Button High-pass filter, press to roll off the bass under 80Hz on vocal, guitar, etc. channels in e Æ order to minimize microphone handling noise and unwanted low-frequency sound spillover.

The Low and High EQ controls are +/-15dB shelving at 80 & 12 kHz respectively. Mid = -25 dB to +12 dB with Sweep from 80 Hz to 8 kHz.

7. Mon 1 and Mon 2 Controls

The monitor signals are post-EQ, pre-fade and send signal to their respective Mon Send masters and Monitor Out jacks.

The EFX Sends are post-EQ and post-fader. The channels signal is routed through the EFX Send control to the Internal Effects unit and the External Effects Send jack.

The Aux path sends post-EQ, post-fader signal to the Aux Send master and Aux Send jack.

The Pan control affects the maïn-mix signal (only) going to the L & R masters and the Media Out jacks.

The Mute Switch disconnects the specified channel from all outputs. The channel can still be monitored through the Phones and on the VU-Meter when the Solo is activated in PFL mode.

The Clip LEDs Indicate the input Limiter’s capacity has been exceeded, reduce the Gain setting when illuminated.

The Limit LEDs Indicate input Limiter activity. The bright- ness of the yellow Limit LED indicates the amount of gain reduction or compression.

14. Activity LED (Act)

The Act LED indicates channel signal activity (i.e. that signal is present in the channel).

When depressed, the Solo Switch isolates the selected channel through Phones and on the VU-Meter.

The channel fader sends channel output to the L&R Masters and the Media outputs. e æ Input Channels 9/10 and 11/12

The L&R %-inch Line Inputs will accept balanced or unbalanced cables from keyboards, etc. Line 2. Mic Input @ The Mic inputs accept standard low-impedance XLR mic-level input.

3. L&R RCA 2-Trk Input Jacks

The L&R RCA 2-Trk inputs can be used for audio signals from CD players, computers, iPods, etc. Mi 4 : " ® 4. Gain Control e @® æ The channels Gain control regulates the L&R Line and Mic input signals. © © 5. 2-TRK Level Control The 2-TRK Level Control regulates the 2-Trk (track) input signals only. 2-TRK 1 : " Note: Either the Line, or Mic input (not both), can be used along with the 2-Trk inputs Gain 0 simultaneously. 20 © 20 6. Equalization 38 a8 <o The Low and High EQ controls are shelving at 80 Hz & 12 kHz respectively, Mid = bandpass 2-TRK Level at 1 kHz, all with +/-15 dB range.

Low (4 30e © 5 as Eten SA,

Vä-inch Phone Plug Va-inch TRS. Phone Plug

The Mon 1 and Mon 2 controls are post-EQ and pre-fader; the audio signal is sent to the respective Mon Send masters and Monitor Out jacks.

The EFX control sends post-EQ, post-fader channel signal to the EFX Send Master and Internal Effects processor.

The Aux control sends post-EQ, post-fader signal to the Aux Send Master and Aux Send jack.

The Balance control affects the main-mix balance going to the L&R masters.

The Mute Switch disconnects the specified channel from all outputs. The channel can still be monitored through the Phones and on the VU-Meter when the Solo is activated in PFL mode.

The Clip LED indicates the channel's signal capacity has been exceeded; reduce the Gain setting if continuously illuminated.

The Act (Activity) LED pulses with the input signal to indicate channel Activity

Use the Solo switch to isolate the channel through the headphone (Phones) amplifier and on the VU-Meter.

The channel fader sends channel output to the L&R Masters and to the Media outputs. Buss Inputs & Outputs

The %-inch EFX and Aux unbalanced mono outputs are . : Æ controlled by their respective Inserts Send masters. Unbalanced | cables can be used. np: sENo RG: RETURN

2. RETURNS Monitor OUT

The %-inch L&R pairs of inputs (bal/unbal) are con- po trolled by their respective EFX and Aux Rtn channels.

3. L&R XLR Out Jacks

The L&R XLR Out jacks are main mix XLR outputs con- trolled by the L&R Main master faders. The use of balanced cables is strongly Q recommended. : =

The L&R Insert %-inch TRS (stereo) jacks each acting as a send and a return (Tip=send, Ring=return) to permit patching EQ, compressor/limiter, etc. directly into the main mix out- puts using Ÿ insert cables such as the Apex A210SPY or A210SXY.

The Media In L&R RCA jacks go to the Media In master, which feeds the main buss (post Master) and can be used to connect the output of a second mixer or program source. Use balanced or unbalanced cables.

The Media Out L&R RCA jacks are controlled by the Media Out master control. This is the main mix and can be connected to the input of another mixer or recording medium using balanced or unbalanced cables.

The Mono Out provides a main mix output regulated by the Mono Out Master control which is ideally suited for connecting a subwoofer amplifier. Use a balanced or unbal- anced cable.

The Mon 1 & Mon 2 %-inch outputs are controlled by their respective Mon Send master controls. Use balanced or unbalanced cables.

9. Phantom Power Active LED

The Phantom Power Active LED indicates that phantom power is available on all Mic inputs. The Phantom Power Active switch is located on the same back panel as the AC switch and cable socket. Note: phantom power will not interfere with the performance of most dynamic mics.

10. Headphone Output Jack

The Headphone Output jack enables the connection of standard stereo headphone which help to monitor all Input channels plus Main, Monitor, EFX and Aux busses. If [ont 44e, no Solo switches are engaged, only the L&R Main mix will O: Ce] be present in the phones. die

11. Lamp Connector s RE 7 soio

A standard BNC-mount gooseneck Llamp such as our D? ï GNL-600, 12-Volt incandescent Lamp or GNL-101 LED Sites lamp can be used. Ex ÉAVRE 7 Solo O: 4 Master Controls 8 QT]

1. Media In and Out Master Controls and que SA, sois

Clip LEDs 8@E To] The Media In and Out Master controls regulate the input and output levels at their respective Media In and Media 45 Out jacks. Reduce the level of the appropriate Media In ©: ES Ÿ: master control when the Clip LED illuminates continually. 1

2. Mon 1 and Mon 2 Send Controls, Solo and ‘©: ER ‘©;

Clip LEDs 4 The Mon 1 and Mon 2 Send controls regulate the Level of Ba their respective monitor busses going to the Mon 1 and 2 © ©) Out jacks. The Solo buttons isolate their respective moni- RS

RE nc 12 di EN tor mixes through the headphones and the green LEDs indicate that the Solo feature is active. The red Clip LED indicates clipping in the buss; reduce the Send level or the chan- nel Mon 1 or 2 levels to avoid distortion.

3. EFX Send, Solo Controls and Clip LEDs

The EFX Send, Solo controls regulate the Level of the EFX mix going to the EFX Send jack and to the Internal Effects processor. The Solo Switch isolates the effects mix through the headphones and the green LED indicates that the Solo feature is active. The red Clip LED indicates clipping in the buss. Reduce the Send Level or the channel EFX level control to avoid distortion.

4. Aux Send, Solo Controls and Clip LEDs

The Aux Send, Solo controls regulate the Level of the Aux mix going to the Aux Send jack. The Solo Switch isolates the Aux mix through the headphones and the green LED indicates that the Solo feature is active. The red Clip LED indicates clipping in the buss. Reduce the Send level or the channel Aux level controls to avoid distortion. Treble MAIN Stereo EQ +2R—R—LR-R—R—R— +6 Cl Cu Cd Ci Cl Lnl -15 +15

on Bass -6 DR MERE: 160 250 400 630 1.0K 1.6K 2.5K 4.0K 6.3K 157 +15

5. Main Stereo EQ, Bass and Treble Controls

The Main EQ sliders provide +/-12 dB of bandpass gain regulation at 9 frequencies from 160Hz to 6.3 kHz while Bass and Treble provide +/-15dB of shelving throughout the over- all Low and high frequency ranges.

6. Solo Mode Switch and LEDs

By using the Solo Mode Switches, any channel in Solo mode is isolated on the VU-Meter for referencing their audio levels. By depressing the main Solo Mode switch, you choose PFL (pre-fade listen) to help setting the channel's Gain control for an average 0 dB reading. With the Switch down, you have after-fader listen mode to help you check the channel's overall signal Level as regulated by its fader. With no channel or other Solo switches depressed, the meter reads the Main signal levels.

The Phones Level control is used to adjust the volume of the signal sent to the Headphone jack. Phones 8. Mono Out Section The Mono Out section is used principally for remote control of subwoofer amplifiers, the L&R Main signal is mixed down to mono and available at the Mono Out jack. The Level control regulates output and the Sub Switch activates a 120 Hz low-pass filter to facilitate no-crossover sub operation.

9. EFX and Aux Faders, Mute and Solo Switches and LEDs

The EFX and Aux faders control the amount of internal and external effects as well as auxiliary input signals being added to the Main mix. The Mute switches permit intro- ducing effects and auxiliary inputs (e.g. from a second external effects chain) quickly and silently into the main mix and are associated with LEDs to indicate muting. The Solo switches Let you listen to the effects alone through Phones and observe their signal levels on the VU-Meter. The Clip LEDs indicate whether or not the EFX and Aux Return levels need to be reduced.

10. Mon 1, Mon 2 EFX and Aux Return and Balance Controls

The Mon 1, Mon 2 EFX and Aux Return and Balance controls affect the internal effects, the external effects and Aux Return input signals which can be individually mixed to the moni- tors using these controls. The Bal control permits Left and right EFX and Aux balancing.

The onboard effects processor offers 16 delay/ reverb-oriented effects selectable by the rotary EFX selector and expanded by the Modify con- trol. À Clip LED warns of excessive signal levels (turn down the master EFX send level). Your new MC12D console comes with our unlimited 2-year warranty and is covered throughout Canada and the USA. 1.Room Reverb decay 2.Hall Reverb 3.Hall Reverb - Voc | decay 4.Hall ‘verb w/Echo 5.Plate Reverb 6.Plate Reverb - Voc | decay 7.Plate ‘verb w/Echo

8. Gated Reverb decay

RE nc 12 di EN SPECIFICATIONS Model: MC12D Model ID: TYPE: YS1080 Number of Channels: 12 Channel Inserts: 1108 Mono Channel EQ: Stereo Channel EQ: Channel Effects: Monitors Effects: Balance Controls: Pan Controls: Channel Overload Protection: Inputs - XLR (bal): Inputs - 14-inch: Inputs - RCA (unbal): Solo Switches: Mute Switches: Hi Pass Switches:

Clip Mute LED: Phantom Power: VU Meter: Headphone Monitor Features: Internal Effects: Auxiliary Sends: Effects Send: Effects Returr Effects Return to Main: Effects Return to Monitor: Reverb / Effects Footswitoh: Record Outputs: \e Out -Mic Input (dB): Max Gain to Line Out -Line Input (dB): Master EQ -1 (type /Channels /Range - dB): Main Outputs ( Line Level): Monitor Outputs (Line Level): ignal to Noise Ratio (dB): Mixer - Frequency Response (Tone and EQ Flat,+/-2dB): Mixer - Input Referred Noise to line out, @ 150 Ohms (dBv): «er THD (Main out w! -10dB input): CMRR @ 60Hz (min/typ): Power Consumption (typ/max): Transformer Typ Finisi Console Lamp Connector 12V DC (BNC): Dimensions (DWH, inches): Dimensions (DWH, cm): Weight (Ibs/kg): Max Gain to Mixer - ty / Solo LED: {ch.1 to 8) High, Mid Sweep, Mid, Low (ch.9 to 12) High, Mid, Low All Channels Yes 9to 12

1t012 1t012 2 Stereo Sets and Rec In All Channels, Mont, Mon2, EFX Sends and Returns All Channels Channels 1 to 8 All Channels All Channels 48 V + LED indicator 2 x 12 LEDs with Floating Peak Level, AFL/PFL Switch, 1/4 inch Stereo 16 Bit stereo, 16 Effects with Parameter Pot 1TRS 1 Internal, 1 External 2 stereo pairs on 1/4 inputs 1 Stereo RCA

less than 0.03% 54 dB / 66 dB 50 VA Toroidal Scratch Resistant Vinyl-Coated Aluminum Yes 19.6x19.6x5.6 49.8x49.8x14.2 19/86

Vä-inch Phone Plug Va-inch TRS. Phone Plug

0.9 to 12) High, Mid, Low