PSM 900 - Wireless monitoring system SHURE - Free user manual and instructions

USER MANUAL PSM 900 SHURE

WARNING: This product contains a chemical known to the State of California to cause cancer and

birth defects or other reproductive harm

• Nicht versuchen, dieses Produkt zu modifizieren. Ansonsten könnte es zu Verletzungen und/oder zum Produktausfall kommen. CAUTION VORSICHT

• Never disassemble or modify the device, as failures may result.

• Das Gerät nie auseinanderbauen oder modifizieren, da dies zu Ausfällen führen kann.

• Do not subject to extreme force and do not pull on the cable or failures may result.

• Keinen extremen Kräften aussetzen und nicht am Kabel ziehen, da dies zu Ausfällen führen kann.

• Keep the microphone dry and avoid exposure to extreme temperatures and humidity.

WARNING: Ignoring these warnings may cause severe injury or death

PSM900 The PSM 900 Wireless Personal Monitor System from Shure offers an unprecedented combination of superb audio quality, robust RF performance, and category-leading setup features for the most demanding professional applications. All new, patent-pending CueMode allows the sound engineer to monitor different stage mixes with the touch of a button. Precision front-end RF filtering significantly reduces dropouts from RF interference, and the enhanced digital stereo encoder provides excellent stereo separation and audio clarity. Features Superb audio quality Robust RF Performance Advanced Setup and Operation

• Patented Audio Reference Companding sounds more like wired

• Exceptional transmitter linearity vastly reduces frequency intermodulation, allowing more channels per frequency band.

• Front panel RF mute switch for disabling RF transmission during setup

• Digital stereo encoder provides a wider stereo field with exceptional separation, enhancing audio detail and clarity

• Available with Shure SE425 Sound Isolating™ Earphones featuring dual highdefinition MicroDrivers for accurate and balanced audio response

• Precision front-end RF filtering for a cleaner, stronger RF signal and fewer dropouts and audible artifacts.

• Automatic RF gain control prevents signal distortion due to RF overload.

• Patent-pending CueMode allows monitoring of the stage mixes of up to 20 separate transmitters from one bodypack.

• Scan and Sync setup identifies the best group and channel for your system and assigns it over a wireless IR link
• MixMode® Technology allows the bodypack user to adjust their own onstage monitor mix
• High-frequency EQ boost on bodypack Components
• P9T: Rack Unit Transmitter
• P9R: Bodypack Receiver

• Protective bumpers with 8 screws Rackmount supplies level

menu sync volume power CLIP ① Short rack ear ② Long rack ear ③ Link bar to mount to similar rack unit ④ 2 antenna hole plugs ⑤ 8 rack ear screws ⑥ 4 rack mount screws with washers ⑦ Extension cables and connectors for frontmounting antennas sync lev

Quickstart Instructions Rack Unit

1. Connect to a power outlet using the supplied power adapter.

2. Attach the supplied antenna to the ANTENNA OUT BNC connector.

3. Connect the audio source, such as the output of a mixer, to the audio

inputs. You can use both input jacks or choose either one for a mono source. AC ADAPTER

4. Turn the power ON. Make sure the RF switch is OFF.

5. Adjust the audio source level so that, for the average input signal

level, the top two yellow LEDs flicker and the lower LEDs are solid. – If the red clip LED illuminates, the inputs are overdriven. Decrease the level using the ▼▲ buttons or change the input sensitivity to +4 dBu. – If the signal level is too low, change the input sensitivity to –10 dBV. Bodypack Insert batteries and attach antenna. Turn on using the volume knob. The battery light illuminates. Scan and Sync

4. IMPORTANT: Turn bodypack volume down before plugging in

5. Insert the earphones and slowly turn up the volume.

3. Turn the RF switch on. The blue RF LED illuminates on the

bodypack to indicate that it is detecting the transmitter. The bodypack also displays the RF signal strength (RF).

P9T Rack Unit Transmitter RF Settings level

Sets the group number 888.888MHz Manual frequency selection

RF POWER Front Panel Controls ① Input Level Control and Display Use the ▼▲ buttons to adjust the audio so that, for the average input signal level, the top two yellow LEDs flicker and the lower LEDs are solid. The red clip LED indicates the inputs are overdriven. Reduce the level at the audio source or change the input sensitivity of the rack unit from the AUDIO>INPUT menu. ② Status Display and Menu Controls Use the enter and exit buttons and the menu wheel to access the configuration menu. Push the menu wheel to move the cursor to the next item. Turn the menu wheel to change a parameter—the enter button flashes. Press it to save the value. Press the exit button to cancel changes and return to the previous menu. ③ Synchronization Button Press the sync button while rack unit and bodypack IR windows are aligned to transfer settings. ④ Headphone Monitoring The volume control adjusts signal output to the 3.5 mm headphone jack. NOTE: it does not affect rear panel outputs. ⑤ RF switch mutes RF output. For setting up multiple systems or adjusting settings without transmitting unwanted RF or audio signals. ⑥ Power Button Turns the unit on and off. Sets the channel number Select from 10, 50, or 100 mW (varies by region) Audio Settings AUDIO MODE Selects monitor mode STEREO/MX MONO INPUT Transmits a mono signal to bodypack Sets nominal input level LINE +4 dBu AUX –10dBV line level aux level Utilities and Display Settings UTILITIES EDIT NAME DISPLAY CONTRAST LOCK PANEL Changes the name on the LCD display (this name is uploaded to the bodypack with sync) Changes the display format Changes the display contrast Locks front panel controls. To unlock, press exit, select OFF, and press enter. MENU+LEVEL MENU ONLY MENU+SWITCH ALL Rear Panel Connectors ⑦ Power Connect the transmitter to a power outlet using the supplied power adapter. ⑧ LOOP OUT Sends a copy of the audio signal going into the transmitter to another device. See LOOP Applications. ⑨ Audio Inputs Connect to balanced or unbalanced outputs. Use either connector for mono input. Accepts both 1/4-inch or male XLR connectors. ⑩ Antenna (BNC) Attach supplied antenna. If you are rack mounting, use a front panel or remote mounting kit from Shure. Transmits both channels RX SETUP Locks all controls except for the level buttons (including the RF and power switches).* Locks all controls (including the RF and power switches).* These settings are sent to the bodypack during a sync (when the sync direction is from the transmitter). The default KEEP parameter will not change the bodypack settings. LOCK Lock bodypack LIM VAL Volume limiter value MODE BAL MX BAL ST RESET SYSTEM Locks only the configuration menu (menu controls). *RF is automatically activated when locked. When you unlock the unit, RF and power turns off if the switches are off. V LIMIT CUSTOM GROUP Locks menu and level controls. HIBOOST Volume limiter Stereo (ST) or MixMode (MX) CH. 1 (L) and CH. 2 (R) mix for MixMode Left (L) and right (R) balance for stereo mode high frequency boost For creating custom frequency groups Returns all settings to the factory defaults.

YES Exit and do not reset system. Reset system settings.

P9R Bodypack Receiver RF Settings RADIO

Sets the group number 888.888MHz Manual frequency selection

Sets the channel number Audio Settings AUDIO MODE HIBOOST Selects monitor mode STEREO MIXMODE Bodypack Receiver ① Power Switch and Volume Control Turns the bodypack on and off and adjusts earphone volume. ② 3.5 mm Earphone Jack Insert earphones here. ③ Scan Button Press the scan button to find an available frequency. Press and hold for two seconds to find the group with the most available channels. ④ IR Window For transmitting settings between bodypack and rack unit. ⑤ Battery Compartment Requires 2 AA batteries. Open by pressing the latches on both sides and pulling. ⑥ Menu buttons Use in conjunction with the ▼▲ buttons to access the configuration menus. ⑦ ▼▲ Buttons Use to adjust the audio mix (in MixMode only), or in conjunction with the menu buttons to change settings. ⑧ LCD Screen Displays current settings and menus. ⑨ Tri-Color Battery LED illuminates green, orange, red, or flashing red, to indicate battery power. When flashing red, change batteries immediately. ⑩ Blue RF LED Indicates the bodypack is receiving a signal from the transmitter. ⑪ Detachable Antenna SMA Connector OFF flat 2 dB +2 dB @ 10 kHz

Tri-Color Battery LED Approximate Hours Remaining Alkaline NiMH (2450 mAh) Green 5–7

+4 dB @ 10 kHz Limits volume level 3–9: analogous to volume knob position (for example, 5 is equal to the 5th dot on the volume knob) Left and right balance for earphones when in stereo mode, or mix of left and right channel for MixMode Utilities and Display Settings UTILITIES CUEMODE DISPLAY CONTRAST LOCK PANEL Battery Indicator

MixMode High-frequency EQ boost 4 dB V LIMIT Stereo Enters CueMode (to exit, press enter and select EXIT CUEMODE) Changes the display format Changes the display contrast Locks all controls except power and volume. To unlock, press exit, select OFF, and press enter. Multiple System Setup CueMode When setting up multiple systems, designate a single bodypack to scan for available frequencies and download them to all the rack units. CueMode allows you to upload the name and frequency settings from multiple rack units and store them as a list on a single bodypack. You can then, at any time, scroll through that list to hear the audio mix from each transmitter, just as each performer does during a show. The bodypack must be from the same frequency band as all the transmitters.

1. Power on all the rack units. Turn off the RF. (This prevents them from

interfering with the frequency scan.) Note: Turn on all other wireless or digital devices as they would be during the performance or presentation (so the scan will detect and avoid any interferance they generate).

2. Use the bodypack to scan for a group by pressing and holding the scan

button for two seconds. The bodypack displays the group and the number of available channels, and flashes SYNC NOW.... Important: Note the number of available channels. If you have more rack units than available channels, eliminate potential sources of interference and try again, or call Shure Applications for assistance.

3. Sync the bodypack with the first rack unit by aligning the IR windows and

4. Press scan again on the bodypack to find the next available frequency.

5. Sync the bodypack with the next rack unit.

6. Repeat with all the rack units.

7. Sync each performer’s bodypack to its respective rack unit by aligning the

IR windows and pressing snyc. DO NOT press scan on the bodypacks.

8. Turn on the RF on all rack units. The systems are ready to use.

MixMode for Multiple Systems Configure each system for MixMode. From the mixing console, send a mix of the whole band to input 2 of the first transmitter. Connect the LOOP OUT R output to the CH. 2 IN input of the next transmitter. Continue the chain with all the transmitters. Next, create solo mixes for each performer. Send each mix to input 1 of the transmitter for that performer. CueMode lists are retained even if CueMode is exited, the bodypack is turned off, or batteries are removed. Note: Set the channel frequency and assign display names for each transmitter before creating your CueMode list. Adding Transmitters to the CueMode List Note: The transmitter must be from the same frequency band as the bodypack.

1. Open the battery door and press the enter button.

2. From the main menu, scroll to UTILITIES and press enter. Select

CueMode and press enter again.

3. Align IR windows and press sync on the rack unit.

The LCD displays SYNC SUCCESS after frequency and name data are uploaded to the CueMode list. It also displays the CueMode number for that transmitter and the total number of transmitters.

4. Repeat the above step for each transmitter.

Note: Syncing while in CueMode does not change any of the settings on the bodypack. Auditioning Mixes

1. Enter CueMode from the UTILITIES menu.

2. Use the ▼▲ buttons to scroll through your CueMode list to hear the

mixes. Exiting CueMode Exit CueMode by pressing enter and selecting EXIT CUEMODE. Managing CueMode Mixes While in Cue Mode, you can access the following menu by pressing enter: REPLACE MIX Select and press sync on a rack unit to upload new data for the current mix (for example, if you have changed the transmitter frequency). DELETE MIX Removes the selected mix. DELETE ALL Removes all mixes. EXIT CUEMODE Exits CueMode and returns the bodypack to the previous frequency setting.

Frequency Scan Squelch The scan feature analyzes the RF environment for interference to identify available frequencies. The PSM900 has two frequency scan modes: Squelch mutes audio output from the bodypack when the RF signal become noisy. While squelch is activated, the blue LED on the bodypack turns off.

• Channel Scan Press the scan button on the bodypack. Finds the first available channel.

• Group Scan Press and hold the scan button for two seconds. Finds the group with the greatest number of available channels. (Each group contains a set of frequencies that are compatible when operating multiple systems in the same environment.) Sync The PSM900 transfers settings in either direction: from the bodypack to the rack unit, or from the rack unit to the bodypack.
• Sending settings to the bodypack: Align the IR windows and press the sync button on the rack unit. The blue LED on the bodypack flashes.
• Downloading settings from the bodypack: First press the scan button on the bodypack. Then align the IR windows and press the sync button on the rack unit while the bodypack display is flashing “SYNC NOW...”. The level LEDs flash on the rack unit. MixMode Some performers need to hear more of their own voice or instrument, while others want to hear more of the band. With MixMode, the performer creates their own mix using the balance control (▼▲ buttons) on the bodypack. To use MixMode, send a solo mix of the performer to the CH. 1 IN input on the transmitter, and send a band mix to the CH. 2 IN input. Set the performer’s bodypack for MixMode. The bodypack combines the two signals and sends them to both earphones, while the balance control on the bodypack adjusts the relative levels for each. LOOP Applications For most installations, squelch does not need adjustment, and it keeps the performer from hearing hiss or noise bursts if the RF signal becomes compromised. However, in congested RF environments or in close proximity to sources of RF interference (such as large LED video panels), the squelch may need to be lowered to prevent excessive audio dropouts. With lower squelch settings, the performer may hear more noise or hiss, but will experience fewer audio dropouts. Note: Before lowering squelch, first try to eliminate the problem by finding the best set of frequencies for your installation and removing potential sources of interference. Caution: Turning off or lowering the squelch setting can increase the noise level and cause discomfort to the performer:
• Do not lower the squelch setting unless absolutely necessary.
• Turn earphone volume to the lowest setting before adjusting squelch.
• Do not change the squelch setting during a performance.
• Turn up the transmitter setting to make noise or hiss less noticeable. Squelch Settings HIGH (NORMAL) Default factory setting. MID Moderately decreases the signal-to-noise ratio required to squelch the receiver. LOW Greatly decreases the noise squelch threshold. PILOT ONLY Turns off noise squelch leaving only pilot squelch on. Symbol appears in display window NO SQUELCH Turns off noise and pilot tone squelch. (Sometimes used as a debugging tool by monitor engineers or RF coordinators to “listen” to the RF environment.) Use LOOP OUT L (left) and R (right) outputs to send a copy of the audio signal going into the transmitter to other devices. Following are a few of the many applications for these outputs. Note: The input level control and the input pad do not affect the LOOP OUT signals. Stereo for Multiple Systems Send one stereo signal from the mixing console to the inputs on the first transmitter, then connect the LOOP outputs to the inputs on the next transmitter. Repeat for all transmitters to form a chain. Symbol appears in display window Point-to-Point Wireless Audio When a cable cannot be used, a UR4 receiver and a P9T transmitter can be used for point-to-point (PTP) wireless audio. Floor Monitors Send the audio from the LOOP outputs to onstage loudspeakers. The bodypack and the onstage monitors receive the same audio signals. level

menu sync volume power CLIP sync Recording Devices To record a performance, connect the LOOP outputs to the inputs of a recording device.

push For more information on PTP, please visit: www.shure.com/americas/products/personal-monitor-systems/psm900

SPECIFICATIONS PSM900 P9T RF Carrier Range 470–952 MHz RF Output Power selectable selectable: 10, 50, 100 mW (+20 dBm) Compatible Frequencies Per band: 20 Tuning Bandwidth US: 36–40 MHz RF Output Impedance 50 Ω (typical) Net Weight 850 g Dimensions 197 mm X 166 mm X 42 mm Power Requirement 15 Vdc: 415 mA, typical Note: varies by region varies by region Operating Range (environment dependent) 90 m (300 ft) Audio Frequency Response 35 Hz–15 kHz Stereo Separation 60 dB Signal-To-Noise Ratio (A-Weighted) 90 dB (typical) Total Harmonic Distortion (ref. ±34 kHz deviation @1 kHz) <0.8% (typical) Companding Patented Shure Audio Reference Companding Spurious Rejection (ref. 12dB SINAD) >80 dB (typical) Frequency Stability ±2.5 ppm MPX Pilot Tone 19 kHz (±0.3 kHz) Modulation FM*, MPX Stereo

• ±34 kHz deviation (nominal) Operating Temperature -18°C–+57°C P9R Front-End RF Filtering –3 dB at 30.5 MHz from center frequency Active RF Gain Control 31 dB Adjusts RF sensitivity to provide more RF dynamic range RF Sensitivity (at 20 dB SINAD) 2.2  µV Image Rejection >100 dB Adjacent Channel Rejection >70 dB Squelch Threshold 22 dB SINAD (±3 dB) Intermodulation Attenuation >70 dB Blocking >80 dB Audio Output Power (1kHz @ <1% distortion, peak power, @32Ω) 100 mW per output Minimum Load Impedance

High Boost selectable selectable: +2 dB , +4 dB @ 10 kHz Volume Limiter selectable selectable: 3–9 varies by region Audio Input Connector Type Combination XLR and 6.35 mm (1/4”) TRS Polarity XLR: Non-inverting (pin 2 positive with respect to pin 3)

6.35 mm (1/4”) TRS: Tip positive with respect to ring

Configuration Electronically balanced Impedance

944-952 10 / 50 / 100 NOTE: This Radio equipment is intended for use in musical professional entertainment and similar applications. This Radio apparatus may be capable of operating on some frequencies not authorized in your region. Please contact your national authority to obtain information on authorized frequencies and RF power levels for wireless microphone products. Reduces maxium output level. Selected value analogous to volume knob increment. Net Weight 200 g (with batteries) Dimensions 83 mm X 65 mm X 22 mm Battery Life 5–7 hours (continuous use)

CERTIFICATION ACCESSORIES AND PARTS P9T, P9R Furnished Accessories This Class B digital apparatus complies with Canadian ICES-003. P9R Antenna 470–542 MHz UA700 596–692 MHz UA720 692–830 MHz UA730 830–952 MHz UA740 P9T Antenna 470–530 MHz UA820G 500–560 MHz UA820G7 518–578 MHz UA820H4 578–638 MHz UA820J 638–698 MHz UA820L3 690–746MHz UA820B 740–814 MHz UA820Q 774–865 MHz UA820A 900–1000 MHz UA820X Front Mount Antenna Cable 95A9023 Zipper Bag 95A2313 Rackmount Bracket, Long 53A8612 Rackmount Bracket, Short 53A8611 Link Bar 53B8443 Hardware Kit (Rackmounting Screws) Bumper Kit 90AR8100 90B8977 Energy Efficient Switching Power Supply USA PS41US Brazil PS41BR Argentina PS41AR Europe United Kingdom Austrailia/New Zealand China Taiwan Japan PS41E PS41UK PS41AZ PS41CHN PS41TW PS41J Optional Accessories 8-to-1 antenna combiner for better RF performance PA821SWB 4-to-1 antenna combiner with power distribution to 4 transmitters (better RF performance and eliminates need for external power supply) PA421SWB Passive Directional Antenna PA805SWB Helical Antenna Passive Omnidirectional Antenna 4-Channel Personal Monitor Mixer HA-8089 UA860SWB P4M Coaxial Cable, BNC-BNC, RG58C/U type, 50 Ohm, 2 ft length (0.6 m) UA802 Coaxial Cable, BNC-BNC, RG58C/U type, 50 Ohm, 6 ft length (2 m) UA806 Coaxial Cable, BNC-BNC, RG8X/U type, 50 Ohm, 25 ft length (7.5 m) UA825 Coaxial Cable, BNC-BNC, RG8X/U type, 50 Ohm, 50 ft length (15 m) UA850 Coaxial Cable, BNC-BNC, RG213/U Type, 50 Ohm, 100 ft length (30 m)

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Relocate the receiving antenna.

• Increase the separation between the equipment and receiver. Approved under the Declaration of Conformity (DoC) provision of FCC Part 15. Certified in Canada by IC to RSS-123. (IC: 616A-P9RA, 616A-P9RB, 616A-P9RC, 616A-P9RD).

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Operation of this device is subject to the following two conditions: (1) this device may not cause interference, and (2) this device must accept any interference, including interference that may cause undesired operation of the device. Note: EMC conformance testing is based on the use of supplied and recommended cable types. The use of other cable types may degrade EMC performance. The CE Declaration of Conformity can be obtained from Shure Incorporated or any of its European representatives. For contact information please visit www.shure.com The CE Declaration of Conformity can be obtained from: Authorized European representative: Shure Europe GmbH Headquarters Europe, Middle East & Africa Department: EMEA Approval Wannenacker Str. 28 D-74078 Heilbronn, Germany Phone: +49 7131 72 14 0 Fax: +49 7131 72 14 14 Email: EMEAsupport@shure.de

NL, P, PL, S, SK, SLO

NL, P, PL, RO, S, SK, SLO

NL, P, PL, S, SK, SLO

NL, P, PL, RO, S, SK, SLO

NL, P, PL, S, SK, SLO

NL, P, PL, RO, S, SK, SLO