VERBZILLA - Effects pedal LINE 6 - Free user manual and instructions

USER MANUAL VERBZILLA LINE 6

Pilot’s Handbook for Verbzilla Pilotenhandbuch für Verbzilla Manuel de pilotage pour Verbzilla Pilotenhandboek voor Verbzilla Patent Pending 40-00-0223 Electrophonic Limited Edition available @ www.line6.com Rev C Line 6, ToneCore, Dr. Distorto, Constrictor, Crunchtone, Echo Park, Liqua-Flange, Otto Filter, Roto-Machine, Space Chorus, Tap Tremolo, Über Metal and Verbzilla are trademarks of Line 6, Inc. CAUTION This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. WARNING To reduce the risk of fire or electric shock, do not expose this appliance to rain or moisture. The exclamation point within a triangle means, “Caution!” Please read the information next to all caution signs. The lightning symbol within a triangle means, “Electrical caution!” It indicates the presence of information about operating voltage and potential risks of electrical shock. Verbzilla Pilot’s Handbook © 2004, Line 6, Inc. You should read these Important Safety Instructions. Keep these instructions in a safe place. Before using your ToneCore, carefully read the applicable items of these operating instructions and the safety suggestions.

1. Obey all warnings on the pedal and in the ToneCore Pilot's Handbook.

2. Connect optional power supply only to AC power outlets rated 100-120V or 200-240V 47-63Hz (see indications on optional power supply). 3. Do not perform service operations beyond those described in the ToneCore Pilot's Handbook. Service is required when the apparatus has been damaged in any way, such as: power-supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the unit has been exposed to rain or moisture the unit does not operate normally or changes in performance in a significant way the unit is dropped or the enclosure is damaged.

4. Do not place near heat sources, such as radiators, heat registers, or appliances which produce heat. .

5. Guard against objects or liquids entering the enclosure. Do not use or place unit near water.

6. Unplug the power supply when not in use for extended periods of time. Unplug the power supply during lightning storms.

7. Clean only with a damp cloth.

8. Only use attachments/accessories specified by the manufacturer.

9. Prolonged listening at high volume levels may cause irreparable hearing loss and/or damage. Always be sure to practice “safe listening.” Verbzilla Pilot’s Handbook Output your effects mono to a standard amplifier, or to a stereo setup. Be sure to connect your guitar to the mono input jack on your ToneCore. MIX TONE DECAY TIME

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TAPE • DIGITAL • ANALOG

TRAILS OFF • ON Or, you can feed the stereo input of your ToneCore with a mono or stereo effect pedal instead of a guitar. Connections and Power Indicator Light Greetings and salutations! Thank you for inviting the Line 6 Verbzilla reverb pedal into your life. Effect On-Off / Power Indicator Light The Power Indicator Light on your ToneCore uses two colors to indicate the pedal’s state:

• Light not lit – Effect is bypassed (off)
• GREEN – Effect is engaged (on)
• RED (flashing) – Batteries should be replaced This low power indication will override all other states Power Jack Connect an optional ToneCore-compatible Line 6 power supply like the DC-1, and you'll never need a 9-volt battery again! In Jacks Use a standard guitar cable to connect your guitar, or the output of another effect to use in combination with your ToneCore. If you’re feeding a mono signal to your Verbzilla, use the MONO/L jack. Like most pedals, inserting a plug into this jack will turn on the power to your ToneCore. Disconnect both input plugs from jacks when the ToneCore is not being used. Out Jacks Use a standard guitar cable to connect to the inputs of a guitar amp, or the inputs of another effect that will feed your amp. For mono, use the MONO/L jack. Foot Switch Stomp on this to turn the effect sound processing on and off. Verbzilla Pilot’s Handbook MIX DECAY TIME Mix Allows you to control the amount of reverb in your signal. Fully counter clockwise will give you no reverb, fully clockwise will give you 100% reverb (no dry signal). Decay Controls how quickly the reverb tail fades to silence. TONE

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ROOM OCTO PLATE CAVE SPRING TILE ‘63 SPRING ECHO Time Controls the length of pre-delay from 10ms to 200ms. Pre-delay is the amount of delay before the reverb chamber and is adjusted with this control. VERBZILLA TRAILS STUDIO GRADE ALGORITHMS OFF • ON Tone Allows you to adjust the tonal character of the reverb, giving you the flexibility to go from dark and subtle to bright and splashy. Trails Switch Turn Trails Switch on to keep Verbzilla’s processing engaged while in bypass, so your reverb smoothly trail away when you kick the effect off. Verbzilla Pilot’s Handbook Function Control Knob MIX TONE DECAY TIME

• Spring: Based on a studio spring reverb. A spring reverb's characteristic resonant sound was created by springs suspended inside a metal box. Sweet!

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ROOM OCTO PLATE CAVE SPRING TILE ‘63 SPRING ECHO VERBZILLA TRAILS STUDIO GRADE ALGORITHMS OFF • ON

• ‘63 Spring: Based on a 1963 brown spring reverb head unit. Best known for great surf guitar tone!

• Plate: Based on an studio Plate reverb. A plate reverb's character is similar to that of the spring. They both have a metallic resonant quality. Plate reverbs consisted of a thin metal sheet suspended inside a box. Dampening the metal plate would give the user control over the reverberant effect.
• Room: Simulates the acoustic properties of a classic echo chamber , which was a room used in early recording studios for reverb effects. Smaller then a hall, room reverbs consists mainly of early reflections. Controls Function Control Knob
• Chamber: An elongated ambient space such as a hall, stairwell or elevator shaft creates this reverb type. Dreamy.
• Hall: Simulates the sound of a concert hall or large open space with a strong reverb tail. Imagine a gymnasium, performance hall, or cathedral.
• Ducking: Built using a 'Hall' but with a ducking effect. The volume of your reverb is “ducked” (reduced) while you’re playing, and increases when you stop. This allows for clean musical passages with a touch of reverb that ramps up in volume once you stop playing. All of your passages will end with a reverb tail, but the passage itself will not be clouded.

• Octo: Creates a lush, ambient space with a harmonized decay whose harmonic denseness is controlled by the time knob. Use volume swells and prepare to float on a cloud 9!.............CRAZY!
• Cave: Surreal cavernous echo chamber. I’m just a simple caveman... Your world frightens and confuses me... what more can be said.
• Tile: Emulates the acoustic reflections of a tiled r o o m , s u c h a s a b a t h r o o m o r s h o w e r, w i t h clearer/brighter discreet early reflections.
• Echo: Just like it says …echo…echo…echo. This is a lush echo with reverb. Battery Access Instructions

raise pedal to reveal battery.

1) Depress pedal fully.

2) While holding pedal,

squeeze both sides of hinge as shown. Battery Access Instructions Power Supply Connect an optional Line 6 DC-1 power supply and you'll never need a 9-volt battery again! It is also compatible with most popular 9 Volt DC stomp boxes. Using the power supply will disconnect the battery. POWER REQUIREMENTS Min Supply Voltage 6 VDC Nominal Max

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ROOM OCTO PLATE CAVE SPRING TILE ‘63 SPRING ECHO VERBZILLA ALGORITHMS DECAY TIME

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ROOM OCTO PLATE CAVE SPRING TILE ‘63 SPRING ECHO OFF • ON Run, Don’t Walk Spring reverb with lots O’ Sproing! Grab your stick, jump in your woody and head to Surf heaven... Just add a solid body guitar for that 60’s malibu sound. ALGORITHMS DECAY TIME

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ROOM OCTO PLATE CAVE SPRING TILE ‘63 SPRING ECHO VERBZILLA TRAILS STUDIO GRADE MIX TONE VERBZILLA TRAILS STUDIO GRADE MIX OFF • ON Harmonic Pad Here’s the magic... This is great for holding long, sustained single notes. Try it in a solo for a keyboard like pad to back up your phrases. TRAILS STUDIO GRADE ALGORITHMS OFF • ON ReverBilly This setting is great for Rockabilly, Blues and Country Swing. What a Hoot! A slap with some toilet splash! Ol’ Billy’s Redheaded step child loves it... Your Tone Settings MIX TONE DECAY TIME TONE

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ROOM OCTO PLATE CAVE SPRING TILE ‘63 SPRING ECHO VERBZILLA ALGORITHMS OFF • ON DECAY TIME ALGORITHMS OFF • ON DECAY TIME

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ROOM OCTO PLATE CAVE SPRING TILE ‘63 SPRING ECHO VERBZILLA TRAILS STUDIO GRADE MIX TONE

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ROOM OCTO PLATE CAVE SPRING TILE ‘63 SPRING ECHO OFF • ON Wellenreiter Federhall, wie er singt und kracht. Schnapp’ dir dein Brett, stürze dich in die Fluten und surfe, was das Zeug hält… Mit einer Solidbody erzielst du den Malibu-Sound der 1960er. ALGORITHMS DECAY TIME

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ROOM OCTO PLATE CAVE SPRING TILE ‘63 SPRING ECHO VERBZILLA TRAILS STUDIO GRADE MIX TONE VERBZILLA TRAILS STUDIO GRADE MIX OFF • ON Harmonische Fläche Der magische Moment… Hiermit kann man Einzelnoten fast grenzenlos verlängern. Oder: Lege einen Akkord hin und spiele dann ein Solo darüber. TRAILS STUDIO GRADE ALGORITHMS OFF • ON ReverBilly Alle in Deckung – jetzt kommen Rockabilly, Blues und Country Swing. Wie herrlich grässlich! Erst ein kleines Schnippen, dann die geballte Ohrfeige. Schnell etwas Gel in die Haare und eine Tolle draus gemacht… Deine eigenen Sounds MIX TONE DECAY TIME TONE

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ROOM OCTO PLATE CAVE SPRING TILE ‘63 SPRING ECHO VERBZILLA ALGORITHMS OFF • ON DECAY TIME ALGORITHMS OFF • ON DECAY TIME

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ROOM OCTO PLATE CAVE SPRING TILE ‘63 SPRING ECHO VERBZILLA TRAILS STUDIO GRADE MIX TONE

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ROOM OCTO PLATE CAVE SPRING TILE ‘63 SPRING ECHO OFF • ON Ne marchez pas, sautez! Réverb à ressort avec “sprooïiings” à gogo! Attrapez votre gratte et foncez au paradis du surf. Choisissez une guitare à corps plein pour obtenir ce son Malibu des années 60. ALGORITHMS DECAY TIME

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ROOM OCTO PLATE CAVE SPRING TILE ‘63 SPRING ECHO VERBZILLA TRAILS STUDIO GRADE MIX TONE VERBZILLA TRAILS STUDIO GRADE MIX OFF • ON Nappes harmoniques C’est de la magie pure… Avec ce réglage vous obtenez un looong maintien des notes jouées seules. Essayez-le sur un solo et écoutez les nappes “de synthé” accompagnant votre jeu. TRAILS STUDIO GRADE ALGORITHMS OFF • ON ReverBilly Réglage idéal pour Rockabilly, Blues e t C o u n t r y S w i n g . To u t u n programme! Un slap qui vous revient dans la figure! Le bon vieux temps… Vos réglages perso MIX TONE DECAY TIME TONE

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ROOM OCTO PLATE CAVE SPRING TILE ‘63 SPRING ECHO VERBZILLA ALGORITHMS OFF • ON DECAY TIME ALGORITHMS OFF • ON DECAY TIME

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ROOM OCTO PLATE CAVE SPRING TILE ‘63 SPRING ECHO OFF • ON Meteen het water in! Een veergalm die eens lekker tekeer mag gaan! Pak je plank, spring in het water – en surfen maar… Voor die typische ‘60-Malibusound gebruik je het best een solidbody. ALGORITHMS DECAY TIME

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ROOM OCTO PLATE CAVE SPRING TILE ‘63 SPRING ECHO VERBZILLA TRAILS STUDIO GRADE MIX TONE VERBZILLA TRAILS STUDIO GRADE MIX OFF • ON Harmonisch tapijt En ziehier een beetje magie… Hiermee kun je kilometers lange noten spelen. Dit zou je voor een solo kunnen gebruiken: eerst een akkoord spelen dat wordt aangehouden en dan lekker soleren. TRAILS STUDIO GRADE ALGORITHMS OFF • ON ReverBilly Ziehier de perfecte sound voor rockabilly, blues en country swing. Wat afgrijselijk mooi! Eerst een pats en meteen daarna een dreun! Nu nog wat aan je kapsel werken… Spiekbrief voor je eigen sounds MIX TONE DECAY TIME TONE

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ROOM OCTO PLATE CAVE SPRING TILE ‘63 SPRING ECHO VERBZILLA ALGORITHMS OFF • ON DECAY TIME ALGORITHMS DECAY TIME

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