PV 8 - Mixer PEAVEY - Free user manual and instructions

USER MANUAL PV 8 PEAVEY

Compact Mixer Operations Guide For more information on other great Peavey products, go to your local Peavey dealer or online at www.peavey.com Intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. Intended to alert the user of the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. CAUTION: Risk of electrical shock — DO NOT OPEN! CAUTION: To reduce the risk of electric shock, do not remove cover. No user serviceable parts inside. Refer servicing to qualified service personnel.

WARNING: When using electrical products, basic cautions should always be followed, including the following:

Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water. Clean only with a dry cloth. Do not block any of the ventilation openings. Install in accordance with manufacturer’s instructions. Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including amplifiers) that produce heat. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding plug. The wide blade or third prong is provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point they exit from the apparatus. Note for UK only: If the colors of the wires in the mains lead of this unit do not correspond with the terminals in your plug‚ proceed as follows: a) The wire that is colored green and yellow must be connected to the terminal that is marked by the letter E‚ the earth symbol‚ colored green or colored green and yellow. b) The wire that is colored blue must be connected to the terminal that is marked with the letter N or the color black. c) The wire that is colored brown must be connected to the terminal that is marked with the letter L or the color red. Only use attachments/accessories provided by the manufacturer. Use only with a cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over. Unplug this apparatus during lightning storms or when unused for long periods of time. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. Never break off the ground pin. Write for our free booklet “Shock Hazard and Grounding.” Connect only to a power supply of the type marked on the unit adjacent to the power supply cord. If this product is to be mounted in an equipment rack, rear support should be provided. Exposure to extremely high noise levels may cause a permanent hearing loss. Individuals vary considerably in susceptibility to noise-induced hearing loss, but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a sufficient time. The U.S. Government’s Occupational and Health Administration (OSHA) has specified the following permissible noise level exposures: Duration Per Day In Hours

According to OSHA, any exposure in excess of the above permissible limits could result in some hearing loss. Ear plugs or protectors to the ear canals or over the ears must be worn when operating this amplification system in order to prevent a permanent hearing loss, if exposure is in excess of the limits as set forth above. To ensure against potentially dangerous exposure to high sound pressure levels, it is recommended that all persons exposed to equipment capable of producing high sound pressure levels such as this amplification system be protected by hearing protectors while this unit is in operation. SAVE THESE INSTRUCTIONS!

Description Congratulations on purchasing the Peavey PV8 compact mixer. The PV8 is a studio-quality mixing console designed to meet diverse needs while occupying only a small space. This is the perfect console for small venue performances or home recording environments. Please read this guide carefully to ensure your personal safety as well as the safety of your equipment. Features ➡ Four XLR Mic inputs ➡ Two stereo channels with RCA and 1⁄4" inputs ➡ Three-band channel EQ ➡ A/B stereo input selector reduces patching ➡ Inserts on all mono channels ➡ Clip LEDs that thoroughly monitor clipping ➡ 48V phantom power switch ➡ Effects send on every channel with stereo return ➡ Monitor send on every channel ➡ Zero latency record monitoring capabilities ➡ Control room output with level control ➡ Contour control switch ➡ 80 Hz low-cut switch

FRONT PANEL Gain (1) This control establishes the nominal operating level for the channel. The input gain can be adjusted over a wide range to compensate for soft voices or very loud drums. To maximize the signal-to-noise ratio the gain should be set to the proper level with the channel level control (9) set to 0. If the clip LED comes on and remains lit, try reducing the gain.

Hi EQ (2) An active tone control (shelving type: ±15 dB) that varies the level of the high frequency range.

An active tone control (peak dip: ±15 dB) that varies the mid frequency range.

An active tone control (shelving type: ±15 dB) that varies the level of the low frequency range.

Caution: Excessive low frequency boost causes greater power consumption and increases the possibility of speaker damage.

MON Send (5) This control adjusts the level of the channel signal sent to the monitor output. The signal is taken before the channel level control but after the channel EQ. EFX Send (6) This control adjusts the level of the channel signal added to the effects mix. The effects send signal is taken after the channel level controls (9) so that adjustments made to the level control will also affect the send level. Pan (7) This knob controls the placement of the signal in the stereo field. When rotated completely counterclockwise‚ the signal is present only on the left channel; when rotated completely clockwise‚ only in the right channel. On stereo channels 5/6 and 7/8, this control functions as a balance control to adjust the relative level of the left and right signals. Clip LED (8) This light normally indicates that the channel signal level is nearing the overload point. The clip indicator circuit monitors the signal at many points in the channel to ensure that it catches all instances of clipping. It illuminates at +19 dBu and warns that the gain or EQ boost should be reduced. When it lights, roughly 3 dB of headroom remain. Level (9) This is the channel output level control. The optimum setting is the 0 (unity gain) position.

This LED lights when the Phantom Power Switch (11) has been engaged.

Phantom Power Switch (11) Applies +48 VDC Voltage to the input XLR connectors to power microphones requiring phantom power.

If phantom power is used, do not connect unbalanced dynamic microphones or other devices to the XLR inputs that cannot handle this Voltage. The Phantom Power LED (10) indicates when phantom power is on.

Tape To CTRL/HP (13) Depressing this switch adds the tape return to the Control Room (32) and Headphone Outputs (20) for zero latency monitoring.

Tape to Mix (14) Depressing this switch routes the signal from the Tape Inputs (38) to the Main Outputs (31). Power LED (15) This LED indicates AC power is supplied to the unit‚ the power switch is on and the unit is functioning properly. MON Send Master (16) This is the master output level control for the monitor mix. The output level sent to the Monitor Send jack (33) is controlled by the channel monitor send controls (5) and by this master control. EFX Send Master (17) This is the master output level control for the EFX mix. The output level sent to the EFX Send jack is controlled by the channel level controls (9), the channel EFX send controls (6) and by this master control. Contour Switch (18) Engaging this switch enhances the signal by adding both bass and treble frequencies. This is especially effective at lower volumes or for tape/CD playback. 80 Hz Low Cut (19) The Low Cut filter has a corner frequency of 80 Hz. When engaged‚ it can improve clarity by removing low frequencies that can make a mix sound muddy. This feature is especially useful when playing outside on a windy day or on a hollow‚ noisy stage. These kinds of ambient noises can rob your sound system of power. Engaging this switch will remove those frequencies from the system and restore power to where it’s needed. Headphone Output (20) The Headphone Output is a 1⁄4 " TRS (tip= left; ring = right; sleeve = ground). The signal sent to this output is normally the Left/Right mix. When the Tape to Control Room switch is engaged, the tape input signal is added to the Left/Right mix and can be monitored in the headphones.

Headphone Level (21) This knob sets the headphone and control room output levels. To avoid damage to your hearing‚ make sure to turn the dial fully counterclockwise before using headphones. Slowly turn the knob clockwise until a comfortable listening level is set. Normally, the signal in the headphones is the Left/Right signal. If the Tape to Control Room (13) is engaged‚ the tape signal is also included. LED Meters (22) Two six-segment LED arrays are provided to monitor the levels of the main Left/Right outputs. These meters range from -20 dB to +19 dB. 0 dB on the meter corresponds to +4 dBu at the outputs. Master Level Fader (23) The Master Fader controls the level sent to the main Left/Right outputs. Best results are obtained when this control is set near the 0 point. REAR PANEL

Mic (XLR) Inputs (24) XLR balanced inputs optimized for a microphone or other low impedance source. Pin 2 is the positive input. Because of the wide range of gain adjustment, signal levels up to +14 dBu can be accommodated. Line (1⁄4”) Inputs (25) ⁄ ” balanced (TRS) 10 k Ohm impedance input. The tip is the positive input and should be used for unbalanced inputs. It has 20 dB less gain than the XLR input and does not have phantom power available. The Mic and Line inputs should not be used simultaneously.

⁄4” TRS Connector allows external signal processors to be inserted into the channel signal path. Tip=Send; Ring=Return; Sleeve=Ground. Stereo (1⁄4") Inputs (27) These 1⁄4" unbalanced inputs work as a stereo line input using both jacks or as a mono input if the connection is made to the Left/Mono input only. The A/B input selector must be in the "A" position for these jacks to be active. RCA Inputs (28) These RCA inputs work as stereo line inputs. The A/B input selector must be in the "B" position for these jacks to be active. A/B Switch (29) The A/B input selector switch expands the capability of the PV®8 mixer by allowing two stereo sources to be connected to each stereo line input. Instead of re-patching, the switch selects which input jacks are active.

EFX Return (30) The EFX Return inputs (Left/Mono‚ Right) feature two 1⁄4" TS jacks. These inputs can be used with Tip‚ Ring, Sleeve (TRS) balanced or Tip, Sleeve (TS) unbalanced connectors. The EFX Return is controlled via the EFX/Return Level Control (19). Left/Right Outputs (31) The Left/Right Outputs feature two 1⁄4" TRS Z-balanced jacks. These outputs can be used with Tip‚ Ring, Sleeve (TRS) balanced or Tip, Sleeve (TS) unbalanced connectors. Control Room Outputs (32) The Control Room Outputs feature two 1⁄4" TRS Z-balanced jacks. These outputs can be used with Tip, Ring, Sleeve (TRS) balanced or Tip, Sleeve (TS) unbalanced connectors. The Control Room Output Level is adjusted with the Headphone Level Control (21). MON Send (33) The MON Send features a 1⁄4" TRS Z-balanced jack in the master section. This output can be used with the Tip, Ring, Sleeve (TRS) balanced or Tip, Sleeve (TS) unbalanced connectors. The MON mix is determined by the amount of signal being sent to the MON bus in each channel and by the Monitor master control. EFX Send (34) The EFX Send features a 1⁄4" TRS Z-balanced jack in the master section. These outputs can be used with Tip‚ Ring, Sleeve (TRS) balanced or Tip, Sleeve (TS) unbalanced connectors. The EFX mix is determined by the amount of signal being sent to the EFX bus in each channel and by the EFX Master Control.

Power Adapter Input (35) Use to connect the included power supply. Be sure the power supply is connected to the PV®8 before connecting to a power source. Use 16 VAC 1 A adapter only. Note: Replace only with Peavey part number 70902571 for Domestic or 70902572 for Export. Power Switch (36) Depressing the power switch supplies power to the unit. Tape In/Out (38 & 37) The tape input jacks are designed to accommodate tape‚ CD or computer sound card output levels. The output level is +4 dBu for connection to a recorder or sound card input. The tape inputs can be used as an additional stereo input by engaging the Tape to Main Mix switch (14). The tape input can also be used to monitor the recorder/sound card output without the risk of feedback.

⁄4" TRS; Tip (+)‚ Sleeve Ground Tape 10 k N/A (10 dB) -17 dBu -10 dBV +12 dBu Unbal RCA Phono 0 dBu = 0.775 V (RMS) ** Min Input Level (sensitivity) is the smallest signal that will produce nominal output (+4 dBu) with channel and master faders set for maximum gain.

• Nominal settings are defined as all controls set at 0 dB (or 50% rotation for rotary pots) except the gain adjustment pot which is as specified. Outputs Function Min Load Z (Ohms) Output Level Nominal Bal/Unbal Connector Max Main Left/Right

+4 dBu +22 dBu Unbal RCA Phono 0 dBu = 0.775 V (RMS) Gain Mic Input Gain Adjustment Range: Mic Input to Left/Right Balance Output Line Input Gain Adjustment Range: Line Input to Left/Right Balance Output Stereo Line Input Gain Adjustment Range: Stereo Line Input to Left/Right Output Aux Return to Left/Right Balance Output 10 dB to 60 dB 87 dB (max gain) -10 dB to 40 dB 67 dB (max gain) Off to +20 dB 44 dB (max gain) 21 dB (max gain)

⁄ TS, Tip (+)‚ Sleeve Ground Hum and Noise Output Residual Noise S/N Ratio (Ref: +4 dBu) Test Conditions Master Left/Right -98 dBu 102 dB Master Fader Down‚ Channel Levels Down -90 dBu 94 dB Master Fader Nominal‚ Channel Levels Down -84 dBu 90 dB All controls nominal‚ mic gain minimum -103 dBu 107 dB All controls off -84 dBu 88 dB All channel sends nominal, masters nominal -103 dBu 107 dB All controls off -84 dBu 88 dB All channel sends nominal, masters nominal Monitor Send Effects Sends (Hum and noise measurements: 22 Hz to 22 kHz BW) Frequency Response Mic Input to Left/Right Output 14 Hz to 25 kHz +0 dB/-1 dB Total Harmonic Distortion <0.01% 20 Hz to 20 kHz Mic to Left/Right Output (10 Hz to 80 kHz BW) <0.005% Typical <0.0007% Mic Pre-amp Distortion Equivalent Input Noise (EIN) -129 dBu (input terminated with 150 Ohms) Crosstalk >80 dB Adjacent Input Channels (1 kHz) >75 dB Left to Right Outputs (1 kHz) Common Mode Rejection Ratio (Mic Input) 50 dB minimum (20 Hz to 20 kHz) 70 dB typical @ 1 kHz Meters 6 segment, peak reading (0 dB = +4 dBu) Signal/Overload Indicators Red LED lights 3 dB below clipping Dimensions 9.32" (23.7 cm) wide x 11.625" (29.5 cm) deep x 2.76" (7.0 cm) high Weight Without power supply: 5.7 lbs. (2.58 kg) With power supply: 7 lbs. (3.17 kg) Power Requirements Domestic: 16 VAC 60 Hz; 12 Watts nominal

Effective Date: July 1, 1998 What This Warranty Covers Your Peavey Warranty covers defects in material and workmanship in Peavey products purchased and serviced in the U.S.A. and Canada. What This Warranty Does Not Cover The Warranty does not cover: (1) damage caused by accident, misuse, abuse, improper installation or operation, rental, product modification or neglect; (2) damage occurring during shipment; (3) damage caused by repair or service performed by persons not authorized by Peavey; (4) products on which the serial number has been altered, defaced or removed; (5) products not purchased from an Authorized Peavey Dealer. Who This Warranty Protects This Warranty protects only the original retail purchaser of the product. How Long This Warranty Lasts The Warranty begins on the date of purchase by the original retail purchaser. The duration of the Warranty is as follows: Product Category Duration Guitars/Basses, Amplifiers, Pre-Amplifiers, Mixers, Electronic Crossovers and Equalizers 2 years *(+ 3 years) Drums 2 years *(+ 1 year) Enclosures 3 years *(+ 2 years) Digital Effect Devices and Keyboard and MIDI Controllers 1 year *(+ 1 year) Microphones 2 years Speaker Components (incl. speakers, baskets, drivers, diaphragm replacement kits and passive crossovers) and all Accessories 1 year Tubes and Meters 90 days [*Denotes additional warranty period applicable if optional Warranty Registration Card is completed and returned to Peavey by original retail purchaser within 90 days of purchase.] What Peavey Will Do We will repair or replace (at Peavey's discretion) products covered by warranty at no charge for labor or materials. If the product or component must be shipped to Peavey for warranty service, the consumer must pay initial shipping charges. If the repairs are covered by warranty, Peavey will pay the return shipping charges. How To Get Warranty Service (1) Take the defective item and your sales receipt or other proof of date of purchase to your Authorized Peavey Dealer or Authorized Peavey Service Center. (2) Ship the defective item, prepaid, to Peavey Electronics Corporation, International Service Center, 412 Highway 11 & 80 East, Meridian, MS 39301 or Peavey Canada Ltd., 95 Shields Court, Markham, Ontario, Canada L3R 9T5. Include a detailed description of the problem, together with a copy of your sales receipt or other proof of date of purchase as evidence of warranty coverage. Also provide a complete return address. Limitation of Implied Warranties ANY IMPLIED WARRANTIES, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED IN DURATION TO THE LENGTH OF THIS WARRANTY. Some states do not allow limitations on how long an implied warranty lasts, so the above limitation may not apply to you. Exclusions of Damages PEAVEY'S LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO THE REPAIR OR REPLACEMENT OF THE PRODUCT, AT PEAVEY'S OPTION. IF WE ELECT TO REPLACE THE PRODUCT, THE REPLACEMENT MAY BE A RECONDITIONED UNIT. PEAVEY SHALL NOT BE LIABLE FOR DAMAGES BASED ON INCONVENIENCE, LOSS OF USE, LOST PROFITS, LOST SAVINGS, DAMAGE TO ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE, OR ANY OTHER DAMAGES WHETHER INCIDENTAL, CONSEQUENTIAL OR OTHERWISE, EVEN IF PEAVEY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. Some states do not allow the exclusion or limitation of incidental or consequential damages, so the above limitation or exclusion may not apply to you. This Warranty gives you specific legal rights, and you may also have other rights which vary from state to state. If you have any questions about this warranty or service received or if you need assistance in locating an Authorized Service Center, please contact the Peavey International Service Center at (601) 483-5365 / Peavey Canada Ltd. at (905) 475-2578. Features and specifications subject to change without notice.