EXR-46OR - Numeric keypad ROLAND - Free user manual and instructions

USER MANUAL EXR-46OR ROLAND

Thank you for choosing a Roland EXR-46 OR Interactive Arranger, a novel keyboard with a superior Roland sound source, an intuitive user interface, a USB port, V-LINK compatibility and a host of other useful functions.

To get the most out of the EXR-46 OR and to ensure many years of trouble-free service, we urge you to read through this Owner's Manual thoroughly.

To avoid confusion, let's agree to use the word "button" for all keys on the front panel, and use "key" only when referring to the EXR-46 OR's keyboard.

Before using this instrument, carefully read the "Important notes" (p. 7). They provide information concerning the proper operation of the EXR-46 OR. Be sure to keep this manual in a safe place for future reference.

1. Features

Superior sound source

The EXR-46 OR's sounds are based on full-length (uncompressed) waveforms, which is unique in this price range. This produces vibrant, realistic sounds quite unlike anything you would expect from a budget-friendly arranger keyboard. The EXR-46 OR's tone generator is 64-voice polyphonic. Combined with the new amplification system and Digital Bass Enhancer function, the EXR-46 OR sounds truly amazing, with a clear high end and a powerful low range.

Drum Pad mode

The EXR-46 OR provides a "Drum Pad" mode that allows you to assign drum sounds to the 8 highest keys (right side of the keyboard). You can use this function to play live drum or percussion parts to the EXR-46 OR's Style or Song playback.

Lock functions

The EXR-46 OR is equipped with five buttons that allow you to filter various settings from the User Programs you recall. This allows for a more flexible and efficient use of your registrations, because settings you do not need in a given situation can be ignored.

Flash memory and USB

The EXR-46 OR comes with 99 oriental Music Styles in ROM, 50 additional Music Styles and several Standard MIDI Files. The additional Styles and SMFs reside in the EXR-46 OR's Flash memory area, whose contents can be expanded and managed via a USB connection with your PC or Macintosh computer.

New concept

The EXR-46 OR is 19-part multitimbral, with 3 parts that can be played via the keyboard (Main, Split and Dual). The Main part can be used to play melodies or for drumming, while the Split and Dual parts allow you to quickly add a second sound to your solo playing.

Furthermore, the EXR-46 OR provides a new selection routine for Music Styles, Tones, songs, and User Programs: the FAMILY l buttons can be used for selecting specific groups, while the SELECT l buttons allow you to choose a setting within the selected group.

Excellent Arranger

The EXR-46 OR comes loaded with 149 Music Styles prepared by Roland's legendary Style foundry. As usual, several patterns are available (INTRO, ORIGINAL, VARIATION, FILL and ENDING), with additional options via the BAND ORCHESTRATOR buttons.

3 scale memories plus User Program-dependent scale settings

The EXR-46 OR is Roland's first arranger keyboard to provide 3 scale memories (for oriental tunings) and the possibility to save the currently used tuning settings in a User Program. That way, each of the 200 User Program memories could use a different tuning system.

And much, much more...

A metronome and several educational functions are provided, while three digital effects processors (Reverb, Chorus and MFX) can be used to further enhance the already amazing sound quality.

The EXR-46 OR can play back GM, GM2, GS and XG song data, so that you can virtually use any Standard MIDI File available at your Roland dealer or on the Internet.

Note: The EXR-46 OR supports XG Light and therefore only provides the basic set of compatible functions.

The EXR-46 OR is also equipped with a floppy disk drive (2DD/2HD) for data management and importing Music Styles prepared for older Roland arranger instruments.

Have fun!

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Other names of companies, products, or standards are the trademarks or registered trademarks of their respective owners.

USING THE UNIT SAFELY

INSTRUCTIONS FOR THE PREVENTION OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS

About WARNING and CAUTION Notices

▲WARNING	Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
▲CAUTION	Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly. * Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

About the Symbols

A	The △ symbol alerts the user to important instructions or warnings. The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.
B	The ⊙ symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.
C	The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power-cord plug must be unplugged from the outlet.

ALWAYS OBSERVE THE FOLLOWING

WARNING

• Before using this instrument, make sure to read the instructions below, and the Owner's Manual.

• Do not open or perform any internal modifications on the unit.

• Do not attempt to repair the EXR-46 OR, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page.

• Never use or store the EXR-46 OR in places that are:

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors); or are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are

• Subject to high levels of vibration.

• This unit should be used only with a rack or stand that is recommended by Roland.

• Make sure you always have the unit placed in such a way that it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

• The instrument should only be connected to a power supply of the type described in the operating instructions, or as marked on the adapter supplied with the EXR-46 OR.

WARNING

• Do not excessively twist or bend the adapter's power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

• This instrument, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.
• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

• Do not force the EXR-46 OR's adapter to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord's outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

• Whenever you suspect the possibility of lightning in your area, disconnect the adapter from the outlet.

• Should you remove screws, make sure to put them in a safe place out of children's reach, so there is no chance of them being swallowed accidentally.

WARNING

• Before using the EXR-46 OR in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page.

CAUTION

• The EXR-46 OR should be located so that its location or position does not interfere with its proper ventilation.

• This unit for use only with Roland keyboard stand KS-12. Use with other stands is capable of resulting in instability causing possible injury.

• Always grasp only the plug on the adapter when plugging into, or unplugging from, an outlet or this unit.

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed out of the reach of children.

• Never climb on top of, nor place heavy objects on the unit.

• Never handle the adapter's power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

• If you need to move the instrument, take note of the precautions listed below. Make sure to have a firm grip, to protect yourself from injury and the instrument from damage.

• Disconnect the adapter.
• Disconnect all cords coming from external devices.

• Remove the music stand.

• Before cleaning the unit, turn off the power and unplug the adapter from the outlet.

This product must be disposed of separately at your local waste recycling centre.

Do not dispose of in household waste bin.

Contents

1. Features 2
2. Important notes 7
3. Panel descriptions.. 9

Front panel 9
Rear panel. 11
4. First steps. 12

Setting up 12
Demo songs 12
Playing back a Tone demo song 12
Playback of a Style demo song 12
Leaving Demo mode 12
laying without accompaniment 13
Using the Main part 13
Using the Main and Split parts 13
Using the Main and Dual parts 14
Using the metronome. 14
5. Playing with accompaniment (Arranger) 15
Starting/using the Arranger. 15
Changing the tempo. 16
Automatic playback start (Sync Start & Stop) 16
Stopping Arranger playback 16
electing Music Styles. 16
Using the Band Orchestrator function. 17
Balance 18
6. Playing back songs 19
Basic song playback. 19
Additional playback functions 20
Selecting Song mode 20
Fast Forward, Rewind, and Reset 20
Loop playback (Repeat) 21
Live performance with song backing (Minus One). 21
Changing the track assignments. 22
7. Recording your music 23
Basic song recording 23
Listening to your song 23
Other recording functions 24
About the recording modes. 24

More about ALL mode 24
Keyboard recording mode 24
Single recording mode 24
Punch I/O 25

8.Additional Music Style functions. 26

One Touch 26
Using the Music Assistant 26
Melody Intelligence. 27
Changing the Melody Intelligence harmony type. 27
PIANO Mode 27
Bass Inversion (Bass Inv). 28
More Music Style functions 28

1. Using oriental tunings 29

Tuning individual notes a quarter tone down 29
Using other tuning values 29
Saving and loading your tunings (SCALE MEMORY) 29

1. Keyboard part functions 30

Selecting sounds for the Main, Split and Dual parts. 30
Selecting any of the available sounds 30
Using the USER TONES buttons 30
Assigning another Tone to a USER TONES button 30
Drum sounds and sound effects ("SFX") 31
Drum Kits 31
Sound effects ("SFX") 31
Using DRUM PAD mode 32
Using the Drum Pad function 32
Transpose 32
Global transpose function ("GLB") 33
Octave settings. 33
Other Keyboard part functions 33

1. Performance functions and effects.. 34

Performance functions 34
Keyboard Touch (velocity sensitivity). 34
Pitch Bend and Modulation 34
Footswitch 34
Using effects. 35
Using the multi-effects processor (MFX) 35

Reverb. 36
Chorus 37

V-LINK function 38

V-LINK functions that the EXR-46 OR can control (and corresponding MIDI messages) 38

1. Function menu 39
   Editing parameters (general procedure) 39
   KB SET parameters 39
   DRUM PAD parameters. 41
   METRONOM parameters 41
   OCTAVE parameters 41
   VOLUME parameters 41
   ARR SET parameters. 42
   EFFECTS parameters 42
   KB SCALE parameters. 43
   MIDI parameters. 43
   UTILITY parameters. 44

2. Working with User Programs 45

Writing your settings to a User Program. 45
Notes about writing User Programs 45
Selecting a User Program. 45
Lock: filtering certain User Program settings. 46

14.MIDI functions 47

Channels 47
MIDI Function parameters 47

Working with the Flash memory. 49
Saving songs to a Flash memory 49
Archiving User Programs in the Flash area 49
Saving Styles to a Flash memory 50
Loading a User Program set from the Flash memory. 50
Removing songs from the Flash memory. 50
Removing Styles from the Flash memory 51
Removing a User Program set from the Flash memory. 51
Archiving data using a computer (USB) 52

15.Data management. 49
Disk functions. 53
Loading User Programs from disk 53
Loading songs from disk 54

Loading Music Styles from disk 54
Saving files to disk. 54
Deleting files on disk 55
Format 56
16. Using the outputs and an optional footswitch. 57
17.Miscellaneous. 58
Functions for educational purposes 58
Deactivating or activating the Demo function 58
Deactivating or activating the Arranger 58
Deactivating or activating the Arranger and Demo functions... 58
Initializing your EXR-46 OR (Factory) 58
18. Specifications 59
Thanks 59
19.Lists 120
Tones selectable via the front panel 120
Drum Kits. 123
Music Styles. 130
Chord Intelligence ("Md1" setting) 131
MIDI Implementation Chart 133

2. Important notes

In addition to the items listed under "Using the unit safely" (p. 3), please read and observe the following:

Power supply

• Do not use this instrument on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).
• Before connecting the EXR-46 OR to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

• Using the EXR-46 OR near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this instrument or move it further away from the source of interference.
• This instrument may interfere with radio and television reception. Do not use it in the vicinity of such receivers.
• Observe the following when using the unit's floppy disk drive. For further details, refer to "Before using floppy disks (handling the floppy disk drive)".
• Do not place the unit near devices that produce a strong magnetic field (e.g., loudspeakers).
• Install the EXR-46 OR on a solid, level surface.
• Do not move the unit or subject it to vibration while the drive is operating.
• Do not expose the EXR-46 OR to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the instrument.
• To avoid possible breakdown, do not use the unit in a wet area, such as an area exposed to rain or other moisture.
• Do not allow objects to remain on top of the EXR-46 OR. This can be the cause of malfunction.

Maintenance

• For everyday cleaning wipe the EXR-46 OR with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a mild, non-abrasive detergent. Afterwards, be sure to wipe the instrument thoroughly with a soft, dry cloth.
• Never use benzene, thinner, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and data

• Please be aware that all data contained in the instrument's memory may be lost when it is sent for repairs. In certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data. Roland assumes no liability concerning such loss of data.

Additional precautions

• Please be aware that the memory contents can be irretrievably lost as a result of a malfunction, or the improper operation of the instrument.
• Use a reasonable amount of care when using the instrument's buttons, other controls, and jacks/connectors. Rough handling can lead to malfunctions.
• Never strike or apply strong pressure to the display.
• When connecting/disconnecting cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable's internal elements.
• A small amount of heat will radiate from the instrument during normal operation. This is perfectly normal.
• To avoid disturbing your neighbors, try to keep the instrument's volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially late at night).
• When you need to transport the instrument, package it in the box (including padding) that it came in. Otherwise, you will need to use equivalent packaging materials, or a flightcase.

• Use only a recommended footswitch (DP-2, DP-6, sold separately). By connecting any other footswitch, you risk causing malfunction and/or damage to the EXR-46 OR.

• When the EXR-46 OR is used at excessive volumes, the protection system of its power amplifier stage may come on and mute the speakers. In that case, reduce the volume setting and wait a few seconds.

Before using floppy disks (handling the floppy disk drive)

• Install the unit on a solid, level surface in an area free from vibration. If the unit must be installed at an angle, be sure the installation does not exceed the permissible range: upward, 2^ ; downward, 18^ .
• Avoid using the EXR-46 OR immediately after it has been moved to a location with a level of humidity that is greatly different than its former location. Rapid changes in the environment can cause condensation to form inside the drive, which will adversely affect the operation of the drive and/or damage floppy disks. When the EXR-46 OR has been moved, allow it to become accustomed to the new environment (allow a few hours) before operating it.
• To insert a disk, push it gently but firmly into the drive—it will click into place. To remove a disk, press the EJECT button firmly. Do not use excessive force to remove a disk which is lodged in the drive.
• Never attempt to remove a floppy disk from the drive while the drive is operating (the indicator is lit); damage could result to both the disk and the drive.
• Remove any disk from the drive before switching the instrument on or off.
• To prevent damage to the disk drive's heads, always try to hold the floppy disk in a level position (not tilted in any direction) while inserting it into the drive. Push it in firmly, but gently. Never use excessive force.
• To avoid the risk of malfunction and/or damage, insert only floppy disks into the disk drive. Never insert any other type of disk. Avoid getting paper clips, coins, or any other foreign objects inside the drive.

Handling floppy disks

• Floppy disks contain a plastic disk with a thin magnetic coating. Microscopic precision is required to enable storage of large amounts of data on such a small surface area. To preserve their integrity, please observe the following when handling floppy disks:

• Never touch the magnetic medium inside the disk.

• Do not use or store floppy disks in dirty or dusty areas.
• Do not subject floppy disks to temperature extremes (e.g., direct sunlight in an enclosed vehicle). Recommended temperature range: 10^ 50^ ( 50^ 122^ ).
• Do not expose floppy disks to strong magnetic fields, such as those generated by loudspeakers.
• Floppy disks have a "WRITE" tab which can protect the disk from accidental erasure. It is recommended that the tab be kept in the PROTECT position, and moved to the WRITE position only when you wish to write new data onto the disk.

• Disks containing important performance data for this instrument should always be locked (have their write protect tab slid to the PROTECT position) before you insert them into the drive of another instrument.
• The identification label should be firmly affixed to the disk. If the label comes loose while the disk is in the drive, it may be difficult to remove the disk.
• Put the disk back into its case for storage.

Electromagnetic radiations

• Electromagnetic radiations may cause a deterioration of audio performances. Such possible deterioration consists in an audio signal being emitted. On ceasing the electromagnetic noise, the emission of the audio signal will simultaneously stop.

Liability and copyright

• Should data contained and stored on a floppy disk be lost, it is unfortunately impossible to restore them. Roland Europe S.p.a. assumes no liability concerning such loss of data.
• Unauthorized recording, distribution, sale, lending, public performance, broadcasting, or the like in whole or in part, of a work (musical composition, video, broadcast, public performance, or the like) whose copyright is held by a third party is prohibited by law.
• Do not use this unit for purposes that could infringe on a copyright held by a third party. Roland assumes no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this unit.

3. Panel descriptions

Front panel

① SCALE MEMORY buttons

These three buttons allow you to save and recall the tuning settings carried out with the ORIENTAL SCALE buttons. When the EXR-46 OR is shipped, these memories already contain useful settings (that will be recalled whenever you initialize your EXR-46 OR).

Note: The settings of the ORIENTAL SCALE buttons are also saved to a User Program, so that you can use these three memories for more "general" settings.

② ORIENTAL SCALE buttons

These buttons allow you to change the tuning of each note of the scale. By default, pressing one of these buttons will lower the corresponding notes in all octaves by a quarter tone (-50 cents). Other tunings can also be selected and saved to one of the three scale memories (see above) or a User Program.

③ POWERON button

Press this button to switch the EXR-46 OR on and off.

(28)

④ BENDER/MODULATION lever

By performing left/right movements, you can bend your solo notes down (left) or up (right). Press this lever towards the rear of the instrument to add modulation (usually vibrato) to the notes you are playing.

⑤ PHONES 1/2 sockets

This is where you can connect two pairs of optional headphones (Roland RH-25, RH-50, RH-200, or RH-300). By doing so, you switch off the EXR-46 OR's speakers.

⑥ VOLUME knob

Use this knob to set the global volume of your EXR-46 OR.

⑦ BALANCE ACCOMP KEYBOARD buttons

Use the BALANCE buttons to change the volume of the corresponding section (accompaniment/song, or the parts you play on the keyboard).

⑧ KEYBOARD TOUCH button

Press this button to switch the keyboard's velocity sensitivity on or off. When it is switched off, you can specify the fixed velocity value that should be used for all notes you play.

⑨ METRONOME button

This button allows you switch the metronome on and off. Holding it for more than one second calls up a FUNCTION parameter you can set.

10 MELODY INTELLIGENCE button

This button allows you to switch the Melody Intelligence function on/off. This function adds a harmony part to your melody playing. See p. 27. Holding it for more than one second calls up a FUNCTION parameter you can set for selecting the harmony type.

⑪ USB button

This button allows you to select the function of the USB port should perform: (i) mass storage (archiving and retrieving settings to/from a computer) or (ii) USB/MIDI (whereby the USB port has the same function as the MIDI IN and MIDI OUT connectors). See pages 47 and 52 for details.

Press it together with ONE TOUCH to select the EXR-46 OR's demo function (see p. 12).

⑫ ONE TOUCH button

Press this button to select the desired One Touch settings. One Touch memories contain a number of settings that complement the currently selected Music Style. There are two One Touch memories per Music Style. See p. 26.

13 V-LINK button

Press this button to take advantage of the EXR-46 OR's V-LINK functionality for controlling video material via certain performance functions and the right-most keys on the EXR-46 OR's keyboard. By using V-LINK-compatible video equipment, visual effects can be easily linked to, and made part of the expressive elements of a performance. By connecting the EXR-46 OR to an optional Edirol DV-7PR or V-4, you can switch images in synchronization with music, or use the EXR-46 OR's performance functions or right-most keys to switch clips, control playback speed, etc. During song and Music Style playback, this button flashes to indicate the tempo and beats (BEAT function).

(4) KEYBOARD CONTROL section

Press the SPLIT button to play different sounds with your left and right hands. Press the DUAL button to play two sounds simultaneously. Press SPLIT and DUAL simultaneously to activate the EXR-46 OR's Drum Pad mode (page 32). Use the TRANSPOSE button to transpose the keyboard (see p. 32).

15 BAND ORCHESTRATOR section

Press one of these buttons to choose the desired orchestration for the selected Music Style. See page 17.

16 ARRANGER & SONG -CONTROLS section

TAP TEMPO button: Press this button at least twice to set the Arranger's or Recorder's playback tempo.
SYNC START/STOP button: This button performs two functions: In Arranger mode (while using the automatic accompaniment), it allows you to switch the SYNC START and SYNC STOP function on and off.
In Song mode, it can be used to specify the beginning ("A") and end ("B") of the passage that should be repeated. The remaining buttons in this section allow you to control Arranger or Recorder playback. See pages 15 and 19.

⑰ LOCK section

The buttons in this section allow you to filter (ignore) certain settings that are usually recalled when you select a User Program. This allows for a more flexible use of your registrations. See page 46.

When the Minus One function is on, these buttons allow you to quickly mute several Standard MIDI File parts (these mute functions are not available while you are using the Arranger function).

KEYBOARD MODE section

These two buttons allow you to quickly configure the EXR-46 OR for use with ([ARRANGER BAND]) or without ([PIANO/SOLO]) automatic accompaniment. At power-on, the EXR-46 OR selects the PIANO SOLO mode. Press them simultaneously to activate the PIANO MODE, which allows you to use the EXR-46 OR's Arranger (automatic accompaniment) without splitting the keyboard (see p. 27).

19 MUSIC ASSISTANT button

This button allows you to work with pre-programmed registrations (additional User Programs). See p. 26.

20 SONG button

This button allows you to select the EXR-46 OR's Song mode and to specify that the [INTRO], [ORIGINAL], etc., buttons should be used to operate the on-board Recorder.

② STYLE button

Press this button if you want to select Music Styles. By activating this button, you also specify that the [INTRO], [ORIGINAL], etc., buttons are used for selecting a Style Division, while the numeric buttons can be used to select the desired Style memory.

TONE button

Press this button if you want to use the FAMILY and numeric buttons for assigning a sound ("Tone") or Drum Kit to the Main, Split or Dual part. See p. 30.

DATA ENTRY buttons

FAMILY and SELECT l buttons: The FAMILY and SELECT l buttons are used to select Tones, Styles, Music Assistant registrations, Songs, and Function parameters. The FAMILY l buttons allow you to select a group. You can press them, hold them, or press one while holding the other to change the scrolling speed.

The SELECT l buttons allow you to choose items within the selected group or family. You can press them, hold them, or press one while holding the other to change the scrolling speed. After selecting the last item of the currently selected group, pressing again takes you to the first entry of the following group. Conversely, pressing again after selecting the first entry of a group takes you to the last entry of the preceding group.

Numeric key pad: These buttons allow you to enter numbers (for Tone, Style, Music Assistant memory, song, track selection), values and characters (for entering names). The TEMPO/DATA + buttons allow you to set the arranger or Song tempo and the value of the selected FUNCTION parameter.

24 FUNCTION button

This button provides access to the FUNCTION menu. You can use the FAMILY and SELECT l buttons to select the desired function.

25 DISK button

Press this button to access the Disk functions. They are used for loading data from floppy, saving data to disk, and managing floppy disks. See p. 53.

Note: You can also save and load data via USB.

26 USER PROGRAM/WRITE button

Press this button whenever you want to select a User Program (a set of registrations). Press and hold it to save the current panel and parameter settings to a User Program. See page 45.

27 USER TONES section

These buttons allow you to select the "best" sound of the indicated family (i.e. the "best" piano, organ, guitar/bass, etc. sound). After pressing one of these buttons, you can use FAMILY and SELECT to select other families and other Tones within the active family. (At a later stage, these can be recalled by "double-clicking" these buttons.) You can also assign your favorite sounds to these buttons. See "Using the USER TONES buttons" (p. 30) for details.

Disk drive, in the middle below the keyboard (not pictured) This is where you insert floppy disks with Standard MIDI Files or Music Styles you may already own. The drive accepts 2DD (720k) and 2HD (1.44MB) floppy disks.

Rear panel

① OUTPUT R, L/MONO sockets

These sockets allow you to connect the EXR-46 OR to your HiFi amplifier, a mixer, a cassette deck, a keyboard amplifier, etc. If the external amplifier is mono, be sure to connect it to the OUTPUT L/MONO socket.

② DC IN socket

This is where you need to connect the supplied adapter (PSB-4U).

Note: Be sure to only use the adapter supplied with your EXR-46 OR. Other adapters may damage your Interactive Arranger.

③ Cord hook

After connecting the adapter cable, wind it around the cord hook to the socket's right to prevent accidental power failures.

④ FOOTSWITCH socket

This is where you can connect an optional DP-2, DP-6, or BOSS FS-5U footswitch that allows you to hold ("sustain") the notes you play with your right hand. It can also be used for controlling other parameters (see "FSW" (Footswitch Assign)" (p. 40)).

⑤ MIDI OUT/IN sockets

Connect the MIDI OUT socket to the MIDI IN jack of your computer (or MIDI instrument) to transfer MIDI data from the EXR-46 OR to the computer or external MIDI instrument. Connect the MIDI IN socket of the EXR-46 OR to the computer's MIDI OUT jack to receive data from the computer.

Note: The EXR-46 OR can also transmit/receive MIDI data via its USB port. To do so, you need to install the appropriate USB drivers from the supplied CD-ROM.

⑥ USB port

The USB port can be used for transmitting/receiving MIDI messages or for archiving purposes with a computer.

4. First steps

Setting up

The first thing you need to do is connect the supplied PSB-4U adapter to a suitable wall outlet.

(1) Unpack the EXR-46 OR and place it on a stable surface.
(2) Connect the small end of the adapter cable to the EXR-46 OR's DC IN jack, and the other end to a suitable wall outlet.
(3) Press the POWER ON button to switch on the EXR-46 OR.

(4) Use the volume knob to set the EXR-46 OR's output volume.

Note: When the EXR-46 OR is used at excessive volumes, the protection system of its power amplifier stage may come on and mute the speakers. In that case, reduce the volume setting and wait a few seconds.

(5) Press [POWER ON] again to switch the EXR-46 OR back off again.

If you wish to connect the EXR-46 OR to a keyboard or HiFi amplifier, do so before performing step (3) and switch on the amp before performing step (4).

Demo songs

Your EXR-46 OR comes with 1 song demo, 8 Tone demos, and various Style demos.

• The song demo illustrates the possibilities of the EXR-46 OR as a whole.
• Tone demos show off the EXR-46 OR's amazing sound quality.
• Style demos give you an impression of the quality of the on-board Music Styles.

(1) Hold down the USB button while pressing ONE TOUCH.

(2) If necessary, use the volume knob to change the playback volume.
(3) Press START/STOP to stop playback.

Playing back a Tone demo song

(1) Press the TONE button.

Playback of the Tone demo song starts automatically.

You can now press START/STOP to stop playback of the currently selected Tone song. If you press this button again, the next Tone demo song will be played back.

(2) Press START/STOP to stop Tone demo song playback.

Playback of a Style demo song

(1) Press the STYLE button.

Playback of the Style demo song starts automatically.

You can now press START/STOP to stop playback of the currently selected Style demo song. If you press this button again, the next Style demo song will be played back.

(2) Press START/STOP to stop Style demo song playback.

Leaving Demo mode

(1) Hold down the USB button while pressing ONE TOUCH to leave the Demo mode.

Playing without accompaniment

When you switch on the EXR-46 OR, it selects the PIANO SOLO mode. This means that you can use the EXR-46 OR like a digital piano, or a synthesizer.

The accompaniment function (called "Arranger") and

ONE TOUCH button are not available in PIANO SOLO mode, while only the Main part is active.

The EXR-46 OR provides three parts for your live playing (and many more for Arranger backing and Song playback):

Main	As its name suggests, this is the most important part. As long as the Split part is off, the Main part is assigned to the entire keyboard.
Split	When you switch on this part, it is assigned to the left half of the keyboard, while the Main part can be played with your right hand.
Dual	This part can be added to the Main part and is also assigned to the entire keyboard. This allows you to play two sounds simultaneously.

Using the Main part

(1) To activate the Main part and assign it to the entire keyboard, press the PIANO SOLO button.

The ARRANGER icon disappears, the Arranger stops (if it was playing), and the EXR-46 OR automatically selects a piano sound for you.

(2) Play a few notes on the keyboard.

(3) If necessary, select another sound by pressing one of the 8 USER TONES buttons. See p. 30 for details.

(4) If necessary, you can hold down the TONE button and use BALANCE [ACCOMP] (softer) or [KEYBOARD] (louder) to change the Main part's volume.

Note: Unlike previous Roland arranger instruments, the EXR-46 OR no longer distinguishes between "melodic" parts and a Manual Drums part. You can therefore also play a Drum Kit with the Main part.

Note: You can also press the START/STOP button to add a rhythm accompaniment to your playing. This is based on the currently selected Music Style. See p. 16 for how to select a different one.

Note: See p. 15 and "Automatic playback start (Sync Start & Stop)" (p. 16) for other ways to start Music Style playback (the drums, that is).

Using the Main and Split parts

(1) If you wish to play different sounds with your left and right hands, press the button.

The Split icon appears and the EXR-46 OR now automatically selects a sound for the Split part that complements the sound assigned to the Main part.

(2) Play a few notes on the keyboard.

At first, the keyboard is split at the G3 (note number "55"). If necessary, you can select a different split point. See "KeySplit* (Split point)" (p. 40).

To change the balance between the Main and Split sounds, proceed as follows:

(3) Hold down the SPLIT button and use BALANCE [ACCOMP] (decrease) or [KEYBOARD] (increase) to change the Split part's volume.

(4) To assign another sound to the Split part, hold down the SPLIT button and proceed like for the Main part (page 13).

Alternatively, press and hold one of the eight USER TONES buttons (Main part) while pressing another USER TONES button (Split part).

Note: You cannot assign Drum Kits to the Split part.

Note: You can also add a monophonic bass part ("Auto Bass") to the Split part. See "Auto Bass*: status and volume" (p. 41).

Using the Main and Dual parts

(1) To play two sounds simultaneously, press the DUAL button.

The Dual icon appears and the EXR-46 OR now automatically selects a sound for the Dual part that complements the sound assigned to the Main part.

You can also activate the Dual mode by holding down one of the eight USER TONES buttons while pressing another. The first USER TONES button's sound is then assigned to the Main part, while the second sound is assigned to the Dual part.

(2) Play a few notes on the keyboard.

To change the balance between the Main and Dual sounds, proceed as follows:

(3) Hold down the DUAL button and use BALANCE

ACCOMP (decrease) or KEYBOARD (increase) to change the Dual part's volume.

(4) To assign another sound to the Dual part, hold down the DUAL button and proceed like for the Main part (page 13).

Note: You cannot assign Drum Kits to the Dual part.

Using the metronome

You can switch on the metronome when practising a new song.

(1) Press the METRONOME button.

The icon appears in the display and you hear the metro-nome sound.

(2) Press and hold METRONOME to select the Metro TS function.
(3) Use the + buttons to set another time signature. The possibilities are: 1 / 4 9 / 4 1 / 8 9 / 8
(4) Press another "big" button in the DATA ENTRY section to leave this function.
(5) Press the METRONOME button again to switch the metronome off.

5. Playing with accompaniment (Arranger)

Let us now take advantage of the EXR-46 OR's accompaniment function. This function is called "Arranger".

Starting/using the Arranger

(1) Press the ARRANGER BAND button.

The ARRANGER icon appears in the display and the keyboard is split into two halves. The keys you press in the left half are used to specify the key of the accompaniment. The right half of the keyboard allows you to play a tune to the accompaniment.

(2) Press the START/STOP button to start Arranger playback.

The V-LINK button now flashes to indicate the tempo and beats (BEAT function).

Note: If the ARRANGER icon is displayed, playing in the left half of the keyboard while the Arranger is stopped, will sound a stereo string sound (to which you can add a monophonic bass sound, see "Auto Bass*: status and volume" (p. 41)). The left half of the keyboard is thus not muted (like on previous Roland arranger instruments). This "EP Chord" function can be switched off, however (page 42).

(3) Play a chord (or just one note) with your left hand.

(4) Play another chord (or note) to change the Arranger's key.
(5) To quickly return to the beginning of the accompaniment pattern (RE-START function), press the REC button while the accompaniment is running.

(6) Press the following buttons to use other patterns of the currently selected Music Style:

Button	Function
INTRO	Selects an introduction. Press this button before activating START/STOP.
ORIGINAL	Simple accompaniment version.
FILL	Transition ("Fill In") to VARIATION or ORIGI-NAL.
VARIATION	Slightly more complex accompaniment ver-sion.
ENDING	Phrase that indicates the end of the song. Use this button instead of START/STOP to stop playback.

These buttons select Music Style "patterns". The icon corresponding to the button you press appears in the display.

Also, the ARRANGER chord field in the display indicates the name of the chord you played last. This chord is used by the accompaniment.

As soon as you feel comfortable with the Arranger, you should try to play a melody with your right hand while using your left for specifying Arranger chords.

Changing the tempo

(7) Use the TEMPO/DATA buttons to decrease (□) or increase (⊕) the tempo (if necessary).

To return to the Music Style's default tempo, simultaneously press and + .

You can also press the TAP TEMPO button several times at the desired tempo.

Automatic playback start (Sync Start & Stop)

Press SYNC START/STOP (the SYNC START icon appears). "Sync Start" means that the Arranger starts playing back the selected Music Style as you play a note or a chord with your left hand (to the left of the split point).

In PIANO mode, Arranger playback will start when you press any note.

The EXR-46 OR also provides a SYNC STOP option: quickly press SYNC START/STOP twice ("double-click") so that the SYNC START icon starts to flash. This will cause the Arranger to

stop as soon as you release all keys in the chord recognition area. This is great for songs where you need breaks (i.e. one or several beats of silence).

Note: The behavior of the SYNC STOP function can be changed (see p. 42) by pressing and holding the [SYNC START/STOP] button.

Stopping Arranger playback

(8) Press START/STOP again to stop playback.

You can also press ENDING. In that case, you first hear an ending phrase. When it is finished, Arranger playback stops automatically.

Alternatively, you can press the SYNC START/STOP button twice in succession to activate the SYNC STOP function. If you then release all keys in the left half of the keyboard, playback stops at the same time.

Selecting Music Styles

The EXR-46 OR provides three memory areas for Music Styles: USER STL: (Memory 000) This is where a Music Style loaded from the Flash memory or floppy disk (MSA, MSD and MSE series, optional) is temporarily stored. The data in this RAM memory are erased when you switch off the EXR-46 OR. MAKSOUM (001~008), SAIDI (009~013), MASRI (014~025), MALFOLFUF (026~028), ARABI (029~035), TRADIT (036~049), OR-WORLD (050~066), KHALIGI (067~088), TURKISH (089~099): These are the Style families in the EXR-46 OR's internal ROM memory. These Styles cannot be erased (but you can modify them in realtime using the Band Orchestrator function, see page 17).

FLASH: (Memories 101~150) This is a Flash area inside the EXR-46 OR that already contains 50 Styles when the EXR-46 OR is shipped. You can expand the number of Styles in this area by copying more Styles from your computer (via USB) or by saving the Styles loaded from disk. There are 99 Flash memory slots in all, but the actual number of Styles you can save there depends on the data size of the Styles.

DISK: (Memories 201~...) This area refers to a floppy disk you inserted into the EXR-46 OR's drive. The number of available Styles depends on the floppy disk, of course. The Style you select is transferred to the EXR-46 OR's USER STL memory (see above), which is why it takes a little longer before you can use it. (You could, however, save it to a Flash memory, see p. 49.)

(1) Press the ARRANGER BAND button.

Check whether the ARRANGER and a

INTRO ORIGINAL FILL VARIATION ENDING icon are displayed.

(2) Press the STYLE button.

(3) If you want to use a style on floppy disk, insert the disk into the drive.

(4) Use FAMILY to select the memory area that contains the desired Music Style (see above).

The FAMILY buttons allow you to jump to the desired "family" (which also include the Flash and USER STL areas).

The display now shows the name of the selected family.

MALFOUF 73

FLASH 132

(5) Use SELECT to specify the desired Style within the selected group.

The first press of SELECT (or) shows the name of the first Music Style within the selected group. It is already selected, so if you need the first Style, there is actually no need to press SELECT. You must use SELECT or, however, to select another Style within the same group. You can also use the numeric buttons to select Styles. See also "Working with the FAMILY, SELECT and numeric buttons" (p. 20).

After selecting memory 101 (Flash) or 201 (first disk memory), the display shows a flashing YES message.

Note: If you forgot to insert a floppy disk into the drive, the display shows "No Disk" when you attempt to select the "disk family".

(6) If necessary, confirm your selection by pressing the +/[4]YES button.

The display briefly shows "LOADING" (only after selecting a Style from the inserted floppy disk).

If you selected a Music Style on floppy disk, the Disk icon now flashes, and the EXR-46 OR automatically selects the USER STL memory that now contains the Music Style you loaded from floppy disk.

If you press + / YES during Arranger playback, the new Style is used at the next downbeat (1st beat of the next measure). Otherwise, the EXR-46 OR displays its name and uses that Style when you press START/STOP.

Note: See page 50 for how to save the Music Style in the USER STL memory to the Flash memory.

Using the Band Orchestrator function

The Band Orchestrator function allows you to vary the accompaniment patterns played by the Arranger. You can leave out parts, thin out the drum part, etc. - in real-time (i.e. while you are playing).

(1) Press the ARRANGER BAND button to select the Arranger mode.
(2) Select the Music Style you wish to use for playing (or use the one that is currently selected). See page 16.
(3) Press one of the following buttons to select the desired level of musical "complexity" (the corresponding icon is displayed):

Obviously, these buttons should be used during Arranger playback.

DRUM & BASS	The simplest accompaniment that only contains the drum and bass lines.
COMBO	Accompaniment pattern with only a few instruments (i.e. a band).
FULL BAND	Accompaniment pattern with a lush arrangement (several melodic instrument lines).

The corresponding icon appears in the display (only one of them can be displayed at any one time).

COMBO

FULL BAND

Note: Immediately after switching on the EXR-46 OR, the Orchestrator selects the "FULL BAND" level.

Note: The effect of these three levels also depends on whether the VARIATION or ORIGINAL button was pressed. In effect, the combination of the ORIGINAL/VARIATION and DRUM&BASS/COMBO/FULL_BAND buttons provides 6 accompaniment patterns per Music Style (3 x 2).

The last selection you make can be saved to a User Program. See p. 45.

Balance

The BALANCE l buttons allow you to change the volume balance between the Arranger (or Song) parts and the Keyboard parts (the ones you can play yourself).

(1) Press BALANCE [ACCOMP] if the Arranger (or Song parts) are too soft.

A10 Balance 80

(2) Press BALANCE [KEYBOARD] if you think your solo playing should be louder.

By holding down (or ) while pressing these buttons, you can modify the volume of those Keyboard parts.

Note: See p. 41 for setting the volume of individual parts.

6. Playing back songs

The EXR-46 OR allows you to play back commercially available music data files (called Standard MIDI Files) or your own songs you saved to disk or to the EXR-46 OR's Flash memory. Your own songs are saved as Standard MIDI Format 0 files and can also be played back using any other SMF compatible sequencer (or software).

Basic song playback

(1) Press the SONG button (it lights) to switch to Song mode.

This is necessary because, otherwise, pressing the START/STOP button will start Arranger playback. So be sure to check whether the SONG button lights and whether the ARRANGER and INTRO ORIGINAL FILL VARIATION ENDING icons are no longer displayed. Only then will the ARRANGER & SONG CONTROLS buttons allow you to control song playback (see above).

(2) If you want to play back a song from floppy disk, insert the disk into the drive (front right).

(3) Use FAMILY to select the memory area that contains the song you wish to play back.

The EXR-46 OR provides three memory areas for songs: USERSONG: (Memory 000) This where the song data you record are temporarily stored. The data in this RAM memory are erased when you switch off the EXR-46 OR.

FLASH: (Memories 101~199) This is the Flash area inside the EXR-46 OR that already contains several songs when the EXR-46 OR is shipped. You can expand the number of songs in this area by copying more songs from your computer (via USB). There are 99 Flash memory slots in all, but the actual number of songs you can save there depends on the data size of the songs.

DISK: (Memories 201~...) This area refers to a floppy disk you insert into the EXR-46 OR's drive. The number of available songs depends on the floppy disk, of course.

(4) Use SELECT or the numeric buttons to specify the desired song within the selected group.

This is only necessary for the Flash memory or a floppy disk (there is only one USERSONG memory).

The first press of SELECT (or) shows the name of the first song within the selected group. It is already selected, so if you need the first song, there is actually no need to press SELECT. You must use SELECT or, however, to select another song within the same group. After selecting memory 101 (the first Flash memory), the display looks as follows.

TEMPO

101SongName

You can also use numeric buttons to select songs.

Working with the FAMILY, SELECT and numeric buttons

You can press FAMILY l or l either repeatedly (brief presses) to go back or advance, or hold down l or l to quickly select another family. The fastest way to scroll through the available families is by holding down l while pressing l (go backwards), or by holding down l while pressing l (advance). The same methods are available for the SELECT l buttons. As a reminder: the FAMILY buttons are used for selecting groups, while the SELECT buttons allow you to select items within a group.

If you prefer to use the numeric buttons, enter three figures (e.g. "001" for entry "1"). If you only enter two figures (or only one), the EXR-46 OR takes slightly longer to accept your entry.

Note: If the number you enter lies beyond the last available entry, the EXR-46 OR does not change.

Note: Enter "000" (or "0") to select the USERSONG memory.

After selecting memory 101 (Flash) or 201 (first disk memory), the display shows a flashing YES message. You can ignore this if you like, and proceed with the next step (or you can press YES/+ and then proceed).

Note: If you forgot to insert a floppy disk into the drive, the display shows "No Disk" when you attempt to select a file on disk.

(5) After making sure that the correct song has been selected, you can press START/STOP (now called ▶ / ) to load it and immediately start playback.

The V-LINK button now flashes to indicate the tempo and beats (BEAT function).

You can already select a new song while the current one is still playing back. If you want to listen to it before the current song is finished, stop playback by pressing

/ STOP then press that button again. Otherwise, wait until the current song is finished, then press the / STOP button to start playback of the new song.

Note: Please bear in mind that starting playback of the selected song on disk will erase the song in the USERSONG memory. Be sure to save it to disk before proceeding (see p. 54).

(6) You can change the song tempo with the + buttons or TAP TEMPO.

Doing so, however, means that the tempo will still change if the song you are playing back contains tempo change messages. Furthermore, every time you jump back to the beginning or another position of the song using l ,or 出 ,the programmed song tempo is reset.

Note: In Song mode, the EXR-46 OR automatically selects the PIANO SOLO keyboard mode. If you like, you can play along with the song (and even use the Split or Dual part).

Note: In certain cases, the display may show the message XG Light or GM2 rather than a Tone name. Such a message means that the EXR-46 OR is using a Tone that cannot be selected via the front panel. There are 798 such "hidden" Tones whose sole purpose is to ensure XG/GM2 playback compatibility.

Additional playback functions

The INTRO, ORIGINAL, etc. buttons have two functions: one in Style mode (printed above the buttons), and another one in Song mode (printed below the buttons).

Selecting Song mode

The ARRANGER & SONG CONTROLS buttons have two functions: they can be used for selecting Music Style patterns (when the ARRANGER icon is displayed), or for Song navigation (when the SONG button lights).

To select Song mode (and the SONG CONTROL functions), you need to press the SONG button. Only then will the following functions be available.

Fast Forward, Rewind, and Reset

• To fast forward (jump to a measure later in the song), press.
• To rewind (return to a measure that lies before the current position), press l .

The measure indication in the upper right corner of the display will help you locate the measure you need.

• Press (Reset) to jump back to the first measure of the song. You need to stop playback before using the button.

Note: In certain cases, and may not be available. This is only the case for very large songs, however.

Note: By pressing , or , you also recall the song's preprogrammed tempo value.

Loop playback (Repeat)

Another clever feature of the EXR-46 OR's Recorder is that you can program playback loops. You can do so during playback or while the Recorder is stopped.

(1) Press MARKER A-B where you want the loop to begin (the H-A icon appears in the bottom right corner of the display).

(2) Fast forward to the measure where you want the loop to end and press MARKER A-B again (the BII icon appears). You can also program loops on the fly. Remember, however, that the Recorder always memorizes the beginning (down-beat) of the next measure.
(3) If the icon isn't already displayed, press the REPEAT A-B button to activate the loop you have just programmed.

This button allows you to switch the EXR-46 OR's Repeat function on and off.

(4) To play back the loop, press the START/STOP button (now called l ).

The Recorder jumps to measure "A" and starts playing. At the end of measure "B", the Recorder immediately jumps back to the beginning of measure "A" and continues playing back the passage.

If necessary, repeat steps (1) and (2) to set other marker positions.

Note: The playback tempo is reset every time the Recorder reaches the "A" measure.

Note: In certain cases, the Marker function may not be available. This only happens with very large songs, however.

Live performance with song backing (Minus One)

Your EXR-46 OR allows you to mute parts you wish to play yourself or don't need in a given situation. This is called "Minus One" playback.

(1) Press the SONG button if it doesn't light. You can now select a Song, if you like (see p. 19).
(2) Press the MINUS ONE button (the "MinusOne" message appears in the display).

The 5 LOCK buttons light to indicate that all tracks will be played back.

(3) Press one of the LOCK buttons to switch off the corresponding track(s). The assigned track icon flashes.

(Example: if you switch off the DRUMS button, the 10 icon starts flashing.)

When a button lights, the corresponding track(s) is/are audible (i.e. not muted). You can also mute several tracks by switching off the corresponding LOCK buttons.

The MINUS ONE icon appears and the selected part is muted.

Note: The Main part does not automatically adopt the Tone and related settings of the melody part.

If you like, you can also mute several parts.

What are tracks?

The term "track" is used only for your convenience. We borrowed it from tape recorders that allow for recording several musical parts by the same person (one part after the other).

In the case of the EXR-46 OR, the term is only used to indicate that we are dealing with separate musical parts. Here indeed (like with computer-based sequencers) what really counts are the MIDI channels.

Songs you record with the EXR-46 OR, and the Standard MIDI Files you play back can consist of up to 16 tracks (i.e. MIDI channels). In many instances, only certain tracks are used, but the following are almost certainly present in every Standard MIDI File:

Track 2: bass

Track 4: melody

Track 10: drums

The LOCK buttons allow you to mute the following tracks:
RIGHT-Refers to track "4" of the selected Standard MIDI File. Music data for educational purposes (especially piano music) use this track for the right-hand part. Mute this track

to play the right hand yourself while listening to the left-hand part of the Standard MIDI File. The EXR-46 OR contains an excellent stereo piano Tone you could use.

LEFT-Refers to track "3" of the selected Standard MIDI File. Music data for educational purposes (especially piano music) use this track for the left-hand part. See also above.

OTHERS)-Mutes all tracks that cannot be muted with the remaining LOCK buttons, more specifically: 1, 3, 6~9, 12~16.

[BASS]-Mutes track "2", which is assigned to the bass part of a Standard MIDI File.

[DRUMS]-Mutes track "10", which is assigned to the drum part of a Standard MIDI File.

Note: You also switch off several buttons simultaneously.

(4) Press l and l to start playback.
(5) Press l again to stop playback.
(6) Press MINUS ONE again (or one of the "big" DATA ENTRY buttons) to switch the function of the same name back off again.

Note: The Minus One setting can be saved along with the selected song. See page 49.

Changing the track assignments

If the song files you are using do not conform to the GM system (and therefore do not correspond to the RIGHT, LEFT, BASS or DRUM assignments of the Minus One function), you can proceed as follows to assign other tracks (MIDI channels) to the LOCK [RIGHT], [LEFT], [BASS] and [DRUMS] buttons:

(1) Press the MINUS ONE button to activate the function of the same name.
(2) Press and hold the RIGHT, LEFT, BASS or DRUM button.
(3) While holding that button, use the + buttons to assign the desired MIDI channel to the button you are holding. Example: To assign MIDI channel "10" to the RIGHT button, press DATA ENTRY + until the display looks as follows:

VALUE

10

RIGHT

(4) Press MINUS ONE again (or one of the "big" DATA ENTRY buttons) to switch the function of the same name back off again.

Note: The Minus One setting can be saved along with the selected song. See page 49.

7. Recording your music

Your EXR-46 OR contains a 16-track Recorder you can use for recording your own songs.

Basic song recording

Let us first look at the most straight-forward way of recording your renditions with Arranger backing.

(1) Press the ARRANGER BAND button.

The ARRANGER icon appears. You can now use your left hand for transposing the Arranger's key in realtime.

(2) Press the STYLE button and select a Music Style (or select a Music Assistant memory).
(3) Select the desired Arranger division by pressing [INTRO], ORIGINAL or [VARIATION].
(4) Press the START/STOP button.
(5) Use TAP TEMPO or the + buttons to set desired tempo.
(6) Press START/STOP again to stop Arranger playback.
(7) Assign the desired Tone to the right half of the keyboard. Press TONE and use the FAMILY & SELECT buttons, the numeric buttons or the buttons in the USER TONES section. See also page 30.
(8) Press the REC button.

The display should look as shown above (if it doesn't, use the FAMILY l buttons ("REC MODE") to select RECALL): (The RECORD and 1~16 icons flash.) You are now in ALL mode, which means that everything you and the EXR-46 OR's Arranger play will be recorded.

Note: If you select "REC ALL" with the FAMILY buttons, the song in the EXR-46 OR's USERSONG memory is erased. You may want to save the current song first (see p. 49). If you only pressed REC, the EXR-46 OR selects the Single mode if the USERSONG memory already contains data. See page 24 for details about that mode.

(9) Start recording in one of the following ways:

• Press the [START/STOP] button to start Arranger playback with the selected Division.

The V-LINK button now flashes to indicate the tempo and beats (BEAT function).

Note: If you start recording without the Arranger and want to bring it in at a later stage, it would be a good idea to switch on the metronome by pressing the METRONOME button.

• Activate the SYNC START function and press one or several keys to the left of the Split point.

Note: It is also possible to record in PIANO SOLO mode (after pressing the button of the same name). In that case, you should definitely use the metronome. The song's time signature can be set with the MetroTS function. See page 14.

(10) Stop recording in one of the following ways:

• Press START/STOP.

• Press the ENDING button to start the Ending phrase. As soon as it ends, Arranger playback and song recording stop.

Listening to your song

(1) Press the SONG button.
(2) Press START/STOP to start playback.
(3) Press START/STOP once again to stop playback.
(4) Press to return to the beginning of the song.

Other recording functions

The EXR-46 OR's 16-track Recorder can be used in several ways. Let us therefore have a look at the other recording modes.

About the recording modes

- Modes

The EXR-46 OR provides two modes for recording new music, and two for adding parts or correcting passages of existing music:

Recording a new song

ALL In this mode, you can record everything you and the EXR-46 OR can play simultaneously:

• Arranger (accompaniment).
• Keyboard parts (Main and Split or Dual).

Keyboard In this mode, you can record using the Keyboard parts. The track can be freely selected.

• Main and Split or Dual

Adding parts to an existing song

Single In this mode you can record onto one track at a time. The track can be freely selected.

Punch I/O This mode allows you to re-record a short section of an otherwise perfect part.

Note: Each time you select ALL or Keyboard mode, the data in the USERSONG memory are erased.

Recorder memory

The EXR-46 OR provides one "live" song memory, which can contain one song at a time. After completing a song, you should save it (see p. 54).

To keep you from accidentally erasing the song in the EXR-46 OR's internal memory, the EXR-46 OR automatically selects Single after your first recording. Bear in mind that selecting "ALL" or "Keyboard" will erase the song in the USERSONG memory. Do not select "ALL" or "Keyboard" for adding parts to an existing song - use "Single" or "Punch I/O" instead.

Conversely, you cannot select "Single" or "Punch I/O" if the USERSONG memory doesn't yet contain data.

And finally: playing back a Standard MIDI File erases the song in the EXR-46 OR's memory. In return, the SMF data will be available (and can be supplemented with your own renditions in "Single" or "Punch I/O" mode).

More about ALL mode

In addition to what you learned on p. 23, here are a few considerations:

After pressing the REC button, the 16 track and RECORD icons start flashing, signalling that all 16 tracks are available for recording.

Here is what the tracks correspond to (after recording a song with Arranger backing):

1Accomp1
2 Arranger bass
3Accomp2
4 Main
5Accomp3
Dual*
Accomp4
8 Accomp 5

9Accomp6
10 Arranger drums
11 Split
12 Auto Bass* (see p. 41)
13
14
15 Melody Intell. (see p. 27)
16 ( Main^*)

(*) Only one of these can be used alongside the Main part.

(**) If you assign a Drum Kit to the Main part. In that case, track 4 is not used.

For your convenience, the Keyboard parts are flagged with a "→" symbol in the above graphic.

Parts you do not hear during recording are not recorded. The track icons 1 16 thus do not show you what will be recorded, but rather what can be recorded.

Keyboard recording mode

In Keyboard mode, you can record the Keyboard parts. The Arranger is not available. Essentially, this mode allows you to record either one layered part using up to two sounds (Main +

Dual) or two parts (Split to the left, Main to the right). If you select a Drum Kit for the Main part, you can only record a drum part.

Note: When you select the Keyboard mode, song data in the EXR-46 OR's internal memory will be overwritten by your new recording.

(1) Press the REC button.
(2) Press FAMILY to make the display look as follows:

The RECORD and track icons flash.

(3) To create a split, press the button.
(4) Activate the metronome (if necessary), and set the desired tempo with the TAP TEMPO button or + . You can also record without metronome if you like.

Note: If you assign a Drum Kit to the Main part, your drum performance is recorded onto track 16.

Single recording mode

This mode is only available if the EXR-46 OR's song memory already contains data. When you press REC, the RECORD icon and the icon of the first empty track flash. You could therefore record a new part straight away. (If all tracks already contain data, Track 1 will be selected.) You can, however, also substitute an already recorded part with a new version.

(1) Press the REC button.
(2) Press FAMILY to select "Single".
(3) Use the SELECT l or numeric buttons to select the track you wish to record to. You can only select one track at a time (hence the name "Single"). If you select a track that already contains data your new version will overwrite the existing one.
(4) If necessary, assign the desired Tone to the part you are about to record (see p. 30).

If you select track 10, you can select Drum Kits rather than Tones. Track 10 is reserved for drum parts.

Note: If you use the Single recording mode for adding parts to a Standard MIDI File recorded with another instrument or sequencer, track 16 (or any other track defined as "second drum track") may also use a Drum Kit that can be changed.

Note: Even though the Main part can be used for recording all tracks in Single mode, the MFX only applies to track/MIDI channel 4.

(5) Press START/STOP to start recording.
After a two-measure count-in (see p. 41), you will hear all parts that have already been recorded. Start playing (and recording) your new part.
(6) Press START/STOP to stop recording.
(7) Return to step (3) to record additional parts.

Punch I/O

In this mode, you can re-record part of a track (the second chorus, for example). The important aspect of this mode is that newly recorded material does not erase the material before or after the passage you redo.

By contrast, in Single mode, the entire track you record is replaced by your new material. (So if you don't play anything during recording, the entire track will be empty afterwards.) Like the Single mode, Punch I/O can only be selected if the EXR-46 OR's memory already contains song data.

(1) Press the REC button.
(2) Press FAMILY to make the display look as follows:

The flashing track icon (only one) depends on the first track that already contains data. In the above example, track 1 contains data, which is why its icon flashes.

(3) Use the SELECT l or numeric buttons to select the track you wish to record to.

You can only select one track at a time.

(4) Press START/STOP to start playback of the (old) song data.
The RECORD icon and the icon of the selected track flash.
(5) When the Recorder reaches the measure where you wish to start recording, press REC again.
The RECORD icon now lights steadily.
(6) Play the passage you want to redo.
(7) Press REC again to deactivate recording.
Song playback still continues, so...
(8) Press START/STOP to stop playback.
(9) Press START/STOP to listen to the new version. If you are not satisfied, return to step (3) above.

Return to step (3) to correct another track.

Using a footswitch for punching in/out

You can also use an optional footswitch for starting and stopping recording. Doing so has the advantage that you can use both hands for playing (or the left hand for Pitch Bend/Modulation effects and the right for playing the melody.)

• Connect an optional DP-2, DP-6, or BOSS FS-5U footswitch to the FOOTSWITCH socket on the EXR-46 OR's rear panel.
• Press the FUNCTION button (it must light).

• Use FAMILY to select "KB SET".
  The EXR-46 OR's Function parameters are divided into 9 logical "families". For the following, we need to select the group that contains the global keyboard settings.
• Use SELECT to select the "FSW" parameter.

Sustain

Note: See also "Working with the FAMILY, SELECT and numeric buttons" (p. 20).

• Use the + buttons to select "Punch I/O".
• Press SONG to return to the recording function.
• Continue with step (1) under "Punch I/O". In steps (5) and (7), press the footswitch (rather than the REC button).

8. Additional Music Style functions

Apart from the basic Music Style functions covered on page 15 and following, your EXR-46 OR also provides the following functions. Most of the following functions are only available after pressing the

ARRANGER BAND button (the ARRANGER icon must be displayed).

One Touch

The One Touch function automates quite a few tasks:

• The Arranger selects the preset Style tempo.
• Suitable Reverb and Chorus settings.
• The EXR-46 OR selects sounds for the Main, Split and Dual parts that are is suitable for the selected Style.

There are 2 One Touch memories per Style with different settings for the above parameters. Here is how to select one:

(1) Select the desired Music Style (see p. 16).
(2) Press the ONE TOUCH button.

The number field in the upper left corner reads "OT", followed by the number of the selected One Touch memory.

If the DATA ENTRY TONE button lights, the display now shows a Tone name ("Piano 2" in the example above).

(3) Press the ONE TOUCH button again if you need "OT2". One Touch needs to be activated again every time you select a new Music Style.

Note: One Touch is also available for USB and disk Styles, but it is less meaningful.

Using the Music Assistant

Another practical function for quickly making the right settings for a song you want to play is to take advantage of the EXR-46 OR's novel MUSIC ASSISTANT function. It prepares everything for working with the Arranger (Style, Tones, effects, etc.). The Music Assistant is not available for song playback. The following parameters are changed automatically when you select a Music Assistant memory:

Music Style
- Tempo
- Sounds for the Main, Split and Dual parts

Effect settings
Band Orchestrator
Keyboard Touch

(1) Press the MUSIC ASSISTANT button.

It lights and the display shows the name of the last Music Assistant setting you selected (or of the first Music Assistant memory).

(2) Use FAMILY to select the "family" (i.e. genre) that contains the desired Music Assistant settings.

MALFOUF 102

The following families are available: MAKSOUM, SAIDI, MASRI, MALFOUF, ARABI, TRADITIONAL, OR-WORLD, KHALIGI, TURKISH.

(3) Use SELECT to specify the desired Music Assistant memory within the selected family.

The first press of SELECT (or) shows the name of the first Music Assistant setting within the selected group. It is already selected, so if you need the first setting, there is actually no need to press SELECT. You must use SELECT or, however, to select another Music Assistant setting within the same group. You can also use the numeric buttons. See also "Working with the FAMILY, SELECT and numeric buttons" (p. 20).

Note: If necessary, you can now change the settings you do not like (e.g. select another sound for the Main part, etc.) and then save your new version to a User Program (see p. 45).

Melody Intelligence

The Melody Intelligence function adds a second voice (harmony notes) to the melodies you play with your right hand. In fact, the Melody Intelligence function uses both halves of the keyboard to determine which notes to play:

• It looks at the melody notes in the right half; and...
• It analyzes the chords you play in the left half to see which notes it must add to your melody.

Press the MELODY INTELLIGENCE button so that the corresponding icon appears in the display.

Changing the Melody Intelligence harmony type

The EXR-46 OR contains 18 different voicings (harmony types) for the MELODY INTELLIGENCE function. These voicings specify the number of harmony notes and the way in which they are added to your melody.

To select a different harmony type, press an hold the [MELODY INTELLIGENCE] button until the "M I" message appears in the upper left corner of the display. Then use the + buttons to select the desired voicing. The available types are:

1 Duet	6 Block	11 Gospel	16 WltzOrg
2 Organ	7 BigBand	12 Romance	17 OctvTpe1
3 Combo	8 Country	13 Latin	18 OctvTpe2
4 Strings	9 Traditnl	14 CntrGuit
5 Choir	10 Broadway	15 CntrBald

Note: The MELODY INTELLIGENCE setting can be saved to a User Program memory.

PIANO Mode

In PIANO mode, the Main part is assigned to the entire keyboard. Though the EXR-46 OR initially assigns a piano sound to the Main part, you can select any other one and save your setting to a User Program.

The main difference between PIANO SOLO and PIANIST mode is that the Arranger's melodic parts are available here, which is not the case in PIANO SOLO mode.

But there is no split for chord recognition (you may remember that the EXR-46 OR's keyboard is split when you switch on the ARRANGER BAND button): the Arranger decodes every chord you play – no matter where you play it. Causing the Arranger to play another chord requires that you play at least a triad (i.e. the three notes that make up a chord). Feel free to play more than three chord notes but remember that two notes won't cause the Arranger to play another chord.

When you use an optional sustain pedal, all notes you play simultaneously are recognized as a chord - irrespective of whether you play them with you left or right hand.

(1) Simultaneously press the ARRANGER BAND and PIANO SOLO buttons (both buttons light). The display briefly shows "PianoMod" and the ARRANGER icon flashes.

(2) Press STYLE and use the SELECT l buttons to select a Music Style. See also p. 16.
(3) Press TONE and use FAMILY and SELECT (or the USER TONES buttons) to assign a different sound to the Main part. You can also add the DUAL part (page 14). Even the SPLIT part could be used, yet chord recognition remains active for the entire keyboard.
(4) Press ARRANGER BAND or PIANO SOLO to leave PIANIST mode.

Bass Inversion (Bass Inv)

Use this function to change the way in which the Arranger reads the chords you play.

When this function is off (default), the Acc Bass part plays the root of the chords that feed the Arranger. If you play a "C" (or C chord), the bass sounds a "C"; if you play an A minor chord (or if you press "A" and the "C" to its right), the bass sounds an A, etc. By activating Bass Inversion, you can specify the note played by the A. Bass part (the lowest note of your chords). Switch on Bass Inversion for songs that rely on bass rather than on chord patterns (for example C - C/B - C/Bb, etc.).

(1) Press the FUNCTION button.

(2) Use FAMILY to select "IRR SET".

The EXR-46 OR's Function parameters are divided into 9 logical "families". As the Bass Inversion parameter is an Arranger function, you need to select the Arranger settings (hence ARR SET).

(3) Use SELECT to select the "Basis Invol" parameter.

(4) Press the + button to select "ON" for "VALUE".

Note: See also "Working with the FAMILY, SELECT and numeric buttons" (p. 20).

(5) Press another "big" button in the DATA ENTRY section to leave this function.

Note: This setting can be saved to a User Program (see p. 45).

More Music Style functions

Here are yet other functions related to Music Styles. These can be set via the FUNCTION menu, or are covered elsewhere:

• Balance between the Keyboard parts and the Music Style parts (see p. 18)
  Volume of certain Music Style parts (see p. 41)
• Arranger split point (see p. 40)
• Hold function for the Arranger notes (see p. 42).

9. Using oriental tunings

Your EXR-46 OR allows you to change the tuning of the keys, which then applies to all notes of the same name. Here's an example: If you press the ORIENTAL SCALE [b b] button (indicator lights), that note's tuning is lowered by a quarter tone (-50 cents). This setting applies to all B-flat keys on the keyboard.

Tuning individual notes a quarter tone down

(1) Press an ORIENTAL SCALE button to tune the corresponding notes a quarter tone down (the button must light).

(2) If you also want to tune down other notes, press the corresponding button(s).

If you pressed the wrong button (indicator lights), press it again so that its indicator goes dark again. The pitch of the corresponding notes returns to normal.

Using other tuning values

Pressing an ORIENTAL SCALE button toggles between the western tuning of the corresponding notes and a setting that is a quarter tone below western tuning (-50 cents). However, you can also select other tuning values.

(1) Press and hold the ORIENTAL SCALE button of the note whose tuning you wish to change until the display reads Scale, followed by the note name. You can also select this page and parameter via the Function menu. See page 43.
(2) Use the DATA ENTRY + + buttons to modify the tuning of the selected note.

Setting range: -64 63 cents.

Note: To return to the default value, press + and - simultaneously.

Saving and loading your tunings (SCALE MEMORY)

After setting the desired tunings, you can save them to one of the three Scale Memories and recall them whenever you need them. Here's what you need to do:

(1) Tune the notes to your liking (see above).
(2) Press and hold the SCALE MEMORY button (1~3) that corresponds to the memory where you wish to save your tuning settings.

(3) Wait until all three SCALE MEMORY indicators briefly light, and release the button you pressed.

If necessary, you can select another, scale memory by briefly pressing the SCALE MEMORY button assigned to the settings you wish to use.

To return to the western tuning, press the SCALE MEMORY button in question again so that its indicator goes dark, and/ or switch off all ORIENTAL SCALE buttons whose indicators light.

In the second case, the SCALE MEMORY indicator of the last memory you selected starts flashing to signal that the current ORIENTAL SCALE settings no longer correspond to the ones contained in the currently selected memory.

The ORIENTAL SCALE settings are also saved to a User Program and therefore do not need to be saved to one of the SCALE MEMORY areas. Whenever you select a User Program

whose scale settings differ from the ones of the last memory you selected, the corresponding button (1) 3) starts flashing.

Note: When shipped, the EXR-46 OR already contains frequently used Scale Memory settings (see above).

Note: See also "Scl Mode** (p. 43) for deciding which sections should be affected by the Scale Tune settings.

10. Keyboard part functions

Selecting sounds for the Main, Split and Dual parts

The EXR-46 OR contains about 524 melodic sounds you can use for playing melodies (others are more like sound effects). Those sounds need to be assigned to a Keyboard part, of which there are three: Main, Split and Dual (see also p. 13).

Selecting any of the available sounds

Unlike previous arranger-type instruments, the EXR-46 OR no longer works with banks, numbers and variations: all available sounds can be selected via the same streamlined procedure.

(1) Press the DATA ENTRY TONE button (it must light).

(2) To assign another sound to the Split or Dual part, hold down the or button while performing the following steps.

Note: Now skip to step (5) if you prefer to enter the Tone number using the numeric key pad (0 9) . That is indeed the only way to select any available Tone.

(3) Use FAMILY to select the desired Tone family.

See below for the available families. By selecting another family, you immediately jump to the first sound of that group.

PIANO (001~011)
E.PIANO (012~026)
KEYBOARD (027~033)
- CHR PERC (034~063)
ORGAN (064~097)
- ACCORDN (098~111)
A.GUITAR (112~129)
E.GUITAR (130~163)
BASS (164~217)
- STRINGS (218~263)
VOCAL (264~275)
SAX (276~287)

WIND (288~301)
AC BRASS (302~329)
SYNBRASS (330~343)
SYNLEAD (344~380)
POLY SYN (381~391)
- PAD (392~426)
ETHNIC1 (427~499)
- ETHNIC2 (500~550)
PERCUSSION (551~575)
- SFX (576~617)
- DRUM KIT (618~650)

Note: See page 118 for a list of the available sounds.

(4) Use SELECT to specify a sound within the selected family.

The first press of SELECT (or ) shows the name of the first Tone within the selected group. It is already selected, so if you need the first sound, there is actually no need to press SELECT . You must use SELECT or , however, to select another Tone within the same group.

(5) Use the numeric buttons 0 9 to select other sounds within the current family that are skipped by the SELECT buttons.

Note: This setting can be saved to a User Program (see p. 45).

You can also use the numeric buttons. See also "Working with the FAMILY, SELECT and numeric buttons" (p. 20) and replace "song" with "sound" in the explanations.

Using the USER TONES buttons

The USER TONES buttons allow you to select 8 melodic sounds or Drum Kits directly (without using TONE, the FAMILY, SELECT and/or numeric buttons). At first, these buttons recall sounds assigned to them at the factory (but you can change that).

These buttons are assigned to our "favorite" sounds for the indicated categories, thus allowing you to quickly select "a piano", "a string sound", etc. The assignments to these buttons can be changed.

Note: The TONE DRUMS button is only available for the Main part.

Assigning another Tone to a USER TONES button

To assign another sound to one of the 8 USER TONES buttons:

(1) Select the sound you want to assign using the procedure described above.
(2) Press and hold the desired USER TONES button. The display briefly shows the message "Memrized".

You can assign whichever sound (or Drum Kit) you like to any of the USER TONES buttons and select it by pressing that button once.

Note: The assignments can be saved to a User Program (see p. 45). This allows to work with up to 1600 different assignments (because there are 200 User Programs).

To select the sound, which has been assigned to a USER TONES button at the factory, press the corresponding button twice in rapid succession ("double-click").

Drum sounds and sound effects ("SFX")

Drum Kits

The last 33 "sounds" (618~650) are so-called "Drum Kits". When you select such a Kit, each key is assigned to a different sound. With the left-most key, you can play a bass drum sound (also called "kick"). The white key next to it triggers a snare drum sound, etc. Try it out by pressing several keys, either in succession or simultaneously.

Drum Kits are collections of over 90 sounds, each assigned to a different key.

Note: Drum Kits can only be assigned to the Main part (so neither to the Split, nor the Dual part).

Note: One Kit (592) is actually a sound effects (SFX) kit that cannot be used for "drumming" but rather for triggering various sound effects.

Note: This setting can be saved to a User Program (see p. 45).

Sound effects ("SFX")

The EXR-46 OR also contains individual sound effects (like "Train, "Kitty", "HrseGllp", etc.) and individual drum and percussion sounds (576~617) that are assigned to the entire range of the part you select them for (Main, Split or Dual).

Note that those sounds do not work like the Drum Kits: only one sound is assigned to the keyboard – and can be played melodically (though "Train" melodies are probably "interesting" at best).

It might therefore be a good idea to proceed as follows:

(1) Press the SPLIT button.
(2) Decide whether you want to play the sound effect or percussion sound with your left or right hand.

If you want to use your left hand, assign a sound between "576" and "617" to the Split part. To play the effect with your right hand, assign it to the Main part.

(3) Change the split point (page 40) in such a way that only a few keys are assigned to the percussion sound/sound effect ("C6" for right-hand effect playing, "C3" for left-hand effect playing).
(4) To obtain a meaningful effect, you may also have to change the MAIN Oct or SPLT Oct setting (page 41).

If you assign a sound effect/percussion sound to the Split part, the key ranges could be set as shown below.

Using DRUM PAD mode

Drum Pad mode allows you to assign the desired drum/percussion sounds or sound effects to the highest 8 keys (the ones labeled "DRUM PAD") and to play those sounds in realtime. This function is available even when while the V-LINK function is on.

Using the Drum Pad function

(1) Simultaneously press the and buttons.

The display now looks as follows:

The "dP" message means that Drum Pad mode is active.

(2) Press the keys in the DRUM PAD area (1~8) to try out the sounds.

Those keys are no longer available for melody playing: they control the 8 drum/percussion sounds.

You can also assign other drum and percussion sounds to these keys. See page 41 for details. Those assignments can be saved to a User Program (page 45).

Note: If you select Drum Pad mode after assigning a Drum Kit to the Main part, the Main part reverts to the last "melodic" sound you selected (or the default sound). You cannot play a drum or percussion part with the Main part while Drum Pad mode is active. Conversely, assigning a Drum Kit to the Main part while Drum Pad mode is active will switch off Drum Pad mode.

(3) Again press the + buttons to leave Drum Pad mode.

Transpose

The Transpose function changes the pitch of the notes and chords you play. Instead of figuring out what other keys you need to press to accommodate the singer or an instrumentalist, you can set the required Transpose value and go on playing the song the way you practised it, while sounding in a different key. There are two transpose functions: one ("USRtnsp") whose setting can be saved to a User Program, and a second one ("GLBTrnsp") that applies to all sections and whose setting is added to (or subtracted from) the "USRtnsp") value. Its setting is never saved.

Let us begin with the "USRTrnsp" function, which is assigned to the TRANSPOSE button:

(1) Press the TRANSPOSE button.

The display now looks as follows:

(2) Use the l and/or numeric buttons (0~9) to set the desired transposition interval.

The setting range is -12 12 semitones. A "semitone" is one step between a white and a black key (or two adjacent white keys, i.e. between "E"/"F" and "B"/"C").

Press + or repeatedly to transpose the keyboard up or down. You can also directly enter the desired interval by pressing the corresponding numeric key.

To transpose the keyboard down, hold down l while pressing 0 9 (in that case, you can transpose the pitch down by up to 9 semitones)

Here's an example: to hear an "E" each time you play a "C", select "4". All other notes will be shifted by the same amount, so that you end up sounding in E major when you actually play in C major, etc.

The corresponding value and the TRANSPose icon appear in the display.

(3) To switch the Transpose function back off, repeat steps (1) and (2), this time entering the value "0" (no transposition).

Note: This setting can be saved to a User Program (see p. 45). Note: There is also a function that allows you to specify which section(s) the Transpose function should apply to. See "TransMod*" (p. 40).

(4) Press another "big" button in the DATA ENTRY section to leave this function.

Global transpose function ("GLB")

There is also a "master transpose control" that alters the pitch of all sections of the EXR-46 OR. Its value is added to the current transposition interval until you reset it to "0" or until you switch off your EXR-46 OR.

(1) Press the TRANSPOSE button.

The display now shows the "USR TrnsP" message.

(2) Press the SELECT button once to select the following parameter:

VALUE

GLETrnsP

(3) Use the + and/or numeric buttons (0~9) to set the desired transposition interval.

The setting range is -6 0 5 semitones. This setting is added to (or subtracted from) the "USRTrnsp" value of all sections and all User Programs.

Press + or · repeatedly to transpose the keyboard up or down. You can also directly enter the desired interval by pressing the corresponding numeric key.

To transpose the keyboard down, hold down l while pressing l l (in that case, you can transpose the pitch down by up to 6 semitones).

As soon as you select a value other than "0", the TRANSPOSE icon starts flashing to signal that the EXR-46 OR is applying global transposition to all sections.

(4) To switch the global transposition back off, repeat step (3), this time entering the value "0" (no transposition).

The TRANSPose icon stops flashing (and disappears if the "USRTrnsp" function is off).

Note: This setting is not saved to a User Program and will be cancelled when you switch off the EXR-46 OR.

(5) Press another "big" button in the DATA ENTRY section to leave this function.

Octave settings

The EXR-46 OR allows you to transpose the Keyboard parts (Main, Split, Dual) up or down by 4 octaves.

To change the octave transposition of a part, hold down TONE (Main part), SPLIT (Split part) or DUAL (Dual part), while pressing (down) or + (up).

Other Keyboard part functions

Here are yet other functions related to the Keyboard parts. These can be set via the FUNCTION menu, or are covered elsewhere:

• Keyboard velocity (see p. 34)
• Master Tune (see p. 39)
  Volume of the Keyboard parts (see p. 41)
• Intelligence function for the Split part (see p. 40)
• Hold function for the Split part (see p. 40).

11. Performance functions and effects

Performance functions

Keyboard Touch (velocity sensitivity)

The EXR-46 OR is velocity sensitive, which means that the volume and brightness of the Main, Split and Dual notes depend on the force/speed with which you strike the keys.

All acoustic instruments (piano, violin, flute, drums, etc.) are velocity sensitive. The harder you play, the louder and brighter the resulting notes will be, which creates a perfectly natural effect. (That explains why the KEYBOARD TOUCH function is on when you power on the EXR-46 OR.)

If the EXR-46 OR is your first musical instrument ever, you may feel distracted by the volume and timbre variations of the notes you play.

(1) If the KEY TOUCH icon is not displayed, press the KEYBOARD TOUCH button to activate the EXR-46 OR's velocity sensitivity.

(2) Press the button again to switch the KEYBOARD TOUCH function off, if you don't need it.
(3) To set a fixed velocity value, press and hold the KEYBOARD TOUCH button until the "KbdTouch" message is displayed.

VALUE

(4) Use the numeric buttons and/or l to set the velocity value that should be used for all notes you play (1~127).

"1" is very low (usually inaudible), while "127" corresponds to maximum striking force (loud, bright notes). The value is only used when the KEY TOUCH icon is not displayed (otherwise, all notes use the velocity values that correspond to the force with which you strike the keys).

(5) Press another "big" button in the DATA ENTRY section to leave this function.

Note: Some sounds use "velocity switching". This means that by hitting the keys harder and softer, you alternate between two sounds. So only switch off this parameter if doing so makes you feel more comfortable.

Note: This setting can be saved to a User Program (see p. 45).

Note: Keyboard Touch applies to all parts you can play yourself (the "Keyboard parts"): Main, Split, and Dual.

Pitch Bend and Modulation

The BENDER/MODULATION lever to the left of the keyboard can be used to add two kinds of effects to the Keyboard-part notes. You can even use these effects simultaneously if you like.

(1) Press the lever towards the rear of the EXR-46 OR to add a vibrato effect ("wobble") to the notes you are playing.

The Modulation axis can also be used for switching between the slow and fast Rotary speeds (if the "Rotary" effect is assigned to the MFX).

(2) Turn the lever to the left to temporarily lower the pitch of the notes you are playing. Turn it to the right to raise the pitch of your notes.

(3) In either case, you can release the lever if you no longer need the effect.

Note: If necessary, you can change the Pitch Bend interval. See "PB Range" (Pitch Bend Range)" (p. 40).

Note: Modulation is not available when the MFX type = "Rotary". In that case, the modulation axis of the lever is used for switching between the fast and slow speeds.

Footswitch

The EXR-46 OR's FOOTSWITCH socket (rear panel) allows you to connect optional DP-2, DP-6, or BOSS FS-5U footswitch.

The footswitch can be used for sustaining the notes you are playing (default), as Soft or Sostenuto pedal, to change the Rotary effect speed (MFX), and more. See "FSW" (Footswitch Assign) (p. 40) and "Using the outputs and an optional footswitch" (p. 57).

To use it for holding the notes you are playing, proceed as follows:

(1) Connect a DP-2, DP-6, or BOSS FS-5U footswitch to the FOOTSWITCH jack.
(2) Play a note with your right hand.
(3) Press the footswitch.
(4) Release the key. The note(s) you played keep on sounding after you release the corresponding keys.
(5) To stop the note(s) from sounding, release the footswitch.

Using effects

The EXR-46 OR contains digital Reverb and Chorus effects processors. You can switch them on/off and select other types. You can also set the Send level (the amount of reverb or chorus) to be applied to the various Keyboard parts. Please bear in mind that the chorus effect cannot be combined with the MFX (so you need to choose between chorus or MFX for the Main part).

Using the multi-effects processor (MFX)

The multi-effects (MFX) processor can be used for processing the Main part. It can generate various effects (47), some of which are combinations of two effects, while the Reverb and Chorus processors only generate effects that are somehow related to ambiance (REV) or modulation (CHR).

(1) Press the FUNCTION button (it must light).

(2) Use FAMILY to select "EFFECTS".

The EXR-46 OR's function parameters are divided into 9 logical "families". For the following, we need to select the effects group.

(3) Use SELECT to select the "MFX" parameter.

Note: See also "Working with the FAMILY, SELECT and numeric buttons" (p. 20).

The "Of f" message means that the MFX is not being used.

(4) To switch on the MFX, select one of the remaining 47 types using the buttons.

Off: The MFX is off.

Enhancer: An Enhancer controls the overtone structure of the high frequencies, adding sparkle and tightness to the sound.

Overdrive1~4: Overdrive creates a soft distortion similar to that produced by tube amplifiers. Several types of overdrive are available: (1) Small combo amp, (2) Combo amp, (3) Large double-stack amp (2 cabinets), (4) Large double-stack amp (3 cabinets).

Distort1~4: This effect produces a more intense distortion than Overdrive. The numbers refer to different kinds of distortion.

Phaser: Adds a phase-shifted sound to the original sound, producing a twisting modulation that creates spaciousness and depth.

AutoWah: The Auto Wah cyclically controls a filter to create cyclic change in timbre.

Rotary: Simulates the sound of a classic rotary speaker. This effect is most suitable for electric organ. If you select this type, you can use the MODULATION axis of the BENDER/MODULATION lever for switching between the slow and fast modulation speeds: press the lever towards the back of the EXR-46 OR to alternate between slow and fast undulations.

StFlangr: This is a stereo Flanger. It produces a metallic resonance that rises and falls like a jet airplane taking off or landing.

SpFlangr: A Step Flanger is a Flanger effect with clearly noticeable steps rather than continuous pitch changes.

Compress: A compressor reduces signal peaks and boosts low levels, smoothing out unevenness in volume.

Limiter: A limiter prevents the volume from exceeding a certain level without boosting low levels.

HexaCho: Hexa Chorus uses six layers of chorused sound to give richness and spatial spread to the sound.

Trem Cho: Tremolo Chorus is a chorus effect with added Tremolo (cyclic modulation of the volume).

StChorus: This is a stereo chorus.

Space-D: A multiple Chorus that gives no impression of modulation, but produces a transparent Chorus effect (the perfect "stereo maker").

StDelay: Delay is an effect that allows you repeat the input signal, thus creating echoes (repetition).

Mod Dly: This effect adds modulation to the delayed sound, producing an effect similar to a Flanger.

3Tap Dly: The Triple Tap Delay produces three delay sounds; center, left and right.

4Tap Dly: Delay with four repetition lines.

TmCtrDly: This effect controls the delay time in realtime.
Reverb: A nice Reverb effect.

GteRevNr: Gate Reverb is a special type of Reverb in which the reverberant sound is suddenly cut off (and does not gradually decrease).

GteRevRv: A gated Reverb effect that sounds "backwards".

GteRevS1: The reverberant sound moves from right to left.

GteRevS2: The reverberant sound moves from left to right.

2PitchShf: A Pitch Shifter changes the pitch of the original sound. This 2-voice effect has two pitch shifters, and adds two transposed copies to the original sound.

FbPtchShf: Pitch Shifter with several echoes.

OD Chors: This effect connects an Overdrive and a Chorus in series. ("Series" means that the first effect is also processed by the second.)

OD Flger: This effect connects an Overdrive and a Flanger in series.

OD▶Delay: This effect connects an Overdrive and a Delay in series.

DSChors: This effect connects distortion and a Chorus in series.

DS▶Flger: This effect connects distortion and a Flanger in series.

DS▶Delay: This effect connects distortion and a Delay in series.

EHChors: This effect connects an Enhancer and a Chorus in series.

EH Flger: This effect connects an Enhancer and a Flanger in series.

EH▶Delay: This effect connects an Enhancer and a Delay in series.

Cho Dly: This effect connects a Chorus and a Delay in series.

FL▶Delay: This effect connects a Flanger and a Delay in series.

Cho▶ Flgr: This effect connects a Chorus and a Flanger in series.

Cho/Dly: This effect connects a Chorus and a Delay in parallel. ("Parallel" means that the input signal is processed by two effects that do not interact.)

FL/Delay: This effect connects a Flanger and a Delay in parallel.

Cho/Flgr: This effect connects a Chorus and a Flanger in parallel.

Note: This setting can be saved to a User Program (see p. 45).

Note: By default, MFX type selection is linked to Tone selection for the Main part. This can be switched off, however, see "Tone MFX" (p. 43). Note that this does not apply to all Tones.

(5) While selecting an MFX type, play a few notes on the keyboard to audition the effect.
(6) Press another "big" button in the DATA ENTRY section to leave this function.

Note: If the MFX is on, the Main part is no longer processed by the Chorus effect. But the MFX also contains Chorus algorithms (either in isolation or in combination with other effects).

Reverb

Reverb is an effect that gives you the impression of playing in a concert hall, a room or another acoustic environment that reflects the sounds that are being produced.

When you switch on the EXR-46 OR, all three Keyboard parts (Main, Dual, Split) as well as the Arranger and Song parts are processed by the internal Reverb effect.

If you don't need that, you can either switch off the Reverb processor (in which case none of the EXR-46 OR's 19 parts are processed) or prevent just one Keyboard part from being processed. You cannot change the amount of reverb that is added to the Arranger or pre-recorded Song parts.

- Switching the Reverb on/off

Use the following procedure if you want no reverb at all (for none of the EXR-46 OR's parts), or to select another Reverb type.

(1) Press the FUNCTION button (it must light).

(2) Use FAMILY to select "EFFECTS".

The EXR-46 OR's function parameters are divided into 9 logical "families". For the following, we need to select the effects group.

(3) Use SELECT to select the "REV" parameter.

Hall 2

Note: See also "Working with the FAMILY, SELECT and numeric buttons" (p. 20).

(4) Use the + buttons to select "Off" if you don't need the Reverb processor. Otherwise, select one of the eight available types:

Type	Explanation
Room 1~3	These types simulate the Reverb characteristics of a room. The higher the number (1, 2, or 3), the "bigger" the room becomes.
Hall 1, 2	These types simulate the Reverb of a small (1) or large (2) concert hall and thus sound far "bigger" than the Room types above.
Plate	Digital simulation of a metal plate that is sometimes used for creating Reverb effects. Works well for percussive sounds.
Delay	A Delay effect (no Reverb). Works a lot like an echo effect and thus repeats the sounds.
Pan Delay	This is a stereo version of the preceding Delay effect. It creates repetitions that alternate between the left and right channels.

(5) Play a few notes on the keyboard to audition the effect.

• Changing the amount of reverb processing for the Keyboard parts

To change the reverb depth (i.e. how much reverb is added to a part), proceed as follows:

(6) If the FUNCTION button still lights, use SELECT to select one of the following parameters.

VALUE

Reverb depth of the Main part.

VALUE

Reverb depth of the Dual part.

VALUE

Reverb depth of the Split part.

(If FUNCTION doesn't light, first perform steps (1) and (2) above.)

(7) Use + to select "0" if you don't want the selected Keyboard part to be processed by the reverb effect. Otherwise, set the desired value.

If you selected an MFX type (see p. 35), the Rev Main parameter no longer affects the Main part directly, but rather the MFX signal.

When the MFX is set to "Off"

Main

Reverb

Rev MAIN=

Reverb for Main

MFX "Off"

When the MFX is set to any other type

"Re\nMain = 100" then means: Reverb depth of the processed Main signal coming out of the MFX. This can be used for a variety of interesting applications: Distortion (MFX) + Reverb (REV), Rotary (MFX) + Plate (REV), etc.

(8) Play a few notes on the keyboard to audition the effect. Do not forget to activate the Split or Dual part if you wish to audition its Reverb depth.
Note: This setting can be saved to a User Program (see p. 45).
(9) Press another "big" button in the DATA ENTRY section to leave this function.

Chorus

Chorus broadens the spatial image of the sound and creates a stereo impression. You can choose from 8 types.

When you switch on the EXR-46 OR, none of the Keyboard parts (Main, Dual, Split) are processed by the internal chorus effect. Note also that the Chorus effect doesn't affect the Main part if the MFX is set to anything but "Off".

If you don't need Chorus, you can either switch off the Chorus processor (in which case none of the EXR-46 OR's 19 parts are processed) or prevent just one Keyboard part from being processed. You cannot change the amount of Chorus that is added to the Arranger or pre-recorded Song parts.

- Switching the Chorus effect on/off

Use the following procedure if you want no Chorus at all (for none of the EXR-46 OR's parts), or to select another Chorus type.

(1) Press the FUNCTION button (it must light).

(2) Use FAMILY to select "EFFECTS".
(3) Use SELECT to select the "CHR" parameter:

Chorus 3

Note: See also "Working with the FAMILY, SELECT and numeric buttons" (p. 20).

(4) Use the + buttons to select "Off" if you don't need the Chorus processor. Otherwise, select one of the eight available types (see the list below).

Chorus 1

Chorus 4

S-Delay

Chorus 2

FB Chorus

SDelayFb

Chorus 3

Flanger

(5) Play a few notes on the keyboard to audition the effect.

- Changing the amount of Chorus processing for the Keyboard parts

To change the Chorus depth (i.e. how much Chorus is added to a part), proceed as follows:

(6) If the FUNCTION button still lights, use SELECT to select one of the following parameters.

VALUE

Chorus depth of the Main part*.

VALUE

Chorus depth of the Dual part.

VALUE

Chorus depth of the Split part.

(*) Though this parameter is displayed even when MFX is set to something else than "Off", the Main part is not processed by the Chorus effect.

(If FUNCTION doesn't light, first perform steps (1) and (2) above.)

(7) Use + to select "0" if you don't want the selected Keyboard part to be processed by the Chorus effect. Otherwise, set the desired value.

If you selected an MFX type (see p. 35), the Chir-MAIN parameter has no effect (even though it is displayed).

When the MFX is set to "Off"

Reverb

Chorus

When the MFX is set to any other type

Main

1 Reverb

Play a few notes on the keyboard to audition the effect. Do not forget to activate the Split or Dual part if you wish to audition its Chorus depth.

Note: This setting can be saved to a User Program (see p. 45).

(9) Press another "big" button in the DATA ENTRY section to leave this function.

V-LINK function

V-LINK is a function that provides for the integration of music and visual material. By using V-LINK-compatible video devices (i.e. an Edirol DV-7PR), visual effects can be easily linked to, and made part of the expressive elements of a performance. By using the EXR-46 OR with an Edirol DV-7PR, you can:

• Use the EXR-46 OR's keyboard (highest octave) to switch images (clips). Press and hold a key for longer transition ("fade"). Briefly press a key for fast transitions.
• The numeric buttons 0 9 are used for switching palettes (only if the USER PROGRAM button lights).
• Use the BENDER axis of the BENDER/MODULATION lever to change the playback speed of the picture material or to select a different color.
• Use the LOCK buttons to change the effect (VFX1~4).
  V-Link signals can be transmitted via MIDI OUT.

(1) Connect the EXR-46 OR's MIDI OUT socket to the MIDI IN socket of the external video processor (or to a UM-1 interface).

(2) Press the V-LINK button (it lights blue).

(3) Use the BENDER, the assigned buttons or "V-LINK" keys (highest octave) to manipulate the video pictures in sync with your music (see below).
(4) Press [V-LINK] again to switch off this function (the button goes dark).

V-LINK functions that the EXR-46 OR can control (and corresponding MIDI messages)

The EXR-46 OR provides the following functions for controlling V-LINK compatible video equipment.

• Keyboard: Clip 1 8 Program Change: 00H 08H Press the keys in the highest octave to switch clips.
• Keyboard velocity: Dissolve Time CC23 The velocity of the keys in the highest octave controls the speed of transition between images.
• 1~0 buttons (if the USER PROGRAM button lights): Palette 1 10 CC00 (Bank Select)/00H~09H While the V-LINK button lights, press buttons 1~0 to switch palettes 1~10. (The numeric buttons also perform their "normal" functions.)
• BENDER axis of the BENDER/MODULATION lever: Playback Speed Pitch Bend
• Moving the lever toward the right will speed up playback, and moving it toward the left will slow down playback. At the center position, playback speed will be normal.
• MODULATION axis of the BENDER/MODULATION lever: Clip color CC24 (Color CB), CC25 (Color CR) Press the lever towards the rear of the EXR-46 OR to change the color. There are five steps that can be selected by pressing the lever several times: green, violet, blue, red, original clip color.

• LOCK buttons: VFX1~4, None (ACOUSTIC= None, POP= V-FX 1, ROCK= V-FX 2, DANCE= V-F1h

• X 3, ETHNIC = V-FX 4)

Use these buttons to change the video effects. This function is not available if the receiving video processor is already set to "Off".

Note: VFX2 is not supported by the DV-7.

Note: All V-LINK messages are transmitted on MIDI channels 13 and 14.

12. Function menu

The EXR-46 OR's Function mode contains more advanced settings you may not need every day. They allow you to fine-tune your instrument's response. It would therefore be a good idea to familiarize yourself with these parameters. Most settings (^) can be written to a User Program (see p. 45). Other parameters (^) are saved to the Flash memory when you leave the Function mode.

Editing parameters (general procedure)

You can edit the EXR-46 OR's Function parameters via the display. Here is a general outline of the procedure for all parameters discussed below:

(1) Press FUNCTION.

(2) Use FAMILY to select the Function group that contains the desired parameter:

KB SET: KbdTouch, MsterTune, USRTrnsp, GLB Trnsp, TransMod, PB Range, KeySplit, SplitHold, SplitInt, FSW, Port Main, Port Dual, Mode Main, Mode Dual
DRUM PAD: DK1/DrumPad1~DK8/DrumPad8
METRONOM: Mtro TS, MetroVol, Count-In
OCTAVE: MAIN Oct, DUAL Oct, SPLT Oct
■ VOLUME: Main Vol, Dual Vol, SplitVol, Auto Bass, AccDrums, AccBass, Accompl1~Accomp6, Song1~Song16
ARR SET: ArrChord, Arr Hold, EP Chord, Bass Inv, MI (Melody Intelligence), InEnCHRD, Sync Stop

■ EFFECTS: REV (Reverb), CHR (Chorus), MFX, Tone MFX, Rev MAIN, Chr MAIN, Pan MAIN, Rev DUAL, Chr DUAL, Pan DUAL, RevSPLIT, ChrSPLIT, PanSPLIT
KB SCALE: Scale C/C#/D/Eb/E/F/F#/G/Ab/A/Bb/B, Scale Mode
■ MIDI: Local, MidiTxRx, Sync Rx, Style PC, LyricsTx, NTARx14, PitchBnd, Modulatn, ProgChng, Velo Rx, Clock Tx, StartStp, SongPosP
■ UTILITY: LockInit, InitFLASH, Resume
■ WriteSNG (see p. 49)
■ WriteSTL (see p. 50)
RemoveSNG (see p. 50)
Remove STL (see p. 51)
■ WriteUPG (see p. 50)
ReadUPG (see p. 50)
RemovUPG (see p. 51)

(3) Use SELECT to select the parameter you wish to edit (see below).

Note: In FUNCTION mode, SELECT l do not allow you to jump from one family to the next.

The "VALUE" message and a setting appear to signal that you can change ("edit") the selected parameter.

(4) Use the DATA ENTRY + or numeric buttons (only for values) to modify the setting of the selected parameter. Note: See also page 20.

Note: To return to the default value of the currently selected parameter, press + and - simultaneously.

(5) Use FAMILY to select another Function parameter.
(6) Continue with step (3).
(7) Press another "big" button in the DATA ENTRY section to leave this function.

KB SET parameters

Kbd Touch\*

(1~127, Default setting: 110) Use this parameter to set the EXR-46 OR's fixed velocity value that will be used when the
KEYTOUCH icon is not displayed. See p. 34.

Note: This parameter can also be selected by pressing and holding KEYBOARD TOUCH.

MstrTune° (Master Tune)

(427.4~452.6, Default setting: 440.0) This parameter allows you to change the EXR-46 OR's overall tuning, which may be necessary when you accompany a singer, an acoustic instrument, or when you play to a recording on CD or cassette.

USRTrnsp*

(-12 12, Default setting: 0) Use this parameter to transpose the EXR-46 OR in semitones. If you're not sure what transposition is, see p. 32. This parameter can also be selected by pressing the [TRANSPOSE] button.

GLBTrnsp

(-6 5, Default setting: 0) Use this parameter to temporarily transpose the EXR-46 OR in semitones. If you're not sure what transposition is, see (see p. 33). This parameter can also be selected by pressing the TRANSPose button and pressing SELECT once.

TransMod*

(Default setting: Int+Song) This parameter allows you to specify which parts should be affected by the Transpose setting:

Int: The Keyboard and Arranger parts will be transposed. Notes received via MIDI, however, will be played without change.

Song: Only the Song parts will be transposed. This is only meaningful when you play back a Standard MIDI File or one of your own songs with the EXR-46 OR's Recorder.

MIDI: Only the notes received via MIDI will be transposed.

Int+Sng, Int+MIDI, Sng+MIDI, All: These are combinations of the above. Int could be useful to transpose only the Keyboard parts so that you can play to a Recorder song in "your" key but sound in the song's key.

PB Range° (Pitch Bend Range)

(0~24, Default setting: 2) This parameter allows you to set the interval that will be used when you push the BENDER/MODULATION lever fully to the left or to the right (Pitch Bend effect). You can set this parameter in semitone steps, with a maximum of 24 semitones (2 octaves), the default value being "2", which should be OK in most situations.

Note: Pitch Bend is only available for the Main, Dual and Split parts. See also p. 34.

KeySplit* (Split point)

(48~84, Default setting: 60) Use this parameter to set the split point for the Arranger mode and the Split part. The note you set here is the lowest note you can play with the Main part. The number refers to a note. "60" corresponds to the note "C4".

Note: You can also select this parameter by pressing and holding the ARRANGER BAND button.

- SpltHold* (Hold function for the Split part)

(On/Off, Default setting: Off) The SplitHold function memorizes the chords you play while the Split part is on and holds the corresponding notes until you play another chord.

SplitInt* (Split Chord Intelligence)

(On/Off, Default setting: Off) When you activate the [SPLIT] button, the EXR-46 OR's Split Chord Intelligence function allows you to play major chords by pressing just one key, minor chords by pressing two keys, and more complex chords by pressing three keys. This system thus follows Arranger control, which is why it would be a good idea to select "On" whenever you are using the Split part while the ARRANGER icon is displayed.

FSW° (Footswitch Assign)

Sustain

(Default setting: Sustain) After connecting an optional DP-2, DP-6, or BOSS FS-5U to the FOOTSWITCH socket on the rear panel, you can use this parameter for assigning a function to the footswitch.

Sustain: Also called "Hold" or "Damper", this function allows you to use the footswitch to hold the notes you play on the keyboard in much the same way as on an acoustic piano.

Sostenut: In this case, the footswitch functions as Sostenuto pedal (another pedal found on grand and digital pianos that allows you to sustain only those notes you played at the time you pressed the pedal).

Note: This function only applies to the Keyboard parts.

Soft: In this case, the footswitch functions as Soft pedal (a pedal found on grand and digital pianos that reduces the volume).

Note: This function only applies to the Keyboard parts.

Rotary S/F: Allows you to select the slow or fast speed of the Rotary effect. This only works, if the "Rotary" type is assigned to the MFX (see p. 35).

UsrPrgUp: Selects the next User Program (i.e. "10" if "9" is currently active).

UsrPrgDw: Selects the previous User Program (i.e. "1" if "10" is currently active).

Start/Stop: Starts and stops Arranger or Song playback. Same function as the START/STOP button.

Bass Inv: Switches the Bass Inversion function on and off (see p. 28).

Punch I/O: The footswitch can be used to activate and switch off punch in/out recording (see p. 25).

■ Port Main

(Off, 1~127, Default setting: Off) Portamento is an effect that produces gradual pitch changes between the notes you play. The higher the value, the longer it takes before the pitch of the newly played note is reached.

This parameter allows you to set two parameters simultaneously for the Main part (there is a second parameter for the Dual part): the Portamento switch and the Portamento time. When you select a value between "1" and "127", the Portamento switch is automatically set to "on" (127).

Port Dual

(Off, 1~127, Default setting: Off) This parameter allows you to set two parameters simultaneously for the Dual part: the Portamento switch and the Portamento time. See above for an explanation.

Mode Main

Mode Main

(Mon/Pol, Default setting: Pol) This parameter allows you to specify whether the Main part can be played polyphonically ("Pol") or monophonically ("Mon"). "Polyphonic" means that you can play chords, while "monophonic" means that you can only play one note at a time. This may be useful for violin, woodwind and similar sounds, because the acoustic instrument in question cannot (or usually doesn't) play chords. If you press two keys after selecting "Mon", only the note of the last key you pressed sounds (nobody actually presses two keys at exactly the same time).

Mode Dual

(Mon/Pol, Default setting: Pol) This parameter allows you to specify whether the Dual part can be played polyphonically ("Pol") or monophonically ("Mon"). See also above.

DRUM PAD parameters

The parameters of this group allow you to assign the desired drum/percussion sounds to the eight DRUM PAD keys. These assignments are used when you activate DRUM PAD mode (see p. 32).

• Use the SELECT buttons to select the parameter you want to change.

The message to the right of the "dK" parameters (dK1~dK8) refers to the Drum Kit that contains the sound which is currently assigned to the DRUM PAD key (1~8, highest octave). When you select a "dK" parameter, the display looks as follows:

STANDARD1

(This illustration means that you can select another Drum Kit for the lowest DRUM PAD key, i.e. the one labeled "1".) See "Drum Kits" (p. 121) for the available Drum Kits.

• Use the DATA ENTRY + buttons to select the Drum Kit that contains the sound you wish to use.
• Press SELECT to select the "DrumPad" parameter (DrumPad1~8) that has the same number as the "dK" parameter you have just changed.

In our example, that would be "DrumPad1".

DruinFadi

You may remember that each Drum Kit contains up to 128 different drum/percussion sounds. Only one of those sounds can be assigned to each DRUM PAD key. (Just as a reminder: you are going to assign a sound to DRUM PAD key "1" here.) The number to the left refers to the note number. "036" represents the "Kick 2" sound. See the tables on page 121 and following.

• Use the DATA ENTRY + buttons to select the number of the sound you wish to assign.
• Use the SELECT l buttons to select the next DRUM PAD parameter you want to change and repeat the above.

Note: These settings can be saved to a User Program, so that you could (at least in theory) program 200 different assignments.

METRONOM parameters

Metro TS° (metronome time signature)

(1/4~9/4, 1/8~9/8, Default setting: 4/4) This parameter allows you to set the metronome's time signature (number of beats per bar). Please bear in mind that this setting changes whenever you select a Music Style with a different time signature. See also p. 14 for how to use the metronome. This parameter can also be selected by holding down the [METRONOME] button.

Metro Vol° (metronome volume)

(0~127, Default setting: 100) Use this parameter whenever you think the metronome is too loud/soft with respect to the music. The default value is usually an appropriate setting.

Count-In

(On/Off, Default setting: Off) This parameter allows you to switch the count-in function for punch-in and normal recording (see p. 25) on or off. When on, the metronome will count down two measures (8 beats for a song with a 4/4 time signature).

OCTAVE parameters

MAIN Oct*, DUAL Oct*, SPLIT Oct* (octave transposition)

(-4 0 4, Default setting: 0) These three parameters allow you to shift the octave of the part in question (Main, Split, or Dual) up or down by up to four octaves. This can be useful for Techno/Dance songs where you need a piano sound that plays in two different octaves.

To achieve this, assign two different (or the same) piano sounds to Main and Dual, activate the DUAL button, and set DUAL Octv to -1 (or 1 ).

Note: When a Drum Kit is assigned to the Main part, the pitch of the drum/percussion sounds is not transposed. Instead, the keys are assigned to other drum/percussion sounds ("shifted"). Example: after setting "MAIN Oct" to "-1", the bass drum can be played with the C3 key (rather than the C2), while other sounds are available to the left of the C3.

VOLUME parameters

Main Vol, Dual Vol, SplitVol*: volume

Main Vol

(0~127, Default setting: 127 Main/110 Dual/100 Split) These three parameters allow you to set the volume of the Main, Dual, and Split parts respectively. Please note that the settings you make here have no effect if you used BALANCE [ACCOMP] to set the maximum volume for the Arranger/Song parts.

Note: The volume of the Dual part can also be set by holding down DUAL while pressing ACCOMP or KEYBOARD. The same is true of the Split part, except that you need to press and hold SPLIT.

Auto Bass*: status and volume

(OFF, 0~127, Default setting: OFF) Whenever the Split part is active, this parameter allows you to set the volume of the Auto Bass part (in which case the Auto Bass part is switched on). This part sounds monophonic bass notes based on the chords you play. If the Bass Inversion function (see p. 28) is off, the Auto Bass part sounds the root notes (fundamentals) of the chords you play with your left hand (using the Split part).

The Auto Bass part can also be added to the EP Chord part (see below), and then follows the same rules as that part. The Auto Bass' volume and status can be set independently for "Split use" and "EP Chord use".

In either case, select off if you don't need the Auto Bass part.

AccDrums*, AccBass*, Acccomp1~Accomp6*: volume

(0~127, Default setting: 100 AccDrums/100 AccBass/

100 Accompl 1 6 ) These three parameters allow you to set the volume of three Music Style sections: the drums, the bass and the Accomp parts (1~6). You can use these parameters if you think the original "mix" of the selected Music Style is not quite right.

Song1~Song16: volume

(-64 0 63) These volume parameters apply to the respective tracks of the song you are currently playing back. In most cases, you may want to change the volume of track 4 (melody), 2 (bass) or 10 (drums). Finding another track (1,5 9,11 16) that's too loud or too soft may take some time, because their usage is more or less free. Be aware, however, that not all Standard MIDI Files use all 16 tracks that are available (so that changing the volume of track 16 may produce no audible change at all, for example).

These are relative parameters: the value you set here is subtracted from (negative values) or added to (positive values) the song parts' volume. Note that the upper limit (defined by the MIDI standard) is "127". It may thus be impossible to increase the volume of a track (because it already uses "127"). Select "0" if you like a track's volume the way it is.

Be aware that the changes you make here must be saved along with the song data. They are not written to a User Program. See pages 49 and 54 for how to save songs.

ARR SET parameters

ChordInt* (Arranger Chord intelligence)

(Md1, Md2, Off, Default setting: Md1) This parameter allows you to select the chord intelligence system to be used by the EXR-46 OR: the Roland system ("Md1", which makes more sense from an educational point of view, see page 129), or the "Md2" system, which can be used in the following way:

Major chords	Press the key that corresponds to the chord's fundamental.
Minor chords	Fundamental + any black key to the left of the fundamental.
Seventh chords	Fundamental + any white key to the left of the fundamental.
Minor seventh chords	Fundamental + any black key to the left + any white key to the left.

In either case, pressing just a few keys is therefore enough for obtaining full chords. If you are used to playing full chords, you can switch this function off.

ArrHold* (Arranger Hold)

(On/Off, Default setting: On) The Arranger Hold function memorizes the chords you play with your left hand and keeps playing the corresponding notes until you play another chord. If you switch off ArrHold, the melodic Arranger parts (A.Bass, Accomp) stop playing as soon as you release the key(s) in the left half of the keyboard, leaving you only with the drum accompaniment. For your convenience, this function is switched on every time you power on the EXR-46 OR.

EP Chord° (left-hand St. Strings + bass)

(On/Off, Default setting: On) The EP Chord function (for "Educational Purposes") activates a stereo string sound and monophonic bass (if Auto Bass is set to "on") whenever (a) the

ARRANGER icon is displayed and (b) the Arranger is stopped. This allows you to play chords (and a bass line) with your left hand in Arranger mode - without using the EXR-46 OR's accompaniment function.

If you select "Off", however, the left half of the keyboard will be muted when conditions (a) and (b) are met and if the split icon is not displayed.

Bass Inv*

(On/Off) Use this parameter to change the way in which the Arranger reads the chords you play. See p. 28.

MI* (Melody Intelligence harmony type)

(Default setting: Traditnl) This parameter allows you to select the desired harmony type for the Melody Intelligence function.

Note: This parameter can also be selected by pressing and holding the MELODy INTELLIGENCE button. See p. 27.

InEnCHRD* (Intro/Ending chord recognition)

(On/Off, Default setting: Off) This parameter allows you to block chord recognition during playback of the Intro or Ending pattern of the selected Music Style in PIANIST mode. Unlike the "normal" patterns (Original, Variation), Intro and Ending patterns usually contain chord changes. If you select "Off", chord recognition is active during Intro/Ending playback, so that the accompaniment may jump from one key to another. To avoid this, select "On".

Sync Stop* (system used for automatic stops)

(Int/Nor, Default setting: Nor) This parameter allows you to specify how the SYNC STOP function (see p. 16) should work. Select "Nor" if you want the Arranger to stop as soon as you release all keys in the chord recognition area (left side in ARRANGER mode, entire keyboard in PIANIST mode). When you play another chord, Arranger playback resumes from the beginning of the selected Style pattern.

If you select "Int", switch on the SYNC STOP (see p. 16) function and then release all keys in the chord recognition area, the Arranger stops on the next downbeat - and all notes that are on at that time keep sounding (only if the "ArrHold" function is on). When you play another chord, Arranger playback resumes from the point it had reached when you released all keys in the chord recognition area.

Note: This parameter can also be selected by pressing and holding the SYNC START/STOP button.

EFFECTS parameters

Rev* (Reverb Type)

(Default setting: Hall 2) Use this parameter to select the kind of Reverb that best suits your musical purposes, or to switch the Reverb processor "Off". See p. 36.

Chr* (Chorus Type)

(Default setting: Chorus 3) This parameter allows you to specify the type of Chorus effect, or to switch the Chorus processor "Off". See p. 37.

- MFX* (MFX type)

(Default setting: Rotary) This parameter allows you to select the desired MFX type and to switch the MFX processor off. See p. 35 for details about the MFX. Selecting "Off" means that the MFX is off.

Note: MFX type selection can also be linked to Tone selection for the Main part.

Tone MFX°

(On/Off, Default setting: On) This parameter allows you to link the selection of an MFX type to the Tone you assign to the Main part. That way, a Distortion/Overdrive effect will be selected for a rock guitar sound, Rotary for an organ, etc.

Rev MAIN*

(0~127, Default setting: 100) This parameter allows you to set the Reverb Send Level for the Main part (i.e. how much Reverb should be added to the Main notes). Select "0" if the Main part may not be processed by this effect.

Chr MAIN*

(0~127, Default setting: 0) This parameter allows you to set the Chorus Send Level for the Main part (i.e. how much Chorus should be added to the Main notes). If you want this part to be processed by the Chorus effect, you need to select a value different from "0". This parameter is only used when the MFX parameter is set to "Off".

Pan MAIN*

(Rnd, R63~0~L63, Default setting: 0) This parameter allows you to set the stereo position of the Main part (i.e. its placement between the left and right speakers). "Rnd" means that the stereo position changes randomly for each note you play. Values starting with "L" correspond to the left speaker. "0" refers to the center, and values starting with "R" correspond to the right speaker.

RevDUAL\*

(0~127, Default setting: 100) This parameter allows you to set the Reverb Send Level for Dual part (i.e. how much Reverb should be added to the Dual notes). Select "0" if the Dual part may not be processed by this effect.

ChrDUAL\*

(0~127, Default setting: 0) This parameter allows you to set the Chorus Send Level for the Dual part (i.e. how much Chorus should be added to the Dual notes). If you want this part to be processed by the Chorus effect, you need to select a value different from "0".

Pan DUAL*

(Rnd, R63~0~L63, Default setting: 0) This parameter allows you to set the stereo position of the Dual part (i.e. its placement between the left and right speakers). "Rnd" means that the stereo position changes randomly for each note you play. Values starting with "L" correspond to the left speaker. "0" refers to the center, and values starting with "R" correspond to the right speaker.

Rev SPLIT*

(0~127, Default setting: 100) This parameter allows you to set the Reverb Send Level for the Split part. Select "0" if the Split part may not be processed by this effect.

Chr SPLIT*

(0~127, Default setting: 0) This parameter allows you to set the Chorus Send Level for the Split part. If you want this part to be processed by the Chorus effect, you need to select a value different from "0".

Pan SPLIT*

(Rnd, R63~0~L63, Default setting: 0) This parameter allows you to set the stereo position of the Split part (i.e. its placement between the left and right speakers). "Rnd" means that the stereo position changes randomly for each note you play. Values starting with "L" correspond to the left speaker. "0" refers to the center, and values starting with "R" correspond to the right speaker.

KB SCALE parameters

Scale C\*Scale B\* (Scale Tune)

(-64 63, Default setting: 0 for all notes) These parameters allow you to stray away from the usual semitone-interval scale (used in western music) by changing the pitch of the notes so as to accommodate other musical cultures or tuning methods (oriental, baroque music, etc.). These settings are assigned to the ORIENTAL SCALE buttons.

As you will notice, you can change the pitch of every note of one octave (C, C#, D, Eb, E...). The settings you make here apply to all notes of the same name (i.e. to every "C", every "C", etc.). Most of the time, you will probably select the value "50" or "-50" as they correspond exactly to half a semitone up or down (quarter tone). Other settings may also be interesting, though.

Sci Mode*

(MN, ALL, Default setting: MN) This parameter allows you to specify which parts the Scale settings (see above) should apply to: only the Main part ("MN") or all parts ("ALL"). In some cases, choosing "ALL" may produce a more satisfactory result.

MIDI parameters

See page 47.

UTILITY parameters

LockInit

(On/Off, Default setting: On) This function allows you to protect the EXR-46 OR's Flash area from accidentally initializing it (see the next parameter). Select "Off" only before using the "InitFLSH" parameter. For safety reasons, this parameter is reset to "On" when you switch off the EXR-46 OR. If you want to initialize the Flash area without first selecting this FUNCTION parameter, hold down the KEYBOARD TOUCH button while switching the EXR-46 OR on. The display then briefly shows the "UNLCKFLS" message.

InitFLSH (Flash initialization)

This function initializes (interfaces) the EXR-46 OR's Flash memory, which is only necessary if the data in the Flash memory become unreadable.

Note: Executing this function erases all Standard MIDI Files and Music Styles in the EXR-46 OR's Flash area.

Press / + in response to the flashing YES message. The "Sure?" message appears and the YES message starts flashing. Press / + to initialize the Flash area (or NO/- if you changed you mind).

After showing the "Complete" message, the EXR-46 OR leaves this function.

■Resume

Select this function to recall the EXR-46 OR's factory Function settings.

Note: Resume does not reset the MIDI parameters of the FUNC-TION mode (see p. 47).

Press [YES/+] in response to the flashing YES message. After showing the "Complete" message, the EXR-46 OR leaves this function.

Note: There is no "Sure?" question that gives you time to think. Only press / + if you are certain you want to recall ALL factory Function settings.

13. Working with User Programs

The EXR-46 OR is equipped with 200 User Program memories that allow you to store almost all settings (or registrations) you make on the front panel and via the Function menu (see p. 39).

Note: MIDI settings (see p. 47) are not saved to a User Program because the EXR-46 OR memorizes them automatically.

Writing your settings to a User Program

It is a good idea to write your settings frequently, even if you still need to do some editing afterwards. Those intermediary saves allow you to return to the previous stage whenever you do not like your last modifications.

(1) Press and hold the USER PROGRAM/WRITE button.

The EXR-46 OR now displays "-write ?".

(2) Enter the number of the memory where you wish to save your settings using the numeric buttons 0 9 .

The "YES" message starts flashing.

(3) Press / + to confirm the number.
(4) Now use the numeric buttons 0 9 to name your User Program.

The available characters are:

Note: Each time you press another numeric button (for entering characters), the cursor advances automatically to the next position. This works like a mobile phone.

(5) Press the / + button to save your settings to the selected memory. (Press NO/- if you don't want to save them after all.)

The display now responds with the "Complete" message.

Notes about writing User Programs

Leaving the User Program environment

Press any other "big" DATA ENTRY button to leave the User Program environment.

Meaning of the flashing number

At some stage, you may notice that the User Program number flashes.

It means that the last User Program you selected is still in effect but that the current settings no longer correspond to the ones in that memory. Such changes may include the status of the Reverb or Chorus effect, a changed volume value, etc.

Before selecting another User Program or switching off the EXR-46 OR, you should therefore write these settings to the same (or a different) User Program if you want to keep them. Otherwise, you lose these changes.

Mode selection

The mode (Arranger, p. 15, Piano Solo, p. 13, Pianist, p. 27) is also memorized when you write a User Program.

User Programs and the USER STL memory

The last Music Style you selected before writing a User Program is also memorized. This even applies to the USER STL memory that may contain a Style loaded from floppy disk or the Flash memory (see p. 19).

The 200 User Programs can be saved the Flash memory (see p. 49) or a floppy disk as a set (see p. 54).

Selecting a User Program

Though the User Program memory you specified above is already selected, there will be times when you need to select another memory. In that case, here is what you need to do:

(1) Briefly press USER PROGRAM/WRITE (it lights). Do not hold this button down because doing so will start the Write procedure (see above).

The display now shows the number of the User Program you selected last, or "1" if you have not yet selected a User Program since switching on the EXR-46 OR.

The flashing number indicates that the EXR-46 OR is still using the last manual changes you may have made before selecting the User Program function. It only means "this is the last memory you selected".

None of its settings are being used for the time being. By pressing another "big" button in the DATA ENTRY section, you can leave the User Program mode without changing your manual settings. This may be important to remember if

you were about to write your settings and accidentally pressed the wrong button (or didn't press it long enough).

To actually select a User Program...

(2) Use the numeric buttons 0 9 to select the memory (00~ 199).
The settings of the selected User Program will be recalled.
Note: You can also use the FAMILY and SELECT l buttons to select User Programs.
Note: As soon as you modify any setting (on the front panel or in the Function menu), the User Program number starts flashing.
(3) Press any other "big" button in the DATA ENTRY section to leave this mode.

Lock: filtering certain User Program settings

Your EXR-46 OR provides five LOCK buttons with two functions each that allow you to filter certain settings of the User Programs you recall.

These filters (or "locks") will help you use your User Program settings more efficiently, because you can leave out settings that may be fine for one song (the one you prepared the User Program for) but not for another.

Here is an example: suppose you saved a User Program for song "A" with the Main part's "Mode" function set to "Mon". All other settings are just perfect for song "B". Without the LOCK parameter, you would have to use a second User Program (where the "Main Mode" parameter is set to "Pol"). On the EXR-46 OR, however, you just need to switch on the MONO/PORT button to be able to use User Program originally prepared for song "A".

(1) Press the LOCK button that corresponds to the settings you want to ignore.

Each button has two functions. Press it either once (it lights) or twice in rapid succession (it flashes) to activate the desired filter:

Button	Function
STYLE (x1)	The Music Style does not change when you select a different User Program.
STYLE (x2)	The Music Style and BAND ORCHESTRATOR setting remain as they are.
TONE (x1)	The Main and Dual parts do not select the sounds stored in the User Program you select.
TONE (x2)	The Main and Dual parts as well as the USER TONES assignments remain unchanged.*

Button	Function
TEMPO (x1)	The current tempo value remains unchanged.
TEMPO (x2)	The current tempo value and the status of the SYNC START function remain as they are.
TRANSPOSE (x1)	The "USRTrnsp" setting remains as it is.
TRANSPOSE (x2)	The "USRTrnsp" setting and the status of the ORIENTAL SCALE buttons remain unchanged.
MONO/PORT (x1)	The "Mode" and "Port" settings of the Main part (see p. 40) remain unchanged.
MONO/PORT (x2)	The "Mode" and "Port" settings of the Main and Dual parts (see p. 40) remain unchanged.

(*) The assignments of the USER TONES buttons (see p. 30) are also saved to a User Program.

You can also activate several buttons at once.

(2) Select the User Program whose registration (with the exception of the unnecessary settings) settings you want to use.
(3) Switch the LOCK buttons off again before recalling yet another User Program if you need all of its settings.

Note: The status of the LOCK buttons is not saved to a User Program.

14. MIDI functions

MIDI is short for "Musical Instrument Digital Interface". The word refers to many things, the most obvious being a connector type that is used by musical instruments and other devices to exchange messages relating to the act of making music.

Each time you play on the EXR-46 OR's keyboard or start the Arranger (or Song), your instrument transmits MIDI data to its MIDI OUT. If you connect the MIDI OUT socket to the MIDI IN socket of another instrument, that instrument may play the same notes as one of the EXR-46 OR's parts, select sounds, etc. MIDI is a universal standard, which means that musical data can be sent to and received by instruments of different types and manufacturers. Furthermore, MIDI allows you to connect your EXR-46 OR to a computer or hardware sequencer.

Connect your EXR-46 OR as shown below.

The EXR-46 OR transmits and receives data

(*) If you connect the EXR-46 OR's USB port to a computer, etc., the MIDI IN and OUT ports are no longer used. This only works when the icon is NOT displayed.

Channels

MIDI can simultaneously transmit and receive messages on 16 channels, so that up to 16 instruments can be controlled. Nowadays, most instruments -like your EXR-46 OR- are multitimbral, which means that they can play several musical parts with different sounds.

Note: All EXR-46 OR parts are set to receive MIDI messages. If they do not seem to respond to the messages you send from the external controller, you should check whether the external controller's MIDI OUT is connected to the MIDI INput of your EXR-46 OR.

The EXR-46 OR's transmit and receive channels of all parts have been set in keeping with a tacit Roland standard and are therefore shared by all recent EM, E, G, and RA series instruments. You cannot change them. They also correspond to the track assignments of the 16-track Recorder:

Accomp1
2 Arranger bass
3Accomp2
4 Main
5Accomp3
6 Dual
7Accomp4
8Accomp5

9Accomp6
10 Arranger drums
11 Split
12 Auto Bass
13 V-Link
14 V-Link
15 Melody Intell. (see p. 27)
16 ( Main^)

(*) If you assign a Drum Kit to the Main part.

MIDI Function parameters

See "Editing parameters (general procedure)" (p. 39) for how to select and set these Function parameters (they belong to the "MIDI" family).

Note: With the exception of "Local", all MIDl parameter settings are saved as soon as you leave the Function mode.

Local

(On/Off, Default setting: On) The Local parameter allows you to establish or remove the connection between the EXR-46 OR's keyboard/Recorder and the internal tone generator.

When set to "ON" (default), playing on the EXR-46 OR's keyboard or playing back a Recorder song will cause the corresponding notes to sound. If you select "OFF", the corresponding

MIDI messages are no longer sent to the internal tone generator - but they are still transmitted to the MIDI OUT or USB port and hence to external MIDI instruments.

Note: The setting of this parameter is not memorized when you switch off the EXR-46 OR.

■ MIDI TxRx° (MIDI transmission and reception)

This parameter allows you to specify which EXR-46 OR parts should transmit and receive MIDI messages:

Option	Meaning
ALL	All parts.
KBD	Only the Keyboard parts (see “→” in the table above).
STL	Only the Arranger parts (AccDrums~Accomp 6).
SNG	Only the Song parts (1~16).
OFF	None of the EXR-46 OR's parts transmits/receives MIDI messages.

Sync Rx° (MIDI synchronization)

Use this parameter to specify how the EXR-46 OR should be synchronized (as slave) to an external MIDI sequencer, computer, drum machine, etc.

"Synchronization" is a learned term for the fact that one device (or function) is set to start and stop at the same time as another device (or function), and to run at the same tempo (BPM).

Please note that synchronization is only possible when you connect the external device's MIDI OUT socket to the EXR-46 OR's MIDI IN socket (though you can also work the other way around; in that case, see the sequencer's manual for details).

Off In this case, the EXR-46 OR is not synchronized with other MIDI devices. It is thus impossible to start/stop it via MIDI.
On Arranger playback and Song recording/playback are synchronized if the EXR-46 OR receives MIDI Start and Stop messages followed by MIDI Clock signals. If the EXR-46 OR receives only a Start message, it will wait a moment to see if there are also MIDI Clock messages coming. If there are, it will synchronize to them. If there are no MIDI Clock messages, it will follow its own tempo. In either case, you can stop playback or recording with a MIDI Stop message.

Style PC^ (Style Select TxRx Channel)

(OFF, 1~16, Default setting: 10) As its name implies, the Style Select channel is used to receive and transmit program changes that cause the EXR-46 OR or the external instrument to select another Music Style.

Lyrics Tx° (Transmit lyrics messages)

(On/Off, Default setting: Off) The EXR-46 OR can transmit Lyrics messages contained in Format 0 Standard MIDI Files you play back. It cannot display them, but it allows you to transmit them to a device capable of displaying Lyrics messages (such as the Roland LVC-1). This filter allows you to enable (On) or disable (Off) the transmission of Lyrics data.

NTA Rx14° (Note-to-Arranger reception on/off)

(On/Off, Default setting: On) NTA is short for "Note-to-Arranger", or the notes you play in the left half of the keyboard to feed the Arranger with chord information. These notes can also be received via MIDI (from an accordion, a digital piano, an organ, for example). If you want to use the Arranger without playing on the EXR-46 OR's keyboard, you must transmit these notes on MIDI channel 14 (from your computer or external MIDI instrument to the EXR-46 OR) and select "On" here.

NTA notes can only be received (they are not transmitted). The notes you play on the EXR-46 OR's keyboard are indeed transmitted to the Arranger, from there to the Arranger parts, and used to play the accompaniment in the right key. Since all Music Style notes are transmitted via MIDI, there is no need to send the NTA notes separately.

PitchBnd° (Pitch Bend)

(On/Off, Default setting: On) This filter allows you to enable (On) or disable (Off) the transmission and reception of Pitch Bend messages. These messages are used to temporarily increase or decrease the pitch of the Keyboard-part notes (Main, Dual, Split).

Modulatn° (Modulation)

(On/Off, Default setting: On) This filter allows you to enable (On) or disable (Off) the transmission and reception of Modulation messages. These messages are used to add vibrato to the notes you play (control change CC01).

ProgChng (Program Change)

(On/Off, Default setting: On) This filter allows you to enable (On) or disable (Off) the transmission and reception of Program Change messages. These messages are used to select Tones, Styles, or User Programs.

Velo Rx^ (Receive Velocity)

(On, 1~127, Default setting: On) This filter allows you to enable (On) or disable the reception of velocity messages. This only applies to note messages received via MIDI. Choose the velocity value to be substituted for the actual values the EXR-46 OR receives (1~127), or select "On" to use the velocity values as is.

Clock Tx° (synchronization)

(On/Off, Default setting: On) This parameter allows you to determine whether (On) or not (Off) the Arranger and Recorder send MIDI Clock messages when you start them. These messages are necessary for synchronizing external MIDI instruments/sequencers/software to the EXR-46 OR.

StartStp° (Start/Stop/Continue)

(On/Off, Default setting: On) This option allows you to specify whether or not the Arranger and Recorder send Start/Stop/Continue messages when you start or stop them. Select "Off" when you wish to control the tone generator of a MIDI organ, etc., without starting or stopping its automatic accompani-ment.

Song PosPo (Song Position Pointer)

(On/Off, Default setting: On) The EXR-46 OR's Recorder also sends and receives Song Position Pointer messages that indicate the exact location of the notes that are being played back. Select "OFF" if you don't want the Recorder to send or receive these messages.

15. Data management

Working with the Flash memory

Let us first have a look at the remaining Function parameters. They allow you to save newly recorded songs and Styles loaded from a floppy disk to the EXR-46 OR's Flash memory, and to remove such files.

Saving songs to a Flash memory

Songs you record or edit with the EXR-46 OR's Recorder can be saved to its Flash memory or floppy disk. See page 54 for how to save them to floppy and page 19 for how to select songs in the Flash memory.

(1) Press FUNCTION.

(2) Use FAMILY to select the "writeSHG" parameter. Wait until the display looks as shown below, then proceed with the following step.

Wt SONG 001-yes

The EXR-46 OR automatically selects a Flash memory that doesn't yet contain data. (The first character, "S", flashes.) Note: If no vacant Flash memory remains or if the memory capacity is exhausted, the display shows the "Mem Full" message when you select this function. In that case, it will be impossible to save your song. You can, however, delete another song ("Remove") and repeat step (2) and following. Note: The "No Song" message means that there are no song data that could be saved.

(3) If necessary, use the SELECT l buttons to move the cursor to another character position (that character flashes).

(4) Use the numeric buttons to assign a character to that position.

The available characters are:

Note: Each time you press another numeric button (for entering characters), the cursor advances automatically to the next position. This works like a mobile phone.

(5) Repeat steps (3) and (4) to assign the desired characters to the remaining positions.
(6) After entering the name, press the / + button to save the song to the EXR-46 OR's Flash memory. The display now counts down:

71 Writing

At the end of the saving operation, the display briefly shows the "Complete" message.

Note: Press NO/- if you do not wish to save the song after all.

(7) Press another "big" button in the DATA ENTRY section to leave this function.

Archiving User Programs in the Flash area

This function allows you to save the contents of the internal User Programs (all 200 of them) to the Flash area. User Programs are always archived as a set.

Use this function if all 200 User Programs contain settings you don't want to overwrite (by saving other registrations) or lose (in the unlikely event of a memory failure). There is also a function that allows you to load archived User Programs (page 50).

Note: The User Program set data also contain the TONE button assignments (page 30).

(1) Press FUNCTION.
(2) Use FAMILY to select the "wr-i.t.eUPG" parameter. Wait until the display looks as follows, then proceed with the next step:

Wt USPR-000JYES

Though you could save the file with the current default name ("USPR_000"), a proper name will help you identify the file at all times. We therefore suggest you take the time to specify a meaningful name.

The first character of the default name ("UserPrg") flashes. Note: If the memory capacity is exhausted, the display shows the "Mem Full 1" message when you select this function. In that case, it will be impossible to archive the User Program set. You can, however, delete another set ("Remove") and repeat steps (2) and following.

(3) If necessary, use the SELECT l buttons to move the cursor to another character position (that character flashes).
(4) Use the numeric buttons to assign a character to that position.

The available characters are:

$$ - \frac {1}{2} \text {单 本} ^ {\prime} = - \frac {1}{2} \text {单} ^ {\prime} $$

$$ 0 1 2 3 4 5 6 7 8 9 $$

$$ A B C D E F G H I J K L M $$

$$ \text {N O P Q R S T U V W X Y Z} $$

(5) Repeat steps (3) and (4) to assign the desired characters to the remaining positions.
Note: Each time you press another numeric button (for entering characters), the cursor advances automatically to the next position. This works like a mobile phone.
(6) After entering the name, press the / + button to save the User Program set to the EXR-46 OR's Flash memory. The display first shows the "writing" message. At the end of the saving operation, the display briefly shows the "Complete" message.
Note: Press NO/- if you do not wish to archive the User Program Set after all.
(7) Press another "big" button in the DATA ENTRY section to leave this function.

Saving Styles to a Flash memory

Music Styles you load from floppy disk (and which are copied to the USER STL memory at that time) can be saved to a Flash memory.

(1) Press FUNCTION.
(2) Use FAMILY to select the "wr-iteSTL" parameter. Wait until the display looks as follows, then proceed with the next step:

Wit

TANGO

TEMPO

J-4ES

The EXR-46 OR automatically selects a Flash destination memory that doesn't yet contain data. (The first character flashes.)

Note: If no vacant Flash memory remains or if the memory capacity is exhausted, the display shows the Mem Full" message when you select this function. In that case, it will be impossible to save the Music Style. You can, however, delete another Style ("Remove") and repeat step (2) and following. Note: The "No Style" message means that there are no Style data that could be saved.

(3) If necessary, use the SELECT l buttons to move the cursor to another character position (that character flashes).
(4) Use the numeric buttons to assign a character to that position.

The available characters are:

$$ ! \text {井 宝} _ {2} ^ {\prime} = 7 - 1 0 \div $$

$$ 0 1 2 3 4 5 6 7 8 9 $$

$$ A B C D E F G H I J K L M $$

$$ \text {N O P Q R S T U V W X Y Z} $$

(5) Repeat steps (3) and (4) to assign the desired characters to the remaining positions.

Note: Each time you press another numeric button (for entering characters), the cursor advances automatically to the next position. This works like a mobile phone.

(6) After entering the name, press the / + button to save the Style to the EXR-46 OR's Flash memory.

The display now counts down:

71 Writing

At the end of the saving operation, the display briefly shows the "Complete" message.

Note: Press [NO/-] if you do not wish to save the Music Style after all.

(7) Press another "big" button in the DATA ENTRY section to leave this function.

Loading a User Program set from the Flash memory

This "ReadUPG" function allows you to transfer a set of 200 User Programs (i.e. for all memories) to the EXR-46 OR's internal memory. This will overwrite the User Programs that currently reside in the internal memories. You cannot load individual User Programs from an archived set.

Note: If you wish to use the User Programs in the internal memory at a later stage, first archive them (page 49) or save them to disk before proceeding. See p. 54.

(1) Press FUNCTION.
(2) Use FAMILY to select the "ReadUPG" parameter.
(3) Wait until the display shows the name of the first User Program set, then proceed with the following step.

(4) Use the SELECT l buttons to select the set you wish to load.
(5) Press the / + button.

The display now shows the "Sure?" message, while YES starts flashing.

(6) Press the / + button again to load the User Program set (or / - if you do not want to load it after all).
While the data are being loaded, the display shows the "Reading" message. Once the file has been loaded, the display briefly shows the "Complete" message.
(7) Press another "big" button in the DATA ENTRY section to leave this function.

Removing songs from the Flash memory

Songs you no longer need can be deleted (which is called "Remov" here) to make room for new songs.

(1) Press FUNCTION.

(2) Use FAMILY to select the "RemovSNG" parameter.

Wait until the display shows the name of the first song memory (101), then proceed with the following step.

Note: The "No Song" message means that there are no song data that could be deleted.

(3) Use the SELECT l buttons to select the song you wish to delete.

(4) Press the / + button. The display now shows the "Sure?" message, while YES starts flashing.
(5) Press the / + button again to delete the song (or NO/- if you do not want to delete it after all). The display now shows the following message:

Renovating

Once the file has been deleted, the display briefly shows the "Complete" message.
(6) Press another "big" button in the DATA ENTRY section to leave this function.

Removing Styles from the Flash memory

Styles you no longer need can be deleted (which is called "Remov" here) to make room for new Styles.

(1) Press FUNCTION.
(2) Use FAMILY to select the "RemovSTL" parameter. Wait until the display shows the name of the first Style memory (101), then proceed with the following step. Note: The "No Style" message means that there are no Music Style data that could be deleted.
(3) Use the SELECT l buttons to select the Music Style you wish to delete.
(4) Press the / + button. The display now shows the "Sure?" message, while YES starts flashing.
(5) Press the / + button again to delete the Style (or NO/) if you do not want to delete it after all). The display now shows the following message:

Renovating

Once the file has been deleted, the display briefly shows the "Complete" message.
(6) Press another "big" button in the DATA ENTRY section to leave this function.

Removing a User Program set from the Flash memory

The "RemovUPG" function allows you to erase User Program sets from the EXR-46 OR's Flash memory. This may be necessary to make room for new files (e.g. when the "Memory Full" message appears). Be careful, though, to only delete files you are absolutely (positively) sure you will never need again. Once a file has been deleted, it is gone forever.

Note: As a rule, you should first make a backup copy of your disk on your computer. After all, most files really only become indispensable once they are no longer available...

(1) Press FUNCTION.

(2) Use FAMILY to select the "RemovlPG" parameter. Wait until the display shows the name of the first User Program set, then proceed with the following step. Note: The "No Files" message means that there are no set data that could be deleted.
(3) Use the SELECT l buttons to select the User Program set you wish to delete.

(4) Press the / + button. The display now shows the "Sure?" message, while YES starts flashing.
(5) Press the YES/+ button again to delete the User Program (or NO-) if you do not want to delete it after all).

The display now shows the following message:

Renovating

Once the file has been deleted, the display briefly shows the "Complete" message.

(6) Press another "big" button in the DATA ENTRY section to leave this function.

Archiving data using a computer (USB)

The EXR-46 OR's USB port can be used for two purposes: (a) for transmitting/receiving MIDI data or (b) for exchanging files with a computer.

As long as the USB icon is not displayed, the USB port transmits and receives MIDI data (the MIDI IN and OUT sockets are bypassed if you connect a USB cable to this port).

If the icon is displayed, however, your EXR-46 OR will appear as an external drive on your PC's or Mac's desktop:

The drive letter ("F:" in the above illustration) depends on the number of drives recognized by Windows (and is of no importance for MacOS).

Note: USB communication (i.e. for MIDI applications) is possible between the EXR-46 OR and Windows Me/XP or later (for Windows users), or between the EXR-46 OR and Mac OS 9.0.4 or later (for Macintosh users). This requires that you install the appropriate drivers from the supplied CD-ROM.

Data transfer, on the other hand, is possible with Windows 2000/ Me/XP or later/Mac OS 9.04 or later. If you encounter problems with your system, please contact your nearest Roland service center for details.

Once recognized, you can copy files to the "Song", "UserPrg" or "Style" folder by dragging and dropping them using the usual routines. The "Style", "UserPrg" and "Song" folders cannot be deleted and must not be renamed. You can empty them by dragging all files they contain to the trash, though.

Proceed as follows (Windows XP):

(1) Restart your PC.
(2) Switch on your EXR-46 OR.

(3) Press the EXR-46 OR's [USB] button.

The display shows the error message "No Cable" to signal that USB communication is impossible.

(4) Connect the EXR-46 OR's USB port to a free USB port of your computer using the supplied cable.

The l -USB icon appears and the display shows "PC<-EXR".

If you prefer to use another cable, choose one with the correct USB jack types: a "square" one ("type B") for the EXR-46 OR and probably a "flat" one (type "A") for your computer)

Note: If you do not connect a USB cable within 15 seconds, the EXR-46 OR returns to its normal mode.

Note: Never switch off the EXR-46 OR while the "writing" message is displayed, because doing so would damage all data in the EXR-46 OR's Flash area. (See "InitFLSH (Flash initialization)" (p. 44) if you need to repair the Flash area after an erroneous operation.)

Note: The "Wait... Connection Proceeding" message may appear when you press the [USB] button. This only happens after using the USB port for MIDI communication. It means that Windows XP is reconfiguring the USB port for data transfer use. This may take a while, so please be patient.

Proceed as follows (other operating systems):

(1) Switch on your Mac or PC if it isn't on already.
(2) Switch on your EXR-46 OR if it isn't on already.
(3) Press the EXR-46 OR's USB button.

The display shows the error message "No Cable" to signal that USB communication is impossible.

Note: If you do not connect a USB cable within 15 seconds, the EXR-46 OR returns to its normal mode.

(4) Connect the EXR-46 OR's USB port to a free USB port of your computer using the supplied cable.

The 0sB icon appears and the display shows "PC<->EXR".

If you prefer to use another cable, choose one with the correct USB jack types: a "square" one ("type B") for the EXR-46 OR and probably a "flat" one (type "A") for your computer).

Note: Do not connect the EXR-46 OR to a USB hub. Always connect it directly to your computer.

Note: Never switch off the EXR-46 OR while the "writing" message is displayed, because doing so would damage all data in the EXR-46 OR's Flash area. (See "InitFLSH (Flash initialization)" (p. 44) if you need to repair the Flash area after an erroneous operation.)

For all operating systems:

Note: If you press the USB button without connecting the USB cable, the display shows the error message "No Cable" to signal that USB communication is impossible. Connect a cable to cause this message to disappear.

(5) Open the "My Computer" window (Windows) and check whether your computer has found an "EXR_DRV" (or just "Removable Disk").
(6) Open that drive by double-clicking on its icon.
(7) Open either the "Style", "UserPrg" or "Song" folder. This depends on whether you want to delete/ rename/add Music Styles or Standard MIDI Files.
(8) Do one of the following:

• Copy the desired Music Styles from the "Style" folder to your computer's hard disk using drag & drop.
• Copy the desired songs from the "Song" folder to your computer's hard disk using drag & drop.
• Copy the desired User Program sets from the "UserPrg" folder to your computer's hard disk using drag & drop.

• Copy the desired Music Styles from your computer's hard disk to the "Style" folder using drag & drop. (See also the explanation below step (10).)

• Copy the desired songs from your computer's hard disk to the "Song" folder using drag & drop.

• Copy the desired User Program sets from your computer's hard disk to the "UserPrg" folder using drag & drop.
• Rename the desired files in the "Style", "UserPrg" or "Song" folder.
• Delete the files you no longer need.

Note: While the "PC<->EXR" message is displayed, all of the EXR-46 OR's buttons and keys are blocked.

(9) To disconnect the EXR-46 OR from your computer:

• Macintosh: Drag the "EXR_DRV" (or "Removable Disk") icon to the trash. -OR-
• Windows: Click on the removal icon on the task bar. Wait until a drop-down menu appears and select the entry that says something to the effect of "Stop USB disk EXR_DRV". You should now see a window that says something to the effect of "The USB device XX can now be safely removed from the system". Click on the [OK] button.

-THEN--

• Disconnect the USB cable from your computer and the EXR-46 OR.

(10) Press the USB button again.

The display shows the "Sui" message.

(11) Press / + (the icon disappears).

(Press NO to remain in USB mode.)

If you copied Music Styles from your computer to the Flash area, the display now shows "Wait... Converting Styles" to indicate that files with the extension ".STL" are converted to the EXR-46 OR's Music Style format (.STH').

Note that this conversion is only necessary for Music Styles in the EXR-46 OR's Flash area that do not yet have the ".STH" extension.

Note: This operation adds a few bytes to every converted Music Style. In rare circumstances (when the Flash area is nearly full), this may lead to the impossibility to convert all Styles that still have the extension ".STL". The EXR-46 OR then displays the "MemFull" message to signal that the conversion was aborted before reaching the last ".STL" file. All Styles up to that point have been converted, though, and can be used.

Disk functions

The EXR-46 OR's Disk functions allow you to save the Recorder Song in the USER SNG memory to disk, to save and load your files to and from disk, to delete files on a floppy disk, and to format disks.

Though you can use 2DD or 2HD floppies, 2HD disks have twice the capacity of 2DD disks, so use 2HDs whenever you can.

Whenever the disk drive writes data to or reads data from disk, the Disk icon (Disk) flashes in the display. Do not remove the floppy disk while this icon is displayed as that may damage both the disk drive and the disk (so that it becomes unreadable).

Loading User Programs from disk

This load function is called LOADUPr. It allows you to transfer a set of 200 User Programs (i.e. for all memories) to the EXR-46 OR's internal memory. This will overwrite the User Programs that currently reside in the internal memories.

Note: If you wish to use the User Programs in the internal memory at a later stage, first save them to disk before proceeding. See p. 54.

Note: The User Program set data also contain the TONE button assignments (page 30). After loading a User Program set, the eight TONE buttons may therefore select other sounds than before.

(1) Insert a disk into the drive.
(2) Press DISK to select the Disk mode.

The "LOAD UPr" function is already selected, so there is nothing else you need to do. (Otherwise, use FAMILY to select this parameter.)

(3) Use SELECT to select the User Program Set you wish to load.

The YES message next to it starts flashing.

(4) Press the / + button to load the selected file.

Note: Press NO/- if you do not want to load the selected file after all.

If you pressed / + , the display now shows the message "Loading". Once the data have been loaded, the "Complete" message briefly appears.

(5) Press another "big" button in the DATA ENTRY section to leave this function.

Possible error messages

No Disk	You forgot to insert a floppy disk into the drive.
No Files	The disk you inserted contains no User Program data.
NoFormat	The floppy disk is either not formatted or uses a format the EXR-46 OR doesn't recognize. Press YES/+ to format it now (careful: this will erase all data on disk).
Disk Err	The disk is probably damaged and cannot be used.
File Err	The file you selected is damaged and cannot be loaded.

Loading songs from disk

LOAD Sng allows you to load a song on floppy disk into the EXR-46 OR's User memory.

(1) Insert a disk into the drive.
(2) Press DISK to select the Disk mode.
(3) Select the "LOAD Sng" function using FAMILY.
(4) Use SELECT to select the song you wish to load. The YES message next to it starts flashing.
(5) Press the / + button to load the selected file. Note: Press NO/- if you do not want to load the selected file after all. If you pressed / + , the display now shows the message "Loading". Once the data have been loaded, the "Complete" message briefly appears.
(6) Press another "big" button in the DATA ENTRY section to leave this function. Note: See also "Possible error messages" above.

Loading Music Styles from disk

LOAD St.1 allows you to load a Music Style on floppy disk into the EXR-46 OR's User memory.

(1) Insert a disk into the drive.
(2) Press DISK to select the Disk mode.
(3) Select the "LOAD St.1" function using FAMILY
(4) Use SELECT to select the Music Style you wish to load. The YES message next to it starts flashing.
(5) Press the / + button to load the selected file. Note: Press NO/- if you do not want to load the selected file after all.

If you pressed / + , the display now shows the message "Loading". Once the data have been loaded, the "Complete" message briefly appears.

(6) Press another "big" button in the DATA ENTRY section to leave this function. Note: See also "Possible error messages" (p. 54).

Saving files to disk

The EXR-46 OR provides the following Save functions:
SAVE UFr: Use this function to save the contents of the internal User Program memories (all 200 of them) to a floppy disk.
Note: The User Program set data also contain the USER TONES button assignments (page 30).
SAVE Sn9: This allows you to save the song in the USERSONG memory to a floppy disk. A song saved to disk becomes a Standard MIDI File.

(1) Insert a disk into the drive. Every floppy contains a square tab that allows you to "close" a little window. With the tab in that position, you can save data to the disk. Do not forget to write-enable the disk by closing this little window prior to inserting the floppy disk.
(2) Press DISK and use FAMILY to select "SAVE UPR" or "SAVE Snrg".
(3) If necessary, use the SELECT l buttons to move the cursor to another character position (that character flashes).

Note: Each time you press another numeric button (for entering characters), the cursor advances automatically to the next position.

(4) Use the numeric buttons to assign a character to that position.

The available characters are:

(5) Repeat steps (3) and (4) to assign the desired characters to the remaining positions.

Though you could save the file with the current default name ("SONG_001", or "USPR_000"), a proper name will help you identify the file at all times. We therefore suggest you take the time to specify a meaningful name.

Note: If you select "SPACE" (O button), the display will insert a _. That's because MS-DOS® does not allow you to use spaces.

(6) After entering the name, press the / + button to save the data to floppy disk.

The display now counts down ("Saving").

71 Saving

At the end of the saving operation, the display briefly shows the "Complete" message.

Note: If the message "Protect" appears, you forgot to switch off the disk's Write protection. Press the EJECT button of the disk drive, remove the floppy and close the tab, insert the disk again and press / + .

Note: Press NO/- if you do not want to save the selected file after all.

(7) Press another "big" button in the DATA ENTRY section to leave this function.

Possible error messages

No Disk	You forgot to insert a floppy disk into the drive.
Protect	See above.
Disk Full	The remaining disk capacity does not allow to save your data to this disk.
NoFormat	The floppy disk is either not formatted or uses a format the EXR-46 OR doesn't recognize. Press YES/+ to format it now (careful: this will erase all data on disk).
Disk Err	The disk is probably damaged and cannot be used.
OverWrt?	The name you assigned to the data already exists on the floppy disk you inserted. If you press YES/+ to continue, the file on disk will be overwritten (and the corresponding data will be erased). Either insert another floppy disk, or press DISK and enter another name for the data you want to save.

Deleting files on disk

The Delete functions allow you to erase files from the inserted floppy disk. This may be necessary to make room for new files (e.g. when the "Disk Full" message appears). Be careful, though, to only delete files you are absolutely (positively) sure you will never need again. Once a file has been deleted, it is gone forever.

Note: As a rule, you should first make a backup copy of your disk on your computer. After all, most files really only become indispensable once they are no longer available...

DEL UPr: Use this function to delete a User Program Set from disk. Be aware that by doing so, you actually erase 200 User Program settings.

DEL Sng: This allows you to delete a song file on disk.

(1) Insert the disk with the file you want to delete into the drive.
(2) Press DISK to select the Disk mode.
(3) Use FAMILY to select "DEL UPr" or "DEL Sng".
(4) Use SELECT to select the file you wish to delete (example: "USPR_005"). The YES message starts flashing.
(5) Press the YES/+ button. To be on the safe side, the EXR-46 OR now asks you whether you really want to delete the file ("Sulne").
(6) Press / + to delete the file, or NO/ to abort the operation. If you pressed / + , the display now shows the message "Deleting". Once the data have been deleted, the "Complete" message briefly appears.
(7) Press another "big" button in the DATA ENTRY section to leave this function.

Possible error messages

No Disk	You forgot to insert a floppy disk into the drive.
Protect	You forgot to switch off the disk's Write protection. Press the EJECT button of the disk drive, remove the floppy and close the tab, insert the disk again and press YES/+ .
NoFormat	The floppy disk is either not formatted or uses a format the EXR-46 OR doesn't recognize. Press YES/+ to format it now (careful: this will erase all data on disk).
Disk Err	The disk is probably damaged and cannot be used.
No Files	The disk contains no files of the selected type. Insert another disk.

Format

Before being able to save files to a disk, you need to prepare a floppy disk. This is called "formatting". If the floppy you are about to use is IBM PC formatted, there is no need to format it, though disk access is faster with disks formatted on the EXR-46 OR. Otherwise proceed as follows:

(1) Insert a disk into the drive.
Every floppy contains a square tab that allows you to "close" a little window. With the tab in that position, you can format the disk. Do not forget to write-enable the disk by closing this little window prior to inserting the floppy disk.
(2) Press DISK to select the Disk mode.
(3) Use FAMILY to select "FORMAT". The "Sure?" message appears and the YES message starts flashing.
(4) Press / + to format the disk.

Note: If you do not want to format your floppy, press [NO/]. Note: By formatting a disk, you erase all files it contains. It would be a good idea to first check what it contains (e.g. on your PC).

The value to the left of the "Formatng" message now counts from "1" to "100" while the disk icon flashes to indicate that the disk is being accessed. When the disk is formatted, the message "Complete" is briefly displayed.

16. Using the outputs and an optional footswitch

If you like, you can also record your performance (or a Recorder songs) to cassette, MD, etc. To this end, you need to connect the EXR-46 OR's OUTPUT sockets to the external device's REC IN jacks.

Use a standard 1/4'' phone cable for doing so. Another use for these outputs is to connect the EXR-46 OR to your HiFi or keyboard amplifier (such as the Roland KC-550/350/150). Using a HiFi amplifier requires the use of an adapter plug (RCA/phono 1/4'' jack). If you like, you can also purchase two Roland PJ-1M cables.

Note: By connecting the OUTPUT jacks, you do not switch off the EXR-46 OR's amplification system.

You can connect an optional DP-2, DP-6, or BOSS FS-5U foot switch to the FOOTSWITCH jack in order to hold the notes even after releasing the keys, or to perform other functions (see p. 40).

Cassette deck, power amplifier, HiFi amplifier, MA series active speakers, etc.

17. Miscellaneous

Functions for educational purposes

The EXR-46 OR provides two functions that may come in handy for music teachers or for those who use the EXR-46 OR in class:

Deactivating or activating the Demo function

The EXR-46 OR's Demo function can be switched off so that pressing [USB] + [ONE TOUCH] will have no effect at all. This may be useful in situations where the EXR-46 OR is used in class. Here is how to deactivate the Demo function:

(1) Switch off the EXR-46 OR.
(2) Hold down the USB, ONE TOUCH and ACOUNSTIC buttons while switching the EXR-46 OR back on again. The display briefly shows "DISABLED".

This setting is remembered, so that next time you want to listen to a demo song, you have to repeat the above procedure.

Deactivating or activating the Arranger

Use the following procedure to ensure that the Arranger cannot be started or stopped:

(1) Switch off the EXR-46 OR.
(2) Hold down the ACOUTIC and ARRANGER BAND buttons while you switch the EXR-46 OR back on again. The display briefly shows "DISABLED". It is now impossible to start/stop the Arranger using the START/STOP button.

Repeat the above procedure when you want to use the Arranger again.

Deactivating or activating the Arranger and Demo functions

A third "educational" option is to switch off both the Demo and the Arranger functions in one go:

(1) Switch off the EXR-46 OR.
(2) Hold down the ACOUTIC and START/STOP buttons while you switch the EXR-46 OR back on again. The display briefly shows "DISABLED". It is now impossible to start/stop the Arranger or demo song playback. Repeat the above procedure when you want to use the Arranger and Demo function again.

Initializing your EXR-46 OR (Factory)

After working extensively with your EXR-46 OR, you may want to recall the original factory settings. Note that the Recorder song will be empty and that the User Programs contain the factory settings after initializing your EXR-46 OR. Here is how to initialize your EXR-46 OR:

(1) Power off your EXR-46 OR.
(2) Hold down the USER PROGRAM/WRITE button while turning your EXR-46 OR back on again. The message "Factor" informs you that the EXR-46 OR has been initialized. Note: This does not affect the data in the EXR-46 OR's Flash memory. See page 44 for how to initialize that area.

18. Specifications

EXR-46 OR Interactive Arranger

Keyboard: 61 keys, velocity sensitive

Sound source: PCM samples

Max polyphony: 64 voices

Tones: 650 panel sounds, of which 107 oriental sounds (542 XG compatible voices/256 GM2 compatible sounds)

Drum Kits: 33 Drum Kits, of which 13 oriental kits (11 XG compatible + 9 GM2 compatible)

Multitimbral parts: 19

Compatibility: GM2, GS, XG Lite

Display type: New large backlit custom display

Panel controls: VOLUME knob, ACCOMP/KEYBOARD BALANCE buttons, TEMPO/DATA buttons, BENDER/MODULATION lever, FAMILY buttons, SELECT buttons, numeric buttons 0 9 , 8 assignable TONE buttons, 12 ORIENTAL SCALE buttons, 3 SCALE MEMORY buttons

Music Styles: 149 Styles in Flash memory (99 factory + 50 changeable)

One Touch: 2 × 99

Orchestrator: 3 levels: Drum&Bass, Combo, Full Band

LOCK functions (setting filters x10): STYLE, TONE, TEMPO, TRANSPOSE, MONO/PORTAMENTO

Songs: Realtime SMF player

16-track Recorder: 4 easy modes (ALL, Keyboard, Single, Punch In/Out)

Flash Memory: For Music Styles, User Program sets and songs

User Programs: 200

Effects:Reverb:8 types,Chorus:8 types,Multi-FX:47 types

Data storage: FDD 3.5" 2HD/2DD (Styles, Songs/SMF, User Programs), File save & load from PC via USB (Styles, Songs, User Programs)

Metronome: Time Signature setting (1/4~9/4, 1/8~9/8), Volume setting

Other functions: 3 easy modes (Piano/Solo, Arranger/Band, Pianist), Drum Pad mode, Music Assistant: 100 settings, Split (2 Tones: Split [L] + Main [R]), Dual (2 Tones: Main + Dual), Melody Intelligence: 18 types, Octave (-4 4) , User Transpose (-12 12)/G|b|

Transpose (-6 5) V-Link

System updates: Yes

Connections: USB: MIDI communication and file transfer, MIDI IN, OUT

Outputs: L/Mono, Right (1/4" phone jacks), Phones 1/2, DC IN (adapter)

Others: Output Power: 10W+10W with "Digital Bass Enhancer",

Stereo Speakers: 2xØ13cm, Bass Reflex

Power supply: 12V/3.5A

Dimensions: 1020 × 355 × 132 ~mm

Weight: 8kg

Supplied accessories: Owner's Manual, PSB-4U adapter, music rest, USB cable, CD-ROM with USB driver files

Note: Specifications are subject to change without prior notice.

Thanks

Roland Corporation wishes to express gratitude and thanks to all persons who have been involved in the preparation of the Oriental Drum Kits, Oriental Music Styles and Demo Songs for the EXR-46 OR Interactive Arranger.

Special thanks go to:

Mr. Cherif Cotta, Mr. Emmanuel G. Chnarakis and

Mr. Mehmet Dogdu

for their important and valuable co-operation and enthusiasm for the development of the EXR-46 OR

Mr. Abdallah George, Mr. Ahmed Mustafa, and

Mr. Alp Selim

for their precious advice and support

Mr. Mohamed Raheem

for authorizing Roland Corporation to use his famous composition "Leh Bey Dari" as demo song in the EXR-46 OR

Mode d'emploi

15 Section BAND ORCHESTRATOR

① Prises OUTPUT R, L/MONO

Bass Inversion (Bass Inv)

Transposition globale ("GLB")

KB SET: KbdTouch, MsterTune, USRTrnsp, GLB Trnsp, TransMod, PB Range, KeySplit, SplitHold, SplitInt, FSW, Port Main, Port Dual, Mode Main, Mode Dual
DRUM PAD: DK1/DrumPad1~DK8/DrumPad8
METRONOM: Mtro TS, MetroVol, Count-In
OCTAVE: MAIN Oct, DUAL Oct, SPLT Oct
■ VOLUME: Main Vol, Dual Vol, SplitVol, Auto Bass, AccDrums, AccBass, Acccomp1~Accomp6, Song1~Song16
ARR SET: ArrChord, Arr Hold, EP Chord, Bass Inv, MI (Melody Intelligence), InEnCHRD, Sync Stop

■ EFFECTS: REV (Reverb), CHR (Chorus), MFX, Tone MFX, Rev MAIN, Chr MAIN, Pan MAIN, Rev DUAL, Chr DUAL, Pan DUAL, RevSPLIT, ChrSPLIT, PanSPLIT
KB SCALE: Scale C/C#/D/Eb/E/F/F#/G/Ab/A/Bb/B, Scale Mode
■ MIDI: Local, MidiTxRx, Sync Rx, Style PC, LyricsTx, NTARx14, PitchBnd, Modulatn, ProgChng, Velo Rx, Clock Tx, StartStp, SongPosP
■ UTILITY: LockInit, InitFLASH, Resume
■ WriteSNG (voyez p. 109)
■ WriteSTL (voyez p. 110)
RemoveSNG (voyez p. 110)
Remove STL (voyez p. 111)
■ WriteUPG (voyez p. 110)
ReadUPG (voyez p. 110)
■RemovUPG (voyez p. 111)

SplitInt* (Split Chord Intelligence)

AccDrums*, AccBass*, Acccomp1~Accomp6*: Volume

ChordInt* (Arranger Chord Intelligence)

ArrHold* (Arranger Hold)

Modulat° (Modulation)

StartStp° (Start/Stop/Continue)

Effets: Réverb: 8 types, Chorus: 8 types, Multi-FX: 47 types

1. Lists
   Tones selectable via the front panel

Tone no.	PC	CC00	CC32	Name	Family	Tone no.	PC	CC00	CC32	Name	Family	Tone no.	PC	CC00	CC32	Name	Family
1	1	8	2	StPiano1	PIANO	82	17	1	2	Organ101	ORGAN	163	121	6	2	PickScrp	E. GUITAR
2	1	16	2	EuronpF	PIANO	83	17	7	2	DtdnOr1	ORGAN	164	33	0	2	AcsticB5	BASS
3	2	0	2	Piano 2	PIANO	84	17	8	2	TrmOrgan	ORGAN	165	33	1	2	Ac.Bass1	BASS
4	4	0	2	Honkytnk	PIANO	85	17	9	2	Organ109	ORGAN	166	34	0	2	FingrdB5	BASS
5	1	0	2	Piano 1	PIANO	86	17	17	2	60sOrgn2	ORGAN	167	34	2	2	JazzBass	BASS
6	2	8	2	StPiano2	PIANO	87	17	18	2	60sOrgn3	ORGAN	168	34	3	2	FngrdB53	BASS
7	3	0	2	Piano 3	PIANO	88	17	31	2	PopOrgan	ORGAN	169	35	0	2	PckdBass	BASS
8	3	1	2	MIDI EP1	PIANO	89	17	32	2	RockOrgn	ORGAN	170	36	0	2	FrtlssB5	BASS
9	3	2	2	MIDI EP2	PIANO	90	17	33	2	Even Bar	ORGAN	171	37	0	2	SlpBass1	BASS
10	3	8	2	StPiano3	PIANO	91	17	40	2	OrganBss	ORGAN	172	39	0	2	SynBass1	BASS
11	4	8	2	OldUprgt	PIANO	92	18	1	2	Organ201	ORGAN	173	39	16	2	ResoSHBs	BASS
12	5	0	2	E.Piano1	E. PIANO	93	18	8	2	ChorsOr2	ORGAN	174	39	22	2	SqrBass	BASS
13	5	8	2	StSoftEP	E. PIANO	94	18	10	2	Dtdn Or2	ORGAN	175	33	2	2	Ac.Bass2	BASS
14	5	47	2	Pro EP 3	E. PIANO	95	18	32	2	PercOrg2	ORGAN	176	33	3	2	Ac.Bass3	BASS
15	5	48	2	Wurly	E. PIANO	96	20	16	2	ChrdOr3	ORGAN	177	34	1	2	FngrdB52	BASS
16	6	10	2	ELEGend	E. PIANO	97	21	16	2	PuffOrgn	ORGAN	178	34	4	2	FngrdB54	BASS
17	6	24	2	HardFMEP	E. PIANO	98	83	112	2	AccrdnC1	ACCORDION	179	34	7	2	FingrlSp	BASS
18	6	32	2	EP Phase	E. PIANO	99	83	113	2	AccrdnC2	ACCORDION	180	35	3	2	PckD B5	BASS
19	5	16	2	FM+SA E PIANO	E. PIANO	100	83	114	2	Accrdn3L	ACCORDION	181	35	8	2	Mt PckBs	BASS
20	5	24	2	60sEPno	E. PIANO	101	83	115	2	Accrdn4L	ACCORDION	182	36	1	2	FrtlsB52	BASS
21	5	25	2	Hard EP	E. PIANO	102	83	116	2	Accordn1	ACCORDION	183	36	2	2	FrtlsB53	BASS
22	5	26	2	MellowEP	E. PIANO	103	85	116	2	Accordn2	ACCORDION	184	36	3	2	FrtlsB54	BASS
23	6	0	2	E.Piano2	E. PIANO	104	86	116	2	JVAccord	ACCORDION	185	36	4	2	SnFrtls	BASS
24	6	8	2	Dtdn EP2	E. PIANO	105	22	0	2	AccrdnFr	ACCORDION	186	36	5	2	MrSmooth	BASS
25	6	16	2	St.FMI EP	E. PIANO	106	22	8	2	Accrdnlt	ACCORDION	187	36	8	2	FrtlsB55	BASS
26	100	5	2	Nylon+EP	E. PIANO	107	24	0	2	Bandneon	ACCORDION	188	36	48	2	FtFrtls	BASS
27	7	24	2	Harpsi 2	KEYBOARD	108	23	0	2	Harmonic	ACCORDION	189	37	8	2	ResoSlap	BASS
28	7	16	2	StHarpns	KEYBOARD	109	23	1	2	Harmonc2	ACCORDION	190	38	0	2	SlpBass2	BASS
29	8	0	2	Clav.	KEYBOARD	110	22	16	2	JV-Acc1	ACCORDION	191	39	1	2	SynB5101	BASS
30	8	8	2	CompClav	KEYBOARD	111	22	17	2	JV-Acc2	ACCORDION	192	39	2	2	JunoBass	BASS
31	7	0	2	Harpschr	KEYBOARD	112	25	0	2	NylStrGt	A. GUITAR	193	39	3	2	106Bass	BASS
32	7	8	2	Cpld Hps	KEYBOARD	113	25	24	2	VelohHrmx	A. GUITAR	194	39	8	2	AcidBass	BASS
33	8	39	2	PulsClav	KEYBOARD	114	26	9	2	Nyln+Stl	A. GUITAR	195	39	9	2	TB303B5	BASS
34	9	0	2	Celesta	CHR PERC	115	25	40	2	Reqn Gt	A. GUITAR	196	39	10	2	TeknBass	BASS
35	11	0	2	MusicBox	CHR PERC	116	25	49	2	FmnncGt	A. GUITAR	197	39	19	2	ClaviBss	BASS
36	12	0	2	Vibraphn	CHR PERC	117	26	0	2	StStrGt	A. GUITAR	198	39	20	2	Hammer	BASS
37	13	0	2	Marimba	CHR PERC	118	26	8	2	12-strGt	A. GUITAR	199	39	21	2	Jnglbass	BASS
38	14	0	2	Xylphone	CHR PERC	119	26	16	2	Mandolin	A. GUITAR	200	39	23	2	PopSynBs	BASS
39	15	0	2	TubellB	CHR PERC	120	25	8	2	Ukulele	A. GUITAR	201	39	24	2	LightSnBs	BASS
40	99	2	2	SftCryst	CHR PERC	121	25	16	2	NylonGto	A. GUITAR	202	39	25	2	FatTBBss	BASS
41	99	4	2	LoudGlock	CHR PERC	122	25	32	2	NylonGt2	A. GUITAR	203	40	0	2	SynBass2	BASS
42	99	16	2	ChrBell	CHR PERC	123	26	32	2	SteelGt2	A. GUITAR	204	40	1	2	SynB5201	BASS
43	113	0	2	TnkBell	CHR PERC	124	26	33	2	Stl+Body	A. GUITAR	205	40	2	2	Mod Bass	BASS
44	100	2	2	Glcknspl	CHR PERC	125	32	0	2	GthHrmncs	A. GUITAR	206	40	3	2	Seq Bass	BASS
45	12	1	2	HardVibe	CHR PERC	126	32	16	2	AcGthHrxm	A. GUITAR	207	40	8	2	BeeffMb5	BASS
46	12	8	2	StVibrap	CHR PERC	127	100	0	2	Atmsphar	A. GUITAR	208	40	9	2	XwR Bass	BASS
47	13	8	2	StMarimb	CHR PERC	128	100	2	2	NylInHarp	A. GUITAR	209	40	16	2	RubrBss	BASS
48	13	16	2	Barafon	CHR PERC	129	121	0	2	GtFrtnoz	A. GUITAR	210	40	17	2	SH101B51	BASS
49	13	17	2	Barafon2	CHR PERC	130	27	0	2	Jazz Gt.	A. GUITAR	211	40	18	2	SH101B52	BASS
50	13	24	2	Log drum	CHR PERC	131	27	8	2	PedalStl	A. GUITAR	212	40	19	2	SmthBass	BASS
51	15	8	2	ChrchBll	CHR PERC	132	28	1	2	CleanGt2	A. GUITAR	213	40	20	2	MildBass	BASS
52	15	9	2	Carillon	CHR PERC	133	28	4	2	JCCInGt.	A. GUITAR	214	40	21	2	DetunBss	BASS
53	99	0	2	Crystal	CHR PERC	134	28	23	2	MidTneGT	A. GUITAR	215	40	29	2	AttckPls	BASS
54	99	1	2	SynMallt	CHR PERC	135	29	0	2	Muted Gt	A. GUITAR	216	121	2	2	Str Slap	BASS
55	99	3	2	RndGlock	CHR PERC	136	30	0	2	OvrdrvGt.	A. GUITAR	217	121	5	2	BassSld	BASS
56	99	5	2	GlicknChm	CHR PERC	137	31	0	2	Dist Gt.	A. GUITAR	218	11	116	2	StrngOct	STRING5
57	99	6	2	CrlBells	CHR PERC	138	31	16	2	Power Gt.	A. GUITAR	219	49	16	2	STStrngs	STRING5
58	99	7	2	XmasBell	CHR PERC	139	27	1	2	MellowGt.	A. GUITAR	220	50	10	2	StSlwStr	STRING5
59	99	8	2	VbrBells	CHR PERC	140	27	2	2	JazzGt.2	A. GUITAR	221	50	8	2	LegtoStr	STRING5
60	99	9	2	DigiBell	CHR PERC	141	28	0	2	CleanGt.	A. GUITAR	222	51	0	2	SynStrg	STRING5
61	99	17	2	AirBells	CHR PERC	142	28	3	2	OpenHrd1	A. GUITAR	223	45	9	2	SuspnStr	STRING5
62	99	18	2	BellHarp	CHR PERC	143	28	8	2	ChorusGt.3	A. GUITAR	224	46	0	2	PzccStr	STRING5
63	99	19	2	Gamelimb	CHR PERC	144	28	48	2	CleanGt3	A. GUITAR	225	40	116	2	FIViolVB	STRING5
64	17	116	2	OrOrgn1	ORGAN	145	29	1	2	Mt DstBs	A. GUITAR	226	41	116	2	FolkViol	STRING5
65	21	116	2	OrOrgn2	ORGAN	146	29	8	2	Funk Pop	A. GUITAR	227	41	0	2	Violin	STRING5
66	180000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000

Tone no.	PC	CC00	C32	Name	Family
422	103	2	2	EchoPan	PAD
423	103	3	2	EchoPan2	PAD
424	103	4	2	BigPannr	PAD
425	103	6	2	WtrPiano	PAD
426	104	1	2	StrThme2	PAD
427	106	17	2	JV-Bouz1	ETHNIC1
428	106	18	2	JV-Bouz2	ETHNIC1
429	106	19	2	JV-Bouz3	ETHNIC1
430	106	20	2	JV-Bouz4	ETHNIC1
431	106	21	2	BouzBag1	ETHNIC1
432	106	22	2	BouzBag2	ETHNIC1
433	106	16	2	Bouzouki	ETHNIC1
434	107	16	2	BzKTrm	ETHNIC1
435	108	16	2	BzKTrVm	ETHNIC1
436	16	0	2	Santur	ETHNIC1
437	47	0	2	Harp	ETHNIC1
438	76	8	2	Kawala	ETHNIC1
439	100	16	2	Kawala2	ETHNIC1
440	101	16	2	Kawala1	ETHNIC1
441	102	16	2	KawalaOct	ETHNIC1
442	103	16	2	KwloOctVm	ETHNIC1
443	111	16	2	Rababa	ETHNIC1
444	118	16	2	Nay	ETHNIC1
445	119	16	2	NayOct	ETHNIC1
446	120	16	2	NayOctVm	ETHNIC1
447	122	16	2	Mizmar	ETHNIC1
448	123	16	2	MizmarOct	ETHNIC1
449	124	16	2	MizmarTv	ETHNIC1
450	126	16	2	MizmarDu	ETHNIC1
451	127	16	2	Rabab	ETHNIC1
452	78	0	2	Shakuch	ETHNIC1
453	105	0	2	Sitar	ETHNIC1
454	106	0	2	Banjo	ETHNIC1
455	106	8	2	Rabab	ETHNIC1
456	106	24	2	Aud	ETHNIC1
457	110	16	2	Oud1Trem	ETHNIC1
458	112	16	2	Oud1	ETHNIC1
459	113	16	2	Oud2	ETHNIC1
460	114	16	2	Oud2Trem	ETHNIC1
461	115	16	2	Oud1TrVm	ETHNIC1
462	116	16	2	Oud2TrVm	ETHNIC1
463	117	16	2	OudOct	ETHNIC1
464	107	0	2	Shamisen	ETHNIC1
465	108	0	2	Koto	ETHNIC1
466	108	16	2	Kanoon	ETHNIC1
467	87	15	2	Knoun3St	ETHNIC1
468	87	15	2	Kanoun3	ETHNIC1
470	95	15	2	Kanoun3	ETHNIC1
473	95	15	2	Kanoun3	ETHNIC1
474	96	15	2	Kanoun3	ETHNIC1
475	97	15	2	KanounTr	ETHNIC1
476	99	15	2	Knoun3Oc	ETHNIC1
477	99	16	2	KnounOct	ETHNIC1
478	110	0	2	Bagpipe	ETHNIC1
479	111	0	2	Fiddle	ETHNIC1
480	112	1	2	Shani2	ETHNIC1
481	16	1	2	Santar2	ETHNIC1
482	16	8	2	Cimbalom	ETHNIC1
483	47	24	2	Yang Qin	ETHNIC1
484	105	1	2	Sirat2	ETHNIC1
485	105	2	2	DmsStar	ETHNIC1
486	105	8	2	Tambrra	ETHNIC1
487	105	16	2	Tamboura	ETHNIC1
488	106	1	2	MdBtanjo	ETHNIC1
489	106	16	2	Gopichmt	ETHNIC1
490	107	1	2	Tsugaru	ETHNIC1
491	108	8	2	TashoKt	ETHNIC1
492	109	0	2	Kalimba	ETHNIC1
493	112	0	2	Shanai	ETHNIC1
494	112	8	2	Pungi	ETHNIC1
495	112	16	2	Hidrikri	ETHNIC1
496	113	8	2	Bonang	ETHNIC1
497	113	9	2	Gender	ETHNIC1
498	113	10	2	GamirGng	ETHNIC1
499	113	11	2	StGameln	ETHNIC1
500	127	17	2	Arghool2	ETHNIC2
501	127	18	2	Habban	ETHNIC2
502	112	43	2	Jerba	ETHNIC2
503	112	2	2	Shermay	ETHNIC2
504	106	26	2	OudSadda	ETHNIC2
505	106	27	2	OudVerd	ETHNIC2
506	106	30	2	OudSdrv	ETHNIC2
507	106	42	2	OudSRV	ETHNIC2
508	106	32	2	OudSldf	ETHNIC2
509	106	29	2	OudTaf	ETHNIC2
510	106	31	2	OudSdTaf	ETHNIC2

Tone no.	PC	CC00	CC32	Name	Family
333	64	17	2	VelovBrs2	SYNBRASS
334	63	1	2	PolyBrss	SYNBRASS
335	63	3	2	SynBrss	SYNBRASS
336	63	4	2	JunoBrss3	SYNBRASS
337	63	8	2	SynBrss	SYNBRASS
338	63	9	2	QuakBrss	SYNBRASS
339	63	18	2	OctvBrss	SYNBRASS
340	64	0	2	SynBrss2	SYN LEAD
341	64	1	2	SoftBrss4	SYN LEAD
342	64	8	2	SynBrss	SYN LEAD
343	64	16	2	VelovBrs1	SYNBRASS
344	82	4	2	Big Lead	SYN LEAD
345	81	0	2	Sqr Wave	SYN LEAD
346	81	3	2	MellowFM	SYN LEAD
347	81	4	2	CC Solo	SYN LEAD
348	81	17	2	260 Sync	SYN LEAD
349	82	0	2	Saw Wave	SYN LEAD
350	82	2	2	PulsesSaw	SYN LEAD
351	82	6	2	GR-300	SYN LEAD
352	82	16	2	WasySyn	SYN LEAD
353	82	46	2	SeqpdSw	SYN LEAD
354	83	0	2	SnCalpe	SYN LEAD
355	83	2	2	PurPanld	SYN LEAD
356	85	0	2	Charang	SYN LEAD
357	85	1	2	WireLead	SYN LEAD
358	85	8	2	DistLead	SYN LEAD
359	81	1	2	Square	SYN LEAD
360	81	2	2	HolliWm	SYN LEAD
361	81	5	2	Shmoog	SYN LEAD
362	81	6	2	LMSquare	SYN LEAD
363	81	8	2	SineWave	SYN LEAD
364	81	16	2	DistSqure	SYN LEAD
365	81	1	2	P5 Saw	SYN LEAD
366	82	3	2	FelineGR	SYN LEAD
367	82	5	2	VeloLead	SYN LEAD
368	82	7	2	LA Saw	SYN LEAD
369	82	8	2	Dr. Solo	SYN LEAD
370	82	9	2	SawWave2	SYN LEAD
371	82	10	2	Saw	SYN LEAD
372	82	36	2	NatteLead	SYN LEAD
373	83	1	2	VentSyn	SYN LEAD
374	84	0	2	Chiffrd	SYN LEAD
375	87	0	2	SthSawWv	SYN LEAD
376	87	1	2	BigFives	SYN LEAD
377	88	0	2	Bs&Lead	SYN LEAD
378	88	1	2	Big&Raw	SYN LEAD
379	88	1	2	Fat&PKy	SYN LEAD
380	88	7	2	DivLead	SYN LEAD
381	91	0	2	Polysyn	POL SYN
382	91	1	2	IceRain	POL SYN
383	97	0	2	WarmAtms	POL SYN
384	100	1	2	Brightns	POL SYN
385	101	0	2	Rattlesn	POL SYN
386	89	0	2	Fantasia	POL SYN
387	89	1	2	Soft Pad	PAD
388	97	1	2	SpVoice	PAD
389	97	1	2	Africwnd	POL SYN
390	97	8	2	ClaviPad	POL SYN
391	98	8	2	Rave	POL SYN
392	90	0	2	Warm Pad	PAD
393	90	1	2	ThickPad	PAD
394	90	3	2	RotryStr	PAD
395	90	4	2	Soft Pad	PAD
396	92	0	2	SpeVoice	PAD
397	92	1	2	Heavenll	PAD
398	92	3	2	Itopia	PAD
399	92	1	2	TimePad	PAD
400	94	0	2	PannrPad	PAD
401	96	0	2	SweepPad	PAD
402	96	1	2	SinePad	PAD
403	96	9	2	Shwimmer	PAD
404	98	0	2	Sndtrack	PAD
405	100	6	2	AmbontPad	PAD
406	102	1	2	Goblinsn	PAD
407	103	5	2	RespPnnr	PAD
408	104	0	2	StarTime	PAD
409	90	2	2	Horn Pad	PAD
410	90	5	2	SinePad	PAD
411	93	0	2	BowdGss	PAD
412	94	0	2	MetaPad	PAD
413	95	0	2	Converge	PAD
414	96	8	2	Goblin	PAD
415	96	10	2	ScePrid	PAD
416	98	1	2	Ancestrl	PAD
417	98	1	2	Prologue	PAD
418	102	0	2	Goblin	PAD
419	102	2	2	SocSciFi	PAD
420	103	0	2	EchoDrops	PAD
421	103	1	2	EchoBell	PAD

Tone no.	PC	CC00	CC32	Name	Family
244	49	11	2	ChoirStr	STRINGS
245	49	24	2	VeloStr	STRINGS
246	49	40	2	60String	STRINGS
247	50	0	2	SlyStrong	STRINGS
248	50	1	2	SlyStrong	STRINGS
249	50	9	2	WarmStrn	STRINGS
250	51	1	2	OBStrngs	STRINGS
251	51	2	2	SynStrm1	STRINGS
252	51	8	2	70Str	STRINGS
253	51	9	2	70Str	STRINGS
254	52	0	2	SynStrn2	STRINGS
255	52	1	2	SynStrm3	STRINGS
256	56	0	2	Orch Hit	STRINGS
257	56	1	2	Bass Hit	STRINGS
258	56	2	2	6th Hit	STRINGS
259	56	3	2	Euro Hit	STRINGS
260	56	4	2	TechHit	STRINGS
261	56	8	2	ImpHit	STRINGS
262	56	9	2	PhylHit	STRINGS
263	56	16	2	LofiRave	STRINGS
264	53	8	2	St. Choir	VOCAL
265	54	40	2	Humming	VOCAL
266	54	0	2	VoiceOoh	VOCAL
267	55	0	2	SynVox	VOCAL
268	86	0	2	Solo Vox	VOCAL
269	53	0	2	ChoirAah	VOCAL
270	53	9	2	MelloChr	VOCAL
271	53	32	2	ChrAahs2	VOCAL
272	55	8	2	SynVoice	VOCAL
273	55	19	2	AnaVoice	VOCAL
274	100	3	2	Harpvox	VOCAL
275	100	4	2	HilwReis	VOCAL
276	66	16	2	OrienSax	SAX
277	67	8	2	BlWTen	SAX
278	67	7	2	BrTyTrn	SAX
279	65	0	2	SopmSax	SAX
280	66	0	2	Alto Sax	SAX
281	67	0	2	TenSax	SAX
282	68	0	2	BarSax	SAX
283	65	8	2	SoprSax2	SAX
284	66	1	2	Altosax2	SAX
285	66	8	2	HyprAltro	SAX
286	67	1	2	TenSax2	SAX
287	67	9	2	SprTen	SAX
288	74	48	2	FluteVib	WIND
289	73	0	2	Picolo	WIND
290	69	0	2	Oboe	WIND
291	71	0	2	Bassoon	WIND
292	72	1	2	Clarinet	WIND
293	79	0	2	PanFlute	WIND
294	79	0	2	Whistle	WIND
295	70	0	2	EngHorn	WIND
296	72	0	2	JzClint	WIND
297	72	8	2	BScIant	WIND
298	74	0	2	Flute	WIND
299	75	0	2	Recorder	WIND
300	77	0	2	BottBlv	WIND
301	80	0	2	Ocarina	WIND
302	57	0	2	Trumpet	ACBRASS
303	57	8	2	FglHorn	ACBRASS
304	58	0	2	Trombone	ACBRASS
305	59	0	2	Tuba	ACBRASS
306	60	0	2	MtdTrump	ACBRASS
307	61	0	2	FrodHrnrs	ACBRASS
308	42	116	2	BrassOct	ACBRASS
309	62	0	2	Brass1	ACBRASS
310	62	16	2	BrFall	ACBRASS
311	62	24	2	TwinTmpd	ACBRASS
312	62	26	2	TrombSe	ACBRASS
313	57	1	2	Trumpet2	ACBRASS
314	57	0	2	Trumpet3	ACBRASS
315	57	3	2	DrTmpd	ACBRASS
316	57	24	2	BrightTp	ACBRASS
317	57	25	2	Warm To,	ACBRASS
318	58	1	2	Trombone3	ACBRASS
319	58	2	2	Trombone3	ACBRASS
320	58	4	2	BrightTb	ACBRASS
321	59	1	2	Tuba 2	ACBRASS
322	60	2	2	MtTmpd2	ACBRASS
323	62	8	2	Brass 3	ACBRASS
324	61	1	2	TinBons	ACBRASS
325	61	8	2	TrombSe1	ACBRASS
326	62	1	2	TrombSe2	ACBRASS
327	62	0	2	SynBrrs1	SYNBRASS
328	62	25	2	TinBons1	SYNBRASS
329	62	27	2	TrombSe1	SYNBRASS
330	63	0	2	JmpBrass	SYNBRASS
331	63	5	2	OctBnss	SYNBRASS
332	63	16	2	OctSnss	SYNBRASS

Tone no.	PC	CC00	CC32	Name	Family
600	125	0	2	Telphn 1	SFX
601	125	2	2	DoorCrk	SFX
602	125	3	2	Door	SFX
603	125	4	2	Scratch	SFX
604	125	5	2	WndChims	SFX
605	125	7	2	Scratch2	SFX
606	126	2	2	Car-Stop	SFX
607	126	4	2	CarCrash	SFX
608	126	7	2	Jetplane	SFX
609	126	8	2	Starship	SFX
610	126	9	2	BurstNs	SFX
611	127	3	2	Punch	SFX
612	127	4	2	HeartBt	SFX
613	127	5	2	Footsts	SFX
614	127	6	2	Applaus2	SFX
615	128	0	2	Gun Shot	SFX
616	128	1	2	MachnGun	SFX
617	128	2	2	Lasergun	SFX
618	1	0	2	STANDARD1	DRUMS
619	2	0	2	STANDARD2	DRUMS
620	9	0	2	ROOM	DRUMS
621	10	0	2	Hip Hop	DRUMS
622	11	0	2	Drum'Bss	DRUMS
623	12	0	2	TechHous	DRUMS
624	14	0	2	R&R	DRUMS
625	17	0	2	POWER	DRUMS
626	26	0	2	TR808909	DRUMS
627	27	0	2	DANCE	DRUMS
628	31	0	2	NewTR909	DRUMS
629	33	0	2	Jazz Kit	DRUMS
630	41	0	2	BRUSH	DRUMS
631	49	0	2	ORCHSTRA	DRUMS
632	50	0	2	ETHNIC	DRUMS
633	117	0	4	E-40	DRUMS
634	117	0	1	Orient 1	DRUMS
635	117	0	2	Orient 2	DRUMS
636	117	0	3	Orient 3	DRUMS
637	118	0	4	OrMix 1	DRUMS
638	119	0	4	OrMix 2	DRUMS
639	120	0	2	Khaligi1	DRUMS
640	121	0	2	Khaligi2	DRUMS
641	122	0	2	Khaligi3	DRUMS
642	123	0	2	Mix	DRUMS
643	124	0	2	TrkOrMix	DRUMS
644	125	0	2	Turkish 1	DRUMS
645	126	0	2	Turkish 2	DRUMS
646	3	0	2	STANDARD3	DRUMS
647	25	0	2	ELECTRNC	DRUMS
648	34	0	2	JAZZ	DRUMS
649	51	0	2	KICK&SNR	DRUMS
650	57	0	2	SFX	DRUMS
(*) See below for details.

Tone no.	PC	CC00	CC32	Name	Family
511	106	33	2	Oud SRT	ETHNIC 2
512	106	13	2	Baglama	ETHNIC 2
513	106	15	2	BgImaGld	ETHNIC 2
514	106	14	2	BgImTrm	ETHNIC 2
515	106	41	2	Cumbus	ETHNIC 2
516	106	34	2	Divan	ETHNIC 2
517	106	43	2	DivanGld	ETHNIC 2
518	106	35	2	DivnOrn1	ETHNIC 2
519	106	36	2	DivnOrn2	ETHNIC 2
520	106	37	2	DivanTrm	ETHNIC 2
521	106	38	2	EleBgIma	ETHNIC 2
522	106	39	2	ElBgImTr	ETHNIC 2
523	95	117	2	Kanun1TK	ETHNIC 2
524	96	117	2	Kanun2TK	ETHNIC 2
525	97	117	2	KanTrmTK	ETHNIC 2
526	111	118	2	KdzKmnce	ETHNIC 2
527	111	117	2	Kemance	ETHNIC 2
528	111	119	2	KmncVib	ETHNIC 2
529	111	124	2	Kemane	ETHNIC 2
530	111	125	2	KmaneVib	ETHNIC 2
531	111	122	2	Klarnet	ETHNIC 2
532	111	123	2	KlrintvB	ETHNIC 2
533	118	117	2	Ney	ETHNIC 2
534	118	118	2	NeyVib	ETHNIC 2
535	118	119	2	NeyPizz	ETHNIC 2
536	118	124	2	NeyLa	ETHNIC 2
537	118	125	2	NeyLaVib	ETHNIC 2
538	112	117	2	Oud1 TK	ETHNIC 2
539	113	117	2	Oud2 TK	ETHNIC 2
540	114	117	2	OudTrmTK	ETHNIC 2
541	115	117	2	OudOrnTK	ETHNIC 2
542	11	117	2	StrSect	ETHNIC 2
543	11	118	2	StrSctTr	ETHNIC 2
544	11	119	2	StrSctST	ETHNIC 2
545	11	124	2	StrSctPZ	ETHNIC 2
546	106	40	2	Tambur	ETHNIC 2
547	112	3	2	Tulum	ETHNIC 2
548	112	42	2	Zurna1	ETHNIC 2
549	112	44	2	Zurna2	ETHNIC 2
550	112	45	2	ZurnaVib	ETHNIC 2
551	48	0	2	Timpani	PERCUSSION
552	115	0	2	StlDrums	PERCUSSION
553	116	8	2	Castnets	PERCUSSION
554	117	0	2	Taiko	PERCUSSION
555	113	16	2	RAMACybl	PERCUSSION
556	114	0	2	Agogo	PERCUSSION
557	114	8	2	Atarigan	PERCUSSION
558	116	0	2	Woodblck	PERCUSSION
559	117	8	2	ConcrBD	PERCUSSION
560	117	9	2	CncrBDMt	PERCUSSION
561	118	0	2	MeloTom1	PERCUSSION
562	118	1	2	Real Tom	PERCUSSION
563	118	8	2	MeloTom2	PERCUSSION
564	118	9	2	Rock Tom	PERCUSSION
565	119	0	2	SyntDrum	PERCUSSION
566	119	8	2	808 Tom	PERCUSSION
567	119	9	2	ElecPerc	PERCUSSION
568	120	0	2	Rev Cym	PERCUSSION
569	120	1	2	Rev Cym2	PERCUSSION
570	120	8	2	Rev Snr1	PERCUSSION
571	120	9	2	RevSnr 2	PERCUSSION
572	120	16	2	RevKick1	PERCUSSION
573	120	17	2	RevConBD	PERCUSSION
574	120	24	2	RevTom 1	PERCUSSION
575	120	25	2	RevTom 2	PERCUSSION
576	123	2	2	Thunder	SFX
577	123	3	2	Wind	SFX
578	124	0	2	Bird	SFX
579	124	2	2	HrseGllp	SFX
580	124	3	2	Bird 2	SFX
581	125	1	2	Telphn 2	SFX
582	126	0	2	Helicptr	SFX
583	126	1	2	CarEngne	SFX
584	126	3	2	Car-Pass	SFX
585	126	5	2	Siren	SFX
586	126	6	2	Train	SFX
587	127	0	2	Applause	SFX
588	127	1	2	Laughing	SFX
589	127	2	2	Screaming	SFX
590	128	3	2	Xplosion	SFX
591	122	0	2	BrtNoise	SFX
592	122	1	2	FIKClick	SFX
593	123	0	2	Seashore	SFX
594	123	1	2	Rain	SFX
595	123	4	2	Stream	SFX
596	123	5	2	Bubble	SFX
597	124	1	2	Dog	SFX
598	124	4	2	Kitty	SFX
599	124	5	2	Growl	SFX

Drum Kits

	PC-1 [CC32:2]STANDARD 1	PC-2 [CC32:2]STANDARD 2	PC-3 [CC32:2]STANDARD 3	PC-9 [CC32:2]ROOM	PC-10 [CC32:2]ROOM	PC-11 [CC32:2]DRUMB55	PC-12 [CC32:2]TECHNOUS	PC-14 [CC32:2]R&B	PC-17 [CC32:2]POWER	PC-25 [CC32:2]ELECTRONIC
C-1	0	0	0	0	0	0	0	0	0	0
	1	1	1	1	1	1	1	1	1	1
2	3	3	3	3	3	3	3	3	3	3
4	6	6	6	6	6	6	6	6	6	6
5	8	8	8	8	8	8	8	8	8	8
7	10	10	10	10	10	10	10	10	10	10
9	11	11	11	11	11	11	11	11	11	11
10	12	12	12	12	12	12	12	12	12	12
11	13	13	13	13	13	13	13	13	13	13
12	14	14	14	14	14	14	14	14	14	14
13	15	15	15	15	15	15	15	15	15	15
14	16	16	16	16	16	16	16	16	16	16
15	17	17	17	17	17	17	17	17	17	17
16	17	17	17	17	17	17	17	17	17	17
17	18	18	18	18	18	18	18	18	18	18
18	19	19	19	19	19	19	19	19	19	19
19	20	20	20	20	20	20	20	20	20	20
20	21	21	21	21	21	21	21	21	21	21
21	22	22	22	22	22	22	22	22	22	22
22	23	23	23	23	23	23	23	23	23	23
C-1	24	24	24	24	24	24	24	24	24	24
25	25	25	25	25	25	25	25	25	25	25
26	26	26	26	26	26	26	26	26	26	26
27	27	27	27	27	27	27	27	27	27	27
28	28	28	28	28	28	28	28	28	28	28
29	29	29	29	29	29	29	29	29	29	29
30	30	30	30	30	30	30	30	30	30	30
31	31	31	31	31	31	31	31	31	31	31
32	32	32	32	32	32	32	32	32	32	32
33	33	33	33	33	33	33	33	33	33	33
34	34	34	34	34	34	34	34	34	34	34
35	35	35	35	35	35	35	35	35	35	35
36	36	36	36	36	36	36	36	36	36	36
C-2	37	37	37	37	37	37	37	37	37	37
38	38	38	38	38	38	38	38	38	38	38
39	39	39	39	39	39	39	39	39	39	39
40	40	40	40	40	40	40	40	40	40	40
41	41	41	41	41	41	41	41	41	41	41
42	42	42	42	42	42	42	42	42	42	42
43	43	43	43	43	43	43	43	43	43	43
44	44	44	44	44	44	44	44	44	44	44
45	45	45	45	45	45	45	45	45	45	45
46	46	46	46	46	46	46	46	46	46	46
47	47	47	47	47	47	47	47	47	47	47
C-3	48	48	48	48	48	48	48	48	48	48
49	49	49	49	49	49	49	49	49	49	49
50	50	50	50	50	50	50	50	50	50	50
51	51	51	51	51	51	51	51	51	51	51
52	52	52	52	52	52	52	52	52	52	52
53	53	53	53	53	53	53	53	53	53	53
54	54	54	54	54	54	54	54	54	54	54
55	55	55	55	55	55	55	55	55	55	55
56	56	56	56	56	56	56	56	56	56	56
57	57	57	57	57	57	57	57	57	57	57
58	58	58	58	58	58	58	58	58	58	58
59	59	59	59	59	59	59	59	59	59	59
60	60	60	60	60	60	60	60	60	60	60
61	61	61	61	61	61	61	61	61	61	61
62	62	62	62	62	62	62	62	62	62	62
63	63	63	63	63	63	63	63	63	63	63
64	64	64	64	64	64	64	64	64	64	64
65	65	65	65	65	65	65	65	65	65	65
66	66	66	66	66	66	66	66	66	66	66
67	67	67	67	67	67	67	67	67	67	67
68	68	68	68	68	68	68	68	68	68	68
69	69	69	69	69	69	69	69	69	69	69
70	70	70	70	70	70	70	70	70	70	70
71	71	71	71	71	71	71	71	71	71	71
72	72	72	72	72	72	72	72	72	72	72
73	73	73	73	73	73	73	73	73	73	73
74	74	74	74	74	74	74	74	74	74	74
75	75	75	75	75	75	75	75	75	75	75
76	76	76	76	76	76	76	76	76	76	76
77	77	77	77	77	77	77	77	77	77	77
78	78	78	78	78	78	78	78	78	78	78
79	79	79	79	79	79	79	79	79	79	79
80	80	80	80	80	80	80	80	80	80	80
81	81	81	81	81	81	81	81	81	81	81
82	82	82	82	82	82	82	82	82	82	82
83	83	83	83	83	83	83	83	83	83	83
C-5	84	84	84	84	84	84	84	84	84	84
85	85	85	85	85	85	85	85	85	85	85
86	86	86	86	86	86	86	86	86	86	86
87	87	87	87	87	87	87	87	87	87	87
88	88	88	88	88	88	88	88	88	88	88
89	89	89	89	89	89	89	89	89	89	89
90	90	90	90	90	90	90	90	90	90	90
91	91	91	91	91	91	91	91	91	91	91
92	92	92	92	92	92	92	92	92	92	92
93	93	93	93	93	93	93	93	93	93	93
94	94	94	94	94	94	94	94	94	94	94
	PC-26 [CC32:2]TR-808/909	PC-27 [CC32:2]DANCE	PC-31 [CC32:2]New TR-909	PC-33 [CC32:2]JAZZ Kit	PC-34 [CC32:2]JAZZ	PC-41 [CC32:2]BRUSH	PC-49 [CC32:2]ORCHESTRA	PC-50 [CC32:2]ETHNIC	PC-51 [CC32:2]KICK & SNAIRE	PC-57 [CC32:2]SFX
C-1	0	0	0	0	0	0	0	0	0	0
	1	0	0	0	0	0	0	0	0	0
2	3	0	0	0	0	0	0	0	0	0
4	6	0	0	0	0	0	0	0	0	0
5	7	0	0	0	0	0	0	0	0	0
7	8	0	0	0	0	0	0	0	0	0
9	10	0	0	0	0	0	0	0	0	0
11	11	0	0	0	0	0	0	0	0	0
	12	0	0	0	0	0	0	0	0	0
C0	13	0	0	0	0	0	0	0	0	0
	14	0	0	0	0	0	0	0	0	0
15	15	0	0	0	0	0	0	0	0	0
	16	0	0	0	0	0	0	0	0	0
17	17	0	0	0	0	0	0	0	0	0
18	18	0	0	0	0	0	0	0	0	0
19	20	0	0	0	0	0	0	0	0	0
21	22	0	0	0	0	0	0	0	0	0
	23	0	0	0	0	0	0	0	0	0
C1	24	0	0	0	0	0	0	0	0	0
	25	0	0	0	0	0	0	0	0	0
26	27	0	0	0	0	0	0	0	0	0
	28	0	0	0	0	0	0	0	0	0
29	30	0	0	0	0	0	0	0	0	0
	31	0	0	0	0	0	0	0	0	0
32	32	0	0	0	0	0	0	0	0	0
	33	0	0	0	0	0	0	0	0	0
34	34	0	0	0	0	0	0	0	0	0
	35	0	0	0	0	0	0	0	0	0
	36	0	0	0	0	0	0	0	0	0
	37	0	0	0	0	0	0	0	0	0
C2	38	0	0	0	0	0	0	0	0	0
	39	0	0	0	0	0	0	0	0	0
39	40	0	0	0	0	0	0	0	0	0
	41	0	0	0	0	0	0	0	0	0
42	43	0	0	0	0	0	0	0	0	0
	43	0	0	0	0	0	0	0	0	0
44	44	0	0	0	0	0	0	0	0	0
	45	0	0	0	0	0	0	0	0	0
46	46	0	0	0	0	0	0	0	0	0
	47	0	0	0	0	0	0	0	0	0
	48	0	0	0	0	0	0	0	0	0
	49	0	0	0	0	0	0	0	0	0
	50	0	0	0	0	0	0	0	0	0
	51	0	0	0	0	0	0	0	0	0
52	53	0	0	0	0	0	0	0	0	0
	54	0	0	0	0	0	0	0	0	0
	55	0	0	0	0	0	0	0	0	0
	56	0	0	0	0	0	0	0	0	0
	57	0	0	0	0	0	0	0	0	0
	58	0	0	0	0	0	0	0	0	0
	59	0	0	0	0	0	0	0	0	0
	60	0	0	0	0	0	0	0	0	0
	61	0	0	0	0	0	0	0	0	0
	62	0	0	0	0	0	0	0	0	0
	63	0	0	0	0	0	0	0	0	0
	64	0	0	0	0	0	0	0	0	0
	65	0	0	0	0	0	0	0	0	0
	66	0	0	0	0	0	0	0	0	0
	67	0	0	0	0	0	0	0	0	0
	68	0	0	0	0	0	0	0	0	0
	69	0	0	0	0	0	0	0	0	0
	70	0	0	0	0	0	0	0	0	0
	71	0	0	0	0	0	0	0	0	0
	72	0	0	0	0	0	0	0	0	0
	73	0	0	0	0	0	0	0	0	0
	74	0	0	0	0	0	0	0	0	0
	75	0	0	0	0	0	0	0	0	0
	76	0	0	0	0	0	0	0	0	0
	77	0	0	0	0	0	0	0	0	0
	78	0	0	0	0	0	0	0	0	0
	79	0	0	0	0	0	0	0	0	0
	80	0	0	0	0	0	0	0	0	0
	81	0	0	0	0	0	0	0	0	0
	82	0	0	0	0	0	0	0	0	0
	83	0	0	0	0	0	0	0	0	0
	84	0	0	0	0	0	0	0	0	0
	85	0	0	0	0	0	0	0	0	0
	86	0	0	0	0	0	0	0	0	0
	87	0	0	0	0	0	0	0	0	0
	88	0	0	0	0	0	0	0	0	0
	89	0	0	0	0	0	0	0	0	0
	90	0	0	0	0	0	0	0	0	0
	91	0	0	0	0	0	0	0	0	0
	92	0	0	0	0	0	0	0	0	0
	93	0	0	0	0	0	0	0	0	0
	94	0	0	0	0	0	0	0	0	0
	95	0	0	0	0	0	0	0	0	0
	96	0	0	0	0	0	0	0	0	0
	97	0	0	0	0	0	0	0	0	0

ORIENTAL	PC: 116 [CC32: 1]E-40 MODIFIED	PC: 116 [CC32: 2]ORIENTAL PERC. 1	PC: 116 [CC32: 3]ORIENTAL PERC. 2	PC: 116 [CC32: 4]ORIENTAL 3	PC: 116 [CC32: 4]ORIENTAL MIX 1	PC: 116 [CC32: 4]ORIENTAL MIX 2
(96)	Hand Clap 2 Mono (E-40)	Zaghrouta 2 End	Zaghrouta 2 End	Mazhar Dom	Dofs Rim 2	Sagat Mid
97	---	---	---	Mazhar Tak	Dofs Dom st.	TablaNurDom1
98	---	---	---	Mazhar Sak	TablaNurDom	Sagat Hi
99	---	---	---	Mazhar Brass	Dofs Sak st.	TablaNurTak1
100	---	---	---	Sagat Mid	TablaNurRim	Sagat Sak
101	---	---	---	Sagat Hi	TablaNurTak	Hager 1
102	---	---	---	Sagat Closed	TablaNurSak	Zir 1
103	---	---	---	Sagat Sak	BassSlideFX	Nakrazhan 1
104	---	---	---	Dofs Tak	BassSlapFX	ZaghroutAm1
105	---	---	---	Dofs Dom	ZaghroutaSm2	Nakrazhan 2
106	---	---	---	Dofs Sak	Zir 1	ZaghroutaEd1
107	---	---	---	Dofs Rim 1	ZaghroutaEd2	ZaghroutaSm2
108	---	---	---	Dofs Rim 2	NewHiBongo	ZaghroutaEd2
109	---	---	---	Dofs Dom st.	NewLoBongo	TR-707 BD
110	---	---	---	TablaNurDom	NewCongaSlp	TR-909 BD2
111	---	---	---	Dofs Sak st.	NewCongaOp	Mix Kiek
112	---	---	---	TablaNurRim	NewLoConga	82RmbSdrum1
113	---	---	---	TablaNurTak	NewTmbHi	82StSnare1
114	---	---	---	TablaNurSak	NewTmblo	82JzSnare1
115	---	---	---	BassSlideFX	Hager 1	House SD
116	---	---	---	BassSlapFX		Rev Snare
117	---	---	---	ZaghroutaSm2
118	---	---	---	Zir 1	Jingle Bell
119	---	---	---	ZaghroutaEd2	Bell Tree
120	---	---	---	NewHiBongo	Bongo High
121	---	---	---	NewLoBongo	Bongo Lo
122	---	---	---	NewCongaSlp	Mute H.Conga
123	---	---	---	NewCongaOp	Conga Hi Opn
124	---	---	---	NewLoBongo	Conga Lo Opn
125	---	---	---	NewTmbHi	High Timbale
126	---	---	---	NewTmblo	Low Timbale
127	---	---	---	Hager 1	Agogo

C-1	PC-120 [CC32:2]Khaligi1	PC-121 [CC32:2]Khaligi2	PC-122 [CC32:2]Khaligi3	PC-123 [CC32:2]Mix	PC-124 [CC32:2]TrkOrMix	PC-125 [CC32:2]Turkish 1	PC-126 [CC32:2]Turkish 2
0	——	——	——	——	——	——	——
1	——	——	——	——	——	——	——
2	——	——	——	——	——	——	——
3	——	——	——	——	——	——	——
4	——	——	——	——	——	——	——
5	——	——	——	——	——	——	——
6	——	——	——	——	——	——	——
7	——	——	——	——	——	——	——
8	——	——	——	——	——	——	——
9	——	——	——	——	——	——	——
10	——	——	——	——	——	——	——
11	——	——	——	——	——	——	——
C0	12	——	——	——	Djembe_rim	——	——
13	13	——	——	——	Tambourine	——	——
14	14	——	——	——	ChaChaBell	——	——
15	15	——	——	——	Agogo	——	——
16	16	——	——	——	Agogo	——	——
17	17	——	——	Khaligi Clap	909 HandClap	——	——
18	18	——	——	Hand Clap 1	Khaligi Clap	——	——
19	19	——	——	Hand Clap 2	Hand Clap 1	——	——
20	shhh	shhh	Suhh	Sagat Mid	Hand Clap 2	suhh	——
21	havy	havy	havy	Sagat Hi	Manjoor2	havy	——
22	Aashoo	Aashoo	Aashoo	Sagat Closed	Manjoor1	Aashoo	——
23	Ahaa	Ahaa	Ahaa	Sagat Sak	TizBendir Tok	Ahaa	——
11	——	——	——	——	——	——	——
C0	12	——	——	——	Djembe_rim	——	——
13	13	——	——	——	Tambourine	——	——
14	14	——	——	——	ChachaBell	——	——
15	15	——	——	——	Agogo	——	——
16	16	——	——	——	Agogo	——	——
17	17	——	——	——	TizBendir Rakh	——	——
18	18	——	——	——	NewShaker2	halaa boys	Bongo Gum
19	19	——	——	——	NewShaker1	halaa girls	aashoo
20	20	——	——	Hand Clap 2	Hand Clap 1	——	——
21	21	——	——	Hand Clap 2	Hand Clap 2	——	——
22	22	——	——	Hand Clap 2	Manjoor2	havy awall2	——
23	23	——	——	——	Hajmoglu	——	——
24	24	——	——	——	Manjoor2	havy awall2	——
25	25	——	——	——	Manjoor2	Haiyah	——
26	26	——	——	——	TizBendir Rakh	——	——
27	27	halaa boys	halaa boys	——	TizBendir Rakh	——	——
28	28	halaa girls	halaa girls	——	NewShaker2	halaa girls	aashoo
29	29	heya group	heya group	——	NewShaker1	heya group	aashoo
30	30	heya group low	heya group low	——	NewShaker1	heya group low	——
31	31	khamoosh	khamoosh	——	NewShaker 2	khamoosh	halaa girls
32	32	laughing	laughing	——	NewShaker 2	laughing	heya group
33	33	way	way	——	NewShaker 2	new Shaker 2	——
34	34	yalla	yalla	——	Elec Kish 2	yalla	yallah
35	35	yallah	yallah	——	TR-909 BD2	yallah	yebab
C0	Drenka Big Dom. Std.2Kick1	Meraf dom. Std.2 Kick1	Std.2 Kick1	Std.2 Kick1	Kick2	Kik
37	Drenka Big Sak	IbpStck37_1	Meraf sak	Drenka Big Sak	IbpStck37_1	Side Stick	Side Stick
38	Drenka Big Rim	IbpSp38_1	Meraf taik	Popsnare	IbpSp38_1	Snare2	Snare 2
39	Drenka Small Sam	HandClap1st	Tarmag dom.	Drenka Small Sak	HandClap1st	808 Clap	909 Clap
40	Drenka Small Dom	HandClap21	Tarmag dom.	Drenka Small Dom.	Hand Clap 21	Snare1	Snare 1
41	Drenka Small Rim	TR-707 SD	Tarmag dom.	Drenka Small Rim	TR-707 SD	Real Tom6	Real Tom 6
42	Drenka Small Fx	Jazz Cld. HH	Tar 1 dom.	Jazz Cld HH	Jazz Cld HH	Close Hlat	Close Hi Hat
43	Drenka Small Tak	Real Tom 6	Tar 1 sak	Drenka Small Tak	Real Tom 6	Real Tom 6	Real Tom 6
44	Duff Dih	Pedal Hi Hat	Tar 1 tak	Pedal Hlat	Pedal Hlat	Pedal Hlat	Hi Hat
45	Duff Dom 1	Real Tom 4	Tar 2 dom.	Meraw Dom 1	Real Tom 4	Real Tom 4	Real Tom 4
46	Duff Sak 1	Jazz Open HH	Tar 2 sak	Jazz Open HH	Jazz Open HH	Open Hlat	Open Hi Hat
47	Duff Tak	Real Tom 4	Tar 2 tak	Meraw Dom 2	Real Tom 4	Real Tom 4	Real Tom 4
C0	Duff Dom 2	IbpToM43	Duff dom1	Meraw Tak 2	IbpToM43	Real Tom 1	Real Tom 1
49	Duff Sak 2	Crash Cym 1	Duff dom2	Meraw Tak 3	Crash Cym 1	Crash Cym 1	Crash Cym 1
50	Tar Low Dom	IbpToM44	Duff sak 1	Meraw Dom 3	IbpToM44	Real Tom 1	Real Tom 1
51	Tar Low Sak	NewRkDcM1	Duff sak 2	Kasoor Sak	NewRkDcM1	Ride Cymbal	Ride Cymbal
52	Tar Low Rim	Tabel Bahri Dom 1	Duff tak	Kasoor Dom 1	IbpRdL55	China Cymbal	China Cymbal
53	Tar Hi Dom	Tabel Bahri Dom 1	Duff dish	Kasoor Dom 2	Dhola Dom	Udo Slap	Ride Bell
54	Tar Hi Dom	Tabel Bahri Dom 1	Dollhola dem.	Tar Brashim Dom	Dhola Sak 1	Ceng Ceng	Drenka Big Dom
55	Tar Hi Rim	Tabel Bahri Dom 2	Dolhola dem.	Tar Brashim Rlm 1	Dhola Sak 2	Udo Short	Drenka Big Rlm
56	Meraw Finger	Tabel Bahri Sak 2	Dolhola dem.	Tar Brashim Rlm 1	Dhola Sak 3	Udo Long	Drenka Big Sak
57	Meraw Fimt	Tabel Bahri Sak 2	Dolhola dem.	Tar Brashim Rlm 2	Dhola Sak 3	Timbil Pala	Drenka Small Dom
58	Meraw Taki 1	Duff Dom 1	Kasoor dem.	Tar Brashim Sak 1	Dhola Raka	Meraw Sak	Drenka Small Fl1
59	Meraw Dom 2	Duff Brass 1	Kasoor dem.	Tar Brashim Sak 2	Dhola Sak 1	Meraw Sak	Drenka Small Fl2
60	Meraw Taki 2	Drenka Big Dom	Tabel11 dom.	Zeer Dom 1	Dhola Tak 2	Meraw Tak 2	Drenka Small Rlm
61	Meraw Taki 3	Drenka Big Sak	Tabel11 sak	Zeer Tak 1	Basbendir Gum	Tar 2 Dom	Drenka Small Sak
62	Meraw Dom 3	Drenka Big Rim	Tabel11 tak	Zeer Rlm 1	Basbendir Tok 2	Tar 1 Sak	Drenka Small Tak
63	Kasoor Sak	Drenka Small Sak	Tabel12 dom.	Zeer Tak 2	Basbendir Gum 2	Tar 2 Tak	Alkso1
64	Kasoor Dom 1	Drenka Small Dom	Tabel12 sak	Zeer Dom 2	Basbendir Tek	Tar 2 Sak	Alkso2
65	Kasoor Dom 2	Drenka Small Rim	Tabel12 tak	Zeer Rlm 2	Basbendir Trm	Surdo 1	Alkso3
66	Tar Sagool Dom 1	Drenka Small Fx	Meraw dem.	Zeer Fx	Bendir Tek	Surdo 2	AsmaDa'ul Gum 1
67	Tar Sagool Dom 2	Drenka Small Dem.	Meraw sak 1	Yehal Dom 1	Bendir Trak	AsmaDa'ul Gum 1	AsmaDa'ul Gum 2
68	Tar Sagool Sak 1	Meraw Finger	Meraw sak 2	Yehal Dom 1	Bendir Trm	AsmaDa'ul Trm	Asma Kp'Gum 2
69	Tar Sagool Dom 2	Meraw Dem.	Meraw sak 2	Yehal Dom 1	Bendir Tek	AsmaDa'ul Tek	AsmaDa'ul Tek
70	Tar Sagool Sak 2	Meraw Tak 1	Meraw Tak 2	Yehal Dom 2	Bendir Rak	AsmaDa'ul Gum 3	AsmaDa'ul Kn
71	Tar Sagool Sak 2	Meraw Dem. 2	Nagroosi 1 dom.	Yehal GroupDom.	Dofs Tak.	AsmaDa'ul Tek	Asma Da'ul Trm
72	Zeer Dom 1	Meraw Tak 2	Nagroosi 1 roll.	Yehal Group Tak.2	Dofs Dom.	Tabla Dom.	AsmaDa'ul Trm 2
73	Zeer Taki 1	Meraw Tak 3	Nagroosi 2 dom.	Meraw Sak.	Dofs Sak.	Tabla Tak 2	AsmaDa'ul Tek 2
74	Zeer Rim 1	Meraw Dem 3	Nagroosi 2 side.	Meraw Fati 1	Dofs Ram 1	Tabla Ram 1	Basbendir Tok 1
75	Zeer Rim 2	Kasoor Sak	Nagroosi 2 roll.	Meraw Fati 1	Dofs Ram 2	Tabla Roll 1	Basbendir Gum 1
76	Zeer Dom 2	Kasoor Dom 1	Twasat 1	Dhola Sak 1	Dofs Dom st.	DoRim 2	Basbendir Tek
77	Zeer Rim 2	Kasoor Dom 2	Twasat 2	Dhola Sak 1	Dofs Sak st.	Tabla Rime 2	Basbendir Trm
78	Zeer Fx	Tar Sagool Dom 1	Twasat 3	Dhola Sak 2	Darbuka-Trm	Tef Gum 1	Bendir Gum
79	Yehal Dom 1	Tar Sagool Sak 1	Yehal Dom 1	Dhola Sak 3	Darbuka-Gum	Tef Crt 1	Bendir Trm
80	Yehal Tak 1	Tar Sagool Sak 1	Yehal Tak 1	Dhola Sak 3	Darbuka-Trak	Tef Crt 2	Bendir Tak
81	Yehal Tak 2	Tar Sagool Dom 2	OR Conga Lo	Dhola Raka	Darbuka-Tek	Tef Crt 3	Bendir Tok
82	Yehal Tak 2	Tar Sagool Sak 2 OR Conga LoM1	Dhola Raka, Dhola ToTum 1	Darbuka-Trdrum	Tef Crt Cts	Bendir Trk
83	Yehal GroupDom. Tar Sagool Sak 2 OR Conga FX	OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FXOR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR Conga FX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR Conga FX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaFX OR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXOR CongaXorRik 10000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000

	PC: 120 [CC32: 2]Khaligi1	PC: 121 [CC32: 2]Khaligi2	PC: 122 [CC32: 2]Khaligi3	PC: 123 [CC32: 2]Mix	PC: 124 [CC32: 2]TrkOrMix	PC: 125 [CC32: 2]Turkish 1	PC: 126 [CC32: 2]Turkish 2
(96)	(Yebab Close)	(Yehal Group Tak)	(Tabla Rim2)	(Tabla Sak)	(Kajun Tirak.2)	(Darbuka Taka Trm)	(Comlek Tik.3)
97	Khaligi Clap	Yebab Open	Tabla Rim3	Tabla Roll	Kajun Tirak.3	Darbuka Tak2	Tef Kpl Gum
98	Hand Clap 1	Yebab Close	Tabla Te	Tabla Tak 2	Mazhar Dom	Darbuka Gum	Tef Crt1
99	Hand Clap 2	Manjoor	Tabla Na	Tabla Raka 2	Mazhar Tak	Darbuka Tak	Tef Crt2
100	Twaisat Close	Tanaka 1	Tabla Tun	Tabla Rim 1	Mazhar Sak	Darbuka Tek1	Tef Srl
101	Twaisat Open 1	Tanaka 2	Yebab	Tabla Toks	Mazhar Brass	Darbuka Tek2	Tef Sar
102	Twaisat Open 2	Twaisat Close	ZaghrutaStop	Tabla RekTraka	BassSlideFX	Darbuka Gum	Tef Krak
103	Bongo Tak 1	Twaisat Open 1	Or Clap	Rek Dom	Zaghrouta	Darbuka Tek1	Tef Cas
104	Bongo Dom 1	Twaisat Open 2	Sherbaka clap 1	Rek Trill	BassSlapFX	Darbuka Tek2	Tef Tis
105	Bongo Tak 2	Bongo Tak 1	Sherbaka clap 2	Rek Tak 1	TablaNurDom	Darbuka Trm1	Tef Tirak.2
106	Bongo Sak	Bongo Dom 1	Sherbaka clap 3	Rek Bras 1	TablaNurRim	Darbuka Tak	Tef Tok
107	Bongo Rim	Bongo Tak 2	Sherbaka clap 4	Rek Tok	TablaNurTak		Tef Ting
108	Bongo Dom 2	Bongo Sak	Sherbaka clap 5	Rek Bras 2	TablaNurSak		TizBendir Tok
109	Tar Brashim Dom	Bongo Rim	Sherbaka clap 6	Rek Tak 2	Rek Raka		TizBendir Gum
110	Tar Brashim Rim 1	Bongo Dom 2		Rek Sak	Rek Dom		TizBendir Rak
111	Tar Brashim Tak	Tar Brashim Dom		Rek Tik	Rek Trill		TizBendir Tirak
112	Tar Brashim Rim 2	Tar Brashim Rim 1		Dofs Tak	Rek Tak 1		TizBendir Trm
113	Tar Brashim Sak 1	Tar Brashim Tak		Dofs Dom	Rek Rim		Kajun Tak
114	Tar Brashim Sak 2	Tar Brashim Rim 2		Dofs Sak	Rek Bras 1		Kajun Tok
115	Tanaka 1	Tar Brashim Sak 1		Dofs Rim 1	Rek Tok		Kajun Trm
116	Tanaka 2	Tar Brashim Sak 2		Dofs Rim 2	Rek Bras 2
117					Rek Tak 2
118					Rek Sak
119					Rek Tik
120					Asma Davul Gum.1
121					Asma Davul Gum.2
122					Asma Davul Gum.3
123					Asma Davul Tm
124					Asma Davul Tek.1
125					Asma Davul Tek.2
126					Asma Davul Gum.4
127					Asma Davul Tek.2

Music Styles
No.	Name	Tempo	Time Sign.	No.	Name	Tempo	Time Sign.	No.	Name	Tempo
MAKSOUUM				KHALIGI			FLASH
001	MaksFast	130	4/4	067	Rumba 1	140	4/4	101	6_BPOP	66
002	Maksoumi	95	4/4	068	Rumba 2	140	4/4	102	30BIGBND	120
003	Maksoms	85	4/4	069	ShakShak	145	4/4	103	60RK'N_R	181
004	Maksoum2	100	4/4	070	Araby	160	4/4	104	70SDANCE	108
005	Maks-Mlf	105	4/4	071	Thefah	175	4/4	105	70SDISCO	126
006	Maks!Bal	180	4/4	072	Khatwah	165	4/4	106	70POP	112
007	Maksoum1	120	4/4	073	Khebeity	153	4/4	107	ALCAPBL	80
008	ProgMksm	119	4/4	074	Khbty3/4	150	3/4	108	BACHATA	128
				075	Emarati	155	4/4	109	BALLAD	75
SAIDI				076	Mizmar	200	4/4	110	BARRYDC	132
009	Saidi-A	120	4/4	077	Bastah	165	4/4	111	BEGUINE	110
010	Saidi-B	95	4/4	078	Dazzah	190	3/4	112	BGBNDMED	125
011	Saidi-Eg	95	4/4	079	Sharh	155	3/4	113	BIGBDSL	61
012	Saidi-M2	135	4/4	080	Dosary	160	3/4	114	BIGHOUSE	130
013	Masrahi	98	4/4	081	Samri	95	6/8	115	BIGSAMBA	116
				082	Mallaya1	105	4/4	116	BLUES	61
MASRI				083	Mallaya2	110	4/4	117	BRGHTPOP	93
014	Fallaha	175	4/4	084	Liwa	150	3/4	118	BUSY_POP	98
015	Fallahi	94	2/4	085	Sout	140	4/4	119	CHA-CHA	130
016	Baladak	120	4/4	086	Adany	159	4/4	120	COOL_RAP	94
017	BaladiFa	100	4/4	087	Adani	90	4/4	121	CUTE_POP	108
018	Ibrahimi	95	4/4	088	ZaffahKh	100	4/4	122	DJTECHNO	140
019	Ruby	95	4/4					123	EASYHOP	88
020	Samba-Eg	108	4/4	TURKISH				124	ENGWLZ	91
021	Guaracha	120	4/4	089	Turk 2/4	88	2/4	125	FEELGOOD	98
022	Noubi 2	140	4/4	090	Turk 5/8	120	5/8	126	GOSPEL	60
023	DareqMsr	85	4/4	091	Turk 6/8	70	6/8	127	GOSPLPOP	143
024	Conga	120	4/4	092	Turk 7/8	135	7/8	128	GROOVY_P	100
025	Zaffa	85	4/4	093	Turk 9/8	140	9/8	129	GUITAR_P	86
				094	TurkPop	130	4/4	130	HAPPYBAL	78
MALFOUF				095	Zeybek	80	9/8	131	HAWAJIAN	109
026	Malfoufi	115	4/4	096	Krdnz7/8	150	7/8	132	HIPNHOP	102
027	Malfoufa	110	4/4	097	THM 9/8	70	9/8	133	IRISH	131
028	Malfouf	100	4/4	098	TSM 9/8	70	9/8	134	LATINPOP	92
				099	Roman9/8	100	9/8	135	LOVEBEAT	66
ARABI								136	LUVBOSSA	136
029	Ayoub	105	2/4					137	MAMBO	102
030	Karatshi	99	4/4					138	MERENGE	124
031	Choby	100	4/4					139	MIDBOSSA	150
032	Katkofti	105	4/4					140	MUSETTE	175
033	Laff	105	4/4					141	NEWCENTRY	113
034	Leebi	100	4/4					142	PARTYSLG	124
035	Dabka	100	4/4					143	PASDOBLE	122
								144	R&8	105
TRADITIONAL								145	REGGAE	140
036	WehedaOld	120	4/4					146	RHUMBA	100
037	WehedaNew	110	4/4					147	SALSA	100
038	Vahde 1	75	4/4					148	SKA	125
039	Vahde 2	80	4/4					149	TANGO	120
040	SamaiDar	120	3/4					150	TWIST	162
041	SamaiTei	125	5/4
042	Masmoudi	122	8/4
043	Hajaa	100	4/4
044	Fox 1	110	4/4
045	Walz Or1	150	3/4
046	Walz Or2	145	3/4
047	Zar 1	90	2/4
048	Zekr	106	4/4
049	Sombati	175	8/4
OR-WORLD
050	Rai	145	4/4
051	Grigi	115	4/4
052	Yonani	110	4/4
053	Azerie6/8	95	6/8
054	Iranie6/8	95	6/8
055	Bayon	120	4/4
056	Ciftelli	88	4/4
057	DupArap	120	4/4
058	Halay 1	110	4/4
059	Halay 2	110	4/4
060	Misket	80	2/4
061	Oryantal	140	4/4
062	Sebari	120	4/4
063	TarsusCt	88	4/4
064	GipsyOr1	110	4/4
065	Funk Or	100	4/4
066	Latin Or	110	4/4

Chord Intelligence ("Md1" setting)

CM7

C7

com

Cm7 (b)

Caug

C7sus4
= Keys you need to press to hear this chord. Constituent notes of this chord.

= Keys you need to press to hear this chord. = Constituent notes of this chord.

MIDI Implementation Chart
[Interactive Arranger]
Date: September 2006
Version: 1.01

Function...		Transmitted	Recognized	Remarks
Basic Channel	Default	1~16	1~16	32 Parts
	Changed	1~16, Off	1~16, Off	2 Logical Parts
Mode	Default	Mode 3	Mode 3
	Message	Mode 3, 4 (M=1)	Mode 3, 4 (M=1)	*2
	Altered	****
Note Number	True Voice	0~127****	0~127
			0~127
Velocity	Note ON	O	O
	Note OFF	X	X
After Touch	Key's	X	O
	Ch's	X	O
Pitch Bend		O *1	O *1
Control Change	0,32	O *1	O *1	Bank Select Modulation Portamento Time Data Entry Volume Panpot Expression V-Link control Hold 1 Portamento Sostenuto Soft Portamento Control Effect 1 Depth Effect 3 Depth NRPN LSB, MSB RPN LSB, MSB
	1	O *1	O *1
	5	O	O
	6, 38	O	O
	7	O	O
	10	O	O
	11	O	O
	22, 23, 24, 25	O	X
	64	O	O
	65	X	O
	66	O	O
	67	O	O
	84	X	O
	91	O	O (Reverb)
	93	O	O (Chorus)
	98, 99	O	O
	100, 101	O	O
Program Change	True #	O *1****	O *1	Program Number 1~128
			0~127
System Exclusive		O	O
System Common	Song Position Pointer	O *1	X
	Song Sel	X	X
	Tune	X	X
System Real Time	Clock	O *1	O
	Commands	O *1	O
Aux Messages	All Sounds Off	X	O (120, 126, 127)
	Reset All Controllers	X	O (121)
	Local On/Off	O *1	O
	All Notes Off	X	O (123-125)
	Active Sense	O	O
	Reset	X	X
Notes		*1 O X is selectable*2 Recognized as M=1 even if M≠1
Mode 1: OMNI ON, POLY		Mode 2: OMNI ON, MONO		O: Yes
Mode 3: OMNI OFF, POLY		Mode 4: OMNI OFF, MONO		X: No

When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.
Information

AFRICA

EGYPT

Al Fanny Trading Office9, EBN Hagar Al Asalkany Street, ARD El Golf, Heliopolis, Cairo 1341, EGYTTEL: [phone]

REUNION

Maison FO - YAM Marcel25 Rue Jules Hermann, Chaudron - BP79 97 491Ste Clotilde Cedex, REUNION ISLANDTEL: [phone]

SOUTH AFRICA

T.O.M.S. Sound & Music(Pty)Ltd.11 Melle St., Braamfontein, Johannesburg, SOUTH AFRICATE: [phone]FAX: [phone]

ASIA

CHINA

Roland Shanghai Electronics Co., Ltd.5F. No.1500 Pingliang RoadShanghai 200090, CHINATEL: [phone]

Roland Shanghai Electronics Co., Ltd.(BEIJING OFFICE)10F. No.183 Section Anhuaxili Chaoyang District Beijing10001 CHINATEL: [phone]

HONG KONG

Tom Lee Music Co., Ltd. Service Division22-32 Pun Shant, Tsuen Wan, New TerritoriesHONG KONGTEL: (2415) 0911

Parsons Music Ltd.8th Floor, Railway Plaza, 39Chatham Road South, T.S.T.Kowloon, HONG KONGTEL: (2333) 1863

INDIA

Rivera Digtec(India) Pvt. Ltd.409, Nirman KendraMahalaxmi Flats Compound Offr. Dr. Edwin Moses Road, Mumbai-400011, INDIATEL: [phone]

INDONESIA

PIT Citra InitIramaJ1. Cideng Timur No. 15j-150Jakarta PusatINDONESIATEL: [phone]

KOREA

Cosmos Corporation1461-9, Secho-Dong,Seocho Ku, Seoul, KOREATEL: [phone]

MALAYSIA

Roland Asia Pacific Sdn. Bhd.45-1, Block C2, Jalan PJU 1/39, Dataran Prima, 47301 Petaling Java, Selangor, MALAYSIATEL: [phone]

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jssall jzjj (j00ll jL2) 2a2rll jj211 Lgbsb2a 5:

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ailllll jjll llll llll (4)

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MS-DOS:abz.
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"Complete" jLwJrRjRkll

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DISK jll bai (2)

FAMILY JJJJ "LOAD St.1" 3

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yes

jLdall Jdall Jdall YES/+ jbdai (5)

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"Complete"

DATA ENTRY 10000000000000000000000000000000000000000000000000000000000

a#

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Jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal jolal j

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DATA ENTRY 1000000000000000000000000000000000000000000000000000000000

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"Complete"

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aagglgllnnae gllg aegagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagag

"RemovUPG" FAMILY 2 (2)
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FUNCTION (1)

"RemouSTL" FAMILY (2)

（101）L2yJ 15j

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Removing

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DATA ENTRY Logall jss

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SELECT jjj (4) YES/+ 5

$$ \begin{array}{c} \text {Y E S} \ \text {a l a r} \ \text {l a i n} \ \text {S i r e} \ \text {a l l} \ \text {a l l} \ \text {a l l} \ \text {b i l l} \ \text {b i l l} \ \text {b i l l} \ \text {b i l l} \ \text {b i l l} \ \text {b i l l} \ \text {b i l l} \ \text {b i l l} \ \text {b i l l} \ \text {b i l l} \ \text {b i l l} \ \text {b i t} \ \text {b i t} \ \text {b i t} \ \text {b i t} \ \text {b i t} \ \text {b i t} \ \text {b i t} \ \text {b i t} \ \text {b i t} \ \text {b i t} \ \text {b i t} \ \text {b i t} \ \text {b i t} \ \end{array} $$

$$ j) \quad j \text {l a l l} \quad j \text {b r o g} \quad j \text {c a s e} \quad j \text {a d a t i o n} \quad j \text {d a t i o n} \quad j \text {s y s t e r} \quad j \text {r e s e n t} \quad j \text {b i a s i o n} \tag {6} $$

$$ . (L a) _ {1} \text {a s i n t e r m a l} [ N O / ] $$

$$ \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} $$

$$ \left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right\rangle_ {0} ^ {1} = 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, $$

$$ \because \text {C o m p l e t e} ^ {\prime \prime} \text {a l l} $$

$$ D A T A E N T R Y \text {C a l o g a l l} j _ {1} j _ {2} j _ {3} j _ {4} j _ {5} j _ {6} j _ {7} j _ {8} j _ {9} j _ {1 0} j _ {1 1} j _ {1 2} j _ {1 3} j _ {1 4} j _ {1 5} j _ {1 6} j _ {1 7} j _ {1 8} j _ {1 9} j _ {2 0} j _ {2 1} j _ {2 2} j _ {2 3} j _ {2 4} j _ {2 5} j _ {2 6} j _ {2 7} j _ {2 8} j _ {2 9} j _ {3 0} j _ {3 1} j _ {3 2} j _ {3 3} j _ {3 4} j _ {3 5} j _ {3 6} j _ {3 7} j _ {3 8} j _ {3 9} j _ {3 1 0} j _ {3 1 1} j _ {3 1 2} j _ {3 1 3} j _ {3 1 4} j _ {3 1 5} j _ {3 1 6} j _ {3 1 7} j _ {3 1 8} j _ {3 1 9} j _ {3 2 0} j _ {3 2 1} j _ {3 2 2} j _ {3 2 3} j _ {3 2 4} j _ {3 2 5} j _ {3 2 6} j _ {3 2 7} j _ {3 2 8} j _ {3 2 9} j _ {3 3 0} j _ {3 3 1} j _ {3 3 2} j _ {3 3 3} $$

$$ \therefore \text {a b s o l v e} \quad \text {a d a} \quad \text {a c o n s o l v e} $$

$$ \ddot {a} \dot {a} \dot {a} \dot {a} \dot {a} \dot {a} \dot {a} \dot {a} \dot {a} \dot {a} \dot {a} \dot {a} \dot {a} \dot {a} \dot {a} \dot {a} \dot {a} \dot {a} \dot {a} $$

$$ \mathrm {f i g} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {\Delta} $$

$$ \delta \dot {u} _ {1} \dot {u} _ {2} = \dot {g} \dot {L} \dot {c} ^ {2} \dot {u} _ {1} $$

$$ \text {F U N C T I O N} \quad j j \text {d i s t a t i o n} \tag {1} $$

"RemouSNG" FAMILY (2)

$$ \left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left. \text {的} \right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right] $$

$$ \begin{array}{c} \text {a l i e} \mathrm {U} \text {a l o g a l l i s} \text {a l i e} \text {a l i e} ^ {\prime \prime} \text {H o} \text {S o n g} ^ {\prime \prime} \text {a l l} \text {a l i e}; \text {a b s o} \ \text {L a b s o} \text {J S a} \end{array} $$

$$ \text {g a l l} \boxed {\bullet \bullet} \text {S E L E C T} \boxed {\bullet \bullet} \text {j z j} _ {\rho_ {1}} \text {d i s t i s t e} \text {i} _ {\rho_ {2}} \text {c o n t a c t i o n} 1 1! \tag {3} $$

$$ (j o j j j \dot {j} \dot {o} \dot {o} \dot {o}) j \dot {i} j o j j i $$

$$ \therefore \text {i s i l l d e l t a} \quad \text {j o r j u r i n g} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \tag {4} $$

$$ \therefore \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} $$

$$ - 1 # \text {车} \% \& ^ {\prime \prime} - a ^ {\prime \prime} $$

$$ \begin{array}{c} \text {A B C D E F G H I J K L M} \ \text {N O P Q R S T U V W X Y Z} \end{array} $$

$$ \text {l i l l} \left(\int_ {0} ^ {1} \frac {\mathrm {d} y}{y - 1}\right) \text {g a m m a} (4), (3) \text {l o g a l l} \left(\int_ {0} ^ {1} \frac {\mathrm {d} y}{y - 1}\right) \text {f r e q u e n c y} (5) $$

$$ \therefore \overrightarrow {a} = \overrightarrow {a}, \overrightarrow {b} = \overrightarrow {b} $$

$$ j _ {i} i _ {j} (j g o r l l j _ {i} j _ {j}) ^ {2} \bar {a} _ {i} a _ {j} a _ {l} j _ {l} j _ {l} j _ {l} j _ {l} j _ {l} j _ {l} j _ {l} j _ {l} j _ {l} j _ {l} j _ {l} j _ {l} j _ {l} j _ {l} j _ {l} j _ {l} j _ {l} j _ {l} j _ {l} j _ {l} $$

$$ \left. \right.\left. \right.\left. \right.\left. \right.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right. $$

$$ \text {s} \leqslant \text {d i f f} \quad \text {s} \leqslant \text {e} \leqslant \text {f l a s t} \quad \text {y e s} / + \quad j \leqslant \text {b i a s t} \quad \text {p}, \quad \text {a l l} \quad \text {j} \leqslant \text {d i f f} \tag {6} $$

$$ \therefore \vert \vert \frac {1}{2} \vert \vert \frac {1}{2} \vert \vert \frac {1}{2} \vert \vert \frac {1}{2} \vert \vert \frac {1}{2} \vert $$

$$ \cdot \cdot \cdot j _ {1} j _ {2} \dots j _ {n} j _ {n + 1} \dots j _ {n + 1} \dots j _ {n + 1} \dots j _ {n + 1} $$

71 Writing

"Completet"Jlssaillgjbsbllalayeelgljie 1y

DATA ENTRY Logal J!

$$ \therefore a b \vert l l a d e \text {如} c g r i l l $$

aagglzrlzjol jzlalgalsy

J 11 J 11 11 11 11 11 11 11

$$ \therefore \text {d i s t r i b u t i o n} $$

a 12

a 1 a 1

J 1

$$ (0 r) \text {a d} l l o l $$

$$ . F U N C T I O N \quad j j b a i l (1) $$

"ReadUPG" FAMILY (2)

jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll jll

$$ \therefore \square \square \square \square \square \square \square \square $$

$$ \therefore \text {d i l l} _ {\text {g a}} \text {a d j a g a l l} _ {\text {j g a l l}} $$

$$ - 1 \text {井 车} ^ {\prime \prime} \text {总} ^ {\prime \prime} - \text {国} ^ {\prime \prime} $$

$$ 0 1 2 3 4 5 6 7 8 9 $$

$$ A B C D E F G H I J K L M $$

$$ \text {N O P Q R S T U V W X Y Z} $$

（4）（3）（5）

$$ j _ {i} i _ {j} (j) j _ {i} j _ {j} (j) j _ {i} j _ {j} (j) j _ {i} j _ {j} (j) j _ {i} j _ {j} (j) j _ {i} j _ {j} (j) j _ {i} j _ {j} (j) j _ {i} j _ {j} (j) j _ {i} j _ {j} (j) $$

$$ \left. \right.\left. \right.\left. \right.\left. \right.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right. $$

$$ \left. \int_ {0} ^ {\infty} \frac {1}{x ^ {2}} \frac {1}{x + 1} \frac {1}{x + 2} \frac {1}{x + 3} \frac {1}{x + 4} \frac {1}{x + 5} \frac {1}{x + 6} \frac {1}{x + 7} \right\rvert \text {d} x \tag {6} $$

$$ \therefore \vert j _ {1} \vert \vert i _ {2} \vert \vert i _ {3} \vert \vert j _ {4} \vert \vert i _ {5} \vert \vert $$

$$ j e l i s t, j e l i s t a l l o f a l o c e l o f a l o c e, " u r i t i n g" a l l w, a l l w $$

$$ " C o m p l e t e" \text {a l s e} $$

$$ \left. \int_ {0} ^ {1} \frac {\sin x}{x - 1} d x \right| _ {0} ^ {1} = \frac {\sin x}{x - 1} $$

$$ \dot {a} \dot {b} \dot {c} \dot {d} \dot {e} \dot {f} $$

$$ D A T A E N T R Y \text {C o l o g o l l} \quad \text {J u b i s t r a c t i o n} \quad \text {c h i} \quad \text {c h i} \quad \text {c h i} \quad \text {c h i} \quad \text {c h i} \quad \text {c h i} \quad \text {c h i} \quad \text {c h i} \quad \text {c h i} \quad \text {c h i} \quad \text {c h i} \quad \text {c h i}. \tag {7} $$

$$ \therefore a b \vert l l a d e o c o r r l l $$

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$$ \ddot {a} \dot {a} \dot {a} \dot {a} g l $$

$$ . F U N C T I O N \quad j b a i l (1) $$

"writeSTL" FAMILY (2)

TANGO

TEMPO

J=YES

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Lg.Log(1)

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gailss (yaj yj yj yj 0c) Lgjjy yj yj 0
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FUNCTION

"UriteLPG" FAMILY (2)

Wrt USPR_000J-YES

"writeSNG" FAMILY (2)

W. L. SONG 001 J.YE

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StartStp/

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J

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ERX-40 OR Joo

Song PosP aie

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PitchBnd

(Off) (On) caww jillll (bui:viall i,la/bai)

Jaii

（a1bllg，g，gLwLgall）

Modulation

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ll Laiill Vibrato (j) jiai jao lao dai i gill gail

(.Control Change CC01)

ProgChng

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Clock Tx

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aol yssy

.ERX-40 OR jLg（11j

j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j

JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU JU

.

ERX-40 OR jLj

a

1jI jssss sssss sssss ssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss sssss

ERX-40 OR jL

all

aall yllw olj w jy jbiw dbs jstiws jil

jIg Jolalllie jus Jai p Ii Ioi.

aall aaii aai i aaiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uuiu uui

Style PC

JUJUJUJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJ

ERX-40 OR JzJyI I Program Change

jla jla jla jla jla jla

Lyrics Tx

EXR-40 OR jLj (b:1

Jus Jss -sall lalol alalal gall jll

(Format 0)

(Roland LVC1 j) jIJIJI JJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJ

On" LLaIeJg (ERX-40 OR jLg

gLgjai glllalil 1y

jzss. gsslls ygssy

aalalgl aai jilagall

tNTA LgJz JzLx

1

MIDI

i j 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

aLi ci bbl l 1jll j 1b

Lgaii j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j1j

o 1jll pLwJ KJ ydl JyI Lw! aI g dI p
cagao Iaolgio Loo.aaedall yds s
pAer jk EM, E, G, RA aLsw Jia aiae hlld yR S
: 17 jLJ 12 Jai Jai Jai

Accomp1
2Arranger bass
3Accomp2
4 Main
5Accomp3
6 Dual
7Accomp4
8Accomp5

(*) If you assign a Drum Set to the Main part.

a a

"pe) 1jll jai" jai, jai jai jai jai jai jai

"MIDI" aegaae e 9300000000000000000000000000000000000000000000000000000000

Local gaoal

gJ L 11111111111111111111111111111111111111111111111111111111111 000000000000000000000000000000000000000000000000000000000000000000000000000000

Jusjz.46 OR 1e Lka

iJiJiJiMIDIOUTjJiJiMiMDI

MIDI Jd

.EXR-46 OR Lusil Ljzjg jll Loo

Lgllw! jSaaasssgall Logalall g! lalle sdo go yai

ll lal Ls. 1y gall yll all aiaa aee

EXR-46 OR jLj

LILI JIJI IJU LSL EXR-46 OR

The EXR-46 OR receives data External MIDI instrument/computer

-OR-

EXR-46 OR (using the supplied USB cable)

Computer

The EXR-46 OR transmits and receives data

(*) If you connect the EXR-46 OR's USB port to a computer, etc., the MIDI IN and OUT ports are no longer used. This only works when the -USB icon is NOT displayed.

Channels

J 17 J 17 J 17 J 17

aLizia aJuaIbgs bjc LgKs (S) 1251 sdoExR-46 OR Jio

(Multitimbral) 1oo

* :TONE (x2)

* :TEMPO (x1)

* :TEMPO (x2)

* :TRANSPOSE (x1)

* :TRANSPOSE (x2)

* :MONO/PORT (x1)

* :MONO/PORT (x2)

$$ \begin{array}{c} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {\ast}) \ \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 ^ {*}} \end{array} $$

$$ \begin{array}{l} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {\dots} \ \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2} \ \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text {i f} \text 1 0 0 1 5 0 0 1 5 0 0 1 5 0 0 1 5 0 0 1 5 0 0 1 5 0 0 1 5 0 0 1 5 0 0 1 5 0 0 1 5 0 0 1 5 0 0 1 5 0 0 1 5 0 1. \end{array} $$

$$ \begin{array}{l} \text {c i s l j 1} \ \text {c i s l j 1} \ \text {c i s l j 1} \ \text {c i s l j 1} \ \text {c i s l j 1} \ \text {c i s l j 1} \ \text {c i s l j 1} \ \text {c i s l j 1} \ \text {c i s l j 1} \ \text {C I S L} \ \text {C I S L} \ \text {C I S L} \ \text {C I S L} \ \text {C I S L} \ \text {C I S L} \ \text {C I S L} \ \text {C I S L} \ \text {C I S L} \ \text {C I S L} \ \text {C I S L} \ \text {C I S L} \end{array} (3) $$

J 1

111111111111111111111111111111111111111111 0000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000

glj jy.（）aJgLoIaibiai:laia gjjKl 1all jllbui (）aeuygill

A B C D E F G H I J K L M

NOPQRSTUWXYZ

jai (jao jll) 2a a jjj Jl gbi jg JS:abdo

15444444444444444444444444444

（5）

.

(OLJQIiOoJIooJIooJIooJIooJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIOOJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIOOJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIooJIO

"Complete."

jlll jy jz jz jz

DATA ENTRY logall jdsj

gai liu jao yjll jolai jy jj 1

al alall lal jll 1l. 1111111111

y li jieill liq gai y: "sli o i Jia Li jia jia jia jia jia jia jia jia jia jia

jIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJ

在 Rt ABN 中:

Pan SPLIT

psill jssll (j, Rnd,R63~0~L63)

Lglgucy yuysy uusy gyn jn jin "Rnd".(jue Lounl)

aelllll l" 111 111 111

aellll "R" 1111111111111111

i

pall

ScaleTune

11 23

aaiiie aiaai (aaiii) aaiii lolaiae

aJyssLwJgAaagssGcLslasco ggllllLoaiill Jj

jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz

aal

1 1

y y j 0 o Laiill s l c g bia li a p g iill

Lolai 50-50 aill LlE

（）

左向右异

ScI Mode 1

a d 112

Lo!g（0）Lj（）pLalljjj jll pLss

.("ALL") pLsJU J 5 (MN)

Jll 1

yall yj

.57 100

alaiil ayia

LockInit

Looaolololololololololololololololololololololololololololololololololololololololololololololololololololololololololololololololololololololol

EXR-46 OR jLg

13 13

Iilll llll l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l

142 3 3x1 s w "On"

jia li jizhi jiyuoyao gai bai jie lei ci

jkiy kki 9kRRD TOUCH jbi#!

"UNLCKFLS"J 1

Pan MAIN

yssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss

y j 1 1

aiss "I" 1y jll pall yjai k ggal

"R" 1000000000000000000000000000000000000000000

aall aclawll

RevDUAL 2008

（100:，127\~

aaiie gle aalball wdd

.

jlll lilllllll 10

Chr DUAL a

（j：c：127\~）

Lai, 1e yolball (w, w, w)

iiill

"0" ggyj jyj dale yjall jyj syy

Pan DUAL aai

gssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss

Lglgge grrnrrnnrnnn rrrnne Rnd" (jlll

aclauu y aai "L" jj jlll jg jia jk g

aclalll"R"jbjj jll gaiiial "0",

S OBC = S COD + S_ BOC

Rev SPLIT

（100：，127\~）

aaiie 15e aie bllalb 80000000000000000000000000000000000000

.

jlll jlll jgall jgall jgljll lbljll kyl:

wuuu

Tone MFX 1

dJrbsbBb0a 1 (ba) cnaal g, bba/ba)

joo bjj joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo joo j oo

1. k < a

Rev MAIN

（100:，127\~0）

aaiie 1e aie yie bllalb 5 (y) w

（204 gii jai jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia j

aie 1e aie bllalw ywrsslll) wys

aale. jgall lgswaww wll gssw

Joo JooLooie bdo jaiol li puiu .0" 15

. "Off" 1520

aalgl (eaiolg) ciaell aill jyj jn e gss

Jusbll aas Loo ge bbs kss Jy Joo jnnnll

.EXR-46 OR jLjL Jauu Lk buaa aagall. jia, dai, j

EP Chord

（a+1）（j）（u）（）（b）（）-

gjgall jso sLal Lk (aill gla) Jy+Jyjj y

JzLjzlll (Md1:gl,Off,Md2,Md1)

jLgR:EXR-46 OR jLgAooJSSSsIJJl

1. (395 2004)

:LaLolulilJsDgld "Md2"pLi

1

J 1

JLJI JLLI JCLs+JLI

glll lal (1) 2000000000000000000000000000000000000000

gall o 1y

Volume a 1

Main Vol

(100 110 127

j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j

jgbcdaJI JzJzIbIyIyIyIyIyIyIyIyIyIyIyIyIy

KEYBOARD j ACCOMP j j all DUAL

PLIT jwpsll 1

Auto Bass

Jgssll pssii baii iis LsK (Iebo:giuaal g,127\~0.

yll yIogosyIaIbIcIbIaIbIaIbIaIbIaIbIaIbIaIbIaIbIaIbIaIbIaIbIaIbIaIbIaIbIaIbIa

a 1

aaii y sasjyllspswss (Aw) sbsalb

alilw) 1

psu yIgIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIy

pssssssse

off jzjlll lK ,Chord 1uL, SPLIT

SsIlogal all pssll 1

a a

AccDrums,AccBass,Accomp 1\~Accomp6.volume

= 空 空 空 空 空, 100 = 空 空 空 空, 100 = 空 空 空

（100

.（JSS）2Lallolololololol

gLgJgjlllgljllgljdlgld

gigjll

Metro TS ggiigjllg jll

jlll 4/4 8/9~8/1,4/9~4/1)

jzall jn wg (gsjll g) gjgl

p jgjglall 1jai 2a 1. 1000 1j 1j 1j 1j 1j 1j 1j 1j 1j

biLislaIisIgilliaJaiJaiJaiLi Lss.12

METRONOME

MetroVol

a bawal aagbll aas pssw (100: gaa 127\~

124 100000000000000000000000000000000000000000000

Count-In

sc lab!j Jusul aasbgl sia (sbo:caalg,ablo/ba)

(10)

8(s) juiyjai juiyjgiLo yjgiall iia jiai ie

(4/4 10jll jzai

Jlisg 11 Jj

aagg aal gssll al glsgl

iill 101111 (jus: jusss4\~24-
Lao. 15g 8 gssd jlssall 15g jgs
15g 15g 15g 15g 15g 15g 15g 15g 15g 15g 15g

1 1DUAL Octv bIaIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbIbI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI bI

yall lal yj.1-" 2gge gie ylll al kyl j:Jla
yall lal yj.1000 Lai B. (C2 no) C3 liellal abw (Bass Drum)

C3 1olal lws alia

1

jll jlll/lll lal lal lal lal lal lal lal lal ll

（）

aJl JJJJ 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15

（dK1-dk8）"dk"j

aeglglg 1y jyj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj

.（）18）

1aill (1~8) 1gall aol jia 5elect 2jlaol

gill 1234567890

J 1

DrunPad1

Lg 1A g

alol joo bss oJg Jyjll/ Uj

Jgss sss Jgss

jll J. (Jyblal 1g w j cllall

036" j 1j 1j 1j 1j 1j 1j 1j

Lg 14. .p gall jbi . "Kick 2"

.

111111111111111111111111111111111111

aLallgblalglj

cuii i jyll oijj 0i j 0i j k

alizolj1y（j0y

gJzjil jll zwgl jzil jSag:Punch I/O Jzwill .(r0 wJzil)Jzwall JlJzwill Jzwill Zybl gJz!

Port Main

Portamento yjlll lili (1b0:127\~1.1bs)

A

ailll jll lglll glll ball aagll JLaL K aill LlaK .

L (1)

Jaiy joo yjdl Jaiy li: (jlll jall jllr

S OBC = S COD + S_ BOC

joo jy Jlii li 127"1"1"

(127) "on" ①

Port Dual aiaaie

joo joo joo joo all lla (llo:cooal 127\~1,

Jaiy jooj ydi Jiai li cio: aJg

（）

Mode Main

VALUE

Mode Main

jaiill lii d jiy (jia:jiiaall g. (alg) (al)

j(Mon) 1

dLol jai oal lai (Pol)

aalil g aolg aon o jce kolol n 2n lai

.

a111 1

1

aaii bii gaww "Mon" 15

jie jie jie baiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy jiy j

(1)

Mode Dual

aaii aaii blll iS 1111

(olci (olj) (Pol) ooo (Mon)

Jgbl 2

diKsaw aBgl sia bui jic (Lbs: gusll gbi jlsbs)

biilll llllglal 1e biailll y

jie 1e baii Iy jxyl llll jnlae g

dolilil "On" jlll iill jgl gall lllll

Aarranger

aaiuagdusg

VALUE F5H

Sustain

(Sustain

J (BOSS FS-5U,DP-6,DP-2) 1

jaiol lpaiaiwl diLg jglal aai ai glll 1e paaa

aai 1

aagabg aal glllgl 11111111 Sustain

Laiio, 1yssll laojai gill Laiilil llbpy pailg plis

Sostenut

biu lqie jgll laill ll bbaa aagj gill

.

aessssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss

g (s) g.

1

A. 123456789011234567890123456789012345678901234567890123456789012345678901234567890123456789012345678901234567890123456789

aayssll aiaaball acyssll Jz:Rotary S/F yjglalacIaI ay

jia jia jia jia jia jia jia jia jia jia jia jia jia jia

(10) 200

Jolalolololol:UsrPrgUp pLl l Jolalolololol

.10zglaljiss9lllaljLds)

Logall Jss "s" 5" jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz j

y

Kbd Touch

aaiial aaiii iiaii llaia (110 gaii 127\~1)

Lioic Lgdojuiu jll, gjaiy ggal EXR-46 OR jk

（）AALI AARANGER

j j 1

KEYBOARDTOUCH

Mstr Tune aal

ii jylll lil 440.0 5111111-452.6~427.4)

all 1. gial dlaal oioe aill jbi jai jiljai jai

CDgUsLg

USRT gaiil jgiil jia

EXR-46 OR pLgJyIeIaIgIyIeIgII.（j：g11all 12~12-)

jgl 10

jbiu laaie aegill oia jaii jay

TRANSPOSE

GLBT

EXR-46 OR pLooJyIaIgIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIy

Jgall gLo 15Lio sSg pl lIj. afo ggs yss gill jn Jd

KB SCALE: Scale C/C#/D/Eb/E/F/F#/G/Ab/A/Bb/B, Scale Mode
■ MIDI: Local, MidiTxRx, Sync Rx, Style PC, LyricsTx, NTARx14, PicthBnd, Modulatn, ProgChng, Velo Rx, Clock Tx, StartStp, SongPosP
■ UTILITY:"LockInit" InitFLASH,Resume
■ WriteSNG (e9 s
■ WriteSTL (o·s
RemoveSNG (o·s
Remove STL (01
■ WriteUPG (o·s
ReadUPG (o·s
RemovUPG (01

A. 1234567890123456789012345678901234567890123456789012345678901234567890123456789012345678901234567890123456789

SELECT 1234567890123456789012345678901234567890123456789012345678901234567890123456789012345678901234567890123456789

a llll aegn jai

1 111111111111111111111111111111

S BCD = S COD + S BDO - S BOC

A DATA ENTRY

jlll

L.

gLa+ gjj bai jia 1 aai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai jai

a

FAMILY 5

(4) 3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3a3

(ALLJ)

EXR-46 OR jLj

Jolal jll jglz id

FUNCTION 1

FAMILY (2)

KB SET: KbdTouch, MsterTune, USRTrnsp, GLB Trnsp, TransMod, PB Range, KeySplit, SplitHold, SplitInt, FSW, Port Main, Port Dual, Mode Main, Mode Dual
DRUM PAD: DK1/DrumPad1~DK8/DrumPad8
METRONOM: Mtro TS, MetroVol, Count-In
OCTAVE: MAIN Oct, DUAL Oct, SPLIT Oct
VOLUME: Main Vol, Dual Vol, SplitVol, Auto Bass, AccDrums, AccBass, Accomp1~Accomp6, Song1~Song16
ARR SET: ArrChord, Arr Hold, EP Chord, Bass Inv, MI (Melody Intelligence), InEnCHRD, Sync Stop
■ EFFECTS: REV (Reverb), CHR (Chorus), MFX, Tone MFX, Rev MAIN, Chr MAIN, Pan MAIN, Rev DUAL, Chr DUAL, Pan DUAL, RevSPLIT, ChrSPLIT, PanSPLIT

.POP=V-XF1.ACOUSTIC= None) None,VFX1~4:LOCK

(ETHNIC = V-XF 4.DANCE V-XF 3.ROCK V-XF 2

aLio jz aie bgl oai g y iill 1j0000000000000

"Off" 1000000000000000000000000000000000000000

D_V - 7j12 = 2 = 3

15gUgiiI Jii V-LINKJUJUJ:abdo

(3) (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13) (14) (15) (16) (17) (18) (19) (20) (21) (22) (23) (24) (25) (26) (27) (28) (29) (30) (31) (32) (33) (34) (35) (36) (37) (38) (39) (40) (41) (42) (43) (44) (45) (46) (47) (48) (49)

BENDER 3

m 10

(olj jbj) djjggo

j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j

L1 = ( R1 + R) + R2 + R3

EXR-46 OR jL V-LINK

(a,ball)

aalglallll 46 OR jg

:V-LINK

H\~08H00:PC) 1111111111111111111111

1111 1111 1111 1111

CC23 11 j0j:8aJgSd

11111111111111111111111111

USERPROGRAM 01

aaii iiaaae aee eae aee ae aee aee aee aee aee

a aee aee eae ee (eaae)

CC24) BENDER/MODULATION

(CR ) CC25. (CB )

a a a a a a a a a a a a a a a a a a a a a a a

Sag, yo ooc g jill bdo Jdo no kll nn lal

KJ 1

1

V-LINK a#b

aall aagssall ool all jol kll 1V-LINK abg p

V-LINK 1

aaiill gaii gaiil 1j jaiill

BENDER/MODULATION

1

(VFX1 4) lock

.MIDI OUT 2aV-Link JJJ

MIDI IN jEXR-46 OR jjz MIDI OUT (1)

UM-1jLgJg)

$$ \leqslant \left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left. 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 \right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right] $$

$$ \left. \int_ {0} ^ {1} \frac {d x}{x - 1} \right| _ {0} ^ {1} \cdot \int_ {1} ^ {2} \frac {d y}{y - 1} $$

$$ \therefore \left| \bigtriangleup L _ {1} \right| = \frac {1}{2} \sqrt {3} $$

$$ \boxed { \begin{array}{c} \boxdot \end{array} } \boxed { \begin{array}{c} \text {S E L E C T} \ \text {J z j} \ \text {L o} \ \text {F U N C T I O N} \end{array} } $$

$$ \therefore \text {a l l} \cup \text {a l l} \cup \text {a l l} \cup \text {a l l} $$

VALUE

Chorus depth of the Main part*.

VALUE

Chorus depth of the Dual part.

VALUE

Chorus depth of the Split part.

$$ (2) \text {G} (1) \text {a l a g l e l l e g l a b s i t a l} \text {F u n c t i o n} \text {j} \text {i} \text {L} (\text {l}) $$

$$ \left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left. \text {的} \right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right] $$

$$ \begin{array}{l} \text {C H M A I N} \ \text {F i g u r a t i o n (1 0 0 p s l a b) M F X e l g a l d a t a} \end{array} $$

$$ \left(\frac {1}{2} \frac {1}{2} \frac {1}{2} \frac {1}{2} \frac {1}{2} \frac {1}{2} \frac {1}{2} \frac {1}{2} \frac {1}{2} \frac {1}{2} \frac {1}{2} \frac {1}{2} \frac {1}{2} \frac {1}{2} \frac {1}{2} \frac {\sqrt {3}}{2}\right) $$

When the MFX is set to "Off"

When the MFX is set to any other type

$$ \left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left.\left.\left.\left.\left.\left.\left.\left. \text {i} _ {i} ^ {i} = i _ {i} ^ {i} + i _ {i} ^ {i} + i _ {i} ^ {i} + i _ {i} ^ {i} + i _ {i} ^ {i} + i _ {i} ^ {i} + i _ {i} ^ {i} + i _ {i} ^ {i} + i _ {i} ^ {i} + i _ {i} ^ {i} + i _ {i} ^ {i} - i _ {i} ^ {i} + i _ {i} ^ {i} + i _ {i} ^ {i} + i _ {i} ^ {i} + i _ {i} ^ {i} + i _ {i} ^ {i} + i _ {i} ^ {i} + i _ {i} ^ {i} + i _ {i} ^ {i} + i _ {i} ^ {i} \right| \right| \right| \right| \right| \right| \right| \right| $$

$$ \mathrm {g} \left(\frac {1}{2} \sum_ {i = 1} ^ {n} \sum_ {j = 1} ^ {m} \sum_ {k = 1} ^ {n} \sum_ {l = 1} ^ {m}\right) $$

$$ . \log_ {2} \omega $$

$$ (\cdot \infty , \cdot \infty , \cdot \infty) \cup (\cdot \infty , \cdot \infty , \cdot \infty) $$

$$ \text {D A T A E N T R Y} \quad \text {p a i r} \quad \text {i} ^ {\prime \prime} \text {i} ^ {\prime \prime} \text {i} ^ {\prime \prime} \text {i} ^ {\prime \prime} \text {i} ^ {\prime \prime} \text {i} ^ {\prime \prime} \text {i} ^ {\prime \prime} \text {i} ^ {\prime \prime} \text {i} ^ {\prime \prime} \text {i} ^ {\prime \prime} $$

$$ \therefore \angle A B G = 1 8 0 ^ {\circ} $$

1

$$ \text {g} \left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left. 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 \right|\right|\right|\right|\right|\right|\right|\right|\right|\right|\right|\right| $$

$$ \therefore \lg \sin \angle A B C = \frac {1}{2} $$

$$ j _ {2} j _ {3} \leqslant 1 1 p (l a s i) j _ {0} j _ {1} j _ {2} j _ {3} l a s i, E X R - 4 6 O R j _ {4} j _ {5} j _ {6} j _ {7} l a s i, L o c i e $$

$$ \left. \right.\left. \right.\left. \right.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right. $$

$$ \int_ {0} ^ {\infty} \frac {1}{x ^ {2}} \int_ {0} ^ {\infty} \frac {1}{x ^ {3}} \int_ {0} ^ {\infty} \frac {1}{x ^ {4}} \int_ {0} ^ {\infty} \frac {1}{x ^ {5}} \int_ {0} ^ {\infty} \frac {1}{x ^ {6}} \int_ {0} ^ {\infty} \frac {1}{x ^ {7}} \int_ {0} ^ {\infty} \frac {1}{x ^ {8}} \int_ {0} ^ {\infty} \frac {1}{x ^ {9}} \int_ {0} ^ {\infty} \frac {1}{x ^ {1 0}} $$

$$ . ^ {\prime \prime} O F ^ {\prime \prime} L i t l i s s L i s s g o w $$

$$ \left. \right.\left. \right.\left. \right.\left. \right.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right. $$

$$ p a s \quad c i o l! j. (j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. j. $$

$$ \therefore \omega_ {1} \omega_ {2} \omega_ {3} \omega_ {4} \omega_ {5} \omega_ {6} \omega_ {7} \omega_ {8} \omega_ {9} \omega_ {1 0} \omega_ {1 1} $$

$$ \frac {a _ {i j k l} ^ {2}}{2} \rho_ {i j k l} \rho_ {l j k l} \rho_ {k j l} \rho_ {j i k l} \rho_ {j i k l} \rho_ {k j l} \rho_ {l i k l} \rho_ {k j l} \rho_ {l i k l} $$

$$ \therefore \Delta = \Delta_ {0} $$

$$ \omega \omega \leqslant 1 \text {的} \omega \geqslant 0, \omega \geqslant 0 $$

$$ \left. \right.\left. \right.\left. \right.\left. \right.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right.\right. $$

$$ \therefore \omega_ {1} \leqslant \frac {1}{2} \sum_ {i = 1} ^ {n} \sum_ {j = 1} ^ {m} \sum_ {k = 1} ^ {n - 1} \sum_ {l = 1} ^ {m - 1} \sum_ {m = 1} ^ {n - 1} \left(\sum_ {i = 1} ^ {n} \sum_ {j = 1} ^ {m} \sum_ {k = 1} ^ {n - 1} \sum_ {l = 1} ^ {m - 1}\right) $$

$$ \left(\frac {\partial \omega}{\partial t}\right) _ {j} = \int_ {0} ^ {t} \frac {\partial \omega}{\partial x} d t $$

$$ . ^ {\prime \prime} E F F E C T S ^ {\prime \prime} \text {F A M I L Y} _ j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J J $$

"CHR" SELECT jj

Chorus 3

$$ \text {“} _ {\text {a d a t e}} \text {j a r j z i j l y S E L E C T , F A M I L Y} \text {F A S E L I P} ^ {\prime} \text {L a b j l a r j} \text {l a b j l a r j} \text {l a b j l a r j} $$

$$ (\mathcal {R} \cdot \omega) $$

$$ \left. \int_ {0} ^ {1} \frac {d x}{x - 1} \right| _ {0} ^ {1} \leqslant \frac {1}{2} \int_ {0} ^ {1} \frac {d x}{x - 1} = \frac {1}{2} \cdot \frac {1}{2} \cdot \frac {1}{2} \cdot \frac {1}{2} \cdot \frac {1}{2} \cdot \frac {1}{2} \cdot \frac {1}{2} \cdot \frac {1}{2} \cdot \frac {1}{2} \cdot \frac {1}{2} $$

$$ \left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left. \text {a l l} \right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right] $$

$$ . (o l i, j) $$

Chorus 1

Chorus 4

S-Delay

Chorus 2

FB Chorus

SDelayFb

Chorus 3

Flanger

$$ \text {j} _ {\text {g a l l}} ^ {\prime} \left. \varepsilon \text {L a i s h} \dot {U} \text {d r a g} \leqslant \text {L i e} \text {L a i s h} \dot {u} \text {d r a g} \leqslant \text {j c} \right! \tag {5} $$

$$ \left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left. \right.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left.\left. \text {的} \right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right]\right] $$

$$ \therefore \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} \quad \text {a l l} $$

$$ \operatorname {R e v} \text {M a i n} _ {\text {i j}} (\text {r o} \text {j}) M F X \left[ \text {j} \text {j} \text {j} \text {j} \text {j} \text {j} \text {j} \text {j} \text {j} \text {j} \text {j} \text {j} \text {j} \text {j} \text {j} \text {j} \text {j} \text {j} \text {j} \text {j} \text {j}\right] $$

$$ . M F X \quad \dot {s} J L \dot {s} J \quad \dot {s} L a l \dot {s} J, \quad \dot {s} \dot {s} J L \dot {s} J \quad \dot {s} L a l \dot {s} J \quad \dot {s} L a l \dot {s} J $$

When the MFX is set to "Off"

When the MFX is set to any other type

$$ \text {a} \left. \right. \text {L} \text {L} \text {L} \text {L} \text {L} \text {L} \text {L} \text {L} \text {L} \text {L} \text {L} \text {L} \text {L} \text {L} \text {L} \text {L} \text {L} \text {L} \text {L} \text {L} \text {L} ^ {\prime \prime} R e v M a i n = 1 0 0 ^ {\prime \prime} \text {a l p h a} _ {i j k} $$

$$ \Delta \mathrm {d} \mathrm {e} \quad \mathrm {d} \mathrm {i} \quad \mathrm {p} \quad \mathrm {s} \quad \mathrm {s} \quad \mathrm {s} \quad \mathrm {s} \quad \mathrm {s} \quad \mathrm {s} \quad \mathrm {s} \quad \mathrm {s} \quad \mathrm {s} \quad \mathrm {s} \quad \mathrm {s} \quad \mathrm {s} \quad \mathrm {s} \quad \mathrm {s} \quad \mathrm {s} $$

$$ a c l a w \left[ \right. \text {i} _ {1} \text {i} _ {2} \text {i} _ {3} \text {i} _ {4} \text {i} _ {5} \text {i} _ {6} \text {i} _ {7} \text {i} _ {8} \text {i} _ {9} \text {i} _ {1 0} \text {i} _ {1 1} \text {i} _ {1 2} \text {i} _ {1 3} \text {i} _ {1 4} \text {i} _ {1 5} \text {i} _ {1 6} \text {i} _ {1 7} \text {i} _ {1 8} \text {i} _ {1 9} \text {i} _ {2 0} \text {i} _ {2 1} \text {i} _ {2 2} \text {i} _ {2 3} \text {i} _ {2 4} \text {i} _ {2 5} \text {i} _ {2 6} \text {i} _ {2 7} \text {i} _ {2 8} \text {i} _ {2 9} \text {i} _ {3 0} \text {i} _ {3 1} \text {i} _ {3 2} \text {i} _ {3 3} \text {i} _ {3 4} \text {i} _ {3 5} \text {i} _ {3 6} \text {i} _ {\dots} $$

$$ \cdot \text {C I L} (\text {R E V}) \text {P l a t e} \text {乙} \text {I I I} + (\text {M F X}) \text {s}, $$

$$ \therefore \text {g a l l} \quad \text {g} \quad \text {L a i s h} \quad \text {U} \quad \text {U} \quad \text {U} \quad \text {U} \quad \text {U} \quad \text {U} \quad \text {U} \quad \text {U} \quad \text {U} \quad \text {U} \quad \text {U} \quad \text {U} \quad \text {U} \quad \text {U} \quad \text {U} $$

$$ \text {c} \dot {z} \dot {z} \dot {z} \dot {z} \dot {z} \dot {z} \dot {z} \dot {z} \dot {z} \dot {z} \dot {z} \dot {z} \dot {z} \dot {z} \dot {z} \dot {z} \dot {z} \dot {z} \dot {z} \dot {z} \dot 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 $$

$$ . L a g a _ {2} \text {d i s t r i b u t i o n} \text {d i s t r i b u t i o n} \text {d i s t r i b u t i o n} \text {d i s t r i b u t i o n} \text {d i s t r i b u t i o n} \text {d i s t r i b u t i o n} \text {d i s t r i b u t i o n} \text {(L a w) L} $$

$$ \therefore (\text {e} \omega , \text {j}, \text {i}) \dot {\omega} j l a l l \text {a} \omega \text {j} \omega j l l \text {i} \text {a} \omega \text {j} \omega j l (\text {k o l}, \text {i} \text {a b}) $$

$$ \therefore \text {d i s t a t e} \quad \text {D A T A E N T R Y} \quad \text {p r o p e r a t i v e} \quad \text {f} ^ {\prime \prime} \text {j} ^ {\prime \prime} \text {s} ^ {\prime \prime} \text {j} ^ {\prime \prime} \text {j} ^ {\prime \prime} \text {j} ^ {\prime \prime} \text {j} ^ {\prime \prime} \tag {9} $$

（4）

Reverb depth of the Main part.

VALUE

100

Rev

DUAL

Reverb depth of the Dual part.

VALUE

100

Rev

sPTIT

Reverb depth of the Split part.

(2) (1) all the elements of F and all the functions of F .

Reverb

gaiyao yie aei jia dily gui bai yi jiyao hao

gJglllalLdI JSLEXR-46 OR jLjus Lioic

J L J 10000000000000000000000000000000000000000000000000000

1 1

ai = bi = 1

y

3UyIgEeRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRdRd

1 1

(1)

.EFFECTS"FAMILY (2)

ExR-46 OR jIJI aIJI bJI all

aagall aegao jaiis y Lao ciinig,aaibio

"REV" SELECT

Hall 2

"select, FAMILY JJJJJJJJJJ

(·ω)

Xk:aaallll aiaaai jilii) gajgill lgee LsK .Cho/Dly

(Lagii:aa)Le Laij jssgall

:FL/Delay

. .Cho/Flgr

(10)

yall jiai li bai yor oj gai gai jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia

aill" 1. jz a 1g c g 11 3y! s y

.（20 1

a

51 56

gall Loo

DATA ENTRY 品 ^ 品 "J" j 6

:Mod Dly
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.	s#
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.	TmCtrDly
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.	Reverb
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Overdry 1~4 Lalalall Lalalall Lalalall Lalalall Lalalall Lalalall Lalalall Lalalall Lalalall Lalalall Lalalall Lalalall Lalalall Lalalall Lalalall Lalalall Lalalall Lalalall Lalalall Lalalall Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalill Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalell Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalall Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalill Lalalill Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalill Lalalall Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalall Lalalall Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalill Lalalll Lalalill Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalill Lalalll Lalalall Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalill Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalll Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalill Lalalill Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalill Lalalll Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalll Lalalill Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalll Lalalll Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalill Lalalill Lalalill Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalill Lalalill Lalalll Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalill Lalalll Lalalill Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalill Lalalll Lalalll Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalll Lalalill Lalalill Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalll Lalalill Lalalll Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalll Lalalll Lalalill Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalll Lalalll Lalalll Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalill Lalalill Lalalill Lalalill Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll Lalalill Lalalill Lalalill Lalalll Lalalll Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalill Lalalll LALALALL

a

EXR-46 OR jLgJ
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. MFX) 1234567890123456789012345678901234567890123456789012345678901234567890123456789012345678901234567890123456789

MFX 1J L JF"Uf" UJ L J
V L Jx Jy Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx Jx JX

Loo, aall ooljill gogolll k jull Enhancer woll

jgall no jdlgl jll dkiylll k 3
jblalil yll llll allll allll lallll lallll lallll
.2.PB Range"aaill g i do"
jgal MFX o g jn jns Lioe ciao jdo jao
ae aess mnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn

paal aomega

jLJ 1 JFOTSWITCH dDPP-6DP-2JUQJXJEXR-46OR .FS-5U BOSS

（）

1

(2)

_1 = _2

ab + 2b = 4 (4)

Ciaall jc d yjg jy gla jge gll aaiill aaiill ai i 5

"1V" aall Liuyi. (agawu jg) ayill yjio "1" aall jas
aell piaiwig. (oJyog yoi Lai) oJell g 9e geol
jLg) aull gle gdo gKey TOUCH J go yoj Looie loe
doe sall aall aowu wll aegn prssw gwl lalil

DATA ENTRY 品 ^ 出 "j" j 5

"aaasssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss

(0 1 k) jlll jolj l b j: 12 y
12y
12y
12y
12y

aaii iia gao g i
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 1

aJglll aclawll jgo aee sssy gill Jgill gill sas y

（2）

1

15 15 15 15

mll

s# 46 OR j42 j
5e 10000000000000000000000000000000000000000000000000

Laaa aallll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll aalll

j 43 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15 j 15

j bla aLl 9EYTOUCH Jyog yI 111 (1) jall s waeew jglw AELA KEYBOARD TOUCH

111111111111111111111111111111111111111111

1.2.11.2.2.2.35

jbi jzll LwJy JyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJyJy

VALUE 127 KbdTouch

aLwlll aJzjI ++ jzjI aJzqRll JyJyI (4)

(127~1)

y

Ldlaic diSs. sssll pLwLg jz ggs iLg Lg Lg Lg

sfo

(18.202)

12+ 12- no plalall yds yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal yolal

32042WART 1
(2)g(1) 1
"J" a J
(3)
(4)

jUJbIeJgJyJUJbIaJIgJyJUJbIaJIyJUJbIaJIyJUJbIaJIyJUJbIaJIyJUJbIaJIyJUJbIaJIyJUJbIaJIyJUJbIaJIyJUJbIaJIyJUJbIaJIyJUJbIaJIyJUJbIaJIyJUJbIaJIyJUJB1

$$ . \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \cup \begin{array}{l} S P L I T \ + D U A L \end{array} $$

Transpose (p)

LaiI Laii Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiai Iiaii
Laii Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai Liai LiAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LIAI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI LALI

TRANSPOSE 1

Jgall gol gol

jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl jgl

LgBlll aaglaa gpaia 1 (1)

ylll lal 1j

1000 1000000000000000000000000000000000000000000000000000

kaill laig lalaiil jaiia aaiiaa oaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaaiiaai

jz: jzall jzall jzal yssll dyl slyw

jglg jglg jlll jll"ov"ll"Vv" jol

wlll lllllllllllll

j0 2000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 3

jll llllll C6" (lal) jall jall

C3

oct. 1234567890101123456789010112345678901011234567890101123456789010112345678901011234567890101123456789010112345678

(1) SPLT oct 3 MAIN

g 1

.

jSay 1y. yw wlll oollg y bbl lglbll cegao jSay abdo

lll llll

jay 2 aagaaaagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagag

a 1jg jg aei jgi jai jai jai jai jai jai

（0o jai）jollall bai jajilll lla jy:ably

(SFX)

"Train") Jz 2a z a z y 1E XR-46 OR jz g (617~576) z a z y 1y a z y. (Lzg, "HrseGLLP" , "Kitty"

Split part (sound effect/percussion sound)
Main part (melodic sound)

USER TONES 1JALI JARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJARJAR

11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 000000000000000000000000000000000000000000000000000000000000000000000000000000

JJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJ

aillssrssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss

J 2 JEXR-46 OR jLj jLjLjLjLjLjLjLjLjLjLj

Lai jy 5e jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia jia j

$$ \therefore \cup_ {s} \leqslant 1 1 _ {s ^ {2}} b _ {s s} $$

1j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j 1 j

jbi) jzjll pIaill 102g Jzjjy Jzll y g iiaaiy .

jll pluill jdl (14) aijgall lai jbl: abla 1

Jg 1 g j bdo, a lal y gall al

SCALE MEMORY

pall aysl s! g Lg klaa Ls yagllal all ljjgall b 12
:glblldl. .JrLk Lgalejwlg jll g
(0)lej bai) dl glbLs aaiill uji bai (1)

SCALE MEMORY (1 3) "p"

ii jydi jzjzj bdo jzjj

3

biall aylll plal ylsj jg srls jyjnl cjl diL
Lg yolll jll ie (zllb) jilall
a yolla yolll plal yslj j baii. a llyll ayjgdall yolll
aygall cji gssll plal all jk gabgl gbs
Lg jial plao yslj jg wgsw glll o g, ayall
g ydsjgall jIoi pl alll gasrall palaall jn lleo

jg 1 jia aie Lai

1

(2)

Liljg pli
lall aill lal jy gdl li jy jll b
eliz yai jay jai di k ay iie ng / Lgai y
aigd all k jy jai all jy jial b 1 (1)
aiill pwl qay jai ll "Scale"
(2)

63~64- no b#ll sdo

aLgA

Loll! diKs. lclayy Li gla i g ralb g li Ll lll JLo
:gs 1g y lg bai g ai bsall aasls abswg
Laalglg E Lg y IcIg jg y Bpssil bnnnns aag
.(1w sps)
. (31 sps) aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa aiaa

"Bass Inv" SELECT jj

"VALUE" aIaill 10 "ON" JzJzJzJz! (4) SELECT FAMILY aJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJzJZ J. (19,0) "aiai jll DATA ENTRY Logall JcL JcS "jL JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI JcI

Bass Inv

glll lll g jyj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj yj 1
g jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy jy j.
"g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "g" "

"AR SET"FAMILY (2)

ExR-46 OR jg jg gagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagagag

g

Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn

145 20000000000000000000000000000000000000000000000000000000000000000000000000

aJall jolj 1

j g"g jlll jle"g g g g g g g g g g g g g g g g g g

a 1

ailllll lll

1 1

("a 1111" j j JooLooJooEXR-46 OR j

ARRANGER BAND

j 1

- bN = aN

J 1

jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz jz

15jll jls (aloeo g) aaiil albl wgl pssu Lioic

1jLac jlll jg- lgl 1c gla jy djl jg j

-1522222222222222222222

PIANO SOLO, ARRANGER BAND (1)

aie aiee eae eee (jnnn nn nnnn

ARRANGER "PianoMod"

15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 20 SELECT jj j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j

（）

SELECT , FAMILY, TONE

L (USER TONES jj)

J 1

aI 111111111111111111111111111111111

BAC = 90^ + ABD = 90^

PIANO SOLO ARRANGER BAND 4

"siililljilee

gaii ci

gill jlll o Laiiio lii Li iia aia "gill ll lsl" aia b

aai 1000000000000000000000000000000000000000000

Lijai jilll

j j

gall

jI 1510101010101010101010101010101010101010101010101010101010101010101010101010101010101010101010101010101

aLgEg

ARRANGER Jyoo AARRANGER BAND jbaa a baaiaiaiaaii IEXR-46 OR jagg gagggagggagggagggag

FAMILY 1

aall aasall aalll

MALFOUF 102

:aiy

.ARABI .MALFOUF.MASRI .SAIDI .MAKSOUM

.TURKISH ,KHALIGI ,OR-WORLD .TRADITIONAL

yall selssj 10 SELECT jjj

aJzaiiaeaoaill Jzaiyballd

ps! 1g 1g SELECT j g all Jx

p 1

"OT2aJzIJIaIbIaIbIaIbIaIbIaIbIaIbIaIbIaIbIaIbIa! (3)

Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt Jt

S OBC = S COD + S_ BOC

.USBgcllalcLaiyIaiaolaoalalalaae:abdo

J 1

juii iie

1

yssll dysipjisi j, jzall dlLk pjsiw diI gji

aaii aaiiaai iie g jg jg jg jg jg jg jg

BOSS FS-5U gDP-6gDP-2 JJ 1

jglll 1

gall FUNCTION

"KB SET"FAMILY

eEEXR-46 OR jgjagaiyallpaaeei ygiillacggalil gll Lgclnigwgsia

a1 + a2 + a3 = 6 又 ai Si ai + aj + ak = 6

.FSW" 15 15 SELECT 15

Sustain

SELECT FAMILY 1234567890123456789012345678901234567890123456789012345678901234567890123456789012345678901234567890123456789

（.）"a+

Punch I/O"Jusssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss

all aas g all sasg SONG jj bai

"Jusill cuao" (1) p, gbljraai!

REC 1j jy ypaall aowd bafl.7) (5) (5)

REC JJJJJJJJ (1)

FAMILY! (2)

Lgall ggy jgl gall gall ggo daa

A 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 100

10 × 9 = 64

j 15

.（a）a 10

Jnnsone

Juswll 10000000000000000000000000000000000000000000000000000000000000

MINUS ONE

Jain

. 6

Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa Jaa

A

a1jI 508oSTRT/STOP

. 1JSSI JSSIJIg LAIUII (9)

(3) a b c d e f g h i j k l

(3)

START/STOP

gssgalln (tJyj) jjjjdo dol ggsaill lll

Jlll jllj j 1 J 1

jSSALLJGJSTo

.（3）abla（7）

PUNCH

(1) (2)

aie 1

Original track

RE-START
RE-START

a a a a a a a a a a a a a a a a a a a a a a a a a a a a a

JALILIJIJIIGI JIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJ

sJls Jls Jll "Jus" dlis jLl! J "Jus

J

REC Jusill jbiol! (1)

FAMILY 2

RECORD

SPLIT JJbai,paai bai 3

jJbAabwBgBaaBballgEyLByaCgBssWbBnJ!

-1+ TAP TEMPO

i 1

pwww wawll 11 uab zgga juaa aai iia

1.17 1jllge Jgblal 1j

"Jg J

a 11 a11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 0000000000000000000000000000000000000000000000000000

Jg j 1000 REcRD o Jc Jg Jg Ie buiu Looie Ii Ioi gllle dji dji dki aai iia Loo,illldj

1 1111111111111111111111111111

REC Jaaill jbiol 1

aalaa aalaaal alalalalalalalalal

Lis/1sJdJIgcoIgMFX

g aagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaaagaa

dsas gllg. gallol sllj j lglw .jlls

m = 311

"1111 1

gjagllg 2g, gglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglgglggl

dikaww wuw wu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wuu wUUW

4 1

iLglo gao ygill ydsjy jyswll "yjyssll" cagjai! kdo

a 152

g

dsLoljwJdji 140gEXR-46 OR jgs

11 11

Jg

Jusill Jus

EXR-46 OR jj j

jlll lalall

1

Lo afojao Lo Juswai kdo jgll

a

gjgai jaiLoo

uLulUgall) 11 11 11 11

（）

jduwbl jduwll dSg e gll 1s:(Jg)ll) Keyboard

"PUNCH I/O" "SINGLE"

1. "PUNCH I/O" & "SINGLE"

Lgalee 10

START/STOP

J 1

SONG 222222222222222222222222

START/STOP 2

acljla jajl5 START/STOPjjb#i (3)

（4）

jij jil 1y, oji j 10000000000000000000000000000000000000

:REC FILL "REC MODE" FAMILY

11016 1RECORD

gjgoaiaLo aaiwlo J"J11"

Exr-46 OR

FAMILY "REC ALL" 13:20:20 EXR-46 OR JUSERSONG LALL

jj baii Lioicg. (9 9 o jai) ci jil lal l i k

L131 Single LEXLEXL EXR-46 OR J42 1000 REC

jral 1e jolai) . JALI JIO OLOgloJe GsiaJUSERSONG sli

（）

:2yLJyRjLjLjLj! (9)

gjgall sclwsslll llllll yllllllllllllllllll

ARRANGER BAND

aLall pao jssgss gssss

SLALLS JSLJGLLALLLGLLSTYLEJJb

a

jglge baiial abawg yball g jzil (3)

.VARIATION j ORIGINAL j INTRO

START/STOP

aJ+TAPTEMPOJzj

L

Cjgall alz y jd 0o START/STOP b

11 11

SELECT FAMILY jjTONE jjBzJ (·.u) USER TONES

REC JJJJb1 (8)

J

(1) G M_ (2) L_ (3) L_ (4)

One Right,LEFT,BASS,DRUM

abii jill jll 2jllball

ENTRY + biziL. RIGHT jj g"1." sdi jd j

DATA

VALUE

10 RIGHT

DATA ENTRY jjj)MINUS ONE 4

Aa

(29) a : a x,y,z MINUS ONE a : a x,y,z

JLJIaIg aIe"Y" dJIJI g

aalg) aalglll oaljly aolal aasssall oLogaal p

(0)

jLgJx! jSx y gill LSLgll aLcLgaa

1.7~19,9~7,1,1 2.2311111111111111111111111111111111111

BASS

S AOB = S AOD + S_ OBC

DRUMS

aJgjzjjzjyI JzJdzj:

a1jy 1 yjgjjbai! (4)

acljIy jgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJgJg

DATA ENTRY jjj)MINUS ONE (6)

a

(29) 1000000000000000 MINUS ONE 1000000000000000

FAMILY 15 G biaill di
G Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn Jn J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J n J.

USERSONG 151 jai (""j) "..." jai: abkdo
(duuill ysi slil) 1.1 g (aiaagll) 1.1 a slll l i!
, 131 Jgala bikc oLb y ES aiai Ile oos
pYes/+ le biall diklc oI y ll lgsal

aJai aai llg jy fag gddlll Jy dla Jy abdo .dssd lno no 1s Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia Jia JIAJ

L 150000000000000000000000000000000000000000000000000000000000

1 111111111111111111111111111111111111111111

g j 1

d 154

.（0 format files)

ARRANGER & SONG CONTROLS

SYNC TAP TEMPO START/STOP

TART/STO

INTRO

ORIGINAL

FILL

VARIATION

ENDING

MARKER A-B

REPEAT A-B

MINUS ONE

aie 15 15 aee 15 aee 15 aee 15 aee 15 aee 15 aee 15 aee 15 aee 15 aee 15 aee 15 aee 15 aee 15 aee 15 aee 15 aee 15 aee 15 aee 15 aee 15 aee 15 aee 15 aae

aJzall aegaaol JzIgall

oio o Logeall gao ay. yaiy jaiy jaiy 10

jLJI 1

g jill l jll l jll ll l jll baii laic iiai alle

JSSSONGCONTROLS,ARRANGER

( )

BAND 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A 4A

e 1

aJUeIgulIc Uusbll lji eesjgl cLsI jcls

(ajolil

Egssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss

(2)

17 20

gssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss

（）

aalaae aee

DRUMS&BASS

a

baa a b

COMBO

i 1

FULL BAND

aagaaagaaagaa

gagll jj 1j210a

ALSSs slll lIy Ie Iy Sgill User STL

.

1,2,3,4 : 1,2,3,4 : j A

Jn Jn nn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn

E LgAeJxjExR-46 OR jLgJy

. START/STOP jj bi:di Lo:di Jo:di w

a 10 a

USER STL

FAMILY 4

(aaallll jaiil) wlll l

JbIaLio LgLaLyBaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaIyBaaa

USER STL,Flash

aalall aegaaal pwl wlllglg

MALFOUF 73

FLASH 132

.ajlll aegaaal Jal gallgallg (5)

1

1ii yj ciS ljj gill aJrddi pi gill aJrdda cagaa jdu

SELECT jzj biaiialg yjx Jx

l_12 = 98 - 1 = - 4

MASRI. (009~013) SAIDI. (001~008) MAKSUM

.029\~035）ARABI.(026\~028)MALFOUF.(014\~025)

(050~066) OR-WORLD (036~049) TRADIT

(089~099) TURKISH.(067~088) KHALIGI

EXR-46 OR jIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJ

aLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdLdL

(1VJb)“aJallgao"aaag

jLjUJUaJuaJaaJIaI (101~150) FLASH

e 150

jssll jgs no oclay y no uall d 1s no sbsiall

A. all j all all all all all all all all all

Lgki dksy jill lclzly jj y aaggl sll 99 dlia

.Data Size 1eLaiI oai Iogalall jie daies dlia 1e llllip iill kssll aol sabiooll 201\~.) DISK

daii daii daii gao jao jao jao ai caiy i ci jia jia baiy jia

jLUserSTL 1J

Jg 1g, g.

（20 11

AINTROD ORIGINAL FILL VARIATION) ENDING (1)

aJ 1

j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j# j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j#j

（g）

"Volume" and "Auto bass"

L

DUAL jbiJ! Jj

LALALALALALALALALALALALALALALALALAL

aalwlll 1

JJJ Jc biaill Jds no Dual g, Jda Ldi Sol

j j jie bai all jog Ugsos sLsLsLLUSR TONES

1.1231 0.0:0

IUSER TONES JJJJJJJJJJJJJJJJ

ailllll lllllllllll

11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11

aallll lllllllllllllllllllllllll

^2 = - 1m1 + 1n2

UdbuaDUAL JJbdu!dUaBbUu

（）ACCOMP BALANCE

（）

DUAL

(14) (w) wlll 10000000000000000000000000000000000000

iiIbIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIyIy

1. g( x) ≤ 1 + 1x 或 1 + 1x

1

SPLIT

y j 155 j 155

aannnnnne aannnnnne

jla jlaaalw yg yogyglge:abdo

1548 1548

wlll 1000 wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu wu

EaIaIaIaIbI START/STOP JJ aIaIaIaIbI dIe:abla

jbi jlljzall gagall lai y dlaiaaegdol a

1 1

aalall joljall ljjll" 10 jbjl:abdo

Jssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss

cL2y1zclj

aLaa

G

j. jgjckjgljckjgljckjdlkclj jie jie jie jie jie jie jie jie jie jie

jL

（gjall）aalllaaagbgyjgljdlgjj

LwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLwLw

j4

（s（pL））all djol pLxEXR-46 OR j

（）

Main

144 144

11 11 11 11 11 11 11 11 11 11 11 11

A

Split

y

a aaa a a a a a a a a a a a a a a a a a a a a

Dual 2111

AaSdU JyssuI bbsagwLwI aasall Iaaal 1

1

wulil gull pl

j bai, aai, 1i jae i yaiyai yaiyai yaiyai

.PIANO SOLO

1j) jooai j e jaoai aarranger

jLjLjLjLjLjLjEXR-46 OR jLjLjLj(LjLj

.11111111111111 2

(3)

JLSSIITR. 1A. JIUSER TONES

jlll lcll lal 5TST/STOP jglbaiall jlll

lll jll lclj y jil s o jil iiai.

. 1

:LeLg21

jIaXJxJxJxJxJxJxJxJxJxJxJxJxJxJxJxJxJxJxJxJxJxJxJxJxJxJxJxJxJx

EXR-46 OR jLj

(3) a jghil jdi HiFi jq

(4) aB aBb11 1a

USB ⑥

J 15

jssllg

OUTPUT R, L/MONO g/o/og

EXR-46 OR 142

j, j, L mixer jL l l J. HiFi jzao Lei! jzai

11 11

jL (g) (Amplifier)

OUTPUT L/MONO

DCIN jaiy

.PSP-4U) jlll lllllllllllll

jLgcoafoalglalbdo

. dJgBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnBnB

Cord Hook

J 1 J

aLlal aalll

FOOTSWITCH

DP-6.DP-2)

Lg jai glll lalil 100000000000000000000000000000000000000000000000000000000000

jLo aIaIg aIaIg all aegagall no y aIy IaIg all aai! g
10000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o 1o

FUNCTION 24

jij jai jai di kao, ci blll jai jai li cia i aee 111111111111111111111111111111111111111111111

DISK 25

Lglo Lgai gill glall lgllll lla bia (0r jk) 1sall pkiy iie Ie kgs, 1sll no USB algsj Jn no logale all Jzj and jzj di k:

jll jjj 26

alg.（aalldlj）jlllgljy jlllbsi
iaai gilbdojglaojzdiokjy jle kla

jellolol

（）a 1111111111111111111111111111111111111111111111111111111111

Ee

I
DISK DRIVE alsslll J
.（）J
MIDI fppy 1
L
J
J
H
HDY aLLIe (y·) DD

LOCK

17

pia 122222222222222222222222222222222222222222222222222222222222222222222222222 1111111111111111111111111111111111111111111111

KEYBOARD MODE 1
EXR-46 OR 2
ERRANGE BAND) 3
Piano/SOLO) 4
EXR-46 OR 5
Piano/SOLO 6
EXR-46 OR 7
Piano/SOLO 8

⑧

MUSIC ASSISTANT gaaagall selalll jj
jglj gla aagaaagaaal al jg jll dla ll jy

19

SONG aiej j ②
jaiydi, "aiei" jaiydi jaii iia dll gaae
Jgall Jgaii Igaii gO RIGINAL INTRO

STYLE

j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j

TONE 1

FAMILY 1111111111111111111111111111111111111

DATA ENTRY Lgglal Jzj 1
Lgall jzj 1
101 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

SELECT FAMILY jzj

sli ygiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gaiy gai

12

VOLUME 0000000000000000000000000000000000000000000

J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J 1 J

alaloglaIggiJllksslljbjb jglalilgj)jlalilglaL aJlalil JgolipgPROTECT (

aLa 11b2x.

1 1

EXR-46 OR j#j#i#

jlll g oall p aol lal p k jll

a a a a a a a a a a a a a a a a a a

aL

gog, jzall jzol gabla aedl, glssll

dcll j. 1000000000000000000000000000000000000000

EJ 5jEgell j. (EJECT) jIJIJJ Ie bi

LsJdJz

Jusall Jc eliJusall no dclldj 1r! 1dJg2

g lbc d j 1s (Ljdo Jdall g

J 1

431 1 jgljll Jl jlln no Ld

J 1

Jlll o j 1000

a 1

gall

Floppy 1

Ld 1d2y Ld d

a aaii iiaai bai gaiyai jai L

LsUJJI JIgOgJIOgJIO

#

aLg aocLi Jusaae bJzll cnnl gaoa aabii

pJzIe aell lI e Iy Jy LoI, LALy XaLz

jIeI Ioo oo sll ldd j. Jooie Laoia Lkio

aLg aclLi JLoaabla L

j.（j）.

gddgdsdgsdgsdgsdgsdgsd

a1g jzj g j42ll

aagalee

gss gss sss ssss

aJlall jIjll JwJie gJgJgJgJgJg

aalalglgdljbdjla)

y..logallgjw!u jix

J 1

aLd

aSlllalgga jlae aikoljlae

jlll jsiw!egw aai ylo Jbc wyy jqall

Jalog gjz jilosag jgall jilog jjj Jai

JUJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJ

JLaeiw 1g w g

Lgbcbiailglaiuie gblb1y

g 1

i 1

Ji jia jia jia jia jia jia jia jia

EXR-46 OR j

aJus Jus 4y. aJus all Jg jz

J 1

aJg jIg aJg

aJcJgLo gdojzui 2 jglal Jbc Jgauu Lij

aBbBbBbBbB

EXR-46 OR jlecbw galejglgdlgdlgdlg

1

11V 19
V. 100
11
170
117 ... "Md 1"
1Y.A. MIDI 15a

2
E
2.6
0. jall coj y aiaoo oijy jaiy i:uyill
17.
27.
57.
[\therefore \log \left( {a + b}\right) \leq b]
E
A. 2
A. 2
£9.
£9. 1
29. 1
0. 1
0. 1
01. (USB) jiggssll plsiuL Llogell bis
0
07.
0r.
04. ..dssall joo aedwosall lclzLj
04.
0 1
Format
07.
ov.legio IV
ov.
oV....Demo
oV. 1
oV.
oV.... ..Initializing
0A.

a

1. 1
   "..."
   Y (pLall)
   "GLB")
   Octave 15,21
   11 1
   12 1
   1
   4.2.1.1.2.2.3.4.5.6.7.8.9.10.11.12.13.14.15.16.17.18.19.20.21.22.23.24.25.26.27.28.29.30.31.32.33.34.35.36.37.38.39.40.41.42.43.44.45.46.47.48.49.50.51.52.53.54.55.56.57.58.59.60.61.62.63.64.65.66.67.68.69.70.71.72.73.74.75.76.77.78.79.80.81.82.83.84.85.86.87.88.89.90.91.92..
   4
   4.8 2.11
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2. (MFX) suuall uji gall lue pui i
   (Reverb)
   V
   V-LINK
   jLgEX-40 OR jLgcbvI V-LINK sb
   A. (20 154
   19 1
3. (plaiy)
4. 1
   E .OCTAVE
   1
   E
   E
   24
   24
   24
   E E

（aLey）aSdial celiy
Y Minus One 2
Y
11
Y
11. S_ OBC = 12 · CO · BC = 12 × CD × 5
Y
R
YE ALL JJI gJgJdall
T
Y
Punch
17.
17.
17.
YV.
YV.
YV.
YAN. (BassInv)
YAN.
49. 23
9. 15
19.
9 SCALE MEMORY dLiJg Jooj k
1
1. ....iilbll 0g g g g g g g g g g g
1.
1
1.
1. ..(SFX") 2. all 3. all 4. all

Ljzll
V. iolo ciubdo I
9. jglalol
9.
11 2
17 21
17 1421114e!
17 DEMO
17.
17.
17.
14.
14.
14.
16
16.
10. (gjssll) jalssll co jall 0
10.
17.
17.........(Sync Start&Stop)
17.
17.
V. BAND ORCHESTRATOR aqall qwio aolg w
A BALANCE
19.
19.
Y.
i.
T.

Jusall g j! dibio g g y bgy kaly Laiy

S AOB = S COD + S BOC - S BOC

jLg Lg jLgJgJgJgJgJg

Ibill jzjbcjcLagaiy y jia Jlabll Jgliiie jie

EXR-46 OR jLjLjLjLjLjLjLj

1. ai a ai 分母最小值为 k .

iJgll plssu wie oia jusall

LgSg Sg Sg Sg Sg Sg Sg Sg Sg Sg

sall sdo ksw g wgwlal

g 11111111111111111

LgJgIgIgIgIgIgIgIgIgIgIgIgIgIgIg

1

EXR-46 OR jL

J 158g jy 25 yj 25 25

ailllll llllll sllr jlll jllllll

zLg y 10 no dai zLal p k L jyll dlai 10 no sLi

jlll jll

L ADB = L CEA = 2

a 1

a_i = 12

Jgjgl Jg jg jg jg jg jg jg jg jg jg

j_l = 12j_l

y

aill 1

x1 = -b - ^2 - 4ac2a,x2 = -b + ^2 - 4ac2a

aaiy aaiy aaiy aaiy aaiy aaiy aaiy aaiy

ExR-46 OR jLJ Lai J
jLj
(1) (1) 1111111111111111111111111111111111111111111
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EXR-46 OR jL

JLJ 1 JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI JIJI

L

EXR-46 OR jLg,

：jlllglg jy

FAMILY 1234567890

aJlJI JIO SELECT 1aijI jjj diKoi Laii, iJoo

iioiiiae gaoai jiu jiu

jiao gao

Lgjdc gaaagcLgA 19A LEXR-46 OR jLg2gss

a.s s aLLsLiAg. lclgUgbsu

(INTRO, ORIGINAL, VARIATION, FILL, ENDING)

aJg j 1

e 1 aal l jy y g rall pall

jll

yLalLaLoLaiuI Loo.GM,GM2,GS,XG

i d i 111111111111111111111111111111111

a

jg jy gJUJL .GX light EXR-46 OR jg :jz

aaii aaiy joll aiibgai iawuai gaoall b

floppyLJExR-46ORjLgjLs

aagssall lclzJl jLg logal 2DD,2HD)

1 2 a 3 a 4 a

djk = 2

ggs 14

EXR-46 OR jLgj

jglg jglg jglg jglg jglg

ED = 1

jLg 19 JxuEXR-46 OR jLg C

ywwlll ywll lgl 1

aalwlll 1

aJall, Jssssll

Jdai all jgl yal lglal aer

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g 100000000000000000000000000000000000000000000000000000000000000000000

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.1EXR-46 OR 2005

. EXR-46 OR jolall Jolal l ola oIogbdoa Iolallo . (VJ) "ola oIbdoo" iioi yia jn jn jn jn jn jn jn jn jn jn

aIall llll 10000000000000000000000000000000000000000