AT-60SL - Numeric keypad ROLAND - Free user manual and instructions

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USER MANUAL AT-60SL ROLAND

F2 4 AT-80SL_60SL_e.book 1 X— 2004#3A23A XMA ÆA9R#345 ROLAND ORGAN MEN ATELIER AT 80S Zur ATOOS Zrrury OWNER'S MANUAL Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (Owner’s manual p. 2), “USING THE UNIT SAFELY” (Owner’s manual p. 3), and “IMPORTANT NOTES” (Owner’s manual p. 5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference. Copyright © 2004 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.

4 AT-80SL_60SL_e.book 2X—% 2004#3A23A XMA ÆA9H345 The lighning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the products enclosure that may be of suficient magnitude to constitute a risk of electric shock to persons. CAUTION ATTENTION: aisous 0e CHOC ELECTRIQUE NE PAS OUVAIR CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK) NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. The exclamation point within an equilateral triangle is INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS

WARNING - When using electric products, basic precautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all wamings.

10. Protect the power cord from being walked on or pinched

particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

4. Follow all instructions. 11. Only use attachments/accessories specified by the

5. Do not use this apparatus near water. manufacturer.

6. Clean only with a dry cloth. 12. Never use with a cart, stand, tripod, bracket,

7. Do not block any of the ventilation openings. Install in

accordance with the manufacturers instructions.

8. Do not install near any heat sources such as radiators,

heat registers, stoves, or other apparatus (including amplifiers) that produce heat. or table except as specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

9. Do not defeat the safety purpose of the polarized or 13. Unplug this apparatus during lightning storms or when

grounding-type plug. À polarized plug has two blades with one wider than the other. À grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. When the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. unused for long periods of time. . Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. For the UK. IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. BLUE: NEUTRAL BROWN: LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

SING THE UNIT SAFELY

[ INSTRUCTIONS FOR THE PREVENTION OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS | About À\ WARNING and /\ CAUTION Notices About the Symbols Used for instructions intended to alert The À symbol alerts the user to important instructions the user to the risk of death or severe or warnings.The specific meaning of the symbol is WARNING |imjury should the unit be used| |/\|determined by the design contained within the improperly. triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used The © symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that improperl © must not be done is indicated by the design contained A CAUTION proper y: within the circle. In the case of the symbol at left, it

• Material damage refers to damage or means that the unit must never be disassembled. other adverse effects caused with The @ symbol alerts the user to things that must be respect to the home and all its carried out. The specific thing that must be done is furnishings, as well to domestic € indicated by the design contained within the circle. In animals or pets. 7 |the case of the symbol at left, it means that the power- cord plug must be unplugged from the outlet.

ALWAYS OBSERVE THE FOLLOWING ---

AWARNING Ï] | AWARNING | + Before using this unit, make sure to read the + The unit should be connected to a power supply instructions below, and the Owner’s Manual. AN only of the type described in the operating instruc- A tions, or as marked on the rear side of unit. For AT-60SL | . . + Use only the attached power-supply cord. Also, + Do not open or perform any internal modifica- the supplied power cord must not be used with tions on the unit. any other device. CO) nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards! + Do not open or perform any internal modifica- tions on the unit. (The only exception would be where this manual provides specific instructions which should be followed in order to put in place user-installable options; see p. 251.) + This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist. For AT-80SL + Do not excessively twist or bend the power cord, OS +. Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page. +. Never use or store the unit in places that are: © + Subject to temperature extremes (e.g, direct + Donot allow any objects (e.g,, flammable material, sunlight in an enclosed vehicle, near à heating GS coins, pins); or liquids of any kind (water, soft duct, on top of heat-generating equipment); or ({NQ) drinks, etc.) to penetrate the unit. are + Damp (e.g,, baths, washrooms, on wet floors); et or are Humid; or are Exposed to rain; or are Dusty; or are Subject to high levels of vibration. +. Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

[ À\ WARNING | [ À CAUTION | + _Immediately turn the power off, remove the + Atregularintervals, you should unplug the power power cord from the outlet, and request servicing ÂA plug and clean it by using a dry cloth to wipe all O by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the ’Information” page when: The power-supply cord, or the plug has been damaged; or If smoke or unusual odor occurs Objects have fallen into, or liquid has been spilled onto the unit; or The unit has been exposed to rain (or otherwise has become wet); or The unit does not appear to operate normally or exhibits a marked change in performance. + In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit. + Protect the unit from strong impact. (Do not drop it!) +. Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord's outlet must never exceed the power rating {watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through. + Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the ’Information” page. For AT-80SL + Always turn the unit off and unplug the power cord before attempting installation of the light € bulbs (p. 20). +. Do not put anything that contains water (e.g., flower vases) on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, ete. near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth. À CAUTION | + The unit should be located so that its location or position does not interfere with its proper venti- lation. cord when plugging into, or unplugging from, an +. Always grasp only the plug on the power-supply Q outlet or this unit. dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire. + Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children. the unit. + Never climb on top of, nor place heavy objects on Q + Never handle the power cord orits plugs withiet hands when plugging into, or unplugging from, ( an outlet or this unit. the precautions listed below. At least two persons are required to safely lift and move the unit. It should be handled carefully, all the while keeping it level. Make sure to have a firm grip, to protect yourself from injury and the instrument from damage. + Check to make sure the knob bolt securing the unit to the stand have not become loose. Fasten them again securely whenever you notice any loosening. + _ If you need to move the instrument, take note of O Disconnect the power cord. Disconnect all cords coming from external devices. Close the lid. Fold down the music stand. + Before cleaning the unit, turn off the power and unplug the power cord from the outlet (p. 20). (eu in your area, pull the plug on the power cord out + _Whenever you suspect the possibility of lightning & of the outlet. + Be careful when opening/closing the lid so you do not get your fingers pinched (p. 20). Adult super- vision is recommended whenever small children use the unit. put them in a safe place out of children's reach, so there is no chance of them being swallowed accidentally. For AT-80SL + Should you remove screws and light bulbs, make sure to put them in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally. + Should you remove the knob bolts, make sure to O

F2 @)-AT-808L_608L_ebook 5 AY 2004#3A23A AM FMO83 4% Important Notes In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2 and 3, please read and observe the following: Power Supply +_ Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet. + Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices. + Although the LCD and LEDs are switched off when the POWER switch is switched off, this does not mean that the unit has been completely disconnected from the source of power. If you need to turn off the power completely, first turn off the POWER switch, then unplug the power cord from the power outlet. For this reason, the outlet into which you choose to connect the power cord’s plug should be one that is within easy reach. Placement + Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of inter- ference. + This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers. +_ Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initi- ating a call, or while conversing, Should you experience such problems, you should relocate such wireless devices 50 they are at a greater distance from this unit, or switch them off. + Observe the following when using the unit's floppy disk drive. For further details, refer to “Before Using Floppy Disks” (p. 6) + Do not place the unit near devices that produce a strong magnetic field (e.g., loudspeakers) Install the unit on a solid, level surface. + Do not move the unit or subject it to vibration while the drive is operating. + Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Also, do not allow lighting devices that normally are used while their light source is very close to the unit (such as a piano light), or powerful spotlights to shine upon the same area of the unit for extended periods of time. Excessive heat can deform or discolor the unit. + When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated. +_ Do not allow rubber, vinyl, or similar materials to remain on the unit for long periods of time. Such objects can discolor or otherwise harmfully affect the finish. +_ Do not allow objects to remain on top of the keyboard or pedal board. This can be the cause of malfunction, such as keys ceasing to produce sound. + Do not paste stickers, decals, or the like to this instrument. Peeling such matter off the instrument may damage the exterior finish. Maintenance + To clean the unit, use a dry, soft cloth; or one that is slightly dampened. Try to wipe the entire surface using an equal amount of strength, moving the cloth along with the grain of the wood. Rubbing too hard in the same area can damage the finish. + Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation. Repairs and Data +_ Please be aware that all data contained in the unit's memory may be lost when the unit is sent for repairs. Important data should always be backed up on a floppy disk, or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data Additional Precautions +_ Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on a floppy disk. + Unfortunately, it may be impossible to restore the contents of data that was stored on a floppy disk once it has been lost. Roland Corporation assumes no liability concerning such loss of data + Use a reasonable amount of care when using the unit's buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions. + Never strike or apply strong pressure to the display. +_ A small amount of noise may be heard from the display during normal operation.

+ _ When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements. +_ A small amount of heat will radiate from the unit during normal operation. +_ To avoid disturbing your neighbors, try to keep the unit's volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night). + When you need to transport the unit, pack it in shock- absorbent material. Transporting the unit without doing so can cause it to become scratched or damaged, and could lead to malfunction. + Do not apply undue force to the music stand while it is in use. + Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions. + Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For infor- mation on cable specifications, contact the manufac- turer of the cable. Before Using Floppy Disks Handling the Floppy Disk Drive +_ Install the unit on a solid, level surface in an area free from vibration. + Avoid using the unit immediately after it has been moved to a location with a level of humidity that is greatly different than its former location. Rapid changes in the environment can cause condensation to form inside the drive, which will adversely affect the operation of the drive and/or damage floppy disks. When the unit has been moved, allow it to become accustomed to the new environment (allow a few hours) before operating it. + Toinsert a disk, push it gently but firmly into the drive— it will click into place. To remove a disk, press the EJECT button firmly. Do not use excessive force to remove a disk which is lodged in the drive. +_ Never eject a disk while reading or writing is in progress, since that can damage the magnetic surface of the disk, rendering it unusable. (The disk drive’s indicator will light up at full brightness when the drive is busy reading or writing data. Ordinarily, the indicator will be less brightly lit, or be extinguished.) +_ Remove any disk from the drive before powering up or down. +_ To prevent damage to the disk drive’ heads, always try to hold the floppy disk in a level position (not tilted in any direction) while inserting it into the drive. Push it in firmly, but gently. Never use excessive force. +_ To avoid the risk of malfunction and/or damage, insert only floppy disks into the disk drive. Never insert any other type of disk. Avoid getting paper clips, coins, or any other foreign objects inside the drive.

Handling Floppy Disks + Floppy disks contain a plastic disk with a thin coating of magnetic storage medium, Microscopie precision is required to enable storage of large amounts of data on such a small surface area. To preserve their integrity, please observe the following when handling floppy disks: Never touch the magnetic medium inside the disk. Do not use or store floppy disks in dirty or dusty areas. Do not subject floppy disks to temperature extremes (e.g,, direct sunlight in an enclosed vehicle). Recom- mended temperature range: 10 to 50° C (50 to 122° F). Do not expose floppy disks to strong magnetic fields, such as those generated by loudspeakers. + Floppy disks have a “write protect” tab which can protect the disk from accidental erasure. It is recommended that the tab be kept in the PROTECT position, and moved to the WRITE position only when you wish to write new data onto the disk. Rear side of the disk Write (can write new data onto disk) | Protect Write Protect Tab (prevents writing to disk)

+ Theidentification label should be firmly affixed to the disk. Should the label come loose while the disk is in the drive, it may be difficult to remove the disk. + Store all disks in a safe place to avoid damaging them, and to protect them from dust, dirt, and other hazards. By using a dirty or dust-ridden disk, you risk damaging the disk, as well as causing the disk drive to malfunction. + _Disks containing performance data for this unit should always be locked (have their write protect tab slid to the “Protect” position) before you insert them into the drive on some other unit (except the PR-300, or a product in the HP-G, MT, KR, or Atelier families), or into a computer’s drive. Otherwise (if the write protect tab remains in the “Write” position), when you perform any disk operations using the other device’s disk drive (such as checking the contents of the disk, or loading data), you risk rendering the disk unreadable by this unit's disk drive. + GS (@ÿ) is a registered trademark of Roland Corpo- ration. Microsoft and MS-DOS are registered trademarks of Microsoft Corporation. Apple and Macintosh are registered trademark of Apple Computer, Inc. IBM and IBM PC are registered trademark of International Business Machines Corporation. AI product names mentioned in this document are trade- marks or registered trademarks of their respective owners. XG lite (X®) is a registered trademark of Yamaha Corpo- ration.

PS) F2 4 AT-80SL_60SL_e.book 7 <— Main Features We want to take a moment to thank you for your purchase of the Roland AT-805 Luxury /AT-60$ Luxury “Atelier Series” Organ. The AT-808 Luxury/AT-60S Luxury is an electronic organ which provides a generous collection of rich organ sounds. In addition, it is designed to be easy to learn and use. In order to enjoy reliable performance of your new keyboard for many years to come, please take the time to read through this manual in its entirety.

• The AT-80S Luxury and AT-60$ Luxury are abbreviated in this text as “AT-80SL” and “AT-60SL,” respectively. Basic concepts of the ATELIER series A full complement of organ sounds A wide range of basic organ sounds, ranging from jazz organ and pipe organ to theatre organ, are onboard so you are sure to enjoy having access to all the sounds you expect from an organ. Panel layout based on a tradition of emphasis on realtime operation Based on the idea that you should be able to sit down and begin playing immediately, the operation buttons of the panel are arranged by function as dictated by classic organ traditions, ensuring easy and intuitive operation. All models of the ATELIER series feature the same operability, allowing you to start playing immediately even if you switch models. High-quality sounds that you can use without editing In addition to a full range of organ sounds, high-quality sounds such as strings and brass are also included onboard. You can simply select sounds and enjoy playing the organ—no need to perform complicated editing operations. Expansive lower keyboard with damper pedal for piano-like expressiveness Piano is indispensable to the performance of contemporary music. On the ATELIER series, the lower keyboard features an As) æ

expanded range that gives you the expressive power of a piano. The keyboard also features half-damper pedal capability and initial touch sensitivity, both indispensable for piano performance All models provide high-quality grand piano sounds. Design utilizes your existing music data The ATELIER series is designed so that even on new models, you will feel right at home and can begin playing immediately. Data compatibility has also been carefully taken into account, and song data or registration data from earlier models can be used without change. Music styles from around the world Many of the best-loved musical styles from around the world (rhythm and automatic accompaniment patterns) are built in, allowing you to enjoy an international range of performances. Compatible with GM2, the world standard in SMF music files, and equipped with its own floppy disk drive, the ATELIER brings you access to the wealth of SMF music files available on the market. You can also mute parts, allowing you to practice the part for each hand separately, and enjoy performing ensemble with the music files.

4 AT-80SL_60SL_e.book 8X—> 2004#3A23A XMA ÆA9H#345 Main Features Features RSS reverb technology is used to create a high-quality ambience that surrounds the listener (AT-80SL) The AT-80SL provides an AUX OUT for RSS Ambience, allowing you to enjoy very high quality RSS reverb sound. In addition, a speaker is built into the panel, ensuring that the performer will also enjoy the exceptional sound quality. Highly Realistic Rhythms and Automatic Accompaniment Functions AI rhythms use data from performances by professional drummers, featuring high-quality patterns with all the grooves and subtle nuance of the real thing. In addition, you can use automatic accompaniments that are perfectly matched to each rhythm to enjoy the feeling of playing with your own band in the background. Active Expression sounds For some of the sounds, moving the expression pedal will vary not only the volume but also the tone, or add other sounds. From pianissimo to fortissimo, the tonal character of the sound itself will change as you perform a crescendo, or strings may appear behind the piano, creating dynamic changes in tonality. “Music Assistant” and “Quick Registration” functions The “Music Assistant” function makes it easy to recall appropriate rhythm and sound settings simply by selecting a desired atmosphere for your song. The “Quick Registration” function lets you use keywords to select wonderful registrations created by top-ranking organists such as Hector Olivera. Human voices and phrases &

In addition to a full array of organ sounds, the ATELIER: series provides human voices such as “Jazz Scat,” and human voice phrases such as “Amen.” Harmony Intelligence The Harmony Intelligence function automatically adds harmony to the upper keyboard sound according to the chord you play in the lower keyboard. This gives you greater tonal depth and a more powerful performance. Rhythm Customize Function Lets You Arrange the Internal Rhythms You can use the “Rhythm Customize” function to edit the internal rhythms, for example by adding a single cymbal at the end or changing the drum tone in a pattern. You can also save edited rhythms to the instrument as well as to floppy disks. 76-note lower keyboard for plenty of range The 76-note range can be split into zones, allowing a solo voice, pedal bass voice, percussion, etc., to be played independently for an even wider range of performance possibilities. Since the lower keyboard can be divided into a maximum of four parts, you have at your command expressive power that rivals that of a three-manual organ. In addition, you can use the Drums/SFX function to play drum sounds or sound effects from the entire lower keyboard. Newly developed jazz organ style footage sound generator (AT-80SL) The AT-80SL features a new “digital harmonic bar” function that lets you adjust the volume of each footage. In addition to the rich sounds of the ATELIER series, you can enjoy the versatile tonal expressions of a jazz organ. Music score display in the LCD screen The large LCD screen allows recorded data or loaded music data to be displayed as a musical score. You can enjoy the convenience of playing from a score, or checking the score of a song you recorded. Furthermore, the instrument features a color LCD panel for great visibility and comfortable operation.

Main Features Video output of lyrics (AT-80SL) You can connect a television to view the lyrics from SMF music files. EH Conventions Used in This Manual This manual uses the following conventions in the interest of simpler, more concise instructions. + Button names are enclosed in square brackets (“[ ]”), as in [Harmony Intelligence] button. + On screen text is enclosed in angled brackets “< >”, as in <Exit>. + HT IAIIYI [«]1Qæ ] means that you should press one or the other button. Example: Value [-][+] buttons, Reverb [A] [W] buttons, Tempo [ ] [æ ] buttons. + The text incorporates AT-80SL screen shots and panel diagrams. Thus, there will be some portions where the information differs from that for the AT-60SL. + For easier readability, some screens and colors used here may differ in part from actual screens and colors. + The act of lightly contacting the Touch Screen with your finger is called “touching.” + An asterisk (*) or a (NOTE) at the beginning of a paragraph indicates a note or precaution. These should not be ignored. + (p. *) refers to pages within the manual.

Important Notes... Main Features Conventions Used in T Panel Descriptions... 16 Before You Start Playing. Opening/Closing the Lid… Setting Up the Music Rest Connecting the Power Cord. Turning the Power On and Off. Turning On the Power. Turning Off the Power Using Headphones. Using a Microphon Turning On the Lights (AT-80SL) About the Bench. Restoring All the Factory Default Settings … Restoring All Settings Other Than the User Memory to the Original Factory Setting:

Chapter 1 Selecting and Playing Sounds

Selecting Voices .… About the Voices and Parts ….. Functions of the Upper/Lower/Pedal Ba: Selecting the Upper and Lower Voices Selecting Pedal Bass Voice Selecting Solo Voici Selecting a Voice Using the [Others] Buttor Performing with a Human Voice... Sound Select Buttons Performing with an Active Expression Voice Creating Organ Sounds (Footage) (AT-80SL) … Adjust the Volume Balance. Transpose the Pitch in Octave Units (Octave Shift) . Playing Drum Sounds or Sound Effects from the Entire Lower Keyboard (Drums/SFX) Changing Drums/SFX Sets ….

Contents Playing a Lower Voice with Percussion Instrument Sounds and a Voice Phrase (Manual Percussion) …… Changing the Manual Percussion Sets... Sustaining Notes in the Lower Part (Lower Hold)

Chapter 2 Using Rhythm Performance

Selecting a Rhythm. Using Rhythms Stored in User Memory . Rhythm Search. Playing Rhythm Starting at the Press of a Button Starting the Rhythm Automatically When You Play the Lower Keyboard or Pedalboard (Sync Start) Stopping the Rhythm. Changing a Rhythm's Tempo... Playing the Count Sound at the End of the Intro Playing Rhythm and Automatic Accompaniment Adding Variety to the Rhythm or Automatic Accompaniment.. Changing the Arrangement of the Rhythm and Accompaniment (Style Orchestrator Playing Chords with Simple Fingering. Leading Bass Function A Simple Way to Make Automatic Accompaniment Settings (One Touch Program) Using a Rhythm from a Disk. &) Inserting and Ejecting a Floppy Disk Reviewing the Styles on a Music Style Disk Copying Rhythms on Disks into User Memory. Restoring the Rhythm Stored in the User Memory to Their Original Factory Settings. Copying Rhythms Saved in User Memory to Floppy Disks…. en Changing the Order of the Rhythms Stored in User Memory. Changing the Names of Rhythms Stored in User Memory Deleting Rhythms Stored in User Memory

Chapter 3 Using the Registration Buttons.

Storing Registrations Recalling a Registration … How to Recall a Registration (DELAYED How to Recall a Registration (INSTANT) … Changing the Timing of Recalling Registration: Automatically Registering When You Switch Panel Settings Assigning a Name to a Registration Set Formatting Disks … Saving Registration Sets to a Floppy Disk. Loading Previously Saved Registration Sets Into the AT-80SL/60SL Loading a Set of Registrations. Loading an Individual Registration Recalling the Order that the Registrations are Saved on the Floppy Disk (Load Next). 106 Deleting a Set of Registrations from a Floppy Disk . Changing the Order of Registration on Floppy Disk Using Registrations Created on an Earlier Model … 4 $

Chapter 4 Using the Performance Functions

Transposing to a Different Key (Key Transpose) Adjusting the Brightness of the Sound Adding Decay to the Sound (Damper Pedal Pitch Bend and Vibrato Effect Using the Foot Switches …. Changing the Function of the Foot Switch. Using the Foot Switch to Switch Registrations Adjusting the Overall Volume Using an Expression Pedal Adjusting the Depth of the Expression Pedal

Chapter 5 Applying Various Effects to the Sound

Adding Harmony to a Melody (Harmony Intelligence) Changing the Type of Harmony Intelligence . Adding Modulation to the Sound (Rotary Effect) Changing the Sustain Length Reverb Effect Changing the Reverb Type Changing the Wall Type … LA Changing the Depth of the Reverb

Chapter 6 Using the Lower Keyboard Effectively

Making Effective Use of the Lower Keyboard Playing the Solo Voice on the Lower Keyboard (Solo [To Lower] Button) Changing How the Solo Voice Responds. Layering the Solo Voice and Lower Voice Changing the Solo Split Poin Using the Lower Keyboard to Play the Ba: Changing the Bass Split Point Using the Lower Keyboard to Play the Bass Voice (Pedal [To Lower] Button) …… Split] Button)

Chapter 7 Recording/Playing Back What You Play 143

What is a Track Button? … Displaying the Track Buttons Playing Back Performance Songs Stored on Floppy Disk and SMF Music Files Silencing a Specific Track (Track Mute) … Muting Individual Tracks of Performance Data Viewing a Notation Changing the Notation Settings Recording a Performance Playing Back a Performance Song... Add a Count Sound to Match the Timing (Count In Play). Recording Each Part Separately Re-Recording. Erasing a Performance Song (Song Clear) … Changing the Name of a Performance Song (Rename)

Contents Saving Performance Songs Onto Floppy Disk... Loading Performance Songs Into the AT-80SL/60SL Deleting Performance Songs Stored on Disk. Layering a New Recording onto SMF Music Files . Using Song with a Different Tempo Than That of the Performance Song . Re-Recording Part of Your Performance (Punch-in Recording). Recording and Layering Drum Parts (Loop Recording Count-In Recording.

Chapter 8 Editing Your Musical Performance Data... 165

Deleting a Specific Measure (Delete Measure).. Delete the Recording from a Track (Delete Track). Erase Recording (Erase Event) . Copying Measures (Copy) … Correct Timing Inaccuracies (Quantize) …

Chapter 9 Creating Original Accompaniment Rhythms….….......…. 173

Preparations for Creating User Rhythms.. Displaying the Rhythm Customize Screen. Selecting the Division. Loading the Rhythm Making the Division Settings Editing the Rhythm. 4 Changing and Deleting the Instruments Used Deleting Rhythms You Have Created. Changing the Name of a User Rhythm (Rename).. Saving User Rhythms to the User Memory or Floppy Disk

Chapter 10 Various Other Settings

Adjusting How the Instrument Responds…. Turning Aftertouch On/Off Adjusting the Depth of Aftertouch. Adjusting the Initial Touch Sensitivity Changing the Pedalboard Polyphony Performance Function Settings. Selecting the Range of Keys to Which the Damper Pedal will Appl Changing the Function of the Expression Pedal Selecting the Range of Keys to Which the Pitch Bend/Vibrato Lever will Apply Changing the Pitch Bend Rang, Rhythm Settings... Turning Chord Hold On/Off Count Down Sound... Preventing Rhythm Tempos from Switching Automatically . Registration Settings … Changing the Timing at Which Arranger Settings are Recalled Changing the Timing at Which Transposition Settings are Recalled Composer settings … Switching the Display of Lyrics On or Off... Changing the Key When Playing Back Songs (Play Transpose) Changing the Metronome Setting.…

PS) & 4 AT-80SL_60SL_e.book 14— 2004#3A231 XMA FA9H344 & | © Contents Adjusting the Metronome Volume. Changing the Sound of the Metronome Setting the Beat Other Settings. Adjust the Standard Pitch (Master Tune) Mic Echo. Enabling Transmission of PC Numbers. Setting the PC Number. MIDI IN Mode … Selecting the MIDI Transmit Channel Repositioning the Touch Screen. Displaying a Graphic at Power-up (AT-80SL) Deleting an Image Stored in Internal Memor Switching the Background of the Main Screen Eliminating the Bouncing Ball from the Main Screen. Using the V-LINK function

Chapter 11 Connecting with External Device.

Name and Functions of Jack and Connectors (AT-80SL) Name and Functions of Jack and Connectors (AT-60SL) Connecting to Audio Equipment... Connecting a Computer Connecting a MIDI Devices @ Connecting MIDI Devices … Connecting a Television to View the Lyrics (AT-80SL) Switching the TV Format Connecting External Speakers or an external Reverb Unit to Broaden the Reverb (RSS Reverb) (AT-80SL)... . Switching the Aux Out On/OFF Switching the Aux Out Mode...

Opening/Closing the Lid Connecting the Power Cord Ci  TE ENS

1. To open the lid, hold it with both hands and lift it

straight up. Then, slide it to the rear.

2. To close the lid, slowly pull it forward until it

stops. Then, gently lower it into place. Be careful not to get your fingers caught when opening or closing the lid. Adult supervision is recommended when small children are going to be using the instrument. To prevent accidents, be sure to close the lid before moving the organ. Make sure you don't have anything (such as sheet music) on the keyboard when you close the lid Setting Up the Music Rest

1. Lift the music rest gently.

2. To collapse the music rest, fold in the metal

fittings while supporting the music rest with hand and gently fold down the stand. Do not apply excessive force to the installed music rest.

1. First, make sure that the [Power On] switch at the

panel’s left side is OFF (not pushed in). Upper position

2. Connect the supplied power cord to the AC Inlet

connector, then plug the other end into an AC outlet. Only use the power cord supplied with this instrument Whenever you do not intend to use the instrument for extended periods of time, pull out the power cord from the AC outlet. Turning the Power On and Off Once the connections have been completed, turn on or off power to your various devices in the order specified. By turning on or off devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. & Turning On the Power T. Make sure of the following before the power is turned on. +_Is the power cord correctly connected to the AC inlet? +_Is the power cord correctly connected to the AC outlet? + _Is the [Master Volume] slider (located at the left of the Lower Keyboard) set to the Min (minimum) position?

2. Press the [Power On] button to turn on the power. Using Headphones

Before You Start Playing Power On Lower position The AT-80SL/60SL features a Phones jack. This allows you to play without having to worry about bothering others around ON you, even at night The Power indicator lights in red.

Power Indicator Lo | Roland + Ex nt Bt oi LT =

T. Connect your headphones to the [Phones] jack underneath the left side of the keyboard. This unit is equipped with a protection circuit. A brief The sound from the built-in speakers stops. interval (a few seconds) after power up is required before the Now, sound is heard only through the headphones unit will operate normally. L

3. The [Master Volume] slider located on the left of

the Lower Keyboard panel is an overall control for adjusting the volume of the entire instrument.

Phones Now adjust the [Master Volume] slider to a suitable

2. Adjust the headphones volume with the [Master

level. The volume will be increased when the Expression Volumel slider and Expression pedal. Pedal is pressed down, and decreased when the pedal is returned. NE

Accepts connection of Stereo headphones. decrease the volume , Some Notes on Using Headphones Jan increase je the volume À CAUTION + To prevent damage to the cord, handle the headphones only by the headset or the plug. + Headphones may be damaged if the volume is too high Œ Turning Off the Power when they are plugged in. Lower the volume on the AT- 80SL/60SL before plugging in headphones.

1. Before switching the power off, set the [Master

+_ To prevent possible auditory damage, loss of hearing, or Volume] slider to the Min (minimum) position. 1 ( )p damage to the headphones, the headphones should not

2. Press the [Power On] button to turn off the power. be used at an excessively high volume. Use the

headphones at a moderate volume level. Power On Upper position OFF

Before You Start Playing Using a Microphone Turning On the Lights (AT-80SL) The AT-80SL/60SL is equipped with a Mic jack. Since this instrument has a Mic In jack, you can use a microphone to enjoy a variety of possibilities such as singing along with your performance, or singing along with SMF music files (sold separately).

T. Connect your microphone to the [Mic In] jack underneath the left side of the keyboard.

2. Use the [Mic Volume] knob to adjust the volume

level for the microphone. MEMp You can adjust the depth of the echo applied to sound from the microphone (p. 194). MEMD The microphone must be purchased separately. When purchasing a microphone, please consult the vender where you bought the AT-80SL/60SL. (AT-80SL only) Ifthe Input switch is set to “RSS,” RSS reverb will be applied to the sound from the microphone. You can use the [Mic Volume] knob to adjust the microphone volume (p. 210). Some Notes on Using a Microphone À CAUTION + To avoid disturbing others, be careful of the volume level when playing late at night or very early in the morning + _ When connecting a microphone to the AT-80SL/60SL, be sure to lower the volume. If the volume control is too high when the microphone is plugged in, noise may be produced by the speakers. + Howling could be produced depending on the location of microphones relative to speakers. This can be remedied by: + Changing the orientation of the microphone. + Relocating the microphone so it is farther from the speakers. + Lowering volume levels. After turning on the power, turn on the [Illumination] switch (located underneath the left-hand side of the keyboard).

Illumination The panel illumination of the instrument will light. Cautions When Using Illumination À CAUTION When the illumination is used for an extended period, the light bulbs and the metal parts near the light bulb (see diagram below) will become hot. Be careful not to touch these areas. In particular, be careful of the following locations. T. Panel illumination light bulb Do not touch the light bulb or nearby parts. When

closing the lid, be sure to hold the handles.

2. Metal fittings of the cover

After closing the lid, do not touch this area. MEMD The bulbs used for illumination can be replaced. For details on replacing a bulb, refer to “Replacing the Illumination Bulbs (AT-80SL Oniy)” (p.251). Illumination Switch

PS) F2 4 AT-80SL_60SL_e.book 23 K—:; Before You Start Playing About the Bench The bench seat can be opened, and sheet music and other items can be stored inside. Caution When Using the Bench À CAUTION When opening/closing the seat, be careful not to pinch your fingers.

Restoring All the Factory Default Settings You can restore all of the settings stored in the AT-80SL/ 60SL to what they were when the instrument shipped from the factory. This function is called “Factory Reset.” T. Make sure there is no floppy disk in the disk drive before carrying out the procedure.

2. Touch <System> on the Main screen.

The System screen appears. Susten Send PC Suitch Bank MSB Bank LSB PC Nunber

3. In the System screen, touch <Utility> to open the

Utility screen. To restore all settings other than the User memory (p. 62) to their original factory settings, touch <Panel Reset>.

4 AT-80SL_60SL_e.book 24 K—:; Before You Start Playing The confirmation message appears on screen. Factory Reset OK? En na If you touch <Cancel>, the Factory Reset will not be performed, and you will return to the System screen.

5. When you touch <OK>, the Factory Reset

operation will begin, and the settings will return to the factory-set condition. Never switch off the power while this operation is in progress! Executino.. Loading factory default settings will erase any Registrations currently in the memory of the AT-80SL/60SL. To save the registrations you are currently using, refer to “Saving Registration Sets to a Floppy Disk” (p.98). To reset only the User memory (p. 62) to its original factory settings, refer to p. 78.

You can also use the following method to return to the

factory-set condition. T. Make sure there is no floppy disk in the disk drive before carrying out the procedure.

2. Turn down the volume to the minimum level,

then turn off the power.

3. While holding down the [One Touch

Program] button, press the [Power On] switch to turn the power on. One Touch Power On Program The following screen appears. Factory Preset is Loaded. Never switch off the power while this operation is in progress! k J

Before You Start Playing Restoring All Settings Other Than the User Memory to the Original Factory Settings You can restore all of the settings other than the User memory (p. 62) to their original factory settings. This function is called “Panel Reset.” What is the User Memory? The User memory is the area within the instrument where User rhythms you create as well as rhythms from Music Style Disks are stored. You can also copy rhythms (p. 78) saved on floppy disks to the User memory. T. Make sure there is no floppy disk in the disk drive before carrying out the procedure.

2. Touch <System> on the Main screen.

The System screen appears. Susten Send PC Suitch Bank MSB Bank LSB PC Nunber

3. In the System screen, touch <Utility> to open the

Factory Reset set ER (EF instater FC ln RS Lait] . Utitit: The confirmation message appears on screen. Panel Reset OK? If you touch <Cancel>, the Panel Reset will not be performed, and you will return to the System screen.

5. When you touch <OK>, the Panel Reset operation

will begin, and the settings will return to the factory-set condition. Never switch off the power while this operation is in progress! Executino.. To reset only the User memory (p. 62) to its original factory settings, refer to p. 80

PS) F2 4 AT-80SL_60SL_e.book 26 X—:; About the Display The AT-80SL/608SL makes use of a Touch Screen. This lets you carry out a wide variety of actions just by touching the screen lightly. . . The explanations in this manual include illustrations that depict what should typically be . shown by the display. Main Screen Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g,, includes newer sounds), so what you actually see in the display may not always match what appears in the manual. The Touch Screen is operated by touching it lightly with your finger. Pressing hard, or using a hard object can damage the Touch Screen. Be careful not to press too hard, and be sure to use only your fingers to operate the Touch Screen. HE Understanding the Main and Related Screens As) æ

Number Explanations The positioning of the 1 Tempo Touch Screen may become 3 Mcssure displaced due to changes in the surrounding 3 Beat environment and over n Bouncing Ball time. If this happens, A ball will bounce in time with the rhythm or song. follow the steps in 5 Transpose “Repositioning the Touch Displays the transpose setting. Screen” (p. 197) to correct the pointer position. 6 Chord Name Displays the name of the chord that is played in the lower keyboard. Indication button 7 Pressed to choose which name to have indicated; either the Rhythm Do not place items on the Name, Song Name, or Registration Name. touch screen. 8 Rhythm Name/Song Name/Registration Name 9 Digital H-Bar (AT-80SL only) You can display the Footage screen (p. 50). You can adjust the Voice Name brightness of the screen (p. 10 | Displays the name ofthe upper keyboard voice 203, p. 204). 11 MUSIC ASSIST (Music Assistant) Press this when you want to use the Music Assistant function (p. 32). Sound/Kbd (Sound/Keyboard) Select a voice (tone), or make settings for the effect depth, keyboard, etc. You can set the Main screen 50 that the bouncing ball does not appear (p. 201)

F2 4 AT-80SL_60SL_e.book 27 À 2004#3A23A XMA F9H344% cpouD : gg =0 ame mc ELU) Number Explanations Rhythm 13 Play the internal rhythms, and play disk rhythms or copy them in internal memory. Rhythm-related settings can also be made here. About the Display Registration 14 Load registrations from disk into internal memory, or save registrations to disk. Registration-related settings can also be made here. Rec/Play 15 Play back or record a song. You can also view a score display while a song plays. System Make various settings: Quick Guide Displays the Quick Guide screen. While the Quick Guide screen is displayed, you can press the keyboard, a button, or a foot switch to jump to the related setting screen (p. 38)

This icon is displayed when the V-LINK function is on. LOTS ANT |, LINK function (p.201) This icon is displayed when the instrument contains SMF music files. This icon is displayed when any portion of the recorded song has been altered. As) æ

This icon appears in the display when an Active Expression voice is selected. — Active Expression Voice (p. 49) This icon appears in the display when an EX voice is selected. —+ Ex Voice (p.45)

Foot Suitch ROTARY FAST/SL OU) { GIST-02 IFF Reoist Shift OSREGIST-03 O4REGIST-04 Danper Pedal Ï to LOUER | OSREGIST-05 Button Meaning Depending on the function, some screens are spread over multiple pages. Q--D- av the next or previous page of the screen. You can touch Touch this when you want to exit (close) the currently several displayed screen. Normally, touching <l times takes you back to the Main screen.

Sub-windows You can touch <Registration> in the Main screen or <Utility> in other screens to access a screen like the following. This type of screen is called a “sub-window. quick When you touch a menu in Reoistration the sub-window, the sub- Cest | . selected menu screen will Sound/Kbd | [ Fhuthn (caresser appear. Fec/Plau Susten | [Qui window will close, and the In a sub-window, touch <Exit> to exit the sub- window.

4 AT-80SL_60SL_e.book 29 2004#3A23A XMA FA9H3 44 ju Il Sub-windows for setting values When you are making settings in the System screen, the following type of

screen appears. Return to the factory settings. | El Modify the value. | Controller

Convenient Functions Listening to the Demo Songs The AT-80SL/608L provides demo songs. Here’s how to play the Demo songs, and fully appreciate the sounds, Rhythms, and Automatic Accompaniment that are available with the AT-80SL/60SL. Composer MEMD For details on the composer Reset Play/Stop Rec Song Registratiofi [ Demo ] of each demo song and CI EH (D © OT their profiles, refer to 14 > . “Demo Song List” (p. 257). T. Make sure that a floppy disk is not inserted in the disk drive. Ifa floppy disk is in the disk drive, press the Eject button and remove the floppy disk.

2. Press the [Demo] button to make the indicator light.

The Demo Screen appears. As) æ

4. Touch< > to start playback of the demo song.

play 8 When the selected demo song ends, the next demo song will begin playing.

A . . l ii Convenient Functions

5. Touch <[=1}> to stop playback of the demo song. MEMb

You can play /stop the demo songs by pressing the

6. Press the [Demo] button to exit the demonstration screen. panel [Play /Stop] button.

If the following screen appears If the performance song in the unit has not been saved to floppy disk, the MEMb following message appears, and it will not be possible to play the Demo The performance data can be saved on a floppy disk songs. If you wish to save the musical data to a floppy disk, refer to “Saving  Clear Song DK? Performance Songs Onto Floppy Disk” (p.158).

LT you want to delete the performance data, touch <OK>. All rights reserved If you do not want to delete the performance data, touch <Cancel>. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws. The data for the Demo song that is being played is not available at the MIDI Out connector.

Music Assistant Function A collection of the world's best, most well-known songs were carefully selected, then the optimum panel settings for each of them were determined, and the resulting data was stored inside the instrument. Simply select the keyword that most closely suggests the character of the song you have in mind, and a rhythm performance, a sound for the melody, and other selections will be made for you. Once you've selected a keyword, all you have to do is play the keyboard to start performing. MEMD

1. Display the Main screen. If some other screen is

displayed, touch <Exit> to close the currently open screen. Sound/Kbd [ Fhuthn [Feoistration Rec/Play [ Susten G Kide

2. Touch <MUSIC ASSIST> on the Main screen.

era Het Sound/Kbd [ Fhuthn | [Resistration Rec/Play [ Susten G Ke The Music Assistant screen appears. E husic Assistant 2Killa Sunrise 4 Love's Sake Sth Manbo 8-Ball! Absolute Adeline C Search

3. Touch <(0-<Q- to switch screens, and touch a keyword

appropriate for the character of the song. E Music Assistant 2Killa Sunrise 4 Love's Sake Sth Manbo ( Exit [G Search The Registration buttons [1]-[4] flash. Panel settings appropriate for the keyword will automatically be called up for the Registration [1]-[4] buttons.

4. Onthe Lower keyboard, play a chord.

At the moment you play the keyboard, the Intro will begin, and then the Rhythm and Automatic Accompaniment will play.

5. Press a Registration button from [1] through [4] to switch the

Program] button, extinguishing its indicator. Convenient Functions

E Music Assistant Search You can specify a song name and other search terms and use these for a Music Assistant search. T. Touch <MUSIC ASSIST> on the Main screen. The Music Assistant screen appears. E Music Assistant 2Killa Sunrise 4 Love's Sake Sth Manbo 8-Ball! Absolute Adeline ( Exit [G Search

2. Touch <Search> on the Music Assistant screen.

À sub-window appears. EE tusic Assistant 2Killa Sunrise 4 Love's Sake Sth Mant Bu Nane 8-Ball! fbsolute| BU Conditions | Adeline Exit

Searching by Music Assistant name

F2 Search Bu Nane Specify initial letter of keyword to search, then touch <Start>. MEMD If some other screen is displayed, touch <Exit> to close the currently open screen.

4. Decide which character you will use for the search.

The selected character appears in the middle of the screen. Enter the character you are searching for. For example, touching <ABC> in succession cycles you through the available choices in that character group OUT AT) Touch <ABC/123> to toggle between alphabets and numerals.

5. Touch <Start> (Start Search).

The results of the search appear in the display. To cancel the search, touch <Exit> in the Search Results screen.

6. Touch a Music Assistant name to select a Music Assistant.

Touch <Exit> to return to the Music Assistant screen. Searching by conditions

3. Touch <By Conditions>.

You can use four different criteria in searches: “Tempo,” “Rhythm,” “Genre,” and “Scene.” Tenpo Rhythm Genre Scene

4. Touch the value for the search term.

The results of the search appear in the display. To cancel the search, touch <Exit> in the Search Results screen.

7. Touch a Music Assistant name to select a Music Assistant.

Touch <Exit> to return to the Music Assistant screen.

PS) F2 4 AT-80SL_60SL_e.book 36 X—:; conne EU Choose a Keyword for Quick Registration Selection You can select a voice appropriate for your performance by selecting from keywords representing your situation, location, musical genre, etc. You can call up registrations created by top-level organists, and refer to them for hints on how to select and layer sounds when creating your own registrations.

1. Touch <Registration> on the Main screen.

The sub-window appears. 2 Load feoistration ||Save IDisk Edit

The Quick Registration screen appears. Quick Resistration Classical [Baroque Oroan | Beautiful Vienna [Bach Stule | Classical Choir [Ronantic Oroan Lave Maria | [ French Üroan | [ fideste Fideles |

3. Touch a button that shows a Quick Registration group.

Convenient Functions À sub-window appears, allowing you to select a Quick Registration group. [cp] Classical Bio Band Jazz Theater Organ

4. mthe sub-window, touch a sound Quick Registration group

name to select the desired Quick Registration group. The sub-window closes, and the Quick Registration screen returns to the display.

5. Touch <Upper>, <Lower, or <Pedal>, switching the

respective button’s indicator on or off, to select the keyboard to which the voice is to be assigned.

Setting Keyboard for which you select a voice Upper Upper keyboard Lower Lower keyboard Pedal Pedalboard > to switch pages, and touch the desired keyword. The voice will be assigned to the selected keyboard. Repeat Steps 5 and 6 if you want to make any further changes in the voice setting.

2004#3A23FR XHA FA9H349

PS) F2 4 AT-80SL_60SL_e.book 38 X—:; ACTTE j conne nn About the Quick Guide function The AT-80SL/608L offers a Quick Guide function, which makes it easy for you to access various functions. While the Quick Guide screen is displayed, you can press the keyboard, a button, or a foot switch to jump to the related setting screen. MEMD 1 e Touch <Quick Guide> on the Main screen. If some other screen is displayed, touch <Exit> to The following Quick Guide screen appears for several seconds. pe close the currently open screen. Quick Guide Pains Tru pressing button or keus, or operating the |: contrallers! : MEMb For more on keys, buttons, and controllers that can be used with the Quick Guide function, refer to “Settings That Are Stored After the

2. While the Quick Guide screen is displayed, press a button, Power Is Turned Off” (p.

keyboard, pedal, or foot switch. 255).

You will be taken to the screen that contains settings related to the button, keyboard, pedal, or foot switch that you pressed.

Make settings in the screen to which you jumped.

When you are finished making settings, touch <Exit> to close the screen. The Main screen appears. H About the Index menu In the Quick Guide screen, you can touch <index> to access the Index Menu. In the Index Menu screen, you can touch a keyword to jump to the setting screen for that keyword. 1 e Touch <Quick Guide> on the Main screen. The following Quick Guide screen. Quick Guide Phnmbsints Try pressino button or keys, or operatino the controllers!

3. Touch a letter of the alphabet A-W to select the first letter of

Send PC Suitch Song Edit The setting screen for the specified keyword appears.

5. Make settings in the setting screen that appeared.

The Main screen appears.

Chapter 1 Selecting and Playing Sounds

Selecting Voices You can play the sounds of various instruments on the AT-80SL/60SL. These sounds are called “Voices.” H About the Voices and Parts The AT-80SL/608L has two manual keyboards and a pedalboard. From top to bottom these are called the “Upper Keyboard,” “Lower Keyboard,” and “Pedalboard.”

=] | Upper Keyboard | Hein #1 D Lower Keyboard Pedalboard

Three parts, “Organ,” “Symphonic,” and “Orchestral” are assigned to the Upper and Lower keyboards, respectively, and you can select one voice from each part. Plus, with the addition of the “Solo” part voice, you can have up to three voices playing simultaneously (the Solo voice can be played in either the Upper or Lower keyboard). The Pedalboard has two parts: “Pedal Organ” and “Pedal Orchestral.” You can select one voice for each part, meaning that it is possible to play up to two voices simultaneously. Keyboard Parts Upper Organ Upper Symphonie Upper Keyboard Upper Orchestral Solo (This voice is sounded only when the Solo [To Lower] button be extinguished) Lower Organ Lower Symphonic Lower Orchestral Solo (This voice is sounded only when the Solo [To Lower] button lights up) Pedal Organ Pedal Orchestral Lower Keyboard Pedalboard To play a Solo voice on the Lower keyboard, select the Solo voice and press the Solo [To Lower] button (p. 137). MEMD To play a Pedal Bass voice on the Lower keyboard, select the Pedal Bass voice and press the [Bass Split] button (p. 140).

Each time you press a voice button, its indicator will switch between being lit and being turned off. Voices that have their button indicator lit can be played. Two voices of the same family are assigned to each voice button. Buttons with voices from two different families have the names of both voices printed on them. The [Alternate] button switches between these two voices. The [Alternate] button Voice that will be selected The voice indicated on the button is The [Alternate] button is not lit. selected. Another voice of the same family or the voice indicated on the bottom half of the button is selected. The [Alternate] button is lit.

Chapter 1 Selecting and Playing Sounds

No sounds are produced, even when the keys are played, when the Voice button is unlit and all footage voices are off.

Chapter 1 Selecting and Playing Sounds

Selecting the Upper and Lower Voices Press the “Organ,” “Symphonic,” or “Orchestral” buttons for each Keyboard (Upper/Lower) to select the desired voice. When the power is turned on, the Upper keyboard will play “Full Organ1” and the Lower keyboard will play “Lower Organ1.” MEMD Example: Selecting “Full Organ 5” for the Upper Organ, The lower voice can be “Strings 5” for the Upper Symphonic, and Upper selected in the same way as Orchestral “Grand Piano” for the Upper Orchestral. the upper voice.

1. Press the Upper Organ [Full 2] button (indicator lights).

The name of the selected voice appears in the display for several seconds. Upper Organ Voice Full Oroan2 Now when you play the Upper keyboard, the “Full Organ 2” will sound.

Press the Upper Organ [Alternate] button (the indicator lights). When you play the Upper keyboard, the “Full Organ 5” will sound. Each time you press the [Alternate] button you will switch between the two voices which are assigned the button.

3. Press the Upper Symphonic [Strings] button (the indicator

lights). Now when you play the Upper keyboard, the two voices “Full Organ 5” and “Strings 5” will sound simultaneously (mixed together). A. Press the Upper Orchestral [Piano] button (the indicator lights). When you play the Upper keyboard, “Grand Piano” will be added, producing a mixture of three different voices.

H Selecting Pedal Bass Voice Immediately after the power is turned on, the Pedal Bass voice will sound single notes using the “Organ Bass1” voice. Press the buttons of the various parts of “Pedal Organ” and “Pedal Orchestral” to select voices. AT-80SL Example: Select “Pipe Org. Bs” for the Pedal Organ part, and select “String Bass” for the Pedal Orchestral part Press the Pedal Organ [Pipe] button (indicator lights). The name of the selected voice appears in the display for several seconds. Pedal Organ Voice Pipe Oro. Bs Now when you play the Pedalboard, “Pipe Org. Bs” (Pipe Organ Bass) will be heard. Press the Pedal Orchestral [String] button (indicator lights). Now when you play the Pedalboard, the two voices Pipe Organ Bass and String Bass will sound simultaneously (mixed together).

Chapter 1 Selecting and Playing Sounds

MEMD Normally, playing the pedalboard will sound one note at a time. Settings can be adjusted to allow multiple notes to be played on the Pedalboard (p. 185) MEMD If you press the Pedal [To Lower] button (indicator lights — p. 142) or [Bass Split] button (indicator lights + p. 140), the Pedal Bass voice can now be played by the Lower keyboard, not by the Pedalboard. MEMD AT-808L have the [Octave Up] button. Play the Pedalboard once more. Notice that when the [Octave Up] button is on, the selected Pedal Bass voice will sound an octave higher.

Chapter 1 Selecting and Playing Sounds =

H Selecting Solo Voice The Solo section of the Upper keyboard is monophonic, that is, the Solo voice will only sound for the highest note played on the Upper keyboard. This allows you to play full chords and have the selected Solo voice playing By pressing the Solo [To the highest (solo) note. Lower] button, you can play the Solo voice from AT-80SL the Lower keyboard For details refer to Solo “Playing the Solo Voice on the Lower Keyboard (Solo [To Lower] Button)” (p.137).

Flute || Oboe Clanet Alternate To Lower F F EF) OC] Itis possible to change how a Solo voice will sound. Normally, the Solo voice will be sounded by the æ . , dd Example: Selecting “Trumpet” for the Solo part highest note you play on the Upper keyboard, but 1 ° Press the Solo [Trumpet] button (indicator lights). you can make settings so that the last-played note The name of the selected voice appears in the display for several seconds. will sound the Solo voice. For details, refer to Solo Voice “Changing How the Solo Voice Responds” (p. 138). Trunpet Play the Upper keyboard. The selected voice will sound by the highest note played. When you press the [Alternate] button, the two voices assigned to the button will alternate.

H Selecting a Voice Using the [Others] Button Notice that there is an [Others] button for each part. By using the [Others] button, you can select all voices.

Chapter 1 Selecting and Playing Sounds

As with the other voice buttons, the [Others] button can be assigned two voices (one voice for “Pedal Organ” and one for “Pedal Orchestral”). You can use the [Alternate] button to switch between these two voices. MEMD 1 ° Press the [Alternate] button for the Part for which you wish Step 1 is unnecessary in the to specify a voice to select ON (lit) or OFF (dark). ase of Pedal Bass Part. The setting of the [Alternate] button: ON (lit) or OFF (dark), determines to which of the two available locations a newly selected voice will be assigned. (or)

2. Press the [Others] button for the Part for which you wish to When you press the

[Others] button, the Others specify a voice. Voice screen appears in the The Others Voice screen appears for several seconds. display screen, but the basic screen will reappear if you wait several seconds without touching the ies]{mmeoter di & If you want to change the ibia eater Or. voice for the [Others] Theater Or.1 Theater Or.5 button, press the [Others] [ Theater Or.2 | [ Theater Or.6 | button once more, then select the voice by quickly

touching the screen while the Others Voice screen appears in the display.

3. Touch a button that shows a sound group.

MEMP A voice indicated by [EX] Theater Or.4 EX is called an EX voice.” Theater Or.l Theater Or.5 These voices are especially Diheater 02 [Ümeater 06 | recommended

Chapter 1 Selecting and Playing Sounds

À sub-window appears, allowing you to select a sound group. COS | Strings [ Woodwinds = [Human Voice Piano [Bass Guitar | Percussion

4. mthe sub-window, touch a sound group name to select the

desired sound group. The indicator of the selected [Others] button will blink. The Others Voice screen appears, showing the sounds of the specified sound group. Upper Ürgan OrchStr.Ens Chanber Str2 Full Trenolo Œ} } OrchStr-Ens En [ Str/Spiccato æ| [ Strinasi | [ Chanber Str | [ Strings? |

name to select a voice. > to switch screens, and touch a voice

6. Once again, press the blinking [Others] button to confirm

the voice. The indicator of the [Others] button will change from blinking to lit. You can touch <Active Expression> in the Voice Select screen to have only the Active Expression voices be displayed. “Active Expression voices” can be assigned to the [Others] buttons of the Upper Orchestral part, Lower Orchestral part, Pedal Orchestral part, and Solo part. For more on the active expression voices, refer to “Performing with an Active Expression Voice” (49)

You can also confirm the voice by touching <Exit> in the Others Voice (Other Voice select) screen. You can also press the key for the part containing a changed voice to confirm the voice setting, MEMD For more information about the voices that can be assigned to an [Others] button, please refer to “Voice List” (p. 220).

Chapter 1 Selecting and Playing Sounds

H Performing with a Human Voice In addition to sounds such as organ and piano, you can also play “human voice,” which produces a vocal-like sound. 1 ° Press the [Alternate] button for the Part for which you wish to specify a voice to select ON (lit) or OFF (dark). The setting of the [Alternate] button: ON (lit) or OFF (dark), determines to which of the two available locations a newly selected voice will be assigned.

2. Press the [Others] button for the Part for which you wish to

specify a voice. The Others Voice screen appears for several seconds. Upper Ürgan Organ [ Tibia & | [ Theater Or.4 æ| [heater Or.1 ] Linester Or.s | [ Theater Or.2 | [ Theater Or.6 |

3. Touch a button that shows a sound group.

Theater Or.4 E Theater Or.l Theater Or.5 Diheater 02 [Ümeater 06 | À sub-window appears, allowing you to select a sound group. COM | [Strings ___I{ Wooduinds _| [Pano [Guitar J{ Percussion _| Exit [ AEx Uoice .æil MEMD For more information about the voices that can be assigned to an [Others] button, please refer to “Voice List” (p. 220). MEMD Step 1 is unnecessary in the case of Pedal Bass Part. When you press the [Others] button, the Others Voice screen appears in the display screen, but the Main screen will reappear if you wait several seconds without touching the screen. If you want to change the voice for the [Others] button, press the [Others] button once more, then select the voice by quickly touching the screen while the Others Voice screen appears in the display.

Chapter 1 Selecting and Playing Sounds

In the sub-window, touch <Human Voice>. The indicator of the selected [Others] button will blink. The Others Voice screen appears, showing the sounds of the Human Voice group. The Others Voice screen will appear, and the sounds of the Human Voice group will appear. Upper Ürgan Eten Li Jazz Scat 2 F.Chorus Huh Æ [uazz Scat 3 | Luszz Doo | [ Dreany Choir | [ Jazz Doot Il > to switch the screen, and touch a voice name to select the desired voice. Upper Ürgan [ uazz Scat 2 | EF.Chorus Huh æ| [uazz Scat 3 | Luszz Doo | [ Dreany Choir | [ Jazz Doot Il Once again, press the [Others] button for the part whose sound you wish to set to confirm the voice. The indicator of the [Others] button will change from blinking to lit. MEMD For some human voices, such as “Jazz Scat,” the sound will change depending on the strength

at which you play the keyboard. If the Utility menu setting “Initial Touch” (p.185) is “OFF,” the sound will not change in response to the dynamics of your keyboard playing. MEMD You can also confirm the voice by touching <Exit> in the Others Voice (Other Voice select) screen. You can also press the key for the part containing a changed voice to confirm the voice setting,

Chapter 1 Selecting and Playing Sounds

H Performing with an Active Expression Voice Some voices are “Active Expression voices,” for which advancing the expression pedal will not only vary the volume, but will also add other voices. Touch the [Others] button of the Part to which you want to assign an Active Expression voice. “Active Expression voices” can be assigned to the [Others] buttons of the Upper Orchestral part, Lower Orchestral part, Pedal Orchestral, and Solo part. The Others Voice screens appears. Touch a button that shows a sound group. À sub-window appears, allowing you to select a sound group. CM | [ Piano" ][ Bass ] In the sub-window, touch <AEx Voice> (Active Expression Voice). The indicator of the selected [Others] button will blink. The Others Voice (Others Voice Select) screen appears, and only the Active Expression Voices from the entire collection are displayed. Upper Drchestral pe AEx Str+Brs fil

> to change screens, and touch a voice Touch name. Once again, press the [Others] button for the part whose sound you wish to set to confirm the voice. The indicator of the [Others] button will change from blinking to lit. An active expression voice will be selected.

MEMD For details on the active expression voices that are available, refer to “Voice list” (p. 220). Although you can select an Active Expression voice with the [Others] button for parts other than Lower Orchestral, Upper Orchestral, Pedal Orchestral, and Solo, no Active Expression effect is (Active Expression) icon applied. The , does not appear when an Active Expression voice is selected for a part for which the Active Expression effect is not CO) being used. MEN Sounds marked by Mi” support the Active Expression function. MEN You can also confirm the voice by touching <Exit> in the Others Voice (Other Voice select) screen. You can also press the key for the part containing a changed voice to confirm the voice setting,

Chapter 1 Selecting and Playing Sounds

Creating Organ Sounds (Footage) (AT-805L) You can touch <Digital H-Bar> in the Main screen of the AT-80S to display the Footage screen. The sliders displayed in the screen are called “harmonic bars.” The Footage Tablets that allow you to create a wide variety of organ sounds by combining voices of different pitches. Footage Screen Upper Footage

By touching the harmonic bars and sliding them, you can adjust the volume of each footage. The volume can be adjusted over nine steps (0-8). When a harmonic bar is pulled out all the way (8), the volume is loudest. When it is pushed in all the way (0), there will be no sound. Footage Voices of Differing Pitch (feet) As the number decreases, the pitch will become correspondingly higher. The Footage are organized as follows.

MEMP You can touch < switch between the Upper Footage screen and Lower Footage screen. MEMD The Footage screen will be displayed for several seconds, then it will close automatically. If you touch <Hold»>, the screen continues to be displayed until you touch <Exit>. When you touch the Footage screen and then change the settings, the screen is held in that condition.

Chapter 1 Selecting and Playing Sounds

ooo! € C£< LooseBigBand Rhythm usa | Lou Full Oroant Sound/Kbd |[ Rhuthn | [Resistration Rec/Play Susten [Qui Touch <Digital H-Bar> on the Main screen. Upper Footage Evusnnue Evusunnsçe Enuaunum You can adjust the volume of individual footages by touching and sliding (dragging) the harmonic bars. Try layering combinations of pitches for the various footages. Touch the Percussion <4’> or <2 2/3'>. Play the Upper keyboard and notice that an attack has been added. What is the Percussion? These add a crisp sound with an attack to the Footage voices of the Upper part. Button Explanation Percussion <4’> Percussion one octave above Percussion <2 2/3'> Percussion one octave and a fifth above Shortens the decay time of the percussion <Fast Decay> (short percussion) Touch Percussion <Fast Decay>. The percussive sound will decay more quickly. Touch <Exit>. The Main screen appears in the display, and the Digital H-Bar icon lights. Toswitch the Footage off, touch <Digital H-Bar> in the Main screen; the icon disappears.

CO) Pitch bend, glide, and sustain effects are not applied to the footage. Percussion <4'> and <22/ 3'> cannot be used simultaneously.

Chapter 1 Selecting and Playing Sounds

Adijust the Volume Balance The AT-80SL/60SL allows you to adjust the volume balance individually for each Part. AT-80SL Laver Sympenie Orchestra

The following buttons are used to adjust the volume of a multiple number of Parts. Button Part Automatic Accompaniment (except Bass) Accomp/SMF [A] [Y] button | Playback of performance songs from something other than the Atelier performance songs (for example: SMF music files) Rhythm [A] [Y] button (When the [Manual Perc] Manual percussion button is ON) Rhythm [A] [Y] button Rhythm performance (When the [Manual Perc] button is OFF) Drums/SFX Pedal Organ voice Pedal Organ [A] [Y] button Bass note of automatic accompaniment

1. The volume levels of each part are adjusted using the

corresponding [A] and [W] buttons. Pressing the upper button ([A] button) will increase the volume. Pressing the lower button ([W] button) will decrease the volume. The volume can be set to any value from 0 to 12. When the volume value shown in the display is O, that part will produce no sound. You can also press the [A] button and [W] button of the part whose volume you wish to adjust, so that the “Part Balance Monitor screen” is displayed for several seconds, allowing you to check the volume balance. MEMb Part Balance Monitor (Hold | (Ext | mere nelle several seconds and then closes automatically. If you touch <Hold»>, the screen continues to be displayed until you touch r Un <Exit>.

Re SF Ris OroUreh Os Sunbrch Or SamOroh Solo As) æ

You can check the volume by viewing the Level indicators of each part on AT-80SL. Solo Clarinet Altemate To Lower 1 OO 0

Chapter 1 Selecting and Playing Sounds

Transpose the Pitch in Octave Units (Octave Shift) The pitch of the sound played by the keyboard can be adjusted in one-octave steps. This function is called “Octave Shift.” You can apply an Octave shift to all Parts. T. Touch <Sound/Kbd> on the Main screen. a oicrraL

——- Fhuthn | [Resistration Rec/Plau [ Susten CE Ke The Sound/Keyboard screen appears. Sound/Keyboard

Menu Part whose pitch will change UPPER To change the pitch of the Upper and Solo part LOWER To change the pitch of the Lower part PEDAL To change the pitch of the Pedal part > to display the Octave Shift.

Chapter 1 Selecting and Playing Sounds

Touch the part display of the part whose Octave Shift settings you wish to change. Reverb horus Iüeptn Touch <[-]><[+]> to adjust the settings. The value can be set to a range of +/-3 octaves. Upper Keyboard Reverb à IDepth [si Touch <Exit>. You will return to the Upper Keyboard/Lower Keyboard/Pedalboard screen. MEN You can open the Pedalboard screen, Lower Keyboard screen, or Upper Keyboard screen with touching <Pedal>, <Lower>, and <Upper>. MEMD When the power is turned on, the Octave Shift setting for each part of the Pedal Bass will be set to -1 (1 octave down). If you turn on the [Octave Up] button on the AT-80SL, the Octave Shift will be automatically set to “0” CO) regardless of the previous setting. When you turn off the [Octave Up] button on the AT-80SL, the Octave Shift will always return to “1” regardless of the previous setting, Please note that when you apply the Octave Shift function to certain voices, their pitch could be stretched beyond their recommended note ranges, and they may not sound as expected. Care should be taken when using Octave Shift.

Chapter 1 Selecting and Playing Sounds

Playing Drum Sounds or Sound Effects from the Entire Lower Keyboard (Drums/SFX)

You can use the Lower keyboard to play various drum sounds (drum set). In this case, the Lower voices will no longer sound.

Lower Lower Drums/ Manual SFX Perc

Press the [Drums/SFX] button, getting its indicator to light up. The [Drums/SEX] button indicator will alternate between on (lit) and off (dark) each time it is pressed. The Drums/SFX (drums/sound effects) screen will be displayed for several seconds. AT-80SL AT-60SL Druns/SFX Druns/SFX [Res À! uox orun | | Rock À! STannaro 2 | ROCK À! Srannaro | Luazz BRusH |! Roon Refer to “Drum Set List” (p

225) for details on which

drum sound or Sound Effect will be played by each note. Itis not possible to select and play both [Drums/ SFX] and [Manual Perc] buttons simultaneously. L'unzz sruSH | Stanpann 2 Luox orun | ! room 2 Play the Lower keyboard and listen to the various drum sounds on each key. For some drum sets, there will be keys that do not sound

Chapter 1 Selecting and Playing Sounds

EH Changing Drums/SFX Sets Immediately after the power is turned on, the POP drum set will sound. As the drum set, you can choose the types of drum set and sound effect. When you change the drum set, the sound produced by each note will change. Press the [Drums/SFX] button, getting its indicator to light up. The Drums/SFX screen will be displayed for several seconds. AT-80SL AT-60SL | Rock À! STannaro 2 [Res À! uox orun | ROCK À! Srannaro Luazz BRusH |! Roon MEMP For the types of drum set and the sound effects played by each key, refer to “Drum/SEX Set List” (p. 225). L'unzz sruSH | Stanpann 2 Luox orun | ! room 2 While the Drums/SFX screen is displayed, touch a Drum/SFX set name in the screen. The [Drums/SFX] button indicator will begin to blink. AT-80SL You can select from 18 different Drum Sets and one set of Sound Effects as follows: POP, R&B, ROCK, JAZZ BRUSH, HIP HOP, VOX DRUM, STANDARD, STANDARD2, ROOM, ROOM2, POWER, ELECTRONIC, TR-808, DANCE, JAZZ, BRUSH, BRUSH2, ORCHESTRA, SOUND EFFECTS AT-60SL You can select from 16 different Drum Sets and one set of Sound Effects as follows: POP, ROCK, JAZZ BRUSH, VOX DRUM, STANDARD, STANDARD2, ROOM, ROOM2, POWER, ELECTRONIC, TR-808, DANCE, JAZZ,

BRUSH, BRUSH2, ORCHESTRA, SOUND EFFECTS

Press the [Drums/SFX] button once again. The [Drums/SFX] button indicator will be lit constantly, and the selected Drum Set Type will be applied.

After the Drums/SFX (drums/sound effects) screen is displayed, it will

close automatically after several seconds unless you touch the screen to select a drums/sound effects set. If you wish to switch drums/ sound effect sets, quickly select the desired drums/ sound effect set while the Drums/SEX (drums/ sound effects) screen is displayed. You can also confirm the Drums/SEX set by touching <Exit> in the Drums/SEX screen. You can also play the lower manual to confirm the drum set.

Chapter 1 Selecting and Playing Sounds

Playing a Lower Voice with Percussion Instrument Sounds and a Voice Phrase (Manual Percussion) You can play various drum sounds and Sound Effects using the bottom 15 keys of the Lower keyboard. This is convenient when you wish to play the Lower voice together with drum sounds or Sound Effects.

Lower Lower Drums/ Manual SFX Perc Co TD the keys for Drum sounds or Sound Effects e——— As) æ

Lower Keyboard 1 ° Press the [Manual Perc] button (indicator lights). Itis not possible to select and play both [Drums/ The button will alternate between ON (lit) and OFF (dark) each time it is SEX] and [Manual Perc] pressed. buttons simultaneously. (p. The Manual Percussion screen will be displayed for several seconds. 56). AT-80SL AT-60SL Manual Percussion Manual Percussion frerc ser CTSTEA | Deer sert MOTTE | [PERC SET 2 [Easian SET | [PeRc ser 2 [[sFx SET | {PERC SET 3 [EUOICE PHRASE 2 | À LATIN SET JEuaPanese ser | LorcHESTRA SET || U0cE PHRASE | Q'uOICE PHRASE | CP)

2. When you play the bottom 15 keys of the Lower keyboard

the chosen drum sound is played on each key.

Chapter 1 Selecting and Playing Sounds

Immediately after the power is turned on, the PERC SET1 drum set will sound. You can choose the type of Manual Percussion Set. When you change the Manual Percussion Set, the sound played by each of the 15 lowest notes of the Lower keyboard will change. Press the [Manual Perc] button (indicator lights). The Manual Percussion screen will be displayed for several seconds. AT-80SL AT-60SL Manual Percussion Deer sert MOTTE | [PeRc ser 2 [[sFx SET | Manual Percussion frerc ser CTSTEA | [PERC SET 2 [Easian SET | | PERC SET 5 JEvoce PHase 2 | À LATIN SET JEuaPanese ser | LorcHESTRA SET || U0cE PHRASE | Q'uOICE PHRASE | While the Manual Percussion screen is displayed, touch a manual percussion set name in the screen. The [Manual Perc] button indicator will begin to flash. AT-80SL You can select from 14 different Manual Percussion Sets; PERC SET1, PERC SET2, PERC SET3, ORCHESTRA SET, ORCHESTRA SET2, LATIN SET, ASIAN SET, VOICE PHRASE, VOICE PHRASE 2, VOICE PHRASE 3, SFX SET, SFX SET 2,

JAPANESE SET, JAPANESE SET 2

AT-60SL You can select from 7 different Manual Percussion Sets; PERC SET1, PERC SET2, LATIN SET, VOICE PHRASE,

VOICE PHRASE2, SFX SET, JAPANESE SET

Press the [Manual Perc] button once again. The [Manual Perc] button indicator will be lit constantly, and the selected Manual Percussion Set will be applied. MEMD Refer to “Drum Set List” (p

225) for details on which

percussion sound will be played by each note. The Manual Percussion screen will automatically close after several seconds if you do not touch the screen to select a manual percussion set. If you wish to change the manual percussion set, you must select a manual percussion set quickly while the manual percussion screen is displayed MEMD You can also confirm the Manual Percussion set by touching <Exit> in the Manual Percussion screen. You can also play the lower manual to confirm the manual percussion set.

Chapter 1 Selecting and Playing Sounds

Sustaining Notes in the Lower Part (Lower Hold) You can have Lower voice continue to sound after you release you fingers from the keys, until the next key is played.

Lower Lower Voice Voice = Hold LH) CI 1 e Press the Lower Voice [Hold] button (confirm that the indicator is lit). The Lower voice will continue sounding. While the Lower Voice [Hold] button is lit, pressing a key will cause the note to continue sounding.

2. When you press the Lower Voice [Hold] button to make the

indicator go dark, the notes which had continued to sound will stop.

The AT-80SL/608L lets you enjoy playing along with a rhythmic accompaniment. Selecting a Rhythm

The AT-80SL/608L provides various Rhythms and Automatic Accompaniments (Music Styles). These are organized into 10 groups.

BgBand/ Cour} | Oldies! wing Gospel Conlempo Balad Word eee Waïz/ Trad Lain March Showime Acouslic eajes}ss{s2)}s2| Rhythm Press a Rhythm button to select a Rhythm group. The indicator will light. À Rhythm screen like the following appears. Æ Fhuthn 4:18 Bio Serenade Jazzy Choir Bio Band Pop Oroan Suing [Fast BioBand [cat Suino name to select the desired rhythm. The indicator of Rhythm button will blink. Press the Rhythm button once again (indicator lights constantly). The Rhythm button'’s indicator will change from blinking to light. The Rhythm has now been applied. MEMD For more on the internal rhythms, refer to the “Rhythm List” (p. 242, p. 244). MEMD You can also open the Rhythm screen by touching <Rhythm> in the Main screen. MEMD You can also confirm the rhythm by touching <Exit> in the Rhythm screen.

The Rhythm screen appears. Touch <[Eie ]> on the Rhythm screen. The rhythms stored in User Memory are displayed. > to switch screens, and touch a rhythm name to select the desired rhythm. The indicator of [Disk/User] button will blink. After selecting a rhythm, press the flashing [Disk/User] button once more. The [Disk/User] button stops flashing and remains lit, indicating that the rhythm has been selected.

INT H Using Rhythms Stored in User Memory The AT-80SL/60SL features a User memory. If you wish to store a disk Rhythm in the User memory, refer to “Copying What is the User Memory? Rhythms on Disks into The User memory is the area within the instrument where User rhythms User Memory” (p.78). you create as well as rhythms from Music Style Disks are stored. You can also copy User rhythms saved on floppy disks to the User memory (p. 173). The AT-80SL/60SL is shipped from the factory with rhythms already stored If you want to restore the in User memory. You can replace these rhythms with rhythms loaded in original rhythms that User from Music Style Disks, or with User rhythms you've created and saved memory contained at the using the Rhythm Customize function (p. 173). time the instrument was hipped fi the fact The content of User memory is retained even while the AT-80SL/60SL's S'ppec ton € actory, . refer to “Restoring the power is turned off. Rhythm Stored in the You can call up rhythms in User memory by pressing the [Disk/User] User Memory to Their button. Original Factory Settings” (p. 80). Calling Up Rhythms Stored in User Memory 1 ° Press the [Disk/User] button. @ If a floppy disk containing saved rhythms is in the disk drive, then when you touch < >, the rhythms on the floppy disk are displayed. MEN You can also confirm the rhythm by touching <Exit> in the Rhythm screen.

E Rhythm Search You can search for Rhythm that match the tempo of the song, musical genre, or other criteria you set. You can also search Rhythm using the first character of the Rhythm names.

1. Touch <Rhythm> on the Main screen.

MEMD If some other screen is LooseBigBand displayed, touch <Exit> to close the currently open ONGTAL | HuSC screen. ou Full Oroant ASSNT. Sound/Kbd [ Fhuthn | [Reoistration Rec/Play [ Susten CE Kide The following Rhythm screen appears. You can also open the Rhythm screen by pressing Rhythm buttons. Bio Serenade Jazzy Choir

2. Touch (&- on the Main screen. You can also search only

for rhythms other than the internal rhythms accessed with the [Disk/User] button. The c not appear in the display I Serena while [Disk/User] button rhythms are displayed. À sub-window appears. Bio Band Pi Fast BiobBarl

TT | Searching by Rhythm name

4. Decide which character you will use for the search.

The selected character appears in the middle of the screen. Enter the character you are searching for. For example, touching <ABC> in succession cycles you through the available choices in that character group CAB" +"C".). Touch <ABC/123> to toggle between alphabets and numerals.

5. Touch <Start> (Start Search).

The search results appear in the display. To cancel the search, touch <Exit> in the Search Results screen.

6. Toucha Rhythm name to select a Rhythm.

Touch <Exit> to return to the Rhythm screen. Searching by Conditions ® 3. Touch <By Conditions>.

You can use four different criteria in searches: “Tempo,” “Beat,” “Groove,” and “Genre.”

4. Touch the value for the search term.

5. Touch< [1 ><[#}> to adjust the settings.

6. Touch <Start> (Start Search).

The search results appear in the display. To cancel the search, touch <Exit> in the Search Results screen.

7. Toucha Rhythm name to select a Rhythm.

Touch <Exit> to return to the Rhythm screen.

Playing Rhythm There are two ways to start the Rhythm: + Manually by pressing the [Start] button, + Automatically by playing a note on the Lower keyboard or Pedalboard (Sync Start). You can press (Sync Start) or the [Intro/Ending] button to start the rhythm from the intro, or stop the rhythm at the ending.

Count Sync Count Sync Down Start Doun | Sr) Intro/ Start/ Break Ending Stop H Starting at the Press of a Button Starting with an Added Intro Press the [Intro/Ending] button. The Intro is played and the Rhythm starts. While the Intro is playing, the [Intro/Ending] button indicator will light, until the Intro ends then the button indicator will go dark. Making the Intro Short and Simple

Press the [To Variation] or [To Original] button. [Start/Stop] button indicator will blink. The indicator for the [To Variation] or [To Original] button will blink. Press the [Start/Stop] button. A short Intro is played and the Rhythm starts. Starting Without an Intro Press the [Start/Stop] button. The Rhythm starts without an Intro being played. The functions of the [Intro/ Ending] button and [Start/ Stop] button can be assigned to the foot switches located on each side of the Expression Pedal (p. 118).

MEMD For more on the [To Variation] and [To Original] buttons, refer to “Adding Variety to the Rhythm or Automatic Accompaniment” (p. 69).

EH Starting the Rhythm Automatically When You Play the Lower Keyboard or Pedalboard (Sync Start) Starting with an Added Intro 1 ° Press the [Sync Start] button to make the indicator light up.

3. Play either the Lower keyboard or the Pedalboard.

The Intro is played and the Rhythm starts. While the Intro is playing, the [Intro/Ending] button indicator will light, until the Intro ends then the button indicator will go dark. Making the Intro Short and Simple 1 ° Press the [Sync Start] button to make the indicator light up.

2. Press the [To Variation] or [To Original] button.

[Start/Stop] button indicator will blink. The indicator for the [To Variation] or [To Original] button will blink.

3. Play either the Lower keyboard or the Pedalboard.

A short Intro is played and the Rhythm starts. Starting Without an Intro 1 ° Press the [Sync Start] button to make the indicator light up.

2. Play either the Lower keyboard or the pedalboard.

The Rhythm starts without an Intro being played.

If the Arranger function is ON (the Arranger [On/Off] button indicator is lit), it is not be able to start the Rhythm by playing the Pedalboard (p. 68). MEN For more on the [To

Variation] and [To Original] buttons, refer to “Adding Variety to the Rhythm or Automatic Accompaniment” (p. 69).

A0) ul Chapter 2 Using Rhythm Performance H Stopping the Rhythm Stopping an Ending 1 ° Press the [Intro/Ending] button. An Ending is played, then the Rhythm stops. While the Ending is playing, the [Intro/Ending] button indicator will light, until the Ending finishes the button indicator will be turned off. Making the Ending Short and Simple 1 ° Press the [To Variation] or [To Original] button, and then press the [Start/Stop] button. À short Ending is played, then the Rhythm stops. Stopping without an Ending 1 e Press the [Start/Stop] button. The Rhythm stops without an Ending being played. Changing a Rhythm’s Tempo You can change the tempo of the Rhythm or Automatic Accompaniment (p. 68). Standard - « D Tempo 1 ° Press the Tempo [ ] and [Bb ] buttons to change the tempo (speed) of the Rhythm or Automatic Accompaniment. Tempo [ @{ ] button The tempo becomes slower Tempo [ B- ] button The tempo becomes faster By pressing the Tempo [ { ] and[ B- ] buttons simultaneously, the tempo is returned to the standard (preset) tempo for the selected Rhythm. The value of the tempo currently set (20-500 beats per minute) can be checked in the Main screen and Rhythm screen.

The functions of the [Intro/ Ending] button and [Start/ Stop] button can be assigned to the foot switches located on each side of the Expression Pedal (p. 118).

If you switch rhythms when “Auto Std Tempo” (p- 189) is on, the tempo changes to match the rhythm. If you switch rhythms when “Auto Std Tempo” is off, the tempo remains unchanged even when you switch the rhythm. MEMD You can confirm the tempo and beat with the “bouncing ball” in the Main screen (p. 26).

Playing the Count Sound at the End of the Intro allant |

If an intro is played before your performance, you can have a countdown played to the end of the intro, allowing you to understand easily where you are to start playing.

——— 1 Tr -= 1 Break || Intro/ Start/ Intro/ Start/ Ending Stop Ending Stop Te Press the [Count Down] button, getting the indicator to light.

2. Press the [Intro/Ending] button.

The intro plays, and a countdown plays to the end of the intro. MEMD ° You can change the When the [Sync Start] button is lit, specifying the chord on the Lower countdown sound (p. 189). keyboard starts the intro, and again, a countdown is given.

3. To stop the countdown, press the [Count Down] button,

turning off the indicator light.

Playing Rhythm and Automatic Accompaniment The Arranger function of the AT-80SL/60SL can add an Automatic Accompaniment to each Rhythm. Based on the selected Rhythm, the Arranger function automatically adds an accompaniment that is suitable for the chord being pressed on the Lower keyboard. à When the Arranger [On/ ranger On/Of Off] button is on, Sync Start CS) (p- 66) on the pedalboard cannot be used. 1 ° Press the Arranger [On/Off] button (indicator lights.) Arranger [On/Off] button Function Indicator is lit (On) Rhythm and Automatic Accompaniment Indicator is not lit (Off) Rhythm (Drums only) (or) 2 . Start the rhythm (p. 65). The lower voice is not played during the The rhythm and the automatic accompaniment will play together. performance of the intro If the Arranger [On/Off] button is ON and no Pedal Bass voice is selected, and ending, even when the the Automatic Accompaniment will play the bass sound. Lower keyboard is played:

Adding Variety to the Rhythm or Automatic Accompaniment You can add variety to the rhythm or automatic accompaniment by changing the rhythm pattern of the rhythm or the arrangement of the automatic accompaniment, or by inserting a break (i.e., stopping the rhythm for one measure).

Count Down TC Te Intro/ Te TC arition]| orgnai Break rar] Laon] orgnai Fill In Fill In Button name Function After the Fill-In has played, play the Fill In [To Variation] button Variation Rhythm pattern. Affer the Fill-In has played, play the Fill In [To Original] button Original Rhythm pattern. [Break] button <AT-80SL only> Stop the rhythm at the end of that measure (Break). What's a fill-in? À Fill In is a short phrase that is inserted at a break in the melody or at a point where the character of the song changes (between Chorus’s or Verses). EH Changing the Arrangement of the Rhythm and Accompaniment (Style Orchestrator) You can change the arrangement of the accompaniment. This function is called “Style Orchestrator.” For each rhythm, there are four types of arrangement for the accompaniment. The following buttons are called Style Orchestrator buttons. OAT-80SL Full OAT-60SL Basic 1-Advanced-2 Full Sn) Style Orchestrator acranced aan] Basic |l*#+ e Style Orchestrator Press the Style Orchestrator buttons to change the arrangement of the accompaniment. The indicator of the button you pressed will light. The [Basic] button produces the simplest arrangement, and the [Full] button produces the most florid.

AT-60SL has no [Break] button. MEMD The functions of the Fill In [To Variation] button and Fill In [To Original] button can be assigned to the foot switches located on each side of the Expression Pedal. Please refer to “Changing the Function of the Foot Switch” (p. 118).

Playing Chords with Simple Fingering “Chord Intelligence” is a feature that intelligently plays the correct accompaniment chords the moment you play a key specifying a chord on the Lower keyboard during Automatic Accompaniment. MEMD For example, in order to make the instrument detect a “C Major” chord, you For more information must normally play the three keys “C,” “E,” and “G.” If you use the Chord about chord fingering, refer Intelligence function, you can simply press a single “C” key in the lower to the “Chord List” (p. keyboard to sound a € Major chord with the voice selected for the Lower 247). part. 1 ° Touch <Rhythm> on the Main screen. NEMp also open the rhythm screen by pressing The Rhythm s s. e Rhythm screen appears a Rhythm button. Æ Fhuthn 4:18 [Bio Serenade | | Jazzu Choir Bio Band Pop Oroan Suing Fast BioBand Scat Suino NEMD If you press the root note of ( ( G the chord (p. 249) in the lower keyboard when the Chord Intelligence function

2. Touch< > (Utility) on the Rhythm screen. is off, all notes in that chord

will sound. The Utility screen appears. For example, if you press the root “C” of the C major Æ Fhuthn ] chord in the lower keyboard, the notes of the CopyToUser [Feset User € major chord “C,” Copytobisk_||Edit User and *G” will be sounded . . by the voice selected for the Options [Cust onize lower part. [ext

F2 4 AT-80SL_60SL_e.book 71% 2004#3A23A XMA F9H344 10] Touch <Options>. The Rhythm Options screen appears. 5 Fhuthn Options Touch the Chord Intelligence setting to turn it “ON.” The Chord Intelligence function can now be used. Each time you touch the Chord Intelligence setting, it will be switched ON/ OFF. If you wish to turn off the Chord Intelligence function, switch it “OFF.” un het 2 ing y Paomenc When the Leading Bass function (p.72) is on and the Chord Intelligence function is off, you can specify chords with a combination of the lower keyboard and pedalboard. MEMD When you touch the [One Touch Program] button, the Chord Intelligence setting Will automatically be turned ON.

Leading Bass Function a A RL eslela(

When Automatic Accompaniment is used, and the Pedal [To Lower] button is ON, the Pedal Bass voice will normally play the root note (p.249) of the chord you play on the Lower keyboard. Ifthe Leading Bass function is enabled, the lowest note of the chord you play on the Lower keyboard will then be used as the bass note (the bottom note of the chord). This allows the bass to be a note other than the root of the chord you play and the bass note will change when inverted chords are played (p.249). Touch <Rhythm> on the Main screen. The Rhythm screen appears. Æ Fhuthn 4:18 Bio Serenade Cool Suing Jazzy Choir Bio Band Pop Oroan Suing | Fast BioBand [Scat Suino J:118 CopuToUser {Reset User ‘Copy ToDisk Edit User Options Custonize Exit

MEN You can also open the Rhythm screen by pressing the Rhythm buttons. When the Leading Bass function is on and the Chord Intelligence function (p.70) is off, you can specify chords with a combination of the lower keyboard and pedalboard.

The Rhythm Options screen appears. 5 Fhuthn Options MEMD You can assign the Leading Bass functions to either of the foot switches located on each side of the Expression

4. Touchthe Leading Bass setting to turn it “ON.”

Pedal. Please refer to Each time you touch the Leading Bass setting, it will be switched ON/OFF. “Changing the Function of the Foot Switch” (p.

5. To turn off the Leading Bass function, set the Leading Bass 118).

A Simple Way to Make Automatic Accompaniment Settings (One Touch Program) The AT-80SL/608L provides a very convenient [One Touch Program] button. By simply pressing this button once, the Arranger function will be turned ON, and keyboard voices that are most appropriate for playing with the currently selected Rhythm/Automatic Accompaniment are selected. By pressing the [One Touch Program] button, you can make the following settings. + Panel settings (e.g., sounds and volume) suitable for the rhythm + Arranger [On/Off] button lit (Automatic Accompaniment playing) + [Sync Start] button lit, [Intro/Ending] button blinking (Waiting for Sync Start) + Chord Intelligence function is ON (p. 70) What is Sync Start? S4 Sync Start is a function that starts the rhythm at the moment that you play

the lower keyboard. What is Chord Intelligence? “Chord Intelligence” is a feature that intelligently decides on accompaniment chords the moment you play some keys specifying a chord during automatic accompaniment. The panel settings specified by the One Touch Program function are as follows. 16 panel settings for each rhythm (4 panel settings x 4 groups) | 74 Fo &— @—

Press the [One Touch Program] button. The [One Touch Program] button’s indicator will light. One Touch Program

An One Touch Program Group (One Touch Program Group select) screen like the one shown below will be displayed for several seconds. uicK+ QuE Guide Rec/Play Susten While the One Touch Program Group screen is displayed, touch the screen to select a One Touch Program group. If you fail to select a One Touch Program group while the One Touch Program Group screen is displayed, “Group 1” will be selected automatically. Panel settings appropriate for the rhythm and automatic accompaniment will automatically be called up for Registration [1]-[4] buttons. Press the Registration [1] — [4] button to select panel settings. On the Lower keyboard, play a chord. At the moment you play the lower keyboard, the Intro will begin, and then the Rhythm and Automatic Accompaniment will play. Press the [Intro/Ending] or [Start/Stop] button to stop the Rhythm. Rhythm and Automatic Accompaniment stops. Press the [One Touch Program] button, extinguishing its indicator. You will return to the panel settings that were in effect prior to pressing the [One Touch Program] button.

MEMD To redisplay the One Touch Program Group screen, while holding down the Registration [Write] button, press the [One Touch Program] button. Touch the One Touch Program Group screen to reselect the group. When you press the [One Touch Program] button, the “’Arranger Update” setting Will automatically change to “INSTANT” (p. 92).

Using a Rhythm from a Disk (NOT) All rights reserved The AT-80SL/608L contains built-in Rhythms (Music Styles). Additional Rhythms (Music Styles) are available on the Music Style disk included are Unauthorized use of commercially available available. Here’s how to select a Rhythm (Music Style) from a Music Style Music Style disk for disk. purposes other than private, personal enjoyment is a violation of H Inserting and Ejecting a Floppy Disk applicable laws. If you're using the disk The disk drive is on the right side of the unit, above the keyboard. drive for the first time, be sure to read the important — — notes on p. 6.

1. Holdthe floppy disk face up, and push it into the disk drive

until it clicks into place. Z == en

. reading or writing is in The end of the floppy disk comes out of the slot. Gently grasp the end of the progress, since that can floppy disk and pull it out. damage the magnetic | surface of the disk, Eject Button rendering it unusable. (The disk drive’s indicator will D 7 light up at full brightness ras when the drive is busy reading or writing data. Ordinarily, the indicator will be less brightly lit, or be extinguished.)

EU enr. H Reviewing the Styles on a Music Style Disk 1 ° Press the Rhythm [Disk/User] button (confirm that its indicator is lit). The Rhythm screen appears.

2. insert the Music Style disk into the disk drive.

The Rhythm screen will show the Rhythms on the music style disk. Rhythms from the music style disk are indicated by an f’ icon. As) æ

ES Fhuthn [Box | SES 154 | Boogie [ [Bio Band 4 Jazz Band Suino Blues 2 Midiun Suing MEMD

3. Touch <[Erx }», causing it to light up; the rhythms on the When El: is lit,

music style disk are displayed. the rhythms stored in User memory are displayed.

4. Touchthe Rhythm screen to select a Rhythm on the Music

Style disk. The [Start/Stop] button indicator will blink while the Rhythms are being loaded into internal memory. When loading is finished, you will be able to play the selected rhythm. If rhythims from a music 5 ° Press the [Start/Stop] button or the [Intro/Ending] button. style disk are stored in internal memory, you can The selected Rhythm is played. recall the Rhythms simply by pressing the [Disk/ User] button (p.78).

Copying Rhythms on Disks into User Memory While the AT-80SL/60SL comes with rhythms already loaded in its User memory (p. 62), you can replace these with Music Style Disk rhythms. Rhythms loaded from the disk into internal memory will not be lost even if the power is turned off. It is convenient to load frequently-used disk Rhythms into internal memory.

1. insert the Music Style disk into the disk drive.

2. Touch <Rhythm> on the Main screen.

[Fast BioBand [cat Suino > (Utility) on the Rhythm screen. The Utility screen appears. Æ Fhuthn 4:18 CopuToUser {Reset User CopyToDisk {}Edit User Options Custonize [ Exit

4. Touch <Copy to User>.

si ji vi Chapter 2 Using Rhythm Performance The Copy To User screen appears. F3 Copy To User Disk 01:BioBandBallad2 CD 02:Boogie 03:Jazz Band MEMD At this time, you can press ><W- to select the Music Style Disk rhythm <CQD- ctre Start” Stop] button to play the you want to copy to the User memory. rhythm to make sure of Rhythm [Disk/User] button indicator will blink. your choice.

6. After selecting the Music Style Disk Rhythm, touch <Next>.

The following screen appears. AT-80SL AT-60SL Æ] Copy To User PU Æ] Copy To User

[Trad Tanoo [Trad Tanoo {MarchinoBand {MarchinoBand | Guitar Trio | Guitar Trio Touch <Back> to go back to the previous screen. Z. Touch the screen to switch screens, and touch the save- destination rhythm. The following screen appears. AT-80SL AT-60SL Æ Copu To User Æ Copu To User i A Overvrite, Sure? i A Overvrite, Sure? ]

To store the Rhythm in internal memory, touch <OK>. The saving of the rhythm to internal memory begins. Once the Rhythm has been accommodated in memory, the Rhythm screen will reappear. Restoring the Rhythm Stored in the User Memory to Their Original Factory Settings Use the following procedure to restore only the rhythm stored in the User Memory to their factory settings. Touch <Rhythm> on the Main screen. Touch < {Ej > (Utility) on the Rhythm screen. Æ Fhuthn 4:18 CopyToUser [Feset User Touch <Reset User> on the Sub-window. The confirmation message appears on the screen. Touch <OK>. The Rhythm that had been stored in the User Memory button will return to the factory settings. Never remove the disk or turn off the power while the Rhythm data is being loaded from disk into the AT-80SL/60SL. If you do So, the Rhythm data will not be loaded into the AT- 80SL/60SL, and malfunctions could result. After returning the Rhythm stored in the [Disk/User] button to the factory settings (see following section), re- load the Rhythm from disk. To restore all of the factory settings, use the Factory Reset operation (p. 23) MEMD You can restore the User Memory to the factory settings in the screen.

1. Press the [Power On]

button to turn off the power.

2. Hold down the Rhythm

[Disk/User] button, and press the [Power On] button. Never turn off the power while the following screen is displayed. Presettino. Don't Pover Off The Rhythm that had been stored in the User Memory will return to the factory settings.

à à 4 AT-80SL_60SL_e.book 81 À—> 2004#3A23A XMA FH9H344 LS ÿ Le M Chapter 2 Using Rhythm Performance Copying Rhythms Saved in User Memory to Floppy Disks You can take rhythms saved in User memory (p. 62) and copy them to floppy disks. T. Make sure that the disk drive contains a disk that was formatted (p. 96) by the ATELIER.

3. Touch< >. the rhythms stored on the

floppy disk are displayed

4. Touchthe Rhythm name to select the rhythm you want to

copy to the floppy disk. AT-80SL AT-60SL {MarchinoBand {MarchinoBand {Guitar Trio {Guitar Trio | 81

> (Utility) on the Rhythm screen. The Utility screen appears. Æ Fhuthn 4:18 CopyToUser [Feset User

6. Touch <Copy to Disk> on the Rhythm screen.

The Copy to Disk screen appears. > to select the copy-destination number. Numbers which have not been used in the saving operation will be displayed as “----- : Copy To Disk ÉUser 6/8 Ballad nk D 01:BioBndBailld2 [ co | 02:Boogie As) æ

Copying of the rhythm to the floppy disk begins. When the rhythm is saved, the Rhythm screen returns to the display.

EU enr. Changing the Order of the Rhythms Stored in User Memory You can rearrange the order of the rhythms stored in User memory (p. 62).

1. Touch <Rhythm> on the Main screen.

The Rhythm screen appears. Æ Fhuthn 4:18 [Bio Serenade | | Jazzu Choir Bio Band Pop Üroan Suino Fast BioBand Scat Suing

2. Touch< > (Utility) on the Rhythm screen.

The Utility screen appears. As) æ

The Edit User screen appears. F3 Edit User Group ÉUser [2 fenone 02:Trad Tango 03:MarchinoBand 04:Guitar Trio QE Don |

> in the screen to select a rhythm.

5. Touch <Up> or <Down> to move the rhythm.

Button Meaning Description The Rename screen appears. You can Rename Modify the name touch the screen and rename the selected rhythm (p. 85). u Change the order The selected rhythm will be moved p Los (upward) earlier in the order. Down Change the order The selected rhythm will be moved (downward) later in the order. Delete Delete the Rhythm The selected rhythm will be deleted (p.87).

Changing the Names of Rhythms Stored in User Memory You can rename rhythms stored in User memory (p. 62).

1. Touch <Rhythm> on the Main screen.

The Rhythm screen appears. > (Utility) on the Rhythm screen. The Utility screen appears. Æ Fhuthn 4:18 CopuToUser {Reset User CopyToDisk {}Edit User Options Custonize [ Exit

The Edit User screen appears. F3 Edit User Group ÉUser 02:Trad Tango 03:MarchinoBand 04Guitar_ Trio

4. Touch <(0-<0- to select the rhythm whose name you

The Rename screen appears.

The following characters can be selected. Uppercase ABCDEFGHIJKLMNOPQRSTUVWXYZ Lowercase abcdefghijkimnoparstuvwxyz dd Symbols L"#% &'()*+,-./:=271 0123456789 Del Delete a character. Space Insert a space. Move the cursor (the symbol that indicates the location at which characters will be input) to left or right. To cancel the operation, touch <Cancel>.

8. When you’re done making the settings, touch <OK>.

The Rhythm has now been named. The Edit User screen reappears.

Deleting Rhythms Stored in User Memory You can delete rhythms stored in User memory (p. 62).

1. Touch <Rhythm> on the Main screen.

The Rhythm screen appears. > (Utility) on the Rhythm screen. The Utility screen appears. Æ Fhuthn J:118 Copy ToUser Reset User ‘Copy ToDisk Edit User Options Custonize [ Exit

you wish to delete. > to select the rhythm that

4 AT-80SL_60SL_e.book 88 2004#3A231 XMA FH9H344% Touch <Delete>. The following display appears. A\ nelete Bhuthn OK? To cancel operation, touch <Cancel>. If you are sure that you wish to delete the rhythm, touch <OK>. When a rhythm is deleted, the deleted rhythm name will change to “----- ." F3 Edit User Group ÉUser 02:Trad Tanoo 03:MarchinoBand 04 — 05:

Chapter 3 Using the Registration Buttons

The AT-80SL/60SL allows you to store sound settings and panel settings in NEMD the Registration buttons. The AT-80SL has a total of twelve registration Settings that have been buttons (the AT-60SL has eight), and one set of panel settings can be stored to Registration registered to each button, for a total of twelve types (eight types on the AT- buttons [1]-[12] (on the AT- 60SL) of panel settings. Each set of panel settings that has been stored in a 60SL, Registration buttons Registration button is called a “Registration.” 111-181) are remembered This provides a convenient way to change large numbers of panel settings even if the power is turned : : ff. If you wish to reste during a performance, or to recall a complex panel setting. O2" You WA Lo Restore the settings stored in the Registration buttons to their factory settings, use the “Factory Reset” AT-80SL operation (p.23) (ua o/a/ AT-60SL

About the Registration Buttons In addition to assigning voices and rhythms to the Registration buttons, you can also store the following settings: + Panel button settings (for example, settings for the Level [A] [W] buttons and Solo [To Lower] button) Controller settings (functions assigned to foot switches, pitch bend range, etc.) Other types of settings (reverb type, tempo settings, degree of initial touch, etc.) If you would like to know all of the settings that can be recorded to the Recorded performance data Registration buttons, refer to “Settings That Are Stored After the Power and rhythms from User Is Turned Off” (p. 255). memory are not stored in Furth the setti igned to the Registrati Registration sets. urthermore, you can group the settings assigned to the Registration Ore, You can group Bs assignec te Bistrat When a rhythm saved in buttons as a single set, and then register and save up to a maximum of 99 Us Le acc ser memory is assigned to sets onto a single floppy disk (p. 98). a Registration set, that In addition to the settings recorded to the Registration buttons, the rhythm is copied following data is also saved when Registration sets are saved to floppy beforehand to the User disks. memory. + Registration Name p.94 + Registration Shift p.119 + Arranger Update p.92 + Trans. Update (Transpose Update) —p. 190 + Exp. Curve (Expression Curve) p.121

Chapter 3 Using the Registration Buttons

Procedure for Creating Registration Sets You can change voice and other panel settings by pressing the Registration buttons during performance of songs. Prepare the Registrations A convenient way to make the sequence of Registration buttons to be pressed easy to understand is to store the panel settings starting from the Registration [1] button, continuing with subsequent buttons in accordance with the progression of the song. Save the Registrations to the floppy disk If you want to use more than eight Registrations in a song, save the settings for Registration buttons [1]-[12] (on the AT-60SL, Registration buttons [1]- [8]) to a floppy disk as a set, then continue to store further panel settings again, starting from Registration button [1]. Save all of the Registration sets you have set to the floppy disk. Arrange the Registrations in the sequence they are to be used Save the Registration sets to the floppy disk in the order they are to be used in the song. You can use the Disk Edit function (p. 110) to alter the sequence and names of rhythms contained on the floppy disk (p.94) as well as delete such rhythms (p. 108). Using Registration Sets Call up the Registration sets saved on the floppy disk to the AT-80SL/ 60SL Insert the floppy disk containing the saved Registration sets into the disk drive, and read the Registration sets into the AT-80SL/60SL. Switch the Registration sets as you perform Press the Registration buttons to switch Registrations as you play the song. To call up the next Registration Set, press the [Load Next] button, then press the Registration buttons. Storing Registrations

Make all the panel settings that you wish to store. While holding down the [Write] button, press one of the Registration buttons [1]-[12] (on the AT-60SL, Registration buttons [1]-[8]). The panel settings will be stored in the selected Registration button. MEMb You can also assign the “Right + Load Next” to the foot switch and use it to call up subsequent Registration sets (p. 119). MEMP For details on the settings that are stored in a Registration, refer to “Settings That Are Stored After the Power Is Turned Off” (p. 255).

Chapter 3 Using the Registration Buttons

Recalling a Registration Settings that have been registered to Registration buttons [1]-[12] (on the AT-60SL, Registration buttons [1]-[8]) can be recalled in two ways: #INSTANT"” and “DELAYED.” At the factory this is set to “DELAYED.” H How to Recall a Registration (DELAYED) Recalling voices and other panel settings

1. Press and immediately release one of the Registration

buttons [1]-[12] (on the AT-60SL, Registration buttons [1]- [8D. Recalling settings for Rhythm and Automatic Accompaniment in addition to the panel settings 1 ° Press and hold a Registration button [1]-[12] (on the AT- 60SL, Registration buttons [1]-[8]) for several seconds. The indicator of the rhythm select button will blink, and the panel settings and settings related to rhythm performance and automatic accompaniment will be recalled. H How to Recall a Registration (INSTANT) Recalling panel settings of a voice, or when recalling settings for rhythm performance and Automatic Accompaniment in addition to panel settings

1. Press and immediately release one of the Registration

buttons [1]-[12] (on the AT-60SL, Registration buttons [1]- [8D. MEMD When changing the way Registrations are called up, refer to “Changing the Timing of Recalling Registrations” (p. 92).

Chapter 3 Using the Registration Buttons

EH Changing the Timing of Recalling Registrations Settings for Rhythm play and Automatic Accompaniment are recalled when you continue holding a Registration button [1]-[12] (on the AT-60SL, Registration buttons [1]-[8]) for several seconds, but you can change this so that the settings are recalled the instant you press the button.

1. Touch <Registration> on the Main screen.

The sub-window appears. s Load EN auick -] {fcsistration|[Save Let] IDisk Edit

The Registration Load screen appears. Registration Load internat _REGIST-01

The Utility screen appears. Registration Load M internat _REGIST-O1 [Load üne | Renane Format Disk OYREGIST-05 = O4REGIST-04 [options _| OS:REGIST-05 __ | LExit | Utility MEMD You can also open the Registration Load screen by pressing the [Registration] button on the panel.

Chapter 3 Using the Registration Buttons

The Registration Options screen appears.

5. Touchthe Arranger Update setting to switch between

“DELAYED” and “INSTANT.” Each time you touch the Arranger Update setting, it will alternate between *DELAYED” and “INSTANT.” Setting Descriptions MEMD When you press and hold a Registration button for several You can change the timing À seconds, the settings for Rhythm and Automatic of recalling the transpose Pt SA Accompaniment will be recalled in addition to the panel setting when you press a LA DELAYED settings. : : : us ne Registration button. If you press and immediately release a Registration . button, only the settings that are not related to Rhythm or For details refer to Automatic Accompaniment will be recalled. “Changing the Ti Settings for Rhythm and Automatic Accompaniment will Which Transpo k INSTANT be recalled the instant that you press a Registration button Settings are Recalled” (p [11-112] (on the AT-608L, Registration buttons [1]-[8]) 190).

Automatically Registering When You Switch Panel Settings When the [Manual] button is ON (lit), all panel settings you make will be stored automatically in the [Manual] button as they are made, thus updating the Registration that had been previously saved. The settings stored in the [Manual] button will return to their default values when the power is turned off.

Chapter 3 Using the Registration Buttons

Assigning a Name to a Registration Set When saving Registration sets, names like “REGIST-01-99” will be assigned by default, but you can assign a name that will help you later to identify the contents of the Registration set.

1. Touch <Registration> on the Main screen.

The sub-window appears.

MEMD When you touch <go to : : Load», the instrument The Registration Save screen appears. ass jumps to the Registration Registration Save Load screen.

The Utility screen appears. Reoistration Save

Chapter 3 Using the Registration Buttons

4. Touch <Rename>. MEMb

The Rename screen appears. The Rename screen can also be opened in the following ways. Main screen <Registration>> <Load>-> Registration Load screen <Utility>— Utility screen <Rename> > to change among uppercase/ lowercase/symbols. Each touch of the character switch button takes you to the next available choice, like this: uppercase — lowercase — symbols > uppercase …

6. Touch the screen to specify the desired character.

The following characters can be selected. @ Uppercase ABCDEFGHIJKLMNOPQRSTUVWXYZ <@} Lowercase abcdefghijkimnoparstuvwxyz Symbols LU#% &'()*+,-./:=2N 0123456789 Del Delete a character. Spacel Insert a space. Move the cursor (the symbol that indicates the location at which characters will be input) to left or right To cancel the operation, touch <Cancel>.

7. When you’re done making the settings, touch <OK>.

The Registration set in the AT-80SL/60SL's internal memory has now been named. Reoistration Save internat My REGIST DK D O2REGIST-02 OSREGIST-03

Chapter 3 Using the Registration Buttons

Before any floppy disk (new or used) can be used with the AT-80SL/60SL it all data previously stored must first be formatted (prepared). on the disk. If you're Formatting a floppy disk erases all information stored on the disk, and puts formatting a used floppy it in a format that is acceptable for the device in which it will be used. If a disk for reuse, be sure to floppy disk is in a format that doesn't match the format of this unit, you check first to make sure the , | disk doesn't contain any won't be able to use that floppy disk. data you don’t want to lose. T. Make sure that the write protect tab of the floppy disk is in the “Write” (permit) position. Rear side of the disk Write (can write new data onto disk) pu Protect Write Protect Tab (prevents writing to disk)

2. With the label of the floppy disk facing upward, insert it

into the disk drive until it clicks into position.

The disk drive is located to the upper right of the AT-80SL/60SL's keyboard.

Indicator t Eject button Floppy Disk

3. Touch <Registration> on the Main screen.

The sub-window appears.

The Utility screen appears.

Utility If you touch <Cancel>, you will return to the Registration Save screen without formatting.

7. Touch <OK> to start formatting.

While formatting is in progress, the following display appears. Reoistration Save internat _REGIST-01 1] Utility Never attempt to remove the floppy disk until When the format is finished, the Registration Save screen returns. formatting is complete.

Chapter 3 Using the Registration Buttons

Saving Registration Sets to a Floppy Disk With the settings of Registration buttons [1]-[12] (on the AT-60SL, Registration buttons [1]-[8]) considered as one set, a single floppy disk can store up to 99 sets of data. We recommend that complex panel settings or Registrations you wish to keep be saved on disk. Furthermore, when you save registrations created on the AT-80SL/60SL to floppy disks, you can call up their settings on other Atelier Series instruments and use the registrations the same way. T. Make sure that the disk drive contains a disk that was formatted (p. 96) by the AT-80SL/60SL.

2. Touch <Registration> on the Main screen.

Touch <Save>. When you touch <go to

02:REGIST-02 O3REGIST-03 O4:REGIST-04 MEMD If you wish to assign a name before you save, refer to “Assigning a Name to a Registration Set” (p.94).

Chapter 3 Using the Registration Buttons

destination number. Numbers which have not been used in the saving operation will be displayed as “----- : Registration Save Eux # 02:REGIST-02 O3REGIST-03 O4:REGIST-04 To cancel the Save operation, touch the <Exit> button to close the Registration Save screen.

The Save Format screen appears. Save Fornat As) æ

Settings Description Save formats that can be used with the AT-SL Series Original When saved in this format, the data can also be used by AT- 45, AT-15 and AT-S Series devices. R-Series Save formats that can be used with AT-R Series devices

Saving of the registration data will begin. When saving ends, the “----- in the screen will change to the registration name that you saved. If you have assigned a name, the Registration set will be saved to floppy disk with that name.

Chapter 3 Using the Registration Buttons

If the following screen appears If you select a number at which a registration has already been saved and touch <Save>, the following screen appears. Overurite Reoistration OK? If you wish to update the contents of the Registration data How mdi8 T. Touch <OK:. If you wish to save new data instead of updating the registration T. Touch <Cancel>. Rewriting of the Registration will be canceled.

2. mthe Registration Save screen, select the number that is

displayed as “-----” (a number that currently does not contain registration data).

3. Savethe Registration (p. 98).

When saving is complete, the saved registration name will be displayed.

Chapter 3 Using the Registration Buttons

Loading Previously Saved Registration Sets Into the AT-80SL/60SL Here’s how to recall a previously saved Registration set from the floppy disk into the memory of the AT-80SL/60SL. Registrations can be selected in the following three ways. Loading a Set of Registrations (Load) > p. 101 You can load a “set” (a collection of settings for Registration buttons [1]-[12] on the AT-80SL, Registration buttons [1]-[8] on the AT-60SL) from floppy disk. Loading an Individual Registration (Load One) > p. 103 Recall the settings of one of the Registration [1]-[12] buttons (on the AT- 60SL, Registration buttons [1]-[8]). Recalling the Order that the Registrations are Saved on the Floppy Disk (Load Next) > p. 106 Press the [Load Next] button to recall registration sets in the order in which they are saved on the floppy disk. H Loading a Set of Registrations

1. insert the floppy disk containing the Registration into the

2. Touch <Registration> on the Main screen.

The sub-window appears. 2 Load feoistration ||Save Let] IDisk Edit Be aware that when you load Registrations from a disk, the Registrations that were previously in internal memory will be lost. It is a good idea to save important Registrations to floppy disk (p. 98).

MEN You can also open the Registration Load screen by pressing the [Registration] button, instead of performing steps 2 and 3.

Chapter 3 Using the Registration Buttons

2'REGIST-02 O3:REGIST-03 O4:REGIST-04 OSREGIST-05 Pa sm In the screen, touch Utility > to select the Registration that you wish to load into internal memory. To cancel operation, touch <Exit>. Touch <Load>. The registration data will start being read. When the Registration has been loaded, the Registration Load screen will reappear. When you use the Registrations saved on the AT-90/AT-80/AT-30, refer to “Using Registrations Created on an Earlier Model” (p.111)

MEMD When you touch <go to Save», the instrument jumps to the Registration Save screen.

H Loading an Individual Registration

1. insert the floppy disk containing the Registration into the

2. Touch <Registration> on the Main screen.

Registration Load Load One Renane Format Disk OSREGIST-03 = O4:REGIST-04 [üvtions___] OS:REGIST-05 __ | LExit | Utility D cm mmmmnn MEMD You can also open the Registration Load screen by pressing the [Registration] button, instead of performing steps 2 and 3.

Chapter 3 Using the Registration Buttons

When you’re done making the settings, touch <OK>. The following display appears. Executino.. When the Registration has been loaded, the basic screen will reappear.

Chapter 3 Using the Registration Buttons

Chapter 3 Using the Registration Buttons

HE Recalling the Order that the Registrations are Saved on the Floppy Disk (Load Next)

On the AT-80SL/608L, you can simply press the [Load Next] button to successively recall registrations in the order in which they were saved on the floppy disk. This function is called “Load Next.” When you will be performing live, you can save registration sets to floppy disk in the order in which you will be performing. Then while you perform, you can recall the next registration set easily and smoothly. Insert the floppy disk on which the registrations are saved into the floppy disk drive. Press the [Load Next] button. The first registration saved on the floppy disk will be recalled into the AT- 80SL/60SL. The following screen appears. Registration Loaded REGIST-02 Press one of the registration [1]-[12] buttons (on the AT- 60SL, registration [1]-[8] buttons). The registration will be loaded (recalled into internal memory). Repeat steps 2 and 3 to successively recall the registration sets. Li]

By using the “Disk Edit” function, you can modify the order or the name of the registrations saved on disk, or delete an unwanted registration (p. 94, p. 108, p. 110). Button Description Return to the registration that had been selected before you pressed the [Load Next] button. Undo Finalize the registration. It will not be ok possible to return to the previous registration. MEMD Instead of performing step 3, you can also load the registration by touching <OK> in the screen.

1. Access the Main screen.

Full Oroant Sound/Kbd }[ Fhuthn }[Reoistration Rec/Plau Susten [[Quikr

2. Touch the < > icon several times to switch to <

The Main screen display will switch to the registration. If the next registration set is loaded

Chapter 3 Using the Registration Buttons

Deleting a Set of Registrations from a Floppy Disk Here’s how to delete a Registration set that was saved to a floppy disk.

1. insert the floppy disk containing the Registration into the

2. Touch <Registration> on the Main screen.

The sub-window appears.

Touch <Disk Edit>. The Registration Disk Edit screen appears. Registration Disk Edit Disk ONREGIST-01 O2:REGIST-02 O3REGIST-05 O4:REGIST-04 OS:REGIST-05 F #_Delete Button Meaning Description The Rename screen appears. You can Rename Modify the name touch the screen and rename the selected registration (p.94). u Change the order The selected registration will be P (upward) moved earlier in the order (p. 110) Down Change the order The selected registration will be (downward) moved later in the order (p. 110). Delete the The selected registration will be Delete : : Registration deleted. | 108

Chapter 3 Using the Registration Buttons

> to select the registration that you wish to delete.

The following display appears. Delete Registration OK? EN ne To cancel operation, touch <Cancel>.

6. r you are sure that you wish to delete the registration, touch

<OK>. When the Registration has been deleted, the Registration Disk Edit screen will reappear. When a registration is deleted, the deleted registration name will change to

Chapter 3 Using the Registration Buttons

Changing the Order of Registration on Floppy Disk After saving registrations on floppy disk, you can change the order or name of the registrations (p. 94), or delete a registration (p. 108). This is very convenient when you are preparing to use the [Load Next] button (Load Next function — p. 106) to recall successive registrations while you play.

1. insert the floppy disk containing the Registration into the

2. Touch <Registration> on the Main screen.

The sub-window appears.

O3:REGIST-03 -<W- in the screen to select a registration.

5. Touch <Up> or <Down> to move the registration.

Button Mean Description The Rename screen appears. You can Rename Modify the name touch the screen and rename the selected registration (p.94). u Change the order The selected registration will be P (upward) moved earlier in the order. Down Change the order The selected registration will be (downward) moved later in the order. Delete Delete the The selected registration will be Registration deleted (p. 108)

Chapter 3 Using the Registration Buttons

Using Registrations Created on an Earlier Model Registrations that were created on the ATELIER series (AT-90/80/30) or ATELIER-R series (AT-90R/80R/60R/30R/20R) can be used on the AT- 80SL/60SL. When using a set of registrations that was created on the AT-90/80/60 models, your registrations will be converted to work in the AT-80SL/60SL models and loaded into internal memory. When loading these registrations the music style that was originally used can also be loaded into the [Disk/ User] button to complete the accurate reproduction of the original registration. Recalling a registration that was created on the “AT-90/80/30”

1. insert the floppy disk that contains Registrations created on

an earlier model of the ATELIER series.

2. Touch <Registration> on the Main screen.

The sub-window appears. feoistration ||Save IDisk Edit

The Registration Load screen appears. Registration Load O3REGIST-05 O4:REGIST-04 OS:REGIST-05 as ts | Utility MEMD This operation is not necessary when recalling a registration that was created on a model in the AT-R series. MEMD You can also open the Registration Load screen by pressing the [Registration] button, without performing steps 2 and 3.

Chapter 3 Using the Registration Buttons = NN

> to select the registration that you wish to load into internal memory. Registration Load internat _REGIST-01 Disk OZREGIST-02 OSREGIST-03 mom | 0 | To cancel operation, touch <Exit>.

The following screen appears. Select Orioinal Model To cancel operation, touch <Cancel>.

6. Touch the screen to select the model on which the

Registration was created. If the Rhythm of the [Disk/

7. Touch <OK> to confirm the model on which the Registration User] button has been

was created. rewritten, there may be cases in which the If the Rhythm used by the Registration is found in the internal memory of Registration cannot be the AT-80SL/60SL, the Registration will be loaded into internal memory. loaded correctly. When loading is complete, the Registration Load screen will reappear.

If internal memory does not contain a rhythm specified by the registration The number of the included music style disk that contains that rhythm will be displayed. AT-80SL AT-60SL Notice For Disk Rhythm Notice For Disk Rhythm @2 22H22 6-0 —

8. Make a note of the number of the music style disk, and touch

<Exit>. A similar rhythm that does exist in internal memory will be substituted for the rhythm that does not exist, and the registration will be loaded. As) æ

Loading a AT-90/80/30 rhythm into the [Disk/User] button If you wish to use a Rhythm used by an earlier model of the ATELIER series with a Registration that you loaded, load the Rhythm from the Music Style disk into the [Disk/User] button.

9. Remove the Registrations floppy disk from the disk drive,

and insert the Music Style disk.

10. Load the Rhythm whose number you noted in step 8 into the

[Disk/User] button (p. 78).

Chapter 4 Using the Performance Functions

Transposing to a Different Key (Key Transpose) You can transpose the key of a performance without having to shift the position of your fingers on the keyboard. This feature is called “Key Transpose.” For example: you may play in the familiar C major scale while your music will sound in any key of your choice. Transpose ee © 1 e _Setthe value for the transposition with the Transpose [-] and [+] buttons. Each time you press a Transpose [-] [+] button, the pitch will be transposed by a semitone. Acceptable values range from A | to G (in semitone steps).

The specified value will be displayed in the Main screen. LooseBigBand FT Π| HuSIC 8%] | Full Oroan ESS Sound/Kbd [ Fhuthn [Feoistration Rec/Play [ Susten CE Kide State of the Transpose [-] [+] buttons If transposed (non-C) One of the Transpose [-] [+] button indicators is lit. The Transpose [-] [+] button indicators are If not transposed (C) extinguished

2. By pressing the Transpose [-] [+] buttons simultaneously,

MEMD The transposition setting is stored in the Registration. For details on the settings that are stored in the Registration, refer to “Settings That Are Stored After the Power Is Turned Off” (p. 255). MEMD You can change the timing at which the transposition settings saved in a Registration will be recalled. For details refer to “Changing the Timing at Which Transposition Settings are Recalled” (p. 190).

CS lala on pH = ee NAN UT

Chapter 4 Using the Performance Functions

Adjusting the Brightness of the Sound Using the Brilliance slider, you can adjust the brightness of the sound.

1. Fora brighter sound, push the slider away from you. For a

mellower sound, pull the slider toward you. right ess Brilliance You can adjust not only the treble range but the bass as well with the [Brilliance] slider. You can suppress the lower frequencies by moving the slider downwards. Adding Decay to the Sound (Damper Pedal) When you depress the Damper (Sustain) pedal, a decay effect will be added to the voices. While you continue depressing the damper pedal, notes will be sustained even if you release the keys. By default the decay effect will be applied to the voices played on the Lower keyboard. This setting is not stored in the Registration. MEMD You can modify the setting so that decay is only applied to notes played on the Upper keyboard (p 187). Decay cannot be added to the Solo voices. MEN Decay can be applied to Pedal Bass voices played on the Lower keyboard (when the Pedal [To Lower] or [Bass Split] button indicators are lit). In this case, a decay will not be applied to the pedal bass voice.

Chapter 4 Using the Performance Functions

Pitch Bend and Vibrato Effects When you move the Pitch Bend/Vibrato lever to the left or right, you can obtain a smooth change in the pitch of the notes being played (Pitch Bend effect). Move the lever to the right to raise the pitch, and to the left to lower it. Also, when you push the lever away from you, a vibrato effect can be obtained. Vibrato Bender By default (immediately after the power is turned on) the Pitch Bend effect is added to the voices of all the sections being played on the Upper keyboard.

You can also adjust the range of the pitch which is shifted by the Pitch Bend lever. For details, refer to “Changing the Pitch Bend Range” (p. 188). Please note that only the appropriate voices will allow vibrato to be added (p- 220). MEMD You can change the settings so that both the Pitch Bend and Vibrato effects are applied to the Lower

keyboard voice or the voices on the Pedalboard. Please refer to “Selecting the Range of Keys to Which the Pitch Bend/ Vibrato Lever will Apply” (p.187).

Chapter 4 Using the Performance Functions

Using the Foot Switches On either side of the expression pedal are two Foot Switches. Different functions are assigned to each of these two foot switches. You can also change the functions assigned to the left and right Foot Switches. Please refer to “Changing the Function of the Foot Switch” (p. 118). With the factory settings, the following functions are assigned to the left and right Foot Switches.

Right Foot Switch Switch the Rotary effect between Fast/Slow. If Rotary is turned on, the Rotary effect will switch between “Fast” and “Slow” each time you press the Foot Switch. Left Foot Switch Glide (an effect by which the pitch is lowered by a semitone while the foot switch is pressed, and is returned to what is originally was when you release your foot). While you are pressing the Foot Switch, the pitch will be temporarily lowered. When you release the Foot Switch, the pitch will return to normal gradually. You can store functions to be assigned to the foot switch to individual Registration buttons (p. 90). If “Regist Shift” is turned “RIGHT,” “LEFT,” or “RIGHT +Load Next,” the foot switch will function only to switch registrations (p.119). CO) MEMD The Glide effect will only be applied to the keyboard section that has been specified as being the destination for the Pitch bend/Vibrato lever. Please refer to “Selecting the Range of Keys to Which the Pitch Bend/Vibrato Lever will Apply” (p.187).

Chapter 4 Using the Performance Functions

EH Changing the Function of the Foot Switch You can select any of the following functions and assign them to either Foot Switch on the right or left side of the Expression Pedal. T. Touch <Sound/Kbd> on the Main screen. The Sound/Keyboard screen appears.

2. Touch <Controller>.

The Controller screen appears:

R Foot Switch. to display the L Foot Switch or Controller GLIDE Foot Suitch

5. Touch << to change the setting.

jl 118 Available functions Description Switch the Rotary speed between ROTARY FAST/SLOW PAST” and "SLOW.” While the Foot Switch is pressed, the pitch will temporarily be lowered, and will gradually return to normal when you release the Foot Switch. When the power is turned on, Glide effect is added to the voice of all the sections being played on Upper keyboard. GLIDE The Leading Bass function (p. 72) will operate only while you continue pressing the Foot Switch. Start/Stop the Rhythm. The same function as the Composer [Play/Stop] button. Each time you press the Foot Switch, the performance data will play back or stop. LEADING BASS

INTRO/ENDING Play an Intro or Ending. Afterinserting a Fill-In, playback will switch to the variation pattern.

Afterinserting a Fill-In, playback will switch to the original pattern.

Switch the Style Orchestrator button.If the Style Orchestrator [Basic] button or [Advanced2] button is selected, the [Basic] and [Advanced2] buttons will be switched.If the [Advanced1] button or [Full] button is selected, the [Advanced1] button and [Full] button will be switched. ORCHESTRATOR Stop the rhythm at the end of that measure. BREAK Notes played on the Upper keyboard will be sustained only while you continue pressing the Foot Switch.

Notes played on the Lower keyboard will be sustained only while you continue pressing the Foot Switch.

Ifthe ’Regist Shift (Registration Shift)” setting (p.119) is “RIGHT,” “LEFT,” or “RIGHT + Load next,” the Foot Switch will be dedicated to switching through the Registrations, and the “R Foot Switch” or “L Foot Switch” setting will be ignored (p. 119).

Chapter 4 Using the Performance Functions

E Using the Foot Switch to Switch Registrations You can use the Foot Switch as a dedicated switch for selecting Registrations in order. The Regist Shift settings are stored to each individual Registration Set. When “RIGHT + Load Next” is assigned to the foot switch and the Load Next function is used to switch Registration Sets saved to a floppy disk, set the Regist Shift setting to “RIGHT + Load Next” for all saved Registrations.

1. Touch <Sound/Kbd> on the Main screen.

The Sound/Keyboard screen appears.

2. Touch <Controller>.

The Controller screen appears. iv 2 to display the Regist Shift. Controller L Foot Suitch R Foot Suitch ROTARY (RoTARY FAST/SLoU SL OU] Regist Shift Danper Pedal

4. Touch the Regist Shift setting.

> to change the setting.

MEMD This setting remains stored in memory even while the power is turned off. Setting Descriptions You can use a function assigned to the OFF à foot switch. The right foot switch is dedicated to switching registrations. The function assigned to the right foot switch cannot be used. RIGHT The left foot switch is dedicated to switching registrations. The function assigned to the left foot switch cannot be used. LEFT

Setting Descriptions The right foot switch is dedicated to switching registrations. The function assigned to the right foot switch cannot be used. Selecting the Registration [12] button (on the AT-60SL, registration [8] button) and pressing the right foot switch activates the Load Next function, calling up the next registration saved to the disk. The Registration Load window appears in the display. When you then press the right foot switch again, the Registration Set is confirmed, and the Registration [1] button is selected. Example: 1-2-3...-12 (8, on the AT-60SL)-> Load Next-+(Next Registration) 1 RIGHT + Load Next What is “Load Next”? You can use the Load Next function to call up Registrations in the order saved to the floppy disk. When you will be performing live, you can save registration sets to floppy disk in the order in which you will be performing. Then while you perform, you can recall the next registration set easily and smoothly. CO) Checking the next registration set

1. Display the Main screen (p. 26).

2. Touch the > icon several times to switch

Chapter 4 Using the Performance Functions

e. Ô . Adijusting the Overall Volume Using an MED ï Y ify how the Expression Pedal ou can specify how the Expression Pedal will affect You can use the expression pedal to adjust the overall volume. When you the nn en its depress the Expression Pedal, the volume increases. The volume decreases pressed (p.121). as you tilt the pedal back. Decrease NE also specif the volume peur whether the Expression Pedal will or will not control the volume during Increase the recording of your the volume performance (p. 186). Likewise you can specify whether the Expression Pedal will or will not control the volume during the playback of recorded À r NN | performance (p.187). pu @ Using the expression pedal enables you to give your performances even @ richer musical expressiveness. The expression pedal features the following special characteristics: + Completely releasing the expression pedal does not lower the volume to zero. If you do want to turn down the volume completely, set the [Master Volume] slider to the Min (Minimum) position. + Even as you release your foot from the expression pedal and lower the volume, the lower-range portion will linger on. This provides a natural- sounding resonance. + When an Active Expression voice is selected, the expression pedal can be used to produce changes in the voice (p. 49).

Chapter 4 Using the Performance Functions

EH Adjusting the Depth of the 1 Expression Pedal Faure You can set the amount of effect applied when you step on Accompaniment the expression pedal. M

1. Touch <Sound/Kbd> on the Main screen.

The Sound/Keyboard screen appears. Keyboard Par

2. Touch <Controller>. 2

The Controller screen appears.

3. Touch iv 2 to display the Exp. Curve

(Expression Curve). 7

4. Touch <Exp. Curve> setting. Rhythm, Auto Accompaniment, Keyboard Part

Controller 3 n.- Bender, Cet]. + = _ Rhythm, Auto Accompaniment, Keyboard Part @ a

5. Touch << > to change the setting. /

Rhythm, Auto Setting Descriptions The position of the expression pedal does not really affect the rhythm performances and Automatic Accompaniment. This setting is convenient when you do not want to have the rhythm or Automatic Accompaniment volume change much. The expression pedal is applied to the rhythms and Automatic Accompaniment just as it is to the keyboard performance. 2 The volume is easily adjusted according to the angle of the expression pedal, making this setting perfect for use in songs with big changes in dynamics. The expression pedal is applied to the rhythms and Automatic Accompaniment just as it is to the keyboard performance. 3 The expression affectis applied more gently than with Setting 2, so this setting is appropriate for quieter songs with less intense dynamic changes. The expression pedal does not affect the rhythms and Automatic Accompaniment at all. This setting is suitable for ensemble performances and other performances featuring multiple instruments. Accompaniment

MEMD This setting remains stored in memory even while power is turned off.

Chapter 5 Applying Various Effects to the Sound

The AT-80SL/608L allows you to apply various effects to the sounds you play from the keyboard. Adding Harmony to a Melody (Harmony Intelligence) Harmony appropriate for the chord you play in the lower keyboard can be added to the highest note played in the upper keyboard. This function is called “Harmony Intelligence.” When you press the [Harmony Intelligence] buttons, the voice most suitable for the selected harmony intelligence will be selected automatically.

1. Pressthe [Harmony Intelligence] button, getting its indicator

to light up. Each time you press the button, the indicator will alternate between ON (lit) and OFF. The Harmony Intelligence screen appears for several seconds. Harmony Intelligence

HE Changing the Type of Harmony Intelligence There are 18 different Harmony types (AT-80SL). There are 12 different Harmony types (AT-60SL). When you press the [Harmony Intelligence] button to turn it on (lit), a voice most suitable for the selected harmony intelligence will be selected automatically. The manner in which notes will sound also depends on the Harmony type.

1. Pressthe [Harmony Intelligence] button, getting its indicator

to light up. The Harmony Intelligence screen appears for several seconds. AT-80SL AT-60SL Harnony Intellisence Harnony Intellisence HYHN BLOCK

STINGS HYHN BIG BAND

Chapter 5 Applying Various Effects to the Sound

to select the desired harmony intelligence. The [Harmony Intelligence] button’s indicator will blink. > to switch screens, and touch the screen Model Harmony Intelligence Type AT- 80SL ORGAN, BIG BAND, STRINGS, BLOCK, HYMN, TRADITIONAL, HARP, DUET, COMBO, JAZZ SCAT, COUNTRY, BROADWAY,

AT- 60SL ORGAN, BIG BAND, STRINGS, BLOCK, HYMN, TRADITIONAL, HARP, COMBO, JAZZ SCAT, BROADWAY, OCTAVE 1, OCTAVE 2

3. Press the [Harmony Intelligence] button once again.

The [Harmony Intelligence] button indicator will light, indicating that the selected harmony intelligence has been confirmed. The way in which the keys you press are sounded by each type of harmony intelligence is described below. Type Solo Voice Upper Voice HE ss ® ORGAN — Theater Or.3 3 BIG BAND Trumpet Flugel Horn 4 STRINGS Strings 1 Strings 1 4 BLOCK Vibraphone Piano 1 5 HYMN Choir Choir 4 TRADITIONAL Currently Selected Tone 3 HARP _ Harp 2 DUET Trumpet Tp. Section 1 COMBO Clarinet Trombone 2 JAZZ SCAT Jazz Scat Jazz Scat 3 COUNTRY Full Organ1 Jazz Guitar 3 BROADWAY Celesta Theater Or.1 3 OCTAVE 1 Currently Selected Tone 2 OCTAVE 2 Currently Selected Tone 2 1 NOTE Currently Selected Tone 2 2 NOTES Currently Selected Tone 3 3 NOTES Currently Selected Tone 4 4 NOTES Currently Selected Tone 5

MEMD You can also confirm the Harmony Intelligence settings by touching <Exit> on the Harmony Intelligence screen. You can also play the upper manual to confirm the type of the Harmony Intelligence. CO) MEMD Harp-type harmony intelligence does not sound the keys you play. Use your left hand to play a chord in the lower keyboard and use your right hand to play a glissando in the upper keyboard, and a beautiful harp glissando will be produced. The number of notes of the harmony will depend on the Harmony Intelligence type.

Chapter 5 Applying Various Effects to the Sound

Adding Modulation to the Sound (Rotary Effect) For more on the tones to Rotary is an effect which simulates the sound of rotating speakers. There is which the Rotary effect can be applied, refer to Voice List (AT-80SL) (p. 220) and Voice List (AT-60SL) (p. 223). a choice of two settings: Fast and Slow.

1. Select the voice to which you wish to apply the Rotary effect.

2. Press the Rotary Sound [On/Off] button (confirm that its

indicator is lit). The Rotary effect will be applied to the voice.

3. Press the Rotary Sound [Fast/Slow] button to switch

between Rotary Fast (LED lit) and Rotary Slow (LED turned off). MED You can assign the Rotary Rotary [Fast/Slow] button Effect Sound [Fast/Slow] button function to the foot The effect obtained is equivalent to speakers LED lit (Fast) being rapidly rotated. switches located on each side of the Expression LED turned off (Slow) Effect simulating the slow rotation of speakers. Pedal (p. 118). When you switch the rotary effect from “Fast” to “Slow,” the modulation will slow down gradually, and when you switch from “Slow” to “Fast” the modulation will speed up gradually.

Chapter 5 Applying Various Effects to the Sound

= Rotary Speed 4. Touch the value setting buttons for Rotary Speed You can make fine adjustments to the speaker rotation speed to adjust the setting. of the rotary effect (p. 124). Effect T. Touch <Sound/Kbd> on the Main screen. [7] oseBigBand Rotary Sneed

Sound/Keuboard UPPER. JE = IC Fit orvont Di NEMD Or] These settings remain stored in memory even while the LOUER El b) ; il (Lover Oroant power is off. ch. Ces LM Eontroter]( Effect Gritroint As) æ

The Effect screen appears Effect NORMAL | BRIGHT

(ve to display the Rotary Speed.

F2 4 AT-80SL_60SL_e.book 126 X—% 2004#3A23A XMA ÆFAORH345 is)

Chapter 5 Applying Various Effects to the Sound ji at

EH Rotary Color 4. Touch the value setting buttons for Rotary Color This setting allows you to choose the brightness of the Rotary to adjust the setting. sound obtained when using the Rotary effect (p. 124). Each time you touch the Rotary Color setting, it will . switch between “BRIGHT” and “MELLOW.” T. Touch <Sound/Kbd> on the Main screen. Settings BRIGHT, MELLOW 00 es CS 5. Touch <Exit>. oseBigBand MED These settings remain stored in memory even while the power is off. Sound/Keuboard dE à D Fu oroont _L)

The Effect screen appears Effect NORMAL | BRIGHT

Chorus is an effect that adds expansiveness to a sound, making one instrument sound like several. You can apply a chorus effect for the “Upper Symphonic,” “Upper Orchestral,” “Lower Symphonic,” and “Lower Orchestral” voices. Touch <Sound/Kbd> on the Main screen. EE Rhuthn | [Registration Rec/Play [ Susten [[Quik re Sound/Keyboard

CAES Fult Organt b (Orch] E (rch.

EL oer oroant D) (rch. rs] ES (üroan Basst ( fontroter]C Effect] (Sritroint Touch either <UPPER> or <LOWER>. Menu Description UPPER To apply chorus to the Upper part LOWER To apply chorus to the Lower part For some of the voices, Chorus may already be turned ON.

Chapter 5 Applying Various Effects to the Sound

For the part to which you wish to apply the chorus effect, touch the Chorus “ON/OFF” display to change the setting. Each time you touch the Chorus setting, it will alternate ON/OFF. Upper Keyboard Octave | [Esveb Shift Chorus ÎDepth as, nl Es sit Organt

Lo Lu IL | es Je Indication Description ON The Chorus effect will be applied to the voice. OFF The Chorus effect will not be applied to the voice. Touch <Exit>. Sustain Effect

Sustain allows you to add a sustain effect or decay to each voice after the keys are released. The Sustain effect can be added to the Upper (except the Solo part), Lower, and Pedal voices.

Sustain Sustain Pedal Lower Upper

Press the Sustain [Pedal] [Lower] [Upper] button for the keyboard to which you wish to apply Sustain (indicator lights). The Sustain effect can be applied simultaneously to the voices of the Upper part (except the Solo part), Lower part, and Pedal Bass part.

Some voices do not allow the Chorus effect to be applied. For details refer to “Voice List” (p. 220). MEMD You can open the Lower Keyboard screen or Upper Keyboard screen with touching <Lower>, and <Upper>. The Sustain effect will not be applied to the Solo part voice. The length of Sustain can be modified independently for each keyboard (p. 129).

Chapter 5 Applying Various Effects to the Sound

HE Changing the Sustain Length NEW The sustain length can be set independently (SHORT, You can open the Pedalboard screen, Lower Keyboard MIDDLE (Medium) or LONG) for the Upper and Lower screen, or Upper Keyboard screen with touching <Pedal>, keyboards and Pedalboard. You can make a separate setting <Lower>, and <Upper>. for each keyboard

4. For the part whose sustain length you wish to

Part whose sustain length you wish to change UPPER To change the length of the Upper part. LOWER To change the length of the Lower part. PEDAL To change the length of the Pedal part. Sustain Length LONG Piano TS D

Chapter 5 Applying Various Effects to the Sound

Reverb is an effect that adds a sense of spaciousness to the sound, creating the illusion of playing in a large or small concert hall, a large or small room, a small club, etc. AT-80SL Accomp/ Pedal Reverb \ SMF Rhythm Organ Orch OL CO lEL]C]0C) Press the Reverb [A] or [Y] buttons to adjust the overall Reverb amount. When you press the up button [A], additional Reverb is applied. Pressing the down button [W] decreases the Reverb level. If none of the Reverb indicators are lit, the Reverb effect will not be heard. When you press the Reverb [A] [W] buttons, the Part Balance Monitor screen appears. In the Part Balance Monitor screen you can check the reverb depth. Part Balance Monitor ( Hold ( Exit ACTE Rev SMF Rhy OraÜrch Org SumOrch Ürg SumÜrch Solo The Part Balance Monitor screen is displayed for several seconds and then closes automatically. If you touch <Hold»>, the screen continues to be displayed until you touch <Exit> again. MEMD You can change the type of reverb, the reverb depth for each part, and the wall type. For details refer to Changing the Reverb Type (p. 131), Changing the Depth of the Reverb (p- 133), and Changing the Wall Type (p. 132).

Chapter 5 Applying Various Effects to the Sound

CL] Changing the Reverb Type 4. Touch the value setting buttons for Reverb Type By changing the reverberations of the notes, you can enjoy to adjust the setting. the atmosphere of performance in a wide variety of different The following screen appears. locations. You can select from the following 11 types of Reverb. Effect

1. Touch <Sound/Kbd> on the Main screen. Rotary Sneer F

to edit the setting. ES) Bhuthn | [Reoistration 5. Touch <[=|>< © Susten E Display Description ROOM 1 Simulates the reverb of a conference room Simulates the reverb of a performance Sound/Keuboar d ROOM 2 lounge ? ED Fit avoant _L] ROOM 3 Simulates the reverb of a large, open room Ch] Ë À EE. .- 0 HALL 1 Simulates the reverb of a large concert hall L y [Lo ere & 4 Drch] HALL 2 Simulates the reverb of a small concert hall @ [rc Drch. ETS can Basst L] SECH The reverberation of a small church LARGE . CHURCH The reverberation of a large church

2. Touch <Effect>. CATHEDRAL | The reverberation of a cathedral

The Effect screen appears. PLATE Applies a bright, metallic reverb Effect DELAY An echo-like sound repeated several times Similarly to the above but where the PAN DELAY | sound is panned between the left and right Rotary Color speakers Rotary Speed Reverb Type Wall Type Itis not possible to modify the delay time (delay interval) when “DELAY” or “PAN DELAY” is selected.

CL] Changing the Wall Type 4. Touch the value setting buttons for Wall Type to adjust the setting.

Chapter 5 Applying Various Effects to the Sound

By changing the type of reverb (p. 131) you can experience the feeling of performing in various different locations, and The following screen appears. by changing the Wall Type (wall material) you can make further adjustments to the way in which reverberation Effect occurs |

The Effect screen appears. 6. Touch <Exit>. Effect otary Speed

Chapter 5 Applying Various Effects to the Sound

HE Changing the Depth of the Lower Reverb Lover Keuboard The depth of the Reverb can be set (0-10). ct es ve | eue Shift Ichorus Îüepth To adjust the reverb depth for Upper/ PA Lover Oroon! JOB ER | , PO er PP Es RO L Pedal/Sol swer/Pedal/Solo Ed a DE Er T. Touch <Sound/Kbd> on the Main screen. LooseBigBand Pedal Full Oroant Pedalboard ES) Fhuthn | [Registration Plau Susten [[Quikr The Sound/Keyboard screen appears. ctave [Reverb [Part Shift IDepth _ IBatance FE Groan Bass! JS EE ET | Es 2 JE RC re Sound/Keuboard D Fu oroont _L)

@ Prch] n 7 SP 3. Touch <El-<{C- to display the Reverb Depth ® rs. LOUER Louer Orpanl b 4. Touch the part whose reverb depth you wish to adjust. F= Ta Pen | The following screen appears. ( Hi Æontroter [ Effect Gritroint Upper Keuboard

2. Touch <UPPER>, <LOWER», or <PEDAL>.

The Upper Keyboard screen, Lower Keyboard screen, or Pedalboard screen will be displayed Upper Upper Keuboard Octave Reverb RE lohorus lets

Settings 0-10 > to adjust the setting.

Chapter 5 Applying Various Effects to the Sound

To adjust the reverb depth for 3. Touch < iv 2 to display the Rev Depth something other than Upper/Lower/ (Reverb Depth). Pedal/Solo Effect T. Touch <Sound/Kbd> on the Main screen. [7] LooseBigBand Full Oroant ES) Fhuthn | [Registration CC ES Part Accomp, Rhythm, Drums, M.Perc, A.Bass

4. Touch the part whose reverb depth you wish to

adjust. The Sound/Keyboard screen appears. The following screen appears. Sound/Keuboard TE] m (Full Organt D Prch] E EE Lover oroont L) [Cr rc RES be con Basst L) Effect As) æ

> to adjust the setting. Settings 0-10, AUTO (Accomp, Rhythm, A.Bass Effect only) NORMAL | For the three Parts of the Accomp, Rhythm and BRIGHT Accompaniment Bass, you have the option of selecting the “AUTO” setting. Parts for which “AUTO” is selected will be set to the Reverb Depth that is most suitable for Uall Type ACOUSTIC TILE the Rhythm currently selected

The Effect screen appears. 5

Chapter 6 Using the Lower Keyboard Effectively

Making Effective Use of the Lower Keyboard Since the lower keyboard of the AT-80SL/60SL provides a generous 76 notes, you can use it to play piano pieces with ease. In addition, you can divide the keyboard into two or more sections and play solo voices, play the pedal bass voice, or combine a variety of uses for even more versatility. For example, the following applications are possible. Using the Lower Keyboard to Play the Solo Voice + Press the Solo [To Lower] button in the Solo section to Play the Solo voice to the Lower keyboard (p. 137). E Drums/SFX 1 Manual Perc. Bass E Lower E Solo \. D, Using the Lower Keyboard to Play the Bass Part by Hand

+ Press the [Bass Split] button in the Pedal section to play the Pedal Bass voice from the Lower keyboard (p. 140). LRU 1 Drums/SFX E Manual Perc. Bass I Lower E Solo \. D, Using the Lower Keyboard to Play Drum Sounds or Sound Effects + Press the [Manual Perc] button to play drum sounds or sound effects with the Lower voice on the lower keyboard (p. 142). LUN OU E Drums/SFX L Manual Perc. Bass ELower E Solo

Chapter 6 Using the Lower Keyboard Effectively

Playing Drum Sounds from the Entire Lower Keyboard + Press the [Drums/SFX] button (p. 56). LULU TANT & Drums/SFX 1 Manual Perc. Bass E Lower 1 Solo \. À Using the Lower Keyboard to Play Drum Sounds and Solo Voice + _ Press the [Drums/SFX] button (p. 56), and then press the Solo [To Lower] button (p. 137) E Drums/SFX L Manual Perc. BH Bass ELower E Solo

By changing the combination of voices that are played on the Lower keyboard, and by changing the Solo Split Point (p.139) and Bass Split Point (p. 141), you can create the following types of setup.

COTTON CEE NTANTTETENETNE

& Drums/SFX E Manual Perc. n Bass E Lower # Solo E Drums/SFX L Manual Perc. L Bass E Lower LE Solo E Drums/SFX E Manual Perc. L Bass E Lower # Solo

4 AT-80SL_60SL_e.book 137 — 2004#3A23A XMBA ÆFAORH345 HE! QUE Playing the Solo Voice on the Lower Keyboard (Solo [To Lower] Button) Normally, the solo voice will sound on the upper keyboard. By using the Solo [To Lower] button, you can play the solo voice in the right- hand side of the lower keyboard that includes the B4 key. The state in which the keyboard is divided in this way is called “split,” and the location at which the keyboard is divided to play the solo voice in the lower keyboard is called the “Solo Split Point.” Solo Altemat/To Lower 1 ER) 0 Select a Solo voice (p. 44). Press the Solo [To Lower] button (indicator lights). When you play the Lower keyboard, the Solo voice will sound in the range to the right of the Solo Split Point. Lower keyboard Solo voice

Solo Split Point To turn off the Solo split, press the Solo [To Lower] button Gndicator turns off). The Solo voice will no longer sound in the Lower keyboard; the Solo voice will now be played in the Upper keyboard. The key used for the solo split point is included in the Solo voice range. If the Solo [To Lower] is ON, the Solo voice will not be heard from the upper keyboard.

MEN You can adjust the Solo Split Point (p. 139) MEN You can change how the Solo voice will sound (p. 138). MEMD You can layer the Solo voice with the Lower voice 50 that they will sound together (p. 138).

HE Changing How the Solo Voice H Layering the Solo Voice and

Chapter 6 Using the Lower Keyboard Effectively

Responds Lower Voice When the Solo voice is assigned to the Upper keyboard or When the Solo voice is being played by the Lower keyboard the Lower keyboard, you can specify how the Solo voice will e., when the Solo [To Lower] button is ON), you can respond when more than one key is pressed. specify whether the Lower voice and the Solo voice will s d together (layered), ill s ds tely (split). T. Touch <Sound/Kbd> on the Main screen. sound together (layered), or will sound separately (split) The Sound/Keyboard screen appears. T. Touch <Sound/Kbd> on the Main screen.

2. Touch <UPPER:. The Sound/Keyboard screen appears.

The Upper Keyboard screen appears. 2. Touch <UPPER>. The Upper Keyboard screen appears.

4. Touch the Solo To Lower Mode setting to switch

Æ) Upper Keyboard ns between “SPLIT” and “LAYER.” Each time you touch the Solo To Lower Mode setting, it will alternate between “SPLIT” and “LAYER.” JP E _ Setting Descriptions SPLIT The parts will sound separately. LAYER The Lower voice and Solo voice will sound together.

5. Touch Li><i> to change the setting. 5. Touch <Exit>.

Setting Descriptions The Solo voice will sound the TOP NOTE highest note that is played for the Solo part. he Solo voice will sound the note LAST NOTE that was most recently played for the Solo part. The Solo voice will sound all notes POLYPHONIC that are played for the Solo part.

Chapter 6 Using the Lower Keyboard Effectively

M Changing the Solo Split Point NEW This setting is used to determine the Solo Split Point (lower You can also set the split point by pressing the key of the limit of the playable range of the Solo voice) on the Lower lower keyboard that you want to be the Solo Split Point. keyboard to any desired position. BA Solit Poi

1. Touch <Sound/Kbd> on the Main screen. Solit Point

Druns/SF4 MPerc. Bass Louer Solo EST Ep] IE point BR point T. While touching the Solo Split Point value (E1-G7 indication) in the Split Point screen, press the key in the Lower keyboard that you want to specify as the Solo Split Point. & Sound/Keuboard Res The Solo Split Point will be set in the Split Point screen. dE à D Fu oroont _L)

The Split Point screen appears. Split Point Druns/SFH MPerce Bass Lover Solo ë ED] ED] AÉBGE point FE pont

3. Touch 9-07 to change the Solo Split

Point. Settings E1 to G7

Chapter 6 Using the Lower Keyboard Effectively

Using the Lower Keyboard to Play the Bass Voice ([Bass Split] Button)

By using the [Bass Split] button you can play the bass voice in the left-hand side (including C3) of the lower keyboard. The location at which the lower keyboard is divided in this way, to play the pedal bass voice, is called the “Bass Split Point.” Select a Pedal Bass voice (p. 43). Press the Pedal [Bass Split] button (indicator lights). When you play the Lower keyboard, the Pedal Bass voice will sound in the range to the left of (and including) the C3 note. Pedal Bass voice Lower keyboard

Bass Split Point To turn off the Bass split, press the Pedal [Bass Split] button (indicator turns off). The Pedal Bass voice will no longer sound in the Lower keyboard; the Pedal Bass voice will now be played in the pedalboard. MEMD The bass split point is included in the left-hand area of the keyboard. If the Pedal [Bass Split] is ON, the Pedal Bass voice will not be heard from the pedalboard. You can adjust the Bass Split Point (p. 141) Itis not possible to select and play both [Bass Split] and Pedal [To Lower] buttons simultaneously. (NOTE) If the [Bass Split] is ON, the Pedal Bass voice will not be heard from the Pedalboard. The Pedal Bass voice will sound from the Lower keyboard.

Chapter 6 Using the Lower Keyboard Effectively

HE Changing the Bass Split Point You can assign the Bass Split Point (the highest key up to which the Pedal Bass voice will sound), to any key of the Lower keyboard. T. Touch <Sound/Kbd> on the Main screen. Sound/Keuboard dE à D Fu oroont _L)

The Split Point screen appears. Split Point Druns/SFH MPerce Bass Lover Solo ë ED] ED] AÉBGE point FE pont

3. Touch 9-07 to modify the Bass Split

Point. Settings E1 to G7

MEMD You can also set the bass split point by playing the desired key of the lower keyboard. Split Point Druns/SF4 MPerc. Bass Louer Solo CDI Kb] IE point BR point T. While touching the Bass Split Point value (E1-G7 indication) in the Split Point screen, press the key in the Lower keyboard that you want to specify as the Bass Split Point. The bass split point will be set in the Split Point screen.

Chapter 6 Using the Lower Keyboard Effectively

Using the Lower Keyboard to Play the Bass Voice (Pedal [To Lower] Button)

By using the Pedal [To Lower] button, you can sound the Pedal Bass voice by playing the root note (see p. 249) of a chord on the Lower keyboard in the area that is playing the Lower voice. Select a Pedal Bass voice (p. 43). Press the Pedal [To Lower] button (indicator lights). When you play a chord in the area of the Lower keyboard that sounds the Lower voice, the Pedal Bass voice will also be heard and will play the root note. If the “Leading Bass” function is on (p. 72), the lowest note played in the lower keyboard will sound the pedal bass voice. To turn off the Solo split, press the Pedal [To Lower] button Gndicator turns off). The Pedal Bass voice will no longer sound in the Lower keyboard. If no portion of the Lower keyboard is sounding the Lower voice (the [Drums/ SEX] button is ON), the Pedal Bass voice will not sound Itis not possible to select and play both [Bass Split] and Pedal [To Lower] buttons simultaneously.

If the Pedal [To Lower] is ON, the Pedal Bass voice will not be heard from the Pedalboard.

Chapter 7 Recording/Playing Back What You Play

The internal composer can record performances and play back commercial SMF music files. The composer can be used in the following two ways. Using the Panel Composer Buttons Composer Reset Play/Stop Rec Song Registration [Demo ] Oz D © © © H > 0 Button Description Reset Returns you to the start of the song. Starts and stops playback of the song, After the [Rec] button has been pressed, Touching <Rec/Play> in the Main Screen to Open the Rec/Play Screen and Using the Rec/ Play Screen’s Composer Buttons Æ Pec/Play NEU SONG J:154 M: Es Track RS Rhythm Accmp Bass Lower Upper Solo Control Reset Stop Plau Rec Bud Fud Play/Stop putting the composer in record standby mode, recording then starts when the [Play /Stop] is pressed. Button Description The unit switches to record standby Track Buttons for tracks to which R mode. Rhythm performances are recorded light up. ec *_In record standby, the [Rec] button is Accmp A lighted button can be toggled lit, and the [Play /Stop] button flashes. Bass between lighted and unlit by pressing it. PS — Lower Tracks are muted when the button's æ& 4 Song qe Song Select screen appears in the Upper light is off. 7 Isp'ay Solo > For more about the track buttons, Line | : Control refer to p. 144. Registration | 11e Registration Load screen appears in the display. Returns you to the beginning of the Reset When you press the [Demo] button song while a floppy disk is in the disk drive ? ’ St Stops playback of the song. all of the songs on the floppy disk are °P OPS p'ayoac* of the song Demo played back one after another. Starts playback of the song, (When no floppy disk is in the disk After <Rec> has been touched to put the drive) Play composer in record standby mode, The Demo screen opens. recording then starts when you touch <Play>. The unit switches to record standby Rec mode.

• In record standby, <Rec> is lit, and <Play> flashes. Bwd Rewinds the song. Fwd Fast forwards the song. You can toggle between display of the track buttons, the bouncing ball, or the track mute buttons by touching the button. The Notation screen appears in the display. The Utility screen for the Composer is displayed.

Chapter 7 Recording/Playing Back What You Play

E What is a Track Button? The recorded performance will be automatically assigned to the seven Track buttons according to the recorded part. You can record or play back independently by specifying the desired Track button; for example, when you wish to re- record a track. Rec/Play NEU SONG J:154 M: Reset Stop _Plau You can record different kinds of performance data into each track: Track Recorded performance Rhythm performance Rhythm Drums/SFX

Manual percussion Accmp Automatic Accompaniment (except Bass) Pedal Bass Voice Performance Data (Note, Bass Bender, Modulation) Bass part of the Automatic Accompaniment, Lower Voice Performance Data (Note, Hold, Lower Bender, Modulation) Upper Voice Performance Data (Note, Hold, Upper Bender, Modulation, After Touch) Solo Voice Performance Data (Note, Hold, Solo Bender, Modulation, After Touch) Glide Expression Reverb Type Reverb Depth Solo [To Lower] button (ON/OFF) Pedal [To Lower] button (ON/OFF) Control Transpose [-] [+] button setting [Harmony Intelligence] button (ON/OFF) Harmony Intelligence Type Rotary [Fast/Slow] button (ON/OFF) Rotary [ON/OFF] button (ON/OFF) Pedal Bass Mode

Track Recorded performance Solo Mode Solo To Lower Mode Solo Split Point [Bass Split] button (ON/OFF) Bass Split Point Sustain ON/OFF Sustain Length Initial Touch Wall Type The Voices assigned for each part Level [ A J[ Y ] (Part Balance Volume) The Reverb depth for each part The Chorus settings (ON/OFF) of the voice The Octave settings for each part Control [Drums/SEX] button (ON/OFF) Drums/SEX Set [Manual Percussion] button (ON/OFF)

Manual Percussion Set Chord Intelligence Chord Hold Leading Bass Lower Voice [Hold] button (ON/OFF) Tempo setting Volume of the rhythm Accompaniment part Reverb depth of the rhythm Accompaniment part Volume of the rhythm drum part Reverb depth of the rhythm drum part Volume of the rhythm bass part Reverb depth of the rhythm bass part MEMD More information about the track assignments when playing commercial SMF music files, please refer to “Correspondence Between Track Buttons and Track Mute Buttons When Playing Back Commercial SMF Music Files” (p. 147).

Chapter 7 Recording/Playing Back What You Play

During recording, the control track will store the operations as follows. +_ Recording panel operations (Voice selections, Tempo changes, etc.) Newly recorded performance data will be added without erasing the previously recorded data. +_ Recording expression pedal operations This will depend on the function of the expression pedal. Recording of expression operations will differ depending on the setting for “Exp. Src (Rec).” For details refer to “Changing the Function of the Expression Pedal” (p. 186). MEMb If you wish to erase all the recorded data and record new performance data, use the editing function Erase” (erase performance data) to erase the data (p. 168). H Displaying the Track Buttons The track buttons will be displayed in the screen when you record or play back a performance. T. Touch <Rec/Play> on the Main screen.

Full Oroant Sound/Kbd }[ Fhuthn }[Reoistration Susten [[Quikr The Rec/Play screen appears. The following buttons are referred to as the track buttons. Rec/Plau NEU SONG +15 Reset Stop __ Play Rec AI accompaniment data is grouped to the “Accmp” track button in the Rec/Play screen. In the same manner, the rhythm performance data is grouped to “Rhythm.”

If you want to mute only a portion of the rhythms or accompaniment, open up the Track Mute screen, and switch off the Track Mute buttons there (p. 148). Playing Back Performance Songs Stored on Floppy Disk and SMF Music Files In addition to playing back the music you recorded on the instrument and saved to a floppy disk, AT-80SL/60SL also lets you enjoy a wide variety of commercially available song files, such as defined below. SMF Music Files The Standard MIDI File (SMF) format was designed to provide a means for exchanging performance data among a wide variety of devices. In addition to the song files described earlier, the AT-80SL/60SL is also capable of playing back any Standard MIDI File compatible with the General MIDI 2 or GS formats.

To play back only one song T. Hold the floppy disk with the label facing upwards, and push it into the disk drive until it clicks into place. MED The disk drive is on the right side of the unit, above the keyboard.

Indicator 1 Floppy Disk Eject button Never eject a disk while reading or writing is in progress, since that can damage the magnetic surface of the disk, rendering it unusable. (The disk drive’s indicator will light up at full brightness when the drive is busy reading or writing data. Ordinarily, the indicator will be less brightly lit, or be extinguished.)

Chapter 7 Recording/Playing Back What You Play

When the performance song loaded from a disk is a Standard 6. Press the Eject button. MIDI File, ” will be displayed on the Main screen. Eject Button

Full Oroant Sound/Kbd }[ Fhuthn | [Resistration The floppy disk is ejected a little out of the slot. Gently Rec/Plau Susten |[Quick PP J y Guide, grasp the end of the floppy disk and pull it out.

2. Press the [Song] button.

Playing back all performance data Composer Reset Play/Stop Rec Negistration T. Hold the floppy disk with the label facing C2 LL = à C2 GO © upwards, and push it into the disk drive until it He > e clicks into place. NEMD The disk drive is on the right side of the unit, above the keyboard. Disk | en ON:ATELER-01 2. Press the [Demo] button. <e} O2:ATELER-02 Composer Reset Play/Stop Rec Song Registraticfi [Demo ] OI D © OT 4 La L1 All performance data saved on the floppy disk will be > to select the song played consecutively. that you wish to play back. 3. To stop playback, press the [Play/Stop] button. 4, Touch to play back the song.

5. Touch < D > to stop the song. =

You can also play back or stop the music data by touching Composer Play/Stop Rec Song Registration D © © © > L1 <Play> or <Stop> in the Rec/Play screen. By touching <Bwd> or <Fwd> you can rewind or fast-forward the performance.

Chapter 7 Recording/Playing Back What You Play

Silencing a Specific Track (Track Mute) When the Rec/Play screen is displayed, the track button will light to indicate a track in which a performance has been recorded. By turning off these track buttons, you can temporarily silence the sound. This is referred to as “Track Mute.”

2. In the screen, touch <([}><

that you wish to play back. > to select the song

3. Touch <Load> to load the song.

The Rec/Play screen appears. ÆB FRec/Plau ATELIER-01 J:154 M: 1 CRE Trek RS GITE Rhythm Rccap Bass Louer Upper Solo Control Reset Stop _Plau Rec __ Bud __Fud AI accompaniment data is grouped to the “Accmp” track button in the Rec/Play screen. In the same manner, the rhythm performance data is grouped to “Rhythm.” If you want to mute only a portion of the rhythms or accompaniment, open up the Track Mute screen, and switch off the Track Mute buttons there (p. 148).

4. Press a track button that is lit, extinguishing the

button. When you play back the performance, track buttons that are not lighted will be muted (silenced). EB Pec/Play ATELIER-01 J:154 M: 1 CRE Track RER cobr()ie Rhythm Rccmp Bass | Louer Solo Control Reset Stop __ Play Rec __ Bud __Fud

5. Press the track button once again (button lights).

The part that had been muted will return to normal and will be heard. Correspondence Between Track Buttons and Track Mute Buttons When Playing Back Commercial SMF Music Files Track button Channel Rhythm |10 © Accmp 5,6,7,8,9, 11, 12, 13, 14,15, 16 Bass 2 Lower 3 Upper 4 Solo 1 Correspondence Between Track Buttons and Track Mute Buttons When Playing Back Performance Data Created with an Music Atelier Track button Track Mute button . 10, 11 (Drums/SFX), Rhythm | 13 (Manual Percussion) Accmp 5,6,7,8,9, 12, 14,15 Bass 2 (Bass) Lower 3 (Lower) Upper 4 (Upper) Solo 1 (Solo)

F2 4 AT-80SL_60SL_e.book 148 — 2004#3A23A XMBA ÆFAORHS 45 arret : : Î I

Chapter 7 Recording/Playing Back What You Play | | |

CL] Muting Individual Tracks of 4. When you touch an unlit track button, the track Performance Data button lights up, indicating muting of the track is cancelled. AI accompaniment data is grouped to the “Accmp” track button in the Rec/Play screen. In the same manner, the 5. Touch <Exit>. rhythm performance data is grouped to “Rhythm.” You can mute only a portion of the rhythms or accompaniment on the Track Mute screen. . Track mute will be defeated when you perform the following T. Touch <Rec/Play> on the Main screen. ; L operations. The Rec/Play screen appears. + Select different performance data. Rec/Play ATELIER-01 J:154 M: 1 ———— The seven Track buttons in the Rec/Play screen (p. 147) Em lot ne correspond to the sixteen Track Mute buttons of the Track Gr] En] Eu] Mute screen as shown below. Fhuthn Rccap Bass Louer Upper Solo Control Commercial SMF Music Files [<<] Le» | Track Mute Button Track Button Reset Stop Play Rec __Eud __Fud 1 (Solo) Solo 2 (Pedal) Pedal

2. Touch <|fS > a number of times. 3 (Lower) Lower

The Track Mute screen appears. 4 (Upper) Upper œ Sixteen Track Mute buttons appear in the display. 5-9, 11-16 (Acmp) Accmp @} From the left, these are “Track 1, Track 2. Track 15, and Track 16.” 10 (Rhythm) Rhythm Rec/Play ATELIER-01 J:118 M: 1 : ñ Performance Data Created on the Atelier CS Track Mute RS Sco, Bass Less Loper LE Track Mute Button Track Button Melbaeniee — _ lo) olo DJho] Eu fre] Es] aq ps sl Roue (hui | Rome Aron 2 (Pedal) Pedal 3 (Lower) Lower 4 (Upper) Upper 5-9, 12, 14, 15 (Acmp) Accmp to mute. 0 (Rhythm) Rhythm 11 (Drums/SFX) Rhythm Rec/Play ATELIER-01 J:118 M: ï 13 (Manual Percussion) Rhythm DIE * The Track Mute button 16 cannot be used with performance = data created on an Atelier. C5 Jo] Eu ref 5] al is] rl Fute | fon Hrytin it 1 The button you've touched goes out, indicating the sound is muted. | 148

F2 4 AT-80SL_60SL_e.book 149 K—> 2004#3A23A XMA ÆFAORHS45 opera lg asie ve Viewing a Notation Display Explanation You can display the notations of performances from music files and recordings made on the AT-80SL/60SL. This is very convenient when you want to read the music as you play and E Enlarge the notation display. to confirm recorded songs. Display lyrics in the notation. Selecting Songs Display the Bass part notation. + There is no need to select the song when displaying notations fr performances recorded with the Composer. Start from Step Lower Display the Lower part notation.

T. Take the floppy disk containing the song whose Upper Display the Upper part notation. notations you want to display and insert it into the floppy disk drive. pu | Display the Upper part and Lower part notations.

2. Press the [Song] button. You can change the part that is displayed,

and change the way in which the notation is displayed (p. 150). The Song Select screen appears. Sono Select

ONATELER-01 O2:ATELER-02 Touching the illustration of speaker #f£ on screen, you can OSATELER-05 mute the part. This is convenient for muting a specific part CO) O4ATELER-04 you want to practice. Touch the speaker icon #] once more OS:ATELER-05 to have the sound play again. notation is to be displayed.

After the song is loaded, the Rec/Play screen opens. Displaying Notations

5. Touch <DigiScore> on the Rec/Play screen.

The Notation screen appears.

Chapter 7 Recording/Playing Back What You Play

The Notation screen appears.

The Notation Options screen appears. Notation Options Notation Options Upper Part Louer Part Bass Part

4. Touch the button for the item whose setting you

Menu Setting Explanation Letter names (fixed do) CDE are display inthe detailed notation. Pitch Solmization syllables DoReMi | (movable do) are OPEN | displayed in the detailed notation. OFF Not displayed AUTO Display is switched automatically. Clef GCkef Displayed the G-clef staff Upper of the upper part. F Clef Displayed the F-clef staff of the upper part. AUTO Display is switched automatically. Clef Displayed the G-clef staff Lower G Clef of the lower part. FClef Displayed the F-clef staff of the lower part. AUTO Key is switched automatically. Db, Ab, Eb, Bb,F,C,G, D,A,E,B, Key F#, Bbm, Fm, Cm, Display the notation in Gm, Dm, the selected key. Am, Em, Bm, F#m, C#m, G#, D#m Upper Select the part to be

part 1-16 displayed as the upper

part. Lower Select the part to be

Part 1-16 displayed as the lower

part. Select the part to be Bass Part | 1-16 displayed as the bass part.

Chapter 7 Recording/Playing Back What You Play

Some notes on a Score screen + When you start playback of music files, the marks x appears. While this appears on the notation, the AT- 80SL/60SL is reading data. Please wait until reading of the data is complete. + _Inthe Notation screen, some lyrics or notes could extend beyond the edges of the screen, and not be displayed. The notations that are presented by the display are produced based on the music files. Viewing ease is given priority over precise expression when dealing with complex, high-level music. Because of this, you may find that the notation shown in the display does not match what is provided on commercially available sheet music. The notation display feature is particularly unsuitable for the display of difficult, complex musical works that demand accurate notation. In addition, the display cannot show notes that are briefer than a sixteenth note. If you select a part that does not contain performance data, notes will not be displayed in the notation. Use

<Option> to change the part that is displayed. If you use the buttons located below the display to change the displayed part while the song is playing, the song may be played back from the beginning. The Key screen is composed of two screens. Touch < > to switch between the two screens.

Chapter 7 Recording/Playing Back What You Play

Recording a Performance MEMD You can record the performance that you play. You can also record your performance while playing rhythms or automatic accompaniment. Composer Reset Play/Stop Rec Song Registration [Demo ) De eo © © 4,5 3

Select the panel settings needed for recording the performance.

2. Make sure that a floppy disk is not inserted in the

disk drive. If a floppy disk is in the disk drive, press the Eject button (p. 146) and remove the floppy disk.

3. Enter the recording standby mode by pressing the

[Rec] button. The [Rec] button indicator will light, and the [Play/Stop] button will blink.

Press the [Play/Stop] button to start recording. When you press the [Play/Stop] button, the metronome will play two measures (bars) of count-in before recording begins. MEMb If you wish to use Rhythm and Automatic Accompaniment as you record, press the [Start/Stop] button instead of the [Play /Stop] button to begin recording. Also, if the [Sync Start] button is lit (1e. if Sync Start is ON), recording will begin the instant you play the Lower keyboard.

5. Press the [Play/Stop] button when you have

completed your recording. The Track indicator where a performance song is recorded will change from a flashing to a constant light When you press the [Intro/Ending] button (or [Start/ Stop] button) while recording a Rhythm performance or Automatic Accompaniment, the Rhythm performance and Automatic Accompaniment will stop. However, the recording itself will continue. Press the [Play/Stop] button to stop recording.

The Play and Stop functions can both be assigned to one of the foot switches located on each side of the Expression Pedal (p.118). MEMD You can also choose to cancel the metronome count-in before recording starts (p. 192). Caution If you press the [Rec] button when a song has been selected from the floppy disk, the selected song will be completely loaded into the AT-80SL/60SL and the Composer will enter into the recording standby mode. To record a new song, use the following procedure. T. Press the [Rec] button to cancel recording standby.

2. Take the floppy disk out of the disk drive.

3. Delete the performance data (p. 156).

4. Press the [Rec] button.

Composer Reset Play/Stop Song Registration [Demo ] CI Là © © © The following screen appears À Internal Menory Near Limit When the instrument’s memory is nearing capacity. Â Menoru Full When recording was automatically canceled because the memory limit was reached.

Chapter 7 Recording/Playing Back What You Play

The location at which playback will start will return to the beginning of measure 1 If you wish to begin playback from the middle of the song, touch <Bwd> <Fwd> to move to the measure from which you wish to begin playback.

Touch <Play> to begin playback. After playback reaches the end of the performance, it will stop automatically. MEMb You can also begin playback by pressing the Composer [Play/Stop] button.

4. To stop playback at any point, touch the <Stop>

button. MEMD You can also stop playback by pressing the Composer [Play/ Stop] button. MEMD The Play and Stop functions can both be assigned to one of the foot switches located on each side of the Expression Pedal (p.118). MEMD You can specify whether or not the Expression Pedal will affect the playback and what you play while Atelier music file is being played back (p. 187). If you load performance data (such as SMF music files) that was not designed for an ATELIER Series instrument and play it back, you may find, when playing rhythms and automatic accompaniment, that the music doesn't sound quite like it should. (For example, the wrong sounds could be played). If CO) you want the data to be played back accurately, first press the [Reset] button prior to playback. Add a Count Sound to Match the Timing (Count In Play) In cases such as when you want to perform in time with a song, you can have a count sound played before playback of the song begins, allowing you to synchronize your own performance with the song, Playing back a song after playing the count sound is called “Count In Play.” T. Hold down the [Reset] button and press the [Play/ Stop] button. The metronome will play two measures (bars) of count- in before recording begins.

Chapter 7 Recording/Playing Back What You Play

Recording Each Part Separately In this method, each part (track button) is recorded one after another: first the Rhythm part, then the bass part, etc. If there are any previously recorded performances, you can listen to them as you record additional parts. T. Select the panel settings needed for recording the performance.

2. Touch <Rec/Play> on the Main screen.

The Rec/Play screen appears.

Touch the <Bwd> and <Fwd> buttons to select the desired measure (bar) when you start recording. If you wish to start recording from the beginning of the song, touch the <Reset> button.

4. Inthe Rec/Play screen, touch <Rec> to enter

recording-standby mode. <Play> and the unrecorded track buttons in the screen will blink. The track buttons that are already recorded will light ATELIER-O1

Reset Stop Pau Also, the panel Composer [Rec] button indicator will light, and [Play/Stop] button will blink. MEMp You can also enter recording-standby mode by pressing the Composer [Rec] button.

recording. When you touch <Play> in the Rec/Play screen, the metronome will sound a two-measure count, and then recording will begin. As you listen to the performance song previously recorded, record the Part into a new Track. MEMD You can also start recording by pressing the Composer [Play/Stop] button.

6. In the Rec/Play screen, touch <Stop> to stop

recording. The track button for which performance data has been recorded will be lit. MED You can also stop recording by pressing the Composer [Play/Stop] button.

Re-Recording MEMD If you made a mistake in your performance during recording etc., you can re-record just a portion of the musical data in the track. If you wish to re-record with different settings for voices, tempo, part balance, erase the recorded song (p.156) and re- record again. If the Control track still contains data from before you re-recorded, the volume or sounds may change during playback. T. Touch <Rec/Play> on the Main screen. The Rec/Play screen appears. HA Rec/Play ATELIER-01 ‘154 M: 1 CRE Trek RS GITE Rhythm Rccap Bass Louer Upper Solo Control Reset Stop _Plau Rec __ Bud __Fud EG)

2. Touch the <Bwd> and <Fwd> buttons to select

the desired measure (bar) when you start recording. If you wish to start recording from the beginning of the song, touch the <Reset> button.

In the Rec/Play screen, touch <Rec> to enter recording-standby mode. <Play> and the unrecorded track buttons in the screen will blink. The button indicators of tracks that are already recorded will light. Rec/Play ATELIER-01 J:154 Reset Stop __ Play Rec Bud __Fud Also, the panel Composer [Rec] button indicator will light, and [Play/Stop] button will blink. You can also enter recording-standby mode by pressing the Composer [Rec] button.

4. Touch the Track button which you wish to re-

recording (button flashes). The song data of the specified Track (with the exception of the Control Track) will be erased as new song data is recorded. NEMD When the Track button is lit constantly, no song data has been recorded on that Track.

5. In the Rec/Play screen, touch <Play> to begin

recording. The metronome will sound a two-measure count, and then recording will begin. MEMD You can also start recording by pressing the Composer [Play/Stop] button.

6. In the Rec/Play screen, touch <Stop> to stop &

recording. Ï The buttons of tracks which were re-recorded will change from flashing to being constantly lit. MED You can also stop playback by pressing the Composer [Play/ Stop] button. If you wish to keep the existing Expression Pedal data, and record only the panel operations, you can make settings to prevent the operation of the Expression Pedal from being recorded (p. 186). MEMD You can use punch-in recording (p. 163) to re-record only the area that you specify.

Chapter 7 Recording/Playing Back What You Play

Erasing a Performance Song (Song Clear) Changing the Name of a Performance Song (Rename) If you wish to discard your recording and re-record from the beginning, or if you wish to record a new performance, you must erase the previously-recorded data. T. Touch <Rec/Play> on the Main screen. The Rec/Play screen appears.

The following message, asking you to confirm your choice, will be displayed. Â Clear Sono OK? If you touch <Cancel>, the performance data will not be erased, and you will return to the Rec/Play screen.

4. 1f you touch <OK’, the performance data will be

A name is automatically assigned to a performance song that you record. However, at some point you may wish to change the name to something more meaningful. T. Touch <Rec/Play> on the Main screen. The Rec/Play screen appears. Fec/Plau ATELIER-O1 4154 M 1 CRE Track ER D)n Lo] Rhythm Rccmp Bass Louer Upper Solo Control Reset Stop __ Play Rec __ Bud __Fud

3. Touch <Save/Delete>.

The Song Save/Song Delete screen appears. Sono Save / Song Delete

The Utility screen appears. Sono Save / Song Delete Eox __% O2:ATELER-02 OSATELER-05

The Rename screen appears. > (Utility) on the Rec/Play screen. The Utility screen appears.

In the Utility screen, touch <Edit>. The Edit Menu screen appears. Touch <Rename> on the Edit Menu screen.

The Rename screen appears.

6. Touch the character select button (EE )to

switch among uppercase/lowercase/symbols. Touch the character select button repeatedly to cycle through the available choices, like this: uppercase - lowercase — symbols > uppercase...

7. Touch the screen to specify the desired character.

The following characters can be selected. ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijkimnopqrstuvwxyz LE &'()*+,-. ?2N_0123456789 Del Deletes a character. Space Inserts a space (blank). Move the cursor (the symbol that indicates the location at which characters will be input) to left or right. To cancel operation, touch <Cancel>.

8. When you’re done making the settings, touch

<OK>. The new name is now inserted. Sono Save / Song Delete Minternat My SONG

O2:ATELER-02 OSATELER-03 You cannot directly change or edit the name of a performance song stored on a disk. The song must first be loaded (p. 159) into the instrument, edited, and then saved to disk again

Chapter 7 Recording/Playing Back What You Play

Saving Performance Songs Onto Floppy Disk The performance data that you recorded will disappear when the power of the AT-80SL/60SL is turned off. If you wish to keep the performance data, you can save it on a floppy disk. If the performance data has never been saved to a floppy disk, a” the performance data is saved to a floppy disk, this symbol ” symbol appears on the Main screen. When will no longer be displayed. T. Make sure that the disk drive contains a disk that was formatted by the AT-80SL/60SL.

4. Touch <Save/Delete>.

The Song Save/Song Delete screen appears.

02:ATELER-02 OSATELER-03 O4:ATELER-04 save destination. Numbers which have not been used in the saving operation will be displayed as ”----- . Sono Save / Song Delete Minternat ATELER-01 Disk O2:ATELER-02 OSATELER-03 O4:ATELER-04

To cancel the Save operation, touch the <Exit> to close the Song Save/Song Delete screen. Touch <Save>. The Save Format screen appears. Save Fornat Cancel Touch the screen to select the format in which the data will be saved. You can select either “ORIGINAL” or “SMF” format. Display Description ORIGINAL | Save data in Atelier format Saving in SMF Format for Atelier Sound SMF Modules Touch <OK> to finalize the save format. Saving of the performance data will begin.

Chapter 7 Recording/Playing Back What You Play

Performance data saved by the Atelier cannot be played back properly by the sound generator of an instrument that is not a member of the Atelier series. Saving performance data in SMF format (SMF) requires a longer time than saving it in Atelier format (ORIGINAL). If the following screen appears If you select a number at which a performance data has already been saved and touch <Save», the following screen appears. Â Overurite Song DK? If you wish to update the contents of the performance data T. Touch <OK>. If you wish to save the data without erasing the performance data already on disk you must rename the song

1. Touch <Cancel> to stop the Save operation.

2. In the Song Save/Song Delete screen, select the

number that is displayed as “-----” (a number that currently does not contain performance data).

3. Save the performance data.

When saving is complete, the saved performance name will be displayed. What is the SMF Format? SMF (Standard MIDI File) is a data format that was created to provide music files compatibility between manufacturers. Loading Performance Songs Into the AT-80SL/60SL To edit (p. 165) or re-record a performance song that is stored on a floppy disk, you must first load that song into the instrument. T. Insert the floppy disk containing the performance data into the disk drive.

2. Touch <Rec/Play> on the Main screen.

The Rec/Play screen appears.

3. Touch < > (Utility).

The Utility screen appears.

4. Touch <Song Select>.

The Song Select screen appears. Sono Select Disk OI:ATELER-01 O2:ATELER-02

that you wish to load into internal memory. to select the performance data

Sono Select OI:ATELER-01 O2:ATELER-02 OSATELER-05 The selected performance data will be loaded into internal memory.

If the following screen appears Deleting Performance Songs The message below is shown when the performance song in Stored on Disk the unit has not been saved to disk.

Chapter 7 Recording/Playing Back What You Play

You can delete a performance song that was saved onto a floppy disk. Â Clear Sono OK? T. Insert the floppy disk containing the performance data into the disk drive. f wok 2. Touch <Rec/Play> on the Main screen. The Rec/Play screen appears.

3. Touch < > (Utility).

If you wish to erase the performance song

1. Touch the <OK> button. The Utility screen appears.

4. Touch <Save/Delete>.

If you wish to save the performance song on a The Song Save/Song Delete screen appears. floppy disk ong Save / Sono Delete T. Touch the <Cancel> button. Save the song on a floppy disk (p.158) En O2:ATELER-02 OSATELER-03 If loading is canceled because the memory limit has been reached, the following message will be displayed: Fa met | Â Menoru Full

to select the performance data

that you wish to delete.

The confirmation message appears. Â Delete Sono OK? If you touch <Cancel> the performance data will not be deleted.

7. When you touch <OK> the performance data will

Chapter 7 Recording/Playing Back What You Play

Layering a New Recording For track assignments of SMF format performance data . e loaded to the AT-80SL/60SL, refer to p. 147. onto SMF Music Files Select the panel settings needed for recording the You can load commercially available SMF music files into the performance.

AT-80SL/608L, and record your own performance on top of it. During recording, the data you've loaded will be played 8. Touch the <Bwd> button and <Fwd> button to back, while you record your performance. move to the measure at which you wish to begin recording. T. Insert a floppy disk containing commercially available SMF music files into the floppy disk 9. In the Rec/Play screen, touch <Rec> to enter drive. recording-standby mode. <Play> and unrecorded track buttons in the screen will

2. Touch <Rec/Play> on the Main screen. blink. The button indicators of tracks that are already

The Rec/Play screen appears. recorded will light Also, the panel Composer [Rec] button indicator will

3. Touch < > (Utility). light, and the [Play/Stop] button will blink.

The Utility screen appears. MEMD

4. Touch <Song Select>. You can also enter recording-standby mode by pressing the

The Song Select screen appears. Composer [Rec] button. 10.Touch the Track button which you wish to Sono Select “ms recording (button flashes).

OI:ATELER-01 O2:ATELER-02 OSATELER-05 TT.in the Rec/Play screen, touch <Play> to begin recording. As) æ

As you record, the music file that was loaded into the AT-80SL/60SL will play back. 12.1In the Rec/Play screen, touch <Stop> to stop recording. The track button for which performance data has been recorded will be lit. that you wish to load into internal memory. NEMD

6. Touch <Load> (load performance data). You can also start and stop recording by pressing the

Composer [Play/Stop] button. Sono Select s KE OI:ATELER-01 ——Z—_— The performance data you recorded can be saved on a floppy O2:ATELER-02 ; OSATELER-05 disk (p.158). Commercially sold music files can also be loaded into the AT-80SL/60SL, but for reasons of copyright protection, cannot be saved in SMF format. The selected performance data will be loaded into internal memory.

Chapter 7 Recording/Playing Back What You Play

Using Song with a Different Tempo Than That of the Performance Song

Insert the floppy disk containing the performance song whose tempo you want to change into the disk drive. Load the performance data into the unit (p.159).

4. Hold down the panel [Reset] button and press the

[Recl button. You cannot carry out this operation with the <Reset> and <Rec> in the Rec/Play screen. Re-Recording Part of Your Performance (Punch-in Recording) After you have recorded a performance, you can re-record a specified portion of the performance. With this method, you listen to the recorded performance, and re-record just the desired area. This recording method is called “Punch-in Recording.” To Specify the Segment to be Recorded Over Again T. Touch <Rec/Play> on the Main screen. The Rec/Play screen appears.

2. Touch < > (Utility).

The Utility screen appears.

3. Touch <Punch In/Out>.

The Punch In/Out screen appears. Punch In/Out

4. Touch the “From” value (the measure at which

recording will begin). Punch In/Out

measure at which recording will begin). > to specify “From” (the

6. Touch the “For” value (the number of measures

that will be re-recorded).

7. Touch >< > to set “For” (the number of

measures that will be re-recorded).

The Rec/Play screen appears, and the unit is placed in recording standby. CO) To Record While Listening to the Song

9. Press the Track button which you wish to re-

record (indicator flashes). 10.Touch <Play> to begin recording. When you touch <Play>, the metronome will play two measures (bars) of count-in before recording begins When you reach the first measure of the specified area, recording will begin. When the specified area ends, recording will end, and playback will resume. While the song is playing back or recording, the Composer [Rec] button’s indicator will be lit as follows. The Composer [Rec] button'’s indicator will flash The Composer [Rec] button'’s indicator will light constantly While the performance is playing back While you are re- recording When recording has ended for the specified area and the data is once again playing back, the [Rec] button’s indicator will resume flashing. TT. Touch <Stop> to stop the recording. The indicator of the track button which recorded the performance will light.

cg 7 craie ac ha 1 Po Recording and Layering Drum Parts (Loop Recording) You can repeatedly record over a specified region of the rhythm part, adding additional notes at each pass. This type of recording is called “Loop Recording.” This recording method is convenient when you wish to layer drum sounds individually for the Rhythm part. “Loop Recording” can be used only when recording the Rhythm part. T. Press the [Drums/SFX] button or the [Manual Perc] button to select a Drum Set or Sound Effect Set (p. 56-p. 59).

2. Touch <Rec/Play> on the Main screen.

The Rec/Play screen appears.

3. Touch the <Bwd> and <Fwd> on the Rec/Play

screen, move to the measure where you wish to start Loop Recording.

4. Touch < > (Utility).

The Utility screen appears. Sono Select

5. Touch <Loop Rec>.

The Loop Rec screen appears. Loop Rec

6. Touch the “For” value (the number of measures

that will be recorded repeatedly). Loop Rec To cancel operation, touch <Exit>.

7. Touch <> > to specify the “For” value (the

number of measures that will be recorded repeatedly).

The Rec/Play screen appears, and the unit is placed in recording standby.

9. Touch <Play> to begin recording.

When you touch the <Play>, the metronome will play CO) two measures (bars) of count-in before recording begins. You can record repeatedly over the specified range of measures, adding additional notes at each pass. 10.Touch <Stop> to stop playback. The indicator of the Rhythm track button which recorded the performance will light.

Chapter 7 Recording/Playing Back What You Play

Count-In Recording This setting (ON/OFF) determines whether or not a metronome count-in (2 measures) will be heard after pressing the [Play/Stop] button on recording, T. Touch <Rec/Play> on the Main screen. The Rec/Play screen appears. Rec/Play NEU SONG J:154 M 1 CRE Trek RS Rhythm Roca Bass Louer Upper Solo Control Reset Stop _Plau Rec __ Bud __Fud

2. Touch < > (Utility).

The Utility screen appears. [Sono Ciear_]]Loop Rec | dit

5. Touch the Count-In Rec setting (ON/OFF) to

switch it between “ON/OFF.” Each time you touch the Count-In Rec setting, it will alternate between ON/OFF. Setting Description A two-measure count will sound before ON : recording OFF No count will sound before recording

F2 4 AT-80SL_60SL_e.book 165 X—> 2004#3A23A XMA ÆFAORHS45 Song files that you record can be edited using five different 2. In the Rec/Play screen, touch < functions. open the Utility screen. The following editing functions are provided. Menu Descriptions Page Delete Measure | Deleting a Specific Measure. | p.165 Delete Track Delete the Recording from a p.166 Track. Erase Event Erase Recording, p.168 rm] CES Copy Copying Measures. p.170 CE F Track f = Quantize Correct Timing Inaccuracies. | p.171 Change the name ofthe 3. In the Utility screen, touch <Edit>. Rename ang ù p.156 . performance data The Edit Menu screen appears. Edit Menu Once you edit data, it cannot be restored to its original : : : Delete Measure Delete Track condition. As a precaution against accidents, we recommend that you save your song to a floppy disk before you edit it (p. 158)

Deleting a Specific Measure (Delete Measure)

4. Touch <Delete Measure>.

You can delete a portion of the performance data. This function lets you delete specified measures (bars) of the song Edit Menu from all tracks. When any part of the song file is deleted, subsequent recording will be moved forward to fill the gap. Example: To delete measures (bars) 5-8 Geesielrlelel] Hasiaisre] T. Touch <Rec/Play> on the Main screen. The Delete Measure screen appears: The Rec/Play screen appears. Delete Measure ec/Play ATELIER-O1 ‘154 M: 1 CRE Track ER BILLET Rhythm Rccmp Bass Louer Upper Solo Control

5. Touch the “From” value (the first measure that

you wish to delete).

measure that you wish to delete). > to set “From” (the first Delete Measure

7. When you're done making the settings, touch

8. Touch the “For” value (the number of measures

that you wish to delete).

measures that you wish to delete). > to set “For” (the number of

To delete to the last measure, select “ALL.” 10.When you're done making the settings, touch <Exit>. TT.Touch <Execute>. The following display appears. Â Delete Measure DK? To cancel operation, touch <Cancel>. 12.Touch <OK> to delete the measures. When deletion has been completed, you are returned to the Delete Measure screen.

Delete the Recording from a Track (Delete Track) The AT-80SL/60SL has seven tracks. This function lets you delete the recording from a track that you specify. MEMD For more on the content stored on each track, refer to p. 144. T. Touch <Rec/Play> on the Main screen. The Rec/Play screen appears. HA Rec/Play ATELIER-01 ‘154 M: 1 CRE Trek RS GITE Rhythm Rccap Bass Louer Upper Solo Control Reset Stop _Plau Rec __ Bud __Fud COS

2. Inthe Rec/Play screen, touch < > (Utility) to

open the Utility screen.

3. In the Utility screen, touch <Edit>.

The Edit Menu screen appears. Edit Menu Delete Measure

The following display appears. Â Delete Track OK? To cancel operation, touch <Cancel>. The Delete Track (delete the performance data of a track) screen appears. 9. Touch <OK> to delete the performance data. When the recording has been deleted, the Delete Track screen will reappear Delete Track [Trek E Rhythm

5. Touch the “Track” value (the track whose

performance data you wish to delete).

6. Touch <E>< > to select the “Track” (the

track whose performance data you wish to delete). Delete Track ecute Settings: RHYTHM, ACCOMP, BASS, LOWER,

UPPER, SOLO, CONTROL

7. When you're done making the settings, touch

Erase Recording (Erase Event) You can erase a specified portion of the performance in a specified area without making the song shorter. This is called the “Erase” function. As an alternative to the method of erasing all performance data in a specified area, you can erase the following contents of the performance ALL AI recording NOTE Notes played on the keyboard Panel operations, Content Saved to the Control Track PANEL {Information Other than Expression, Voice, and Tempo Data) » Refer to p. 144. EXPRESSION | Expression pedal recording VOICE Voice settings TEMPO Tempo setting Example: Erasing measures (bars) 5-8 REREIESEI RIERENENET 2 sl: ERBRBES © 0]

2. Inthe Rec/Play screen, touch < > (Utility) to

open the Utility screen.

3. In the Utility screen, touch <Edit>.

The Edit Menu screen appears. Edit Menu Delete Measure

Edit Menu Delete Measure Delete Track The Erase Event screen appears. Erase Event

5. Touch the “Event” value (the type of performance

data that you wish to erase).

type of performance data that you wish to erase). > to specify the “Event” (the Erase Event Settings ALL, NOTE, PANEL, EXPRESSION, VOICE, TEMPO

7. When you're done making the settings, touch

8. Touch the “Track” value (the track from which

track from which data will be erased). If you have selected EXPRESSION, VOICE and TEMPO as the type of recording to be erased, the Part selection

will not be available because the expression control recording is common to all parts. Settings ALL, RHYTHM, ACCOWP, BASS, LOWER,

UPPER, SOLO, CONTROL

If you select “ALL,” the recording will be erased from all parts. 10.When you're done making the settings, touch <Exit>. TT. Touch the “From” value (the measure at which erasure will begin). 12.Touch PEER to set “From” (the measure at which erasure will begin). 13.When you're done making the settings, touch <Exit>. T4. Touch the “For” value (the number of measures from which the data will be erased). 15.Touch <i><> to set “For” (the number of measures from which the data will be erased). If you wish to erase to the last measure (bar), set “for: ALL.” 16.When you're done making the settings, touch <Exit>. 17.Touch <Execute>. The following display appears. Â Erase Event OK? To cancel operation, touch <Cancel>. 18.Touch <OK> to erase the performance data. Once the performance data has been erased, you are returned to the Erase Event screen.

Chapter 8 dting Your Musical Performance Dai |

Copying Measures (Copy) 4. Touch <Copy> This function lets you copy a portion of recorded song to a Edit Menu different measure (bar) location in the same track. Delete M Delete Track Ha recording already ext atthe copy destination, ti be [ru re Example: To copy measures (bars) 5-7 to measure (bar) 8 Cilelsfalstel7]. Vo. Cil2/sla/s/e[7j8[sel10) The Copy screen appears. T. Touch <Rec/Play> on the Main screen. Copy The Rec/Play screen appears. CCE Fr* CRE Track ER BILLET Rhythm Rccmp Bass Louer Upper Solo Control

5. Touch the “Track” value (the track to be copied). :

2. Inthe Rec/Play screen, touch <i> (Utility) to > to set “Track” (the track to be

open the Utility screen.

3. In the Utility screen, touch <Edit>. Settings: ALL, RHYTHM, ACCOMP, BASS, LOWER,

The Edit Menu screen appears. UPPER, SOLO, CONTROL Edit en If you select “ALL,” the recording in all the tracks will be ” copied. Delete Me : ; ES | 7. When you're done making the settings, touch - 8. Touch the “From” value (the measure at which copying will begin).

Chapter 8 Editing Your Musical Performance Data

9. Touch <Ei-4> to set “From” (the measure at

which copying will begin). 10.When you're done making the settings, touch <Exit>. TT. Touch the “For” value (the number of measures to be copied). 12.Touch <> measures to be copied). to set “For” (the number of If you want to specify all of the data up to the final measure, select “ALL.” 13.When you're done making the settings, touch <Exit>. 14.Touch the “To” value (the copy-destination measure number). 15.Touch <> to set “To” (the copy- destination measure number). If you select “END,” the data will be copied following the end of the last measure. (a)

16.When you're done making the settings, touch <Exit>.

17. Touch the “Time” value (the number of times

that the data will be copied). 18.Touch <[=|>< times that the data will be copied). > to set “Time” (the number of 19.When you're done making the settings, touch <Exit>. 20.Touch <Execute>. The following display appears. A Copu 0?

To cancel operation, touch <Cancel>. 21.Touch <OK> to copy the measures. Once the measures have been copied, you are returned to the Copy screen.

Correct Timing Inaccuracies (Quantize) You can correct for timing discrepancies in a recorded performance by having the music be aligned with a timing you specify. This is called “Quantizing.” For example even if you intend to play at quarter-note timing, the notes may be slightly earlier or later than precise quarter-note intervals. In this case, if you quantize at quarter- note (1/4) timing, you can correctly match the rhythms. T. Touch <Rec/Play> on the Main screen. The Rec/Play screen appears. Fec/Plau ATELIER-O1 4154 M 1 CRE Track ER BILLET Rhythm Rccmp Bass Louer Upper Solo Control Reset Stop __ Play Rec __ Bud __Fud

2. Inthe Rec/Play screen, touch < > (Utility) to

open the Utility screen.

3. In the Utility screen, touch <Edit>.

The Edit Menu screen appears. Edit Menu Delete Measure

4. Touch <Quantize>. 10.When you're done making the settings, touch

Chapter 8 Editing Your Musical Performance Data

Edit Menu TT. Touch the “For” value (the number of measures Delete Measure Delete Track that will be quantized). 12.Touch <[=}><[+}> to set “For” (the number of a | measures that will be quantized). To specify everything through to the last measure, set “for: ALL.” 13.When you're done making the settings, touch The Quantize screen appears. Exit. 14.Touch the “Resolution” value (the resolution at FC] which notes will be aligned). arte 15.Touch <[=|>< L2 resolution at which notes will be aligned). > to set “Resolution” (the

ppessutien F ] The “Resolution” (the timing to which notes are aligned) ecute

5. Touch the “Track” value (the track that will be J J J:

quantized). can be set to one of the following settings. Half note Quarter note Quarter note triplet

&8th note &th note triplet 16th note

6. Touch <El>< > to specify the “Track” (the ) À À

track that will be quantized). 16 note triplet 32th note Quantize À À 16.When you're done making the settings, touch <Exit>. 17.Touch <Execute>. The following display appears. ecute Settings ALL, RHYTHM, ACCOWP, BASS, LOWER, Â Quantize DK? UPPER, SOLO If you select “ALL,” the recording in all the tracks will be quantized.

7. When you're done making the settings, touch

<Exit>. To cancel operation, touch <Cancel>.

8. Touch the “From” value (the measure at which 18.Touch <OK> to have the quantization carried

quantization will begin). out. When the quantizing is finished, you are returned to the

9. Touch >> to set “From” (the measure at

which quantization will begin). | 172 Quantize screen.

Chapter 9 Creating Original Accompaniment Rhythms

You can edit some of the internal rhythms to create your own original rhythms. These original rhythms are called “User rhythms.” This function is called “Rhythm Customize.” Process for Creating User Rhythms Preparations for Creating User Rhythms ( Open the Rhythm Customize screen )

( Select the division )

( Load the source rhythm )

( Make the division settings )

Creating the User Rhythm ( Edit the rhythm ) ( Change the percussion )

Saving the User Rhythm ( Changing the name of a User Rhythm Ja + Change the rhythm tempo

( Save the User Rhythm to the User Memory or floppy disk. Copying the User Rhythm + Copy User Rhythm on Floppy Disks to the User Memory + Copy User Rhythm on User Memory to the Floppy Disks

Chapter 9 Creating Original Accompaniment

Rhythms Preparations for Creating User Rhythms H Displaying the Rhythm Customize Screen

1. Touch <Rhythm> on the Main screen.

The Rhythm screen appears. J:118 EVII CT DT |

2. Inthe Rhythm screen, touch <

The Utility screen appears. J:118

The Rhythm Customize screen appears. When opening a new Rhythm Customize screen F Lan! E ns Custonize 4/4 J=

Hi loodBlock Rhythm Name Beat Tempo > (Utility). æ|w[nle Division Name (p. 175) button Switches the page when the rhythm pattern is displayed over multiple pages. (Zoom Out/Zoom In) button Expands (zooms in) and reduces (zooms out) the rhythm pattern display. Current location (Measure: Beat: Tick) Instrument Name Indicates the name of the instrument used in the rhythm. Rhythm Pattern Display Displays the notes in the selected rhythm pattern.

(Utility) button isplays the menu with settings for the Rhythm Customize function.

(Preview) button Allows you to listen to the created rhythm.

(Delete) button Deletes the rhythm in the displayed measure.

(Copy) button Copies the rhythm in the displayed measure and adds it to the end of that measure.

button en more than eight different instruments are used in a rhythm, press these buttons to switch through the instrument names.

Scroll Bar This indicates the position of the current measure in the overall rhythm.

Chapter 9 Creating Original Accompaniment

Rhythms E Selecting the Division The Utility screen appears. What is the Division? Æ Bhuthn Custonize [Userfhutha 1] 4/4 J=12 A song progresses in predictable a sequence, such as intro, D [iv Setect || melody A, melody B, bridge and ending. [iv üptions || [Save With the AT-80SL/60SL, such changes in songs are allocated Tinst Edit | to the following six performance states. We call these six hote Edit Me parts of a song ”Divisions.” , D _ _ Division Performance division Intro The intro is played at the start of a song. Original | This is a basic accompaniment pattern. 3. Touch <Div Select> (Division Select). This is a phrase inserted at a juncture where n the mood changes. It is used to make a song JE fhuthn Custonize [Deere 1] 4 1-12 Fill In To + Variation | fer the ph | niv Setect | 2FAUOR | After the phrase is played, the variation’s me Ross . accompaniment pattern is played. Save mn This is a developmental accompaniment [inst Et || Variation ttern. Itis a variation on an Original. = - pattern. Itis o ginal. rem 0 This is a phrase inserted at a juncture where | ne : the mood changes. It is used to make a song Fill In To Original | More sedate 8 After the phrase is played, the original’s As accompaniment pattern is played. Ÿ Ending This is played at the end of a song You can make a song more lively or more restrained by increasing or reducing played parts by Divisions. You can also modify a song by changing the voice of the parts in the Divisions. T. Bring up the Rhythm Customize screen (p. 174).

2. Touch <(E- (Utility).

You can open the Di ision Select screen by touching the Division name indication (p. 174) in the Rhythm Customize screen.

4. Touch a Division name to select the Division.

Uariation Fill To Oro This returns you to the Rhythm Customize screen. The name of the selected div ion now appears in the Rhythm Customize screen. You can touch < > to hear how the rhythm sounds.

Chapter 9 Creating Original Accompaniment

H Loading the Rhythm Use the Rhythm Customize function to select the rhythm you want to use as the base for the rhythm you are creating. T. Bring up the Rhythm Customize screen (p. 174). Æ Fhuthn Custonize [User#hytha 1] 4/4 J=12 (ES

The Rhythm Load screen appears. Bio Band Pop 4Fast BioBand

4. Touch a Rhythm group name.

The sub-window for selecting the rhythm group appears.

Bio Band/Svino Countru/Gospel VWaltz/March Otdies/Contenpo || Trad/Shoutine Touch a Rhythm group name on the sub-window to select the Rhythm group. The Rhythm Load screen reappears. 2:BioBandSanba 3:New ChaCha 4Trad Tanoo

(2 to switch the screen, then touch a rhythm name to select the rhythm. [0 tn] Division Slov Hands NI pa | 2:BioBandSanba 3:New ChaCha 4Trad Tanoo You can touch <Preview> to hear how the rhythm sounds. Touch<[=|>< want to call up. > to select the Division you Selecting “ALL” calls up all of the Divisions. Touch <Load>. The rhythm is called up, and the Rhythm Customize screen returns to the display.

Chapter 9 Creating Original Accompaniment

Rhythms E Making the Division Settings Changing the Drum Set Independent “Drum Set,” “Beat,” and “Volume” settings can 4. Touch the value set for Drum Set be made for each Division. T. Bring up the Rhythm Customize screen (p. 174). ÆJ Division Options Æ Rhuthn Custonize [_ tanbo 5] 4/4 = Pop Close] Poe BD Short Guiro Long Buire Hi. UoodBlock

> to change the setting. The Division Options screen reappears. The Utility screen appears. Changing the Beat E :

7. Touch the Beat setting.

CC | Pool ! 4 Gurt/ [inst Edit || Len 0 Doté Et Pop Cl

The Division Options screen appears.

© Division Opti > to change the setting. ivision Options Drun Set The Division Options screen reappears. Changing the Volume Uolune 10.Touch the Volume setting. © Division Options TT.Touch >> to change the setting.

Chapter 9 Creating Original Accompaniment

The Division Options screen reappears. H Editing the Rhythm Edit the internal rhythm. What you can do Page Copying the Rhythm in a Selected Measure p.178 Deleting the Rhythm in a Selected Measure p.178 Erasing Sounds p.179 Adding Sounds p.179 Altering Voices p.180 Changing the Velocity p.180 Moving Sounds p.180 Copying the Rhythm in a Selected Measure T. Bring up the Rhythm Customize screen (p. 174). Æ Rhuthn Custonize [_ tanbo 5] 4/4 =

2. Touch <Copy> (to copy the selected measure).

The following screen appears. Æ Fhuthn Custonize [_ Masbo 3] 4/4 Copy OK? measure | to 2 To cancel operation, touch <Cancel>.

Copies the rhythm in the displayed measure and adds it to the end of that measure.

Deleting the Rhythm in a Selected Measure T. Bring up the Rhythm Customize screen (p. 174). Pop Close] Poe BD Short Guiro Long Buire Hi. UoodBlock

2. Touch <Del> (to copy the selected measure).

The following screen appears. Æ3 Rhuthn Custonize [_ tasbo 5 _] 4/4 J Delete DK? measure |

To cancel operation, touch <Cancel>.

The selected measure is deleted.

Chapter 9 Creating Original Accompaniment

Rhythms Editing the Sounds MED You can add and erase sounds, alter voices, and change the : You can touch < > to open the Utility screen, and then velocity. : : touch <Note Edit> in the Utility screen to open the Note Edit T. Bring up the Rhythm Customize screen (p. 174). _ screen. Erasing Sounds ln . A Y ï en 3. Touch < (Ca) >< Cv] > to select the point Pop 0 where you want to delete the sound. Short Buiro Long Buiro à Ucodlock E Note Edit [tempo 5 | 4/4 J Mezs Beat Tick__ Instrument Ueocitu 1229 | Pop ClosehHl | 47 5 | Poe 53 _| Por CioseHt C2 60 EE

2. Touch the point on the screen where the sound Pop CloseHHi

you want to edit is located. Short Guire Pop CloseHil When you touch the screen, a line appears at the point you touch. By holding your finger to the screen and moving it to the left or right, you can have the line move along with your finger. 4. When you touch <Erase», the selected sound is erased. a a K @ Adding Sounds D nl 5. Touch < >< > to select the point Short Guira where you want to add the sound. Long Buiro Hi. UoodBlock Mambo 3 | 4/4 Meas Beat Tick__ Instrument _Uelocity 1: 2: 23 | Pop CloseHHi 47 5 Pop BD n n : ; Pop CloseHH1 The information on the location (Measure: Beat: Tick) of Dr | Hate the line on the screen is displayed. 5200 | Pop Cost Short Buiro Pop CloseHil When you remove your finger from the screen, the Note Edit screen opens, and the note positioned at the line in the Rhythm Customize screen is displayed: IE hote Edit États 5 7 «4 6. When you touch <Create>, the new sound is Mes Beat Tick Instrument Uelocity 1223 | Pop Close | 47 added after the selected sound. Fop 80) # Pop Close | 101 Short Guiro E Pop CloseHAi | 23 Short Buro | 65 Pop Close | 27

Chapter 9 Creating Original Accompaniment

whose voice you want to change.

. Touch <-8><-1><+1><+8> to switch the voice. Changing the Velocity 10.Touch < >< > to select the sound whose velocity you want to change. (a)

Moving Sounds 13.Touch < (Ca) >< Cv) > to select the sound you want to move. T4. Touch the “Meas Beat Tick” setting. The note-location display uses “Measure: Beat: Tick” as the format. A tick is a unit of time that's shorter than a beat. Æ Note Edit [mb s | 4/4 J=22 Meas Beat Tick Instrument Uelocity 1: 2 29 Pop CloseHH1 47 HE] EI es 101 Pop CloseHH1 2 Short Guiro 63 Pop ose | 27 15.Touch <-30><-1><+1><+30> to move the sound. With the Rhythm Customize function, note locations are expressed in terms of “Measure: Beat: Tick.” One tick is the

smallest unit used in indicating the location of the note, and there are 120 ticks in a quarter note. Typical notes might be indicated as shown below. Quarter Note 8th Note J JT J] HO H20 HO 1:40 |2:1:02:1:60 2:2:0 2:2:60 {1 measure: 1 beat: O tick) &8th Note Triplet 16th Note

110 1:1:40 1:1:80 110 1:1:80 1:1:60 1:1:90 The ticks for each note have the following characteristics. Quarter Note 0 (Every 120 ticks) 8th Note 0, 60 (Every 60 ticks) 8th Note Triplet | 0,40, 80 (Every 40 ticks) 16the Note 0, 30, 60, 90 (Every 30 ticks)

Chapter 9 Creating Original Accompaniment

Rhythms HE Changing and Deleting the hanging the Instrument Used Instruments Used 3. Touch > You can change an instrument used in a rhythm and replace > in the screen to select the dus : name of the instrument you want to change. it with another instrument.

2. Touch the section in the Rhythm Customize .

touch the instrument name. screen where the instrument names are displayed. The following screen appears. The Instrument Edit screen appears. Æ instrunent Edit Instrument 4 Pop BD A E Pop CloseHHi ]p[PopCrashCunt @ Short Guiro Delete Lono Guiro fi Hi UoodBlock To cancel operation, touch <Cancel>. NEGD 6. If you want to change the instrument, touch <OK>. You can open Instrument Edit screen using the following The instrument is changed. procedure

1. Touch (Utility in the Rhyth Deleting an Instrument

+ louch< > (CuHty) in the Rhythm When an instrument is deleted, all of the sounds using that Customize screen (p. 174). instrument are deleted from the rhythm. The Utility sci s. : 2 HEY Screen appears 7. Touch 6-0 in the screen to select the name Æ fhuthn Custonize L_anbos | 4/4 J=9 of the instrument you want to delete. Cdi 8. Touch <Delete> on the Instrument Edit screen. lors] ve) = Just st lite | A netete Instrument OK? CESR

9. If you are sure that you wish to delete the

2. Touch <Inst Edit> (Instrument Edit). instrument, touch <OK>.

The Instrument Edit screen appears. The selected instrument is deleted.

Chapter 9 Creating Original Accompaniment

Rhythms # Deleting Rhythms You Have Created This deletes User rhythms created by partially editing the internal rhythms. T. Bring up the Rhythm Customize screen (p. 174).

The following screen appears. Â Clear Rhythm OK? To cancel operation, touch <Cancel>.

4. If you are sure that you wish to delete the rhythm,

touch <OK>. HE Changing the Name of a User Rhythm (Rename) T. Bring up the Rhythm Customize screen (p. 174). > (Utility). creen appears.

The Rhythm Save screen appears.

The Rename screen appears.

5. Touch the character select button ([GFESEÆ to

switch among uppercase/lowercase/symbols. Touch the character select button repeatedly to cycle through the available choices, like this: uppercase - lowercase > symbols - uppercase.

6. Touch the screen to specify the desired character.

The following characters can be selected. ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijkimnopqrstuvwxyz L'#% &'()*+,-./:=2N 0123456789 Del Deletes a character. Space Inserts a space (blank). Move the cursor (the symbol that indicates the location at which characters will be input) to left or right. To cancel operation, touch <Cancel>.

7. When you're done making the settings, touch

F2 4 AT-80SL_60SL_e.book 183 X—> 2004#3A23A XMA ÆFAORHS345 Rhythms Saving User Rhythms to the User Memory or Floppy Disk You can take User rhythms created with the Rhythm Customize function and save them in the AT-80SL/60SL's User memory and floppy disks. To call up rhythms saved in User memory, press the [Disk/User] button. T. Bring up the Rhythm Customize screen (p. 174).

> (Utility). The Utility screen appears. Æ3 Phuthn Custonize [_ Mæsbo 5] 4/4 J-52 [re lose (cac & 3. Touch <Save>. The Rhythm Save screen appears. Œ Rhuthn Save 4, Touch <Lrx > (floppy disk) or <Lev: > (User memory) to determine the save destination. save destination. Numbers which have not been used in the saving operation will be displayed as ”----- . E Bhuthn Save To cancel the save, touch the <Exit> to close the Rhythm Save screen. You can change the name of a rhythm by touching <Rename>-

The User rhythms are saved to the User memory or to floppy disks. MEMD You can save rhythms after changing the tempo by touching the Tempo [ € ][ B> ] button. If the following screen appears

The following screen appears if you select a number to which a rhythm has already been saved and then touch <Save>. Â Overurite Rhythm DK? EN) na If you wish to overwrite the rhythm T. Touch <OK>. The Rhythm will be rewritten. If you wish to save new data instead of updating the rhythm

Rewriting of the Rhythm will be canceled

2. Inthe Rhythm Save screen, select the number that

is displayed as “---” (a number that currently does not contain rhythm data).

Chapter 10 Various Other Settings

Adjusting How the Instrument Responds H Turning Aftertouch On/Off This switches the aftertouch setting for the Upper keyboard. Aftertouch applies vibrato when additional pressure is placed on the keys that are being played. T. Touch <Sound/Kbd> on the Main screen. The Sound/Keyboard screen appears. Sound/Keuboard EE Lover oroont L) (rs TEA RES be con Basst L) fontrotter]( Effect FrtPont

The Upper Keyboard screen appears.

3. Touch ER-<{C+ to display the After Touch.

Upper Keyboard Bite [RfterTouch rouen _ Iéensitiuits

4. Touch the After Touch setting to switch between

“ON” and “OFF.” Each time you touch the After Touch setting, it will alternate between “ON” and “OFF.” Settings ON, OFF

Please note that not all the voices on the Upper keyboard are responsive to Aftertouch, even if the feature is set to ON (p. 220) | 184

EH Adjusting the Depth of Aftertouch This adjusts the depth of the Aftertouch effect. T. Touch <Sound/Kbd> on the Main screen. The Sound/Keyboard screen appears.

The Upper Keyboard screen appears.

Sensitivity. (+ to display the After Touch Upper Keyboard fiter ter Touch Mosen ensuite LM FU Oroant É = Strinos

Setting 1-10 Higher settings of this value will allow deeper vibrato to be applied when you apply pressure to the keyboard.

Aftertouch can only be enabled for the Upper keyboard.

Chapter 10 Various Other Settings

H Adjusting the Initial Touch Sensitivity Initial Touch is a function that translates the force used in playing the keys into a directly proportional amount of volume. This adjusts the amount of the Initial Touch effect applied. T. Touch <Sound/Kbd> on the Main screen. The Sound/Keyboard screen appears.

2. Touch either <UPPER>, or <LOWER>.

UPPER To change the initial touch setting of the Upper part To change the initial touch setting of the Lower part Er. [rte Balance |Touch Full Oroanl 8 TE |

HE Changing the Pedalboard Polyphony You can set the Bass Pedalboard to play simultaneous multiple notes or single notes only. T. Touch <Sound/Kbd> on the Main screen. The Sound/Keyboard screen appears.

The Pedalboard screen appears:

between “MONOPHONIC” and “POLYPHONIC.” Each time you touch the PedalBass Mode setting, it will alternate between “MONOPHONIC” and

4. Touch the Initial Touch value (OFF, 1-10). “POLYPHONIC."

Setti: OFF, 1-10 me Setting Descriptions Setting Descriptions MONOPHONIC Only single notes can be played. Initial Touch is on. POLYPHONIC Multiple notes can be played. The harder you play the key, the higher the volume. 1-10 The change in volume when the keys are played forcefully increases as the value is increased Initial Touch is off. OFF Volume remains constant regardes of how hard you play.

Chapter 10 Various Other Settings

Performance Function Settings Selecting the Range of Keys to Which the Damper Pedal will Apply You can specify which keyboard will be affected when you press the Damper (Sustain) pedal. T. Touch <Sound/Kbd> on the Main screen. The Sound/Keyboard screen appears.

2. Touch <Controller>.

The Controller screen appears.

4. Touch the Damper Pedal setting to switch

between “to UPPER” and “to LOWER.” Each time you touch the Damper Pedal setting, it will alternate between “to UPPER” and “to LOWER.” Setting Descriptions The effect is applied to the voices played to UPPER | fe Upper keyboard The effect is applied to the voices played to LOWER | on the Lower keyboard.

If the voice is a percussive voice (such as a Piano voice), the tone will be sustained, but fade away just like an acoustic piano. If the voice is a non-percussive instrument (such as a String voice), the tone will be sustained as long as the pedal is depressed.

H Changing the Function of the Expression Pedal Specify how the Expression Pedal will function when your performance is being recorded and when ATELIER song files are being played back Function During Recording Specify whether Expression Pedal operations will be recorded or not while your performance is being recorded. T. Touch <Sound/Kbd> on the Main screen. The Sound/Keyboard screen appears.

2. Touch <Controller>.

The Controller screen appears.

4. Touch the Exp. Src (Reo) setting to switch

between “PEDAL” and “COMPOSER.” Each time you touch the Exp. rc (Rec) setting, it will alternate between “PEDAL/ and “COMPOSER.” Setting Descriptions Expression Pedal movements will be recorded. The previous recording will be erased as new songs are recorded. PEDAL Expression Pedal movements will not be recorded. The previous data will remain without being erased. COMPOSER

Chapter 10 Various Other Settings

Function During Playback You can specify whether or not the Expression Pedal will function while ATELIER song files are being played back. T. Touch <Sound/Kbd> on the Main screen. The Sound/Keyboard screen appears.

2. Touch <Controller>.

The Controller screen appears.

3. Touch 0-6 to display the Exp. Src (Play).

to change the setting. Setting Descriptions The Expression Pedal will function. PEDAL : : res Expression Pedal recording within +COMPOSER . R : the song file will also be effective. The Expression Pedal will not function. The Expression Pedal recording within the song file will be effective. COMPOSER The Expression Pedal will function. PEDAL The Expression Pedal recording within the song file will be ignored.

H Selecting the Range of Keys to Which the Pitch Bend/Vibrato Lever will Apply This setting determines which keyboard will be controlled by the Pitch Bend/Vibrato lever.

1. Touch <Sound/Kbd> on the Main screen.

The Sound/Keyboard screen appears.

2. Touch <Controller>.

The Controller screen appears.

5. Touch <> > to change the setting.

Setting Descriptions souper | Mcnarldine vost toner | Pda eg to PEDAL Theeffect tsapplied to the voices played

Chapter 10 Various Other Settings

l'aglanel HE Changing the Pitch Bend Range This setting allows you to choose the maximum amount of Pitch change (range) permissible when using Pitch Bend. The range can be set anywhere between 1-12 (in semitone units; with a maximum of one octave). T. Touch <Sound/Kbd> on the Main screen. The Sound/Keyboard screen appears.

2. Touch <Controller>.

The Controller screen appears. (VS to display the Pitch Bend

Settings to change the setting. 1-12 (semitone steps)

Drums/SEX is fixed at one octave range, regardless of this setting.

Rhythm Settings & Turning Chord Hold On/Off The Chord Hold function can be switched ON/OFF. When Chord Hold is ON, the Automatic Accompaniment will continue playing even when you lift your hand from the keyboard to play a new chord.

1. Touch <Rhythm> on the Main screen.

The Rhythm screen appears.

2. Touch < > (Utility).

The Utility screen appears.

The Rhythm Options screen appears. 4, Touch <| VS to display the Chord Hold. Æ Phuthn Options Chord Intelligence

5. Touch the Chord Hold setting to switch between

“ON” and “OFF.” Each time you touch the Chord Hold setting, it will alternate between “ON” and “OFF.” Setting Descriptions The Automatic Accompaniment oN determined by the chord played on the Lower keyboard is held (even if you release the keys) When you release the keys that you played in the Lower keyboard, the OFF Automatic Accompaniment will stop (be muted). Only the Rhythm (drum) performance will continue.

Chapter 10 Various Other Settings

HE Count Down Sound You can change the sound that is used for the count played at the end of the intro with the Intro Countdown function (p. 68).

1. Touch <Rhythm> on the Main screen.

The Rhythm screen appears.

> (Utility). The Utility screen appears.

The Rhythm Options screen appears.

Touch 4 to display the Count Down Sound. Æ Phuthn Options Chord Intelligence Chord Hold Leading Bass Count Doun Sound

Touch the Count Down Sound setting to switch between “VOICE” and “STICK.” Each time you touch the Count Down Sound setting, it will alternate between “VOICE” and "STICK." EH Preventing Rhythm Tempos from Switching Automatically You can prevent rhythm tempos from switching automatically when you switch rhythms.

1. Touch <Rhythm> on the Main screen.

The Rhythm screen appears.

2. Touch < > (Utility).

The Utility screen appears.

The Rhythm Options screen appears.

5. Touch the Auto Std Tempo setting to switch

between “ON” and “OFF.” Each time you touch the Auto Std Tempo setting, it will alternate between “ON” and “OFF.” Setting Descriptions Setting Descriptions VOICE Human voice count (One, two, three...) Switching the rhythm while the rhythm STICK Stick sound count oN is stopped automatically changes the tempo settings to those in the new . rhythm.

The tempo settings are not changed OFF automatically when the rhythms are changed

MEMD This setting remains stored in memory even while power is turned off.

Chapter 10 Various Other Settings

Registration Settings HE Changing the Timing at Which Arranger Settings are Recalled You can specify how the settings related to Rhythm performances and Automatic Accompaniment will be recalled when you press a Registration button. T. Touch <Registration> on the Main screen. The sub-window appears.

Touch <Load>. The Registration Load screen appears.

Touch <Utility>. The Utility screen appears.

5. Touch the Arranger Update setting to switch

between “DELAYED” and “INSTANT.” Each time you touch the Arranger Update setting, it will alternate between “DELAYED” and “INSTANT.” Setting Descriptions l'aglanel

HE Changing the Timing at Which Transposition Settings are Recalled You can specify how the transpose setting will be recalled 10]

when you press a Registration button. T. Touch <Registration> on the Main screen. The sub-window appears.

The Registration Load screen appears.

The Utility screen appears.

The Registration Options screen appears. Reoistration Options Ârranger Update DELAYED Trans. Update INSTANT

5. Touch the Trans. Update (Transpose Update)

setting to switch between “DELAYED” and #INSTANT.” Each time you touch the Trans. Update setting, it will alternate between “DELAYED” and “INSTANT.” Settings related to Rhythm performances and Automatic Accompaniment will be recalled when you hold a Registration button for DELAYED | several seconds. If you quickly press the Registration button, only the panel settings (voice, etc.) that are not related to Rhythm and Automatic Accompaniment will be updated. Settings related to Rhythm performances and Automatic INSTANT | Accompaniment will be recalled the instant you press a button along with all other panel settings.

MEMD This setting remains stored in memory even while power is turned off.

Setting Descriptions Transpose settings will be recalled DELAYED | when you hold a Registration button for several seconds. Transpose setting will be recalled the INSTANT | instant you press a button along with all other panel settings.

MEMD This setting remains stored in memory even while power is turned off.

Chapter 10 Various Other Settings

Composer settings Æ Switching the Display of Lyrics On or Off Some music files have Lyrics included and these Lyrics can be displayed on the screen. You can turn on or off the lyrics display of such music files. T. Touch <Rec/Play> on the Main screen. The Rec/Play screen appears.

2. Touch < > (Utility).

The Utility screen appears.

The Rec/Play Options screen appears. Touch 0-6 to display the Lyric.

Touch the Lyric setting to switch between “ON” and “OFF.” Each time you touch the Lyric setting, it will alternate between “ON and “OFF.” Setting Descriptions oN Lyrics will be displayed OFF Lyrics will not be displayed

If you press a voice select button while playing back music files that contains lyrics, the display screen will switch, and the lyrics will no longer be displayed. To re-display the lyrics, touch <Play> on Rec/Play screen once again. MEMD This setting remains stored in memory even while power is turned off.

HE Changing the Key When Playing Back Songs (Play Transpose) SMF music files or a performance that you yourself recorded can be transposed for playback. T. Touch <Rec/Play> on the Main screen. The Rec/Play screen appears. > (Utility). The Utility screen appears.

The Rec/Play Options screen appears. iv 2 to display the Play Transpose. Play Options Luric Plau Transpose

The key is transposed by one semitone each time the Erx< Settings -24 — +24 (semitone steps) > to change the setting. > key is touched

Chapter 10 Various Other Settings

HE Changing the Metronome Setting T. Touch <Rec/Play> on the Main screen. The Rec/Play screen appears.

2. Touch < > (Utility).

The Utility screen appears.

to change the setting. Setting Descriptions OFF Not heard at all REC Heard only while recording ON Heard constantly

H Adjusting the Metronome Volume You can adjust the volume of the metronome. T. Touch <Rec/Play> on the Main screen. The Rec/Play screen appears.

2. Touch < > (Utility).

The Utility screen appears.

The Rec/Play Options screen appears.

Settings 1-10 > to change the setting. Increasing the value will raise the volume of the metronome.

Chapter 10 Various Other Settings

HE Changing the Sound of the Metronome You can choose one of 4 different sounds for the metronome. T. Touch <Rec/Play> on the Main screen. The Rec/Play screen appears.

2. Touch < > (Utility).

The Utility screen appears.

Touch <Options>. The Rec/Play Options screen appears.

6. Touch << to change the setting.

H Setting the Beat This setting determines the beat to be used when recording performance songs. T. Touch <Rec/Play> on the Main screen. The Rec/Play screen appears.

2. Touch < > (Utility).

The Utility screen appears.

The Rec/Play Options screen appears. VS to display the Beat.

5. Touch the Beat setting.

The time signature setting screen appears. Bec/Play Options

6. Touch the time signature that you wish to set.

When recording Rhythm performances or Automatic Accompaniment, the beat is set automatically. Setting Descriptions CLICK&BELL Conventional metronome sound ELECTRONIC | Electronic metronome sound MEMD VOICE ENG. Human voice (English) VOICE JPN. Human voice (Japanese)

MEMD This setting remains stored in memory even while power is turned off.

You cannot change the beat of previously recorded songs.

Chapter 10 Various Other Settings

Other Settings H Adjust the Standard Pitch (Master Tune) The basic pitch of an instrument is generally considered as the pitch of the middle A note. The “Master Tune” parameter lets you adjust this basic pitch to match the pitch of any other instruments that are playing together with the AT-80SL/ 60SL.

1. Touch <System> on the Main screen.

The System screen appears.

4, Touch <Ei>< to change the setting. Settings 415.3Hz-466.2Hz (0.1 Hz units)

By touching < >, you can restore the default setting (440.0 Hz) This setting remains stored in memory even while power is turned off. | 194

& Mic Echo You can adjust the Mic echo. Connecting the Microphone (p. 22)

1. Touch <System> on the Main screen.

The System screen appears.

4, Touch <> Settings 0-12 > to change the setting.

MEMD By touching < >, you can restore the default setting (4). NEMD This setting remains stored in memory even while power is turned off.

Chapter 10 Various Other Settings

H Enabling Transmission of PC Numbers Transmission of PC (Program Change) numbers can be switched ON/OFF when a Registration is selected.

1. Touch <System> on the Main screen.

The System screen appears.

(+ to display the Send PC Switch. Send PC Suitch Bank MSB Bank LSB PC Nunber CE [E Utility

3. Touch the Send PC Switch setting to switch

between “ON” and “OFF.” Each time you touch the Send PC Switch setting, it will alternate between “ON” and “OFF.” Setting Descriptions ON PC numbers are transmitted OFF PC numbers are not transmitted

MEMD This setting remains stored in memory even while power is turned off. H Setting the PC Number You can specify the Program Change number that will be transmitted from MIDI Out when a Registration is selected.

1. Touch <System> on the Main screen.

The System screen appears.

<Bank LSB> (Bank Select LSB), or <PC Number> (Program Change Number) setting.

HE MIDI IN Mode * When the pedal part button is ON, data received at the MIDI In connector will control the pedal part of keyboard sound

Chapter 10 Various Other Settings

This instrument contains two sound generators: one for GM2/GS data playback and one for keyboard performance generator. When the pedal part button is OFF, data received at the MIDI In connector will control the GS sound generator. Normally, data received at the MIDI In connector will control only the sound generator for GM2/GS data playback. 4. Touch <Exit>. However by changing the MIDI IN Mode setting, you can also control the keyboard sound generator from MIDI In. MEMb

1. Touch <System> on the Main screen. There are limitations on the types of MIDI messages that can

be received by the keyboard sound source. For details refer The System screen appears. to the “MIDI IMPLEMENTATION" (sold separately).

2. Touch EŸ><{f4> to display the MIDI IN Mode. MED

This setting remains stored in memory even while power is turned off. H Selecting the MIDI Transmit Channel When you use the MIDI connectors or the computer connector of the AT-80SL/60SL to transmit musical data to

3. Touch the MIDI IN Mode setting to switch external devices, for each keyboard (Upper, Lower, and

between “MODE 1” and “MODE 2.” Pedal) you can specify the channel on which your playing will be transmitted as MIDI messages. As) æ

Each time you touch the MIDI IN Mode setting, it will alternate between “Mode 1” and “Mode 2.” MEMD MODE 1 Control the instrument as a GS sound For details refer to p. 208. generator

1. Touch <System> on the Main screen.

Channels 5 through 10 and Channels 12, 14, 15 are transmitted to the GS sound The System screen appears. MODE 2 generator, and all other channels are transmitted to the keyboard sound generator Channel MODE 1 MODE 2 1 Gs Solo 2 Gs Pedal/GS * 3 Gs Lower 4 Gs Upper 5-10 Gs Gs Susten 11 Gs Drum/SFX x MIDI Ch. 12 Gs Gs x MIDI Ch. 13 Gs Manual Percussion x MIDI Ch. 14-15 Gs Gs MIDI Ch. 16 Gs Control

Chapter 10 Various Other Settings

H Repositioning the Touch Screen If you've been using the Touch Screen for some time, the pointer may be shifted, making the AT-80SL/60SL react incorrectly. You should correct this displacement when necessary by performing calibration (repositioning)

1. Touch <System> on the Main screen.

The System screen appears.

2. Inthe System screen, touch <Utility>.

The Utility screen appears.

> to change the setting. Susten — Bank LS PC Nunb so

A display will ask for confirmation.

4. Touch <OK> on the screen.

5. Touch the points indicated on the touch screen.

MIDI messages for the Solo part will be transmitted only when the Solo [To Lower] button is ON. Do this carefully, because touching a location that's different from the one indicated for the pointer may make the displacement even worse. Be sure to touch the pointer accurately. If the following display appears, perform the touch panel position adjustment once again. Desionated positions are incorrect.

Chapter 10 Various Other Settings

H Displaying a Graphic at Power-up (AT-80SL) The AT-80SL allows you to load a favorite graphic into internal memory, and have it be displayed when the power is turned on. T. Use your computer to create a graphic image file that meets the following criteria: Size 320 x 240 pixels Color | 8 bit (256 colors) Format | image saved in BMP format Name | 1-8 characters in length (lowercase is ok). A filename extension of ”.BMP” (uppercase characters) must be added after the name. The following characters can be used to name an image. ABCDEFGHIJKLMNOPQRSTU VWXYZabcdefghijkimnopars tuvwxyz0123456789#$%&’()- @-{}n 1! If you use a character that cannot be used in a name, it will be replaced by another character when displayed.

2. Use your computer to save the graphic image file

on a DOS format floppy disk.

3. Insert the floppy disk containing the graphic

image file into the floppy disk drive of the AT- 80SL.

4. Touch <System> on the Main screen.

The System screen appears.

The BMP Installer screen appears. EtP installer Internal Ol:Bir thdau.BMP 02:(blank) 03:(blank) Display Explanation 01-03 | Images stored in internal memory View View an image stored in internal memory. Load. | Load an image from floppy disk into internal memory. Clear. | Delete an image from internal memory. MEMD The AT-80SL can store up to three images. If two or more images are stored in internal memory, those images will be displayed consecutively after the power is turned on.

7. In the screen, touch <01>-<03> to select the

destination at which the image is to be saved. EtP installer 0l:Birthdau.BMP 03:(blank)

The BMP Load screen appears. EtP installer Disk Ol:Bir thdau.BHP 02:Friends.BNP The name of images saved on the floppy disk will be displayed.

Chapter 10 Various Other Settings

(ve to select the image that you want to load into internal memory. MEMD You can touch <View> to verify the image. 10.Touch <OK>. The image will be loaded. If an image is already stored at the load destination, the following screen will appear. To erase the currently loaded image, and load the new image T. Touch <OK>. To cancel image loading T. Touch <Cancel>. If the image cannot be loaded, the following screen will appear. ÂÀ Can't Read H Deleting an Image Stored in Internal Memory

1. Touch <System> on the Main screen.

The System screen appears.

2. Inthe System screen, touch <Utility>.

Susten ouch Screen Panel Reset Bank LS PC Numb CO) The BMP Installer screen appears. EtP installer [M internal 01:Birthdau.BMP 02:(blank) 03:(blank)

4. In the screen, touch <01>-<03> to select the

destination at which the image is to be saved. MEMD You can touch <View> to verify the image.

The following screen appears. the Main Screen You can change the color and pattern for the main

Chapter 10 Various Other Settings

screen’s background. Â Clear BMP File OK? 1. Touch <System> on the Main screen. The System screen appears.

The image will be deleted. As) æ

The System screen appears.

5. Touch <Exit> on the System Screen.

The main screen appears with the selected background. MEMD This setting remains stored in memory even while power is turned off.

Chapter 10 Various Other Settings

H Eliminating the Bouncing Ball from the Main Screen You can set the main screen so that the bouncing ball does not appear.

1. Touch <System> on the Main screen.

The System screen appears.

Ball. (ve to display the Main Bouncing

3. Touch the Main Bouncing Ball setting to switch

between “ON” and “OFF.”

Each time you touch the Main Boucing Ball setting, it will alternate between “ON” and “OFF.” Setting Descriptions ON The bouncing ball appears in the main screen. The bouncing ball does not appear in OFF : the main screen.

MEMD This setting remains stored in memory even while power is turned off. HE Using the V-LINK function Connecting the AT-808L/608L to a V-LINK compatible image device allows you to control the images with the AT- 80SL/60SL. V-LINK V-LINK ( )is functionality promoted by Roland that allows linked performance of music and visual material. By using V-LINK-compatible video equipment, visual effects can be easily liked to, and made part of the expressive elements of a performance How to Use the V-LINK

1. Touch <System> on the Main screen.

The System screen appears.

3. Touch the V-LINK setting.

4, Touch <> > to change the setting. Setting Descriptions OFF The V-LINK function is switched off. The V-LINK function is switched on. MODE1 | You can now control the video images using the Registration buttons. The V-LINK function is switched on. You can now control the video images using the twelve keys at the very right of the lower keyboard and Registration buttons. No sound is produced when you press any of the twelve keys at the right end of the keyboard. MODE 2

Chapter 10 Various Other Settings

The V-LINK function is turned on, and the V-LINK icon appears in the main screen. gBand V-LIIVK | Full Oroant Sound/Kbd }[ Fhuthn }[Reoistration Rec/Plau Susten [[Quikr MEMD The Send PC Switch settings is automatically switched to ON when V-LINK is on (MODE 1, MODE 2). When the V-LINK function is switched off, the Send PC Switch setting reverts to the setting in effect before V-LINK was switched on. [When V-LINK is set to “MODE 1” à When a Registration button is pressed, “Bank Select” and “Program Change Number” messages are transmitted from the MIDI Out connector as video control messages. At this time, the Control MIDI transmit channel setting is disregarded, and the messages are transmitted via Channel 16. When V-LINK is set to “MODE 2” In addition to the functions of “MODE 1,” MODE 2 also sets the device to transmit “Note messages” as video control messages from the MIDI Out connector when one of the twelve rightmost keys in the Lower keyboard is pressed. In this case, the Lower and Solo MIDI transmit channel settings are disregarded, and the messages are transmitted via Channel 16. The MIDI transmit channel used for video control messages is fixed at channel 16 kK J For more on switching video images, refer to the owner’s manual for the connected device.

MEMD You can also use the following procedure to turn the V-LINK function on.

1. Hold down the Composer [Reset] button and

press either the Upper Organ [Full 1] button or the Upper Organ [Full 2] button. Holding down the Composer [Reset] button and pressing the Upper Organ [Full 1] button switches the instrument to “MODE 1” (p. 201). Holding down the Composer [Reset] button and pressing the Upper Organ [Full 2] button switches the instrument to “MODE 2” (p. 201). The display changes as shown below, and the AT-80SL/ 60SL switches to Image Control mode. Video Link System is ON. The V-LINK function is turned on, and the V-LINK icon appears in the main screen. gBand V-LIIVK | Sound/Kbd Rhythm Registration Rec/Play Susten

2. To cancel the V-LINK function, once again hold

down the Composer [Reset] button and press either the Upper Organ [Full 1] button or the Upper Organ [Full 2] button. If set to “MODE 1” (p. 201), holding down the Composer [Reset] button and pressing the Upper Organ [Full 1] button switches the V-LINK function off. If set to “MODE 2” (p. 201), holding down the Composer [Reset] button and pressing the Upper Organ [Full 2] button switches the V-LINK function off.

Name and Functions of Jack and Connectors (AT-80SL)

The functions of the jacks on the bottom of the keyboard are described below.

Illumination Switch + p.22 Phones Jack > p.21 Mic Volume Knob — p.22 Mic In Jack + p.22 LCD Contrast Knob Adjust the brightness of the touch panel. Computer Connector You can connect a computer to the AT-80SL and exchange performance data between the two. Computer Switch Set this switch to Mac, PC-1, or PC-2 according to the type computer that's connected. Additionally, this switches between MIDI In connector and the Computer connector. MIDI In/Out Connectors You can connect external MIDI devices to the AT-80SL and exchange performance data between them. Video Out Jack You can connect a TV to display lyrics.

10.Input switch > p. 205 TT.input L(mono)/R Jacks Using this jack, you can connect other sound generating devices or audio equipment and play sounds from other devices through the AT-80SL's speaker. 12.Output L(mono)/R Jacks You can some sounds if you connect speakers or other audio equipment to these jacks. You can also hook up a cassette recorder to record your performances. 13.Aux Out L(mono)/R You can connect an external speaker or a reverb unit to obtain a more spacious reverb.

Chapter 11 Connecting with External Device

Name and Functions of Jack and Connectors (AT-60SL)

The functions of the jacks on the bottom of the keyboard are described below. Ko © .< Phones Jack > p.21 8. Input switch > p. 205

2. Mic Volume Knob > p.22 9. Input L(mono)/R Jacks

. Mic In Jack + p.22 Using this jack, you can connect other sound generating devices or audio equipment and play sounds from other

4. LCD Contrast Knob devices through the AT-60SL's speaker.

Adjust the brightness of the touch panel. 10.Output Lémono)/R Jacks

5. Computer Connector You can some sounds if you connect speakers or other

You can connect a computer to the AT-608SL and audio equipment to these jacks. You can also hook up a exchange performance data between the two. cassette recorder to record your performances.

Set this switch to Mac, PC-1, or PC-2 according to the type computer that's connected. Additionally, this switches between MIDI In connector and the Computer connector.

MIDI In/Out Connectors You can connect external MIDI devices to the AT-60SL and exchange performance data between them. | 204

Chapter 11 Connecting with External Device

Connecting to Audio Equipment When you connect the AT-80SL/60SL to audio equipment, you can play the sounds from the AT-80SL/60SL through the speakers on the audio equipment or record your performances on a tape recorder or other recording device. MEMp When connecting, please use an audio cable with a standard phone plug, such as the PCS-100PW (sold separately). When purchasing an audio cable, please consult the vendor where you bought the AT-80SL/60SL. Connectors Output Jacks You can connect audio equipment using audio cables (sold separately) and play the sounds from the AT-80SL/60SL through the speakers on the connected equipment or record your performances on a tape recorder or other recording device. If the input of the connected device is monaural, you must use the L (Mono) jack. AT-80SL Main L(mono) R AT-60SL Output __ L(mono) R Input Jacks You can connect another sound module, such as audio equipment or an electronic instrument using audio cables (sold separately) and play the sounds from the connected device through the speakers on the AT-80SL/60SL. If the input of the connected device is monaural, you must use the L (Mono) jack. Input L(mono) R When using the Input jacks to play the sound from an external device through the speakers of the AT-80SL/60SL, you can apply the internal RSS reverb of the AT-80SL/60SL (p.210). Input switch Effect position Normal The sound of the external device will be heard without modification. RSS The RSS reverb of the AT-80SL/60SL will be applied to the external device. MEMD If the Input switch is set to “RSS,” you can use the AT-80SL/ 60SL's [Master Volume] slider to adjust the volume of the external device. If the Input switch is set to “RSS,” RSS reverb will also be applied to the sound of the microphone. In this case, use the [Mic Volume] bnob to adjust the microphone volume. Making the Connections MEMD When connecting, turn on power to your various devices in the order specified. Failure to follow these steps in the order given could cause a malfunction and/or damage to speakers or other equipment. Playing Sounds from the AT-80SL/60SL Through the Speakers on Audio Equipment or Recording Your Performances on a Recording Device T. Turn the volume all the way down on the AT- 80SL/60SL and on the device you're about to connect.

2. Turn off the power to the AT-80SL/60SL and

other connected equipment.

3. Use audio cables (sold separately) to make the

Chapter 11 Connecting with External Device

5. Switch on the connected device.

6. Adjust the volume level on the AT-80SL/60SL and

the connected device. Recording AT-80SL/60SL Performances on a Recording Device

7. Start recording with the connected device.

8. Play the keyboard.

9. When the performance ends, stop recording on

the connected equipment. After use, turn off the power using the following procedure. T. Turn the volume all the way down on the AT- 80SL/60SL and on the device you're about to connect. Turn off the connected equipment. Turn off the AT-80SL/60SL. Playing Audio Equipment Sounds Through the Speakers on the AT-80SL/60SL T. Turn the volume all the way down on the AT- 80SL/60SL and on the device you're about to connect.

Turn off the power to the AT-80SL/60SL and other connected equipment.

3. Use audio cables (sold separately) to make the

Turn on the connected equipment.

Turn on the AT-80SL/60SL. Adjust the volume level on the AT-80SL/60SL and the connected device. After use, turn off the power using the following procedure. T. Turn the volume all the way down on the AT- 80SL/60SL and on the device you're about to connect. Turn off the AT-80SL/60SL. Turn off the connected equipment.

Connecting a Computer By connecting this to the serial port of your computer, you can transmit and receive musical data. Connectors _—— Computer __ mec Sr] [MIDI Computer Connector You can connect a computer to this connector to exchange performance data. Use a computer cable (sold separately) to make the connection. The type of cable required will depend on your computer. Computer Switch The setting for this switch is made depending on the computer connected- Mac/PC-1/PC-2. When this switch is set to MIDI, this connector cannot be used. Making the Connections When connecting, turn on power to your various devices in the order specified. Failure to follow these steps in the order given could cause a malfunction and/or damage to speakers or other equipment.

1. Turn off the AT-80SL/60SL and the computer.

2. Using a compatible computer cable (sold

separately), connect the Computer connector on the bottom of the keyboard with the computer’s serial port.

3. Set the computer switch on the underside of the

keyboard to match the type of computer connected. Please refer to the connection examples below. Change the setting of the Computer switch only after the power to the unit is off.

Chapter 11 Connecting with External Device

4. Turn on the computer.

5. Turn on the AT-80SL/60SL.

6. Make the settings for baud rate (transmission

speed) for the computer and the software. NEMD For more information on this procedure, please refer to the owners manual for your computer.

7. You should also make the settings for the MIDI

send channel as needed (p. 174). Connection Examples: Connection with an Apple Macintosh computer Use a computer cable (sold separately) to connect the Computer connector on the AT-80SL/60SL to the modem port (or printer port) on the Apple Macintosh. Set the Computer switch to “Mac.” When using the Macintosh “Patch Bay” utility, specify 1 MHz as the Interface Type (MIDI Interface Clock). Computer @ F ace Apple Macintosh Connection with an IBM PC Use a computer cable (sold separately) to connect the Computer connector on the AT-80SL/60SL to the COMI or COMP2 serial port on the IBM PC. Set the Computer switch to “PC-2. —Compuier—

Computer cable (sold separately) H Connecting a MIDI Devices You can connect between your computer and the MIDI connector of the AT-80SL/60SL using a Roland UM-1 or similar USB MIDI interface cable (sold separately). If the AT-80SL/60SL is connected to a computer in which sequencer software such as Roland'’s “Visual MT” is installed, a song you've recorded on the AT-80SL/60SL can be saved on your computer.

• In order to make connections to your computer, you must install “MIDI driver” software on your computer. For details, refer to the owners manual for your MIDI interface. Use a USB MIDI interface cable to connect the USB connector of your computer to the MIDI connectors of the AT-80SL/60SL. Set the Computer switch on the AT-80SL/60SL's bottom panel to “MIDI,” then turn on the power to the AT- 80SL/608L.

Chapter 11 Connecting with External Device

Connecting MIDI Devices By connecting an external MIDI device and exchanging performance data, you can control the performances on one device from the other. For instance, you can output sound from the other instrument or switch Tones on the other instrument. What’s MIDI? MIDI, short for “Musical Instrument Digital Interface,” was developed as a standard for the exchange of performance data between electronic instruments and computers. The AT-80SL/60SL is equipped with MIDI connectors and a Computer connector to let it exchange performance data with external devices. These connectors can be used to connect the AT-80SL/60SL to an external device for even greater versatility. About MIDI Connectors The AT-80SL/60SL has two kinds of MIDI connectors. Connecting these to the MIDI connectors on a MIDI instrument makes it possible for the two instruments to control each other. For instance, you can output sound from the other instrument or switch tones on the other instrument. You should also set the MIDI send channel as needed. MDI Out MIDI Out Connector Connect the external MIDI device to the MIDI IN connector with an optional MIDI cable. The notes played on the keyboard, movements of the Damper pedal, Expression data, data indicating that a Registration button, etc., was pressed will be transmitted to the external MIDI connector. The Solo voice will be transmitted only if the Solo [To Lower] button is ON. MIDI In Connector Connect the external MIDI device to the MIDI out connector with an optional MIDI cable. Performance messages from an external MIDI device are received here. These incoming messages may instruct the receiving MIDI instrument to play sounds or switch voices.

The AT-80SL/608L contains two sound generators: one sound generator for its own keyboards and one GS sound generator (p. 250). Normally, musical data transmitted from an external device to the MIDI In connector is sent to the GS sound generator, but you can also set the “MIDI IN Mode” parameter (p. 196) so that the keyboard sound generator is controlled. Making the Connections When connecting, turn on power to your various devices in the order specified. Failure to follow these steps in the order given could cause a malfunction and/or damage to speakers or other equipment. T. Turn the volume all the way down on the AT- 80SL/60SL and on the device you're about to connect.

2. Switch off the power to the AT-80SL/60SL and the

device you're about to connect.

3. Set the Computer switch on the bottom of the

4. Use a MIDI cable (sold separately) to connect the

MIDI connectors to each other.

5. Switch on the power to the AT-80SL/60SL and the

6. Adjust the volume level on the AT-80SL/60SL and

the connected device.

7. You should also set the MIDI send channel as

needed. MEMD A separate publication titled “MIDI Implementation” is also available. It provides complete details concerning the way MIDI has been implemented on this unit. If you should require this publication (such as when you intend to carry out byte-level programming), please contact the nearest Roland Service Center or authorized Roland distributor.

Chapter 11 Connecting with External Device

Connecting a Television to View the Lyrics (AT-80SL) Æ Switching the TV Format

1. Touch <System> on the Main screen.

You can connect a television to view the lyrics from SMF music files. Making the Connections When connecting, turn on power to your various devices in the order specified. Failure to follow these steps in the order given could cause a malfunction and/or damage to speakers or other equipment.

1. Switch off the power to the AT-80SL and

2. Connect the AT-80SL's Video Out connector to

the video input connector on the television with an optional video cable. Switch on the television. Turn on the AT-80SL. Touch <System> on the Main screen. Susten Video Out TU Tupe Main Bouncino Ball Main Backoround Utility Touch - to display the Video Out. Touch the Video Out setting to select “ON.” Each time you touch the Video Out setting, it will alternate between “ON” and “OFF.” Touch <Exit>. Play back the music files with lyric (p. 145). The lyric appears on the display. Iflyric will be not displayed on the screen, please switch the TV format. Video Out TU Tupe

2. Touch C4 to display the TV Format.

3. Touch the TV Format setting to switch between

“PAL” and “NTSC.” Each time you touch the TV Format setting, it will alternate between “PAL” and “NTSC.” Settings: PAL, NTSC

MEMD This setting remains stored in memory even while power is turned off.

Chapter 11 Connecting with External Device

Connecting External Speakers or an external Reverb Unit to Broaden the Reverb (RSS Reverb) (AT-80SL) The AT-80SL has an Aux Out jack on the bottom of the instrument. By using this Aux Out jack to connect external speakers, you can sound the reverb (reverberation) from the speakers. An external reverb unit can also be connected and used to apply reverb. H Switching the Aux Out On/OFF

1. Touch <System> on the Main screen.

The System screen appears. Tx MIDI Ch. MPerc (VS to display the Aux Out. Touch the Aux Out setting to switch between “ON” and “OFF.” Each time you touch the Aux Out setting, it will alternate between “ON/ and “OFF.”

between “AMBIENCE” and “TO EFFECTOR.” Each time you touch the Aux Out Mode setting, it will alternate between “AMBIENCE” and “TO EFFECTOR."” The reverb sound applied by the AMBIENCE ATELIER will be output. TO The direct sound is output for & EFFECTOR | applying reverb

MEMD You can change the depth of Reverb for each part (p. 133) MEMD This setting remains stored in memory even while power is turned off.

Chapter 11 Connecting with External Device

1. Easy System 2. Regular System

The RSS reverb plays when a stereo set is The RSS reverb is played when rear speakers connected. are set up. Aux Out : ON Aux Out : ON Aux Out Mode: AMBIENCE Aux Out Mode: AMBIENCE AT-80SL AT-80SL AUX Output Powered Speaker Audio Set

3. System for Small Hall/Midsized Hall

Aux Out : ON The RSS reverb is played when front and rear speakers are set up. Aux Out Mode: AMBIENCE AT-80SL Front Speaker L Front Speaker R

(Main Output) (AUX Output) Rear Speaker L Rear Speaker R

Chapter 11 Connecting with External Device

4. System for Large Hall

The RSS reverb is played when front, rear, and side speakers are set up. Aux Out : ON Aux Out Mode: TO EFFECTOR Front Speaker L = = Front Speaker R

) (AUX Output (Main Outpu

• For instructions on how to set the RSS-308, refer to the RSS-303 Owners Manual.

Front Output Rear Output Î Side Speaker R

Troubleshooting Ifthe AT-80SL/60SL does not function in the way you except, first check the following chart. If this does not resolve the problem, consult your dealer or a nearby Roland Service Station. Problem Check Solution Page When you press the [Power Power cord is not connected Connect the power cord correctly. On]switch, the power doesn't | correctly. p.20 come on. The [Master Volume] slider is settoo | Turn the [Master Volume] knob 4m " p.20 low. toward “Max. Headphones are connected If you want sound to be output from When you connect the headphones, | the speakers, disconnect the 21 the sound is heard only through the | headphones. P- headphones. The plug is still plugged into the Disconnect the plug from the 21 No sound is heard. headphone jack. headphone jack P- The volume is set too low on the Press the Level [A][#] buttons to 52 Level [A] [] buttons. raise the volume. P The volume is set too low on the Advance the expression pedal. u p. 120 Expression Pedal. You do not have a Voice selected. Press a voice button to select a voice. Voices that have their button p. 40 indicator lit can be played. Drums/SEX are selected for the Turn the Drums/SEX off or play L No sound is heard. Lower keyboard, but you are keys to which drums sounds are 56 @ (by the Lower keyboard) playing a key to which no drum assigned. P- sound is assigned. “Percussion Set 3” has been selected | For the upper keyboard, select a . for the Upper keyboard. voice other than “Percussion Set 3.” No sound is heard. P # à (by the Upper keyboard) When “Percussion Set 3” is selected, p.42 Y pper key some keys may have no sound assigned to them. The power of the connected external | Use the correct procedure to turnon | p.205 No sound is heard (when a devices is not turned on. the power of the connected external | — MIDI instrument is devices. p.210 connected). The Computer switch on the bottom | Change the setting of the computer 208 of the unit is not set to “MIDI.” switch. P- The damper pedal affects only the You can change the settings so that Lower keyboard and Upper the damper pedal affects the Upper 187 Damper Pedal does not keyboard. The damper pedal does | keyboard. P operate. not affect the Bass pedalboard. The damper pedal does not affectthe | This is not a malfunction. Lee Solo voice. The function of the Expression Pedal | Set the expression pedal function Expression Pedal does not during recording or the function during recording to “PEDAL,” and 186 operate. during playback has been set to during playback to “PEDAL” or P

*COMPOSER.” “PEDAL+COMPOSER.”

If “Regist Shift” (change Turn “Regist Shift” off. Can't use the function Registrations) is “RIGHT,” “LEFT,” : : or “RIGHT + Load Next,” the foot p.119 assigned to the foot switch. . : : pe switch will be dedicated to switching the Registration.

Troubleshooting 4 AT-80SL_60SL_e.book 214 K—% 2004#3A23A XMBA ÆFAORH345 Problem Check Solution Page When the human voice “Jazz | The setting of “Initial Touch” is Turn “Initial Touch” on. Scat” is selected, playing turned OFF. 185 dynamics do not change the P- sound. Rotary effect is not be Some sounds do not allow the rotary | This is not a malfunction. Lie applied. effect to be applied. Chorus effect does not appl Some sounds do not allow the This is not a malfunction. Lee PPY: | chorus effect to be applied. Chord Hold is at OFF. Turn “Chord Hold” on. When you release your : . : « ; The Automatic Accompaniment will fingers from keys in the : u play while you press a chord. If Lower keyboard while : : : Chord Hold is turned ON, the Automatic Accompaniment : à : p. 188 ï Automatic Accompaniment will and Rhythm are playing, the : L ith the Rh Rhythm performance only continue playing with the Rhythm ren aine Dla Vin even when you take your hand off of p'aying- the Lower keyboard. When you release your The Lower Voice [Hold] button is at | Press the Lower Voice [Hold] button fingers from keys in the ON. to turn it off (dark). 60 Lower keyboard, the notes P- continue sounding. Even though you press only Harmony Intelligence is at ON. Turn “Harmony Intelligence” off. p. 122 one key, a multiple number of | Ch d Intelligence is turned ON. Turn “Chord Intelligence” off 70 notes sound. P- You have selected a “Marimba This is not a malfunction. n Treml” or “Banjo Treml” sound. If you select a “Marimba Treml” or Sound is produced when you Res n : . Banjo Treml” sound, a sound will --. take your finger off a key. also be produced when you take your finger off the key. The keys for a chord were not Either turn on the Chord Intelligence : : p.70 pressed simultaneously. function, or play the chord correctly. When Chord Intelligence is OFF, the | Either turn on the Chord Intelligence 70 chord is not being pressed correctly. | function, or play the chord correctly. | P- Automate Accompaniment When performance data from a This is not a malfunction. sounds odd:. device other than the AT-80SL/60SL is being played together with the Lie Automatic Accompaniment, the Automatic Accompaniment may not be sounded correctly. When performance data from a This is not a malfunction. device other than the AT-80SL/60SL is being played together with the Rhythm sounds odd. Automatic Accompaniment, the Rhythm performance may not be sounded correctly. Transpose is in effect. Simultaneously press the Transpose [-] [+] buttons to cancel the 114 transposition (the Transpose [-][+] | P- buttons’ indicators will go out). Pitch is off The tuning is incorrect. Adjust the standard pitch. p.194 While set for an octave shift, you are | Adjust the Octave Shift setting. playing keys beyond the sa recommended range. This does not P- indicate a malfunction.

Troubleshooting Problem Check Solution Page If you wish to erase a previously- Press the track button for the desired recorded track and then re-record, track to make that button indicator press the track button for the desired | blink before you begin recording, p.155 track to make that button blink before you begin recording, Recording is not possible. If you wish to erase a previously- On Rec/Play screen, touch the track recorded track and then re-record, button for the desired track to make touch the track button for the track that button indicator blink before 155 you want to record in the Rec/Play | you begin recording P- screen, stopping the button from flashing. Any performance that has been A performance cannot be restored The recorded performance recorded is deleted when the power | once it's been deleted, so be sure to 158 has disappeared. to the unit is turned off. save it on a floppy disk before you P- turn off the power. When a voice is selected for the This is not a malfunction. The bass note of the n n Pedal Bass part, the bass of the Automatic Accompaniment : h n . =. Automatic Accompaniment will not does not sound. sound The Computer switch is not set to Set the Computer switch to “MIDI.” > LR p. 208 MIDI” position. MIDI messages received at MIDI In are not sounded. The Computer switch was set to Turn off the power, and then turn “MIDI” after the power was turned the power on once again. p. 208 on. @ The Part Balance volume ofeach part | Press the Part Balance button to 4 : à p.52 is too high. lower the volume. The Reverb volume has been raised Either lower the Reverb volume, or p.52 Sound is distorted / cracked. when the volume of each Part adjust the Part Balance of each part. p.131 Balance button is already raised. The [Master Volume] slider has been | Use the [Master Volume] slider to used to raise the overall volume lower the overall volume. p.20 excessively. Some keys (of certain You are playing notes outside the This is not a malfunction. keyboard parts) sound recommended range of the voice. =. strange. The settings at which Registrations Set the timing at which the arranger The Ryinm does not change | axe recalled (Registration Arranger | settings are called up (Registration | p. 92 Registration buttons Update) has been set to Arranger Update) to’INSTANT.” | p. 190 9 ” "DELAYED." When recording is performed If you wish to get rid of the volume The volume changes during repeatedly while changing the Part | changes, use the Erase function to playback of performance Balance volume, the previously- delete the Part Balance data. p. 168 data. recorded Part Balance data remains in the Control track. The Pedal [To Lower] button orthe | Inthe Pedal part, press the Pedal [To Bass is heard even though [Bass Split] button is ON. Lower] button or [Bass Split] button 140 you are not playing the Bass | Whenthe Pedal [To Lower]buttonis | to turn the button off (dark). P- 142 Pedalboard. ON, the Bass will be sounded by the P- Lower keyboard. When playing the same On one of the keyboards, “Initial Set the initial touch settings of the sound in the Upper keyboard | Touch” is turned ON. Upper keyboard and the Lower 185 and Lower keyboard, the keyboard to both On, or both Off. P- volume is different.

the screen. display, and does not indicate a malfunction. you may want to try adjusting it. Problem Check Solution Page The Lower keyboard will not This is not a malfunction. Lower keyboard cannot be : produce sound while an Intro or -.. heard. ic Doi Ending is being played. If you layer the same type of sound | You are layering sounds of the same (for example, Strings 1 and Strings | type (e.g., Strings 1 and Strings 5). 5), or play an octave-shifted organ Alternatively, you are playing an The sound is not played sound, the timing at which you play | organ sound with Octave Shift. Lie correctly. a note or the phase relationship This is not a malfunction. between the two sounds may affect the way in which the sounds are heard, but this is not a malfunction. A floppy disk is inserted in the disk | In order to play the demo song, you Can't play the demo songs. drive. must remove the floppy disk from p.76 the disk drive. The AT-80SL/60SL uses a liquid- Adjust the brightness of the screen. : crystal screen, so text may not be Nothing appears on screen. displayed when the ambient p. 203 temperature is below freezing. With some music files, the lyrics This is not a malfunction. Lee cannot be displayed correctly. In the Notation screen, somelyrics or | This is not a malfunction. notes could extend beyond the edges _.. Lyrics are not indicated of the screen, and not be displayed. properly in the display. A button was pressed while the If you want to have the lyrics be lyrics were being shown in the displayed again, touch <Play> on display. the Rec/Play screen. 143 During the display of lyrics, you P could be taken to a different screen if you press a button. The Touch Screen doesn't The positioning ofthe Touch Screen Reposition the Touch screen. may become displaced if some time p. 197 respond correctly. : : has passed since it was last used Certain instrument are not The track is muted. Turn off track muting, p- 147 heard while playing a song. p. 148 Can't use Chord Intelligence | Chord Intelligence is at OFF. Turn “Chord Intelligence” on. 70 function. P In the Notation screen, somelyricsor | This is not a malfunction. notes could extend beyond the edges _.. of the screen, and not be displayed. The Notation display feature is This is not a malfunction. Score is not indicated particularly unsuitable for the roperly in the displa: display of difficult, complex musical p.151 properly play. works that demand accurate notation. If you select a part that does not Change the part that is displayed. contain performance data, notes will p. 150 not be displayed in the notation. This is attributable to the design Adjusting the display's contrast can Vertical lines can be seen in fundamentals of a liquid crystal make such lines less noticeable, so p.203

4 AT-80SL_60SL_e.book 217 X— 2004#3A23A XMA ÆFAORHS45 Troubleshooting Problem Check Solution Page The Bass Range Sounds Odd, or There Is a Vibrating Resonance. Playing at loud volumes may cause instruments near the AT-80SL/60SL to resonate. Resonance can also occur with fluorescent light tubes, glass doors, and other objects. In particular, this problem occurs more easily when the bass component is increased, and when the sound is played at higher volumes. Use the following measures to suppress such resonance. + Place speakers so they are 10-15 cm from walls and other surfaces. + Reduce the volume. + Move the speakers away from any resonating objects. When listening through headphones: Here, a different cause (such as resonance produced by the AT- 80SL/60SL) would be suspect. Consult your Roland dealer or nearest Roland Service Center. The volume level of the instrument connected to AT- 80SL/60SL is too low. Could you be using a connection cable that contains a resistor? Use a connection cable that does not contain a resistor. p. 205 Pressing the expression pedal while playing back Atelier performance data produces a crackling noise The expression pedal function is set to “PEDAL+COMPOSER"” during playback of Atelier performance data. When this setting is used, moving the expression pedal while playing back Atelier performance data may create a difference between the expression pedal information in the performance data and the volume as set with the expression pedal, which can result in this kind of sound being produced. Set the expression pedal function to “PEDAL" during playback. p.187 Tempo not changing even when the source tempo is reselected (when arranging rhythms using the Rhythm Customize function). Auto Std Tempo (Auto Standard Tempo) is set to on. When the Auto Std Tempo setting is set to ON and rhythms are switched while the rhythm is stopped, the tempo is automatically set to the tempo for that rhythm. The tempo setting does not change automatically, even if the rhythms are switched with the Auto Std Tempo setting set to OFF and the rhythm stopped. Turn “Auto Std Tempo” off. p. 189 Unable to save created rhythm to the User Memory “Memory Full” appears in the display. The available memory remaining in the AT-80SL/60SL is not sufficient. First delete some other rhythm saved to the user memory, then save the rhythm you have created to the user memory once again. p. 182 p. 183 There is no sound from the twelve keys at the right of the lower keyboard. The V-LINK function is set Mode 2. When V-LINK setting is Mode 2, the group of twelve keys starting at the very right of the lower keyboard are used for controlling video images. Therefore, no sounds are played even when you press these keys. Turn the V-LINK function off, or select Mode 1 for the V-LINK function. p. 201

F2 4 AT-80SL_60SL_e.book 218 X—% 2004#3A23A XMA ÆFAORHS45 Error Message Error Message Meanings Copy Protected. Can't Save To protect the copyright, this music file cannot be saved as SMF format. When you want to save as Atelier format, you can save only original disk. Can't Save This Song. You can only play the music data. It cannot be saved on a floppy disk or internal memory. Write Protected Disk The protect tab on the floppy disk is set to the Protect position. Change it to the Write position and repeat the procedure. Master Disk This floppy disk cannot store the format or save any data. Insert a different disk and repeat the procedure. Read Only Song. Can't Save A new song cannot be saved onto this floppy disk. No Disk No floppy disk is connected to the disk drive. Insert the disk correctly, and repeat the procedure. Disk Full There is not sufficient space left on the floppy disk for the data to be saved. Save the data onto a different floppy disk or delete music data on the disk. Unknown Disk The floppy disk inserted into the disk drive cannot be read Please format the floppy disk. Disk Ejected

The floppy disk was removed from the disk drive while loading or writing was in progress. Insert the floppy disk and repeat the procedure. Damaged Disk This floppy disk is damaged and cannot be used. Insert a different disk and repeat the procedure. Can't Read This song cannnot be read. Can't Play It cannot be read the floppy disk quickly enough. Press the [Reset] button, then press the [Play /Stop] button to play the song. Memory Full The Rhythm data is excessively large, and cannot be loaded. The performance data is excessively large, and cannot be loaded! Since the internal memory is full, recording or editing is not possible. MIDI Buffer Full The AT-80SL/608L cannot deal with the excessive MIDI data sent from the external MIDI device. Reduce the amount of MIDI data sent to the AT-80SL/60SL. Communication Error A MIDI cable or computer cable has been disconnected. Connect it properly and sucurely. Computer l/F Error The Computer Switch is set to a wrong position or the computer is set wrongly. Switch off the AT-80SL/60SL then set the Computer Switch to the correct position and set the computer correctly. After that, switch on the AT-80SL/60SL again. Memory Error There is something wrong with the system. Repeat the procedure from the beginning. Expansion Board Not Found. An error with the instrument. Please contact Roland Service.

Error Message Error Message Meanings Internal Memory The AT-80SL/60SL is warning you that its memory will soon become full to capacity, so Near Limit not much more recording can be done. To carry out the procedure, you first need to erase performance data in the AT-80SL/60SL. Clear Song OK? This message asks you to confirm that you don't mind doing this. To erase the data, touch <OK> on the screen. When you do not want to erase it, touch <Cancel> then save the data on disk. This Registration is already being used. To overwrite the previous Registration data in this Overwrite Regist memory, touch <OK. If you decide to keep the previous Registration data in this memory ok? and save your settings in an unused memory, select a number for which ”---"’ is displayed, and then save the data. A There already is performance data having the same name on the disk. Overwrite Song on : : : To replace the existing data with the new version, touch <OK>. To save it as a separate new OK? x ? : : : file, touch <Cancel> first. Then, after changing the name, save it on disk. Overwrite Rhythm Overwrite the internal Rhythm. ok? Yi To replace the Rhythm, touch <OK>. When you do not want to overwrite it, touch ° <Cancel> then select another Rhythm. Delete Song Delete the song stored on floppy disk. OK? To delete the song, touch <OK>. When you do not want to delete it, touch <Cancel> Delete Rhythm Delete the Rhythm. As OK? To delete the Rhythm, touch <OK>. When you do not want to delete it, touch <Cancel>. À { Frs

Drums/SFX Set List (AT-80SL) JAZZ

Drums/SFX Set List (AT-80SL)

Hot —: no sound [EXC]: will not sound simultaneously with other percussion instruments of the same number | 227

Drums/SFX Set List (AT-80SL)

—: no sound on instruments of the same number [EXC]: will not sound simultaneously with other percus: | 228

Drums/SFX Set List (AT-60SL) [EXC]:

Drums/SFX Set List (AT-60SL) JAZZ

Hot : no sound [EXC]: will not sound simultaneously with other percussion instruments of the same number | 230

Drums/SFX Set List (AT-60SL)

Hot —: no sound [EXC]: will not sound simultaneously with other percussion instruments of the same number | 231

Drums/SFX Set List (AT-60SL)

—: no sound on instruments of the same number [EXC]: will not sound simultaneously with other percus: | 232

28 Alolalo solo Car Engine 2 Wadaiko Co Alleluia solo Car Horn Wadaiko Rim Freedom [Long/Shon] | Compresser Shimedaiko 31 Glory Big Shot Atarigane Alleluia Cricket Atarigane Side 33 Soul Horse-Gallop Furin G Victory. sL1 Hyoshigi He: SL2 Ohkawa case Woo [Long/Shon] | Crack Bottle Tsuzumi (Low) Yeah [Long/Shor] | Ice Ring Tsuzumi (Hi) 38 Yes [Long/Shor] | Glass & Glam Mokugyo (Low) One Pour Bottle Mokugyo (Hi) (40 Two Soda Ho PA Three Small Club Iyooh CE Baby Laughing Yoh

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F2 4 AT-80SL_60SL_e.book 249 K— 2004#3A23A XMA ÆFAORH345 Glossary Arrangement This refers to changes that have been made in an original tune, by adding a new accompaniment or by changing the instruments used. Automatic Accompaniment Automatic Accompaniment is automatic accompaniment when just a few keys in the lower section of the keyboard are pressed to specify the chord. Basic Chord This refers to the most commonly used types of chord, which are generally the following six types: major chords, minor chords, minor seventh chords, minor seventh (5) chords, dominant seventh chords, and diminished seventh chords. Chord Notes of two or more pitches sounded simultaneously. Chords consisting of three notes are called “triads,” and are the most basic type of chord. Chorus An effect that adds spaciousness and richness to the sound. Ending This is the last part of the accompaniment. When you stop playing the Automatic Accompaniment, the AT-80SL/60SL plays an Ending appropriate for the Rhythm. Glide An effect that temporarily lowers the pitch and then gradually returns it to normal Intro This is the introductory portion of an Automatic Accompaniment performance. The AT-80SL/60SL plays an intro ideally suited to each Rhythm when it starts playing the Automatic Accompaniment. Inversion When the lowest note of a chord is the root, the chord is said to be in ‘root position.” In contrast, forms of a chord in which other notes are the lowest pitch are called “inversions.” Mute To silence a sound. The AT-80SL/60SL provides a Track Mute function that allows you to turn off the track button indicator of a track on which music data has been recorded, 50 that the corresponding track will temporarily be silenced

Panel Settings Settings such as sound selections, tempo, Rotary fast/slow. Pitch Bend An effect that smoothly raises or lowers the pitch. Registration A unit of data that contains the performance state of the instrument, such as sound selections and panel settings. Reverb An effect that simulates the reverberation of a room or concert hall. Root Note The root note is the basis of a chord. All chords are built on a root note, which is the part of the chord name given in uppercase letters. Rotary An effect which simulates the modulation given to the sound when a rotating speaker is used. The Rotary effect produces two types of modulation: fast or slow.

Split A function which allows the keyboard to be divided into two or more areas, and a different sound assigned to each area. The point at which the keyboard is divided is called the “Split Point.” Sustain An effect that adds a decay to each note. The AT-80SL/60SL allows sustain to be applied to the voices of the upper part, lower part, and pedal part. Vibrato An effect that cyclically modulates the pitch. Voice The AT-80SL/60SL is able to produce the sounds of various instruments. These sounds are called “Voices.”

4 AT-80SL_60SL_e.book 250 — 2004#3A23A XMA ÆFAORHS45 Glossary HE About ATELIER Series Sound Generator The ATELIER series come equipped with GM2/GS sound generators. GENERAL General MIDI MI General MIDI is a set of recommendations which seeks to provide a way to go beyond the limitations of proprietary designs, and standardize the MIDI capabilities of sound generating devices. Sound generating devices and music files that meet the General MIDI standard bear the General MIDI logo ( MIE ). Music files bearing the General MIDI logo can be played back using any General MIDI sound generating unit to produce essentially the same musical performance. General MIDI 2 MHZ The upwardly compatible General MIDI 2 ( SZ ) recommendations pick up where the original General MIDI left off, offering enhanced expressive capabilities, and even greater compatibility. Issues that were not covered by the original General MIDI recommendations, such as how sounds are to be edited, and how effects should be handled, have now been precisely defined. Moreover, the available sounds have been expanded. General MIDI 2 compliant sound generators are capable of reliably playing back music files that carry either the General MIDI or General MIDI 2 logo. In some cases, the conventional form of General MIDI, which does not include the new enhancements, is referred to as “General MIDI 1” as a way of distinguishing it from General MIDI 2. GS format GS The GS Format ( @$ ) is Roland's set of specifications for standardizing the performance of sound generating devices. In addition to including support for everything defined by the General MIDI, the highly compatible GS Format additionally offers an expanded number of sounds, provides for the editing of sounds, and spells out many details for a wide range of extra features, including effects such as reverb and chorus. Designed with the future in mind, the GS Format can readily include new sounds and support new hardware features when they arrive.

SMF with Lyrics SMF “SMF with Lyrics” refers to SMF (Standard MIDI File) that contains the lyrics. When music files carrying the “SMF with Lyrics” logo are played back on a compatible device (one bearing the same logo), the lyrics appears in its display. XGlite Xe Xalite XG is a tone generator format of YAMAHA Corporation, that defines the ways in which voices are expanded or edited and the structure and type of effects, in addition to the General MIDI 1 specification. XGlite is a simplified version of XG tone generation format. You can play back any XG music files using an XGlite tone generator. However, keep in mind that some music files may play back differently compared to the original files, due to the reduced set of control parameters and effects.

F2 4 AT-80SL_60SL_e.book 251 — 2004#3A23A XMBA ÆFAORH345 EH Panel illumination AWARNING Remove the panel lamp cover + Before replacing any light bulbs, you must turn off the T. Unplug th df the AC outlet. power and disconnect the power cord from the AC NP'ug ne power core From Me AC outre outlet. 2. Use both hands to slightly raise the cover, slide it + Wait until the bulb has cooled to room temperature toward the rear, and open the cover. before attempting to replace it + Never touch a bulb while it is still hot. 3. In four locations of the panel lamp cover (A), +_Ifthe bulb burns out, replace it as soon as possible. loosen screws (B). +_In households with small children, make certain that you keep all bulbs or screws that you remove well out of the reach of children, so they don't accidentally put them The panel lamp cover screws cannot be removed from the into their mouths. panel lamp cover. + Never turn on the power of the illumination while a bulb is being replaced. If the illumination is powered-on, the bulb will become hot, and may cause burns. Do not remove any screws other than those in the specified +_ You must replace the bulb with a bulb of the specified four locations. model number. . A H Before you continue SE +_ Note which bulb has burned out. nc

Before you begin, you must note the location of the bulb that needs to be replaced, to ensure that the illumination — A — is not powered-on while replacing the bulb. ©

== 0——0— Se oi li | En n= pr reEEe Een | + Leave the power turned off for at least 20 minutes before changing the light bulb. When the illumination is turned on, the light bulb and the vicinity of the bulb will become hot. Turn off the : .

4. Liftthe panel lamp cover (A) slightly, and remove

power of the instrument 20 minutes before changing the it from the hook. light bulb, and verify that the vicinity of the bulb is no longer hot before you exchange the light bulb. + Obtain the replacement light bulb. H Required items +_ Phillips screwdriver (no. 2) (when replacing the music rest illumination bulb) + Slotted screwdriver (when replacing the pedal area a aie illumination bulb) SEESEREEr + Replacement light bulb llluminated location Bulb type Panel illumination LAMP FB33

5. Slightly raise the cover.

6. Grasping the body of the light bulb, pull it slowly

toward yourself to remove it.

7. Align the pins of the new light bulb with the

holes of the socket, and insert the bulb straight in. Be aware that if the pins of the light bulb are not aligned with the holes of the socket when installing the bulb, or if the bulb is inserted at an angjle, the pins of the bulb could get damaged. Do not disconnect the connector located beside the light bulb Be careful not to touch the metal by which the lamp board is suspended. Never turn on the power while replacing a light bulb

Attach the panel lamp cover T. Align the square hole of the panel lamp cover with the hook. O0 ————0"— SEE sil ponnnenent

2. Hook the square hole of the panel lamp cover

3. Grasp the two screws located in the center of the

panel lamp cover, and while lifting the panel lamp cover, lightly tighten the screws. Do not completely tighten the two middle screws at this time. 4, Firmly tighten the screws at the left and right ends of the panel lamp cover.

5. Firmly tighten the two screws at the middle of the

panel lamp cover. Make sure to tighten the screws in all four locations.

F2 4 AT-80SL_60SL_e.book 255 K—% 2004#3A23A XMBA ÆFAORHS45 Settings That Are Stored After the Power Is Turned Off H Settings That Are Stored After the Power Is Turned Off Arranger Update Transpose Update Master Tune Rotary Speed Rotary Color Registration Shift Expression Curve Send PC Switch MIDI IN Mode Lyric On/Off Metronome Sound Mic Echo Aux Out Mode TV Format Registration Name H Settings That Are Stored In the Registration Buttons Registration Name Registration Shift Arranger Update Transpose Update H Settings That Are Stored In the Individual Registration Buttons Reverb Type Reverb Depth Solo [To Lower] button (ON/OFF) Pedal [To Lower] button (ON/OFF) Key Transpose Left Foot Switch Assignment Right Foot Switch Assignment Damper Pedal Assignment Aux Out ON/OFF [Harmony Intelligence] button (ON/OFF) Harmony Intelligence Type Rotary [Fast/Slow] button (ON/OFF) Rotary [ON/OFF] button (ON/OFF) Bender/Glide Assignment Pitch Bend Range Pedal Bass Mode Solo Mode Solo To Lower Mode Solo Split Point [Bass Split] button (ON/OFF) Bass Split Point Sustain buttons (ON/OFF) Sustain Length Tx MIDI Channel After Touch ON/OFF Initial Touch ON/OFF PC Number Bank LSB Bank MSB Wall Type The Voices assigned for each part Level [ A ][ Y ] (Part Balance Volume) The Reverb depth for each part The Chorus settings (ON/OFF) of the voice The Octave settings for each part The voices assigned to the [Others] buttons for each part [Drums/SEX] button (ON/OFF) [Manual Percussion] button (ON/OFF) Drum/SFX Set Manual Percussion Set Selected Rhythm [ntro/Ending] button (ON/OFF) [Sync Start] button (ON/OFF) Style Orchestrator Variation ON/OFF Chord Intelligence ON/OFF Leading Bass ON/OFF Arranger [ON/OFF] button (ON/OFF) Lower Voice [Hold] button (ON/OFF) Tempo setting Volume of the rhythm Accompaniment part Reverb depth of the rhythm Accompaniment part Volume of the rhythm drum part Reverb depth of the rhythm drum part Volume of the rhythm bass part Reverb depth of the rhythm bass part

À & 4 AT-80SL_60SL_e.book 258 X—> 2004#3A23A XMA ÆFAORS 45 & | © Demo Song List Profile Hal Vincent Hal consistently delights his audiences with his keyboard artistry. He is equally at home on either the organ, piano, or electronic keyboard. Around the world, his concerts generate the often heard comment “...we loved it because he plays our kind of music.” This is another of Hal’s special skills: a knack for knowing just what music to play on any occasion. An extensive repertoire combined with more than 30 years of world touring have netted Hal rave reviews while affording him the opportunity to work with some of the top names in show business. Hal has recorded several albums and published books of organ arrangements while establishing himself as an excellent clinician and teacher. Hector Olivera Hector Olivera was born in Argentina. He received his education at the Conservatory and the University of Buenos Aires followed by a scholarship at the famous Juilliard School of Music in New York. Olivera has performed extensively throughout the world including concerts at prestigious places such as the Notre Dame Cathedral in Paris and Carnegie Hall in New York. Hector Olivera’s expertise involves both the traditional pipe organ and the electronic organ. Presently Olivera tours internationally playing some of the world's most magnificent pipe organs as well as his preferred electronic organ, the Roland Atelier for which he continues to collaborate with its development.

Jonas Nordwall A native of Portland, Mr. Nordwall received his Bachelor of Music Degree in 1970 from the University of Portland studying with Arthur Hitchcock. Additional study was done with Frederick Geoghegan, the noted English/Canadian organist. As a teenager, Jonas had the privilege to study with Richard Ellsasser, one of the greatest virtuoso organist of 20th century. Besides serving as Director of Music for the First United Methodist Church in Portland, Oregon and as the Organist for the Oregon Symphony Orchestra. He has been à featured recitalist for national conventions of the American Theatre Organ Society and was Organist of the year for 1987. Ralf Schink Ralf Schink was born in Germany and began playing the electronic organ at the age of 9. After completing his formal education Ralf went on to study at the renowned Swiss Jazz School in Bern, Switzerland as well as the Berklee College of Music in Boston. Since then, his energetic, contemporary style has won him many accolades throughout Europe and around the world. Ralf regularly performs at the Frankfurt Musik Messe, the largest musical fair in Europe. A tremendously versatile and gifted musician, Ralf is comfortable with all types of music. From pop to jazz, Ralf's repertoire appeals to all age groups. Since 1992 Ralf has been working and touring for Roland Europe as demonstrator and product consultant. He regularly tours Europe, Asia and Canada.

Demo Song List Ric lannone Ric lannone began playing the piano and accordion at the age of two and a half. By the time he was seven, he was performing public and private engagements with his musician father. For more than 20 years Ric has performed and traveled extensively throughout the United States and Europe, delighting audiences with his unique playing style and music arrangements. He is equally comfortable playing the organ, piano or keyboard, as a concert artist and product demonstrator. Rosemary Bailey Rosemary Bailey began playing the piano at the age of five, performing strictly classical music. She soon diversified and incorporated jazz and traditional popular styles in her repertoire. By the time she was nine years old, Rosemary had begun touring throughout the United states. Concurrently, she maintained a weekly radio show, The Rosemary Bailey Show, broadcast from Chicago. Rosemary has performed with many name artists including Victor Borge and Peter Nero as well as the Duke Ellington Orchestra. She was also featured soloist with the Chicago Symphony under the direction of Dr. Leon Stein. At home on electronic as well as pipe organs, her concert schedule has taken her to such countries as Japan, South Africa, Canada, Italy, Spain, England, Holland, Denmark, Portugal, Germany and Australia. Rosemary’s unique arrangements involve the marriage of her classical and popular music A background. Perfect pitch enables her to effortlessly field requests from the audience and adds

spontaneity to all her programs. Rosemary has developed a following of musical devotees wherever she performs and her numerous recordings are sought after by young and old alike. Tony Fenelon Tony Fenelon studied at the Conservatory of Music in Melbourne, Australia under famed teacher Roy Shepard. An internationally acclaimed artist, Tony has completed eighteen major concert tours overseas including the United States, U.K. and Japan. He has released seventeen albums, including four gold records. Tony has also been featured regularly as a solo pianist with the Australian Philharmonic Orchestra and the Australian Pops Orchestra. In June of 2003, Tony learned that he had been awarded the distinction of “Organist for the Year 2002” by the American Theatre Organ Society, and 2004 was awarded the distinction of the Medal of the Order of Australia in Queen Elizabeth’s Birthday Honours List for his contributions in music. Yuri Tachibana Although Yuri Tachibana began playing the piano at age 3, she switched completely to the organ after winning First Prize in an organ competition. She has expanded her work to include a variety of activities, releasing two albums on Columbia Records and performing organ regularly on the “11 PM” TV program for four years. She further contributes articles on a wide range of musical genres, including classical and jazz, is an accomplished arranger, and has published numerous scores. In 2002, she released “Organ Chat” on the King Records label, with all of the album’s songs performed on the Music Atelier. This album has won praise for the unique arrangements and impeccable performances. Currently, Ms. Tachibana not only performs in Japan, she is also active in the U.S., Europe, China, and around the world.

Quick Guide Function Short Cut Screen/Setting Expression Pedal Controller screen/Exp. Curve (Expression Curve) [Bender/Vibrato] lever Controller screen/Bender/Vibrato Upper Keyboard Upper Keyboard screen/After Touch Lower Keyboard Split Point screen Pedalboard Pedalboard screen/PedalBass Mode Ra Foot SEE L ont Sue (Le Foot Switch) R Foot Switch (Right Foot Switch) Damper Pedal Controller screen/Damper Pedal [Solo To Lower] button Split Point screen [Bass Split] button Split Point screen Sustain [Upper] button Upper Keyboard screen/Sustain Length Sustain [Lower] button Lower Keyboard screen/Sustain Length Sustain [Pedal] button Pedalboard screen/Sustain Length While the Quick Guide Rotary [On/Off] button Effect screen/Rotary Color & screen is displayed, & Rotary [Slow/Fast] button | Effect screen/Rotary Speed [Count Down] button Rhythm Options screen/Count Down Sound Upper Voice select buttons Solo Voice select buttons | Upper Keyboard screen [Alternate] button Lower Voice select buttons [Altemnate] button Lower Keyboard screen Pedal Voice select buttons [Alternate] button Pedalboard screen Registration [Write] button | Registration Options screen/Arranger Update screen [One Touch Program] Factory Reset screen button ? [Harmony Intelligence] button Panel Reset screen Song Clear screen [Song] button (If the performance data has never been saved to a floppy disk, the Song Clear screen appears.)

Controller/Function AT-80SL AT-60SL Manual Keyboard Upper keyboard 56 notes (C3 — G7), Lower keyboard 76 notes (E1 - G7) Pedalboard 20 notes (C2 - G3) Touch Response Initial Touch with Sensitivity (10 levels for each Upper and Lower), ter Touch with Sensitivity (10 levels for only Upper) Sound Generator Conforms to GM2/GS/XG Lite Max. Polyphony 192 voices 128 voices Voices . 420 Voices | | | 295 Voices | . (included 31 Active Expression voices) (included 15 Active Expression voices) Upper Part Upper Organ, Upper Symphonie, Upper Orchestral Lower Part Lower Organ, Lower Symphonie, Lower Orchestral Solo Part Solo Pedal Part Pedal Organ, Pedal Orchestral Any two voices can be assigned to each [Others] button. (One for Pedal Organ and Pedal Orchestral [Others] button.) @ Rhythms 222 Rhythms in 10 Groups 182 Rhythms in 10 Groups Disk Rhythm 12 Rhythms 8 Rhythms Music Style Disk MSE, (MSA series; sold separately) can provide additional Music Styles. Rhythm Customize Pattern editing of the internal rhythms (Drum Set, Beat, Tempo, Note) Number of Accompaniment/SMF play voices 226 voices Arranger Function Arranger On/Off, Start/Stop, Sync Start, Intro/Ending, Intro Count Down, Break, Fill In (To Variation, To Original), Style Orchestrator (Basic, Advanced 1, Advanced 2, Full), One Touch Program, Chord Intelligence, Chord Hold, Leading Bass, Auto Standard Tempo Music Assistant 1,600 settings (4 variatoins for each 400 keywords) 1,200 settings (4 variatoins for each 300 keywords) One Touch Program 3,552 settings (16 settings for each rhythm) 2,912 settings (16 settings for each rhythm) Drum/SFX Sets 18 Drum Sets + 1 SFX Set 16 Drum Sets + 1 SEX Set Manual Percussion Sets 14 Sets 7 Sets Master Tuning

415.3 Hz-466.2 Hz (0.1 Hz Steps)

Key Transpose -4— +7 (in semitones) Playback Transpose -24 — +24 (in semitones) Rotary Sound, Chorus, Sustain, Vibrato, Pitch Bend, Glide Effects RSS Reverb Reverb Harmony Intelligence 18 Types 12 Types Registration Memories 12 8

720 K bytes (2DD), 1.44 M bytes(2HD) Songs Max. 99 songs Rated Power Output 10 W +10 W +60 W +60 W 40W +40W + 100 W (low-range) Speaker Full-range (small) 8cmx2 8cmx?2 Full-range (large) 16cmx4 25 cm x2 Woofer 30cmx1 — Display Graphic 320 x 240 dots backlit Color LCD with touch screen Great Staff, G Clef Staff, F Clef Staff Score with note name, with Lyric (Built-in Display) Lyric Yes (Built-in Display, Video Out) Yes (Built-in Display) Pedal Expression Pedal (ready for the Active Expression feature), Damper Pedal Foot Switches 2 pcs. (on the expression pedal, function assignable) Connectors Phones Jack (stereo), Audio Output Jacks (L/mono, R), Audio Input Jacks (L/mono, R), Mic Input Jack, MIDI Connectors (In, Out), Computer Connnector, AC Inlet Aux Out jack, Video Out jack — Power Supply AC 117 V, AC 230 V, AC 240 V | 262

Total 283 lbs 5 0z 240 lbs 5 0z . Owner’s Manual, 3.5 inch micro floppy disk (2HD blank disk), Music Style Disk x 3, Accessories u Power Cord In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.

Calibration ….. Chord Hold … Chord Intelligence Chorus Effect … Connecting Audio Equipment Computer MIDI Devices Copy … Copying Rhythms on Disks into User Memory Rhythms Saved in User Memory to Floppy Disks … Count Down … Count Down Sound Count In Play . Count-In Recording

Damper Pedal … Delete Measure . Delete Track … Deleting Performance Songs … Registrations on a Floppy Disk … Rhythms Stored in User Memory Demo Song . Demo Song List Disk Edit Disk Rhythm Drums/SFX . 115,186

Drums/SFX Set List Drums/SFX Sets .

LCD Contrast Leading Bass Load Next Loading Individual Registration . Performance Songs . Set of Registrations . Loop Recording Lower Hold Lower Voice .

Recording . 143 Each Part Separately 154 Performance 152 Re-Recording . 155 Regist Shift 119 Registration Arranger Update Recalling a Registration Storing Registrations Registrations Created on an Earlier Model Rename Performance Song Registration … Rhythms Stored in User Memory Reverb Effect … Depth of the Reverb Reverb Type … Wall Type Rhythm Rhythm Customize Rhythm List Rotary Effect . Rotary Color Rotary Speed . RSS Reverb …

4 AT-80SL_60SL_e.book 267 K—> 2004#3A23A XMA ÆFAORHS 45 Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. EGYPT A Fanny Trading Office 9, EBN Hagar A1 Askalany Street, ARD El Golf, Heliopolis, Cairo 11341, EGYPT

4 AT-80SL_60SL_e.book 268 —> 2004#3A23A XMA ÆFAORH345 Fr For EU Countries — C This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC. il & € æ @> L 7 @ For the USA This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmiul interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by tuming the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: — Reorient or relocate the receiving antenna. —_ Increase the separation between the equipment and receiver. — Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. — Consul the dealer or an experienced radio/TV technician for help. This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) This device must accept any interference received, including interference that may cause undesired operation. Unauthorized changes or modification to this system can void the users authority to operate this equipment. This equipment requires shielded interface cables in order to meet FCC class B Limit. For Canada [ n This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.