XENYX QX2222USB - Mixer BEHRINGER - Free user manual and instructions

Product type	Mixing console
Brand	Behringer
Model	XENYX QX2222USB
Number of inputs	16 (8 mono + 4 stereo)
Power supply	100-240 V~, 50/60 Hz, 30 W
Fuse	T 1.6A H 250 V
Dimensions (W x D x H)	430 x 370 x 90 mm
Weight	4.3 kg
Equalizer	3-band semi-parametric (Low, Mid, High) + 4-band on stereo channels
Compressor	Built-in on each mono channel
Effects processor	24-bit, 100 presets
USB input	Yes, for PC connection and wireless microphone receiver
Phantom power	+48 V switchable on inputs 3-8 (Jack/XLR)
Main outputs	2 x balanced XLR, 2 x balanced 6.35 mm jack
Auxiliary outputs (AUX)	3 sends and 2 returns (6.35 mm jack)
Headphone outputs	1 x stereo 6.35 mm jack
VU meter	12 segments (LED)
Maintenance and cleaning	Clean with a dry cloth; do not use solvents
Safety	Do not open, do not expose to water or moisture; unplug during storms
Spare parts and repairability	Repair only by a qualified professional; no user-serviceable parts
Included accessories	Power cable, user manual

Frequently Asked Questions - XENYX QX2222USB BEHRINGER

How to adjust the gain of a channel?

Press the channel's SOLO button, adjust the GAIN knob until the VU meter reaches 0 dB on the loudest peaks, then disable SOLO.

How to add an effect to a channel?

Turn the channel's FX knob clockwise. Select an effect via the PROGRAM button on the built-in processor and adjust the FX AUX SEND and FX AUX RETURN sends and returns.

Can I use a Behringer wireless microphone with this console?

Yes, the USB input accepts a USB receiver for Behringer ULM wireless microphones.

How to activate 48V phantom power?

Press the PHANTOM ON switch located on the front panel. This powers inputs 3 to 8 (Jack and XLR) for condenser microphones.

What to do if the CLIP indicator lights up?

The signal is overloaded. Reduce the GAIN or the CHANNEL FADER until the LED turns off.

How to connect the console to a computer?

Connect a USB cable from the console's USB port to the computer. The audio signal can be sent via the USB/2-TR TO MAIN button.

How to adjust the headphone level?

Use the PHONES/CTRL ROOM knob on the front panel. Select the source via the SOURCE buttons (USB/2-TR, SUB, MAIN MIX).

What is the difference between SOLO and PFL modes?

In SOLO mode (MODE button released), the signal is heard after the fader. In PFL mode (button pressed), the signal is taken before the fader, ideal for adjusting gain without affecting the main mix.

How to clean the mixing console?

Use a dry, lint-free cloth. Never use liquid or abrasive products. Disconnect the device before cleaning.

What to do in case of sound problem (no output)?

Check that the console is powered on, the MAIN MIX faders are not at -∞, the channels are not MUTEd, and the cables are properly connected. Consult the troubleshooting section of the manual.

USER MANUAL XENYX QX2222USB BEHRINGER

Quick Start Guide

(Check out behringer.com for Full Manual)

Black-and-white collage of eight black-and-white photos showing a musician performing on stage, music equipment, and a concert with raised hands (no visible text or symbols)

XENYX

QX2222USB/QX1622 USB

Premium 22/16-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, KLARK TEKNIK Multi-FX Processor, Wireless Option and USB/Audio Interface

2 XLNYX OX2ZZ2LS8/OX16ZZ2LS8 Quick Start Guide 3

EN

ES

EN Important Safety Instructions

Terminal marked with this symbol carry electrical current of sufficient magnitude to constitute risk of electric shock. the only high quality professional speaker cables with 15" TS or twist lacking plugs are installed. All other installation or modification should be performed only by qualified personnel.

This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the enclosure—voltage that may be sufficient to constitute a risk of shock.

This symbol, wherever it appears, alerts you to important operating and maintenance instructions in the accompanying literature. Please read the manual.

Caution To reduce the risk of electric shock, do not remove the top cover (or the rear section). No user serviceable parts inside. Refer servicing to qualified personnel.

Caution To reduce the risk of fire or electric shock, do not expose this appliance to rain and moisture. The apparatus shall not be exposed to dripping or splashing liquids and no objects filled with liquids, such as wares, shall be plated on the apparatus.

Caution These service instructions are for use by qualified service personnel only. To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions. Repairs have to be performed by qualified service personnel.

1. Read these instructions.

2. Keep these instructions

3. Herdall warnings.

4. Followall instructions.

5. Do not use this apparatus near water.

6. Clean only with dry cloth.

7. Do not block any ventilation openings. Install in

accordance with the manufacturer's instructions.

1. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

2. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wister than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsores outlet.

3. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they eat from the apparatus.

4. Use only attachments/accessories specified by the manufacturer.

1. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart'apparatus combination to avoid

injury from tip-over.

1. Unplug this apparatus during lightning storms or when unused for long periods of time.

2. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug in damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

3. The apparatus shall be connected to a MUNS socket outlet with a protective earthing connection.

4. Where the MAFS plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.

LEGAL DISCLAIMER

TECHNICAL SPECIFICATIONS AND APPEARANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE AND ACCURACY IS NOT GUARANTED. REHRINGER, KLARK, EIKIK, MUNA, BUGUERA, AND TURBSOUND ARE PART OF THE MUSIC GROUP (MUSIC-GROUP.COM). ALL TRADEMARKS ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS. MUSIC GROUP ACCEPTS NO LIABILITY FOR ANY LOSS WHICH MAY BE SUPERFED BY ANY PERSON WHO RELIES EITHER WHOLLY OR IN PART UP ON ANY DESCRIPTION, PHOTOGRAPH OR STATEMENT CONTAINED HEREIN. COLORS AND SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT. MUSIC GROUP PRODUCTS ARE SOLD THROUGH AUTHORIZED FULLI-FILLERS AND RISSELLERS ONLY FULLI-ILLARDS AND RISSELLERS ARE NOT AGENTS OF MUSIC GROUP AND HAVE ABSOLUTELY NO AUTHORITY

TO BIND MUSIC GROUP BY ANY EXPRESS OR IMPLIED UNDERPARED OR REPRESENTATION. THIS MANUAL IS COPYRIGHTED, NO PART OF THIS MANUAL MAY BE REPRODUCED OR TRANSMITTED IN ANY FORM OR BY ANY MEANS, ELECTRONIC OR MECHANICAL, INCLUDING PHOTOCOPYING AND RECORDING OF ANY KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS WRITTEN PERMISSION OF MUSIC GROUP (P) LTD.

ALL RIGHTS RESERVED. © 2013 MUSK Group IP Ltd. Trident Chambers, Wickhams Cay, P.O. Box 146, Road Town, Tortola, British Virgin Islands.

LIMITED WARRANTY

For the applicable warranty terms and conditions and additional information regarding MUSIC Group's Limited Warranty, please see complete details online at www.music-group.com/warranty.

ES

RESERVADOS TOODS LOS DERECHOS. © 2013 MUSIC Group IP Ltd. Trident Chambers, Wickhams Cay, P.O. Box 146, Road Town, Tortola, British Virgin Islands

GARANTÍA LIMITADA

© 2013 MUSK Group IP Ltd.

Trident Chambers, Wickhams Cay, P.O. Box 146,

GARANTIE LIMITÉE

© 2013 MUSIC Group IP Ltd.

The company, the company, is

BESCHRÄNKTE GARANTIE

In the case of the present study, the results of the present study are presented in Table 1. The results of the present study are presented in Table 2.

10 11XENYX QX2222USB/QX1622USB Quick Start Guide

XENYX QX2222USB/QX1622USB Hook-up

Step 1: Hook-Up
Es Paso 1: Conexión
Etape 1 : Connexions
Schritt 1: Verkabelung
PT Passo 1: Conexões

Anima/natiwalepantala Anastalis strogale/natiwale Anastalis cennemak/natiwale Anima/Kitlerele-Anastalis presenta/bpresente/nitlerele

12 13XLNX QX2220S8/QX16220S8 Quick Start Guide

XENYX QX2222USB/QX1622USB Controls

Step 2: Controls

USB wireless input accepts a USB receiver for use with BEHRINGER ULM wireless microphones.
(2) GAIN knob adjusts the sensitivity of the MIC and/or LINE inputs.
COMP knob adjusts the amount of compression effect on the channel.
4 EQ knobs adjust the high, mid and low frequencies of the channel. Adjust the FREQ knob to select the specific frequency adjusted by the MID knob.
5 AUX knobs adjust how much of the channel's signal routes to the AUX SEND jacks. Press the PRE button when routing the signal to a stage monitor. Use the FX knob to send the channel's signal to the internal multi-FX processor.
[6] PAN/BAL knob positions the channel in the stereo field.
MUTE button mutes the channel.
CLIP LED lights when the channel signal overloads.
☐ CHANNEL FADER adjusts the channel volume.

graph TD
    A["Central Device"] --> B["SLO-1-C"]
    A --> C["MADS-80K"]
    A --> D["SLO-1-C"]
    A --> E["SLO-1-C"]
    A --> F["SLO-1-C"]
    A --> G["SLO-1-C"]
    A --> H["SLO-1-C"]
    A --> I["SLO-1-C"]
    A --> J["SLO-1-C"]
    A --> K["SLO-1-C"]
    A --> L["SLO-1-C"]
    A --> M["SLO-1-C"]
    A --> N["SLO-1-C"]
    A --> O["SLO-1-C"]
    A --> P["SLO-1-C"]
    A --> Q["SLO-1-C"]
    A --> R["SLO-1-C"]
    A --> S["SLO-1-C"]
    A --> T["SLO-1-C"]
    A --> U["SLO-1-C"]
    A --> V["SLO-1-C"]
    A --> W["SLO-1-C"]
    A --> X["SLO-1-C"]
    A --> Y["SLO-1-C"]
    A --> Z["SLO-1-C"]
    A --> AA["SLO-1-C"]
    A --> AB["SLO-1-C"]
    A --> AC["SLO-1-C"]
    A --> AD["SLO-1-C"]
    A --> AE["SLO-1-C"]
    A --> AF["SLO-1-C"]
    A --> AG["SLO-1-C"]
    A --> AH["SLO-1-C"]
    A --> AI["SLO-1-C"]
    A --> AJ["SLO-1-C"]
    A --> AK["SLO-1-C"]
    A --> AL["SLO-1-C"]
    A --> AM["SLO-1-C"]
    A --> AN["SLO-1-C"]
    A --> AO["SLO-1-C"]
    A --> AP["SLO-1-C"]
    A --> AQ["SLO-1-C"]
    A --> AR["SLO-1-C"]
    A --> AS["SLO-1-C"]
    A --> AT["SLO-1-C"]
    A --> AU["SLO-1-C"]
    A --> AV["SLO-1-C"]
    A --> AW["SLO-1-C"]
    A --> AX["SLO-1-C"]
    A --> AY["SLO-1-C"]
    A --> AZ["SLO-1-C"]
    A --> BA["SLO-1-C"]
    A --> BB["SLO-1-C"]
    A --> BC["SLO-1-C"]
    A --> BD["SLO-1-C"]
    A --> BE["SLO-1-C"]
    A --> BF["SLO-1-C"]
    A --> BG["SLO-1-C"]
    A --> BH["SLO-1-C"]
    A --> BI["SLO-1-C"]
    A --> BJ["SLO-1-C"]
    A --> BK["SLO-1-C"]
    A --> BL["SLO-1-C"]
    A --> BM["SLO-1-C"]
    A --> BN["SLO-1-C"]
    A --> BO["SLO-1-C"]
    A --> BP["SLO-1-C"]
    A --> BQ["SLO-1-C"]
    A --> BR["SLO-1-C"]
    A --> BS["SLO-1-C"]
    A --> BT["SLO-1-C"]
    A --> BU["SLO-1-C"]
    A --> BV["SLO-1-C"]
    A --> BW["SLO-1-C"]
    A --> BX["SLO-1-C"]
    A --> BY["SLO-1-C"]
    A --> BZ["SLO-1-C"]
    A --> CA["SLO-1-C"]
    A --> CB["SLO-1-C"]
    A --> CC["SLO-1-C"]
    A --> CD["SLO-1-C"]
    A --> CE["SLO-1-C"]
    A --> CF["SLO-1-C"]
    A --> CG["SLO-1-C"]
    A --> CH["SLO-1-C"]
    A --> CI["SLO-1-C"]
    A --> CJ["SLO-1-C"]
    A --> CK["SLO-1-C"]
    A --> CL["SLO-1-C"]
    A --> CM["SLO-1-C"]
    A --> CN["SLO-1-C"]
    A --> CO["SLO-1-C"]
    A --> CP["SLO-1-C"]
    A --> CQ["SLO-1-C"]
    A --> CR["SLO-1-C"]
    A --> CS["SLO-1-C"]
    A --> CT["SLO-1-C"]
    A --> CU["SLO-1-C"]
    A --> CV["SLO-1-C"]
    A --> CW["SLO-1-C"]
    A --> CX["T-SLO-1-C"]

AC IN accepts the included power cable for connection to a mains outlet.
① POWER ON switch turns the mixer on and off.
PHANTOM ON switch sends 48 V to the XLR inputs for use with condenser microphones.

☐ MULTI-FX PROCESSOR adds a selected sound effect to any channels whose FX knob is turned up. See the Multi-FX Processor section for details.
☐ AUX SENDS adjust the amount of signal sent to a monitor speaker or external effects processor via the AUX SEND Jacks.
[16] AUX RETURNS adjust the amount of signal returning from an external effects processor that is included in the main mix. Use the TO AUX SEND knob(s) to include the effects signal in your monitor mix as well.
SOURCE buttons route the USB/2-TR, SUB, and MAIN MIX to the PHONES and CONTROL ROOM jacks.
USB/2-TR TO MAIN button routes the USB and 2-TRACK signal to the MAIN MID.
[16] PHONES/CTRL ROOM knob adjusts the headphone or studio monitor volume.
19 VU METER displays the MAIN OUTPUT signal level.
☒ MODE button determines whether the channel's SOLO button operates as 'Solo In Place' (button out) or 'Pre-Fader Listen' (button in). PFL is preferred for gain setting purposes.
☑ SUB faders adjust the output of the SUB OUTPUT jacks. Use the LEFT/RIGHT buttons to assign the SUB signal to the left and/or right MAIN MIX.
MAIN MIX faders adjust the overall output of the mixer.

14 15XLNYX QX2ZZZUS8/QX16ZZUS8 Quick Start Guide

XENYX QX2222USB/QX1622USB Controls

15 Paso 2: Controles

XENYX QX2222USB/QX1622USB Getting started

Step 3: Getting started

Front view of a black industrial control panel with multiple buttons and indicator lights (no visible text or labels)

1 Make sure the power to all devices is turned off

2 Connect all the appropriate power, audio and USB cables to the mixer.

3 Set all controls as shown above (EQ and PHL/BIL centered, all others down/off).

5 Set the GAIN for each channel. See the Gain Setting section for details.

6 With the MAIN MIX faders and PHONES/CTRL ROOM knob all the way down, turn your PA system or powered monitors on.

7 Slowly raise the MAIN MIX facers or PHONES/CTRL ROOM knob to desired level.

8 Press the MAIN button on each channel to assign the channel to the MAIN MIX.

9 In: Adjust the relative level of various microphones and instruments by raising each CHANNEL FADER.

10 Adjust the left-right position of a channel in the stereo held if necessary by turning the channel's PAN or BAL knob.

12 For live applications, adjust the overall output from the mixer to the power amp or powered speakers

by raising the MAIN MIX faders. If the red CLIP LEDs on the VU METER light, lower the MAIN MIX faders.

[15] Use the channel AUX knobs and master AUX SEND knobs to send the channel signals to an effects processor oritor connected to the AUX SEND jacks. effects, route the signal back from the to the AUX RETURN jacks.

1 ☑ Press the Channel 1 SOLO button. Press the MODE button next to the VU METER to allow the METER to operate in PFL (pre-fader listen) mode.

2 Sing, speak or play at a normal level through the microphone or instrument connected to Channel 1.

3 While singing or playing, turn Channel 1's GAIN control. The VU METER will display the signal level. Set the GAIN control so that the loudest peaks reach 0 on the VU METER. Press the Channel 1 SOLO button again.

XENYX QX2222/1622USB Multi-FX Processor

☑ Your mixer has a built-in processor. Follow these steps to add an effect to one or more channels.

(23) Turn the FX knob up half-way on each channel to which you would like to add an effect.

(5) Turn the FX AUX SEND and FX AUD RETURN knobs to 0. You may adjust them later.

⑬ Scroll through the effects by turning the PROGRAM knob. The preset name will flash in the display. Press the knob to select the effect.

• After you have selected a preset

(Sep 3), press the PARAM 1/2 button to enter Edit Mode. The LED on the left side of the PARAM 1/2 button will light to indicate parameter 1 is active.

- Turn the PROGRAM knob to adjust the parameter. - After 4 seconds of inactivity, the mixer exits Edit Mode. You can also press the PROGRAM knob to manually exit Edit Mode.

- Repeat the steps, using PARAM 1/2 button to select parameter 2 for editing.

After you have selected a preset, press the PARAM 3/TAP button to enter Edit Mode. Depending on the parameter for the selected effect, the LED will either indicate the A/B value status of the parameter, or blink to show the current BPN/tempo.

• Press the PARAM 3/TAP button to change the parameter A/B status, or press several times in rhythm to set a new BPM/tempo if applicable.
  • After 4 seconds of inactivity, the mixer exits Edit Mode. You can also press the PROGRAM knob to manually exit Edit Mode.

6 Readjust each channel's FX knob to make sure the right amount of effect is added. If the OL (overload) meter

segment lights in the display, turn the FX AUX SEND knob down.

☐ Reajuste la posición del mando FX de cada canal para asegurarse de que sea arladida la cantidad de efectos correcta. Si el segmento OL (sobrecarga) del medidor se ilumina en la pantalla, reduzca la posición del mando FX AUX SEND.
(14) Règlez à nouveau le bouton d'effet FX de chaque voie en fonction du niveau d'effet souhaité. Si la Led de surcharge OL (OverLoad) de l'afficheur de niveau s'allume, baissez le bouton FX AUX SEND.
(3) Stellen Sie den FX-Regler Jedes Kanals so ein, dass der passende Effektanteil hinzugefügt wird. Wenn das OL-Anzeigesegment (Overload) auf dem Display leuchtet, drehen Sie den FX AUX SEND-Regler zurück.

☑ Reajuste cada botão FX de canal para garantir que a quantidade correta de efeito seja adicionada. Se o segmento OL (overload) do medidor acender no mostrador, gire o botão FX AUX SEND para baixo.
7. The FX FOOTSW(Jitch) jack accepts a one-button footswitch for FX bypass, and dual footswitch for bypass and PARAM 3/TAP adjustment (A/B select or tap tempol).
La toma FX FOOTSW acepta un pedal de disparo de un solo botón para el bypass de los efectos, y una pedalera de doble disparador para el bypass y el ajuste PARAM 3/TAP (sección A/B o marcación del tempo).
(2) Le Jack FX FOOT/SIN['itch] accepte un pédalier à un seul contacteur au pied pour le Bypass des effets, et un pédalier à deux contacteurs pour le Bypass et le réglage PARAM 3/TAP (sélection A/B ou Tap Tempe).
In! Die FX FOOTSW(Itch)-Buchse akzeptiert einen 1-tastigen Fußschalter für FX-Bypass und einen 2-tastigen Fußschalter für Bypass und die PARAM 3/TAP-Einstellung (4/8 wählen oder Tempo eintippen).
(II) 0 jack FX FOOTSW/(ntch) aceita um pedal de um botão para FX bypass, e pedal duplo para bypass e ajuste PARAM 3/TAP (A/B select ou tap tempo).
ET Reajuste cada botão FX de canal para garantir que a quantidade correta de efeito seja adicionada. Se o segmento OL (overload) do medidor acender no mostrador, gire o botão FX AUX SOND para baixo.

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24 25XLMYX/QX2222JSB/QX1622JSB Quick Start Guide

Multi-FX Processor Preset Chart

#	Preset Name	Param. 1	Range	Param. 2	Range	Param. 3/TAP	Range(LED indication)
01 - 34 REVEER A - NATIONAL LARGE WALLS
01	CHIKIN	Decay Time	1.00 to 10.00	Recent Shape	1 to 30	Dumping	2405 width /BRECHT (out)
02	CONCEPT WALL 1	Decay Time	0.50 to 5.00	Cruses	1 to 30	Dumping	2405 width /BRECHT (out)
03	CONCEPT WALL 2	Decay Time	1.00 to 1.00	Early Next, Next	2 to 12	Dumping	2405 width /BRECHT (out)
04	THEATER	Decay Time	0.50 to 5.00	Depth	0 to 9	Dumping	2405 width /BRECHT (out)
05 - 34 REVEER B - NATIONAL SMALL DOGNS
05	ROOM 1	Decay Time	0.50 to 1.00	Density	0 to 100	Dumping	2405 width /BRECHT (out)
06	ROOM 2	Decay Time	0.50 to 2.50	Pre Delay	0 to 50	Dumping	2405 width /BRECHT (out)
07	ROOM 3	Decay Time	0.50 to 10.00	Pre Delay	0 to 250	Position	FIRK1/1 (WT; FIRK1 (out))
08	CAWDER	Decay Time	0.50 to 3.00	Room Size	1 to 30	Dumping	2405 width /BRECHT (out)
09 - 35 REVEER C - SPECIAL DENTERS
09	VANILLA DIGITAL ROLLAR	Decay Time	0.40 to 4.50	High Spring Dumping	X 0.25, X 1.15, X 5.00, Max	Out Select	ROHR (out); FROHT (out)
10	FLUCT ROUTE 1	Decay Time	0.5 to 1.00	Pre Delay	3 to 40	Dumping	2405 width /BRECHT (out)
11	FLUCT ROUTE 2	Decay Time	0.5 to 4.70	Pre Delay	0 to 40	Dumping	2405 width /BRECHT (out)
12	SPRING ROUTE	Decay Time	1.5 to 4.20	Pre Delay	0 to 150	Type	MUTAGE (out);MUTDRI (out)
13	GATEOR/PEAF 1	Decay Time	7 to 12	Pre Delay	0 to 450	Type	MIL-2/2/2/2;CARP (out)
14	GATTOR/PEAF 2	Decay Time	1 to 20	Pre Delay	2 to 30	Dumping	2405 width /BRECHT (out)
15	REACHS/PEAF 3	Decay Time	7 to 20	Pre Delay	2 to 30	Dumping	2405 width /BRECHT (out)
16 - 38 RELAY / SUBMITT
16	DELAY	Feedback	7 to 100	Noise, Fungprop. Spread	Delay Terms	7 to 100(clink or tempus)
17	ECN	Feedback	7 to 100	Dumping	7 to 30	Echo Terms	7 to 100(clink or tempus)
18	AMERICAN	Room Size	1 to 10	Tal Gain	0 to 100	Dumping	2405 width /BRECHT (out)
19	EARTY PERI ECON	Room Size	1 to 10	Diffuser	1 to 20	Dumping	2405 width /BRECHT (out)
20 - 22 MOUNTIONS
20	CROSS	Depth	-20 to +25	LFD Speed	0.05 to 5.00	LFD Waveform	TRAVELLE (out),SWE (out)
21	FLANGE	Depth	-20 to +30	Reservoir	-100 to +100	Max Terms	5 to 400(clink or tempus)
22	FIXCER	Depth	-20 to +25	Reservoir	1 to 50	Max Terms	5 to 100(clink or tempus)
23	MINTIC PANE / TEMPLET	Depth	100 to +100	LFD Waveform	Triangle, Square, Square	Max Terms	5 to 100(clink or tempus)

#	Preset Name	Param.1	Range	Param.2	Range	Param.3/TAP	Range(LED indication)
24 - 26 OUTPUT FITCH
24	DHTRF	Balance	50 to -91	PreDelay	2 to 300	Sampling	BHX, 50/7,BHX/1 ton
25	PTCH/SHIFTR 1	Mono Safe	12 to 12	PreDelay	2 to 300	Balance	2 inch / 120 inch
26	FITCH SWITCH 2(PWM)	Kite Shift A	-12 to +12	Kite Shift B	-12 to -12	Severe Spread	BHW/7W, 5W, 7WDE (mm)
27 - 28 COMMITTEE
27	DLYT + DLYRLS	Delay >Chronic Balance	-5 to +50	Chronic Depth	-20 to -20	Delay Tempo	75 to 500MHz (rpm)
28	DLYT + DLYRHS	Delay >Chronic Balance	-5 to +50	Eventual Delay	1.00 to 1.01	Delay Tempo	114 to 900MHz (rpm)
29	CHSBS = CHESB	Chronic >Chronic Balance	-5 to +50	Eventual Delay	1.00 to 5.01	Chronic Depth	5077 [mV] / DLD [cm]
30 - 32 OUTPUT FE
32	LED/ON PASS FILTER	Depth	20 to .20	ResistANCE	1 to 10	LED Tempo	5 to 400MHz (rpm)
31	TALBOX	Noise 1	A, E, I, O, U	Yesed 2	A, E, I, O, U	LED Tempo	5 to 400MHz (rpm)
32	CLIPPER DISTORT ON	Uniform	1 to 10	Ion Gate Filter	5.0 to 50.0	Sampling	BHX, 50/7,BHX/1 ton

26 XLNYX QX2222USB/QX1522USB Quick Start Guide 27

EN

Specifications

QX2222USB QX1622USB

Micro/micro
Microphone inputs (02W/15.0 micro)	E	I
Time XLR connector, balanced, discrete input circuit
Mic E.I.R. (200 Hz - 20 kHz)
≥ 0% source midline - 13 dB > -110 dB × weighted
≥ 50% source midline - 12 dB > -113 dB × weighted
≤ 100% source midline - 19 dB > -111 dB × weighted
Frequency response (-1 dB)	<10 Hz - 150 dBz (>1 dB)
Frequency response (-3 dB)	<10 Hz - 200 dBz (>3 dB)
Gain range - 12 dB to -40 dB
Max. input level = 12 dBu/-10 dB gain
Impairance 2 kΩ balanced
Signal-to-noise ratio	10% dB < 10% dB × weighted(2 dB in μg) + 12 dB gain	12% dB < 110 dB × weighted(2 dB in μg) + 22 dB gain
Distortion THU+HI	0.25% - 10.00% × 8-weighted
Plantion power	Switchable, +/−7
Site layout
Type	3" THS connector balanced
Importance	25 kΩ balanced, 10 dB × weighted
Gain range	-10 dB to +10 dB
Max. input level	3 dB

Frequency Response (Hz in - / Main Unit)
<10 kHz - 185 kHz	+2 dB
Stance Inputs
Type	4×6" TMS connector, balanced
Importance	25 kHz balanced, 70 ≤ non-optimized
Gain range	-20 dB to +20 dB
Max. input level	+2 dB/s
2-Trackin
Type	30A connector
Importance	10 kΩ
Max. input level	+2 dB/s
Equation 3-band	Equalizer 3-band unit-parametric
Low	80 Hz r = 15 dB
AVI Voltage 100 Hz - 8 kHz	±15 dB
High	12 kHz ±15 dB
Equation 4 Band Fixed
Low	80 Hz r = 15 dB
Low mid	300 Hz r = 15 dB
High mid	14 kHz r = 15 dB
High	12 kHz r = 15 dB
Output Inserts
Type 4" TIS connector, unbalanced
Max. input level	+2 dB/s
AIDS Bands
Type	3 x 10" TIS connector, balanced	2 x 10" TIS connector, balanced
Importance	132 n
Max. output level	+2 dB/s

0X2222U5B 0X1622U5B

AUX returns
Type	3 x 14 TBS correction, balanced	2 x 14 TBS correction, balanced
imporience	20x5 balanced, 10 kg balanced
Visa, output based	+2.0 fl/s
Main Output
Type	ALL, balanced
imporience	2400 balanced, 125 gm balanced
Visa, output based	+2.0 fl/s
Control Room Target
Type	No TBS correction, balanced
imporience	120 fl/s
Visa, output based	+2.0 fl/s

Type N° 100 connector, unbalanced
impedance	25Ω
Max. output level	(24 dBm / (90Ω), 25 dBm)
3-Noise free
Type	HLS connector
impedance	14Ω
Max. output level	(32 dBm)
RIF
Type	IC AMI 10000C
Converter	24 bit Sigma Beta
	64/728 times overcomping
Sampling rate	40/Hz

Micro Input
USB Origin	Accepto signals from 2 independent Behring ULM risks
Main Micro System Data Network
Main micro channel	100 dB - 105 dB	100 dB - 105 dB
Subder - - -	A-weighted	A-weighted
Main micro (GB) channel	-85 dB - 60 dB	-88 dB - 91 dB
Subder - - -	A-weighted	A-weighted
Main micro (GB) channel	-75 dB - 80 dB	-92 dB - 85 dB
Subder - - -	A-weighted	A-weighted

Power Supply
Moles voltage	100 - 240 V~, 50-860 Hz
Power consumption	50 W
Power (10Ω, 200V~50Ω) Hz	1.1-6.8 A 350 V
Moles connector	Standard IEC receptacle
USB
Connector	Type B
Audio	Stemere/Invert
Connector	16-Bio
Sample rate	48 Hertz

Physical Weight
Dimensions (M x D x °)	16.9 x 14.6 x 1.5432 x 170 x 50 mm	12.8 x 13.7 x 1.5325 x 146 x 90 mm
Weight	10.6 lbs / 4.8 kg	3.7 lbs / 3.5 kg

Equalizer 4-Band, Fast
Low	30 lb / ±15 dB
Low Mid	500 Hz / ±15 dB
High Mid	3 kHz / ±15 dB
High	12 kHz / ±15 dB

Basel Inserts
typ	6,3 mm Kirfen-Andrachus, unsymenzen
Max. Angangszugel	1,2700
RUMSeds
typ	2x6,3 mm Kirfen-Andrachus, symmenlich	2x6,3 mm Kirfen-Andrachus, symmenlich
Impedanz	1.00

OX2222USB OX1622USB

Other important information

Important Information

Informations Importantes

Responsible Party Name: MUSIC Group Services US Inc.

Address: 18912 North Creek Parkway,

Suite 200 Bothell, WA 98011,

USA

Phone/Fax No.: Phone: [phone]

Fax: [phone]

XENYX QX2222USB/QX1622USB

complies with the FCC rules as mentioned in the following paragraph:

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the RCE Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna

• Increase the separation between the equipment and receiver

- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected

• Consult the dealer or an experienced radio/TV technician for help

This device complies with Part 15 of the FCC rules. Operation is subject to the following two conditions:

(1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

Important information:

Changes or modifications to the equipment not expressly approved by MUSIC Group can void the user's authority to use the equipment.

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