DTCZE700 - Cassette tape SONY - Free user manual and instructions

USER MANUAL DTCZE700 SONY

3-858-189-11(1) WARNING To prevent fire or shock hazard, do not expose the unit to rain or moisture. To avoid electrical shock, do not open the cabinet. Refer servicing to qualified personnel only. For the customers in the United States Welcome! Thank you for purchasing the SonyDigital Audio Tape Deck. Beforeoperating the unit, please read thismanual thoroughly and retain it forfuture reference.The DTC-ZE700 has the followingfeatures:• High-density linear convertersA pulse A/D converter that producesclear, elegant sound quality andtheoretically zero cross distortion, anda pulse D/A converter with a newlydeveloped digital filter and a fullfeedforward format that reducesquantizing noise in the audiblebandwidth, thus expanding the rangeof spatial expression.• SBM (Super Bit Mapping) function(see page 21)• The Serial Copy Management System(see page 22)• Three sampling frequencies (48 kHz,44.1 kHz, 32 kHz)• Recording and playback in long-playmode.• Analog recording at 44.1 kHz• Sub codesStart IDs, program numbers and othersub codes written to the tape allowyou to locate tracks quickly.• See-through cassette compartment lidA see-through cassette compartmentlid that allows you to view tapeoperations during playback andrecording. About This Manual The instructions in this manual are forDTC-ZE700. Conventions Instructions in this manual describe thecontrols on the deck.The following icons are used in thismanual: Indicates useful information ortips that make a task easier. Indicates a task that requires useof the remote. INFORMATION This equipment has been tested andfound to comply with the limits for aClass B digital device, pursuant toPart 15 of the FCC Rules.These limits are designed to providereasonable protection against harmfulinterference in a residentialinstallation. This equipmentgenerates, uses, and can radiate radiofrequency energy and, if not installedand used in accordance with theinstructions, may cause harmfulinterference to radio communications.However, there is no guarantee thatinterference will not occur in aparticular installation. If thisequipment does cause harmfulinterference to radio or televisionreception, which can be determinedby turning the equipment off and on,the user is encouraged to try tocorrect the interference by one ormore of the following measures:— Reorient or relocate the receivingantenna.— Increase the separation betweenthe equipment and receiver.— Connect the equipment into anoutlet on a circuit different fromthat to which the receiver isconnected.— Consult the dealer or anexperienced radio/TV technicianfor help. CAUTION You are cautioned that any changesor modifications not expresslyapproved in this manual could voidyour authority to operate thisequipment. For the customers in Canada CAUTION TO PREVENT ELECTRIC SHOCK,DO NOT USE THIS POLARIZED ACPLUG WITH AN EXTENSIONCORD, RECEPTACLE OR OTHEROUTLET UNLESS THE BLADESCAN BE FULLY INSERTED TOPREVENT BLADE EXPOSURE.This symbol is intended to alert the userto the presence of uninsulated“dangerous voltage” within theproduct’senclosure that may be of sufficientmagnitude to constitute a risk of electricshock to persons.This symbol is intended to alert the userto the presence of important operatingand maintenance (servicing) instructionsin the literature accompanying theappliance. Owner’s Record The model and serial numbers arelocated on the rear of the unit.Record the serial number in the spaceprovided below. Refer to themwhenever you call upon your Sonydealer regarding this product.Model No. DTC-ZE700Serial No.3

Getting Started Unpacking 4 Hooking Up the System 4 Recording on a DAT 6 Playing a DAT 8 Recording Operations Things You Should Know Before Recording 9 Adjusting the Recording Level for Analog Recording 10 Locating the End of the Recorded Portion (End Search) 10 Setting the Recording Mode 11 Using the SBM (Super Bit Mapping) Function 11 Inserting a Sound-Muted Section While Recording (Record Muting) 12 Recording Using a Timer (Timer Recording) 12 Playback Operations About the Display 13 Locating a Track (AMS/Direct Access) 14 Playing Tracks Repeatedly (Repeat Play) 14 Playback Using a Timer (Timer Playing) 15 Writing Sub Codes About Sub Codes 15 Writing Start IDs During Recording 15 Writing Start IDs During Playback 16 Adjusting the Position of an Existing Start ID 17 Erasing Start IDs 17 Renumbering the Program Numbers Automatically (Renumbering) 18 Additional Information Precautions 18 Cleaning 19 Display Messages 19 Troubleshooting 20 Specifications 21 SBM (Super Bit Mapping) Function 21 Guide to the Serial Copy Management System 22 Index 244

COAXIALIN IN OUTOPTICALANALOG IN/OUTDIGITAL IN/OUT

OUT Unpacking Check that you have received the following supplied items:

• Pin-plug audio connecting cords (2)

• Operating instructions (1)

• Warranty card (Canadian model only) (1) Inserting batteries into the remote Insert two size-AA(R6) batteries, matching the + and – on the batteries with the markings inside the battery compartment. Getting Started Hooking Up the System This section describes how to hook up your deck to an amplifier, CD player, MD deck, or other audio components. Be sure to turn off the power to each component before making the connections. to a wall outlet What cords will I need?

• Audio connecting cords (supplied) (2)

• Optical cables (POC-15 etc.) (not supplied) (2)

• Coaxial digital connecting cable (VMC-10G etc.) (not supplied) (1) White (L) Red (R) White (L) Red (R) z When to replace the batteries With normal use, batteries should last for about 6 months. When the remote no longer operates the deck, replace both batteries. Notes

• Do not leave the remote near an extremely hot or humid place.

• Do not drop any foreign matter into the remote casing, particularly when replacing the batteries.

• Do not expose the remote sensor to direct sunlight or illumination as doing so may cause malfunction.

• When not using the remote for an extended period of time, remove the batteries to avoid possible damage from battery leakage and corrosion. Amplifier etc. CD player, DAT deck, or MD deck, etc. CD player, DAT deck, or MD deck, etc. CD player, DAT deck, or MD deck, etc. ç: Signal flowBasic Operations

COAXIALDIGITAL IN/OUTCOAXIAL

COAXIALDIGITAL IN/OUTOPTICALIN OUT

Hookups p Connecting the deck to an amplifier Use the supplied audio connecting cords to connect the deck to an amplifier. Be sure to match each color-coded plug to the appropriate jack: red (right) to red and white (left) to white. To prevent hum and noise, be sure the connections are firmly made. Note If “PROHIBIT” appears in the display, recording through the digital jack is not possible. In this case, set the INPUT switch to ANALOG and record the program source through the ANALOG IN jacks. Connecting the AC power cord Connect the AC power cord to a wall outlet. Where do I go next? Now you’re ready to use your deck. For basic operations, go to pages 6 to 8; for advanced operations, go to the sections starting from page 9. DAT deck Amplifier z When recording with a microphone Connecting the analog output jakcs on the stereo microphone amplifier to the ANALOG IN jacks of the deck. p Connecting the deck to a digital audio component A digital audio signal from a digital audio component such as a digital amplifier, DAT deck, CD player, MD deck or BS tuner can be recorded on the DAT deck by connecting the digital output connectors on the component to the digital input connectors (DIGITAL OPTICAL IN or DIGITAL COAXIAL IN) on the deck. A digital audio signal from the deck can be recorded by connecting the digital output connector (DIGITAL OPTICAL OUT) on the deck to the digital input connector on a digital audio component such as a digital amplifier, DAT deck or MD deck. Use optical cables (POC-15A or equivalent) (not supplied) or a coaxial digital connecting cable (VMC-10G or equivalent) (not supplied).

• Connection with optical cables DAT deck Digital audio component

• Connection with coaxial digital connecting cable Digital audio component DAT deckBasic Operations

OFF L R Recording on a DAT Basic Operations See pages 4 and 5 for hookup information.

Turn on the amplifier and play the program source you want to record.

Press OPEN/CLOSE § and insert a cassette. OPEN/CLOSE OPEN/CLOSE

Close the cassetteholder by pressingOPEN/CLOSE §.

Set INPUT to the corresponding input connector. To record through Set INPUT to ANALOG IN ANALOGDIGITAL OPTICAL IN OPTICALDIGITAL COAXIAL IN COAXIALWindow side upInsert the cassettebeyond the silver bar.7

Locate the position where you want to start recording. To record from the beginning of the tape Press 0 to rewind the tape to its beginning. To record from the end of the recorded portion 1 Press 0 to rewind the tape to its beginning. 2 Press ). The deck locates the end of the recorded portion on the tape and stops automatically.

Press r REC. The deck becomes ready to record.

When recording the analog input signal, adjust the recording level with REC LEVEL. The recommended recording level is 3. For details, refer to “Adjusting the Recording Level for Analog Recording” on page 10.

Start playing the program source. When the tape reaches the end, the deck rewinds it automatically to its beginning and stops (Auto Rewind).

Press Stop recording Pause recording P. Press the button again to resume recording.

Recording is impossible (the hole is open). Recording is possible (the hole is closed). Take out the cassette To prevent accidental erasure Slide the record-protect tab to the left as shown in the illustration below. OPEN/CLOSE § after stopping recording z If “UNLOCK” appears in the display The program source is not connected to the deck properly or is not turned on. Make sure that the program source is properly connected or turned on.Basic Operations

Turn on the amplifier and set the source selector to the position for DAT.

Press OPEN/CLOSE § and insert a cassette. See pages 4 and 5 for hookup information. z To use headphones Connect them to the PHONES jack. Use PHONE LEVEL to adjust the volume. Playing a DAT OPEN/CLOSE OPEN/CLOSE

Press ·. The deck starts playing. Adjust the volume on the amplifier.

Window side up To Press pStop playing Go to the next track ± Go to the preceding track

Fast-forward or rewind Fast-forward or rewind while monitoring the sound ) or 0 when the deck is stopped ) or 0 during playback. Release the button to resume normal playback. Take out the cassette OPEN/CLOSE § after stopping playing Close the cassette holder by pressing OPEN/CLOSE §. Insert the cassette beyond the silver bar.9

Absolute time codes Absolute time codes indicate the elapsed time from the beginning of the tape. These codes are automatically recorded. Note that once recorded, absolute time codes cannot be re-written. For accurate recording of absolute time codes

• If the tape is blank, make sure to start recording from the beginning of the tape.

• Use Record Muting (see page 12) to insert spaces between tracks. Do not advance the tape with the · or ) button.

• To start recording from the middle of a tape, use End Search (see page 10) to locate the end of the recorded portion. This will prevent the creation of blank sections. If “EMPHASIS” appears in the display The deck is recording a digital signal with emphasis (in the higher frequencies). The recording will also contain the same emphasis. If the deck is left in recording pause for more than 10 minutes Recording pause will be released automatically, the deck will stop and “SOURCE” will appear in the display. To resume recording, press r REC. The deck will change to recording pause. When using a new tape Before you record on a new tape, we recommend that you fast forward the whole tape and then rewind to the beginning to make the tape reel smoothly. Recording Operations For basic recording operations, see pages 6 and 7. Things You Should Know Before Recording The difference between a blank section and a sound-muted section The deck distinguishes between two kinds of silent sections, which are respectively called a “blank section” or “sound-muted section”. Blank section This is a section on which no signal has ever been recorded. Sound-muted section This is a section on which a signal has been recorded but at a level that is not audible. Important Make sure no blank sections are created while you are recording. The existence of blank sections within recorded material will make search operations using the ≠/± buttons impossible or destroy the continuity of the absolute time codes. z If you press the r REC button while in a blank section The deck automatically rewinds the tape to the beginning of the blank section and changes to recording pause (except during Timer Recording). a): Recording b): Track a): Recording b): Track b) b) b) b) b) b) b) b)

Adjusting the Recording Levelfor Analog RecordingBefore you start recording an analog source throughANALOG IN, set INPUT to ANALOG and adjust therecording level. 1 Do steps 1 to 6 of “Recording on a DAT” on pages 6 and 7. 2 Play the portion of the program source with the strongest signal level. 3 While monitoring the sound, turn REC LEVEL to adjust the recording level so that the peak levelmeters are at maximum level without entering theOVER (red) range.The segments of the peak level meterscorresponding to the maximum signal strengthremain lit longer than normal.The MARGIN indication shows the marginbetween maximum signal strength and 0 dB,changing each time a stronger signal.If the level exceeds 0 dB The segments under “OVER” light up, and “0.0 dB” flashes in the display. If these segments light steadily, sound distortion may occur. To avoid this, keep the recording level between –12 dB and 0 dB. To reset the margin indication Press MARGIN RESET. The margin indication changes to “- - dB”. 4 Stop playing the program source. 5 To start recording, press P or ·, then start playing the program source.Locating the End of theRecorded Portion (End Search)End Search detects a blank section longer than 9seconds, then automatically rewinds the tape to theend of the recorded portion, then stops.Use End Search to start recording from the end of therecorded portion without creating a blank section onthe tape. 1 With the deck stopped, press 0 to rewind the tape to the beginning . 2 Press ). The deck locates the end of the recorded portion,then stops.The deck stops at the beginning of any blanksection that is 9 seconds or longer, or fast-forwardsto the end of the tape if the tape is blank. z If you press the r REC button while in a blank section The deck automatically rewinds the tape to the beginning of the blank section and changes to recording pause. “BLANK” and “WAIT” appear in the display while the deck is searching for the beginning of the blank section. Notes

• End Search does not operate if you press the ) button while in a blank section.

• If the tape is blank, the deck merely fast-forwards to the end of the tape. Maximum level MARGIN indication Remains unlit11

Recording Operations 3-858-189-12(1) z The counter in long-play mode The displayed tape running time, absolute time and remaining time on the tape are for standard-play mode. Double the time to obtain the corresponding times for long-play mode. Note Do not change the INPUT or REC MODE setting while recording. This may cause an error in the “PGM TIME” (playing time of the track) display. Setting the Recording Mode You can select either of two recording modes— standard or long—in the following cases:

• When recording an analog input signal with the INPUT switch set to ANALOG

• When recording a digital input signal with a sampling frequency of 32 kHz with the INPUT switch set to OPTICAL or COAXIAL REC MODE PHONESREC MUTE REC AMS MODE RESETRESETERASEWRITEREHEARSALRENUMBER AUTO MARGINOFFREC PLAYTIMERPOWER

Set REC MODE to select the recording mode. Long play (32 kHz) The following table shows the selectable recording modes and corresponding REC MODE position and sampling frequency for various input signals. Input signal REC MODE position Recording mode Analog STANDARD (48 kHz) Standard play (48 kHz) Standard play (44.1 kHz) STANDARD (44.1 kHz) Long play (32 kHz) Digital (32 kHz) STANDARD (48 kHz) LONG Standard play (32 kHz) STANDARD (44.1 kHz) LONG Digital (44.1 kHz) STANDARD (48 kHz) STANDARD (44.1 kHz) LONG Digital (48 kHz) STANDARD (48 kHz) STANDARD (44.1 kHz) Standard play (44.1 kHz) (Standard play only) LONG Standard play (48 kHz) (Standard play only) The recording time in long-play mode (the REC MODE switch set to LONG) is twice as long as standard-play mode. SBM PHONESREC MUTE REC AMS MODE RESETRESETERASEWRITEREHEARSALRENUMBER AUTO MARGINOFFREC PLAYTIMERPOWER

Using the SBM (Super Bit Mapping) Function You can use the SBM function to record on analog input signal only when the INPUT switch is set to ANALOG and the REC MODE switch to STANDARD (either 48 kHz or 44.1 kHz). For details on the SBM function, see “SBM (Super Bit Mapping) Function” on page 21. Set SBM to ON. “SBM” appears in the display during recording using the SBM function. To turn the SBM function off Set SBM to OFF.12

OPEN/CLOSE ANALOG OPTICAL COAXIAL

Inserting a Sound-Muted Section While Recording (Record Muting) Use Record Muting to insert a space of about 4 seconds between tracks. This is recommended if you plan to copy the DAT tape to an analog audio cassette tape since the spaces will allow you to use automatic search functions to locate the beginning of each track. When you start recording from the beginning of a blank tape and want to insert a space before the first track, be sure to create a sound-muted section using Record Muting only. Do not advance the tape with the ) or · button since this will create a blank section on the tape (see page 9). 1 Press REC MUTE R where you want to insert a space while the deck is recording or in recording pause. The deck creates a sound-muted section as “REC” flashes in the display. After the sound-muted section is completed, “REC” lights up and the deck changes to recording pause. To insert a blank space longer than 4 seconds Hold down REC MUTE R as long as you want. When you release the button, the sound-muted section ends and the deck changes to recording pause. If you keep the button pressed longer than 4 seconds, “REC” will begin to flash more quickly and the time elapsed after pressing the REC MUTE R button is shown in the display. When you release the REC MUTE R button, P in the display stays on and the deck changes to recording pause. 2 Press P or · to resume recording. The deck starts recording again. Note If you do not create a sound-muted section at the beginning of a tape, you may not be able to move or erase a start ID (see page 15) that is recorded within 2 seconds from the beginning of the tape. Recording Using a Timer (Timer Recording) By connecting a timer (not supplied) to the deck, you can start and stop recording operations at specified times. For further information, refer to the instructions that came with the timer. 1 Do steps 1 to 7 of “Recording on a DAT” on pages 6 and 7. 2 • To specify the time for the start of recording, press p.

• To specify the time for the end of recording, do steps 8 and 9 of “Recording on a DAT” on page

• To specify the time for the start and end of recording, press p. 3 Set TIMER on the deck to REC. 4 Set the timer as required.

• When you have set the time for the start of recording, the deck turns off. When the specified time arrives, the deck turns on and after about 10 seconds starts recording.

• When you have set the time for the end of recording, the deck continues recording, then when the specified time arrives, the deck stops recording and turns off.

• When you have set the time for both the start and end of recording, the deck turns off. When the starting time arrives, the deck turns on and after about 10 seconds, recording starts. When the ending time arrives, the deck stops recording and turns off. 5 After using the timer, set TIMER on the deck to OFF. Notes

• If the TIMER switch is left at the REC position, the deck will automatically start recording when you turn on the deck next time.

• During Timer Recording (i.e., when the TIMER switch is set to the REC position), Auto Rewind (see page 14) will not function even if the tape ends during recording. This is to prevent previously recorded material from being recorded over.13

OPEN/CLOSE ANALOG OPTICAL COAXIAL REC LEVEL INPUT 48 kHz

Playback Operations For basic playback operations, see page 8. About the Display You can use the display to show the following types of time information:

• playing time of the track

• remaining time on the tape

• tape running time Showing the absolute time, playing time of the track, remaining time on the tape, and tape running time. Press MODE (or COUNTER MODE on the remote). Each time you press the button, the displayed information changes as follows. Remaining time on the tapePlaying time of the trackAbsolute timePressPress

In the case of premastered DAT, theremaining time is to the end of therecorded portion.Press Tape running timePress To reset the tape running time Press RESET (or COUNTER RESET on the remote). Notes

• When playing certain types of premastered tapes, “BB”may appear momentarily in the display at the beginningof the tape.• The playing time of the track does not appear in thefollowing cases— When you start playing from the middle of the track— During rewinding• In standard-play mode, the remaining time on the tapeappears about 16 seconds after you start playing.• The displayed remaining time may vary somewhat fromthe actual remaining time, depending on the tape. If “EMPHASIS” appears in the display The deck is playing an audio signal recorded with emphasis (in the higher frequencies). The deck, however, plays the signal while automatically deemphasizing it (with attenuation proportional to the degree of emphasis).14

OPEN/CLOSECOUNTERREPEAT132RESETMODE

Locating a Track (AMS*/Direct Access) You can locate the tracks in a number of ways, but only after you have recorded start IDs on the tape (see pages 15 to 18). To use Direct Access, program numbers must be recorded on the tape (see pages 15 and 18). To locate

• AMS = Automatic Music Sensor. z If you enter the wrong program number during Direct Access

If you haven’t pressed the ( (or · on the deck) button, press CLEAR on the remote, then enter the correct number. If you have already pressed the ( (or

• on the deck) button, pressing the CLEAR button will not erase the wrong program number. Stop the deck and reenter the program number. z If the deck detects a blank section of 9 seconds or more, or the end of the tape The deck rewinds the tape automatically to its beginning and stops (Auto Rewind). z You can make the deck start playing automatically from the beginning of the tape after rewinding Press · while holding down 0. Playing Tracks Repeatedly (Repeat Play) Z You can play a specific track or all the tracks on the tape repeatedly. Playing all tracks repeatedly Press REPEAT repeatedly while playing a track until “REPEAT” appears in the display. The deck will then play back all tracks until it detects the end of the last track, which may be: — a blank section of 9 seconds or more — the end of the tape When the deck detects either of the above, it rewinds the tape to beginning and plays back all tracks again. The deck repeats this cycle up to 5 times, then automatically stops. To stop playing all tracks repeatedly Press REPEAT repeatedly until “REPEAT” disappears. Note Repeat Play of all tracks is canceled when you take out the cassette. Playing a track repeatedly Press REPEAT repeatedly while playing the track that you want until “REPEAT 1” appears in the display. The deck will then play back the track until its end, which may be: —the next start ID —a blank section of 9 seconds or more —the end of the tape When the deck detects any of the above, it rewinds the tape and starts playing from the start ID of the same track again. The deck repeats this cycle up to 5 times, then automatically stops. To stop playing a track repeatedly Press REPEAT repeatedly until “REPEAT 1” disappears. Note Repeat Play of a single track is canceled when you take out the cassette. Press The beginning of the next or succeeding tracks (AMS) ± as many times as you want while playing. For example, to locate the second track ahead, press twice. The beginning of the current track(AMS) ≠ once while playing The beginning of preceding tracks (AMS) ≠ as many times as you want while playing. For example, to locate the second track behind, press three times. 1 Enter the program number of the track with the number buttons. 2 Press ( (or · on the deck). By specifying the program number of a track (Direct Access) Z PHONES REC MUTE REC AMS MODE RESET RESETERASEWRITE REHEARSALRENUMBER AUTO MARGIN OFFREC PLAY TIMER POWER

OPEN/CLOSE ANALOG OPTICAL COAXIAL REC LEVEL INPUT 48 kHz

OPEN/CLOSE ANALOG OPTICAL COAXIAL

Playback Using a Timer (Timer Playing) By connecting a timer (not supplied) to the deck, you can start and stop playback operations at specified times. For further information, refer to the instructions that came with the timer. Playback Operations 1 • To specify the time for the start of playing, do steps 1 to 3 of “Playing a DAT” on page 8.

• To specify the time for the end of playing, do steps 1 to 4 of “Playing a DAT” on page 8.

• To specify the time for the start and end of playing, do steps 1 to 3 of “Playing a DAT” on page 8. 2 Set TIMER on the deck to PLAY. 3 Set the timer as required.

• When you have set the time for the start of playback, the deck turns off. When the specified time arrives, the deck turns on and after about 10 seconds starts playing.

• When you have set the time for the end of playback, the deck continues playing, then when the specified time arrives, the deck stops playing and turns off.

• When you have set the time for both the start and end of playback, the deck turns on. When the starting time arrives, the deck turns on and after about 10 seconds, playback starts. When the ending time arrives, the deck stops playing and turns off. 4 After using the timer, set TIMER on the deck to OFF. About Sub Codes In the DAT format, sub codes (i.e., control codes such as start IDs and program numbers) can be written on the tape along with the audio signal. These sub codes allow you to use AMS (see page 14) or Direct Access (see page 14). Since sub codes are written on the tape separately from the audio signal, they have no effect on the audio signal. TrackTrack Track Start IDs Start IDs indicate the start of a track, and therefore allow you to locate the position of a track precisely. The start IDs are 9 seconds in length (18 seconds in long-play mode) to enable easy detection during fast- forwarding or rewinding. Program numbers Program numbers serve as track numbers. Occupying the same position as start IDs, a program numbers allow you to locate specific tracks. Notes

• The p and P buttons do not work during the writing of sub codes.

• Writing and erasing of start IDs and renumbering of program numbers are impossible if the record-protect hole on the DAT cassette is open (see page 7). Writing Start IDs During Recording You can write start IDs either manually or automatically anytime during recording. Writing Sub Codes (Continued) Start ID16

START ID Manual Writing of Start IDs During Recording Press START ID WRITE. “ID WRITE” appears in the display for a few seconds and the start ID is written on the tape at the selected position. “START ID” flashes in the display during this time. Start ID Note The interval between start IDs must be more than 18 seconds(36 seconds in long-play mode). If the interval is less than 18seconds (or 36 seconds), the deck may fail to detect thesecond start ID during playback. Writing the Start IDs Automatically During Recording Do the following procedure to automatically write program numbers along with start IDs at the same position.

• When recording an analog signal with the INPUT switch at ANALOG A start ID and program number are written whenever theinput signal rises above a given level after remaining at amuted or low level for 3 seconds or more.
• When recording a digital signal with the INPUT switch at OPTICAL or COAXIAL A start ID and program number are written whenever anew track is detected while recording a digital signalthrough the COAXIAL IN or OPTICAL IN jack from adigital source such as CD player or another DAT deck.Start IDs and program numbers are not written, however,for tracks that are less than 18 seconds in length. 1 Do steps 1 to 7 of “Recording on a DAT” on pages 6 and 7. The deck changes to recording pause. 2 Press START ID AUTO repeatedly until “AUTO” appears in the display. 3 If you are recording from the end of the recorded portion, use the number buttons on the remote to specify the program number after the last one recorded. Example: When program number 5 is the lastprogram number recorded on the tape.The next program number If the last program number on the tape appears in the display, you don’t have to specify the next program number. If you are recording from the beginning of a blank tape, program number “1” appears in the display. If you forget program numbering at this time, you can add them later (see “Renumbering the Program Numbers Automatically (Renumbering)” on page 18). 4 To start recording, press P or ·, then start playing the program source. Start IDs are written on the tape automatically during recording. “ID WRITE” appears for a few seconds whenever a sub codes (a start ID and program number) are being written. z During digital recording from a CD player Start recording on your deck first, then press the (PLAY button on the CD player while it is stopped. Ifyou place your deck into recording pause and the CDinto play pause before you start recording, the start IDand program number of the first track on the CD maynot be correctly written to the tape. Note During automatic start ID writing the positioning of somestart IDs may be inaccurately or inappropriately positionedaway from the beginning of the track. If this happens, youcan reposition or erase the start IDs later (see “AccuratePositioning of Start IDs (Rehearsal)” and “Erasing Start IDs”on page 17).Writing Start IDs DuringPlayback You can write start IDs during playback. Press START ID WRITE. “ID WRITE” appears in the display for a few seconds and the start ID is written on the tape at the selected position. “START ID” flashes in the display during this time.17

START ID Accurate Positioning of Start IDs (Rehearsal) 1 During playback, press START ID REHEARSAL when you arrive at the proper position. “REHRSL” appears, “START ID” flashes in the display and Rehearsal repeats a 3-second portion starting from the selected position. Note that the repeated portion will play back 8 times, with the remaining number of times appearing to the right of the “REHRSL”. After 8 times, the deck automatically stops. 2 Press 0 or ) to move the beginning of the repeated portion. Each time you press the 0 or ) button, the beginning of the repeated portion shifts backwards or forwards in 0.3-second increments, up to a maximum extent of about 2 seconds (4 seconds in long-play mode) in either direction. After pressing0 twice The time in the display shows the shift in position from the time the START ID REHEARSAL button was pressed. 3 Press START ID WRITE. “ID WRITE” appears in the display for a few seconds and the start ID is written on the tape at the selected position. “START ID” flashes in the display during this time. After pressing) twice Adjusting the Position of an Existing Start ID You can adjust the position of previously recorded start IDs. 1 During playback, press START ID REHEARSAL when the existing start ID you want to reposition is displayed. The deck rewinds to the beginning of start ID and Rehearsal repeats a 3-second portion is displayed. 2 Do steps 1 to 3 of “Accurate Positioning of Start IDs (Rehearsal)” on this page. You can move the start ID to a maximum extent of about 2 seconds (4 seconds in long-play mode) in either direction from its original position. Note Start IDs written within 10 seconds from the end of the tapemay be difficult or impossible to move. Erasing Start IDs You can erase any start ID. Press START ID ERASE when the start ID you want to erase is displayed. “(ERASE)” appears in the display as the deck rewinds to the beginning of the start ID, then “ID ERASE” appears as the deck erases the start ID.

• It takes 9 seconds to erase a start ID.

• Program numbers are erased together with start IDs. Repeated portion3 seconds0.3 sec0.3 sec Movement with eachpress of 0Position where the STARTID REHEARSAL button ispressed in step 1.Movement with each press of )

Renumbering the Program Numbers Automatically (Renumbering) Renumbering searches for each start ID from the beginning of the tape and assigns a new program number to each one starting with 1. Use Renumbering in the following cases:

• When you’ve added a start ID while playing the tape.

• When a program number is missing due to an erased start ID.

• When you began recording from the middle of the tape and wrote a program number that already exists, or when one of the the start IDs has no program number. Press START ID RENUMBER while the deck is playing or stopped. “RENUMBER” flashes in the display and the tape is automatically rewound to its beginning. The deck then starts searching for start IDs from the beginning of the tape and assigns a new consecutive program number to each track. When the deck detects a start ID, the deck plays the track from the start ID for 2 seconds, then writes a new program number on the tape. During this time, “RENUMBER” lights up and “START ID” flashes. After Renumbering is finished, the deck rewinds the tape automatically to its beginning, then stops. Note Renumbering may not function correctly when:

• A blank section exists on the tape.

• The interval between two start IDs is less than 18 seconds (36 seconds in long-play mode).

• A start ID exists within 10 seconds from the end of the tape. Additional Information Precautions On safety

• Do not disassemble the cabinet as this may result in an electric shock. Refer servicing to qualified personnel only.

• Should any solid object or liquid fall into the cabinet, unplug the AC power cord before operating the unit any further. On power sources

• Before operating the unit, check that its operating voltage is identical with your local power supply. The operating voltage is indicated on the nameplate at the rear of the unit.

• The unit is not disconnected from the AC power source (mains) as long as it is connected to the wall outlet, even if the unit itself has been turned off.

• If you are not going to use the unit for a long time, be sure to disconnect the AC power cord (mains lead) from the wall outlet. To disconnect the cord, grasp the plug itself; never pull the cord.

• AC power cord must be changed only at the qualified service shop. On operation If the unit is brought directly from a cold place to a warm place, or is placed in a very damp room, moisture may condense inside the unit, “CAUTION” may appear in the display, and the unit may not operate. If this happens, remove the cassette and leave the unit turned on for about an hour until the moisture evaporates. On placement

• Place the unit in a location with adequate ventilation to prevent heat build-up.

• Do not place the unit: — on a soft surface such as a rug that might block the ventilation holes on the bottom. — near heat sources. — in direct sunlight. — in an inclined position. — in a place subject to excessive dust or mechanical shock. On the tapes

• After using a tape, put it into its case and keep it where it will not be subject to sunlight, high temperature, moisture or dust.

• The DAT cassette shell is designed to keep out dust. Do not open the case to expose the tape.

• The hole at the back of the cassette is the detector slot. Do not cover this slot.19

Additional Information 3-858-189-12(1) Display Messages The following table explains the various messages that appear in the display. Message Meaning A safety mechanism is operating because of condensation or other reasons. BLANK The deck is searching for the beginning of the blank section on the tape. CAUTION Cleaning the head and tape path is recommended. After about 10 hours of deck use, this message appears for about 10 seconds whenever you turn on the deck . CLEANING A cassette is not inserted into the deck. A start ID or program number is being written. The deck is searching for the beginning of the start ID to be erased. A start ID is being erased. ID WRITE ID ERASE (ERASE) NO TAPE WAIT (WRITE) This appears when the START ID WRITE button is pressed. The program source you are about to record cannot be recorded through the digital input jacks or connectors. For more information, see “Guide to the Serial Copy Management System” (see pages 22 and 23). The deck has been in recording pause for about 10 minutes, or you've pressed the r REC button while no cassette is in the deck or the cassette is record-protected. No digital signal is being input to the jack or connector that you selected with the INPUT switch. The deck is searching for the beginning of the blank section on the tape. UNLOCK TAPE END SOURCE PROTECT PROHIBIT REHRSL TAPE TOP The record-protect hole on the cassette is open and recording on the tape cannot be done. The tape has come to the end of the recorded portion. The tape has reached its beginning. Rehearsal is on. Regarding tapes of over 120 minutes Do not use thin-tape cassettes (with a playing time of over 120 minutes) to record important material since such cassettes are subject to the following problems: — Improper threading of the tape after repeated AMS, rewinding, fast-forwarding, or cueing operations. — Incorrect writing and erasing of start IDs. — Sound distortion. If you have any questions or problems concerning your unit, please consult your nearest Sony dealer. Cleaning Cleaning the cabinet, panel and controls Use a soft cloth slightly moistened with a mild detergent solution. Do not use any type of abrasive pad, scouring powder or solvent such as alcohol or benzine. Cleaning the head and tape path

• Prolonged operation will cause contamination of the head. To obtain the best possible recording and playback sound, we recommend that you use the Sony DT-10CL cleaning cassette (not supplied) to clean the head after every ten hours or so of operation.

• Clean the head with the cleaning cassette when the deck has not been used for a long period of time. Contamination of the head may cause sound drop- out during playback. Using the cleaning cassette 1 Insert the cleaning cassette as you would a normal DAT cassette. 2 Press ·. After 10 seconds, press p. Do not press the r REC or ) button for cleaning. 3 Remove the cleaning cassette without rewinding it. You should rewind the cleaning cassette only when it has reached the end. Notes on cleaning

• After 10 hours of operation, “CLEANING” appears in the display for about ten seconds when you turn on the deck. It is recommended that you clean the head and tape path periodically, using this message as a guide.

• Due to the shortness of the cleaning cassette, the counter will not show the actual running time and remaining time of the cassette.20

Additional Information 3-858-189-12(1) Troubleshooting If you’ve experienced any of the following difficulties while using the deck, use this section as a guide to remedy the problem. Should any problem persist, consult your nearest Sony dealer. The cassette holder does not close. / Check that the cassette is inserted correctly (see pages 6 and 8). / Insert the cassette beyond the silver bar (see pages 6 and 8). The function buttons do not work. / The deck has just been turned on and will not operate for about 4 seconds. Wait 4 seconds (10 seconds when “CLEANING” appears) before attempting any operation. / The P button is activated. Press P to cancel pause. / The tape has reached its end. Press 0 to rewind the tape. No sound. / Make the proper connections (see pages 4 and 5). / The connected amplifier is not being operated properly. Operate the amplifier as required for the respective deck operation. (Refer to the operating instructions of the amplifier.) The deck does not record. / The record-protect hole on the cassette is open. Slide the record-protect tab to close the hole (see page 7). / The INPUT switch is incorrectly set. Set INPUT to the correct position. / The REC LEVEL control is set at 0. Turn REC LEVEL clockwise to raise the recording level (only during analog recording). / The signal input to the digital input jack or connector is protected against digital copying (only during digital recording). Input the signal through the analog input jack or connector. The OPEN/CLOSE § button does not work. / The OPEN/CLOSE § button does not function during recording. Press p or P to stop recording first, then press OPEN/CLOSE §. “CAUTION” appears and the deck cannot be operated. / A safety mechanism is operating because of condensation. Remove the cassette and leave the deck turned on for about an hour. Then turn the deck off, then on again (see page 18). Sub codes writing is not possible. / The record-protect hole on the cassette is open. Slide the record-protect tab to close the hole (see page 7). Start ID writing is not possible during recording. / The start ID cannot be written within 9 seconds (18 seconds in long-play mode) after the end of the previous start ID. Make sure at least 9 seconds (18 seconds in the long-play mode) has passed after the last start ID and before writing a new one. Direct Access does not work. / The specified program number does not exist on the tape. Press START ID RENUMBER to renumber the program numbers. / The program numbers are out of order. Press START ID RENUMBER to renumber the program numbers. The deck begins rewinding the tape during playback. / Repeat Play is on. Press REPEAT on the remote repeatedly to turn off “REPEAT” or “REPEAT 1” in the display and cancel Repeat Play. The tape operation buttons do not function while writing or erasing a start ID. / All buttons do not work during the 9 seconds the start ID is being written (18 seconds in long-play mode). Wait until the writing the start ID finishes before operation. Absolute time codes writing is not possible. / Recording began within a blank section. Rewind the tape to its beginning, or locate the end of the recorded portion with End Search before starting recording. Tape transport is excessively loud during fast-forwarding or rewinding. / The noise is caused by the cassette and is not a mechanical problem. The tape stops suddenly. / The cassette is defective or damaged. Press OPEN/CLOSE § and replace the cassette with a new one. When pressing 0 /) or ≠/±, the tape stops momentarily before starting to move. / This is normal and is not a mechanical problem. The deck cannot be operated with the remote (supplied). / The battery is weak. Change both batteries. “SBM” does not appear in the display even though SBM is set to ON. / ”SBM” appears only during the recording of analog input signals with a sampling frequency of 48 kHz or

44.1 kHz, not during the recording of a digital input

signal, or an analog input signal with a sampling frequency of 32 kHz, or during playback.21

Additional Information 3-858-189-12(1) 120 V AC, 60 Hz 10 kilohms or more Specifications System Tape Digital audio tape Recording head Rotary head Recording time Standard: 120 minutes (when using DT-120) Long-play: 240 minutes Tape speed Standard: 8.15 mm/s Long-play: 4.075 mm/s Drum rotation Standard: 2,000 rpm Long-play: 1,000 rpm Track pitch 13.6 µm (20.4 µm) Sampling frequency 48 kHz, 44.1 kHz, 32 kHz Number of channels 2 channels, stereo D/A conversion Standard: 16 - bit linear (quantization) Long-play: 12 - bit non-linear Frequency response* Standard: 2 - 22,000 Hz (±0.5 dB) Long-play: 2 - 14,500 Hz (±0.5 dB) Signal-to-noise ratio* 90 dB or more (Standard and long-play mode) Dynamic range* 90 dB or more (Standard and long-play mode) Total harmonic Standard: 0.005% or less (1 kHz) distortion* Long-play: 0.008% or less (1 kHz) Wow and flutter Below measurable limit (±0.001% W.PEAK)

• During analog input with the SBM function off. Input connectors Rated input level Input impedanceJack typeConnector ANALOG Phono jacks 47 kilohms –4 dBs Phono jack 75 ohms DIGITAL OPTICAL Optical connector

Output connectors ANALOG PHONES –4 dBs Rated output level 470 ohmsPhono jacks Stereo phone-plug jack

General section Power requirements Power requirements Canada Europe Where purchased 230 V AC, 50/60 Hz Power consumption 30 W Dimensions Approx 430 × 106 × 325 mm (w/h/d) (17 × 4

/8 inches) Weight Approx 5.0 kg (11 lb 0.4 oz) Supplied accessories See page 4. Design and specifications are subject to change without notice. SBM (Super Bit Mapping) Function During analog recording, the SBM function lowers noise within the frequency band to which to the human ear is most receptive to noise, thereby, sharply expanding the auditory dynamic range of the recorded signal. High-precision pulse A/D converter The deck uses a pulse AD converter and decimation filter to convert an analog signal into a quantized 24-bit digital signal. The deck, like CD players, uses 16-bit quantization, and thus the 8-bit difference results in more precise quantization, more signal information and less quantizing noise than 16-bit quantization. During conversion of the 24-bit data to a 16-bit recording signal, the SBM function boosts sound quality by reintegrating 4 bits of signal information that would normally be lost into the 16-bit signal.22

20 10050 200 1k500 2k 15k5k 10k Guide to the Serial Copy Management System This deck uses the Serial Copy Management System, which allows only first-generation digital copies to be made of premastered software via the deck’s digital input jack. An outline of this system appears below: 1 You can record from digital program sources (CDs, premastered MDs or DATs) onto a DAT or recordable MDvia digital input jack on the DAT or MD deck. Youcannot, however, record from this recorded DAT or MDonto another DAT or recordable MD via the digital inputjack on the DAT or MD deck.CD playerDAT deck MD deckRecordingDAT deck orMD deck

DAT deck orMD deckDAT deck orMD deckPlayingOptical cable or coaxialdigital connectingcableDigital output jackDigital input jackDAT or MDFirst-generationDAT or MDrecorded viadigital-to-digitalconnectionPlayingLine (analog) output jackDigital output jackOptical cable orcoaxial digitalconnecting cableAudio connecting cord Digital input jack Line (analog) input jackRecording Applying the principle of human hearing The SBM function applies the principle of human hearing in the reintegration of signal information. The auditory range of the human ear is generally considered to be 20 Hz to 20 kHz; hearing sensitivity, however, shows greater sensitivity to the range between 3 kHz and 4 kHz, and lower sensitivity to frequencies above and below this range. This principle applies also to quantizing noise as well. By reducing quantizing noise in this particular range, signals can be recorded to produce more expansive sound than is possible by a uniform reduction of noise over the entire audible range. Noise-shaping filter The SBM function uses a noise-shaping filter (see Fig. A) with a frequency response similar to that of the human ear to reduce quantizing noise within the most sensitive frequency range, and to feed back the quantizing error (that is normally lost) back to the input signal, re-integrating the low-end bit information with the high-end bit information. Fig. A 24-bit informationinputNoise-shapingfilter16-bit SBMoutput

Fig. B shows the improvement in the quantizing noise level when the SBM switch is on (theoretical values). Given a noise level of 0 dB when the SBM switch is off, the improvement in noise level for sampling frequencies lower than 3 kHz exceeds 10 dB when the SBM is activated. Fig. B SBM

SBM OFF Noiselevel (dB) Sampling frequency (Hz) The SBM function operates only during recording. The improved sound produced by the SBM function, however, can be enjoyed during playback, regardless of the SBM switch position or the DAT deck being used.23

Additional Information 3-858-189-12(1) 2 You can record the digital input signal of a digital satellite broadcast onto a DAT or recordable MD via the digital input jack on the DAT or MD deck which is capable of handling a sampling frequeny of 32 kHz or 48 kHz. You can then record the contents of this recorded DAT or MD (first-generation) onto another DAT or recordable MD via digital input jack on the DAT or MD deck to create a second-generation digital copy. Subsequent recording from the second-generation copy onto another DAT or recordable MD is possible only through the analog input jack on the DAT or MD deck. BS tuner Recording 3 You can record a DAT or MD recorded via the DAT or MD deck’s analog input jack onto another DAT or MD via the DAT or MD deck’s digital output jack. You cannot, however, make a second-generation DAT or MD copy via the DAT or MD deck’s digital output jack. Turntable DAT deck or MD deck Recording

Playing DAT deck or MD deck Line (analog) input jack Playing Digital input jack Playing Optical cable or coaxial digital connecting cable Digital output jack Digital input jack DAT deck or MD deck DAT or MD First-generation DAT or MD recorded via digital-to-digital connection Playing Optical cable or coaxial digital connecting cable Digital output jack Digital input jack Recording DAT deck or MD deck Second- generation DAT or MD recorded via digital-to- digital connection DAT or MD DAT deck or MD deck Playing Digital output jack Line (analog) output jack Optical cable or coaxial digital connecting cable Audio connecting cord Recording Playing MD deck Microphone amplifier CD player Tuner Cassette deck Audio connecting cord Line (analog) output jack Line (analog) input jack Recording DAT or MD recorded via analog-to-digital connection DAT deck or MD deck Optical cable or Coaxial digital connecting cable Digital output jack Digital input jack DAT deck or MD deck First-generation DAT or MD recorded via digital-to-digital connection DAT deck or MD deck Digital output jack Line (analog) output jacks Optical cable or coaxial digital connecting cable Audio connecting cord Digital input jack Line (analog) input jacks DAT deck or MD deck Recording DAT deck DAT or MD DAT or MDIndex

Absolute time 13 Absolute time codes 9 Adjusting the recording level

Cleaning 19 Cleaning the head and tape path 19

Hooking up the system 4 I, J, K, L Inserting batteries into the remote 4 M, N, O Margin indication 10 P, Q Playing a DAT 8 Playing time of the track 13 Program numbers 15, 18

Recording on a DAT 6 Record Muting 12 Record-protect tab 7 Rehearsal 16 Remaining time on the tape 13 Renumbering 18 Repeat Play Playing a track repeatedly 14 Playing all tracks repeatedly

SBM function 11, 12 Serial Copy Management System 22 Setting the recording mode 11 Sound-muted section 9, 12 Start ID Accurate positioning of start IDs 17 Adjusting the position of an existing start ID 17 Erasing start IDs 17 Manual writing of start IDs during recording 16 Writing the start IDs automatically during recording 16 Sub Codes 15 T, U, V, W, X, Y, Z Tape running time 13 Timer Playing 15 Timer Recording 12 Names of controls Buttons CLEAR 14 COUNTER MODE 13 COUNTER RESET 13 MARGIN RESET 10 MODE 13

DIGITAL OPTICAL OUT 4

DIGITAL COAXIAL OUT DIGITAL OPTICAL OUT DIGITAL OPTICAL IN

COAXIALIN IN OUTOPTICALANALOG IN/OUTDIGITAL IN/OUT

COAXIALDIGITAL IN/OUTOPTICALIN OUT

OPEN/CLOSE OPEN/CLOSE

OPEN/CLOSE ANALOG OPTICAL COAXIAL

OPEN/CLOSE ANALOG OPTICAL COAXIAL REC LEVEL INPUT 48 kHz

OPEN/CLOSE ANALOG OPTICAL COAXIAL REC LEVEL INPUT 48 kHz

DIGITAL OPTICAL OUT 4

DIGITAL COAXIAL OUT DIGITAL OPTICAL OUT DIGITAL OPTICAL IN

COAXIALIN IN OUTOPTICALANALOG IN/OUTDIGITAL IN/OUT

COAXIALDIGITAL IN/OUTOPTICALIN OUT

ANALOG INDIGITAL OPTICAL IN

ANALOGOPTICALCOAXIALDIGITAL COAXIAL INOPEN/CLOSE

OPEN/CLOSE ANALOG OPTICAL COAXIAL

OPEN/CLOSECOUNTERREPEAT132RESETMODE

OPEN/CLOSE ANALOG OPTICAL COAXIAL REC LEVEL INPUT 48 kHz

DIGITAL OPTICAL OUT 4

DIGITAL COAXIAL OUT DIGITAL OPTICAL OUT DIGITAL OPTICAL IN

COAXIALIN IN OUTOPTICALANALOG IN/OUTDIGITAL IN/OUT

COAXIALDIGITAL IN/OUTCOAXIAL

COAXIALDIGITAL IN/OUTOPTICALIN OUT

OPEN/CLOSECOUNTERREPEAT132RESETMODE

OPEN/CLOSE ANALOG OPTICAL COAXIAL