TCKE300 - Cassette tape SONY - Free user manual and instructions
Find the device manual for free TCKE300 SONY in PDF.
| Product Type | Stereo Cassette Deck |
| Brand | Sony |
| Model | TC-KE300 |
| Dimensions (W/H/D) | 430 × 120 × 310 mm |
| Weight | 3.5 kg |
| Power Supply | Mains 110-240 V, 50/60 Hz, 19 W |
| Recording System | 4 tracks, 2 stereo channels |
| Heads | Erase (F&F) × 1, Play/Record (SD) × 1 |
| Motors | Capstan (DC servo), Reel (DC) |
| Fast Forward Time | 90 seconds (Sony C-60 cassette) |
| Wow and Flutter | ±0.013% peak (IEC), 0.07% RMS (NAB), ±0.18% peak (DIN) |
| Harmonic Distortion | 0.4% (Type I), 1.8% (Type IV) |
| Line Inputs | RCA jacks, sensitivity 0.16 V, impedance 47 kΩ |
| Line Outputs | RCA jacks, 0.5 V into 47 kΩ; headphones 6.35 mm, 0.25 mW/32 Ω |
| Main Functions | Play, record, Dolby B/C NR, Dolby HX PRO, auto calibration, Multi-AMS, record mute, ATS |
| Noise Reduction | Dolby B and C |
| Supplied Accessories | Audio connecting cords (2) |
| Optional Accessory | Remote control RM-J710 |
| Maintenance | Head cleaning every 10 hours, demagnetizing every 20-30 hours |
| Safety | Do not expose to moisture; do not open the cabinet; disconnect before cleaning |
| Repairability | Refer to qualified personnel only |
Frequently Asked Questions - TCKE300 SONY
User questions about TCKE300 SONY
0 question about this device. Answer the ones you know or ask your own.
Ask a new question about this device
Download the instructions for your Cassette tape in PDF format for free! Find your manual TCKE300 - SONY and take your electronic device back in hand. On this page are published all the documents necessary for the use of your device. TCKE300 by SONY.
USER MANUAL TCKE300 SONY
Stereo Cassette Deck
Operating Instructions
Mode d'emploi
1996 by Sony Corporation
WARNING
To prevent fire or shock hazard, do not expose the unit to rain or moisture.
To avoid electrical shock, do not open the cabinet. Refer servicing to qualified personnel only.
Welcome!
Thank you for purchasing the Sony Stereo Cassette Deck. Before operating the unit, please read this manual thoroughly and retain it for future reference.
About This Manual
The instructions in this manual are for model TC-KE300.
Conventions
- Instructions in this manual describe the controls on the deck.
- The following icon is used in this manual:

Indicates useful information or tips that make a task easier.
TABLE OF CONTENTS
Getting Started
Unpacking 4
Hooking Up the System 4
Playing a Tape 5
Recording on a Tape 6
Advanced Playback Operations
Locating a Track (Multi-AMS/Auto Play/Memory Play) 8
Advanced Recording Operations
Adjusting Bias and Recording Level Calibration Automatically 9
Inserting a Blank Space During Recording (Record Muting) 10
Additional Information
Precautions 10
Notes on Cassette Tapes 11
Cleaning 11
Troubleshooting 12
Specifications 13
Glossary 14
Index 15
Unpacking
Check that you have received the following supplied item:
• Audio connecting cords (2)
Hooking Up the System
This section describes how to hook up the tape deck to an amplifier. Be sure to turn off the power of each component before making the connections.

text_image
TC-KE300 to LINE IN to LINE OUT to an AC (socket) outlet to TAPE INto REC OUT Amplifier to a wall outlet (mains)Hookups
When connecting an audio connecting cord, be sure to match the color-coded cord to the appropriate jacks on the components: Red (right) to Red and White (left) to White. Be sure to make connections firmly to avoid hum and noise.
Connect the tape deck to the amplifier as shown below.

flowchart
graph TD
A["Tape deck Amplifier"] --> B["LINE"]
A --> C["TAPE"]
B --> D["L OUTIN"]
B --> E["R"]
C --> F["REC OUT IN"]
C --> G["R"]
D --> H["L"]
E --> I["L"]
F --> J["R"]
G --> K["R"]
style A fill:#f9f,stroke:#333
style B fill:#ccf,stroke:#333
style C fill:#cfc,stroke:#333
style D fill:#ffc,stroke:#333
style E fill:#ffc,stroke:#333
style F fill:#ffc,stroke:#333
style G fill:#ffc,stroke:#333
style H fill:#cfc,stroke:#333
style I fill:#cfc,stroke:#333
style J fill:#ffc,stroke:#333
style K fill:#ffc,stroke:#333
To connect your tape deck to another tape deck Connect both tape decks as shown below.

flowchart
graph LR
A["Tape deck"] --> B["L"]
A --> C["OUTIN"]
D["Another tape deck"] --> E["L"]
D --> F["OUTIN"]
G["Signal flow"] --> A
G --> D
Setting the voltage selector (only on models supplied with a voltage selector)
Check that the voltage selector on the rear panel of the tape deck is set to the local power line voltage. If not, set the selector to the correct position using a screwdriver before connecting the AC power cord to an AC outlet.

Connecting the AC power cord
Connect the AC power cord to an AC outlet.
Where do I go next?
Now you're ready to use your tape deck. For basic operations, go to pages 5 to 7; for advanced operations, go to the sections starting from page 8.
Playing a Tape

text_image
2 SONY 3• See page 4 for hookup information.

To play a tape recorded with the Dolby NR ^* system
Turn DOLBY NR to the same Dolby system that the tape was recorded in—B or C. Please note that the B and C settings on both sides are identical during playback since the MPX filter operates only during recording.

You can connect the headphones to PHONES.
* Dolby noise reduction manufactured under license from Dolby Laboratories Licensing Corporation.
"DOLBY" and the double-D symbol □□ are trademarks of Dolby Laboratories Licensing Corporation.
1 Turn on the amplifier and select the tape deck position.
2 Press POWER, and then press EJECT. Insert a cassette and close the cassette holder.
The tape type (I, II, or IV) appears in the display.

With the side you want to play facing you
3 Press ▷.
The deck starts playing. Adjust the volume on the amplifier.
Do not press POWER or ≅ EJECT while the tape deck is operating. If you do so, the tape may be damaged.
To Press
Stop playing ■
Pause II PAUSE. Press the button again to
resume play.
Fast-forward or rewind
▶▶ or ◀◀ when the deck is stopped
EJECT after stopping playingTake out the cassette
Basic Operations
Recording on a Tape

text_image
2 SONY 4 5 3• See page 4 for hookup information.

To protect recordings against accidental erasure Break out the record-protect tab(s) (see page 11).
1 Turn on the amplifier and play the program source you want to record.
2 Press POWER, and then press ≜ EJECT. Insert a cassette and close the cassette holder.
The tape type (I, II, or IV) appears in the display.
With the side you want to record facing you

3 Press ● REC.
Do not press POWER or EJECT while the tape deck is operating. If you do so, the tape may be damaged.
4 Turn REC LEVEL to adjust the recording level.
The recording level should not exceed the recommended level for the indicated tape type.
After doing the all adjustments, stop playing the program source.

text_image
For type I or type II tape For type IV tape5 Press II PAUSE or ▷. Recording starts.

Start playing the program source.
To
Press
Stop recording ■
Pause II PAUSE. Press the button again to
resume recording.
Take out the cassette
EJECT after stopping recording

The Dolby HX PRO* system automatically works during recording
* HX Pro headroom extension originated by Band & Olufsen and manufactured under license from Dolby Laboratories Licensing Corporation.
"DOLBY," the double-D symbol and "HX PRO" are trademarks of Dolby Laboratories Licensing Corporation.
For details on DOLBY HX PRO, see "Glossary" on page 14.

text_image
SONY DOLBY NR BALANCETo adjust the recording balance
Turn BALANCE so that the L (left channel) and R (right channel) peak level meters in the display are at the levels you want.
To record with the Dolby NR system
Turn DOLBY NR clockwise to the position you want — B or C before you start recording.
If you cannot get satisfying results when recording FM broadcasts with Dolby NR system
Turn DOLBY NR counterclockwise to the position you want (B or C with MPX FILTER) before you start recording. The filter turns on to make the Dolby NR system work more effectively. (For details on the MPX filter, see "Glossary" on page 14.)
Locating a Track (Multi-AMS/Auto Play/Memory Play)
You can locate the following/previous tracks (Multi-AMS: Automatic Music Sensor) or the beginning of a tape quickly. You can even locate a specific point anywhere on a tape.

text_image
RESET MEMORY SONY -50 dB| To locate | Press |
| the beginning of the next or succeeding tracks (Multi-AMS*) | ▶▶ as many times as you want while playing. For example, to locate 2 tracks ahead, press twice. |
| the beginning of the current track (Multi-AMS*) | ◀◀ once while playing |
| the beginning of the preceding tracks (Multi-AMS*) | ◀◀ as many times as you want while playing. For example, to locate 2 tracks behind, press three times. |
| the beginning of a tape (Auto Play) | MEMORY repeatedly until “M” disappears in the display. Then press ◀◀ while holding down ▷>. |
| a particular point on a tape (Memory Play) | MEMORY repeatedly until “M” appears in the display. Find the point you want, and press RESET to reset the tape counter and to memorize the point. To locate the memorized point, press ◀◀ while holding down ▷>. (Press ◀◀ only to stop at “00 00.”) |
* You can use the Multi-AMS to locate up to the 30th track after or before the current track.
What happens during Multi-AMS operation
When Multi-AMS is operating, "PLAY" appears. And each time the deck detects a blank space, the indicated number decreases by one. After locating the beginning of the specified track, the counter indication appears again and the deck starts playing the track.
↓ : Beginning of track

text_image
[d:] ; [ ] ; [ 2 ] Previous track Current track Next trackNotes
- The Multi-AMS function may not work correctly if:
— the blank space between tracks is less than 4 seconds long.
— the signal strength of the left and right channels are very different.
— there is a passage of low frequencies or very low volume within a track.
- Since the counter is not a digital clock, it will differ from the actual elapsed playback or recording time.
Adjusting Bias and Recording Level Calibration Automatically
Since there are many different types of cassettes on the market, your tape deck automatically sets the appropriate equalization characteristics and bias current for each tape type (ATS: Automatic Tape Selection). However, you can get better recording results by doing the automatic bias current and the recording level calibration.

text_image
AUTO CAL SONY II PAUSE1 Insert the cassette you want to record on.
Make sure the record-protect tabs on the cassette
have not been removed.
2 Press AUTO CAL until "CAL" appears in the display.
Note
If the record-protect lab for that size has been removed (see page 11), "AUTO CAL" in the display flashes three times and automatic calibration cannot be performed.
3 Press II PAUSE to start the automatic calibration procedure.
The automatic calibration procedure starts (i.e., recording test tones, rewinding, and playing back).
During the calibration, the counter changes from 9 to 0.

When the automatic calibration procedure ends, the tape rewinds to the original position, the counter returns to normal and the tape deck stops.
4 Start the actual recording (see page 6).
To cancel the automatic calibration function Press ■.
If "AUTO CAL" flashes continuously
The automatic calibration procedure has been interrupted by:
— The end of the tape. Turn the cassette over or rewind the tape to a new position that allows recording of the test tone.
— Damaged tape or dirty heads. Change the cassette or clean and demagnetize the heads (see page 11).
Updating the calibration setting
As long as the tape deck stays on, calibration data are saved and called up each time you insert a cassette of the same type (I, II or IV). "AUTO CAL" appears in the display when you insert a cassette to indicate that calibration data for that tape type exists. However, we recommend that you repeat the automatic calibration procedure each time you insert a new cassette since cassettes of the same type also vary in their characteristics. Before recalibrating, be sure to clear the existing calibration data by pressing AUTO CAL until "AUTO CAL" disappears from the display. Then start from Step 2 of the automatic calibration procedure.
Inserting a Blank Space During Recording (Record Muting)
You can insert a blank space of 4 seconds between each track. The blank spaces between tracks let you locate the track easily with the Multi-AMS function (see page 8). Also, use this function to eliminate only unwanted portions on the tape.

text_image
SONY II PAUSE O REC MUTE1 Start recording.
2 Press O REC MUTE once when you want to insert a blank space. "REC" in the display starts flashing and the tape moves on without recording any signals. After 4 seconds, "II" lights up and the tape deck is now ready to resume recording.
3 Press || PAUSE or ▷ to resume recording.

To insert a blank space longer than 4 seconds
Hold down O REC MUTE as long as you want. After 4 seconds, "REC" in the display flashes faster. When you release the O REC MUTE, "III" lights up and the tape deck is ready to resume recording. Press II PAUSE or ▷ to resume recording.

To insert a blank space of less than 4 seconds
After pressing ◦ REC MUTE, press ■ PAUSE at any time. The deck changes to recording pause. To resume recording, press ● REC instead of ■ PAUSE.
Precautions
On safety
- Do not disassemble the cabinet — this may result in an electrical shock. Refer servicing to qualified personnel only.
- Should any solid object or liquid fall into the cabinet, unplug the tape deck and have it checked by qualified personnel before operating it any further.
On power sources
- Before operating the tape deck, check that the operating voltage of the tape deck is identical with your local power supply. The operating voltage is indicated on the nameplate at the rear of the tape deck.
- The unit is not disconnected from the AC power source (mains) as long as it is connected to the wall outlet, even if the unit itself has been turned off.
- If you are not going to use the tape deck for a long time, be sure to disconnect the tape deck from the wall outlet. To disconnect the AC power cord (mains lead), grasp the plug itself; never pull the cord.
- AC power cord must be changed only at the qualified service shop.
On operation
- Because of a safety mechanism, the function buttons will not operate if the cassette holder is not completely closed, if there is no cassette in the cassette holder, or if a cassette has been incorrectly inserted into the cassette holder.
- Be sure to stop the tape before turning off the tape deck. Otherwise, the tape may be damaged.
On placement
- Place the tape deck in a location with adequate ventilation to prevent heat build-up in the tape deck.
- Do not place the tape deck:
— on a soft surface such as a rug that might block the ventilation holes on the bottom.
— in a location near heat sources.
— in a place subject to direct sunlight.
— in an inclined position.
— in a place subject to excessive dust or mechanical shock.
On cleaning the tape deck
Clean the cabinet, panel and controls with a soft cloth slightly moistened with a mild detergent solution. Do not use any type of abrasive pad, scouring powder or solvent such as alcohol or benzine.
If you have any questions or problems concerning your tape deck, please consult your nearest Sony dealer.
For the customers in the U.S.A.
For detailed safety precautions, see the leaflet "IMPORTANT SAFEGUARDS."
Notes on Cassette Tapes
To protect the recording
Break off the record-protect tab for side A or B.

text_image
Side A Tab for side B Tab for side ATo record on a tape having a broken tab
Cover the record-protect tab hole for side A or B with adhesive tape.

natural_image
Diagram of a CD-ROM drive with a tape roll, showing no text or symbols on the device itselfWhen you are using a type II or type IV tape, be careful not to cover the detector slots that the deck uses to determine the tape type.

text_image
Type II Type IV Detector slots Detector slotsOn tapes longer than 90 minutes
We do not recommend the use of tapes longer than 90 minutes except for a long continuous recording or playback. They are very thin and tend to be stretched easily.
On handling cassettes
• To prevent the heads and tape path from getting dirty, avoid touching the tape surface of a cassette.
- Place cassettes away from equipment with magnets, such as speakers and amplifiers; it may cause tape distortion or erase the recordings.
- Do not expose cassettes to direct sunlight, extremely cold temperature or moisture.
Cleaning
Inside of the cassette holder

text_image
Erasing head Capstan Playing/Recording head Pinch roller SOXY △ EJECTCleaning the heads and tape path
Clean the heads and tape path of the tape deck after every 10 hours of operation to guard against:
• a decrease in sound level
• excessive wow or flutter
- sound dropout
- incomplete erasure
To ensure better recording, we recommend that you clean the heads and tape path before every recording.
1 Press ≜ EJECT to open the cassette holder.
2 With the tape deck turned off, wipe the heads, the pinch roller, and the capstan with a cotton swab slightly moistened with alcohol or a commercially available cleaning fluid for tape decks.
Do not insert a cassette until the cleaned areas are completely dry.
Demagnetizing the heads
After 20 to 30 hours of use, or when you notice a hissing sound or loss of high frequencies, demagnetize the heads with a commercially available demagnetizer for tape decks. Please refer to the instructions of the demagnetizer.
Troubleshooting
If you've experienced any of the following difficulties while using the tape deck, use this troubleshooting guide to help you remedy the problem. Should any problem persist, consult your nearest Sony dealer.
The function buttons do not work.
→ The tape deck has just been turned on and does not operate for about 3 seconds. Wait until "II" stops flashing.
→ Check that the cassette is inserted correctly and the cassette holder is closed completely.
The tape stops before the tape has been fully rewound.
→ The tape is slack. Take up the tape slack.
If "M" is shown in the display, press MEMORY repeatedly until the indication disappears.
→ The cassette shell is bent. Use another cassette.
The tape deck does not play or record.
→ The tape has reeled to the end.
→ The tape is slack. Take up the tape slack.
The record-protect tab has been removed from the cassette. Cover the slot with tape (page 11).
→ Clean the heads and tape path and demagnetize the heads (page 11).
→ Check that the tape deck is properly connected (page 4).
→ Make sure the amplifier is correctly set.
There is excessive wow, flutter, or a sound dropout.
→ The capstans and pinch rollers are dirty. Clean them (see page 11).
There is a decrease in sound level or a sound dropout./
The tape does not erase completely./Noise increases.
→ The heads and tape path are dirty. Clean them (see page 11).
→ The heads are magnetized. Demagnetize them (see page 11).
There is hum or noise.
→ The tape deck is placed near a TV or VCR.
Place the tape deck away from the TV or VCR.
The tape deck is placed on or under the amplifier. Place the tape deck away from the amplifier.
There is an unbalanced tone.
→ Check that the DOLBY NR control is set to the position where the tape was recorded.
The tape deck is placed near a TV or VCR. Place the tape deck away from the TV or VCR.
The Multi-AMS function does not work properly.
One of the tracks contains a long pause, a passage of low frequencies or very low volume, or a gradual increase or decrease in volume.
The space before a track is less than 4 seconds long. Insert a blank space of 4 seconds using REC MUTE button.
→ The signal strength of the left and right channels are very different.
→ There is noise in the space before a track.
→ You pressed ▶ button immediately before the next track, or ◀ button immediately after the beginning of the current track.
Specifications
System
Recording system
4-track 2-channel stereo
Fast winding time (approx.)
90 sec. (with Sony C-60 cassette)
Blas
AC bias
Heads
Erasing head · 1 (F&F head)
Playing/Recording head · 1 (SD head)
Motors
Capstan motor · 1 (DC servo motor)
Reel motor · 1 (DC motor)
Signal-to-noise ratio (at peak level, weighted, and with Dolby NR off)
Type I tape, Sony Type I (NORMAL): 55 dB
Type II tape, Sony Type II (HIGH): 57 dB
Type IV tape, Sony Type IV (METAL): 58 dB
S/N ratio improvement (approximate values)
With Dolby B NR on: 5 dB at 1 kHz, 10 dB at 5 kHz
With Dolby C NR on: 15 dB at 500 Hz, 20 dB at 1 kHz
Harmonic distortion
0.4% (with Type I tape, Sony Type I (NORMAL):
160n Wb/m 315 Hz, 3rd H.D.)
1.8% (with Type IV tape, Sony Type IV (METAL):
250n Wb/m 315 Hz, 3rd H.D.)
Frequency response (Dolby NR off)
Type I tape, Sony Type I (NORMAL):
30 - 15,000 Hz (±3 dB, IEC)
20 - 16,000 Hz (±6 dB)
Type II tape, Sony Type II (HIGH):
30 - 16,000 Hz (±3 dB, IEC)
20 - 17,000 Hz (±6 dB)
Type IV tape, Sony Type IV (METAL):
30 - 18,000 Hz (±3 dB, IEC)
30 - 13,000 Hz (±3 dB, -4dB recording)
20 - 19,000 Hz (±6 dB)
Wow and flutter
±0.013% W. Peak (IEC)
0.07% W. RMS (NAB)
±0.18% W. Peak (DIN)
Inputs
Line Inputs (phono Jacks)
Sensitivity: 0.16 V
Input impedance: 47 kilohms
Outputs
Line outputs (phono jacks)
Rated output level: 0.5 V at a load impedance of
47 kilohms
Load impedance: Over 10 kilohms
Headphones (stereo phone Jack)
Output level: 0.25 mW at a load impedance of
32 ohms
General
Power requirements
| Where purchased | Power requirements |
| U.S.A. | 120 V AC, 60 Hz |
| U.K and Continental Europe | 220 - 230 V AC, 50/60 Hz |
| Australia | 240 V AC, 50/60 Hz |
| Other countries | 110 - 120 V or 220 - 240 V AC, 50/60 Hzadjustable with the voltage selector |
Power consumption
19 W
Dimensions (approx.) (w/h/d)
incl. projecting parts and controls
Mass (approx.)
3.5 kg (7 lbs 11 oz)
Supplied accessories
Audio connecting cords (2)
Optional accessory
Remote commander RM-J710
For more information on the availability of the remote
commander, contact your nearest Sony dealer.
Design and specifications are subject to change without notice.
Additional Information
Glossary
ATS
Automatic Tape Selection. The tape deck automatically sets the appropriate equalization characteristics and bias current according to the tape type inserted in the deck.
Automatic calibration
The automatic adjustment of the bias current and recording level for the inserted tape.
This adjustment works together with the deck's ATS (Automatic Tape Selection, see above) to get the best possible recording results on any tape.
Dolby HX PRO system
Distortion and noise reduction system. The Dolby HX PRO system reduces distortion and noise in high-frequency response while recording. A tape recorded with this system brings the same high-quality sound even when you play the tape on the other tape decks.
Dolby NR (noise reduction) system
Noise reduction system for eliminating hissing noise. The Dolby NR system boosts the low-level signals in high frequency during recording and restores them during playback.
B and C Dolby systems are available on this tape deck. Of the two, C provides higher noise reduction than B.

line
| Frequency (Hz) | Output Level (dB) | | -------------- | ----------------- | | 100 | 0 | | 500 | ~0.2 | | 1000 | ~0.1 | | 1k | ~0.05 | | 5k | ~0.03 |MPX filter
Multiplex filter. A filter for eliminating the 19-kHz stereo carrier and the 38-kHz sub-carrier signals that may impair the Dolby NR system. Usually the tuner has an MPX filter. If you cannot get a satisfying result when recording FM broadcasts with Dolby NR system, your tuner does not have a filter or the filter is not working. In this case, turn the DOLBY NR switch countercolckwise to the position you want — B or C with MPX FILTER.
Multi-AMS
Multi-Automatic Music Sensor is a function that locates the beginning of up to 30 tracks before or after the current track by detecting a blank space (of over 4 seconds) between tracks.
Tape counter
A four-digit readout for monitoring elapsed playing or recording time. Useful for editing tapes. Press RESET to zero the counter (00 00).
Test tones
15-kHz, 3-kHz and 400-Hz signals produced by the tape deck when you do the automatic calibration.
Index
Index
A
Adjusting bias and recording level calibration automatically. See Automatic calibration recording balance 7 recording level 6 ATS 9,14
Auto play 8
Automatic Music Sensor. See Multi-AMS
Automatic calibration 9
Automatic Tape Selector. See ATS
B
Balance 7
C
Cassette. See Tape Cleaning cabinet 11 heads and tape path 11 Connecting. See Hookups Counter. See Tape counter
D, E, F
Demagnetizing the heads 11 Dolby HX PRO system 7, 14 Dolby NR system 5, 7, 14
G
Glossary 14
H
Heads cleaning 11 demagnetizing 11 Hooking up the system 4 Hookups 4
I, J, K
Insert blank space 10 cassette 5,6
L
Locating beginning of the tape 8 particular point 8 tracks 8
M
Memory play 8 MPX filter. See Multiplex filter Multi-AMS 8, 14 Multiplex filter 7, 14
N, O
Noise reduction 7, 14 Notes on cassette tapes. See Tape notes
P, Q
Playing a tape 5 auto play 8 memory play 8 Precautions 10
R
Recording on a tape 6 Record muting 10
S
Searching. See Locating Specifications 13
T
Tape counter 8, 14 notes 11 path cleaning 11 protect the recording 11 type 5, 6, 11 Test tones 9, 14 Troubleshooting 12
U, V, W, X, Y, Z Unpacking 4
Names of Controls
Buttons
AUTO CAL 9 MEMORY 8 RESET 8 ◀◀/▶▶ AMS 8 ◀◀ (rewind) 5,8 ▷ (play) 5,6,8,10 ▶▶ (fast-forward) 5,8 △ EJECT 5-7 ■ (stop) 5,7 ■ PAUSE 5-7,10 ○ REC MUTE (record muting) 10 ● REC (recording) 6,10
Switches
BALANCE 7 REC (recording) LEVEL 6
Jack
PHONES 5
Others
Cassette holder 5,6
AVERTISSEMENT
natural_image
Diagram of a CD-ROM drive with a tape roll, showing no text or symbols on the device itselfCassette type I, Sony Type I (NORMAL): 55 dB
Cassette type II, Sony Type II (HIGH): 57 dB
Cassette type IV, Sony Type IV (METAL): 58 dB
Cassette type I, Sony Type I (NORMAL):
30 - 15.000 Hz (±3 dB, IEC)
20 - 16.000 Hz (±6 dB)
Cassette type II, Sony Type II (HIGH):
30 - 16.000 Hz (±3 dB, IEC)
20 - 17.000 Hz (±6 dB)
Cassette type IV, Sony Type IV (METAL):
30 - 18.000 Hz (±3 dB, IEC)
30 - 13.000 Hz (±3 dB, -4 dB enregistrement)
20 - 19.000 Hz (±6 dB)
line
| Frequency (Hz) | Signal Strength (dB) | | -------------- | -------------------- | | 100 | 0 | | 500 | ~-2 | | 1000 | ~-3 | | 1k | ~-4 | | 5k | ~-5 | | 10k | ~-6 | | 5k+ | Decreasing to -5 |natural_image
Diagram of a CD-ROM with a tape roll and an arrow pointing to its cover (no text or symbols present)Australia 240 V CA, 50/60 Hz
natural_image
Diagram of a cassette tape with a rolled cable, showing no text or symbols on the device itselfI·C™ "O Type¢ ©E Type¢°"¶™ α±aE...°A -™ N§O^±° SF·©©Ü "·dEyßP¬_ α±a"¶° ÿ .™ ¿À¥'S'°C


90S¿•HSW™⁻¹™ ce±a™ae
£'D¶ m-E..° sfÚø" μ@E©O μ ^m • n•H•\~°A Á¶nßO±f•E90S¿
• HSW™™ ± a^] ∘ y ± a • i °°A' < Ee©¶™⁻ < βE°C
• d±a™ fi zSW TMAe
°E" @ae oe¿YSE o±a q D < °°A -S ±μf @I•d±aSWm oe±a °S¿°C
°E•d±aS£∅+©O®¶p¥ jnae °A©O§jæ μ•±a¶ ±j œ K™ ] °Aß_ 'h°A•i∅†@œ αε±a•φ∅u@C Q©Y±°ø" μ°C
°EßO "•dta™ ±μ "Eg®ÏS" 8°AS]ßO©Îb •ßC ©E°È¿,,™ IaSE
M%

text_image
•d±a" [S ° ©Y μ αεY •D ©0°.ø" μ αεY Ú±a , REXX EJECTM°% oe¿Y©M oe±a q D
• dEy®C®e•E L10SpE...°A'K - M%S@¶ oe;Y@M o±a q D
•H®esO°G
° E i n μ q • ™ β C
°EL TM Z W V
° E i n μ Ê ®
°ES£ß • ™ ©Y μ
“ O ”BÜ®E™ ∅” μμ “G°A±z ön¶b®C¶ ∅” μ’e £∅≠B@
S@¶ M°‰ oe¿Y©M oe±a q D°C
1 ^SU ≡ EJECT •H•¥ } •d±a" [°C
2 ^± •dEy q °A•CE¥÷¥E Y _i,n s ΩE•′,™ •dEy•E M °% G¿ø ^- α¿Y°A Ú±a .°A©M•D .°C
• μ•¿∅' - L™ ™I ±™ M°‰ Gβ • E¿ÍSFSB'·°AS\~
• i • H¶A ÀSJ • d±a°C
μ _iY· h
®CE•E L20®I30 "SpE..°AeE I±z•i •®I°R°R;n@EE•φ™¿W μE..°AβY -•E•',™ •dEy•E•h oee μ oε¿Y•h o°C '
- -¶"•h oee ™ a°©E-°C
^..G^a± M
©e•©•dEyE..°A¶p™G I®I'SU¶C > DE..°AßY -●¶¶ “G ^a Ÿ±¥ ¥M', n¿ ±z± f > D°C¶p™GS¥S£∅+ -©M > D°AßY -”¢ f™. ™™ Sony æP, ©±°C
• ≠¡ ^2 S£ _B@•E°C
→ lb•¥ }•dEy q Sb'•™ Sj••3•IfjS •OSE _B@•DEK °C
μ•°flI°® ±SÓSE { {°C
→ ¿À“d•d+a“OB_ ÀY°•ø T•HSF•d+a“[“OB_f6 •, ^ Ú°C
oe±a¶bβ • ↘ β ¶Sβ'e¥N ±SÓSF°C
→ ± a PFFSF°C -↑ Ú ± a^
→ Ip ^TM G „•<æ SW•X {°3M°®°AβY -Soe¥_’^SUMEMORY
¶<E⁻•¢”„•<°C
→ •d±a¥fl <βE°C -βÔ•E3C ^TM •d±a°C
• dEyS£0+©O μ©ES£0+ø" μ°C
→ oe±aSw¬ ®I§F >°C
→ ± a P SF^ - + ± a P cm^_2^
→ •d±aSW™ ∅" μ'O @Sp;1Sw QBE £SF°C -•E I±a^I ISp;1S'°] f11 °^°C
→ M°& oe¿Y©M oe±a q D® μ oe¿Y•h oe°] f11 °^°C
→ ¿À"d•dEy"Oß_ s±μߥ 1°] f4 °^°C
→ T ^a {©O§jæ "OB_ ]©w•ø T°C
L'TM ¿W v °A©E¡n μ Ê ®°C
→ •D ,©M Ú±a , °SF°C•[•H M°°°] - " f11 °^°C
in μ q• ¥ÓßC©E;in μ Ê ®°C°, α±aS£∅+ß • ©Ÿ μ°C°,æ in°WSjSF°C
→ oe¿Y©M oεt a q D °SF°C•[•H M°°°] - " f11 °^°C
→ _2Y n ^·[· H· h ^] - " f11 ^^
¶ Û;n©Eæ ;n°C
→ •dEy©O°O qu⁻æ\~©Eφ"°væ\~°C -±N•dEy æ7\~ qu⁻æ\~ ©Eφ"°væ\~°C
→ •dEy©ò m¶b©ÒSjae™ SW ±©ESU ±°C -±N•dEy a\~°C ©ÒSjae °C
¶ S£• ∅ μ°C
→ ¿À“d DOLBY NR “Oß_ ]©w©Ü©M α±ασ” μÆ..•©™ “n
¶F™ ¶I m°C
→ •dEy©Oæa™O qu'æ\~@Eø"°væ-°C -±N•dEy ær-°qu'æ\~@Eø"°væ-°C
¶° AMS •\∅+SE _æA ÍB@•E°C
→ 1±S1SβSS¶ βt¶ ™E... °°» ±°AßC¿W©E •Sp μ q™
Lip{°A©E •°W©E •¥Ó μ q°C
→ S@1±S1 'e™ ' •' αSp©Û4"ΰC -•EO REC MUTE
¡%Y°SJS@4"ΕHSWM ' •' α°C
→ •TM°B•k¿W D™ 'H ±j' "□E£S"§j°C
→ 1±S1'e ±IN IN •' αSSII a; n°C
→ E!bSUS@I±™ e ±^SUSI▶;°A@C#b (IbI±SI
™ E )@1S8'·^SUSF ◀◀°C
WAEF
®七 E
^ t E
4E| 2_iW D•fl in ÷ E.. ^ ]Sj ^ 90°If i °C°]@e•E Sony C-60•dta ^
a£ AC a£
_ Ⓞ _^-1^]F\&F _^ Ⓞ ^,^ _^-1^]SD _^
q ^ •D, q ^-1^ ]DC ^-TMA q ^ ± b q ^-1^ ]DC q ^
'Hea SÖ°]Ep » q• °A t ,°ASL•B3'SÖYÖe •\ØtE..°
Type¢ α±a°ASony Type ¢ (NORMAL)°G55 dB
Type¢ α±a°ASony Type ¢ (HIGH)°G57 dB
Type¢° α±a°ASony Type ¢° (METAL)°G58 dB
'He SÔBÔ]°]Sj"»^
β°SÔYÓæ B ±μ qE..°G1 kHz E..5 dB°A5 kHz E..10 dB
β°SÔYÓæ C ±μ qE..°G500 Hz E..15 dB°A1 kHz E..20
0.4¢H°]•E Type¢ α±a°ASony Type ¢ (NORMAL)°G
160n Wb/m 315 Hz°A fST¶ φ''™i•¢∅u°^
1.8¢H°]•E Type¢° α±a°ASony Type ¢° (METAL)°G
250n Wb/m 315 Hz°A fST¶ φ''™i•¢∅u°^
SySo
Sj``°e430°-™120°-ia '310 mm
•]&t" •X °S₂©M++®©æ
Type¢ α±a°ASony Type ¢ (NORMAL)°G
30-15,000 Hz°]°"3 dB°AIEC°^
20-16,000 Hz°]°"6 dB°^
E q
Sj``~3.5 kg
Type¢ α±a°ASony Type ¢ (HIGH)°G
30-16,000 Hz°]°"3 dB°AIEC°^
20-17,000 Hz°]°"6 dB°^
™ •Û
Type¢° α±a°ASony Type ¢° (METAL)°G
30-18,000 Hz°]°"3 dB°AIEC°^
30-13,000 Hz°]°"3 dB°A°-4 dB φ" μ°^ ] pCM WEʶ ©" <ßÕE..°AFSS£•tÎΩ^6i°C
20-19,000 Hz°]°"6 dB°^
^2W v ^0000.013¢H W.Ep (IEC) 0.07¢H W. RMS (NAB) ^0000.18¢HW.Ep ^]w fSu ^- ^
∅ȧJ >§1
u Ü∅ESJ >S1°] ÿæ~¥°S'°^
F±"°G0.16V
∅ESJ"β<°G47 k£[
∅È•X >§1
u ÛøÈ•X >Sl°] na~¥°S'°^
B@wøÈ•X q° °G47 k£[™ t ,™"ß<E..0.5 V
t ,™"ß<°G W L10 k£[
¶'æ~°]·fl È;n¶'æ~¥°S'°^
øÈ·X q·°G32£[™ t ,™"β<Æ..0.25 mW
S@∅Î WAE
q
| ¡ RÍa | q |
| .. í | 120 V AC°A60 Hz |
| ^ í@M°/”wSj | 220-230 V AC°A50/60 Hz |
| ∅D”w | 240 V AC°A50/60 Hz |
| ©¿•L ÍÆa | 110-120 V ©220-240 V AC°A 50/60Hz q¿£•iøðæk ’æn |
qSOE ^- 0" 19 W
SjSo
Sj…°e430°—120°-ia 310 mm
•]Bt" •X °Sj©M±®Oæ
Eq §j~3.5 kg
^TM_ [n¿W s±μæ... u°]2°^
N^ay
ATS
¶α οεταφόακ (Automatic Tape Selection)°C•dFy∅+E/æ©" À
SJ™ •dta“¶°¶α ¶a J©w” ĀæA I™ β°ø ∅S© ©M æ¿£ q”y°C
¶□ E' «
• iE/æ©" ÀSJM • d±a¶p 'æn æ¿f q"y@Mø" μ q• °C o μ 'æn±N°P•dAγTM ATS°] - "e μ°¶PE..ß@•€H'K@œ•Ü ±a £•i¿Ü±o ã®EM ø" μ¶G°C
β\~Sò HX PRO @t €
¥ÓBC•¢∅u@Me ; n™ @t ℃°Cß'Sò HX PRO @t ℗•i¶bø" μE..¥Ó
Sp ™; W T¿ SS™ •¢∅u@Me ; n°C•€¶ @t ℃ø" μ™ αετα°A•€BÇ™ •d
Ey©O μE..°AS] • i¿Ú±o¶P°À™ ™ μ Ė¡n μ°C
B ^2 S ^3 Y ^4 Oe ®t CE
• ΘΘÛ± £°R°R¡n™ ¥Óæ ®t Ε°Cß~SÒ¥Óæ ®t Θ•i•[±jø" μSS™™]¿W vβC q• 'H ¶¶Ibo© μSS'Ï¥_•¶ °C
• a •dÆy•i®æ•E B ©M C ®, β~SÒ¥Óæ ®t Ε°C®, ‘’©t ESS°AC SÒ B ®,,¶ βÛSj™ ¥Óæ £ft™G°C

line
| Frequency (Hz) | dB (Curve B) | dB (Curve C) | | -------------- | ------------- | ------------- | | 100 | ~0.8 | ~0.8 | | 500 | ~0.6 | ~0.4 | | 1k | ~0.4 | ~0.2 | | 5k | ~0.3 | ~0.1 | | 10k | ~0.2 | ~0.05 |MPX°] [h Ú°^¬o™iae
MPX -o°mia "O•BÔU ± £•i∅† | L£`ß`SÒYÓæ @t CFM 19 kHz
•flÈin,™i@M38 kHz ,™i 'H °C qt~°A 'ø"æ £ßt¶ $@ " MPX
-o°mia " °C¶""O¶p#C¶bø" FM °s° E...•B3~SÒYÓæ @t CF"SEØt¿Ú
±o ° N° μ °GÆ...°A'K•i∅†"O±z™ 'ø"æ •°±a¶ -o°mia ©e-o°mia SE
_ß@•E°C¶ E...°A - fÆ.. wSËT¶aß, DOLBY NR } ^¬⊕®I¶ MPX
FILTER°]th Úo°mia °^™ B ©E C ¶I m°C
I° AMS
¶°¶α ∘¶±¥¥·°] ¶°AMS°^•∅≠°A•i¿À¥·•X¶±S1°P¶±S1S6°4~Ifi•HSP™·'œ•hfsæ•X {¶b©ò μSS¶±S1™ 'e ±©E'·±Ä¶h f30 ¶±S1™ }¿Y°C
œ±a p° æ
• B©Û μ⁻©Ô μ©Eo" μ g LE... °TM • |¶Î° ™•X¶° p° æ °C"O
søË ø±aÆ..°ASí•i©B∅ ™] °C^^SU RESET"] ' '°^βY•i@œ p
æ -k°]00 00°^°C
¥, μ
@oe•E™ E' «•\∅≠E..±q•dEy £•Õ™ 15 kHz°A3 kHz©M400 Hz ™ H °C
∅;Sfi
A°AB ATS 9°A14
C α¿Y M% 11 •h α 11 ¥°SJ ™ • ' α 1 0 ÀSJ•d±a 5°A6 α±a p° æ 8°A14 μ' 10 q D M% 11 'O @ø" μ 11 '''¶° 5°A6°A11 ¥' μ 9°A14
D°AE ß°SÒ HX PRO ®t € 7°A14 ß°SÒ¥Óæ ®t € 5°A7°A14 ¶Th Ú¬o™iae 7°A14
Sony Corporation Printed in Malaysia
fμβi
^.. ReS1ReCEf q°A -S ±N•a À m°... S ©Û'BSÙ@E¿,E SS°C
S]S;S æ'¶•¥ }æ\~¥fl•HßKμo•Öf qÎM ¿I°C ° • ⓔe¶'¶ İÄE™ SH•hß@°C
wTMÔ¥f U°I
P;¬±zøô; Sony •fl È;n•dEy®œ•C°C æfiß@œ•C•a À m•H’e°A -•” ” ™ L•aa° ©'E-® β¥” ’OÍs•H ±N®” -T°C
-IM N¶b©O μE...°A oe±a®, ±TM
B ©M C ™ ]©w"O"□P™ °A¶]
MPX -o™iæ •u¶bø" μE... _B@
•E°C

• i±N¶'æ⁻ s±μ PHONES°C
* B\~Sòæ μ¥ÓßCæ 'Y qß\~Sò Í Á " © § •q±¬ v°s y°C
ß°Sò°ADOLBY°ASCE\~°D°-
“ß°SòÍÁ”©'S·qSB”°-°C
。C
•¥ }©ÒSjæ ® ∅Ôæx •dEy¶I m°C
2
^^ SUPOWER ^° AμM ^· ^^^ SU EJECT ^° C ÀSJ•d±a® ^^ SW•d±a ^^^ [°C
„•<æ SWBY•X { ce±a‘’¶°°]¢ °A¢ °A©E¢°
n@O™ S@ ±¥¬¶□Sv ÀSJ

text_image
Eφ ◦ ◦ ∧ ◦ ↓3
^^^ SU ^ C
•dÆyβY }©1©O μ°C 'æ,,©ÒSjæ™ μ q°C
• dEy • ∅¶bæfiβ@E...°M -βO'^SUPOWER@E≡EJECT°Cß_’h•i∅‡ | 1 a ø±a°C
| n | -^^SU |
| ±SÓCÒ μ | ■ |
| °» ± | ■ PAUSE °C¶A ^S@¶ °M'K•i 'I¥_©ò μ°C |
| ß÷ i¬ ©E ^¬ | ¶b•dEy ±SÓE.. ^SU ►►©E◄◄ |
| ®'•X•dta | ±SÓCÒ μ'·^SU ≜EJECT |
•E ± a^

text_image
2 SONY 4 5 3°E - " f4 ¶ ^ s±μ ÍE °C
1 •¥ }©ÒSjae q °A©Ò nø" μ™ `•ÿ'H °C
2 ^SU POWER°AμM'·^^SU ≜ EJECT°C ÀSJ·d±a® ^SW·d±a" [°C
„•<æ SWβY•X {œ±a‘’I°°]¢°A¢°A©E¢°°^°C
" nø" μ™ SE ±¥¬¶oSv™ SE¶V ÀSJ

text_image
ASJ3 ^SU ● REC°C
• dEy•ø¶bæfiß@SS°AS;S '^SUPOWER@EJECT°Cß_ h°A•i؆ 1 À œ±a°C
n'O @ø" μ•HßK N•\~ Q©Y μE.. ßÈ £ø" μ'O @Sp¡l°] - " f 1 1 °^°C
4 ±α→± REC LEVEL •H 'æn∅" μ q• °C
∅ " μ q • S £ W L ce
±a ·s ¶°©"¥£•<™ z Q q• °C
β 1@C"I 'æ,,Sβ'·°A
βY ±SÓ ̈·ÿ′H TM
©O μ°C

text_image
38 26 20 -10 4 0 3 -4 15 -19 L R aA•H30 TypeΦ ⒺE Type Φ θε aA•H30 Type Φ° θε5 ^SU || PAUSE ©E ▷°C
}©1ø" μ°C
6
}©1©O ̈·ÿ'H °C
n - ^SU
±Sóφ" μ ■
^o >> ±
■PAUSE°C¶A'\~S@I •H'I¥_ø" μ°C
®'•X•d±a
±SÓ∅" μ'·°A'\~SU≡EJECT

^ S S^ A B^ S O HX PRO* ®t E+N¶□ _B@•E

text_image
SONY DOLBY NR BALANCEn 'æ,ø" μ• ø E..
±α≠ BALANCE@ce „•<æ SW™ L°] •™¿W D°^©MR°] •k¿W D°^Eρ » q • p „•< μα±z©"β ±Ê™ q• °C
n•EB\~SÖYÖe ®t E∅" μE..
}©10" μ'e°A - E... wSEIV±¬+ DOLBY NR @I©" n™ ¶I m°X B ©EC°C
•EB\~SÖYÖe @t Eö\~FM°s° Ip™GS£Ø‡¿Ü±o ° Nμ ™GE...
}©lø" μ'e fÆ... wSËTV±ɒ+ DOLBY NR ¶<©" n™ ¶¶ m°]B ©E C°A±a MPX ¬o™iae ^°C¬o™iae • ¥ }°A@œß`SÒ¥Óæ @t ©™ 3@•ŒE™GßÜSj°C°] ¶ ^MPX¬o™iae " ”§ Æe°A -- " f14 ™ °ß N ay°®°C°^
* •- ÍSŒ°/°÷° •Ô £SB HX PRO™ °S¿æ\~'Y gß°SÒ Í Á "©" S •q±¬ v °s y°C
ß"Sò°ADOLBY°A¬°D°- ☐☐ SE HX PRO "ß"Sò Í Á "© S •qSß "°-°C
1 ^ DOLBY HX PRO TM ' "S E e ° A -- " f 1 4 m ° B Na y°®°C
3 ^SU || PAUSE ©E ▷ •H 'I¥_ø" μ°C

n¥°SJ4“I•HSWM-”TM TM •’ oeE..
^¶I ☐ REC MUTE ©” n™ •’ oe™ - °C4“I'·°A „•ae SS
TM °BREC°®±N•[ß÷ { ‘°C
If¿©Ò ☐ REC MUTE E...°A°¶||°®¬I'G¶"•dEy±N'Ï¥_¿HE...•i
ø” μ™ A°C
^SU || PAUSE @C ▷ •H‘Ï¥_ø” μ°C

n¥°SJ4"I•HSUM™ •' oE...
^SU □ REC MUTE SB '·°A;HE... ^SU || PAUSE BY•i°C•d
Ey±N <100° μ°» ±°C n "I¥_ø" μE..°A - ^SU□REC1"SE
"O || PAUSE°C
®oe•E'e™' N
Tw ^• , Tm ^ae
°E -S S¿ -æ~¥1°C¶] .. ¶ f q™ ¶M¿I°C ° -@e¶~~¶ ÍÆÊ™
SH" ±z™A >°C
°E US@¶ ·Ù¶Û™' Ê©E G È iSJæ~¥fIS A..°A -ßY@fiSU q u¥°
¡Y°A® -ß%~¶ ÍÆÊ™ SH¥¿±z¿À"d L•H'·S~•i•H¶A±μ q@œ
•€°C
q 12e