PANDORA MINI - Multieffets pour guitare KORG - Free user manual and instructions

USER MANUAL PANDORA MINI KORG

Precautions Location Using the unit in the following locations can result in a malfunction. • Locations of extreme temperature or humidity • In direct sunlight • Excessively dusty or dirty locations • Locations of excessive vibration • Close to magnetic fields

Be sure to turn the power switch to OFF when the unit is not in use. Remove the battery in order to prevent it from leaking when the unit is not in use for extended periods.

Interference with other electrical devices

Radios and televisions placed nearby may experience reception interference. Operate this unit at a suitable distance from radios and televisions.

To avoid breakage, do not apply excessive force to the switches or controls.

If the exterior becomes dirty, wipe it with a clean, dry cloth. Do not use liquid cleaners such as benzene or thinner, or cleaning compounds or flammable polishes.

After reading this manual, please keep it for later reference.

Keeping foreign matter out of your equipment

Never set any container with liquid in it near this equipment. If liquid gets into the equipment, it could cause a breakdown, fire, or electrical shock. Be careful not to let metal objects get into the equipment. This device complies with Part 15 of the FCC Rules. Opera‐ tion is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Complies with Canadian ICES‐003 Class B. Conforme au Reglement Canadian NMB‐003 classe B.

Notice regarding disposal (EU only)

If this symbol is shown on the product, manual, battery, or package, you must dispose of it in the correct manner to avoid harm to human health or damage to the environment. Contact your local administrative body for details on the cor‐ rect disposal method. If the battery contains heavy metals in excess of the regu‐ lated amount, a chemical symbol is displayed below the symbol on the battery or battery package.

THE FCC REGULATION WARNING (for USA)

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reason‐ able protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communica‐ tions. However, there is no guarantee that interference will not occur in a particular instal‐ lation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: • Reorient or relocate the receiving antenna. • Increase the separation between the equipment and receiver. • Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. • Consult the dealer or an experienced radio/TV technician for help. Unauthorized changes or modification to this system can void the user’s authority to operate this equipment. * All product names and company names are the trademarks or registered trademarks of their respective owners.

IMPORTANT NOTICE TO CONSUMERS This product has been manufactured according to strict specifications and voltage require‐ ments that are applicable in the country in which it is intended that this product should be used. If you have purchased this product via the internet, through mail order, and/or via a telephone sale, you must verify that this product is intended to be used in the country in which you reside.

WARNING: Use of this product in any country other than that for which it is intended could be dangerous and could invalidate the manufacturer’s or distributor’s warranty. Please also retain your receipt as proof of purchase otherwise your product may be disqualified from the manufacturer’s or distributor’s warranty.

Thank you for purchasing the KORG PANDORA mini personal multi‐effect processor. In order to enjoy your PANDORA mini, please read this owner’s manual carefully and retain it for future reference.

The PANDORA mini is a versatile multi‐effect unit that packs an incredible range of guitar amps, bass amps and effects into a compact unit which utilizes ” modeling technology to create detailed and Korg’s proprietary “ powerful modeling sounds. 158 types of effect variations with a maximum of seven effects that can be used simultaneously. 200 user and 200 preset programs  (Please refer to page 214 for program names.) Auto Tuner function You can also tune without being heard (i.e., while muted).

Rhythm function (Please refer to page 217 for rhythm pattern names.)

You can use 100 rhythm patterns or a metronome sound. AUX Pitch function You can transpose the pitch of audio that is input from the AUX jack. TAP/TUNER button You can set the delay time or the tempo of the Rhythm function to match the tempo of the song. Program Memory buttons Four Program Memory buttons enable you to switch between programs quickly. What is

(Resonant structure and Electronic circuit Modeling System) is KORG’s proprietary sound modeling technology which precisely reproduces the complex character and nature of both acoustic and electric instruments as well as electronic circuits in real world emulates a wide variety of sound generation characteristics environments. including instrument bodies, speakers & cabinets, acoustic fields, microphones, vacuum tubes, transistors, etc..

Inserting the Battery

Remove the battery cover located on the bottom of the PANDORA mini by sliding it in the direction of the arrow. Insert one AA alkaline battery as shown in the illustration. Be sure to insert the battery observ‐ ing the correct polarity. Battery Low display will light‐up. When the battery begins to run low, the Low Battery icon When this icon lights‐up, you should replace the battery as soon as possible. Programs and other data (except for the data being edited) will not be lost even if the battery is removed and changed. Battery that have run down must be removed from the PANDORA mini. If you leave a dead battery in the unit, malfunctions (battery leakage, etc.) may occur. You should also remove the battery when you do not expect to use the PANDORA mini for an extended period of time. Set the battery type (see p.31) to match the battery you use. You can also use USB bus power.

Controls and connectors

1. TAP/TUNER Button:

Use this button to set the delay time for delay models (see p.26) or to set the tempo in Rhythm mode (see p.20). In Play mode, pressing this button will place the PANDORA mini into Bypass or Mute mode and activate the tuner (see p.18).

2. RHYTHM button: Use this button to enter Rhythm mode (see p.20).

3. UTILITY button: Use this button to enter Utility mode (see p.30). 4. PLAY/EDIT button: Press this button to enter Play mode (see p.16). Press and hold down this button for approximately one second to enter Edit mode (see p.21). 5. USB connector: You can connect your computer to this connector using a USB cable so that you will be able to edit PANDORA mini programs in the Editor software that’s installed on your computer. When you connect the unit to a computer using a USB cable, USB bus power is supplied from the computer. Some computers may be unable to supply USB bus power. In such cases, use a battery or a self‐powered hub (that can receive power from an external power supply). 6. Power switch: Set this switch to STANDBY to power off, or to ON or USB to power on. If you use the PANDORA mini with a battery, set this switch to ON. If you use the PANDORA mini with USB bus power, set this switch to USB.

7. INPUT jack: Connect your guitar (or bass) to this jack.

8. OUTPUT jack: Connect your guitar amp, bass amp, or mixer, etc. to this jack. 9. VOLUME dial: Use this dial to adjust the volume level coming from the OUTPUT jack and headphones jack. 10. Program Memory buttons (A, B, C, D buttons): You can assign four of your favorite programs to the A–D buttons (see p.16). In Edit mode, use these buttons to select effect types or edit parame‐ ters. 11. Headphones jack: Connect headphones here. 12. Value dial: In Play mode, use this dial to select a program. In other modes, use this dial to edit parameters or configure various settings. 13. AUX jack: Connect a CD or Mp3 player to this jack. 14. LCD screen: Please refer to page 13 and subsequent pages.

1. Guitar/Bass icons: These icons indicate the selected program type.

2. Rhythm icon: This icon appears in Rhythm mode. 3. Utility icon: This icon appears in Utility mode. 4. USB icon: This icon appears when the PANDORA mini is connected to a computer using a USB cable.

5. Low Battery icon:

This icon will light‐up when the batteries run low. 6. Program name/Effect type display: This area shows the program name or effect type. When the PANDORA mini is bypassed or muted, this will function as the tuner. 7. Effect chain: This area indicates the on/off status of the DYNA, AMP, CAB, MOD, DLY, and REV effects. 8. Edit indicator: This indicator appears in Edit mode. 9. Number/Value display: This display indicates the program number or parameter value.

When connecting an external device (ie‐guitar amp, bass amp, CD player, etc.) be sure to turn the unit off. ● If a CD player or other audio source is connected to the AUX jack, you can play along with your guitar or bass. However the volume must be adjusted from the connected device. ● Use a standard monaural cable to connect the PANDORA mini’s OUTPUT jack to a guitar or bass amp. Only the L (Left) channel output will be heard. ● PANDORA mini’s output level and sound quality will vary depending on which headphones are used. We recommend using good quality low impedance headphones, 32 Ohms or less with a sensitivity rating near 100dB/mW or above. Many headphones sold for use with portable CD or Mp3 players will work just fine. ● Use the USB cable if you want to connect the PANDORA mini to your com‐ puter. For details on how to connect the PANDORA mini to your com‐ puter, refer to “Connecting to your computer.” ● If needed, you can attach the included rubber feet to the bottom of the PAN‐ DORA mini.

Play mode is the mode that you will usually use with the PANDORA mini.

Use the Value dial to select a program (see page 214 for program names). The program name/effect type display will indicate the program name. The number/value display will indicate the program number. You can choose from 200 rewritable user programs (000–199) and 200 preset programs (200–399). Program Memory buttons (A, B, C, D buttons) You can assign four programs to the A–D buttons. These can be your favorite programs, or programs that you plan to use in a performance. In this way, you can switch between programs quickly. Programs can be selected even when you are in Rhythm mode or Utility mode (excluding certain setting pages). Follow the steps below to assign programs to the Program Memory buttons. In this example, a selected program is assigned to the A button. 1 Rotate the Value dial to select a program you want to assign to the A button. 2 Press and hold down the A button for approximately one second.

“PGM>A” will appear on the LCD, indicating that the program is assigned to the A button.

Adjusting the volume

Use the VOLUME dial to adjust the volume level coming from the OUTPUT and headphones jacks. To adjust the volume for each program, use the Program Level parameter in Edit mode (see p.27).

When you press and hold down the TAP/TUNER but‐ ton for approximately one second, the PANDORA mini will bypass the effects and output the original dry sound (with no effects). The effect chain indica‐ tors on the LCD will blink, “BYPASS” will appear, and then the unit will enter Tuner mode.

Alternatively, to mute the sound during tuning, press and hold down the TAP/TUNER button for approxi‐ mately two seconds. The effect chain indicators will blink rapidly on the LCD, “MUTE” will appear, and then the unit will enter Tuner mode.

To return to Play mode from Bypass or Mute mode, press the TAP/TUNER button again, or press the PLAY/EDIT button.

The tuner is operable when you bypass or mute.

1 Play a single string on your guitar or bass.

The LCD will show the note name and the calibration. If the pitch is more than a semitone higher than the note name, a sharp symbol will appear at the upper right of the note name. 2 The display area will act as a meter to show the pitch. Tune each string of your guitar or bass so that the indicator above the center mark is lit‐up. Calibration (Standard pitch A = 440) You can use the Value dial to adjust the calibration in the range of A = 438 Hz– 445 Hz. The calibration setting you make will remain until the power is turned off. Once the power is turned off, calibration will be reset to A = 440 Hz.

You can choose from 100 rhythm patterns (see page 217 for the rhythm pattern names).

To enter Rhythm mode, press the RHYTHM but‐ ton in Play mode (but not in Mute or Bypass mode). The selected rhythm pattern will start playing. The Rhythm icon will blink in sync with the tempo of the rhythm pattern. To stop playing the rhythm pattern, press the PLAY/EDIT button to exit to Play mode.

Pressing the RHYTHM button repeatedly will cycle through the pages for pattern selection, tempo (40–240), pattern volume (0.0–10.0), and reverb level (0.0–10.0).

The value dial can be used to adjust settings on each page. You can also set the tempo by pressing the TAP/ TUNER button in Rhythm mode a few times at the desired interval.

This uses the same reverb as the program effect. This parameter has no effect if you have selected a program that does not use reverb modeling, or if the reverb effect level is “0.”

No changes to the settings in this mode will be retained if you turn the power off without switching back to Play mode.

In this mode you can turn each effect on or off, and edit the effect type, parameter values, and program name for each program. In Play mode, press and hold down the PLAY/ EDIT button for approximately one second. The Edit indicator (see p.14) will appear and the unit will enter Edit mode. You can also rename or write programs (which you can save as user programs) in Edit mode.

Turning effects on or off

Moving pages Selecting back and forth the type

Selecting the effect page you want to edit

Press the A or B button to select the page that you want to edit. If you select the effect page, the corresponding effect chain indicator will blink (see p.14).

For each effect, you can select the effect type and set its parameter values. Pressing the UTILITY(ENTER) button repeatedly will turn the effect on or off. If you select the effect type using the C or D button for an effect that is turned off, that effect will automatically be turned on. If a program was not written after it was edited, the decimal point of the program number will light. Before The edited settings will return to the settings of the orig‐ inal program if you switch programs or turn off the power without Writing.

For details on the effect types and parameters, refer to Effect

Parameters (p.34). To exit Edit mode, press the PLAY/EDIT(EXIT) button to return to Play mode.

Selecting and setting the parameters for dynamics and pickup modeling effects Use the C and D buttons to select an effect. Use the Value dial to set the parameters. Selecting amp modeling effects Use the C and D buttons to select an effect. The Value dial will be disabled. The number/value display will indicate “Gt” if you have selected a guitar model. The display will indi‐ cate “bA” if you have selected a bass model. Setting the gain [GAIN] (distortion amount) and mid-range frequency [MIDFREQ] for the selected amp model The C and D buttons will be disabled. Use the Value dial to set the value.

Adjusting the cut and boost for the high range of the selected amp model

The C and D buttons will be disabled. Use the Value dial to set the value. Adjusting the cut and boost for the mid range of the selected amp model The C and D buttons will be disabled. Use the Value dial to set the value. Adjusting the cut and boost for the low range of the selected amp model The C and D buttons will be disabled. Use the Value dial to set the value. Selecting and setting parameters for cabinet modeling effects Use the C and D buttons to select an effect. Use the Value dial to set the parameters.

The value display will indicate “Gt” for approximately one second if you’ve selected a guitar amp cabinet, or “bA” if you’ve selected a bass amp cabinet.

Selecting and setting parameters for modulation and filter-type modeling effects Use the C and D buttons to select an effect. Use the Value dial to set the parameters. Selecting delay modeling effects Use the C and D buttons to select an effect. Use the Value dial to set the parameters. Setting the delay time for the selected delay The C and D buttons will be disabled. Use the Value dial to set the value. SLAP1–5 (0–500ms), DELAY1–MULTI5 (0–2 sec) You can also set the delay time by pressing the TAP/TUNER button repeatedly at the desired interval. If any of SLAP1‐5 have been selected, a quarter of the interval between each press of the TAP/TUNER button will be used as the delay time.

Selecting reverb modeling effects

Use the C and D buttons to select an effect. Use the Value dial to set the parameters. Setting the noise reduction value The C and D buttons will be disabled. Use the Value dial to set the value. (0.0–10.0) Increasing this value will produce more noise reduction. Normally you will adjust this so that you do not hear obtrusive noise when the strings are lightly muted. Setting the program level The C and D buttons will be disabled. Use the Value dial to set the value. (0.0–10.0)

Renaming the programs

Use the C or D button to select a letter you want to change. Rotate the Value dial to select a character. You can rename a program using up to 10 characters. The following characters can be used:

Setting the program type icon

The C and D buttons are disabled. Use the Value dial to select the guitar or bass icon.

WRITE Here you can write (store) a program that you cre‐ ated. Use the Value dial to select the writing destina‐ tion (User programs only: 000–199). To cancel writing a program, press the A (or B) Button to select a differ‐ ent screen.

To write the program, press the UTILITY(ENTER) button. When the program has been written, the LCD will indicate “COMPLETED” for approximately one second. Before writing an edited program to a different program number, be sure that you do not mind overwriting the data that is currently stored in that program number. The program data that is overwritten will be lost. It is not possible to write to a preset program (200–399).

In this mode, you can set the AUX pitch, LCD backlight, and other parameters. In Play mode, press the UTILITY button. The Utility icon will appear and the unit will enter Utility mode.

Selecting and configuring the utility setting pages

Pressing the UTILITY button repeatedly will change utility setting pages. Rotate the Value dial to set the parameters on each page. To cancel settings, press the PLAY/EDIT button to exit to Play mode. The settings changed in this mode are retained even when the power is turned off. AUX pitch While this page is displayed, you can adjust the pitch of the sound that’s input from the AUX jack in the range of +/‐ one octave in steps of 10 cents (up to +/‐3 semitones) and in steps of one semitone or 100 cents (beyond +/‐3 semitones). Sound input from the AUX jack will be output in monaural.

Use the Value dial to turn the backlight on/off. If you are using batteries, the battery life will be shorter if the backlight is on. Specifying the battery type To display the remaining battery power correctly, you must specify the type of battery that you use. Select “AL” for an alkaline battery, and “nH” for an NiMH battery.

Loading the factory-set data

Here’s how to load the preloaded data. This will load the factory‐set effect pro‐ grams, Rhythm mode, and Utility mode settings. Be aware that if you reload the factory programs, the user programs and any settings user made will be overwritten. 1 While holding down the RHYTHM button and the A Button, turn on the power. 2 Release your fingers from the buttons when the LCD indicates “PX MINI.” The LCD will ask “RELOAD?” 3 Press the UTILITY(ENTER) button. The display will indicate “RELOAD”, “VERIFY”, “COMPLETED” for a short time, and the factory‐set programs will be re‐loaded into the user pro‐ gram area. Then the power‐on screen will appear. If you decide not to reload, press the PLAY/EDIT(EXIT) button while the “RELOAD?” indication is still shown. The factory programs will not be reloaded; the normal power‐on screen will appear, and the PANDORA mini will be in Play mode. Never turn off the power during the reload operation.

Connecting the PANDORA mini to a computer

You can edit programs using the Editor software installed on a computer con‐ nected to the PANDORA mini via a USB cable.

Using the Editor software

You can edit the PANDORA mini’s programs and manage the library by using the special Editor software that’s installed on your computer along with the Korg USB‐MIDI driver. You can download the Korg USB‐MIDI driver and Editor software from the following Korg website: http://www.korg.com/ For information on installing and using the Editor software, refer to the instruction manual for the Editor software.

DYNA: Dynamics & Pickup modeling Types marked by an asterisk (*) indicate effects for bass guitars. C, D buttons (TYPE ▲, ▼)

Adjusts sensitivity. (1.0–10.0)

Adjusts sensitivity. (0.0–10.0) VOX WAH Adjusts location of a pedal. (1.0–10.0) WAHUP1, WAHUP2, WAHDWN1, WAHDWN2 Adjusts sensitivity. (0.0–10.0) SLOWATK Specify the attack speed. (1.0–10.0) OCTAVE Adjusts effect level. (0.0–10.0) Specify the frequency. (1.0–10.0) RING RINGUP, RINGDWN Adjusts sensitivity. (0.0–10.0)

COMP DYNAEXC Adjusts tone. (0.0–10.0)

Adjusts sensitivity. (1.0–10.0) Specify the compression ratio. (0.0–10.0) Amount of distortion. (1.0–10.0)

Adjusts tone. (0.0–10.0)

Specify the frequency. (0.0–10.0) Adjusts tone. (0.0–10.0)

In order to take full advantage of the characteristics of Amp Modeling, we rec‐ ommend that you use it in conjunction with Cabinet Modeling when listening through headphones or when recording from the line output. Types marked by an asterisk (*) indicate effects for bass guitars. If you have selected SYNTH as the effect type, use the Value dial on each parameter page to set the filter depth and decay, and to select and adjust the waveform (see p.36). C, D buttons (TYPE ▲, ▼)

BTQ CLN, BTQ OD, TWD1X12,

TWD4X10, BLK2X12, AC15, AC30, AC30TB, UKBLUES, UK '70S, UK '80S,

UK MDN, US HI-G, US MDN, FUZZ Disabled when the TYPE is displayed.

<GAIN>: amount of distortion. (0.0–10.0) <TREBLE>: high range. (0.0–10.0) <MIDDLE>: mid range. (0.0–10.0) <BASS>: low range. (0.0–10.0)

VALVE*, VALVE2*, CLASSIC*,

SCOOPED*, LA STUD*, GOLDPNL*, JAZZ*

Disabled when the TYPE is displayed.

<MIDFREQ>: mid-range frequency. (1–5) <TREBLE>: high range. (0.0–10.0) <MIDDLE>: mid range. (0.0–10.0) <BASS>: low range. (0.0–10.0)

Disabled when the TYPE is displayed.

<GAIN>: amount of distortion. (0.0–10.0) <TREBLE>: high range. (0.0–10.0) <MIDDLE>: mid range. (0.0–10.0) <BASS>: low range. (0.0–10.0)

SYNTH Refer to separate Synth parameters.

Adjusts the sensitivity of the synth in response to the volume of the guitar or bass. (1.0–10.0)

0: Sawtooth wave, two octaves down. 1: Sawtooth wave, one octave down.

2: Sine wave, one octave down. 3: Sawtooth wave. 4: Sine wave. 5: Sawtooth wave, one octave up. 6: Sine wave, one octave up. 7: Sine wave, two octaves up. Oscillators 8–15 are oscillators 0–7 but with portamento turned on.

VCF Voltage Controlled Filter sensitivity adjustment.

0.0–4.7 is sensitivity adjustment in the positive (+) direction, and 5.0–10.0 is sensitivity adjustment in the negative (-) direction. Set this to 5.0 for a sine wave oscillator.

SYN LVL Adjusts the volume of the synth. (0.0–10.0)

The Synth is effective only when single notes are played. The desired effect will not be obtained if chords are played.

If your instrument is not tuned correctly, the results may not be as you expect. In this case, re‐tune your instrument. If the sound is unpleasantly distorted, lower the “SYN LVL” until the sound is no longer distorted.

CAB: Cabinet modeling

Types marked by an asterisk (*) indicate effects for bass guitars. C, D buttons (TYPE ▲, ▼)

1X8TWD, 2X10BLK, 4X10TWD, 1X12TWD, 1X12VOX,

2X12BLK, 2X12VOX, 4X12VOX, 4X12CLS, 4X12MDN, 4X12VIN, LA 4X10*, MDN4X10*, MTL4X10*, CLS8X10*,  UK 4X12*, STU1X15*, JAZ1X15*, AC 2X15*, US 2X15*,  UK 4X15*, LA 1X18*, COMBI*

Presence: Adjusts the tone of the high-frequency range.

Adjusts modulation speed. 

Adjusts modulation speed. 

Adjusts modulation speed. 

Adjusts modulation speed. 

Specifies the level where the rotary

ROTARY2, ROTARY3 speeds switch. (1.0–10.0) Amount of pitch shift (-24, -17, -12… PITCH1, PITCH2, PITCH3 -01, -d, d, 01…12, 19, 24) (d = detune) MAJ3UP, MAJ3DWN, MIN3UP, MIN3DWN, PER4TH, Intelligent pitch shifter:  PER5TH, MAJ6TH Specify the key. (C, C–A, B) 0.0–4.7: adjusts the effect level. FEEDBK1, FEEDBK2, FEEDBK3, FEEDBK4 5.0–10.0: adjusts the vibrato depth. FILTER Adjusts frequency. (1.0–10.0) FILTUP1, FILTUP2, FILTDN1, FILTDN2, TALK1, TALK2, TALK3, TALK4 RANDOM1, RANDOM2, RANDOM3, RANDOM4

Adjusts sensitivity. (0.0–10.0)

Adjusts modulation speed.  (0.10–10.0 [Hz])

About the Intelligent Pitch Shifter

The Intelligent Pitch Shifter (MAJ3UP–MAJ6TH) creates musically useful har‐ monies by varying the amount of pitch shift according to the note you play and the key in which you are playing. For example if you select a pitch shift value of a 3rd up in a major key (MAJ3UP), the amount of pitch shift will vary automatically between three semitones (a minor third) and four semitones (a major third). ● When MAJ3UP is used with a key setting of C  The pitch created by the intelligent pitch shifter is shown in parenthesis ( ). The PANDORA mini provides seven types of intelligent pitch shifting, with intervals of a 3rd, 4th, 5th, and 6th. (For the 3rd, you can select either the upper or lower part, and a major or minor key.) If your instrument is not tuned correctly, the results may not be as you expect. In this case, re‐tune your instrument. The intelligent pitch shifter will function when you play individual notes. It cannot produce the effect for chords.

Each delay type, (1, 2, 3, 4, 5) has different amounts of feedback. C, D buttons (TYPE ▲, ▼)

Adjusts effect level. (0.0–10.0)

To set the delay time, go to the next page (DLYTIME) and use the Value Dial.

The specified delay time can be a maximum of 500ms for SLAP1–5 or a maxi‐ mum of 2 sec for DELAY1–MULTI5. You can also set the delay time by pressing the TAP/TUNER button repeatedly at the desired interval. If any of SLAP1‐5 have been selected, a quarter of the interval between each press of the TAP/TUNER button will be used as the delay time.

REV: Reverb Modeling

C, D buttons (TYPE ▲, ▼)

Adjusts effect level. (0.0–10.0)

If the PANDORA mini does not function as you expect, please check the fol‐ lowing points first. ○ Power does not turn on. • Is a battery installed? Alternatively, is the USB cable connected correctly and securely? ○ No sound • Are your guitar or bass, amp and/or headphones connected to the correct jacks? • Is your amp turned on and set correctly? • Are any cables broken? If you can hear sound from headphones connected to the unit, there may be a problem somewhere after the output stage. • Check to make sure that the program level is not set to “0” or a low value. • The VOLUME dial may have been turned down.

• Is the PANDORA mini muted?

Be aware that if all effects are off, the chain display will disappear, and it will not be possible to distinguish Bypass or Mute from the LCD display. • Is the volume of your guitar turned down? ○ The volume from the device connected to the AUX jack is too loud or too soft, or cannot be heard. • Adjust the output level of the connected device. Try using the headphone jack of the device, instead of its line output. ○ Effects are not applied. • Check to make sure that the Bypass or Tuner indicator is not displayed. • Are the effects used in the program turned on? ○ Tuner doesn’t work. • Is the PANDORA mini bypassed or muted?

Effects: 158 types (Maximum number of effects available simultaneously: 7) Number of programs User: 200, Preset: 200 Inputs:

Guitar/Bass INPUT (1/4” jack), AUX (mini stereo jack)

detection range: 27.5 Hz–2,093 Hz (A0–C7) calibration: A = 438 Hz–445 Hz

number of pattern: 100 Tempo: =40–240

One AA alkaline dry cell or NiMH rechargeable battery,

USB bus power supply

Alkaline battery/NiMH rechargeable battery (1900mAh)

Allows approx. 5 (Al) or 6 (NiMH) hours of continuous use (backlight OFF)  Allows approx. 3 (Al) or 4 (NiMH) hours of continuous use  (backlight ON)

88 × 56 × 30mm/3.15 × 2.2 × 1.18 inches

(not including protrusions)

80g/2.82 oz. (not including battery)

Included items: Alkaline Batteries (for checking recorder operation), 

Owner’s manual, Rubber feet *

Specifications and appearance are subject to change without notice for improvement.

REGISTER ONLINE! www.korg.com/register

Register your Korg product online at www.korg.com/register For US.purchasers only. 45

VALVE*, VALVE2*, CLASSIC*,

SCOOPED*, LA STUD*, GOLDPNL*, JAZZ*

1X8TWD, 2X10BLK, 4X10TWD, 1X12TWD, 1X12VOX,

2X12BLK, 2X12VOX, 4X12VOX, 4X12CLS, 4X12MDN, Presence: Règle la tonalité de la 4X12VIN, LA 4X10*, MDN4X10*, MTL4X10*, CLS8X10*,  plage des hautes fréquences. UK 4X12*, STU1X15*, JAZ1X15*, AC 2X15*, US 2X15*,  (0.0~10.0) UK 4X15*, LA 1X18*, COMBI*

PITCH1, PITCH2, PITCH3

MAJ3UP, MAJ3DWN, MIN3UP, MIN3DWN,

PER4TH, PER5TH, MAJ6TH Guitar/Bass INPUT (1/4” jack), AUX (mini stereo jack)

Dimensions (LxPxH): 88 × 56 × 30mm (sorties non comprises)

Synthesizer-Parameter

1X8TWD, 2X10BLK, 4X10TWD, 1X12TWD, 1X12VOX, 2X12BLK,

2X12VOX, 4X12VOX, 4X12CLS, 4X12MDN, 4X12VIN, LA 4X10*, MDN4X10*, MTL4X10*, CLS8X10*, UK 4X12*, STU1X15*, JAZ1X15*, AC 2X15*, US 2X15*, UK 4X15*, LA 1X18*, COMBI*

PITCH1, PITCH2, PITCH3

MAJ3UP, MAJ3DWN, MIN3UP, MIN3DWN, PER4TH,

PER5TH, MAJ6TH BTQ CLN, BTQ OD, TWD1X12,

TWD4X10, BLK2X12, AC15, AC30, AC30TB, UKBLUES, UK '70S, UK '80S,

UK MDN, US HI-G, US MDN, FUZZ VALVE*, VALVE2*, CLASSIC*, 

SCOOPED*, LA STUD*, GOLDPNL*, JAZZ*

1X8TWD, 2X10BLK, 4X10TWD, 1X12TWD, 1X12VOX,

2X12BLK, 2X12VOX, 4X12VOX, 4X12CLS, 4X12MDN, 4X12VIN, LA 4X10*, MDN4X10*, MTL4X10*, CLS8X10*,  UK 4X12*, STU1X15*, JAZ1X15*, AC 2X15*, US 2X15*,  UK 4X15*, LA 1X18*, COMBI*

PITCH1, PITCH2, PITCH3

MAJ3UP, MAJ3DWN, MIN3UP, MIN3DWN, PER4TH,

PER5TH, MAJ6TH REV: Reverb Modeling

C, D botones (TYPE ▲, ▼)

TRAPPED J-CLEAN VELVET PHASCLN WILD ACOUSTC ROCK BUBBLES AWHOSTX NUGLORY VOXTREM PUDDLE FABTONE 50TWEED CL FLNG BOWATTK LUCKY

332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348

NEMO PM CLEAN POP JAZZY UK 80

HUMBLE G SYNTH PIEZO US MDN ROTARY FEEDBK HRM SYN PASS BLUES VOXWAH US HI-G SLOWPAN No.

349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365

CHARLOT SUBSYNT ADD6MOR PARALIZ SWEETOD PAPA YAH VOC SHADOWS RINGER BONEHED TAPROOM OCTBASS OVERDRV WAVE THUMB COUNTRY MOTOWN No.

383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399

No. 000 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019

4015-2 Yanokuchi, Inagi-city, Tokyo 206-0812 Japan