KAOSS PAD ENTRANCER - Audio Effects KORG - Free user manual and instructions

USER MANUAL KAOSS PAD ENTRANCER KORG

Using the unit in the following locations can result in a malfunction.

• In direct sunlight
• Locations of extreme temperature or humidity
• Excessively dusty or dirty locations
• Locations of excessive vibration
• Close to magnetic fields

Power supply

Please connect the designated AC adapter to an AC outlet of the correct voltage. Do not connect it to an AC outlet of voltage other than that for which your unit is intended.

Interference with other electrical devices

Radios and televisions placed nearby may experience reception interference. Operate this unit at a suitable distance from radios and televisions.

Handling

To avoid breakage, do not apply excessive force to the switches or controls.

Care

If the exterior becomes dirty, wipe it with a clean, dry cloth. Do not use liquid cleaners such as benzene or thinner, or cleaning compounds or flammable polishes.

Keep this manual

After reading this manual, please keep it for later reference.

Keeping foreign matter out of your equipment

Never set any container with liquid in it near this equipment. If liquid gets into the equipment, it could cause a breakdown, fire, or electrical shock.

Be careful not to let metal objects get into the equipment. If something does slip into the equipment, unplug the AC adapter from the wall outlet. Then contact your nearest Korg dealer or the store where the equipment was purchased.

THE FCC REGULATION WARNING (for U.S.A.)

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

Reorient or relocate the receiving antenna.
- Increase the separation between the equipment and receiver.
- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
- Consult the dealer or an experienced radio/TV technician for help.

Unauthorized changes or modification to this system can void the user's authority to operate this equipment.

CE mark for European Harmonized Standards

CE mark which is attached to our company's products of AC mains operated apparatus until December 31, 1996 means it conforms to EMC Directive (89/336/EEC) and CE mark Directive (93/68/EEC).

And, CE mark which is attached after January 1, 1997 means it conforms to EMC Directive (89/336/EEC), CE mark Directive (93/68/EEC) and Low Voltage Directive (73/23/EEC).

Also, CE mark which is attached to our company's products of Battery operated apparatus means it conforms to EMC Directive (89/336/EEC) and CE mark Directive (93/68/EEC).

Introduction

Thank you for purchasing the KAOSS PAD Entrancer audio/video processor.

To ensure trouble-free enjoyment, please read this manual carefully and use the product as directed.

Main features

Use the X-Y touch-pad to freely control audio and video effects in a single performance.

By rubbing your finger across the touch-pad or tapping it, you can simultaneously control different effect parameters in the horizontal and vertical directions, allowing you to manipulate images and/or audio processing in realtime.

One hundred video effect programs and combinations dramatically transform the images

The KAOSS PAD Entrancer provides one hundred ready-to-use video effect programs, letting you apply dramatic effects to any type of image. These effects cover a wide range, from basic effects such as fade, wipe, color modification, freeze, flip left/right, invert top/down, rotate, and expand/shrink, through sophisticated effects such as split-screen, inverted image components, sandstorm, monochrome compositing, delay, strobe, emboss, and even shrinking while spinning! You can use the knobs to easily select effect programs, and register eight of your favorites to the program memory buttons.

One hundred audio effect programs for DJ mixes and sound design

The KAOSS PAD Entrancer provides one hundred audio effects that include filters, spatial-effects such as delay and reverb, and modulation effects such as flanger, phaser, and pan. Numerous analog synth sounds and ambient sounds are also built-in, making the KAOSS PAD Entrancer an ideal tool not only for the VJ but also for DJ/remix/music production work.

BPM effect functionality with a variety of BPM detection

Twenty BPM effects can be synchronized to the BPM to control delay time or the LFO speed of pan, phaser, or flanger effects. You can set the BPM manually, use the Auto BPM to automatically detect the beat of an audio input source, use the Tap Tempo function to set by BPM by tapping the Tap key, or detect BPM from incoming MIDI Clock messages.

Ten types of Sample/Play effect let you sample motion video, still images, and audio

You can directly sample and play back the output image or an input phrase (a six-second motion video sample, plus a still image and six-second phrase for each of the two sample keys)

Pad Motion function and Mute/Freeze function for realtime operation

The Pad Motion function lets you capture a favorite or complex movement on the touch-pad, which can then be played back instantly to control images and sound. The Mute/Freeze function lets you freeze the image that is being output.

Easy connection to video equipment or other VJ devices

The KAOSS PAD Entrancer provides a full range of inputs and outputs for connection to your VJ setup or any other situation. MIDI connectors allow the KAOSS PAD Entrancer to be used with external keyboards, samplers, sequencers or effect devices as a controller for sounds or effects. By using the KAOSS PAD Entrancer with external equipment you can enjoy a nearly infinite range of possibilities for controlling images and sounds.

"Light" adds an exciting dimension to your live performances

The pad color changes dramatically depending on the position of your finger on the pad and on the type of effect selected. These colorful lighting effects will add a dramatic element to your performance.

Compact size that fits into any setup

With a compact size, and a highly functional design, the KAOSS PAD Entrancer occupies minimal space and will easily fit into any setup.

How to read this manual

Indicates a caution or warning.

Indicates a useful hint.

Indicates a reference page.

Indicates material relating to video effects.

Indicates material relating to audio effects.

A note about using this video device

Some people subjected to stimulation by intense light or rapidly flashing images may experience symptoms of temporary muscle spasms or loss of consciousness. If you experience any such symptoms, stop using this device immediately and seek medical attention. In particular when using this device in a public place or other location where there are large numbers of people, you must take into account people other than the operator, and avoid creating and displaying continuous successions of images that might produce this type of intense stimulation.

Korg Corporation accepts no responsibility for any health problem or personal or property damage that may occur to the operator or observers from use of this device in violation of this warning.

Parts and their function

Top panel

1. [CONTROL SELECT] switch
2. [PEAK] indicator
   3.[LINE INPUT VOLUME] knob
3. [FX BALANCE] knob
4. [PROGRAM/BPM] display
5. [PROGRAM/BPM] knob
6. [PROGRAM MEMORY 1-8] keys
7. [TAP/BPM] key

8. Touch-pad

9. [PAD MOTION / MUTE/FREEZE] lever

10. [HOLD] key
11. [FUNCTION] key
12. [SAMPLE 1], [SAMPLE 2] keys
13. [REC/STOP] key
14. [VIDEO 2] indicator

Care of the touch-pad

Never apply excessive force to the touch-pad or place heavy objects on it. Rough handling may crack or break the touch-pad. Rubbing or scraping the surface of the touch-pad with a sharp object will scratch it; you must operate it only with your fingers. To clean the touch-pad, wipe it gently with a soft dry cloth. Do not use organic solvents such as thinner, since this may cause deformation.

Front panel

1. [PHONES] output jack
2. [PHONES VOLUME] knob

3. [VIDEO SELECT] switch

4. [INPUT 2] S-video jack

5. [INPUT 2] video jack

Rear panel

1. Power switch
2. Power connector
3. [MIDI IN], [MIDI OUT] connectors
4. [CONNECTION] switch

5. [NTSC/PAL] switch

6. [OUTPUT] S-video jack

7. [OUTPUT] video jack
   8.[OUTPUT]audiojacks
8. [INPUT] video jack
9. [INPUT] audio jacks

Connections

Video

About video signals

The KAOSS PAD Entrancer can be used with either NTSC or PAL video formats. Set the [NTSC/PAL] switch to the appropriate format setting for the video materials you will be using. The KAOSS PAD Entrancer will not operate correctly if the incorrect video signal format is selected. The KAOSS PAD Entrancer will not operate correctly with non-interlaced signals.

"NTSC" is the standard format used within the USA, Canada and Japan.

You must turn off the power before you change the setting of the [NTSC/PAL] switch.

The KAOSS PAD Entrancer will not operate if a copy-protected video signal is input.

Striped noise may appear in the image depending on the performance and characteristics of the device connected to the S-video input jack.

Audio

Here's an example of connections for applying effects to the audio input from devices connected to the KAOSS PAD Entrancer's input jacks, and sending the processed sound from the output jacks.

DJ mixer connections

Connect the effect send jack of your DJ mixer etc. to the KAOSS PAD Entrancer's [INPUT] audio jack, and connect the KAOSS PAD Entrancer's [OUTPUT] audio jacks to the effect return jacks of your mixer. This lets you use the KAOSS PAD Entrancer as an external effect processor.

When connecting the KAOSS PAD Entrancer to the effect send/return jacks of your mixer

If you set the KAOSS PAD Entrancer's [CONNECTION] switch to FX LOOP, the output of the KAOSS PAD Entrancer's [OUTPUT] audio jacks will not include the sound that is input to the KAOSS PAD Entrancer; only the effect sound will be output. To adjust the effect depth and volume, use the KAOSS PAD Entrancer's [FX BALANCE] knob and the controls of your mixer.

Operation

1. Turning on the power

1. Connect your equipment as described in the connection examples, and plug the AC adaptor into an AC outlet.
2. Press the [STANDBY] switch to turn on the power. The [PROGRAM/BPM] display will light.
   An image will appear on the connected TV monitor.

To turn off the power

Press the [STANDBY] switch once again.

2. Checking the video input

1. Output a video signal from a connected device.
2. Use the [VIDEO SELECT] switch to select the input jack that is receiving the video signal you want to process.

1: The effect will apply to video input 1.
2: The effect will apply to video input 2 (or S-video input 2). The [VIDEO 2] indicator will light.

If no signal is being input to video input 2, the [VIDEO 2] indicator will blink.

note S-video input 2 takes priority for video input 2.

3. Adjusting the volume

1. Output audio from a connected device.
2. Adjust the audio input level. Use the [LINE INPUT VOLUME] knob to adjust the input level so that the peak indicator does not light red.

If you are using headphones

Use the [PHONES VOLUME] knob to adjust the volume.

4. Selecting a program

1. Use the [CONTROL SELECT] switch to select the signal (video, audio) that you want to process with the effect.
   Use the left position to apply effects to the audio, or the right position to apply effects to the video. If you select COMBI (center position), effects will be applied to both audio and video.
   Note Refer to "Creating a COMBI program"
2. The [PROGRAM/BPM] display shows the number of the currently selected program. Use the [PROGRAM/BPM] knob to select a program (00-99).
3. Use the [FX BALANCE] knob to adjust the effect depth.
   Turning this knob to the far left will lessen the effect; turning it to the far right will produce the maximum effect.

The result will depend on the effect you select.
If this knob is set to the far left, no effect will be applied to the sound ("dry"); if the knob is set to the far right, the maximum effect will be applied ("wet").
If you want to use the [FX BALANCE] knob to adjust the effect depth, set the [CONNECTION] switch to DIRECT.

About the [PROGRAM/BPM] display

This shows the number of the currently selected program, the specified BPM, and the position of the point at which you touch the touch-pad.

When you touch the touch-pad: The position you touched (1.1-9.9; 5.5 is center) is displayed.

Vertical position (1-9)

Horizontal position (1-9)

When you switch programs: The display shows the program number (00-99). In Combination mode, this may indicate (-) for some settings when you use the program memory keys to recall a program.

When you set the BPM: When you use the [TAP/BPM] key to set the BPM, the display shows the BPM value. In Auto BPM mode, three dots will light.

In Pattern Select mode: The display shows the number of the currently selected pattern.

In MIDI Edit mode: The display shows information such as the MIDI channel or control number.

5. Using the touch-pad

1. Rub your finger over the touch-pad or tap (lightly strike) it to control the effect (sound).
   Note Affix the included protective sheet to the pad to help protect it.
2. If you turn on the [HOLD] key, the effect (sound) for the position immediately before you removed your finger from the touch pad will be maintained.

6. Mute/Freeze function

By moving the [PAD MOTION / MUTE/ FREEZE] lever to the MUTE/FREEZE position (toward yourself) you can perform the following operations.

The current video image will freeze.
The currently-input signal, sampling sound, or synth/drum sound will be cut. This lets you output only the effect sound (e.g., delay or reverb).

Transformer

By using the [PAD MOTION / MUTE/ FREEZE] lever to rapidly switch MUTE on/off, you can create a rhythm from a sustained input sound; this is the "transformer" technique often used by DJs.

7. Pad motion

You can capture a series of finger movements performed on the touch-pad, and replay that motion by moving the [PAD MOTION / MUTE/FREEZE] lever to PAD MOTION.

[HOLD] key on/off operations are not recorded in a Pad Motion. If you turn the [HOLD] key on and replay a Pad Motion, the effect will be held at the point where pad motion playback stopped.

Recording

When you move the [PAD MOTION / MUTE/FREEZE] lever to PAD MOTION and touch the pad, recording will begin. Since taking your finger off the touch-pad is also recorded as an operation, you can record operations such as tapping (lightly striking the pad several times). Recording will end when you return the [PAD MOTION / MUTE/FREEZE] lever, or when the maximum recording time (approximately six seconds) has been reached.

Playback

After recording, move the [PAD MOTION / MUTE/FREEZE] lever to PAD MOTION to play back the recorded motion. While the [PAD MOTION / MUTE/FREEZE] lever is in the PAD MOTION position, the recorded movement will be played back repeatedly as a loop. However if you touch the touch-pad during playback, recording will begin. If you change programs, the pad motion that was recorded in the selected program will be recalled.

Erase

To erase the recorded motion, hold down the [FUNCTION] key and move the [PAD MOTION / MUTE/FREEZE] lever to PAD MOTION.

8. Setting the BPM

If you have set the BPM, you can select an effect program from the "BPM FX" or "BPM PTN" group and apply an effect that is synchronized to the BPM. For details on the relevant effect parameters, refer to the Effect Program List (separate sheet).

What is BPM?

BPM (Beats Per Minute) indicates the tempo of a song in terms of the number of beats (quarter notes) per minute. A higher BPM means a faster tempo.

To set the BPM

If you already know the BPM value, press the [TAP/BPM] key and use the [PROGRAM/BPM] knob to specify the value. If you do not set the BPM value within five seconds, normal operation will resume. You can also press the [FUNCTION] key to return to normal operation.

Note The range for BPM is 40-300.

Tap Tempo function

If you don't know the BPM, set the tempo by pressing the [TAP/BPM] key two or more times at the beat of the song; the BPM will appear in the [PROGRAM/BPM] display.

Auto BPM function

If you press and hold the [TAP/BPM] key for several seconds, three dots will appear in the [PROGRAM/BPM] display, and the BPM of the input audio will be detected automatically. If the BPM cannot be detected, the [PROGRAM/BPM] display will blink. Press the [TAP/BPM] key once again to exit automatic detection.

Note The detectable BPM range is 80-160.

MIDI Sync function

You can set the BPM to MIDI clock messages from an external MIDI device. Connect the [MIDI OUT] connector of the external MIDI device (e.g., a sequencer) that is sending MIDI clock messages to the [MIDI IN] connector of the KAOSS PAD Entrancer. In order to make the KAOSS PAD Entrancer synchronize to sequence data, you will either need to insert a "Touch Pad On" message at the beginning of each measure in your sequence data, or touch the KAOSS PAD Entrancer's touch-pad at the beginning of the phrase to start the phrase pattern.

role If you want the KAOSS PAD Entrancer to receive MIDI Clock and Touch Pad On messages, go to MIDI Edit mode (p.11) and make settings in "MIDI message transmission/reception settings" (p.12) so that these messages will be received.

This function does not synchronize the KAOSS PAD Entrancer's rhythm pattern programs to the sequence data.

If the KAOSS PAD Entrancer is synchronized to timing clock messages being received from an external MIDI device, the Touch Tempo and Auto BPM functions will not be available.

9. Storing settings to the [PROGRAM MEMORY] keys

You can store your favorite settings to the [PROGRAM MEMORY 1-8] keys, and instantly recall those settings when desired.

Settings that can be stored

• Effect program
• [HOLD] key on/off status and position (coordinates)
• [FX BALANCE] knob setting
• For the "BPM FX" group, the specified BPM value
• For the "SAMPLE/PLAY" group, the [SAMPLE 1] and [SAMPLE 2] keys used
• Pad motion

Audio effect programs 60 and 90-99 do not store the state of the [HOLD] key.

Storing

1. Use the [PROGRAM/BPM] knob to select the effect program you want to assign. If you want to store the state of the [HOLD] key, select the program, then turn the [HOLD] key on and touch the touch-pad to specify the position. Also make any other settings that you want to store.
2. While holding down the [FUNCTION] key, hold down the [PROGRAM MEMORY 1-8] key that you want to assign for approximately two seconds; the settings will be stored.

When the settings have been stored, the [PROGRAM/BPM] display will stop blinking.

If you hold the [PAD MOTION / MUTE/ FREEZE] lever at PAD MOTION while storing the settings, the pad motion will not be stored.

Recalling

1. Press one of the [PROGRAM MEMORY 1-8] keys to recall the program and settings that were stored in that key. If you hold the [PAD MOTION / MUTE/FREEZE] lever at PAD MOTION while recalling the settings, the pad motion will not be recalled.

10. Creating a COMBI program

About COMBI

By setting the [CONTROL SELECT] switch to [COMBI] and operating the touch-pad, you can simultaneously control video effects and audio effects.

To store a COMBI

1. Set the [CONTROL SELECT] switch to [AUDIO], and select a program.
2. Set the [CONTROL SELECT] switch to [VIDEO], and select a program.
3. Set the [CONTROL SELECT] switch to [COMBI], and while you hold down the [FUNCTION] key, hold down the desired [PROGRAM MEMORY] key for approximately two seconds to store the settings.

11. Sampling and playing a still image

By moving the [PAD MOTION / MUTE/FREEZE] lever to MUTE/FREEZE you can freeze the video that is being output, store the still image in the [SAMPLE 1] or [SAMPLE 2] key, and then use the touch-pad to control the still image (for example by expanding or inverting it). You can store one still image in each of the two keys.

The sampled images will be lost when you turn off the power. It is not possible to save the sampled images.

Sampling

1. Set the [PAD MOTION / MUTE/FREEZE] lever to MUTE/FREEZE. The monitor image will freeze.
2. Press either the [SAMPLE 1] or [SAMPLE 2] key. The still image shown in the monitor will be stored to the key you press.

Playback

1. When you press the [SAMPLE 1] or [SAMPLE 2] key, the sampled still image will be selected as the input source. While playing back the still image, you can operate the touch-pad to apply an effect to the still image. Press the [SAMPLE 1] or [SAMPLE 2] key once again to cancel the still image playback.
   Some effects may not produce any result.
   If you have selected a program from other than the "SAMPLE/PLAY" group, you cannot play back the still image except while recording.

12. Sampling and playing motion video

You can sample a motion video clip and play it back while using an effect program and the touch-pad to control the video clip (for example by expanding or inverting it).

If you have selected a program from the SAMPLE/ PLAY group, you can use the touch-pad to control the playback speed of the video, or even reverse the playback.

The sampled video will be lost when you turn off the power. It is not possible to save the sampled video.

Sampling

1. Select program 94-99 from the "SAMPLE/ PLAY" group.
2. When you press the [REC/STOP] key, the [REC/STOP] key will light and recording will begin. Recording will end when you press the key again or when the memory capacity has been reached.

Note If you select an effect clip pattern (40-59) in pattern display mode, you will be able to record a pattern. Turn on the [SAMPLE 1] or [SAMPLE 2] key to record the still image that you sampled.

Playback

The playback method will depend on the effect program you have selected.

For a program in the "SAMPLE/PLAY" group

1. Select a program in the "SAMPLE/PLAY" group.
2. When you touch the touch-pad, the video clip will play back according to the position of your finger on the touch-pad.

For a program not in the "SAMPLE/PLAY" group

1. Select a program not in the "SAMPLE/ PLAY" group.
2. With the [SAMPLE 1] and [SAMPLE 2] keys turned off, hold down the [REC/STOP] key and touch the touch-pad; the sampled video clip will playback at normal speed. If you hold down the [REC/STOP] key and press the [HOLD] key, the [REC/STOP] key will be held, allowing you to play back the video clip simply by touching the touch-pad. Hold will be cancelled when you press the [REC/ STOP] key once again.

When you hold down the [REC/STOP] key and press the [HOLD] key, playback will be held. When you press the [REC/STOP] key once again, the hold will be cancelled.

Note Pattern display will be cancelled if you play back a motion video sample while a pattern is displayed.

You cannot display a pattern during sample playback.

13. Sampling and playing a phrase

If you have recorded a phrase from the input into the [SAMPLE 1] and [SAMPLE 2] keys, you can select a program from the "SAMPLE/PLAY" group (90-99) and use the touch-pad to control the playback speed or reverse playback.

If you have selected a program from other than the "SAMPLE/PLAY" group, pressing the [SAMPLE 1] or [SAMPLE 2] key will play back the phrase that was recorded on each key. You can record approximately six seconds of monaural sound in each key.

The recorded phrase will be lost when you turn off the power. It is not possible to save the recorded phrase.

Recording

1. Press the [REC/STOP] key. The [REC/STOP] key LED will blink, and you will be in record-ready mode.
2. Press either the [SAMPLE 1] or [SAMPLE 2] key that you want to use for recording. The playback audio will not be heard at this time.
3. Press the [REC/STOP] key; the [REC/STOP] key LED will light and recording will begin. Recording will end when you press the [REC/STOP] key once again. Recording will end automatically if you record up to the maximum recording time. If you select a program not in the "SAMPLE/PLAY" group, you can operate the touch-pad while you record; the sound processed by the effect will be recorded.

Auto-rec (AUTO REC)

You can make recording start automatically when audio is input to the [INPUT] audio jacks.

1. In step 2 of recording, hold down the [SAMPLE 1] or [SAMPLE 2] key you want to use, and press the [REC/STOP] key; the [REC/STOP] key and [SAMPLE 1] [SAMPLE 2] key LEDs will blink simultaneously, and you will be in record-ready mode.
2. When you input an audio signal, recording will begin automatically. Recording will end when you press the [REC/STOP] key once again.

role If the lever is set to "COMBI," and you have selected a program from the "SAMPLE/PLAY" group as the video effect, you can record the video simultaneously with the audio.

Playback

The playback method will depend on the effect program you have selected.

For a program in the "SAMPLE/PLAY" group

1. Select a program of the "SAMPLE/PLAY" group (90-99).
2. Press the [SAMPLE 1] or [SAMPLE 2] key that you want to play back. You will not hear the playback at this time.
3. When you touch the touch-pad, playback will occur according to the position you touch. The way in which the phrase plays back will depend on the program. ( separate sheet "Effect Program List)
4. Use the [FX BALANCE] knob to adjust the volume of the playback. If the [FX BALANCE] knob is in the center position, the playback sound and the input sound will be output in a 1:1 proportion. Setting the knob to the maximum position will output only the sample sound when playing; the input sound will not be heard.

For a program not in the "SAMPLE/PLAY" group

1. Select a program not in the "SAMPLE/PLAY" group.
2. When you press the [SAMPLE 1] or [SAMPLE 2] key, recorded phrase will play back at normal speed. If you continue holding down the key, the playback will loop.

To adjust the volume, hold down the [SAMPLE 1] or [SAMPLE 2] key and turn the [FX BALANCE] knob.

By operating the touch-pad during playback, you can apply effects to the playback sound.

If you hold down the [SAMPLE 1] or [SAMPLE 2] key and press the [HOLD] key, the playback will be held. Hold will be

cancelled when you press the [SAMPLE 1] or [SAMPLE 2] key once again.

14. Displaying the audio waveform or a composite pattern

You can display the waveform of the audio input signal or audio output signal. In addition, patterns built into the KAOSS PAD Entrancer can be used instead of the video input as material for modification.

Pattern Display mode

Hold down the [FUNCTION] key and press the [SAMPLE 1] key to enter Pattern Display mode; the [PROGRAM/BPM] display will blink indicate either Pattern Display mode or the pattern select number.

Note If you display a pattern while playing back a motion video sample, playback will stop.

When you play back the sample once again, pattern display mode will be cancelled and the sample will play back.

Exiting Pattern Display mode

To return to normal operation, either touch the touch-pad, press the [FUNCTION] key, or simply do not operate the KAOSS PAD Entrancer for ten seconds.

Displaying a pattern

From Pattern Display mode, press one of the [PROGRAM MEMORY 1-8] keys to recall the pattern that is pre-selected for that key.

You can press the [SAMPLE 1] key to turn the last-selected pattern on/off.

To cancel the display

To cancel the display, press the selected [PROGRAM MEMORY 1-8] key once again. The display will also be cancelled if you switch programs during normal operation.

The display will be not cancelled if you hold down the [FUNCTION] key and turn the program knob to change programs.
Note Effect clip patterns (40-59) will appear when you operate the touch pad.

Switching patterns

In Pattern Display mode, you can hold down one of the [PROGRAM MEMORY 1-8] keys and turn the [PROGRAM/BPM] knob to switch the pattern that is assigned to that key. If that key is selected, you can simply turn the [PROGRAM/BPM] knob to switch patterns.

Storing the modified settings

In Pattern Display mode, press and hold the [REC/STOP] key for one second or longer to store the modified settings. The settings of MIDI Edit mode will also be stored at this time. If you turn off the power without storing, the settings will revert to their previous state.

To stop the pattern display from being turned off when you change programs

Hold down the HOLD key while you turn on the power. (The HOLD key will light for a short time.)

To cancel

Turn off the power, and then turn it on in the normal way.

Pattern types

00-39: Impose patterns

These layer a superimposed pattern (such as the waveform of the input signal, or touch pad position information) onto the image.

You cannot apply an effect to the imposed pattern or sample it.

40-59: Effect clip patterns

These patterns display color patterns or image data. You can use these as effect materials.

If you have selected a program from other than the "SAMPLE/PLAY" group, you cannot display these except while recording.

MIDI functions

What is MIDI?

MIDI (Musical Instrument Digital Interface) is a world-wide standard for exchanging a wide variety of performance-related data between electronic musical instruments, effect processors, sequencers, etc. and computers.

MIDI connections

Use commercially available MIDI cables to send or receive MIDI messages. Connect the KAOSS PAD Entrancer's MIDI connectors to the MIDI connectors of the external MIDI device to/from which you want to send/receive data.

MIDI IN connector: Receives MIDI messages from another MIDI device. Connect this to the MIDI OUT connector of the external device.

MIDI OUT connector: Transmits messages from the KAOSS PAD Entrancer. Connect this to the MIDI IN connector of the external device.

Connection example

Here is an example of connecting the KAOSS PAD Entrancer with another MIDI device so that it will play back along with sequence data.

Using MIDI

In addition to using the KAOSS PAD Entrancer as an effect processor, you can use it as a realtime controller that can transmit MIDI messages to control a synthesizer or other external MIDI device.

If the KAOSS PAD Entrancer is connected to a MIDI sequencer, the MIDI messages transmitted when you operate the touch-pad can be recorded on the MIDI sequencer and then played back to reproduce all of your touch-pad operations.

About the MIDI implementation chart

The owner's manual of each MIDI device contains a "MIDI implementation chart." This chart is designed to show what type of MIDI messages this particular device is able to transmit and receive. When using two MIDI devices together, compare the implementation charts of the two devices to verify that they can communicate with each other.

• Detailed MIDI specifications are listed in the MIDI Implementation.

MIDI Edit mode

On the KAOSS PAD Entrancer, use the MIDI Edit mode to access the MIDI-related settings.

Hold down the [FUNCTION] key and press the [SAMPLE 2] key to enter MIDI Edit mode. The MIDI channel will blink in the [PROGRAM/BPM] display.

Setting the MIDI channel

In MIDI Edit mode, the [PROGRAM/BPM] display shows the MIDI channel. In this state you can use the [PROGRAM/BPM] knob to change the MIDI channel.

About MIDI channels

MIDI uses sixteen "channels" (1-16) to independently send data along a single cable to more than one MIDI device.

If the transmitting device is set to MIDI channel "1," the MIDI messages will not be received unless the receiving device is also set to MIDI channel "1".

MIDI message transmission/ reception settings

The transmission and reception of each type of MIDI message can be switched on/off by pressing the key assigned to that type of MIDI message. Transmission/ reception is enabled if the corresponding key is lit, and disabled if the key is dark. (see the "Transmitted and received messages" table below)

Some parameters are only transmitted, and others are only received.

Changing the MIDI control numbers

In MIDI Edit mode, you can hold down one of the [PROGRAM MEMORY 3-8] keys and turn the [PROGRAM/BPM] knob to change the control number setting assigned to that key.

Although you are free to assign (Duplicate) an alreadyassigned control number, you cannot simultaneously enable transmission/reception of the same control number.

The MIDI messages transmitted and received by the KAOSS PAD Entrancer can be selected from a range of CC#1-CC#31, CC#64-CC#95, and Pitch Bend.

Storing the edited settings

In MIDI Edit mode, press and hold the [REC/STOP] key for one second or more; the edited MIDI settings will be stored. The pattern select mode setting will also be stored at this time. If you turn off the power without storing the settings, the KAOSS PAD Entrancer will revert to the previous settings.

To exit MIDI Edit mode

To return to normal operation, you can either touch the touch-pad, press the [FUNCTION] key, or wait for ten seconds without performing any operation.

About the stored settings

The contents of "PROGRAM MEMORY" and the control number settings you make in MIDI Edit mode can be transmitted as exclusive messages and saved on an external MIDI device.

For details on the exclusive messages that can be transmitted, refer to the separate MIDI Implementation.

Transmitted and received messages

With the factory settings, the KAoss PAD Entrancer will transmit and receive the following MIDI messages.

Operation transmitted	MIDI message transmitted	Key that switches transmission on/off
Touch-pad X axis	Effect control 1 (CC#12) *1, *2	PROGRAM MEMORY 4
Touch-pad Y axis	Modulation depth 1 (CC#1) Y=5-9	PROGRAM MEMORY 1
	Modulation depth 2 (CC#2) Y=5-1	PROGRAM MEMORY 2
	Effect control 2 (CC#13) *1, *2	PROGRAM MEMORY 5
Touch-pad X+Y axis	Effect depth 3 (CC#93) *1	PROGRAM MEMORY 3
Touch-pad on/off	Effect depth 2 (CC#92) *1, *2	PROGRAM MEMORY 6
FX BALANCE	Effect depth 4 (CC#94) *1, *2	PROGRAM MEMORY 7
MUTE	Effect depth 5 (CC#95) *1, *2	PROGRAM MEMORY 8
Program change	Program change (0-99) *2	HOLD
Pad motion output	Each touch-pad message	SAMPLE 2

Operation received	MIDI message received	Key that switches reception on/off
Touch-pad X axis	Effect control 1 (CC#12) *1, *2	PROGRAM MEMORY 4
Touch-pad Y axis	Effect control 2 (CC#13) *1, *2	PROGRAM MEMORY 5
Touch-pad on/off	Effect depth 2 (CC#92) *1, *2	PROGRAM MEMORY 6
FX BALANCE	Effect depth 4 (CC#94) *1, *2	PROGRAM MEMORY 7
MUTE	Effect depth 5 (CC#95) *1, *2	PROGRAM MEMORY 8
Program change	Program change (0–99) *2	HOLD
BPM	Timing Clock	SAMPLE 1

1: You can select the MIDI message that will be transmitted/received from a range of CC#1-CC#31, CC#64-CC#95, and Pitch Bend. ( ) indicates the factory setting.
2: On/off and CC# settings will be the same for transmission and reception.

Control changes for touch-pad Y-axis (Y=5-9, Y=5-1) and touch-pad X+Y axis can be transmitted but not received. This means that when recording control changes onto a sequencer, you must use MIDI Edit mode to turn [PROGRAM MEMORY 1-3] off so that unnecessary MIDI messages are not transmitted.

You cannot duplicate the settings of control numbers that have already been assigned.

FAQ

Q1: A video effect is not applied when I touch the pad
A: Check the following points.
1) Is the control lever in the correct position?

The video effect is applied only when the control lever is in the COMBI or VIDEO mode.
2) Try adjusting the FX BALANCE knob.
The FX BALANCE knob adjusts the video only if the control lever is set to VIDEO.
3) Is the PAL/NTSC switch in the correct position?
You must turn off the power before changing the position of this switch.
Q2: I can't sample a still image successfully.
A: In order to sample a still image, the control lever must be in VIDEO mode.
Set the control lever to VIDEO mode. Then use the MUTE/FREEZE lever to freeze the image and press the SAMPLE (1 or 2) button to sample the image.
Q3: In COMBI mode, the VIDEO effect applies only to still images.
A: If a still image is being played back, the video effect will apply to the still image.
To stop playback of the still image, temporarily set the control lever to VIDEO, and then press the SAMPLE button to stop the still image playback.
Q4: In COMBI mode, turning the FX BALANCE knob does not change the video effect.
A: In COMBI mode, the FX BALANCE knob applies only to the audio effect.
Q5: I want to store video effect and graphic pattern playback together in memory.
A: You can't store an effect program and graphic pattern playback together in the PROGRAM MEMORY 1-8 keys.
Q6: The graphic pattern disappears when I change the video effect.
A: Graphic pattern playback will stop when you re-select the effect program.
If you want to display the pattern again, you must re-enter graphic pattern mode. If you want to apply a video effect to the pattern, first select the desired video effect, and then enter graphic pattern mode and select the pattern.
Q7: Can I mix the two video inputs VIDEO 1 andVIDEO 2?
A: The KAOSS Pad KAOSS PAD Entrancer does not have input mixing capability.
The video effect program applies to the input you select; eitherVIDEO 1 orVIDEO 2. However, you can operate the input select switch to obtain a result similar to mixing a sampled video clip or still image.

About demo mode

Entering demo mode

Set the control lever to COMBI and hold down the FUNCTION key while you turn on the power. (The FUNCTION key will light momentarily.)

Using demo mode

When the control lever is set to COMBI and you do not perform any operation for five seconds, the demo will start. (Pad motions will be automatically executed as the demo mode advances through the COMBI programs.) Only the COMBIs will be demoed. Sampling programs (94-99) will be skipped.

Pausing demo mode

The KAOSS PAD Entrancer will pause the demo mode when you perform any operation, and will re-enter the demo mode if no further operation has been performed for five seconds.

Exiting demo mode

Turn off the power, and then turn it on again in the usual way.

Specifications

Number of effect programs: 100 (video), 100 (audio), 100 (combination)

Inputs: Video input jack 1 / RCA (phono style) jack Video input jack 2 / RCA jack or S-video jack (S-video jack takes priority) (The video input switch selects either video input jack 1 or 2) Line input jacks / stereo RCA jacks

Outputs: Video output jack / RCA jack S-video output jack / S-jack Line output jacks/stereo RCA jacks Headphone jack / stereo 1/4" phone jack

Audio sampling frequency: 44.1 kHz
Audio AD/DA: 20-bit linear
MIDI: IN/OUT
Power supply: DC7V (dedicated AC adaptor)
Included items: AC adaptor, touch pad protector sheet
Dimensions: 240 (W) × 247 (D) × 83 (H) mm
Weight: 2.0 kg

• Appearance and specifications are subject to change without notice.

Précautions

Emplacement

Position vertical (1~9) Position horizontal (1~9)

Byte[H]	Description
F0	Exclusive Status
7E	Non Realtime Message
0c	MIDI Channel ( Device ID )
06	Inquiry Message
02	Identity reply
42	KORG ID ( Manufacturers ID )
6F	KPE1 ID ( Family ID ( LSB))
00
00
00
xx	ROM No. 1~ ( Minor Ver. ( LSB))
00
xx	Soft Version ( Major Ver. ( LSB))
00
F7	End of Exclusive

This message is transmitted whenever a INQUIRYMESSAGE REQUEST is received.

1-3 STRUCTURE OF SYSTEM EXCLUSIVE MESSAGES

(KPE1 and KP2 System Exclusive)

+-				-+
1st Byte = 1111 0000 (F0) : Exclusive Status				|
2nd Byte = 0100 0010 (42) : KORG ID				|Ex.Header
3rd Byte = 0011 mnnn (3n) : Format ID n:MIDI Channel				|
4th Byte = 0110 xxxxxx (6x) : KPE1(x:=F) or KP2(x:=7) ID				|
5th Byte = 0fff fffff (ff) : Function Code				-+
6th Byte = 0ddd dddd (dd) : Data
LastByte = 1111 0111 (F7) : End of Exclusive
+-				-+

1-4 SYSTEM EXCLUSIVE MESSAGES FUNCTION CODE LIST (TRANSMIT)

Function ID [Hex]		R	E
49	CURRENT MAP DATA DUMP	o
4D	MAP DATA DUMP	o
51	GLOBAL DATA DUMP	o
50	ALL DATA DUMP	o
26	DATA FORMAT ERROR		o
23	DATA LOAD COMPLETED		o
24	DATA LOAD ERROR		o
21	WRITE COMPLETED		o
22	WRITE ERROR		o

Transmitted when

R:Request message is received

E : Exclusive message is received

2.RECOGNIZED RECEIVE DATA

2-1 CHANNEL MESSAGES

Status [Hex]	Second [H] [D]	Third [H]	Description	ENA
Bn	cc	dd	Control Change	C
Bn	79(121)	00	Reset All Controllers	A
Cn	pp	--	Program Change	P
En	bb	bb	Pitch Bender	C

n : MIDI Channel Number (0 ~ 15)
cc:ControlNumber(1\~31,64\~95)
dd : Control Data (0 ~ 127)
pp : Program Number (0 ~ 99)
bb : Pitch Bender Data (0 ~ 16383)

ENA = P : Enabled when MIDI Program Change Enable

C : Enabled when MIDI Control Change Enable

A : Always Enabled

2-2 UNIVERSAL SYSTEM EXCLUSIVE MESSAGES (DEVICE INQUIRY REQUEST)

Byte[H]	Description
F0	Exclusive Status
7E	Non Realtime Message
nn	MIDI Channel
06	Inquiry Message
01	Inquiry Request
F7	End of Exclusive

When receive this message and transmits Inquiry Reply Message.

nn = 00 ~ 0F : Receive if same Channel

7F :Receive any Channel

2-3 SYSTEM EXCLUSIVE MESSAGES FUNCTION CODE LIST (RECEIVE)

Function ID [Hex]	Function
19	CURRENT MAP DATA DUMP REQUEST
1D	MAP DATA DUMP REQUEST
0E	GLOBAL DATA DUMP REQUEST
0F	ALL DATA DUMP REQUEST
11	MAP WRITE REQUEST
49	CURRENT MAP DATA DUMP
4D	MAP DATA DUMP
51	GLOBAL DATA DUMP
50	ALL DATA DUMP

3.MIDI EXCLUSIVE FORMAT (R:Receive, T:Transmit)

R

When this message is received, the CURRENT MAP DATA DUMP (Function:49h) message will be transmitted by the same ID (KPE1:6Fh or KP2:67h).

R

(2) MAP DATA DUMP REQUEST

Byte	Description
F0,42,3c,6x	EXCLUSIVE HEADER KPE1(x:=F) or KP2(x:=7)
0001 1101 (1D)	MAP DATA DUMP REQUEST 1DH
1111 0111 (F7)	EOX

When this message is received, the MAP DATA DUMP(Function:4Dh) message will be transmitted by the same ID(KPE1:6Fh or KP2:67h).

R

(3) GLOBAL DATA DUMP REQUEST

Byte	Description
F0,42,3c,6x	EXCLUSIVE HEADER KPE1(x:=F) or KP2(x:=7)
0000 1111 (OE)	GLOBAL DATA DUMP REQUEST 0EH
1111 0111 (F7)	EOX

When this message is received, the GLOBAL DATA DUMP (Function:51h) message will be transmitted by the same ID(KPE1:6Fh or KP2:67h).

(4) ALL DATA DUMP REQUEST R

Byte	Description
F0,42,3c,6x	EXCLUSIVE HEADER KPE1(x:=F) or KP2(x:=7)
0000 1111 (OF)	ALL DATA DUMP REQUEST OFH
1111 0111 (F7)	EOX

When this message is received, the ALL DATA DUMP(Functions:50h) message will be transmitted by the same ID(KPE1:6Fh or KP2:67h).

(5）MAPWRITEREQUEST R

Byte	Description
F0,42,3c,6x	EXCLUSIVE HEADER KPE1(x:=F) or KP2(x:=7)
0001 0001 (11)	MAP WRITE REQUEST 11H
000m mmmm (mm)	Destination Map Number [NOTE 1]
1111 0111 (F7)	EOX

When this message is received, a WRITE COMPLETED (Function:21h) message or a WRITE ERROR (Function:22h) message will be transmitted by the same ID (KPE1:6Fh or KP2:67h).

(6) CURRENT MAP DATA DUMP R/T

Byte	Description
F0,42,3c,6x	EXCLUSIVE HEADER KPE1(x:=F) or KP2(x:=7)
0100 1100 (49)	CURRENT MAP DATA DUMP 49H
0ddd dddd (dd)	Data [NOTE 2][TABLE 1]
:	:
1111 0111 (F7)	EOX

When this message is received, a DATA LOAD COMPLETED (Function:23h) message or a DATA LOAD ERROR (Function:24h) message will be transmitted by the same ID(KPE1:6Fh or KP2:67h). This message is transmitted by the same ID(KPE1:6Fh or KP2:67h) whenever a CURRENT MAP DATA DUMP REQUEST (Function:19h) is received.

(7) MAP DATA DUMP R/T

Byte	Description
F0,42,3c,6x	EXCLUSIVE HEADER KPE1(x:=F) or KP2(x:=7)
0100 1100 (4D)	MAP DATA DUMP 4DH
0ddd dddd (dd)	Data [NOTE 3][TABLE 1]
:	:
1111 0111 (F7)	EOX

When this message is received, a DATA LOAD COMPLETED(Function:23h) message or a DATA LOAD ERROR(Function:24h) message will be transmitted by the same ID(KPE1:6Fh or KP2:67h).

This message is transmitted by the same ID(KPE1:6Fh or KP2:67h) whenever a MAP DATA DUMP REQUEST(Function:lDh) is received.

(8) GLOBAL DATA DUMP R/T

Byte	Description
F0,42,3c,6x	EXCLUSIVE HEADER KPE1(x:=F) or KP2(x:=7)
0101 0001 (51)	GLOBAL DATA DUMP 51H
0ddd dddd (dd)	Data [NOTE 4][TABLE 2]
:	:
1111 0111 (F7)	EOX

When this message is received, a DATA LOAD COMPLETED (Function:23h) message or a DATA LOAD ERROR (Function:24h) message will be transmitted by the same ID(KPE1:6Fh or KP2:67h). This message is transmitted by the same ID(KPE1:6Fh or KP2:67h) whenever a GLOBAL DATA DUMP REQUEST (Function:0Eh) is received.

(9) ALL DATA DUMP R/T

Byte	Description
F0,42,3c,6x	EXCLUSIVE HEADER KPE1(x:=F) or KP2(x:=7)
0101 0000 (50)	ALL DATA DUMP 50H
0ddd dddd (dd)	Data [NOTE 5][TABLE 1][TABLE 2]
:	:
1111 0111 (F7)	EOX

When this message is received, a DATA LOAD COMPLETED (Function:23h) message or a DATA LOAD ERROR (Function:24h) message will be transmitted

by the same ID(KPE1:6Fh or KP2:67h).
This message is transmitted by the same ID(KPE1:6Fh or KP2:67h) whenever a ALL DATA DUMP REQUEST (Function:0Fh) is received.

(10) DATA FORMAT ERROR T

Byte	Description
F0,42,3c,6x	EXCLUSIVE HEADER KPE1(x:=F) or KP2(x:=7)
0010 0110 (26)	DATA FORMAT ERROR 26H
1111 0111 (F7)	EOX

Transmits this message by the same ID(KPE1:6Fh or KP2:67h) when there is an error in MIDI in message.

(11) DATA LOAD COMPLETED T

Byte	Description
F0,42,3c,6x	EXCLUSIVE HEADER KPE1(x:=F) or KP2(x:=7)
0010 0011 (23)	DATA LOAD COMPLETED 23H
1111 0111 (F7)	EOX

Transmits this message by the same ID(KPE1:6Fh or KP2:67h) when DATA LOAD, PROCESSING have been completed.

(13) DATA LOADERROR T

Byte	Description
F0,42,3c,6x	EXCLUSIVE HEADER KPE1(x:=F) or KP2(x:=7)
0010 0100 (24)	DATA LOAD ERROR 24H
1111 0111 (F7)	EOX

Transmits this message by the same ID(KPE1:6Fh or KP2:67h) when DATA LOAD, PROCESSING have not been completed.

(14)WRITE COMPLETED T

Byte	Description
F0,42,3c,6x	EXCLUSIVE HEADER KPE1(x:=F) or KP2(x:=7)
0010 0001 (21)	WRITE COMPLETED 21H
1111 0111 (F7)	EOX

Transmits this message by the same ID(KPE1:6Fh or KP2:67h) when DATA WRITE by MIDI has been completed.

(15)WRITEERROR T

Byte	Description
F0,42,3c,6x	EXCLUSIVE HEADER KPE1(x:=F) or KP2(x:=7)
0010 0010 (22)	WRITE ERROR 22H
1111 0111 (F7)	EOX

Transmits this message by the same ID(KPE1:6Fh or KP2:67h) when DATA WRITE by MIDI has not been completed.

Dump Data Format n = 0, 1, ...

DATA (1set = 8bit x 7byte)

b7

~

b0

b7

~

b0

b7

~

b0

b7

~

b0

b7

~

b0

+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +

| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |

+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + - + - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + = 7n+0

+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + ± 7n+1

7n+2 ~ ~ 7n+5

7n+6

MIDI DATA (1set = 7bit x 8Byte)

b7b7b7b7b7b7b7

b6

~

b0

b6

~

b0

b6

~

b0

b6

~

b0

+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +

|0| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |

± 0| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |

± - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + = 3n+6, 5, 4, 3, 2, 1, 0

+ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 7n+6

7n+6

NOTE 1 : Destination Map Number

a) When header is KPE1 ID. mm = 0000 0000(00) ~ 0001 0111(17)
b) When header is KP2 ID. mm = 0000 0000(00) ~ 0000 0111(07)

NOTE 2 : CURRENT MAP DATA DUMP FORMAT

a) When header is KPE1 ID.
[Map Data A (12byte)], (See TABLE 1-a)
[Map Data B (12byte)], (See TABLE 1-b)
[Map Data P (1058byte)] (See TABLE 1-d)
1082byte = 7 * 154 + 4 -- > 8 * 154 + (4 + 1) = 1237byte

b) When header is KP2 ID.

[Map Data (12byte)] (See TABLE 1-a)  
12byte = 7 * 1 + 5 -> 8 * 1 + (5 + 1) = 14byte 

NOTE 3 : MAP DATA DUMP FORMAT

a) When header is KPE1 ID.

[Map.A1(12byte)],...,[Map.A8(12byte)] (See TABLE 1-a)

[Map. C 1(24byte)], ..., [Map. C 8(24byte)] (See TABLE 1-c)

[Map. B 1(12byte)], ..., [Map. B 8(12byte)] (See TABLE 1-b)

[Map.P1(1058byte),...,[Map.P24(1058byte)] (See TABLE 1-d)

25776byte = 7 3682 + 2 --> 8 3682 + (2 + 1) = 29459byte

b) When header is KP2 ID.

[Map.1 (12byte)], ..., [Map.8 (12byte)] (See TABLE 1-a)

96byte = 7 * 13 + 5 ---> 8 * 13 + (5 + 1) = 110byte

NOTE 4 : GLOBAL DATA DUMP FORMAT

a) When header is KPE1 ID

[Global Data (18byte)] (See TABLE 2-a)

18byte = 7 2 + 4 --> 8 2 + (4 + 1) = 21 byte

b) When header is KP2 ID

[Global Data (10byte)] (See TABLE 2-b)

10byte = 7 1 + 3 -->8 1 + (3 + 1) = 12 byte

NOTE 5 : ALL DATA DUMP FORMAT

a) When header is KPE1 ID.

[Global Data (18byte)] (See TABLE 2-a)

[Map.A1(12byte)],...,[Map.A8(12byte)] (See TABLE 1-a)

[Map. C 1(24byte)], ..., [Map. C 8(24byte)] (See TABLE 1-c)

[Map. B 1(12byte)], ..., [Map. B 8(12byte)] (See TABLE 1-b)

[Map. P 1(1058byte), ..., [Map. P 24(1058byte)] (See TABLE 1-d)

25794byte = 7 * 3684 + 6 ---> 8 * 3684 + (6 + 1) = 29479byte

b) When header is KP2 ID.

[Global Data (10byte)], (See TABLE 2-b)

[Map.1 (12byte)], ..., [Map.8 (12byte)] (See TABLE 1-a)

106byte = 7 15 + 1 -->8 15 + (1 + 1) = 122 byte

TABLE 1-a :

+0 AUDIO FX PROGRAM NUMBER (0~99)
+1 bit0 SAMPLE BANK NUMBER (0/1)
bit1~6 (RESERVED)
bit7 HOLD OFF/ON (0=OFF, 1=ON)
+2 FX DEPTH
+3 HOLD X
+4 HOLD Y
+5 HOLD X2
+6 HOLD Y2
+7 HOLD X3
+8 HOLD Y3
+9 (RESERVED)
+10~11 BPM

TABLE 1-b :

+0 VIDEO FX PROGRAM NUMBER (0~99)
+1 bit0 SAMPLE 1 OFF/ON (0=OFF, 1=ON)
bit1 SAMPLE 2 OFF/ON (0=OFF, 1=ON)
bit2~6 (RESERVED)
bit7 HOLD OFF/ON (0=OFF, 1=ON)
+2 FX DEPTH
+3 HOLD X
+4 HOLD Y
+5 HOLD X2
+6 HOLD Y2
+7 HOLD X3
+8 HOLD Y3
+9 (RESERVED)
+10~11 BPM

TABLE 1-c :

+0 AUDIO FX PROGRAM NUMBER (0~99)
+1 bit0 AUDIO FX SAMPLE BANK NUMBER (0/1)
bit1~6 (RESERVED)
bit7 AUDIO FX HOLD OFF/ON (0=OFF, 1=ON)
+2 AUDIO FX DEPTH
+3 AUDIO FX HOLD X
+4 AUDIO FX HOLD Y
+5 AUDIO FX HOLD X2
+6 AUDIO FX HOLD Y2
+7 AUDIO FX HOLD X3
+8 AUDIO FX HOLD Y3
+9 bit0~6 COMBI PROGRAM NUMBER (0~99)
bit7 COMBI PROGRAM VALID (0=VALID, 1=NO VALID)
+10~11 BPM
+12 VIDEOFXPROGRAMNUMBER（0~99）
+13 bit0VIDEO FX SAMPLE 1 OFF/ON (0=OFF, 1=ON)
bit1VIDEOFXSAMPLE2OFF/ON（0=OFF，1=ON)
bit2~6 (RESERVED)
bit7VIDEOFXHOLDOFF/ON（0=OFF，1=ON）
+14 VIDEO FX DEPTH
+15 VIDEO FX HOLD X

bit7 HOLD OFF/ON (0=OFF, 1=ON)

+22~23 BPM

TABLE 1-d

+0 VALID DATA COUNT HIGH WORD
+1 VALID DATA COUNT LOW WORD
DATA COUNT 0~264
+2~1055 PAD MOTION DATA#

PAD MOTION DATA#

+0 bit0~6 X VALUE HIGH WORD
bit7 TOUCH ON/OFF (0=ON, 1=OFF)
+1 X VALUE LOW WORD
X VALUE 0~1023 (valid:167~891)
+2 Y VALUE HIGH WORD
+3 Y VALUE LOW WORD
Y VALUE 0~1023 (valid:218~846)

TABLE 2-a :

+0 (RESERVED)
+1 bit7 MIDI PROGRAM CHANGE ENA/DIS (0=DIS, 1=ENA)
bit6~2 (RESERVED)
bit1 MIDI PAD MOTION ENA/DIS (0=DIS, 1=ENA)
bit0 MIDI CLOCK ENA/DIS (0=DIS, 1=ENA)
+2 bit7 MIDI MUTE ENA/DIS (0=ENA, 1=DIS
bit6 MIDI FX DEPTH ENA/DIS (0 = ENA, 1 = DIS)
bit5 MIDI TOUCH PAD ON/OFF ENA/DIS (0=ENA, 1=DIS)
bit4 MIDI TOUCH PAD Y ENA/DIS (0=ENA, 1=DIS)
bit3 MIDI TOUCH PAD X ENA/DIS (0=ENA, 1=DIS)
bit2 MIDI TOUCH PAD X+Y ENA/DIS (0=ENA, 1=DIS)
bit1 MIDI TOUCH PAD -Y ENA/DIS (0=ENA, 1=DIS)
bit0 MIDI TOUCH PAD +Y ENA/DIS (0=ENA, 1=DIS)
+3 (RESERVED)
+4 MIDI TOUCH PAD X+Y CTRL#
+5 MIDI TOUCH PAD X CTRL#
+6 MIDI TOUCH PAD Y CTRL#
+7 MIDI TOUCH PAD ON/OFF CTRL#
+8 MIDI FX DEPTH CTRL#
+9 MIDIMUTECTRL#
+10 MAP KEY 1 PATTERN NUMBER (0~59)
+11 MAP KEY 2 PATTERN NUMBER (0~59)
+12 MAP KEY 3 PATTERN NUMBER (0~59)
+13 MAP KEY 4 PATTERN NUMBER (0~59)
+14 MAP KEY 5 PATTERN NUMBER (0~59)
+15 MAP KEY 6 PATTERN NUMBER (0~59)
+16 MAP KEY 7 PATTERN NUMBER (0~59)
+17 MAP KEY 8 PATTERN NUMBER (0~59)

TABLE 2-b :

+0 (RESERVED)

+1 bit7 MIDI PROGRAM CHANGE ENA/DIS (0=DIS, 1=ENA)

bit6~1 (RESERVED)

bit0 MIDI CLOCK ENA/DIS (0=DIS, 1=ENA)

+2 bit7 MIDI MUTE ENA/DIS (0=ENA, 1=DIS

bit6 MIDI FX DEPTH ENA/DIS (0 = ENA, 1 = DIS)

bit5 MIDI TOUCH PAD ON/OFF ENA/DIS (0=ENA, 1=DIS)

bit4 MIDI TOUCH PAD Y ENA/DIS (0 = ENA, 1 = DIS)

bit3 MIDI TOUCH PAD X ENA/DIS (0=ENA, 1=DIS)

bit2 MIDI TOUCH PAD X+Y ENA/DIS (0=ENA, 1=DIS)

bit1 MIDI TOUCH PAD -Y ENA/DIS (0=ENA, 1=DIS)

bit0 MIDI TOUCH PAD +Y ENA/DIS (0=ENA, 1=DIS)

+3 (RESERVED)

+4 MIDI TOUCH PAD X+Y CTRL#
+5 MIDI TOUCH PAD X CTRL#
+6 MIDI TOUCH PAD Y CTRL#
+7 MIDI TOUCH PAD ON/OFF CTRL#
+8 MIDI FX DEPTH CTRL#
+9 MIDI MUTE CTRL#

CTRL#

1~31,64~95：CTRL#1~31,64~95

96 : PITCH BEND

Function		Transmitted	Recognized	Remarks
Basic Channel:	Default	1-16	1-16	Memorized
	Changed	1-16	1-16
Mode	Default		3
	Messages	X	X
	Altered	**********	X
Note Number:	True Voice	X	X
		X	X
Velocity:	Note On	X	X
	Note Off	X	X
Aftertouch:	Key's	X	X
	Channel	X	X
Pitch Bend		○	○	As control source *C
Control Change	1-31, 64-95	○	○	As control source *C
	121	X	○	Reset All Controllers
Program Change:	Variable Range	○0-99	○0-99	*P
		**********	0-99
System Exclusive		○	○
System Common:	Song Position	X	X
	Song Select	X	X
	Tune Request	X	X
System Real Time:	Clock	X	○	*T
	Commands	X	X
Aux Messages:	Local On/Off	X	X
	All Notes Off	X	X
	Active Sensing	X	X
	System Reset	X	X
Remarks *C Transmitted/received when control numbers or pitch bend are selected, and are enabled. *P Transmitted/received when program changes are enabled. *T Received when timing clock is enabled.

Mode 1: OMNI ON, POLY Mode 2: OMNI ON, MONO

Mode 3: OMNI OFF, POLY Mode 4: OMNI OFF, MONO X : No

Consult your local Korg distributor for more information on MIDI Implementation.

This product has been manufactured according to strict specifications and voltage requirements that are applicable in the country in which it is intended that this product should be used. If you have purchased this product via the internet, through mail order, and/or via a telephone sale, you must verify that this product is intended to be used in the country in which you reside.

WARNING: Use of this product in any country other than that for which it is intended could be dangerous and could invalidate the manufacturer's or distributor's warranty.

Please also retain your receipt as proof of purchase otherwise your product may be disqualified from the manufacturer's or distributor's warranty.

REMARQUE IMPORTANTE POUR LES CLIENTS