N8 - Digital Mixer YAMAHA - Free user manual and instructions

USER MANUAL N8 YAMAHA

The above warning is located on the rear of the unit.

Explanation of Graphical Symbols

The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

IMPORTANT SAFETY INSTRUCTIONS

1 Read these instructions.
2 Keep these instructions.
3 Heed all warnings.
4 Follow all instructions.
5 Do not use this apparatus near water.
6 Clean only with dry cloth.
7 Do not block any ventilation openings. Install in accordance with the manufacturer's instructions.
8 Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9 Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11 Only use attachments/accessories specified by the manufacturer.
12 Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13 Unplug this apparatus during lightning storms or when unused for long periods of time.
14 Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

(98-6500)

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class "B" digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does

not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit "OFF" and "ON", please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

(class B)

OBSERVERA!

The serial number of this product may be found on the rear of the unit. You should note this serial number in the space provided below and retain this manual as a permanent record of your purchase to aid identification in the event of theft.

Model No.

Serial No.

(rear)

IMPORTANT

Please record the serial number of this unit in the space below. Model:

Serial No.:

The serial number is located on the bottom or rear of the unit. Retain this Owner's Manual in a safe place for future reference.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA

(Ser. No)

COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620

Telephone : [phone]

Type of Equipment : Digital Mixing Studio

Model Name : n8/n12

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following conditions:

1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference that may cause undesired operation.

See user manual instructions if interference to radio reception is suspected.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

(FCC DoC)

IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of the three pin plug.

- This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. (2 wires)

Table des matières

Bienvenue 5

Section DAW Remote Control

Illustration of two audio/video cables with no text or symbols on the cables themselves

rouge

• Bus STERÉO (L/R)
• Bus AUX (L/R)
• Bus REC (L/R)
• Bus REVERB (L/R)
• Bus SOLO L/R

■ Section principale

⑥ Fader stéréo (principal)

Commande de gain [LOW]

Bande	Type	Fréquence centrale	Atténuation/ renforcement maximum
HIGH	shelving	10 kHz	±18 dB
MID	peaking	100 Hz – 10 kHz	±18 dB
LOW	shelving	90 Hz	±18 dB

10 Commande [REVERB] (Réverbération)

Section Master Control (Commande principale)

REVERB HALL ○ ROOM ○ PLATE ○ TYPE REVERB TIME MIN MAX LEVEL 0 10 ○ TO AUX ○ TO REC ○ TO ST 2TR TO ST LEVEL 0 10 ○ ON DAW TO ST LEVEL 0 10 ○ ON BAL L R PFL STEREO [phone] 50 STEREO

① Section Reverb (Réverbération)

① Microphone n12 Unique-ment

Section DAW Remote Control

9 8 10 4 3 1 YAMAHA DIGITAL MING STUDIO AC POWER AC PPTOR: YAMAHA PA-3D MODEL n5 YAMAHA CORPORATION MADE IN INDONESIA MIDI OUT IN DAW I/O 2TR IN R L 11 9 ANALOG INPUTS INPUT A 7 INPUT A 6 INPUT A 5 INPUT A 4 INPUT A 3 INPUT A 2 INPUT A 1 AUX OUT C-R OUT 11 OUT L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R R ON STANDBY AC INPUT CE U.S. PATENTS: 6477181 6751228 6909728 5813147 SER. NO. THIS DEVICE COMPLIES WITH PART IS OF THE FCO RULES OPERATION IS SUBJECT TO THE FCO DURING TWO CONDITIONS: (1)THIS DEVICE MAY NOT CAUSE HAINFUL INTERFERENCE AND (2)THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIPED OPERATION. THIS CLASS B DIGITAL APPARAMUS COMPLIES WITH CANADIAN KES-002, CET APPAREL NUMEROQUE DE LA CLASSE B EST CONFORME A LA NORIME NMS-003 DU CANADA.

n8

9 8 10 4 3 1 YAMAHA DIGITAL MING STUDIO AC POWER AD PTOR: YAMAHA PA-20 MODEL AB YAMAHA CODE POSITION MADE IN INDONESIA DAW I/O C-H OUT ST OUT ANALOG INPUTS INPUT A 3 INPUT A 2 INPUT A 1 R L 6 5 4 R L 7 8 9 INPUT B INPUT B INPUT B INSERT I/O INSERT I/O INSERT I/O SER NO. N89 FC U.S. PATENTS: 6477181 6752628 6500728 651347 THIS DEVICE COMPLIES IN PART IS OF THE FCC RULES, OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: CAUSE HAWAUL INTERFERENCE AND SET ANY INTERFERENCE, RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIPED OPERATION. S CLASS B DIGITAL APPARATUS COMPLIES TH CANADIAN ICES=2033. PAPAREL NAMERQUE DE LA CLARSE B EST INFORME A LA NORME NMS-203 DU CANADA.

7 Prises AUX OUT n12 Unique-ment

9 Prises DAW I/O (E/S DAW)

graph TD
    A["Niveau du signal"] --> B["Renforcement LOW (amplification)"]
    A --> C["Réponse plate LOW"]
    A --> D["Coupure LOW (atténuation)"]
    B --> E["Renforcement MID (amplification)"]
    C --> F["Coupure MID (atténuation)"]
    D --> G["Réponse plate MID"]
    E --> H["Renforcement HIGH (amplification)"]
    F --> I["Coupure HIGH (atténuation)"]
    G --> J["Réponse plate HIGH"]
    H --> K["PLAGE DE FREQUENCE (Hz)"]
    I --> K
    J --> K
    K --> L["Réponse plate HIGH"]

Nouveau Projet Modèles : Vide Yamaha n12 multi channel recording (5.1) Yamaha n12 multi channel recording Yamaha n12 stereo recording (5.1) Yamaha n12 stereo recording Yamaha n8 multi channel recording Yamaha n8 stereo recording C4 - 16 MIDI Tracks C4 - 4 stereo 8 Mono Audio Track Recorder C4 - Arranger And Mixed Track Setup C4 - Cbase Synths On Instrument Tracks C4 - Mstering Setup C4 - Music To Picture 5.1 Surround OK Annuler

Commande [AUX PHONES]

Sur le n12

Commandes [AUX PHONES] et [AUX LEVEL]

graph TD
    A["INPUT CHANNEL"] --> B["STEREO BUS L R"]
    C["INPUT CHANNEL"] --> D["STEREO BUS L R"]
    B --> E["REC BUS L R"]
    D --> E
    E --> F["Cubase"]
    F --> G["AUDIO TRACK"]
    F --> H["AUDIO TRACK"]
    G --> I["DAW TO ST"]
    H --> I
    I --> J["C-R OUT"]

L C SW R 30° 30° 100-120° 100-120° LS RS

graph TD
    A["L (DAW IN 1)"] --> B["HPF"] --> C["L"]
    D["R (DAW IN 2)"] --> E["HPF"] --> F["R"]
    G["C (DAW IN 3)"] --> H["HPF"] --> I["C"]
    J["LFE (DAW IN 4)"] --> K["LPF"] --> L["SW"]
    M["LS (DAW IN 5)"] --> N["HPF"] --> O["LS"]
    P["RS (DAW IN 6)"] --> Q["HPF"] --> R["RS"]
    B --> S["AMP"]
    E --> S
    H --> S
    K --> S
    N --> T["+"]
    Q --> T
    S --> U["HPF=100Hz, -12dB/Oct"]
    T --> V["LPF=100Hz, -12dB/Oct"]
    V --> W["AMP=+10dB"]

Mixage final surround

	DAW → n8/n12	n8/n12 → DAW
n12	Yamaha Steinberg FWASIO n12 MonitorL-Yamaha Steinberg FWASIO n12 AUX L	Yamaha Steinberg FWASIO n12 Direct Out1-Yamaha Steinberg FWASIO n12 ST Bus L
n8	Yamaha Steinberg FWASIO n8 Monitor L-Yamaha Steinberg FW ASIO n8 AUX L	Yamaha Steinberg FWASIO n8 Direct Out1-Yamaha Steinberg FWASIO n8 ST Bus L

	DAW → n8/n12	n8/n12 → DAW
n12	Yamaha Steinberg FW WDM Audio 1/2-Yamaha Steinberg FW WDM Audio 5/6	Yamaha Steinberg FW WDM Audio
n8	Yamaha Steinberg FW WDM Audio 1/2-Yamaha Steinberg FW WDM Audio 5/6	Yamaha Steinberg FW WDM Audio

C-R OUT ...... 17, 18, 21, 25, 46

C-R PHONES 17, 25

C-R SOURCE SELECT ...... 18

C-R SPEAKER SELECT ..... 18

Cubase 4 33

CUBASE READY 17,34

D

DAW 14, 18

DAW I/O 21

DAW TO AUX 17,38

DAW TO ST 16,37

Décibel (dB) 9

DIMMER 18

DOWN MIX 18,47

DRIVE 14

E

Ecoute surround 46

Egaliseur (EQ) 14

Enregistrement 39

MONITOR REMOTE ...... 19, 40

MORPH 14

MUTE 18

O

ON (Activation de canal) ..... 12, 15

OVER 15,30

P

PAD 13,24

Electrical Specifications

Sampling Frequency	Internal		44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
	External		44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz (±0.1 %)
Total Harmonic Distortion GAIN: Minimum			0.003 % or less (1 kHz @ +18 dB, into 600 Ω)
Frequency Response(CH IN to STEREO OUT)	fs = 48 kHz		20 Hz-20 kHz, +1, -3 dB @ +4 dB, into 600 Ω
	fs = 96 kHz		20 Hz-40 kHz, +1, -3 dB @ +4 dB, into 600 Ω
Dynamic Range(SN ratio at the maximum level)			114 dB, DA converter (STEREO OUT)
			106 dB, AD + DA (to STEREO OUT)
Hum & Noise(20 Hz-20 kHz)Rs = 150 Ω			-128 dB, Equivalent input noise
			-95 dB, Residual output noise, STEREO fader: Minimum
			-95 dB (99 dB SN), STEREO OUTSTEREO fader: Nominal level, All channel faders: Minimum
			-60 dB (64 dB SN), STEREO OUTSTEREO fader: Nominal level, One channel fader: Nominal level
Maximum Voltage Gain n12			84 dB, CH1-8 to STEREO OUT/C-R OUT
			50 dB, CH9-12 to STEREO OUT/C-R OUT
			76 dB, CH1-8 to AUX OUT
			42 dB, CH9-12 to AUX OUT
			76 dB, CH1-4 to STEREO OUT/C-R OUT
			42 dB, CH5-8 to STEREO OUT/C-R OUT
Crosstalk @ 1 kHz GAIN: Minimum Adjacent Input n12			-86 dB, CH1-8
			-80 dB, CH9-12
			-86 dB, CH1-4
			-80 dB, CH5-8

Input and Output Specifications

Analog Input	Type	Input Level
		Nominal Level	Maximum Level	Input Impedance
INPUT A (Mono)CH1-8 (n12)CH1-4 (n8)	XLR type balanced,+48 V Phantom powered	-60 dBu to +10 dBu	+24 dBu	3.5 kΩ
INPUT B (Mono)CH1-8 (n12)CH1-4 (n8)	TRS phone type, balanced	-60 dBu to +10 dBu	+24 dBu	3.5 kΩ(500 kΩ @ Hi-Z = ON)
INSERT IN	TRS phone type, unbalanced	0 dBu	+14 dBu	10 kΩ
INPUT (Stereo)CH9-12 (n12)CH5-8 (n8)	RCA pin type, unbalanced	-40 dBV to -10 dBV	+4 dBV	10 kΩ
	Phone type, unbalanced	-26 dBu to +4 dBu	+18 dBu	10 kΩ
2TR IN	RCA pin type, unbalanced	-10 dBV	+4 dBV	10 kΩ

Analog Output	Type	Output Level
		Nominal Level	Maximum Level	Input Impedance
ST OUT	TRS phone type, balanced	+4 dBu	+18 dBu	600 Ω
	RCA pin type, unbalanced	-10 dBV	+4 dBV	10 kΩ
C-R OUT	TRS phone type, balanced	+4 dBu	+18 dBu	600 Ω
AUX OUT (Only n12)	TRS phone type, balanced	+4 dBu	+18 dBu	600 Ω
INSERT OUT	TRS phone type, unbalanced	+4 dBu	+18 dBu	10 kΩ
C-R PHONES, AUX PHONES	TRS phone type, unbalanced	4 mW + 4 mW	25 mW + 25 mW	8 Ω
		12 mW + 12 mW	75 mW + 75 mW	40 Ω

General Specifications

Faders	n12	100 mm × 11 (Non-motorized)
	n8	60 mm × 7 (Non-motorized)
Power Requirements	n12	51 W (PA-30)
	n8	33 W (PA-20)
Dimensions (H × D × W)	n12	146 × 561 × 515 mm
	n8	146 × 518 × 368 mm
Net Weight	n12	14 kg
	n8	11 kg
Operating Free-air Temperature Range		+5 to +35 °C
Included Accessories		AC power adaptor (PA-30 (n12), PA-20 (n8))DVD-ROM (Cubase AI 4)CD-ROM (TOOLS for n)Owner's ManualTOOLS for n/Cubase AI 4 Installation GuideIEEE 1394 cable

Functions

Monaural Input ChannelsCH1-8 (n12)CH1-4 (n8)To DIRECT OUT, REC bus, STEREO bus	Analog Input
	MIC Preamp	Discrete Class-A MIC preamp (Inverted Darlington Circuitry)
	PHANTOM Switch	+48 V DC (Only for INPUT A, turn on/off every 4 channels)
	PAD Switch	0/26 dB
	GAIN Control	44 dB variable (-60 dB to -16 dB)
	PHASE Switch	Normal/Reversed (CH1-7 (n12), CH1-3 (n8))
	High Pass Filter Switch	OFF/80 Hz (-12 dB/oct.)
	Hi-Z Switch	ON/OFF (CH8 (n12), CH4 (n8)), Input impedance: 500 kΩ
	AD Converter	24 bit linear, Enhanced dual-bit delta-sigma conversion
	Analog/DAW Input
	INPUT SELECT Switch	A.IN (analog)/DAW (IEEE1394 jack)
	COMP LED	Lights in red when the compressor is triggered.
	MORPH Control	Morphs between 5 Sweet Spot Data
	DRIVE Control	128 resolution
	Equalizer	3 band PEQ ±18 dB, MID frequency range: 100 Hz-10 kHz
	ON Switch	ON/OFF
	REVERB Control	Adjusts a post-fader signal after PAN
	AUX Control	Adjusts a pre-fader signal after PAN
	PAN Control	33 resolution
	SOLO Switch	ON/OFF
	DIRECT OUT	Pre-fader
	Input Meter	LED x 4: OVER (red), -3 dB (amber), -14 dB (amber), -48 dB (green)
		n12 Pre-fader/Post-fader
		n8 Only pre-fader
	WET Switch	WET ON/OFF
Stereo Input ChannelsCH9-12 (n12)CH5-8 (n8)To DIRECT OUT, REC bus, STEREO bus	Analog Input
	GAIN Control	30 dB variable (-26 dB to +4 dB)
	High Pass Filter Switch	OFF/80 Hz (-12 dB/oct.)
	AD Converter	24 bit linear, Enhanced dual-bit delta-sigma conversion
	Analog/DAW Input
	INPUT SELECT Switch	A.IN (analog)/DAW (IEEE1394 jack)
	Equalizer	3 band PEQ ±18 dB, MID frequency range: 100 Hz-10 kHz
	ON Switch	ON/OFF
	REVERB Control	Adjusts a post-fader signal after PAN
	AUX Control	Adjusts a pre-fader signal after PAN
	BAL Control	33 resolution
	SOLO Switch	ON/OFF
	DIRECT OUT	Pre-fader
	Input Meter	LED x 4: OVER (red), -3 dB (amber), -14 dB (amber), -48 dB (green)
		n12 Pre-fader/Post-fader
		n8 Only pre-fader
	WET Switch	WET ON/OFF
2TR INTo C-R OUT, STEREO bus	LEVEL Control		-∞ to +6 dB (to STEREO bus)/0 dB (to C-R)
	ON Switch		ON/OFF
	AD Converter		24 bit linear, Enhanced dual-bit delta/sigma conversion
ST OUTOutputs CH1–12, 2TR IN, DAW, REVERB, RETURN signals	STEREO Fader	n12	-∞ to +10 dB
		n8	-∞ to +6 dB
	STEREO ON Switch		ON/OFF
	STEREO BAL Control		33 resolution
	DA Converter		24 bit linear, 128 times oversampling advanced multi-bit delta/sigma conversion
C-R OUTThe BASS MANAGEMENT function works in the surround sound system (Only n12).	CONTROL ROOM LEVEL Control		-∞ to 0 dB
	C-R SPEALKER SELECT Switch	n12	A (L/R), B (C/SW), C (LS/RS) Brackets ( ) indicate sources when 5.1 is selected as C-R SOURCE SELECT.
	C-R SOURCE SELECT Switch	n12	5.1/DAW/STEREO bus/AUX bus/2TR IN
		n8	DAW/STEREO bus/AUX bus/2TR IN
	DOWN MIX Switch	n12	ON/OFF (Active when 5.1 is selected as C-R SOURCE SELECT)
	DIMMER Switch		ON/OFF
	MUTE Switch		ON/OFF
	TALKBACK Switch	n12	ON/OFF
	TALK BACK LEVEL Control	n12	-∞ to +6 dB, Sensitivity: -40 dB
	PFL Switch		ON (SOLO: Pre-fader)/OFF (SOLO: Post-fader)
	DA Converter		24 bit linear, 128 times oversampling Advanced multi-bit delta/sigma conversion
AUX OUT (Only n12)Outputs CH1-12, DAW, REVERB Return, TALK BACK signals	AUX LEVEL Control		-∞ to +6 dB (to AUX bus), -∞ to +6 dB (AUX bus to AUX OUT)
	DA Converter		24 bit linear, 128 times oversampling (@ fs = 44.1 kHz, 48 kHz), 64 times oversampling (@ fs = 88.2 kHz, 96 kHz) advanced multi-bit delta-sigma conversion
PHONES (AUX, C-R)			LEVEL control for each AUX and C-R jacks
			Maximum Output Level
DAW I/O	Audio I/F	n12	25 mW (@ 8 Ω)/75 mW (@ 40 Ω)
		n8	16-ch input/16-ch output
	MIDI I/F		12-ch input/12-ch output
			2-port input/2-port output(DAW remote control, Input/Output via MIDI IN/OUT jacks)
MIDI IN/OUT			1 port input/1port output
Output Level Meter	MASTER LEVEL METER	n12	12 points LED meter × 6
		n8	12 points LED meter × 2
	METER SELECT Switch		C-R level/Bus level
ReverbTo AUX bus, REC bus, STEREO bus	Type		HALL/ROOM/PLATE
	Control		REVERB TIME, LEVEL
DAW Remote Control	WORK MODE		ST MIX/HARDWARE MIX/5.1 MIX (5.1 MIX is only for n12.)
	MONITOR REMOTE		Recording monitor: ON/OFF, VST effects (WET): ON/OFF
	CLICK REMOTE		Click ON/OFF, CLICK LEVEL control
	TRACK CONTROL		PREV, NEXT, REC READY switch
	TRANSPORT		CYCLE, Previous Marker, Add Marker, Next Marker, REW, FWD, STOP, PLAY, REC switch

Bus connections of n8/n12 and DAW

Cubase 4/Cubase Studio 4/Cubase Essential 4/Cubase AI 4

By installing “Extensions for Steinberg DAW” and using the templates, the input/output buses in Cubase are assigned to the device as follows.

Cubase Output				n12 Input
Output Bus		Device Port
n12-L/R	n12-5.1	n12 Monitor L	→	DAW TO ST-L	5.1(L)
		n12 Monitor R	→	DAW TO ST-R	5.1(R)
n12-9/10		n12 Monitor 9/C	→	Input Channel 9	5.1(C)
		n12 Monitor 10/LFE	→	Input Channel 10	5.1(LFE)
n12-11/12		n12 Monitor 11/Ls	→	Input Channel 11	5.1(Ls)
		n12 Monitor 12/Rs	→	Input Channel 12	5.1(Rs)
n12-1		n12 input 1	→	Input Channel 1
n12-2		n12 input 2	→	Input Channel 2
n12-3		n12 input 3	→	Input Channel 3
n12-4		n12 input 4	→	Input Channel 4
n12-5		n12 input 5	→	Input Channel 5
n12-6		n12 input 6	→	Input Channel 6
n12-7		n12 input 7	→	Input Channel 7
n12-8		n12 input 8	→	Input Channel 8
n12-AUX		n12 AUX L	→	DAW TO AUX-L
		n12 AUX R	→	DAW TO AUX-R

n12 Output		Cubase Input
		Device Port	Input Bus
CH1 Direct Out	→	n12 Direct Out 1	n12-Dir1
CH2 Direct Out	→	n12 Direct Out 2	n12-Dir2
CH3 Direct Out	→	n12 Direct Out 3	n12-Dir3
CH4 Direct Out	→	n12 Direct Out 4	n12-Dir4
CH5 Direct Out	→	n12 Direct Out 5	n12-Dir5
CH6 Direct Out	→	n12 Direct Out 6	n12-Dir6
CH7 Direct Out	→	n12 Direct Out 7	n12-Dir7
CH8 Direct Out	→	n12 Direct Out 8	n12-Dir8
CH9 Direct Out	→	n12 Direct Out 9	n12-Dir9/10
CH10 Direct Out	→	n12 Direct Out 10
CH11 Direct Out	→	n12 Direct Out 11	n12-Dir11/12
CH12 Direct Out	→	n12 Direct Out 12
REC BUS L	→	n12 REC Bus L	n12-REC
REC BUS R	→	n12 REC Bus R
STEREO BUS L	→	n12 ST Bus L	n12-ST
STEREO BUS R	→	n12 ST Bus R

Cubase Output			n8 Input
Output Bus	Device Port
n8-L/R	n8 Monitor L	→	DAW TO ST-L
	n8 Monitor R	→	DAW TO ST-R
n8-5/6	n8 input 5	→	Input Channel 5
	n8 input 6	→	Input Channel 6
n8-7/8	n8 input 7	→	Input Channel 7
	n8 input 8	→	Input Channel 8
n8-1	n8 input 1	→	Input Channel 1
n8-2	n8 input 2	→	Input Channel 2
n8-3	n8 input 3	→	Input Channel 3
n8-4	n8 input 4	→	Input Channel 4
n8-AUX	n8 AUX L	→	DAW TO AUX-L
	n8 AUX R	→	DAW TO AUX-R

n8 Output		Cubase Input
		Device Port	Input Bus
CH1 Direct Out	→	n8 Direct Out 1	n8-Dir1
CH2 Direct Out	→	n8 Direct Out 2	n8-Dir2
CH3 Direct Out	→	n8 Direct Out 3	n8-Dir3
CH4 Direct Out	→	n8 Direct Out 4	n8-Dir4
CH5 Direct Out	→	n8 Direct Out 5	n8-Dir5/6
CH6 Direct Out	→	n8 Direct Out 6
CH7 Direct Out	→	n8 Direct Out 7	n8-Dir7/8
CH8 Direct Out	→	n8 Direct Out 8
REC BUS L	→	n8 REC Bus L	n8-REC
REC BUS R	→	n8 REC Bus R
STEREO BUS L	→	n8 ST Bus L	n8-ST
STEREO BUS R	→	n8 ST Bus R

Other Applications

■ Windows (SONAR 7):

ASIO Driver

Output Device Port		n12 Input
Yamaha Steinberg FW ASIO n12 Monitor L	→	DAW TO ST-L	5.1(L)
Yamaha Steinberg FW ASIO n12 Monitor R	→	DAW TO ST-R	5.1(R)
Yamaha Steinberg FW ASIO n12 Monitor 9/C	→	Input Channel 9	5.1(C)
Yamaha Steinberg FW ASIO n12 Monitor 10/LFE	→	Input Channel 10	5.1(LFE)
Yamaha Steinberg FW ASIO n12 Monitor 11/Ls	→	Input Channel 11	5.1(Ls)
Yamaha Steinberg FW ASIO n12 Monitor 12/Rs	→	Input Channel 12	5.1(Rs)
Yamaha Steinberg FW ASIO n12 Input 1	→	Input Channel 1
Yamaha Steinberg FW ASIO n12 Input 2	→	Input Channel 2
Yamaha Steinberg FW ASIO n12 Input 3	→	Input Channel 3
Yamaha Steinberg FW ASIO n12 Input 4	→	Input Channel 4
Yamaha Steinberg FW ASIO n12 Input 5	→	Input Channel 5
Yamaha Steinberg FW ASIO n12 Input 6	→	Input Channel 6
Yamaha Steinberg FW ASIO n12 Input 7	→	Input Channel 7
Yamaha Steinberg FW ASIO n12 Input 8	→	Input Channel 8
Yamaha Steinberg FW ASIO n12 AUX L	→	DAW TO AUX-L
Yamaha Steinberg FW ASIO n12 AUX R	→	DAW TO AUX-R

Output Device Port		n8 Input
Yamaha Steinberg FW ASIO n8 Monitor L	→	DAW TO ST-L
Yamaha Steinberg FW ASIO n8 Monitor R	→	DAW TO ST-R
Yamaha Steinberg FW ASIO n8 input 5	→	Input Channel 5
Yamaha Steinberg FW ASIO n8 input 6	→	Input Channel 6
Yamaha Steinberg FW ASIO n8 input 7	→	Input Channel 7
Yamaha Steinberg FW ASIO n8 input 8	→	Input Channel 8
Yamaha Steinberg FW ASIO n8 input 1	→	Input Channel 1
Yamaha Steinberg FW ASIO n8 input 2	→	Input Channel 2
Yamaha Steinberg FW ASIO n8 input 3	→	Input Channel 3
Yamaha Steinberg FW ASIO n8 input 4	→	Input Channel 4
Yamaha Steinberg FW ASIO n8 AUX L	→	DAW TO AUX-L
Yamaha Steinberg FW ASIO n8 AUX R	→	DAW TO AUX-R

n12 Output		Input Device Port
CH1 Direct Out	→	Yamaha Steinberg FW ASIO n12 Direct Out 1
CH2 Direct Out	→	Yamaha Steinberg FW ASIO n12 Direct Out 2
CH3 Direct Out	→	Yamaha Steinberg FW ASIO n12 Direct Out 3
CH4 Direct Out	→	Yamaha Steinberg FW ASIO n12 Direct Out 4
CH5 Direct Out	→	Yamaha Steinberg FW ASIO n12 Direct Out 5
CH6 Direct Out	→	Yamaha Steinberg FW ASIO n12 Direct Out 6
CH7 Direct Out	→	Yamaha Steinberg FW ASIO n12 Direct Out 7
CH8 Direct Out	→	Yamaha Steinberg FW ASIO n12 Direct Out 8
CH9 Direct Out	→	Yamaha Steinberg FW ASIO n12 Direct Out 9
CH10 Direct Out	→	Yamaha Steinberg FW ASIO n12 Direct Out 10
CH11 Direct Out	→	Yamaha Steinberg FW ASIO n12 Direct Out 11
CH12 Direct Out	→	Yamaha Steinberg FW ASIO n12 Direct Out 12
REC BUS L	→	Yamaha Steinberg FW ASIO n12 REC Bus L
REC BUS R	→	Yamaha Steinberg FW ASIO n12 REC Bus R
STEREO BUS L	→	Yamaha Steinberg FW ASIO n12 ST Bus L
STEREO BUS R	→	Yamaha Steinberg FW ASIO n12 ST Bus R

n8 Output		Input Device Port
CH1 Direct Out	→	Yamaha Steinberg FW ASIO n8 Direct Out 1
CH2 Direct Out	→	Yamaha Steinberg FW ASIO n8 Direct Out 2
CH3 Direct Out	→	Yamaha Steinberg FW ASIO n8 Direct Out 3
CH4 Direct Out	→	Yamaha Steinberg FW ASIO n8 Direct Out 4
CH5 Direct Out	→	Yamaha Steinberg FW ASIO n8 Direct Out 5
CH6 Direct Out	→	Yamaha Steinberg FW ASIO n8 Direct Out 6
CH7 Direct Out	→	Yamaha Steinberg FW ASIO n8 Direct Out 7
CH8 Direct Out	→	Yamaha Steinberg FW ASIO n8 Direct Out 8
REC BUS L	→	Yamaha Steinberg FW ASIO n8 REC Bus L
REC BUS R	→	Yamaha Steinberg FW ASIO n8 REC Bus R
STEREO BUS L	→	Yamaha Steinberg FW ASIO n8 ST Bus L
STEREO BUS R	→	Yamaha Steinberg FW ASIO n8 ST Bus R

■ Macintosh (Logic Pro7/D.P.5):

Logic Pro 8

Output Device Port		n12 Input
Output 1	→	DAW TO ST-L	5.1(L)
Output 2	→	DAW TO ST-R	5.1(R)
Output 3	→	Input Channel 9	5.1(C)
Output 4	→	Input Channel 10	5.1(LFE)
Output 5	→	Input Channel 11	5.1(Ls)
Output 6	→	Input Channel 12	5.1(Rs)
Output 7	→	Input Channel 1
Output 8	→	Input Channel 2
Output 9	→	Input Channel 3
Output 10	→	Input Channel 4
Output 11	→	Input Channel 5
Output 12	→	Input Channel 6
Output 13	→	Input Channel 7
Output 14	→	Input Channel 8
Output 15	→	DAW TO AUX-L
Output 16	→	DAW TO AUX-R

n12 Output		Input Device Port
CH1 Direct Out	→	Input 1
CH2 Direct Out	→	Input 2
CH3 Direct Out	→	Input 3
CH4 Direct Out	→	Input 4
CH5 Direct Out	→	Input 5
CH6 Direct Out	→	Input 6
CH7 Direct Out	→	Input 7
CH8 Direct Out	→	Input 8
CH9 Direct Out	→	Input 9
CH10 Direct Out	→	Input10
CH11 Direct Out	→	Input11
CH12 Direct Out	→	Input12
REC BUS L	→	Input13
REC BUS R	→	Input14
STEREO BUS L	→	Input15
STEREO BUS R	→	Input16

Output Device Port		n8 Input
Output 1	→	DAW TO ST-L
Output 2	→	DAW TO ST-R
Output 3	→	Input Channel 5
Output 4	→	Input Channel 6
Output 5	→	Input Channel 7
Output 6	→	Input Channel 8
Output 7	→	Input Channel 1
Output 8	→	Input Channel 2
Output 9	→	Input Channel 3
Output10	→	Input Channel 4
Output11	→	DAW TO AUX-L
Output12	→	DAW TO AUX-R

n8 Output		Input Device Port
CH1 Direct Out	→	Input 1
CH2 Direct Out	→	Input 2
CH3 Direct Out	→	Input 3
CH4 Direct Out	→	Input 4
CH5 Direct Out	→	Input 5
CH6 Direct Out	→	Input 6
CH7 Direct Out	→	Input 7
CH8 Direct Out	→	Input 8
REC BUS L	→	Input 9
REC BUS R	→	Input10
STEREO BUS L	→	Input11
STEREO BUS R	→	Input12

D.P.6

Output Device Port		n12 Input
Yamaha Steinberg FW:n12 Monitor L 1	→	DAW TO ST-L	5.1(L)
Yamaha Steinberg FW:n12 Monitor R 2	→	DAW TO ST-R	5.1(R)
Yamaha Steinberg FW:n12 Monitor 9/C 3	→	Input Channel 9	5.1(C)
Yamaha Steinberg FW:n12 Monitor 10/LFE 4	→	Input Channel 10	5.1(LFE)
Yamaha Steinberg FW:n12 Monitor 11/Ls 5	→	Input Channel 11	5.1(Ls)
Yamaha Steinberg FW:n12 Monitor 12/Rs 6	→	Input Channel 12	5.1(Rs)
Yamaha Steinberg FW:n12 input 1 7	→	Input Channel 1
Yamaha Steinberg FW:n12 input 3 9	→	Input Channel 2
Yamaha Steinberg FW:n12 input 2 8	→	Input Channel 3
Yamaha Steinberg FW:n12 input 4 10	→	Input Channel 4
Yamaha Steinberg FW:n12 input 5 11	→	Input Channel 5
Yamaha Steinberg FW:n12 input 6 12	→	Input Channel 6
Yamaha Steinberg FW:n12 input 7 13	→	Input Channel 7
Yamaha Steinberg FW:n12 input 8 14	→	Input Channel 8
Yamaha Steinberg FW:n12 AUX L 15	→	DAW TO AUX-L
Yamaha Steinberg FW:n12 AUX R 16	→	DAW TO AUX-R

n12 Output		Input Device Port
CH1 Direct Out	→	Yamaha Steinberg FW:n12 Direct Out 1 1
CH2 Direct Out	→	Yamaha Steinberg FW:n12 Direct Out 3 3
CH3 Direct Out	→	Yamaha Steinberg FW:n12 Direct Out 2 2
CH4 Direct Out	→	Yamaha Steinberg FW:n12 Direct Out 4 4
CH5 Direct Out	→	Yamaha Steinberg FW:n12 Direct Out 5 5
CH6 Direct Out	→	Yamaha Steinberg FW:n12 Direct Out 6 6
CH7 Direct Out	→	Yamaha Steinberg FW:n12 Direct Out 7 7
CH8 Direct Out	→	Yamaha Steinberg FW:n12 Direct Out 8 8
CH9 Direct Out	→	Yamaha Steinberg FW:n12 Direct Out 9 9
CH10 Direct Out	→	Yamaha Steinberg FW:n12 Direct Out 10 10
CH11 Direct Out	→	Yamaha Steinberg FW:n12 Direct Out 11 11
CH12 Direct Out	→	Yamaha Steinberg FW:n12 Direct Out 12 12
REC BUS L	→	Yamaha Steinberg FW:n12 REC Bus L 13
REC BUS R	→	Yamaha Steinberg FW:n12 REC Bus R 14
STEREO BUS L	→	Yamaha Steinberg FW:n12 ST Bus L 15
STEREO BUS R	→	Yamaha Steinberg FW:n12 ST Bus R 16

Output Device Port		n8 Input
Yamaha Steinberg FW:n8 Monitor L 1	→	DAW TO ST-L
Yamaha Steinberg FW:n8 Monitor R 2	→	DAW TO ST-R
Yamaha Steinberg FW:n8 input 5 3	→	Input Channel 5
Yamaha Steinberg FW:n8 input 6 4	→	Input Channel 6
Yamaha Steinberg FW:n8 input 7 5	→	Input Channel 7
Yamaha Steinberg FW:n8 input 8 6	→	Input Channel 8
Yamaha Steinberg FW:n8 input 1 7	→	Input Channel 1
Yamaha Steinberg FW:n8 input 2 8	→	Input Channel 2
Yamaha Steinberg FW:n8 input 3 9	→	Input Channel 3
Yamaha Steinberg FW:n8 input 4 10	→	Input Channel 4
Yamaha Steinberg FW:n8 AUX L 11	→	DAW TO AUX-L
Yamaha Steinberg FW:n8 AUX R 12	→	DAW TO AUX-R

n8 Output		Input Device Port
CH1 Direct Out	→	Yamaha Steinberg FW:n8 Direct Out 1 1
CH2 Direct Out	→	Yamaha Steinberg FW:n8 Direct Out 2 2
CH3 Direct Out	→	Yamaha Steinberg FW:n8 Direct Out 3 3
CH4 Direct Out	→	Yamaha Steinberg FW:n8 Direct Out 4 4
CH5 Direct Out	→	Yamaha Steinberg FW:n8 Direct Out 5 5
CH6 Direct Out	→	Yamaha Steinberg FW:n8 Direct Out 6 6
CH7 Direct Out	→	Yamaha Steinberg FW:n8 Direct Out 7 7
CH8 Direct Out	→	Yamaha Steinberg FW:n8 Direct Out 8 8
REC BUS L	→	Yamaha Steinberg FW:n8 REC Bus L 9
REC BUS R	→	Yamaha Steinberg FW:n8 REC Bus R 10
STEREO BUS L	→	Yamaha Steinberg FW:n8 ST Bus L 11
STEREO BUS R	→	Yamaha Steinberg FW:n8 ST Bus R 12

Dimensional Diagrams

[n12]

YAMAHA

515.0 YAMAHA n12

145.8 560.8

[n8]

YAMA

368 ©YAMAHA n8

145.31 517.14

Block Diagram

graph TD
    A["ANALOG INPUT"] --> B["INPUT A"]
    B --> C["+48V (out 4ch)"]
    B --> D["+1098u-608Bu"]
    B --> E["INSERT I/O (-08Bu)"]
    E --> F["A/D"]
    F --> G["HPF"]
    G --> H["COMP (Gain Reduction)"]
    H --> I["3Band EQ"]
    I --> J["DIRECT OUT (-1-8) n-DIRECT OUT (-1-4)"]
    J --> K["MONO INPUT n12: CH1(-1-8) n8: CH1(-1-4)"]
    J --> L["STEREO INPUT n12: CH9/10 & CH11/12 n8: CH5/6 & CH7/8"]
    L --> M["L (MONO) (-48bu) (-106W)"]
    L --> N["R (-48bu) (-106W)"]
    L --> O["2TR IN L (-108W)"]
    L --> P["TALKBACK ECM"]
    P --> Q["+408B"]
    Q --> R["TALKBACK"]
    R --> S["Dimmer CONTROL"]
    S --> T["DIMMER"]
    T --> U["Digital Effect (REVERB)"]
    U --> V["TO REC"]
    V --> W["STERED"]
    W --> X["SOLO"]
    X --> Y["PPL SOLD"]
    Y --> Z["AUX"]
    Z --> AA["2TR L 2TR R"]
    AA --> AB["LEVEL"]
    AB --> AC["2TR TO STEREO"]
    AC --> AD["DIGITAL EFFECT REVERB"]
    AD --> AE["TO REC"]
    AE --> AF["STERED"]
    AF --> AG["SOLO"]
    AG --> AH["2TR (ZTR L, ZTR R)"]
    AH --> AI["DAW AUX L DAW AUX R"]
    AI --> AJ["LEVEL"]
    AJ --> AK["DAW TO STEREO"]
    AK --> AL["TO AUX LEVEL"]
    AL --> AM["DAW AUX L DAW AUX R"]
    AM --> AN["5.1 (L) 5.1 (R)"]
    AN --> AO["DAW IN [1"] - 5.1 (R)]
    AO --> AP["DAW IN [2"] - 5.1 (R)]
    AP --> AQ["DAW IN [3"] - 5.1 (L)]
    AQ --> AR["DAW IN [4"] - 5.1 (L)]
    AR --> AS["DAW IN [5"] - 5.1 (L)]
    AS --> AT["DAW IN [6"] - 5.1 (L)]
    AT --> AU["DAW IN [7"] - 5.1 (L)]
    AU --> AV["DAW IN [8"] - 5.1 (L)]
    AV --> AW["DAW IN [9"] - 5.1 (L)]
    AW --> AX["DAW IN [10"] - 5.1 (L)]
    AX --> AY["DAW IN [11"] - 5.1 (L)]
    AY --> AZ["DAW IN [12"] - 5.1 (L)]
    AZ --> BA["DAW IN [13"] - 5.1 (L)]
    BA --> BB["DAW IN [14"] - 5.1 (L)]
    BB --> BC["DAW IN [15"] - 5.1 (L)]
    BC --> BD["DAW IN [16"] - 5.1 (L)]

    subgraph Analog Inputs
        B
        C
        D
        E
        F
        G
        H
        I
        J
        K
        L
        M
        N
        O
        P
        Q
        R
        S
        T
        U
        V
        W
        X
        Y
        Z
        AA
        AB
        AC
        AD
        AE
        AF
        AG
        AH
        AI
        AJ
        AK
        AL
        AM
        AN
        AO
        AP
        AQ
        AR
        AS
        AT
        AU
        AV
        AW
        AX
        AY
        AZ
        BA
        BB
        AC
        AD
        AE
        AF
        AG
        AH
        AI
        AJ
        AK
        AL
        AM
        AN
        AO
        AP
        AX
        AY
        AZ
        BA
        BB
        AC
        AD
        AE
        AF
        AG
        AH
        AI
        AJ
        AK
        AL
        AM
        AN
        AO
        AP
        AX
        AY
        AZ
        BA
        BB
        AC
        AD
        AE
        AF
        AG
        AH
        AI
        AJ
    end

    subgraph Analog Outputs
        B
        C
        D
        E
        F
        G
        H
        I
        J
        K
        L
        M
        N
        O
        P
        Q
        R
        S
        T
        U
        V
        W
        X
        Y
        Z
        AA
        AB
        AC
        AD
        AE
        AF
        AG
        AH

YAMAHA [ DIGITAL MIXING STUDIO ]

Model n8/12 MIDI Implementation Chart

Date :5-Oct-2006

Version :1.0

Function...		Transmitted	Recognized	Remarks
Basic Channel	Default Changed	xx	xxx
Mode	Default Messages Altered	xxxxxxxxx	xxxx
Note Number : True voice		x *1xxxxxxxxx	x *1x
Velocity	Note ON Note OFF	xx	xxx
After Touch	Key's Ch's	xxx	xxx
Pitch Bend		x	x
Control Change	0-121	x	x
Prog Change : True #		xxxxxxxxx	xxx
System Exclusive		x *1	x *1
Common : Song Pos. : Song Sel. : Tune		xxxx	xxxx
System Real Time : Commands		xxx	xxx
Aux Messages : All Sound Off : Reset All Cntrls : Local ON/OFF : All Notes OFF : Active Sense : Reset		xxxxxx	xxxxxx
Notes:		*1 Used only for the communication with DAW.The MIDI Port is used as an extended port for DAW.

Mode 1 : OMNI ON, POLY

Mode 3 : OMNI OFF, POLY

Mode 2 : OMNI ON, MONO

Mode 4 : OMNI OFF, MONO

o : Yes

x : No

For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tel: [phone]

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

U.S.A.

Tel: [phone]

CENTRAL & SOUTH AMERICA

MEXICO

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES/

CARIBBEAN COUNTRIES

Yamaha Music Latin America, S.A.

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, England

Tel: [phone]

GERMANY

Yamaha Music Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: [phone]

Branch Switzerland in Zürich

Seefeldstrasse 94, 8008 Zürich, Switzerland

Tel: [phone]

AUSTRIA

Yamaha Music Europe GmbH Branch Austria

Schleiergasse 20, A-1100 Wien, Austria

Tel: [phone]

CZECH REPUBLIC/SLOVAKIA/

HUNGARY/SLOVENIA

Yamaha Music Europe GmbH Branch Austria

Schleiergasse 20, A-1100 Wien, Austria

Tel: [phone]

POLAND

Yamaha Music Europe GmbH

147 Skiathou Street, 112-55 Athens, Greece

Tel: [phone]

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1, Box 30053

S-400 43 Göteborg, Sweden

Tel: [phone]

DENMARK

YS Copenhagen Liaison Office

Generatorvej 6A, DK-2730 Herlev, Denmark

Tel: [phone]

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260,

SF-00101 Helsinki, Finland

Tel: [phone]

NORWAY

Yamaha Music (Russia)

Office 4015, entrance 2, 21/5 Kuznetskii

Most street, Moscow, 107996, Russia

Tel: [phone]

OTHER EUROPEAN COUNTRIES

Yamaha Music Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: [phone]

AFRICA

Yamaha Corporation,

Asia-Pacific Music Marketing Group

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Japan 430-8650

Tel: [phone]

MIDDLE EAST

TURKEY/CYPRUS

Yamaha Music Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: [phone]

OTHER COUNTRIES

Yamaha Music Gulf FZE

LOB 16-513, P.O.Box 17328, Jubel Ali,

Dubai, United Arab Emirates

Tel: [phone]

ASIA

THE PEOPLE'S REPUBLIC OF CHINA

Yamaha Music & Electronics (China) Co., Ltd.

2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu,

Shanghai, China

Tel: [phone]

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: [phone]

INDIA

Yamaha Music India Pvt. Ltd.

5F Ambience Corporate Tower Ambience Mall Complex

Ambience Island, NH-8, Gurgaon-122001, Haryana, India

Tel: [phone]

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: [phone]

KOREA

Yamaha Music Korea Ltd.

8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,

Kangnam-Gu, Seoul, Korea

Tel: [phone]

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: [phone]

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Makati, Metro Manila, Philippines

Tel: [phone]

SINGAPORE

Yamaha Music Asia Pte., Ltd.

03-11 A-Z Building

140 Paya Lebor Road, Singapore 409015

Tel: [phone]

TAIWAN

Yamaha KHS Music Co., Ltd.

3F, #6, Sec.2, Nan Jing E. Rd. Taipei.

Taiwan 104, R.O.C.

Tel: [phone]

THAILAND

Siam Music Yamaha Co., Ltd.

4, 6, 15 and 16^th floor, Siam Motors Building,

891/1 Rama 1 Road, Wangmai,

Pathumwan, Bangkok 10330, Thailand

Tel: [phone]

OTHER ASIAN COUNTRIES

Yamaha Corporation,

Asia-Pacific Music Marketing Group

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Japan 430-8650

Tel: [phone]

OCEANIA

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 99 Queensbridge Street, Southbank,

Victoria 3006, Australia

Tel: [phone]

NEW ZEALAND

Music Works LTD

P.O.BOX 6246 Wellesley, Auckland 4680,

New Zealand

Tel: [phone]

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

Asia-Pacific Music Marketing Group

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Japan 430-8650

Tel: [phone]

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division

Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650

Tel: [phone]