CVP-409-407-405-403-401 - Numeric keypad YAMAHA - Free user manual and instructions
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USER MANUAL CVP-409-407-405-403-401 YAMAHA
Drum/ key Assignment List 23
Chord Types Recognized in the Fingered Mode 36
Harmony/Echo Type List 53
Song Meta Event List 82
Meta-Events of Songs
Listedesémaévenementsdesmorceaux
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Choir & Pad | Fantasia | 0 | 112 | 89 | Regular |
| DX Pad | 0 | 112 | 93 | Regular | |
| Symbiont | 0 | 113 | 89 | Regular | |
| Stargate | 0 | 114 | 89 | Regular | |
| Area51 | 0 | 112 | 90 | Regular | |
| DarkMoon | 0 | 113 | 90 | Regular | |
| Ionosphere | 0 | 115 | 95 | Regular | |
| GoldenAge | 0 | 115 | 89 | Regular | |
| Solaris | 0 | 114 | 95 | Regular | |
| TimeTravel | 0 | 116 | 89 | Regular | |
| Millennium | 0 | 117 | 89 | Regular | |
| Dunes | 0 | 114 | 90 | Regular | |
| Synth & FX | Oxygen | 0 | 122 | 82 | Regular |
| Matrix | 0 | 123 | 82 | Regular | |
| WireLead | 0 | 120 | 82 | Regular | |
| SoftR&B | 0 | 119 | 81 | Regular | |
| EarlyLead | 0 | 118 | 82 | Regular | |
| DanceHook | 0 | 112 | 87 | Regular | |
| OctaveHook | 0 | 113 | 87 | Regular | |
| HipaLead | 0 | 118 | 85 | Regular | |
| SFX Kit1 | 126 | 0 | 1 | SFX Kit | |
| SFX Kit2 | 126 | 0 | 2 | SFX Kit | |
| PunchyHook | 0 | 127 | 82 | Regular | |
| CryingLead | 0 | 114 | 88 | Regular | |
| HipLead | 0 | 113 | 81 | Regular | |
| HopLead | 0 | 117 | 81 | Regular | |
| OrbitSine | 0 | 126 | 81 | Regular | |
| TechLead | 0 | 117 | 85 | Regular | |
| Tekkline | 0 | 116 | 85 | Regular | |
| SoftMini | 0 | 124 | 81 | Regular | |
| TranceLead | 0 | 121 | 81 | Regular | |
| FireWire | 0 | 116 | 82 | Regular | |
| Analogon | 0 | 115 | 82 | Regular | |
| Blaster | 0 | 114 | 82 | Regular | |
| Skyline | 0 | 115 | 85 | Regular | |
| SquareLead | 0 | 112 | 81 | Regular | |
| SawLead | 0 | 112 | 82 | Regular | |
| PopLead | 0 | 120 | 81 | Regular | |
| ProLead | 0 | 113 | 84 | Regular | |
| BrightMini | 0 | 125 | 81 | Regular | |
| TinyLead | 0 | 118 | 81 | Regular | |
| FunkyLead | 0 | 121 | 82 | Regular | |
| Paraglide | 0 | 114 | 85 | Regular | |
| Robolead | 0 | 124 | 82 | Regular | |
| Cargo | 0 | 119 | 82 | Regular | |
| Portatone | 0 | 112 | 85 | Regular | |
| BigLead | 0 | 113 | 82 | Regular | |
| Warp | 0 | 117 | 82 | Regular | |
| Adrenaline | 0 | 113 | 85 | Regular | |
| Stardust | 0 | 112 | 99 | Regular | |
| AeroLead | 0 | 112 | 84 | Regular | |
| MiniLead | 0 | 114 | 81 | Regular | |
| Impact | 0 | 113 | 88 | Regular | |
| SunBell | 0 | 113 | 99 | Regular | |
| UnderHeim | 0 | 112 | 88 | Regular | |
| HiBias | 0 | 116 | 81 | Regular | |
| VinylLead | 0 | 115 | 81 | Regular | |
| PanLead | 0 | 122 | 81 | Regular | |
| StringBells | 0 | 124 | 89 | Regular | |
| CrystalEyes | 0 | 125 | 89 | Regular | |
| Padbells | 0 | 126 | 89 | Regular | |
| MelodyMaker | 0 | 117 | 90 | Regular | |
| BigTune | 0 | 118 | 90 | Regular | |
| TrumpetSaw | 0 | 125 | 82 | Regular | |
| AttackSaw | 0 | 126 | 82 | Regular | |
| PercSquare | 0 | 123 | 81 | Regular | |
| Perc & Drum | Vibraphone | 0 | 122 | 12 | Natural! |
| TremoloVibes | 0 | 124 | 12 | Natural! | |
| Marimba | 0 | 122 | 13 | Natural! | |
| SteelDrums | 0 | 122 | 115 | Natural! | |
| Celesta | 0 | 122 | 9 | Natural! | |
| Vibraphone | 0 | 112 | 12 | Regular | |
| JazzVibes | 0 | 113 | 12 | Regular | |
| Suspense | 0 | 114 | 12 | Regular | |
| Marimba | 0 | 112 | 13 | Regular | |
| Xylophone | 0 | 112 | 14 | Regular | |
| SteelDrums | 0 | 112 | 115 | Regular | |
| Celesta | 0 | 112 | 9 | Regular | |
| Glockenspiel | 0 | 112 | 10 | Regular | |
| MusicBox | 0 | 112 | 11 | Regular | |
| TubularBells | 0 | 112 | 15 | Regular | |
| Kalimba | 0 | 112 | 109 | Regular | |
| Dulcimer | 0 | 112 | 16 | Regular | |
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Perc & Drum | Timpani | 0 | 112 | 48 | Regular |
| PowerKit1 | 127 | 0 | 88 | Live!Drums | |
| PowerKit2 | 127 | 0 | 89 | Live!Drums | |
| StandardKit1 | 127 | 0 | 1 | Live!Drums | |
| StandardKit2 | 127 | 0 | 2 | Live!Drums | |
| StudioKit | 127 | 0 | 87 | Live!Drums | |
| JazzKit | 127 | 0 | 33 | Drums | |
| BrushKit | 127 | 0 | 41 | Live!Drums | |
| HitKit | 127 | 0 | 5 | Drums | |
| RoomKit | 127 | 0 | 9 | Drums | |
| RockKit | 127 | 0 | 17 | Drums | |
| ElectroKit | 127 | 0 | 25 | Drums | |
| AnalogKit | 127 | 0 | 26 | Drums | |
| DanceKit | 127 | 0 | 28 | Drums | |
| SymphonyKit | 127 | 0 | 49 | Live!Drums | |
| CubanKit | 126 | 0 | 41 | Live!SFX | |
| PopLatinKit | 126 | 0 | 44 | Live!SFX | |
| ArabicKit | 126 | 0 | 36 | SFX Kit | |
| OrganFlutes | JazzDraw! | 0 | 126 | 17 | Organ Flutes |
| BluesOrgan! | 0 | 126 | 17 | Organ Flutes | |
| SixteenOne! | 0 | 126 | 17 | Organ Flutes | |
| EvenBars! | 0 | 126 | 17 | Organ Flutes | |
| PopOrgan! | 0 | 126 | 17 | Organ Flutes | |
| RockingOrg! | 0 | 126 | 17 | Organ Flutes | |
| Percussive! | 0 | 126 | 17 | Organ Flutes | |
| GospelOrg! | 0 | 126 | 17 | Organ Flutes | |
| PadOrgan! | 0 | 126 | 17 | Organ Flutes | |
| FullRanks! | 0 | 126 | 17 | Organ Flutes | |
CVP-405
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Piano | GrandPiano1 | 0 | 122 | 1 | Natural! |
| GrandPiano2 | 0 | 122 | 2 | Natural! | |
| BrightPiano | 0 | 123 | 1 | Natural! | |
| MellowPiano | 0 | 124 | 1 | Natural! | |
| RockPiano | 0 | 124 | 3 | Natural! | |
| HonkyTonic | 0 | 122 | 4 | Natural! | |
| Oct.Piano1 | 0 | 123 | 4 | Natural! | |
| Oct.Piano2 | 0 | 124 | 4 | Natural! | |
| Harpsichord | 8 | 32 | 113 | S.Articulation! | |
| Hc8' + 4' | 0 | 123 | 7 | Natural! | |
| GrandPiano | 0 | 113 | 1 | Live! | |
| BrightPiano | 0 | 112 | 2 | Live! | |
| WarmGrand | 0 | 114 | 1 | Live! | |
| Oct.Piano1 | 0 | 113 | 4 | Regular | |
| Oct.Piano2 | 0 | 114 | 4 | Regular | |
| HonkyTonic | 0 | 112 | 4 | Regular | |
| Harpsichord8' | 0 | 122 | 7 | Natural! | |
| GrandHarpsi | 0 | 113 | 7 | Regular | |
| MidiGrand | 0 | 112 | 3 | Regular | |
| Piano&Str | 0 | 125 | 1 | Natural! | |
| Piano&EP | 0 | 122 | 3 | Natural! | |
| Harpsichord | 0 | 112 | 7 | Regular | |
| Harpsi&Str | 0 | 124 | 7 | Natural! | |
| CP80 | 0 | 113 | 3 | Regular | |
| E.Piano | SparkleStack | 0 | 121 | 6 | Cool! |
| GalaxyEP | 0 | 114 | 5 | Cool! | |
| SuitcaseEP | 0 | 118 | 5 | Cool! | |
| PolarisEP | 0 | 115 | 5 | Regular | |
| JazzChorus | 0 | 118 | 6 | Regular | |
| HyperTines | 0 | 113 | 6 | Regular | |
| ElectricPiano | 0 | 119 | 5 | Cool! | |
| PhaseEP | 0 | 120 | 5 | Regular | |
| NewTines | 0 | 116 | 6 | Regular | |
| FunkEP | 0 | 112 | 5 | Regular | |
| DX Modern | 0 | 112 | 6 | Regular | |
| DX EP | 0 | 122 | 6 | Natural! | |
| E.Piano | 0 | 122 | 5 | Natural! | |
| TremoloEP | 0 | 124 | 5 | Natural! | |
| FunkyEP | 0 | 123 | 5 | Natural! | |
| StageEP | 0 | 117 | 5 | Regular | |
| ModernEP | 0 | 115 | 6 | Regular | |
| VintageEP | 0 | 116 | 5 | Regular | |
| VenusEP | 0 | 114 | 6 | Regular | |
| TremoloEP | 0 | 113 | 5 | Regular | |
| SuperDX | 0 | 117 | 6 | Regular | |
| StereoClavi | 0 | 114 | 8 | Regular | |
| Clavi | 0 | 112 | 8 | Regular | |
| WahClavi | 0 | 113 | 8 | Regular | |
| Strings | Strings | 0 | 117 | 50 | Live! |
| Allegro | 0 | 122 | 50 | Live! | |
| Orchestra | 0 | 116 | 50 | Live! | |
| Symphonic | 0 | 114 | 49 | Regular | |
| Strings | 0 | 112 | 49 | Regular | |
| Violin | 0 | 113 | 41 | Sweet! | |
| OrchHorns | 0 | 118 | 50 | Regular | |
| OrchFlute | 0 | 119 | 50 | Regular | |
| OrchOboe | 0 | 121 | 50 | Regular | |
| Tutti | 0 | 120 | 50 | Regular | |
| OrchStrings | 0 | 113 | 49 | Regular | |
| StringQuartet | 0 | 114 | 50 | Regular | |
| ConcertoStrings | 0 | 115 | 49 | Regular | |
| AnalogStrings | 0 | 112 | 52 | Regular | |
| ChamberStrings | 0 | 112 | 50 | Regular | |
| BowStrings | 0 | 116 | 49 | Regular | |
| SlowStrings | 0 | 113 | 50 | Regular | |
| TremoloStrings | 0 | 112 | 45 | Regular | |
| Marcato | 0 | 115 | 50 | Regular | |
| Pizzicato | 0 | 112 | 46 | Regular | |
| SynthStrings1 | 0 | 112 | 51 | Regular | |
| SynthStrings2 | 0 | 113 | 51 | Regular | |
| SoloViolin | 0 | 112 | 41 | Regular | |
| Viola | 0 | 112 | 42 | Regular | |
| Cello | 0 | 112 | 43 | Regular | |
| Contrabass | 0 | 112 | 44 | Regular | |
| Harp | 0 | 112 | 47 | Regular | |
| Hackbrett | 0 | 113 | 47 | Regular | |
| Fiddle | 0 | 112 | 111 | Regular | |
| Banjo | 0 | 112 | 106 | Regular | |
| Sitar | 0 | 112 | 105 | Regular | |
| Koto | 0 | 112 | 108 | Regular | |
| Shamisen | 0 | 112 | 107 | Regular | |
| Orchestra-Hit | 0 | 112 | 56 | Regular | |
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Guitar & Bass | ConcertGuitar | 8 | 32 | 1 | S.Articulation! |
| SteelGuitar | 8 | 32 | 2 | S.Articulation! | |
| FlamencoGtr | 8 | 33 | 1 | S.Articulation! | |
| 12StringGtr | 0 | 113 | 26 | Live! | |
| PedalSteel | 8 | 36 | 4 | S.Articulation! | |
| WarmSolid | 8 | 33 | 4 | S.Articulation! | |
| CleanSolid | 8 | 34 | 4 | S.Articulation! | |
| GuitarHero | 8 | 32 | 6 | S.Articulation! | |
| 70sSolidGtr | 8 | 38 | 4 | S.Articulation! | |
| NylonGuitar | 8 | 34 | 1 | S.Articulation! | |
| FolkGuitar | 8 | 33 | 2 | S.Articulation! | |
| WarmElectric | 8 | 32 | 4 | S.Articulation! | |
| CleanElectric | 8 | 35 | 4 | S.Articulation! | |
| HalfDrive | 8 | 37 | 4 | S.Articulation! | |
| Mandolin | 0 | 114 | 26 | Sweet! | |
| JazzGuitar | 0 | 115 | 27 | Cool! | |
| VintageLead | 0 | 125 | 28 | Cool! | |
| BluesGuitar | 0 | 117 | 30 | Cool! | |
| MutedGuitar | 0 | 119 | 29 | Cool! | |
| SlideNylon | 0 | 117 | 25 | Regular | |
| SlideSteel | 0 | 118 | 26 | Live! | |
| SlideSolid | 0 | 110 | 28 | Cool! | |
| SlideClean | 0 | 117 | 29 | Cool! | |
| DynamicMute | 0 | 118 | 29 | Cool! | |
| Feedbacker | 8 | 33 | 5 | S.Articulation! | |
| ElectricGtr | 0 | 114 | 29 | Cool! | |
| TremoloSolid | 0 | 111 | 28 | Cool! | |
| ChorusSolid | 0 | 107 | 28 | Cool! | |
| BalladSolid | 0 | 109 | 28 | Cool! | |
| DynamicNylon | 0 | 116 | 25 | Regular | |
| DynamicSteel | 0 | 116 | 26 | Live! | |
| HardFlamenco | 0 | 118 | 25 | Regular | |
| AlohaGuitar | 0 | 118 | 27 | Regular | |
| PedalSteel | 0 | 115 | 28 | Regular | |
| PowerLead | 0 | 115 | 31 | Cool! | |
| CleanGuitar | 0 | 112 | 28 | Cool! | |
| SlapSolid | 0 | 108 | 28 | Cool! | |
| FunkGuitar | 0 | 116 | 29 | Cool! | |
| ClassicalGtr | 0 | 115 | 25 | Regular | |
| SteelGuitar | 0 | 117 | 26 | Live! | |
| 60sClean | 0 | 117 | 28 | Regular | |
| VintageOpen | 0 | 123 | 28 | Regular | |
| VintageStrum | 0 | 126 | 28 | Regular | |
| HeavyStack | 0 | 114 | 31 | Regular | |
| CrunchGuitar | 0 | 113 | 31 | Regular | |
| VintageAmp | 0 | 115 | 30 | Regular | |
| SolidChord | 0 | 121 | 28 | Regular | |
| SolidGuitar | 0 | 118 | 28 | Regular | |
| NylonMute | 0 | 119 | 25 | Regular | |
| SteelMute | 0 | 120 | 26 | Live! | |
| CampfireGtr | 0 | 115 | 26 | Regular | |
| Electric12Str | 0 | 119 | 28 | Regular | |
| SmoothLead | 0 | 119 | 27 | Regular | |
| PowerChord | 0 | 117 | 31 | Regular | |
| RockGuitar | 0 | 116 | 30 | Regular | |
| VoodooLead | 0 | 116 | 31 | Regular | |
| VintageMute | 0 | 115 | 29 | Regular | |
| TremoloGuitar | 0 | 113 | 28 | Regular | |
| WahGuitar | 0 | 122 | 28 | Regular | |
| LeadGuitar | 0 | 114 | 30 | Regular | |
| 18String | 0 | 119 | 26 | Regular | |
| ChorusGuitar | 0 | 124 | 28 | Regular | |
| OctaveGuitar | 0 | 113 | 27 | Regular | |
| VintageTrem | 0 | 120 | 28 | Regular | |
| DeepChorus | 0 | 114 | 28 | Regular | |
| BrightClean | 0 | 116 | 28 | Regular | |
| DistortionGtr | 0 | 112 | 31 | Regular | |
| FunkGuitar | 0 | 113 | 29 | Regular | |
| MutedGuitar | 0 | 112 | 29 | Regular | |
| OverdriveGtr | 0 | 112 | 30 | Regular | |
| FeedbackGtr | 0 | 113 | 30 | Regular | |
| FolkGuitar | 0 | 112 | 26 | Regular | |
| ElectricBass | 0 | 114 | 34 | Cool! | |
| AcousticBass | 0 | 112 | 33 | Regular | |
| DynoPickBass | 0 | 113 | 35 | Cool! | |
| FretlessBass | 0 | 112 | 36 | Cool! | |
| SlapBass | 0 | 112 | 37 | Regular | |
| SubBass | 0 | 114 | 40 | Regular | |
| HardBass | 0 | 114 | 39 | Regular | |
| ResoBass | 0 | 112 | 39 | Regular | |
| RockBass | 0 | 114 | 35 | Regular | |
| SuperFretless | 0 | 113 | 36 | Regular | |
CVP-405
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Guitar & Bass | PickBass | 0 | 112 | 35 | Regular |
| FusionBass | 0 | 113 | 37 | Regular | |
| Bass&Cymbal | 0 | 114 | 33 | Regular | |
| AnalogBass | 0 | 112 | 40 | Regular | |
| DrySynthBass | 0 | 116 | 40 | Regular | |
| 80sSynthBass | 0 | 115 | 40 | Regular | |
| HiQBass | 0 | 113 | 39 | Regular | |
| FunkBass | 0 | 112 | 38 | Regular | |
| ClickBass | 0 | 115 | 39 | Regular | |
| PunchyBass | 0 | 117 | 39 | Regular | |
| MellowFinger | 0 | 112 | 34 | Regular | |
| TB Bass | 0 | 117 | 40 | Regular | |
| NylonGuitar | 8 | 0 | 1 | MegaVoice | |
| SteelGuitar | 8 | 0 | 2 | MegaVoice | |
| 12StringGtr | 8 | 1 | 3 | MegaVoice | |
| HiStringGtr | 8 | 0 | 3 | MegaVoice | |
| SolidGuitar1 | 8 | 1 | 4 | MegaVoice | |
| SolidGuitar2 | 8 | 2 | 4 | MegaVoice | |
| CleanGuitar | 8 | 0 | 4 | MegaVoice | |
| OverdriveGtr | 8 | 0 | 5 | MegaVoice | |
| DistortionGtr | 8 | 0 | 6 | MegaVoice | |
| AcousticBass | 8 | 0 | 17 | MegaVoice | |
| ElectricBass | 8 | 0 | 18 | MegaVoice | |
| PickBass | 8 | 0 | 19 | MegaVoice | |
| FretlessBass | 8 | 0 | 20 | MegaVoice | |
| Saxophone | Saxophone | 8 | 32 | 83 | S.Articulation! |
| BigBandSax | 8 | 35 | 83 | S.Articulation! | |
| JazzTenor | 0 | 125 | 67 | Sweet! | |
| BalladTenor | 0 | 126 | 67 | Sweet! | |
| PopTenor | 0 | 127 | 67 | Sweet! | |
| SopranoSax | 0 | 113 | 65 | Sweet! | |
| AltoSax | 0 | 114 | 66 | Sweet! | |
| TenorSax | 0 | 117 | 67 | Sweet! | |
| GrowSax | 0 | 111 | 67 | Sweet! | |
| SaxSection | 0 | 116 | 67 | Live! | |
| RockSax | 8 | 33 | 83 | S.Articulation! | |
| SaxSectionSoft | 0 | 121 | 67 | Live! | |
| SaxSectionHard | 0 | 122 | 67 | Live! | |
| BalladSection | 0 | 119 | 67 | Regular | |
| SaxAppeal | 0 | 123 | 67 | Live! | |
| SaxyMood | 0 | 120 | 67 | Regular | |
| Moonlight | 0 | 115 | 72 | Regular | |
| GrowSax | 0 | 118 | 67 | Regular | |
| SopranoSax | 0 | 112 | 65 | Regular | |
| AltoSax | 0 | 112 | 66 | Regular | |
| TenorSax | 0 | 112 | 67 | Regular | |
| BaritoneSax | 0 | 112 | 68 | Regular | |
| WoodwindsEns | 0 | 113 | 67 | Regular | |
| TenorSax | 8 | 0 | 83 | MegaVoice | |
| Flute & Woodwind | Flute | 0 | 114 | 74 | Sweet! |
| Clarinet | 0 | 114 | 72 | Sweet! | |
| Oboe | 0 | 113 | 69 | Sweet! | |
| EnglishHorn | 0 | 112 | 70 | Regular | |
| Bassoon | 0 | 112 | 71 | Regular | |
| PanFlute | 0 | 113 | 76 | Sweet! | |
| ClassicalFlute | 0 | 115 | 74 | Sweet! | |
| Piccolo | 0 | 112 | 73 | Regular | |
| FluteEnsemble | 0 | 116 | 74 | Regular | |
| Whistle | 0 | 112 | 79 | Regular | |
| Flute | 0 | 112 | 74 | Regular | |
| Clarinet | 0 | 112 | 72 | Regular | |
| Oboe | 0 | 112 | 69 | Regular | |
| Shakuhachi | 0 | 112 | 78 | Regular | |
| Bagpipe | 0 | 112 | 110 | Regular | |
| PanFlute | 0 | 113 | 74 | Regular | |
| EthnicFlute | 0 | 112 | 76 | Regular | |
| Recorder | 0 | 112 | 75 | Regular | |
| Ocarina | 0 | 112 | 80 | Regular | |
| Organ | PipeOrganP | 0 | 123 | 20 | Natural! |
| PipeOrgTu | 0 | 122 | 20 | Natural! | |
| Organ | 0 | 118 | 19 | Cool! | |
| JazzOrgan | 0 | 117 | 17 | Cool! | |
| RotorOrgan | 0 | 117 | 19 | Cool! | |
| FullRocker | 0 | 115 | 19 | Cool! | |
| StadiumOrgan | 0 | 118 | 17 | Regular | |
| RotaryDrive | 0 | 116 | 19 | Regular | |
| RockOrgan1 | 0 | 112 | 19 | Regular | |
| DanceOrgan | 0 | 113 | 18 | Regular | |
| GospelOrgan | 0 | 119 | 17 | Regular | |
| JazzOrgan1 | 0 | 112 | 17 | Regular | |
| PurpleOrgan | 0 | 114 | 19 | Regular | |
| ElectricOrgan | 0 | 118 | 18 | Regular | |
| DrawbarOrgan | 0 | 115 | 17 | Regular | |
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Organ | JazzOrgan2 | 0 | 113 | 17 | Regular |
| RockOrgan2 | 0 | 113 | 19 | Regular | |
| ClickOrgan | 0 | 112 | 18 | Regular | |
| MellowDraw | 0 | 115 | 18 | Regular | |
| BrightDraw | 0 | 116 | 17 | Regular | |
| 60sOrgan | 0 | 116 | 18 | Regular | |
| JazzOrgan3 | 0 | 120 | 17 | Regular | |
| Tibia 16&4 | 0 | 114 | 17 | Regular | |
| Tibia Full | 0 | 114 | 18 | Regular | |
| ChapelOrgan1 | 0 | 113 | 20 | Regular | |
| ChapelOrgan2 | 0 | 114 | 20 | Regular | |
| ChapelOrgan3 | 0 | 115 | 20 | Regular | |
| PipeOrgan | 0 | 112 | 20 | Regular | |
| ReedOrgan | 0 | 112 | 21 | Regular | |
| Trumpet | Trumpet | 8 | 32 | 65 | S.Articulation! |
| SilverTrumpet | 8 | 33 | 65 | S.Articulation! | |
| GoldenTrumpet | 8 | 34 | 65 | S.Articulation! | |
| BigBandTrumpet | 8 | 37 | 65 | S.Articulation! | |
| TrumpetFall | 8 | 38 | 65 | S.Articulation! | |
| FlugelHorn | 0 | 118 | 57 | Sweet! | |
| MutedTrumpet | 0 | 114 | 60 | Sweet! | |
| Trumpet | 0 | 115 | 57 | Sweet! | |
| Trombone | 0 | 117 | 58 | Sweet! | |
| TrumpetShake | 8 | 35 | 65 | S.Articulation! | |
| JazzTrumpet | 0 | 120 | 57 | Sweet! | |
| SilverTrumpet | 0 | 121 | 57 | Sweet! | |
| GoldenTrumpet | 0 | 122 | 57 | Sweet! | |
| SoloTrumpet | 0 | 112 | 57 | Regular | |
| MutedTrumpet | 0 | 112 | 60 | Regular | |
| FlugelHorn | 0 | 113 | 57 | Regular | |
| SoloTrombone | 0 | 112 | 58 | Regular | |
| JazzTrumpet | 0 | 116 | 57 | Regular | |
| Trombone | 0 | 116 | 58 | Regular | |
| SoftTrombone | 0 | 115 | 58 | Regular | |
| MellowTrombone | 0 | 114 | 58 | Regular | |
| BaritoneHorn | 0 | 113 | 59 | Regular | |
| BaritoneHit | 0 | 114 | 59 | Regular | |
| AlpBass | 0 | 113 | 34 | Regular | |
| Tuba | 0 | 112 | 59 | Regular | |
| Trumpet | 8 | 0 | 65 | MegaVoice | |
| Brass | HyperBrass | 0 | 118 | 63 | Live! |
| PopBrass | 0 | 117 | 63 | Live! | |
| OctaveBrass | 0 | 116 | 63 | Live! | |
| FrenchHorns | 0 | 112 | 61 | Live! | |
| BrassCombo | 0 | 115 | 67 | Regular | |
| BrassSection | 0 | 112 | 62 | Regular | |
| NaturalBrass | 0 | 124 | 62 | Regular | |
| Sforzando | 0 | 125 | 62 | Regular | |
| BigBrass | 0 | 121 | 62 | Regular | |
| BallroomBrass | 0 | 113 | 60 | Regular | |
| BrightBrass | 0 | 120 | 62 | Regular | |
| MellowBrass | 0 | 116 | 62 | Regular | |
| 80sBrass | 0 | 113 | 63 | Regular | |
| SoftBrass | 0 | 123 | 62 | Regular | |
| FullHorns | 0 | 114 | 62 | Regular | |
| SmoothTrombone | 0 | 118 | 58 | Regular | |
| HighBrass | 0 | 115 | 62 | Regular | |
| OberBrass | 0 | 113 | 64 | Regular | |
| TrumpetEns | 0 | 122 | 62 | Regular | |
| MellowHorns | 0 | 119 | 62 | Regular | |
| BigBandBrass | 0 | 113 | 62 | Regular | |
| PopBrass | 0 | 118 | 62 | Regular | |
| AnalogBrass | 0 | 112 | 64 | Regular | |
| TbnSection | 0 | 113 | 58 | Regular | |
| SmallBrass | 0 | 117 | 62 | Regular | |
| SoftAnalog | 0 | 114 | 64 | Regular | |
| FunkyAnalog | 0 | 115 | 63 | Regular | |
| TechnoBrass | 0 | 114 | 63 | Regular | |
| SynthBrass | 0 | 112 | 63 | Regular | |
| Accordion | Musette | 0 | 112 | 22 | Regular |
| TuttiAccordion | 0 | 113 | 22 | Regular | |
| SmallAccordion | 0 | 115 | 22 | Regular | |
| BallroomAcc | 0 | 112 | 24 | Regular | |
| Steirisch | 0 | 117 | 22 | Regular | |
| Harmonica | 0 | 112 | 23 | Sweet! | |
| Accordion | 0 | 116 | 22 | Regular | |
| SoftAccordion | 0 | 114 | 22 | Regular | |
| Bandoneon | 0 | 113 | 24 | Regular | |
| ModernHarp | 0 | 113 | 23 | Regular | |
| BluesHarp | 0 | 114 | 23 | Regular | |
| Choir&Pad | GospelVoices | 0 | 116 | 53 | Live! |
| HahChoir | 0 | 114 | 53 | Regular | |
| Choir | 0 | 112 | 53 | Regular | |
CVP-405
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Choir & Pad | AirChoir | 0 | 112 | 55 | Regular |
| GothicVox | 0 | 113 | 54 | Regular | |
| SweetHeaven | 0 | 118 | 89 | Regular | |
| DreamHeaven | 0 | 121 | 89 | Regular | |
| VoxHumana | 0 | 112 | 54 | Regular | |
| Voices | 0 | 113 | 55 | Regular | |
| Insomnia | 0 | 113 | 95 | Regular | |
| Skydiver | 0 | 112 | 102 | Regular | |
| BrightOber | 0 | 113 | 96 | Regular | |
| Sirius | 0 | 114 | 102 | Regular | |
| Messenger | 0 | 116 | 96 | Regular | |
| MellowPad | 0 | 117 | 96 | Regular | |
| NeoWarmPad | 0 | 115 | 90 | Regular | |
| CyberPad | 0 | 113 | 100 | Regular | |
| Wave2001 | 0 | 112 | 96 | Regular | |
| FarEast | 0 | 112 | 98 | Regular | |
| Atmosphere | 0 | 112 | 100 | Regular | |
| XenonPad | 0 | 112 | 92 | Regular | |
| Equinox | 0 | 112 | 95 | Regular | |
| GlassPad | 0 | 114 | 94 | Regular | |
| Fantasia | 0 | 112 | 89 | Regular | |
| DX Pad | 0 | 112 | 93 | Regular | |
| Symbiont | 0 | 113 | 89 | Regular | |
| Stargate | 0 | 114 | 89 | Regular | |
| Area51 | 0 | 112 | 90 | Regular | |
| DarkMoon | 0 | 113 | 90 | Regular | |
| Ionosphere | 0 | 115 | 95 | Regular | |
| GoldenAge | 0 | 115 | 89 | Regular | |
| Solaris | 0 | 114 | 95 | Regular | |
| TimeTravel | 0 | 116 | 89 | Regular | |
| Millennium | 0 | 117 | 89 | Regular | |
| Dunes | 0 | 114 | 90 | Regular | |
| Synth & FX | Oxygen | 0 | 122 | 82 | Regular |
| Matrix | 0 | 123 | 82 | Regular | |
| WireLead | 0 | 120 | 82 | Regular | |
| HipLead | 0 | 113 | 81 | Regular | |
| HopLead | 0 | 117 | 81 | Regular | |
| FireWire | 0 | 116 | 82 | Regular | |
| Analogon | 0 | 115 | 82 | Regular | |
| Blaster | 0 | 114 | 82 | Regular | |
| SFX Kit1 | 126 | 0 | 1 | SFX Kit | |
| SFX Kit2 | 126 | 0 | 2 | SFX Kit | |
| SawLead | 0 | 112 | 82 | Regular | |
| SquareLead | 0 | 112 | 81 | Regular | |
| Skyline | 0 | 115 | 85 | Regular | |
| TinyLead | 0 | 118 | 81 | Regular | |
| FunkyLead | 0 | 121 | 82 | Regular | |
| Paraglide | 0 | 114 | 85 | Regular | |
| CargoLead | 0 | 119 | 82 | Regular | |
| Portatone | 0 | 112 | 85 | Regular | |
| BigLead | 0 | 113 | 82 | Regular | |
| Warp | 0 | 117 | 82 | Regular | |
| Adrenaline | 0 | 113 | 85 | Regular | |
| Stardust | 0 | 112 | 99 | Regular | |
| AeroLead | 0 | 112 | 84 | Regular | |
| MiniLead | 0 | 114 | 81 | Regular | |
| Impact | 0 | 113 | 88 | Regular | |
| SunBell | 0 | 113 | 99 | Regular | |
| UnderHeim | 0 | 112 | 88 | Regular | |
| HiBias | 0 | 116 | 81 | Regular | |
| VinylLead | 0 | 115 | 81 | Regular | |
| Perc & Drum | Vibraphone | 0 | 122 | 12 | Natural! |
| TremoloVibes | 0 | 124 | 12 | Natural! | |
| Marimba | 0 | 112 | 13 | Regular | |
| Vibraphone | 0 | 112 | 12 | Regular | |
| JazzVibes | 0 | 113 | 12 | Regular | |
| Celesta | 0 | 112 | 9 | Regular | |
| Suspense | 0 | 114 | 12 | Regular | |
| Xylophone | 0 | 112 | 14 | Regular | |
| SteelDrums | 0 | 112 | 115 | Regular | |
| Glockenspiel | 0 | 112 | 10 | Regular | |
| MusicBox | 0 | 112 | 11 | Regular | |
| TubularBells | 0 | 112 | 15 | Regular | |
| Kalimba | 0 | 112 | 109 | Regular | |
| Dulcimer | 0 | 112 | 16 | Regular | |
| Timpani | 0 | 112 | 48 | Regular | |
| PowerKit1 | 127 | 0 | 88 | Drums | |
| PowerKit2 | 127 | 0 | 89 | Drums | |
| StandardKit1 | 127 | 0 | 1 | Drums | |
| StandardKit2 | 127 | 0 | 2 | Drums | |
| StudioKit | 127 | 0 | 87 | Drums | |
| JazzKit | 127 | 0 | 33 | Drums | |
| BrushKit | 127 | 0 | 41 | Drums | |
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Perc & Drum | HitKit | 127 | 0 | 5 | Drums |
| RoomKit | 127 | 0 | 9 | Drums | |
| RockKit | 127 | 0 | 17 | Drums | |
| ElectroKit | 127 | 0 | 25 | Drums | |
| AnalogKit | 127 | 0 | 26 | Drums | |
| DanceKit | 127 | 0 | 28 | Drums | |
| SymphonyKit | 127 | 0 | 49 | Drums | |
| CubanKit | 126 | 0 | 41 | SFX Kit | |
| PopLatinKit | 126 | 0 | 44 | SFX Kit | |
| ArabicKit | 126 | 0 | 36 | SFX Kit | |
| OrganFlutes | JazzDraw! | 0 | 126 | 17 | Organ Flutes |
| BluesOrgan! | 0 | 126 | 17 | Organ Flutes | |
| SixteenOne! | 0 | 126 | 17 | Organ Flutes | |
| EvenBars! | 0 | 126 | 17 | Organ Flutes | |
| PopOrgan! | 0 | 126 | 17 | Organ Flutes | |
| RockingOrg! | 0 | 126 | 17 | Organ Flutes | |
| Percussive! | 0 | 126 | 17 | Organ Flutes | |
| GospelOrg! | 0 | 126 | 17 | Organ Flutes | |
| PadOrgan! | 0 | 126 | 17 | Organ Flutes | |
| FullRanks! | 0 | 126 | 17 | Organ Flutes | |
CVP-403
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Piano | GrandPiano1 | 0 | 122 | 1 | Natural! |
| GrandPiano2 | 0 | 122 | 2 | Natural! | |
| BrightPiano | 0 | 123 | 1 | Natural! | |
| MellowPiano | 0 | 124 | 1 | Natural! | |
| RockPiano | 0 | 124 | 3 | Natural! | |
| HonkyTonk | 0 | 122 | 4 | Natural! | |
| Oct.Piano1 | 0 | 123 | 4 | Natural! | |
| Oct.Piano2 | 0 | 124 | 4 | Natural! | |
| Harpsichord8' | 0 | 122 | 7 | Natural! | |
| Hc8' +4' | 0 | 123 | 7 | Natural! | |
| GrandPiano | 0 | 113 | 1 | Live! | |
| BrightPiano | 0 | 112 | 2 | Live! | |
| WarmGrand | 0 | 114 | 1 | Live! | |
| Oct.Piano1 | 0 | 113 | 4 | Regular | |
| Oct.Piano2 | 0 | 114 | 4 | Regular | |
| HonkyTonk | 0 | 112 | 4 | Regular | |
| Harpsichord | 0 | 112 | 7 | Regular | |
| GrandHarpsi | 0 | 113 | 7 | Regular | |
| MidiGrand | 0 | 112 | 3 | Regular | |
| CP80 | 0 | 113 | 3 | Regular | |
| Piano&Str | 0 | 125 | 1 | Natural! | |
| Piano&EP | 0 | 122 | 3 | Natural! | |
| Harpsi&Str | 0 | 124 | 7 | Natural! | |
| E.Piano | GalaxyEP | 0 | 114 | 5 | Cool! |
| SuitcaseEP | 0 | 118 | 5 | Cool! | |
| PolarisEP | 0 | 115 | 5 | Regular | |
| JazzChorus | 0 | 118 | 6 | Regular | |
| HyperTines | 0 | 113 | 6 | Regular | |
| ElectricPiano | 0 | 119 | 5 | Cool! | |
| PhaseEP | 0 | 120 | 5 | Regular | |
| NewTines | 0 | 116 | 6 | Regular | |
| FunkEP | 0 | 112 | 5 | Regular | |
| DX Modern | 0 | 112 | 6 | Regular | |
| DX EP | 0 | 122 | 6 | Natural! | |
| E.Piano | 0 | 122 | 5 | Natural! | |
| TremoloEP | 0 | 124 | 5 | Natural! | |
| FunkyEP | 0 | 123 | 5 | Natural! | |
| StageEP | 0 | 117 | 5 | Regular | |
| ModernEP | 0 | 115 | 6 | Regular | |
| VintageEP | 0 | 116 | 5 | Regular | |
| VenusEP | 0 | 114 | 6 | Regular | |
| TremoloEP | 0 | 113 | 5 | Regular | |
| SuperDX | 0 | 117 | 6 | Regular | |
| Clavi | 0 | 112 | 8 | Regular | |
| WahClavi | 0 | 113 | 8 | Regular | |
| Strings | Strings | 0 | 117 | 50 | Live! |
| Allegro | 0 | 122 | 50 | Live! | |
| Orchestra | 0 | 116 | 50 | Live! | |
| Symphonic | 0 | 114 | 49 | Regular | |
| Strings | 0 | 112 | 49 | Regular | |
| Violin | 0 | 113 | 41 | Sweet! | |
| OrchStrings | 0 | 113 | 49 | Regular | |
| OrchHorns | 0 | 118 | 50 | Regular | |
| OrchFlute | 0 | 119 | 50 | Regular | |
| Tutti | 0 | 120 | 50 | Regular | |
| StringQuartet | 0 | 114 | 50 | Regular | |
| ConcertoStrings | 0 | 115 | 49 | Regular | |
| AnalogStrings | 0 | 112 | 52 | Regular | |
| ChamberStrings | 0 | 112 | 50 | Regular | |
| BowStrings | 0 | 116 | 49 | Regular | |
| SlowStrings | 0 | 113 | 50 | Regular | |
| TremoloStrings | 0 | 112 | 45 | Regular | |
| Marcato | 0 | 115 | 50 | Regular | |
| Pizzicato | 0 | 112 | 46 | Regular | |
| SynthStrings | 0 | 112 | 51 | Regular | |
| SoloViolin | 0 | 112 | 41 | Regular | |
| Viola | 0 | 112 | 42 | Regular | |
| Cello | 0 | 112 | 43 | Regular | |
| Contrabass | 0 | 112 | 44 | Regular | |
| Harp | 0 | 112 | 47 | Regular | |
| Hackbrett | 0 | 113 | 47 | Regular | |
| Fiddle | 0 | 112 | 111 | Regular | |
| Banjo | 0 | 112 | 106 | Regular | |
| Sitar | 0 | 112 | 105 | Regular | |
| Koto | 0 | 112 | 108 | Regular | |
| Shamisen | 0 | 112 | 107 | Regular | |
| OrchestraHit | 0 | 112 | 56 | Regular | |
| Guitar&Bass | DynamicNylon | 0 | 116 | 25 | Regular |
| DynamicSteel | 0 | 116 | 26 | Live! | |
| 12StringGtr | 0 | 113 | 26 | Live! | |
| SlideSteel | 0 | 118 | 26 | Live! | |
| Mandolin | 0 | 114 | 26 | Sweet! | |
| JazzGuitar | 0 | 115 | 27 | Cool! | |
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Guitar&Bass | ElectricGtr | 0 | 114 | 29 | Cool! |
| VintageLead | 0 | 125 | 28 | Cool! | |
| SlideClean | 0 | 117 | 29 | Cool! | |
| PowerLead | 0 | 115 | 31 | Cool! | |
| ClassicalGtr | 0 | 115 | 25 | Regular | |
| SteelGuitar | 0 | 117 | 26 | Live! | |
| CleanGuitar | 0 | 112 | 28 | Cool! | |
| BluesGuitar | 0 | 117 | 30 | Cool! | |
| FunkGuitar | 0 | 116 | 29 | Cool! | |
| AlohaGuitar | 0 | 118 | 27 | Regular | |
| PedalSteel | 0 | 115 | 28 | Regular | |
| CrunchGuitar | 0 | 113 | 31 | Regular | |
| 60sClean | 0 | 117 | 28 | Regular | |
| VintageAmp | 0 | 115 | 30 | Regular | |
| HeavyStack | 0 | 114 | 31 | Regular | |
| VintageOpen | 0 | 123 | 28 | Regular | |
| VintageStrum | 0 | 126 | 28 | Regular | |
| SolidGuitar | 0 | 118 | 28 | Regular | |
| CampfireGtr | 0 | 115 | 26 | Regular | |
| Electric12Str | 0 | 119 | 28 | Regular | |
| SmoothLead | 0 | 119 | 27 | Regular | |
| PowerChord | 0 | 117 | 31 | Regular | |
| RockGuitar | 0 | 116 | 30 | Regular | |
| VodooLead | 0 | 116 | 31 | Regular | |
| VintageMute | 0 | 115 | 29 | Regular | |
| TremoloGuitar | 0 | 113 | 28 | Regular | |
| WahGuitar | 0 | 122 | 28 | Regular | |
| LeadGuitar | 0 | 114 | 30 | Regular | |
| 18String | 0 | 119 | 26 | Regular | |
| ChorusGuitar | 0 | 124 | 28 | Regular | |
| OctaveGuitar | 0 | 113 | 27 | Regular | |
| VintageTrem | 0 | 120 | 28 | Regular | |
| DeepChorus | 0 | 114 | 28 | Regular | |
| BrightClean | 0 | 116 | 28 | Regular | |
| DistortionGtr | 0 | 112 | 31 | Regular | |
| FunkGuitar | 0 | 113 | 29 | Regular | |
| MutedGuitar | 0 | 112 | 29 | Regular | |
| OverdriveGtr | 0 | 112 | 30 | Regular | |
| FeedbackGtr | 0 | 113 | 30 | Regular | |
| FolkGuitar | 0 | 112 | 26 | Regular | |
| ElectricBass | 0 | 114 | 34 | Cool! | |
| AcousticBass | 0 | 112 | 33 | Regular | |
| DynoPickBass | 0 | 113 | 35 | Cool! | |
| FretlessBass | 0 | 112 | 36 | Cool! | |
| SlapBass | 0 | 112 | 37 | Regular | |
| SubBass | 0 | 114 | 40 | Regular | |
| HardBass | 0 | 114 | 39 | Regular | |
| ResoBass | 0 | 112 | 39 | Regular | |
| RockBass | 0 | 114 | 35 | Regular | |
| SuperFretless | 0 | 113 | 36 | Regular | |
| PickBass | 0 | 112 | 35 | Regular | |
| FusionBass | 0 | 113 | 37 | Regular | |
| Bass&Cymbal | 0 | 114 | 33 | Regular | |
| AnalogBass | 0 | 112 | 40 | Regular | |
| DrySynthBass | 0 | 116 | 40 | Regular | |
| 80sSynthBass | 0 | 115 | 40 | Regular | |
| HiQBass | 0 | 113 | 39 | Regular | |
| FunkBass | 0 | 112 | 38 | Regular | |
| MellowFinger | 0 | 112 | 34 | Regular | |
| ClickBass | 0 | 115 | 39 | Regular | |
| SteelGuitar | 8 | 0 | 2 | MegaVoice | |
| 12StringGtr | 8 | 1 | 3 | MegaVoice | |
| HiStringGtr | 8 | 0 | 3 | MegaVoice | |
| CleanGuitar | 8 | 0 | 4 | MegaVoice | |
| OverdriveGtr | 8 | 0 | 5 | MegaVoice | |
| DistortionGtr | 8 | 0 | 6 | MegaVoice | |
| AcousticBass | 8 | 0 | 17 | MegaVoice | |
| ElectricBass | 8 | 0 | 18 | MegaVoice | |
| PickBass | 8 | 0 | 19 | MegaVoice | |
| FretlessBass | 8 | 0 | 20 | MegaVoice | |
| Saxophone | TenorSax | 0 | 117 | 67 | Sweet! |
| AltoSax | 0 | 114 | 66 | Sweet! | |
| SopranoSax | 0 | 113 | 65 | Sweet! | |
| GrowlSax | 0 | 118 | 67 | Regular | |
| SopranoSax | 0 | 112 | 65 | Regular | |
| AltoSax | 0 | 112 | 66 | Regular | |
| TenorSax | 0 | 112 | 67 | Regular | |
| BaritoneSax | 0 | 112 | 68 | Regular | |
| WoodwindsEns | 0 | 113 | 67 | Regular | |
| Flute&Woodwind | Flute | 0 | 114 | 74 | Sweet! |
| Clarinet | 0 | 114 | 72 | Sweet! | |
| Oboe | 0 | 113 | 69 | Sweet! | |
| EnglishHorn | 0 | 112 | 70 | Regular | |
CVP-403
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Flute&Woodwind | Bassoon | 0 | 112 | 71 | Regular |
| PanFlute | 0 | 113 | 76 | Sweet! | |
| ClassicalFlute | 0 | 115 | 74 | Sweet! | |
| Piccolo | 0 | 112 | 73 | Regular | |
| Whistle | 0 | 112 | 79 | Regular | |
| Clarinet | 0 | 112 | 72 | Regular | |
| Oboe | 0 | 112 | 69 | Regular | |
| Flute | 0 | 112 | 74 | Regular | |
| PanFlute | 0 | 113 | 74 | Regular | |
| Shakuhachi | 0 | 112 | 78 | Regular | |
| EthnicFlute | 0 | 112 | 76 | Regular | |
| Bagpipe | 0 | 112 | 110 | Regular | |
| Recorder | 0 | 112 | 75 | Regular | |
| Ocarina | 0 | 112 | 80 | Regular | |
| Organ | PipeOrganP | 0 | 123 | 20 | Natural! |
| PipeOrgTu | 0 | 122 | 20 | Natural! | |
| Organ | 0 | 118 | 19 | Cool! | |
| JazzOrgan | 0 | 117 | 17 | Cool! | |
| RotorOrgan | 0 | 117 | 19 | Cool! | |
| FullRocker | 0 | 115 | 19 | Cool! | |
| StadiumOrgan | 0 | 118 | 17 | Regular | |
| RotaryDrive | 0 | 116 | 19 | Regular | |
| RockOrgan1 | 0 | 112 | 19 | Regular | |
| DanceOrgan | 0 | 113 | 18 | Regular | |
| GospelOrgan | 0 | 119 | 17 | Regular | |
| JazzOrgan1 | 0 | 112 | 17 | Regular | |
| PurpleOrgan | 0 | 114 | 19 | Regular | |
| ElectricOrgan | 0 | 118 | 18 | Regular | |
| DrawbarOrgan | 0 | 115 | 17 | Regular | |
| JazzOrgan2 | 0 | 113 | 17 | Regular | |
| RockOrgan2 | 0 | 113 | 19 | Regular | |
| ClickOrgan | 0 | 112 | 18 | Regular | |
| MellowDraw | 0 | 115 | 18 | Regular | |
| BrightDraw | 0 | 116 | 17 | Regular | |
| 60sOrgan | 0 | 116 | 18 | Regular | |
| JazzOrgan3 | 0 | 120 | 17 | Regular | |
| Tibia 16&4 | 0 | 114 | 17 | Regular | |
| Tibia Full | 0 | 114 | 18 | Regular | |
| ChapelOrgan1 | 0 | 113 | 20 | Regular | |
| ChapelOrgan2 | 0 | 114 | 20 | Regular | |
| ChapelOrgan3 | 0 | 115 | 20 | Regular | |
| PipeOrgan | 0 | 112 | 20 | Regular | |
| ReedOrgan | 0 | 112 | 21 | Regular | |
| Trumpet | Trumpet | 0 | 115 | 57 | Sweet! |
| Trombone | 0 | 117 | 58 | Sweet! | |
| MutedTrumpet | 0 | 112 | 60 | Regular | |
| FlugellHorn | 0 | 113 | 57 | Regular | |
| SoloTrumpet | 0 | 112 | 57 | Regular | |
| SoloTrombone | 0 | 112 | 58 | Regular | |
| JazzTrumpet | 0 | 116 | 57 | Regular | |
| Trombone | 0 | 116 | 58 | Regular | |
| SoftTrombone | 0 | 115 | 58 | Regular | |
| MellowTrombone | 0 | 114 | 58 | Regular | |
| BaritoneHorn | 0 | 113 | 59 | Regular | |
| BaritoneHit | 0 | 114 | 59 | Regular | |
| AlpBass | 0 | 113 | 34 | Regular | |
| Tuba | 0 | 112 | 59 | Regular | |
| Brass | HyperBrass | 0 | 118 | 63 | Live! |
| PopBrass | 0 | 117 | 63 | Live! | |
| OctaveBrass | 0 | 116 | 63 | Live! | |
| FrenchHorns | 0 | 112 | 61 | Live! | |
| BrassCombo | 0 | 115 | 67 | Regular | |
| BrassSection | 0 | 112 | 62 | Regular | |
| Sforzando | 0 | 125 | 62 | Regular | |
| BigBrass | 0 | 121 | 62 | Regular | |
| BallroomBrass | 0 | 113 | 60 | Regular | |
| BrightBrass | 0 | 120 | 62 | Regular | |
| MellowBrass | 0 | 116 | 62 | Regular | |
| 80sBrass | 0 | 113 | 63 | Regular | |
| SoftBrass | 0 | 123 | 62 | Regular | |
| FullHorns | 0 | 114 | 62 | Regular | |
| SmoothTrombone | 0 | 118 | 58 | Regular | |
| HighBrass | 0 | 115 | 62 | Regular | |
| OberBrass | 0 | 113 | 64 | Regular | |
| TrumpetEns | 0 | 122 | 62 | Regular | |
| MellowHorns | 0 | 119 | 62 | Regular | |
| BigBandBrass | 0 | 113 | 62 | Regular | |
| PopBrass | 0 | 118 | 62 | Regular | |
| AnalogBrass | 0 | 112 | 64 | Regular | |
| TbnSection | 0 | 113 | 58 | Regular | |
| SmallBrass | 0 | 117 | 62 | Regular | |
| SoftAnalog | 0 | 114 | 64 | Regular | |
| FunkyAnalog | 0 | 115 | 63 | Regular | |
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Brass | TechnoBrass | 0 | 114 | 63 | Regular |
| SynthBrass | 0 | 112 | 63 | Regular | |
| Accordion | Musette | 0 | 112 | 22 | Regular |
| TuttiAccordion | 0 | 113 | 22 | Regular | |
| SmallAccordion | 0 | 115 | 22 | Regular | |
| BallroomAcc | 0 | 112 | 24 | Regular | |
| Steirisch | 0 | 117 | 22 | Regular | |
| Harmonica | 0 | 112 | 23 | Sweet! | |
| Accordion | 0 | 116 | 22 | Regular | |
| SoftAccordion | 0 | 114 | 22 | Regular | |
| Bandoneon | 0 | 113 | 24 | Regular | |
| ModernHarp | 0 | 113 | 23 | Regular | |
| BluesHarp | 0 | 114 | 23 | Regular | |
| Choir&Pad | AirChoir | 0 | 112 | 55 | Regular |
| GothicVox | 0 | 113 | 54 | Regular | |
| Choir | 0 | 112 | 53 | Regular | |
| Voices | 0 | 113 | 55 | Regular | |
| VoxHumana | 0 | 112 | 54 | Regular | |
| SweetHeaven | 0 | 118 | 89 | Regular | |
| DreamHeaven | 0 | 121 | 89 | Regular | |
| Insomnia | 0 | 113 | 95 | Regular | |
| NeoWarmPad | 0 | 115 | 90 | Regular | |
| CyberPad | 0 | 113 | 100 | Regular | |
| Wave2001 | 0 | 112 | 96 | Regular | |
| Atmosphere | 0 | 112 | 100 | Regular | |
| XenonPad | 0 | 112 | 92 | Regular | |
| Equinox | 0 | 112 | 95 | Regular | |
| GlassPad | 0 | 114 | 94 | Regular | |
| Fantasia | 0 | 112 | 89 | Regular | |
| DX Pad | 0 | 112 | 93 | Regular | |
| Symbiont | 0 | 113 | 89 | Regular | |
| Stargate | 0 | 114 | 89 | Regular | |
| Area51 | 0 | 112 | 90 | Regular | |
| DarkMoon | 0 | 113 | 90 | Regular | |
| Ionosphere | 0 | 115 | 95 | Regular | |
| GoldenAge | 0 | 115 | 89 | Regular | |
| Solaris | 0 | 114 | 95 | Regular | |
| TimeTravel | 0 | 116 | 89 | Regular | |
| Millennium | 0 | 117 | 89 | Regular | |
| Dunes | 0 | 114 | 90 | Regular | |
| Synth&FX | Oxygen | 0 | 122 | 82 | Regular |
| Matrix | 0 | 123 | 82 | Regular | |
| WireLead | 0 | 120 | 82 | Regular | |
| HipLead | 0 | 113 | 81 | Regular | |
| HopLead | 0 | 117 | 81 | Regular | |
| FireWire | 0 | 116 | 82 | Regular | |
| Analogon | 0 | 115 | 82 | Regular | |
| Blaster | 0 | 114 | 82 | Regular | |
| SFX Kit1 | 126 | 0 | 1 | SFX Kit | |
| SFX Kit2 | 126 | 0 | 2 | SFX Kit | |
| SawLead | 0 | 112 | 82 | Regular | |
| SquareLead | 0 | 112 | 81 | Regular | |
| Skyline | 0 | 115 | 85 | Regular | |
| TinyLead | 0 | 118 | 81 | Regular | |
| FunkyLead | 0 | 121 | 82 | Regular | |
| Paraglide | 0 | 114 | 85 | Regular | |
| Cargo | 0 | 119 | 82 | Regular | |
| Portatone | 0 | 112 | 85 | Regular | |
| BigLead | 0 | 113 | 82 | Regular | |
| Warp | 0 | 117 | 82 | Regular | |
| Adrenaline | 0 | 113 | 85 | Regular | |
| Stardust | 0 | 112 | 99 | Regular | |
| AeroLead | 0 | 112 | 84 | Regular | |
| MiniLead | 0 | 114 | 81 | Regular | |
| Impact | 0 | 113 | 88 | Regular | |
| SunBell | 0 | 113 | 99 | Regular | |
| UnderHeim | 0 | 112 | 88 | Regular | |
| HiBias | 0 | 116 | 81 | Regular | |
| VinylLead | 0 | 115 | 81 | Regular | |
| Perc&Drum | Vibraphone | 0 | 122 | 12 | Natural! |
| TremoloVibes | 0 | 124 | 12 | Natural! | |
| Vibraphone | 0 | 112 | 12 | Regular | |
| JazzVibes | 0 | 113 | 12 | Regular | |
| Marimba | 0 | 112 | 13 | Regular | |
| Xylophone | 0 | 112 | 14 | Regular | |
| SteelDrums | 0 | 112 | 115 | Regular | |
| Celesta | 0 | 112 | 9 | Regular | |
| Glockenspiel | 0 | 112 | 10 | Regular | |
| MusicBox | 0 | 112 | 11 | Regular | |
| TubularBells | 0 | 112 | 15 | Regular | |
| Kalimba | 0 | 112 | 109 | Regular | |
| Dulcimer | 0 | 112 | 16 | Regular | |
| Timpani | 0 | 112 | 48 | Regular | |
CVP-403
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Perc&Drum | StandardKit1 | 127 | 0 | 1 | Drums |
| StandardKit2 | 127 | 0 | 2 | Drums | |
| JazzKit | 127 | 0 | 33 | Drums | |
| BrushKit | 127 | 0 | 41 | Drums | |
| HitKit | 127 | 0 | 5 | Drums | |
| RoomKit | 127 | 0 | 9 | Drums | |
| RockKit | 127 | 0 | 17 | Drums | |
| ElectroKit | 127 | 0 | 25 | Drums | |
| AnalogKit | 127 | 0 | 26 | Drums | |
| DanceKit | 127 | 0 | 28 | Drums | |
| SymphonyKit | 127 | 0 | 49 | Drums | |
| CubanKit | 126 | 0 | 41 | SFX Kit | |
| PopLatinKit | 126 | 0 | 44 | SFX Kit | |
| ArabicKit | 126 | 0 | 36 | SFX Kit | |
| OrganFlutes | JazzDraw! | 0 | 126 | 17 | Organ Flutes |
| BluesOrgan! | 0 | 126 | 17 | Organ Flutes | |
| SixteenOne! | 0 | 126 | 17 | Organ Flutes | |
| EvenBars! | 0 | 126 | 17 | Organ Flutes | |
| PopOrgan! | 0 | 126 | 17 | Organ Flutes | |
| RockingOrg! | 0 | 126 | 17 | Organ Flutes | |
| Percussive! | 0 | 126 | 17 | Organ Flutes | |
| GospelOrg! | 0 | 126 | 17 | Organ Flutes | |
| PadOrgan! | 0 | 126 | 17 | Organ Flutes | |
| FullRanks! | 0 | 126 | 17 | Organ Flutes | |
CVP-401
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Piano | GrandPiano | 0 | 122 | 1 | Natural! |
| Harpsichord8' | 0 | 122 | 7 | Natural! | |
| Hc8'+4' | 0 | 123 | 7 | Natural! | |
| GrandPiano | 0 | 113 | 1 | Live! | |
| BrightPiano | 0 | 112 | 2 | Live! | |
| WarmGrand | 0 | 114 | 1 | Live! | |
| Oct.Piano1 | 0 | 113 | 4 | Regular | |
| Oct.Piano2 | 0 | 114 | 4 | Regular | |
| HonkyTonic | 0 | 112 | 4 | Regular | |
| Harpsichord | 0 | 112 | 7 | Regular | |
| GrandHarpsi | 0 | 113 | 7 | Regular | |
| MidiGrand | 0 | 112 | 3 | Regular | |
| CP80 | 0 | 113 | 3 | Regular | |
| E.Piano | GalaxyEP | 0 | 114 | 5 | Cool! |
| SuitcaseEP | 0 | 118 | 5 | Cool! | |
| PolarisEP | 0 | 115 | 5 | Regular | |
| JazzChorus | 0 | 118 | 6 | Regular | |
| HyperTines | 0 | 113 | 6 | Regular | |
| ElectricPiano | 0 | 119 | 5 | Cool! | |
| PhaseEP | 0 | 120 | 5 | Regular | |
| NewTines | 0 | 116 | 6 | Regular | |
| FunkEP | 0 | 112 | 5 | Regular | |
| DX Modern | 0 | 112 | 6 | Regular | |
| StageEP | 0 | 117 | 5 | Regular | |
| ModernEP | 0 | 115 | 6 | Regular | |
| VintageEP | 0 | 116 | 5 | Regular | |
| VenusEP | 0 | 114 | 6 | Regular | |
| TremoloEP | 0 | 113 | 5 | Regular | |
| SuperDX | 0 | 117 | 6 | Regular | |
| Clavi | 0 | 112 | 8 | Regular | |
| WahClavi | 0 | 113 | 8 | Regular | |
| Strings | Strings | 0 | 117 | 50 | Live! |
| Allegro | 0 | 122 | 50 | Live! | |
| Orchestra | 0 | 116 | 50 | Live! | |
| Symphonic | 0 | 114 | 49 | Regular | |
| Strings | 0 | 112 | 49 | Regular | |
| Violin | 0 | 113 | 41 | Sweet! | |
| OrchStrings | 0 | 113 | 49 | Regular | |
| AnalogStrings | 0 | 112 | 52 | Regular | |
| ChamberStrings | 0 | 112 | 50 | Regular | |
| BowStrings | 0 | 116 | 49 | Regular | |
| SlowStrings | 0 | 113 | 50 | Regular | |
| TremoloStrings | 0 | 112 | 45 | Regular | |
| Marcato | 0 | 115 | 50 | Regular | |
| Pizzicato | 0 | 112 | 46 | Regular | |
| SynthStrings | 0 | 112 | 51 | Regular | |
| SoloViolin | 0 | 112 | 41 | Regular | |
| Viola | 0 | 112 | 42 | Regular | |
| Cello | 0 | 112 | 43 | Regular | |
| Contrabass | 0 | 112 | 44 | Regular | |
| Harp | 0 | 112 | 47 | Regular | |
| Hackbrett | 0 | 113 | 47 | Regular | |
| Fiddle | 0 | 112 | 111 | Regular | |
| Banjo | 0 | 112 | 106 | Regular | |
| Sitar | 0 | 112 | 105 | Regular | |
| Koto | 0 | 112 | 108 | Regular | |
| Shamisen | 0 | 112 | 107 | Regular | |
| OrchestraHit | 0 | 112 | 56 | Regular | |
| Guitar&Bass | DynamicNylon | 0 | 116 | 25 | Regular |
| DynamicSteel | 0 | 116 | 26 | Regular | |
| 12StringGtr | 0 | 113 | 26 | Regular | |
| SlideSteel | 0 | 118 | 26 | Regular | |
| Mandolin | 0 | 114 | 26 | Sweet! | |
| JazzGuitar | 0 | 115 | 27 | Cool! | |
| ElectricGtr | 0 | 114 | 29 | Cool! | |
| VintageLead | 0 | 125 | 28 | Cool! | |
| SlideClean | 0 | 117 | 29 | Cool! | |
| PowerLead | 0 | 115 | 31 | Cool! | |
| ClassicalGtr | 0 | 115 | 25 | Regular | |
| SteelGuitar | 0 | 117 | 26 | Regular | |
| CleanGuitar | 0 | 112 | 28 | Cool! | |
| BluesGuitar | 0 | 117 | 30 | Cool! | |
| FunkGuitar | 0 | 113 | 29 | Regular | |
| PedalSteel | 0 | 115 | 28 | Regular | |
| CrunchGuitar | 0 | 113 | 31 | Regular | |
| 60sClean | 0 | 117 | 28 | Regular | |
| VintageAmp | 0 | 115 | 30 | Regular | |
| HeavyStack | 0 | 114 | 31 | Regular | |
| VintageOpen | 0 | 123 | 28 | Regular | |
| VintageStrum | 0 | 126 | 28 | Regular | |
| SolidGuitar | 0 | 118 | 28 | Regular | |
| CampfireGtr | 0 | 115 | 26 | Regular | |
| Electric12Str | 0 | 119 | 28 | Regular | |
CVP-401
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Guitar&Bass | SmoothLead | 0 | 119 | 27 | Regular |
| PowerChord | 0 | 117 | 31 | Regular | |
| RockGuitar | 0 | 116 | 30 | Regular | |
| VoodooLead | 0 | 116 | 31 | Regular | |
| VintageMute | 0 | 115 | 29 | Regular | |
| TremoloGuitar | 0 | 113 | 28 | Regular | |
| WahGuitar | 0 | 122 | 28 | Regular | |
| LeadGuitar | 0 | 114 | 30 | Regular | |
| ChorusGuitar | 0 | 124 | 28 | Regular | |
| OctaveGuitar | 0 | 113 | 27 | Regular | |
| VintageTrem | 0 | 120 | 28 | Regular | |
| DeepChorus | 0 | 114 | 28 | Regular | |
| DistortionGtr | 0 | 112 | 31 | Regular | |
| MutedGuitar | 0 | 112 | 29 | Regular | |
| OverdriveGtr | 0 | 112 | 30 | Regular | |
| FeedbackGtr | 0 | 113 | 30 | Regular | |
| FolkGuitar | 0 | 112 | 26 | Regular | |
| ElectricBass | 0 | 114 | 34 | Cool! | |
| AcousticBass | 0 | 112 | 33 | Regular | |
| FretlessBass | 0 | 112 | 36 | Cool! | |
| SlapBass | 0 | 112 | 37 | Regular | |
| SubBass | 0 | 114 | 40 | Regular | |
| HardBass | 0 | 114 | 39 | Regular | |
| ResoBass | 0 | 112 | 39 | Regular | |
| SuperFretless | 0 | 113 | 36 | Regular | |
| PickBass | 0 | 112 | 35 | Regular | |
| FusionBass | 0 | 113 | 37 | Regular | |
| Bass&Cymbal | 0 | 114 | 33 | Regular | |
| AnalogBass | 0 | 112 | 40 | Regular | |
| DrySynthBass | 0 | 116 | 40 | Regular | |
| 80sSynthBass | 0 | 115 | 40 | Regular | |
| HiQBass | 0 | 113 | 39 | Regular | |
| FunkBass | 0 | 112 | 38 | Regular | |
| MellowFinger | 0 | 112 | 34 | Regular | |
| ClickBass | 0 | 115 | 39 | Regular | |
| Saxophone | TenorSax | 0 | 117 | 67 | Sweet! |
| AltoSax | 0 | 114 | 66 | Sweet! | |
| SopranoSax | 0 | 113 | 65 | Sweet! | |
| GrowlSax | 0 | 118 | 67 | Regular | |
| SopranoSax | 0 | 112 | 65 | Regular | |
| AltoSax | 0 | 112 | 66 | Regular | |
| TenorSax | 0 | 112 | 67 | Regular | |
| BaritoneSax | 0 | 112 | 68 | Regular | |
| WoodwindsEns | 0 | 113 | 67 | Regular | |
| Flute&Woodwind | Flute | 0 | 114 | 74 | Sweet! |
| Clarinet | 0 | 114 | 72 | Sweet! | |
| EnglishHorn | 0 | 112 | 70 | Regular | |
| Bassoon | 0 | 112 | 71 | Regular | |
| PanFlute | 0 | 113 | 76 | Sweet! | |
| ClassicalFlute | 0 | 115 | 74 | Sweet! | |
| Piccolo | 0 | 112 | 73 | Regular | |
| Whistle | 0 | 112 | 79 | Regular | |
| Clarinet | 0 | 112 | 72 | Regular | |
| Flute | 0 | 112 | 74 | Regular | |
| Oboe | 0 | 112 | 69 | Regular | |
| PanFlute | 0 | 113 | 74 | Regular | |
| Shakuhachi | 0 | 112 | 78 | Regular | |
| EthnicFlute | 0 | 112 | 76 | Regular | |
| Bagpipe | 0 | 112 | 110 | Regular | |
| Recorder | 0 | 112 | 75 | Regular | |
| Ocarina | 0 | 112 | 80 | Regular | |
| Organ | Organ | 0 | 118 | 19 | Cool! |
| JazzOrgan | 0 | 117 | 17 | Cool! | |
| RotorOrgan | 0 | 117 | 19 | Cool! | |
| FullRocker | 0 | 115 | 19 | Cool! | |
| StadiumOrgan | 0 | 118 | 17 | Regular | |
| RotaryDrive | 0 | 116 | 19 | Regular | |
| RockOrgan1 | 0 | 112 | 19 | Regular | |
| DanceOrgan | 0 | 113 | 18 | Regular | |
| GospelOrgan | 0 | 119 | 17 | Regular | |
| JazzOrgan1 | 0 | 112 | 17 | Regular | |
| PurpleOrgan | 0 | 114 | 19 | Regular | |
| ElectricOrgan | 0 | 118 | 18 | Regular | |
| DrawbarOrgan | 0 | 115 | 17 | Regular | |
| JazzOrgan2 | 0 | 113 | 17 | Regular | |
| RockOrgan2 | 0 | 113 | 19 | Regular | |
| ClickOrgan | 0 | 112 | 18 | Regular | |
| MellowDraw | 0 | 115 | 18 | Regular | |
| BrightDraw | 0 | 116 | 17 | Regular | |
| 60sOrgan | 0 | 116 | 18 | Regular | |
| JazzOrgan3 | 0 | 120 | 17 | Regular | |
| Tibia 16&4 | 0 | 114 | 17 | Regular | |
| Tibia Full | 0 | 114 | 18 | Regular | |
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Organ | ChapelOrgan1 | 0 | 113 | 20 | Regular |
| ChapelOrgan2 | 0 | 114 | 20 | Regular | |
| ChapelOrgan3 | 0 | 115 | 20 | Regular | |
| PipeOrgan | 0 | 112 | 20 | Regular | |
| ReedOrgan | 0 | 112 | 21 | Regular | |
| Trumpet | Trumpet | 0 | 115 | 57 | Sweet! |
| Trombone | 0 | 117 | 58 | Sweet! | |
| MutedTrumpet | 0 | 112 | 60 | Regular | |
| FlugellHorn | 0 | 113 | 57 | Regular | |
| SoloTrumpet | 0 | 112 | 57 | Regular | |
| SoloTrombone | 0 | 112 | 58 | Regular | |
| JazzTrumpet | 0 | 116 | 57 | Regular | |
| Trombone | 0 | 116 | 58 | Regular | |
| SoftTrombone | 0 | 115 | 58 | Regular | |
| MellowTrombone | 0 | 114 | 58 | Regular | |
| BaritoneHorn | 0 | 113 | 59 | Regular | |
| BaritoneHit | 0 | 114 | 59 | Regular | |
| AlpBass | 0 | 113 | 34 | Regular | |
| Tuba | 0 | 112 | 59 | Regular | |
| Brass | HyperBrass | 0 | 118 | 63 | Live! |
| PopBrass | 0 | 117 | 63 | Live! | |
| OctaveBrass | 0 | 116 | 63 | Live! | |
| FrenchHorns | 0 | 112 | 61 | Live! | |
| BrassCombo | 0 | 115 | 67 | Regular | |
| BrassSection | 0 | 112 | 62 | Regular | |
| Sforzando | 0 | 125 | 62 | Regular | |
| BigBrass | 0 | 121 | 62 | Regular | |
| BallroomBrass | 0 | 113 | 60 | Regular | |
| BrightBrass | 0 | 120 | 62 | Regular | |
| MellowBrass | 0 | 116 | 62 | Regular | |
| 80sBrass | 0 | 113 | 63 | Regular | |
| SoftBrass | 0 | 123 | 62 | Regular | |
| FullHorns | 0 | 114 | 62 | Regular | |
| SmoothTromb | 0 | 118 | 58 | Regular | |
| HighBrass | 0 | 115 | 62 | Regular | |
| OberBrass | 0 | 113 | 64 | Regular | |
| TrumpetEns | 0 | 122 | 62 | Regular | |
| MellowHorns | 0 | 119 | 62 | Regular | |
| BigBandBrass | 0 | 113 | 62 | Regular | |
| PopBrass | 0 | 118 | 62 | Regular | |
| AnalogBrass | 0 | 112 | 64 | Regular | |
| TbnSection | 0 | 113 | 58 | Regular | |
| SmallBrass | 0 | 117 | 62 | Regular | |
| SoftAnalog | 0 | 114 | 64 | Regular | |
| FunkyAnalog | 0 | 115 | 63 | Regular | |
| TechnoBrass | 0 | 114 | 63 | Regular | |
| SynthBrass | 0 | 112 | 63 | Regular | |
| Accordion | Musette | 0 | 112 | 22 | Regular |
| TuttiAccordion | 0 | 113 | 22 | Regular | |
| SmallAccordion | 0 | 115 | 22 | Regular | |
| BallroomAcc | 0 | 112 | 24 | Regular | |
| Steirisch | 0 | 117 | 22 | Regular | |
| Accordion | 0 | 116 | 22 | Regular | |
| SoftAccordion | 0 | 114 | 22 | Regular | |
| Bandoneon | 0 | 113 | 24 | Regular | |
| ModernHarp | 0 | 113 | 23 | Regular | |
| BluesHarp | 0 | 114 | 23 | Regular | |
| Choir&Pad | AirChoir | 0 | 112 | 55 | Regular |
| GothicVox | 0 | 113 | 54 | Regular | |
| Choir | 0 | 112 | 53 | Regular | |
| VoxHumana | 0 | 112 | 54 | Regular | |
| SweetHeaven | 0 | 118 | 89 | Regular | |
| DreamHeaven | 0 | 121 | 89 | Regular | |
| Insomnia | 0 | 113 | 95 | Regular | |
| NeoWarmPad | 0 | 115 | 90 | Regular | |
| CyberPad | 0 | 113 | 100 | Regular | |
| Wave2001 | 0 | 112 | 96 | Regular | |
| Atmosphere | 0 | 112 | 100 | Regular | |
| XenonPad | 0 | 112 | 92 | Regular | |
| Equinox | 0 | 112 | 95 | Regular | |
| Fantasia | 0 | 112 | 89 | Regular | |
| DX Pad | 0 | 112 | 93 | Regular | |
| Symbiont | 0 | 113 | 89 | Regular | |
| Stargate | 0 | 114 | 89 | Regular | |
| Area51 | 0 | 112 | 90 | Regular | |
| DarkMoon | 0 | 113 | 90 | Regular | |
| Ionosphere | 0 | 115 | 95 | Regular | |
| GoldenAge | 0 | 115 | 89 | Regular | |
| Solaris | 0 | 114 | 95 | Regular | |
| Millennium | 0 | 117 | 89 | Regular | |
| Dunes | 0 | 114 | 90 | Regular | |
| Synth&FX | Oxygen | 0 | 122 | 82 | Regular |
| Matrix | 0 | 123 | 82 | Regular | |
CVP-401
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Synth&FX | WireLead | 0 | 120 | 82 | Regular |
| HipLead | 0 | 113 | 81 | Regular | |
| HopLead | 0 | 117 | 81 | Regular | |
| FireWire | 0 | 116 | 82 | Regular | |
| Analogon | 0 | 115 | 82 | Regular | |
| Blaster | 0 | 114 | 82 | Regular | |
| SFX Kit1 | 126 | 0 | 1 | SFX Kit | |
| SFX Kit2 | 126 | 0 | 2 | SFX Kit | |
| SawLead | 0 | 112 | 82 | Regular | |
| SquareLead | 0 | 112 | 81 | Regular | |
| Skyline | 0 | 115 | 85 | Regular | |
| TinyLead | 0 | 118 | 81 | Regular | |
| FunkyLead | 0 | 121 | 82 | Regular | |
| Paraglide | 0 | 114 | 85 | Regular | |
| Fargo | 0 | 119 | 82 | Regular | |
| Portatone | 0 | 112 | 85 | Regular | |
| BigLead | 0 | 113 | 82 | Regular | |
| Warp | 0 | 117 | 82 | Regular | |
| Adrenaline | 0 | 113 | 85 | Regular | |
| Stardust | 0 | 112 | 99 | Regular | |
| AeroLead | 0 | 112 | 84 | Regular | |
| MiniLead | 0 | 114 | 81 | Regular | |
| Impact | 0 | 113 | 88 | Regular | |
| SunBell | 0 | 113 | 99 | Regular | |
| UnderHeim | 0 | 112 | 88 | Regular | |
| HiBias | 0 | 116 | 81 | Regular | |
| VinylLead | 0 | 115 | 81 | Regular | |
| Perc&Drum | Vibraphone | 0 | 112 | 12 | Regular |
| JazzVibes | 0 | 113 | 12 | Regular | |
| Marimba | 0 | 112 | 13 | Regular | |
| Xylophone | 0 | 112 | 14 | Regular | |
| SteelDrums | 0 | 112 | 115 | Regular | |
| Celesta | 0 | 112 | 9 | Regular | |
| Glockenspiel | 0 | 112 | 10 | Regular | |
| MusicBox | 0 | 112 | 11 | Regular | |
| TubularBells | 0 | 112 | 15 | Regular | |
| Kalimba | 0 | 112 | 109 | Regular | |
| Dulcimer | 0 | 112 | 16 | Regular | |
| Timpani | 0 | 112 | 48 | Regular | |
| StandardKit1 | 127 | 0 | 1 | Drums | |
| StandardKit2 | 127 | 0 | 2 | Drums | |
| JazzKit | 127 | 0 | 33 | Drums | |
| BrushKit | 127 | 0 | 41 | Drums | |
| RoomKit | 127 | 0 | 9 | Drums | |
| RockKit | 127 | 0 | 17 | Drums | |
| ElectroKit | 127 | 0 | 25 | Drums | |
| AnalogKit | 127 | 0 | 26 | Drums | |
| DanceKit | 127 | 0 | 28 | Drums | |
| SymphonyKit | 127 | 0 | 49 | Drums | |
| CubanKit | 126 | 0 | 41 | SFX Kit | |
| PopLatinKit | 126 | 0 | 44 | SFX Kit | |
| ArabicKit | 126 | 0 | 36 | SFX Kit | |
| OrganFlutes | JazzDraw! | 0 | 126 | 17 | Organ Flutes |
| BluesOrgan! | 0 | 126 | 17 | Organ Flutes | |
| SixteenOne! | 0 | 126 | 17 | Organ Flutes | |
| EvenBars! | 0 | 126 | 17 | Organ Flutes | |
| PopOrgan! | 0 | 126 | 17 | Organ Flutes | |
| RockingOrg! | 0 | 126 | 17 | Organ Flutes | |
| Percussive! | 0 | 126 | 17 | Organ Flutes | |
| GospelOrg! | 0 | 126 | 17 | Organ Flutes | |
| PadOrgan! | 0 | 126 | 17 | Organ Flutes | |
| FullRanks! | 0 | 126 | 17 | Organ Flutes | |
GM & XG
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Piano | GrandPiano | 0 | 0 | 1 | Regular |
| GrndPianoKSP | 0 | 1 | 1 | Regular | |
| MellowGrPno | 0 | 18 | 1 | Regular | |
| PianoStrings | 0 | 40 | 1 | Regular | |
| Dream | 0 | 41 | 1 | Regular | |
| BrightPiano | 0 | 0 | 2 | Regular | |
| BritePnoKSP | 0 | 1 | 2 | Regular | |
| ElecGrandPno | 0 | 0 | 3 | Regular | |
| ElecGrPnoKSP | 0 | 1 | 3 | Regular | |
| DetunedCP80 | 0 | 32 | 3 | Regular | |
| LayeredCP1 | 0 | 40 | 3 | Regular | |
| LayeredCP2 | 0 | 41 | 3 | Regular | |
| Honkytonk | 0 | 0 | 4 | Regular | |
| HonkytonkKSP | 0 | 1 | 4 | Regular | |
| El.Piano1 | 0 | 0 | 5 | Regular | |
| El.Piano1KSP | 0 | 1 | 5 | Regular | |
| MellowEP1 | 0 | 18 | 5 | Regular | |
| ChorusEP1 | 0 | 32 | 5 | Regular | |
| HardEl.Piano | 0 | 40 | 5 | Regular | |
| VXfadeEl.P1 | 0 | 45 | 5 | Regular | |
| 60sEl.Piano1 | 0 | 64 | 5 | Regular | |
| El.Piano2 | 0 | 0 | 6 | Regular | |
| El.Piano2KSP | 0 | 1 | 6 | Regular | |
| ChorusEP2 | 0 | 32 | 6 | Regular | |
| DXEPHard | 0 | 33 | 6 | Regular | |
| DXLegend | 0 | 34 | 6 | Regular | |
| DXPhaseEP | 0 | 40 | 6 | Regular | |
| DX+AnalogEP | 0 | 41 | 6 | Regular | |
| DXKotoEP | 0 | 42 | 6 | Regular | |
| VXfadeEl.P2 | 0 | 45 | 6 | Regular | |
| Harpsichord | 0 | 0 | 7 | Regular | |
| Harpsi.KSP | 0 | 1 | 7 | Regular | |
| Harpsichord2 | 0 | 25 | 7 | Regular | |
| Harpsichord3 | 0 | 35 | 7 | Regular | |
| Clavi. | 0 | 0 | 8 | Regular | |
| Clavi.KSP | 0 | 1 | 8 | Regular | |
| Clavi.Wah | 0 | 27 | 8 | Regular | |
| PulseClavi. | 0 | 64 | 8 | Regular | |
| PierceClavi. | 0 | 65 | 8 | Regular | |
| ChromaticPerc | Celesta | 0 | 0 | 9 | Regular |
| Glockenspiel | 0 | 0 | 10 | Regular | |
| MusicBox | 0 | 0 | 11 | Regular | |
| Orgel | 0 | 64 | 11 | Regular | |
| Vibraphone | 0 | 0 | 12 | Regular | |
| VibesKSP | 0 | 1 | 12 | Regular | |
| HardVibes | 0 | 45 | 12 | Regular | |
| Marimba | 0 | 0 | 13 | Regular | |
| MarimbaKSP | 0 | 1 | 13 | Regular | |
| SineMarimba | 0 | 64 | 13 | Regular | |
| Balimba | 0 | 97 | 13 | Regular | |
| LogDrums | 0 | 98 | 13 | Regular | |
| Xylophone | 0 | 0 | 14 | Regular | |
| TubularBells | 0 | 0 | 15 | Regular | |
| ChurchBells | 0 | 96 | 15 | Regular | |
| Carillon | 0 | 97 | 15 | Regular | |
| Dulcimer | 0 | 0 | 16 | Regular | |
| Dulcimer2 | 0 | 35 | 16 | Regular | |
| Cimbalom | 0 | 96 | 16 | Regular | |
| Santur | 0 | 97 | 16 | Regular | |
| Organ | DrawbarOrgan | 0 | 0 | 17 | Regular |
| DetDrawOrgan | 0 | 32 | 17 | Regular | |
| 60sDrawOrg1 | 0 | 33 | 17 | Regular | |
| 60sDrawOrg2 | 0 | 34 | 17 | Regular | |
| 70sDrawOrg1 | 0 | 35 | 17 | Regular | |
| DrawbarOrg2 | 0 | 36 | 17 | Regular | |
| 60sDrawOrg3 | 0 | 37 | 17 | Regular | |
| EvenBarOrg | 0 | 38 | 17 | Regular | |
| 16+2'2'3Org | 0 | 40 | 17 | Regular | |
| OrganBass | 0 | 64 | 17 | Regular | |
| 70sDrawOrg2 | 0 | 65 | 17 | Regular | |
| CheezyOrgan | 0 | 66 | 17 | Regular | |
| DrawbarOrg3 | 0 | 67 | 17 | Regular | |
| Perc.Organ | 0 | 0 | 18 | Regular | |
| 70sPercOrg1 | 0 | 24 | 18 | Regular | |
| DetPercOrgan | 0 | 32 | 18 | Regular | |
| LightOrgan | 0 | 33 | 18 | Regular | |
| Perc.Organ2 | 0 | 37 | 18 | Regular | |
| RockOrgan | 0 | 0 | 19 | Regular | |
| RotaryOrgan | 0 | 64 | 19 | Regular | |
| SlowRotary | 0 | 65 | 19 | Regular | |
| FastRotary | 0 | 66 | 19 | Regular | |
| ChurchOrgan | 0 | 0 | 20 | Regular | |
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Organ | ChurchOrgan3 | 0 | 32 | 20 | Regular |
| ChurchOrgan2 | 0 | 35 | 20 | Regular | |
| NotreDame | 0 | 40 | 20 | Regular | |
| OrganFlute | 0 | 64 | 20 | Regular | |
| Trem.OrganFl | 0 | 65 | 20 | Regular | |
| ReedOrgan | 0 | 0 | 21 | Regular | |
| PuffOrgan | 0 | 40 | 21 | Regular | |
| Accordion | 0 | 0 | 22 | Regular | |
| Accordlt | 0 | 32 | 22 | Regular | |
| Harmonica | 0 | 0 | 23 | Regular | |
| Harmonica2 | 0 | 32 | 23 | Regular | |
| TangoAccord | 0 | 0 | 24 | Regular | |
| TangoAccord2 | 0 | 64 | 24 | Regular | |
| Guiter | NylonGuitar | 0 | 0 | 25 | Regular |
| NylonGuitar2 | 0 | 16 | 25 | Regular | |
| NylonGuitar3 | 0 | 25 | 25 | Regular | |
| VelGtrHarmo | 0 | 43 | 25 | Regular | |
| Ukulele | 0 | 96 | 25 | Regular | |
| SteelGuitar | 0 | 0 | 26 | Regular | |
| SteelGuitar2 | 0 | 16 | 26 | Regular | |
| 12StrGuitar | 0 | 35 | 26 | Regular | |
| Nylon&Steel | 0 | 40 | 26 | Regular | |
| Steel&Body | 0 | 41 | 26 | Regular | |
| Mandolin | 0 | 96 | 26 | Regular | |
| JazzGuitar | 0 | 0 | 27 | Regular | |
| MellowGuitar | 0 | 18 | 27 | Regular | |
| JazzAmp | 0 | 32 | 27 | Regular | |
| CleanGuitar | 0 | 0 | 28 | Regular | |
| ChorusGuitar | 0 | 32 | 28 | Regular | |
| MutedGuitar | 0 | 0 | 29 | Regular | |
| FunkGuitar1 | 0 | 40 | 29 | Regular | |
| MuteSteelGtr | 0 | 41 | 29 | Regular | |
| FunkGuitar2 | 0 | 43 | 29 | Regular | |
| JazzMan | 0 | 45 | 29 | Regular | |
| Overdriven | 0 | 0 | 30 | Regular | |
| GuitarPinch | 0 | 43 | 30 | Regular | |
| Distortion | 0 | 0 | 31 | Regular | |
| FeedbackGtr | 0 | 40 | 31 | Regular | |
| FeedbackGtr2 | 0 | 41 | 31 | Regular | |
| GtrHarmonics | 0 | 0 | 32 | Regular | |
| GtrFeedback | 0 | 65 | 32 | Regular | |
| GtrHarmonic2 | 0 | 66 | 32 | Regular | |
| Bass | AcousticBass | 0 | 0 | 33 | Regular |
| JazzRhythm | 0 | 40 | 33 | Regular | |
| VXUprghtBass | 0 | 45 | 33 | Regular | |
| FingerBass | 0 | 0 | 34 | Regular | |
| FingerDark | 0 | 18 | 34 | Regular | |
| FlangeBass | 0 | 27 | 34 | Regular | |
| Bass&DistEG | 0 | 40 | 34 | Regular | |
| FingerSlap | 0 | 43 | 34 | Regular | |
| FingerBass2 | 0 | 45 | 34 | Regular | |
| Mod.Bass | 0 | 65 | 34 | Regular | |
| PickBass | 0 | 0 | 35 | Regular | |
| MutePickBass | 0 | 28 | 35 | Regular | |
| FretlessBass | 0 | 0 | 36 | Regular | |
| Fretless2 | 0 | 32 | 36 | Regular | |
| Fretless3 | 0 | 33 | 36 | Regular | |
| Fretless4 | 0 | 34 | 36 | Regular | |
| Syn.Fretless | 0 | 96 | 36 | Regular | |
| SmthFretless | 0 | 97 | 36 | Regular | |
| SlapBass1 | 0 | 0 | 37 | Regular | |
| ResonantSlap | 0 | 27 | 37 | Regular | |
| PunchThumb | 0 | 32 | 37 | Regular | |
| SlapBass2 | 0 | 0 | 38 | Regular | |
| Velo.Sw.Slap | 0 | 43 | 38 | Regular | |
| SynthBass1 | 0 | 0 | 39 | Regular | |
| SynBass1Dark | 0 | 18 | 39 | Regular | |
| FastResoBass | 0 | 20 | 39 | Regular | |
| AcidBass | 0 | 24 | 39 | Regular | |
| ClaviBass | 0 | 35 | 39 | Regular | |
| TechnoBass | 0 | 40 | 39 | Regular | |
| Orbiter | 0 | 64 | 39 | Regular | |
| SquareBass | 0 | 65 | 39 | Regular | |
| RubberBass | 0 | 66 | 39 | Regular | |
| Hammer | 0 | 96 | 39 | Regular | |
| SynthBass2 | 0 | 0 | 40 | Regular | |
| MellowSyBass | 0 | 6 | 40 | Regular | |
| SequenceBass | 0 | 12 | 40 | Regular | |
| ClickSynBass | 0 | 18 | 40 | Regular | |
| SynBass2Dark | 0 | 19 | 40 | Regular | |
| SmoothSyBass | 0 | 32 | 40 | Regular | |
| ModulrSyBass | 0 | 40 | 40 | Regular | |
GM & XG
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Brass | DXBass | 0 | 41 | 40 | Regular |
| XWireBass | 0 | 64 | 40 | Regular | |
| Strings | Violin | 0 | 0 | 41 | Regular |
| SlwAtkViolin | 0 | 8 | 41 | Regular | |
| Viola | 0 | 0 | 42 | Regular | |
| Cello | 0 | 0 | 43 | Regular | |
| Contrabass | 0 | 0 | 44 | Regular | |
| Trem Strings | 0 | 0 | 45 | Regular | |
| SlwAtTremStr | 0 | 8 | 45 | Regular | |
| SuspenseStr | 0 | 40 | 45 | Regular | |
| PizzicatoStr | 0 | 0 | 46 | Regular | |
| Orch.Harp | 0 | 0 | 47 | Regular | |
| YangChin | 0 | 40 | 47 | Regular | |
| Timpani | 0 | 0 | 48 | Regular | |
| Ensemble | Strings1 | 0 | 0 | 49 | Regular |
| StereoStrings | 0 | 3 | 49 | Regular | |
| SlwAtkStrings | 0 | 8 | 49 | Regular | |
| ArcoStrings | 0 | 24 | 49 | Regular | |
| 60'sStrings | 0 | 35 | 49 | Regular | |
| Orchestra | 0 | 40 | 49 | Regular | |
| Orchestra2 | 0 | 41 | 49 | Regular | |
| TremOrchestra | 0 | 42 | 49 | Regular | |
| VeloStrings | 0 | 45 | 49 | Regular | |
| Strings2 | 0 | 0 | 50 | Regular | |
| S.SlowStrings | 0 | 3 | 50 | Regular | |
| LegatoStrings | 0 | 8 | 50 | Regular | |
| WarmStrings | 0 | 40 | 50 | Regular | |
| Kingdom | 0 | 41 | 50 | Regular | |
| 70'sStrings | 0 | 64 | 50 | Regular | |
| Strings3 | 0 | 65 | 50 | Regular | |
| SynStrings1 | 0 | 0 | 51 | Regular | |
| ResoStrings | 0 | 27 | 51 | Regular | |
| SynStrings4 | 0 | 64 | 51 | Regular | |
| SynStrings5 | 0 | 65 | 51 | Regular | |
| SynStrings2 | 0 | 0 | 52 | Regular | |
| ChoirAahs | 0 | 0 | 53 | Regular | |
| StereoChoir | 0 | 3 | 53 | Regular | |
| ChoirAahs2 | 0 | 16 | 53 | Regular | |
| MellowChoir | 0 | 32 | 53 | Regular | |
| ChoirStrings | 0 | 40 | 53 | Regular | |
| VoiceOohs | 0 | 0 | 54 | Regular | |
| SynthVoice | 0 | 0 | 55 | Regular | |
| SynthVoice2 | 0 | 40 | 55 | Regular | |
| Choral | 0 | 41 | 55 | Regular | |
| AnalogVoice | 0 | 64 | 55 | Regular | |
| OrchestraHit | 0 | 0 | 56 | Regular | |
| OrchestriHit2 | 0 | 35 | 56 | Regular | |
| Impact | 0 | 64 | 56 | Regular | |
| Brass | Trumpet | 0 | 0 | 57 | Regular |
| Trumpet2 | 0 | 16 | 57 | Regular | |
| BriteTrumpet | 0 | 17 | 57 | Regular | |
| WarmTrumpet | 0 | 32 | 57 | Regular | |
| Trombone | 0 | 0 | 58 | Regular | |
| Trombone2 | 0 | 18 | 58 | Regular | |
| Tuba | 0 | 0 | 59 | Regular | |
| Tuba2 | 0 | 16 | 59 | Regular | |
| MutedTrumpet | 0 | 0 | 60 | Regular | |
| FrenchHorn | 0 | 0 | 61 | Regular | |
| Fr.HornSolo | 0 | 6 | 61 | Regular | |
| FrenchHorn2 | 0 | 32 | 61 | Regular | |
| HornOrchestra | 0 | 37 | 61 | Regular | |
| BrassSection | 0 | 0 | 62 | Regular | |
| Tp&TbSection | 0 | 35 | 62 | Regular | |
| BrassSect2 | 0 | 40 | 62 | Regular | |
| HighBrass | 0 | 41 | 62 | Regular | |
| MellowBrass | 0 | 42 | 62 | Regular | |
| SynthBrass1 | 0 | 0 | 63 | Regular | |
| QuackBrass | 0 | 12 | 63 | Regular | |
| ResoSynBrass | 0 | 20 | 63 | Regular | |
| PolyBrass | 0 | 24 | 63 | Regular | |
| SynthBrass3 | 0 | 27 | 63 | Regular | |
| JumpBrass | 0 | 32 | 63 | Regular | |
| AnaVelBrass1 | 0 | 45 | 63 | Regular | |
| AnalogBrass1 | 0 | 64 | 63 | Regular | |
| SynthBrass2 | 0 | 0 | 64 | Regular | |
| SoftBrass | 0 | 18 | 64 | Regular | |
| SynthBrass4 | 0 | 40 | 64 | Regular | |
| ChoirBrass | 0 | 41 | 64 | Regular | |
| AnaVelBrass2 | 0 | 45 | 64 | Regular | |
| AnalogBrass2 | 0 | 64 | 64 | Regular | |
| Reed | SopranoSax | 0 | 0 | 65 | Regular |
| AltoSax | 0 | 0 | 66 | Regular | |
| SaxSection | 0 | 40 | 66 | Regular | |
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Reed | HyperAltoSax | 0 | 43 | 66 | Regular |
| TenorSax | 0 | 0 | 67 | Regular | |
| BreathyTenor | 0 | 40 | 67 | Regular | |
| SoftTenorSax | 0 | 41 | 67 | Regular | |
| TenorSax2 | 0 | 64 | 67 | Regular | |
| BaritoneSax | 0 | 0 | 68 | Regular | |
| Oboe | 0 | 0 | 69 | Regular | |
| EnglishHorn | 0 | 0 | 70 | Regular | |
| Bassoon | 0 | 0 | 71 | Regular | |
| Clarinet | 0 | 0 | 72 | Regular | |
| Pipe | Piccolo | 0 | 0 | 73 | Regular |
| Flute | 0 | 0 | 74 | Regular | |
| Recorder | 0 | 0 | 75 | Regular | |
| PanFlute | 0 | 0 | 76 | Regular | |
| BlownBottle | 0 | 0 | 77 | Regular | |
| Shakuhachi | 0 | 0 | 78 | Regular | |
| Whistle | 0 | 0 | 79 | Regular | |
| Ocarina | 0 | 0 | 80 | Regular | |
| Synth.lead | SquareLead | 0 | 0 | 81 | Regular |
| SquareLead2 | 0 | 6 | 81 | Regular | |
| LMSquare | 0 | 8 | 81 | Regular | |
| Hollow | 0 | 18 | 81 | Regular | |
| Shroud | 0 | 19 | 81 | Regular | |
| Mellow | 0 | 64 | 81 | Regular | |
| SoloSine | 0 | 65 | 81 | Regular | |
| SineLead | 0 | 66 | 81 | Regular | |
| SawtoothLead | 0 | 0 | 82 | Regular | |
| SawtoothLd2 | 0 | 6 | 82 | Regular | |
| ThickSaw | 0 | 8 | 82 | Regular | |
| DynamicSaw | 0 | 18 | 82 | Regular | |
| DigitalSaw | 0 | 19 | 82 | Regular | |
| BigLead | 0 | 20 | 82 | Regular | |
| HeavySynth | 0 | 24 | 82 | Regular | |
| WaspySynth | 0 | 25 | 82 | Regular | |
| PulseSaw | 0 | 40 | 82 | Regular | |
| Dr.lead | 0 | 41 | 82 | Regular | |
| VelocityLead | 0 | 45 | 82 | Regular | |
| Seq.Analog | 0 | 96 | 82 | Regular | |
| CalliopeLead | 0 | 0 | 83 | Regular | |
| PureLead | 0 | 65 | 83 | Regular | |
| ChiffLead | 0 | 0 | 84 | Regular | |
| Rubby | 0 | 64 | 84 | Regular | |
| CharangLead | 0 | 0 | 85 | Regular | |
| DistortedLd | 0 | 64 | 85 | Regular | |
| WireLead | 0 | 65 | 85 | Regular | |
| VoiceLead | 0 | 0 | 86 | Regular | |
| SynthAahs | 0 | 24 | 86 | Regular | |
| VoxLead | 0 | 64 | 86 | Regular | |
| FiftsLead | 0 | 0 | 87 | Regular | |
| BigFive | 0 | 35 | 87 | Regular | |
| Bass&Lead | 0 | 0 | 88 | Regular | |
| Big&Low | 0 | 16 | 88 | Regular | |
| Fat&Perky | 0 | 64 | 88 | Regular | |
| SoftWhirl | 0 | 65 | 88 | Regular | |
| Synth.Pad | NewAgePad | 0 | 0 | 89 | Regular |
| Fantasy | 0 | 64 | 89 | Regular | |
| WarmPad | 0 | 0 | 90 | Regular | |
| ThickPad | 0 | 16 | 90 | Regular | |
| SoftPad | 0 | 17 | 90 | Regular | |
| SinePad | 0 | 18 | 90 | Regular | |
| HornPad | 0 | 64 | 90 | Regular | |
| RotaryStrngs | 0 | 65 | 90 | Regular | |
| PolySynthPad | 0 | 0 | 91 | Regular | |
| PolyPad80 | 0 | 64 | 91 | Regular | |
| ClickPad | 0 | 65 | 91 | Regular | |
| AnalogPad | 0 | 66 | 91 | Regular | |
| SquarePad | 0 | 67 | 91 | Regular | |
| ChoirPad | 0 | 0 | 92 | Regular | |
| Heaven | 0 | 64 | 92 | Regular | |
| Itopia | 0 | 66 | 92 | Regular | |
| CCPad | 0 | 67 | 92 | Regular | |
| BowedPad | 0 | 0 | 93 | Regular | |
| Glacier | 0 | 64 | 93 | Regular | |
| GlassPad | 0 | 65 | 93 | Regular | |
| MetallicPad | 0 | 0 | 94 | Regular | |
| TinePad | 0 | 64 | 94 | Regular | |
| PanPad | 0 | 65 | 94 | Regular | |
| HaloPad | 0 | 0 | 95 | Regular | |
| SweepPad | 0 | 0 | 96 | Regular | |
| Shimmer | 0 | 20 | 96 | Regular | |
| Converge | 0 | 27 | 96 | Regular | |
| PolarPad | 0 | 64 | 96 | Regular | |
| Celestial | 0 | 66 | 96 | Regular | |
GM & XG
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Synth.Effect | Rain | 0 | 0 | 97 | Regular |
| ClaviPad | 0 | 45 | 97 | Regular | |
| HarmoRain | 0 | 64 | 97 | Regular | |
| AfricanWind | 0 | 65 | 97 | Regular | |
| Carib | 0 | 66 | 97 | Regular | |
| SoundTrack | 0 | 0 | 98 | Regular | |
| Prologue | 0 | 27 | 98 | Regular | |
| Ancestral | 0 | 64 | 98 | Regular | |
| Crystal | 0 | 0 | 99 | Regular | |
| SynthDr.Comp | 0 | 12 | 99 | Regular | |
| Popcorn | 0 | 14 | 99 | Regular | |
| TinyBells | 0 | 18 | 99 | Regular | |
| RoundGlocken | 0 | 35 | 99 | Regular | |
| GlockenChime | 0 | 40 | 99 | Regular | |
| ClearBells | 0 | 41 | 99 | Regular | |
| ChorusBells | 0 | 42 | 99 | Regular | |
| SynthMallet | 0 | 64 | 99 | Regular | |
| SoftCrystal | 0 | 65 | 99 | Regular | |
| LoudGlocken | 0 | 66 | 99 | Regular | |
| ChristmasBel | 0 | 67 | 99 | Regular | |
| VibeBells | 0 | 68 | 99 | Regular | |
| DigitalBells | 0 | 69 | 99 | Regular | |
| AirBells | 0 | 70 | 99 | Regular | |
| BellHarp | 0 | 71 | 99 | Regular | |
| Gameimba | 0 | 72 | 99 | Regular | |
| Atmosphere | 0 | 0 | 100 | Regular | |
| WarmAtmos. | 0 | 18 | 100 | Regular | |
| HollwRelease | 0 | 19 | 100 | Regular | |
| NylonEIPiano | 0 | 40 | 100 | Regular | |
| NylonHarp | 0 | 64 | 100 | Regular | |
| HarpVox | 0 | 65 | 100 | Regular | |
| Atmos.Pad | 0 | 66 | 100 | Regular | |
| Planet | 0 | 67 | 100 | Regular | |
| Brightness | 0 | 0 | 101 | Regular | |
| FantasyBells | 0 | 64 | 101 | Regular | |
| Smokey | 0 | 96 | 101 | Regular | |
| Goblins | 0 | 0 | 102 | Regular | |
| GoblinsSynth | 0 | 64 | 102 | Regular | |
| Creeper | 0 | 65 | 102 | Regular | |
| RingPad | 0 | 66 | 102 | Regular | |
| Ritual | 0 | 67 | 102 | Regular | |
| ToHeaven | 0 | 68 | 102 | Regular | |
| Night | 0 | 70 | 102 | Regular | |
| Glisten | 0 | 71 | 102 | Regular | |
| BellChoir | 0 | 96 | 102 | Regular | |
| Echoes | 0 | 0 | 103 | Regular | |
| Echoes2 | 0 | 8 | 103 | Regular | |
| EchoPan | 0 | 14 | 103 | Regular | |
| EchoBells | 0 | 64 | 103 | Regular | |
| BigPan | 0 | 65 | 103 | Regular | |
| SynthPiano | 0 | 66 | 103 | Regular | |
| Creation | 0 | 67 | 103 | Regular | |
| StarDust | 0 | 68 | 103 | Regular | |
| Reso&Panning | 0 | 69 | 103 | Regular | |
| Sci-Fi | 0 | 0 | 104 | Regular | |
| Starz | 0 | 64 | 104 | Regular | |
| Ethnic | Sitar | 0 | 0 | 105 | Regular |
| DetunedSitar | 0 | 32 | 105 | Regular | |
| Sitar2 | 0 | 35 | 105 | Regular | |
| Tambra | 0 | 96 | 105 | Regular | |
| Tamboura | 0 | 97 | 105 | Regular | |
| Banjo | 0 | 0 | 106 | Regular | |
| MutedBanjo | 0 | 28 | 106 | Regular | |
| Rabab | 0 | 96 | 106 | Regular | |
| Gopichant | 0 | 97 | 106 | Regular | |
| Oud | 0 | 98 | 106 | Regular | |
| Shamisen | 0 | 0 | 107 | Regular | |
| Koto | 0 | 0 | 108 | Regular | |
| Taisho-kin | 0 | 96 | 108 | Regular | |
| Kanoon | 0 | 97 | 108 | Regular | |
| Kalimba | 0 | 0 | 109 | Regular | |
| Bagpipe | 0 | 0 | 110 | Regular | |
| Fiddle | 0 | 0 | 111 | Regular | |
| Shanai | 0 | 0 | 112 | Regular | |
| Shanai2 | 0 | 64 | 112 | Regular | |
| Pungi | 0 | 96 | 112 | Regular | |
| Hichiriki | 0 | 97 | 112 | Regular | |
| Percussive | TinkleBell | 0 | 0 | 113 | Regular |
| Bonang | 0 | 96 | 113 | Regular | |
| Altair | 0 | 97 | 113 | Regular | |
| GamelanGongs | 0 | 98 | 113 | Regular | |
| StereoGamlan | 0 | 99 | 113 | Regular | |
| RamaCymbal | 0 | 100 | 113 | Regular | |
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Percussive | AsianBells | 0 | 101 | 113 | Regular |
| Agogo | 0 | 0 | 114 | Regular | |
| SteelDrums | 0 | 0 | 115 | Regular | |
| GlassPerc. | 0 | 97 | 115 | Regular | |
| ThaiBells | 0 | 98 | 115 | Regular | |
| Woodblock | 0 | 0 | 116 | Regular | |
| Castanets | 0 | 96 | 116 | Regular | |
| TaikoDrum | 0 | 0 | 117 | Regular | |
| GranCassa | 0 | 96 | 117 | Regular | |
| MelodicTom | 0 | 0 | 118 | Regular | |
| MelodicTom2 | 0 | 64 | 118 | Regular | |
| RealTom | 0 | 65 | 118 | Regular | |
| RockTom | 0 | 66 | 118 | Regular | |
| SynthDrum | 0 | 0 | 119 | Regular | |
| AnalogTom | 0 | 64 | 119 | Regular | |
| ElectroPerc. | 0 | 65 | 119 | Regular | |
| Rev.Cymbal | 0 | 0 | 120 | Regular | |
| Sound Effect | GtrFretNoise | 0 | 0 | 121 | Regular |
| BreathNoise | 0 | 0 | 122 | Regular | |
| Seashore | 0 | 0 | 123 | Regular | |
| BirdTweet | 0 | 0 | 124 | Regular | |
| TelephonRing | 0 | 0 | 125 | Regular | |
| Helicopter | 0 | 0 | 126 | Regular | |
| Applause | 0 | 0 | 127 | Regular | |
| Gunshot | 0 | 0 | 128 | Regular | |
| CuttingNoise | 64 | 0 | 1 | Regular | |
| CuttingNoiz2 | 64 | 0 | 2 | Regular | |
| StringSlap | 64 | 0 | 4 | Regular | |
| Fl.KeyClick | 64 | 0 | 17 | Regular | |
| Shower | 64 | 0 | 33 | Regular | |
| Thunder | 64 | 0 | 34 | Regular | |
| Wind | 64 | 0 | 35 | Regular | |
| Stream | 64 | 0 | 36 | Regular | |
| Bubble | 64 | 0 | 37 | Regular | |
| Feed | 64 | 0 | 38 | Regular | |
| Dog | 64 | 0 | 49 | Regular | |
| Horse | 64 | 0 | 50 | Regular | |
| BirdTweet2 | 64 | 0 | 51 | Regular | |
| Ghost | 64 | 0 | 55 | Regular | |
| Maou | 64 | 0 | 56 | Regular | |
| PhoneCall | 64 | 0 | 65 | Regular | |
| DoorSqueak | 64 | 0 | 66 | Regular | |
| DoorSlam | 64 | 0 | 67 | Regular | |
| ScratchCut | 64 | 0 | 68 | Regular | |
| ScratchSplit | 64 | 0 | 69 | Regular | |
| WindChime | 64 | 0 | 70 | Regular | |
| TelphonRing2 | 64 | 0 | 71 | Regular | |
| CarEnginelgn | 64 | 0 | 81 | Regular | |
| CarTiresSqel | 64 | 0 | 82 | Regular | |
| CarPassing | 64 | 0 | 83 | Regular | |
| CarCrash | 64 | 0 | 84 | Regular | |
| Siren | 64 | 0 | 85 | Regular | |
| Train | 64 | 0 | 86 | Regular | |
| JetPlane | 64 | 0 | 87 | Regular | |
| Starship | 64 | 0 | 88 | Regular | |
| Burst | 64 | 0 | 89 | Regular | |
| RollrCoaster | 64 | 0 | 90 | Regular | |
| Submarine | 64 | 0 | 91 | Regular | |
| Laugh | 64 | 0 | 97 | Regular | |
| Scream | 64 | 0 | 98 | Regular | |
| Punch | 64 | 0 | 99 | Regular | |
| Heartbeat | 64 | 0 | 100 | Regular | |
| FootSteps | 64 | 0 | 101 | Regular | |
| MachineGun | 64 | 0 | 113 | Regular | |
| LaserGun | 64 | 0 | 114 | Regular | |
| Explosion | 64 | 0 | 115 | Regular | |
| Firework | 64 | 0 | 116 | Regular | |
GM2
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Piano | GrandPiano | 121 | 0 | 1 | Regular |
| GrandPianoW | 121 | 1 | 1 | Regular | |
| GrandPianoD | 121 | 2 | 1 | Regular | |
| BrightPiano | 121 | 0 | 2 | Regular | |
| BrightPianoW | 121 | 1 | 2 | Regular | |
| ElecGrandPno | 121 | 0 | 3 | Regular | |
| ElecGrandPW | 121 | 1 | 3 | Regular | |
| Honkytonk | 121 | 0 | 4 | Regular | |
| HonkytonkW | 121 | 1 | 4 | Regular | |
| El.Piano1 | 121 | 0 | 5 | Regular | |
| DetunedEP1 | 121 | 1 | 5 | Regular | |
| EP1VeloMix | 121 | 2 | 5 | Regular | |
| 60'sEl.Piano | 121 | 3 | 5 | Regular | |
| El.Piano2 | 121 | 0 | 6 | Regular | |
| DetunedEP2 | 121 | 1 | 6 | Regular | |
| EP2VeloMix | 121 | 2 | 6 | Regular | |
| EPLegend | 121 | 3 | 6 | Regular | |
| EPPhase | 121 | 4 | 6 | Regular | |
| Harpsichord | 121 | 0 | 7 | Regular | |
| Harpsi.OctMx | 121 | 1 | 7 | Regular | |
| HarpsichordW | 121 | 2 | 7 | Regular | |
| Harpsi.KOff | 121 | 3 | 7 | Regular | |
| Clavi. | 121 | 0 | 8 | Regular | |
| PulseClavi. | 121 | 1 | 8 | Regular | |
| ChromaticPerc | Celesta | 121 | 0 | 9 | Regular |
| Glockenspiel | 121 | 0 | 10 | Regular | |
| MusicBox | 121 | 0 | 11 | Regular | |
| Vibraphone | 121 | 0 | 12 | Regular | |
| VibraphoneW | 121 | 1 | 12 | Regular | |
| Marimba | 121 | 0 | 13 | Regular | |
| MarimbaW | 121 | 1 | 13 | Regular | |
| Xylophone | 121 | 0 | 14 | Regular | |
| TubularBells | 121 | 0 | 15 | Regular | |
| ChurchBells | 121 | 1 | 15 | Regular | |
| Carillon | 121 | 2 | 15 | Regular | |
| Dulcimer | 121 | 0 | 16 | Regular | |
| Organ | DrawbarOrgan | 121 | 0 | 17 | Regular |
| DetDrawOrgan | 121 | 1 | 17 | Regular | |
| It60'sOrgan | 121 | 2 | 17 | Regular | |
| DrawbarOrg2 | 121 | 3 | 17 | Regular | |
| Perc.Organ | 121 | 0 | 18 | Regular | |
| DetPercOrgan | 121 | 1 | 18 | Regular | |
| Perc.Organ2 | 121 | 2 | 18 | Regular | |
| RockOrgan | 121 | 0 | 19 | Regular | |
| ChurchOrgan | 121 | 0 | 20 | Regular | |
| ChrchOrgOctM | 121 | 1 | 20 | Regular | |
| DetChurchOrg | 121 | 2 | 20 | Regular | |
| ReedOrgan | 121 | 0 | 21 | Regular | |
| PuffOrgan | 121 | 1 | 21 | Regular | |
| Accordion | 121 | 0 | 22 | Regular | |
| Accordion2 | 121 | 1 | 22 | Regular | |
| Harmonica | 121 | 0 | 23 | Regular | |
| TangoAccord | 121 | 0 | 24 | Regular | |
| Guitar | NylonGuitar | 121 | 0 | 25 | Regular |
| Ukulele | 121 | 1 | 25 | Regular | |
| NylonGtrKOff | 121 | 2 | 25 | Regular | |
| NylonGuitar2 | 121 | 3 | 25 | Regular | |
| SteelGuitar | 121 | 0 | 26 | Regular | |
| 12StrGuitar | 121 | 1 | 26 | Regular | |
| Mandolin | 121 | 2 | 26 | Regular | |
| Steel&Body | 121 | 3 | 26 | Regular | |
| JazzGuitar | 121 | 0 | 27 | Regular | |
| PedlSteelGtr | 121 | 1 | 27 | Regular | |
| CleanGuitar | 121 | 0 | 28 | Regular | |
| DetCleanGtr | 121 | 1 | 28 | Regular | |
| MidToneGtr | 121 | 2 | 28 | Regular | |
| MutedGuitar | 121 | 0 | 29 | Regular | |
| FunkGuitar | 121 | 1 | 29 | Regular | |
| MutedV-SwGtr | 121 | 2 | 29 | Regular | |
| JazzMan | 121 | 3 | 29 | Regular | |
| Overdriven | 121 | 0 | 30 | Regular | |
| GuitarPinch | 121 | 1 | 30 | Regular | |
| Distortion | 121 | 0 | 31 | Regular | |
| FeedbackGtr | 121 | 1 | 31 | Regular | |
| DstRhythmGtr | 121 | 2 | 31 | Regular | |
| GtrHarmonics | 121 | 0 | 32 | Regular | |
| GtrFeedback | 121 | 1 | 32 | Regular | |
| Bass | AcousticBass | 121 | 0 | 33 | Regular |
| FingerBass | 121 | 0 | 34 | Regular | |
| FingerSlap | 121 | 1 | 34 | Regular | |
| PickBass | 121 | 0 | 35 | Regular | |
| FretlessBass | 121 | 0 | 36 | Regular | |
| SlapBass1 | 121 | 0 | 37 | Regular | |
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Bass | SlapBass2 | 121 | 0 | 38 | Regular |
| SynthBass1 | 121 | 0 | 39 | Regular | |
| WarmSyBass | 121 | 1 | 39 | Regular | |
| ResoSynhBass | 121 | 2 | 39 | Regular | |
| ClaviBass | 121 | 3 | 39 | Regular | |
| Hammer | 121 | 4 | 39 | Regular | |
| SynthBass2 | 121 | 0 | 40 | Regular | |
| AttackBass | 121 | 1 | 40 | Regular | |
| RubberBass | 121 | 2 | 40 | Regular | |
| AttackPulse | 121 | 3 | 40 | Regular | |
| Strings | Violin | 121 | 0 | 41 | Regular |
| SlwAtkViolin | 121 | 1 | 41 | Regular | |
| Viola | 121 | 0 | 42 | Regular | |
| Cello | 121 | 0 | 43 | Regular | |
| Contrabass | 121 | 0 | 44 | Regular | |
| Trem Strings | 121 | 0 | 45 | Regular | |
| PizzicatoStr | 121 | 0 | 46 | Regular | |
| Orch.Harp | 121 | 0 | 47 | Regular | |
| YangChin | 121 | 1 | 47 | Regular | |
| Timpani | 121 | 0 | 48 | Regular | |
| Ensemble | Strings1 | 121 | 0 | 49 | Regular |
| StringsBrass | 121 | 1 | 49 | Regular | |
| 60'sStrings | 121 | 2 | 49 | Regular | |
| Strings2 | 121 | 0 | 50 | Regular | |
| SynStrings1 | 121 | 0 | 51 | Regular | |
| SynStrings3 | 121 | 1 | 51 | Regular | |
| SynStrings2 | 121 | 0 | 52 | Regular | |
| ChoirAahs | 121 | 0 | 53 | Regular | |
| ChoirAahs2 | 121 | 1 | 53 | Regular | |
| VoiceOohs | 121 | 0 | 54 | Regular | |
| Humming | 121 | 1 | 54 | Regular | |
| SynthVoice | 121 | 0 | 55 | Regular | |
| AnalogVoice | 121 | 1 | 55 | Regular | |
| OrchestraHit | 121 | 0 | 56 | Regular | |
| BassHitPlus | 121 | 1 | 56 | Regular | |
| 6thHit | 121 | 2 | 56 | Regular | |
| EuroHit | 121 | 3 | 56 | Regular | |
| Brass | Trumpet | 121 | 0 | 57 | Regular |
| DarkTpSoft | 121 | 1 | 57 | Regular | |
| Trombone | 121 | 0 | 58 | Regular | |
| Trombone2 | 121 | 1 | 58 | Regular | |
| BriteTrombon | 121 | 2 | 58 | Regular | |
| Tuba | 121 | 0 | 59 | Regular | |
| MutedTrumpet | 121 | 0 | 60 | Regular | |
| MuteTrumpet2 | 121 | 1 | 60 | Regular | |
| FrenchHorn | 121 | 0 | 61 | Regular | |
| FrenchHorn2 | 121 | 1 | 61 | Regular | |
| BrassSection | 121 | 0 | 62 | Regular | |
| BrassSect2 | 121 | 1 | 62 | Regular | |
| SynthBrass1 | 121 | 0 | 63 | Regular | |
| SynthBrass3 | 121 | 1 | 63 | Regular | |
| AnaSynBrass1 | 121 | 2 | 63 | Regular | |
| JumpBrass | 121 | 3 | 63 | Regular | |
| SynthBrass2 | 121 | 0 | 64 | Regular | |
| SynthBrass4 | 121 | 1 | 64 | Regular | |
| AnaSynBrass2 | 121 | 2 | 64 | Regular | |
| Reed | SopranoSax | 121 | 0 | 65 | Regular |
| AltoSax | 121 | 0 | 66 | Regular | |
| TenorSax | 121 | 0 | 67 | Regular | |
| BaritoneSax | 121 | 0 | 68 | Regular | |
| Oboe | 121 | 0 | 69 | Regular | |
| EnglishHorn | 121 | 0 | 70 | Regular | |
| Bassoon | 121 | 0 | 71 | Regular | |
| Clarinet | 121 | 0 | 72 | Regular | |
| Pipe | Piccolo | 121 | 0 | 73 | Regular |
| Flute | 121 | 0 | 74 | Regular | |
| Recorder | 121 | 0 | 75 | Regular | |
| PanFlute | 121 | 0 | 76 | Regular | |
| BlownBottle | 121 | 0 | 77 | Regular | |
| Shakuhachi | 121 | 0 | 78 | Regular | |
| Whistle | 121 | 0 | 79 | Regular | |
| Ocarina | 121 | 0 | 80 | Regular | |
| Synth.lead | SquareLead | 121 | 0 | 81 | Regular |
| SquareLead2 | 121 | 1 | 81 | Regular | |
| SineLead | 121 | 2 | 81 | Regular | |
| SawtoothLead | 121 | 0 | 82 | Regular | |
| SawtoothLd2 | 121 | 1 | 82 | Regular | |
| SawPulseLead | 121 | 2 | 82 | Regular | |
| DoubiSawLead | 121 | 3 | 82 | Regular | |
| Seq.Analog | 121 | 4 | 82 | Regular | |
| CalliopeLead | 121 | 0 | 83 | Regular | |
| ChiffLead | 121 | 0 | 84 | Regular | |
| CharangLead | 121 | 0 | 85 | Regular | |
GM2
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Synth.lead | WireLead | 121 | 1 | 85 | Regular |
| VoiceLead | 121 | 0 | 86 | Regular | |
| FiftsLead | 121 | 0 | 87 | Regular | |
| Bass&Lead | 121 | 0 | 88 | Regular | |
| SoftWhirl | 121 | 1 | 88 | Regular | |
| Synth.Pad | NewAgePad | 121 | 0 | 89 | Regular |
| WarmPad | 121 | 0 | 90 | Regular | |
| SinePad | 121 | 1 | 90 | Regular | |
| PolySynthPad | 121 | 0 | 91 | Regular | |
| ChoirPad | 121 | 0 | 92 | Regular | |
| ItopiaPad | 121 | 1 | 92 | Regular | |
| BowedPad | 121 | 0 | 93 | Regular | |
| MetallicPad | 121 | 0 | 94 | Regular | |
| HaloPad | 121 | 0 | 95 | Regular | |
| SweepPad | 121 | 0 | 96 | Regular | |
| Synth.Effect | Rain | 121 | 0 | 97 | Regular |
| SoundTrack | 121 | 0 | 98 | Regular | |
| Crystal | 121 | 0 | 99 | Regular | |
| SynthMallet | 121 | 1 | 99 | Regular | |
| Atmosphere | 121 | 0 | 100 | Regular | |
| Brightness | 121 | 0 | 101 | Regular | |
| Goblins | 121 | 0 | 102 | Regular | |
| Echoes | 121 | 0 | 103 | Regular | |
| EchoBell | 121 | 1 | 103 | Regular | |
| EchoPan | 121 | 2 | 103 | Regular | |
| Sci-Fi | 121 | 0 | 104 | Regular | |
| Ethnic | Sitar | 121 | 0 | 105 | Regular |
| Sitar2 | 121 | 1 | 105 | Regular | |
| Banjo | 121 | 0 | 106 | Regular | |
| Shamisen | 121 | 0 | 107 | Regular | |
| Koto | 121 | 0 | 108 | Regular | |
| TaishoKoto | 121 | 1 | 108 | Regular | |
| Kalimba | 121 | 0 | 109 | Regular | |
| Bagpipe | 121 | 0 | 110 | Regular | |
| Fiddle | 121 | 0 | 111 | Regular | |
| Shanai | 121 | 0 | 112 | Regular | |
| Percussive | TinkleBell | 121 | 0 | 113 | Regular |
| Agogo | 121 | 0 | 114 | Regular | |
| SteelDrums | 121 | 0 | 115 | Regular | |
| Woodblock | 121 | 0 | 116 | Regular | |
| Castanets | 121 | 1 | 116 | Regular | |
| TaikoDrum | 121 | 0 | 117 | Regular | |
| ConcertBD | 121 | 1 | 117 | Regular | |
| MelodicTom | 121 | 0 | 118 | Regular | |
| MelodicTom2 | 121 | 1 | 118 | Regular | |
| SynthDrum | 121 | 0 | 119 | Regular | |
| RhythmBoxTom | 121 | 1 | 119 | Regular | |
| ElectricDrum | 121 | 2 | 119 | Regular | |
| Rev.Cymbal | 121 | 0 | 120 | Regular | |
| SoundEffect | GtrFretNoise | 121 | 0 | 121 | Regular |
| GtrCutNoise | 121 | 1 | 121 | Regular | |
| StringSlap | 121 | 2 | 121 | Regular | |
| BreathNoise | 121 | 0 | 122 | Regular | |
| Fl.KeyClick | 121 | 1 | 122 | Regular | |
| Seashore | 121 | 0 | 123 | Regular | |
| Rain | 121 | 1 | 123 | Regular | |
| Thunder | 121 | 2 | 123 | Regular | |
| Wind | 121 | 3 | 123 | Regular | |
| Stream | 121 | 4 | 123 | Regular | |
| Bubble | 121 | 5 | 123 | Regular | |
| BirdTweet | 121 | 0 | 124 | Regular | |
| Dog | 121 | 1 | 124 | Regular | |
| HorseGallop | 121 | 2 | 124 | Regular | |
| BirdTweet2 | 121 | 3 | 124 | Regular | |
| TelephonRing | 121 | 0 | 125 | Regular | |
| TelRing2 | 121 | 1 | 125 | Regular | |
| DoorCreaking | 121 | 2 | 125 | Regular | |
| Door | 121 | 3 | 125 | Regular | |
| Scratch | 121 | 4 | 125 | Regular | |
| WindChime | 121 | 5 | 125 | Regular | |
| Helicopter | 121 | 0 | 126 | Regular | |
| CarEngine | 121 | 1 | 126 | Regular | |
| CarStop | 121 | 2 | 126 | Regular | |
| CarPass | 121 | 3 | 126 | Regular | |
| CarCrash | 121 | 4 | 126 | Regular | |
| Siren | 121 | 5 | 126 | Regular | |
| Train | 121 | 6 | 126 | Regular | |
| Jetplane | 121 | 7 | 126 | Regular | |
| Starship | 121 | 8 | 126 | Regular | |
| BurstNoise | 121 | 9 | 126 | Regular | |
| Applause | 121 | 0 | 127 | Regular | |
| Laughing | 121 | 1 | 127 | Regular | |
| Screaming | 121 | 2 | 127 | Regular | |
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| SoundEffect | Punch | 121 | 3 | 127 | Regular |
| HeartBeat | 121 | 4 | 127 | Regular | |
| Footsteps | 121 | 5 | 127 | Regular | |
| Gunshot | 121 | 0 | 128 | Regular | |
| MachineGun | 121 | 1 | 128 | Regular | |
| Lasergun | 121 | 2 | 128 | Regular | |
| Explosion | 121 | 3 | 128 | Regular | |
| StandardSet | 120 | 0 | 1 | Drums | |
| RoomSet | 120 | 0 | 9 | Drums | |
| PowerSet | 120 | 0 | 17 | Drums | |
| ElectroSet | 120 | 0 | 25 | Drums | |
| AnalogSet | 120 | 0 | 26 | Drums | |
| JazzSet | 120 | 0 | 33 | Drums | |
| BrushSet | 120 | 0 | 41 | Drums | |
| OrchestraSet | 120 | 0 | 49 | Drums | |
| SFXSet | 120 | 0 | 57 | Drums | |
Mega Voices indicated by a circle (O) in the chart are included in the corresponding instrument(s).
Mega Voices indicated by a circle (O) in the chart are included in the corresponding instrument(s).

No Sound
Mega Voices indicated by a circle (O) in the chart are included in the corresponding instrument(s).
| SmallStrings | LargeStrings | Brass | Trumpet | TenorSax | |
| CVP-409/407 | O | O | O | O | O |
| CVP-405 | O | O | |||
| CVP-403 |
| MSB (0-127) | 8 | 8 | 8 | 8 | 8 | ||||||||||
| LSB (0-127) | 0 | 0 | 0 | 0 | 0 | ||||||||||
| PRG (0-127) | 48 | 49 | 56 | 64 | 82 | ||||||||||
| PRG (1-128) | 49 | 50 | 57 | 65 | 83 | ||||||||||
| Voice Name | SmallStrings | LargeStrings | Brass | Trumpet | TenorSax | ||||||||||
| Key Range | below B5 | above C6 | above C8 | below B5 | above C6 | above C8 | below B5 | above C6 | above C8 | below B5 | above C6 | above C8 | below B5 | above C6 | above C8 |
| 127 | 127 | 127 | 127 | 127 | 127 | 127 | 127 | 127 | 127 | ||||||
| Glissando Down | Glissando Down | Glissando Up | Glissando Up | ||||||||||||
| 120 | 121 | 121 | 121 | 121 | |||||||||||
| 120 | 120 | 120 | 120 | ||||||||||||
| Tremolo | Tremolo | Falls Fast f | Falls | Falls | |||||||||||
| 110 | 111 | 111 | 111 | 111 | |||||||||||
| 110 | 110 | 110 | 110 | ||||||||||||
| Spicato ff | Spicato ff | Falls Fast mf | Shake | ||||||||||||
| 100 | 96 | 96 | 101 | 101 | 101 | ||||||||||
| 95 | 95 | 100 | 100 | 100 | |||||||||||
| 90 | Spicato f | Spicato f | 91 | Straight | Growl | ||||||||||
| 81 | 81 | 90 | |||||||||||||
| 80 | 80 | 80 | 81 | 81 | 81 | ||||||||||
| 70 | Legato | Legato | 80 | 80 | 80 | ||||||||||
| 61 | 61 | Attack | Legato | Legato | Valve Noise (C6-B6 Key On Noise, C7-B7 Key Off Noise) | Breath Noise | |||||||||
| 60 | 60 | 60 | 60 | 60 | 60 | ||||||||||
| 50 | f | f | f | ff | f | ||||||||||
| 41 | 41 | 41 | 41 | 41 | |||||||||||
| 40 | 40 | 40 | 40 | 40 | 40 | ||||||||||
| 30 | mf | mf | mf | f | mf | ||||||||||
| 21 | 21 | 21 | 21 | 21 | |||||||||||
| 20 | 20 | 20 | 20 | 20 | 20 | ||||||||||
| 10 | p | p | p | mf | mp | ||||||||||
| 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | |||||||
Mega Voices indicated by a circle (O) in the chart are included in the corresponding instrument(s).

No Sound
Same as Standard Kit 1
No Sound
Panel Drum Kit/XG Drum Kit
Same as Standard Kit 1

No Sound
1 Drum Kits indicated by a circle (O) in the chart are included in the corresponding instrument(s).
2 Key Off: Keys marked "O" stop sounding the instant they are released.
*3 Alternate Group: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
| Bank Select MSB (0-127) | 126 | 126 | 126 | 126 | 126 | ||
| Bank Select LSB (0-127) | 0 | 0 | 0 | 0 | 0 | ||
| Program Change (0-127) | 35 | 0 | 1 | 40 | 43 | ||
| Program Change (1-128) | 36 | 1 | 2 | 41 | 44 | ||
| MIDI | Keyboard Note | Arabic Kit | SFX Kit 1* | SFX Kit 2* | Cuban Kit | PopLatin Kit | |
| Note# | Note | ||||||
| 13 | C#-1 | C#0 | Cajon Low** | ||||
| 14 | D-1 | D0 | Cajon Slap** | ||||
| 15 | D#-1 | D#0 | Cajon Tip** | ||||
| 16 | E-1 | E0 | Claves High** | ||||
| 17 | F-1 | F0 | Claves Low** | ||||
| 18 | F#-1 | F#0 | Hand Clap | ||||
| 19 | G-1 | G0 | |||||
| 20 | G#-1 | G#0 | Finger Snap** | ||||
| 21 | A-1 | A0 | Castanet** | ||||
| 22 | A#-1 | A#0 | Conga H Tip | Conga H Tip | |||
| 23 | B-1 | B0 | Conga H Heel | Conga H Heel | |||
| 24 | C0 | C1 | Nakarazan Dom | Conga H Open | Conga H Open | ||
| 25 | C#0 | C#1 | Cabasa | Conga H Mute | Conga H Mute | ||
| 26 | D0 | D1 | Nakarazan Edge | Conga H Slap Open | Conga H Slap Open | ||
| 27 | D#0 | D#1 | Hager Dom | Conga H Slap | Conga H Slap | ||
| 28 | E0 | E1 | Hager Edge | Conga H Slap Mute | Conga H Slap Mute | ||
| 29 | F0 | F1 | Bongo H | Conga L Tip | Conga L Tip | ||
| 30 | F#0 | F#1 | Bongo L | Conga L Heel | Conga L Heel | ||
| 31 | G0 | G1 | Conga H Mute | Conga L Open | Conga L Open | ||
| 32 | G#0 | G#1 | Conga H Open | Conga L Mute | Conga L Mute | ||
| 33 | A0 | A1 | Conga L | Conga L Slap Open | Conga L Slap Open | ||
| 34 | A#0 | A#1 | Zagrouda H | Conga L Slap | Conga L Slap | ||
| 35 | B0 | B1 | Zagrouda L | Conga L Slide | Conga L Slide | ||
| 36 | C1 | C2 | Kick Soft | Cutting Noise | Phone Call | Bongo H Open 1 Finger | Bongo H Open 1 finger |
| 37 | C#1 | C#2 | Side Stick | Cutting Noise 2 | Door Squeak | Bongo H Open 3 Finger | Bongo H Open 3 finger |
| 38 | D1 | D2 | Snare Soft | Door Slam | Bongo H Rim | Bongo H Rim | |
| 39 | D#1 | D#2 | Arabic Hand Clap | String Slap | Scratch Cut | Bongo H Tip | Bongo H Tip |
| 40 | E1 | E2 | Snare | Scratch H 3 | Bongo H Heel | Bongo H Heel | |
| 41 | F1 | F2 | Floor Tom L | Wind Chime | Bongo H Slap | Bongo H Slap | |
| 42 | F#1 | F#2 | Hi-Hat Closed | Telephone Ring 2 | Bongo L Open 1 Finger | Bongo L Open 1 finger | |
| 43 | G1 | G2 | Floor Tom H | Bongo L Open 3 Finger | Bongo L Open 3 finger | ||
| 44 | G#1 | G#2 | Hi-Hat Pedal | Bongo L Rim | Bongo L Rim | ||
| 45 | A1 | A2 | Low Tom | Bongo L Tip | Bongo L Tip | ||
| 46 | A#1 | A#2 | Hi-Hat Open | Bongo L Heel | Bongo L Heel | ||
| 47 | B1 | B2 | Mid Tom L | Bongo L Slap | Bongo L Slap | ||
| 48 | C2 | C3 | Mid Tom H | Timbale L Open | Timbale L Open | ||
| 49 | C#2 | C#3 | Crash Cymbal 1 | ||||
| 50 | D2 | D3 | High Tom | ||||
| 51 | D#2 | D#3 | Ride Cymbal 1 | ||||
| 52 | E2 | E3 | Crash Cymbal 2 | Flute Key Click | Car Engine Ignition | ||
| 53 | F2 | F3 | Duhulla Dom | Car Tires Squeal | Paila L | Paila L | |
| 54 | F#2 | F#3 | Tarnbourine | Car Passing | Timbale H Open | Timbale H Open | |
| 55 | G2 | G3 | Duhulla Tak | Car Crash | |||
| 56 | G#2 | G#3 | Cowbell | Siren | |||
| 57 | A2 | A3 | Duhulla Sak | Train | |||
| 58 | A#2 | A#3 | Claves | Jet Plane | |||
| 59 | B2 | B3 | Doff Dom | Starship | Paila H | Paila H | |
| 60 | C3 | C4 | Katem Dom | Burst | Cowbell Top | Cowbell Top | |
| 61 | C#3 | C#4 | Katem Tak | Roller Coaster | Cowbell 1 | ||
| 62 | D3 | D4 | Katem Sak | Submarine | Cowbell 2 | ||
| 63 | D#3 | D#4 | Katem Tak | Cowbell 3 | |||
| 64 | E3 | E4 | Doff Tak | Guiro Short | Guiro Short | ||
| 65 | F3 | F4 | Tabla Dom | Guiro Long | Guiro Long | ||
| 66 | F#3 | F#4 | Tabla Tak1 | Metal Guiro Short | |||
| 67 | G3 | G4 | Tabla Tik | Metal Guiro Long | |||
| 68 | G#3 | G#4 | Tabla Tak2 | Shower | Laugh | Tambourine | Tambourine |
| 69 | A3 | A4 | Tabla Sak | Thunder | Scream | Tambourim Open | |
| 70 | A#3 | A#4 | Tabla Roll of Edge | Wind | Punch | Tambourim Mute | |
| 71 | B3 | B4 | Tabla Flam | Stream | Heart Beat | Tambourim Tip | |
| 72 | C4 | C5 | Sagat 1 | Bubble | Foot Steps | Maracas | Maracas |
| 73 | C#4 | C#5 | Tabel Dom | Feed | Shaker | Shaker | |
| 74 | D4 | D5 | Sagat 3 | Cabasa | Cabasa | ||
| 75 | D#4 | D#5 | Tabel Tak | Cuica Mute | |||
| 76 | E4 | E5 | Sagat 2 | Cuica Open | |||
| 77 | F4 | F5 | Rik Dom | Cowbell High 1 | |||
| 78 | F#4 | F#5 | Rik Tak 2 | Cowbell High 2 | |||
| 79 | G4 | G5 | Rik Finger 1 | Shekere | |||
| 80 | G#4 | G#5 | Rik Tak 1 | Shekere Tone | |||
| 81 | A4 | A5 | Rik Finger 2 | Triangle Mute | |||
| 82 | A#4 | A#5 | Rik Brass Tremolo | Triangle Open | |||
| 83 | B4 | B5 | Rik Sak | ||||
| 84 | C5 | C6 | Rik Tik | Dog | Machine Gun | Wind Chime | |
| 85 | C#5 | (C#6) | Horse | Laser Gun | |||
| 86 | D5 | (D6) | Bird Tweet 2 | Explosion | |||
| 87 | D#5 | (D#6) | Firework | ||||
| 88 | E5 | (E6) | |||||
| 89 | F5 | (F6) | |||||
| 90 | F#5 | (F#6) | Ghost | ||||
| 91 | G5 | (G6) | Maou | ||||
- Actual Keyboard Notes of the SFX Kit 1 and 2 are one octave lower than the ones described in the above list.
** Not available (does not sound) on the CVP-403/401.
GM2 Drum Kit / SFX Kit
| Bank Select MSB (0-127) | 120 | 120 | 120 | 120 | 120 | ||
| Bank Select LSB (0-127) | 0 | 0 | 0 | 0 | 0 | ||
| Program Change (0-127) | 0 | 8 | 16 | 24 | 25 | ||
| Program Change (1-128) | 1 | 9 | 17 | 25 | 26 | ||
| MIDI | Keyboard Note | Standard Set | Room Set | Power Set | Electronic Set | Analog Set | |
| Note# | Note | ||||||
| 13 | C#-1 | C#0 | |||||
| 14 | D-1 | D0 | |||||
| 15 | D#-1 | D#0 | |||||
| 16 | E-1 | E0 | |||||
| 17 | F-1 | F0 | |||||
| 18 | F#-1 | F#0 | |||||
| 19 | G-1 | G0 | |||||
| 20 | G#-1 | G#0 | |||||
| 21 | A-1 | A0 | |||||
| 22 | A#-1 | A#0 | |||||
| 23 | B-1 | B0 | |||||
| 24 | C0 | C1 | |||||
| 25 | C#0 | C#1 | |||||
| 26 | D0 | D1 | |||||
| 27 | D#0 | D#1 | High Q | ||||
| 28 | E0 | E1 | Slap | ||||
| 29 | F0 | F1 | Scratch Push | ||||
| 30 | F#0 | F#1 | Scratch Pull | ||||
| 31 | G0 | G1 | Sticks | ||||
| 32 | G#0 | G#1 | Square Click | ||||
| 33 | A0 | A1 | Metronome Click | ||||
| 34 | A#0 | A#1 | Metronome Bell | ||||
| 35 | B0 | B1 | Acoustic Bass Drum | ||||
| 36 | C1 | C2 | Bass Drum 1 | Power Kick Drum | Electric Bass Drum | Analog Bass Drum | |
| 37 | C#1 | C#2 | Side Stick | Analog Rim Shot | |||
| 38 | D1 | D2 | Acoustic Snare | Power Snare Drum | Electric Snare 1 | Analog Snare 1 | |
| 39 | D#1 | D#2 | Hand Clap | ||||
| 40 | E1 | E2 | Electric Snare | Electric Snare 2 | |||
| 41 | F1 | F2 | Low Floor Tom | Room Low Tom 2 | Power Low Tom 2 | Electric Low Tom 2 | Analog Low Tom 2 |
| 42 | F#1 | F#2 | Closed Hi-hat | Analog CHH 1 | |||
| 43 | G1 | G2 | High Floor Tom | Room Low Tom 1 | Power Low Tom 1 | Electric Low Tom 1 | Analog Low Tom 1 |
| 44 | G#1 | G#2 | Pedal Hi-hat | Analog CHH 2 | |||
| 45 | A1 | A2 | Low Tom | Room Mid Tom 2 | Power Mid Tom 2 | Electric Mid Tom 2 | Analog Mid Tom 2 |
| 46 | A#1 | A#2 | Open Hi-hat | Analog OHH | |||
| 47 | B1 | B2 | Low-Mid Tom | Room Mid Tom 1 | Power Mid Tom 1 | Electric Mid Tom 1 | Analog Mid Tom 1 |
| 48 | C2 | C3 | High Mid Tom | Room Hi Tom 2 | Power Hi Tom 2 | Electric Hi Tom 2 | Analog Hi Tom 2 |
| 49 | C#2 | C#3 | Crash Cymbal 1 | Analog Cymbal | |||
| 50 | D2 | D3 | High Tom | Room Hi Tom 1 | Power Hi Tom 1 | Electric Hi Tom 1 | Analog Hi Tom 1 |
| 51 | D#2 | D#3 | Ride Cymbal 1 | ||||
| 52 | E2 | E3 | Chinese Cymbal | Reverse Cymbal | |||
| 53 | F2 | F3 | Ride Bell | ||||
| 54 | F#2 | F#3 | Tambourine | ||||
| 55 | G2 | G3 | Splash Cymbal | ||||
| 56 | G#2 | G#3 | Cowbell | Analog Cowbell | |||
| 57 | A2 | A3 | Crash Cymbal 2 | ||||
| 58 | A#2 | A#3 | Vibra-slap | ||||
| 59 | B2 | B3 | Ride Cymbal 2 | ||||
| 60 | C3 | C4 | High Bongo | ||||
| 61 | C#3 | C#4 | Low Bongo | ||||
| 62 | D3 | D4 | Mute Hi Conga | Analog High Conga | |||
| 63 | D#3 | D#4 | Open Hi Conga | Analog Mid Conga | |||
| 64 | E3 | E4 | Low Conga | Analog Low Conga | |||
| 65 | F3 | F4 | High Timbale | ||||
| 66 | F#3 | F#4 | Low Timbale | ||||
| 67 | G3 | G4 | High Agogo | ||||
| 68 | G#3 | G#4 | Low Agogo | ||||
| 69 | A3 | A4 | Cabasa | ||||
| 70 | A#3 | A#4 | Maracas | Analog Maracas | |||
| 71 | B3 | B4 | Short Whistle | ||||
| 72 | C4 | C5 | Long Whistle | ||||
| 73 | C#4 | C#5 | Short Guiro | ||||
| 74 | D4 | D5 | Long Guiro | ||||
| 75 | D#4 | D#5 | Claves | Analog Claves | |||
| 76 | E4 | E5 | Hi Wood Block | ||||
| 77 | F4 | F5 | Low Wood Block | ||||
| 78 | F#4 | F#5 | Mute Cuica | ||||
| 79 | G4 | G5 | Open Cuica | ||||
| 80 | G#4 | G#5 | Mute Triangle | ||||
| 81 | A4 | A5 | Open Triangle | ||||
| 82 | A#4 | A#5 | Shaker | ||||
| 83 | B4 | B5 | Jingle Bell | ||||
| 84 | C5 | C6 | Bell Tree | ||||
| 85 | C#5 | (C#6) | Castanets | ||||
| 86 | D5 | (D6) | Mute Surdo | ||||
| 87 | D#5 | (D#6) | Open Surdo | ||||
| 88 | E5 | (E6) | |||||
| 89 | F5 | (F6) | |||||
| 90 | F#5 | (F#6) | |||||
| 91 | G5 | (G6) | |||||
| Bank Select MSB (0-127) | 120 | 120 | 120 | 120 | ||
| Bank Select LSB (0-127) | 0 | 0 | 0 | 0 | ||
| Program Change (0-127) | 32 | 40 | 48 | 56 | ||
| Program Change (1-128) | 33 | 41 | 49 | 57 | ||
| MIDI | Keyboard Note | Jazz Set | Brush Set | Orchestra Set | SFX Set | |
| Note# | Note | |||||
| 13 | C#-1 | C#0 | ||||
| 14 | D-1 | D0 | ||||
| 15 | D#-1 | D#0 | ||||
| 16 | E-1 | E0 | ||||
| 17 | F-1 | F0 | ||||
| 18 | F#-1 | F#0 | ||||
| 19 | G-1 | G0 | ||||
| 20 | G#-1 | G#0 | ||||
| 21 | A-1 | A0 | ||||
| 22 | A#-1 | A#0 | ||||
| 23 | B-1 | B0 | ||||
| 24 | C0 | C1 | ||||
| 25 | C#0 | C#1 | ||||
| 26 | D0 | D1 | ||||
| 27 | D#0 | D#1 | Closed Hi-hat 2 | |||
| 28 | E0 | E1 | Pedal Hi-hat | |||
| 29 | F0 | F1 | Open Hi-hat 2 | |||
| 30 | F#0 | F#1 | Ride Cymbal 1 | |||
| 31 | G0 | G1 | ||||
| 32 | G#0 | G#1 | ||||
| 33 | A0 | A1 | ||||
| 34 | A#0 | A#1 | ||||
| 35 | B0 | B1 | Jazz Kick 2 | Jazz Kick 2 | Concert BD 2 | |
| 36 | C1 | C2 | Jazz Kick 1 | Jazz Kick 1 | Concert BD 1 | |
| 37 | C#1 | C#2 | ||||
| 38 | D1 | D2 | Brush Tap | Concert SD | ||
| 39 | D#1 | D#2 | Brush Slap | Castanets | High Q | |
| 40 | E1 | E2 | Brush Swirl | Concert SD | Slap | |
| 41 | F1 | F2 | Timpani F | Scratch Push | ||
| 42 | F#1 | F#2 | Timpani F# | Scratch Pull | ||
| 43 | G1 | G2 | Timpani G | Sticks | ||
| 44 | G#1 | G#2 | Timpani G# | Square Click | ||
| 45 | A1 | A2 | Timpani A | Metronome Click | ||
| 46 | A#1 | A#2 | Timpani A# | Metronome Bell | ||
| 47 | B1 | B2 | Timpani B | Guitar Fret | ||
| 48 | C2 | C3 | Timpani c | Guitar Cutting Noise Up | ||
| 49 | C#2 | C#3 | Timpani c# | Guitar Cutting Noise Down | ||
| 50 | D2 | D3 | Timpani d | String Slap of Double Bass | ||
| 51 | D#2 | D#3 | Timpani d# | FI-Key Click | ||
| 52 | E2 | E3 | Timpani e | Laughing | ||
| 53 | F2 | F3 | Timpani f | Scream | ||
| 54 | F#2 | F#3 | Punch | |||
| 55 | G2 | G3 | Heart Beat | |||
| 56 | G#2 | G#3 | Footsteps 1 | |||
| 57 | A2 | A3 | Concert Cymbal 2 | Footsteps 2 | ||
| 58 | A#2 | A#3 | Applause | |||
| 59 | B2 | B3 | Concert Cymbal 1 | Door Creaking | ||
| 60 | C3 | C4 | Door | |||
| 61 | C#3 | C#4 | Scratch | |||
| 62 | D3 | D4 | Wind Chimes | |||
| 63 | D#3 | D#4 | Car-Engine | |||
| 64 | E3 | E4 | Car-Stop | |||
| 65 | F3 | F4 | Car-Pass | |||
| 66 | F#3 | F#4 | Car-Crash | |||
| 67 | G3 | G4 | Siren | |||
| 68 | G#3 | G#4 | Train | |||
| 69 | A3 | A4 | Jetplane | |||
| 70 | A#3 | A#4 | Helicopter | |||
| 71 | B3 | B4 | Starship | |||
| 72 | C4 | C5 | Gun Shot | |||
| 73 | C#4 | C#5 | Machine Gun | |||
| 74 | D4 | D5 | Lasergun | |||
| 75 | D#4 | D#5 | Explosion | |||
| 76 | E4 | E5 | Dog | |||
| 77 | F4 | F5 | Horse-Gallop | |||
| 78 | F#4 | F#5 | Birds | |||
| 79 | G4 | G5 | Rain | |||
| 80 | G#4 | G#5 | Thunder | |||
| 81 | A4 | A5 | Wind | |||
| 82 | A#4 | A#5 | Seashore | |||
| 83 | B4 | B5 | Stream | |||
| 84 | C5 | C6 | Bubble | |||
| 85 | C#5 | (C#6) | ||||
| 86 | D5 | (D6) | ||||
| 87 | D#5 | (D#6) | ||||
| 88 | E5 | (E6) | Applause | |||
| 89 | F5 | (F6) | ||||
| 90 | F#5 | (F#6) | ||||
| 91 | G5 | (G6) | ||||

Same as Standard Kit 1

No Sound
CVP-409/407
| Category | Style Name |
| Pop&Rock | HardRock |
| PowerRock | |
| FunkPopRock | |
| ContempRock | |
| AcousticRock | |
| Classic8Beat | |
| Uptempo8Beat | |
| Live8Beat | |
| Cool8Beat | |
| Straight8Pop | |
| VintageGtrPop | |
| ChartGuitarPop | |
| Jammin'GtrPop | |
| WestCoastPop | |
| WestCoastPiano | |
| OrchRockBallad | |
| RockGtrBallad | |
| BritPop | |
| BritPopSwing | |
| 60'sChartSwing | |
| 60's8Beat | |
| 70's8Beat | |
| BubblegumPop | |
| 60'sGuitarPop | |
| 90'sGuitarPop | |
| 60'sRock1 | |
| 60'sRock2 | |
| StandardRock | |
| CaribbeanRock | |
| RockShuffle | |
| Classic16Beat | |
| 8BeatModern | |
| FusionShuffle | |
| PopShuffle | |
| KoolShuffle | |
| JazzPop | |
| Unplugged1 | |
| Unplugged2 | |
| ContempRockBld | |
| SoftRock | |
| 8BeatGtrPop | |
| J-PopHit1 | |
| J-PopHit2 | |
| Ballad | 8BeatBallad1 |
| 8BeatBallad2 | |
| PopGtrBallad | |
| EasyBallad | |
| PowerBallad | |
| 16BeatBallad1 | |
| 16BeatBallad2 | |
| 80'sEPBallad | |
| NewR&BBallad | |
| UnpluggedChart | |
| EpicBallad | |
| EPBallad | |
| OrganBallad | |
| 80'sMovieBallad | |
| 80'sBoyBand | |
| 6-8SlowRock | |
| 6-8AcousticPop | |
| 6-8Modern | |
| 6-8Orchestral | |
| 12-8Ballad | |
| 16BeatPop | |
| Chillout1 | |
| Chillout2 | |
| PopWaltz | |
| BroadwayBallad | |
| MovieBallad | |
| Classic PianoBld | |
| 70'sPopBallad | |
| 70's PianoBallad | |
| 8BeatAdria | |
| PopPianoBallad | |
| PianoBallad | |
| LoveSong | |
| ChartBallad | |
| PopNewAge | |
| AnalogBallad | |
| GuitarBallad | |
| GuitarSerenade | |
| Dance | Ibiza1 |
| Ibiza2 | |
| EuroTrance |
| Category | Style Name |
| Dance | RetroPop |
| TrancePop | |
| 70'sDisco1 | |
| 70'sDisco2 | |
| 70'sDiscoFunk | |
| DiscoPhilly | |
| SaturdayNight | |
| DreamDance | |
| FrenchHouse | |
| ClubHouse | |
| DiscoTeens | |
| House | |
| ChartR&B | |
| PopR&B | |
| NewR&B | |
| ClassicHipHop | |
| NewHipHop | |
| ChartPop1 | |
| ChartPop2 | |
| EuroHipHop | |
| HipHopGroove | |
| Garage | |
| MovieDisco | |
| DiscoChocolate | |
| DiscoHouse | |
| 80'sDisco | |
| TechnoParty | |
| LatinDJ's | |
| USPop | |
| TripHop | |
| 6-8Trance | |
| DiscoHands | |
| Swing&Jazz | ModernBigBand |
| ModBigBandBld | |
| ClassicBigBand | |
| OrchBigBand1 | |
| OrchBigBand2 | |
| TradPianoJazz | |
| ModernJazz | |
| AcousticJazz | |
| MediumJazz | |
| FastJazz | |
| TradPianoBallad | |
| ModernJazzBld | |
| CoolJazzBallad | |
| MovieSwing1 | |
| MovieSwing2 | |
| Dixieland1 | |
| Dixieland2 | |
| Ragtime1 | |
| Ragtime2 | |
| Bebop | |
| BigBandFast1 | |
| BigBandFast2 | |
| BigBandMed | |
| 30'sBigBand | |
| 40'sBigBand | |
| OrchestraSwing1 | |
| OrchestraSwing2 | |
| JazzWaltzSlow | |
| JazzWaltzMed | |
| JazzWaltzFast | |
| MidnightSwing | |
| TapDanceSwing | |
| Five-Four | |
| AfroCuban | |
| FrenchJazz | |
| OrganCombo | |
| OrganGroove | |
| JumpJive | |
| MORSwing | |
| Swingin'BigBand | |
| EasyListening | |
| JazzClub | |
| MoviePanther | |
| BigBandShuffle | |
| Charleston | |
| R&B | BluesRock |
| 70'sChartSoul | |
| SoulBrothers | |
| FranklySoul | |
| JazzFunk | |
| LiveSoulBand | |
| SoulSwing |
| Category | Style Name |
| R&B | 6-8Soul |
| R&B SoulBallad | |
| SlowBlues | |
| Rock&Roll1 | |
| Rock&RollShfl | |
| Skiffle | |
| OldiesR&R | |
| MotorCity | |
| Soul | |
| SoulBeat | |
| SoulShuffle | |
| DetroitPop1 | |
| DetroitPop2 | |
| GospelSwing | |
| GospelSisters | |
| SouthernGospel | |
| Worship6-8 | |
| WorshipPowerBld | |
| WorshipSlow | |
| WorshipMed | |
| WorshipFast | |
| ShuffleBlues | |
| BlueberryBlues | |
| 60'sRock&Roll | |
| Rock&Roll2 | |
| Swingin'Boogie | |
| PianoBoogie | |
| Twist | |
| R&BBallad | |
| LovelyShuffle | |
| ModernR&B | |
| ComboBoogie | |
| BluesBallad | |
| Country | NewCountry |
| EasyCountry | |
| 70'sChartCntry | |
| CountryStrum | |
| CountryHits | |
| Bluegrass | |
| Hoedown | |
| FolkPop | |
| CountryBallad | |
| CountryPop | |
| CountrySwing | |
| CountryShuffle | |
| CntrySing-a-Long | |
| CountryTwoStep | |
| CountryWaltz | |
| ScandCountry1 | |
| ScandCountry2 | |
| ModCntryBld1 | |
| ModCntryBld2 | |
| Country2-4 | |
| CountryBrothers | |
| Country8Beat | |
| CountrySwingRk | |
| FingerPickin | |
| Latin | BrazilianSamba |
| BossaNova | |
| Bomba | |
| Salsa | |
| Guijira | |
| Guaguanco | |
| Bachata | |
| CubanSon | |
| BoleroLento | |
| Merengue | |
| PopLatinBld | |
| PopLatin | |
| RumbaFlamenco1 | |
| LatinDisco | |
| RockChaCha | |
| OrchestralBossa | |
| SlowBossa | |
| FastBossa | |
| PopBossa | |
| Beguine | |
| Calypso | |
| Danzon | |
| Cumbia | |
| HappyReggae | |
| SheriffReggae | |
| PopMambo | |
| PopSalsa |
CVP-409/407
| Category | Style Name |
| Latin | GuitarRumba |
| Rumbalsland | |
| Rumba Flamenco2 | |
| Ballroom | VienneseWaltz |
| EnglishWaltz | |
| Slowfox | |
| Foxtrot | |
| Quickstep | |
| Tango | |
| Pasodoble | |
| Samba | |
| ChaChaCha | |
| Rumba | |
| Jive | |
| Swingfox | |
| OrganSwing | |
| OrganSamba | |
| OrganQuickstep | |
| OrganChaCha | |
| OrganRumba | |
| TheatreFoxtrot | |
| TheatreQuickstep | |
| TheatreMarch | |
| 9-8Waltz | |
| Entertainment | AniFantasy |
| Sci-fiMarch | |
| SecretService | |
| 70'sTVTheme | |
| WildWest | |
| BaroqueAir | |
| BaroqueConcerto | |
| ClassicalMenuet | |
| ClassicalSerenad | |
| OrchestralBolero | |
| OrchestralMarch | |
| OrchestralPolka | |
| PopClassics | |
| EuroPopOrgan | |
| 70'sFrenchHit | |
| French50's | |
| DiscoFox | |
| AlpBallad1 | |
| AlpBallad2 | |
| Schlager6-8 | |
| SchlagerPolka | |
| SchlagerSamba | |
| SchlagerShuffle | |
| SchlagerItalia | |
| SchlagerRock | |
| SchlagerAlp | |
| SchlagerPop | |
| SchlagerBeat | |
| SchlagerRumba | |
| PartyPolka | |
| ChristmasSwing1 | |
| ChristmasSwing2 | |
| ChristmasShuffle | |
| ChristmasBallad | |
| ChristmasWaltz | |
| Moonlight6-8 | |
| PolkaPop | |
| Tijuana | |
| PubPiano | |
| Showtune | |
| Carnival | |
| Learning2-4 | |
| Learning3-4 | |
| Learning4-4 | |
| Learning6-8 | |
| ChildrensMarch | |
| Fun3-4 | |
| Fun4-4 | |
| Fun6-8 | |
| World | Flamenco |
| SpanishPaso | |
| PopFlamenco | |
| FrenchMusette | |
| ItalianMazurka | |
| IrishHymn1 | |
| IrishHymn2 | |
| IrishDance | |
| Sirtaki | |
| OrientalPop | |
| HighlandWaltz |
| Category | Style Name |
| World | ItalianWaltz |
| FrenchWaltz | |
| ScandWaltz | |
| MariachiWaltz | |
| Strathspey | |
| Reel | |
| Jig | |
| GayGordons | |
| Tarantella | |
| OberPolka | |
| OberWaltzer | |
| GermanWaltz | |
| Zouk | |
| Hawaiian | |
| BrassBand | |
| USMarch | |
| 6-8March | |
| GermanMarch | |
| Casatchock | |
| ScandHambo | |
| ScandSchottis | |
| ScandShuffle | |
| ScandSlowRock | |
| ScandBugg | |
| Enka1 | |
| Enka2 | |
| PopEnka | |
| JapaneseFolk | |
| FolkRock | |
| MexicanDance | |
| BandaPolka | |
| Norteno | |
| ItalianPolka | |
| HullyGully | |
| LimboRock | |
| NewAge | |
| Pianist | Stride1 |
| Stride2 | |
| PianoSwing1 | |
| PianoSwing2 | |
| PianoRag1 | |
| PianoRag2 | |
| PianoBlues1 | |
| PianoBlues2 | |
| RocknRoll | |
| BoogieWoogie | |
| Arpeggio1 | |
| Arpeggio2 | |
| Arpeggio3 | |
| PianoOrchBallad | |
| Musical | |
| Traditional1 | |
| Traditional2 | |
| Traditional3 | |
| SlowRock | |
| 2BeatSwing | |
| JazzBallad | |
| 8Beat | |
| 8BeatBallad | |
| 4Stroke | |
| Nocturne | |
| PianoMarch1 | |
| PianoMarch2 | |
| 6-BPianoMarch | |
| Waltz | |
| JazzWaltz | |
| PianoBossa | |
| PianoSamba | |
| PianoChaCha | |
| PianoBeguine | |
| PianoRumba | |
| SlowWaltz |
CVP-405
| Category | Style Name |
| Pop&Rock | HardRock |
| PowerRock | |
| FunkPopRock | |
| ContempRock | |
| AcousticRock | |
| Classic8Beat | |
| Uptempo8Beat | |
| Live8Beat | |
| Cool8Beat | |
| Straight8Pop | |
| VintageGtrPop | |
| ChartGuitarPop | |
| Jammin'GtrPop | |
| WestCoastPop | |
| RockGtrBallad | |
| BritPop | |
| BritPopSwing | |
| 60's8Beat | |
| 70's8Beat | |
| BubblegumPop | |
| 60'sGuitarPop | |
| 90'sGuitarPop | |
| 60'sRock1 | |
| 60'sRock2 | |
| RockShuffle | |
| Classic16Beat | |
| 8BeatModern | |
| PopShuffle | |
| KoolShuffle | |
| JazzPop | |
| Unplugged1 | |
| Unplugged2 | |
| SoftRock | |
| J-PopHit1 | |
| J-PopHit2 | |
| Ballad | 8BeatBallad1 |
| 8BeatBallad2 | |
| PopGtrBallad | |
| EasyBallad | |
| PowerBallad | |
| 16BeatBallad1 | |
| 16BeatBallad2 | |
| 80'sEPBallad | |
| NewR&BBallad | |
| UnpluggedChart | |
| EpicBallad | |
| EPBallad | |
| OrganBallad | |
| 80'sBoyBand | |
| 6-8SlowRock | |
| 6-8AcousticPop | |
| 6-8Modern | |
| 6-8Orchestral | |
| 12-8Ballad | |
| Chillout1 | |
| Chillout2 | |
| PopWaltz | |
| MovieBallad | |
| Classic PianoBld | |
| 70'sPopBallad | |
| 8BeatAdria | |
| PopPianoBallad | |
| PianoBallad | |
| LoveSong | |
| PopNewAge | |
| AnalogBallad | |
| GuitarBallad | |
| GuitarSerenade | |
| Dance | Ibiza1 |
| Ibiza2 | |
| EuroTrance | |
| RetroPop | |
| TrancePop | |
| 70'sDisco1 | |
| 70'sDisco2 | |
| 70'sDiscoFunk | |
| DiscoPhilly | |
| SaturdayNight | |
| DreamDance | |
| FrenchHouse | |
| ClubHouse | |
| DiscoTeens | |
| House | |
| ChartR&B |
| Category | Style Name |
| Dance | PopR&B |
| NewR&B | |
| ClassicHipHop | |
| NewHipHop | |
| ChartPop1 | |
| ChartPop2 | |
| EuroHipHop | |
| HipHopGroove | |
| Garage | |
| MovieDisco | |
| DiscoChocolate | |
| DiscoHouse | |
| 80'sDisco | |
| TechnoParty | |
| LatinDJ's | |
| USPop | |
| TripHop | |
| 6-BTrance | |
| DiscoHands | |
| Swing&Jazz | ClassicBigBand |
| OrchBigBand1 | |
| OrchBigBand2 | |
| TradPianoJazz | |
| ModernJazz | |
| AcousticJazz | |
| MediumJazz | |
| ModernJazzBld | |
| CoolJazzBallad | |
| MovieSwing | |
| Dixieland | |
| Ragtime | |
| Bebop | |
| BigBandFast1 | |
| BigBandFast2 | |
| 40'sBigBand | |
| OrchestraSwing1 | |
| OrchestraSwing2 | |
| JazzWaltzFast | |
| MidnightSwing | |
| TapDanceSwing | |
| Five-Four | |
| FrenchJazz | |
| OrganGroove | |
| Jumpjive | |
| MORSwing | |
| EasyListening | |
| JazzClub | |
| MoviePanther | |
| BigBandShuffle | |
| Charleston | |
| R&B | BluesRock |
| SoulBrothers | |
| FranklySoul | |
| JazzFunk | |
| 6-8Soul | |
| R&B SoulBallad | |
| SlowBlues | |
| Rock&Roll1 | |
| Rock&RollShfl | |
| Skiffle | |
| OldiesR&R | |
| MotorCity | |
| Soul | |
| DetroitPop1 | |
| DetroitPop2 | |
| GospelSwing | |
| GospelSisters | |
| Worship6-8 | |
| WorshipSlow | |
| WorshipMed | |
| WorshipFast | |
| ShuffleBlues | |
| BlueberryBlues | |
| 60'sRock&Roll | |
| Rock&Roll2 | |
| PianoBoogie | |
| Twist | |
| R&BBallad | |
| LovelyShuffle | |
| ModernR&B | |
| ComboBoogie | |
| BluesBallad | |
| Country | NewCountry |
| EasyCountry |
| Category | Style Name |
| Country | 70'sChartCntry |
| CountryStrum | |
| CountryHits | |
| Bluegrass | |
| Hoedown | |
| FolkPop | |
| CountryBallad | |
| CountryPop | |
| CountrySwing | |
| CountryShuffle | |
| CntrySing-a-Long | |
| CountryTwoStep | |
| CountryWaltz | |
| ScandCountry1 | |
| ScandCountry2 | |
| ModCntryBld1 | |
| ModCntryBld2 | |
| Country2-4 | |
| CountryBrothers | |
| CountrySwingRk | |
| FingerPickin | |
| Latin | BrazilianSamba |
| BossaNova | |
| Bomba | |
| Salsa | |
| Guijira | |
| Bachata | |
| CubanSon | |
| BoleroLento | |
| Merengue | |
| PopLatin | |
| RumbaFlamenco1 | |
| LatinDisco | |
| RockChaCha | |
| OrchestralBossa | |
| SlowBossa | |
| FastBossa | |
| PopBossa | |
| Beguine | |
| Calypso | |
| Danzon | |
| HappyReggae | |
| SheriffReggae | |
| PopMambo | |
| PopSalsa | |
| GuitarRumba | |
| Rumbalsland | |
| RumbaFlamenco2 | |
| Ballroom | VienneseWaltz |
| EnglishWaltz | |
| Slowfox | |
| Foxtrot | |
| Quickstep | |
| Tango | |
| Pasodoble | |
| Samba | |
| ChaChaCha | |
| Rumba | |
| Jive | |
| Swingfox | |
| OrganSwing | |
| OrganSamba | |
| OrganQuickstep | |
| 9-8Waltz | |
| Entertainment | Sci-fiMarch |
| SecretService | |
| 70'sTVTheme | |
| WildWest | |
| BaroqueAir | |
| OrchestralBolero | |
| OrchestralMarch | |
| PopClassics | |
| 70'sFrenchHit | |
| DiscoFox | |
| AlpBallad1 | |
| AlpBallad2 | |
| Schlager6-8 | |
| SchlagerPolka | |
| SchlagerSamba | |
| SchlagerShuffle | |
| SchlagerItalia | |
| SchlagerRock | |
| SchlagerAlp | |
| SchlagerPop |
CVP-405
| Category | Style Name |
| Entertainment | SchlagerBeat |
| SchlagerRumba | |
| PartyPolka | |
| ChristmasSwing | |
| ChristmasShuffle | |
| ChristmasWaltz | |
| Moonlight6-8 | |
| PolkaPop | |
| Tijuana | |
| PubPiano | |
| Showtune | |
| Carnival | |
| Learning2-4 | |
| Learning4-4 | |
| Learning6-8 | |
| ChildrensMarch | |
| Fun3-4 | |
| Fun4-4 | |
| World | Flamenco |
| SpanishPaso | |
| PopFlamenco | |
| FrenchMusette | |
| ItalianMazurka | |
| IrishHymn1 | |
| IrishHymn2 | |
| IrishDance | |
| Sirtaki | |
| OrientalPop | |
| HighlandWaltz | |
| ItalianWaltz | |
| FrenchWaltz | |
| ScandWaltz | |
| MariachiWaltz | |
| Reel | |
| Jig | |
| GayGordons | |
| Tarantella | |
| OberPolka | |
| OberWaltzer | |
| GermanWaltz | |
| Zouk | |
| Hawaiian | |
| USMarch | |
| 6-8March | |
| GermanMarch | |
| ScandShuffle | |
| ScandSlowRock | |
| ScandBugg | |
| Enka1 | |
| Enka2 | |
| PopEnka | |
| FolkRock | |
| Norteno | |
| ItalianPolka | |
| HullyGully | |
| LimboRock | |
| Pianist | Stride1 |
| Stride2 | |
| PianoSwing1 | |
| PianoSwing2 | |
| PianoRag1 | |
| PianoRag2 | |
| PianoBlues1 | |
| PianoBlues2 | |
| RocknRoll | |
| BoogieWoogie | |
| Arpeggio1 | |
| Arpeggio2 | |
| Arpeggio3 | |
| PianoOrchBallad | |
| Musical | |
| Traditional1 | |
| Traditional2 | |
| Traditional3 | |
| SlowRock | |
| 2BeatSwing | |
| JazzBallad | |
| 8Beat | |
| 8BeatBallad | |
| 4Stroke | |
| Nocturne | |
| PianoMarch1 | |
| PianoMarch2 | |
| 6-8PianoMarch |
| Category | Style Name |
| Pianist | Waltz |
| JazzWaltz | |
| PianoBossa | |
| PianoSamba | |
| PianoChaCha | |
| PianoBeguine | |
| PianoRumba | |
| SlowWaltz |
CVP-403
| Category | Style Name |
| Pop&Rock | FunkPopRock |
| AcousticRock | |
| Cool8Beat | |
| Straight8Pop | |
| VintageGtrPop | |
| ChartGuitarPop | |
| Jammin'GtrPop | |
| RockGtrBallad | |
| BritPopSwing | |
| 70's8Beat | |
| BubblegumPop | |
| 60'sGuitarPop | |
| 90'sGuitarPop | |
| 60'sRock1 | |
| 60'sRock2 | |
| RockShuffle | |
| HardRock | |
| PowerRock | |
| 8BeatModern | |
| KoolShuffle | |
| JazzPop | |
| Unplugged | |
| J-PopHit1 | |
| J-PopHit2 | |
| Ballad | 8BeatBallad |
| PopGtrBallad | |
| EasyBallad | |
| PowerBallad | |
| 16BeatBallad | |
| NewR&BBallad | |
| UnpluggedChart | |
| EPBallad | |
| OrganBallad | |
| 6-8SlowRock | |
| 6-8AcousticPop | |
| 6-8Modern | |
| 6-8Orchestral | |
| 12-8Ballad | |
| Chillout | |
| MovieBallad | |
| ClassicPianoBld | |
| 70'sPopBallad | |
| 8BeatAdria | |
| PopPianoBallad | |
| PianoBallad | |
| LoveSong | |
| Dance | Ibiza |
| RetroPop | |
| 70'sDisco | |
| DiscoPhilly | |
| SaturdayNight | |
| DreamDance | |
| FrenchHouse | |
| House | |
| NewR&B | |
| ClassicHipHop | |
| NewHipHop | |
| ChartPop | |
| EuroHipHop | |
| HipHopGroove | |
| Garage | |
| MovieDisco | |
| DiscoChocolate | |
| DiscoHouse | |
| 80'sDisco | |
| TechnoParty | |
| LatinDJ's | |
| DiscoHands | |
| Swing&Jazz | OrchBigBand1 |
| OrchBigBand2 | |
| AcousticJazz | |
| ModernJazzBld | |
| Dixieland | |
| Ragtime | |
| BigBandFast | |
| OrchestraSwing1 | |
| OrchestraSwing2 | |
| JazzWaltzFast | |
| MidnightSwing | |
| TapDanceSwing | |
| Five-Four | |
| OrganGroove | |
| Jumpjive | |
| MORSwing |
| Category | Style Name |
| Swing&Jazz | JazzClub |
| BigBandShuffle | |
| Charleston | |
| R&B | BluesRock |
| SoulBrothers | |
| FranklySoul | |
| JazzFunk | |
| 6-8Soul | |
| SlowBlues | |
| Rock&Roll1 | |
| OldiesR&R | |
| MotorCity | |
| Soul | |
| DetroitPop | |
| GospelSwing | |
| GospelSisters | |
| WorshipMed | |
| 60'sRock&Roll | |
| Rock&Roll2 | |
| Twist | |
| LovelyShuffle | |
| ModernR&B | |
| ComboBoogie | |
| BluesBallad | |
| Country | NewCountry |
| CountryHits | |
| Bluegrass | |
| Hoodown | |
| FolkPop | |
| CountryBallad | |
| CountryPop | |
| CountrySwing | |
| CountryShuffle | |
| CountryWaltz | |
| ModernCntryBld | |
| Country2-4 | |
| CountrySwingRk | |
| FingerPickin | |
| Latin | BrazilianSamba |
| Bomba | |
| Salsa | |
| Guijira | |
| Bachata | |
| CubanSon | |
| Merengue | |
| LatinDisco | |
| RockChaCha | |
| OrchestralBossa | |
| FastBossa | |
| PopBossa | |
| Beguine | |
| Calypso | |
| Danzon | |
| HappyReggae | |
| PopMambo | |
| PopSalsa | |
| Rumbalsland | |
| RumbaFlamenco | |
| Ballroom | VienneseWaltz |
| EnglishWaltz | |
| Slowfox | |
| Foxtrot | |
| Quickstep | |
| Tango | |
| Pasodoble | |
| Samba | |
| ChaChaCha | |
| Rumba | |
| Jive | |
| Swingfox | |
| OrganSwing | |
| OrganSamba | |
| OrganQuickstep | |
| 9-8Waltz | |
| Entertainment | Sci-fiMarch |
| SecretService | |
| 70'sTVTheme | |
| WildWest | |
| BaroqueAir | |
| OrchestralBolero | |
| OrchestralMarch | |
| 70'sFrenchHit | |
| DiscoFox | |
| AlpBallad |
| Category | Style Name |
| Entertainment | Schlager6-8 |
| SchlagerPolka | |
| SchlagerSamba | |
| SchlagerShuffle | |
| SchlagerPop | |
| SchlagerBeat | |
| ChristmasSwing | |
| ChristmasWaltz | |
| Moonlight6-8 | |
| PolkaPop | |
| Tijuana | |
| PubPiano | |
| Showtune | |
| Carnival | |
| ChildrensMarch | |
| World | SpanishPaso |
| PopFlamenco | |
| FrenchMusette | |
| IrishDance | |
| Sirtaki | |
| OrientalPop | |
| ItalianWaltz | |
| FrenchWaltz | |
| ScandWaltz | |
| Reel | |
| Jig | |
| Tarantella | |
| OberPolka | |
| OberWaltzer | |
| TraditionalWaltz | |
| Hawaiian | |
| USMarch | |
| 6-8March | |
| GermanMarch | |
| ScandShuffle | |
| ScandSlowRock | |
| Enka | |
| PopEnka | |
| FolkRock | |
| Pianist | Stride1 |
| Stride2 | |
| PianoSwing1 | |
| PianoSwing2 | |
| PianoRag1 | |
| PianoRag2 | |
| PianoBlues1 | |
| PianoBlues2 | |
| RocknRoll | |
| BoogieWoogie | |
| Arpeggio1 | |
| Arpeggio2 | |
| Arpeggio3 | |
| PianoOrchBallad | |
| Musical | |
| Traditional1 | |
| Traditional2 | |
| Traditional3 | |
| SlowRock | |
| 2BeatSwing | |
| JazzBallad | |
| 8Beat | |
| 8BeatBallad | |
| 4Stroke | |
| Nocturne | |
| PianoMarch1 | |
| PianoMarch2 | |
| 6-B PianoMarch | |
| Waltz | |
| JazzWaltz | |
| PianoBossa | |
| PianoSamba | |
| PianoChaCha | |
| PianoBeguine | |
| PianoRumba | |
| SlowWaltz |
CVP-401
| Category | Style Name |
| Pop&Rock | FunkPopRock |
| AcousticRock | |
| Cool8Beat | |
| VintageGtrPop | |
| BritPopSwing | |
| 70's8Beat | |
| BubblegumPop | |
| 60'sGuitarPop | |
| 90'sGuitarPop | |
| 60'sRock1 | |
| 60'sRock2 | |
| RockShuffle | |
| HardRock | |
| PowerRock | |
| KoolShuffle | |
| JazzPop | |
| Unplugged | |
| J-PopHit | |
| Ballad | 8BeatBallad |
| EasyBallad | |
| PowerBallad | |
| 16BeatBallad | |
| NewR&BBallad | |
| EPBallad | |
| OrganBallad | |
| 6-8Modern | |
| Chillout | |
| ClassicPianoBld | |
| 8BeatAdria | |
| PopPianoBallad | |
| PianoBallad | |
| Dance | Ibiza |
| 70'sDisco | |
| DiscoPhilly | |
| SaturdayNight | |
| DreamDance | |
| FrenchHouse | |
| House | |
| ClassicHipHop | |
| NewHipHop | |
| HipHopGroove | |
| Garage | |
| DiscoHouse | |
| 80'sDisco | |
| TechnoParty | |
| LatinDJ's | |
| DiscoHands | |
| Swing&Jazz | OrchBigBand |
| Dixieland | |
| Ragtime | |
| BigBandFast | |
| OrchestraSwing1 | |
| OrchestraSwing2 | |
| JazzWaltzFast | |
| MidnightSwing | |
| Five-Four | |
| OrganGroove | |
| JumpJive | |
| JazzClub | |
| BigBandShuffle | |
| Charleston | |
| R&B | BluesRock |
| SoulBrothers | |
| FranklySoul | |
| 6-8Soul | |
| OldiesR&R | |
| Soul | |
| DetroitPop | |
| GospelSisters | |
| WorshipMed | |
| 60'sRock&Roll | |
| Rock&Roll | |
| Twist | |
| ModernR&B | |
| ComboBoogie | |
| BluesBallad | |
| Country | NewCountry |
| CountryHits | |
| Bluegrass | |
| Hoedown | |
| CountryBallad | |
| CountryPop | |
| CountryShuffle | |
| CountryWaltz |
| Category | Style Name |
| Country | Country2-4 |
| FingerPickin | |
| Latin | BrazilianSamba |
| Bachata | |
| CubanSon | |
| Merengue | |
| LatinDisco | |
| FastBossa | |
| Beguine | |
| Calypso | |
| HappyReggae | |
| PopMambo | |
| PopSalsa | |
| Rumbalsland | |
| Rumba Flamenco | |
| Ballroom | VienneseWaltz |
| EnglishWaltz | |
| Slowfox | |
| Foxtrot | |
| Quickstep | |
| Tango | |
| Pasodoble | |
| Samba | |
| ChaChaCha | |
| Rumba | |
| Jive | |
| Swingfox | |
| OrganSwing | |
| OrganSamba | |
| OrganQuickstep | |
| 9-BWaltz | |
| Entertainment | Sci-fiMarch |
| 70'sTVTheme | |
| WildWest | |
| BaroqueAir | |
| OrchestralBolero | |
| OrchestralMarch | |
| 70'sFrenchHit | |
| DiscoFox | |
| AlpBallad | |
| SchlagerPolka | |
| SchlagerPop | |
| SchlagerBeat | |
| ChristmasSwing | |
| ChristmasWaltz | |
| Moonlight6-8 | |
| PolkaPop | |
| Tijuana | |
| PubPiano | |
| Showtune | |
| Carnival | |
| ChildrensMarch | |
| World | SpanishPaso |
| PopFlamenco | |
| FrenchMusette | |
| IrishDance | |
| Sirtaki | |
| OrientalPop | |
| Reel | |
| Jig | |
| Tarantella | |
| OberPolka | |
| OberWaltzer | |
| TraditionalWaltz | |
| USMarch | |
| 6-BMarch | |
| GermanMarch | |
| ScandShuffle | |
| ScandSlowRock | |
| Enka | |
| PopEnka | |
| Pianist | Stride1 |
| Stride2 | |
| PianoSwing1 | |
| PianoSwing2 | |
| PianoRag1 | |
| PianoRag2 | |
| PianoBlues1 | |
| PianoBlues2 | |
| RocknRoll | |
| BoogieWoogie | |
| Arpeggio1 | |
| Arpeggio2 | |
| Arpeggio3 |
| Category | Style Name |
| Pianist | PianoOrchBallad |
| Musical | |
| Traditional1 | |
| Traditional2 | |
| Traditional3 | |
| SlowRock | |
| 2BeatSwing | |
| JazzBallad | |
| 8Beat | |
| 8BeatBallad | |
| 4Stroke | |
| Nocturne | |
| PianoMarch1 | |
| PianoMarch2 | |
| 6-8PianoMarch | |
| Waltz | |
| JazzWaltz | |
| PianoBossa | |
| PianoSamba | |
| PianoChaCha | |
| PianoBeguine | |
| PianoRumba | |
| SlowWaltz |
| Operation: [DIRECT ACCESS] button + button listed below | Function of the accessed LCD display | |||||
| STYLE CONTROL | [ACMP ON/OFF] | FUNCTION | STYLE SETTING/SPLIT POINT/CHORD FINGERING | CHORD FINGERING | — | |
| [AUTO FILL IN] | STYLE SETTING | |||||
| [BREAK] | ||||||
| INTRO [I] | ||||||
| INTRO [II] | ||||||
| INTRO [III] | ||||||
| MAIN VARIATION [A] | ||||||
| MAIN VARIATION [B] | ||||||
| MAIN VARIATION [C] | ||||||
| MAIN VARIATION [D] | ||||||
| ENDING/rit. [I] | ||||||
| ENDING/rit. [II] | ||||||
| ENDING/rit. [III] | ||||||
| [SYNC START] | SPLIT POINT | |||||
| [SYNC STOP] | ||||||
| [START/STOP] | STYLE SETTING | |||||
| STYLE Category Selection | [POP & ROCK] | FUNCTION | STYLE SETTING/SPLIT POINT/CHORD FINGERING | STYLE SETTING | — | |
| [BALLAD] | ||||||
| [DANCE] | ||||||
| [SWING & JAZZ] | ||||||
| [R & B] | ||||||
| [COUNTRY] | ||||||
| [LATIN] | ||||||
| [BALLROOM] | ||||||
| [ENTERTAINMENT] | ||||||
| [WORLD] | ||||||
| (PIANIST) | ||||||
| SONG CONTROL | [SONG SELECT] | FUNCTION | SONG SETTING | — | — | |
| [TRACK 1 (R)] | ||||||
| [TRACK 2 (L)] | ||||||
| [EXTRA TRACKS] | ||||||
| [FF] | ||||||
| (REW) | ||||||
| [PLAY/PAUSE] | ||||||
| [STOP] | ||||||
| [REC] | ||||||
| [SCORE] | ||||||
| [LYRICS/TEXT] (CVP-409/407/405) | ||||||
| [LYRICS] (CVP-403/401) | ||||||
| [GUIDE] | ||||||
| [REPEAT] | ||||||
| TEMPO | [TAP TEMPO] | FUNCTION | UTILITY | CONFIG 1 | TAP | |
| [+] | — | STYLE SETTING/SPLIT POINT/CHORD FINGERING | STYLE SETTING | — | ||
| METRONOME | [ON/OFF] | FUNCTION | UTILITY | CONFIG 1 | METRONOME | |
| TRANPOSE | [+] | FUNCTION | CONTROLLER | KEYBOARD/PANEL | TRANPOSE ASSIGN | |
| [DEMO] | FUNCTION | UTILITY | OWNER | — | ||
| [FUNCTION] | FUNCTION | MIDI | PRESENT | — | ||
| [MIXING CONSOLE] | MIXING CONSOLE (PANEL PART) | VOL/VOICE | — | — | ||
| [CHANNEL ON/OFF] | ||||||
| [USB] | FUNCTION | UTILITY | MEDIA | — | ||
| [LUSER] | FUNCTION | UTILITY | CONFIG 2 | — | ||
| [INTERNET] | FUNCTION | — | — | — | ||
| [DIRECT ACCESS] | — | — | — | — | ||
| TAB | [?] | — | — | — | — | |
| [?] | — | — | — | — | ||
| [ENTER] | — | — | — | — | ||
| [EXIT] | MAIN | — | — | — | ||
| [DATA ENTRY] | — | — | — | — | ||
| VOICE CONTROL | PART ON/OFF | FUNCTION | REGIST SEQUENCE/FREEZE/VOICE SET | VOICE SET | RIGHT2 | |
| [DUAL (RIGHT2)] | LEFT | |||||
| PART ON/OFF | ||||||
| [SPLIT (LEFT)] | ||||||
| [VOICE EFFECT] | VOICE EFFECT | HARMONY/ECHO | — | — | ||
| VOICE Category Selection | [PIANO] | FUNCTION | REGIST SEQUENCE/FREEZE/VOICE SET | VOICE SET | — | |
| (E. PIANO) | ||||||
| [STRINGS] | ||||||
| [GUITAR & BASS] | ||||||
| [SAXOPHONE] | ||||||
| [FLUTE & WOODWIND] | ||||||
| [ORGAN] | ||||||
| [TRUMPET] | ||||||
| [BRASS] | ||||||
| [ACCORDION] | ||||||
| [CHOUR & PAD] | ||||||
| [SYNTH & FX] | ||||||
| [PERC. & DRUM KIT] | ||||||
| [ORGAN FLUTES] | ||||||
| [MUSIC FINDER] | MUSIC FINDER | MUSIC FINDER SEARCH 1 | — | — | ||
| ONE TOUCH SETTING | [1] | FUNCTION | STYLE SETTING/SPLIT POINT/CHORD FINGERING | SPLIT POINT | — | |
| [2] | ||||||
| [3] | ||||||
| [4] | ||||||
| [OTS LINK] | STYLE SETTING | |||||
| [PIANO RESET] | FUNCTION | CONTROLLER | KEYBOARD/PANEL | INITIAL TOUCH | ||
| REGISTRATION MEMORY | REGIST BANK [+] | FUNCTION | REGIST SEQUENCE/FREEZE/VOICE SET | REGISTRATION SEQUENCE | — | |
| REGIST BANK [−] | ||||||
| [MEMORY] | ||||||
| [1] | REGISTRATION BANK Selection Display | REGISTRATION EDIT | — | — | ||
| [2] | ||||||
| [3] | ||||||
| [4] | ||||||
| [5] | ||||||
| [6] | ||||||
| [7] | ||||||
| [8] | ||||||
| PEDAL | Damper Pedal (Right) | FUNCTION | CONTROLLER | PEDAL | RIGHT | |
| Sostenuto Pedal (Center) | CENTER | |||||
| Left Pedal | LEFT | |||||
| AUX PEDAL | AUX | |||||
- The cursor position differs depending on the current keyboard part.






































| Chord Name [Abbreviation] | Normal Voicing | Display for root “C” |
| 1+8 | 1+8 | C1+8 |
| 1+5 | 1+5 | C1+5 |
| Major [M] | 1+3+5 | C |
| Sixth [6] | 1+(3)+5+6 | C6 |
| Major seventh [M7] | 1+3+(5)+7 | CM7 |
| Major seventh flatted fifth [M7b5] | 1+3+b5+7 | CM7(b5) |
| Major seventh add sharp eleventh [M7(#11)] | 1+(2)+3+#4+5+7 | CM7(#11) |
| Add ninth [(9)] | 1+2+3+5 | Cad9 |
| Major seventh ninth [M7_9] | 1+2+3+(5)+7 | CM7(9) |
| Sixth ninth [6_9] | 1+2+3+(5)+6 | C6(9) |
| Flatted fifth [b5]) | 1+3+b5 | Cb5 |
| Augmented [aug] | 1+3+#5 | Caug |
| Seventh augmented [7aug] | 1+3+#5+b7 | C7aug |
| Major seventh augmented [M7aug] | 1+(3)+#5+7 | CM7aug |
| Minor [m] | 1+b3+5 | Cm |
| Minor sixth [m6] | 1+b3+5+6 | Cm6 |
| Minor seventh [m7] | 1+b3+(5)+b7 | Cm7 |
| Minor seventh flatted fifth [m7b5] | 1+b3+b5+b7 | Cm7(b5) |
| Minor add ninth [m(9)] | 1+2+b3+5 | Cm add9 |
| Minor seventh ninth [m7(9)] | 1+2+b3+(5)+b7 | Cm7(9) |
| Minor seventh eleventh [m7(11)] | 1+(2)+b3+4+5+(b7) | Cm7(11) |
| Minor major seventh flatted fifth [mM7b5] | 1+b3+b5+7 | CmM7(b5) |
| Minor major seventh [mM7] | 1+b3+(5)+7 | CmM7 |
| Minor major seventh ninth [mM7(9)] | 1+2+b3+(5)+7 | CmM7(9) |
| Diminished [dim] | 1+b3+b5 | Cdim |
| Diminished seventh [dim7] | 1+b3+b5+6 | Cdim7 |
| Seventh [7] | 1+3+(5)+b7 | C7 |
| Seventh suspended fourth [7sus4] | 1+4+5+b7 | C7sus4 |
| Seventh ninth [7(9)] | 1+2+3+(5)+b7 | C7(9) |
| Seventh add sharp eleventh [7(#11)] | 1+(2)+3+#4+5+b7 | C7(#11) |
| Seventh add thirteenth [7(13)] | 1+3+(5)+6+b7 | C7(13) |
| Seventh flatted fifth [b5] | 1+3+b5+b7 | C7(b5) |
| Seventh flatted ninth [7(b9)] | 1+b2+3+(5)+b7 | C7(b9) |
| Seventh add flatted thirteenth [7(b13)] | 1+3+5+b6+b7 | C7(b13) |
| Seventh sharp ninth [7(#9)] | 1+#2+3+(5)+b7 | C7(#9) |
| Suspended fourth [sus4] | 1+4+5 | Csus4 |
| One plus two plus five [sus2] | 1+2+5 | Csus2 |
| cancel | 1+b2+2 | Cancel |
- Notes in parentheses can be omitted.
Reverb Block
| Type | Description | MSB | LSB |
| HALL1 | Reverb simulating the acoustics of a hall. | 1 | 0 |
| HALL2 | 1 | 16 | |
| HALL3 | 1 | 17 | |
| HALL4 | 1 | 18 | |
| HALL5 | 1 | 1 | |
| HALL M | 1 | 6 | |
| HALL L | 1 | 7 | |
| ROOM1 | Reverb simulating the acoustics of a room. | 2 | 16 |
| ROOM2 | 2 | 17 | |
| ROOM3 | 2 | 18 | |
| ROOM4 | 2 | 19 | |
| ROOM5 | 2 | 0 | |
| ROOM6 | 2 | 1 | |
| ROOM7 | 2 | 2 | |
| ROOM S | 2 | 5 | |
| ROOM M | 2 | 6 | |
| ROOM L | 2 | 7 | |
| STAGE1 | Reverb suitable for a solo instrument. | 3 | 16 |
| STAGE2 | 3 | 17 | |
| STAGE3 | 3 | 0 | |
| STAGE4 | 3 | 1 | |
| PLATE1 | Reverb simulating a plate reverb unit. | 4 | 16 |
| PLATE2 | 4 | 17 | |
| PLATE3 | 4 | 0 | |
| GM PLATE | 4 | 7 | |
| WHITE ROOM | A unique short reverb with a bit of initial delay. | 16 | 0 |
| TUNNEL | Simulates a cylindrical space expanding to left and right. | 17 | 0 |
| CANYON | A hypothetical acoustic space which extends without limit. | 18 | 0 |
| BASEMENT | A bit of initial delay followed by reverb with a unique resonance. | 19 | 0 |
| LARGE HALL | Reverb simulating the acoustics of a hall. | 1 | 2 |
| MEDIUM HALL | 1 | 3 | |
| WARM ROOM | Reverb simulating the acoustics of a warm room. | 2 | 3 |
| WOODY ROOM | Reverb simulating the acoustics of a woody room. | 2 | 4 |
| RICH PLATE | Reverb simulating a rich plate reverb unit. | 4 | 1 |
| NO EFFECT | No effect. | 0 | 0 |
Chorus Block
| Type | Description | MSB | LSB |
| CHORUS1 | Conventional chorus program with rich, warm chorusing. | 66 | 17 |
| CHORUS2 | 66 | 8 | |
| CHORUS3 | 66 | 16 | |
| CHORUS4 | 66 | 1 | |
| CHORUS5 | 65 | 2 | |
| CHORUS6 | 65 | 0 | |
| CHORUS7 | 65 | 1 | |
| CHORUS8 | 65 | 8 | |
| GM CHORUS1 | 65 | 3 | |
| GM CHORUS2 | 65 | 4 | |
| GM CHORUS3 | 65 | 5 | |
| GM CHORUS4 | 65 | 6 | |
| FB CHORUS | 65 | 7 | |
| CELESTE1 | A 3-phase LFO adds modulation and spaciousness to the sound. | 66 | 0 |
| CELESTE2 | 66 | 2 | |
| FLANGER1 | Creates a sound reminiscent of a jet airplane. | 67 | 8 |
| FLANGER2 | 67 | 16 | |
| FLANGER3 | 67 | 17 | |
| FLANGER4 | 67 | 1 | |
| FLANGER5 | 67 | 0 | |
| GM FLANGER | 67 | 7 | |
| SYMPHONIC1 | Adds more stages to the modulation of Celeste. | 68 | 16 |
| SYMPHONIC2 | 68 | 0 | |
| PHASER1 | Cyclically modulates the phase to add modulation to the sound. | 72 | 0 |
| * PHASER2 | 72 | 8 | |
| EP PHASER1 | 72 | 17 | |
| EP PHASER2 | 72 | 18 | |
| EP PHASER3 | 72 | 16 | |
| ENS DETUNE (Ensemble Detune) | Chorus effect without modulation, created by adding a slightly pitch-shifted sound. | 87 | 0 |
| ROTARY SP5 | Simulates a rotary speaker. | 66 | 18 |
| NO EFFECT | No effect. | 0 | 0 |
- Not available for CVP-405/403/401.
DSP1-6 Block
| Panel Block Name | XG Block Name |
| DSP1 | XG Variation Block |
| DSP2 | XG Insertion1 Block |
| DSP3 | XG Insertion2 Block |
| DSP4 | XG Insertion3 Block |
| * DSP5 | XG Insertion4 Block |
| * DSP6 | XG Insertion5 Block |
- DSP5 and 6 are not available for CVP-405/403/401
| Type | Description | MSB | LSB |
| HALL1 | Reverb simulating the acoustics of a hall. | 1 | 0 |
| HALL2 | 1 | 16 | |
| HALL3 | 1 | 17 | |
| HALL4 | 1 | 18 | |
| HALL5 | 1 | 1 | |
| HALL M | 1 | 6 | |
| HALL L | 1 | 7 | |
| ROOM1 | Reverb simulating the acoustics of a room. | 2 | 16 |
| ROOM2 | 2 | 17 | |
| ROOM3 | 2 | 18 | |
| ROOM4 | 2 | 19 | |
| ROOM5 | 2 | 0 | |
| ROOM6 | 2 | 1 | |
| ROOM7 | 2 | 2 | |
| ROOM S | 2 | 5 | |
| ROOM M | 2 | 6 | |
| ROOM L | 2 | 7 | |
| STAGE1 | Reverb suitable for a solo instrument. | 3 | 16 |
| STAGE2 | 3 | 17 | |
| STAGE3 | 3 | 0 | |
| STAGE4 | 3 | 1 | |
| PLATE1 | Reverb simulating a plate reverb unit. | 4 | 16 |
| PLATE2 | 4 | 17 | |
| PLATE3 | 4 | 0 | |
| GM PLATE | 4 | 7 | |
| *1 WHITE ROOM | A unique short reverb with a bit of initial delay. | 16 | 0 |
| *1 TUNNEL | Simulates a cylindrical space expanding to left and right. | 17 | 0 |
| *1 CANYON | A hypothetical acoustic space which extends without limit. | 18 | 0 |
| *1 BASEMENT | A bit of initial delay followed by reverb with a unique resonance. | 19 | 0 |
| DELAY LCR1 | Produces three delayed sounds: L, R and C (center). | 5 | 16 |
| DELAY LCR2 | 5 | 0 | |
| DELAY LR | Produces two delayed sounds: L and R. Two feedback delays are provided. | 6 | 0 |
| ECHO | Two delayed sounds (L and R), and independent feedback delays for L and R. | 7 | 0 |
| CROSS DELAY | The feedback of the two delayed sounds is crossed. | 8 | 0 |
| TEMPO DELAY | Tempo-synchronized delay. | 21 | 0 |
| TEMPO ECHO | Tempo-synchronized echo. | 21 | 8 |
| TEMPO CROSS | Tempo-synchronized cross delay. | 22 | 0 |
| KARAOKE1 | Echo for karaoke. | 20 | 0 |
| KARAOKE2 | 20 | 1 | |
| KARAOKE3 | 20 | 2 | |
| *1 ER1 | This effect isolates only the early reflection components of the reverb. | 9 | 0 |
| *1 ER2 | 9 | 1 | |
| *1 GATE REVERB | Simulation of gated reverb. | 10 | 0 |
| *1 REVERS GATE | Simulation of gated reverb played back in reverse. | 11 | 0 |
| CHORUS1 | Conventional chorus program with rich, warm chorusing. | 66 | 17 |
| CHORUS2 | 66 | 8 | |
| CHORUS3 | 66 | 16 | |
| CHORUS4 | 66 | 1 | |
| CHORUS5 | 65 | 2 | |
| CHORUS6 | 65 | 0 | |
| CHORUS7 | 65 | 1 | |
| CHORUS8 | 65 | 8 | |
| GM CHORUS1 | 65 | 3 | |
| GM CHORUS2 | 65 | 4 | |
| GM CHORUS3 | 65 | 5 | |
| GM CHORUS4 | 65 | 6 | |
| FB CHORUS | 65 | 7 | |
| CELESTE1 | A 3-phase LFO adds modulation and spaciousness to the sound. | 66 | 0 |
| CELESTE2 | 66 | 2 | |
| SYMPHONIC1 | Adds more stages to the modulation of Celeste. | 68 | 16 |
| SYMPHONIC2 | 68 | 0 | |
| ENS DETUNE (Ensemble Detune) | Chorus effect without modulation, created by adding a slightly pitch-shifted sound. | 87 | 0 |
| FLANGER1 | 67 | 8 | |
| FLANGER2 | 67 | 16 | |
| FLANGER3 | 67 | 17 | |
| FLANGER4 | 67 | 1 | |
| FLANGER5 | 67 | 0 | |
| GM FLANGER | 67 | 7 | |
| *1 V_FLANGER | 104 | 0 | |
| *1 T_FLANGER | 107 | 0 | |
| *1 DYN FLANGER | Dynamically controlled flanger. | 110 | 0 |
| PHASER1 | Cyclically modulates the phase to add modulation to the sound. | 72 | 0 |
| *1 PHASER2 | 72 | 8 | |
| EP PHASER1 | Cyclically modulates the phase to add modulation to the sound. | 72 | 17 |
| EP PHASER2 | 72 | 18 | |
| EP PHASER3 | 72 | 16 | |
| *1 T_PHASER | 108 | 0 | |
| *1 DYN PHASER | 111 | 0 | |
| DIST HEAVY (Distortion Heavy) | Heavy distortion. | 73 | 0 |
| *1 ST DIST (Stereo Distortion) | Stereo distortion. | 73 | 8 |
| *1 COMP+DIST1 (Compressor + Distortion1) | Since a Compressor is included in the first stage, steady distortion can be produced regardless of changes in input level. | 73 | 16 |
| *1 COMP+DIST2 (Compressor + Distortion2) | 73 | 1 | |
| OVERDRIVE | Adds mild distortion to the sound. | 74 | 0 |
| *1 ST OD (Stereo Overdrive) | Stereo Overdrive. | 74 | 8 |
| DIST HARD (Distortion Hard) | Hard-edge distortion. | 75 | 16 |
| DIST HARD2 (Distortion Hard 2) | 75 | 22 | |
| DIST SOFT (Distortion Soft) | Soft, warm distortion. | 75 | 17 |
| DIST SOFT2 (Distortion Soft2) | 75 | 23 | |
| *1 ST DIST HARD (Stereo Distortion Hard) | Hard-edge stereo distortion. | 75 | 18 |
| *1 ST DIST SOFT (Stereo Distortion Soft) | Soft, warm soft distortion. | 75 | 19 |
| *1 V_DIFF HARD (V Distortion Hard) | Distortion which simulates vintage tube and fuzz sounds. | 98 | 0 |
| *1 V_DIFF SOFT (V Distortion Soft) | 98 | 2 | |
| AMP SIM1 (Amp Simulator 1) | A simulation of a guitar amp. | 75 | 0 |
| *1 AMP SIM2 (Amp Simulator 2) | 75 | 1 | |
| *1 ST AMP1 (Stereo Amp Simulator 1) | Stereo amp simulator. | 75 | 20 |
| *2 ST AMP2 (Stereo Amp Simulator 2) | 75 | 21 | |
| *1 ST AMP3 (Stereo Amp Simulator 3) | 75 | 8 | |
| *1 ST AMP4 (Stereo Amp Simulator 4) | 75 | 24 | |
| *2 ST AMP5 (Stereo Amp Simulator 5) | 75 | 25 | |
| *2 ST AMP6 (Stereo Amp Simulator 6) | 75 | 26 | |
| *1 DST+DELAY1 (Distortion + Delay 1) | Distortion and Delay are connected in series. | 95 | 16 |
| *1 DST+DELAY2 (Distortion + Delay 2) | 95 | 0 | |
| *1 OD+DELAY1 (Overdrive + Delay 1) | Overdrive and Delay are connected in series. | 95 | 17 |
| *1 OD+DELAY2 (Overdrive + Delay 2) | 95 | 1 | |
| *1 CMP+DST+DLY1 (Compressor + Distortion + Delay 1) | Compressor, Distortion and Delay are connected in series. | 96 | 16 |
| *1 CMP+DST+DLY2 (Compressor + Distortion + Delay2) | 96 | 0 | |
| *1 CMP+OD+DLY1 (Compressor + Overdrive + Delay 1) | Compressor, Overdrive and Delay are connected in series. | 96 | 17 |
| *1 CMP+OD+DLY2 (Compressor + Overdrive + Delay 2) | 96 | 1 | |
| *1 V_DIFF H+DLY (V Distortion Hard + Delay) | V Distortion and Delay are connected in series. | 98 | 1 |
| *1 V_DIFF S+DLY (V Distortion Soft + Delay) | 98 | 3 | |
| *1 DST+TDLY (Distortion + Tempo Delay) | Distortion and Tempo Delay are connected in series. | 100 | 0 |
| *1 OD+TDLY (Overdrive + Tempo Delay) | Overdrive and Tempo Delay are connected in series. | 100 | 1 |
| *1 CMP+DST+TDL (Compressor + Distortion + Tempo Delay) | Compressor, Distortion and Tempo Delay are connected in series. | 101 | 0 |
| *1 CMP+OD+TDLY1 (Compressor + Overdrive + Tempo Delay 1) | Compressor, Overdrive and Tempo Delay are connected in series. | 101 | 1 |
| *1 CMP+OD+TDLY2 (Compressor + Overdrive + Tempo Delay 2) | 101 | 16 | |
| *1 CMP+OD+TDLY3 (Compressor + Overdrive + Tempo Delay 3) | 101 | 17 | |
| *1 CMP+OD+TDLY4 (Compressor + Overdrive + Tempo Delay 4) | 101 | 18 | |
| *1 CMP+OD+TDLY5 (Compressor + Overdrive + Tempo Delay 5) | 101 | 19 | |
| *1 CMP+OD+TDLY6 (Compressor + Overdrive + Tempo Delay 6) | 101 | 20 | |
| *1 V_DIFF H+TDLY (V Distortion Hard + Tempo Delay) | V Distortion Hard and Tempo Delay are connected in series. | 103 | 0 |
| *1 V_DIFF S+TDL1 (V Distortion Soft + Tempo Delay1) | V Distortion Soft and Tempo Delay are connected in series. | 103 | 1 |
| *1 V_DIFF S+TDL2 (V Distortion Soft + Tempo Delay2) | 103 | 16 | |
| *1 PITCH CHG1 (Pitch Change 1) | Changes the pitch of the input signal. | 80 | 16 |
| *1 PITCH CHG2 (Pitch Change 2) | 80 | 0 | |
| *1 PITCH CHG3 (Pitch Change 3) | 80 | 1 | |
| AUTO WAH1 | Cyclically modulates the center frequency of a wah filter. | 78 | 16 |
| AUTO WAH2 | 78 | 0 | |
| *1 AT WAH+DST1 (Auto Wah + Distortion 1) | The output of an Auto Wah can be distorted by Distortion. | 78 | 17 |
| *1 AT WAH+DST2 (Auto Wah + Distortion 2) | 78 | 1 | |
| *1 AT WAH+OD1 (Auto Wah + Overdrive 1) | The output of an Auto Wah can be distorted by Overdrive. | 78 | 18 |
| *1 AT WAH+OD2 (Auto Wah + Overdrive 2) | 78 | 2 | |
| TOUCH WAH1 | Changes the center frequency of a wah filter according to the input level. | 82 | 0 |
| TOUCH WAH2 | 82 | 8 | |
| *1 TC WAH+DST1 (Touch Wah + Distortion 1) | The output of an Touch Wah can be distorted by Distortion. | 82 | 16 |
| *1 TC WAH+DST2 (Touch Wah + Distortion 2) | 82 | 1 | |
| *1 TC WAH+OD1 (Touch Wah + Overdrive 1) | The output of an Touch Wah can be distorted by Overdrive. | 82 | 17 |
| *1 TC WAH+OD2 (Touch Wah + Overdrive 2) | 82 | 2 | |
| CLAVI TC WAH (Clavi Touch Wah) | Clavinet Touch Wah | 82 | 18 |
| EP TC WAH (EP Touch Wah) | 82 | 19 | |
| *1 WH+DST+DLY1 (Wah + Distortion + Delay 1) | Wah, Distortion and Delay are connected in series. | 97 | 16 |
| *1 WH+DST+DLY2 (Wah + Distortion + Delay2) | 97 | 0 | |
| *1 WH+DST+TDLY (Wah + Distortion + Tempo Delay) | Wah, Distortion and Tempo Delay are connected in series. | 102 | 0 |
| *1 WH+OD+DLY1 (Wah + Overdrive + Delay 1) | Wah, Overdrive and Delay are connected in series. | 97 | 17 |
| *1 WH+OD+TDLY2 (Wah + Overdrive + Tempo Delay 2) | 97 | 1 | |
| *1 WH+OD+TDLY1 (Wah + Overdrive + Tempo Delay 1) | Wah, Overdrive and Tempo Delay are connected in series. | 102 | 1 |
| *1 WH+OD+TDLY2 (Wah + Overdrive + Tempo Delay 2) | 102 | 16 | |
| *1 MBAND COMP | Multi-band compressor that allows you to adjust the compression effect for individual frequency bands. | 105 | 0 |
| COMPRESSOR | Holds down the output level when a specified input level is exceeded. A sense of attack can also be added to the sound. | 83 | 0 |
| NOISE GATE | Gates the input when the input signal falls below a specified level. | 84 | 0 |
| ROTARY SP1 (Rotary Speaker 1) | Simulates a rotary speaker. | 69 | 16 |
| ROTARY SP2 (Rotary Speaker 2) | 71 | 17 | |
| ROTARY SP3 (Rotary Speaker 3) | 71 | 18 | |
| ROTARY SP4 (Rotary Speaker 4) | 70 | 17 | |
| ROTARY SP5 (Rotary Speaker 5) | 66 | 18 | |
| ROTARY SP6 (Rotary Speaker 6) | 69 | 0 | |
| ROTARY SP7 (Rotary Speaker 7) | 71 | 22 | |
| *1 2WAY ROT SP (2-way Rotary Speaker) | 86 | 0 | |
| *1 DST+ROT SP (Distortion + Rotary Speaker) | Distortion and rotary speaker connected in series. | 69 | 1 |
| *1 DST+2ROT SP (Distortion + 2-way Rotary Speaker) | Distortion and 2-way rotary speaker connected in series. | 86 | 1 |
| *1 OD+ROT SP (Overdrive + Rotary Speaker) | Overdrive and rotary speaker connected in series. | 69 | 2 |
| *1 OD+2ROT SP (Overdrive + 2-way Rotary Speaker) | Overdrive and 2-way rotary speaker connected in series. | 86 | 2 |
| *1 AMP+ROT SP (Amp Simulator + Rotary Speaker) | Amp simulator and rotary speaker connected in series. | 69 | 3 |
| *1 AMP+2ROT SP (Amp Simulator + 2-way Rotary Speaker) | Amp simulator and 2-way rotary speaker connected in series. | 86 | 3 |
| *1 DUAL ROT SP1 (Dual Rotor Speaker 1) | Rotary speaker simulation with speed switching. | 99 | 0 |
| *1 DUAL ROT SP2 (Dual Rotor Speaker 2) | 99 | 1 | |
| TREMOL01 | Rich Tremolo effect with both volume and pitch modulation. | 70 | 16 |
| TREMOL02 | 71 | 19 | |
| TREMOL03 | 70 | 0 | |
| EP TREMOLO | 70 | 18 | |
| GT TREMOLO1 (Guitar Tremolo 1) | 71 | 20 | |
| GT TREMOLO2 (Guitar Tremolo 2) | 70 | 19 | |
| VIBE VIBRATE | Vibraphone effect | 119 | 0 |
| AUTO PAN1 | Several panning effects that automatically shift the sound position (left, right, front, back). | 71 | 16 |
| AUTO PAN2 | 71 | 0 | |
| EP AUTOPAN | 71 | 21 | |
| *1 AUTO PAN3 | 71 | 1 | |
| EQ DISCO | Equalizer effect that boosts both high and low frequencies, as is typical in most disco music. | 76 | 16 |
| EQ TEL | Equalizer effect that cuts both high and low frequencies, to simulate the sound heard through a telephone receiver. | 76 | 17 |
| 2BAND EQ | A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts. | 77 | 0 |
| 3BAND EQ | A mono EQ with adjustable LOW, MID, and HIGH equalizing. | 76 | 0 |
| HM ENHANCE1 (Harmonic Enhancer 1) | Adds new harmonics to the input signal to make the sound stand out. | 81 | 16 |
| HM ENHANCE2 (Harmonic Enhancer 2) | 81 | 0 | |
| ST 3BAND EQ | An EQ which allows equalization of low, mid and high bands. | 76 | 18 |
| *1 VCE CANCEL (Voice Cancel) | Attenuates the vocal part of a CD or other source. | 85 | 0 |
| *1 AMBIENCE | Blurs the stereo positioning of the sound to add spatial width. | 88 | 0 |
| *1 TALKING MOD (Talking Modulation) | Adds a vowel sound to the input signal. | 93 | 0 |
| *1 LO-FI | Degrades the audio quality of the input signal. | 94 | 0 |
| *1 DYN FILTER | Dynamically controlled filter. | 109 | 0 |
| *1 DYN RINGMOD | Dynamically controlled Ring Modulator. | 112 | 0 |
| *1 RING MOD | An effect that modifies the pitch by applying amplitude modulation to the frequency of the input. | 113 | 0 |
| *1 ISOLATOR | Controls the level of a specified frequency band of the input signal. | 115 | 0 |
| *3 NO EFFECT | No effect. | 0 | 0 |
| THRU | Bypass without applying an effect. | 64 | 0 |
1 These types are not available for DSP 2 - 4 of the CVP-405/403/401.
2 These types become mono for DSP 2 - 4 on the CVP-405/403/401.
*3 DSP1 only
Effect Parameter List / Listeder Effektparameter /Listedes paramètres d'effets /Liesta de parámetros deeffectos
- Parameters marked with a in the "Control" column can be controlled from an AC1 (assignable controller 1) etc. However, these only affect insertion type effects.
- For details on each effect type, refer to the Effect Type List.
Panel Effect Type
HALL1, 2, 3, 4, 5, HALLM, HALLL
ROOM1.2.3.4.5.6.7.ROOMS.ROOMM.ROOML
STAGE1.2.3.4
PLATE1, 2, 3. GM PLATE
(Reverb, all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Reverb Time | 0.3 – 30.0s | 0 – 69 | table#4 | |
| 2 | Diffusion | 0 – 10 | 0 – 10 | ||
| 3 | Initial Delay | 0.1mS – 200.0mS (*1) | 0 – 127 | table#5 | |
| 0.1mS – 99.3mS (*2, 3) | 0 – 63 | ||||
| 4 | HPF Cutoff | Thru – 8.0kHz | 0 – 52 | table#3 | |
| 5 | LPF Cutoff | 1.0kHz – Thru | 34 – 60 | table#3 | |
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63>W – D=W – D<W63 | 1 – 127 | (table#15) | ● |
| 11 | Rev Delay | 0.1mS – 200.0mS (*1) | 0 – 127 | table#5 | |
| 0.1mS – 99.3mS (*2, 3) | 0 – 63 | ||||
| 12 | Density | 0 – 4 (*1, 2) | 0 – 4 | ||
| 0 – 2 (*3) | 0 – 2 | ||||
| 13 | Er/Rev Balance | E63>R – E=R – E<R63 | 1 – 127 | ||
| 14 | High Damp | 0.1 – 1.0 | 1 – 10 | ||
| 15 | Feedback Level | -63 – +63 | 1 – 127 | (table#16) | |
| 16 |
LARGE HALL, MEDIUM HALL
WARM ROOM, WOODY ROOM
BICHPLATE
(Reverb block)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Reverb Time | 0.3 – 30.0s | 0 – 69 | table#4 | |
| 2 | Diffusion | 0 – 10 | 0 – 10 | ||
| 3 | Initial Delay | 0.1mS – 200.0mS | 0 – 127 | table#5 | |
| 4 | HPF Cutoff | Thru – 8.0kHz | 0 – 52 | table#3 | |
| 5 | LPF Cutoff | 1.0kHz – Thru | 34 – 60 | table#3 | |
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63>W – D=W – D<W63 | 1 – 127 | (table#15) | ● |
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | High Damp | 0.1 – 1.0 | 1 – 10 | ||
| 15 | |||||
| 16 |
DELAY LCR1. DELAY LCR2
(All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Lch Delay | 0.1 - 1638.3ms (*2) | 1 - 16383 | ||
| 0.1 - 1486.0ms (*3) | 1 - 14860 | ||||
| 2 | Rch Delay | 0.1 - 1638.3ms (*2) | 1 - 16383 | ||
| 0.1 - 1486.0ms (*3) | 1 - 14860 | ||||
| 3 | Cch Delay | 0.1 - 1638.3ms (*2) | 1 - 16383 | ||
| 0.1 - 1486.0ms (*3) | 1 - 14860 | ||||
| 4 | Feedback Delay | 0.1 - 1638.3ms (*2) | 1 - 16383 | ||
| 0.1 - 1486.0ms (*3) | 1 - 14860 | ||||
| 5 | Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 6 | Cch Level | 0 - 127 | 0 - 127 | (table#18) | |
| 7 | High Damp | 0.1 - 1.0 | 1 - 10 | ||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63>W - D=W - D<W63 | 1 - 127 | (table#15) | ● |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 16 | EQ High Gain | -12 - +12dB | 52 - 76 |
DELAY LR
(All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Lch Delay | 0.1 - 1638.3ms (*2) | 1 - 16383 | ||
| 0.1 - 1486.0ms (*3) | 1 - 14860 | ||||
| 2 | Rch Delay | 0.1 - 1638.3ms (*2) | 1 - 16383 | ||
| 0.1 - 1486.0ms (*3) | 1 - 14860 | ||||
| 3 | Feedback Delay 1 | 0.1 - 1638.3ms (*2) | 1 - 16383 | ||
| 0.1 - 1486.0ms (*3) | 1 - 14860 | ||||
| 4 | Feedback Delay 2 | 0.1 - 1638.3ms (*2) | 1 - 16383 | ||
| 0.1 - 1486.0ms (*3) | 1 - 14860 | ||||
| 5 | Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 6 | High Damp | 0.1 - 1.0 | 1 - 10 | ||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63>W - D=W - D<W63 | 1 - 127 | (table#15) | ● |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 16 | EQ High Gain | -12 - +12dB | 52 - 76 |
ECHO
(All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Lch Delay1 | 0.1 - 1486.0ms (*2) | 1 - 14860 | ||
| 0.1 - 743.0ms (*3) | 1 - 7430 | ||||
| 2 | Lch Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 3 | Rch Delay1 | 0.1 - 1486.0ms (*2) | 1 - 14860 | ||
| 0.1 - 743.0ms (*3) | 1 - 7430 | ||||
| 4 | Rch Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 5 | High Damp | 0.1 - 1.0 | 1 - 10 | ||
| 6 | Lch Delay2 | 0.1 - 1486.0ms (*2) | 1 - 14860 | ||
| 0.1 - 743.0ms (*3) | 1 - 7430 | ||||
| 7 | Rch Delay2 | 0.1 - 1486.0ms (*2) | 1 - 14860 | ||
| 0.1 - 743.0ms (*3) | 1 - 7430 | ||||
| 8 | Delay2 Level | 0 - 127 | 0 - 127 | (table#18) | |
| 9 | |||||
| 10 | Dry/Wet | D63>W - D=W - D<W63 | 1 - 127 | (table#15) | ● |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 16 | EQ High Gain | -12 - +12dB | 52 - 76 |
CROSS DELAY
(All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | L->R Delay | 0.1 - 1486.0ms (*2) | 1 - 14860 | ||
| 0.1 - 743.0ms (*3) | 1 - 7430 | ||||
| 2 | R->L Delay | 0.1 - 1486.0ms (*2) | 1 - 14860 | ||
| 0.1 - 743.0ms (*3) | 1 - 7430 | ||||
| 3 | Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 4 | Input Select | L, R, L&R | 0 - 2 | ||
| 5 | High Damp | 0.1 - 1.0 | 1 - 10 | ||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63>W - D=W - D<W63 | 1 - 127 | (table#15) | ● |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 16 | EQ High Gain | -12 - +12dB | 52 - 76 |
ER1, ER2
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
GATE REVERB
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Type | S-H, L-H, Rdm, Rvs, Plt, Spr | 0-5 | ||
| 2 | Room Size | 0.1-20.0 | 0-127 | table#6 | |
| 3 | Diffusion | 0-10 | 0-10 | ||
| 4 | Initial Delay | 0.1mS - 200.0mS | 0-127 | table#5 | |
| 5 | Feedback Level | -63 - +63 | 1-127 | (table#16) | |
| 6 | HPF Cutoff | Thru - 8.0kHz | 0-52 | table#3 | |
| 7 | LPF Cutoff | 1.0kHz - Thru | 34-60 | table#3 | |
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1-127 | (table#15) | ● |
| 11 | Liveness | 0-10 | 0-10 | ||
| 12 | Density | 0-3 | 0-3 | ||
| 13 | High Damp | 0.1-1.0 | 1-10 | ||
| 14 | |||||
| 15 | |||||
| 16 |
REVERS GATE
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
WHITE ROOM
TUNNEL
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Type | TypeA, TypeB | 0 - 1 | ||
| 2 | Room Size | 0.1 - 20.0 | 0 - 127 | table#6 | |
| 3 | Diffusion | 0 - 10 | 0 - 10 | ||
| 4 | Initial Delay | 0.1mS - 200.0mS | 0 - 127 | table#5 | |
| 5 | Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 6 | HPF Cutoff | Thru - 8.0kHz | 0 - 52 | table#3 | |
| 7 | LPF Cutoff | 1.0kHz - Thru | 34 - 60 | table#3 | |
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63> W - D= W - D< W63 | 1 - 127 | (table#15) | ● |
| 11 | Liveness | 0 - 10 | 0 - 10 | ||
| 12 | Density | 0 - 3 | 0 - 3 | ||
| 13 | High Damp | 0.1 - 1.0 | 1 - 10 | ||
| 14 | |||||
| 15 | |||||
| 16 |
CANYON
BASEMENT
(CVP-405/403/401: Reverb and DSP1, Other models: Reverb and all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Reverb Time | 0.3 - 30.0s | 0 - 69 | table#4 | |
| 2 | Diffusion | 0 - 10 | 0 - 10 | ||
| 3 | Initial Delay | 0.1mS - 200.0mS (*1) | 0 - 127 | table#5 | |
| 0.1mS - 99.3mS (*2) | 0 - 63 | ||||
| 4 | HPF Cutoff | Thru - 8.0kHz | 0 - 52 | table#3 | |
| 5 | LPF Cutoff | 1.0kHz - Thru | 34 - 60 | table#3 | |
| 6 | Width | 0.5 - 30.2m (*1) | 0 - 104 | table#11 | |
| 0.5 - 10.2m (*2) | 0 - 37 | ||||
| 7 | Height | 0.5 - 30.2m (*1) | 0 - 104 | table#11 | |
| 0.5 - 20.2m (*2) | 0 - 73 | ||||
| 8 | Depth | 0.5 - 30.2m | 0 - 104 | table#11 | |
| 9 | Wall Vary | 0 - 30 | 0 - 30 | ||
| 10 | Dry/Wet | D63>W - D=W - D<W63 | 1 - 127 | (table#15) | ● |
| 11 | Rev Delay | 0.1mS - 200.0mS (*1) | 0 - 127 | table#5 | |
| 0.1mS - 99.3mS (*2) | 0 - 63 | ||||
| 12 | Density | 0 - 4 | 0 - 4 | ||
| 13 | Er/Rev Balance | E63>R - E=R - E<R63 | 1 - 127 | ||
| 14 | High Damp | 0.1 - 1.0 | 1 - 10 | ||
| 15 | Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 16 |
KARAOKE1, 2, 3
(All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Delay Time | 0.1mS - 400.0mS | 0 - 127 | table#7 | |
| 2 | Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 3 | HPF Cutoff | Thru - 8.0kHz | 0 - 52 | table#3 | |
| 4 | LPF Cutoff | 1.0kHz - Thru | 34 - 60 | table#3 | |
| 5 | |||||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1 - 127 | (table#15) | ● |
| 11 | Density | 0 - 3 | 0 - 3 |
TEMPO DELAY
| No. | Parameter | Display | Value | See Table | Control |
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
TEMPO ECHO
(All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Delay Time | 64th/3 - 4thx6 | 0 - 19 | table#14 | |
| 2 | Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 3 | Feedback High Dump | 0.1 - 1.0 | 1 - 10 | ||
| 4 | L/R Diffusion | 1(-63ms) - 64(0ms) - 127(63ms) | 1 - 127 | ||
| 5 | Lag | 1(-63ms) - 64(0ms) - 127(63ms) | 1 - 127 | ||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63>W - D=W - D<W=63 | 1 - 127 | (table#15) | ● |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | ||
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | ||
| 16 | EQ High Gain | -12 - +12dB | 52 - 76 |
TEMPO CROSS
(All the DSP blocks)
CHORUS1,2,3,4,5,6,7,8,GMCHORUS1,2,3,4
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Delay Time L>R | 64th/3 - 4thx6 | 0 - 19 | table#14 | |
| 2 | Delay Time R>L | 64th/3 - 4thx6 | 0 - 19 | table#14 | |
| 3 | Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 4 | Input Select | L, R, L&R | 0 - 2 | ||
| 5 | Feedback High Dump | 0.1 - 1.0 | 1 - 10 | ||
| 6 | Lag | 1(-63ms) - 64(0ms) - 127(63ms) | 1 - 127 | ||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63=W - D=W - D<W=63 | 1 - 127 | (table#15) | ● |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | ||
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | ||
| 16 | EQ High Gain | -12 - +12dB | 52 - 76 |
FB CHORUS, CELESTE1, 2, ROTARY SP5
(Chorus and all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | LFO Frequency | 0.00Hz - 39.7Hz | 0 - 127 | table#1 | |
| 2 | LFO Depth | 0 - 127 | 0 - 127 | (table#19) | |
| 3 | Feedback Level | -63 - +63 | 1 - 127 | (table#17) | |
| 4 | Delay Offset | 0.0mS - 50mS | 0 - 127 | table#2 | |
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 10 | Dry/Wet | D63>W - D=W - D<W63 | 1 - 127 | (table#15) | ● |
| 11 | EQ Mid Frequency (*4) | 100Hz - 10.0kHz | 14 - 54 | table#3 | |
| 12 | EQ Mid Gain (*4) | -12 - +12dB | 52 - 76 | ||
| 13 | EQ Mid Width (*4) | 0.1 - 12.0 | 1 - 120 | ||
| 14 | |||||
| 15 | Input Mode | mono/stereo | 0 - 1 | ||
| 16 |
FLANGER1,2,3,4,5,GM FLANGER (Chorus and all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | LFO Frequency | 0.00Hz - 39.7Hz | 0 - 127 | table#1 | |
| 2 | LFO Depth | 0 - 127 | 0 - 127 | (table#19) | |
| 3 | Feedback Level | -63 - +63 | 1 - 127 | (table#17) | |
| 4 | Delay Offset | 0.0mS - 50mS | 0 - 127 | table#2 | |
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 10 | Dry/Wet | D63> W - D= W - D< W63 | 1 - 127 | (table#15) | ● |
| 11 | EQ Mid Frequency (*4) | 100Hz - 10.0kHz | 14 - 54 | table#3 | |
| 12 | EQ Mid Gain (*4) | -12 - +12dB | 52 - 76 | ||
| 13 | EQ Mid Width (*4) | 0.1 - 12.0 | 1 - 120 | ||
| 14 | LFO Phase Difference | -180 - +180deg(resolution=3deg.) | 4 - 124 | ||
| 15 | |||||
| 16 |
SYMPHONIC1,2 (Chorus and all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | LFO Frequency | 0.00Hz - 39.7Hz | 0 - 127 | table#1 | |
| 2 | LFO Depth | 0 - 127 | 0 - 127 | (table#19) | |
| 3 | Delay Offset | 0.0mS - 50mS | 0 - 127 | table#2 | |
| 4 | |||||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 10 | Dry/Wet | D63>W - D=W - D<W63 | 1 - 127 | (table#15) | ● |
| 11 | EQ Mid Frequency (*4) | 100Hz - 10.0kHz | 14 - 54 | table#3 | |
| 12 | EQ Mid Gain (*4) | -12 - +12dB | 52 - 76 | ||
| 13 | EQ Mid Width (*4) | 0.1 - 12.0 | 1 - 120 | ||
| 14 | |||||
| 15 | |||||
| 16 |
ROTARY SP1,6 (All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | LFO Frequency | 0.00Hz – 39.7Hz | 0 – 127 | table#1 | ● |
| 2 | LFO Depth | 0 – 127 | 0 – 127 | (table#19) | |
| 3 | |||||
| 4 | |||||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz – 2.0kHz | 4 – 40 | table#3 | |
| 7 | EQ Low Gain | -12 – +12dB | 52 – 76 | ||
| 8 | EQ High Frequency | 500Hz – 16.0kHz | 28 – 58 | table#3 | |
| 9 | EQ High Gain | -12 – +12dB | 52 – 76 | ||
| 10 | Dry/Wet | D63>W – D=W – D<W63 | 1 – 127 | (table#15) | |
| 11 | EQ Mid Frequency (*4) | 100Hz – 10.0kHz | 14 – 54 | table#3 | |
| 12 | EQ Mid Gain (*4) | -12 – +12dB | 52 – 76 | ||
| 13 | EQ Mid Width (*4) | 0.1 – 12.0 | 1 – 120 | ||
| 14 | |||||
| 15 | |||||
| 16 |
DST+ROT SP
OD+ROT SP
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | LFO Frequency | 0.0 – 39.7Hz | 0 – 127 | table#1 | ● |
| 2 | LFO Depth | 0 – 127 | 0 – 127 | (table#19) | |
| 3 | |||||
| 4 | |||||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz – 2.0kHz | 4 – 40 | table#3 | |
| 7 | EQ Low Gain | -12 – +12dB | 52 – 76 | ||
| 8 | EQ High Frequency | 500Hz – 16.0kHz | 28 – 58 | table#3 | |
| 9 | EQ High Gain | -12 – +12dB | 52 – 76 | ||
| 10 | Dry/Wet | D63>W – D=W – D< W=63 | 1 – 127 | (table#15) | |
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | Drive | 0 – 127 | 0 – 127 | ||
| 15 | LPF Cutoff | 1kHz – Thru | 34 – 60 | table#3 | |
| 16 | Output Level | 0 – 127 | 0 – 127 | (table#18) |
AMP+ROT SP (CVP-405/403/401:DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | LFO Frequency | 0.0 – 39.7Hz | 0 – 127 | table#1 | ● |
| 2 | LFO Depth | 0 – 127 | 0 – 127 | (table#19) | |
| 3 | AMP Type | Off, Stack, Combo, Tube | 0 – 3 | ||
| 4 | |||||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz – 2.0kHz | 4 – 40 | table#3 | |
| 7 | EQ Low Gain | -12 – +12dB | 52 – 76 | ||
| 8 | EQ High Frequency | 500Hz – 16.0kHz | 28 – 58 | table#3 | |
| 9 | EQ High Gain | -12 – +12dB | 52 – 76 | ||
| 10 | Dry/Wet | D63>W – D=W – D<W=63 | 1 – 127 | (table#15) | |
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | Drive | 0 – 127 | 0 – 127 | ||
| 15 | LPF Cutoff | 1kHz – Thru | 34 – 60 | table#3 | |
| 16 | Output Level | 0 – 127 | 0 – 127 | (table#18) |
TREMOL01, 3, EP TREMOL0, GT TREMOLO2, ROTARY SP4 (All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | LFO Frequency | 0.00Hz – 39.7Hz | 0 – 127 | table#1 | ● |
| 2 | AM Depth | 0 – 127 | 0 – 127 | ||
| 3 | PM Depth | 0 – 127 | 0 – 127 | ||
| 4 | |||||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz – 2.0kHz | 4 – 40 | table#3 | |
| 7 | EQ Low Gain | -12 – +12dB | 52 – 76 | ||
| 8 | EQ High Frequency | 500Hz – 16.0kHz | 28 – 58 | table#3 | |
| 9 | EQ High Gain | -12 – +12dB | 52 – 76 | ||
| 10 | |||||
| 11 | EQ Mid Frequency (*4) | 100Hz – 10.0kHz | 14 – 54 | table#3 | |
| 12 | EQ Mid Gain (*4) | -12 – +12dB | 52 – 76 | ||
| 13 | EQ Mid Width (*4) | 0.1 – 12.0 | 1 – 120 | ||
| 14 | LFO Phase Difference | -180 – +180deg(resolution=3deg.) | 4 – 124 | ||
| 15 | Input Mode | mono/stereo | 0 – 1 | ||
| 16 |
AUTO PAN1, 2, EP AUTOPAN, TREMOLO2, GT TREMOLO1, ROTARY SP2, 3, 7 (All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | LFO Frequency | 0.00Hz - 39.7Hz | 0 - 127 | table#1 | ● |
| 2 | L/R Depth | 0 - 127 | 0 - 127 | ||
| 3 | F/R Depth | 0 - 127 | 0 - 127 | ||
| 4 | PAN Direction | L<-R, L->R, L<-R, Lturn, Rturn, L/R | 0 - 5 | ||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 10 | |||||
| 11 | EQ Mid Frequency (*4) | 100Hz - 10.0kHz | 14 - 54 | table#3 | |
| 12 | EQ Mid Gain (*4) | -12 - +12dB | 52 - 76 | ||
| 13 | EQ Mid Width (*4) | 0.1 - 12.0 | 1 - 120 | ||
| 14 | |||||
| 15 | |||||
| 16 |
AUTO PAN3 (CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | LFO Frequency | 0.00Hz - 39.7Hz | 0 - 127 | table#1 | ● |
| 2 | L/R Depth | 0 - 127 | 0 - 127 | ||
| 3 | F/R Depth | 0 - 127 | 0 - 127 | ||
| 4 | PAN Direction | L<-R, L->R, L<-R, Lturn, Rturn, L/R | 0 - 5 | ||
| 5 | LFO Wave | 0 - 28 | 0 - 28 | ||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 10 | |||||
| 11 | EQ Mid Frequency (*4) | 100Hz - 10.0kHz | 14 - 54 | table#3 | |
| 12 | EQ Mid Gain (*4) | -12 - +12dB | 52 - 76 | ||
| 13 | EQ Mid Width (*4) | 0.1 - 12.0 | 1 - 120 | ||
| 14 | |||||
| 15 | Input Mode | mono/stereo | 0 - 1 | ||
| 16 |
PHASER 1, EP PHASER1,2,3 (Chorus and all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | LFO Frequency | 0.00Hz - 39.7Hz | 0 - 127 | table#1 | |
| 2 | LFO Depth | 0 - 127 | 0 - 127 | (table#19) | |
| 3 | Phase Shift Offset | 0 - 127 | 0 - 127 | ||
| 4 | Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1 - 127 | (table#15) | ● |
| 11 | Stage | 4 - 22 (*2) | 4 - 22 | ||
| 4 - 12 (*3) | 4 - 12 | ||||
| 12 | Diffusion | mono/stereo | 0 - 1 | ||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
PHASER 2 (CVP-405/403/401: DSP1, Other models: Chorus and all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | LFO Frequency | 0.00Hz - 39.7Hz | 0 - 127 | table#1 | |
| 2 | LFO Depth | 0 - 127 | 0 - 127 | (table#19) | |
| 3 | Phase Shift Offset | 0 - 127 | 0 - 127 | ||
| 4 | Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 10 | Dry/Wet | D63>W - D=W - D<W63 | 1 - 127 | (table#15) | ● |
| 11 | Stage | 3 - 11 | 3 - 11 | ||
| 12 | |||||
| 13 | LFO Phase Difference | -180deg - +180deg(resolution=3deg.) | 4 - 124 | ||
| 14 | |||||
| 15 | |||||
| 16 |
DIST HEAVY OVERDRIVE (All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Drive | 0 - 127 | 0 - 127 | ● | |
| 2 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 3 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 4 | LPF Cutoff | 1.0kHz - Thru | 34 - 60 | table#3 | |
| 5 | Output Level | 0 - 127 | 0 - 127 | (table#18) | |
| 6 | |||||
| 7 | EQ Mid Frequency | 100Hz - 10.0kHz | 14 - 54 | table#3 | |
| 8 | EQ Mid Gain | -12 - +12dB | 52 - 76 | ||
| 9 | EQ Mid Width | 0.1 - 12.0 | 1 - 120 | ||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1 - 127 | (table#15) | |
| 11 | Edge (Clip Curve) | 0 - 127 (mild - sharp) | 0 - 127 | ||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
COMP+DIST1,2 (CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Drive | 0 - 127 | 0 - 127 | ● | |
| 2 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 3 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 4 | LPF Cutoff | 1.0kHz - Thru | 34 - 60 | table#3 | |
| 5 | Output Level | 0 - 127 | 0 - 127 | (table#18) | |
| 6 | |||||
| 7 | EQ Mid Frequency | 100Hz - 10.0kHz | 14 - 54 | table#3 | |
| 8 | EQ Mid Gain | -12 - +12dB | 52 - 76 | ||
| 9 | EQ Mid Width | 0.1 - 12.0 | 1 - 120 | ||
| 10 | Dry/Wet | D63-W - D=W - D<W63 | 1 - 127 | (table#15) | |
| 11 | Edge (Clip Curve) | 0 - 127 (mild - sharp) | 0 - 127 | ||
| 12 | Attack | 1ms - 40ms | 0 - 19 | table#8 | |
| 13 | Release | 10ms - 680ms | 0 - 15 | table#9 | |
| 14 | Threshold | -48dB - -6dB | 79 - 121 |
| No. | Parameter | Display | Value | See Table | Control |
| 15 | Ratio | 1.0 – 20.0 | 0 – 7 | table#10 | |
| 16 |
ST DIST
ST OD
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Drive | 0 - 127 | 0 - 127 | ● | |
| 2 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 3 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 4 | LPF Cutoff | 1kHz - Thru | 34 - 60 | ||
| 5 | Output Level | 0 - 127 | 0 - 127 | (table#18) | |
| 6 | |||||
| 7 | EQ Mid Frequency | 100Hz - 10.0kHz | 14 - 54 | table#3 | |
| 8 | EQ Mid Gain | -12 - +12dB | 52 - 76 | ||
| 9 | EQ Mid Width | 0.1 - 12.0 | 1 - 120 | ||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1 - 127 | (table#15) | |
| 11 | Edge (Clip Curve) | 0 - 127 | 0 - 127 | ||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
AMP SIM1, DIST HARD, DIST HARD2, DIST SOFT, DIST SOFT2 (All the DSP blocks)
ST AMP1, 3, 4, ST DIST HARD, ST DIST SOFT (*4)
ST AMP2.5.6
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Drive | 0 - 127 | 0 - 127 | ● | |
| 2 | AMP Type | Off, Stack, Combo, Tube | 0 - 3 | ||
| 3 | LPF Cutoff | 1.0kHz - Thru | 34 - 60 | table#3 | |
| 4 | Output Level | 0 - 127 | 0 - 127 | (table#18) | |
| 5 | |||||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1 - 127 | (table#15) | |
| 11 | Edge (Clip Curve) | 0 - 127 (mild - sharp) | 0 - 127 | ||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
AMP SIM2 (CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Drive | 0 - 127 | 0 - 127 | ● | |
| 2 | AMP Type | Off, Stack, Combo, Tube, Crunch, Hi gain, British | 0 - 6 | ||
| 3 | LPF Cutoff | 1.0kHz - Thru | 34 - 60 | table#3 | |
| 4 | Output Level | 0 - 127 | 0 - 127 | (table#18) | |
| 5 | |||||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1 - 127 | (table#15) | |
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
3BAND EQ, EQ DISCO, EQ TEL, ST 3BAND EQ (All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | EQ Low Gain | -12 – +12dB | 52 – 76 | ||
| 2 | EQ Mid Frequency | 100Hz – 16.0kHz | 14 – 58 | table#3 | |
| 3 | EQ Mid Gain | -12 – +12dB | 52 – 76 | ||
| 4 | EQ Mid Width | 0.1 – 12.0 | 1 – 120 | ||
| 5 | EQ High Gain | -12 – +12dB | 52 – 76 | ||
| 6 | EQ Low Frequency | 50Hz – 2.0kHz | 8 – 40 | table#3 | |
| 7 | EQ High Frequency | 500Hz – 16.0kHz | 28 – 58 | table#3 | |
| 8 | |||||
| 9 | |||||
| 10 | |||||
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | Input Mode | mono/stereo | 0 – 1 | ||
| 16 |
2BAND EQ (All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 2 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 3 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 4 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 5 | |||||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | |||||
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
AUTO WAH1,2 (All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | LFO Frequency | 0.00Hz - 39.7Hz | 0 - 127 | table#1 | |
| 2 | LFO Depth | 0 - 127 | 0 - 127 | (table#19) | |
| 3 | Cutoff Frequency Offset | 0 - 127 | 0 - 127 | ● | |
| 4 | Resonance | 1.0 - 12.0 | 10 - 120 | ||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 10 | Dry/Wet | D63> W - D= W - D< W63 | 1 - 127 | (table#15) | |
| 11 | Drive (*4) | 0 - 127 | 0 - 127 | ||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
AT WAH+DST1, 2, AT WAH+OD1, 2 (CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | LFO Frequency | 0.00Hz - 39.7Hz | 0 - 127 | table#1 | |
| 2 | LFO Depth | 0 - 127 | 0 - 127 | (table#19) | |
| 3 | Cutoff Frequency Offset | 0 - 127 | 0 - 127 | ● | |
| 4 | Resonance | 1.0 - 12.0 | 10 - 120 | ||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 10 | Dry/Wet | D63>W - D=W - D<W63 | 1 - 127 | (table#15) | |
| 11 | Drive | 0 - 127 | 0 - 127 | ||
| 12 | EQ Low Gain (distortion) | -12 - +12dB | 52 - 76 | ||
| 13 | EQ Mid Gain (distortion) | -12 - +12dB | 52 - 76 | ||
| 14 | LPF Cutoff | 1.0kHz - thru | 34 - 60 | table#3 | |
| 15 | Output Level | 0 - 127 | 0 - 127 | (table#18) | |
| 16 |
PITCH CHG1,2 (CVP-405/403/401:DSP1,Other models:all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Pitch | -24 – +24 | 40 – 88 | ||
| 2 | Initial Delay | 0.1mS – 400.0mS | 0 – 127 | table#7 | |
| 3 | Fine 1 | -50 – +50 | 14 – 114 | ||
| 4 | Fine 2 | -50 – +50 | 14 – 114 | ||
| 5 | Feedback Level | -63 – +63 | 1 – 127 | ||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63>W – D=W – D<W63 | 1 – 127 | (table#15) | ● |
| 11 | Pan 1 | L63 – R63 | 1 – 127 | ||
| 12 | Output Level 1 | 0 – 127 | 0 – 127 | (table#18) | |
| 13 | Pan 2 | L63 – R63 | 1 – 127 | ||
| 14 | Output Level 2 | 0 – 127 | 0 – 127 | (table#18) | |
| 15 | |||||
| 16 |
PITCH CHG3 (CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Pitch | -24 – +24 | 40 – 88 | ||
| 2 | Initial Delay | 0.1mS – 400.0mS | 0 – 127 | table#7 | |
| 3 | Fine 1 | -50 – +50cent | 14 – 114 | ||
| 4 | Fine 2 | -50 – +50cent | 14 – 114 | ||
| 5 | Feedback Level | -63 – +63 | 1 – 127 | ||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63>W – D=W – D<W63 | 1 – 127 | (table#15) | ● |
| 11 | Pan 1 | L63 – R63 | 1 – 127 | ||
| 12 | Output Level 1 | 0 – 127 | 0 – 127 | (table#18) | |
| 13 | Pan 2 | L63 – R63 | 1 – 127 | ||
| 14 | Output Level 2 | 0 – 127 | 0 – 127 | (table#18) | |
| 15 | |||||
| 16 |
HM ENHANCER1,2 (All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | HPF Cutoff | 500Hz - 16.0kHz | 28 - 58 | ||
| 2 | Drive | 0 - 127 | 0 - 127 | ||
| 3 | Mix Level | 0 - 127 | 0 - 127 | ||
| 4 | |||||
| 5 | |||||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | |||||
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
TOUCH WAH1 (All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Sensitivity | 0 - 127 | 0 - 127 | ||
| 2 | Cutoff Frequency Offset | 0 - 127 | 0 - 127 | ● | |
| 3 | Resonance | 1.0 - 12.0 | 10 - 120 | ||
| 4 | |||||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1 - 127 | (table#15) | |
| 11 | Drive (*4) | 0 - 127 | 0 - 127 | ||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
TC WAH+DIST1,2
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Sensitivity | 0 - 127 | 0 - 127 | ||
| 2 | Cutoff Frequency Offset | 0 - 127 | 0 - 127 | ● | |
| 3 | Resonance | 1.0 - 12.0 | 10 - 120 | ||
| 4 | |||||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 10 | Dry/Wet | D63>W - D=W - D<W63 | 1 - 127 | (table#15) | |
| 11 | Drive | 0 - 127 | 0 - 127 | ||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
TOUCH WAH2, CLAVI WAH, EP TC WAH
(All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Sensitivity | 0 - 127 | 0 - 127 | ||
| 2 | Cutoff Frequency Offset | 0 - 127 | 0 - 127 | ● | |
| 3 | Resonance | 1.0 - 12.0 | 10 - 120 | ||
| 4 | |||||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 10 | Dry/Wet | D63>W - D=W - D<W63 | 1 - 127 | (table#15) | |
| 11 | Drive (*4) | 0 - 127 | 0 - 127 | ||
| 12 | EQ Low Gain (*4) (distortion) | -12 - +12dB | 52 - 76 | ||
| 13 | EQ Mid Gain (*4) (distortion) | -12 - +12dB | 52 - 76 | ||
| 14 | LPF Cutoff (*4) | 1.0kHz - thru | 34 - 60 | table#3 | |
| 15 | Output Level (*4) | 0 - 127 | 0 - 127 | (table#18) | |
| 16 | Release | 10 - 680mS | 52 - 67 | table#12 |
TC WAH+OD1,2
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
COMPRESSOR
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Sensitivity | 0 - 127 | 0 - 127 | ||
| 2 | Cutoff Frequency Offset | 0 - 127 | 0 - 127 | ● | |
| 3 | Resonance | 1.0 - 12.0 | 10 - 120 | ||
| 4 | |||||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 10 | Dry/Wet | D63>W - D=W - D<W63 | 1 - 127 | (table#15) | |
| 11 | Drive | 0 - 127 | 0 - 127 | ||
| 12 | EQ Low Gain (distortion) | -12 - +12dB | 52 - 76 | ||
| 13 | EQ Mid Gain (distortion) | -12 - +12dB | 52 - 76 | ||
| 14 | LPF Cutoff | 1.0kHz - thru | 34 - 60 | table#3 | |
| 15 | Output Level | 0 - 127 | 0 - 127 | (table#18) | |
| 16 | Release | 10 - 680mS | 52 - 67 | table#12 |
(All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Attack | 1 - 40ms | 0 - 19 | table#8 | |
| 2 | Release | 10 - 680ms | 0 - 15 | table#9 | |
| 3 | Threshold | -48 - -6dB | 79-121 | ||
| 4 | Ratio | 1.0 - 20.0 | 0 - 7 | table#10 | |
| 5 | Output Level | 0 - 127 | 0 - 127 | (table#18) | |
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | |||||
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
NOISE GATE
(All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Attack | 1 - 40ms | 0 - 19 | table#8 | |
| 2 | Release | 10 - 680ms | 0 - 15 | table#9 | |
| 3 | Threshold | -72 - -30dB | 55 - 97 | ||
| 4 | Output Level | 0 - 127 | 0 - 127 | (table#18) | |
| 5 | |||||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | |||||
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
VCE CANCEL
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | |||||
| 2 | |||||
| 3 | |||||
| 4 | |||||
| 5 | |||||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | |||||
| 11 | Low Adjust | 0 - 26 | 0 - 26 | ||
| 12 | High Adjust | 0 - 26 | 0 - 26 | ||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
2WAY BOT SP
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
DST+2ROT SP
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Rotor Speed | 0.0Hz – 39.7Hz | 0 – 127 | table#1 | ● |
| 2 | Drive Low | 0 – 127 | 0 – 127 | ||
| 3 | Drive High | 0 – 127 | 0 – 127 | ||
| 4 | Low/High | L63>H – L=H – L<H63 | 1 – 127 | ||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz – 2.0kHz | 4 – 40 | table#3 | |
| 7 | EQ Low Gain | -12 – +12dB | 52 – 76 | ||
| 8 | EQ High Frequency | 500Hz – 16.0kHz | 28 – 58 | table#3 | |
| 9 | EQ High Gain | -12 – +12dB | 52 – 76 | ||
| 10 | |||||
| 11 | Crossover Frequency | 100Hz – 10.0kHz | 14 – 54 | table#3 | |
| 12 | Mic L-R Angle | 0deg – 180deg (resolution=3deg.) | 0 – 60 | ||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
OD+2ROT SP
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Rotor Speed | 0.0 – 39.7Hz | 0 – 127 | table#1 | ● |
| 2 | Drive Low | 0 – 127 | 0 – 127 | ||
| 3 | Drive High | 0 – 127 | 0 – 127 | ||
| 4 | Low/High Balance | L63>H – L=H – L<H=63 | 1 – 127 | ||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz – 2.0kHz | 4 – 40 | table#3 | |
| 7 | EQ Low Gain | -12 – +12dB | 52 – 76 | ||
| 8 | EQ High Frequency | 500Hz – 16.0kHz | 28 – 58 | table#3 | |
| 9 | EQ High Gain | -12 – +12dB | 52 – 76 | ||
| 10 | |||||
| 11 | Crossover Frequency | 100Hz – 10.0kHz | 14 – 54 | table#3 | |
| 12 | Mic L-R Angle | 0 – 180deg | 0 – 60 | ||
| 13 | |||||
| 14 | Drive | 0 – 127 | 0 – 127 | ||
| 15 | LPF Cutoff | 1kHz – Thru | 34 – 60 | ||
| 16 | Output Level | 0 – 127 | 0 – 127 | (table#18) |
AMP+2ROT SP
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Rotor Speed | 0.0 – 39.7Hz | 0 – 127 | table#1 | ● |
| 2 | Drive Low | 0 – 127 | 0 – 127 | ||
| 3 | Drive High | 0 – 127 | 0 – 127 | ||
| 4 | Low/High Balance | L63>H – L=H – L<H=63 | 1 – 127 | ||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz – 2.0kHz | 4 – 40 | table#3 | |
| 7 | EQ Low Gain | -12 – +12dB | 52 – 76 | ||
| 8 | EQ High Frequency | 500Hz – 16.0kHz | 28 – 58 | table#3 | |
| 9 | EQ High Gain | -12 – +12dB | 52 – 76 | ||
| 10 | |||||
| 11 | Crossover Frequency | 100Hz – 10.0kHz | 14 – 54 | table#3 | |
| 12 | Mic L-R Angle | 0 – 180deg | 0 – 60 | ||
| 13 | AMP Type | Off, Stack, Combo, Tube | 0 – 3 | ||
| 14 | Drive | 0 – 127 | 0 – 127 | ||
| 15 | LPF Cutoff | 1kHz – Thru | 34 – 60 | ||
| 16 | Output Level | 0 – 127 | 0 – 127 | (table#18) |
ENS DETUNE
(Chorus and all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Detune | -50 – +50cent | 14 – 114 | ||
| 2 | Lch Init Delay | 0.0mS – 50mS | 0 – 127 | table#2 | |
| 3 | Rch Init Delay | 0.0mS – 50mS | 0 – 127 | table#2 | |
| 4 | |||||
| 5 | |||||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63>W – D=W – D<W63 | 1 – 127 | (table#15) | ● |
| 11 | EQ Low Frequency | 32Hz – 2.0kHz | 4 – 40 | table#3 | |
| 12 | EQ Low Gain | -12 – +12dB | 52 – 76 | ||
| 13 | EQ High Frequency | 500Hz – 16.0kHz | 28 – 58 | table#3 | |
| 14 | EQ High Gain | -12 – +12dB | 52 – 76 | ||
| 15 | |||||
| 16 |
AMBIENCE
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
TALKING MOD
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Delay Time | 0.0mS - 50mS | 0 - 127 | table#2 | |
| 2 | Output Phase | normal/inverse | 0 - 1 | ||
| 3 | |||||
| 4 | |||||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 10 | Dry/Wet | D63>W - D=W - D<W63 | 1 - 127 | (table#15) | ● |
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Vowel | a, i, u, e, o | 0 - 4 | ● | |
| 2 | Move speed | 1 - 62 | 1 - 62 | ||
| 3 | Drive | 0 - 127 | 0 - 127 | ||
| 4 | Output Level | 0 - 127 | 0 - 127 | (table#18) | |
| 5 | |||||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | |||||
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
LO-FI
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Sampling Freq Control | 44.1kHz – 345Hz | 0 – 127 | table#13 | |
| 2 | Word Length | 1 – 127 | 1 – 127 | ||
| 3 | Output Gain | -6 – +36dB | 0 – 42 | ||
| 4 | LPF Cutoff | 63Hz – Thru | 10 – 60 | table#3 | |
| 5 | Filter Type | Thru, PowerBass, Radio, Tel, Clean, Low | 0 – 5 | ||
| 6 | LPF Resonance | 1.0 – 12.0 | 10 – 120 | ||
| 7 | Bit Assign | 0 – 6 | 0 – 6 | ||
| 8 | Emphasis | Off/On | 0 – 1 | ||
| 9 | |||||
| 10 | Dry/Wet | D63=W – D=W – D<W63 | 1 – 127 | (table#15) | ● |
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | Input Mode | mono/stereo | |||
| 16 |
DST+DELAY1,2,OD+DELAY1,2
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Lch Delay Time | 0.1 – 1638.3ms | 1 – 16383 | ||
| 2 | Rch Delay Time | 0.1 – 1638.3ms | 1 – 16383 | ||
| 3 | Delay Feedback Time | 0.1 – 1638.3ms | 1 – 16383 | ||
| 4 | Delay Feedback Level | -63 – +63 | 1 – 127 | (table#16) | |
| 5 | Delay Mix | 0 – 127 | 0 – 127 | ||
| 6 | Dist Drive | 0 – 127 | 0 – 127 | ||
| 7 | Dist Output Level | 0 – 127 | 0 – 127 | (table#18) | |
| 8 | Dist EQ Low Gain | -12 – +12dB | 52 – 76 | ||
| 9 | Dist EQ Mid Gain | -12 – +12dB | 52 – 76 | ||
| 10 | Dry/Wet | D63>W – D=W – D<W63 | 1 – 127 | (table#15) | ● |
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
CMP+DST+DLY1.2.CMP+OD+DLY1.2
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
WH+DST+DLY1.2.WH+OP+DLY1.2
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Delay Time | 0.1 – 1638.3ms | 1 – 16383 | ||
| 2 | Delay Feedback Level | -63 – +63 | 1 – 127 | (table#16) | |
| 3 | Delay Mix | 0 – 127 | 0 – 127 | ||
| 4 | Dist Drive | 0 – 127 | 0 – 127 | ||
| 5 | Dist Output Level | 0 – 127 | 0 – 127 | (table#18) | |
| 6 | Dist EQ Low Gain | -12 – +12dB | 52 – 76 | ||
| 7 | Dist EQ Mid Gain | -12 – +12dB | 52 – 76 | ||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63>W – D=W – D<W63 | 1 – 127 | (table#15) | ● |
| 11 | Comp. Attack | 1ms – 40ms | 0 – 19 | table#8 | |
| 12 | Comp. Release | 10ms – 680ms | 0 – 15 | table#9 | |
| 13 | Comp. Threshold | -48dB – -6dB | 79 – 121 | ||
| 14 | Comp. Ratio | 1.0 – 20.0 | 0 – 7 | table#10 | |
| 15 | |||||
| 16 |
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Delay Time | 0.1 – 1638.3ms | 1 – 16383 | ||
| 2 | Delay Feedback Level | -63 – +63 | 1 – 127 | (table#16) | |
| 3 | Delay Mix | 0 – 127 | 0 – 127 | ||
| 4 | Dist Drive | 0 – 127 | 0 – 127 | ||
| 5 | Dist Output Level | 0 – 127 | 0 – 127 | (table#18) | |
| 6 | Dist EQ Low Gain | -12 – +12dB | 52 – 76 | ||
| 7 | Dist EQ Mid Gain | -12 – +12dB | 52 – 76 | ||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63=W – D=W – D<W63 | 1 – 127 | (table#15) | ● |
| 11 | Wah Sensitivity | 0 – 127 | 0 – 127 | ||
| 12 | Wah Cutoff Freq Offset | 0 – 127 | 0 – 127 | ||
| 13 | Wah Resonance | 1.0 – 12.0 | 10 – 120 | ||
| 14 | Wah Release | 10 – 680ms | 52 – 67 | table#12 | |
| 15 | |||||
| 16 |
V_DISTHard
V_DIST SOFT
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Overdrive | 0 - 100% | 0 - 100 | ||
| 2 | Device | Transistor/Vintage Tube/ Dist1/Dist2/Fuzz | 0 - 4 | ||
| 3 | Speaker | Flat/Stack/Combo/Twin/ Radio/Megaphone | 0 - 5 | ||
| 4 | Presence | 0 - 20 | 0 - 20 | ||
| 5 | Output Level | 0 - 100% | 0 - 100 | ||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1 - 127 | (table#15) | ● |
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
V DST H+DLY
V DST S+DLY
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Overdrive | 0 - 100% | 0 - 100 | ||
| 2 | Device | Transistor/Vintage Tube/Dist1/Dist2/Fuzz | 0 - 4 | ||
| 3 | Speaker | Flat/Stack/Combo/Twin/Radio/Megaphone | 0 - 5 | ||
| 4 | Presence | 0 - 20 | 0 - 20 | ||
| 5 | Output Level | 0 - 100% | 0 - 100 | ||
| 6 | Delay Time L | 0.1 - 1638.3ms | 1 - 16383 | ||
| 7 | Delay Time R | 0.1 - 1638.3ms | 1 - 16383 | ||
| 8 | Delay Feedback Time | 0.1 - 1638.3ms | 1 - 16383 | ||
| 9 | Delay Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1 - 127 | (table#15) | ● |
| 11 | Delay Mix | 0 - 127 | 0 - 127 | ||
| 12 | Feedback High Dump | 0.1 - 1.0 | 1 - 10 | ||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
DUAL ROT SP1,2
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Rotor Speed Slow | 0.0 – 2.65Hz | 0 – 63 | table#1 | |
| 2 | Horn Speed Slow | 0.0 – 2.65Hz | 0 – 63 | table#1 | |
| 3 | Rotor Speed Fast | 2.69 – 39.7Hz | 64 – 127 | table#1 | |
| 4 | Horn Speed Fast | 2.69 – 39.7Hz | 64 – 127 | table#1 | |
| 5 | Slow-Fast Time of R | 0 – 127 | 0 – 127 | ||
| 6 | Slow-Fast Time of H | 0 – 127 | 0 – 127 | ||
| 7 | Drive Low | 0 – 127 | 0 – 127 | ||
| 8 | Drive High | 0 – 127 | 0 – 127 | ||
| 9 | Low/High Balance | L63>H – L=H – L<L<H=63 | 1 – 127 | ||
| 10 | |||||
| 11 | EQ Low Frequency | 32Hz – 2.0kHz | 4 – 40 | table#3 | |
| 12 | EQ Low Gain | -12 – +12dB | 52 – 76 | ||
| 13 | EQ High Frequency | 500Hz – 16.0kHz | 28 – 58 | table#3 | |
| 14 | EQ High Gain | -12 – +12dB | 52 – 76 | ||
| 15 | Mic L-R Angle | 0 – 180deg | 0 – 60 | ||
| 16 | Speed Control | Slow/Fast | 0 – 1 | ● |
DST+TDLY, OD+TDLY
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Delay Time | 64th/3 - 4thx6 | 0 - 19 | table#14 | |
| 2 | Delay Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 3 | Delay Mix | 0 - 127 | 0 - 127 | ||
| 4 | Dist Drive | 0 - 127 | 0 - 127 | ||
| 5 | Dist Output Level | 0 - 127 | 0 - 127 | (table#18) | |
| 6 | Dist EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 7 | Dist EQ Mid Gain | -12 - +12dB | 52 - 76 | ||
| 8 | L/R Diffusion | 1(-63ms) - 64(0ms) - 127(63ms) | 1 - 127 | ||
| 9 | Lag | 1(-63ms) - 64(0ms) - 127(63ms) | 1 - 127 | ||
| 10 | Dry/Wet | D63=W - D=W - D<W=63 | 1 - 127 | (table#15) | ● |
| 11 | |||||
| 12 | |||||
| 13 |
| No. | Parameter | Display | Value | See Table | Control |
| 14 | |||||
| 15 | |||||
| 16 |
CMP+DST+TDL
CMP+OD+TDLY1,2,3,4,5,6
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Delay Time | 64th/3 - 4thx6 | 0 - 19 | table#14 | |
| 2 | Delay Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 3 | Delay Mix | 0 - 127 | 0 - 127 | ||
| 4 | Dist Drive | 0 - 127 | 0 - 127 | ||
| 5 | Dist Output Level | 0 - 127 | 0 - 127 | (table#18) | |
| 6 | Dist EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 7 | Dist EQ Mid Gain | -12 - +12dB | 52 - 76 | ||
| 8 | L/R Diffusion | 1(-63ms) - 64(0ms) - 127(63ms) | 1 - 127 | ||
| 9 | Lag | 1(-63ms) - 64(0ms) - 127(63ms) | 1 - 127 | ||
| 10 | Dry/Wet | D63>W - D=W - D<W=63 | 1 - 127 | (table#15) | ● |
| 11 | Comp. Attack | 1ms - 40ms | 0 - 19 | table#8 | |
| 12 | Comp. Release | 10ms - 680ms | 0 - 15 | table#9 | |
| 13 | Comp. Threshold | -48dB - -6dB | 79 - 121 | ||
| 14 | Comp. Ratio | 1.0 - 20.0 | 0 - 7 | table#10 | |
| 15 | |||||
| 16 |
WH+DST+TDL, WH+OD+TDLY1, 2
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Delay Time | 64th/3 - 4thx6 | 0 - 19 | table#14 | |
| 2 | Delay Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 3 | Delay Mix | 0 - 127 | 0 - 127 | ||
| 4 | Dist Drive | 0 - 127 | 0 - 127 | ||
| 5 | Dist Output Level | 0 - 127 | 0 - 127 | (table#18) | |
| 6 | Dist EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 7 | Dist EQ Mid Gain | -12 - +12dB | 52 - 76 | ||
| 8 | L/R Diffusion | 1(-63ms) - 64(0ms) - 127(63ms) | 1 - 127 | ||
| 9 | Lag | 1(-63ms) - 64(0ms) - 127(63ms) | 1 - 127 | ||
| 10 | Dry/Wet | D63>W - D=W - D<W=63 | 1 - 127 | (table#15) | ● |
| 11 | Wah Sensitivity | 0 - 127 | 0 - 127 | ||
| 12 | Wah Cutoff Freq Offset | 0 - 127 | 0 - 127 | ||
| 13 | Wah Resonance | 1.0 - 12.0 | 10 - 120 | ||
| 14 | Wah Release | 10 - 680mS | 52 - 67 | table#12 | |
| 15 | |||||
| 16 |
V DST H+TDLY,V DST S+TDL1.2
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Overdrive | 0 - 100% | 0 - 100 | ||
| 2 | Device | Transistor/Vintage Tube/Dist1/Dist2/Fuzz | 0 - 4 | ||
| 3 | Speaker | Flat/Stack/Combo/Twin/Radio/Megaphone | 0 - 5 | ||
| 4 | Presence | 0 - 20 | 0 - 20 | ||
| 5 | Output Level | 0 - 100% | 0 - 100 | ||
| 6 | Delay Time | 64th/3 - 4thx6 | 0 - 19 | table#14 | |
| 7 | Delay Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 8 | L/R Diffusion | 1(-63ms) - 64(0ms) - 127(63ms) | 1 - 127 | ||
| 9 | Lag | 1(-63ms) - 64(0ms) - 127(63ms) | 1 - 127 | ||
| 10 | Dry/Wet | D63>W - D=W - D<W63 | 1 - 127 | (table#15) | ● |
| 11 | Delay Mix | 0 - 127 | 0 - 127 | ||
| 12 | Feedback High Dump | 0.1 - 1.0 | 1 - 10 | ||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
V_FLANGER
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
MBAND COMP
| No. | Parameter | Display | Value | See Table | Control |
| 1 | LFO Freq | 0.0 – 39.70[Hz] | 0 – 127 | table#1 | |
| 2 | LFO Depth | 0 – 127 | 0 – 127 | (table#19) | |
| 3 | LFO Wave | Triangle, Sine, Random | 0 – 2 | ||
| 4 | Delay Offset | 0.09 – 36.21[ms] | 0 – 139 | table#23 | |
| 5 | Feedback Level | -100 – +100[%] | 0 – 200 | ||
| 6 | EQ Low Frequency | 32[Hz] – 2.0[kHz] | 4 – 40 | table#3 | |
| 7 | EQ Low Gain | -12 – +12[dB] | 52 – 76 | ||
| 8 | EQ High Frequency | 500[Hz] – 16.0[kHz] | 28 – 58 | table#3 | |
| 9 | EQ High Gain | -12 – +12[dB] | 52 – 76 | ||
| 10 | Dry/Wet | D63=W – D=W – D<W63 | 1 – 127 | (table#15) | ● |
| 11 | EQ Mid Frequency | 100[Hz] – 10.0[kHz] | 14 – 54 | table#3 | |
| 12 | EQ Mid Gain | -12 – +12[dB] | 52 – 76 | ||
| 13 | EQ Mid Width | 0.1 – 12.0 | 1 – 120 | ||
| 14 | Modulation Phase | -180 – +180[deg] | 0 – 16 | table#24 | |
| 15 | Feedback High Damp | 0.1 – 1.0 | 1 – 10 | ||
| 16 | Analog Feel | 0 – 10 | 0 – 10 |
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Type | Normal, Low, Mid, High, Low/High, Low/Mid, Mid/High, Full Bit, Wild, Attacky, Low End, Hard, Basic | 0 - 12 | ||
| 2 | Threshold Offset | -32 - +32 | 32 - 96 | ● | |
| 3 | Low Gain Offset | -63 - +63 | 1 - 127 | ||
| 4 | Mid Gain Offset | -63 - +63 | 1 - 127 | ||
| 5 | High Gain Offset | -63 - +63 | 1 - 127 | ||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | |||||
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
T FLANGER
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | LFO Freq | 16th - 4thx16 | 5 - 29 | table#14 | |
| 2 | LFO Depth | 0 - 127 | 0 - 127 | (table#19) | |
| 3 | Feedback Level | -63 - +63 | 1 - 127 | (table#17) | |
| 4 | Delay Offset | 0.0 - 50.0[ms] | 0 - 127 | table#2 | |
| 5 | LFO Phase Reset | Off (free run) | 0 | ||
| 6 | EQ Low Frequency | 32[Hz] - 2.0[kHz] | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12[dB] | 52 - 76 | ||
| 8 | EQ High Frequency | 500[Hz] - 16.0[kHz] | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12[dB] | 52 - 76 | ||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1 - 127 | (table#15) | ● |
| 11 | EQ mid frequency | 100[Hz] - 10.0[kHz] | 14 - 54 | table#3 | |
| 12 | EQ mid gain | -12 - +12[dB] | 52 - 76 | ||
| 13 | EQ mid width | 0.1 - 12.0 | 1 - 120 | ||
| 14 | LFO phase difference | -180 - +180[deg] | 4 - 124 | ||
| 15 | |||||
| 16 |
T PHASER
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | LFO Freq | 16th - 4thx16 | 5 - 29 | table#14 | |
| 2 | LFO Depth | 0 - 127 | 0 - 127 | (table#19) | |
| 3 | Phase Shift Offset | 0 - 127 | 0 - 127 | ||
| 4 | Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 5 | LFO Phase Reset | Off (free run) | 0 | ||
| 6 | EQ Low Frequency | 32[Hz] - 2.0[kHz] | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12[dB] | 52 - 76 | ||
| 8 | EQ High Frequency | 500[Hz] - 16.0[kHz] | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12[dB] | 52 - 76 | ||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1 - 127 | (table#15) | ● |
| 11 | Stage | 3 - 11 | 3 - 11 | ||
| 12 | |||||
| 13 | LFO phase difference | -180 - +180[deg] | 4 - 124 | ||
| 14 | |||||
| 15 | |||||
| 16 |
DYN FILTER
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Filter Type | LPF (12dB), LPF (18dB), LPF (24dB), HPF, BPF, BEF | 0 - 5 | ||
| 2 | Sensitivity | 0 - 127 | 0 - 127 | ● | |
| 3 | Dyna Level Offset | 0 - 127 | 0 - 127 | ||
| 4 | Resonance | -16 - +111 | 0 - 127 | ||
| 5 | Attack Time | 0.3 - 227[ms] | 0 - 127 | table#20 | |
| 6 | Release Time | 2.6 - 2171.4[ms] | 0 - 127 | table#21 | |
| 7 | Release Curve | 0 - 127 | 0 - 127 | ||
| 8 | Direction | Up, Down | 0 - 1 | ||
| 9 | Dyna Threshold Level | 0 - 127 | 0 - 127 | ||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1 - 127 | (table#15) | |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32[Hz] - 2.0[kHz] | 4 - 40 | table#3 | |
| 14 | EQ Low Gain | -12 - +12[dB] | 52 - 76 | ||
| 15 | EQ High Frequency | 500[Hz] - 16.0[kHz] | 28 - 58 | table#3 | |
| 16 | EQ High Gain | -12 - +12[dB] | 52 - 76 |
DYN FLANGER
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Sensitivity | 0 - 127 | 0 - 127 | ● | |
| 2 | Delay Time Offset | 0 - 127 | 0 - 127 | ||
| 3 | Feedback Level | -63 - +63 | 1 - 127 | (table#17) | |
| 4 | Attack Time | 0.3 - 227[ms] | 0 - 127 | table#20 | |
| 5 | Release Time | 2.6 - 2171[ms] | 0 - 127 | table#21 | |
| 6 | Release Curve | 0 - 127 | 0 - 127 | ||
| 7 | Direction | Up, Down | 0 - 1 | ||
| 8 | Dyna Threshold Level | 0 - 127 | 0 - 127 | ||
| 9 | Dyna Level Offset | 0 - 127 | 0 - 127 | ||
| 10 | Dry/Wet | D63>W - D=W - D<W63 | 1 - 127 | (table#15) | |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32[Hz] - 2.0[kHz] | 4 - 40 | table#3 | |
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500[Hz] - 16.0[kHz] | 28 - 58 | table#3 | |
| 16 | EQ High Gain | -12 - +12[dB] | 52 - 76 |
DYN PHASER
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Sensitivity | 0 - 127 | 0 - 127 | ● | |
| 2 | Dyna Level Offset | 0 - 127 | 0 - 127 | ||
| 3 | Feedback Level | -63 - +63 | 1 - 127 | (table#16) | |
| 4 | Attack Time | 0.3 - 227[ms] | 0 - 127 | table#20 | |
| 5 | Release Time | 2.6 - 2171[ms] | 0 - 127 | table#21 | |
| 6 | Release Curve | 0 - 127 | 0 - 127 | ||
| 7 | Direction | Up, Down | 0 - 1 | ||
| 8 | Dyna Threshold Level | 0 - 127 | 0 - 127 | ||
| 9 | |||||
| 10 | Dry/Wet | D63>W - D=W - D<W63 | 1 - 127 | (table#15) | |
| 11 | Stage | 4, 5, 6 | 4 - 6 | ||
| 12 | |||||
| 13 | EQ Low Frequency | 32[Hz] - 2.0[kHz] | 4 - 40 | table#3 | |
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500[Hz] - 16.0[kHz] | 28 - 58 | table#3 | |
| 16 | EQ High Gain | -12 - +12[dB] | 52 - 76 |
DYN BINGMOD
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Sensitivity | 0 - 127 | 0 - 127 | ● | |
| 2 | HPF Cutoff Frequency | Thru (20[Hz]) - 8.0[kHz] | 0 - 52 | table#3 | |
| 3 | LPF Cutoff Frequency | 1.0[kHz] - Thru (20.0[kHz]) | 34 - 60 | table#3 | |
| 4 | Attack Time | 0.3 - 227[ms] | 0 - 127 | table#20 | |
| 5 | Release Time | 2.6 - 2171.4[ms] | 0 - 127 | table#21 | |
| 6 | Release Curve | 0 - 127 | 0 - 127 | ||
| 7 | Direction | Up, Down | 0 - 1 | ||
| 8 | Dyna Threshold Level | 0 - 127 | 0 - 127 | ||
| 9 | Dyna Level Offset | 0 - 127 | 0 - 127 | ||
| 10 | Dry/Wet | D63>W - D=W - D<W63 | 1 - 127 | (table#15) | |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32[Hz] - 2.0[kHz] | 4 - 40 | table#3 | |
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500[Hz] - 16.0[kHz] | 28 - 58 | table#3 | |
| 16 | EQ High Gain | -12 - +12[dB] | 52 - 76 |
RING MOD
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Osc Freq Course | 0.7[Hz] - 5[kHz] | 0 - 127 | table#22 | ● |
| 2 | Osc Freq Fine | 0 - 127 | 0 - 127 | ||
| 3 | LFO Wave | Triangle, Sine | 0 - 1 | ||
| 4 | LFO Depth | 0 - 127 | 0 - 127 | (table#19) | |
| 5 | LFO Freq | 0.0 - 39.70[Hz] | 0 - 127 | table#1 | |
| 6 | HPF Cutoff Frequency | Thru (20[Hz]) - 8.0[kHz] | 0 - 52 | table#3 | |
| 7 | LPF Cutoff Frequency | 1.0[kHz] - Thru (20.0[kHz]) | 34 - 60 | table#3 | |
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1 - 127 | (table#15) | |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32[Hz] - 2.0[kHz] | 4 - 40 | table#3 | |
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500[Hz] - 16.0[kHz] | 28 - 58 | table#3 | |
| 16 | EQ High Gain | -12 - +12[dB] | 52 - 76 |
THRU
(All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | |||||
| 2 | |||||
| 3 | |||||
| 4 | |||||
| 5 | |||||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | |||||
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
ISOLATOR
(CVP-405/403/401: DSP1, Other models: all the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | On/off SW | Off, On | 0 - 1 | ● | |
| 2 | Low Level | 0 - 127 | 0 - 127 | ||
| 3 | Mid Level | 0 - 127 | 0 - 127 | ||
| 4 | High Level | 0 - 127 | 0 - 127 | ||
| 5 | Low Mute | Off, On | 0 - 1 | ||
| 6 | Mid Mute | Off, On | 0 - 1 | ||
| 7 | High Mute | Off, On | 0 - 1 | ||
| 8 | |||||
| 9 | |||||
| 10 | |||||
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
Parameter 10 Dry/Wet only affects insertion type effects.
(^1) Reverb Block
(^2) Chorus Block (CVP-407/409),DSP1 Block,DSP2-6 Block (CVP-407/409)
(^3) Chorus Block (CVP-401/403/405),DSP2-4 (CVP-401/403/405)
(^4) DSP1, DSP2-6 (CVP-407/409) only
VIBE VIBRATE
(All the DSP blocks)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | Vibrate Speed | 0.00Hz – 39.7Hz | 0 – 127 | table#1 | |
| 2 | Vibrate Depth (AM) | 0 – 127 | 0 – 127 | ||
| 3 | Vibrate Depth (PM) | 0 – 127 | 0 – 127 | ||
| 4 | |||||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz – 2.0kHz | 4 – 40 | table#3 | |
| 7 | EQ Low Gain | -12 – +12dB | 52 – 76 | ||
| 8 | EQ High Frequency | 500Hz – 16.0kHz | 28 – 58 | table#3 | |
| 9 | EQ High Gain | -12 – +12dB | 52 – 76 | ||
| 10 | Dry/Wet | D63> W – D= W – D< W63 | 1 – 127 | (table#15) | |
| 11 | EQ Mid Frequency (*) | 100Hz – 10.0kHz | 14 – 54 | table#3 | |
| 12 | EQ Mid Gain (*) | -12 – +12dB | 52 – 76 | ||
| 13 | EQ Mid Width (*) | 0.1 – 12.0 | 1 – 120 | ||
| 14 | LFO Phase Difference | -180 – +180deg(resolution=3deg.) | 4 – 124 | ||
| 15 | Input Mode | mono/stereo | 0 – 1 | ||
| 16 | Vibrate SW | Off, On | 0 – 1 | ● |
NO EFFECT
(Reverb, Chorus and DSP1)
| No. | Parameter | Display | Value | See Table | Control |
| 1 | |||||
| 2 | |||||
| 3 | |||||
| 4 | |||||
| 5 | |||||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | |||||
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
Delay Time (0.1 - 200.0 [ms])
| Data | Value | Data | Value | Data | Value | Data | Value |
| 0 | 0.1 | 32 | 50.5 | 64 | 100.8 | 96 | 151.2 |
| 1 | 1.7 | 33 | 52.0 | 65 | 102.4 | 97 | 152.8 |
| 2 | 3.2 | 34 | 53.6 | 66 | 104.0 | 98 | 154.4 |
| 3 | 4.8 | 35 | 55.2 | 67 | 105.6 | 99 | 155.9 |
| 4 | 6.4 | 36 | 56.8 | 68 | 107.1 | 100 | 157.5 |
| 5 | 8.0 | 37 | 58.3 | 69 | 108.7 | 101 | 159.1 |
| 6 | 9.5 | 38 | 59.9 | 70 | 110.3 | 102 | 160.6 |
| 7 | 11.1 | 39 | 61.5 | 71 | 111.9 | 103 | 162.2 |
| 8 | 12.7 | 40 | 63.1 | 72 | 113.4 | 104 | 163.8 |
| 9 | 14.3 | 41 | 64.6 | 73 | 115.0 | 105 | 165.4 |
| 10 | 15.8 | 42 | 66.2 | 74 | 116.6 | 106 | 166.9 |
| 11 | 17.4 | 43 | 67.8 | 75 | 118.2 | 107 | 168.5 |
| 12 | 19.0 | 44 | 69.4 | 76 | 119.7 | 108 | 170.1 |
| 13 | 20.6 | 45 | 70.9 | 77 | 121.3 | 109 | 171.7 |
| 14 | 22.1 | 46 | 72.5 | 78 | 122.9 | 110 | 173.2 |
| 15 | 23.7 | 47 | 74.1 | 79 | 124.4 | 111 | 174.8 |
| 16 | 25.3 | 48 | 75.7 | 80 | 126.0 | 112 | 176.4 |
| 17 | 26.9 | 49 | 77.2 | 81 | 127.6 | 113 | 178.0 |
| 18 | 28.4 | 50 | 78.8 | 82 | 129.2 | 114 | 179.5 |
| 19 | 30.0 | 51 | 80.4 | 83 | 130.7 | 115 | 181.1 |
| 20 | 31.6 | 52 | 81.9 | 84 | 132.3 | 116 | 182.7 |
| 21 | 33.2 | 53 | 83.5 | 85 | 133.9 | 117 | 184.3 |
| 22 | 34.7 | 54 | 85.1 | 86 | 135.5 | 118 | 185.8 |
| 23 | 36.3 | 55 | 86.7 | 87 | 137.0 | 119 | 187.4 |
| 24 | 37.9 | 56 | 88.2 | 88 | 138.6 | 120 | 189.0 |
| 25 | 39.5 | 57 | 89.8 | 89 | 140.2 | 121 | 190.6 |
| 26 | 41.0 | 58 | 91.4 | 90 | 141.8 | 122 | 192.1 |
| 27 | 42.6 | 59 | 93.0 | 91 | 143.3 | 123 | 193.7 |
| 28 | 44.2 | 60 | 94.5 | 92 | 144.9 | 124 | 195.3 |
| 29 | 45.7 | 61 | 96.1 | 93 | 146.5 | 125 | 196.9 |
| 30 | 47.3 | 62 | 97.7 | 94 | 148.1 | 126 | 198.4 |
| 31 | 48.9 | 63 | 99.3 | 95 | 149.6 | 127 | 200.0 |
table#7
Delay Time (0.1 - 400.0 [ms])
| Data | Value | Data | Value | Data | Value | Data | Value |
| 0 | 0.1 | 32 | 100.9 | 64 | 201.6 | 96 | 302.4 |
| 1 | 3.2 | 33 | 104.0 | 65 | 204.8 | 97 | 305.5 |
| 2 | 6.4 | 34 | 107.2 | 66 | 207.9 | 98 | 308.7 |
| 3 | 9.5 | 35 | 110.3 | 67 | 211.1 | 99 | 311.8 |
| 4 | 12.7 | 36 | 113.5 | 68 | 214.2 | 100 | 315.0 |
| 5 | 15.8 | 37 | 116.6 | 69 | 217.4 | 101 | 318.1 |
| 6 | 19.0 | 38 | 119.8 | 70 | 220.5 | 102 | 321.3 |
| 7 | 22.1 | 39 | 122.9 | 71 | 223.7 | 103 | 324.4 |
| 8 | 25.3 | 40 | 126.1 | 72 | 226.8 | 104 | 327.6 |
| 9 | 28.4 | 41 | 129.2 | 73 | 230.0 | 105 | 330.7 |
| 10 | 31.6 | 42 | 132.4 | 74 | 233.1 | 106 | 333.9 |
| 11 | 34.7 | 43 | 135.5 | 75 | 236.3 | 107 | 337.0 |
| 12 | 37.9 | 44 | 138.6 | 76 | 239.4 | 108 | 340.2 |
| 13 | 41.0 | 45 | 141.8 | 77 | 242.6 | 109 | 343.3 |
| 14 | 44.2 | 46 | 144.9 | 78 | 245.7 | 110 | 346.5 |
| 15 | 47.3 | 47 | 148.1 | 79 | 248.9 | 111 | 349.6 |
| 16 | 50.5 | 48 | 151.2 | 80 | 252.0 | 112 | 352.8 |
| 17 | 53.6 | 49 | 154.4 | 81 | 255.2 | 113 | 355.9 |
| 18 | 56.8 | 50 | 157.5 | 82 | 258.3 | 114 | 359.1 |
| 19 | 59.9 | 51 | 160.7 | 83 | 261.5 | 115 | 362.2 |
| 20 | 63.1 | 52 | 163.8 | 84 | 264.6 | 116 | 365.4 |
| 21 | 66.2 | 53 | 167.0 | 85 | 267.7 | 117 | 368.5 |
| 22 | 69.4 | 54 | 170.1 | 86 | 270.9 | 118 | 371.7 |
| 23 | 72.5 | 55 | 173.3 | 87 | 274.0 | 119 | 374.8 |
| 24 | 75.7 | 56 | 176.4 | 88 | 277.2 | 120 | 378.0 |
| 25 | 78.8 | 57 | 179.6 | 89 | 280.3 | 121 | 381.1 |
| 26 | 82.0 | 58 | 182.7 | 90 | 283.5 | 122 | 384.3 |
| 27 | 85.1 | 59 | 185.9 | 91 | 286.6 | 123 | 387.4 |
| 28 | 88.3 | 60 | 189.0 | 92 | 289.8 | 124 | 390.6 |
| 29 | 91.4 | 61 | 192.2 | 93 | 292.9 | 125 | 393.7 |
| 30 | 94.6 | 62 | 195.3 | 94 | 296.1 | 126 | 396.9 |
| 31 | 97.7 | 63 | 198.5 | 95 | 299.2 | 127 | 400.0 |
table#12
Wah Release Time
| Data | Value |
| 52 | 10 |
| 53 | 15 |
| 54 | 25 |
| 55 | 35 |
| 56 | 45 |
| 57 | 55 |
| 58 | 65 |
| 59 | 75 |
| 60 | 85 |
| 61 | 100 |
| 62 | 115 |
| 63 | 140 |
| 64 | 170 |
| 65 | 230 |
| 66 | 340 |
| 67 | 680 |
table#8
Compressor
Attack Time Release Time
| Data | Value |
| 0 | 1 |
| 1 | 2 |
| 2 | 3 |
| 3 | 4 |
| 4 | 5 |
| 5 | 6 |
| 6 | 7 |
| 7 | 8 |
| 8 | 9 |
| 9 | 10 |
| 10 | 12 |
| 11 | 14 |
| 12 | 16 |
| 13 | 18 |
| 14 | 20 |
| 15 | 23 |
| 16 | 26 |
| 17 | 30 |
| 18 | 35 |
| 19 | 40 |
table#9
Release Time
Compressor
| Data | Value |
| 0 | 10 |
| 1 | 15 |
| 2 | 25 |
| 3 | 35 |
| 4 | 45 |
| 5 | 55 |
| 6 | 65 |
| 7 | 75 |
| 8 | 85 |
| 9 | 100 |
| 10 | 115 |
| 11 | 140 |
| 12 | 170 |
| 13 | 230 |
| 14 | 340 |
| 15 | 680 |
table#10
Compressor
Ratio
| Data | Value |
| 0 | 1.0 |
| 1 | 1.5 |
| 2 | 2.0 |
| 3 | 3.0 |
| 4 | 5.0 |
| 5 | 7.0 |
| 6 | 10.0 |
| 7 | 20.0 |
Wah Release Time
table#13
LO-FI Sampling Frequency Control
| Data | Value | Data | Value | Data | Value | Data | Value |
| 0 | 44.1k | 32 | 1.34k | 64 | 678.0 | 96 | 455.0 |
| 1 | 22.1k | 33 | 1.30k | 65 | 668.0 | 97 | 450.0 |
| 2 | 14.7k | 34 | 1.26k | 66 | 658.0 | 98 | 445.0 |
| 3 | 11.0k | 35 | 1.23k | 67 | 649.0 | 99 | 441.0 |
| 4 | 8.8k | 36 | 1.19k | 68 | 639.0 | 100 | 437.0 |
| 5 | 7.4k | 37 | 1.16k | 69 | 630.0 | 101 | 432.0 |
| 6 | 6.3k | 38 | 1.13k | 70 | 621.0 | 102 | 428.0 |
| 7 | 5.5k | 39 | 1.10k | 71 | 613.0 | 103 | 424.0 |
| 8 | 4.9k | 40 | 1.08k | 72 | 604.0 | 104 | 420.0 |
| 9 | 4.4k | 41 | 1.05k | 73 | 596.0 | 105 | 416.0 |
| 10 | 4.0k | 42 | 1.03k | 74 | 588.0 | 106 | 412.0 |
| 11 | 3.7k | 43 | 1.00k | 75 | 580.0 | 107 | 408.0 |
| 12 | 3.4k | 44 | 980.0 | 76 | 573.0 | 108 | 405.0 |
| 13 | 3.2k | 45 | 959.0 | 77 | 565.0 | 109 | 401.0 |
| 14 | 2.9k | 46 | 938.0 | 78 | 558.0 | 110 | 397.0 |
| 15 | 2.8k | 47 | 919.0 | 79 | 551.0 | 111 | 394.0 |
| 16 | 2.6k | 48 | 900.0 | 80 | 544.0 | 112 | 390.0 |
| 17 | 2.5k | 49 | 882.0 | 81 | 538.0 | 113 | 387.0 |
| 18 | 2.3k | 50 | 865.0 | 82 | 531.0 | 114 | 383.0 |
| 19 | 2.2k | 51 | 848.0 | 83 | 525.0 | 115 | 380.0 |
| 20 | 2.1k | 52 | 832.0 | 84 | 519.0 | 116 | 377.0 |
| 21 | 2.0k | 53 | 817.0 | 85 | 513.0 | 117 | 374.0 |
| 22 | 1.92k | 54 | 802.0 | 86 | 507.0 | 118 | 371.0 |
| 23 | 1.84k | 55 | 788.0 | 87 | 501.0 | 119 | 368.0 |
| 24 | 1.76k | 56 | 774.0 | 88 | 496.0 | 120 | 364.0 |
| 25 | 1.70k | 57 | 760.0 | 89 | 490.0 | 121 | 361.0 |
| 26 | 1.63k | 58 | 747.0 | 90 | 485.0 | 122 | 359.0 |
| 27 | 1.58k | 59 | 735.0 | 91 | 479.0 | 123 | 356.0 |
| 28 | 1.52k | 60 | 723.0 | 92 | 474.0 | 124 | 353.0 |
| 29 | 1.47k | 61 | 711.0 | 93 | 469.0 | 125 | 350.0 |
| 30 | 1.42k | 62 | 700.0 | 94 | 464.0 | 126 | 347.0 |
| 31 | 1.38k | 63 | 689.0 | 95 | 459.0 | 127 | 345.0 |
table#3
EQ Frequency
| Data | Value | Data | Value |
| 0 | THRU(20) | 32 | 800 |
| 1 | 22 | 33 | 900 |
| 2 | 25 | 34 | 1.0k |
| 3 | 28 | 35 | 1.1k |
| 4 | 32 | 36 | 1.2k |
| 5 | 36 | 37 | 1.4k |
| 6 | 40 | 38 | 1.6k |
| 7 | 45 | 39 | 1.8k |
| 8 | 50 | 40 | 2.0k |
| 9 | 56 | 41 | 2.2k |
| 10 | 63 | 42 | 2.5k |
| 11 | 70 | 43 | 2.8k |
| 12 | 80 | 44 | 3.2k |
| 13 | 90 | 45 | 3.6k |
| 14 | 100 | 46 | 4.0k |
| 15 | 110 | 47 | 4.5k |
| 16 | 125 | 48 | 5.0k |
| 17 | 140 | 49 | 5.6k |
| 18 | 160 | 50 | 6.3k |
| 19 | 180 | 51 | 7.0k |
| 20 | 200 | 52 | 8.0k |
| 21 | 225 | 53 | 9.0k |
| 22 | 250 | 54 | 10.0k |
| 23 | 280 | 55 | 11.0k |
| 24 | 315 | 56 | 12.0k |
| 25 | 355 | 57 | 14.0k |
| 26 | 400 | 58 | 16.0k |
| 27 | 450 | 59 | 18.0k |
| 28 | 500 | 60 | THRU(20.0k) |
| 29 | 560 | ||
| 30 | 630 | ||
| 31 | 700 | ||
table#6
Room Size
| Data | Value | Data | Value | Data | Value | Data | Value |
| 0 | 0.1 | 32 | 5.1 | 64 | 10.1 | 96 | 15.1 |
| 1 | 0.3 | 33 | 5.3 | 65 | 10.3 | 97 | 15.3 |
| 2 | 0.4 | 34 | 5.4 | 66 | 10.4 | 98 | 15.5 |
| 3 | 0.6 | 35 | 5.6 | 67 | 10.6 | 99 | 15.6 |
| 4 | 0.7 | 36 | 5.7 | 68 | 10.8 | 100 | 15.8 |
| 5 | 0.9 | 37 | 5.9 | 69 | 10.9 | 101 | 15.9 |
| 6 | 1.0 | 38 | 6.1 | 70 | 11.1 | 102 | 16.1 |
| 7 | 1.2 | 39 | 6.2 | 71 | 11.2 | 103 | 16.2 |
| 8 | 1.4 | 40 | 6.4 | 72 | 11.4 | 104 | 16.4 |
| 9 | 1.5 | 41 | 6.5 | 73 | 11.5 | 105 | 16.6 |
| 10 | 1.7 | 42 | 6.7 | 74 | 11.7 | 106 | 16.7 |
| 11 | 1.8 | 43 | 6.8 | 75 | 11.9 | 107 | 16.9 |
| 12 | 2.0 | 44 | 7.0 | 76 | 12.0 | 108 | 17.0 |
| 13 | 2.1 | 45 | 7.2 | 77 | 12.2 | 109 | 17.2 |
| 14 | 2.3 | 46 | 7.3 | 78 | 12.3 | 110 | 17.3 |
| 15 | 2.5 | 47 | 7.5 | 79 | 12.5 | 111 | 17.5 |
| 16 | 2.6 | 48 | 7.6 | 80 | 12.6 | 112 | 17.6 |
| 17 | 2.8 | 49 | 7.8 | 81 | 12.8 | 113 | 17.8 |
| 18 | 2.9 | 50 | 7.9 | 82 | 12.9 | 114 | 18.0 |
| 19 | 3.1 | 51 | 8.1 | 83 | 13.1 | 115 | 18.1 |
| 20 | 3.2 | 52 | 8.2 | 84 | 13.3 | 116 | 18.3 |
| 21 | 3.4 | 53 | 8.4 | 85 | 13.4 | 117 | 18.4 |
| 22 | 3.5 | 54 | 8.6 | 86 | 13.6 | 118 | 18.6 |
| 23 | 3.7 | 55 | 8.7 | 87 | 13.7 | 119 | 18.7 |
| 24 | 3.9 | 56 | 8.9 | 88 | 13.9 | 120 | 18.9 |
| 25 | 4.0 | 57 | 9.0 | 89 | 14.0 | 121 | 19.1 |
| 26 | 4.2 | 58 | 9.2 | 90 | 14.2 | 122 | 19.2 |
| 27 | 4.3 | 59 | 9.3 | 91 | 14.4 | 123 | 19.4 |
| 28 | 4.5 | 60 | 9.5 | 92 | 14.5 | 124 | 19.5 |
| 29 | 4.6 | 61 | 9.7 | 93 | 14.7 | 125 | 19.7 |
| 30 | 4.8 | 62 | 9.8 | 94 | 14.8 | 126 | 19.8 |
| 31 | 5.0 | 63 | 10.0 | 95 | 15.0 | 127 | 20.0 |
table#11
Reverb Width; Depth; Height
| Data | Value | Data | Value | Data | Value | Data | Value |
| 0 | 0.5 | 32 | 8.8 | 64 | 17.6 | 96 | 27.5 |
| 1 | 0.8 | 33 | 9.1 | 65 | 17.9 | 97 | 27.8 |
| 2 | 1.0 | 34 | 9.4 | 66 | 18.2 | 98 | 28.1 |
| 3 | 1.3 | 35 | 9.6 | 67 | 18.5 | 99 | 28.5 |
| 4 | 1.5 | 36 | 9.9 | 68 | 18.8 | 100 | 28.8 |
| 5 | 1.8 | 37 | 10.2 | 69 | 19.1 | 101 | 29.2 |
| 6 | 2.0 | 38 | 10.4 | 70 | 19.4 | 102 | 29.5 |
| 7 | 2.3 | 39 | 10.7 | 71 | 19.7 | 103 | 29.9 |
| 8 | 2.6 | 40 | 11.0 | 72 | 20.0 | 104 | 30.2 |
| 9 | 2.8 | 41 | 11.2 | 73 | 20.2 | ||
| 10 | 3.1 | 42 | 11.5 | 74 | 20.5 | ||
| 11 | 3.3 | 43 | 11.8 | 75 | 20.8 | ||
| 12 | 3.6 | 44 | 12.1 | 76 | 21.1 | ||
| 13 | 3.9 | 45 | 12.3 | 77 | 21.4 | ||
| 14 | 4.1 | 46 | 12.6 | 78 | 21.7 | ||
| 15 | 4.4 | 47 | 12.9 | 79 | 22.0 | ||
| 16 | 4.6 | 48 | 13.1 | 80 | 22.4 | ||
| 17 | 4.9 | 49 | 13.4 | 81 | 22.7 | ||
| 18 | 5.2 | 50 | 13.7 | 82 | 23.0 | ||
| 19 | 5.4 | 51 | 14.0 | 83 | 23.3 | ||
| 20 | 5.7 | 52 | 14.2 | 84 | 23.6 | ||
| 21 | 5.9 | 53 | 14.5 | 85 | 23.9 | ||
| 22 | 6.2 | 54 | 14.8 | 86 | 24.2 | ||
| 23 | 6.5 | 55 | 15.1 | 87 | 24.5 | ||
| 24 | 6.7 | 56 | 15.4 | 88 | 24.9 | ||
| 25 | 7.0 | 57 | 15.6 | 89 | 25.2 | ||
| 26 | 7.2 | 58 | 15.9 | 90 | 25.5 | ||
| 27 | 7.5 | 59 | 16.2 | 91 | 25.8 | ||
| 28 | 7.8 | 60 | 16.5 | 92 | 26.1 | ||
| 29 | 8.0 | 61 | 16.8 | 93 | 26.5 | ||
| 30 | 8.3 | 62 | 17.1 | 94 | 26.8 | ||
| 31 | 8.6 | 63 | 17.3 | 95 | 27.1 |
table#14
Tempo
| Data | Value | Data | Value | Data | Value |
| 0 | 64th/3 | 32 | 4thX19 | 64 | 4thX51 |
| 1 | 64th. | 33 | 4thX20 | 65 | 4thX52 |
| 2 | 32th | 34 | 4thX21 | 66 | 4thX53 |
| 3 | 32th/3 | 35 | 4thX22 | 67 | 4thX54 |
| 4 | 32th. | 36 | 4thX23 | 68 | 4thX55 |
| 5 | 16th | 37 | 4thX24 | 69 | 4thX56 |
| 6 | 16th/3 | 38 | 4thX25 | 70 | 4thX57 |
| 7 | 16th. | 39 | 4thX26 | 71 | 4thX58 |
| 8 | 8th | 40 | 4thX27 | 72 | 4thX59 |
| 9 | 8th/3 | 41 | 4thX28 | 73 | 4thX60 |
| 10 | 8th. | 42 | 4thX29 | 74 | 4thX61 |
| 11 | 4th | 43 | 4thX30 | 75 | 4thX62 |
| 12 | 4th/3 | 44 | 4thX31 | 76 | 4thX63 |
| 13 | 4th. | 45 | 4thX32 | 77 | 4thX64 |
| 14 | 2nd | 46 | 4thX33 | ||
| 15 | 2nd/3 | 47 | 4thX34 | ||
| 16 | 2nd. | 48 | 4thX35 | ||
| 17 | 4thX4 | 49 | 4thX36 | ||
| 18 | 4thX5 | 50 | 4thX37 | ||
| 19 | 4thX6 | 51 | 4thX38 | ||
| 20 | 4thX7 | 52 | 4thX39 | ||
| 21 | 4thX8 | 53 | 4thX40 | ||
| 22 | 4thX9 | 54 | 4thX41 | ||
| 23 | 4thX10 | 55 | 4thX42 | ||
| 24 | 4thX11 | 56 | 4thX43 | ||
| 25 | 4thX12 | 57 | 4thX44 | ||
| 26 | 4thX13 | 58 | 4thX45 | ||
| 27 | 4thX14 | 59 | 4thX46 | ||
| 28 | 4thX15 | 60 | 4thX47 | ||
| 29 | 4thX16 | 61 | 4thX48 | ||
| 30 | 4thX17 | 62 | 4thX49 | ||
| 31 | 4thX18 | 63 | 4thX50 |
table#15 Dry/Wet
| Data | Dry (dB) | Wet (dB) | Data | Dry (dB) | Wet (dB) | Data | Dry (dB) | Wet (dB) |
| 1 | 0.00 | -∞ | 44 | 0.00 | -6.63 | 87 | -7.89 | 0.00 |
| 2 | 0.00 | -71.97 | 45 | 0.00 | -6.24 | 88 | -8.33 | 0.00 |
| 3 | 0.00 | -59.93 | 46 | 0.00 | -5.85 | 89 | -8.78 | 0.00 |
| 4 | 0.00 | -52.89 | 47 | 0.00 | -5.46 | 90 | -9.25 | 0.00 |
| 5 | 0.00 | -47.89 | 48 | 0.00 | -5.09 | 91 | -9.72 | 0.00 |
| 6 | 0.00 | -44.01 | 49 | 0.00 | -4.72 | 92 | -10.21 | 0.00 |
| 7 | 0.00 | -40.85 | 50 | 0.00 | -4.37 | 93 | -10.71 | 0.00 |
| 8 | 0.00 | -38.17 | 51 | 0.00 | -4.01 | 94 | -11.23 | 0.00 |
| 9 | 0.00 | -35.85 | 52 | 0.00 | -3.67 | 95 | -11.77 | 0.00 |
| 10 | 0.00 | -33.80 | 53 | 0.00 | -3.33 | 96 | -12.32 | 0.00 |
| 11 | 0.00 | -31.97 | 54 | 0.00 | -3.00 | 97 | -12.89 | 0.00 |
| 12 | 0.00 | -30.32 | 55 | 0.00 | -2.68 | 98 | -13.48 | 0.00 |
| 13 | 0.00 | -28.81 | 56 | 0.00 | -2.36 | 99 | -14.09 | 0.00 |
| 14 | 0.00 | -27.42 | 57 | 0.00 | -2.05 | 100 | -14.72 | 0.00 |
| 15 | 0.00 | -26.13 | 58 | 0.00 | -1.74 | 101 | -15.37 | 0.00 |
| 16 | 0.00 | -24.93 | 59 | 0.00 | -1.44 | 102 | -16.06 | 0.00 |
| 17 | 0.00 | -23.81 | 60 | 0.00 | -1.14 | 103 | -16.77 | 0.00 |
| 18 | 0.00 | -22.76 | 61 | 0.00 | -0.85 | 104 | -17.50 | 0.00 |
| 19 | 0.00 | -21.76 | 62 | 0.00 | -0.56 | 105 | -18.28 | 0.00 |
| 20 | 0.00 | -20.82 | 63 | 0.00 | -0.28 | 106 | -19.08 | 0.00 |
| 21 | 0.00 | -19.93 | 64 | 0.00 | 0.00 | 107 | -19.93 | 0.00 |
| 22 | 0.00 | -19.08 | 65 | -0.28 | 0.00 | 108 | -20.82 | 0.00 |
| 23 | 0.00 | -18.28 | 66 | -0.56 | 0.00 | 109 | -21.76 | 0.00 |
| 24 | 0.00 | -17.50 | 67 | -0.85 | 0.00 | 110 | -22.76 | 0.00 |
| 25 | 0.00 | -16.77 | 68 | -1.14 | 0.00 | 111 | -23.81 | 0.00 |
| 26 | 0.00 | -16.06 | 69 | -1.44 | 0.00 | 112 | -24.93 | 0.00 |
| 27 | 0.00 | -15.37 | 70 | -1.74 | 0.00 | 113 | -26.13 | 0.00 |
| 28 | 0.00 | -14.72 | 71 | -2.05 | 0.00 | 114 | -27.42 | 0.00 |
| 29 | 0.00 | -14.09 | 72 | -2.36 | 0.00 | 115 | -28.81 | 0.00 |
| 30 | 0.00 | -13.48 | 73 | -2.68 | 0.00 | 116 | -30.32 | 0.00 |
| 31 | 0.00 | -12.89 | 74 | -3.00 | 0.00 | 117 | -31.97 | 0.00 |
| 32 | 0.00 | -12.32 | 75 | -3.33 | 0.00 | 118 | -33.80 | 0.00 |
| 33 | 0.00 | -11.77 | 76 | -3.67 | 0.00 | 119 | -35.85 | 0.00 |
| 34 | 0.00 | -11.23 | 77 | -4.01 | 0.00 | 120 | -38.17 | 0.00 |
| 35 | 0.00 | -10.71 | 78 | -4.37 | 0.00 | 121 | -40.85 | 0.00 |
| 36 | 0.00 | -10.21 | 79 | -4.72 | 0.00 | 122 | -44.01 | 0.00 |
| 37 | 0.00 | -9.72 | 80 | -5.09 | 0.00 | 123 | -47.89 | 0.00 |
| 38 | 0.00 | -9.25 | 81 | -5.46 | 0.00 | 124 | -52.89 | 0.00 |
| 39 | 0.00 | -8.78 | 82 | -5.85 | 0.00 | 125 | -59.93 | 0.00 |
| 40 | 0.00 | -8.33 | 83 | -6.24 | 0.00 | 126 | -71.97 | 0.00 |
| 41 | 0.00 | -7.89 | 84 | -6.63 | 0.00 | 127 | -∞ | 0.00 |
| 42 | 0.00 | -7.46 | 85 | -7.04 | 0.00 | |||
| 43 | 0.00 | -7.04 | 86 | -7.46 | 0.00 | |||
table#16 Feedback Level (Reverb, Delay types, Flanger types)
| Data | Value (%) | Data | Value (%) | Data | Value (%) |
| 1 | -99.20654297 | 44 | -31.49414063 | 87 | 36.21826172 |
| 2 | -97.63183594 | 45 | -29.91943359 | 88 | 37.79296875 |
| 3 | -96.05712891 | 46 | -28.34472656 | 89 | 39.36767578 |
| 4 | -94.48242188 | 47 | -26.77001953 | 90 | 40.94238281 |
| 5 | -92.90771484 | 48 | -25.1953125 | 91 | 42.51708984 |
| 6 | -91.33300781 | 49 | -23.62060547 | 92 | 44.09179688 |
| 7 | -89.758300078 | 50 | -22.04589844 | 93 | 45.66650391 |
| 8 | -88.18359375 | 51 | -20.47119141 | 94 | 47.24121094 |
| 9 | -86.60888672 | 52 | -18.89648438 | 95 | 48.81591797 |
| 10 | -85.03417969 | 53 | -17.32177734 | 96 | 50.390625 |
| 11 | -83.45947266 | 54 | -15.74707031 | 97 | 51.96533203 |
| 12 | -81.88476563 | 55 | -14.17236328 | 98 | 53.54003906 |
| 13 | -80.31005859 | 56 | -12.59765625 | 99 | 55.11474609 |
| 14 | -78.73535156 | 57 | -11.02294922 | 100 | 56.68945313 |
| 15 | -77.16064453 | 58 | -9.448242188 | 101 | 58.26416016 |
| 16 | -75.5859375 | 59 | -7.873535156 | 102 | 59.83886719 |
| 17 | -74.01123047 | 60 | -6.298828125 | 103 | 61.41357422 |
| 18 | -72.43652344 | 61 | -4.724121094 | 104 | 62.98828125 |
| 19 | -70.86181641 | 62 | -3.149414063 | 105 | 64.56298828 |
| 20 | -69.28710938 | 63 | -1.574707031 | 106 | 66.13769531 |
| 21 | -67.71240234 | 64 | 0 | 107 | 67.71240234 |
| 22 | -66.13769531 | 65 | 1.574707031 | 108 | 69.28710938 |
| 23 | -64.56298828 | 66 | 3.149414063 | 109 | 70.86181641 |
| 24 | -62.98828125 | 67 | 4.724121094 | 110 | 72.43652344 |
| 25 | -61.41357422 | 68 | 6.298828125 | 111 | 74.01123047 |
| 26 | -59.83886719 | 69 | 7.873535156 | 112 | 75.5859375 |
| 27 | -58.26416016 | 70 | 9.448242188 | 113 | 77.16064453 |
| 28 | -56.68945313 | 71 | 11.02294922 | 114 | 78.73535156 |
| 29 | -55.11474609 | 72 | 12.59765625 | 115 | 80.31005859 |
| 30 | -53.54003906 | 73 | 14.17236328 | 116 | 81.88476563 |
| 31 | -51.96533203 | 74 | 15.74707031 | 117 | 83.45947266 |
| 32 | -50.390625 | 75 | 17.32177734 | 118 | 85.03417969 |
| 33 | -48.81591797 | 76 | 18.89648438 | 119 | 86.60888672 |
| 34 | -47.24121094 | 77 | 20.47119141 | 120 | 88.18359375 |
| 35 | -45.66650391 | 78 | 22.04589844 | 121 | 89.75830078 |
| 36 | -44.09179688 | 79 | 23.62060547 | 122 | 91.33300781 |
| 37 | -42.51708984 | 80 | 25.1953125 | 123 | 92.90771484 |
| 38 | -40.94238281 | 81 | 26.77001953 | 124 | 94.48242188 |
| 39 | -39.36767578 | 82 | 28.34472656 | 125 | 96.05712891 |
| 40 | -37.79296875 | 83 | 29.91943359 | 126 | 97.63183594 |
| 41 | -36.21826172 | 84 | 31.49414063 | 127 | 99.20654297 |
| 42 | -34.64355469 | 85 | 33.06884766 | ||
| 43 | -33.06884766 | 86 | 34.64355469 | ||
table#17 Feedback Level (Chorus types)
| Data | Value (%) | Data | Value (%) | Data | Value (%) | Data | Value (%) |
| 1 | -72.29 | 33 | -35.57 | 65 | 1.15 | 97 | 37.87 |
| 2 | -71.14 | 34 | -34.42 | 66 | 2.29 | 98 | 39.01 |
| 3 | -70.00 | 35 | -33.28 | 67 | 3.44 | 99 | 40.16 |
| 4 | -68.85 | 36 | -32.13 | 68 | 4.59 | 100 | 41.31 |
| 5 | -67.70 | 37 | -30.98 | 69 | 5.74 | 101 | 42.46 |
| 6 | -66.55 | 38 | -29.83 | 70 | 6.88 | 102 | 43.60 |
| 7 | -65.41 | 39 | -28.69 | 71 | 8.03 | 103 | 44.75 |
| 8 | -64.26 | 40 | -27.54 | 72 | 9.18 | 104 | 45.90 |
| 9 | -63.11 | 41 | -26.39 | 73 | 10.33 | 105 | 47.05 |
| 10 | -61.96 | 42 | -25.24 | 74 | 11.47 | 106 | 48.19 |
| 11 | -60.82 | 43 | -24.10 | 75 | 12.62 | 107 | 49.34 |
| 12 | -59.67 | 44 | -22.95 | 76 | 13.77 | 108 | 50.49 |
| 13 | -58.52 | 45 | -21.80 | 77 | 14.92 | 109 | 51.64 |
| 14 | -57.37 | 46 | -20.65 | 78 | 16.06 | 110 | 52.78 |
| 15 | -56.23 | 47 | -19.51 | 79 | 17.21 | 111 | 53.93 |
| 16 | -55.08 | 48 | -18.36 | 80 | 18.36 | 112 | 55.08 |
| 17 | -53.93 | 49 | -17.21 | 81 | 19.51 | 113 | 56.23 |
| 18 | -52.78 | 50 | -16.06 | 82 | 20.65 | 114 | 57.37 |
| 19 | -51.64 | 51 | -14.92 | 83 | 21.80 | 115 | 58.52 |
| 20 | -50.49 | 52 | -13.77 | 84 | 22.95 | 116 | 59.67 |
| 21 | -49.34 | 53 | -12.62 | 85 | 24.10 | 117 | 60.82 |
| 22 | -48.19 | 54 | -11.47 | 86 | 25.24 | 118 | 61.96 |
| 23 | -47.05 | 55 | -10.33 | 87 | 26.39 | 119 | 63.11 |
| 24 | -45.90 | 56 | -9.18 | 88 | 27.54 | 120 | 64.26 |
| 25 | -44.75 | 57 | -8.03 | 89 | 28.69 | 121 | 65.41 |
| 26 | -43.60 | 58 | -6.88 | 90 | 29.83 | 122 | 66.55 |
| 27 | -42.46 | 59 | -5.74 | 91 | 30.98 | 123 | 67.70 |
| 28 | -41.31 | 60 | -4.59 | 92 | 32.13 | 124 | 68.85 |
| 29 | -40.16 | 61 | -3.44 | 93 | 33.28 | 125 | 70.00 |
| 30 | -39.01 | 62 | -2.29 | 94 | 34.42 | 126 | 71.14 |
| 31 | -37.87 | 63 | -1.15 | 95 | 35.57 | 127 | 72.29 |
| 32 | -36.72 | 64 | 0.00 | 96 | 36.72 |
Table#18 Level
| Data | dB | Data | dB | Data | dB | Data | dB |
| 0 | ∞ | 32 | -23.95 | 64 | -11.90 | 96 | -4.86 |
| 1 | -84.15 | 33 | -23.41 | 65 | -11.64 | 97 | -4.68 |
| 2 | -72.11 | 34 | -22.89 | 66 | -11.37 | 98 | -4.50 |
| 3 | -65.07 | 35 | -22.39 | 67 | -11.11 | 99 | -4.33 |
| 4 | -60.07 | 36 | -21.90 | 68 | -10.85 | 100 | -4.15 |
| 5 | -56.19 | 37 | -21.42 | 69 | -10.60 | 101 | -3.98 |
| 6 | -53.03 | 38 | -20.96 | 70 | -10.35 | 102 | -3.81 |
| 7 | -50.35 | 39 | -20.51 | 71 | -10.10 | 103 | -3.64 |
| 8 | -48.03 | 40 | -20.07 | 72 | -9.86 | 104 | -3.47 |
| 9 | -45.98 | 41 | -19.64 | 73 | -9.62 | 105 | -3.30 |
| 10 | -44.15 | 42 | -19.22 | 74 | -9.38 | 106 | -3.14 |
| 11 | -42.50 | 43 | -18.81 | 75 | -9.15 | 107 | -2.98 |
| 12 | -40.98 | 44 | -18.41 | 76 | -8.92 | 108 | -2.82 |
| 13 | -39.59 | 45 | -18.02 | 77 | -8.69 | 109 | -2.66 |
| 14 | -38.31 | 46 | -17.64 | 78 | -8.47 | 110 | -2.50 |
| 15 | -37.11 | 47 | -17.27 | 79 | -8.25 | 111 | -2.34 |
| 16 | -35.99 | 48 | -16.90 | 80 | -8.03 | 112 | -2.18 |
| 17 | -34.93 | 49 | -16.54 | 81 | -7.81 | 113 | -2.03 |
| 18 | -33.94 | 50 | -16.19 | 82 | -7.60 | 114 | -1.88 |
| 19 | -33.00 | 51 | -15.85 | 83 | -7.39 | 115 | -1.72 |
| 20 | -32.11 | 52 | -15.51 | 84 | -7.18 | 116 | -1.57 |
| 21 | -31.26 | 53 | -15.18 | 85 | -6.98 | 117 | -1.42 |
| 22 | -30.46 | 54 | -14.86 | 86 | -6.77 | 118 | -1.28 |
| 23 | -29.68 | 55 | -14.54 | 87 | -6.57 | 119 | -1.13 |
| 24 | -28.94 | 56 | -14.22 | 88 | -6.37 | 120 | -0.98 |
| 25 | -28.23 | 57 | -13.92 | 89 | -6.18 | 121 | -0.84 |
| 26 | -27.55 | 58 | -13.62 | 90 | -5.98 | 122 | -0.70 |
| 27 | -26.90 | 59 | -13.32 | 91 | -5.79 | 123 | -0.56 |
| 28 | -26.27 | 60 | -13.03 | 92 | -5.60 | 124 | -0.42 |
| 29 | -25.66 | 61 | -12.74 | 93 | -5.41 | 125 | -0.28 |
| 30 | -25.07 | 62 | -12.46 | 94 | -5.23 | 126 | -0.14 |
| 31 | -24.50 | 63 | -12.18 | 95 | -5.04 | 127 | 0.00 |
table#19 LFO Depth
| Data | Value (%) | Data | Value (%) | Data | Value (%) | Data | Value (%) |
| 0 | 0.00 | 32 | 25.20 | 64 | 50.39 | 96 | 75.59 |
| 1 | 0.78 | 33 | 25.98 | 65 | 51.17 | 97 | 76.37 |
| 2 | 1.56 | 34 | 26.76 | 66 | 51.95 | 98 | 77.15 |
| 3 | 2.34 | 35 | 27.54 | 67 | 52.73 | 99 | 77.93 |
| 4 | 3.13 | 36 | 28.32 | 68 | 53.52 | 100 | 78.71 |
| 5 | 3.91 | 37 | 29.10 | 69 | 54.30 | 101 | 79.49 |
| 6 | 4.69 | 38 | 29.88 | 70 | 55.08 | 102 | 80.27 |
| 7 | 5.47 | 39 | 30.66 | 71 | 55.86 | 103 | 81.05 |
| 8 | 6.25 | 40 | 31.45 | 72 | 56.64 | 104 | 81.84 |
| 9 | 7.03 | 41 | 32.23 | 73 | 57.42 | 105 | 82.62 |
| 10 | 7.81 | 42 | 33.01 | 74 | 58.20 | 106 | 83.40 |
| 11 | 8.59 | 43 | 33.79 | 75 | 58.98 | 107 | 84.18 |
| 12 | 9.38 | 44 | 34.57 | 76 | 59.77 | 108 | 84.96 |
| 13 | 10.16 | 45 | 35.35 | 77 | 60.55 | 109 | 85.74 |
| 14 | 10.94 | 46 | 36.13 | 78 | 61.33 | 110 | 86.52 |
| 15 | 11.72 | 47 | 36.91 | 79 | 62.11 | 111 | 87.30 |
| 16 | 12.50 | 48 | 37.70 | 80 | 62.89 | 112 | 88.09 |
| 17 | 13.28 | 49 | 38.48 | 81 | 63.67 | 113 | 88.87 |
| 18 | 14.06 | 50 | 39.26 | 82 | 64.45 | 114 | 89.65 |
| 19 | 14.84 | 51 | 40.04 | 83 | 65.23 | 115 | 90.43 |
| 20 | 15.63 | 52 | 40.82 | 84 | 66.02 | 116 | 91.21 |
| 21 | 16.41 | 53 | 41.60 | 85 | 66.80 | 117 | 91.99 |
| 22 | 17.19 | 54 | 42.38 | 86 | 67.58 | 118 | 92.77 |
| 23 | 17.97 | 55 | 43.16 | 87 | 68.36 | 119 | 93.55 |
| 24 | 18.75 | 56 | 43.95 | 88 | 69.14 | 120 | 94.34 |
| 25 | 19.53 | 57 | 44.73 | 89 | 69.92 | 121 | 95.12 |
| 26 | 20.31 | 58 | 45.51 | 90 | 70.70 | 122 | 95.90 |
| 27 | 21.09 | 59 | 46.29 | 91 | 71.48 | 123 | 96.68 |
| 28 | 21.88 | 60 | 47.07 | 92 | 72.27 | 124 | 97.46 |
| 29 | 22.66 | 61 | 47.85 | 93 | 73.05 | 125 | 98.24 |
| 30 | 23.44 | 62 | 48.63 | 94 | 73.83 | 126 | 99.02 |
| 31 | 24.22 | 63 | 49.41 | 95 | 74.61 | 127 | 100.00 |
table#20 Dyna Attack Time (ms)
| Data | Value | Data | Value | Data | Value | Data | Value |
| 0 | 0.3 | 32 | 54.0 | 64 | 112 | 96 | 170 |
| 1 | 0.9 | 33 | 56.0 | 65 | 114 | 97 | 172 |
| 2 | 1.8 | 34 | 58.0 | 66 | 116 | 98 | 174 |
| 3 | 2.7 | 35 | 60.0 | 67 | 118 | 99 | 176 |
| 4 | 3.6 | 36 | 61.0 | 68 | 120 | 100 | 178 |
| 5 | 5.4 | 37 | 63.0 | 69 | 121 | 101 | 180 |
| 6 | 7.2 | 38 | 65.0 | 70 | 123 | 102 | 181 |
| 7 | 9.0 | 39 | 67.0 | 71 | 125 | 103 | 183 |
| 8 | 10.0 | 40 | 69.0 | 72 | 127 | 104 | 185 |
| 9 | 12.0 | 41 | 70.0 | 73 | 129 | 105 | 187 |
| 10 | 14.0 | 42 | 72.0 | 74 | 130 | 106 | 189 |
| 11 | 16.0 | 43 | 74.0 | 75 | 132 | 107 | 190 |
| 12 | 18.0 | 44 | 76.0 | 76 | 134 | 108 | 192 |
| 13 | 20.0 | 45 | 78.0 | 77 | 136 | 109 | 194 |
| 14 | 21.0 | 46 | 80.0 | 78 | 138 | 110 | 196 |
| 15 | 23.0 | 47 | 81.0 | 79 | 140 | 111 | 198 |
| 16 | 25.0 | 48 | 83.0 | 80 | 141 | 112 | 200 |
| 17 | 27.0 | 49 | 85.0 | 81 | 143 | 113 | 201 |
| 18 | 29.0 | 50 | 87.0 | 82 | 145 | 114 | 203 |
| 19 | 30.0 | 51 | 89.0 | 83 | 147 | 115 | 205 |
| 20 | 32.0 | 52 | 90.0 | 84 | 149 | 116 | 207 |
| 21 | 34.0 | 53 | 92.0 | 85 | 150 | 117 | 209 |
| 22 | 36.0 | 54 | 94.0 | 86 | 152 | 118 | 210 |
| 23 | 38.0 | 55 | 96.0 | 87 | 154 | 119 | 212 |
| 24 | 40.0 | 56 | 98.0 | 88 | 156 | 120 | 214 |
| 25 | 41.0 | 57 | 100.0 | 89 | 158 | 121 | 216 |
| 26 | 43.0 | 58 | 101.0 | 90 | 160 | 122 | 218 |
| 27 | 45.0 | 59 | 103.0 | 91 | 161 | 123 | 220 |
| 28 | 47.0 | 60 | 105.0 | 92 | 163 | 124 | 221 |
| 29 | 49.0 | 61 | 107.0 | 93 | 165 | 125 | 223 |
| 30 | 50.0 | 62 | 109.0 | 94 | 167 | 126 | 225 |
| 31 | 52.0 | 63 | 110.0 | 95 | 169 | 127 | 227 |
table#21 Dyna Release Time (ms)
| Data | Value | Data | Value | Data | Value | Data | Value |
| 0 | 2.6 | 32 | 86.8 | 64 | 369.1 | 96 | 1064.0 |
| 1 | 3.0 | 33 | 91.2 | 65 | 390.8 | 97 | 1085.7 |
| 2 | 3.4 | 34 | 95.5 | 66 | 412.5 | 98 | 1107.4 |
| 3 | 3.9 | 35 | 99.8 | 67 | 434.2 | 99 | 1129.1 |
| 4 | 4.3 | 36 | 104.2 | 68 | 456.0 | 100 | 1150.8 |
| 5 | 4.7 | 37 | 108.5 | 69 | 477.7 | 101 | 1172.5 |
| 6 | 5.2 | 38 | 112.9 | 70 | 499.4 | 102 | 1194.3 |
| 7 | 5.6 | 39 | 117.2 | 71 | 521.1 | 103 | 1216.0 |
| 8 | 6.0 | 40 | 121.6 | 72 | 542.8 | 104 | 1237.7 |
| 9 | 6.5 | 41 | 125.9 | 73 | 564.5 | 105 | 1259.4 |
| 10 | 6.9 | 42 | 130.2 | 74 | 586.2 | 106 | 1281.1 |
| 11 | 7.3 | 43 | 134.6 | 75 | 608.0 | 107 | 1302.8 |
| 12 | 7.8 | 44 | 138.9 | 76 | 629.7 | 108 | 1346.3 |
| 13 | 8.2 | 45 | 143.3 | 77 | 651.4 | 109 | 1389.7 |
| 14 | 8.6 | 46 | 147.6 | 78 | 673.1 | 110 | 1433.1 |
| 15 | 13.0 | 47 | 152.0 | 79 | 694.8 | 111 | 1476.6 |
| 16 | 17.3 | 48 | 156.3 | 80 | 716.5 | 112 | 1520.0 |
| 17 | 21.7 | 49 | 160.6 | 81 | 738.3 | 113 | 1563.4 |
| 18 | 26.0 | 50 | 165.0 | 82 | 760.0 | 114 | 1606.8 |
| 19 | 30.4 | 51 | 169.3 | 83 | 781.7 | 115 | 1650.3 |
| 20 | 34.7 | 52 | 173.7 | 84 | 803.4 | 116 | 1693.7 |
| 21 | 39.0 | 53 | 178.0 | 85 | 825.1 | 117 | 1737.1 |
| 22 | 43.4 | 54 | 182.4 | 86 | 846.8 | 118 | 1780.6 |
| 23 | 47.7 | 55 | 186.7 | 87 | 868.5 | 119 | 1824.0 |
| 24 | 52.1 | 56 | 195.4 | 88 | 890.3 | 120 | 1867.4 |
| 25 | 56.4 | 57 | 217.1 | 89 | 912.0 | 121 | 1910.8 |
| 26 | 60.8 | 58 | 238.8 | 90 | 933.7 | 122 | 1954.3 |
| 27 | 65.1 | 59 | 260.5 | 91 | 955.4 | 123 | 1997.7 |
| 28 | 69.4 | 60 | 282.2 | 92 | 977.1 | 124 | 2041.1 |
| 29 | 73.8 | 61 | 304.0 | 93 | 998.8 | 125 | 2084.6 |
| 30 | 78.1 | 62 | 325.7 | 94 | 1020.5 | 126 | 2128.0 |
| 31 | 82.5 | 63 | 347.4 | 95 | 1042.3 | 127 | 2171.4 |
table#22 Ring Mod Osc Freq Course (Hz)
| Data | Value | Data | Value | Data | Value | Data | Value |
| 0 | 0.7 | 32 | 25.6 | 64 | 151.4 | 96 | 895.0 |
| 1 | 1.3 | 33 | 26.9 | 65 | 160.2 | 97 | 946.1 |
| 2 | 2.0 | 34 | 28.9 | 66 | 169.6 | 98 | 1000.7 |
| 3 | 2.7 | 35 | 30.3 | 67 | 179.0 | 99 | 1057.2 |
| 4 | 3.4 | 36 | 32.3 | 68 | 189.1 | 100 | 1117.7 |
| 5 | 4.0 | 37 | 33.6 | 69 | 199.9 | 101 | 1181.7 |
| 6 | 4.7 | 38 | 35.7 | 70 | 211.3 | 102 | 1249.0 |
| 7 | 5.4 | 39 | 37.7 | 71 | 223.4 | 103 | 1320.3 |
| 8 | 6.1 | 40 | 39.7 | 72 | 236.2 | 104 | 1395.7 |
| 9 | 6.7 | 41 | 42.4 | 73 | 249.7 | 105 | 1475.1 |
| 10 | 7.4 | 42 | 44.4 | 74 | 263.8 | 106 | 1559.2 |
| 11 | 8.1 | 43 | 47.1 | 75 | 279.3 | 107 | 1648.7 |
| 12 | 8.7 | 44 | 49.8 | 76 | 294.7 | 108 | 1742.9 |
| 13 | 9.4 | 45 | 52.5 | 77 | 311.6 | 109 | 1841.8 |
| 14 | 10.1 | 46 | 55.9 | 78 | 329.7 | 110 | 1947.5 |
| 15 | 10.8 | 47 | 59.2 | 79 | 348.6 | 111 | 2058.5 |
| 16 | 11.4 | 48 | 62.6 | 80 | 368.1 | 112 | 2175.6 |
| 17 | 12.1 | 49 | 65.9 | 81 | 389.6 | 113 | 2300.1 |
| 18 | 12.8 | 50 | 70.0 | 82 | 411.8 | 114 | 2431.3 |
| 19 | 13.5 | 51 | 73.3 | 83 | 435.4 | 115 | 2569.9 |
| 20 | 14.1 | 52 | 78.1 | 84 | 459.6 | 116 | 2716.6 |
| 21 | 14.8 | 53 | 82.1 | 85 | 485.9 | 117 | 2871.4 |
| 22 | 15.5 | 54 | 86.8 | 86 | 514.1 | 118 | 3035.6 |
| 23 | 16.2 | 55 | 92.2 | 87 | 543.1 | 119 | 3208.5 |
| 24 | 16.8 | 56 | 96.9 | 88 | 574.0 | 120 | 3391.6 |
| 25 | 17.5 | 57 | 103.0 | 89 | 607.0 | 121 | 3585.4 |
| 26 | 18.2 | 58 | 108.3 | 90 | 642.0 | 122 | 3790.0 |
| 27 | 19.5 | 59 | 115.1 | 91 | 678.3 | 123 | 4006.6 |
| 28 | 20.9 | 60 | 121.1 | 92 | 717.3 | 124 | 4234.8 |
| 29 | 21.5 | 61 | 128.5 | 93 | 757.7 | 125 | 4477.0 |
| 30 | 22.9 | 62 | 135.9 | 94 | 801.5 | 126 | 4732.1 |
| 31 | 24.2 | 63 | 143.3 | 95 | 847.2 | 127 | 5002.6 |
table#23 V-Flanger Delay Offset
| Data | Value | Data | Value |
| 0 | 0.1 | 70 | 6.4 |
| 1 | 0.1 | 71 | 6.7 |
| 2 | 0.1 | 72 | 7.0 |
| 3 | 0.2 | 73 | 7.4 |
| 4 | 0.2 | 74 | 7.7 |
| 5 | 0.2 | 75 | 8.1 |
| 6 | 0.2 | 76 | 8.5 |
| 7 | 0.2 | 77 | 9.0 |
| 8 | 0.3 | 78 | 9.4 |
| 9 | 0.3 | 79 | 9.9 |
| 10 | 0.3 | 80 | 10.3 |
| 11 | 0.3 | 81 | 10.7 |
| 12 | 0.4 | 82 | 11.2 |
| 13 | 0.4 | 83 | 11.6 |
| 14 | 0.4 | 84 | 12.1 |
| 15 | 0.4 | 85 | 12.5 |
| 16 | 0.4 | 86 | 12.9 |
| 17 | 0.5 | 87 | 13.4 |
| 18 | 0.5 | 88 | 13.8 |
| 19 | 0.5 | 89 | 14.2 |
| 20 | 0.5 | 90 | 14.7 |
| 21 | 0.6 | 91 | 15.1 |
| 22 | 0.6 | 92 | 15.6 |
| 23 | 0.6 | 93 | 16.0 |
| 24 | 0.7 | 94 | 16.4 |
| 25 | 0.7 | 95 | 16.9 |
| 26 | 0.7 | 96 | 17.3 |
| 27 | 0.8 | 97 | 17.8 |
| 28 | 0.8 | 98 | 18.2 |
| 29 | 0.8 | 99 | 18.6 |
| 30 | 0.9 | 100 | 19.1 |
| 31 | 0.9 | 101 | 19.5 |
| 32 | 1.0 | 102 | 20.0 |
| 33 | 1.0 | 103 | 20.4 |
| 34 | 1.1 | 104 | 20.8 |
| 35 | 1.1 | 105 | 21.3 |
| 36 | 1.2 | 106 | 21.7 |
| 37 | 1.2 | 107 | 22.2 |
| 38 | 1.3 | 108 | 22.6 |
| 39 | 1.4 | 109 | 23.0 |
| 40 | 1.4 | 110 | 23.5 |
| 41 | 1.5 | 111 | 23.9 |
| 42 | 1.6 | 112 | 24.4 |
| 43 | 1.7 | 113 | 24.8 |
| 44 | 1.8 | 114 | 25.2 |
| 45 | 1.8 | 115 | 25.7 |
| 46 | 1.9 | 116 | 26.1 |
| 47 | 2.0 | 117 | 26.5 |
| 48 | 2.1 | 118 | 27.0 |
| 49 | 2.3 | 119 | 27.4 |
| 50 | 2.4 | 120 | 27.9 |
| 51 | 2.5 | 121 | 28.3 |
| 52 | 2.6 | 122 | 28.7 |
| 53 | 2.7 | 123 | 29.2 |
| 54 | 2.9 | 124 | 29.6 |
| 55 | 3.0 | 125 | 30.1 |
| 56 | 3.2 | 126 | 30.5 |
| 57 | 3.3 | 127 | 30.9 |
| 58 | 3.5 | 128 | 31.4 |
| 59 | 3.7 | 129 | 31.8 |
| 60 | 3.9 | 130 | 32.3 |
| 61 | 4.1 | 131 | 32.7 |
| 62 | 4.3 | 132 | 33.1 |
| 63 | 4.5 | 133 | 33.6 |
| 64 | 4.7 | 134 | 34.0 |
| 65 | 5.0 | 135 | 34.5 |
| 66 | 5.2 | 136 | 34.9 |
| 67 | 5.5 | 137 | 35.3 |
| 68 | 5.8 | 138 | 35.8 |
| 69 | 6.0 | 139 | 36.2 |
table#24 Modulation Phase
| Data | Value |
| 0 | -180 |
| 1 | -158 |
| 2 | -135 |
| 3 | -113 |
| 4 | -90 |
| 5 | -68 |
| 6 | -45 |
| 7 | -23 |
| 8 | 0 |
| 9 | 23 |
| 10 | 45 |
| 11 | 68 |
| 12 | 90 |
| 13 | 113 |
| 14 | 135 |
| 15 | 158 |
| 16 | 180 |
| STANDARD DUET |
| STANDARD TRIO |
| FULL CHORD |
| ROCK DUET |
| COUNTRY DUET |
| COUNTRY TRIO |
| BLOCK |
| 4-WAY CLOSE 1 |
| 4-WAY CLOSE 2 |
| 4-WAY OPEN |
| 1+5 |
| OCTAVE |
| STRUM |
| MULTI ASSIGN |
| ECHO |
| TREMOLO |
| TRILL |
Vocal Harmony Type List / listened der Vocal-Harmony-Effekttypen /
Liste des types d'harmonie vocale / Lista de temas de armonia (CVP-409/407/405/403)
| Order | Type | LCD Name | Mode | Vocoder Type | Chordal Type | Detune Type | Chromatic Type | Thru Type | |||||
| MSB | LSB | MSB | LSB | MSB | LSB | MSB | LSB | MSB | LSB | ||||
| 1 | CountryQuartet | CountryQuar | Chordal/Vocorder | 89 | 111 | 90 | 47 | ||||||
| 2 | ClosedMenQuartet | ClsdMenQuar | Chordal/Vocorder | 89 | 117 | 90 | 53 | ||||||
| 3 | MixAcapQuartet | MixAcapQuar | Chordal/Vocorder | 89 | 119 | 90 | 55 | ||||||
| 4 | Women Choir | WomenChoir | Chordal/Vocorder | 89 | 88 | 90 | 24 | ||||||
| 5 | Jazz Sisters | JazzSisters | Chordal/Vocorder | 89 | 120 | 90 | 56 | ||||||
| 6 | Standard Duet | Std Duet | Chordal/Vocorder | 89 | 80 | 90 | 16 | ||||||
| 7 | Men Choir | MenChoir | Chordal/Vocorder | 89 | 87 | 90 | 23 | ||||||
| 8 | Closed Choir | ClosedChoir | Chordal/Vocorder | 89 | 90 | 90 | 26 | ||||||
| 9 | Girl in Duet | Girl Duet | Chordal/Vocorder | 89 | 81 | 90 | 17 | ||||||
| 10 | Speedy Mouse | SpdyMouse | Chromatic | 92 | 17 | ||||||||
| 11 | HighMaleQuartet | HighMaleQua | Chordal/Vocorder | 89 | 115 | 90 | 51 | ||||||
| 12 | Jazz Quartet | JazzQuartet | Chordal/Vocorder | 89 | 114 | 90 | 50 | ||||||
| 13 | Mixed Choir | MixedChoir | Chordal/Vocorder | 89 | 91 | 90 | 27 | ||||||
| 14 | Country Girls | CntryGirls | Chordal/Vocorder | 89 | 89 | 90 | 25 | ||||||
| 15 | Sisters Trio | SistersTrio | Chordal/Vocorder | 89 | 113 | 90 | 49 | ||||||
| 16 | Country Men | CountryMen | Chordal/Vocorder | 89 | 83 | 90 | 19 | ||||||
| 17 | A Capella Boy | ACapellBoy | Chordal/Vocorder | 89 | 85 | 90 | 21 | ||||||
| 18 | A Capella Mix | ACapellaMix | Chordal/Vocorder | 89 | 86 | 90 | 22 | ||||||
| 19 | Gospel Diva | GospelDiva | Chordal/Vocorder | 89 | 112 | 90 | 48 | ||||||
| 20 | Lisa and Tina | Lisa&Tina | Chordal/Vocorder | 89 | 82 | 90 | 18 | ||||||
| 21 | AcapMenQuartet | AcapMenQuar | Chordal/Vocorder | 89 | 118 | 90 | 54 | ||||||
| 22 | JazzMenChoir | JazzMenCho | Chordal/Vocorder | 89 | 101 | 90 | 37 | ||||||
| 23 | JazzClosedCho | J_CloseCho | Chordal/Vocorder | 89 | 103 | 90 | 39 | ||||||
| 24 | JazzWomenCho | J_WomenCho | Chordal/Vocorder | 89 | 102 | 90 | 38 | ||||||
| 25 | LadiesQuartet | LadiesQuart | Chordal/Vocorder | 89 | 116 | 90 | 52 | ||||||
| 26 | Sing B+G | Sing B+G | Chordal/Vocorder | 89 | 93 | 90 | 29 | ||||||
| 27 | Barbershop | Barbershop | Chordal/Vocorder | 89 | 96 | 90 | 32 | ||||||
| 28 | JazzMixedCho | J_MixedCho | Chordal/Vocorder | 89 | 104 | 90 | 40 | ||||||
| 29 | Dream Girls | Dream Girls | Chordal/Vocorder | 89 | 94 | 90 | 30 | ||||||
| 30 | Sing the Bass | SingBass | Chromatic | 92 | 16 | ||||||||
| 31 | Falsetto Duet | FalsetDuet | Chordal/Vocorder | 89 | 84 | 90 | 20 | ||||||
| 32 | Falsetto Trio | FalsetTrio | Chordal/Vocorder | 89 | 92 | 90 | 28 | ||||||
| 33 | Falsetto Dia | FalsettoDia | Chordal/Vocorder | 89 | 100 | 90 | 36 | ||||||
| 34 | Fai A Capella | FaiACapella | Chordal/Vocorder | 89 | 95 | 90 | 31 | ||||||
| 35 | Falsetto Jazz | FalsetJazz | Chordal/Vocorder | 89 | 105 | 90 | 41 | ||||||
| 36 | 2 Unison Low | 2UnisonLow | Chordal/Vocorder | 89 | 106 | 90 | 42 | ||||||
| 37 | 3 Unison Low | 3UnisonLow | Chordal/Vocorder | 89 | 108 | 90 | 44 | ||||||
| 38 | Diatonic Jazz | DiatncJazz | Chordal/Vocorder | 89 | 97 | 90 | 33 | ||||||
| 39 | Diatonic Girl | DiatncGirl | Chordal/Vocorder | 89 | 98 | 90 | 34 | ||||||
| 40 | A Capella Dia | ACapellaDia | Chordal/Vocorder | 89 | 99 | 90 | 35 | ||||||
| 41 | ChordalXG | ChordalXG | Chordal/Vocorder | 89 | 64 | 90 | 0 | ||||||
| 42 | Karaoke Auto | KaraokeAuto | Chordal/Vocorder | 89 | 24 | 90 | 88 | ||||||
| 43 | Karaoke Mode | KaraokeMode | Chordal/Vocorder | 89 | 25 | 90 | 89 | ||||||
| 44 | Karaoke Girl | KaraokeGirl | Chordal/Vocorder | 89 | 26 | 90 | 90 | ||||||
| 45 | Pitch Correct | PitchCorrect | Chordal/Vocorder | 89 | 27 | 90 | 91 | ||||||
| 46 | 2 Unison High | 2UnisonHigh | Chordal/Vocorder | 89 | 107 | 90 | 43 | ||||||
| 47 | 3 Unison High | 3UnisonHigh | Chordal/Vocorder | 89 | 109 | 90 | 45 | ||||||
| 48 | Vocoder Auto Upper | VocoderAutoU | Chordal/Vocorder | 89 | 16 | 90 | 80 | ||||||
| 49 | Vocoder Auto Lower | VocoderAutoL | Chordal/Vocorder | 89 | 17 | 90 | 81 | ||||||
| 50 | DetuneXG | DetuneXG | Detune | 91 | 0 | ||||||||
| 51 | VocoderXG | VocoderXG | Chordal/Vocorder | 89 | 0 | 90 | 64 | ||||||
| 52 | Vocoder Mode Upper | VocoderModeU | Chordal/Vocorder | 89 | 18 | 90 | 82 | ||||||
| 53 | Vocoder Mode Lower | VocoderModeL | Chordal/Vocorder | 89 | 19 | 90 | 83 | ||||||
| 54 | Vocoder Girl Upper | VocoderGirlU | Chordal/Vocorder | 89 | 20 | 90 | 84 | ||||||
| 55 | Vocoder Girl Lower | VocoderGirlL | Chordal/Vocorder | 89 | 21 | 90 | 85 | ||||||
| 56 | Vocoder Pitch Upper | VocoderPitchU | Chordal/Vocorder | 89 | 22 | 90 | 86 | ||||||
| 57 | Vocoder Pitch Lower | VocoderPitchL | Chordal/Vocorder | 89 | 23 | 90 | 87 | ||||||
| 58 | ChromaticXG | ChromaticXG | Chromatic | 92 | 0 | ||||||||
| 59 | Voice&Inst | Voice&Inst | Chordal/Vocorder | 89 | 110 | 90 | 46 | ||||||
| 60 | Pop Vocal | Pop Vocal | Chordal/Vocorder | 89 | 121 | 90 | 57 | ||||||
| 61 | Thru | Thru | - | 64 | 0 | ||||||||
| Parameter | CVP-401 | CVP-403 | CVP-405 | CVP-407 | CVP-409 | Setup | MIDI Setup | User Effect | Music Finder | Voice | Voice Set Group | Song | Style | Registration | Param Lock Group | Note | |||
| Somm Setup Group | Style | OTS | Regist | Freeze Group | |||||||||||||||
| Main | |||||||||||||||||||
| SongFile | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Song | - | |
| StyleFile | O | O | O | O | O | X | X | X | O | X | - | X | - | X | X | O | Style | - | |
| Right1 VoiceFile | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Right2 VoiceFile | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Left VoiceFile | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| PartOnOff (Dual) | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Voice | - | |
| PartOnOff (Left) | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Style | - | |
| RegistrationBankFile | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| File System | |||||||||||||||||||
| CharacterSelect | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | One setting for all the Name related pop-up window. |
| Song | |||||||||||||||||||
| Track1, 2 On/Off | O | O | O | O | O | X | X | X | X | X | - | O | Guide Setting | X | X | X | - | - | Setting is linked to Channel on/off. |
| ExtraTracks On/Off | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | Setting is linked to Channel on/off. |
| A-B Repeat | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Synchro Start | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | SONG | - | |
| StartStop | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Channel On/Off | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | SONG | - | |
| Menu > Function > SongSetting | |||||||||||||||||||
| Guide Mode | O | O | O | O | O | O | X | X | X | X | - | O | Guide Setting | X | X | X | - | - | Reset to its default setting when song data doesn't include this data. |
| GuideLampOn/Off | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| GuideLampTiming | O | O | O | O | O | O | X | X | X | X | - | O | Guide Setting | X | X | X | - | - | Reset to its default setting when song data doesn't include this data. |
| Repeat Mode | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| Phrase Mark Repeat | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Track1 Channel | O | O | O | O | O | O | X | X | X | X | - | O | - | X | X | X | - | - | Set by recording. Different from one of the Track2. |
| Track2 Channel | O | O | O | O | O | O | X | X | X | X | - | O | - | X | X | X | - | - | Set by recording. Different from one of the Track2. |
| Auto Ch Set | O | O | O | O | O | O | O | X | X | X | - | X | - | X | X | X | - | - | |
| Lyrics Language | O | O | O | O | O | O | X | X | X | X | - | O | Lyrics Language | X | X | X | - | - | |
| QuickStart | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| PAT On/Off | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | Set to OFF when a song is selected. Set to ON if the selected song has Sys Ex messages at the beginning of the data. |
| Tempo | |||||||||||||||||||
| Song Tempo | O | O | O | O | O | X | X | X | X | X | - | O | TEMPO | O | X | O | Tempo | - | |
| DigitalStudio > DigitalRecording > Song Creator | |||||||||||||||||||
| REC Mode | |||||||||||||||||||
| Rec Start | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| PunchInAt | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| Rec End | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| PunchOutAt | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Pedal Punch In/Out | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Channel > Quantize | |||||||||||||||||||
| Channel | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Size | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Strength | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Channel > Track Delete | |||||||||||||||||||
| Track Delete | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Channel > Track Mix | |||||||||||||||||||
| Source1 | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Source2 | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Destination | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Channel > Channel Transpose | |||||||||||||||||||
| CHANNEL TRANPOSE | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| REC Mode > Channel > Setup | |||||||||||||||||||
| Setup Select | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| Channel > Chd/1~16/SysEx./Lyric > Filter | |||||||||||||||||||
| Main Filter | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| Control Change Filter | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| Style Filter | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| Lyric/Text | |||||||||||||||||||
| BackGround (Panel Setting) | |||||||||||||||||||
| BackGround (Panel Setting) | |||||||||||||||||||
| BackGround (Song Setting) | |||||||||||||||||||
| Text File (Panel Setting) | |||||||||||||||||||
| Viewer Mode | |||||||||||||||||||
| Sono Setup Group | Style | OTS | Regist | Freeze Group | |||||||||||||||
| Text Sw | |||||||||||||||||||
| Text Size | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |||
| SCORE SW | |||||||||||||||||||
| Left on/off | O | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Right on/off | O | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Lyric on/off | O | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Pedal on/off | O | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Chord on/off | O | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| NoteName on/off | O | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Fingering on/off | O | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Size | O | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Left ch. | O | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Right ch. | O | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| KeySignature | O | O | O | O | O | X | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Quantize | O | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| NoteName | O | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| ColorNote On/Off | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |||
| Recording data | |||||||||||||||||||
| Song XG data | O | O | O | O | O | X | X | X | X | X | X | O | - | X | X | X | - | - | |
| Style | |||||||||||||||||||
| AccompanimentOnOff | O | O | O | O | O | X | X | X | X | X | - | X | - | X | O (On) | O | Style | - | |
| OTSLink | O | O | O | O | O | X | X | X | O (On) | X | - | X | - | X | X | X | - | - | |
| AutoFillin | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| Section | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | O | Style | ||
| SynchroStart | O | O | O | O | O | X | X | X | X | X | - | X | - | X | O (On) | O | Style | - | |
| SynchroStop | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Style | - | |
| StartStop | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| Menu > Function > StyleSetting/SplitPoint/Chord Fingering | |||||||||||||||||||
| Style Setting | |||||||||||||||||||
| StopAcmp | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | O | Style | - | |
| OTSLinkTiming | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| SynchroStopWindow | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | O | Style | - | |
| StyleTouch | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | O | Style | - | |
| SectionSet | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| Tempo Hold | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| Part On/Off | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| SplitPoint | |||||||||||||||||||
| SplitPoint (Left) | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | O | Style | Split Point | |
| SplitPoint (Style) | O | O | O | O | O | O | X | X | X | X | - | O | Guide Setting | X | X | O | Style | Split Point | |
| Chord Fingering | |||||||||||||||||||
| FingeringType | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | O | Style | Fingering | |
| Chord Root Note | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| Chord Root Type | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| DigitalStudio > DigitalRecording > Style Creator | |||||||||||||||||||
| BASIC | |||||||||||||||||||
| Section | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Pattern Length | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | X | - | - | |
| Tempo | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | X | - | - | |
| Beat | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | X | - | - | |
| Assembly | |||||||||||||||||||
| Source Pattern | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Section | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Beat Converter | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Swing | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Play Type | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Groove > Groove | |||||||||||||||||||
| Original Beat | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Beat Converter | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Swing | O | O | O | O | O | X | X | x X | X | X | - | X | - | X | X | X | - | - | |
| Fine | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Groove > Dynamics | |||||||||||||||||||
| Channel | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Accent Type | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Strength | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Parameter | CVP-401 | CVP-403 | CVP-405 | CVP-407 | CVP-409 | Setup | System | Voice | Voice Set Group | Song | Style | Registration | Param Lock Group | Note | ||||||
| MIDI Setup | User Effect | Music Finder | Sono Setup Group | Style | OTS | Regist | Freeze Group | |||||||||||||
| Groove > Dynamics | ||||||||||||||||||||
| Expand/Comp. | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Boost/Cut | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Channel > Quantize | ||||||||||||||||||||
| Channel | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Size | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Strength | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Channel > Velocity Change | ||||||||||||||||||||
| Channel | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Boost/Cut | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Channel > Bar Copy | ||||||||||||||||||||
| Channel | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Source Top | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Source Last | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Destination | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Channel > Bar Clear | ||||||||||||||||||||
| Channel | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Source Top | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | |||||
| Source Last | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | |||||
| Channel > Remove Event | ||||||||||||||||||||
| Channel | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Event | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Parameter | ||||||||||||||||||||
| Channel | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Source Root | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | X | - | - | - | - |
| Source Chord | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | X | - | - | - | - |
| NTR | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | X | - | - | - | - |
| NTT | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | X | - | - | - | - |
| NTT BASS | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | X | - | - | - | - |
| High Key | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | X | - | - | - | - |
| Note Limit Low | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | X | - | - | - | - |
| Note Limit High | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | X | - | - | - | - |
| RTR | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | X | - | - | - | - |
| Edit > Filter | ||||||||||||||||||||
| Main Filter | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Control Change Filter | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| MusicFinder | ||||||||||||||||||||
| SortBy | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| SortOrder | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| TempoLock | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Search 1/2 display | ||||||||||||||||||||
| Music | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Keyword | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Style (FileNumber) | O | O | O | O | O | O | O | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Beat | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| SearchArea | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Tempo (From) | O | O | O | O | O | O | O | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Tempo (To) | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Genre | O | O | O | O | O | O | O | X | X | X | - | X | - | X | X | X | - | - | - | - |
| Search Result | O | O | O | O | O | O | X | X | O | O | - | X | - | X | X | X | - | - | - | - |
| Record (=Property settings) | O | O | O | O | O | X | X | X | O | X | - | X | - | X | X | X | - | - | - | - |
| Recording data | ||||||||||||||||||||
| SFF data | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | X | - | - | - | - |
| Voice | ||||||||||||||||||||
| VoiceEffect | ||||||||||||||||||||
| LeftHold | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Style | - | ||
| Harmony/Echo | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Harmony | - | ||
| Poly/Mono (Right1) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| Poly/Mono (Right2) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| Poly/Mono (Left) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | ||
| Disp(Right1) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | ||
| Disp(Right2) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | ||
| Disp(Left) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Style | - | ||
| Variation (Right1) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | ||
| Variation (Right2) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | ||
| Variation (Left) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Style | - | ||
| Parameter | CVP-401 | CVP-403 | CVP-405 | CVP-407 | CVP-409 | Setup | MIDI Setup | User Effect | Music Fitter | Voice | Voice Set Group | Song | Style | Registration | Param Lock Group | Note | |||
| Song Setup Group | Style | OTS | Regist | Freeze Group | |||||||||||||||
| VoiceEffect > Harmony/Echo | |||||||||||||||||||
| Type | O | O | O | O | O | X | X | X | X | O | Harmony | O | Keyboard Voice | X | O | O | Harmony | - | |
| Volume | O | O | O | O | O | X | X | X | X | O | Harmony | O | Keyboard Voice | X | O | O | Harmony | - | |
| Speed | O | O | O | O | O | X | X | X | X | O | Harmony | O | Keyboard Voice | X | O | O | Harmony | - | |
| Assign | O | O | O | O | O | X | X | X | X | O | Harmony | O | Keyboard Voice | X | O | O | Harmony | - | |
| ChordNoteOnly | O | O | O | O | O | X | X | X | X | O | Harmony | O | Keyboard Voice | X | O | O | Harmony | - | |
| TouchLimit | O | O | O | O | O | X | X | X | X | O | Harmony | O | Keyboard Voice | X | O | O | Harmony | - | |
| Voice Open/Save > Voice Set | |||||||||||||||||||
| Voice (Right1) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Voice (Right2) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Voice (Left) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Style | - | |
| Piano | |||||||||||||||||||
| Natural Voice Piano SR Depth | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |||
| Natural Voice Piano SS Depth | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Piano Tuning Curve | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| KeyOff Sample | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| COMMON | |||||||||||||||||||
| Volume for Balance (Right1) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Volume for Balance (Right2) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Volume for Balance (Left) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | |
| Touch Sense Depth (Right1) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Touch Sense Depth (Right2) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Touch Sense Depth (Left) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | |
| Touch Sense Offset (Right1) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Touch Sense Offset (Right2) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Touch Sense Offset (Left) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | |
| Octave for Right1 | O | O | O | O | O | X | X | X | X | O | Voice | X | - | X | O | O | Voice | - | |
| Octave for Right2 | O | O | O | O | O | X | X | X | X | O | Voice | X | - | X | O | O | Voice | - | |
| Octave for Left | O | O | O | O | O | X | X | X | X | O | Voice | X | - | X | O | O | Style | - | |
| CONTROLLER | |||||||||||||||||||
| MW Low Pass Filter Control (Right1) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| MW Low Pass Filter Control (Right2) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| MW Low Pass Filter Control (Left) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | |
| MW Amplitude Control (Right1) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| MW Amplitude Control (Right2) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| MW Amplitude Control (Left) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | |
| MW LFO PMOD Depth (Right1) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| MW LFO PMOD Depth (Right2) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| MW LFO PMOD Depth (Left) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | |
| MW LFO FMOD Depth (Right1) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| MW LFO FMOD Depth (Right2) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| MW LFO FMOD Depth (Left) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | |
| MW LFO AMOD Depth (Right1) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| MW LFO AMOD Depth (Right2) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| MW LFO AMOD Depth (Left) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | |
| Parameter | CVP-401 | CVP-403 | CVP-405 | CVP-407 | CVP-409 | Setup | System | Voice | Voice Set Group | Song | Style | Registration | Param Lock Group | Note | ||||||
| MIDI Setup | User Effect | Music Finder | Sonn Setup Group | Style | OTS | Regist | Freeze Group | |||||||||||||
| SOUND | ||||||||||||||||||||
| EG Attack (Right1) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| EG Attack (Right2) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| EG Attack (Left) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | ||
| EG Decay (Right1) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| EG Decay (Right2) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| EG Decay (Left) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | ||
| EG Release (Right1) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| EG Release (Right2) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| EG Release (Left) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | ||
| Vibrato Depth (Right1) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| Vibrato Depth (Right2) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| Vibrato Depth (Left) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | ||
| Vibrato Speed (Right1) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| Vibrato Speed (Right2) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| Vibrato Speed (Left) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | ||
| Vibrato Delay (Right1) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| Vibrato Delay (Right2) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| Vibrato Delay (Left) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | ||
| EFFECT/EO | ||||||||||||||||||||
| DSP Type (Right1) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | ||
| DSP Type (Right2) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | ||
| DSP Type (Left) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Style | - | ||
| DSP Variation Value (Right1) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | ||
| DSP Variation Value (Right2) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | ||
| DSP Variation Value (Left) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Style | - | ||
| EQ Low Freq (Right1) | O | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | Voice | - | ||
| EQ Low Freq (Right2) | O | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | Voice | - | ||
| EQ Low Freq (Left) | O | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | Style | - | ||
| EQ High Freq (Right1) | O | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | Voice | - | ||
| EQ High Freq (Right2) | O | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | Voice | - | ||
| EQ High Freq (Left) | O | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | Style | - | ||
| VibeRotor Sw (Right1) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | ||
| VibeRotor Sw (Right2) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | ||
| VibeRotor Sw (Left) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Style | - | ||
| OrganFlute > Footage | ||||||||||||||||||||
| Organ Flutes Footage (Right1) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | ||
| Organ Flutes Footage (Right2) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | ||
| Organ Flutes Footage (Left) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Style | - | ||
| Organ Flutes Type (Right1) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | ||
| Organ Flutes Type (Right2) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | ||
| Organ Flutes Type (Left) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Style | - | ||
| Organ Vib On/Off (Right1) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | ||
| Organ Vib On/Off (Right2) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | ||
| Parameter | CVP-401 | CVP-403 | CVP-405 | CVP-407 | CVP-409 | Setup | MIDI Setup | User Effect | Music Finder | Voice | Voice Set Group | Song | Style | Registration | Param Lock Group | Note | |||
| Somm Setup Group | Style | OTS | Regist | Freeze Group | |||||||||||||||
| OrganFlute > Footage | |||||||||||||||||||
| Organ Vib On/Off (Left) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Style | - | |
| Organ Vib Depth (Right1) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Organ Vib Depth (Right2) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Organ Vib Depth (Left) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | |
| Organ Vib Speed (Right1) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Organ Vib Speed (Right2) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Organ Vib Speed (Left) | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | |
| Organ Flutes Attack Footage (Right1) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Organ Flutes Attack Footage (Right2) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Organ Flutes Attack Footage (Left) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Style | - | |
| Organ Flutes Attack Mode (Right1) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Organ Flutes Attack Mode (Right2) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Organ Flutes Attack Mode (Left) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Style | - | |
| Organ Flutes Attack length (Right1) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Organ Flutes Attack length (Right2) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Organ Flutes Attack length (Left) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Style | - | |
| Organ Flutes Response (Right1) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Organ Flutes Response (Right2) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Organ Flutes Response (Left) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Style | - | |
| Organ Flutes Volume (Right1) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Organ Flutes Volume (Right2) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Organ Flutes Volume (Left) | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Style | - | |
| Mic | |||||||||||||||||||
| Vocal/HarmonyOnOff | O | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| TalkOnOff | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Mic EffectOnOff | O | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| VHType | O | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| VHParameters | O | O | O | O | X | X | O | X | X | - | O | Mic.Setting | X | X | X | - | Mic.Setting | ||
| Main > Mic Setting | |||||||||||||||||||
| Mic Setting > OverAll Setting | |||||||||||||||||||
| EQ Low Freq. | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| EQ Low Gain | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| EQ Mid Freq. | O | O | O | O | O | O | X | X | X | - | X | - | X | X | X | - | - | ||
| EQ Mid Gain | O | O | O | O | O | O | X | X | X | - | X | - | X | X | X | - | - | ||
| EQ High Freq. | O | O | O | O | O | O | X | X | X | - | X | - | X | X | X | - | - | ||
| EQ High Gain | O | O | O | O | O | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Noise Gate SW | O | O | O | O | O | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Noise Gate TH | O | O | O | O | O | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Compressor SW | O | O | O | O | O | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Compressor TH | O | O | O | O | O | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Compressor RAT | O | O | O | O | O | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Compressor OUT | O | O | O | O | O | O | X | X | X | - | X | - | X | X | X | - | - | ||
| VH Song Channel Mute | O | O | O | O | O | X | X | X | X | - | X | - | X | X | O | Mic | Mic.Setting | ||
| VH Song Channel | O | O | O | O | O | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| VH Keyboard | O | O | O | O | O | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| VH Balance | O | O | O | O | O | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| VH Mode | O | O | O | O | O | X | X | X | X | - | X | - | X | X | O | Mic | Mic.Setting | ||
| VH Chord Detect | O | O | O | O | O | X | X | X | X | - | X | - | X | X | O | Mic | Mic.Setting | ||
| MicMute | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| MicVolume | O | O | O | O | O | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| VocalRange | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Mic Setting > Talk Setting | |||||||||||||||||||
| Talk Setting Volume | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Talk Setting Pan | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Talk Setting ReverbDepth | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Talk Setting ChorusDepth | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Talk Setting TotalVolumeAttenuator | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Talk Setting DSPOnOff | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Parameter | CVP-401 | CVP-403 | CVP-405 | CVP-407 | CVP-409 | Setup | System | Voice | Voice Set Group | Song | Style | Registration | Param Lock Group | Note | ||||||
| MIDI Setup | User Effect | Music Finder | Sonn Setup Group | Style | OTS | Regist | Freeze Group | |||||||||||||
| Mic Setting > Talk Setting | ||||||||||||||||||||
| Talk Setting DSPDepth | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Talk Setting DSPType | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Main > Mixing Console > Voice | ||||||||||||||||||||
| Volume | ||||||||||||||||||||
| Offset Volume Song | O | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Song | - | |
| Offset Volume Style | O | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Style | - | |
| Volume Mic | O | O | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| Volume Left | O | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Style | - | |
| Volume Right1 | O | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Volume Right2 | O | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Part Volume Song | O | O | O | O | O | O | X | X | X | X | X | - | O | Volume | X | X | X | - | - | |
| Part Volume Style | O | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Style | - | |
| PanPot | ||||||||||||||||||||
| Offset PanPot Song | O | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Offset PanPot Style | O | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Style | - | |
| PanPot Mic | O | O | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| PanPot Left | O | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Style | - | |
| PanPot Right1 | O | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Voice | - | |
| PanPot Right2 | O | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Part PanPot Song | O | O | O | O | O | O | X | X | X | X | X | - | O | Pan | X | X | X | - | - | |
| Part PanPot Style | O | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Style | - | |
| Voice | ||||||||||||||||||||
| Voice (Right1) | O | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Voice (Right2) | O | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Voice (Left) | O | O | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Style | - | |
| Voice (Style Part) | O | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Style | - | |
| Voice (Song Part) | O | O | O | O | O | O | X | X | X | X | X | - | O | Voice | X | X | X | - | - | |
| Auto Revive | ||||||||||||||||||||
| Auto Revive On/Off | O | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| Auto Revive Setup | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Main > Mixing Console > Filter | ||||||||||||||||||||
| Brightness | ||||||||||||||||||||
| Brightness Song Part | O | O | O | O | O | O | X | X | X | X | X | - | O | Filter | X | X | X | - | - | |
| Brightness Style Part | O | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Style | - | |
| Brightness Right1 | O | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Brightness Right2 | O | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Brightness Left | O | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | |
| Harmonic Content | ||||||||||||||||||||
| Harmonic Content Song Part | O | O | O | O | O | O | X | X | X | X | X | - | O | Filter | X | X | X | - | - | |
| Harmonic Content Style Part | O | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Style | - | |
| Harmonic Content Right1 | O | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Harmonic Content Right2 | O | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Harmonic Content Left | O | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | |
| Main > Mixing Console > Tune | ||||||||||||||||||||
| Octave | ||||||||||||||||||||
| Octave Right1 | O | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Octave Right2 | O | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Octave Left | O | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | |
| Tune | ||||||||||||||||||||
| Tune Right1 | O | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Tune Right2 | O | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Tune Left | O | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Style | - | |
| Portamento Time | ||||||||||||||||||||
| Portamento Time Right1 | O | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Portamento Time Right2 | O | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | |
| Portamento Time Left | O | O | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | |
| Parameter | CVP-401 | CVP-403 | CVP-405 | CVP-407 | CVP-409 | Setup | MIDI Setup | User Effect | Music Finder | Voice | Voice Set Group | Song | Style | Registration | Param Lock Group | Note | |||
| Somm Setup Group | Style | OTS | Regist | Freeze Group | |||||||||||||||
| Pitch Bend Range | |||||||||||||||||||
| Pitch Bend Range Right1 | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Pitch Bend Range Right2 | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Voice | - | |
| Pitch Bend Range Left | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Style | - | |
| Transpose | |||||||||||||||||||
| Master Transpose | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Transpose | - | |
| Song Transpose | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Transpose | - | |
| Keyboard Transpose | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Transpose | - | |
| Main > Mixing Console > CMP | |||||||||||||||||||
| MasterCompressor Type | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||||
| MasterCompressor Basic Type | O | O | X | X | O | X | X | - | X | - | X | X | X | - | - | ||||
| MasterCompressor Threshold Offset | O | O | X | X | O | X | X | - | X | - | X | X | X | - | - | ||||
| MasterCompressor Low Gain Offset | O | O | X | X | O | X | X | - | X | - | X | X | X | - | - | ||||
| MasterCompressor Mid Gain Offset | O | O | X | X | O | X | X | - | X | - | X | X | X | - | - | ||||
| MasterCompressor High Gain Offset | O | O | X | X | O | X | X | - | X | - | X | X | X | - | - | ||||
| MasterCompressor On/Off | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||||
| Main > Mixing Console > EQ | |||||||||||||||||||
| MasterEQ Type | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | Master EQ | |
| MasterEQ Parameter | O | O | O | O | O | X | X | O | X | X | - | X | - | X | X | X | - | Master EQ | |
| EQ Low Gain | |||||||||||||||||||
| EQ Low Gain Style Part | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Style | - | |
| EQ Low Gain Song Part | O | O | O | O | O | X | X | X | X | X | - | O | EQ | X | X | X | - | - | |
| EQ Low Gain Right1 | O | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | Voice | - | |
| EQ Low Gain Right2 | O | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | Voice | - | |
| EQ Low Gain Left | O | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | Style | - | |
| EQ Low Gain Style (Offset) | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Style | - | |
| EQ Low Gain Song (Offset) | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| EQ High Gain | |||||||||||||||||||
| EQ High Gain Style Part | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Style | - | |
| EQ High Gain Song Part | O | O | O | O | O | X | X | X | X | X | - | O | EQ | X | X | X | - | - | |
| EQ High Gain Right1 | O | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | Voice | - | |
| EQ High Gain Right2 | O | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | Voice | - | |
| EQ High Gain Left | O | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | Style | - | |
| EQ High Gain Style (Offset) | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Style | - | |
| EQ High Gain Song (Offset) | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Main > Mixing Console > Effect | |||||||||||||||||||
| Reverb Type | |||||||||||||||||||
| Reverb Type | O | O | O | O | O | X | X | X | X | X | - | O | Effect | O | X | O | Style/Song | Reverb Type | |
| Reverb Return Level | O | O | O | O | O | X | X | X | X | X | - | O | Effect | O | X | O | Style/Song | Reverb Return Level | |
| Reverb Depth | |||||||||||||||||||
| Reverb Depth Style Part | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Style | - | |
| Reverb Depth Song Part | O | O | O | O | O | X | X | X | X | X | - | O | Effect | X | X | X | - | - | |
| Reverb Depth Mic | O | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| Reverb Depth Right1 | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | |
| Reverb Depth Right2 | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | |
| Reverb Depth Left | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Style | - | |
| Reverb Depth Style (Offset) | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Style | - | |
| Reverb Depth Song (Offset) | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Chorus Type | |||||||||||||||||||
| Chorus Type | O | O | O | O | O | X | X | X | X | X | - | O | Effect | O | X | O | Style/Song | - | |
| Chorus Return Level | O | O | O | O | O | X | X | X | X | X | - | O | Effect | O | X | O | Style/Song | Chorus Return Level | |
| Chorus Depth | |||||||||||||||||||
| Chorus Depth Style Part | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Style | - | |
| Chorus Depth Song Part | O | O | O | O | O | X | X | X | X | X | - | O | Effect | X | X | X | - | - | |
| Chorus Depth Mic | O | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| Chorus Depth Right1 | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | |
| Chorus Depth Right2 | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | |
| Chorus Depth Left | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Style | - | |
| Parameter | CVP-401 | CVP-403 | CVP-405 | CVP-407 | CVP-409 | System | Voice | Voice Set Group | Song | Style | Registration | Param Lock Group | Note | |||||||
| Setup | MIDI Setup | User Effect | Music Finder | Sonn Setup Group | Style | DTS | Regist | Freeze Group | ||||||||||||
| Chorus Depth | ||||||||||||||||||||
| Chorus Depth Style (Offset) | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Style | - | ||
| Chorus Depth Song (Offset) | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | ||
| DSP Type | ||||||||||||||||||||
| DSP1 (Variation) Type | O | O | O | O | O | X | X | X | X | X | - | O | Effect | O | X | O | Style/Song | - | ||
| DSP1 (Variation) Return Level | O | O | O | O | O | X | X | X | X | X | - | O | Effect | O | X | O | Style/Song | DSP1 Return Level | ||
| DSP2Type | O | O | O | O | O | X | X | X | X | X | - | O | Effect | X | X | O | Voice/Style/Song | - | ||
| DSP3Type | O | O | O | O | O | X | X | X | X | X | - | O | Effect | X | X | O | Voice/Style/Song | - | ||
| DSP4Type | O | O | X | X | X | X | X | - | O | Effect/Mic | X | X | O | Voice/Style/Mic | Mic.Setting | |||||
| DSP4Type | O | X | X | X | X | X | - | O | Effect | X | X | O | Voice/Style/Song | - | ||||||
| DSP4Type | O | O | X | X | X | X | X | - | O | Effect | X | X | O | Voice/Style/Song | - | |||||
| DSP5Type | O | O | X | X | X | X | X | - | O | Effect | X | X | O | Voice/Style/Song | - | |||||
| DSP6Type | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Song/Mic | Mic.Setting | |||||
| DSP Depth | ||||||||||||||||||||
| DSP Depth Style Part | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Style | - | ||
| DSP Depth Song Part | O | O | O | O | O | X | X | X | X | X | - | O | Effect | X | X | X | - | - | ||
| DSP Depth Right1 | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | ||
| DSP Depth Right2 | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | ||
| DSP Depth Left | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Style | - | ||
| DSP Depth Mic | O | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | - | |||
| InsertionType | ||||||||||||||||||||
| Ins.Type (Right1) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | ||
| Ins.Type (Right2) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | ||
| Ins.Type (Left) | O | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Style | - | ||
| Ins.Type (Song) | O | O | O | O | O | X | X | X | X | X | - | O | Effect | X | X | X | - | - | ||
| Ins.Type (Mic) | O | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic Setting | |||
| Effect Parameter(Reverb/Chorus/DSP1~4) | O | X | X | O | X | X | - | O | Effect | X | X | X | - | - | ||||||
| Effect Parameter(Reverb/Chorus/DSP1~3) | O | O | X | X | O | X | X | - | O | Effect | X | X | X | - | - | |||||
| Effect Parameter(DSP4) | O | O | X | X | O | X | X | - | O | Mic.Setting | X | X | X | - | Mic Setting | |||||
| Effect Parameter(Reverb/Chorus/DSP1~5) | O | O | X | X | O | X | X | - | O | Effect | X | X | X | - | - | |||||
| Effect Parameter(DSP6) | O | O | X | X | O | X | X | - | O | Mic.Setting | X | X | X | - | - | |||||
| Main > Channel > Channel OnOffPopup | ||||||||||||||||||||
| ChannelOnOff (Song) | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Song | - | ||
| ChannelOnOff (Style) | O | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Style | - | ||
| MIDI | ||||||||||||||||||||
| MIDI Template | ||||||||||||||||||||
| Template No. | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Preset Template Name | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Menu > Function > MIDI | ||||||||||||||||||||
| System | ||||||||||||||||||||
| Local Control | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Clock | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Transmit Clock | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Receive Transpose | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Receive Start/Stop | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| SysEx Transmit | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| SysEx Receive | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Chord SysEx Transmit | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Chord SysEx Receive | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Transmit | ||||||||||||||||||||
| Part Select | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Ch (for each part) | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Filter (for each part) | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Receive | ||||||||||||||||||||
| CH Select | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Part Select | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Filter (for each channel) | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Bass (On Bass Note) | ||||||||||||||||||||
| Bass (On Bass Note) | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Chord Detect | ||||||||||||||||||||
| Chord Detect | O | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | ||
| Setup | MID Setup | User Effect | Music Finder | Sonar Setup Group | Style | DTS | Regist | Freeze Group | ||||||||||||
| Menu > Function > Master Tune/Scale Tune | ||||||||||||||||||||
| Master Tune | ||||||||||||||||||||
| MasterTune | O | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Scale Tune | ||||||||||||||||||||
| Scale | O | O | O | O | O | X | X | X | X | X | X | - | X | - | X | X | O | Scale | - | |
| Tune | O | O | O | O | O | X | X | X | X | X | X | - | X | - | X | X | O | Scale | - | |
| BaseNote | O | O | O | O | O | X | X | X | X | X | X | - | X | - | X | X | O | Scale | - | |
| Part Select(Right1/Right2, Left, Style) | O | O | O | O | O | X | X | X | X | X | X | - | X | - | X | X | O | Scale | - | |
| Menu > Function > Controller | ||||||||||||||||||||
| Foot Pedal | ||||||||||||||||||||
| PedalFunction | O | O | O | O | O | X | X | X | X | O | Left Pedal | O | Keyboard Voice | X | O | O | Pedal | - | ||
| PedalSettings | O | O | O | O | O | X | X | X | X | O | Left Pedal | O | Keyboard Voice | X | O | O | Pedal | - | ||
| PedalPolarity | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Keyboard/Panel | ||||||||||||||||||||
| Initial Touch | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Initial TouchOffLevel | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Voice | - | ||
| Initial Touch Part OnOff | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Voice | - | ||
| TransposeAssign | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Menu > Function > RegistSequence/Freeze/VoiceSet | ||||||||||||||||||||
| Regist Sequence | ||||||||||||||||||||
| RegistSequenceData | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | - | - | Memorized as a single Registration Bank file. | |
| RegistSequenceEnable | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Regist (+) Pedal | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Regist (-) Pedal | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| SequenceEnd | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | - | - | Memorized as a single Registration Bank file. | |
| Freeze Group | ||||||||||||||||||||
| FreezeGroupSetting | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| FreezeOnOff | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | ||
| VoiceSet | ||||||||||||||||||||
| VoiceSet Group Right1 OnOff | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| VoiceSet Group Right2 OnOff | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| VoiceSet Group Left OnOff | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Menu > Function > Utility | ||||||||||||||||||||
| Configuration1 | ||||||||||||||||||||
| FadelInTime | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| FadelOutTime | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| FadelOutHoldTime | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| MetronomeVolume | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| MetronomeSound | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| TimeSignature | O | O | O | O | O | X | X | X | X | X | - | O | - | O | X | X | - | - | ||
| ParameterLock | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| TapCountPercussion | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Style | - | ||
| TapCountVelocity | O | O | O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | Style | - | ||
| Configuration2 | ||||||||||||||||||||
| LCD Brightness | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | Cannot be reset with Factory Reset. | ||
| DisplayVoiceNumber | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Speaker | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| VoiceCategory Button Options | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Display Style Tempo | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Popup Display Time | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| ScreenOut | ||||||||||||||||||||
| Monitor Type | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | Cannot be reset with Factory Reset. | |||
| ScreenContent | O | O | O | X | X | X | - | X | - | X | X | X | - | - | Cannot be reset with Factory Reset. | |||||
| Media | ||||||||||||||||||||
| SongAutoOpen | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Owner | ||||||||||||||||||||
| Language | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | Cannot be reset with Factory Reset. | |
| OwnerName | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | Cannot be reset with Factory Reset. | |
| MainPicture | O | O | O | X | X | X | - | X | - | X | X | X | - | - | Cannot be reset with Factory Reset. | |||||
| SystemReset | ||||||||||||||||||||
| FactoryResetSetting | O | O | ||||||||||||||||||
| Setup | MDI Setup | User Effect | Music Finder | Song Setup Group | Style | OTS | Regist | Freeze Group | ||||||||||||
| SystemReset | ||||||||||||||||||||
| FactoryResetSetting | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | - | Language, Owner Name, iAFC Calibration Data, Main Picture BackGround, Lyric Picture BackGround, and Video Out related parameters are not reset. | ||
| Registration | ||||||||||||||||||||
| RegistMemory Contents | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| RegistNumber | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | ||
| RegistContentsName | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | - | - | ||
| OTS | ||||||||||||||||||||
| OTSNumber | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Menu > Demo | ||||||||||||||||||||
| None | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Metronome | ||||||||||||||||||||
| StartStop | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Transpose | ||||||||||||||||||||
| Transpose | O | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Tune/Trans | - | ||
| PianoReset | ||||||||||||||||||||
| PianoReset | O | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| iAFC | ||||||||||||||||||||
| iAFC On/Off | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |||||
| DYNAMIC DAMPER EFFECT DEPTH | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |||||
| SPATIAL ENSEMBLE EFFECT DEPTH | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |||||
| REC To USB | ||||||||||||||||||||
| Audio Player File | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |||
Many MIDI messages listed in the MIDI Data Format are expressed in decimal numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers may include the letter "H" as a suffix. Also, "n" can freely be defined as any whole number. To enter data/values, refer to the table below.
| Decimal | Hexadecimal | Binary |
| 0 | 00 | 0000 0000 |
| 1 | 01 | 0000 0001 |
| 2 | 02 | 0000 0010 |
| 3 | 03 | 0000 0011 |
| 4 | 04 | 0000 0100 |
| 5 | 05 | 0000 0101 |
| 6 | 06 | 0000 0110 |
| 7 | 07 | 0000 0111 |
| 8 | 08 | 0000 1000 |
| 9 | 09 | 0000 1001 |
| 10 | 0A | 0000 1010 |
| 11 | 0B | 0000 1011 |
| 12 | 0C | 0000 1100 |
| 13 | 0D | 0000 1101 |
| 14 | 0E | 0000 1110 |
| 15 | 0F | 0000 1111 |
| 16 | 10 | 0001 0000 |
| 17 | 11 | 0001 0001 |
| 18 | 12 | 0001 0010 |
| 19 | 13 | 0001 0011 |
| 20 | 14 | 0001 0100 |
| 21 | 15 | 0001 0101 |
| 22 | 16 | 0001 0110 |
| 23 | 17 | 0001 0111 |
| 24 | 18 | 0001 1000 |
| 25 | 19 | 0001 1001 |
| 26 | 1A | 0001 1010 |
| 27 | 1B | 0001 1011 |
| 28 | 1C | 0001 1100 |
| 29 | 1D | 0001 1101 |
| 30 | 1E | 0001 1110 |
| 31 | 1F | 0001 1111 |
| Decimal | Hexadecimal | Binary |
| 32 | 20 | 0010 0000 |
| 33 | 21 | 0010 0001 |
| 34 | 22 | 0010 0010 |
| 35 | 23 | 0010 0011 |
| 36 | 24 | 0010 0100 |
| 37 | 25 | 0010 0101 |
| 38 | 26 | 0010 0110 |
| 39 | 27 | 0010 0111 |
| 40 | 28 | 0010 1000 |
| 41 | 29 | 0010 1001 |
| 42 | 2A | 0010 1010 |
| 43 | 2B | 0010 1011 |
| 44 | 2C | 0010 1100 |
| 45 | 2D | 0010 1101 |
| 46 | 2E | 0010 1110 |
| 47 | 2F | 0010 1111 |
| 48 | 30 | 0011 0000 |
| 49 | 31 | 0011 0001 |
| 50 | 32 | 0011 0010 |
| 51 | 33 | 0011 0011 |
| 52 | 34 | 0011 0100 |
| 53 | 35 | 0011 0101 |
| 54 | 36 | 0011 0110 |
| 55 | 37 | 0011 0111 |
| 56 | 38 | 0011 1000 |
| 57 | 39 | 0011 1001 |
| 58 | 3A | 0011 1010 |
| 59 | 3B | 0011 1011 |
| 60 | 3C | 0011 1100 |
| 61 | 3D | 0011 1101 |
| 62 | 3E | 0011 1110 |
| 63 | 3F | 0011 1111 |
| Decimal | Hexadecimal | Binary |
| 64 | 40 | 0100 0000 |
| 65 | 41 | 0100 0001 |
| 66 | 42 | 0100 0010 |
| 67 | 43 | 0100 0011 |
| 68 | 44 | 0100 0100 |
| 69 | 45 | 0100 0101 |
| 70 | 46 | 0100 0110 |
| 71 | 47 | 0100 0111 |
| 72 | 48 | 0100 1000 |
| 73 | 49 | 0100 1001 |
| 74 | 4A | 0100 1010 |
| 75 | 4B | 0100 1011 |
| 76 | 4C | 0100 1100 |
| 77 | 4D | 0100 1101 |
| 78 | 4E | 0100 1110 |
| 79 | 4F | 0100 1111 |
| 80 | 50 | 0101 0000 |
| 81 | 51 | 0101 0001 |
| 82 | 52 | 0101 0010 |
| 83 | 53 | 0101 0011 |
| 84 | 54 | 0101 0100 |
| 85 | 55 | 0101 0101 |
| 86 | 56 | 0101 0110 |
| 87 | 57 | 0101 0111 |
| 88 | 58 | 0101 1000 |
| 89 | 59 | 0101 1001 |
| 90 | 5A | 0101 1010 |
| 91 | 5B | 0101 1011 |
| 92 | 5C | 0101 1100 |
| 93 | 5D | 0101 1101 |
| 94 | 5E | 0101 1110 |
| 95 | 5F | 0101 1111 |
| Decimal | Hexadecimal | Binary |
| 96 | 60 | 0110 0000 |
| 97 | 61 | 0110 0001 |
| 98 | 62 | 0110 0010 |
| 99 | 63 | 0110 0011 |
| 100 | 64 | 0110 0100 |
| 101 | 65 | 0110 0101 |
| 102 | 66 | 0110 0110 |
| 103 | 67 | 0110 0111 |
| 104 | 68 | 0110 1000 |
| 105 | 69 | 0110 1001 |
| 106 | 6A | 0110 1010 |
| 107 | 6B | 0110 1011 |
| 108 | 6C | 0110 1100 |
| 109 | 6D | 0110 1101 |
| 110 | 6E | 0110 1110 |
| 111 | 6F | 0110 1111 |
| 112 | 70 | 0111 0000 |
| 113 | 71 | 0111 0001 |
| 114 | 72 | 0111 0010 |
| 115 | 73 | 0111 0011 |
| 116 | 74 | 0111 0100 |
| 117 | 75 | 0111 0101 |
| 118 | 76 | 0111 0110 |
| 119 | 77 | 0111 0111 |
| 120 | 78 | 0111 1000 |
| 121 | 79 | 0111 1001 |
| 122 | 7A | 0111 1010 |
| 123 | 7B | 0111 1011 |
| 124 | 7C | 0111 1100 |
| 125 | 7D | 0111 1101 |
| 126 | 7E | 0111 1110 |
| 127 | 7F | 0111 1111 |
Except the table above, for example 144-159 (decimal)/9nH/1001 0000-1001 1111 (binary) denotes the Note On Message for each channel (1-16). 176-191/BnH/1011 0000-1011 1111 denotes the Control Change Message for each channel (1-16). 192-207/CnH/ 1100 0000-1100 1111 denotes the Program Change Message for each channel (1-16). 240/F0H/1111 0000 denotes the start of a System Exclusive Message. 247/F7H/1111 0111 denotes the end of a System Exclusive Message.
- aaH (hexadecimal)/0aaaaaaa (binary) denotes the data address. The address contains High, Mid, and Low.
- bbH/0bbbbbbbb denotes the byte count.
- ccH/0cccccc denotes the check sum.
- ddH/0dddddd denotes the data/value.
MIDI CHANNELMESSAGE (1)
[MIDI]
[Song Creator]
| MIDI Events | Status byte | 1st Data byte | 2nd Data byte | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Status | Data (HEX) | Parameter | Data (HEX) | Parameter | Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel(Right1/Right2/Left) | |
| Key Off[GM1][GM2] | 8nH (n: Channel Number) | kk | Key no.(0-127) | vv | Velocity(0-127) | O | O(Harmony Channel/Melody Channel) | X | O | O | X | O | X | X | |||||
| Key On[GM1][GM2] | 9nH (n: Channel Number) | kk | Key no.(0-127) | vv | Key On: vv=1-127Key Off: vv=0 | O | O(Harmony Channel/Melody Channel) | ● | O | O | ● | O | X | O | |||||
| Control Change | BnH | 0 (00H) | Bank SelectMSB[GM2] | 0 0OH8684648078979127 | NormalMega VoiceSA VoiceSPX VoiceGM2 RhythmGM2 NormalSPX KitDrum Kit | O | X | O | O | O(Right1) | O | O | ● | ● | ● | X | O | O | O |
| 1 (01H) | Modulation[GM1][GM2] | 0-127 (OOH...7FH) | Data | O | X | O | O | O(All Keyboard parts) | O | O | ● | O | O | ● | O | O | O | ||
| 5 (05H) | PortamentoTime[GM2] | 0-127 (OOH...7FH) | Data | O(ExceptOrgan Flutes) | X | O | O | O(All Keyboard parts) | X | O | ● | X | O | X | O | O | O | ||
| 6 (06H) | Data EntryMSB[GM2] | 0-127 (OOH...7FH) | Data | O | O(Harmony Channel/Melody Channel) | ● | O | O | X | O | X | O | |||||||
| 7 (07H) | Main Volume[GM1][GM2] | 0-127 (OOH...7FH) | Data | O | O(A/D PartReceiveChannel) | O | O | O(All Keyboard parts) | O | O | ● | ● | ● | X | O | O | O | ||
| 10 (0AH) | Panopt[GM1][GM2] | 0-127 (OOH...7FH) | L64...C...R63 | O | O(A/D PartReceiveChannel) | O | O | O(All Keyboard parts) | O | O | ● | ● | ● | X | O | O | O | ||
| 11 (0BH) | Expression[GM1][GM2] | 0-127 (OOH...7FH) | Data | O | X | O | O | O(All Keyboard parts) | O | O | ● | ● | ● | ● | O | O | O | ||
| 32 (20H) | Bank SelectLSB[GM2] | 0-127 (OOH...7FH) | Data | O | X | O | O | O(Right1) | O | O | ● | ● | ● | X | O | O | O | ||
| 38 (26H) | Data EntryLSB[GM2] | 0-127 (OOH...7FH) | Data | O | X | O | O | O(All Keyboard parts) | X | O | ● | X | O | X | O | X | O | ||
| 64 (40H) | Sustain(Damper)[GM1][GM2] | 0-127 (OOH...7FH) | Data | O | O(Harmony Channel/Melody Channel) | ● | X | O | ● | O | O | O | |||||||
| 65 (41H) | Portamento[GM2] | 0-127 (OOH...7FH) | 0.63,64...127(OFF,ON) | O(ExceptNatural Piano,Organ Flutes) | X | O | O | O(All Keyboard parts) | X | O | ● | X | O | ● | O | O | O | ||
| 66 (42H) | Sostenuto[GM2] | 0-127 (OOH...7FH) | 0.63,64...127(OFF,ON) | O | X | O | O | O(All Keyboard parts) | X | O | ● | X | O | ● | O | O | O | ||
| 67 (43H) | Soft Pedal[GM2] | 0-127 (OOH...7FH) | 0.63,64...127(OFF,ON) | O | X | O | O | O(All Keyboard parts) | X | O | ● | X | O | ● | O | O | O | ||
| 71 (47H) | HarmonicContent[GM2] | 0-127 (OOH...7FH) | -64...0...+63 | O | X | O | O | O(All Keyboard parts) | O | O | ● | ● | ● | X | O | O | O | ||
| 72 (48H) | Release Time[GM2] | 0-127 (OOH...7FH) | -64...0...+63 | O | X | O | O | O(All Keyboard parts) | O | O | ● | O | O | X | O | O | O | ||
| 73 (49H) | Attack Time[GM2] | 0-127 (OOH...7FH) | -64...0...+63 | O | X | O | O | O(All Keyboard parts) | O | O | ● | O | O | X | O | O | O | ||
| 74 (4AH) | Brightness[GM2] | 0-127 (OOH...7FH) | -64...0...+63 | O | X | O | O | O(All Keyboard parts) | O | O | ● | ● | ● | X | O | O | O | ||
| 75 (4BH) | Decay Time[GM2] | 0-127 (OOH...7FH) | -64...0...+63 | O | X | O | O | O(All Keyboard parts) | O | O | X | X | O | X | O | O | X | ||
| 76 (4CH) | Vibrato Rate[GM2] | 0-127 (OOH...7FH) | -64...0...+63 | O | X | O | O | O(All Keyboard parts) | O | O | X | X | O | X | O | O | X | ||
| 77 (4DH) | Vibrato Depth[GM2] | 0-127 (OOH...7FH) | -64...0...+63 | O | X | O | O | O(All Keyboard parts) | O | O | X | X | O | X | O | O | X | ||
| 78 (4EH) | Vibrato Delay[GM2] | 0-127 (OOH...7FH) | -64...0...+63 | O | X | O | O | O(All Keyboard parts) | O | O | X | X | O | X | O | O | X | ||
| 84 (54H) | PortamentoControl | 0-127 (OOH...7FH) | Key no.(0-127) | O | X | O | O | X | O | O | ○ | ○ | ○ | X | O | X | O | ||
| 91 (58H) | Effect 1 Depth(Reverb SendLevel)[GM2] | 0-127 (OOH...7FH) | Data | O | O(A/D PartReceiveChannel) | O | O | O(All Keyboard parts) | O | O | ● | ● | ● | X | O | O | O | ||
| 93 (5DH) | Effect 3 Depth(Chorus SendLevel)[GM2] | 0-127 (OOH...7FH) | Data | O | O(A/D PartReceiveChannel) | O | O | O(All Keyboard parts) | O | O | ● | ● | ● | X | O | O | O | ||
| 94 (5EH) | Effect 4 Depth(VariationSend Level) | 0-127 (OOH...7FH) | Data | O | X | O | O | O(All Keyboard parts) | O | O | ○ | ● | ● | X | O | O | X MultiPartRecord-ing | ||
| 96 (60H) | RPN Increment | - - | The data byteis ignored. | O | O(HarmonyChannel/MelodyChannel) | O | O | X | O | O | X | X | O | X | O | X | X | ||
| 97 (61H) | RPN Decrement | - - | The data byteis ignored. | O | O(HarmonyChannel/MelodyChannel) | O | O | X | O | O | X | X | O | X | O | X | X | ||
| 98 (62H) | NRPN LSB | 0-127 (OOH...7FH) | Data | O | O(HarmonyChannel/MelodyChannel) | O | O | X | O | ○ | ● | ○ | ○ | X | O | O | O | ||
[MIDI]
[Song Creator]
| MIDI Events | Status byte | 1st Data byte | 2nd Data byte | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Status | Data (HEX) | Parameter | Data (HEX) | Parameter | Regular/Drum/Natural/OrganVoice | Mic/VocalHarmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | UpperLower | PLAY | REW | From panel(Right1/Right2/Left) | |
| 99 (63H) | NRPN MSB | 0-127 (00H...7FH) | Data | O | O(Harmony Channel/Melody Channel) | O | O | X | O | O | ● | O | O | X | O | O | O | ||
| 100 (64H) | RPN LSB[GM2] | 0-127 (00H...7FH) | Data | O | O(Harmony Channel/Melody Channel) | O | O | O(All Keyboard parts) | O | O | ● | O | O | X | O | O | O | ||
| 101 (65H) | RPN MSB[GM2] | 0-127 (00H...7FH) | Data | O | O(Harmony Channel/Melody Channel) | O | O | O(All Keyboard parts) | O | O | ● | O | O | X | O | O | O | ||
| Mode Message | BnH (n: Channel Number) | 120 (78H) | All Sound Off[GM2] | 0 (00H) | Data | O | X | O | O | O(All Keyboard parts) | O | O | X | X | O | X | O | X | X |
| 121 (79H) | Reset All Controllers[GM1][GM2] | 0 (00H) | Data | O | X | O | X | X | X | X | X | X | O | X | O | X | X | ||
| 122 (7AH) | Local Control | 0 (00H)OFFON | - | - | O | X | X | X | X | X | X | X | |||||||
| 123 (7BH) | All Note Off[GM1][GM2] | 0 (00H) | Data | O | O(Harmony Channel/Melody Channel) | O | O | O(All Keyboard parts) | O | O | X | X | O | X | O | X | X | ||
| 124 (7CH) | Omni Off[GM2] | 0 (00H) | Data | O | X | O*1 | X | X | X | X | X | X | O | X | O | X | X | ||
| 125 (7DH) | Omni On[GM2] | 0 (00H) | Data | O | X | O*2 | X | X | X | X | X | X | O | X | O | X | X | ||
| 126 (7EH) | Mono[GM2] | 0-16 (00H...10H) | Data | O | X | O | X | X | X | X | X | X | O | X | O | X | X | ||
| 127 (7FH) | Poly[GM2] | 0 (00H) | Data | O | X | O | X | X | X | X | X | X | O | X | O | X | X | ||
| Program Change[GM1][GM2] | CnH (n: Channel Number) | pp (00H...7FH) | VoiceNumber(0-127) | - | - | O | X | O | O(Right1) | O | O | ● | ● | ● | X | O | O | O | |
| Channel After Touch[GM1][GM2] | DnH (n: Channel Number) | vv (00H...7FH) | Data | - | - | O | X | O | O(All Keyboard parts) | X | O | X | X | O | X | O | X | O | |
| Polyphonic After Touch | AnH (n: Channel Number) | kk (00H...7FH) | Key no.(0-127) | vv (00H...7FH) | Data | O | X | O | X | X | X | X | X | X | O | X | O | X | X |
| Pitch Bend Change[GM1][GM2] | EnH (n: Channel Number) | cc (00H...7FH) | LSB | dd (00H...7FH) | MSB | O | O(Harmony Channel/Melody Channel) | O | O(All Keyboard parts) | O | O | ● | O | O | ● | O | O | O | |
| Realtime Message | F8H MIDI Clock | - | - | - | - | - | - | O(Received when the Clock is set to MIDI,USB1, or USB2.) | O(Transmitted when the Clock is set to Internal and the Transmit Clock is set to on.) | - | - | - | |||||||
| FAH Start | - | - | - | - | - | - | O(Received when the Clock is set to MIDI,USB1, or USB2.) | O(Transmitted when the Transmit Clock is set to on.) | - | - | - | ||||||||
| FBH Continue | - | - | - | - | - | - | X | X | - | - | - | ||||||||
| FCH Stop | - | - | - | - | - | - | O(Received when the Clock is set to MIDI,USB1, or USB2.) | O(Transmitted when the Transmit Clock is set to on.) | - | - | - | ||||||||
| FEH Active Sense[GM2] | - | - | - | - | - | - | O | O | - | - | - | ||||||||
| FFH System Reset | - | - | - | - | - | - | X | X | - | - | - | ||||||||
Transmitted via panel operations and keyboard/controller performances.
About Mic/Vocal Harmony column:
Harm ChannelMelch) h t t t. (A/D Part Receive Channel): The relevant parameters are received by the song part designated by the XG's AD Part Receive Ch.
1: Same operation as when receiving All Note Off.
2: Same operation as when receiving All Note Off. OMNI ON is not enabled.
Mic./Vocal Harmony
| CVP-401 | X |
| CVP-403 | O |
| CVP-405 | O |
| CVP-407 | O |
| CVP-409 | O |
SA (Super Articulation)
| CVP-401 | X |
| CVP-403 | X |
| CVP-405 | O |
| CVP-407 | O |
| CVP-409 | O |
[GM1] ... GM Required Parameter
[GM2] ... GM Level 2 Required Parameter
MIDI CHANNELMESSAGE (2)
NRPN
[MIDI]
[Song Creator]
| NRPN | Data Entry | Parameter | Data Range | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | ||||||||||||
| MSB | LSB | MSB | LSB | Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel(Right1/Right2/Left) | |||
| 01H | 08H | mmH | -- | Vibrato Rate | mm: 00H-40H-7FH (-64...0...+63) | O | O(Harmony Channel/Melody Channel) | O | O | X | O | O | ● | O | O | X | O | O | O | |
| 01H | 09H | mmH | -- | Vibrato Depth | mm: 00H-40H-7FH (-64...0...+63) | O | O(Harmony Channel/Melody Channel) | O | O | X | O | O | ● | O | O | X | O | O | O | |
| 01H | 0AH | mmH | -- | Vibrato Delay | mm: 00H-40H-7FH (-64...0...+63) | O | O(Harmony Channel/Melody Channel) | O | O | X | O | O | ● | O | O | X | O | O | O | |
| 01H | 20H | mmH | -- | Low Pass Filter Cutoff Frequency | mm: 00H-40H-7FH (-64...0...+63) | O | X | O | X | X | O | X | X | X | O | X | O | O | X | |
| 01H | 21H | mmH | -- | Low Pass Filter Resonance | mm: 00H-40H-7FH (-64...0...+63) | O | X | O | X | X | O | X | X | X | O | X | O | O | X | |
| 01H | 30H | mmH | -- | EQ Bass Gain | mm: 00H-40H-7FH (-64...0...+63) | O | X | O | X | X | O | X | X | X | O | X | O | O | X | |
| 01H | 31H | mmH | -- | EQ Treble Gain | mm: 00H-40H-7FH (-64...0...+63) | O | X | O | X | X | O | X | X | X | O | X | O | O | X | |
| 01H | 34H | mmH | -- | EQ Bass Frequency | mm: 04H-28H (32...2.0k[Hz]) | O | X | O | X | X | X | X | X | X | O | X | O | O | X | |
| 01H | 35H | mmH | -- | EQ Treble Frequency | mm: 1CH-3AH (500...16.0k[Hz]) | O | X | O | X | X | X | X | X | X | O | X | O | O | X | |
| 01H | 63H | mmH | -- | EG Attack Time | mm: 00H-40H-7FH (-64...0...+63) | O | X | O | X | X | O | X | X | X | O | X | O | O | X | |
| 01H | 64H | mmH | -- | EG Decay Time | mm: 00H-40H-7FH (-64...0...+63) | O | X | O | O | X | O | O | ● | O | O | X | O | O | O | |
| 01H | 66H | mmH | -- | EG Release | mm: 00H-40H-7FH (-64...0...+63) | O | X | O | X | X | O | X | X | X | O | X | O | O | X | |
| 14H | rrH | mmH | -- | Drum Low Pass Filter Cutoff Frequency | rr:drum instrument note number mm: 00H-40H-7FH (-64...0...+63) | O(Drum only) | X | O | X | X | X | X | X | O | O | X | O | X | X | |
| 15H | rrH | mmH | -- | Drum Low Pass Filter Resonance | rr:drum instrument note number mm: 00H-40H-7FH (-64...0...+63) | O(Drum only) | X | O | X | X | X | X | X | O | O | X | O | X | X | |
| 16H | rrH | mmH | -- | Drum EG Attack Rate | rr:drum instrument note number mm: 00H-40H-7FH (-64...0...+63) | O(Drum only) | X | O | X | X | X | X | X | O | O | X | O | X | X | |
| 17H | rrH | mmH | -- | Drum EG Decay Rate | rr:drum instrument note number mm: 00H-40H-7FH (-64...0...+63) | O(Drum only) | X | O | X | X | X | X | X | O | O | X | O | X | X | |
| 18H | rrH | mmH | -- | Drum Pitch Coarse | rr:drum instrument note number mm: 00H-40H-7FH (-64...0...+63) | O(Drum only) | X | O | X | X | X | X | X | O | O | X | O | X | X | |
| 19H | rrH | mmH | -- | Drum Pitch Fine | rr:drum instrument note number mm: 00H-40H-7FH (-64...0...+63) | O(Drum only) | X | O | X | X | X | X | X | O | O | X | O | X | X | |
| 1AH | rrH | mmH | -- | Drum Level | rr:drum instrument note number mm: 00H-7FH (0...127) | O(Drum only) | X | O | X | X | X | X | X | O | O | X | O | X | X | |
| 1CH | rrH | mmH | -- | Drum Pan | rr:drum instrument note number mm: 00H, 01H-40H-7FH (RND, L63...C...R63) | O(Drum only) | X | O | X | X | X | X | X | O | O | X | O | X | X | |
| 1DH | rrH | mmH | -- | Drum Reverb Send Level | rr:drum instrument note number mm: 00H-7FH (0...127) | O(Drum only) | X | O | X | X | X | X | X | O | O | X | O | X | X | |
| 1EH | rrH | mmH | -- | Drum Chorus Send Level | rr:drum instrument note number mm: 00H-7FH (0...127) | O(Drum only) | X | O | X | X | X | X | X | O | O | X | O | X | X | |
| 1FH | rrH | mmH | -- | Drum Variation Send Level | rr:drum instrument note number mm: 00H-7FH (0...127)(Variation Connection=SYSTEM) mm: 00H, 01H-7FH (OFF, ON)(Variation Connection=INSERTION) | O(Drum only) | X | O | X | X | X | X | X | O | O | X | O | X | X | |
| 30H | rrH | mmH | -- | Drum EQ Bass Gain | rr:drum instrument note number mm: 00H-7FH (0...127) | X | X | X | X | X | X | X | X | X | X | X | X | X | X | |
| 31H | rrH | mmH | -- | Drum EQ Treble Gain | rr:drum instrument note number mm: 00H-7FH (0...127) | X | X | X | X | X | X | X | X | X | X | X | X | X | X | |
| 34H | rrH | mmH | -- | Drum EQ Bass Frequency | rr:drum instrument note number mm: 04H-28H (32...2.0k[Hz]) | X | X | X | X | X | X | X | X | X | X | X | X | X | X | |
| 35H | rrH | mmH | -- | Drum EQ Treble Frequency | rr:drum instrument note number mm: 1CH-3AH (500...16.0k[Hz]) | X | X | X | X | X | X | X | X | X | X | X | X | X | X | |
Transmitted via panel operations and keyboard/controller performances.
NRPN MSB: 14H-1FH (for drums) message is accepted as long as the channel is set with a drum voice. Data Entry LSB: Ignored.
NRPN (Vocal Harmony)
[MIDI]
[Song Creator]
| NRPN | Data Entry | Parameter | Data Range | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| MSB | LSB | MSB | LSB | Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel(Right1/Right2/Left) | ||
| 00H | 00H | mmH | -- | Harmony Mute | mm: 00H-3FH, 40H-7FH (Off, On) | X | O(Harmony Channel) | X | X | X | X | X | X | X | O | X | O | X | X |
| 01H | 1AH | mmH | -- | Detune Modulation | mm: 00H-7FH (0...127) | X | O(Harmony Channel) | X | X | X | X | X | X | X | O | X | O | X | X |
| 02H | 10H | mmH | -- | Harmony1 Volume | mm: 00H-7FH (0...127) | X | O(Harmony Channel) | X | X | X | X | X | X | X | ● | X | O | X | X |
| 02H | 11H | mmH | -- | Harmony2 Volume | mm: 00H-7FH (0...127) | X | O(Harmony Channel) | X | X | X | X | X | X | X | ● | X | O | X | X |
| 02H | 12H | mmH | -- | Harmony3 Volume | mm: 00H-7FH (0...127) | X | O(Harmony Channel) | X | X | X | X | X | X | X | ● | X | O | X | X |
| 02H | 20H | mmH | -- | Harmony1 Pan | mm: 00H, 01H-40H-7FH (RND, L63...C...R63) | X | O(Harmony Channel) | X | X | X | X | X | X | X | ● | X | O | X | X |
| 02H | 21H | mmH | -- | Harmony2 Pan | mm: 00H, 01H-40H-7FH (RND, L63...C...R63) | X | O(Harmony Channel) | X | X | X | X | X | X | X | ● | X | O | X | X |
| 02H | 22H | mmH | -- | Harmony3 Pan | mm: 00H, 01H-40H-7FH (RND, L63...C...R63) | X | O(Harmony Channel) | X | X | X | X | X | X | X | ● | X | O | X | X |
| 02H | 30H | mmH | -- | Harmony1 Detune | mm: 00H-40H-7FH (-64...0...+63) | X | O(Harmony Channel) | X | X | X | X | X | X | X | ● | X | O | X | X |
| 02H | 31H | mmH | -- | Harmony2 Detune | mm: 00H-40H-7FH (-64...0...+63) | X | O(Harmony Channel) | X | X | X | X | X | X | X | ● | X | O | X | X |
| 02H | 32H | mmH | -- | Harmony3 Detune | mm: 00H-40H-7FH (-64...0...+63) | X | O(Harmony Channel) | X | X | X | X | X | X | X | ● | X | O | X | X |
- Transmitted via panel operations and keyboard/controller performances.
Message is sent to the Song Channel part set in MicSetting Vocoder Control Song Channel.
BPN
[MIDI]
[Song Creator]
| RPN | Data Entry | Parameter | Data Range | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | ||||||||||||
| MSB | LSB | MSB | LSB | Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | |||
| 00H | 00H | mmH | -- | Pitch Bend Sensitivity [GM1][GM2] | mm: 00H-18H (0...+24[semitones]) | O | O(Harmony Channel/Melody Channel) | O | O | O(All Keyboard parts) | O | O | ● | O | O | X | O | O | O | |
| 00H | 01H | mmH | IIH | Fine Tune [GM1][GM2] | mm II: 00H 00H -100[cent] ...mm II: 40H 00H 0[cent] ...mm II: 7FH 7FH 100[cent] | O | X | O | O | O(All Keyboard parts) | O | O | ● | O | O | X | O | O | O | |
| 00H | 02H | mmH | -- | Coarse Tune [GM1][GM2] | mm: 28H-40H-58H (-24...0...+24[semitones]) | O | X | O | O | O(All Keyboard parts) | O | O | X | O | O | X | O | O | X | |
| 00H | 05H | mmH | IIH | Modulation Sensitivity [GM2] | mm: Specified in semitone steps II: Specified in 100/128 cent steps | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |
| 7FH | 7FH | -- | -- | Null [GM2] | - | O | O | O | O | O(All Keyboard parts) | O | O | X | O | O | X | O | X | X | |
Transmitted via panel operations and keyboard/controller performances.
About MicVocal Harmony column:
The relevant parameters are received by the song part designated by the Effect's Harmony Channel Parameter or Melody Channel Parameter.
Mic./Vocal Harmony
| CVP-401 | X |
| CVP-403 | O |
| CVP-405 | O |
| CVP-407 | O |
| CVP-409 | O |
[GM1] ... GM Required Parameter
[GM2] ... GM Level2 Required Parameter
XG PARAMETER CHANGE TABLE
- Not received when Receive System Exclusive Message Parameters is set to off.
- Not transmitted when Transmit System Exclusive Message Parameters is set to off.
MIDI Parameter Change table (XG SYSTEM)
[MIDI]
[Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | XG Default (H) | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | ||||||||
| 00 | 00 | 00010203 | 4 | 00-0F00-0F00-0F00-0F | MASTER TUNE | -102.4...0...+102.3[cent]1st bit3-0 -> bit15-122nd bit3-0 -> bit11-83rd bit3-0 -> bit7-44th bit3-0 -> bit3-0 | *Panel setting value | O | O | O | ● | O | X | X | |||||||
| 04 | 1 | 00-7F | MASTER VOLUME | 0...127 | 7F | O | X | O(Available for extra parts of a song) | O | O | O | X | |||||||||
| 05 | 1 | 00-7F | MASTER ATTENUATOR | 0...127 | 00 | X | X | X | X | X | X | X | |||||||||
| 06 | 1 | 28-58 | TRANSPOSE | -24...0...+24[semitones] | 40 | O | O | O(Available for extra parts of a song) | O | O | O | X | |||||||||
| 7D | 1 | N | DRUM SETUP RESET | N: Drum setup number | - | O(Drum only) | X | O(Available for extra parts of a song) | O | O | X | X | |||||||||
| 7E | 1 | 00 | XG SYSTEM ON | 00=XG system ON | - | O | X | O(Available for extra parts of a song) | O | O | X | O | |||||||||
| 7F | 1 | 00 | ALL PARAMETER RESET | 00=ON | - | O | X | O(Available for extra parts of a song) | O | O | X | X | |||||||||
TOTAL SIZE 07
Transmitted via panel operations
MIDI Parameter Change table (SYSTEM INFORMATION)
[MIDI]
[Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Let | Keyboard | Style | Extra | Right1/Right2/Let | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Let) | |||||||
| 01 | 00 | 00 | E1 | 20-7F | Model Name 1 | 32...127 (ASCII CHARACTER) | - | - | - | O(Available only when receiving requests via MIDI) | - | - | - | |||||||
| Model Name 14 | 32...127 (ASCII CHARACTER) | |||||||||||||||||||
| ÖD | NOT USED | |||||||||||||||||||
| OE | NOT USED | |||||||||||||||||||
TOTAL SIZE 10
Transmitted in response to Dump Request. Not received.
MIDI Parameter Change table (EFFECT1)
[MIDI]
[Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | XG Default (H) | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | ||||||||
| 02 | 01 | 00 | 2 | 00-7F 00-7F | REVERB TYPE MSB REVERB TYPE LSB | Refer to Effect Parameter List | 01 (=HALL1) 00 | O | O | O | ● | O | O | O | |||||||
| 02 | 1 | 00-7F | REVERB PARAMETER 1 | - | Depends on Reverb Type | O | O | O | ● | O | O | O | |||||||||
| 03 | 1 | 00-7F | REVERB PARAMETER 2 | - | Depends on Reverb Type | O | O | O | ● | O | O | O | |||||||||
| 04 | 1 | 00-7F | REVERB PARAMETER 3 | - | Depends on Reverb Type | O | O | O | ● | O | O | O | |||||||||
| 05 | 1 | 00-7F | REVERB PARAMETER 4 | - | Depends on Reverb Type | O | O | O | ● | O | O | O | |||||||||
| 06 | 1 | 00-7F | REVERB PARAMETER 5 | - | Depends on Reverb Type | O | O | O | ● | O | O | O | |||||||||
| 07 | 1 | 00-7F | REVERB PARAMETER 6 | - | Depends on Reverb Type | O | O | O | ● | O | O | O | |||||||||
| 08 | 1 | 00-7F | REVERB PARAMETER 7 | - | Depends on Reverb Type | O | O | O | ● | O | O | O | |||||||||
TOTAL SIZE 06
Transmitted via panel operations
[MIDI]
[Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | XG Default (H) | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | ||||||||
| 02 | 01 | 20 | 2 | 00-7F | CHORUS TYPE MSB | Refer to Effect Parameter List | 41 (=CHORUS1)00 | O | O | O | ● | O | O | O | |||||||
| 00-7F | CHORUS TYPE LSB | ||||||||||||||||||||
| 22 | 1 | 00-7F | CHORUS PARAMETER 1 | ~ | Depends on Chorus Type | O | O | O | ● | O | O | O | |||||||||
| 23 | 1 | 00-7F | CHORUS PARAMETER 2 | ~ | Depends on Chorus Type | O | O | O | ● | O | O | O | |||||||||
| 24 | 1 | 00-7F | CHORUS PARAMETER 3 | ~ | Depends on Chorus Type | O | O | O | ● | O | O | O | |||||||||
| 25 | 1 | 00-7F | CHORUS PARAMETER 4 | ~ | Depends on Chorus Type | O | O | O | ● | O | O | O | |||||||||
| 26 | 1 | 00-7F | CHORUS PARAMETER 5 | ~ | Depends on Chorus Type | O | O | O | ● | O | O | O | |||||||||
| 27 | 1 | 00-7F | CHORUS PARAMETER 6 | ~ | Depends on Chorus Type | O | O | O | ● | O | O | O | |||||||||
| 28 | 1 | 00-7F | CHORUS PARAMETER 7 | ~ | Depends on Chorus Type | O | O | O | ● | O | O | O | |||||||||
| 29 | 1 | 00-7F | CHORUS PARAMETER 8 | ~ | Depends on Chorus Type | O | O | O | ● | O | O | O | |||||||||
| 2A | 1 | 00-7F | CHORUS PARAMETER 9 | ~ | Depends on Chorus Type | O | O | O | ● | O | O | O | |||||||||
| 2B | 1 | 00-7F | CHORUS PARAMETER 10 | ~ | Depends on Chorus Type | O | O | O | ● | O | O | O | |||||||||
| 2C | 1 | 00-7F | CHORUS RETURN | ~=dB...0dB...+6dB(0...64...127) | 40 | O | O | O | ● | O | O | O | |||||||||
| 2D | 1 | 01-7F | CHORUS PAN | L63...C...R63 | 40 | O | O | O | O | O | O | X | |||||||||
| 2E | 1 | 00-7F | SEND CHORUS TO REVERB | ~=dB...0dB...+6dB(0...64...127) | 00 | O | O | O | O | O | O | X | |||||||||
TOTAL SIZE OF
| 02 | 01 | 30 | 1 | 00-7F | CHORUS PARAMETER 11 | Refer to Effect Parameter List | Depends on Chorus Type | O | O | O | ● | O | O | O |
| 31 | 1 | 00-7F | CHORUS PARAMETER 12 | ~ | Depends on Chorus Type | O | O | O | ● | O | O | O | ||
| 32 | 1 | 00-7F | CHORUS PARAMETER 13 | ~ | Depends on Chorus Type | O | O | O | ● | O | O | O | ||
| 33 | 1 | 00-7F | CHORUS PARAMETER 14 | ~ | Depends on Chorus Type | O | O | O | ● | O | O | O | ||
| 34 | 1 | 00-7F | CHORUS PARAMETER 15 | ~ | Depends on Chorus Type | O | O | O | ● | O | O | O | ||
| 35 | 1 | 00-7F | CHORUS PARAMETER 16 | ~ | Depends on Chorus Type | O | O | O | ● | O | O | O |
TOTAL SIZE 06
[MIDI]
[Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | XG Default (H) | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | ||||||||
| 02 | 01 | 40 | 2 | 00-7F00-7F | VARIATION TYPE MSB VARIATION TYPE LSB | Refer to Effect Parameter List | 05 (=DELAY L, C, R)00 | O | O | O | ● | O | O | O | |||||||
| 42 | 2 | 00-7F00-7F | VARIATION PARAMETER 1 MSB VARIATION PARAMETER 1 LSB | ~ | Depends on Variation Type | O | O | O | ● | O | O | O | |||||||||
| 44 | 2 | 00-7F00-7F | VARIATION PARAMETER 2 MSB VARIATION PARAMETER 2 LSB | ~ | Depends on Variation Type | O | O | O | ● | O | O | O | |||||||||
| 46 | 2 | 00-7F00-7F | VARIATION PARAMETER 3 MSB VARIATION PARAMETER 3 LSB | ~ | Depends on Variation Type | O | O | O | ● | O | O | O | |||||||||
| 48 | 2 | 00-7F00-7F | VARIATION PARAMETER 4 MSB VARIATION PARAMETER 4 LSB | ~ | Depends on Variation Type | O | O | O | ● | O | O | O | |||||||||
| 4A | 2 | 00-7F00-7F | VARIATION PARAMETER 5 MSB VARIATION PARAMETER 5 LSB | ~ | Depends on Variation Type | O | O | O | ● | O | O | O | |||||||||
| 4C | 2 | 00-7F00-7F | VARIATION PARAMETER 6 MSB VARIATION PARAMETER 6 LSB | ~ | Depends on Variation Type | O | O | O | ● | O | O | O | |||||||||
| 4E | 2 | 00-7F00-7F | VARIATION PARAMETER 7 MSB VARIATION PARAMETER 7 LSB | ~ | Depends on Variation Type | O | O | O | ● | O | O | O | |||||||||
| 50 | 2 | 00-7F00-7F | VARIATION PARAMETER 8 MSB VARIATION PARAMETER 8 LSB | ~ | Depends on Variation Type | O | O | O | ● | O | O | O | |||||||||
| 52 | 2 | 00-7F00-7F | VARIATION PARAMETER 9 MSB VARIATION PARAMETER 9 LSB | ~ | Depends on Variation Type | O | O | O | ● | O | O | O | |||||||||
| 54 | 2 | 00-7F00-7F | VARIATION PARAMETER 10 MSB VARIATION PARAMETER 10 LSB | ~ | Depends on Variation Type | O | O | O | ● | O | O | O | |||||||||
| 56 | 1 | 00-7F | VARIATION RETURN | ←dB...0dB...+dB(0...64...127) | 40 | O | O | O | ● | O | O | O | |||||||||
| 57 | 1 | 01-7F | VARIATION PAN | L63...C...R63 | 40 | O | O | O | O | O | O | X | |||||||||
| 58 | 1 | 00-7F | SEND VARIATION TO REVERB | ←dB...0dB...+dB(0...64...127) | 00 | O | O | O | O | O | O | X | |||||||||
| 59 | 1 | 00-7F | SEND VARIATION TO CHORUS | ←dB...0dB...+dB(0...64...127) | 00 | O | O | O | O | O | O | X | |||||||||
| 5A | 1 | 00-01 | VARIATION CONNECTION | INSERTION, SYSTEM | 00 | O | O | O | ● | O | O | O | |||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboards | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | ||||||||
| 5B | 1 | 00-7F | VARIATION PART NUMBER | Reception: Part1...16 (0...15) Transmission: Part1...16 (0...15) AD (64) OFF (127) | 7F | O | O | O | ● | O | O | O | |||||||||
| 5C | 1 | 00-7F | MW VARIATION CONTROL DEPTH | -64...0...+63 | 40 | O | O | O | O | O | O | X | |||||||||
| 5D | 1 | 00-7F | BEND VARIATION CONTROL DEPTH | -64...0...+63 | 40 | O | O | O | O | O | O | X | |||||||||
| 5E | 1 | 00-7F | CAT VARIATION CONTROL DEPTH | -64...0...+63 | 40 | O | O | O | O | O | O | X | |||||||||
| 5F | 1 | 00-7F | AC1 VARIATION CONTROL DEPTH | -64...0...+63 | 40 | O | O | O | O | O | O | X | |||||||||
| 60 | 1 | 00-7F | AC2 VARIATION CONTROL DEPTH | -64...0...+63 | 40 | O | O | O | O | O | O | X | |||||||||
TOTAL SIZE 21
| 02 | 01 | 70 | 1 | 00-7F | VARIATION PARAMETER 11 | Refer to Effect Parameter List | Depends on Variation Type | O | O | O | ● | O | O | O |
| 71 | 1 | 00-7F | VARIATION PARAMETER 12 | ~ | Depends on Variation Type | O | O | O | ● | O | O | O | ||
| 72 | 1 | 00-7F | VARIATION PARAMETER 13 | ~ | Depends on Variation Type | O | O | O | ● | O | O | O | ||
| 73 | 1 | 00-7F | VARIATION PARAMETER 14 | ~ | Depends on Variation Type | O | O | O | ● | O | O | O | ||
| 74 | 1 | 00-7F | VARIATION PARAMETER 15 | ~ | Depends on Variation Type | O | O | O | ● | O | O | O | ||
| 75 | 1 | 00-7F | VARIATION PARAMETER 16 | ~ | Depends on Variation Type | O | O | O | ● | O | O | O |
TOTAL SIZE 06
- Transmitted via panel operations.
MIDI Parameter Change table (MULTI EQ)
| Address (H) | Size (H) | Data (H) | Parameter | Description | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | ||||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Let | Keyboard | Style | Extra | Right1/Right2/Let | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Let) | ||||||||
| 02 | 40 | 00 | 1 | 00-04 | EQ TYPE | flat, jazz, pops, rock, classic | *The MULTI EQ Parameter cannot be reset to its factory setting with XG SYSTEM ON. | O | O | O | O | O | X | X | |||||||
| 01 | 1 | 34-4C | EQ GAIN1 | -12...0...+12[dB] | O | O | O | ● | O | X | X | ||||||||||
| 02 | 1 | 04-28 | EQ FREQUENCY1 | 32...2.0[kHz] | O | O | O | ● | O | X | X | ||||||||||
| 03 | 1 | 01-78 | EQ Q1 | 0.1...12.0 | O | O | O | ● | O | X | X | ||||||||||
| 04 | 1 | 00-01 | EQ SHAPE1 | shelving, peaking | O | O | O | O | O | X | X | ||||||||||
| 05 | 1 | 34-4C | EQ GAIN2 | -12...0...+12[dB] | O | O | O | ● | O | X | X | ||||||||||
| 06 | 1 | 0E-36 | EQ FREQUENCY2 | 100...10.0[kHz] | O | O | O | ● | O | X | X | ||||||||||
| 07 | 1 | 01-78 | EQ Q2 | 0.1...12.0 | O | O | O | ● | O | X | X | ||||||||||
| 08 | 1 | NOT USED | - | - | - | - | - | - | - | ||||||||||||
| 09 | 1 | 34-4C | EQ GAIN3 | -12...0...+12[dB] | O | O | O | ● | O | X | X | ||||||||||
| 0A | 1 | 0E-36 | EQ FREQUENCY3 | 100...10.0[kHz] | O | O | O | ● | O | X | X | ||||||||||
| 0B | 1 | 01-78 | EQ Q3 | 0.1...12.0 | O | O | O | ● | O | X | X | ||||||||||
| 0C | 1 | NOT USED | - | - | - | - | - | - | - | ||||||||||||
| 0D | 1 | 34-4C | EQ GAIN4 | -12...0...+12[dB] | O | O | O | ● | O | X | X | ||||||||||
| 0E | 1 | 0E-36 | EQ FREQUENCY4 | 100...10.0[kHz] | O | O | O | ● | O | X | X | ||||||||||
| 0F | 1 | 01-78 | EQ Q4 | 0.1...12.0 | O | O | O | ● | O | X | X | ||||||||||
| 10 | 1 | NOT USED | - | - | - | - | - | - | - | ||||||||||||
| 11 | 1 | 34-4C | EQ GAIN5 | -12...0...+12[dB] | O | O | O | ● | O | X | X | ||||||||||
| 12 | 1 | 1C-3A | EQ FREQUENCY5 | 0.5k...16.0[kHz] | O | O | O | ● | O | X | X | ||||||||||
| 13 | 1 | 01-78 | EQ Q5 | 0.1...12.0 | O | O | O | ● | O | X | X | ||||||||||
| 14 | 1 | 00-01 | EQ SHAPE5 | shelving, peaking | O | O | O | O | O | X | X | ||||||||||
TOTAL SIZE 15
- Transmitted via panel operations.
About PLAY column:
Not available when Function Utility Parameter Lock is checked.
MIDI Parameter Change table (EFFECT2)
| Address (H) | Size (H) | Data (H) | Parameter | Description | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | ||||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | ||||||||
| 03 | n | 00 | 2 | 00-7F 00-7F | INSERTION EFFECT TYPE MSB INSERTION EFFECT TYPE LSB | Refer to Effect Parameter List | *The EFFECT 2 Parameter cannot be reset to its factory setting with XG SYSTEM ON. | O | O | O | ● | O | O | O | |||||||
| 02 | 1 | 00-7F | INSERTION EFFECT PARAMETER 1 | ~ | O | O | O | ● | O | O | O | ||||||||||
| 03 | 1 | 00-7F | INSERTION EFFECT PARAMETER 2 | ~ | O | O | O | ● | O | O | O | ||||||||||
| 04 | 1 | 00-7F | INSERTION EFFECT PARAMETER 3 | ~ | O | O | O | ● | O | O | O | ||||||||||
| 05 | 1 | 00-7F | INSERTION EFFECT PARAMETER 4 | ~ | O | O | O | ● | O | O | O | ||||||||||
| 06 | 1 | 00-7F | INSERTION EFFECT PARAMETER 5 | ~ | O | O | O | ● | O | O | O | ||||||||||
| 07 | 1 | 00-7F | INSERTION EFFECT PARAMETER 6 | ~ | O | O | O | ● | O | O | O | ||||||||||
| 08 | 1 | 00-7F | INSERTION EFFECT PARAMETER 7 | ~ | O | O | O | ● | O | O | O | ||||||||||
| 09 | 1 | 00-7F | INSERTION EFFECT PARAMETER 8 | ~ | O | O | O | ● | O | O | O | ||||||||||
| 0A | 1 | 00-7F | INSERTION EFFECT PARAMETER 9 | ~ | O | O | O | ● | O | O | O | ||||||||||
| 0B | 1 | 00-7F | INSERTION EFFECT PARAMETER 10 | ~ | O | O | O | ● | O | O | O | ||||||||||
| 0C | 1 | 00-7F | INSERTION EFFECT PART NUMBER | Reception: Part1...16 (0...15) Transmission: Part1...16 (0...15) AD (64) OFF (127) | O | O | O | ● | O | O | O | ||||||||||
| 0D | 1 | 00-7F | MW INSERTION CONTROL DEPTH | -64...0...+63 | O | O | O | O | O | O | X | ||||||||||
| 0E | 1 | 00-7F | BEND INSERTION CONTROL DEPTH | -64...0...+63 | O | O | O | O | O | O | X | ||||||||||
| 0F | 1 | 00-7F | CAT INSERTION CONTROL DEPTH | -64...0...+63 | O | O | O | O | O | O | X | ||||||||||
| 10 | 1 | 00-7F | AC1 INSERTION CONTROL DEPTH | -64...0...+63 | O | O | O | O | O | O | X | ||||||||||
| 11 | 1 | 00-7F | AC2 INSERTION CONTROL DEPTH | -64...0...+63 | O | O | O | O | O | O | X | ||||||||||
TOTAL SIZE 12
| 20 | 1 | 00-7F | INSERTION EFFECT PARAMETER 11 | Refer to Effect Parameter List | O | O | O | ● | O | O | O | |||
| 21 | 1 | 00-7F | INSERTION EFFECT PARAMETER 12 | ~ | O | O | O | ● | O | O | O | |||
| 22 | 1 | 00-7F | INSERTION EFFECT PARAMETER 13 | ~ | O | O | O | ● | O | O | O | |||
| 23 | 1 | 00-7F | INSERTION EFFECT PARAMETER 14 | ~ | O | O | O | ● | O | O | O | |||
| 24 | 1 | 00-7F | INSERTION EFFECT PARAMETER 15 | ~ | O | O | O | ● | O | O | O | |||
| 25 | 1 | 00-7F | INSERTION EFFECT PARAMETER 16 | ~ | O | O | O | ● | O | O | O |
TOTAL SIZE 6
[MIDI]
[Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | ||||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | ||||||||
| 30 | 2 | 00-7F 00-7F | INSERTION EFFECT PARAMETER 1 MSB INSERTION EFFECT PARAMETER 1 LSB | Refer to Effect Parameter List | O | O | O | ● | O | O | O | ||||||||||
| 32 | 2 | 00-7F 00-7F | INSERTION EFFECT PARAMETER 2 MSB INSERTION EFFECT PARAMETER 2 LSB | - | O | O | O | ● | O | O | O | ||||||||||
| 34 | 2 | 00-7F 00-7F | INSERTION EFFECT PARAMETER 3 MSB INSERTION EFFECT PARAMETER 3 LSB | - | O | O | O | ● | O | O | O | ||||||||||
| 36 | 2 | 00-7F | INSERTION EFFECT PARAMETER 4 MSB INSERTION EFFECT PARAMETER 4 LSB | - | O | O | O | ● | O | O | O | ||||||||||
| 38 | 2 | 00-7F 00-7F | INSERTION EFFECT PARAMETER 5 MSB INSERTION EFFECT PARAMETER 5 LSB | - | O | O | O | ● | O | O | O | ||||||||||
| 3A | 2 | 00-7F 00-7F | INSERTION EFFECT PARAMETER 6 MSB INSERTION EFFECT PARAMETER 6 LSB | - | O | O | O | ● | O | O | O | ||||||||||
| 3C | 2 | 00-7F 00-7F | INSERTION EFFECT PARAMETER 7 MSB INSERTION EFFECT PARAMETER 7 LSB | - | O | O | O | ● | O | O | O | ||||||||||
| 3E | 2 | 00-7F 00-7F | INSERTION EFFECT PARAMETER 8 MSB INSERTION EFFECT PARAMETER 8 LSB | - | O | O | O | ● | O | O | O | ||||||||||
| 40 | 2 | 00-7F 00-7F | INSERTION EFFECT PARAMETER 9 MSB INSERTION EFFECT PARAMETER 9 LSB | - | O | O | O | ● | O | O | O | ||||||||||
| 42 | 2 | 00-7F 00-7F | INSERTION EFFECT PARAMETER 10 MSB INSERTION EFFECT PARAMETER 10 LSB | - | O | O | O | ● | O | O | O | ||||||||||
TOTAL SIZE 14
Transmitted via panel operations
The second byte of the address is considered as an Insertion effect number
n: insertion effect number
| CVP-401 | n = 0~2 |
| CVP-403 | n = 0~2 |
| CVP-405 | n = 0~2 |
| CVP-407 | n = 0~4 |
| CVP-409 | n = 0~4 |
For effect types that do not require MSB, the Parameters for Address 02-0B will be received and the Parameters for Address 30-42 will not be received.
For effect types that require MSB, the Parameters for Address 30-42 will be received and the Parameters for Address 02-0B will not be received.
When bulk dumps that include Effect Type data are transmitted, the parameters for addresses 02-0B will always be transmitted
For effects that require MSB however, when a bulk dump is received, the parameters for addresses 02-0B will not be received.
MIDI Parameter Change table (SPECIAL EFFECT)
| CVP-401 | X |
| CVP-403 | O |
| CVP-405 | O |
| CVP-407 | O |
| CVP-409 | O |
[MIDI]
[Sound Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | ||||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | ||||||||
| 04 | 00 | 00 | 2 | 00-7F | INSERTION EFFECT TYPE MSB | Vocoder (89), Chordal (90), Detune (91), Chromatic (92), Thru (0...88, 93...127) | *The SPECIAL EFFECT Parameter cannot be reset to its factory setting with XGSYSTEM ON | X | O | O | ● | O | O | X | |||||||
| 00-7F | INSERTION EFFECT TYPE LSB | X | O | O | ● | O | O | X | |||||||||||||
| 02 | 1 | 00-7F | INSERTION EFFECT PARAMETER 1 Harmony Mode | X | O | O | ● | O | O | X | |||||||||||
| 03 | 1 | 00-7F | INSERTION EFFECT PARAMETER 2 Harmony Gender Type | Off (0), Auto (1) | X | O | O | ● | O | O | X | ||||||||||
| 04 | 1 | 00-7F | INSERTION EFFECT PARAMETER 3 Lead Gender Type | Off (0), Unison (1), Male (2), Female (3) | X | O | O | ● | O | O | X | ||||||||||
| 05 | 1 | 00-7F | INSERTION EFFECT PARAMETER 4 Lead Gender Depth | -64...0...+63 (0...127) | X | O | O | ● | O | O | X | ||||||||||
| 06 | 1 | 00-7F | INSERTION EFFECT PARAMETER 5 Lead Pitch Correction | Free (0), Correct (1) | X | O | O | ● | O | O | X | ||||||||||
| 07 | 1 | 00-7F | INSERTION EFFECT PARAMETER 6 Auto Upper Gender Threshold | 0...12 (0...12) | X | O | O | ● | O | O | X | ||||||||||
| 08 | 1 | 00-7F | INSERTION EFFECT PARAMETER 7 Auto Lower Gender Threshold | 0...12 (0...12) | X | O | O | ● | O | O | X | ||||||||||
| 09 | 1 | 00-7F | INSERTION EFFECT PARAMETER 8 Upper Gender Depth | -64...0...+63 (0...127) | X | O | O | ● | O | O | X | ||||||||||
| 0A | 1 | 00-7F | INSERTION EFFECT PARAMETER 9 Lower Gender Depth | -64...0...+63 (0...127) | X | O | O | ● | O | O | X | ||||||||||
| 0B | 1 | 00-7F | INSERTION EFFECT PARAMETER 10 L63>H...L=H...L<H63 (1...64...127) | X | O | O | O | ● | O | O | X | ||||||||||
| 0C | 1 | 00-7F | INSERTION EFFECT PART NUMBER | AD (64), OFF (0...63, 65...127) | X | O | O | ● | O | O | O | ||||||||||
| 0D | 1 | 00-7F | MW INSERTION CONTROL DEPTH | -64...0...+63 | X | X | X | X | X | X | X | ||||||||||
| 0E | 1 | 00-7F | BEND INSERTION CONTROL DEPTH | -64...0...+63 | X | X | X | X | X | X | X | ||||||||||
| 0F | 1 | 00-7F | CAT INSERTION CONTROL DEPTH | -64...0...+63 | X | X | X | X | X | X | X | ||||||||||
| 10 | 1 | 00-7F | AC1 INSERTION CONTROL DEPTH | -64...0...+63 | X | X | X | X | X | X | X | ||||||||||
| 11 | 1 | 00-7F | AC2 INSERTION CONTROL DEPTH | -64...0...+63 | X | X | X | X | X | X | X | ||||||||||
TOTAL SIZE 12
| 14 | 1 | 00-7F | UNIQUE INSERTION EFFECT EXTERNAL CONTROL CH1 (HARMONY CHANNEL) | 1...16 (0...15), OFF (127) | X | O | O | ● | O | O | X | |||
| 15 | 1 | 00-7F | UNIQUE INSERTION EFFECT EXTERNAL CONTROL CH1 (MELODY CHANNEL) | 1...16 (0...15), OFF (127) | X | O | O | O | O | O | X |
TOTAL SIZE 2
| 20 | 1 | 00-7F | INSERTION EFFECT PARAMETER 11 Vibrato Depth | 0...100cent (0...127) | X | O | O | ● | O | O | X | |||
| 21 | 1 | 00-7F | INSERTION EFFECT PARAMETER 12 Vibrato Rate | 0Hz (0).01...12.7Hz(1...127) | X | O | O | ● | O | O | X | |||
| 22 | 1 | 00-7F | INSERTION EFFECT PARAMETER 13 Vibrato Delay | 0...2.54sec (0...127) | X | O | O | ● | O | O | X | |||
| 23 | 1 | 00-7F | INSERTION EFFECT PARAMETER 14 | X | X | X | X | X | X | X | ||||
| 24 | 1 | 00-7F | INSERTION EFFECT PARAMETER 15 | X | X | X | X | X | X | X | ||||
| 25 | 1 | 00-7F | INSERTION EFFECT PARAMETER 16 | X | X | X | X | X | X | X |
TOTAL SIZE 6
Transmitted via panel operations
MIDI Parameter Change table (MULTI PART)
| Address (H) | Size (H) | Data (H) | Parameter | Description | XG Default (H) | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Let | Keyboard | Style | Extra | Right1/Right2/Let | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Let) | ||||||||
| 08 | nn | 00 | 1 | 00-20 | ELEMENT RESERVE | 0...32 | part 10, 26=0, other parts=2 | - | - | - | - | - | - | - | - | - | - | - | - | - | - |
| 01 | 1 | 00-7F | BANK SELECT MSB | 0...127 | part 10=7F, other parts=00 | O | X | O | O | X | O | O | X | X | O | X | O | O | X | ||
| 02 | 1 | 00-7F | BANK SELECT LSB | 0...127 | 00 | O | X | O | O | X | O | O | X | X | O | X | O | O | X | ||
| 03 | 1 | 00-7F | PROGRAM NUMBER | 1...128 | 00 | O | X | O | O | X | O | O | X | X | O | X | O | O | X | ||
| 04 | 1 | 00-0F, 7F | Rcv CHANNEL | 1...16, OFF | Part No. | O | X | O | X | X | X | X | X | X | O | X | O | X | X | ||
| 05 | 1 | 00-01 | MONO/POLY MODE | MONO, POLY | 01 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | ||
| 06 | 1 | 00-02 | SAME NOTE NUMBER KEY ON ASSIGN | SINGLE, MULTI, INST (for Drum) | 01 | O | X | O | X | X | O | X | X | X | O | X | O | X | X | ||
| 07 | 1 | 00-03 | PART MODE | NORMAL, DRUM, DRUMS1...2 | part 10=02, other parts=00 | O | X | O | X | X | X | X | ● | ● | ● | X | O | X | O | ||
| 08 | 1 | 28-58 | NOTE SHIFT | -24...0...+24[semitones] | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | X | ||
| 09OA | 2 | 00-0F 00-0F | DETUNE | -12.8...0...+12.7[Hz] 1st bit3-0 -> bit7-4 2nd bit3-0 -> bit3-0 | 08 00 | O | X | O | O | X | O | O | X | X | O | X | O | X | X | ||
| 0B | 1 | 00-7F | VOLUME | 0...127 | 64 | O | X | O | O | X | O | O | X | X | O | X | O | O | X | ||
| 0C | 1 | 00-7F | VELOCITY SENSE DEPTH | 0...127 | 40 | O | X | O | O | X | X | O | ● | X | O | X | O | O | O | ||
| 0D | 1 | 00-7F | VELOCITY SENSE OFFSET | 0...127 | 40 | O | X | O | O | X | X | O | ● | X | O | X | O | O | O | ||
| 0E | 1 | 00-7F | PAN | RND, L63...C...R63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | X | ||
| 0F | 1 | 00-7F | NOTE LIMIT LOW | C-2...G8 | 00 | O | X | O | X | X | X | X | X | X | O | X | O | O | X | ||
| 10 | 1 | 00-7F | NOTE LIMIT HIGH | C-2...G8 | 7F | O | X | O | X | X | X | X | X | X | O | X | O | X | X | ||
| 11 | 1 | 00-7F | DRY LEVEL | 0...127 | 7F | O | X | O | O | X | O | O | X | ● | ● | X | O | O | O | ||
| 12 | 1 | 00-7F | CHORUS SEND | 0...127 | 00 | O | X | O | O | X | O | O | X | X | O | X | O | O | X | ||
| 13 | 1 | 00-7F | REVERB SEND | 0...127 | 28 | O | X | O | O | X | O | O | X | X | O | X | O | O | X | ||
| 14 | 1 | 00-7F | VARIATION SEND | 0...127 | 00 | O | X | O | O | X | O | O | X | X | O | X | O | O | O | ||
| 15 | 1 | 00-7F | VIBRATO RATE | -64...0...+63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | X | ||
| 16 | 1 | 00-7F | VIBRATO DEPTH | -64...0...+63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | X | ||
| 17 | 1 | 00-7F | VIBRATO DELAY | -64...0...+63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | X | ||
| 18 | 1 | 00-7F | FILTER CUTOFF FREQUENCY | -64...0...+63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | X | ||
| 19 | 1 | 00-7F | FILTER RESONANCE | -64...0...+63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | X | ||
| 1A | 1 | 00-7F | EG ATTACK TIME | -64...0...+63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | X | ||
| 1B | 1 | 00-7F | EG DECAY TIME | -64...0...+63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | X | ||
| 1C | 1 | 00-7F | EG RELEASE TIME | -64...0...+63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | X | ||
| 1D | 1 | 28-58 | MW PITCH CONTROL | -24...0...+24[semitones] | 40 | O | X | O | O | X | O | O | X | X | O | X | O | X | X | ||
| 1E | 1 | 00-7F | MW LOW PASS FILTER CONTROL | -9600...0...+9450[cent] | 40 | O | X | O | O | X | X | O | ● | X | O | X | O | O | O | ||
| 1F | 1 | 00-7F | MW AMPLITUDE CONTROL | -100...0...+100[%] | 40 | O | X | O | O | X | X | O | X | X | O | X | O | X | X | ||
| 20 | 1 | 00-7F | MW LFO PMOD DEPTH | 0...127 | 0A | O | X | O | O | X | X | O | ● | X | O | X | O | O | O | ||
| 21 | 1 | 00-7F | MW LFO FMOD DEPTH | 0...127 | 00 | O | X | O | O | X | X | O | ● | X | O | X | O | O | O | ||
| 22 | 1 | 00-7F | MW LFO AMOD DEPTH | 0...127 | 00 | O | X | O | O | X | X | O | ● | X | O | X | O | O | O | ||
| 23 | 1 | 28-58 | BEND PITCH CONTROL | -24...0...+24[semitones] | 42 | O | X | O | O | X | O | O | X | X | O | X | O | X | X | ||
| 24 | 1 | 00-7F | BEND LOW PASS FILTER CONTROL | -9600...0...+9450[cent] | 40 | O | X | O | O | X | O | O | X | X | O | X | O | X | X | ||
| 25 | 1 | 00-7F | BEND AMPLITUDE CONTROL | -100...0...+100[%] | 40 | O | X | O | O | X | O | O | X | X | O | X | O | X | X | ||
| 26 | 1 | 00-7F | BEND LFO PMOD DEPTH | 0...127 | 00 | O | X | O | O | X | O | O | X | X | O | X | O | X | X | ||
| 27 | 1 | 00-7F | BEND LFO FMOD DEPTH | 0...127 | 00 | O | X | O | O | X | O | O | X | X | O | X | O | X | X | ||
| 28 | 1 | 00-7F | BEND LFO AMOD DEPTH | 0...127 | 00 | O | X | O | O | X | O | O | X | X | O | X | O | X | X | ||
TOTAL SIZE 29
[MIDI]
[Sound Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | XG Default (H) | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | ||||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | |||||||||
| 30 | 1 | 00-01 | Rcv PITCH BEND | OFF, ON | 01 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 31 | 1 | 00-01 | Rcv CH AFTER TOUCH (CAT) | OFF, ON | 01 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 32 | 1 | 00-01 | Rcv PROGRAM CHANGE | OFF, ON | 01 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 33 | 1 | 00-01 | Rcv CONTROL CHANGE | OFF, ON | 01 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 34 | 1 | 00-01 | Rcv POLY AFTER TOUCH(PAT) | OFF, ON | 01 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 35 | 1 | 00-01 | Rcv NOTEMESSAGE | OFF, ON | 01 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 36 | 1 | 00-01 | Rcv RPN | OFF, ON | 01 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 37 | 1 | 00-01 | Rcv NRPN | OFF, ON | XGMmode=01, GMmode=00 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 38 | 1 | 00-01 | Rcv MODULATION | OFF, ON | 01 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 39 | 1 | 00-01 | Rcv VOLUME | OFF, ON | 01 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 3A | 1 | 00-01 | Rcv PAN | OFF, ON | 01 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 3B | 1 | 00-01 | Rcv EXPRESSION | OFF, ON | 01 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 3C | 1 | 00-01 | Rcv HOLD1 | OFF, ON | 01 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 3D | 1 | 00-01 | Rcv PORTAMENTO | OFF, ON | 01 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 3E | 1 | 00-01 | Rcv SOSTENUTO | OFF, ON | 01 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 3F | 1 | 00-01 | Rcv SOFT PEDAL | OFF, ON | 01 | O | X | O | X | X | X | X | X | O | X | O | X | X | X | |||
| 40 | 1 | 00-01 | Rcv BANK SELECT | OFF, ON | 01 | O | X | O | X | X | X | X | X | O | X | O | X | X | X | |||
| 41 | 1 | 00-7F | SCALE TUNING C | -64... ...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | O | O | |||
| 42 | 1 | 00-7F | SCALE TUNING C# | -64... ...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | O | O | |||
| 43 | 1 | 00-7F | SCALE TUNING D | -64... ...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | O | O | |||
| 44 | 1 | 00-7F | SCALE TUNING D# | -64... ...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | O | O | |||
| 45 | 1 | 00-7F | SCALE TUNING E | -64... ...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | O | O | |||
| 46 | 1 | 00-7F | SCALE TUNING F | -64... ...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | O | O | |||
| 47 | 1 | 00-7F | SCALE TUNING F# | -64... ...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | O | O | |||
| 48 | 1 | 00-7F | SCALE TUNING G | -64... ...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | O | O | |||
| 49 | 1 | 00-7F | SCALE TUNING G# | -64... ...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | O | O | |||
| 4A | 1 | 00-7F | SCALE TUNING A | -64... ...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | O | O | |||
| 4B | 1 | 00-7F | SCALE TUNING A# | -64... ...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | O | O | |||
| 4C | 1 | 00-7F | SCALE TUNING B | -64... ...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | O | O | |||
| 4D | 1 | 28-58 | CAT PITCH CONTROL | -24... ...+24[semitones] | 40 | O | X | O | O | X | X | O | X | X | O | X | O | X | X | |||
| 4E | 1 | 00-7F | CAT LOW PASS FILTER CONTROL | -9600... ...+9450[cent] | 40 | O | X | O | O | X | X | O | X | X | O | X | O | O | X | |||
| 4F | 1 | 00-7F | CAT AMPLITUDE CONTROL | -100... ...+100[%] | 40 | O | X | O | O | X | X | O | X | X | O | X | O | X | X | |||
| 50 | 1 | 00-7F | CAT LFO PMOD DEPTH | 0...127 | 00 | O | X | O | O | X | X | O | X | X | O | X | O | O | X | |||
| 51 | 1 | 00-7F | CAT LFO FMOD DEPTH | 0...127 | 00 | O | X | O | O | X | X | O | X | X | O | X | O | O | X | |||
| 52 | 1 | 00-7F | CAT LFO AMOD DEPTH | 0...127 | 00 | O | X | O | O | X | X | O | X | X | O | X | O | O | X | |||
| 53 | 1 | 28-58 | PAT PITCH CONTROL | -24... ...+24[semitones] | 40 | O | X | O | O | X | X | O | X | X | O | X | O | X | X | |||
| 54 | 1 | 00-7F | PAT LOW PASS FILTER CONTROL | -9600... ...+9450[cent] | 40 | O | X | O | X | X | X | X | X | O | X | O | X | X | ||||
| 55 | 1 | 00-7F | PAT AMPLITUDE CONTROL | -100... ...+100[%] | 40 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 56 | 1 | 00-7F | PAT LFO PMOD DEPTH | 0...127 | 00 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 57 | 1 | 00-7F | PAT LFO FMOD DEPTH | 0...127 | 00 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI
[MIDI]
[Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | XG Default (H) | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | ||||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | |||||||||
| 58 | 1 | 00-7F | PAT LFO AMOD DEPTH | 0...127 | 00 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 59 | 1 | 00-5F | AC1 CONTROLLER NUMBER | 0...95 | 10 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 5A | 1 | 28-58 | AC1 PITCH CONTROL | -24...0...+24[semitones] | 40 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 5B | 1 | 00-7F | AC1 LOW PASS FILTER CONTROL | -9600...0...+9450[cent] | 40 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 5C | 1 | 00-7F | AC1 AMPLITUDE CONTROL | -100...0...+100[%] | 40 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 5D | 1 | 00-7F | AC1 LFO PMOD DEPTH | 0...127 | 00 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 5E | 1 | 00-7F | AC1 LFO FMOD DEPTH | 0...127 | 00 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 5F | 1 | 00-7F | AC1 LFO AMOD DEPTH | 0...127 | 00 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 60 | 1 | 00-5F | AC2 CONTROLLER NUMBER | 0...95 | 11 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |||
| 61 | 1 | 28-58 | AC2 PITCH CONTROL | -24...0...+24[semitones] | 40 | O | X | O | X | X | X | X | X | O | X | O | X | X | X | |||
| 62 | 1 | 00-7F | AC2 LOW PASS FILTER CONTROL | -9600...0...+9450[cent] | 40 | O | X | O | X | X | X | X | X | O | X | O | X | X | X | |||
| 63 | 1 | 00-7F | AC2 AMPLITUDE CONTROL | -100...0...+100[%] | 40 | O | X | O | X | X | X | X | X | O | X | O | X | X | X | |||
| 64 | 1 | 00-7F | AC2 LFO PMOD DEPTH | 0...127 | 00 | O | X | O | X | X | X | X | X | O | X | O | X | X | X | |||
| 65 | 1 | 00-7F | AC2 LFO FMOD DEPTH | 0...127 | 00 | O | X | O | X | X | X | X | X | O | X | O | X | X | X | |||
| 66 | 1 | 00-7F | AC2 LFO AMOD DEPTH | 0...127 | 00 | O | X | O | X | X | X | X | X | O | X | O | X | X | X | |||
| 67 | 1 | 00-01 | PORTAMENTO SWITCH | OFF, ON | 00 | O(Except Natural Piano, Organ Flutes) | X | O | O | X | X | O | X | O | X | O | O | X | X | |||
| 68 | 1 | 00-7F | PORTAMENTO TIME | 0...127 | 00 | O | X | O | O | X | X | O | X | X | O | X | O | O | X | |||
| 69 | 1 | 00-7F | PITCH EG INITIAL LEVEL | -64...0...+63 | 40 | O | X | O | O | X | X | O | X | X | O | X | O | X | X | |||
| 6A | 1 | 00-7F | PITCH EG ATTACK TIME | -64...0...+63 | 40 | O | X | O | O | X | X | O | X | X | O | X | O | X | X | |||
| 6B | 1 | 00-7F | PITCH EG RELEASE LEVEL | -64...0...+63 | 40 | O | X | O | O | X | X | O | X | X | O | X | O | X | X | |||
| 6C | 1 | 00-7F | PITCH EG RELEASE TIME | -64...0...+63 | 40 | O | X | O | O | X | X | O | X | X | O | X | O | X | X | |||
| 6D | 1 | 01-7F | VELOCITY LIMIT LOW | 1...127 | 01 | O | X | O | O | X | X | O | X | X | O | X | O | X | X | |||
| 6E | 1 | 01-7F | VELOCITY LIMIT HIGH | 1...127 | 7F | O | X | O | O | X | X | O | X | X | O | X | O | X | X | |||
TOTAL SIZE 3F
| 70 | 1 | NOT USED | - | - | - | - | - | - | - | - | - | - | - | - | - | |||||
| 71 | 1 | NOT USED | - | - | - | - | - | - | - | - | - | - | - | - | - | |||||
| 72 | 1 | 00-7F | EQ BASS GAIN | -12dB...+12dB | 40 | O | X | O | O | X | O | O | ● | ● | ● | X | O | O | ||
| 73 | 1 | 00-7F | EQ TREBLE GAIN | -12dB...+12dB | 40 | O | X | O | O | X | O | O | ● | ● | ● | X | O | O |
TOTAL SIZE 04
| 74 | 1 | NOT USED | - | - | - | - | - | - | - | - | - | - | - | - | - | - | ||||
| 75 | 1 | NOT USED | - | - | - | - | - | - | - | - | - | - | - | - | - | - | ||||
| 76 | 1 | 04-28 | EQ BASS FREQUENCY | 32...2.0k[Hz] | 0C | O | X | O | O | X | X | O | ● | X | O | X | O | O | ||
| 77 | 1 | 1C-3A | EQ TREBLE FREQUENCY | 500...16.0k[Hz] | 36 | O | X | O | O | X | X | O | ● | X | O | X | O | O | ||
| 78 | 1 | NOT USED | - | - | - | - | - | - | - | - | - | - | - | - | - | - | ||||
| 79 | 1 | NOT USED | - | - | - | - | - | - | - | - | - | - | - | - | - | - | ||||
| 7A | 1 | NOT USED | - | - | - | - | - | - | - | - | - | - | - | - | - | - | ||||
| 7B | 1 | NOT USED | - | - | - | - | - | - | - | - | - | - | - | - | - | - | ||||
| 7C | 1 | NOT USED | - | - | - | - | - | - | - | - | - | - | - | - | - | - | ||||
| 7D | 1 | NOT USED | - | - | - | - | - | - | - | - | - | - | - | - | - | - | ||||
| 7E | 1 | NOT USED | - | - | - | - | - | - | - | - | - | - | - | - | - | - | ||||
| 7F | 1 | NOT USED | - | - | - | - | - | - | - | - | - | - | - | - | - | - |
TOTAL SIZE OC
Transmitted via panel operations
[MIDI]
[Sound Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | XG Default (H) | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | ||||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | |||||||||
| 0A | nn | 40 | 1 | 00-7F | MW OFFSET LEVEL CONTROL | -100 - 100[%] | 40 | O | - | O | O | X | X | O | O | X | O | X | O | O | O | |
| 41 | 1 | 00-7F | BEND OFFSET LEVEL CONTROL | -100 - 100[%] | 40 | O | - | O | X | X | X | X | X | X | O | X | O | O | X | |||
| 42 | 1 | 00-7F | CAT OFFSET LEVEL CONTROL | -100 - 100[%] | 40 | O | - | X | O | X | X | O | X | X | O | X | O | O | X | |||
| 43 | 1 | 00-7F | PAT OFFSET LEVEL CONTROL | -100 - 100[%] | 40 | O | - | O | X | X | X | X | X | X | O | X | O | O | X | |||
| 44 | 1 | 00-7F | AC1 OFFSET LEVEL CONTROL | -100 - 100[%] | 40 | O | - | O | X | X | X | X | X | X | O | X | O | O | X | |||
| 45 | 1 | 00-7F | AC2 OFFSET LEVEL CONTROL | -100 - 100[%] | 40 | O | - | O | X | X | X | X | X | X | O | X | O | O | X | |||
TOTAL SIZE 06
Transmitted via panel operations
nn = PART NUMBER
If there is a Drum Voice assigned to the part, the following parameters are ineffective:
BANK SELECT LSB PORTS
PORTAMENTO MONGOLIA
MONO/POLY
SCALE TUNING POLY AFTER TOUCH
POLY AMPII PITCH EEG
MIDI Parameter Change table (A/D PART)
| CVP-401 | X |
| CVP-403 | O |
| CVP-405 | O |
| CVP-407 | O |
| CVP-409 | O |
[MIDI]
[Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | |||||||
| 10 | On | 00 | 1 | 00-01 | INPUT GAIN | MIC, LINE | *The A/D PART parameter cannot be reset to its factory setting with XG System On. | X | X | X | X | X | X | X | ||||||
| 01 | 1 | 00-7F | BANK SELECT MSB | 0...127 | X | X | X | X | X | X | X | |||||||||
| 02 | 1 | 00-7F | BANK SELECT LSB | 0...127 | X | X | X | X | X | X | X | |||||||||
| 03 | 1 | 00-7F | PROGRAM NUMBER | 1...128 | X | X | X | X | X | X | X | |||||||||
| 04 | 1 | 00-0F, 7F | Rcv CHANNEL | 1...16, OFF | X | O | O | O | O | X | X | |||||||||
| 05 | 1 | NOT USED | - | - | - | - | - | - | - | |||||||||||
| 06 | 1 | NOT USED | - | - | - | - | - | - | - | |||||||||||
| 07 | 1 | NOT USED | - | - | - | - | - | - | - | |||||||||||
| 08 | 1 | NOT USED | - | - | - | - | - | - | - | |||||||||||
| 09 | 1 | NOT USED | - | - | - | - | - | - | - | |||||||||||
| 0A | 1 | NOT USED | - | - | - | - | - | - | - | |||||||||||
| 0B | 1 | 00-7F | VOLUME | 0...127 | X | O | O | ● | O | X | X | |||||||||
| 0C | 1 | NOT USED | - | - | - | - | - | - | - | |||||||||||
| 0D | 1 | NOT USED | - | - | - | - | - | - | - | |||||||||||
| 0E | 1 | 01-7F | PAN | L63...C...R63 | X | O | O | ● | O | X | X | |||||||||
| 0F | 1 | NOT USED | - | - | - | - | - | - | - | |||||||||||
| 10 | 1 | NOT USED | - | - | - | - | - | - | - | |||||||||||
| 11 | 1 | 00-7F | DRY LEVEL | 0...127 | X | O | O | ● | O | X | X | |||||||||
| 12 | 1 | 00-7F | CHORUS SEND | 0...127 | X | O | O | ● | O | X | X | |||||||||
| 13 | 1 | 00-7F | REVERB SEND | 0...127 | X | O | O | ● | O | X | X | |||||||||
| 14 | 1 | 00-7F | VARIATION SEND | 0...127 | X | O | O | ● | O | X | X | |||||||||
TOTAL SIZE 15
n: A/D Part Number (0)
MIDI Parameter Change table (DRUM SETUP)
[MIDI]
[Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | XG Default (H) | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | ||||||||
| 3n | rr | 00 | 1 | 00-7F | PITCH COARSE | -64...0...+63 | 40 | O(Drum only) | X | O(Available only for song parts) | O | O | X | X | |||||||
| 01 | 1 | 00-7F | PITCH FINE | -64...0...+63[cent] | 40 | O(Drum only) | X | O(Available only for song parts) | O | O | X | X | |||||||||
| 02 | 1 | 00-7F | LEVEL | 0...127 | Depends on the note | O(Drum only) | X | O(Available only for song parts) | O | O | X | X | |||||||||
| 03 | 1 | 00-7F | ALTERNATE GROUP | OFF, 1...127 | Depends on the note | O(Drum only) | X | O(Available only for song parts) | O | O | X | X | |||||||||
| 04 | 1 | 00-7F | PAN | RND, L63...C...R63 | Depends on the note | O(Drum only) | X | O(Available only for song parts) | O | O | X | X | |||||||||
| 05 | 1 | 00-7F | REVERB SEND | 0...127 | Depends on the note | O(Drum only) | X | O(Available only for song parts) | O | O | X | X | |||||||||
| 06 | 1 | 00-7F | CHORUS SEND | 0...127 | Depends on the note | O(Drum only) | X | O(Available only for song parts) | O | O | X | X | |||||||||
| 07 | 1 | 00-7F | VARIATION SEND | 0...127 | 7F | O(Drum only) | X | O(Available only for song parts) | O | O | X | X | |||||||||
| 08 | 1 | 00-01 | KEY ASSIGN | SINGLE, MULTI | 00 | O(Drum only) | X | O(Available only for song parts) | O | O | X | X | |||||||||
| 09 | 1 | 00-01 | Rcv NOTE OFF | OFF, ON | Depends on the note | O(Drum only) | X | O(Available only for song parts) | O | O | X | X | |||||||||
| 0A | 1 | 00-01 | Rcv NOTE ON | OFF, ON | 01 | O(Drum only) | X | O(Available only for song parts) | O | O | X | X | |||||||||
| 0B | 1 | 00-7F | LOW PASS FILTER CUTOFF FREQUENCY | -64...0...+63 | 40 | O(Drum only) | X | O(Available only for song parts) | O | O | X | X | |||||||||
| 0C | 1 | 00-7F | LOW PASS FILTER RESONANCE | -64...0...+63 | 40 | O(Drum only) | X | O(Available only for song parts) | O | O | X | X | |||||||||
| 0D | 1 | 00-7F | EG ATTACK RATE | -64...0...+63 | 40 | O(Drum only) | X | O(Available only for song parts) | O | O | X | X | |||||||||
| 0E | 1 | 00-7F | EG DECAY1 RATE | -64...0...+63 | 40 | O(Drum only) | X | O(Available only for song parts) | O | O | X | X | |||||||||
| 0F | 1 | 00-7F | EG DECAY2 RATE | -64...0...+63 | 40 | O(Drum only) | X | O(Available only for song parts) | O | O | X | X | |||||||||
TOTAL SIZE 10
| 20 | 1 | 00-7F | EQ BASS GAIN | -12...+12[dB] | 40 | X | X | X | X | X | X | X | ||
| 21 | 1 | 00-7F | EQ TREBLE GAIN | -12...+12[dB] | 40 | X | X | X | X | X | X | X | ||
| 22 | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 23 | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 24 | 1 | 04-28 | EQ BASS FREQUENCY | 32...2.0k[Hz] | OC | X | X | X | X | X | X | X | ||
| 25 | 1 | 1C-3A | EQ TREBLE FREQUENCY | 500...16.0k[Hz] | 36 | X | X | X | X | X | X | X | ||
| 26 | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 27 | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 28 | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 29 | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 2A | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 2B | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 2C | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 2D | 1 | NOT USED | - | - | - | - | - | - | - | - |
TOTAL SIZE 0E
n: Drum Setup Number (0-1)
rr: note number (0L-5B)
In the following cases, the instrument will initialize all Drum Settings.
XG SYSTEM ON received
GM SYSTEM ON received
GM LEVEL2 SYSTEM ON received
GS RESET received
DRUM SETUP RESET received (only when in XG mode)
[Note]
When a part to which a Drum Setup is assigned receives a program change, the assigned Drum Setup will be initialized.
If the same Drum Setup is assigned to two or more parts, changes in Drum Setup parameters (including program changes) will apply to all parts to which it is assigned.
System Exclusive Messages (1)
[GM1]... GM Required Parameter
[GM2]... GM Level2 Required Parameter
[1982] 15. 1982. 1982. 1982. 1982. 1982. 1982. 1982. 1982. 1982. 1982. 1982. 1982. 1982. 1982. 1982. 1982. 1982. 1
Not received when Receive System Exclusive Message Parameters is set to off
Not transmitted when Transmit System Exclusive Message Parameters is set to off.
System Exclusive Messages (Universal Real Time Messages)
[MIDI]
[Song Creator]
| MIDI Event | Data Format | Voice | MIDI Reception | MIDI Transmission | PLAY | REW | From panel operations | ||||||||
| Regular/Drum/Natural/Organ Voice | Mio/Vocal Harmony | Song | Right1/Right2/Let | Keyboard | Style | Extra | Right1/Right2/Let | Style | Song | Upper Lower | PLAY | REW | |||
| Master Volume [GM2] | F0 7F XN 04 01 SS TT F7 | O | X | O(Available for extra parts of a song) | O | O | O | X | |||||||
| 11110000 F0 = Exclusive status01111111 7F = Universal Real Time0xxxxxxx XN = When N is received N = 0-F whichever is received. X = ignored00000100 04 = Sub-ID #1 = Device Control Message00000001 01 = Sub-ID #2 = Master Volume0ssssss S3 = Volume LSB0cttttctt TT = Volume MSB11110111 F7 = End of Exclusive | |||||||||||||||
| Master Fine Tuning [GM2] | F0 7F XN 04 03 SS TT F7 | O | X | O(Available for extra parts of a song) | O | O | X | X | |||||||
| 11110000 F0 = Exclusive status01111111 7F = Universal Real Time0xxxxxxx XN = When N is received N = 0-F whichever is received. X = ignored00000100 04 = Sub-ID #1 = Device Control Message00000001 03 = Sub-ID #2 = Master Fine Tuning0ssssss S3 = Fine Tuning LSB0cttttctt TT = Fine Tuning MSB11110111 F7 = End of Exclusive | |||||||||||||||
| Master Coarse Tuning [GM2] | F0 7F XN 04 00 TT F7 | O | X | O(Available for extra parts of a song) | O | O | X | X | |||||||
| 11110000 F0 = Exclusive status01111111 7F = Universal Real Time0xxxxxxx XN = When N is received N = 0-F whichever is received. X = ignored00000100 04 =Sub-ID #1 = Device Control Message00000001 01 = Sub-ID #2 = Master Coarse Tuning00000001 00 = Coarse Tuning MSB11110111 F7 = End of Exclusive | |||||||||||||||
| Reverb Parameter [GM2] | F0 7F XN 04 05 01 01 01 01 PP VV ... F7 | O | O | O | O | O | O | O | X | ||||||
| 11000000 F0 = Exclusive status01111111 7F = Universal Real Time0xxxxxxx XN = When N is received N = 0-F whichever is received. X = ignored00000100 04 = Sub-ID #1 = Device Control Message00000001 05 = Sub-ID #2 = Global Parameter Control00000001 01 = Slot path length = 1000000000000001 01 = Value width = 1000000000000001 01 = Slot path MSB = 1000000000000001 01 = Slot path LSB = 1 (Reverb)0pppppp PP = Parameter to be controlled.0vwwwwww VV = Value for the Parameter.11110111 F7 = End of ExclusiveParameter (pp) Value (vv) Displaypp=0 Reverb Type 0..8 0: RoomS1: RoomM2: RoomL3: HallM4: HallL (default)8: GM Platepp=1 Reverb Time 0..127 0..11.0s | |||||||||||||||
| Chorus Parameter [GM2] | F0 7F XN 04 05 01 01 01 02 PP VV ... F7 | O | O | O | O | O | O | O | X | ||||||
| 11110000 F0 = Exclusive status01111111 7F = Universal Real Time0xxxxxxx XN = When N is received N = 0-F whichever is received. X = ignored00000100 04 = Sub-ID #1 = Device Control Message00000001 05 = Sub-ID #2 = Global Parameter Control00000001 01 = Slot pathway length = 1000000000000001 01 = Value width = 1000000000000001 01 = Slot path MSB = 1000000000000001 02 = Slot path LBS = 2 (Chorus)0pppppp PP = Parameter to be controlled.0vwwwwww VV = Value for the Parameter11110111 F7 = End of ExclusiveParameter (pp) Value (vv) Displaypp=0 Chorus Type 0..5 0: GM Chorus11: GM Chorus22: GM Chorus3(default)3: GM Chorus44: FB Chorus5: GM Flangerpp=1 Mod Rate 0..127 0..127pp=2 Mod Depth 0..127pp=3 Feedback 0..127pp=4 Send to Reverb 0..127 | O | X | O | X | X | X | X | X | X | O | X | X | X | ||
| Channel Pressure (Altertouch) [GM2] | F0 7F XN 09 01 0M PP RR ... F71111000 F0 = Exclusive status01111111 7F = Universal Real Time0xxxxxxx XN = When N is received N = 0-F whichever is received. X = ignored00001001 09 = Sub-ID #1 = Controller Destination Setting00000001 01 = Sub-ID #2 = Controller Type: 01 (Channel Pressure)0000mmmm 0M = MEDIUM Channel (00-OF)0pppppp PP = Controlled Parameter0xxxxxxxxx RRR = Data11110111 F7 = End of ExclusiveMake sure to set both the controlled parameter and the range.Parameters not set will be restored to their default values.Control Parameter (pp) Data (RR) Description Default Valuepp=0 Pitch Control 28H-58H-24... .+24semitones 4OHpp=0 Filter Cutoff Control 00H-FH-9600... .+9450cents 4OHpp=0 Amplitude Control 00H-FH-100... .+100% 4OHpp=03 FLO Pitch Depth 00H-FH-0H-127 0OHpp=04 FLO Filter Depth 00H-FH-127 0OHpp=05 FLO Amplitude Depth 00H-FH-127 0OH | ||||||||||||||
| [MIDI] [Song Creator] | |||||||||||||||||
| MIDI Event | Data Format | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Lef | Keyboard | Style | Extra | Right1/Right2/Lef | Style | Song | Upper Lower | PLAY | REW | From panel operations | ||||
| Controller (Control Change) [GM2] | F0 7F XN 09 03 0M CC PP RR ... F7 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | ||
| 11110000 F0 = Exclusive status0111111 7F = Universal Real Time0xxxxxxx NX = When N is received N = 0-F, whichever is received. X = ignored00001001 09 = Sub-ID #1 = Controller Destination Setting00000011 03 = Sub-ID #2 = Controller Type:03 (Control Change)0000mmmm OM = MIDI Channel (00-0F)0ccccccc CC = Controller Number (01H-1FH, 40H-5FH)0pppppp PP = Controlled Parameter0r r r r rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rr rrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRR RRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRR | |||||||||||||||||
| O (Drum only) | X | O | X | X | X | X | X | O | X | X | |||||||
| Key-Based Instrument Control [GM2] | F0 7F XN 0A 01 0M KK CC VV ... F7 | ||||||||||||||||
| 11110000 F0 = Exclusive status0111111 7F = Universal Real Time0xxxxxxx NX = When N is received N=0-F, whichever is received. X=ignored00001010 0A = Sub-ID #1 = Key-Based Instrument Control0000001 01 = Sub-ID #2=Controller0000mmmm OM = MJD Channel (00-0F)0kkkkkkk KK = Key Number0ccccccc CC = Controller Number0vwwvwwv VV = Value11110111 F7 = End of ExclusiveMake sure to set both the controlled number and the value. | |||||||||||||||||
| Control Number (CC) Value (VV) Description Default value | |||||||||||||||||
| CC=07H Volume00H-7FH-100...0...+100%40H00H-7FHL63...C...R63(Preset value) | |||||||||||||||||
| CC=0AH Pan00H-7FH(absolute) | |||||||||||||||||
| CC=5BH Reverb Send Level00H-7FH(absolute) | |||||||||||||||||
| CC=5DH Chorus Send Level00H-7FH(absolute) | |||||||||||||||||
System Exclusive Messages (Universal Non-Real Time Messages)
| [MIDI] [Song Creator] | ||||||||||||||
| MIDI Event | Data Format | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | ||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Upper Lower | PLAY | REW | From panel operations | ||
| GM1 System On[GM1][GM2] | F0 7E XN 09 01 F7 | O | - | O | O | O | X | O | ||||||
| 11110000 F0 = Exclusive status01111110 7E = Universal Non-Real Time0xxxxmmxN = When N is received N = 0-F, whichever is received. X = ignored00001001 09 = Sub-ID #1 = General MIDI Message00000001 01 = Sub-ID #2 = General MIDI On11110111 F7 = End of Exclusive | ||||||||||||||
| GM2 System On[GM2] | F0 7E XN 09 03 F7 | O | - | O | O | O | X | X | ||||||
| 11110000 F0 = Exclusive status01111110 7E = Universal Non-Real Time0xxxxmmxN = When N is received N = 0-F, whichever is received. X = ignored00001001 09 = Sub-ID #1 = General MIDI Message00000011 03 = Sub-ID #2 = General MIDI Off11110111 F7 = End of Exclusive | ||||||||||||||
| General MIDI System Off[GM1][GM2] | F0 7E XN 09 02 F7 | O | - | O | O | O | X | X | ||||||
| 11110000 F0 = Exclusive status01111110 7E = Universal Non-Real Time0xxxxmmxN = When N is received N = 0-F, whichever is received. X = ignored00001001 09 = Sub-ID #1 = General MIDI Message01110111 F7 = End of Exclusive | ||||||||||||||
| Scale/Octave Tuning[GM2] | F0 7E XN 08 08 JJ GG MM SS ... F7 | O | X | O(Available for song parts) | O | O | X | X | ||||||
| 11110000 F0 = Exclusive status01111110 7E = Universal Non-Real Time0xxxxmmxN = When N is received N = 0-F, whichever is received. X = ignored00001000 08 = Sub-ID #1 = MIDI Tuning Standard00001000 08 = Sub-ID #2 =scale/octave tuning 1byte form00000001 02 = Sub-ID #2 = General MIDI Off11110111 F7 = End of Exclusive | ||||||||||||||
System Exclusive Messages (2)
- Not received when Receive System Exclusive Message Parameters is set to off.
- Not transmitted when Transmit System Exclusive Message Parameters is set to off.
System Exclusive Messages (Style)
| MIDI Event | Data Format | Voice | MIDI Reception | MIDI Transmission | |||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Upper Lower | ||
| Section Control | F0 43 7E 00 ss dd F7 | - | - | O | ● | ||||||
| 11110000 F0 = Exclusive status | |||||||||||
| 01000011 43 = YAMAHA ID | |||||||||||
| 01111110 7E = Style | |||||||||||
| 00000000 00 = | |||||||||||
| 0ssssssss 8s = Switch No. | |||||||||||
| 0OH INTRO A | |||||||||||
| 01H INTRO B | |||||||||||
| 02H INTRO C | |||||||||||
| 03H INTRO D | |||||||||||
| 08H MAIN A | |||||||||||
| 09H MAIN B | |||||||||||
| 0AH MAIN C | |||||||||||
| 05H MAIN D | |||||||||||
| 10H FILL IN AA | |||||||||||
| 11H FILL IN BB | |||||||||||
| 12H FILL IN CC | |||||||||||
| 13H FILL IN DD | |||||||||||
| 18H BREAK FILL | |||||||||||
| 20H ENDING A | |||||||||||
| 21H ENDING B | |||||||||||
| 22H ENDING C | |||||||||||
| 23H ENDING D | |||||||||||
| 0ddddddd dd = Switch On/Off | |||||||||||
| 0OH (Off) | |||||||||||
| FFH (On) | |||||||||||
| 11110111 F7 = End of Exclusive | |||||||||||
| Tempo Control | F0 43 7E 01 t1 12 t2 t1 F7 | - | - | O | ● | ||||||
| 11110000 F0 = Exclusive status | |||||||||||
| 01000011 43 = YAMAHA ID | |||||||||||
| 01111110 7E = Style | ● | ||||||||||
| 00000001 01 = | |||||||||||
| 0tctttcttt t4 = tempo4 | |||||||||||
| 0tctttcttt t3 = tempo3 | |||||||||||
| 0tctttcttt t2 = tempo2 | |||||||||||
| 0tctttcttt t1 = tempo1 | |||||||||||
| 11110111 F7 = End of Exclusive | |||||||||||
| Chord Control | F0 43 7E tt d1 d2 d3 d4 F7 | - | - | O | ● | ||||||
| Type1 (t=02) | |||||||||||
| 11110000 F0 = Exclusive status | |||||||||||
| 01000011 43 = YAMAHA ID | |||||||||||
| 01111110 7E = Style | |||||||||||
| 00000010 02 = type 1 | |||||||||||
| 0ddddddd d1 = chord root (cr) | |||||||||||
| 0ddddddd d2 = chord type (ct) | |||||||||||
| 0ddddddd d3 = bass note (bn) | |||||||||||
| 0ddddddd d4 = bass type (bt) | |||||||||||
| 11110111 F7 = End of Exclusive | |||||||||||
| cr: Chord Root Offnmmn fff b or #, nmm: note (root) | |||||||||||
| 0000nmmn 0n nbbb | 0fff0000 x0 reserved | ||||||||||
| 0001nmmn 1n bb | 0fff0001 x1 C | ||||||||||
| 0010nmmn 2n b | 0fff0010 x2 D | ||||||||||
| 0011nmmn 3n natural 0fff0011 x3 E | |||||||||||
| 0100nmmn 4n # | 0fff0100 x4 F | ||||||||||
| 0101nmmn 5n ## | 0fff0101 x5 G | ||||||||||
| 0110nmmn 6n ### | 0fff0110 x6 A | ||||||||||
| 0fff0111 x7 B | |||||||||||
| ct: Chord Type 0 - 34, 127 | |||||||||||
| 00000000 00 0 Maj3 | 00010010 12 18 dim7 | ||||||||||
| 00000011 01 1 Maj6 | 00010011 13 19 7th | ||||||||||
| 00000010 02 2 Maj7 | 00010100 14 20 7us4 | ||||||||||
| 00000011 03 3 Maj7 (#11) | 00010101 15 21 7b5 | ||||||||||
| 00000100 04 4 Maj9 | 00010101 16 22 7 (9) | ||||||||||
| 00000101 05 5 Maj7 (9) | 00010101 17 23 7 (#11) | ||||||||||
| 00000110 06 6 Maj6 (9) | 00011000 18 24 7(13) | ||||||||||
| 00000111 07 7 aug | 00011001 19 25 7(b9) | ||||||||||
| 00001000 08 min | 00011010 1A 26 7(b13) | ||||||||||
| 00001001 09 min6 | 00011011 1B 27 7 (#9) | ||||||||||
| 00001010 0A 10 min7 | 00011100 1C 28 8a7aug | ||||||||||
| 00001011 0B 11 min7b5 | 00011101 1D 29 Taug | ||||||||||
| 00001100 0C 12 min (9) | 00011110 1E 30 1+8 | ||||||||||
| 00001101 0D 13 min (9) | 00011111 1F 31 1+5 | ||||||||||
| 00001110 0E 14 min (7 (11) | 00100000 20 32 sus4 | ||||||||||
| 00001111 0F 15 min(a7) | 00100001 21 33 1+2+5 | ||||||||||
| 00010000 10 16 min(a7 (9) | 00100010 22 34 cc | ||||||||||
| 00010001 11 17 dim | |||||||||||
| bn: On Bass Note Same as Chord root 127: No bass chord | |||||||||||
| bt: Bass Chord Same as Chord type 127: No bass chord | |||||||||||
| * Not received when Chord System Exclusive Message Parameters is set to off. * Not received when Transmit Chord System Exclusive Message Parameters is set to off. | |||||||||||
| Type2 (t=03) | - | - | O | X | |||||||
| 11110000 F0 = Exclusive status | |||||||||||
| 01000011 43 = YAMAHA ID | |||||||||||
| 01111110 7E = Style | |||||||||||
| 00000011 03 = type 2 | |||||||||||
| 0ddddddd dd = note1 | |||||||||||
| 0ddddddd dd = note2 | |||||||||||
| 0ddddddd dd = note3 | |||||||||||
| 0ddddddd dd = note10 | |||||||||||
| 11110111 F7 = End of Exclusive | |||||||||||
Transmitted via panel operations
System Exclusive Messages (XG)
[MIDI]
| MIDI Event | Data Format | Voice | MIDI Reception | MIDI Transmission | ||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | ||
| XG Parameter Changes | F0 43 1n 4C hh mm ll dd ... F7 | * Refer to XG Parameter Change Table. | O | O | ||||||||
| 11110000 F0 = Exclusive status | * Refer to XG Parameter Change Table. | * Refer to XG Parameter Change Table. | ||||||||||
| 01000011 43 = YAMAHA ID | ||||||||||||
| 0001nnnn 1n = Device Number n = always 0 (when transmit), n = 0-F (when receive) | ||||||||||||
| 01001100 4C = Model ID | ||||||||||||
| 0hhhhhhhh hh = Address High | ||||||||||||
| 0mmmmmmmm mm = Address Mid | ||||||||||||
| 01111111 II = Address Low | ||||||||||||
| 0ddddddd dd = Data | ||||||||||||
| 11110111 F7 = End of Exclusive | ||||||||||||
| XG Bulk Dump | F0 43 0n 4C aa bb hh mm ll dd ... dd cc F7 | * Refer to XG Parameter Change Table. | O | O | ||||||||
| 11110000 F0 = Exclusive status | * Refer to XG Parameter Change Table. | * Refer to XG Parameter Change Table. | ||||||||||
| 01000011 43 = YAMAHA ID | ||||||||||||
System Exclusive Messages (Clavinova compliance)
| 11110000 F0 = Exclusive status |
| 01000011 43 = YAMAHA ID |
| 01110011 73 = Clavinova ID |
| : : |
| 11110111 F7 = End of Exclusive |
[MIDI]
| MIDI Event | Data Format | Voice | MIDI Reception | MIDI Transmission | ||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Lef | Keyboard | Style | Extra | Right1/Right2/Lef | Style | Song | Upper Lower | ||
| Internal Clock | F0 43 73 01 02 F7 | - | - | O | X | |||||||
| 00000001 01 = Model ID (Clavinova common ID)00000010 02 = Internal Clock Substatus | ||||||||||||
| External Clock | F0 43 73 01 03 F70000001 01 = Model ID (Clavinova common ID)00000011 03 = External Clock Substatus | - | - | O | X | |||||||
| Organ Flutes data Bulk Dump | F0 43 73 01 06 08 00 00 01 06 On [Bulk Data] sum01HModel ID (Clavinova common ID)06HBulk ID0BHBulk No. (Organ Flutes data Bulk Dump)00H, 00H, 01H, 06HData Length :16bytes1st Channel No. 0nH2nd Footage [1] 00 - 08H3rd [1 1/3'] 00 - 08H4th [1 3/5'] 00 - 08H5th [2'] 00 - 08H6th [2 2/3'] 00 - 08H7th [4'] 00 - 08H8th [5 1/3'] 00 - 08H9th [8'] 00 - 08H10th [16'] 00 - 08H11th [Attack 2'] 00 - 08H12th [Attack 2 2/3'] 00 - 08H13th [Attack 4'] 00 - 08H14th Settings [Attack Length] 00 - 08H15th [Response] 00 - 08H16th [Attack Mode] 00 - 01H 00H: Each, 01H: First17th [Wave Variation] 00 - 01H 00H: Sine, 01H: Vintage18th [Volume] 01 - 09H19th [aux] 00H20th [aux] 00H21th [aux] 00H22th [aux] 00Hsum Check Sum = 0-sum (BULK DATA) | O(Organ Flute) | X | O | O | X | X | O | ● | X | O | X |
Transmitted via panel operations
System Exclusive Messages (Natural Voice)
[MIDI]
| MIDI Event | Data Format | Voice | MIDI Reception | MIDI Transmission | ||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | ||
| String Resonance Depth | F0 43 73 01 50 11 0n 02 dd F7 | O Available for song Natural Voices. | X | O | O | X | X | O | ● | X | O | X |
| 11110000 F0 = Exclusive status | ||||||||||||
| 01000011 43 = YAMAHA ID | ||||||||||||
| 01110011 73 = Clavinova ID | ||||||||||||
| 00000001 01 = Model ID (Clavinova common ID) | ||||||||||||
| 01010000 50 = SubID | ||||||||||||
| 00010001 11 = SubID | ||||||||||||
| 0000nnnn On = Channel (00...0F) | ||||||||||||
| 00000010 02 = SubID (String Resonance Depth) | ||||||||||||
| 0ddddddd dd = Depth (00...48) | ||||||||||||
| 11110111 F7 = End of Exclusive | ||||||||||||
| CVP-401 | X | |||||||||||
| CVP-403 | X | |||||||||||
| CVP-405 | O | |||||||||||
| CVP-407 | O | |||||||||||
| CVP-409 | O | |||||||||||
| Sustain Sample Depth | F0 43 73 01 50 11 0n 03 dd F7 | O Available for song Natural Voices. | X | O | O | X | X | O | ● | X | O | X |
| 11110000 F0 = Exclusive status | ||||||||||||
| 01000011 43 = YAMAHA ID | ||||||||||||
| 01110111 73 = Clavinova ID | ||||||||||||
| 00000001 01 = Model ID (Clavinova common ID) | ||||||||||||
| 01010000 50 = SubID | ||||||||||||
| 00010002 11 = SubID | ||||||||||||
| 0000nnnn On = Channel (00...0F) | ||||||||||||
| 00000011 03 = SubID (Sustain Sample Depth) | ||||||||||||
| 0ddddddd dd = Depth (00...48) | ||||||||||||
| 11110111 F7 = End of Exclusive | ||||||||||||
| CVP-401 | X | |||||||||||
| CVP -403 | O | |||||||||||
| CVP-405 | O | |||||||||||
| CVP-407 | O | |||||||||||
| CVP-409 | O | |||||||||||
| Key Off Sampling Depth | F0 43 73 01 50 11 0n 04 dd F7 | O Available for song Natural Voices. | X | O | O | X | X | O | ● | X | O | X |
| 11110000 F0 = Exclusive status | ||||||||||||
| 01000011 43 = YAMAHA ID | ||||||||||||
| 01110211 73 = Clavinova ID | ||||||||||||
| 00000001 01 = Model ID (Clavinova common ID) | ||||||||||||
| 01010000 50 = SubID | ||||||||||||
| 00010000 11 = SubID | ||||||||||||
| 0000nnnn On = Channel (00...0F) | ||||||||||||
| 00000011 04 = SubID (Key Off Sampling Depth) | ||||||||||||
| 0ddddddd dd = Depth (00...50) | ||||||||||||
| 11110111 F7 = End of Exclusive | ||||||||||||
| CVP-401 | X | |||||||||||
| CVP-403 | O | |||||||||||
| CVP-405 | O | |||||||||||
| CVP-407 | O | |||||||||||
| CVP-409 | O | |||||||||||
| Soft Pedal Depth | F0 43 73 01 50 11 0n 05 dd F7 | O Available for song Natural Voices. | X | O | O | X | X | O | ● | X | O | X |
| 11110000 F0 = Exclusive status | ||||||||||||
| 01000011 43 = YAMAHA ID | ||||||||||||
| 01110311 73 = Clavinova ID | ||||||||||||
| 00000001 01 = Model ID (Clavinova common ID) | ||||||||||||
| 01010000 50 = SubID | ||||||||||||
| 00010003 11 = SubID | ||||||||||||
| 0000nnnn On = Channel (00...0F) | ||||||||||||
| 00000011 05 = SubID (Soft Pedal Depth) | ||||||||||||
| 0ddddddd dd = Depth (00...7F) | ||||||||||||
| 11110111 F7 = End of Exclusive | ||||||||||||
| CVP-401 | O | |||||||||||
| CVP-403 | O | |||||||||||
| CVP-405 | O | |||||||||||
| CVP-407 | O | |||||||||||
| CVP-409 | O | |||||||||||
Transmitted via panel operations
System Exclusive Messages Special Operators (Vocal Harmony Additional Parameters)
Vocal Harmony
| CVP-401 | X |
| CVP-403 | O |
| CVP-405 | O |
| CVP-407 | O |
| CVP-409 | O |
[MIDI]
| MIDI Event | Data Format | Voice | MIDI Reception | MIDI Transmission | ||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Lef | Keyboard | Style | Extra | Right1/Right2/Lef | Style | Song | Upper Lower | ||
| Vocal HarmonyPitch to Note ON/OFF | F0 43 73 01 11 On 50 00 dd F7 | X | O | O | ● | |||||||
| 11110000 F0 = Exclusive status01000011 43 = YAMAHA ID01110011 73 = Clavinova ID00000001 01 = Model ID (Clavinova common ID)00010001 11 = Special Operators0000nnnnn 0n = Channel No. (Always 00)01010000 50 = Vocal Harmony Additional Parameter Control No.00000000 00 = Pitch to Note Parameter No.0dààààdd dd = data (OOH : Off, 01H : On)11110111 F7 = End of Exclusive | ||||||||||||
| Vocal HarmonyPitch to Note Part | F0 43 73 01 11 On 50 01 dd F7 | X | O | O | ● | |||||||
| 11110000 F0 = Exclusive status01000011 43 = YAMAHA ID01110011 73 = Clavinova ID00000001 01 = Model ID (Clavinova common ID)00010001 1 1 = Special Operators0000nnnnn 0n = Channel No. (Always 00)01010000 50 = Vocal Harmony Additional Parameter Control No.00000001 01 = Pitch to Note Part Parameter No.0dààààdd dd = data 0OH : Right101H : Right202H : Left03H : (not used)04H : Upper11110111 F7=End of Exclusive | ||||||||||||
| Vocal HarmonyVocoder Part(Harmony Part(Panel)) | F0 43 73 01 11 On 50 10 dd F7 | X | O | O | ● | |||||||
| 11110000 F0 = Exclusive status01000011 43 = YAMAHA ID01110011 73 = Clavinova ID00000001 01 = Model ID (Clavinova common ID)00010001 11 = Special Operators0000nnnnn 0n = Channel No. (Always 00)01010000 50 = Vocal Harmony Additional Parameter Control No.00010000 10 = Vocoder Part Parameter No.0dààààdd dd = data 0OH : Off01H : Upper02H : Lower11110111 F7 = End of Exclusive | ||||||||||||
Transmitted via panel operations
System Exclusive Messages (Others)
[MIDI]
| MIDI Event | Data Format | Voice | MIDI Reception | MIDI Transmission | ||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | ||
| MIDI Master Tuning | F0 43 1n 27 30 00 00 0m 0l cc F7 | O | O | O | X | |||||||
| 11110000 F0 = Exclusive status01000011 43 = YAMAHA ID0001nnnn 1n n= always 0 (when transmit), n=0-F (when receive)00100111 27 = Model ID of TG10000110000 30 = Address High00000000 00 = Address Mid00000000 00 = Address Low0000mmmm 0m = Master Tune MSB0001111 0l = Master Tune LSB0cccccc cc = don't care11110111 F7 = End of Exclusive | ||||||||||||
| MIDI Key LED Mode | F0 43 73 01 11 On 47 dd F7 | - | - | O | X | X | X | X | X | X | X | X |
| 11110000 F0 = Exclusive status01000011 43 = YAMAHA ID01110011 73 = Clavinova ID00000001 01 = Model ID (Clavinova common ID)00010001 11 = Special Operators0000nnnn 0n = Channel No.01000111 47 = MIDI Key LED Mode On Off Substatus0dààààà dd = data 00H : Light Off & Sound01H : Light On & No Sound02H : Light On & Sound03H : Light Off & No Sound11110111 F7 = End of ExclusiveWhen set to Key LED + No Sound (01H) and Key LED (02H), the LED is turned on/off by a note on message of the channel specified via the Channel No.9n, note, Vel=0: off9n, note, Vel=1: flush9n, note, Vel=2~: onUp to two channels can be specified simultaneously.A channel become available with Normal (00H). | ||||||||||||
| CVP-401 | O | |||||||||||
| CVP-403 | O | |||||||||||
| CVP-405 | O | |||||||||||
| CVP-407 | O | |||||||||||
| CVP-409 | O | |||||||||||
Song System Exclusive Message List / listened der System-Exclusive-Meldungen der Songs / listened des messages exclusifs au système demorceaux / listened de mensages exclusivos delsystema de canciones
| Data Format | Parameter | Description | Note |
Guide
| F0 43 73 01 1F 00 cc dd F7 | Guide Mode | ccH = Part Select No 00H (TRACK1=ON, TRACK2=ON) 01H (TRACK1=OFF, TRACK2=ON) 02H (TRACK1=ON, TRACK2=OFF) 03H (TRACK1=OFF, TRACK2=OFF) ddH = Mode 00H=Guide OFF 01H=Follow Lights 02H=Any Key 03H=Karao-Key 04H=Vocal CueTIME (Vocal Cue Time is not available on the CVP-401.) | Entered to the song from the [SONG CREATOR] > CHANNEL > SETUP display. |
Score
| F0 43 73 01 50 12 00 00 dd F7 | Left Part indication On/Off | 00H: OFF, 7FH: ON | Entered to the song from the [SONG CREATOR] > CHANNEL > SETUP display |
| F0 43 73 01 50 12 00 01 dd F7 | Right Part indication On/Off | 00H: OFF, 7FH: ON | |
| F0 43 73 01 50 12 00 02 dd F7 | Lyrics indication On/Off | 00H: OFF, 7FH: ON | |
| F0 43 73 01 50 12 00 03 dd F7 | Chord indication On/Off | 00H: OFF, 7FH: ON | |
| F0 43 73 01 50 12 00 04 dd F7 | N.Name indication On/Off | 00H: OFF, 7FH: ON | |
| F0 43 73 01 50 12 00 05 dd F7 | Size designation | 00H: SMALL, 01H: MIDDLE, 02H: LARGE, 03H: X-LARGE 01H: MIDDLE and 03H: X-LARGE are available on the CVP-407/409 only. | |
| F0 43 73 01 50 12 00 06 dd F7 | Left Ch | 00H~0FH=CH, 7EH=OFF, 7FH=AUTO | |
| F0 43 73 01 50 12 00 07 dd F7 | Right Ch | 00H~0FH=CH, 7EH=OFF, 7FH=AUTO | |
| F0 43 73 01 50 12 00 08 dd F7 | Quantize triplet On/Off | 00H: Triplet OFF, 7FH: Triplet ON | |
| F0 43 73 01 50 12 00 09 dd F7 | Quantize | 00H: quarter, 01H: eighth, 02H: sixteenth, 03H: thirty-second | |
| F0 43 73 01 50 12 00 0A dd F7 | NoteName | 00H: ABC, 01H: FixedDo, 02H: MovableDo | |
| F0 43 73 01 50 12 00 0B dd F7 | Color Note | 00H: OFF, 7FH: ON |
Style
| F0 43 73 01 51 00 00 00 03 10 00 dd F7 | STYLE SPLIT POINT | dd=STYLE SPLIT POINT (Note Number) | Entered to the song from the [SONG CREATOR] > CHANNEL > SETUP display |
| F0 43 73 01 51 05 00 03 04 00 00 dd dd F7 | STYLE | dd dd = Style No. | Entered when recording. |
| F0 43 7E 00 ss dd F7 | Section Control | Refer to the MIDI Data Format. | Entered when recording. |
Song Meta Event List / listened der Meta-Events der Songs / Liste des metaévénements des morceaux / lista de meta-eventos de canciones
| Data Format | Parameter | Description | Note |
| FF 05 len [Data] | Lyrics | len=Data length, [Data]=Lyrics Data | |
| FF 51 03 t1 t2 t3 | Set Tempo | t1 t2 t3 = Tempo value B7 1B 00~01 D4 C0 (Tempo 5~500) | Entered when recording. |
| FF 58 04 nn dd cc bb | Beat | nn = Numeratordd = Denominator (2n)cc = MIDI clock per metronome clickbb = Number of thirty-second notes in MIDI quarter note | Entered when recording. |
| FF 59 02 sf mi | Key Signature | sf = -7 – 7mi = 0: Major key, 1: Minor key | Entered from the [Score] > SETUPdisplay |
YAMAHA META EVENT
| FF 7F 06 43 73 0A 00 07 dd | Score Start Bar | ddH: Start form this measure dd = -100 – 1, 1 – 100 | Same as ScBar entered from the [SONG CREATOR] > SYS/EX. display |
| FF 7F len 43 73 0D 01 [Data] | Keyboard Voice | Voice settings for RIGHT1, 2, and LEFT | Entered to the song from the [SONG CREATOR] > CHANNEL > SETUP display. |
| FF 7F 07 43 7B 01 cr ct bn bt | Chord Name | Refer to "Chord Control" in the MIDI Data Format (System Exclusive Messages) | Entered when recording. |
| FF 7F 05 43 7B 03 20 08 | Phrase Mark | Used as a marker for each phrase when executing Phrase Mark repeat playback. | Used when performing the Phrase Mark repeat playback. |
| FF 7F 04 43 7B 04 dd | Phrase Max | Max Phrase Number | |
| FF 7F 05 43 7B 0C rr II | Guide Track Flag | Sets the TRACK 1 and TRACK 2 parameters on the [FUNCTION] > [SONG SETTING] display. rr = TRACK1 (0: OFF, 1: 1CH~16: 16CH) II = TRACK2 (0: OFF, 1: 1CH~16: 16CH) | Entered when recording. |
| FF 7F len 43 7B 21 00 pp [Data] | Lyrics Bitmap | Specifies the background picture of the Lyrics display. pp = Display type (00H: Center, 01H: Tile) (Data) = File Path | Entered to the song from the [SONG CREATOR] > CHANNEL > SETUP display. |
Lyrics Bitmap is not available for the CVP-405/403/401.
MIDI Implementation Chart / MIDI-Implementierungstabelle / Tableau d'implémentation MIDI / Gráfico de implementation MIDI
YAMAHA [Clavinova]
Date :08-May-2006
Model CVP-409/407/405/403/401 MIDI Implementation Chart Version : 1.0