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USER MANUAL EZ-200 YAMAHA
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha.
This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period before damage occurs.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer's warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged.
When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
Model
Serial No.
Purchase Date
PLEASE KEEP THIS MANUAL
92-BP (bottom)
OBSERVERA!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
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IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
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NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class "B" digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of
other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit "OFF" and "ON", please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
(class B)
● COPYRIGHT NOTICE
① Nine of the demo-songs (or compositions) included in this keyboard are as follows:
Bad Day
- Words and Music by Daniel Powter
• Copyright © 2006 by Song 6 Music - All Rights Administered by Ensign Music LLC
• International Copyright Secured All Rights Reserved
Dancing Queen
• from MAMMA MIA!
- Words and Music by Benny Andersson, Bjorn Ulvaeus and Stig Anderson
• Copyright © 1977 UNION SONGS MUSIKFORLAG AB
• Copyright Renewed
- All Rights in the United States and Canada Controlled and Administered by UNIVERSAL — SONGS OF POLYGRAM INTERNATIONAL, INC. and EMI GROVE PARK MUSIC, INC.
- All Rights Reserved Used by Permission
Daughters
- Words and Music by John Mayer
• Copyright © 2003 Specific Harm Music (ASCAP)
• International Copyright Secured All Rights Reserved
Fallin'
- Words and Music by Alicia Keys
• © 2001 EMI APRIL MUSIC INC. and LELLOW PRODUCTIONS - All Rights Controlled and Administered by EMI APRIL MUSIC INC.
- All Rights Reserved International Copyright Secured Used by Permission
Hey Jude
- Words and Music by John Lennon and Paul McCartney
• Copyright © 1968 Sony/ATV Songs LLC
• Copyright Renewed - All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203
• International Copyright Secured All Rights Reserved
Linus And Lucy
- By Vince Guaraldi
• Copyright © 1965 LEE MENDELSON FILM PRODUCTIONS, INC.
• Copyright Renewed
• International Copyright Secured All Rights Reserved
Since U Been Gone
- Words and Music by Martin Sandberg and Lukasz Gottwald
• Copyright © 2004 by Miratone AB and Kasz Money Publishing - All Rights for Miratone AB in the world Administered by Zomba Music Publishers Ltd.
- All Rights for Zomba Music Publishers Ltd. in the U.S. Administered by Zomba Enterprises, Inc.
• International Copyright Secured All Rights Reserved
You're Beautiful
- Words and Music by James Blunt, Sacha Skarbek and Amanda Ghost
• © 2005 EMI MUSIC PUBLISHING LTD., UNIVERSAL MUSIC PUBLISHING LTD. and BUCKS MUSIC LTD. - All Rights for EMI MUSIC PUBLISHING LTD. in the U.S. and Canada Controlled and Administered by EMI BLACKWOOD MUSIC INC.
- All Rights for UNIVERSAL MUSIC PUBLISHING LTD. in the U.S. and Canada Controlled and Administered by UNIVERSAL — SONGS OF POLYGRAM INTERNATIONAL, INC.
- All Rights for BUCKS MUSIC LTD. in the U.S. Administered by DAVID PLATZ MUSIC (USA) INC.
- All Rights Reserved International Copyright Secured Used by Permission
Your Song
- Words and Music by Elton John and Bernie Taupin
• Copyright © 1969 UNIVERSAL/DICK JAMES MUSIC LTD.
• Copyright Renewed - All Rights in the United States and Canada Controlled and Administered by UNIVERSAL — SONGS OF POLYGRAM INTERNATIONAL, INC.
- All Rights Reserved Used by Permission
② One of the demo-songs (or compositions) included in this keyboard is as follows:
Composition Title : Just The Way You Are
Composer's Name : Joel 0273671
Copyright Owner's Name : EMI MUSIC PUBLISHING LTD
CAUTION: All Rights Reserved, Unauthorized copying, public performance and broadcasting are strictly prohibited regarding the above ten demo-songs.
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.

WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
- Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
- Use the specified adaptor (PA-3C, PA-130, or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating.
- Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
- Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or other wise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
Do not open
- Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
Water warning
- Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.
- Never insert or remove an electric plug with wet hands.
Fire warning
- Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.
If you notice any abnormality
- If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel.

CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
- When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord.
- Unplug the AC power adaptor when not using the instrument, or during electrical storms.
- Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
Battery
- Always make sure all batteries are inserted in conformity with the +/- polarity markings. Failure to do so might result in overheating, fire, or battery fluid leakage.
- Always replace all batteries at the same time. Do not use new batteries together with old ones. Also, do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause overheating, fire, or battery fluid leakage.
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Do not dispose of batteries in fire.
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Do not attempt to recharge batteries that are not intended to be charged.
- When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument to prevent possible leakage of the battery fluid.
- Keep batteries away from children.
- If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery fluid is corrosive and may possibly cause loss of sight or chemical burns.
Location
- Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components.
- Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
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Do not place the instrument in an unstable position where it might accidentally fall over.
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Before moving the instrument, remove all connected adaptor and other cables.
- When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet.
- Use only the stand specified for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over.
Connections
- Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Maintenance
- When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Handling caution
- Do not insert a finger or hand in any gaps on the instrument.
- Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
- Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
- Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
- Do not use the instrument/device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument.
Always turn the power off when the instrument is not in use.
When using a power adaptor, even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.
Make sure to discard used batteries according to local regulations.
- The illustrations and LCD screens as shown in this owner's manual are for instructional purposes only, and may appear somewhat different from those on your instrument.
● COPYRIGHT NOTICE
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others' copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON'T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.
- Trademarks
- The company names and product names in this Owner's Manual are the trademarks or registered trademarks of their respective companies.
Congratulations and thank you for purchasing the Yamaha EZ-200 PortaTone!
Please read this owner's manual carefully before using the instrument in order to take full advantage of its various features.
Make sure to keep this manual in a safe and handy place even after you finish reading, and refer to it often when you need to better understand an operation or function.
Main features
The EZ-200 is a sophisticated yet easy-to-use keyboard with the following features and functions.
■ Yamaha Education Suite 5 (Y.E.S. 5)
The EZ-200 features the new Yamaha Education Suite—a set of learning tools that utilize the latest technology to make studying and practicing music more fun and fulfilling than ever before!
The Yamaha Education Suite includes:
- Lesson...... page 29
The convenient and easy-to-use Lesson feature, guides you through the parts of a song—just like a patient teacher! Select from any one of 100 songs on the EZ-200, and learn the left- and right-hand parts independently at first, then together. Lesson features three easy steps that help you master each song: Listen and Learn, Timing and Waiting.
● Built-in lighted Key Guide...... pages 29, 50
When you are using the Lesson feature or the Dictionary, the key indicators tell you which keys to play. Also, during song playback, they show the keys that are playing.
● Fingering Guide...... page 29
The Fingering guide is shown on the display and shows you how to play the keyboard.
● Dictionary...... page 50
Dictionary is a built-in “chord encyclopedia” that teaches you how to play specific chords by showing lighting keyboards—perfect for when you know the name of a chord and want to quickly learn how to play it!
● Notice your Grade ...... page 32
The EZ-200 also has the Grade feature. Grade is a virtual “teacher,” evaluating your practice sessions and rating your performance over four levels.

■ Portable Grand™...... page 17
The EZ-200 also has a Portable Grand function for realistic piano performance with TOUCH sensitivity. Pressing the [PORTABLE GRAND] button instantly calls up the authentic “Stereo Sampled Piano” voice and configures the entire EZ-200 for optimum piano play. Special Pianist styles—with piano-only accompaniment—are also provided.
■ XGlite voices...... page 58
The EZ-200 has total of 375 high-quality instrument voices (Stereo Grand Piano, 361 XGlite Voices, 12 Drum Kits and Sound Effect Kit) and features 32-note polyphony.
● 100 dynamic auto accompaniment Styles.
● Built-in convenient tap tempo function.
● MIDI terminals for interfacing with other instrument or computer.
Supplied accessories
- Music rest
- Song Book
- Owner's Manual

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Diagram showing a keyboard with a grid above it and an icon labeled 'B' at the bottom, indicating a function or status.Music Rest
Insert the bottom edge of the included music rest into the slot located at the top rear of the EZ-200 control panel.
Contents
Main features 6
Supplied accessories....6
Setting Up 8
Power Requirements 8
Connecting headphones (PHONES/OUTPUT Jack) .9
Connecting a footswitch (SUSTAIN Jack) ......9
Using the MIDI Terminals 9
Turn on the power....9
Panel Controls and Terminals 10
Front Panel 10
Rear Panel....10
— Quick Guide —
Step 1
Playing the Songs 12
Turn the power on and adjust the volume....12
Listen to the Demo Songs....13
Selecting and listening to a specific Song....13
Step 2
Changing the Voices 16
Try playing a variety of instrument Voices .... 16
Playing the Grand Piano Voice 17
Drum kits....18
Step 3
Play with the metronome 20
Start the metronome ....20
Step 4
Play with a Style 23
Selecting a rhythm of a Style 23
Playing with a Style....24
Basic Operation and Displays 26
Basic Operation 26
Display 28
Song Lesson 29
Practice by using the Light Guide function....29
Practice by using the Fingering guide....29
Lesson 1 (Listen & Learn)....30
Lesson 2 (Timing) ......31
Lesson 3 (Waiting) ...... 32
Song settings 33
Changing the Melody Voice 33
Song Volume 33
Mute 34
Practice Makes Perfect....35
Handy Performance Features 36
Setting the Split Point 36
Transpose 37
Tuning 37
One Touch Setting 38
Changing the tempo of the Song/Style.... 38
Touch Response 39
Adjusting the Main Voice Parameters .... 40
Play With a Variety of Effects 41
Adding Reverb.... 41
Adding Panel Sustain 42
Style (Auto Accompaniment) Functions 43
Various ways to start and stop Style playback ..... 43
Pattern Variation (Sections) 45
Adjusting the Style Volume 47
Playing Auto Accompaniment Chords 48
Easy Chords 48
Standard Chords 48
Looking up Chords Using the Chord Dictionary ..... 50
Function Settings 52
Select the item and change the value 52
About MIDI 54
What is MIDI? 54
What You Can Do With MIDI.... 54
Transferring Performance Data To and From Another Instrument.... 55
Troubleshooting ....57
Voice List....58
Maximum Polyphony 58
Drum Kit List....63
Style List......66
Effect Type List....67
MIDI Implementation Chart....68
MIDI Data Format....70
Effect map 70
Specifications 71
Index 72
Be sure to do the following operations BEFORE turning on the power.
Power Requirements
Although the instrument will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources.
■ Using an AC Power Adaptor
① Make sure that the power of the instrument is off (display is blank, except for notation staff).

WARNING
- Use the specified adaptor (PA-3C, PA-130, or an equivalent recommended by Yamaha) only. The use of other adaptors may result in irreparable damage to both the adaptor and the instrument.
② Connect the AC adaptor to the power supply jack.
③ Plug the AC adaptor into an AC outlet.

CAUTION
- Unplug the AC Power Adaptor when not using the instrument, or during electrical storms.

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② DC IN 12V + - → AC outlet ③■ Using Batteries
① Open the battery compartment cover located on the instrument’s bottom panel.
② Insert the six new alkaline batteries, being careful to follow the polarity markings on the side of the compartment.
③ Replace the compartment cover, making sure that it locks firmly in place.

CAUTION
- Never connect or disconnect the AC power adaptor when the power is on and the batteries are installed. Doing so will turn the power off.

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Diagram showing battery charging mechanism with labeled components and directional arrows indicating charging directionFor battery operation the instrument requires six 1.5V "AA" size, LR6 or equivalent batteries. (Alkaline batteries are recommended.) When battery power becomes too low for proper operation, the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens, make sure to replace all batteries, following the precautions listed below.

CAUTION
- Use alkaline batteries for this instrument. Other types of batteries (including rechargeable batteries) may have sudden drops of power when battery power becomes low.
- Make sure to install the batteries with the proper orientation, maintaining the correct polarity (as shown). Incorrect battery installation may result in heat, fire and/or leaking of corrosive chemicals.
- When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new batteries. Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time.
- If the instrument is not to be in use for a long time, remove the batteries from it, in order to prevent possible fluid leakage from the battery.
Make all necessary connections BEFORE turning the power on.
Connecting headphones (PHONES/OUTPUT Jack)

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PHONES/ OUTPUTThe EZ-200 speakers are automatically shut off when a plug is inserted into this jack. The PHONES/OUTPUT jack also functions as an external output.
You can connect the PHONES/OUTPUT jack to a keyboard amplifier, stereo system, mixer, tape recorder, or other line-level audio device to send the instrument's output signal to that device.

WARNING
- Avoid listening with the headphones at high volume for long periods of time; doing so may not only result in ear fatigue, it may be damaging to your hearing.

CAUTION
- To prevent damage to the speakers, set the volume of the external devices at the minimum setting and turn power off the devices before connecting them. Failure to observe these precautions may result in electric shock or equipment damage. Also, be sure to set the volumes of external devices at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Connecting a footswitch (SUSTAIN Jack)

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SUSTAIN YALUAN1The sustain function lets you produce a natural sustain as you play by pressing an optional footswitch. Plug the Yamaha FC4 or FC5 footswitch into this jack and use it to switch sustain on and off.
NOTE
- Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power.
- Do not press the footswitch while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation.
Using the MIDI Terminals

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IN — MIDI — OUT other MIDI instrumentThe instrument also features MIDI terminals, allowing you to interface the instrument with other MIDI instruments or computers. (For more information, see page 54.)
NOTE
- MIDI cables (sold separately) must be used for connecting to MIDI devices. They can be bought at music stores, etc.
Turn on the power
Press the [STANDBY/ON] switch to turn on the power. Pressing the switch again turns the power off. When you first turn on the power, make sure to turn down the volume of the instrument by pressing the MASTER VOLUME [-] button several times. While playing the keyboard, adjust the volume level by using the MASTER VOLUME [+] and [-] buttons.

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STANDBY/ON MASTER VOLUME -All panel settings as well as the settings made via the display are reset to their default values whenever the power is turned off.
CAUTION
- When using a power adaptor, even when the power is off, a small amount of electricity is still being consumed by the instrument. When you are not using the instrument for a long time, make sure to unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument.
Front Panel
① [STANDBY/ON] switch......page 9, 26
② MASTER VOLUME
[+] button ...... pages 9, 26
[-] button ...... pages 9, 26
③ LESSON PART
[L] button ...... page 30
[R] button......page 30
4 [LISTEN & LEARN] button......page 31
⑤ [TIMING] button......page 31
⑥ [WAITING] button......page 32
⑦ [FUNCTION] button...... pages 52, 27
⑧ [SONG] button......pages 13, 27
⑨ [STYLE] button......pages 23, 27
⑩ [VOICE] button ...... pages 16, 27
⑪ Number buttons [0]–[9], [+], [-]......page 27
⑫ [DEMO] button......page 13
⑬ [METRONOME ON/OFF] button ...... page 20
When the Song mode
⑭ [A-B REPEAT] button......page 35
⑮ [REW] button......page 14
⑯ [FF] button ...... page 14
⑬ [PAUSE] button......page 14
When the Style mode
14 [ACMP ON/OFF] button ...... page 24
⑮ [INTRO/ENDING/rit.] button......page 45
⑯ [MAIN/AUTO FILL] button......page 45
18 [SYNC START] button......page 24
⑰ [TEMPO/TAP] button......page 38
19 [START/STOP] button ...... page 26
20 [PORTABLE GRAND] button......page 17
21 [LIGHT ON/OFF] button ...... page 29
22 [TOUCH ON/OFF] button ...... page 39
23 DRUM KIT icons ......page 18
■ Rear Panel
24 MIDI IN/OUT terminals ...... page 54
25 SUSTAIN jack......page 9
26 PHONES/OUTPUT jack......page 9
27 DC IN 12V jack......page 8
Front Panel

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Song List (page 15) Style List (page 66) SONG 001~010 011~043 FAVORITE STANDARD 044~063 064~084 085~100 PIANIST PIANO ENSEMBLE CLASSICAL STYLE 001~010 011~016 017~023 8 BEAT 16 BEAT BALLAD STANDBY/ON 1 MASTER VOLUME + - 3 LESSON PART L R SONG A+B REPEAT REW FF TEMPO/TAP ACMP ON/OFF INTRO/ ENDING/IT. MAIN AUTO FILL SYN STAR STYLE 14 15 16 17
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Display (page 28) Voice List (page 58) 024~035 DANCE 059~066 LATIN 036~039 DISCO 067~077 BALLROOM 040~047 SWING & JAZZ 078~087 TRADITIONAL 048~054 R&B 088~092 WALTZ 055~058 COUNTRY 093~100 PIANIST LISTEN & LEARN 4 TIMING 5 WAITING CHORD DICT 6 PAUSE START/STOP 18 E2-200 VOICE 015~017 ACCORDION 049~056 SAXOPHONE 081~088 SYNTH PAD 130~142 DRUM KITS 001~005 PIANO 018~025 GUITAR 057~061 TRUMPET 089~104 PERCUSSION 143~375 XGlite 006~009 E,PIANO 026~033 BASS 062~064 BRASS 105~112 SYNTH EFFECTS 000 OTS 010~014 ORGAN 034~045 STRINGS 065~072 FLUTE 113~121 WORLD 046~048 CHOR 073~080 SYNTH LEAD 122~129 SOUND EFFECTS PRESS AND HOLD FOR A WHILE. FUNCTION SONG ⑧ STYLE ⑨ VOICE ⑩ PORTABLE GRAND LIGHT ON/OFF TOUCH ON/OFF RESET METRONOME ON/OFF TIME SIGNATURE TOUCH SENSE 20 21 22 EZ-200 SONG STYLE VOICE E2-200 METHI & LEAVEN METHI VOLUME SONG STYLE VOICE E2-200 VAMAHA■ Rear Panel

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IN — MIDI — OUT SUSTAIN PHONES/ OUTPUT DC IN 12V + → - 24 25 26 27
CAUTION
- Playing while looking at the lights for a long period of time may cause eyestrain or stiffness in your neck and shoulders. For your health and comfort, we recommend that you take a ten-minute break after every hour of playing.
Turn the power on and adjust the volume
Turning the power on
STANDBY/ON

Press the [STANDBY/ON] switch to turn on the power.
Press the [STANDBY/ON] switch again to turn the power off.
Adjust the volume
When turning the power on, bars appear at the left side in the display to indicate the value of the master volume.

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SONG VOCE 001 GrandPro MASTER VOLUME MEASURE -03 MIN L R TOUCHDisplays the current volume.
When you first turn on the power, make sure to turn down the volume of the instrument by pressing the MASTER VOLUME [-] button several times. While playing the keyboard, adjust the volume level by using the MASTER VOLUME [+] and [-] buttons.
MASTER VOLUME
Press the [+] button to increase the volume. Pressing the [+] button twice increases the bar indication in the display by one.
Press the [-] button to lower the volume. Pressing the [-] button twice decreases the bar indication in the display by one.

If you are using the instrument in a quiet place and want a lower volume setting to start with, simultaneously hold down the MASTER VOLUME [-] button and turn on the power with the [STANDBY/ON] switch. This automatically sets the value to 4 (indicated by two bars).
NOTE
- When the power is turned on, the initial value is automatically set to 12 (indicated by six bars in the display).
Listen to the Demo Songs
This instrument has 100 built-in Demo Songs.
To listen to the Songs, press the [DEMO] button.
The Songs play back in the Song number order.
![YAMAHA EZ-200 - To listen to the Songs, press the [DEMO] button. - 1](/content/2025/01/114749/images/f5caafb42d984bcfa7539db480d93abd3916605c6d8083669fa3c92187549d44.jpg)
Press the [DEMO] or [START/STOP] button again to stop the Song.
![YAMAHA EZ-200 - To listen to the Songs, press the [DEMO] button. - 2](/content/2025/01/114749/images/61ed8c8afd6ac71a2c2213c02eb90646fe7e9f4b16226a5efa2e4e8e23cb2b53.jpg)
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DEMO or START/STOPSelecting and listening to a specific Song
Select the desired song number and play it.
1 Press the [SONG] button.
The Song number and name are displayed.
![YAMAHA EZ-200 - Press the [SONG] button. - 1](/content/2025/01/114749/images/7b34f85f7dd07347e29e92d9be0ae9237642d31f6f334ef10b6eced0c7787760.jpg)
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Appears when the Song mode is active. Song number Song name SONG 00: Bad Day MEASURE -03 TOUCH STYLE VOICE2
Select the desired Song by using the number buttons [0]–[9], [+], [-].
Refer to the Song List on page 15.
![YAMAHA EZ-200 - Select the desired Song by using the number buttons [0]–[9], [+], [-]. - 1](/content/2025/01/114749/images/9940a38e1301761682feae2072b587d310bd8dabaf21de7ccf647749486b2fe9.jpg)
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① ② ③ ④ ⑤ ⑥ ⑦ ⑧ ⑨ (-) ⑩ + ... RESET...3
Press the [START/STOP] button.
The Song will begin playing.
You can stop playback at any time by pressing the [START/STOP] button.
![YAMAHA EZ-200 - Press the [START/STOP] button. - 1](/content/2025/01/114749/images/5094c2c982dae58bafaad540d74141bb3ba38c1a4b1790dabadc77f92fc3cbe8.jpg)
● Other Operations

flowchart
graph LR
A["SONG"] --> B["A-B REPEAT"]
B --> C["REW"]
C --> D["FF"]
D --> E["TEMPO/TAP"]
E --> F["PAUSE"]
F --> G["SYNC START"]
[REW] button ...... Fast-reverses through the Song if pressed during playback (no sound is heard during fast reverse). Decreases the measure number if pressed while playback is stopped.
[FF] button.... Fast-forwards through the Song if pressed during playback. Increases the measure number if pressed while playback is stopped.
[PAUSE] button ...... Temporarily stops playback. Press this button a second time to resume playback from the point at which it was stopped.
● Song List
| No. | Song Name |
| Favorite | |
| 001 | Bad Day (Daniel Powter) |
| 002 | Dancing Queen (Benny Andersson, Bjorn Ulvaeus, Sig Anderson) |
| 003 | Daughters (John Mayer) |
| 004 | Fallin' (Alicia Keys) |
| 005 | Hey Jude(John Lennon, Paul McCartney) |
| 006 | Linus And Lucy (Vince Guaraldi) |
| 007 | Since U Been Gone(Martin Sandberg, Lukasz Gottwald) |
| 008 | You're Beautiful (James Blunt, Sacha Skarbek, Amanda Ghost) |
| 009 | Your Song(Elton John, Bernie Taupin) |
| 010 | Just The Way You Are (Billy Joel) |
| Standard | |
| 011 | Scarborough Fair (Traditional) |
| 012 | Three Blind Mice (Traditional) |
| 013 | O du lieber Augustin (Traditional) |
| 014 | London Bridge (Traditional) |
| 015 | Believe Me If All Those Endearing Young Charms (Traditional) |
| 016 | Ave Maria (F. Schubert) |
| 017 | Grandfather's Clock (H.C. Work) |
| 018 | Twinkle Twinkle Little Star (Traditional) |
| 019 | I've Been Working On The Railroad (Traditional) |
| 020 | Little Brown Jug (Traditional) |
| 021 | When The Saints Go Marchin' In (Traditional) |
| 022 | Aloha Oe (Q. Liliuokalani) |
| 023 | Home Sweet Home (H. Bishop) |
| 024 | Loch Lomond (Traditional) |
| 025 | Bill Bailey (Won't You Please Come Home) (H. Cannon) |
| 026 | Down By The Riverside (Traditional) |
| 027 | Aura Lee (G. Poulton) |
| 028 | Greensleeves (Traditional) |
| 029 | My Bonnie (H.J Fulmer) |
| 030 | Funiculi-Funicula (L. Denza) |
| 031 | Die Lorelei (F. Silcher) |
| 032 | Wenn ich ein Vöglein wär (Traditional) |
| 033 | Turkey In The Straw (Traditional) |
| 034 | Old Folks At Home (S.C. Foster) |
| No. | Song Name |
| 035 | Londonderry Air (Traditional) |
| 036 | When Irish Eyes Are Smiling (E.R. Ball) |
| 037 | Muss I Denn (F. Silcher) |
| 038 | America The Beautiful (S.A. Ward) |
| 039 | O Christmas Tree (Traditional) |
| 040 | Jingle Bells (J.S. Pierpont) |
| 041 | Silent Night (F. Gruber) |
| 042 | Deck The Halls (Traditional) |
| 043 | Amazing Grace (Traditional) |
| Pianist | |
| 044 | Für Elise (L.v. Beethoven) |
| 045 | Etude op.10-3 “Chanson De L’adieu” (F. Chopin) |
| 046 | Turkish March (W.A. Mozart) |
| 047 | Valse op.64-1 “Petit Chien” (F. Chopin) |
| 048 | Menuett/Beethoven (L.v. Beethoven) |
| 049 | 24 Preludes op.28-7 (F. Chopin) |
| 050 | Melodie (Album für die Jugend) (R. Schumann) |
| 051 | Fröhlicher Landmann (Album für die Jugend) (R. Schumann) |
| 052 | Träumerei (Kinderszenen) (R. Schumann) |
| 053 | Thema (Impromptus D.935-3) (F. Schubert) |
| 054 | Invention Nr.1 (J. S. Bach) |
| 055 | Gavotte/J. S. Bach (J. S. Bach) |
| 056 | Arietta/Grieg (E. Grieg) |
| 057 | La Chevaleresque (J. F. Burgmüller) |
| 058 | Prelude (Wohltemperierte Klavier 1-1) (J.S. Bach) |
| 059 | Annie Laurie (Traditional) |
| 060 | Moments Musicaux op.94-3 (F. Schubert) |
| 061 | La Viollette (Streabbog) |
| 062 | Menuett (L. Boccherini) |
| 063 | The Entertainer (S. Joplin) |
| Piano Ensemble | |
| 064 | Nocturne op.9-2 (F. Chopin) |
| 065 | Ave Maria/J. S. Bach – Gounod (J. S. Bach / C. F. Gounod) |
| 066 | Piano Concerto No.21 2nd mov. (W. A. Mozart) |
| 067 | Romanze (Serenade K.525) (W. A. Mozart) |
| No. | Song Name |
| 068 | Die Schlittenfahrt K.605-3 (W. A. Mozart) |
| 069 | Ave Verum Corpus (W. A. Mozart) |
| 070 | Piano Sonate op.27-2 “Mondschein” (L.v. Beethoven) |
| 071 | Ode to Joy (L.v. Beethoven) |
| 072 | Canon (J. Pachelbel) |
| 073 | Air de Toreador “Carmen” (G. Bizet) |
| 074 | The SurpriseSymphony (F.J. Haydn) |
| 075 | Gavotte (F.J. Gossec) |
| 076 | Menuett (J.S. Bach) |
| 077 | String Quartet No.17 2nd mov. “Serenade” (F.J. Haydn) |
| 078 | Song Of The Pearl Fisher (G. Bizet) |
| 079 | Jesu, Joy Of Man’s Desiring (J.S. Bach) |
| 080 | Der Vogelfänger bin ich ja (W. A. Mozart) |
| 081 | The Danube Waves (I. Ivanovici) |
| 082 | O Mio Babbino Caro (From “Gianni Schicchi”) (G. Puccini) |
| 083 | Liebesträume Nr.3 (F. Liszt) |
| 084 | To A Wild Rose (E.A. MacDowell) |
| Classical | |
| 085 | Waltz (The Sleeping Beauty) (P. I. Tchaikovsky) |
| 086 | Air (Orchestral Suite) (J. S. Bach) |
| 087 | Siciliano/J. S. Bach (J. S. Bach) |
| 088 | Menuet (L’Arlésienne) (G. Bizet) |
| 089 | Largo (From the New World) (A. Dvořák) |
| 090 | Pizzicato Polka (J. Strauss II) |
| 091 | Frühlingslied (F. Mendelssohn) |
| 092 | La Primavera (From Le Quattro Stagioni) (A. Vivaldi) |
| 093 | Orphée Aux Enfers Ouverture (J. Offenbach) |
| 094 | Danse Des Mirlitons From “The Nutcracker” (P.I. Tchaikovsky) |
| 095 | Slavonic Dances No.10 (A. Dvořák) |
| 096 | Guillaume Tell (G. Rossini) |
| 097 | Méditation De Thais (J. Massenet) |
| 098 | Ungarische Tänze Nr.5 (J. Brahms) |
| 099 | Valse Des Fleurs (From “The Nutcracker”) (P.I. Tchaikovsky) |
| 100 | Frühlingsstimmen (J. Strauss II) |
• The Song 001–005, 007–009, 013, 014, 085–090 do not have a left part. Therefore, the lesson is applicable only for the right hand.
- Songs of he classic and/or traditional songs have been edited for length or for ease in learning, and may not be exactly the same as the original.
Try playing a variety of instrument Voices
In addition to the piano Voice, a wide variety of other instrument Voices can be selected and played, including guitar, trumpet and flute. The Voice selected here becomes the Main Voice.
1 Press the [VOICE] button.
The Voice number and name are displayed.
![YAMAHA EZ-200 - Press the [VOICE] button. - 1](/content/2025/01/114749/images/c4d561a1a942eac5d7f60d583770536d9640ffc53b570c3cd6486a154e82b2eb.jpg)
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Voice number Appears when the Voice mode. Voice name SONG VOICE 007 GrandPro MEASURE -03 TOUCH2 Select a Voice.
Select the desired Voice by using the number buttons [0]–[9], [+], [-].
Refer to the Voice List on page 66.

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① ② ③ ④ ⑤ ⑥ ⑦ ⑧ ⑨ - ⑩ + ....RESET..... SONG VOCE Flute 065 The Voice shown here becomes the Main Voice for the instrument.Selecting Voice number 000 (One Touch Setting) automatically calls the most suitable voice for the currently selected Style or Song. (Refer to page 38.)
3
Play the keyboard.

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Illustration of two hands typing on a piano keyboard with musical notes above themTry selecting and playing different Voices.
Playing the Grand Piano Voice
When you simply want to play a piano Voice, all you have to do is press one convenient button.
Press the [PORTABLE GRAND] button.
The Voice “001 Grand Piano” will automatically be selected as the Main Voice.
![YAMAHA EZ-200 - Press the [PORTABLE GRAND] button. - 1](/content/2025/01/114749/images/1ab3e05558e1143d7ec559b0db2d3793d08ae1f62356a5550c654f7b02bf1393.jpg)
Drum kits
Drum kits are collections of drum and percussion instruments.
When drum kits (Voice numbers 130–142) are selected, you can play different percussion sounds directly from the keyboard.
1 Press the [VOICE] button.
![YAMAHA EZ-200 - Press the [VOICE] button. - 1](/content/2025/01/114749/images/a951bed285f8b88c619d58b7193618016a7c3aa1aac162f3e05bdd15cc4c58e8.jpg)
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SONG STYLE VOICE![YAMAHA EZ-200 - Press the [VOICE] button. - 2](/content/2025/01/114749/images/200d9206952ecfbca37ce80e532034ad316a4daf190744fdf44b9b730eba9833.jpg)
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Illustration of a keyboard with playing instruments and sound bubbles, no text or symbols present2 Select the desired Drum kit.
Select one of the Voice numbers from 130–142 by using the number buttons [0]–[9], [+], [-].

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① ② ③ ④ ⑤ ⑥ ⑦ ⑧ ⑨ - 0 + ...RESET...Example: 130 Standard Kit


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| Instrument | Count | | :--- | :--- | | Brush Tap | 0 | | Brush Swirl | 0 | | Brush Tap Swirl | 0 | | Castanet | 0 | | Snare Roll | 0 | | Snare H Soft | 0 | | Bass Drum Soft | 0 | | Bass Drum Hard | 0 | | Bass Drum | 0 | | Snare M | 0 | | Snare H Hard | 0 | | Snare H Hard | 0 | | Floor Tom L | 0 | | Floor Tom H | 0 | | Low Tom | 0 | | Mid Tom L | 0 | | Mid Tom H | 0 | | High Tom | 0 | | Chinese Cymbal | 0 | | Ride Cymbal Cup | 0 | | Splash Cymbal | 0 | | Crash Cymbal 2 | 0 | | Ride Cymbal 2 | 0 | | Vibraslap | 0 | | Bongo H | 0 | | Conga H Mute | 0 | | Conga L | 0 | | Timbale H | 0 | | Agogo H | 0 | | Cabasa | 0 | | Samba Whistle H | 0 | | Samba Whistle L | 0 | | Guiro Long | 0 | | Wood Block H | 0 | | Wood Block L | 0 | | Cuica Mute | 0 | | Triangle Open | 0 | | Jingle Bells | 0 | | Bell Tree | 0 | C3 | 1 | | Crash Cymbal 1 | 1 | | Ride Cymbal 1 | 1 | | Tambourine | 1 | | Cowbell | 1 | | Vibraslap | 1 | Bongo L | 1 | Conga H Open | 1 | | Timbale L | 1 | Agogo L | 1 | Maracas | 1 | Guiro Short | 1 | | Claves | 1 | Cuica Mute | 1 | | Triangle Mute | 1 | Shaker | 1 |* When Voice number 130 is selected, the icons printed above the keyboard indicates the instruments assigned to each key.
3
Try out each key.

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Illustration of two hands typing on a piano keyboard with musical notes above themYou'll hear bongo drums, congas, maracas, and more—a comprehensive variety of drum and percussion sounds.
Details on the instruments and key assignments of each drum kit can be found in the Drum Kit List on page 63.
- Drum Kit List
| 130 | Standard Kit 1 |
| 131 | Standard Kit 2 |
| 132 | Room Kit |
| 133 | Rock Kit |
| 134 | Electronic Kit |
| 135 | Analog Kit |
| 136 | Dance Kit |
| 137 | Jazz Kit |
| 138 | Brush Kit |
| 139 | Symphony Kit |
| 140 | SFX Kit 1 |
| 141 | SFX Kit 2 |
| 142 | Sound Effect Kit |
Start the metronome
The instrument includes a metronome with adjustable tempo and time signature. Play and set the tempo that is most comfortable for you.
Starting the metronome
Turn the metronome on and start it by pressing the [METRONOME ON/OFF] button.
To stop the metronome, press the [METRONOME ON/OFF] button again.
![YAMAHA EZ-200 - Turn the metronome on and start it by pressing the [METRONOME ON/OFF] button. - 1](/content/2025/01/114749/images/5c7ebe6a52da81049972fdbdb7a12a17201a69e41d4be12b059a1ee7ddc439c9.jpg)
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METRONOME ON/OFF TIME SIGNATURE SONG VOICE GrandPro 001 MEASURE TOUCH Displays the current beat.The tempo can be adjusted between 11–280.
![YAMAHA EZ-200 - Turn the metronome on and start it by pressing the [METRONOME ON/OFF] button. - 2](/content/2025/01/114749/images/088f02bd6d7c956f381eef10d3c71d67ee0d18d872b44a5983e645aad25e8c2f.jpg)
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1 2 3 4 5 6 7 8 9 - 0 + ----Setting the numerator of the metronome time signature
Set the number of beats per measure.
1 Press and hold the [METRONOME ON/OFF] button for longer than a second.
Current numerator appears.
![YAMAHA EZ-200 - Press and hold the [METRONOME ON/OFF] button for longer than a second. - 1](/content/2025/01/114749/images/985e1914b011c68467145f563548dcc41462b13e11de82be381e5c8f96b046d4.jpg)
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METRONOME ON/OFF TIME SIGNATURE Hold longer than a second Time signature numerator SONG 04 TimeSign2 Set the time signature numerator (0–60) by using the number buttons [0]–[9], [+], [-].
The first beat is accented with a bell sound and the rest with clicks. When set to 00, the metronome sounds all beats with a click sound (no accent).
![YAMAHA EZ-200 - Set the time signature numerator (0–60) by using the number buttons [0]–[9], [+], [-]. - 1](/content/2025/01/114749/images/003c5748d7e40b37d0f2425a21820ed49785febeb6f71383c1518261c386193a.jpg)
- The time signature numerator cannot be changed when a Style or Song is playing since it is automatically preset for the most suitable time signature of the current Style or Song. Make sure to stop the Style or Song before setting the numerator.
Setting the denominator of the metronome time signature
Sets the basic note value for each measure.
1 Press the [FUNCTION] button a number of times until "TimeSigD" appears.
![YAMAHA EZ-200 - Press the [FUNCTION] button a number of times until "TimeSigD" appears. - 1](/content/2025/01/114749/images/751bbb7039481b5afa0cb75429333c274708a4ad1b0063f31b6080628fb7d91e.jpg)
![YAMAHA EZ-200 - Press the [FUNCTION] button a number of times until "TimeSigD" appears. - 2](/content/2025/01/114749/images/76665339c8beecae1a5e447f693209fd8e7b0eca589e5bfd0ae77c19172c0373.jpg)
2 Set the time signature denominator by using the number buttons [+], [-].
The available denominators are 02 (1/2 note; ♩), 04 (1/4 note;
♪), 08 (1/8 note; ♪) and 16 (1/16 note; ♪).
Setting the metronome volume
1 Press the [FUNCTION] button a number of times until “MetroVol” appears.

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FUNCTION Metronome volume SONG 100 MetroVol2 Set the metronome volume (000–127) by using the number buttons [0]–[9], [+], [-].
Selecting a rhythm of a Style
The Style feature provides backing and rhythm parts in a wide variety of musical categories, including rock, blues, disco and much more. Here's how to play a rhythm of a Style. The rhythm sound consists of percussion instruments.
1 Press the [STYLE] button.
The Style number and name are displayed.
![YAMAHA EZ-200 - Press the [STYLE] button. - 1](/content/2025/01/114749/images/616e053eed1c13a6916c05708b1439850387b3d7090c0453fd4563a5fd5f59ba.jpg)
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Style number Appears when Style mode is active. Style name SONG STYLE VOICE STYLE 001 88t.Modrm MEASURE 001 TOUCH2 Select a Style.
Select the desired Style by using the number buttons [0]–[9], [+], [-].
Refer to the Style List on page 66.


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① ② ③ ④ ⑤ ⑥ ⑦ ⑧ ⑨ - 0 + ----RESET----3 Press the [START/STOP] button.
The Style will begin playing.
You can stop the style at any time by pressing the [START/STOP] button.
![YAMAHA EZ-200 - Press the [START/STOP] button. - 1](/content/2025/01/114749/images/76581e551601f31e7cfb9a9e2c45ed97fb25b3ff22ab2fc32674afd73f3e5487.jpg)
![YAMAHA EZ-200 - Press the [START/STOP] button. - 2](/content/2025/01/114749/images/60c8ee035d37f4561ea3ffe27d4d518b25f673cd140456409ab488cd36942914.jpg)
- Since the Pianist category Styles (093–100) have no rhythm parts, no sound will be produced if you start rhythm-only playback. To use these Styles, turn on the auto accompaniment and play the keyboard as described on pages 24–25. (The bass and chord accompaniment parts will sound.)
Playing with a Style
On the previous page, you've learned how to select your favorite rhythm of a Style. Here, you'll learn how to expand on that rhythm with bass and chord backing, and use all of it as your accompaniment as you play.
1 Press the [STYLE] button and then select a Style.
Refer to the “Selecting a rhythm of a Style” on page 23.
2 Turn auto accompaniment on.
Press the [ACMP ON/OFF] button.
Press the [ACMP ON/OFF] button again to turn the auto accompaniment off.

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STYLE ACMP ON/OFF V/ Init. MAIN/ AUTO FILL
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STYLE 00: 88thdm MEASURE 00: TOUCH ACMP ONAppears when auto accompaniment is on
ACMP ON
● When auto accompaniment is on ...
The keys to the left of the Split Point (54; F#2) will play only chords.
This is known as the “Auto Accompaniment range.”

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Split Point (54; F#2) 48 55 60 Auto Accompaniment rangeNOTE
- You can change the Split Point. Refer to "Setting the Split Point" on page 36.
3 Turn SYNC START on.
Press the [SYNC START] button.


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STYLE 00: SETt.Nodrn MEASURE 00:1 TOUCH ACMP ONFlashes when Sync Start is engaged.

When the Sync Start standby mode is engaged, Style playback will begin as soon as you play a chord in the accompaniment range of the keyboard. You can turn off Sync Start standby mode by pressing the [SYNC START] button.
4 The Style will begin playing as soon as you play a chord in the accompaniment range of the keyboard.
Not sure how to play chords? No problem! This instrument is capable of playing chords even if you only play one key.
Try playing one, two or three keys (any notes will do) in the auto accompaniment range of the keyboard. Different keys will produce different results.
Refer to page 48 for detailed instructions for playing chords. A special Chord Dictionary function is also available, which shows you how to play specific chords.

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Split Point Auto Accompani- ment range5 Try playing other chords with your left hand and play a melody with your right hand.

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Split Point Auto Accompani- ment range6 You can stop playback at any time by pressing the [START/STOP] button.
![YAMAHA EZ-200 - You can stop playback at any time by pressing the [START/STOP] button. - 1](/content/2025/01/114749/images/938c5b71c9951dddb90f4e564e91615c9fa4c3a3a7ded8f46a867aeccdd7cfcc.jpg)
Basic Operation

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Turning the power on Press the [STANDBY/ON] switch to turn on the power. Press the [STANDBY/ON] switch again to turn the power OFF. STANDBY/ON Adjusting the volume Pressing the MASTER VOLUME [+] and [-] buttons. MASTER VOLUME Press the [-] button to lower the volume. Press the [+] button to increase the volume. STANDBY/ON LISTEN & LEARN MASTER VOLUME LESSON PART L R TIMING SONG A-B REPEAT REW FF TEMPO/TAP WAITING CHORD DICT. STYLE ACOMP ON/OFF INTRO/ ENDING/HT. MAN/ AUTO FILL SYNC STATC PAUSE START/STOP PORTABLE GRAND The "Press & Hold" Symbol The "Press & Hold" symbol that appears next to some buttons indicates that the button can be pressed and held for longer than a second to call up a related or different function. START/STOP WALITING CHORD DICT.Press a button to select a basic function

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SONG ...... Press the [SONG] button to select a Song. STYLE ...... Press the [STYLE] button to select a Style. VOICE ...... Press the [VOICE] button to select a Voice.When you select a basic function, the name and number of the currently selected Song, Style and Voice is shown. Also, the icon(s) of the currently selected Song, Style or Voice appears at the top on the display.

From this display, you can select the desired Song, Style or Voice by using the number buttons [0]–[9], [+], [-].

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FUNCTION SONG MELODY VOICE LIGHT ON/OFF TOUCH ON/OFF TOUCH SENSE 1 2 3 4 5 6 7 8 9 - 0 + RESET DEMO METRONOME ON/OFF TIME SIGNATUREFunction Settings (page 52)
The [FUNCTION] button contains 19 settings. Each time you press the [FUNCTION] button, the setting item is selected in sequence, and the value of the selected item can be changed by using the number buttons [0]–[9], [+], [-].
You can select the setting items in reverse order by simultaneously holding down the [FUNCTION] button and pressing the [-] button repeatedly.

FUNCTION
Set the number or value
● Number buttons [0]–[9]
The number buttons can be used to directly enter a Song, Style or Voice number or parameter value. For numbers that start with one or two zeroes, the first zeroes can be omitted.
Example: Selecting Voice 002, Grand Piano2.
![YAMAHA EZ-200 - ● Number buttons [0]–[9] - 1](/content/2025/01/114749/images/3ed5b73c692bbe9973d47e65233198a1441d1a87d2c18a20bb45b07821bc4291.jpg)
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1 2 3 4 5 7 8 9 - 0 + ....RESET SONG VOICE 002 GrandPri2Press number buttons [0], [0], [2].
● [+], [-] buttons
Press the [+] button briefly to increase the value by 1, or press the [-] button briefly to decrease the value by 1. Press and hold either button to continuously increase or decrease the value in the corresponding direction.
![YAMAHA EZ-200 - ● [+], [-] buttons - 1](/content/2025/01/114749/images/57d09bbe7d427b865c5e4641001cd70e7f6e530413cf72678ef2589f2a6650f8.jpg)
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Press briefly to decrease. Press briefly to increase.Display
The Main display shows all of the current basic settings for Song, Style and Voice.
Notation
Displays the melody and chord notes of a Song when the Song is playing, or the notes of chords you specify when the Dictionary function is in use. At other times the notes you play on the keyboard are displayed.

- Any notes occurring below or above the staff are indicated by "8va" in the notation.
- For a few specific chords, not all notes may be shown in the notation section of the display. This is due to space limitations in the display.
Measure
Indicates the current measure during playback of a Song or Style.
MEASURE 003
Beat Display
Indicates the beat of the current Style or Song with flashing arrows.

Touch Display
Appears when the touch response feature is on.
TOUCH
ACMP ON
Appears when the auto accompaniment is on.
ACMP ON
MASTER VOLUME indication
The value of MASTER is indicated by the number of bars in the display. The more bars shown, the higher the volume level. The range is from 0–14. One bar represents 2 steps in the value.

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| Category | Sound Level Range | | -------------- | ----------------- | | MAX | 13–14 | | MASTER VOLUME | 3–4 | | MIN | 0 (no indication) |Chord Display
Indicates the name of the chord currently being played back, or the name of the chord being played on the keyboard.

Fingering Guide
While the Song is playing, appropriate fingerings are shown, indicating which fingers to use to play the song properly. (page 29)

Song Left and Right Display
While the Song is playing, you can mute the Left or Right parts of the Song by pressing the [L] and [R] buttons. The [L] and [R] icons indicate the current status.
R Right is on
R Right is muted
L R Left and Right are on
Yamaha Education Suite 5
You can select any Song you like and use it for a left-hand, right-hand, or both-hands lesson. Song Lesson teaches you how to play Songs in three separate steps.
■ The practice methods:
Lesson 1 (Listen & Learn) ...... Listen and learn the melody or rhythm of a selected Song.
Lesson 2 (Timing) ....Learn to play the notes at the correct timing along with the Song.
Lesson 3 (Waiting) ....Learn to play the correct notes.
Practice by using the Light Guide function
When Light Guide is on, each key (of the notes in the Song) lights in succession showing you which keys to play and when.



- The Light Guide function is on when power is turned on.
Practice by using the Fingering guide
When the Song is started, the fingering guide appears on the display and shows you which fingers you should use while playing.

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Fingering display Finger cross- under icon Finger number 1 3 Finger cross- over icon Finger number● Examples of crossing under and over

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Crossing under Play the F key with your thumb Crossing over Play the E key with your middle fingerLesson 1 (Listen & Learn)
There's no need to play the keyboard in Lesson 1.
The model melody/chords (in other words, the musical material you should learn) of the part you selected will sound and the appropriate keys will automatically light. Listen to it carefully and learn it well.
1 Select the desired Song for your lesson.
Press the [SONG] button, and then select a Song (referring to the Song list on page 15) by using the number buttons [0]–[9], [+] and [-].

- You cannot select the part during Song playback before Lesson 1 starts. If a Song is currently being played back, stop the Song first, then continue from Step 2.

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SONG STYLE VOICE 1 2 3 4 5 6 7 9 - 0 + ----RESET----+ SONG 04: SilentNt. MEASURE - 10 TOUCH2 Select the part you want to practice.
Press the [R] button for a right-hand lesson, [L] button for a left-hand lesson, or press both the [R] and [L] buttons simultaneously for a both-hands lesson. The selected hand/s are displayed.

flowchart
graph TD
A["Left-hand lesson\nLeft"] --> B["LESSON PART"]
C["Right-hand lesson\nRight"] --> B
B --> D["Both-hands lesson\nBothHand"]
E["LESSON PART\nLESS hand"] --> F["Right hand"]
style A fill:#f9f,stroke:#333
style C fill:#f9f,stroke:#333
style E fill:#f9f,stroke:#333
A “No LPart” message is shown in the display if you select the left part in Song 001–005, 007–009, 013, 014, 085–090, which does not have left part data. These Songs cannot be used for left-hand or both-hands lessons.
No LP:47.
3 Start Lesson 1.
Press the [LISTEN & LEARN] button to start Lesson 1.
The melody of the part you selected in Step 2 will sound. Listen to it carefully and learn it well.
LISTEN & LEARN


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SONS LISTEN 4 MEASURE 0.16 TOUCHEThe notation is shown in the display, and the keys light to indicate which notes you should play.
4 Stop the Lesson.
You can stop the Lesson at any time by pressing the [START/STOP] button.

• Even after Lesson 1 has started and the Song is playing, you can still select the part.
- When the melody Voice of the Song is changed, the key position shown in the display may be shifted (in octave units), depending on the Voice selected.
- You can select Lessons 1–3 by pressing the [LISTEN & LEARN], [TIMING] and [WAITING] buttons, respectively.
Lesson 2 (Timing)
In this lesson, try playing the notes with the correct timing. Simply concentrate on playing each note in time with the rhythmic accompaniment.
The correct notes sound even if you play wrong notes as long as you play in time with the rhythm.
1 Select the desired Song for your lesson.
2 Select the part you want to practice.

3 Start Lesson 2.
Press the [TIMING] button to start Lesson 2.


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SONG r2 TIMING 4 MEASURE 0.16 TOUCHThe keyboard lights when Light is on. In Lesson 2, concentrate on playing each note in correct time with the rhythm.
4 Stop the Lesson.
You can stop the Lesson at any time by pressing the [START/STOP] button.


- The Split Point is fixed and it cannot be changed. For the left-hand lesson, it is fixed at 59 or B2.

- You cannot select the part during Song playback before Lesson 2 starts. If a Song is currently being played back, stop the Song first, then continue from Step 2.

• Even after Lesson 2 has started and the Song is playing, you can still select the part.
Grade
When the lesson Song has played all the way through in Lesson 2 or 3, your performance will be evaluated in four levels: OK, Good, Very Good, or Excellent.
$$ \begin{array}{l} O K \ G o o d \ \text { Very Good } \ \text { Excellent. } \ \end{array} $$
Lesson 3 (Waiting)
In this mode, try playing the correct notes. The notes you should play will appear in the score and the notes on the keyboard will light. The Song pauses until you play the right note.
1 Select the desired Song for your lesson.
2 Select the part you want to practice.

3 Start Lesson 3.
Press the [WAITING] button to start Lesson 3.

-3 WAITING
Play the correct notes according to the lighted keys. The Song pauses until you play the right note.
4 Stop the Lesson.
You can stop the Lesson at any time by pressing the [START/STOP] button.

NOTE
- You cannot select the part during Song playback before Lesson 3 starts. If a Song is currently being played back, stop the Song first, then continue from Step 2.
NOTE
• Even after Lesson 3 has started and the Song is playing, you can still select the part.
NOTE
- When the lesson Song has played all the way through in Lesson 2 or 3, your performance will be evaluated in four levels (same as lesson 2)
Changing the Melody Voice
You can change a Song's melody Voice to any other Voice you prefer.
1 Select the Song and play it.
Refer to the section “Playing the Songs” on page 12.
2 Select the voice.
Press the [VOICE] button, and then select a desired Voice by using the number buttons [0] – [9] , [+] , [-] .

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SONG STYLE VOICE 1 2 3 4 5 6 7 8 9 - 0 + ----RESET SONG VOICE BritePho MEASURE 001 TOUCHThe selected Voice sounds when you play the keyboard.
If a Song has played through and stopped during this procedure, press the [START/STOP] button to start playback again.
3 Press and hold the [VOICE] button for longer than a second.
“SONG MELODY VOICE” appears in the display for a few seconds, indicating that the Voice selected in Step 2 has replaced the Song’s original melody Voice.
![YAMAHA EZ-200 - Press and hold the [VOICE] button for longer than a second. - 1](/content/2025/01/114749/images/59f0130cab33c47fc659824c05686eff08bdea1f318bab8823522180743fdbe2.jpg)
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SONG STYLE VOICE SONG MELODY VOICE Hold for longer than a second.Song Volume
This procedure allows you to adjust the balance between Song playback and the notes you play on the keyboard by setting the volume of the play-back sound.
1 Press the [SONG] button.
![YAMAHA EZ-200 - Press the [SONG] button. - 1](/content/2025/01/114749/images/29234f4e7b9481fd7f81e0b9ec9a29dc401b30af90dd1c1622f05fb7277c93d0.jpg)
2 Press the [FUNCTION] button a number of times until "SongVol" appears.
![YAMAHA EZ-200 - Press the [FUNCTION] button a number of times until "SongVol" appears. - 1](/content/2025/01/114749/images/e9fc00e33fb8db8a1e74dfcd163018f1d87d35c89efeabe4683ef669d9bc44de.jpg)
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FUNCTION Current Song Volume SONG 100 songs/vol3 Set the Song Volume by pressing the number buttons [0]–[9], [+], [-].
The range is from 0–127.
![YAMAHA EZ-200 - Set the Song Volume by pressing the number buttons [0]–[9], [+], [-]. - 1](/content/2025/01/114749/images/e75742846f3900b26caadde5c4bd37682b0558e0a9cb62b167926b99eeea9e0f.jpg)
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1 2 3 4 5 6 7 8 9 - 0 + ----RESET----![YAMAHA EZ-200 - Set the Song Volume by pressing the number buttons [0]–[9], [+], [-]. - 2](/content/2025/01/114749/images/97d437396a3499dfcb6f71385195bf97dd467556add84644c8f08f01d7706e4d.jpg)
- Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (100).
Mute
The Song is made up by several tracks.
You can mute Track 1 or Track 2 during Song playback.
- Track 1 can be muted by pressing the [R] button during Song playback.
- Track 2 can be muted by pressing the [L] button during Song playback.
You can cancel the mute function by pressing the corresponding track buttons, [R] or [L] again during Song playback, or by selecting any other Song.

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Track 2 Track 1 LESSON PART L R Pressing one of the Track buttons [R] or [L] will mute the corresponding track during Song playback. SONG 00: Bad Day MEASURE 0.16 TOUCH L R Unlit-track is muted.Practice Makes Perfect
You can repeatedly practice a section you find difficult. This function lets you specify a section of a Song you want to practice—“A” is the start point and “B” is the end point—for repeat playback.

flowchart
graph LR
A["A"] --> B["B"]
B --> A
Repeat playback of this section
1 Play the Song and press the [A-B REPEAT] button at the beginning of the section you want to repeat (the "A" point). "A-REPEAT" will be displayed.

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SONG A-B REPEAT REW FF TEMPO/TAP
2 Press the [A-B REPEAT] button a second time at the end of the section you want to repeat (the “B” point). The specified A-B section of the Song will now play repeatedly, letting you practice the section over and over.

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SONG A-B REPEAT REW FF TEMPO/TAP
You can stop repeat playback by pressing the [A-B REPEAT] button. The A-B REPEAT mode will be canceled and normal playback of the Song will continue.

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SONG A-B REPEAT REW FF TEMPO/TAP
NOTE
- The repeat start and end points can be specified in one-measure increments.
- You can also set the A-B Repeat function when the Song is stopped. Simply use the [REW] and [FF] buttons to select the desired measures, pressing the [A-B REPEAT] button for each point, then start playback.
- If you want to set the start point "A" at the very beginning of the Song press the [A-B REPEAT] button before starting playback of the Song.
NOTE
- The A-B Repeat function will be canceled when you select another Song or Style mode.
Setting the Split Point
The Split Point setting can be changed as desired.

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Split Point—default setting: 54 (F#2) 36 48 60 72 84 96The initial default Split Point is key number 54 (the F#2 key), but you can change it to another key. When you change the Split Point, the auto accompaniment range also changes.
1 Press the [FUNCTION] button a number of times until “SplitPnt” appears.

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Currently selected Split Point Split Point FUNCTION 054 Split.Pnt. MEASURE -03 TOUCH Split point key is lighted2 Set the Split Point by using the number buttons [0]–[9], [+], [-].

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1 2 3 4 5 6 7 8 9 - 0 + ----RESET----
- Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (54 or F#2).
Transpose
The overall pitch of the instrument can be shifted up or down by a maximum of 1 octave in semitone increments.
1 Press the [FUNCTION] button a number of times until the “Transpos” appears.


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Current transpose value SONG 00 Transpos2 Use the number buttons [0]–[9], [+], [-] to set the Transpose value between -12 and +12 as required.

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1 2 3 4 5 6 7 8 9 - 0 + ----RESET----NOTE
- The pitch of the Drum Kits Voices (Voice numbers 130–142) cannot be changed.
- Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (00).
Tuning
You can fine tune the pitch of the entire instrument. The overall tuning of the instrument can be shifted up or down by a maximum of 100 cents in 1-cent increments (100 cents = 1 semitone).
1 Press the [FUNCTION] button a number of times until “Tuning” appears.


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Currently tuning value SONK 000 Tuning2 Use the number buttons [0]–[9], [+] and [-] to set the Tuning value between -100 and +100 as required.

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1 2 3 4 5 6 7 8 9 - 0 + ....RESET...NOTE
- The pitch of the Drum Kits Voices (Voice numbers 130–142) cannot be changed. - Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (000).
One Touch Setting
Sometimes selecting the ideal Voice to play with a Song or Style can be confusing. The One Touch Setting feature automatically selects the most suitable Voice for you when you select a Style or Song. Simply select Voice number “000” to activate this feature.
1 Press the [VOICE] button, and then select Voice number “000” by using the number buttons [0]–[9], [+], [-].

flowchart
graph LR
A["SONG"] --> B["1"]
C["STYLE"] --> D["2"]
E["VOICE"] --> F["3"]
G["16"] --> H["4"]
I["16"] --> J["5"]
K["16"] --> L["6"]
M["16"] --> N["7"]
O["16"] --> P["8"]
Q["16"] --> R["9"]
S["16"] --> T["0"]
U["16"] --> V["+"]
W["16"] --> X["RESET"]
Y["16"] --> Z["0"]
AA["16"] --> AB["GrandPro"]
AC["16"] --> AD["SONG VOICE"]
AE["16"] --> AF["000"]
This turns the One Touch Setting feature on. One Touch Setting will be turned off if you select any other Voice number.
Changing the tempo of the Song/Style
Songs and Styles can be played at any tempo you desire—fast or slow.
1 Press the [TEMPO/TAP] button to call up the Tempo setting in the display after selecting a Style/Song.

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SONG A-B REPEAT REW FF TEMPO/TAP STYLE ACMP ON/OFF INTRO/ ENDING/rit. MAIN/ AUTO FILL Current Tempo value SONG 070 Tempo2 Set the Tempo by using the number buttons [0]–[9], [+], [-].
You can also set the Tempo by simply tapping the [TEMPO/TAP] button at the required tempo—four times for time signatures in 4, and three times for time signatures in 3.
You can change the Tempo during Style/Song playback by pressing the [TEMPO/TAP] button just twice.

flowchart
graph LR
A["SONG"] --> B["A-B REPEAT"]
B --> C["REW"]
C --> D["FF"]
D --> E["TEMPO/TAP"]
E --> F["STYLE"]
F --> G["ACMP ON/OFF"]
G --> H["INTRO/ ENDING/rit."]
H --> I["MAIN/ AUTO FILL"]
I --> J["Hand Icon"]

- Press the [+] and [-] buttons simultaneously to instantly reset the value to the default tempo of a Style or Song.
Touch Response
Touch Response On/Off
Keyboard touch response can be turned on by pressing the [TOUCH ON/OFF] button. When touch response is on you can control the volume of notes according to how hard you play the keys.


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SONG VOICE 007 GrandPro MEASURE -03 TOUCH TOUCH Indicates that touch response is onPress the [TOUCH] button a second time to turn touch response off. When touch response is off the same volume will be produced no matter how hard you play the keys.
Adjusting the Touch Response Sensitivity
The sensitivity of the keyboard's touch response can be adjusted in three steps (1–3). The higher the number, the greater the volume variation produced by the same variation in how hard you play the keys—i.e. the keyboard becomes more “sensitive.”
Press and hold the [TOUCH] button for longer than a second until the touch response sensitivity setting display appears.


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Current sensitivity SONG 2 MediumUse the number buttons [1]–[3] or the [+] and [-] buttons to set the touch response sensitivity as required.

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1 2 3 4 5 6 7 8 9 - 0 + ---- RESET ----Adjusting the Main Voice Parameters
The volume and octave (the pitch of the instrument can be shifted by up or down in octaves) for the main voice can be adjusted.
● Main Voice Parameters (page 53)
- Main Voice Volume
- Main Voice Octave
You can adjust each of the parameters above in the Function settings (page 52).
Adding Reverb
Reverb adds the ambience of a room or concert hall to the sound that you play on the keyboard.
Reverb On/Off
Press the [FUNCTION] button a number of times until “on Reverb” or “oFF Reverb” appears.
Default setting is on. Set this to on or off by using the [+] and [-] buttons.

flowchart
graph LR
A["FUNCTION"] --> B["Current setting"]
B --> C["SONG"]
B --> D["ON"]
B --> E["Reverb"]
B --> F["RESET"]
Selecting a Reverb type
The ideal type is automatically selected whenever you select a Song or Style, but you can select any of the available Reverb Types.
1 Press the [FUNCTION] button a number of times until “Reverb” appears.
“Reverb” is located next to the “on Reverb” or “oFF Reverb” indications.

flowchart
graph LR
A["FUNCTION"] --> B["SONG on Reverb"]
B --> C["SONG Reverb"]
The currently selected Reverb type appears on the display after the “Reverb” indication.

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SONG 0: Ha111 Currently selected Reverb Type2 Select the desired Reverb Type by using the number buttons [0]–[9], [+], [-].
Refer to the Reverb Type list on page 67 for details.

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1 2 3 4 5 6 7 8 9 - 0 + ...RESET...Adjusting the Reverb depth
1 Press the [FUNCTION] button a number of times until “RevLevel” appears.


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SONG 064 RevLevel Current Reverb depth value2 Set the desired Reverb depth by using the number buttons [0]–[9], [+], [-].
The range is from 0–127.

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1 2 3 4 5 6 7 8 9 - 0 + ----RESET----Adding Panel Sustain
This function adds a fixed sustain to the keyboard Voices.
1 Press the [FUNCTION] button a number of times until the “Sustain” item appears.


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SONG OFF Sustain Current setting2 Press the [+] button to turn the Panel Sustain on. Panel Sustain will be added to the notes you play on the keyboard when the Panel Sustain is on. To turn it off, press the [-] button.


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SONG on Sustain On
- See the section “Connecting a footswitch (SUSTAIN Jack)” on page 9 for information on applying sustain with the optional footswitch.
- For certain Voices, the sustain effect may not be obvious or audible, even when the panel sustain function is turned on.
Various ways to start and stop Style playback
Starting Style playback
The following three methods can be used to start Style playback. In all cases you will need to press the [ACMP ON/OFF] button to turn auto accompaniment on before actually starting Style playback. Whichever method you choose, you can press the [INTRO/ENDING/rit.] before starting playback. To begin your performance, an introduction will play automatically, then will automatically switch to the MAIN section when finished.
■ Immediate Start
Press the [START/STOP] button to begin rhythm-only playback of the selected Style.
The bass and chords will begin playing as soon as you play a chord in the accompaniment range of the keyboard.

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STYLE ACMP ON/OFF INTRO/ ENDING/rit, MAIN/ AUTO FILL
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ACMP ON Appears when the auto accompaniment is on

Immediate Start
Chord Start
Press the [SYNC START] button and the beat arrows will begin flashing, indicating that the Sync Start “standby” mode has been engaged. The bass and chords will begin playing as soon as you play a chord in the accompaniment range of the keyboard.

flowchart
graph LR
A["PAUSE"] --> B["SYNCS START"]
B --> C["00: 88tModrn"]
C --> D["ACMP_ON"]
D --> E["Sync Start standby"]
E --> F["Style playback begins when you play a chord"]
F --> G["Accompani-ment range"]
Tap Start
You can supply a count-in at any tempo you like to start playback. Simply tap the [TEMPO/TAP] button at any tempo—4 times for time signatures in 4, and 3 times for time signatures in 3—and the selected Style rhythm will begin playing at the tapped tempo.
The bass and chords will begin playing as soon as you play a chord in the accompaniment range of the keyboard.

flowchart
graph LR
A["ACMP ON/OFF"] --> B["INTRO/ENDING/rit."]
B --> C["MAIN/AUTO FILL"]
C --> D["Directional Arrow"]
D --> E["Final Style"]

Start at the tapped tempo
Stopping Style playback
The following three methods can be used to stop Style playback.
■ Immediate Stop
Playback will stop as soon as you press the [START/STOP] button.


Immediate Stop
■ Stop and Enter Sync Start Mode
If you press the [SYNC START] button during Style playback, playback will stop immediately and the Sync Start standby mode will be engaged (beat arrows will flash).


Stop immediately and enter the Sync Start mode

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STYLE 00: 85t.Modrn ASMP OUT Sync Start standby■ Play the Ending and Stop
Press the [INTRO/ENDING/rit.] button to begin playing an ending section. Playback will stop when the ending has played all the way through.

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STYLE ACMP ON/OFF INTRO/ ENDING/rit. MAIN/ AUTO FILL
Stop after ending plays
If you press the [INTRO/ENDING/rit.] button a second time (while the ending is playing), the ending will play in ritardando (the tempo will gradually get slower).
Pattern Variation (Sections)
The instrument features a wide variety of Style “sections” (patterns) that allow you to vary the arrangement of the accompaniment to match the Song you are playing.

flowchart
graph LR
A["Intro"] --> B["STYLE: ACMP ON/OFF"]
B --> C["INTRO/ ENDING/rit."]
C --> D["MAIN/ AUTO FILL"]
D --> E["Main A/B"]
E --> F["Auto fill"]
G["Ending"] --> B
- INTRO section
This is used for the beginning of the Song
When the intro finishes playing, accompaniment shifts to the main section.
The length of the intro (in measures) differs depending on the selected Style.
● MAIN section
This is used for playing the main part of the Song. It plays a main accompaniment pattern, and repeats indefinitely until another section's button is pressed. There are two variations on the basic pattern (A and B), and the Style playback sound changes harmonically based on the chords you play with your left hand.
- Fill-in section
This is automatically added before changing the section A and B.
● ENDING section
This is used for the ending of the Song. When the ending is finished, the auto accompaniment stops automatically. The length of the ending (in measures) differs depending on the selected Style.
1 Press the [STYLE] button and then select a Style.
2 Turn auto accompaniment on.
Press the [ACMP ON/OFF] button.

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STYLE ACMP ON/OFF INTRO/ ENDING/rit. MAIN/ AUTO FILL
Appears when the auto accompaniment is on.
3 Turn SYNC START on.
Press the [SYNC START] button.

4 Press the [MAIN/AUTO FILL] button.
![YAMAHA EZ-200 - Press the [MAIN/AUTO FILL] button. - 1](/content/2025/01/114749/images/960d25bf5cd74fb39271e2a03bf2e251f6d73dce252cfe34f597f263d5280c42.jpg)
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STYLE ACMP ON/OFF INTRO/ ENDING/rit, MAIN/ AUTO FILL![YAMAHA EZ-200 - Press the [MAIN/AUTO FILL] button. - 2](/content/2025/01/114749/images/9f60ad8985353f13a4705832a9c8ae396d7778f32903343cce2e55feac49d4f2.jpg)
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STYLE MAIN A The name of the selected section— MAIN A or MAIN B—will be displayed5 Press the [INTRO/ENDING/rit.] button.
![YAMAHA EZ-200 - Press the [INTRO/ENDING/rit.] button. - 1](/content/2025/01/114749/images/0a05e760beebfa1ed7827465fa1111af6d23bfae98dd13fedf7eb01afa48c2d8.jpg)
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STYLE ACMP ON/OFF INTRO/ ENDING/rit, MAIN/ AUTO FILL![YAMAHA EZ-200 - Press the [INTRO/ENDING/rit.] button. - 2](/content/2025/01/114749/images/a459d6ffd1ad1952c2bb1ccc68990c98aa8255c3a63025707a8382a0d5da34ad.jpg)
6 As soon as you play a chord with your left hand, the Intro of the selected Style starts.
For this example, play a C major chord (as shown below). For information on how to enter chords, see “Playing Auto Accompaniment Chords” on page 48.

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Accompani- ment range7 Press the [MAIN/AUTO FILL] button.
![YAMAHA EZ-200 - Press the [MAIN/AUTO FILL] button. - 1](/content/2025/01/114749/images/a72aefa2b05b19ca3e88eb4c389bb3c9ddbc39c79f9c5385fbfb3cf67264c7c9.jpg)
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STYLE ACMP ON/OFF INTRO/ ENDING/rit. MAIN/ AUTO FILL.![YAMAHA EZ-200 - Press the [MAIN/AUTO FILL] button. - 2](/content/2025/01/114749/images/0f19d169b788233c84674ec5ff44ed83d0e2c5dfa0620471ae3b9168869e1df0.jpg)
When the fill-in is finished, it leads smoothly into the selected main section A/B.
8 Press the [INTRO/ENDING/rit.] button.
![YAMAHA EZ-200 - Press the [INTRO/ENDING/rit.] button. - 1](/content/2025/01/114749/images/434e5df2cdeb23bd345276917a3e11dfbc43003d83899623e59eaece5ab5cd80.jpg)
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STYLE ACMP ON/OFF INTRO/ ENDING/rit. MAIN/ AUTO FILL![YAMAHA EZ-200 - Press the [INTRO/ENDING/rit.] button. - 2](/content/2025/01/114749/images/f296e29cb798bd4d8fa0d9d299651317d6bfafa38d09b408e1d51d8c19cf8475.jpg)
This switches to the ending section.
When the ending is finished, the auto accompaniment stops automatically. You can have the ending gradually slow down (ritardando) by pressing the [INTRO/ENDING/rit.] button again while the ending is playing back.
Adjusting the Style Volume
This procedure allows you to adjust the balance between Style playback and the notes you play on the keyboard by setting the volume of the playback sound.
1 Press the [STYLE] button.
2 Press the [FUNCTION] button a number of times until the "StyleVol" appears.


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Current Style volume setting STYLE 100 STYLEVol3 Set the Style volume by using the number buttons [0]–[9], [+], [-].
The range is from 0–127.

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① ② ③ ④ ⑤ ⑥ ⑦ ⑧ ⑨ - 0 + ---- RESET ....
- Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (100).
You've learned in the section "Play with a Style (Accompaniment)" on page 23 that the "feel" of the Style changes every time you play a chord on the left-hand side of the keyboard. Here, you'll learn the types of the chords and how to play them in greater detail. The examples of chords are given here in the key of C.
There are two basic ways (below) you can play the chords on the left-hand side of the keyboard, while playing the Style (page 24)
■ Easy Chords
Standard Chords
Split Point—default setting: 54 (F#2)

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36 48 60 72 84 96Easy Chords
This method lets you easily play chords in the accompaniment range of the keyboard using only one, two, or three fingers.
C

• To play a major chord Press the root note of the chord.
C7

• To play a seventh chord Press the root note together with the nearest white key to the left of it.
Cm

• To play a minor chord Press the root note together with the nearest black key to the left of it.
Cm7

- To play a minor seventh chord Press the root note together with the nearest white and black keys to the left of it (three keys altogether).
NOTE
- Root notes and the corresponding keys
Accompaniment range

Standard Chords
This method lets you produce accompaniment by playing chords using normal fingerings in the accompaniment range of the keyboard.
C

C(9)

C6

C_6(9)

CM7

CM7(9)

CM7(#11)

C(b5)

CM7b5

Csus4

Cauq

CM7aug

Cm

Cm(9)

Cm_6

Cm7

Cm_7(9)

Cm_7^(11)

CmMz

CmM_7(9)

Cm_7^b5

CmM7b5

Cdim

Cdim7

C7

C7(b9)

C7(b13)

C7(9)

C7 (#11)

C7(13)

C7(#9)

C7b5

C7aug

C7sus4

C1+2+5

* Notes enclosed in parentheses are optional; the chords will be recognized without them.
● Recognized Standard Chords Chart
| Chord Name/[Abbreviation] | Normal Voicing | Chord (C) | Display |
| Major [M] | 1 - 3 - 5 | C | C |
| Add ninth [(9)] | 1 - 2 - 3 - 5 | C(9) | C(9) |
| Sixth [6] | 1 - (3) - 5 - 6 | C6 | C6 |
| Sixth ninth [6(9)] | 1 - 2 - 3 - (5) - 6 | C6(9) | C6(9) * |
| Major seventh [M7] | 1 - 3 - (5) - 7 or1 - (3) - 5 - 7 | CM7 | CM7 |
| Major seventh ninth [M7(9)] | 1 - 2 - 3 - (5) - 7 | CM7(9) | CM7(9) * |
| Major seventh add sharp eleventh [M7(#11)] | 1 - (2) - 3 - #4 - 5 - 7 or1 - 2 - 3 - #4 - (5) - 7 | CM7(#11) | CM7(#11)* |
| Flatted fifth [(b5)] | 1 - 3 - b5 | C(b5) | Cb5 * |
| Major seventh flatted fifth [M7b5] | 1 - 3 - b5 - 7 | CM7b5 | CM7b5 * |
| Suspended fourth [sus4] | 1 - 4 - 5 | Csus4 | Csus4 |
| Augmented [aug] | 1 - 3 - #5 | Caug | Caug |
| Major seventh augmented [M7aug] | 1 - (3) - #5 - 7 | CM7aug | CM7aug * |
| Minor [m] | 1 - b3 - 5 | Cm | Cm |
| Minor add ninth [m(9)] | 1 - 2 - b3 - 5 | Cm(9) | Cm(9) |
| Minor sixth [m6] | 1 - b3 - 5 - 6 | Cm6 | Cm6 |
| Minor seventh [m7] | 1 - b3 - (5) - b7 | Cm7 | Cm7 |
| Minor seventh ninth [m7(9)] | 1 - 2 - b3 - (5) - b7 | Cm7(9) | Cm7(9) |
| Minor seventh add eleventh [m7(11)] | 1 - (2) - b3 - 4 - 5 - (b7) | Cm7(11) | Cm7(11) * |
| Minor major seventh [mM7] | 1 - b3 - (5) - 7 | CmM7 | CmM7 |
| Minor major seventh ninth [mM7(9)] | 1 - 2 - b3 - (5) - 7 | CmM7(9) | CmM7(9) * |
| Minor seventh flatted fifth [m7b5] | 1 - b3 - b5 - b7 | Cm7b5 | Cm7b5 |
| Minor major seventh flatted fifth [mM7b5] | 1 - b3 - b5 - 7 | CmM7b5 | CmM7b5 * |
| Diminished [dim] | 1 - b3 - b5 | Cdim | Cdim |
| Diminished seventh [dim7] | 1 - b3 - b5 - 6 | Cdim7 | Cdim7 |
| Seventh [7] | 1 - 3 - (5) - b7 or1 - (3) - 5 - b7 | C7 | C7 |
| Seventh flatted ninth [7(b9)] | 1 - b2 - 3 - (5) - b7 | C7(b9) | C7(b9) |
| Seventh add flatted thirteenth [7(b13)] | 1 - 3 - 5 - b6 - b7 | C7(b13) | C7(b13) |
| Seventh ninth [7(9)] | 1 - 2 - 3 - (5) - b7 | C7(9) | C7(9) |
| Seventh add sharp eleventh [7(#11)] | 1 - (2) - 3 - #4 - 5 - b7 or1 - 2 - 3 - #4 - (5) - b7 | C7(#11) | C7(#11) |
| Seventh add thirteenth [7(13)] | 1 - 3 - (5) - 6 - b7 | C7(13) | C7(13) |
| Seventh sharp ninth [7(#9)] | 1 - #2 - 3 - (5) - b7 | C7(#9) | C7(#9) |
| Seventh flatted fifth [7b5] | 1 - 3 - b5 - b7 | C7b5 | C7b5 * |
| Seventh augmented [7aug] | 1 - 3 - #5 - b7 | C7aug | C7aug |
| Seventh suspended fourth [7sus4] | 1 - 4 - (5) - b7 | C7sus4 | C7sus4 |
| One plus two plus five [1+2+5] | 1 - 2 - 5 | C1+2+5 | C * |

• Notes in parentheses can be omitted.
- Playing two same root keys in the adjacent octaves produces accompaniment based only on the root.
- A perfect fifth (1+5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords.
- The chord fingerings listed are all in “root” position, but other inversions can be used—with the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), 1+2+5
- Inversion of the 7sus4 and m7(11) chords are not recognized if the notes shown in parentheses are omitted.
- The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh).
- Two-note fingerings will produce a chord based on the previously played chord.
* These chords are not shown in the Chord Dictionary function.
Looking up Chords Using the Chord Dictionary
The Dictionary function is essentially a built-in “chord dictionary” that shows you the individual notes of chords. It is ideal when you know the name of a certain chord and want to quickly learn how to play it.
1 Press and hold the [WAITING] button for longer than a second.
“Dict.” will appear in the display.

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WAITING CHORD DICT. SONG DICTIONA Hold for longer than a second. → SONG Dict.2 As an example, we'll learn how to play a GM7 (G major seventh) chord. Press the “G” key in the section of the keyboard labeled “ROOT.” (The note doesn't sound.) The root note you set is shown in the display.

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Keys which you should play will light Keys for chord type dictionary Keys for root dictionary
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ROOT > C G
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SONG Dict. 8va 6 L R MEASURE -03 TOUCH3 Press the “M7” (major seventh) key in the section of the keyboard labeled “CHORD TYPE.” (The note doesn’t sound.) The notes you should play for the specified chord (root note and chord type) are shown in the display as notation, and the keys which you should play will light.

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CHORD TYPE>M M7
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Notation of chord SONG Dict. 8va 6 M7 MEASURE -03 TOUCH Chord name (root and type)
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Keys for GM7 chord4 Try playing a chord in the auto accompaniment section of the keyboard, checking the indications in the display. When you've played the chord properly, a bell sound signals your success and the chord name in the display flashes.
To call up possible inversions of the chord, press the [+]/[-] buttons.

- Major chords are usually indicated by the root name only. For example, the indication "C" in a score refers to a "C Major" chord. To look up the fingering for a major chord press the root key and then the M chord type key.
■ About chords
Playing two or more notes together simultaneously creates a “chord.”
Playing a note together with two other notes spaced three notes (steps) apart—such as the notes C, E and G—creates a harmonious sound. Chords like these are called “triads” and they play an important role in most music.

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3rd 8 Root 3rdTaking the chord above as an example, the lowest note of this triad is called the “root note.” This is the central note sound, and it supports or anchors the rest of the notes chord.
You'll notice that the middle note of the chord above (E) is the third step in the succession of scale notes—C, D, then E. There are two types of “thirds” in chords: major thirds and minor thirds.
Major third—four half steps from the root

Minor third—three half steps from the root

We'll also alter the top note of our original chord and make three additional chords, as shown below. (The captions indicate the intervals between each of the notes.)
◆ Major chord

Minor chord

◆ Augmented chord

◆ Diminished chord

The basic characteristics of the chord sound are same, no matter if we change the order of the notes from bottom to top, or if we add other same name notes in different octaves. Beautiful sounding harmonies can be built in this manner, and emotional music can be created by playing different chords one after the other according to commonly accepted rules. Harmony determines the nature of chords, and music is created based on harmony.
- Chord names
From the chord name, you can tell at a glance what type of chord it is and which notes make up the chord. Understanding the basic structure of chords is very useful—once you’re familiar with this, you’ll be quickly and easily play chords by looking at the names that appear above the notation.

- Chord types (These chords are among those that can be recognized by the Fingered method.)
Suspended 4 ^th

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Csus4 Perfect 5th Perfect 4th7 ^th

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C7 [8] Flatted 7th Major chordMinor 7 ^th

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Cm7 Flatted 7th Minor chordMajor 7 ^th

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Cm7 Major 7th Major chordMinor/major 7 ^th

7^th , flatted 5^th

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C7^(1/5) Flatted 5th 7th chordMinor 7 ^th , flattened 5 ^th

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Cm7^(b-5) Flatted 5th Minor 7th chord7^th , suspended 4^th

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C7sus4 Flatted 7th Suspended 4th chordThe [FUNCTION] button gives you access to a variety of operations related to adjusting or enhancing the sound and making settings for connection to external devices.
Select the item and change the value
There are 19 different items that can be set.
1 Press the [FUNCTION] button a number of times until desired item appears.
Each time the [FUNCTION] button is pressed 19 function items are displayed in sequence. The description and display sample is provided on the Function Setting List on the next page.
You can select the setting items in reverse order by simultaneously holding down the [FUNCTION] button and pressing the [-] button repeatedly.
![YAMAHA EZ-200 - Press the [FUNCTION] button a number of times until desired item appears. - 1](/content/2025/01/114749/images/e6fa3438f0210d8b25a17f96e54c2e51da42acfaa97a8048b25644af07c7c05d.jpg)
![YAMAHA EZ-200 - Press the [FUNCTION] button a number of times until desired item appears. - 2](/content/2025/01/114749/images/b08582073b1a4107c2791414c9abbc6d3b0c229aa80e3a4f9318de16f321bf2f.jpg)
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SONG 054 SplitPrt Value Function item2 Set the value by using the number buttons [0]–[9], [+], [-].
For on/off settings, use [+]/[-] buttons.
For certain items, you can instantly restore the setting to the default value by simultaneously pressing the [+] and [-] buttons.
![YAMAHA EZ-200 - Set the value by using the number buttons [0]–[9], [+], [-]. - 1](/content/2025/01/114749/images/775430221db3714cc3af6a93d053289edc8370f72f8881e1f3fa48ae50539580.jpg)
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1 2 3 4 5 6 7 8 9 - 0 + ....RESET...● Function Setting List
| Item | Display | Range/settings | Description |
| Style Volume | StyleVol | 000-127 | Determines the volume of the Style. |
| Song Volume | SongVol | 000-127 | Determines the volume of the Song. |
| Transpose | TransPos | -12-00-12 | Determines the pitch of the instrument by semitone increments. |
| Tuning | Tuning | -100-000-100 | Sets the pitch of the instrument's sound in 1-cent increments. |
| Split Point | SplitPnt | 000-127(C-2-G8) | Sets the Split "point"—in other words, the key that separates the auto accompaniment range and Main voice. |
| Touch Sensitivity | TouchSns | 1-3 | Determines the sensitivity of the touch response.Default is 2. |
| Reverb On/Off | on Reverb | ON/OFF | Determines the On/Off status of the Reverb effect. |
| Reverb Type | Reverb | 01-10 | Determines the Reverb type.Refer to the Reverb Type list on page 67. |
| Reverb Level | RevLevel | 000-127 | Determines how much of the Voice's signal is sent to the Reverb effect. |
| Panel Sustain | Sustain | ON/OFF | Determines whether or not Panel Sustain is always applied to the Main voice. Panel Sustain is applied continuously when ON, or not applied when OFF. |
| Main Voice Volume | M.Volume | 000-127 | Determines the volume of the Main Voice. |
| Main Voice Octave | M.Octave | -2-0-2 | Determines the octave range for the Main Voice. |
| Local On/Off | Local | ON/OFF | Determines whether the instrument's keyboard controls the internal tone generator (ON) or not (OFF). |
| External Clock | ExtClock | ON/OFF | Determines whether the instrument synchronizes to the internal clock (OFF) or an external clock (ON). |
| Initial Setup Send | InitSend | YES/NO | Lets you send the data of the panel settings. Use the [+] button to transmit the data. |
| Time Signature Numerator | TimeSign | 00-60 | Determines the time signature of the Metronome. |
| Time Signature Denominator | TimeSigD | 02 (♪), 04 (♪), 08 (♪),16 (♪) | Determines the basic note value. |
| Metronome Volume | MetroVol | 000-127 | Determines the volume of the Metronome. |
| Demo Cancel | D-Cancel | ON/OFF | Determines whether Demo cancel is enabled or not. When this is set to ON, the Demo Song will not play, even if the [DEMO] button is pressed. |
The instrument features a MIDI terminals that can be connected to other MIDI instruments and devices for expanded musical functionality.
What is MIDI?
MIDI (Musical Instrument Digital Interface) is a world-standard interface for communication between electronic musical instruments and music devices. When MIDI-equipped instruments are connected via a MIDI cable, it becomes possible to transfer performance and setting data between them for significantly enhanced performance and production potential.

CAUTION
- Connect the EZ-200 to external equipment only after turning off power for all devices. Then, turn on the power, first to the EZ-200, then to the connected external equipment.
What You Can Do With MIDI
- Transferring performance and setting data between the EZ-200 and MIDI-equipped instruments or computers. (page 55)
Transferring Performance Data To and From Another Instrument
By connecting the EZ-200 to other MIDI devices or a computer, the performance data of the instrument can be used on those other MIDI devices or computer, and also the performance data from other MIDI devices and computer can be received and sounded with the EZ-200.
- When the instrument is connected with another MIDI device, it transmits/receives performance data.

flowchart
graph LR
A["EZ-200"] -->|MIDI OUT| B["MIDI device"]
A -->|MIDI IN| C["MIDI device"]
A -->|MIDI OUT| D["MIDI device"]
A -->|MIDI IN| E["MIDI device"]
A -->|MIDI OUT| F["MIDI device"]
- When the instrument is connected with a computer, it transmits/receives performance data.

flowchart
graph TD
A["Computer"] --> B["USB"]
B --> C["USB"]
C --> D["A USB-MIDI interface (such as the Yamaha UX16)"]
D --> E["MIDI IN"]
D --> F["MIDI OUT"]
E --> G["EZ-200"]
F --> G
G --> H["Switch"]
H --> I["Switch"]
I --> J["Switch"]
J --> K["Switch"]
K --> L["Switch"]
L --> M["Switch"]
M --> N["Switch"]
N --> O["Switch"]
O --> P["Switch"]
P --> Q["Switch"]
Q --> R["Switch"]
R --> S["Switch"]
S --> T["Switch"]
T --> U["Switch"]
U --> V["Switch"]
V --> W["Switch"]
W --> X["Switch"]
X --> Y["Switch"]
Y --> Z["Switch"]
A Yamaha UX16 or similar USB-MIDI interface (sold separately) will be necessary for MIDI connection between the EZ-200 and a USB-equipped computer.
Make sure to purchase a Yamaha UX16 or a quality USB-MIDI interface at a musical instrument store, computer store or electrical appliance store.
If you use the UX16 interface, install the driver supplied with the interface on your computer.

- When using a computer, special software (sequencer software) is needed.
■ MIDI settings
These settings should be made when transmitting/receiving performance data to a connected MIDI device or computer.
Local Settings
Local Control determines whether or not notes played on the instrument are sounded by its internal tone generator system; the internal tone generator is active when local control is on, and inactive when local control is off.
On ...... This is the normal setting in which notes played on the instrument's keyboard are sounded by the internal tone generator system. Data received via the instrument's MIDI terminal will also be played by the internal tone generator.
Off ...... With this setting the instrument itself produces no sound (keyboard performance, or Style playback), but the performance data is transmitted via the MIDI terminal. Data received via the instrument’s MIDI terminal will be played by the internal tone generator.
You can set the Local Control in the Function Settings (page 53).
External Clock Settings
These settings determine whether the instrument is synchronized to its own internal clock (OFF), or to a clock signal from an external device (ON).
On...... The instrument's time based functions will be synchronized to the clock from an external device connected to the MIDI terminal.
Off ...... The instrument uses its own internal clock (default).
You can set the External Clock in the Function Settings (page 53).
EZ-200 Panel Setting Transmission (Initial Send)
Sends the EZ-200 panel settings to an external MIDI device.
When recording a EZ-200 performance to an external computer, sequencer or similar equipment, you can use this function to send the current EZ-200 panel settings so that when the sequence is played back the original panel settings are automatically restored.
You can set Initial Send in the Function settings (page 53).
CAUTION
- If you can't get any sound out of the instrument, Local Control may be the most likely cause. Playing the keyboard results in no sound when Local is set to OFF.
CAUTION
- If External Clock is ON and no clock signal is being received from an external device, the Song, Style, and metronome functions will not start.
| Problem | Possible Cause and Solution |
| When the instrument is turned on or off, a popping sound is temporarily produced. | This is normal and indicates that the instrument is receiving electrical power. |
| When using a mobile phone, noise is produced. | Using a mobile phone in close proximity to the instrument may produce interference. To prevent this, turn off the mobile phone or use it further away from the instrument. |
| There is no sound even when the keyboard is played or when a Song or Style is being played back. | Check that nothing is connected to the PHONES/OUTPUT jack on the rear panel. When a set of headphones is plugged into this jack, no sound is output. |
| Check the Local Control on/off. (See page 56, 53.) | |
| Playing keys in the right hand area of the keyboard does not produce any sound. | When using the Dictionary function (page 50), the keys in the right hand area are used only for entering the chord root and type. |
| The volume is too soft.The sound quality is poor.The rhythm stops unexpectedly or will not play.All settings have restored to default.The Song, etc. does not play correctly. | The batteries are low or dead. Replace all six batteries with completely new ones, or use the optional AC adaptor. |
| The Style or Song does not play back when the [START/STOP] button is pressed. | Is External Clock set to ON? Make sure External Clock is set to OFF; refer to “External Clock Settings” on page 56, 53. |
| The Style does not sound properly. | Make sure that the Style Volume (page 47) is set to an appropriate level. |
| Is the Split Point set at an appropriate key for the cords you are playing? Set the Split Point at an appropriate key (page 36). Is the “ACMP ON” indicator showing in the display? If it is not showing press the [ACMP ON/OFF] button so that it does show. | |
| No rhythm accompaniment plays when the [START/STOP] button is pressed after selecting Style number 093-100 (Pianist). | This is not a malfunction. Style number 093-100 (Pianist) have no rhythm parts, so no rhythm will play. The other parts will begin playing when you play a chord in the accompaniment range of the keyboard if auto accompaniment is turned on. |
| Not all of the voices seem to sound, or the sound seems to be cut off. | The instrument is polyphonic up to a maximum of 32 notes. If a style or Song is playing back at the same time, some notes/sounds may be omitted (or “stolen”) from the accompaniment or Song. |
| The footswitch (for sustain) seems to produce the opposite effect. For example, pressing the footswitch cuts off the sound and releasing it sustains the sounds. | The polarity of the footswitch is reversed. Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power. |
| The ACMP ON indicator does not appear when the [ACMP ON/OFF] button is pressed. | Always press the [STYLE] button first when you are going to use any style-related function. |
| The part indications, such as Right, Left and Both Hands, do not appear—even when pressing the [R] or [L] buttons for the Lesson. | Make sure that you are not pressing the [R] or [L] buttons while the Song is playing. If you press one of the part buttons while playing the Song and before starting the Lesson, these buttons serve to mute the corresponding Song tracks. Stop the Song first, then select the desired part and start the Lesson. |
| The sound of the voice changes from note to note. | The AWM tone generation method uses multiple recordings (samples) of an instrument across the range of the keyboard; thus, the actual sound of the voice may be slightly different from note to note. |
■ Maximum Polyphony
The instrument has 32-note maximum polyphony. This means that it can play a maximum of up to 32 notes at once, regardless of what functions are used. Auto accompaniment uses a number of the available notes, so when auto accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Song functions. If the maximum polyphony is exceeded, earlier played notes will be cut off and the most recent notes have priority (last note priority).

- The Voice List includes MIDI program change numbers for each voice. Use these program change numbers when playing the instrument via MIDI from an external device.
- Program Numbers 001 to 128 directly relate to MIDI Program Change Numbers 000 to 127. That is, Program Numbers and Program Change Numbers differ by a value of 1. Remember to take this into consideration.
- Some voices may sound continuously or have a long decay after the notes have been released while the sustain pedal (footswitch) is held.
Panel Voice List
| Voice No. | Bank Select | MIDI Program Change# (1-128) | Voice Name | |
| MSB (0-127) | LSB (0-127) | |||
| PIANO | ||||
| 001 | 0 | 112 | 1 | Grand Piano1 |
| 002 | 0 | 0 | 1 | Grand Piano2 |
| 003 | 0 | 0 | 2 | Bright Piano |
| 004 | 0 | 0 | 4 | Honky-tonk Piano |
| 005 | 0 | 0 | 7 | Harpsichord |
| E.PIANO | ||||
| 006 | 0 | 0 | 5 | Electric Piano 1 |
| 007 | 0 | 0 | 6 | Electric Piano 2 |
| 008 | 0 | 0 | 3 | Electric Grand Piano |
| 009 | 0 | 0 | 8 | Clavi |
| ORGAN | ||||
| 010 | 0 | 0 | 17 | Drawbar Organ |
| 011 | 0 | 0 | 18 | Percussive Organ |
| 012 | 0 | 0 | 19 | Rock Organ |
| 013 | 0 | 0 | 20 | Church Organ |
| 014 | 0 | 0 | 21 | Reed Organ |
| ACCORDION | ||||
| 015 | 0 | 0 | 22 | Accordion |
| 016 | 0 | 0 | 24 | Tango Accordion |
| 017 | 0 | 0 | 23 | Harmonica |
| GUITAR | ||||
| 018 | 0 | 0 | 25 | Nylon Guitar |
| 019 | 0 | 0 | 26 | Steel Guitar |
| 020 | 0 | 0 | 27 | Jazz Guitar |
| 021 | 0 | 0 | 28 | Clean Guitar |
| 022 | 0 | 0 | 29 | Muted Guitar |
| 023 | 0 | 0 | 30 | Overdriven Guitar |
| 024 | 0 | 0 | 31 | Distortion Guitar |
| 025 | 0 | 0 | 32 | Guitar Harmonics |
| BASS | ||||
| 026 | 0 | 0 | 33 | Acoustic Bass |
| 027 | 0 | 0 | 34 | Finger Bass |
| 028 | 0 | 0 | 35 | Pick Bass |
| 029 | 0 | 0 | 36 | Fretless Bass |
| 030 | 0 | 0 | 37 | Slap Bass 1 |
| 031 | 0 | 0 | 38 | Slap Bass 2 |
| Voice No. | Bank Select | MIDI Program Change# (1-128) | Voice Name | |
| MSB (0-127) | LSB (0-127) | |||
| 032 | 0 | 0 | 39 | Synth Bass 1 |
| 033 | 0 | 0 | 40 | Synth Bass 2 |
| STRINGS | ||||
| 034 | 0 | 0 | 49 | Strings 1 |
| 035 | 0 | 0 | 50 | Strings 2 |
| 036 | 0 | 0 | 51 | Synth Strings 1 |
| 037 | 0 | 0 | 52 | Synth Strings 2 |
| 038 | 0 | 0 | 45 | Tremolo Strings |
| 039 | 0 | 0 | 46 | Pizzicato Strings |
| 040 | 0 | 0 | 41 | Violin |
| 041 | 0 | 0 | 42 | Viola |
| 042 | 0 | 0 | 43 | Cello |
| 043 | 0 | 0 | 44 | Contrabass |
| 044 | 0 | 0 | 47 | Orchestral Harp |
| 045 | 0 | 0 | 56 | Orchestra Hit |
| CHOIR | ||||
| 046 | 0 | 0 | 53 | Choir Aahs |
| 047 | 0 | 0 | 54 | Voice Oohs |
| 048 | 0 | 0 | 55 | Synth Voice |
| SAXOPHONE | ||||
| 049 | 0 | 0 | 67 | Tenor Sax |
| 050 | 0 | 0 | 66 | Alto Sax |
| 051 | 0 | 0 | 65 | Soprano Sax |
| 052 | 0 | 0 | 68 | Baritone Sax |
| 053 | 0 | 0 | 69 | Oboe |
| 054 | 0 | 0 | 72 | Clarinet |
| 055 | 0 | 0 | 70 | English Horn |
| 056 | 0 | 0 | 71 | Bassoon |
| TRUMPET | ||||
| 057 | 0 | 0 | 57 | Trumpet |
| 058 | 0 | 0 | 60 | Muted Trumpet |
| 059 | 0 | 0 | 58 | Trombone |
| 060 | 0 | 0 | 61 | French Horn |
| 061 | 0 | 0 | 59 | Tuba |
| BRASS | ||||
| 062 | 0 | 0 | 62 | Brass Section |
| 063 | 0 | 0 | 63 | Synth Brass 1 |
| 064 | 0 | 0 | 64 | Synth Brass 2 |
| FLUTE | ||||
| 065 | 0 | 0 | 74 | Flute |
| 066 | 0 | 0 | 73 | Piccolo |
| 067 | 0 | 0 | 76 | Pan Flute |
| 068 | 0 | 0 | 75 | Recorder |
| 069 | 0 | 0 | 77 | Blown Bottle |
| 070 | 0 | 0 | 78 | Shakuhachi |
| 071 | 0 | 0 | 79 | Whistle |
| 072 | 0 | 0 | 80 | Ocarina |
| SYNTH LEAD | ||||
| 073 | 0 | 0 | 81 | Square Lead |
| 074 | 0 | 0 | 82 | Sawtooth Lead |
| 075 | 0 | 0 | 83 | Calliope Lead |
| 076 | 0 | 0 | 84 | Chiff Lead |
| 077 | 0 | 0 | 85 | Charang Lead |
| 078 | 0 | 0 | 86 | Voice Lead |
| 079 | 0 | 0 | 87 | Fifths Lead |
| 080 | 0 | 0 | 88 | Bass & Lead |
| SYNTH PAD | ||||
| 081 | 0 | 0 | 89 | New Age Pad |
| 082 | 0 | 0 | 90 | Warm Pad |
| 083 | 0 | 0 | 91 | Poly Synth Pad |
| 084 | 0 | 0 | 92 | Choir Pad |
| 085 | 0 | 0 | 93 | Bowed Pad |
| 086 | 0 | 0 | 94 | Metallic Pad |
| 087 | 0 | 0 | 95 | Halo Pad |
| 088 | 0 | 0 | 96 | Sweep Pad |
| PERCUSSION | ||||
| 089 | 0 | 0 | 12 | Vibraphone |
| 090 | 0 | 0 | 13 | Marimba |
| 091 | 0 | 0 | 14 | Xylophone |
| 092 | 0 | 0 | 115 | Steel Drums |
| 093 | 0 | 0 | 9 | Celesta |
| 094 | 0 | 0 | 11 | Music Box |
| 095 | 0 | 0 | 15 | Tubular Bells |
| 096 | 0 | 0 | 48 | Timpani |
| 097 | 0 | 0 | 10 | Glockenspiel |
| 098 | 0 | 0 | 113 | Tinkle Bell |
| 099 | 0 | 0 | 114 | Agogo |
| 100 | 0 | 0 | 116 | Woodblock |
| 101 | 0 | 0 | 117 | Taiko Drum |
| 102 | 0 | 0 | 118 | Melodic Tom |
| 103 | 0 | 0 | 119 | Synth Drum |
| 104 | 0 | 0 | 120 | Reverse Cymbal |
| SYNTH EFFECTS | ||||
| 105 | 0 | 0 | 97 | Rain |
| 106 | 0 | 0 | 98 | Sound Track |
| 107 | 0 | 0 | 99 | Crystal |
| 108 | 0 | 0 | 100 | Atmosphere |
| Voice No. | Bank Select | MIDI Program Change# (1-128) | Voice Name | |
| MSB (0-127) | LSB (0-127) | |||
| 109 | 0 | 0 | 101 | Brightness |
| 110 | 0 | 0 | 102 | Goblins |
| 111 | 0 | 0 | 103 | Echoes |
| 112 | 0 | 0 | 104 | Sci-Fi |
| WORLD | ||||
| 113 | 0 | 0 | 105 | Sitar |
| 114 | 0 | 0 | 16 | Dulcimer |
| 115 | 0 | 0 | 106 | Banjo |
| 116 | 0 | 0 | 107 | Shamisen |
| 117 | 0 | 0 | 108 | Koto |
| 118 | 0 | 0 | 109 | Kalimba |
| 119 | 0 | 0 | 110 | Bagpipe |
| 120 | 0 | 0 | 111 | Fiddle |
| 121 | 0 | 0 | 112 | Shanai |
| SOUND EFFECTS | ||||
| 122 | 0 | 0 | 121 | Fret Noise |
| 123 | 0 | 0 | 122 | Breath Noise |
| 124 | 0 | 0 | 123 | Seashore |
| 125 | 0 | 0 | 124 | Bird Tweet |
| 126 | 0 | 0 | 125 | Telephone Ring |
| 127 | 0 | 0 | 126 | Helicopter |
| 128 | 0 | 0 | 127 | Applause |
| 129 | 0 | 0 | 128 | Gunshot |
| DRUM KITS | ||||
| 130 | 127 | 0 | 1 | Standard Kit 1 |
| 131 | 127 | 0 | 2 | Standard Kit 2 |
| 132 | 127 | 0 | 9 | Room Kit |
| 133 | 127 | 0 | 17 | Rock Kit |
| 134 | 127 | 0 | 25 | Electronic Kit |
| 135 | 127 | 0 | 26 | Analog Kit |
| 136 | 127 | 0 | 28 | Dance Kit |
| 137 | 127 | 0 | 33 | Jazz Kit |
| 138 | 127 | 0 | 41 | Brush Kit |
| 139 | 127 | 0 | 49 | Symphony Kit |
| 140 | 126 | 0 | 1 | SFX Kit 1 |
| 141 | 126 | 0 | 2 | SFX Kit 2 |
| 142 | 126 | 0 | 113 | Sound Effect Kit |
| XGlite | ||||
| 143 | 0 | 1 | 1 | Grand Piano KSP |
| 144 | 0 | 1 | 2 | Bright Piano KSP |
| 145 | 0 | 1 | 3 | Electric Grand Piano KSP |
| 146 | 0 | 1 | 4 | Honky-tonk Piano KSP |
| 147 | 0 | 1 | 5 | Electric Piano 1 KSP |
| 148 | 0 | 1 | 6 | Electric Piano 2 KSP |
| 149 | 0 | 1 | 7 | Harpsichord KSP |
| 150 | 0 | 1 | 8 | Clavi KSP |
| 151 | 0 | 1 | 12 | Vibraphone KSP |
| 152 | 0 | 1 | 13 | Marimba KSP |
| 153 | 0 | 3 | 49 | Stereo Strings |
| 154 | 0 | 3 | 50 | Stereo Slow Strings |
| 155 | 0 | 3 | 53 | Stereo Choir |
| 156 | 0 | 6 | 40 | Mellow Synth Bass |
| 157 | 0 | 6 | 61 | French Horn Solo |
| 158 | 0 | 6 | 81 | Square Lead 2 |
| 159 | 0 | 6 | 82 | Sawtooth Lead 2 |
| 160 | 0 | 8 | 41 | Slow Violin |
| 161 | 0 | 8 | 45 | Slow Tremolo Strings |
| 162 | 0 | 8 | 49 | Slow Strings |
| 163 | 0 | 8 | 50 | Legato Strings |
| 164 | 0 | 8 | 81 | LM Square |
| 165 | 0 | 8 | 82 | Thick Sawtooth |
| 166 | 0 | 12 | 40 | Sequenced Bass |
| 167 | 0 | 12 | 99 | Synth Drum Comp |
| 168 | 0 | 14 | 99 | Popcorn |
| 169 | 0 | 16 | 88 | Big & Low |
| 170 | 0 | 18 | 34 | Finger Dark |
| 171 | 0 | 18 | 40 | Click Synth Bass |
| 172 | 0 | 18 | 58 | Trombone 2 |
| 173 | 0 | 18 | 64 | Soft Brass |
| 174 | 0 | 18 | 81 | Hollow |
| 175 | 0 | 18 | 82 | Dynamic Sawtooth |
| 176 | 0 | 18 | 99 | Tiny Bells |
| 177 | 0 | 18 | 100 | Warm Atmosphere |
| 178 | 0 | 19 | 40 | Synth Bass 2 Dark |
| 179 | 0 | 19 | 81 | Shroud |
| 180 | 0 | 19 | 82 | Digital Sawtooth |
| 181 | 0 | 19 | 100 | Hollow Release |
| 182 | 0 | 20 | 63 | Resonant Synth Brass |
| 183 | 0 | 20 | 82 | Big Lead |
| 184 | 0 | 24 | 18 | 70's Percussive Organ |
| 185 | 0 | 27 | 98 | Prologue |
| 186 | 0 | 28 | 35 | Muted Pick Bass |
| 187 | 0 | 28 | 106 | Muted Banjo |
| 188 | 0 | 32 | 3 | Detuned CP80 |
| 189 | 0 | 32 | 5 | Chorus Electric Piano 1 |
| 190 | 0 | 32 | 6 | Chorus Electric Piano 2 |
| 191 | 0 | 32 | 17 | Detuned Drawbar Organ |
| 192 | 0 | 32 | 18 | Detuned Percussive Organ |
| 193 | 0 | 32 | 20 | Church Organ 3 |
| 194 | 0 | 32 | 23 | Harmonica 2 |
| 195 | 0 | 32 | 27 | Jazz Amp |
| 196 | 0 | 32 | 28 | Chorus Guitar |
| 197 | 0 | 32 | 36 | Fretless Bass 2 |
| 198 | 0 | 32 | 37 | Punch Thumb Bass |
| Voice No. | Bank Select | MIDI Program Change# (1-128) | Voice Name | |
| MSB (0-127) | LSB (0-127) | |||
| 199 | 0 | 32 | 53 | Mellow Choir |
| 200 | 0 | 32 | 57 | Warm Trumpet |
| 201 | 0 | 32 | 61 | French Horn 2 |
| 202 | 0 | 32 | 105 | Detuned Sitar |
| 203 | 0 | 33 | 17 | 60's Drawbar Organ 1 |
| 204 | 0 | 33 | 18 | Light Organ |
| 205 | 0 | 33 | 36 | Fretless Bass 3 |
| 206 | 0 | 34 | 17 | 60's Drawbar Organ 2 |
| 207 | 0 | 34 | 36 | Fretless Bass 4 |
| 208 | 0 | 35 | 7 | Harpsichord 3 |
| 209 | 0 | 35 | 16 | Dulcimer 2 |
| 210 | 0 | 35 | 17 | 70's Drawbar Organ 1 |
| 211 | 0 | 35 | 20 | Church Organ 2 |
| 212 | 0 | 35 | 26 | 12-string Guitar |
| 213 | 0 | 35 | 49 | 60's Strings |
| 214 | 0 | 35 | 56 | Orchestra Hit 2 |
| 215 | 0 | 35 | 62 | Trumpet & Trombone Section |
| 216 | 0 | 35 | 87 | Big Five |
| 217 | 0 | 35 | 99 | Round Glockenspiel |
| 218 | 0 | 35 | 105 | Sitar 2 |
| 219 | 0 | 37 | 17 | 60's Drawbar Organ 3 |
| 220 | 0 | 37 | 18 | Percussive Organ 2 |
| 221 | 0 | 37 | 61 | Horn Orchestra |
| 222 | 0 | 40 | 1 | Piano Strings |
| 223 | 0 | 40 | 17 | 16+2'2/3 |
| 224 | 0 | 40 | 20 | Notre Dame |
| 225 | 0 | 40 | 21 | Puff Organ |
| 226 | 0 | 40 | 26 | Nylon & Steel Guitar |
| 227 | 0 | 40 | 29 | Funk Guitar 1 |
| 228 | 0 | 40 | 31 | Feedback Guitar |
| 229 | 0 | 40 | 33 | Jazz Rhythm |
| 230 | 0 | 40 | 34 | Bass & Distorted Electric Guitar |
| 231 | 0 | 40 | 39 | Techno Synth Bass |
| 232 | 0 | 40 | 40 | Modular Synth Bass |
| 233 | 0 | 40 | 45 | Suspense Strings |
| 234 | 0 | 40 | 47 | Yang Chin |
| 235 | 0 | 40 | 49 | Orchestra |
| 236 | 0 | 40 | 50 | Warm Strings |
| 237 | 0 | 40 | 53 | Choir Strings |
| 238 | 0 | 40 | 55 | Synth Voice 2 |
| 239 | 0 | 40 | 66 | Sax Section |
| 240 | 0 | 40 | 67 | Breathy Tenor Sax |
| 241 | 0 | 40 | 99 | Glockenspiel Chimes |
| 242 | 0 | 40 | 100 | Nylon Electric Piano |
| 243 | 0 | 41 | 1 | Dream |
| 244 | 0 | 41 | 6 | DX + Analog Electric Piano |
| 245 | 0 | 41 | 26 | Steel Guitar with Body Sound |
| 246 | 0 | 41 | 29 | Muted Steel Guitar |
| 247 | 0 | 41 | 31 | Feedback Guitar 2 |
| 248 | 0 | 41 | 40 | DX Bass |
| 249 | 0 | 41 | 49 | Orchestra 2 |
| 250 | 0 | 41 | 50 | Kingdom |
| 251 | 0 | 41 | 55 | Choral |
| 252 | 0 | 41 | 64 | Choir Brass |
| 253 | 0 | 41 | 99 | Clear Bells |
| 254 | 0 | 42 | 49 | Tremolo Orchestra |
| 255 | 0 | 42 | 99 | Chorus Bells |
| 256 | 0 | 43 | 25 | Velocity Guitar Harmonics |
| 257 | 0 | 43 | 30 | Guitar Pinch |
| 258 | 0 | 43 | 34 | Finger Slap Bass |
| 259 | 0 | 43 | 38 | Velocity Switch Slap |
| 260 | 0 | 45 | 29 | Jazz Man |
| 261 | 0 | 45 | 33 | Velocity Crossfade Upright Bass |
| 262 | 0 | 45 | 34 | Finger Bass 2 |
| 263 | 0 | 45 | 49 | Velocity Strings |
| 264 | 0 | 64 | 11 | Orgel |
| 265 | 0 | 64 | 13 | Sine Marimba |
| 266 | 0 | 64 | 17 | Organ Bass |
| 267 | 0 | 64 | 19 | Rotary Organ |
| 268 | 0 | 64 | 20 | Organ Flute |
| 269 | 0 | 64 | 24 | Tango Accordion 2 |
| 270 | 0 | 64 | 55 | Analog Voice |
| 271 | 0 | 64 | 56 | Impact |
| 272 | 0 | 64 | 81 | Mellow |
| 273 | 0 | 64 | 85 | Distorted Lead |
| 274 | 0 | 64 | 88 | Fat & Perky |
| 275 | 0 | 64 | 89 | Fantasy |
| 276 | 0 | 64 | 100 | Nylon Harp |
| 277 | 0 | 64 | 102 | Goblins Synth |
| 278 | 0 | 64 | 118 | Melodic Tom 2 |
| 279 | 0 | 64 | 119 | Analog Tom |
| 280 | 0 | 65 | 17 | 70's Drawbar Organ 2 |
| 281 | 0 | 65 | 19 | Slow Rotary |
| 282 | 0 | 65 | 20 | Tremolo Organ Flute |
| 283 | 0 | 65 | 32 | Guitar Feedback |
| 284 | 0 | 65 | 34 | Modulated Bass |
| 285 | 0 | 65 | 81 | Solo Sine |
| 286 | 0 | 65 | 83 | Pure Pad |
| 287 | 0 | 65 | 88 | Soft Whirl |
| 288 | 0 | 65 | 97 | African Wind |
| 289 | 0 | 65 | 99 | Soft Crystal |
| 290 | 0 | 65 | 100 | Harp Vox |
| Voice No. | Bank Select | MIDI Program Change# (1-128) | Voice Name | |
| MSB (0-127) | LSB (0-127) | |||
| 291 | 0 | 65 | 102 | Creeper |
| 292 | 0 | 65 | 118 | Real Tom |
| 293 | 0 | 65 | 119 | Electronic Percussion |
| 294 | 0 | 66 | 17 | Cheezy Organ |
| 295 | 0 | 66 | 19 | Fast Rotary |
| 296 | 0 | 66 | 32 | Guitar Harmonics 2 |
| 297 | 0 | 66 | 81 | Sine Lead |
| 298 | 0 | 66 | 92 | Itopia |
| 299 | 0 | 66 | 97 | Carib |
| 300 | 0 | 66 | 100 | Atmosphere Pad |
| 301 | 0 | 66 | 118 | Rock Tom |
| 302 | 0 | 67 | 17 | Drawbar Organ 3 |
| 303 | 0 | 67 | 102 | Ritual |
| 304 | 0 | 68 | 102 | To Heaven |
| 305 | 0 | 70 | 99 | Air Bells |
| 306 | 0 | 70 | 102 | Night |
| 307 | 0 | 71 | 99 | Bell Harp |
| 308 | 0 | 71 | 102 | Glisten |
| 309 | 0 | 72 | 99 | Gamelimba |
| 310 | 0 | 96 | 15 | Church Bells |
| 311 | 0 | 96 | 16 | Cimbalom |
| 312 | 0 | 96 | 25 | Ukulele |
| 313 | 0 | 96 | 26 | Mandolin |
| 314 | 0 | 96 | 82 | Sequenced Analog |
| 315 | 0 | 96 | 102 | Bell Choir |
| 316 | 0 | 96 | 106 | Rabab |
| 317 | 0 | 96 | 108 | Taisho-kin |
| 318 | 0 | 96 | 113 | Bonang |
| 319 | 0 | 96 | 116 | Castanets |
| 320 | 0 | 96 | 117 | Gran Cassa |
| 321 | 0 | 97 | 13 | Balimba |
| 322 | 0 | 97 | 15 | Carillon |
| 323 | 0 | 97 | 16 | Santur |
| 324 | 0 | 97 | 105 | Tamboura |
| 325 | 0 | 97 | 106 | Gopichant |
| 326 | 0 | 97 | 108 | Kanoon |
| 327 | 0 | 97 | 113 | Altair |
| 328 | 0 | 97 | 115 | Glass Percussion |
| 329 | 0 | 98 | 13 | Log Drums |
| 330 | 0 | 98 | 106 | Oud |
| 331 | 0 | 98 | 113 | Gamelan Gongs |
| 332 | 0 | 98 | 115 | Thai Bells |
| 333 | 0 | 99 | 113 | Stereo Gamelan Gongs |
| 334 | 0 | 100 | 113 | Rama Cymbal |
| 335 | 64 | 0 | 1 | Cutting Noise |
| 336 | 64 | 0 | 2 | Cutting Noise 2 |
| 337 | 64 | 0 | 4 | String Slap |
| 338 | 64 | 0 | 17 | Flute Key Click |
| 339 | 64 | 0 | 33 | Shower |
| 340 | 64 | 0 | 34 | Thunder |
| 341 | 64 | 0 | 35 | Wind |
| 342 | 64 | 0 | 36 | Stream |
| 343 | 64 | 0 | 37 | Bubble |
| 344 | 64 | 0 | 38 | Feed |
| 345 | 64 | 0 | 49 | Dog |
| 346 | 64 | 0 | 50 | Horse |
| 347 | 64 | 0 | 51 | Bird Tweet 2 |
| 348 | 64 | 0 | 56 | Maou |
| 349 | 64 | 0 | 65 | Phone Call |
| 350 | 64 | 0 | 66 | Door Squeak |
| 351 | 64 | 0 | 67 | Door Slam |
| 352 | 64 | 0 | 68 | Scratch Cut |
| 353 | 64 | 0 | 69 | Scratch Split |
| 354 | 64 | 0 | 70 | Wind Chime |
| 355 | 64 | 0 | 71 | Telephone Ring 2 |
| 356 | 64 | 0 | 81 | Car Engine Ignition |
| 357 | 64 | 0 | 82 | Car Tires Squeal |
| 358 | 64 | 0 | 83 | Car Passing |
| 359 | 64 | 0 | 84 | Car Crash |
| 360 | 64 | 0 | 85 | Siren |
| 361 | 64 | 0 | 86 | Train |
| 362 | 64 | 0 | 87 | Jet Plane |
| 363 | 64 | 0 | 88 | Starship |
| 364 | 64 | 0 | 89 | Burst |
| 365 | 64 | 0 | 90 | Roller Coaster |
| 366 | 64 | 0 | 91 | Submarine |
| 367 | 64 | 0 | 97 | Laugh |
| 368 | 64 | 0 | 98 | Scream |
| 369 | 64 | 0 | 99 | Punch |
| 370 | 64 | 0 | 100 | Heartbeat |
| 371 | 64 | 0 | 101 | Footsteps |
| 372 | 64 | 0 | 113 | Machine Gun |
| 373 | 64 | 0 | 114 | Laser Gun |
| 374 | 64 | 0 | 115 | Explosion |
| 375 | 64 | 0 | 116 | Firework |
- “ ” indicates that the drum sound is the same as “Standard Kit 1”.
• Each percussion voice uses one note. - The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example, in "Standard Kit 1", the "Seq Click H" (Note# 36/Note C1) corresponds to (Note# 24/Note C0).
• Key Off: Keys marked "O" stop sounding the instant they are released. - Voices with the same Alternate Note Number (*1 ... 4) cannot be played simultaneously. (They are designed to be played alternately with each other.)
| C1 | C#1 |
| D1 | D#1 |
| E1 | |
| F1 | F#1 |
| G1 | G#1 |
| A1 | Af1 |
| B1 | |
| C2 | C#2 |
| D2 | D#2 |
| E2 | |
| F2 | F#2 |
| G2 | G#2 |
| A2 | Af2 |
| B2 | |
| C3 | C#3 |
| D3 | D#3 |
| E3 | |
| F3 | F#3 |
| G3 | G#3 |
| A3 | Af3 |
| B3 | |
| C4 | C#4 |
| D4 | D#4 |
| E4 | |
| F4 | F#4 |
| G4 | G#4 |
| A4 | Af4 |
| B4 | |
| C5 | C#5 |
| D5 | D#5 |
| E5 | |
| F5 | F#5 |
| G5 | G#5 |
| A5 | Af5 |
| B5 | |
| C6 |
| Voice No. | 130 | 131 | 132 | 133 | 134 | |||||
| MSB(0-127) / LSB(0-127) / PC(1-128) | 127/0/1 | 127/0/2 | 127/0/9 | 127/0/17 | 127/0/25 | |||||
| Keyboard | MIDI | Key Off | Alternate Group | Standard Kit 1 | Standard Kit 2 | Room Kit | Rock Kit | Electronic Kit | ||
| Note# | Note | Note# | Note | |||||||
| 25 | C# 0 | 13 | C# -1 | 3 | Surdo Mute | |||||
| 26 | D 0 | 14 | D -1 | 3 | Surdo Open | |||||
| 27 | D# 0 | 15 | D# -1 | Hi Q | ||||||
| 28 | E 0 | 16 | E -1 | Whip Slap | ||||||
| 29 | F 0 | 17 | F -1 | 4 | Scratch Push | |||||
| 30 | F# 0 | 18 | F# -1 | 4 | Scratch Pull | |||||
| 31 | G 0 | 19 | G -1 | Finger Snap | ||||||
| 32 | G# 0 | 20 | G# -1 | Click Noise | ||||||
| 33 | A 0 | 21 | A -1 | Metronome Click | ||||||
| 34 | A# 0 | 22 | A# -1 | Metronome Bell | ||||||
| 35 | B 0 | 23 | B -1 | Seq Click L | ||||||
| 36 | C 1 | 24 | C 0 | Seq Click H | ||||||
| 37 | C# 1 | 25 | C# 0 | Brush Tap | ||||||
| 38 | D 1 | 26 | D 0 | O | Brush Swirl | |||||
| 39 | D# 1 | 27 | D# 0 | Brush Slap | ||||||
| 40 | E 1 | 28 | E 0 | O | Brush Tap Swirl | Reverse Cymbal | ||||
| 41 | F 1 | 29 | F 0 | O | Snare Roll | |||||
| 42 | F# 1 | 30 | F# 0 | Castanet | Hi Q 2 | |||||
| 43 | G 1 | 31 | G 0 | Snare H Soft | Snare H Soft 2 | SD Rock H | Snare L | |||
| 44 | G# 1 | 32 | G# 0 | Sticks | ||||||
| 45 | A 1 | 33 | A 0 | Bass Drum Soft | Bass Drum H | |||||
| 46 | A# 1 | 34 | A# 0 | Open Rim Shot | Open Rim Shot 2 | |||||
| 47 | B 1 | 35 | B 0 | Bass Drum Hard | Bass Drum H | BD Rock | ||||
| 48 | C 2 | 36 | C 1 | Bass Drum | Bass Drum 2 | BD Rock | BD Gate | |||
| 49 | C# 2 | 37 | C# 1 | Side Stick | ||||||
| 50 | D 2 | 38 | D 1 | Snare M | Snare M 2 | SD Room L | SD Rock L | SD Rock L | ||
| 51 | D# 2 | 39 | D# 1 | Hand Clap | ||||||
| 52 | E 2 | 40 | E 1 | Snare H Hard | Snare H Hard 2 | SD Room H | SD Rock Rim | SD Rock H | ||
| 53 | F 2 | 41 | F 1 | Floor Tom L | Room Tom 1 | Rock Tom 1 | E Tom 1 | |||
| 54 | F# 2 | 42 | F# 1 | 1 | Hi-Hat Closed | |||||
| 55 | G 2 | 43 | G 1 | Floor Tom H | Room Tom 2 | Rock Tom 2 | E Tom 2 | |||
| 56 | G# 2 | 44 | G# 1 | 1 | Hi-Hat Pedal | |||||
| 57 | A 2 | 45 | A 1 | Low Tom | Room Tom 3 | Rock Tom 3 | E Tom 3 | |||
| 58 | A# 2 | 46 | A# 1 | 1 | Hi-Hat Open | |||||
| 59 | B 2 | 47 | B 1 | Mid Tom L | Room Tom 4 | Rock Tom 4 | E Tom 4 | |||
| 60 | C 3 | 48 | C 2 | Mid Tom H | Room Tom 5 | Rock Tom 5 | E Tom 5 | |||
| 61 | C# 3 | 49 | C# 2 | Crash Cymbal 1 | ||||||
| 62 | D 3 | 50 | D 2 | High Tom | Room Tom 6 | Rock Tom 6 | E Tom 6 | |||
| 63 | D# 3 | 51 | D# 2 | Ride Cymbal 1 | ||||||
| 64 | E 3 | 52 | E 2 | Chinese Cymbal | ||||||
| 65 | F 3 | 53 | F 2 | Ride Cymbal Cup | ||||||
| 66 | F# 3 | 54 | F# 2 | Tambourine | ||||||
| 67 | G 3 | 55 | G 2 | Splash Cymbal | ||||||
| 68 | G# 3 | 56 | G# 2 | Cowbell | ||||||
| 69 | A 3 | 57 | A 2 | Crash Cymbal 2 | ||||||
| 70 | A# 3 | 58 | A# 2 | Vibraslap | ||||||
| 71 | B 3 | 59 | B 2 | Ride Cymbal 2 | ||||||
| 72 | C 4 | 60 | C 3 | Bongo H | ||||||
| 73 | C# 4 | 61 | C# 3 | Bongo L | ||||||
| 74 | D 4 | 62 | D 3 | Conga H Mute | ||||||
| 75 | D# 4 | 63 | D# 3 | Conga H Open | ||||||
| 76 | E 4 | 64 | E 3 | Conga L | ||||||
| 77 | F 4 | 65 | F 3 | Timbale H | ||||||
| 78 | F# 4 | 66 | F# 3 | Timbale L | ||||||
| 79 | G 4 | 67 | G 3 | Agogo H | ||||||
| 80 | G# 4 | 68 | G# 3 | Agogo L | ||||||
| 81 | A 4 | 69 | A 3 | Cabasa | ||||||
| 82 | A# 4 | 70 | A# 3 | Maracas | ||||||
| 83 | B 4 | 71 | B 3 | O | Samba Whistle H | |||||
| 84 | C 5 | 72 | C 4 | O | Samba Whistle L | |||||
| 85 | C# 5 | 73 | C# 4 | Guiro Short | ||||||
| 86 | D 5 | 74 | D 4 | O | Guiro Long | |||||
| 87 | D# 5 | 75 | D# 4 | Claves | ||||||
| 88 | E 5 | 76 | E 4 | Wood Block H | ||||||
| 89 | F 5 | 77 | F 4 | Wood Block L | ||||||
| 90 | F# 5 | 78 | F# 4 | Cuica Mute | Scratch Push | |||||
| 91 | G 5 | 79 | G 4 | Cuica Open | Scratch Pull | |||||
| 92 | G# 5 | 80 | G# 4 | 2 | Triangle Mute | |||||
| 93 | A 5 | 81 | A 4 | 2 | Triangle Open | |||||
| 94 | A# 5 | 82 | A# 4 | Shaker | ||||||
| 95 | B 5 | 83 | B 4 | Jingle Bell | ||||||
| 96 | C 6 | 84 | C 5 | Bell Tree | ||||||
| 97 | C# 6 | 85 | C# 5 | |||||||
| 98 | D 6 | 86 | D 5 | |||||||
| 99 | D# 6 | 87 | D# 5 | |||||||
| 100 | E 6 | 88 | E 5 | |||||||
| 101 | F 6 | 89 | F 5 | |||||||
| 102 | F# 6 | 90 | F# 5 | |||||||
| 103 | G 6 | 91 | G 5 | |||||||
| C1 | C#1 |
| D1 | D#1 |
| E1 | |
| F1 | F#1 |
| G1 | G#1 |
| A1 | Af1 |
| B1 | |
| C2 | C#2 |
| D2 | D#2 |
| E2 | |
| F2 | F#2 |
| G2 | G#2 |
| A2 | Af2 |
| B2 | |
| C3 | C#3 |
| D3 | D#3 |
| E3 | |
| F3 | F#3 |
| G3 | G#3 |
| A3 | Af3 |
| B3 | |
| C4 | C#4 |
| D4 | D#4 |
| E4 | |
| F4 | F#4 |
| G4 | G#4 |
| A4 | Af4 |
| B4 | |
| C5 | C#5 |
| D5 | D#5 |
| E5 | |
| F5 | F#5 |
| G5 | G#5 |
| A5 | Af5 |
| B5 | |
| C6 |
| Voice No. | 130 | 135 | 136 | 137 | 138 | |||||
| MSB(0-127) / LSB(0-127) / PC(1-128) | 127/0/1 | 127/0/26 | 127/0/28 | 127/0/33 | 127/0/41 | |||||
| Keyboard | MIDI | Key Off | Alternate Group | Standard Kit 1 | Analog Kit | Dance Kit | Jazz Kit | Brush Kit | ||
| Note# | Note | Note# | Note | |||||||
| 25 | C# 0 | 13 | C# -1 | 3 | Surdo Mute | |||||
| 26 | D 0 | 14 | D -1 | 3 | Surdo Open | |||||
| 27 | D# 0 | 15 | D# -1 | Hi Q | ||||||
| 28 | E 0 | 16 | E -1 | Whip Slap | ||||||
| 29 | F 0 | 17 | F -1 | 4 | Scratch Push | |||||
| 30 | F# 0 | 18 | F# -1 | 4 | Scratch Pull | |||||
| 31 | G 0 | 19 | G -1 | Finger Snap | ||||||
| 32 | G# 0 | 20 | G# -1 | Click Noise | ||||||
| 33 | A 0 | 21 | A -1 | Metronome Click | ||||||
| 34 | A# 0 | 22 | A# -1 | Metronome Bell | ||||||
| 35 | B 0 | 23 | B -1 | Seq Click L | ||||||
| 36 | C 1 | 24 | C 0 | Seq Click H | ||||||
| 37 | C# 1 | 25 | C# 0 | Brush Tap | ||||||
| 38 | D 1 | 26 | D 0 | O | Brush Swirl | |||||
| 39 | D# 1 | 27 | D# 0 | Brush Slap | ||||||
| 40 | E 1 | 28 | E 0 | O | Brush Tap Swirl | Reverse Cymbal | Reverse Cymbal | |||
| 41 | F 1 | 29 | F 0 | O | Snare Roll | |||||
| 42 | F# 1 | 30 | F# 0 | Castanet | Hi Q 2 | Hi Q 2 | ||||
| 43 | G 1 | 31 | G 0 | Snare H Soft | SD Rock H | AnSD Snappy | SD Jazz H Light | Brush Slap L | ||
| 44 | G# 1 | 32 | G# 0 | Sticks | ||||||
| 45 | A 1 | 33 | A 0 | Bass Drum Soft | Bass Drum H | AnBD Dance-1 | ||||
| 46 | A# 1 | 34 | A# 0 | Open Rim Shot | AnSD OpenRim | |||||
| 47 | B 1 | 35 | B 0 | Bass Drum Hard | BD Analog L | AnBD Dance-2 | ||||
| 48 | C 2 | 36 | C 1 | Bass Drum | BD Analog H | AnBD Dance-3 | BD Jazz | BD Jazz | ||
| 49 | C# 2 | 37 | C# 1 | Side Stick | Analog Side Stick | Analog Side Stick | ||||
| 50 | D 2 | 38 | D 1 | Snare M | Analog Snare 1 | AnSD Q | SD Jazz L | Brush Slap | ||
| 51 | D# 2 | 39 | D# 1 | Hand Clap | ||||||
| 52 | E 2 | 40 | E 1 | Snare H Hard | Analog Snare 2 | AnSD Ana+Acoustic | SD Jazz M | Brush Tap | ||
| 53 | F 2 | 41 | F 1 | Floor Tom L | Analog Tom 1 | Analog Tom 1 | Jazz Tom 1 | Brush Tom 1 | ||
| 54 | F# 2 | 42 | F# 1 | 1 | Hi-Hat Closed | Analog HH Closed 1 | Analog HH Closed 3 | |||
| 55 | G 2 | 43 | G 1 | Floor Tom H | Analog Tom 2 | Analog Tom 2 | Jazz Tom 2 | Brush Tom 2 | ||
| 56 | G# 2 | 44 | G# 1 | 1 | Hi-Hat Pedal | Analog HH Closed 2 | Analog HH Closed 4 | |||
| 57 | A 2 | 45 | A 1 | Low Tom | Analog Tom 3 | Analog Tom 3 | Jazz Tom 3 | Brush Tom 3 | ||
| 58 | A# 2 | 46 | A# 1 | 1 | Hi-Hat Open | Analog HH Open | Analog HH Open 2 | |||
| 59 | B 2 | 47 | B 1 | Mid Tom L | Analog Tom 4 | Analog Tom 4 | Jazz Tom 4 | Brush Tom 4 | ||
| 60 | C 3 | 48 | C 2 | Mid Tom H | Analog Tom 5 | Analog Tom 5 | Jazz Tom 5 | Brush Tom 5 | ||
| 61 | C# 3 | 49 | C# 2 | Crash Cymbal 1 | Analog Cymbal | Analog Cymbal | ||||
| 62 | D 3 | 50 | D 2 | High Tom | Analog Tom 6 | Analog Tom 6 | Jazz Tom 6 | Brush Tom 6 | ||
| 63 | D# 3 | 51 | D# 2 | Ride Cymbal 1 | ||||||
| 64 | E 3 | 52 | E 2 | Chinese Cymbal | ||||||
| 65 | F 3 | 53 | F 2 | Ride Cymbal Cup | ||||||
| 66 | F# 3 | 54 | F# 2 | Tambourine | ||||||
| 67 | G 3 | 55 | G 2 | Splash Cymbal | ||||||
| 68 | G# 3 | 56 | G# 2 | Cowbell | Analog Cowbell | Analog Cowbell | ||||
| 69 | A 3 | 57 | A 2 | Crash Cymbal 2 | ||||||
| 70 | A# 3 | 58 | A# 2 | Vibraslap | ||||||
| 71 | B 3 | 59 | B 2 | Ride Cymbal 2 | ||||||
| 72 | C 4 | 60 | C 3 | Bongo H | ||||||
| 73 | C# 4 | 61 | C# 3 | Bongo L | ||||||
| 74 | D 4 | 62 | D 3 | Conga H Mute | Analog Conga H | Analog Conga H | ||||
| 75 | D# 4 | 63 | D# 3 | Conga H Open | Analog Conga M | Analog Conga M | ||||
| 76 | E 4 | 64 | E 3 | Conga L | Analog Conga L | Analog Conga L | ||||
| 77 | F 4 | 65 | F 3 | Timbale H | ||||||
| 78 | F# 4 | 66 | F# 3 | Timbale L | ||||||
| 79 | G 4 | 67 | G 3 | Agogo H | ||||||
| 80 | G# 4 | 68 | G# 3 | Agogo L | ||||||
| 81 | A 4 | 69 | A 3 | Cabasa | ||||||
| 82 | A# 4 | 70 | A# 3 | Maracas | Analog Maracas | Analog Maracas | ||||
| 83 | B 4 | 71 | B 3 | O | Samba Whistle H | |||||
| 84 | C 5 | 72 | C 4 | O | Samba Whistle L | |||||
| 85 | C# 5 | 73 | C# 4 | Guiro Short | ||||||
| 86 | D 5 | 74 | D 4 | O | Guiro Long | |||||
| 87 | D# 5 | 75 | D# 4 | Claves | Analog Claves | Analog Claves | ||||
| 88 | E 5 | 76 | E 4 | Wood Block H | ||||||
| 89 | F 5 | 77 | F 4 | Wood Block L | ||||||
| 90 | F# 5 | 78 | F# 4 | Cuica Mute | Scratch Push | Scratch Push | ||||
| 91 | G 5 | 79 | G 4 | Cuica Open | Scratch Pull | Scratch Pull | ||||
| 92 | G# 5 | 80 | G# 4 | 2 | Triangle Mute | |||||
| 93 | A 5 | 81 | A 4 | 2 | Triangle Open | |||||
| 94 | A# 5 | 82 | A# 4 | Shaker | ||||||
| 95 | B 5 | 83 | B 4 | Jingle Bell | ||||||
| 96 | C 6 | 84 | C 5 | Bell Tree | ||||||
| 97 | C# 6 | 85 | C# 5 | |||||||
| 98 | D 6 | 86 | D 5 | |||||||
| 99 | D# 6 | 87 | D# 5 | |||||||
| 100 | E 6 | 88 | E 5 | |||||||
| 101 | F 6 | 89 | F 5 | |||||||
| 102 | F# 6 | 90 | F# 5 | |||||||
| 103 | G 6 | 91 | G 5 | |||||||
| C1 | C#1 |
| D1 | D#1 |
| E1 | |
| F1 | F#1 |
| G1 | G#1 |
| A1 | A#1 |
| B1 | |
| C2 | C#2 |
| D2 | D#2 |
| E2 | |
| F2 | F#2 |
| G2 | G#2 |
| A2 | A#2 |
| B2 | |
| C3 | C#3 |
| D3 | D#3 |
| E3 | |
| F3 | F#3 |
| G3 | G#3 |
| A3 | A#3 |
| B3 | |
| C4 | C#4 |
| D4 | D#4 |
| E4 | |
| F4 | F#4 |
| G4 | G#4 |
| A4 | A#4 |
| B4 | |
| C5 | C#5 |
| D5 | D#5 |
| E5 | |
| F5 | F#5 |
| G5 | G#5 |
| A5 | A#5 |
| B5 | |
| C6 |
| Voice No. | 130 | 139 | 140 | 141 | 142 | |||||
| MSB(0-127) / LSB(0-127) / PC(1-128) | 127/0/1 | 127/0/49 | 126/0/1 | 126/0/2 | 126/0/113 | |||||
| Keyboard | MIDI | Key Off | Alternate Group | Standard Kit 1 | Symphony Kit | SFX Kit 1 | SFX Kit 2 | Sound Effect Kit | ||
| Note# | Note | Note# | Note | |||||||
| 25 | C# 0 | 13 | C# -1 | 3 | Surdo Mute | |||||
| 26 | D 0 | 14 | D -1 | 3 | Surdo Open | |||||
| 27 | D# 0 | 15 | D# -1 | Hi Q | ||||||
| 28 | E 0 | 16 | E -1 | Whip Slap | ||||||
| 29 | F 0 | 17 | F -1 | 4 | Scratch Push | |||||
| 30 | F# 0 | 18 | F# -1 | 4 | Scratch Pull | |||||
| 31 | G 0 | 19 | G -1 | Finger Snap | ||||||
| 32 | G# 0 | 20 | G# -1 | Click Noise | ||||||
| 33 | A 0 | 21 | A -1 | Metronome Click | ||||||
| 34 | A# 0 | 22 | A# -1 | Metronome Bell | ||||||
| 35 | B 0 | 23 | B -1 | Seq Click L | ||||||
| 36 | C 1 | 24 | C 0 | Seq Click H | Drum Loop | |||||
| 37 | C# 1 | 25 | C# 0 | Brush Tap | ||||||
| 38 | D 1 | 26 | D 0 | O | Brush Swirl | |||||
| 39 | D# 1 | 27 | D# 0 | Brush Slap | ||||||
| 40 | E 1 | 28 | E 0 | O | Brush Tap Swirl | |||||
| 41 | F 1 | 29 | F 0 | O | Snare Roll | |||||
| 42 | F# 1 | 30 | F# 0 | Castanet | ||||||
| 43 | G 1 | 31 | G 0 | Snare H Soft | ||||||
| 44 | G# 1 | 32 | G# 0 | Sticks | ||||||
| 45 | A 1 | 33 | A 0 | Bass Drum Soft | Bass Drum L | |||||
| 46 | A# 1 | 34 | A# 0 | Open Rim Shot | ||||||
| 47 | B 1 | 35 | B 0 | Bass Drum Hard | Gran Cassa | |||||
| 48 | C 2 | 36 | C 1 | Bass Drum | Gran Cassa Mute | Cutting Noise | Phone Call | Heartbeat | ||
| 49 | C# 2 | 37 | C# 1 | Side Stick | Cutting Noise 2 | Door Squeak | Footsteps | |||
| 50 | D 2 | 38 | D 1 | Snare M | Marching Sn M | Door Slam | Door Squeak | |||
| 51 | D# 2 | 39 | D# 1 | Hand Clap | String Slap | Scratch Cut | Door Slam | |||
| 52 | E 2 | 40 | E 1 | Snare H Hard | Marching Sn H | Scratch | Applause | |||
| 53 | F 2 | 41 | F 1 | Floor Tom L | Jazz Tom 1 | Wind Chime | Camera | |||
| 54 | F# 2 | 42 | F# 1 | 1 | Hi-Hat Closed | Telephone Ring 2 | Horn | |||
| 55 | G 2 | 43 | G 1 | Floor Tom H | Jazz Tom 2 | Hiccup | ||||
| 56 | G# 2 | 44 | G# 1 | 1 | Hi-Hat Pedal | Cuckoo Clock | ||||
| 57 | A 2 | 45 | A 1 | Low Tom | Jazz Tom 3 | Stream | ||||
| 58 | A# 2 | 46 | A# 1 | 1 | Hi-Hat Open | Frog | ||||
| 59 | B 2 | 47 | B 1 | Mid Tom L | Jazz Tom 4 | Rooster | ||||
| 60 | C 3 | 48 | C 2 | Mid Tom H | Jazz Tom 5 | Dog | ||||
| 61 | C# 3 | 49 | C# 2 | Crash Cymbal 1 | Hand Cym. L | Cat | ||||
| 62 | D 3 | 50 | D 2 | High Tom | Jazz Tom 6 | Owl | ||||
| 63 | D# 3 | 51 | D# 2 | Ride Cymbal 1 | Hand Cym.Short L | Horse Gallop | ||||
| 64 | E 3 | 52 | E 2 | Chinese Cymbal | Flute Key Click | Car Engine Ignition | Horse Neigh | |||
| 65 | F 3 | 53 | F 2 | Ride Cymbal Cup | Car Tires Squeal | Cow | ||||
| 66 | F# 3 | 54 | F# 2 | Tambourine | Car Passing | Lion | ||||
| 67 | G 3 | 55 | G 2 | Splash Cymbal | Car Crash | Scratch | ||||
| 68 | G# 3 | 56 | G# 2 | Cowbell | Siren | Yo! | ||||
| 69 | A 3 | 57 | A 2 | Crash Cymbal 2 | Hand Cym. H | Train | Go! | |||
| 70 | A# 3 | 58 | A# 2 | Vibraslap | Jet Plane | Get up! | ||||
| 71 | B 3 | 59 | B 2 | Ride Cymbal 2 | Hand Cym.Short H | Starship | Whoow! | |||
| 72 | C 4 | 60 | C 3 | Bongo H | Burst | Huuaah! | ||||
| 73 | C# 4 | 61 | C# 3 | Bongo L | Roller Coaster | |||||
| 74 | D 4 | 62 | D 3 | Conga H Mute | Submarine | |||||
| 75 | D# 4 | 63 | D# 3 | Conga H Open | ||||||
| 76 | E 4 | 64 | E 3 | Conga L | ||||||
| 77 | F 4 | 65 | F 3 | Timbale H | ||||||
| 78 | F# 4 | 66 | F# 3 | Timbale L | ||||||
| 79 | G 4 | 67 | G 3 | Agogo H | ||||||
| 80 | G# 4 | 68 | G# 3 | Agogo L | Shower | Laugh | ||||
| 81 | A 4 | 69 | A 3 | Cabasa | Thunder | Scream | ||||
| 82 | A# 4 | 70 | A# 3 | Maracas | Wind | Punch | ||||
| 83 | B 4 | 71 | B 3 | O | Samba Whistle H | Stream | Heartbeat | |||
| 84 | C 5 | 72 | C 4 | O | Samba Whistle L | Bubble | Footsteps | Uh!+Hit | ||
| 85 | C# 5 | 73 | C# 4 | Guiro Short | Feed | |||||
| 86 | D 5 | 74 | D 4 | O | Guiro Long | |||||
| 87 | D# 5 | 75 | D# 4 | Claves | ||||||
| 88 | E 5 | 76 | E 4 | Wood Block H | ||||||
| 89 | F 5 | 77 | F 4 | Wood Block L | ||||||
| 90 | F# 5 | 78 | F# 4 | Cuica Mute | ||||||
| 91 | G 5 | 79 | G 4 | Cuica Open | ||||||
| 92 | G# 5 | 80 | G# 4 | 2 | Triangle Mute | |||||
| 93 | A 5 | 81 | A 4 | 2 | Triangle Open | |||||
| 94 | A# 5 | 82 | A# 4 | Shaker | ||||||
| 95 | B 5 | 83 | B 4 | Jingle Bell | ||||||
| 96 | C 6 | 84 | C 5 | Bell Tree | Dog | Machine Gun | ||||
| 97 | C# 6 | 85 | C# 5 | Horse | Laser Gun | |||||
| 98 | D 6 | 86 | D 5 | Bird Tweet 2 | Explosion | |||||
| 99 | D# 6 | 87 | D# 5 | Firework | ||||||
| 100 | E 6 | 88 | E 5 | |||||||
| 101 | F 6 | 89 | F 5 | |||||||
| 102 | F# 6 | 90 | F# 5 | |||||||
| 103 | G 6 | 91 | G 5 | Maou | ||||||
| Style No. | Style Name |
| 8 Beat | |
| 001 | 8BeatModern |
| 002 | 60'sGtrPop |
| 003 | 8BeatAdria |
| 004 | 60's8Beat |
| 005 | 8Beat |
| 006 | OffBeat |
| 007 | 60'sRock |
| 008 | HardRock |
| 009 | RockShuffle |
| 010 | 8BeatRock |
| 16 Beat | |
| 011 | 16Beat |
| 012 | PopShuffle |
| 013 | GuitarPop |
| 014 | 16BtUptempo |
| 015 | KoolShuffle |
| 016 | HipHopLight |
| Ballad | |
| 017 | PianoBallad |
| 018 | LoveSong |
| 019 | 6/8ModernEP |
| 020 | 6/8SlowRock |
| 021 | OrganBallad |
| 022 | PopBallad |
| 023 | 16BeatBallad |
| Dance | |
| 024 | EuroTrance |
| 025 | Ibiza |
| 026 | SwingHouse |
| 027 | Clubdance |
| 028 | ClubLatin |
| 029 | Garage1 |
| 030 | Garage2 |
| 031 | TechnoParty |
| 032 | UKPop |
| 033 | HipHopGroove |
| 034 | HipShuffle |
| 035 | HipHopPop |
| Disco | |
| 036 | 70'sDisco |
| 037 | LatinDisco |
| 038 | SaturdayNight |
| 039 | DiscoHands |
| Style No. | Style Name |
| Swing & Jazz | |
| 040 | BigBandFast |
| 041 | BigBandBallad |
| 042 | JazzClub |
| 043 | Swing1 |
| 044 | Swing2 |
| 045 | Five/Four |
| 046 | Dixieland |
| 047 | Ragtime |
| R & B | |
| 048 | Soul |
| 049 | DetroitPop |
| 050 | 6/8Soul |
| 051 | CrocoTwist |
| 052 | Rock&Roll |
| 053 | ComboBoogie |
| 054 | 6/8Blues |
| Country | |
| 055 | CountryPop |
| 056 | CountrySwing |
| 057 | Country2/4 |
| 058 | Bluegrass |
| Latin | |
| 059 | BrazilianSamba |
| 060 | BossaNova |
| 061 | Tijuana |
| 062 | DiscoLatin |
| 063 | Mambo |
| 064 | Salsa |
| 065 | Beguine |
| 066 | Reggae |
| Ballroom | |
| 067 | VienneseWaltz |
| 068 | EnglishWaltz |
| 069 | Slowfox |
| 070 | Foxtrot |
| 071 | Quickstep |
| 072 | Tango |
| 073 | Pasodoble |
| 074 | Samba |
| 075 | ChaChaCha |
| 076 | Rumba |
| 077 | Jive |
| Style No. | Style Name |
| Traditional | |
| 078 | USMarch |
| 079 | 6/8March |
| 080 | GermanMarch |
| 081 | PolkaPop |
| 082 | OberPolka |
| 083 | Tarantella |
| 084 | Showtune |
| 085 | ChristmasSwing |
| 086 | ChristmasWaltz |
| 087 | ScottishReel |
| Waltz | |
| 088 | SwingWaltz |
| 089 | JazzWaltz |
| 090 | CountryWaltz |
| 091 | OberWalzer |
| 092 | Musette |
| Pianist | |
| 093 | Stride |
| 094 | PianoSwing |
| 095 | Arpeggio |
| 096 | Habanera |
| 097 | SlowRock |
| 098 | 8BeatPianoBallad |
| 099 | 6/8PianoMarch |
| 100 | PianoWaltz |
- Reverb Types
| No. | Reverb Type | Description |
| 01–03 | Hall 1–3 | Concert hall reverb. |
| 04–05 | Room 1–2 | Small room reverb. |
| 06–07 | Stage 1–2 | Reverb for solo instruments. |
| 08–09 | Plate 1–2 | Simulated steel plate reverb. |
| 10 | Off | No effect. |
YAMAHA [ Portable Keyboard ] Date:18-Jan-2007 Model EZ-200 MIDI Implementation Chart Version:1.0
| Function... | Transmitted | Recognized | Remarks | |
| Basic Channel | Default Changed | 1 - 16x | 1 - 16x | |
| Mode | Default Messages Altered | 3x********** | 3xx | |
| Note Number : True voice | 0 - 127********** | 0 - 1270 - 127 | ||
| Velocity Note ON Note OFF | o 9nH,v=1-127x | o 9nH,v=1-127x | ||
| After Touch | Key's Ch's | xx | xx | |
| Pitch Bend | x | o | ||
| Control Change | 0,3216387,10116471,73,74 | xxx*1x*1x*1o x*1o x*1 | ooxxo oo | Bank Select Modulation wheel Data Entry(MSB) Data Entry(LSB) Expression Sustain |
| 728491,9396,97100,101 | oxoxx | *1 | oooo | Release TimePortamento CntrlEffect 1,3 DepthRPN Inc,DecRPN LSB,MSB |
| ProgChange : True # | o 0 - 127********** | o 0 - 127 | ||
| System Exclusive | o | o | ||
| : Song Pos.Common : Song Sel.: Tune | xxx | xxx | ||
| System : ClockReal Time: Commands | oo | oo | ||
| :All Sound OFFAux :Reset All Cntrls:Local ON/OFFMes- :All Notes OFFsages:Active Sense:Reset | xxxxxo x | o(120,126,127)o(121)o(122)o(123-125)ox | ||
*1 Refer to #2 on page 70.
o : Yes
x : No
Mode 2 : OMNI ON ,MONO
Mode 4 : OMNI OFF, MONO
NOTE:
1 By default (factory settings) the instrument ordinarily functions as a 16-channel multi-timbral tone generator, and incoming data does not affect the panel voices or panel settings. However, the MIDI messages listed below do affect the panel voices, auto accompaniment, and songs.
- MIDI Master Tuning
- System exclusive messages for changing the Reverb Type and Chorus Type.
2 Messages for these control change numbers cannot be transmitted from the instrument itself. However, they may be transmitted when playing the accompaniment, song or using the Harmony effect.
3 Exclusive
- This message automatically restores all default settings for the instrument, with the exception of MIDI Master Tuning.
- This message allows the volume of all channels to be changed simultaneously (Universal System Exclusive).
- The values of "mm" is used for MIDI Master Volume. (Values for "ll" are ignored.)
- This message simultaneously changes the tuning value of all channels.
- The values of "mm" and "ll" are used for MIDI Master Tuning.
- The default value of “mm” and “ll” are 08H and 00H, respectively. Any values can be used for “n” and “cc.”
- mm : Reverb Type MSB - II : Reverb Type LSB
Refer to the Effect Map (page 70) for details.
Refer to the Effect Map (page 70) for details.
4 When the accompaniment is started, an FAH message is transmitted. When accompaniment is stopped, an FCH message is transmitted. When the clock is set to External, both FAH (accompaniment start) and FCH (accompaniment stop) are recognized.
5 Local ON/OFF
Value for "n" is ignored.
Effect map
* When a Type LSB value is received that corresponds to no effect type, a value corresponding to the effect type (coming the closest to the specified value) is automatically set.
* The numbers in parentheses in front of the Effect Type names correspond to the number indicated in the display.
● REVERB
| TYPEMSB | TYPE LSB | ||||||||
| 0 | 1 | 2 | 8 | 16 | 17 | 18 | 19 | 20 | |
| 0 | No Effect | ||||||||
| 1 | (01)Hall1 | (02)Hall2 | (03)Hall3 | ||||||
| 2 | Room | (04)Room1 | (05)Room2 | ||||||
| 3 | Stage | (06)Stage1 | (07)Stage2 | ||||||
| 4 | Plate | (08)Plate1 | (09)Plate2 | ||||||
| 5...127 | No Effect | ||||||||
● CHORUS
| TYPE MSB | TYPE LSB | ||||||||
| 0 | 1 | 2 | 8 | 16 | 17 | 18 | 19 | 20 | |
| 0...63 | No Effect | ||||||||
| 64 | Thru | ||||||||
| 65 | Chorus | (2)Chorus2 | |||||||
| 66 | Celeste | (1)Chorus1 | |||||||
| 67 | Flanger | (3)Flanger1 | (4)Flanger2 | ||||||
| 68...127 | No Effect | ||||||||
Keyboards
- 61 standard-size keys (C1–C6), with Touch Response and Light Guide
Display
- LCD display
Setup
• STANDBY/ON
- MASTER VOLUME: [+], [-] buttons
Panel Controls
- [L], [R], [LISTEN & LEARN], [TIMING], [WAITING], [A-B REPEAT]/[ACMP ON/OFF], [REW]/[INTRO/ENDING/rit.], [FF]/[[MAIN/AUTO FILL], [TEMPO/TAP], [PAUSE]/[SYNC START], [START/STOP], [SONG], [STYLE], [VOICE], [FUNCTION], [PORTABLE GRAND], [LIGHT ON/OFF], [TOUCH ON/OFF], [DEMO], [METRONOME ON/OFF], number buttons [0]–[9], [+], [-]
Voice
- Stereo Grand Piano + 361 XGlite voices + 12 drum kits + 1 sound effect kit
- Polyphony: 32
Style
- 100 preset Styles
- Style Control: ACMP ON/OFF, SYNC START, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL
- Fingering: Multi fingering
- Style Volume
Education Feature
- Chord Dictionary
- Lesson: LISTEN&LEARN, TIMING, WAITING
Function
- Style Volume, Song Volume, Transpose, Tuning, Split Point, Touch Sensitivity, Reverb On/Off, Reverb Type, Reverb Level, Panel Sustain, Main Voice Volume, Main Voice Octave, Local On/Off, External Clock, Initial Setup Send, Time Signature Numerator, Time Signature Denominator, Metronome Volume, Demo Cancel
Effects
- Reverb: 9 types
Song
• 100 Preset Songs
- Song Volume
MIDI
- Local On/Off
- Initial Setup Send
- External Clock
Auxiliary jacks
- PHONES/OUTPUT, DC IN 12V, MIDI in/out, SUSTAIN
Amplifier
- 2.5W + 2.5W
Speakers
- 12cm x 2
Power Consumption
• 10W (When using PA-3C power adaptor)
Power Supply
- Adaptor: Yamaha PA-3C, PA-130, or an equivalent
- Batteries: Six "AA" size, LR6 or equivalent batteries
Dimensions (W x D x H)
- 945 x 348 x 110 mm
(37-1/4" x 13-2/3" x 4-1/3")
Weight
• 4.7kg (10 lbs. 6 oz.) (not including batteries)
Supplied Accessories
- Music Rest
- Owner's Manual
- Song Book
Optional Accessories
• AC Power Adaptor: PA-3C, PA-130 or an equivalent
• USB-MIDI Interface: UX16
- Footswitch: FC4/FC5
- Keyboard Stand: L-2C
• Headphones: HPE-150/HPE-30
* Specifications and descriptions in this owner's manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.
Panel Controls and Terminals
A-B REPEAT button 35
ACMP ON/OFF button 24
DEMO button 13
FF button 14
FUNCTION button 27,52
INTRO/ENDING/rit. button 45
L button 30
LIGHT ON/OFF button 29
LISTEN & LEARN button 31
MAIN/AUTO FILL button 45
MASTER VOLUME +, - buttons 9, 12, 26
METRONOME ON/OFF button 20
number buttons 0–9, +, - ...... 27
PAUSE button 14
PORTABLE GRAND button 17
R button 30
REW button 14
SONG button 13,27
STANDBY/ON switch 9, 12, 26
START/STOP button 26
STYLE button 23,27
SYNC START button 24
TEMPO/TAP button 38
TIMING button 31
Auto Accompaniment 23–24
Auto accompaniment range 24–25
B
Battery 8
Beat Display 28
C
Chord 25,48–49,51
Chord Dictionary 50
Chord Display 28,49
Computer 55-56
D
Demo 13
Demo Cancel 53
Display 28
Drum Kit 18
Drum Kit List 63
E
Ending 44, 46
External Clock 53, 56
F
FF 14
Fingering Guide 28-29
Footswitch (Sustain jack) 9
Function Setting List 53
Function Settings 52
G
Grade 32
|
Initial Send 53
Intro 43,46
L
Left Display 28
Lesson 31-32
Light Guide 29
Local 53,56
M
Main Octave 53
Main Volume 53
MASTER VOLUME indication 28
Measure 28
Melody Voice 33
Metronome 20-21
Metronome Volume 22
MIDI 54
Music Rest 6
Mute 34
N
Notation 28
0
Octave (Main) 53
One Touch Setting 38
Option 71
P
Panel Sustain 42
Part 30
PAUSE 14
Press and Hold for a while 26
R
Reverb 41
Reverb Level 53
Reverb on/off 53
Reverb Type 53
Reverb Type List 67
REW 14
Rhythm 23
Right Display 28
Root 48,50
S
Song 12
Song List 15
Song Volume 33
Split Point 36
Start 26
Stop 26
Style 23-24, 43-46
Style List 66
Style Volume 47
Supplied Accessories 6,71
Synchro Start 24,43
T
Tempo 38
Time Signature Denominator 21
Time Signature Numerator 21
Touch Display 28
Touch Response 39
Track 34
Transfer 55
Transpose 37
Tuning 37
Turn Auto accompaniment on or off 24
V
Voice 16–19
Voice List 58
X
XGlite 6
Limited Warranty
90 DAYS LABOR
1 YEAR PARTS
Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models included in the following series of products:
EZ SERIES OF PORTATONE ELECTRONIC KEYBOARDS
If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor.
If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as warranty replacements.
THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES.
Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these limitations and exclusions may not apply to you.
This warranty gives you specific legal rights. You may also have other rights which vary from state to state.
CONSUMERS RESPONSIBILITIES
If warranty service should be required, it is necessary that the consumer assume certain responsibilities:
- Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for assistance. You may also contact Yamaha directly at the address provided below.
- Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under warranty.
- Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely.
*Repaired units will be returned PREPAID if warranty service is required within the first 90 days.
IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed.
- Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and to follow all safety precautions.
EXCLUSIONS
This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to failures and/or damages that may occur as a result of:
- Neglect, abuse, abnormal strain, modification or exposure to extremes in temperature or humidity.
- Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an authorized service center, or an authorized service representative of Yamaha.
- This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia, and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.
Please record the model and serial number of the product you have purchased in the spaces provided below.
Model ____ Serial # ____ Sales Slip # ____
Purchased from Date
(Retailer)
YAMAHA CORPORATION OF AMERICA
Electronic Service Division
6600 Orangethorpe Avenue
Buena Park, CA 90620
KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011
CENTRAL & SOUTH AMERICA
MEXICO
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177
GERMANY
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
Branch Austria, CEE Department
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-602039025
POLAND
Yamaha Music Central Europe GmbH
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
NORWAY
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
AFRICA
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
OTHER COUNTRIES
Yamaha Music Gulf FZE
LOB 16-513, P.O.Box 17328, Jubel Ali,
Dubai, United Arab Emirates
Tel: +971-4-881-5868
ASIA
THE PEOPLE'S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co., Ltd.
25/F., United Plaza, 1468 Nanjing Road (West),
Jingan, Shanghai, China
Tel: 021-6247-2211
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Yamaha Music Korea Ltd.
8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,
Kangnam-Gu, Seoul, Korea
Tel: 080-004-0022
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
SINGAPORE
Yamaha Music Asia Pte., Ltd.
03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
TAIWAN
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688
THAILAND
Siam Music Yamaha Co., Ltd.
891/1 Siam Motors Building, 15-16 floor
Rama 1 road, Wangmai, Pathumwan
Bangkok 10330, Thailand
Tel: 02-215-2626
OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2317
OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312

YAMAHA
Yamaha Home Keyboards Home Page (English Only)
http://music.yamaha.com/homekeyboard
Yamaha Manual Library