T765 HD - Audio Amplifier NAD - Free user manual and instructions

USER MANUAL T765 HD NAD

T 765 AV Surround Sound Receiver Owner's Manual

1. Read instructions - All the safety and operating instructions should be

read before the product is operated.

2. Retain instructions - The safety and operating instructions should be

retained for future reference.

3. HeedWarnings - Al wamings on the product and in the operating

instructions should be adhered to.

4. Follow Instructions - All operating and use instructions should be

5. Cleaning - Unplug this product from the wall outlet before cleaning

Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for cleaning.

6. Attachments - Do not use attachments not recommended by the

product manufacture as they may cause hazards

7. Water and Moisture - Do not use this product near water-for example,

near à bath tub, wash bowl, kitchen sink, or laundry tub: in à wet basement: or near a swimming pool and the like.

8. Accessories - Do not place this product on an unstable cart, stand,

tripod, bracket, or table: The product may fall causing serious injury to a child or adult and serious damage to the product. Use only with à cart, stand, tripod, bracket, or table recommended by the manufacturer, or sold with the product. Any mounting ofthe product should follow the manufacturers instructions, and should use a mounting accessory recommended by the manufacturer.

9. Cart- A product and cart combination should be moved

with care. Quick stops, excessive force, and uneven surfaces may cause the product and cart combination to overturn.

10. Ventilation - Slots and openings in the cabinet are provided for

ventilation to ensure reliable operation of the product and to protect it from overheating. These openings must not be blocked or covered. The openings should never be blocked by placing the product on a bed, sofa, rug, or other similar surface. This product should not be placed in a buit-in installation such as à bookcase or rack unless proper ventilation is provided or the manufacturer instructions have been adhered to

11. Power Sources - This product should be operated only from the type

of power source indicated on the marking label and connected to à MAINS socket outlet with a protective earthing connection. Ifyou are not sure ofthe type of power supply to your home, consult your product dealer ar local power company.

12. Power-Cord Protection - Power-supply cords should be routed so that

they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the product

13. Mains Plug - Where the mains plug or an appliance coupler is used

as the disconnect device, the disconnect device shall remain readily operable

14. Outdoor Antenna Grounding - [fan outside antenna or cable system

is connected to the product, be sure the antenna or cable system is grounded so as to provide some protection against voltage surges and bui-up static charges. Article 810 of the National Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding ofthe mast and supporting structure, grounding ofthe lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes, and requirements for the grounding electrode.

NOTE TO CATV SYSTEM INSTALLER

Thisreminderis provided to callthe CATVsysteminstllers attention to Section 820-40 of the NEC which provides guidelines for proper grounding and in perticu, species that the cable groundshallbe connected othe grounding system ofthe buildingLas dose tothepointofcable entnyas practical LA ES

15. Lightning - For added protection for this product during a lightning

storm, or when it is left unattended and unused for long periods of time, unplug it from the wall outlet and disconnect the antenna or cable system. This will prevent damage to the product due to lightning and power-line surges. 16.Power Lines - An outside antenna system should not be located in the vicinity of overhead power lines or other electric light or power circuits, or where it can fall into such power lines or circuits. When installing an outside antenna system, extreme care should be taken to keep from touching such power lines or circuits as contact with them might be fatal 17.Overloading - Do not overload wall outlets, extension cords, or integral convenience receptacles as this can result in a risk of fire or electric shock. 18.Flame Sources - No naked flame sources, such as lighted candies, should be placed on the product. 19.0bject and Liquid Entry - Never push objects of any Kind into this product through apenings as they may touch dangerous voltage points or short-out parts that could result in a ire or electric shock. Never spill liquid of any kind on the product 20.Headphones - Excessive sound pressure form earphones and headphones can cause hearing loss. 21.Damage Requiring Service - Unplug this product from the wall outlet and refer servicing to qualiied service personnel under the following conditions: When the power-supply cord or plug is damaged. b.. Ifliquid has been spilled, or objects have fallen into the product. € _Ifthe product has been exposed to rain or water. d.. 1fthe product does not operate normally by following the operating instructions. Adjust only those controls that are covered by the operating instructions as an improper adjustment of other controls may result in damage and will often require extensive work by a qualified technician to restore the product to its normal operation. €. Ifthe product has been dropped or damaged in any way. £._ When the product exhibits a distinct change in performance-this indicates a need for service. 22.Replacement Parts - When replacement parts are required, be sure the service technician has used replacement parts specified by the manufacturer or have the same characteristics as the original part. Unauthorized substitutions may result in fe, electric shock, or other hazard.

23.Battery Disposal- When disposing of used batteries, please comply with governmental regulations or environmental public instructionis rules that apply in our country or area 24.Safety Check - Upon completion of any service or repairs to this product askthe service technician to perform safety checks to determine that the product is in proper operating condition:

25. Wall or Ceiling Mounting - The product should be mounted to a wall

or ceiling only as recommended by the manufacturer. WARNING The lightning flash with arrowhead symbol, within an equilaterel triangle, is intended to alert the user to the presence of uninsulated ‘dangerous voltage" within the products enclosure that may be of suffcient magnitude to constitute à risk of electric shock to persons The exclamation point within an equilateral triangle is intended to alert the user to the presence ofimportant operating and maintenance (servicing) instructions in the literature accompanying the appliance. CAUTION

DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE AND OBJECTS FILLED WITH LIQUIDS, SUCH AS VASES, SHOULD NOT BE PLACED ON THIS APPARATUS. THE EQUIPMENT MUST BE CONNECTED TO AN EARTHED MAINS SOCKET- OUTLET.

CAUTION REGARDING PLACEMENT

To maintain proper ventilation, be sure to leave a space around the unit (from the largest outer dimensions including projections) than is equal to, or greater than shown below. Left and Right Panels: 10 cm Rear Panel: 10 cm Top Panel: 50 cm

IMPORTANT INFORMATION TO UK CUSTOMERS

DO NOT cut off the mains plug from this equipment. IFthe plug fitted is not suitable for the power points in your home or the cable is too short to reach à power point, then obtain an appropriate safety approved extension lead or consult your dealer. If nonetheless, the mains plug is cut off, REMOVE THE FUSE and dispose of the PLUG immediately, to avoid possible shock hazard by inadvertent connection to the mains supply. IFthis product is not provided with a mains plug, or one has to be fitted, then follow the instructions given below NADisa Copyright IMPORTANT DO NOT make any connection to the larger terminal which is marked with the letter'E' or by the safety earth symbol or colored GREEN or GREEN AND YELLOW The wires in the mains lead on this product are colored in accordance with the following code

As these colors may not correspond with the colored markings identifying the terminals in your plug, proceed as follows: + The BLUE wire must be connected to the terminal marked with the letter'N'or colored BLACK. + The BROWN wire must be connected to the terminal marked with the letter L'or colored RED + When replacing the fuse, only a correctiy rated and approved type should be used, and be sure to re-fit the fuse cover. IF IN DOUBT CONSULT A COMPETENT ELECTRICIAN. (é € This product is manufactured to comply with the radio interference requirements of EEC DIRECTIVE 2004/108/EC.

NOTES ON ENVIRONMENTAL PROTECTION

Atthe end of its useful fe, this product must not be disposed ofwith regular household waste but must be returned to à collection point for the recycling of electrical and electronic equipment. The symbol on the product, users manual and M p:cegino point ins out The materials can be reused in accordance with their markings. Through re-use, recycling of raw material, or other forms ofrecycling of old products, you are making an important contribution to the protection of our environment Your local administrative office can advise you of the responsible waste disposal point. RECORD YOUR MODEL NUMBER (NOW, WHILE YOU CAN SEE IT) The model and serial number of your new T 765 are located on the back of the cabinet. For our future convenience, we suggest that you record these numbers here Model number Serial number k of NAD Electronics International a division of Lenbrock Industries Limited NAD Electranies Intematianal a division of Lenbrook Industries Limited

DEALING WITH HUM AND NOISE. 7

ABOUT THE ON-SCREEN DISPLAY (OSD). 13

SETUP MENU 17 SOURCE SETUP 17

SOURCE SETUP (NORMAL VIEW) 17

SOURCE SETUP (TABLE VIEW) 20

iPod SETUP 20 SPEAKER SETUP 20 AUDYSSEY SETUP 20 SPEAKER CONFIGURATION 21 SPEAKER LEVELS. 23 SPEAKER DISTANCE 24

ADJUSTING THE VOLUME 24

ZONE SETUP 25 AMPLIFIER SETUP 25 THANK YOU FOR CHOOSING NAD. The T 765 AW Receiver is a technologically advanced and highly capable product — yet we have invested great effort in making it simple and easy to use. The T 765 delivers a range of genuinely useful options for surround sound and stereo listening like, using powerful digital signal processing and superbly accurate digital-audio circuitry. However, we have also been careful to ensure that the T 765 is as musically transparent faithful to every video detail and spatilly accurte as possible, incorporating much of what weve leamned from a quarter-centurys experience designing audio and home-theater components. As with all our products, NADS "Music First” design philosophy guided the T 765 design, such that it can confidentiy promise you both state-of-the-art surround home-theater and audiophile- quality music listening for years to come TRIGGER SETUP 26

ABOUT DEEP COLOR AND XWYCC 30

REFERENCE TROUBLESHOOTING . SPECIFICATIONS. We encourage you to take a few minutes now to read right through this manual. Investing a little time here at the outset might save you a good deal of time later, and is by far the best way to ensure that you make the most of your investment in the T 765, and get the most from this powerful and flexible home-theater component One more thing: We urge you to register your T 765 ownership on the NAD Worldwide Web site: http://NADelectronics.com/warranty For warranty information contact your local distributor.

INTRODUCTION Though the T 765 is among the most technically sophisticated AV Receiver, we worked hard to make it one ofthe most musically transparent home- theater components available as well this is what we mean by NADS "Music First design philosophy. Here are just few examples + TheT 765 uses NADS proprietary Power Drive" amplifier technology for all channels to preserve accurate linear reproduction regardiess ofthe loudspeaker This uniquely efficient power-supply topology provides the realworld benefits of high dynamic power that remains uncompromised by low-impedance speakers. The result is dynamic, detailed ‘un-receiver-ike' sound in stereo and multi-channel modes alke. NADS exclusive Soft Clipping"” circuitry further enhances sound quality and dynamic potential. + High-performance components used throughout the AW Receivers analog audio circuits maximize quality from al sources, including multi- channel analog sources such as DVD-Audio and SACD. + Audio pre-out jacks make potential expansion as flexible as possible + Asecond set of speaker terminals (Speakers 8) for remote listening, + Zone pre-amp and video feed with assignable 12 V DC trigger control + An RS-232 port for advanced zone control and software update through a Windows® compatible PC + Gold-surfaced connectors are employed throughout to ensure maximum signal integrity. E.A.R.S. AND DIGITAL SURROUND Akey element ofthe T 7655 unique musical aptitude is NAD'S proprietary Enhanced Ambience Recovery System (EARS). In sharp contrast to many “ambience-synthesis’ music-surround modes, EARS exploits the T 7655 substantial DSP power to route the ambient content that is‘encrypted"in virtually al natural-acoustic recordings to the appropriate main, center and surround speakers, without resorting to artificilly generated reflections or regeneration. EARS natural ambience yield a subtle but exceptionally effective surround mode that naturally enhances the spatial presentation in à fashion suitable for serious music listening Dolby Pro Logic 1x Music and DTS Neo: 6 Music modes can also create enjoyable experience from 2-channel sources. On the digital side, the T 765 combines extraordinarily high-speed DSP processing employing one ofthe most advanced high-speed DSP ‘engines" available, with fully 24-bit, 192 KHz-sampling-capable D/A converters for all channels À single, high-precision master clock synchronizes all digital circuits to eliminate the timing errors (‘jitter") that otherwise compromise sonics. The result is legitimately state-of-the-art surround decoding from Dolby Digital and DTS sources, and 6.1/7.1-channel reproduction, with genuinely superior sound quality in all modes

Despite the effort NAD has invested in the T 765 A/V Receiver's sonic performance, we expended no less in making it powerfuly easy to use Its design is uniquely simple for so sophisticated a component, and the HTR 3 universal remote control is equally understandable, as are the T 765‘ own front-panel and on-screen displays. ts simple yet powerful system of‘presets’ permits you to fine-tune your listening setup for different conditions, sources, or listeners, and to recall these multiple parameters with a single key press. INTEGRATION The T 765 AW Receiver offers extensive, flexible system-integration options through its configurable DC trigger outputs and input, and its standard- protocol IR communications links. The DC trigger outputs can be assigned to either Local and/or Zone locations. ABOUT THET 765 ZONE The T 765 AM Receiver is equipped with three configurable Zones that make full use of video and pre-amp level audio outputs. The ZR4 remote control wil allow you complete access to Zone 2 applications including access to volume On/Off and all sources inputs. Zone 3 and Zone 4 could be configured and managed at the appropriate Zone OSD menu using the front panel navigations keys as well as the corresponding keys on the HTR 3 remote control. RS 232 Flexible system configuration is possible with the RS-232 interface and NAD$ proprietary Windows® compatible software.We are also certified partners with AMX and Crestron and fully support these external devices. This interface allows complete remote control of the T 765 from any remote location via the PC. Complete remote control functionality is available to the user by interface software. See your NAD audio specialist for further information. UPGRADABILITY The T 765 AW Receiver permits flexible system growth via indiidually accessible pre-out and main-in jacks for all channels. We have made the more likely scenario of software upgrades easy to accomplish via the high speed RS-232 port on the rear panel ofthe T 765. Owners who register their T 765 on our international web site www.NADelectronics.com will be advised of updates. Some of these may be free of charge and some may require royalty payments depending on the type of upgrade. The advanced user will be able to perform these upgrades by downloading files from our web site, via e-mail and instaling them by connecting the T 765 to a PC. Alternatively the dealer from whom you purchased your 765 should be able to assist in performing these upgrades

ABOUT THE HTR 3 SYSTEM REMOTE CONTROL

Packed with your T 765 is the NAD HTR 3 remote control, a full-system remote especially designed for easy use and understanding. Be sure to read the section "Using the HTR 3 Remote Control’ to familarize yourself with the remote layout and operations before proceeding to setup your AW Receiver. You may opt to use your HTR 3 as your primary way to command your entire AV system. The HTR 3 can be employed to operate additional NAD or other-brand components such as a DVD/CD player, television, satellite/HDTV tuner, VCR, or virtually anything else that operates via standard infrared remote

Packed with your T 765 A/ Receiver you will find + An AM loop antenna + AFMribbon-wire antenna with balun + Aremovable AC cable (if you wish, any IEC-standard AC cable of suitable wattage may be substituted) + The HTR 3 remote control with 4 (four) AAA batteries + The ZR 4 zone remote control with 3V CR2025 battery +__ This owners manual

Please save the box and all of the packaging in which your 765 arrived. Should you move or athenaise need to transport yourT 765, this is by fer the safest container in which to do so. WeWve seen too many otherwise perfect components damaged in transit for lack of a proper shipping carton, so please: Save that boul INITIAL SETUP Before you make the fist connection to your T 765, you should have the arrangement of your listening room/home theater components and fumiture mapped out, at least initial, Unfortunately a discussion of the vital questions of loudspeaker placement and listeningAiewing positions is beyond our scope here. Suffice itto say that these two questions will influence your systems ultimate performance every bit as powerfully as your selection of electronics and speakers. Your NAD audio specialist dealer will be happy to advise you and to recommend reference materials CHOOSING À LOCATION Choose a location that is well ventilated (with at least several inches to both sides and behind), and that will provide à clear line of sight, within 25 feet/8 meters, between the T 765 front panel and your primary listeningAiewing position—this will ensure reliable infrared remote control communications The T 765 generates a modest amount of heat, but nothing that should trouble adjacent components Itis perfectly possible to stack the T 765 on top of other components, but the reverse usually should be avoided. Nonetheless it is generally preferable that the T 765 stand alone. Itis especially important that sufficient ventilation be provided. If you are contemplating on locating the T 765 within a cabinet or other furniture, consult your NAD audio/video specialist for advice on providing adequate airflow. QUICK START Packed with your T 765 is à Quick Start Guide that will guide you through typical setup configurations in combination with your ancillary devices. The Quick Start Guide also features the contents of your 1765 package as well as start up procedures The T 765 is defaulted to the following settings: Source Audio Input Video Input Source 1 HDMI IN/ Audio 1 IN HDMI IN Source 2 Optical 2 IN/ Audio 2 IN Component Video 2 IN Source 3 Coaxal 3 IN/ Audio 3 IN SVideo 31IN Source 4 Audio 4 IN Video 41IN iPod Audio 5 IN S-Video IN Source 7 74 Input Component Video 3 IN Front input Optical Front nput/ Audio Front Input S-Video Front IN Media Player Audio MP input Tuner For Video output, select the highest video quality format available on your TV/Monitor and utilize this for your Monitor OUT connection from the T 765 to the TV/Monitor. In most cases, this would be HDMI but for other TV/Monitar without HDMI input, the best connection in order of best video quality would be Component Video, S-Video and Composite video input. To modify the above default settings and for a better understanding of source setting and combinations, please refer to the section on ‘Source Setup'ofthe Setup Menu discussion: NOTE Digital input will always take precedence over analog audio input even ifboth are present.

Hum and noise may sometimes prove a challenge in complex, multi-channel audio systems. Note these considerations to help prevent hum and noise problems: + Powerall your systems audio component from AC outlets originating from the same circuit of your house wiring. As far as possible, power all audio components from the same outlet, or adjacent outlets on the same circuit. it may be useful to power video displays (and computers) from outlets on another circuit, especially ifthat circuit is supplied from the other leg” ofthe house wiring, + Do not bundie analog audio cables with AC power cables, or with coaxial digitaaudio cables. it is best ifthey cross at right angles ifthey must be in close proximity. + Employhigh-quality, well-shielded audio cable throughout, and ensure that all connections are secure. + A penci-eraser can be used to burnish copper- and gold-plated contacts to ensure good, low resistance contact specialized contact-cleaners can also be useful. Avoid unnecessary unplugging and re-plugging since the gold (or coppen contact plating of typical cable connectors, even very high-quality ones, is very thin and easily wo Track down hum/noise problems ane component at a time, working backwards from the AW Receiver. Thatis a. Connect the speakers to the AW Receiver only, and check for hum. b.. Then connect one component only (a CD player for example) alone, with no other components connected and check for hum. € Connect additional components, one at a time, to the AW Receiver and check for hum. At each stage, Ifhum/noise appears, examine the audio cabling and AC-power routing ofthe new component. In some cases, moving the new component's AC cord to a different outlet, or installing à groundft (3-to-2-prong adapter) on its power cord, will eliminate the hum.

FRONT PANEL 12 3/4 5 l6 |7 8 9° 10 DO ban S) me FR ML Ce Ham @ros 22 7 f nm 12 14 15 6 17 18 19 1 STANDBY BUTTON : Press this button or the HTR 3 remote‘ [ON] button to switch ON theT 765. The Standby LED indicator will turn from amber to blue and illuminate the VFD. Pressing the standby button again turns the unit back to standby mode. The T 765 can also be switched ON from standby mode by pressing any ofthe front panel buttons. When both Main and Zones are ON, press and hold this button for more than five seconds to place them at standby mode. NOTES The rear panel POWER switch must be in the ON position for the Standby button to activate. IfAuto Trigger IN at Trigger Setup menu is assigned to ‘Main' or All and the TRIGGER switch is set to AUTO" mode, the standby button in the front panel as well as the corresponding ON/OFF function keys in the HTR 3 remote control will be disabled effectively handing this function to an external controller. Switch TRIGGER to ‘OFF' to maintain normal power ON/OFF function procedures. (See section also about ‘Trigger Setup” under the “Setup Menu” discussions. 2 STANDBY LED : This indicator will light up amber when the T 765 is in standby state. When the T 765 main or zones are in the ON state, this indicator wél iluminate blue. In the unlikely event that the T 765 sitches to protection state, then this indicator wil iluminate red When infrared command from the HTR 3 is received, this indicator will also flash momentaril. 3 INFO: Repeatedy toggle this button (press/hold first in Tuner mode and then toggle) to display both at the Vacuum Fluorescent Display {VFD) and On-Screen Display (OSD) the following - Current Source, Volume level, Listening mode, Audio Source Format, Audio Codec, Video Mode and active Zones with their corresponding Source Inputs, While at Tuner mode, toggle this button to cycle through Preset Name, RDS name and RDS text. 4 AM/FM/DB: Toggle this button to select either AM, FM, DAB (230V version only) or XM (120V version only) tuner functions. 5 TUNER MODE: In FM mode, this button will toggle between FM Stereo and FM mono. Select FM Mono (FM stereo and FM Mute icons at VFD are extinguished) for stations that have too much interference or are too weak. In DAB (230V version only) or XM (120V version only) radio, this button enables the digital radio menu in conjunction with the Navigation button and Enter buttons. 6 MEMORY: Press this button to store tuned AM, FM and digital radio stations to the T 7655 40 preset-memory locations. One can store à mix of any AM. FM and digital radio stations to the 40 available presets.

7. NAVIGATION and ENTER buttons : These buttons are used to

navigate the T 765 OSD, Tune Scan Forwardæ and Tune Scan Reverse << Preset Skip Forward land Preset Skip Reverse as well as navigation of DAB (230V version only), XM (120V version only) tuner functions and iPod 8 VACUUM FLUORESCENT DISPLAY (VFD}: Displays visual information about the current settings like the active Source, volume level listening mode, audio format, applicable RDS/XM/DAB as well as iPod-related display information and other related indicators. Refer also to the item about DISPLAY SETUP under the USING THE T 765 - SETUP MENU segment ofthe OPERATION section: 9 REMOTE SENSOR: Point the HTR 3 remote control at the remote sensor and press the buttons, D not expose the remote sensor of the T 765 to a strong light source such as direct sunlight or ilumination. I you do so, you may not be able to operate the T 765 with the remote control Distance: About 23ft (7m) from the front of the remote sensor. Angle: About 30° in each direction of the front of the remote sensor.

10 VOLUME : Use this control to adjust the volume level ofthe main speakers. The default volume level is -20dB. The VOLUME knob is also used to increment / decrement other adjustable parameters like Tone Controls 11 A SPEAKERS B : Press either speaker A or B or both to select the set of speakers you wish to listen to. Speaker À is the main set of 7 multichannel and surround speakers. Speaker B is an auxiliary set for remote locations such as other rooms of your home. For Speaker B selection, all surround sound sources are downmixed to stereo. Combining Speaker À and Speaker B (SPEAKERS À + B) will also result to the source being dounmixed to stereo. 12 ASOURCER : Press these buttons to toggle through the input selections - Source 1, Source 2, Source 3, Source 4, iPod, Source 7, Front Input, Media Player and Tuner (AM, FM, XM, DAB as applicable) More Sources could be directly recalled through these buttons upon enabling them at the Setup Menu (See the section Source Setup'at Setup Menu discussion) 13 LISTENING MODE: Toggle to select through the various Listening mode options Depending on the format of the currentiy selected input {digital or analog, stereo or multichannel) various listening modes are available. Refer also to the item about LISTENING MODE under the USING THE T 765 - MAIN MENU segment of the OPERATION section. 14 TONE CONTROLS : Press to adjust TREBLE control using the VOLUME knob over a + 10dB range. Press again to adjust BASS control and a third time for DIALOG control. See also section about ‘Tone Controls' under “Setup Menu’ discussions, 15 TONE DEFEAT : lone Controls are enabled or disabled by pressing this button. Tone controls are bypassed at’ Tone Defeat'while at'Tone Active/the tone controls are enabled again. See also section about ‘Tone Controls' under Setup Menu'discussions 16 FRONT INPUT/MP : Use this button to directly select Front Input and Media Player Toggle button to switch between Front Input and Media Player input. FRONT PANEL 17 PHONES : Accepts stereo headphone using a standard 1/4-inch stereo phone plug (use à suitable adapter for headphones equipped with a smaller plug). For headphone listening, the Front speakers must be set to “Large” at theSpeaker Configuration'ofthe Speaker Setup item at the Setup Menu, otherwise headphone bass response will be restricted Plugging in headphones will automatically switch the T 765 to Stereo, Stereo Downmix or Analog Bypass modes, 18 FRONT INPUT jacks : Use these convenience jacks for occasional sources such as a camcorder, tape player, video game console, any analog audio or optical digital audio and composite or S-Video video sources. If your source has a single audio out jack only or is marked ‘mono output’, plug this int the T 7655 Front'R (Mono)'input. On the other hand, if your source has two output jacks indicative of stereo output, insert bath jacks into the T 765 corresponding Front L'and'R {Mono)'input to achieve stereo output as well. 19 MP/MIC input : Connect your MP35 standard stereo phone jack to this input. This is the same input where Audyssey microphone jack is connected (See also discussion about Audyssey Setup)

17 po vERson our ATTENTION! Please make sure that the T 765 is powered off or unplugged before making any connections. is also advisable to power-doun or unplug all associated components while making or breaking any signal or AC power connections 1 DIGITAL AUDIO IN (OPTICAL 1-3, COAXIAL 1-3) : Connect to the optical or coaxial S/PDIF-ormat digital output of sources such as CD or DVD players, HDTV ar satellite tuners and other components. Coaxial and Optical digital input association is configurable via the Setup Menu DIGITAL AUDIO OUT (OPTICAL, COAXIAL) : Connect the optical or coaxial digital OUT ports ta the corresponding S/PDIF digital input of a recording component such as a CD recorder, DAT deck, computer soundcard or other digital processor. 2 HDMI (HDMI 1-4, HDMI MONITOR OUT) : Connect HDMI inputs to the HDMI OUT connectors of source components such as DVD player or HDTV satellte/cable box. Connect the HDMI Monitor OUT to a HDTV or projector with HDMI input. WARNING Before connecting and disconnecting any HDMI cables, both the T 765 and the ancillary source must be powered OFF and unplugged from the AC outlet. Failure to observe this practice may cause permanent damage to all equipment connected via HDMI sockets. 3 COMPONENT VIDEO 1-3 IN, COMPONENT VIDEO OUT : Connect the Component Video IN 1-3 inputs to Component Video outputs from compatible source components, typically a DVD player and terrestrial or satellite HDTV tuner. Connect Component Video OUT to the Component Video input of a compatible video monitor/TV. Be sure to observe consistency in connecting the Y/Pb/Pr jacks to the corresponding sources/inputs. The routing of the component video inputs is fully configurable via the Setup Menu. The T 7655 component video inputs and outputs are fully wideband and compatible with allowable HDTV formats. 4 MP DOCK: The T 765 is equipped with a data port in the rear panel where an optional NAD IPD (NAD IPD Dock for iPod), NAD IPD 2 and later variants can be plugged in. Connect the“MP DOCK (DATA PORT)" jack ofthe T 765 to the corresponding"DATA PORT" socket ofthe optional NAD IPD model. Refer also to the item about"LISTENING TO YOUR iPod PLAYER" under the USING THE 765 - AM/FM/DB/iPod' segment of the "OPERATION" section: NOTE The external *NAD IPD Dock for iPod” (NAD IPD) model is not supplied with your T 765.

OUT when Source 3 (AUDIO 3 IN/IDEO 3 IN/S VIDEO 3 IN) is selected. Likewise, there will be no output at AUDIO 4 OUT/ VIDEO 4 OUT/S- VIDEO 4 OUT when Source 4 (AUDIO 4 IN/IDEO 4 IN/S VIDEO 4 IN) is the active source input. This prevents feedback through the recording component thereby preventing possible damage to your speakers. When configured, AUDIO 3 OUT/VIDEO 3 OUT/S-VIDEO 3 OUT and AUDIO 4 OUT/IDEO 4 OUT/S-VIDEO 4 OUT are the same assigned ports for Zone 3 and Zone 4 respectively. See also Zone output description below. 6 MONITOR (S-Video, Video) : Connect to video input of the monitor/ television using quality dual-RCA and/or S-Video cables designed for video signals. In general. the S-Video connection is superior and should be used if your TW/monitor provides the corresponding input.

7. AUDIO 1 IN/VIDEO 1 IN/S-VIDEO 1 IN, AUDIO 2 IN/VIDEO 2

IN/S-VIDEO 2 IN, AUDIO 3 IN/VIDEO 3 IN/S-VIDEO 3 IN, AUDIO 4 IN/VIDEO 4 IN/S-VIDEO 4 IN, AUDIO 5 IN/VIDEO 5 IN/S-VIDEO 5 IN, AUDIO 6 IN : These comprise the T 7655 principal input. Connect S-Video, composite video, and analog stereo audio from source components such as DVD players and HDTV/satelite tuners, AUDIO 3 IN/VIDEO 3 IN/S-VIDEO 3 IN, AUDIO 4 IN/VIDEO 4 IN/S-VIDEO 4 IN may be used with recording components such as videocassette or DVD-recorders by connecting these components’ record-output to the corresponding T 765 AUDIO 3 INVIDEO 3 IN/S-VIDEO 3 IN or AUDIO 4 INAMDEO 4 IN/S-VIDEO 4 IN jacks. AUDIO 3 INMIDEO 3 IN/S-VIDEO 3 IN or AUDIO 4 INWIDEO 4 IN/S-VIDEO 4 IN may freely be used for play-only components, in which case their corresponding OUT jacks would remain unconnected. Refer also to AUDIO 3 OUT/ VIDEO 3 OUT/S-VIDEO 3 OUT, AUDIO 4 OUT/VIDEO 4 OUT/S-VIDEO 4 OUT discussion above. AUDIO 6 is ideal for the connection of the analog output ofline-level audio sources like a CD player or Stereo tuner.

87.1 CHINPUT : Connect to the corresponding analog audio outputs of à

multichannel source component such as a DVD-Audio or multichannel- SACD player or external multichannel decoder (disc copy protected formats only allow analog signal transfer). Typically these sources will produce 5.1-channel output, in which case the Surround Back jacks are left unconnected. The signals present at these jacks may be heard by selecting Source 7 (External 7.1 audio input is defaulted to this Source). There is no bass-management or other processing (other than master- volume control) avallable to this 7.1 CH. Input. While the mui-channel audio outputs of à DVD-Video player can be connected to these jacks, using the T 7655 on Dolby Digital and DTS decoding and digital-analog converters via a digital connection will usually produce superior results. REAR PANEL 9 XM MODULE INPUT (120V version only): Connect XM radio cable to this socket. Follow the instructions that came with your XM radio. With XM radio, there are more than 100 channels of music, news, sports, comed, talk and entertainment. You will find that the coverage is continent wide. The music quality is digital with many commercial-free music channels NOTE The external XM radio is not supplied with your T 765. DAB MODULE INPUT (230V version only): Plug-in the other end ofthe Mini-Din connector from the NAD DAB Adaptor DB 1 module output port into this socket. The T 765 is compatible only with NAD DAB Adaptor DB 1 so check with your NAD dealer for this modules avallability. With DAB, you can receive CD-like quality programs without any annoying interference and signal distortion: NOTE The external NAD DAB Adaptor DB 1 module’ is not supplied with your T765. 10 RS-232 : Connect this interface via RS-232 serial cable (not supplied) to any Windows® compatible PC to allow remote control of the T 765 through NAD5 proprietary PC software or other compatible external controllers. Please log on to wwwnadelectronics.com/software for the latest PC interface control software NAD is a certified partner of AMX and Crestron and fully supports these external devices. See your NAD audio specialist for more information 11 FM, AM ANTENNA INPUT : The supplied wire "dipole" FM antenna will connect to the FM connector using the supplied“balun' adapter. it will usually work best when mounted on a vertical surface such as a wall, with arms fully outstretched forming a horizontal*T" perpendicular to the origin point of the signal Connect the supplied AM loop antenna to these terminals. Ian external AM antenna is used, make connections to the AM and GND terminals in accordance with the instructions supplied with the antenna. See also section about Listening to Radio’ 12 SOFT CLIPPING : Enables NADS proprietary Soft Clipping circuitry on all channels. At ON position, Soft Clipping gent} limits the output of the T 765 to minimize audible distortion should the AW Receiver be over-driven. Soft Clipping may simply be left ON at all times to reduce the likelihood of audible distortion from excessive volume settings. However for critical listening and to preserve optimum dynamics, you may wish to defeat it by setting this switch OFF.

REAR PANEL 13 +12 VTRIGGER OUT : There are three configurable +12V TRIGGER OUTPUT. Use a 3.5mm mini-jack connector to pass +12 volts at a maximum current of 50 millamps to auxliary equipment such as à multichannel amplifier or subwoofer. The center conductor (hot) ofthe 35mm jack is the control signal. The outside conductor (shield) is the ground return-path. TRIGGER IN accepts 12V Trigger output of compatible components such as power controllers and home automation devices. TRIGGER OFF/AUTO. When at AUTO position, the T 765 selects the 12V Trigger Input to turn ON if so assigned at the ‘Trigger Setup'menu) and at the same time disables the HTR 3 and front panels ON/OFF function. When at OFF position, the trigger input is disabled. WARNING IfAuto Trigger IN at Trigger Setup menu is assigned to Main' or All and the TRIGGER switch is set to AUTO" mode, the standby button in the front panel as well as the corresponding ON/OFF function keys in the HTR 3 remote control will be disabled effectively handing this function to an external controller. Switch TRIGGER to ‘OFF' to maintain normal power ON/OFF function procedures. See discussion on ‘Trigger Setup'at the "Setup Menu'literature for guidelines on how to configure TRIGGER IN/OUT. 14 IRIN/OUT : These mini-jacks accept and output remote-controlled codes in electrical format, using industry-standard protocols for use with°IR-repeater and multi-100m systems and related technologies. IRIN. This input is connected to the output of an IR (infrared) repeater {Xantech or similar) or the IR output of another component to allow control of the T 765 from à remote location. IR OUT 2. When connected to the IR IN of an ancillary equipment, direct the ancillary equipments own remote control to the T 7655 infrared receiver to command or control the linked unit. IRIN and IR OUT 3. Connect the T 7654 IR IN to the IR OUT of an ancillary equipment. Connect also the T 765' IR OUT 3 to another equipment with IR IN feature. With this setup, the T 765 acts as an‘lR- repeater"allowing the equipment connected to the T 765'5 IR IN control or command ofthe other equipment linked to the T 7655 IR OUT 3. IR OUT 1. In conjunction with IR IN, IR OUT 1 can be used as an‘lR- repeater”just like the IR OUT 3 as described above. It can also stand alone as an IR OUT similar to that of IR OUT 2 function. All NAD products with IR INAR OUT features are fully compatible with the T 765. For non-NAD models, please check with your other products service specialists as to their compatibility to the T 765% IR features. 15 ZONE 2, ZONE 3, ZONE 4 : Sends zone selected audio and video output sources to the corresponding audio and video input of another separate zone. Use high quality patch cables to reduce noise pickup over long distance runs. For a better understanding of zone settings, study below the section on'Zone Controls'of the Main Menu discussion as well as the item on‘Zone Setup'under the ‘Setup Menu'literatures. NOTE The ZR 4 remote control will only control Zone 2 applications. Zone 3 and Zone 4 could be configured and managed at the appropriate Zone O$D menu using the front panel navigations buttons as well as the corresponding keys on the HTR 3 remote control.

16 AUDIO PRE-OUT : The Audio PRE- OUT makes it possible to use the 1765 as a pre-amplifier to external power amplifiers for some or all channels. Connect FRONT L, FRONT R, CENTER, SURR R, SURR L, SURR-BL and SURR-BR to the respective channel input of a power amplifier or ampliiers driing the corresponding applicable speakers. Unike the full range channels, there is no power amplifier built-into the T765 for a subwoofer. Connect the SUBW 1 or SUBW 2 output or both to powered (‘active’) subwoofers or to power amplifier channels driving à passive system. NOTE Never connect both the external amplifier and T 7655 speaker outputs to the same set of speakers. 17 SPEAKERS À, SPEAKERS B : Connect the respective SPEAKER AS FRONT L FRONT R, CENTER, SURR R, SURR L, SURR-BL and SURR-BR channels to their corresponding loudspeakers. Make sure the“+' (red) terminal and"#{black) terminal are connected to the corresponding “4 and”terminals ofthe loudspeaker Use extra care to ensure that no stray wires or stands cross between posts or terminals at either end. Connect left and right channels of Speakers 8 to the corresponding remote loudspeakers. When Speakers B is activated, the output is converted to ‘Stereo Downmix'as indicated in the VFD. Combining Speaker À and Speaker B (SPEAKERS À + B) will also result to the source being downmixed to stereo. TheT 765 is designed to produce optimum sound quality when connected to speakers with impedances within its operating range. Please make sure that al the speakers are rated 4Q minimum per speaker. NOTE Use stranded wire of at least 16 gauge (AWG). Connections to the T 765 can be made with banana plugs (120V version only) or by using bare wire or pins. Use the transverse hole through the post for bare-wire or pin connections. By loosening the terminal plastic nut, make a clean, neat connection and re-tighten carefully. To minimize the danger ofshort-circuit, ensure that only 1/2-inch of exposed wire or pin is ‘employed when connecting, 18 AC POWER INLET : Connect to the supplied IEC-standard removable AC power cord or a compatible cord. 19 SWITCHED AC OUTLET : This convenience outlet can supply switched power to another component or accessory. With the POWER switch at the rear panel set to ON position, this outlet is powered ON or OFF by the front panel STANDBY switch or by the HTR 3 ON/OFF buttons. The total draw of all devices connected to this jack must not exceed 120 watts. 20 POWER : The POWER switch supplies the master AC mains pouver for the T 765. When this switch is at ON position, the T 765 is in standby mode as shown by the amber status condition ofthe standby LED. IF you intend not to use the T 765 for long periods of time (such as when on vacation), switch the POWER switch to the OFF position. When the POWER switch is at OFF position, the front panel standby button, HTR 3 remote control or ZR 4 cannot activate the T 765.

ABOUT THE ON-SCREEN DISPLAY (OSD) The T 765 receiver employs a simple, self-explanatory system of on-screen display*menus"that will appear on the connected video monitor/TV. These are required during the setup process (and are useful in day-to-day operation), so be sure to connectthe monitor/TV before proceeding with setup

Press either or ENTER buttons ofthe HTR 3 remote control or front panel to display the T 765 Main Menu on your video monitor/TV. the OSD does not appear, check your MONITOR OUT connections.

NAVIGATING THE OSD AND MAKING CHANGES

To navigate through the OSD menu options, please do the fallowing using the HTR 3 or corresponding front panel buttons:

1. Presse to select a menu item. Use A /V keys or in some cases, ENTER, to move up or down the

Menu selections. Repeatediy press to advance or go further into sub-menus of a desired menu item.

also return the user to the previous menu or exit from a particular menu MAIN MENU The Main Menu contains the menu options for'Listening Mode;'DSP Options Tone Controls;'Zone Main Menu Controls' and access to Setup Menu Listening Mode through these Main Menu options and their sub-menu selections, please refer to and DSP Options Tone Controls To navigai follow the directions stated in the sections Display the OSD'and'Navigating the OSD and Making Zone Controls Changes NOTE The individual configurations set forth at Listening Mode; DSP Options‘ and Tone Controls' are {Press + to Advance) carried over whenever they are enabled during A/V Preset setting. Please see the section ‘AV Presets’ (Press 4 to Return) for reference. LISTENING MODE The T 765 offers distinct listening modes, tailored for different types of recording or program material. With a to-channel (Stereo) source, the following listening modes can be selected Listening Mode Mode : DIT STEREO All output is directed to the front | right channels. Low frequencies are directed to the subwoofer ifone is present in the Speaker settings. Select'Stereo'when you wish to listen to a stereo (or monaural) production, such as music CD or FM broadcast, without surround enhancement. Stereo recordings whether in PCM/digital or analog form and whether surround-encoded or not encoded, are reproduced as recorded. Mult-channel digital recordings (Dolby Digital and DTS) à reproduced in “Stereo Dounmix' mode via the front left/right channels only as Lt/Rt (left/right-total) signals. DIRECT The analog or digital sources are automatically played in their nativ channels are reproduced directly. This mode recreates the original producing outstandingly high quality audic. mats. Allthe source’ audio und most faithfully thereby. PRO LOGIC Two-channel recordings, whether stereo or suround-encoded, are reproduced with Dolby Pro Logic surround processing, yielding output to front left/right, center and discrete left/right surround channels (assuming these are present in the current Speaker Configuration‘) The surround channel is monophonie, but i is reproduced in both surround speakers.

DOLBY PRO LOGIC IIx Dolby Pro Logic IIx processes both stereo and 5.1 signals into a 6.1 or 7.1 channel output. At Dolby Pro Logic Ix, you can choose PLIx Movie or PLIIx Music modes to tailor your listening experience to the source material. Dolby Pro Logic Ix surround processing yields more stable imaging and full bandwidth sound to the rear channels in Movie mode offering sound that is more similar to Dolby Digital decoding. For two channel signals, Pro Logic Ix Music mode also features three additional user controls - Dimension, Center Width, and Panorama. See also section about Adjusting Listening Modes’ below. The following chart shows the channels available assuming they are enabled in the "Speaker Configuration menu Listening Mode Active Decoded Output Channels Two-Channel Sources 6.1 Speaker System 7.1 Speaker System Front (left & right), Center, Suround | Front (left right), Center, Surround Clft & right), Back Surround, Clft& right) and Back Surround {left Subwoofer andright) and subwoofer Dolby Pro Logic Ix Music Dolby Pro Logic Ix Movie DTS NEO:6 Two-channel recordings, whether stereo or surround-encoded, are reproduced with Neo: 6 surround with output to front left/right, center and discrete left/right surround channels plus subwoofer {assuming these are present in the current ‘Speaker Configuration’). The T 765 provides two DTS Neo: 6 variations - NEO:6 Cinema and NEO:6 Music. See also section about’Adjusting Listening Modes’ below. EARS Two-channel recordings, whether stereo or surround-encoded, are reproduced with proprietany NAD' surround processing with signals output to the front left/right, center and discrete left/right surround channels, plus subwoofer (assuming these are present in the current'Speaker Configuration: EARS does not employ the surround back speakers (if any). EARS extracts the natural ambience present in nearly all well-produced stereo recordings. It does not synthesize any ambience or other sonic elements and thus remains truer to the sound of the original musical performance than most other music-surround options Select EARS for listening to stereo music recordings and broadcasts. EARS produces a subtle but high natural and believable ambience from nearly all'natural-acoustic"stereo recordings. Typically these include classical jazz, and folk genres as well as numerous examples from others. ts virtues include realisti, stable “front-stage” sonic imaging and spacious but unexaggerated ambient ‘virtual acoustics" that remain faithful to the original recording, ENHANCED STEREO Al recordings are reproduced in stereo via the maximum speaker complement configured in the current'Speaker Configuration Enhanced stereo can be useful for maximum volume from all channels or for mui-speaker background music (cocktail party) listening. For this mode, Front, Center, Surround and Back speakers can be turned ON/OFF as desired ANALOG BYPASS All analog signals remain in the analog domain without analog-to-digital conversions. At Analog Bypass, the DSP circuitry is bypassed but full tone control functions remain. Bass management'or Speaker settings are also not in effect as these are DSP functions

Several ofthe T 7655 list parameters that you can modify to suit you system or personal preferences. At Listening Mode menu NTER and A/w \e or more selectable variations and adjustable tening modes have use a combination ys to navigate and effect desired settings NOTE Listening Mode parameter changes are maintained when you change listening modes. You may also save a modified Listening Mode for easy recall by saving it to a Preset (See A/V Presets' below under Setup Menu discussions). PRO LOGIC IIx PLlix MOVIE is optimized for film soundtracks. PLiix MUSIC for music recordings Center Width (0 to 7): Modifies the“hard-centeredness’of the center image, by gradually mbing mono center content to the Front lef 1. A setting of 0 retains the center- channel-onl ait whil hannel etting of 7 yields à full Dimension (: 7}: Adjusts front-rear emphasis of the surround effect independk ntly from the relative annel levels. Off}: Adds awraparound"effect by extending ent into the surround channels. NOTE Pro Logic Ilx mode will decode as Pro Logic I! mode when the BACK surround speakers are setto “OFF" from “Speaker Configurations" menu. See also section about “Speaker Configurations” under Speaker Setup” ofthe Setup Menu. DTS NEO:6 NEO: 6 Cinema is optimized for film soundtracks. NEO: 6 Music for music recordings Center Gain (0 Adjust for better center image in relat to the surround sound channels. DSP OPTIONS DSP Options has the the picture relative to the audio. ature/Lip Sync Delay whose function is to match any delay that may occur in By varying Lip Sync Delay'from Oms to 120ms, one can delay the audio output in order to synchronize itwith the video image TONE CONTROLS The T 765 has three Tone Control levels — Treble, Bass a er Dialog. Bass and Treble controls only affect the low bass and high treble leaving the critical midrange frequencies free of coloration. The Center Dialog intelligibility {Dialog'in the VFD) control boosts the‘presenceofthe midrange region improving f speech These controls allow one combination uring pla ntrol justed by navigating through the Tone ENTER and A/V keys, The same can be managed directly by pi “TONE CONTROLS'button and then rotating the Volume k ontrols OSD menu via a ng the front panels Maximum and minimum values for all three Tone Con re Defeat'gives one the choice of varying or completely bypassing the tone control section ofthe Off (Tone Active'in the VFD) is selected, the Tone Control circuits are active. t'in the VFD) to bypass the Tone Controls tively defeating the one control circuits. OPERATION

ZONE CONTROLS Depending on the settings made at the discussion, the applicable Zone can be . separate Zone Setup'menu under the'Setup Menu's Zone Controls nfigured and managed via this'Zone Controls'windon Select'On'to activate the applicable Zone. When activated, the Source input for the particular Zone can be allocated by selecting through the following inputs — All enabled Sources, Front Input, Media Player, Tuner and Local. Select'Local'as your selected Zones Source input if you wish to enjoy the same source as the main Zone and allow simultaneous listening, but with full separate volume levels IFa Zone is set to'Off'itis deactivated or powered off. Volume refers to the adjustable secondary Zone Volume level that can be increased or decreased using the A/Y buttons of the HTR 3 or front panel$ corresponding navigation buttons. n a Zone is activated, a corresponding Zone number is iluminated at the VFD. Zone 2 is always Zone Controls available to be configured at’Zone Controls menu. For Zone 3 and Zone 4 to become available at the Zone 2 ‘Zone Control window, their corresponding'Mode‘in the‘Zone Setup menu under the‘Setup Menu’ urce : Loc section should be set to'Zone (Audio Only Volume Zone 3 Source NOTE Volume The ZR 4 remote control will only control Zone 2 applications. Zone 3 and Zone 4 could be Zone 4 configured and managed at the appropriate Zone OSD menu using the front panel navigations Source Volume buttons as well as the corresponding keys on the HTR 3 remote control.

SETUP MENU The Setup Menu allows one to customize the operation ofthe T 765 setup Menu in ones specific AV system. Unless your system exactly matches the factory defaults as shown inthe accompanying Quick Start Guide, you will o use the setup menu figure the inputs ofthe T 765. er Setup one Seti At Setup Menu, the following are configurable - Source Setup, Speaker Setup, Zone Setup, Amplifier TU cetup Setup, Trigger Setup, Listening Mode Setup, Display Setup and AW Presets Trigger Setup Listening Mode Setup To access and navigate through Setup Menu and its sub-menu selections, please refer to and follow RIŸ Presete à the directions stated in the sections Display the OSD'and'Navigating the OSD and Making Changes. SOURCE SETUP From Setup Menu, pressing wil direct you to the Source Setup menu wherein you could adjust oiroë:eétup allocate or change the se the following - etup (Normal View), Source Setup (Table Vie) and iPod Setup. Source Setup (Normal Vie Source Setup (Table View) iPod Setup SOURCE SETUP (NORMAL VIEW) The Source Setup (Normal View) menu makes it possible to set allocate or change the following settings Source Setup (Normal View) SOURCE 1 7 t £ Enabled Yes he T 765 is equipped with ten rable 1 se each endent o The T 765 is equipped with ten configurabl s. The settings for each Sourc ndent on ER Ge: 1 the configurations set forth in the parameters for that particular Source window. Analog Audio : Audio 1 Gain 0d8 Digital Audio : HDMI 1 Video HDMI 1 A/V Preset None Trigger Out None press button and then ENTER or A/Y NOTE Source 5 is defaulted to iPod. For Source 5 to be changed and allocated for other inputs, go to iPod Setup’ menu under the ‘Source Setup’ menu. At iPod Setup menu, set'Enabled'to No'- you can now assign Source 5 to other inputs or settings as desired. ENABLED Source Setup (Normal View) One can enable/disable a Source via this option. This is particularly useful if only few Sources are used and one directly selects the from the front panel, bypassing unused sources. Source L di es Nane Source 1 To enable or disable a particular Source, scroll to‘Enabled'and press A/Y keys to select Yes'or'No! Analog Audio : Audio 1 Gain dB Digital Audio : HDMI 1 Video HDMI 1 A/V Preset None Trigger Out None NAME Source Setup (Normal View) A new Name maybe assigned to a Source label. For example, if your DVD player is attached to “Source 1! it is possible to rename e l'to'DVD Player: Source 1 Enabled Yes Source 1 In order to rename the Source label, scroll to'Name'and press & to go the character. Then, press AZ Analog Audio : Audio 1 to pick through the alphanumeric elections. Gain 0d8 Digital Audio : HDMI 1 Video HDMI 1 Press 4 to move to the next character and at the same time save the changes done on the current AIN Preset None aracter. The name can be as long as twelve characters. Trigger Out None The new Name shown in the VFD as well as on th

Source Setup (Normal View) ANALOG AUDIO The T 765 has nine analog audio inputs including 7.1 input. These analog inputs - Audio 1, Audio 2, ce LL Audio 3, Audio 4, Audio 5, Audio 6, Audio Front, Audio MP and 7.1 Input can be variably assigned to Name Source 1 Analog Audio} Audio 1 Gain 0d ci nalog Auc hen press b and ther os assign an analog audio input to No Audios EL 1 Scrolto/Analog Audio and then press and then A4 10 select and asign an analog audio input to Video HDMI 1 the particular Source. There are three choices - Audio, 7.1 Input or Off. A/V Preset None Trigger Out None d'then A/Vk Audid/is chosen, pres: nt and MP. s to select and assign the desired audio input Select'7.1 Input’/to choose the audio signal fed to'7.1 Channel Input‘ IfOf‘is selected, no i analog audio signal is selected by the particular Source NOTE An incoming digital signal present at the assigned digital input will always take precedence over the assigned analog audio input, even if both are present. To maintain the analog audio input for the particular Source, select Off atthe ‘Digital Audio‘ setting ofthe same Source’ menu. GAIN Gain adjustment allows all sources to play back at the same volume 50 you don't need to adjust the Source Setup (Normal View) Source 1 volume every time a new source is selected. It is generally preferable to reduce the level ofthe loudest Enabled Yes L athertt der the softer Name Source 1 source rather than making ler the softer sources. Analog Audio Audio 1 (Gainl OdB Scroll to ‘Gain! press and then A/Y to step through the desired level from -12dB to 12d8. Digital Audio : HDMI 1 Video HDMI 1 A/V Preset None Trigger Out None Source Setup (Normal View) DIGITAL AUDIO To take advantage ofthe T 7655 high performance surround and digital audio circuitryit is advisable Source Û that its Digital Audio inputs are selected Enabled Yes Name Source 1 Analog Audio : Audio 1 There are two types of Digital Audio input for the T 765. These are Optical and Coaxial digital inputs. A Gain 0d8 third option is’Off” whereby no incoming digital audio signal is selected by the particular Source HDMI 1 Video HDMI 1 AIV Preset None The desire Trigger Out : None press and then A/Y to step through the desired digital input source. After finalizing the desired type of Digital Audio input, press & and then A/Y again to select the specific Digital Audio input.

gital audio input for a particuler Soui There are eleven Digital Audio inputs selectable for the T 765. They are th

HDMI + HDMI 1, HDMI 2, HDMI 3, HDMI 4

Optical => Optical 1, Optical 2, Optical 3, Optical Front xial 3 e following Coaxial = Coaxial 1, Coaxial 2, CI NOTE An incoming digital signal present at the assigned digital input will always take precedence over the assigned analog audio input, even if both are present. To maintain the analog audio input for the particular Source, select Off atthe ‘Digital Audio‘ setting ofthe same Source’ menu. Source Setup (Normal View) VIDEO here are four types of video input a particular Source could be assigned. These are HDMI, Com Source 1 S-Video and Video inputs. À fifth option is'Offwherein the particular Source is prompted not to si Enabled Yes Name Source 1 Analog Audio Audio 1 Gain dB Navigate through the Video input selections by pressing à and then A/Y to step through the FER Audio ul 1 selections, The fallowing are the assignable Video inputs A/V Preset None Trigger Out None HDMI = HDMI 1, HDMI 2, HDMI 3, HDMI 4 Component Video =? Component 1, Component 2, Component 3 S-Video -? S-Video 1, S-Video 2, Video 3, S-Video 4, S-Video 5, S-Video Front Video > Video 1, Video 2, Video 3, Video 4, Vick any Video input.

The T 765 is equipped with a Video Format Converter. This allows for a simplified video connection between the T 765 and your TV Monitor when using multiple video formats such as Composite (CVBS) S-Video, and Component (YUV). This format change is accomplished by encoding the analog video signal into a digital signal using a very high quality digital encoder to maintain the best possible picture quality. Once in digital format, the video input signal could also be available at the other Monitor output ja including HDMI MONITOR OUT. Thus, you do not have to necessarily assign the video output of a composite video input signal to MONITOR OUT (Composite video). The composite video input signal can be viewed also at HDMI MONITOR OUT at a resolution setting dependent upon your TV/Moi resolution capability With a composite video input, the corresponding video resolution at HDMI MONITOR OUT wil be at 480i/576i or 480p/576p. Some TV/Monitors will automatically display the video signal at 480p/576p ifthey are not capable of displaying 480i/576i

If your TV/Manitor does not have HDMI input, select the highest quality video format available on your TV/Monitor and utilze this as T 765'5 preferred Monitor OUT. In most cases, this wi be Component Video, but on same older TV5, S-Video maybe the best quality connection NOTES + HDMi resolution cannot be downsampled. You must connect T 765s HDMI MONITOR OUT to your TV/Monitor HDMI input when using an HDMI source. + With a component video input, the corresponding output at HDMI MONITOR OUT will be dependent upon the resolution setting ofthe source. + Allthree monitor outputs (Composite, S-Video and Component Video) will always be active no matter what the source format is. AIN PRESET A particular Source can be assigned a stored Preset. The parameters set up in the selec number will be adopted into the particular Source it is assigned (Pl d Pr se refer to the separate section on Source Setup (Normal View) “AV Presets for further understanding of Preset settings). Source 1 Enabled Yes Name Source 1 Analog Audio : Audio 1 Scrolling to'AW Preset'and by pressing and then A/Y keys, a Source could be assigned a Preset number ranging from Preset 1 to 5 Gain dB Digital Audio : HDMI 1 Video HDMI 1 A/V Preset Preset 1 Trigger Out None Hit is desired not to assign the particular Source a Preset setting, select'None: TRIGGER OUT The Trigger Out for a particular Source is dependent on the configurations done in a separate menu on Trigger Setup (See’Trigger Setup'belows fall three available Trigger outputs are assigned to "Source Setup' Source Setup (Normal View) in the separate Trigger Setup windows a particular Source can have the following Trigger Out combinations Source ‘ Enabled Yes Trigger Out => 12 1+2-3-21+322+32 14243 Name Source 1 Analog Audio : Audio 1 Gain 0d8 These combinations are dependent on the assignment of Source Setup for Trigger 1 Out, Trigger 2 Digital Audio : HDMI 1 Out or Trigger 3 Out'at the Trigger Setup menu. Video HDMI 1 Another option is None'whereby the particular Source is not assigned any Trigger Out. AIV Preset None Trigger Out E For‘Trigger Out'to become enabled and assignable at'Source Setup (Normal View)" menu, make sure to carry out ar note the following beforehand + _ In the separate Trigger Setup’menu, assign ‘Trigger 1 Out, Trigger 2 Out or Trigger 3 Out'to Source will not appear as an option atthe Source Setup (Normal View) menu if at the separate Trigger Setup menu, Trigger 1 Out, Trigger 2 Out or Trigger 3 Out'are all assigned to ‘Main, Zone 2, Zone 3, Zone 4, or Zone 2+344' with not even one"Trigger Out‘ port allocated to Source Setup!

SOURCE SETUP (TABLE VIEW) Trg Name The S e Setup (Table View) ref 5 the settings made in the Source Setup (Normal Vi | Source 1 the Source settings are summarized and displayed in tabulated form in the Source Setup (Table Viev 2 Source 2 L ares Navigating through the Source Setup (Table View) via à combination of and then A/V k will s iPod have the benefit of directly changing the settings far'Audio, Video, Preset, Trigger and Source Name’ 6 without going back to the Source Setup (Normal View) menu 7 Source 7 8 Front Input 9 Media Player T Tuner {Press ENTER to Disable) iPod SETUP 1PGd St The iPod Setup menu allows you to preset the following associated settings wihen IPod is the source EE | Ye Enabled: el sable iPod as à Source or'No”to disable it Uto Connect : Yes Ves'to automatically enable > DE ee Le) Auto Connect es'to automatically enable and i linked NAD iPod docking station when Source 5 (the default iPod source al selected. Select'No'if you do sant for the i connection automatically SD to revert to the No Menu Timeout : Set the time fc

Playing d menu has been le! the ‘Now Playing OSD e iPod menu. You can set the’h dle (no scrolling or navigation being done) for the sp nn, there should be à song paus r being played be tween the range 55 to 60s at 55 increments. If ot want for the menu to timeout, sel SPEAKER SETUP Soenker set After connecting all ancillary sources and other combinations, the Speaker Setup menu will guide us etup you on how to manage and setup your speakers in order to achieve optimum sound acoustics in your listening environment. Speaker Configuration Speaker Levels e following are the Speaker Setup Menu Sr Dit The following are the Speaker Setup Men AUDYSSEY SETUP Audyssey Setup It has been shown that many, if not most, surround s: ystems are not à urately configured and setup andinstrumentation that the average person probably doesnt possess Please connect the measurement microphone to the T765 up your ability to automatically yn unique Home Theatre speak Setup feature along position the microphone in the jgh the T 7655 Audys th the sophisticat main listening position at ear electronics built into your unit. height The installation of your new T 765 is greatly simplified by Audyssey Setup Start Seaker Detec delivering the best quality sound possible of spea room dimensions. h the end result of enthe e as well as your listening sssey Setup takes up oi Iy a fraction of time to run compared w Audyssey Setup th setting up your speakers leve results that rival 2 test and setup measuring devices manually and then her exper Front Left : Yes center Yes : « Front Right Yes The following measurements are performed Surround Right : Yes + Detection : Speal guration is detected including the number of surround speakers and Back Right Yes whether a Back Left Yes Surround Left : Yes Subyoofer : No ofer and center channel is

ossover is set based on each channelS signal handling capability and the subwoofer atthe microphone position. 0C6ed Lo Next S . ers) ofthe microphone for each speaker position Audyssey Setup + Polarity :the setup program will detect and notfy the user any speakers are connected improper polarity can ruin the illusion of realism offered by surround Congratulations. The Audyssey Setup procedure This is a one-time setup, unless speakers are moved or changed, in which case Audyssey Setup should is now complete. {Press 4 to Return)

Connect the Audyssey microphone jack into the front panels MP/MIC input wizard will guide you through a simple step-by-step configuration. The sound at your main listening position is setup using the supplied Audyssey microphone. À special test tone is sent to each speaker and the data is memorized by the T 765. The duration of setup may take some time depending on the number of speakers. After the measurements, Audyssey calculates the ideal system response for your particular room and speaker setup. nd the Audyssey Setup Isome inconsistencies or discrepancies are detected during the Audyssey setup, the process maybe interrupted or the problem is shown in the particular setup window. À notice screen is correspondingly displayed. After following and undertaking the displayed instructions, re-start the Audyssey setup again. When the measurements are finalized, Audyssey calculates the ideal system response for your particular room and speaker setup. NOTE The test tone emitted during measurement is loud. This maybe bothersome for you and may affect as well your other household members and even your neighbor. I is recommended that you take full advantage ofthe T 7655 Audyssey Setup feature for your speaker setup. However, if you desire to setup your speakers manualy or if you already had run Audyssey Setup but would like to make adjustments, the following sections on Speaker Configuration, Speaker Levels and Speaker Distance can also be followed and implemented NOTE During manual setting of your speakers, previously calibrated Audyssey settings could be retrieved byre-adjusting back the altered configurations as highlighted by an asterisk. SPEAKER CONFIGURATION Every surround-sound system requires "bass-management"to direct low-frequency content from any der Carlareciar

or al channels to the speakers best able to reproduce it. For this function to operate correctly, itis important that you correctly identify your speakers’ capabilities. We use the terms“Small'and'Large” Front SE s02z + {and”Off°) but note that physical size may be irrelevant. Center Large Surround Large + A"Small' speaker y model, regardiess of physical size, that lacks significant deep-bass mal" speaker is any model, regardless of physical size, that lacks significant deep-bass response, Back 2 Large that is, below about 200 H + A Large" speaker is any full-range model; that is, one with deep-bass response + An"Off speaker is one that is not present in your system. For example, you might not have any surround-back speakers installed in that case, you would set the'Surround'setup item to "Off Subwoofer On * xRestore Audyssey Values

OFF SMALL 5 ou où SMALL OFF Sat OFF OFF OFF The Speaker Configuration is*global"; that is, it remains in force with all inputs and in all listening modes. However, speaker settings are part of the T 7655 Preset system. Consequently, multiple speaker settings can be stored for easy recall as different types of recordings or listening modes require. Speaker Configuration can be managed and adjusted by pressing a combination of and then A/Y keys. Set'Front/ Center and'Surround'to‘Large!"Small"or"Off"as your subsystems speakers require. The'Back'speakers can elther be one or two speakers. Set'Back'to either 1 or 2 speakers as per availabilty. Set'Subwoofer‘to"On"or"Off'selecting'Ononby if you have a subwoofer connected to the T 765 SUBWI or SUBW2 output jack. ENHANCED BASS When the subwoofer is set to ON and one or more speakers are set to"Large’ Enhanced Bass is also available. Normally, with speakers set to “Large” the subwoofer is not active. The Enhanced Bass option allows ul range operation of the speakers with the additional bass contribution of the subwoofer. This feature is particularly useful when one wants to experience maximum bass output. Please note that due to acoustic cancellation effects, the bass response may be uneven when using this setting You can set Subwoofer to“On"even with“Large" front speakers, in which case bass content from any. channels set to “Small will be routed to bath the subwoofer and to the front speakers; LFE-channel signal wil pass only to the sub. In most subwoofer-equipped systems, setting front speakers to "Small is usually the better option. Allthe speakers low frequency content can be directly adjusted within the range 40Hz to 200Hz NOTE The configurations set forth at ‘Speaker Setup' are carried over whenever it is enabled during AW Preset setting. Please see also the section AV Presets' for reference.

SPEAKER LEVELS Adjusting the relative balance of your systems loudspeakers ensures that music or film, wil present the balance ofeffects, music, and dialog that the artists intended. Additional ifyour system incorporates a subwoofer it establishes a correct relationship between the volume ofthe subwoofer andthe other speakers and thus oflon-frequencies (bass to other sonic elements. urround-sound recordings, whether

It is quite practical to perform the T 765 level setup routines “by ear' and careful work will produce acceptably accurate results, However, the use of an inexpensive sound-pressure level (SPL) meter, such as Radio Shack part number 33-2050, makes this task easier, more accurate and more repeatable. Ownership of such a meter could prove a valuable audio tool. Your NAD audio specialist may be able to help you with temporary use of a meter. The SPL meter should be placed at the primary listening position, at approximately the height of the seated listeners head. À tripod is helpful but with a little duct tape almost anything — à pole lamp, music-stand, or ladder-backed chair for example — can do as well. Just be sure that no large acoustically reflective surfaces obstruct or are near the microphone element Orient the meter with its microphone (usually at one end) pointing straight up toward the ceiling (not toward the speakers) and ensure thatC'weighting scale is selected. Set the meter to display 75 dB SPL. On Radio Shack meters, this necessitates elther setting the meter to its 80 dB range and taking your readings at the -5 point or selecting the 70 dB range and reading at the +5 point

SETTING SPEAKER LEVELS AT TEST MODE

While at'Speaker Levels menu, press the HTR 3 remote’s‘Test'key activating the T 765' Speaker Levels balancing test signal . You will hear a“surf” sound as ou step through your speakers (test'appears to the right side of the current speaker) beginning with the Frant Left. you do not hear the test signal, check your speaker connections or your "Speaker Setup O$D menu settings. Use the remote A/Y keys to adjust the loudness ofthe noise output from the currently playing channel to the required level (ts usually simplest to begin with the Front Left}. As you cycle the test signal around the speakers, the OSD will highlight the currently playing channel. The “level offset" reading on the right will change by 1 dB increments; +12 dB adjustment is available. Press'ENTER'to adjust the next speaker. NOTE Ifyou are balancing levels “by ear’ choose one speaker—usuall the center—as a reference and adjust each ofthe others in turn to “sound as loud” as the reference. Be sure that you remain in the primary listening position while balancing all channels, To produce the same SPL meter reading {or subjective loudness) use the remote AJ V keys to adjusteach speaker NOTES + Allspeakers must be in their final locations before level-setting. + Your subwoofer (if any) should be set with its integral crossover defeated, or ifundefeatable, set to its highest-possible frequency if you are using the T 765's Subwoofer output. Final subwoofer-level adjustment “by-ear;" using music and film sound material, is frequently useful. + Due to the effects ofroom acoustics, matched-pair speakers (front; surround: back) will not always calibrate to exactly the same level offset readings. You can exit‘ Test mode at any time by pressing 4key, bringing you back to'Speaker Setup'menu. You can also press the"TEST'key to discontinue the ‘Test mode. OPERATION

USING THE T 765 - SETUP MENU

SPEAKER DISTANCE Your system!s speaker distance settings are a subtle but important refinement of your setup. nforming Speaker Distance the T 765 of the loudspeaker-to-listener dimensions of each speaker automatically imposes the correct nit of _Measurel delays, optimizing imaging, intelligibility and surround-sound ambience. Enter your dimensions with Front Left precision within about 1 foot (30 cm) center Front Right Surround Right SETTING SPEAKER DISTANCE Back Right file at'Speaker Distance’menu, use the A/W keys to individually set Front Left, Center, Front Right, Back Left œ : à : wwoofer t suring from you Surround Left, Surround Right, Back Right, Back Left, Surround Left and Subwoofer to the distance measuring from your Subvoofer principal listening position to the front surface oftheir corresponding loudspeakers. Distance can be set up to 30 feet or 9.1 meters Distance can be displayed as feet or meters selectable at the‘Unit of Measure' item.

ADJUSTING THE VOLUME

In addition to the Volume knob, use the HT VOL A/Y to adjust the"master volume" oftheT 765 raising or lowering the channel altogether. À momentary keypress will change the master volume by 1 dB increments you hold doun VOL A, the mastervolume change will tun-on" until the key is released . Since recordings vary considerablyin overall average level, there is no imperative to listen at any D particular master-volume setting. À setting of -20 may sound”as loud"from one CD or DVD as -10 does mn] V°t fiom another. The T 765 will power-up from Standby mode at whatever master volume setting was last used however ifthe prior setting was greater than -20 dB, the T 7 20 dB. This prevents inadvertentiy beginning a session at excessive volume. 5 will power up at

Use the HTR 35 Mute’key to silence all channels completely. Muting is always available regardless of the source or listening mode selections. NOTES + Changing input or listening-mode selections does not release muting. + Adjusting the volume level via the AVR 3 or the front panel volume knob will automaticall release the mute function. FHANELVOUNE ADJUSTING CHANNEL LEVELS ‘ON THE FLY’ You can make changes to the relative levels of center, surround and subwoofer outputs without having to go into the"Speaker Levels menu. This is very convenient in circumstances like increasing (or tone dou n) a flm's dialog level by raising (lowering) the center channel or reducing excessive deep bass (or enhance deep bass) by lowering (rising) the subwoofer level t of these channels over a Use the HTR 3 'SURR/'CENT'and'SUB'keys for direct range of 46 dB. level adjustme The surround back channels (f any) adjust in lockstep with the surround channels NOTE Levelsettings adjusted'On the Fiy' are added or subtracted to the setup levels established at the T765 level-calibration routine as invoked by the HTR 3 Test’ key. However, selecting any Preset will revert the channel levels to those stored in the preset.Itwill also take T 765 offthe levels set via Audyssey Setup.

ZONE SETUP sound and applicable video sources from all enabled Sources as well as from Front Input, Media Player and Tuner. Zone 2 Volume Zone feature allows one to simultaneous|y experience in different zones ofthe house multiple The T 765 has three configurable Zones - Zone 2, Zone 3 and Zone 4. Use à combination of or ENTER and A/ keys to navigate through the Zon tp menu parameters Mode: Zone (Audio Only) Variable VOLUME Zone 2 have Fixed and Variable volume control. When set to Variable’an while at the ‘Zone Controls’ Record 0 menu OSD, the Zone 2 Volume level can be adjusted using the HTR 35 A/V orthe corresponding front panel navigation buttons or directiy via ZR 45 VOL A/V. On the other hand, if Volume is set to‘Fixed; the Zone 2 Volume is set to a preset dB level and thereafter the Zones volume can be varied via the volume control ofthe separate amplifier is ed into. MODE Zone 3 and Zone 4 can be configured into two modes — Record Out and Zone (Audio Only). the selected mode is Record Out, the audio and applicable video signal ofthe assigned Source are directly sent out to the applicable AudioWideo Output (See Item 5. AUDIO 3 OUT/MIDEO 3 OUT/S-VIDEO 3 OUT AUDIO 4 OUT/MIDEO 4 OUT/SVIDEO 4 OUT of REAR PANEL discussion.) “Record Out mode, they will not be available at the’Zone Controls‘section ofthe Main Menu window Nhen Zone 3 or Zone 4 is set to “Record Out's ing is ideal for making recordings with a VCR or other similar devices. This setting is also used for multi-zone installations using passive impedance matching volume controls. See your NAD dealer for specific information about integrating your NAD Receiver into a multi-room audio distribution system. Zone 2 and Zone 3 Volume’ will function the same way as that of Zone 2 when Mode is set to Zone (audio Only) See discussion also on ‘Zone Controls'at the Setup Menu. NOTE The ZR 4 remote control will only control Zone 2 applications. AMPLIFIER SETUP Ifthe surround back speakers are not used in t Amplifier Setup main zone, their surround back amplifier channels could be assigned for Main back, Main Front (B-Amp) and multi-zone use. 5 : ain Back urround Back amplifier is configurable through the following settings +. Main Back: A: + Main Front (Bi-Amp): Provide à bi-amp mode for the Main Front speakers (Left and Right) ign as surround back speakers. speakers thus reproducing the Front Left and Front Right amplifier channel outputs. + Zone 2: Assign the surround back amplifier channels to supply Zone 2 speaker level outputs from the surround back speaker terminals + Zone 3: Assign the surround back amplifier channels to supply Zone 3 speaker level outputs from the surround back speaker terminals + Zone 4: Assign the surround back amplifier channels to supply Zone 4 speaker level outputs from the surround back speaker terminals

TRIGGER SETUP 5 featu three configurable +12V DC Trigger Dutput that can be us Trigger Setup TheT to activate à companent or system it is fed into. À Trigger Input is also available to turn on the applicable link it is Trigger 1 Out : Main associated LAE L Trigger 2 Out Source Setup Delay 95 Use a combination of or ENTER and A/ Y keys to navigate through the Trigger Setup menu parameters. Trigger 3 Out : Zone 24344 TRIGGER OUT Delay Œ Auto Trigger In : Main Triggers are low voltage signals used to tum on/off other compliant devices. The T 765 three +12V DC Trigger Outputs (Trigger 1 Out, Trigger 2 Out and Trigger 3 Out) are dependent on which mode they Main, are associated with There are six choices where +12V DC output can be assigned and these Zone 2, Zone 3, Zone 4, Zone 2+344 and Source Setup. Main : +12V DC is available at the assigned Trigger Out when the T 7 Zone 2, Zone 3, Zone 4, Zone 2+3+4 available at the assigned Trigger Out. Source Setup : I Trigger Output is lin whenever the particularly assigned Source is selected. Please see also separate discussion about “Trigger Out'under the Source Setup (Normal) section: at powered state ren the applicable Zone is at powered state, +12V DC is Source Setup! +12V DC is available at Trigger Out DELAY The availability o 12V DC at Trigger Out can be regulated. fit is desired that +12V DC is available without delay the moment Trigger Out is linked to its assigned settin can select through a delay time of 15 to 155. Delay to 0s. Otherwise, one

Auto Trigger IN allows external system controllers to toggle the associated section of the T 765 from Standby to'On'and vice ver RIGGER switch at the rear panel is set to AUTO, a +12V input at Trigger IN rigger IN is assigned, Main : From standby mode, the T 765 is powered ON when +12V DC is applied at Trigger IN Zone 2, Zone 3, Zone 4: Applicable Zone is turned ON whenever +12V DC is present at Trigger IN. Al: Main, Zone 2, Zone 3 and Zone 4 as described above wil all be activated given a +12V DC input at Trigger IN WARNING IfAuto Trigger IN at Trigger Setup menu is assigned to Main' or All and the TRIGGER switch is set to ‘AUTO’ mode, the Standby button in the front panel as well as the corresponding ON/OFF function keys in the HTR 3 remote control will be disabled effectively handing this function to an external controller. Switch TRIGGER to (OFF to maintain normal power ON/OFF function procedures. See also'item13. +12 VTRIGGER OUT, TRIGGER IN, TRIGGER AUTO/OFF'of REAR PANEL discussion as well as the ‘Trigger Out’ discussion under ‘Source Setup (Normal View)

LISTENING MODE SETUP

The T 765 has various listening mode options and is mostly configurable. These are provided to reproduce a variety of sound effects depending upon the content ofthe source to be played. Use a combinati keys to configure the following settings Dolby Setup DTS Setup nhanced Sterec LISTENING MODES The audio d Source can be automatil y configured and processed through the following options: DOLBY Dolby Digital is the multi-channel digital signal format developed in the Dolby lboratories. Discs bearing the Dolby Digital (double-D symbol) logo were recorded with up to 5.1 channels of digital signal, reproducing à much better sound quality, with dynamic and spatial sound sensations that are Listening Modes much better than in the previous Dolby Surround D À PLIIx Music A Dolby Digital audio input can be configured relative to its format as follows Surround : PLIIX Movie Stereo: Fthe detected audio is of Dolby stereo format, you can default it to one ofthe following DTs settings -F ogic, PLIIx Movie, PLIIx Music or None. : NEO:6 Music Surround: If the ed audio is of Dolby Surround format, nd EX, PLIIx Movie, and PLIIx Music, Stereo ult it to one ofthe can c Surround : NEO:6 Music PCH following settings -Su Stereo: None None: if None'is selected, th Surround None Analog _: None jownmix or None: settings set forth at the 1

Dolby Digital Plus is the next-generation audio technology for all high-definition programming and media. It combines the efficiency to meet future broadcast demands with the power and flexibility to realize the full audio potential expected in the upcoming high-definition era. Built on Dolby Digital, the multi-channel audio standard for DVD and HD broadcasts worldwide, Dolby Digital Plus was designed for the next-generation A receivers but remains fully compatible with all current AV receivers Dolby Digital Plus delivers mult-channel audio programs of up to 7.1 channels and supports multiple programs in à single encoded bitstream with the maximum bit rate potential of up to 6 Mbps and the maximum bit rate performance of up to 3 Mbps on HD DVD and 1.7 Mbps on Blu-ray Disc. it outputs Dolby Digital bitstreams for playback on existing Dolby Digital systems. Dolby Digital Plus can accurately reproduce the sound originally intended by directors and producers It also features mult-channel sound with discrete channel output, interactive mixing and streaming capability in advanced systems, Supported by High-Definition Media Interface (HDMI, a single-cable digital connection is possible for high-definition audio and video. DOLBY TrueHD Dolby TrueHD is a lossless encoding technology developed for high-definition optical discs in the upcoming era. Dolby TrueHD delivers tantalizing sound that is bit-for-bit identical to the studio master, unlocking the true high-definition entertainment experience on high-definition optical discs in the next generation. When coupled with high-definition video, Dolby TrueHD offers an unprecedented home theater experience with stunning sound and high-definition picture. It supports bit rates of up to 18 Mbps and records up to 8 full-range channels individually with 24- bit/96 kHz audio. also features extensive metadata including dialogue normalization and dynamic range control. Supported by High-Definition Media Interface (HDM), a single-cable digital connection is possible for high-definition audio and video. HD DVD and Blu-ray Disc standards currently limit their maximum number of audio channels to eight, whereas Dolby Digital Plus and Dolby TrueHD support more than eight audio channels. Note that the T 765 only supports 7.1 channel

Using a Matrix decoder, this method creates the back channel (sometimes also called the ‘surround center’) by means of signals on the left and right surround channels recorded in Dolby Digital 5.1, reproduction being provided in Surround 6.1. This method should be selected with sources bearing the“Dolby Digital (double-D symbol)-EX' symbol, recorded in Dolby Digital Surround EX. With this additional channel you will experience improved dynamics and a better sensation of movement within the sound field. If media sources recorded in Dolby Digital EX are decoded with a Digital EX decoder, the format is detected automatically, and the Dolby Digital EX mode is selected However, some media sources recorded in Dolby Digital EX can be detected as simple Dolby Digital media sources. In this case Dolby Digital EX should be selected manual. NOTE Please refer to the section ‘Listening Mode’ at the Main Menu discussions for a description of Pro Logic, PLiIx Movie, PLIIx Music and Stereo Downmix modes. DTs The Digital Theater System Digital Surround (simply called DTS) is à mult-channel digital signal format that can process higher data rates than with Dolby Digital. Ahough both Dolby Digital and DTS are 5.1 channel media formats, dises bearing the*DTS"symbol are thought to provide better sound quality due to the lower audio compression required. it also offers a broader dynamic, producing magnificent sound quality. A DTS audio input can be configured relative toits format as follows Stereo: the detected audio is of DTS format, you can defaut it to one ofthe following settings — NEO: Cinema, NEO:6 Music or None. Surround: Fthe detected audio is of DIS Surround format, you can default it to one ofthe following settings - NEO: Cinema, NEO:6 Music, Stereo Downmix or None. None: 'None'is selected, the DTS signal will be defautted to the‘Stereo'or Surround'settings set forth at thePCM'option. See discussion below about PCM: NOTE Please refer to the section ‘Listening Mode’ at the Main Menu discussions for a description of Stereo Downmix and DTS Neo:6 surround modes.

PCM PCM (Puls: Code Modulation) is the digital representatior fa standard audio signal converted with little or no compression. If None‘is selected for any of the Dolby or DTS settings, this‘PCM'section will default the audio signal as follows Stereo: The detected stereo audio format will be configured into one of the following options — Pro Logic, PLIIx Movie, PLIix Music, NEO:6 Cinema, NEO:6 Music EARS, Enhanced Stereo or None. Surround: The detected surround audio format will be configured into one of the following options -PLIIx Movie, PLIIx Music, NEO:6 Music, NEO:6 Cinema, Stereo Downmix or None. ANALOG IFthe audio input is an analog signal, the fellowing are the surround modes the input can be defaulted — Pro Logic, PLIIx Movie, PLix Music, NEO: 6 Cinema, NEO: 6 Music, EARS, Enhanced Stereo, Analog Bypass and None. NOTE Allthese Listening Modes for "Dolby Digital, DTS''PCM and Analog can be directiy changed by pressing the ‘Listening Mode’ button on the front panel or through the ‘Listening Mode’ option at the Main Menu window. The chosen audio format will be reflected back to the appropriate setting atthe Listening Mode Setup. DOLBY SETUP Under this menu, the Dolby Digitals Dynamic Range Control can be adjusted as well as the settings for Dolby Digital Pro Logic x Music. Dyn Range Ctrl You can select the effective dynamic range (subjective range from soft to loud) for playback of Dolby Digital soundtracks. For fully cinematic effect, default. Settings of ly reduce dynamic range, making soft sounds comparatively louder while limiting the peak loudness of loud ones. ys select 100%, the %, 50%, and 25% progres: The 25% setting will yield the least dynamic range and is best for late-night sessions or other times when you wish to retain maximum dialog inteligibility while minimizing overall volume levels. Dolby Pro Logic Iix Music : Please refer to the same description of'PLIIx Music under the “ADJUSTING LISTENING MODES' segment of the OPERATION - USING THE T 765 - MAIN MENU DTS SETUP Under this menu, the Dynamic Range Control of DTS Digital Surround can be adjusted as well as the settings for DITS Neo: 6 Music. Dyn Range Ctrl: This is the same configurable Dynamic Range Control feature as described above at Dolby Setup, the only difference being the soundtrack is now in DTS format DTS Neo: 6 Music : Please refer to the same description of'NEO 6: Music'under theADJUSTING LISTENING MODES'segment of the OPERATION - USING THE T 765 - MAIN MENU

The following are further descriptions about the DIS surround modes.

DTS-HD Master Audio is a technology that delivers master audio sources recorded in a professional studio to listeners without any loss of data, preserving audio quality. DTS-HD Master Audio adopts variable data transfer rates, faclitating data transfer to the maximum rate of 24.5 Mbps in the Blu-ray disc format, 18.0 Mbps in the HD-DVD form ich by far exceeds that of a standard DVD. These high data transfer rates enable lossless transmission of 96 KHz/24-bit 7.1-channel audio sources without deteriorating the quality of the original sound. DTS-HD Master Audio is an irreplaceable technology that can reproduce sound faithfully as intended by the creator of music or movies. DTS - ES EXTENDED SURROUND * (DTS ES) This is à new multi-channel digital format which greatly improves the 360° spatial sensation of the he surround signals, providing high Surround impression thanks to the greater space expansion compatibility with the conventional DTS format. In addition to the 5.1 channels, the expanded DTS-ES Surround also offers the back surround (also sometimes called the “surround centre‘) in reproduction, providing a total of 6.1 channels.The expanded DTS-ES Surround includes two formats, with two different methodé of surround signal recording, as follows:

DTS-ES" DISCRETE 6.1 Since the signals of the 6.1 Surround channels (including the back channel) are completely independent, it is possible to achieve the sensation that the acoustic image is moving about freely among the background sounds, 360 degrees surounding the listener. Although maximum quality is achieved with sound tracks recorded using this system and reproduced using the DTS-ES decoder, when played with a conventional DTS decoder, the back surround channel is automatically downmixed in the surround right and surround left channels of the surround system, in such a way that none ofthe signal components are lost.

DTS - ES” MATRIX 6.1

In this format, the additional signals of the back channel receive a matrix encoding and are inputted into the right and left surround channels. During reproduction they are decoded to the right left and back surround channels Since this bit-stream format is 100% compatible with conventional DTS signals, the DTS-ES Matrix 6.1 format effect can also be achieved from sources with DTS-ES 5.1 signals. Natural) it is also possible to reproduce from a DTS 5.1 channel decoder, signals recorded in DTS-ES 6.1 When a DTS-ES decoder processes a discrete DIS-ES 6.1 or in Matrix 6.1, these formats are automatically detected and the Optimum Surround mode is selected. However, some DTS-ES Matrix 6:1 sources may be detected as DTS. In this case the DTS-ES Matrix mode should be selected manually in order to reproduce them.

DTS NEO: 6" SURROUND

This mode applies the conventional 2-channel signals such as digital PCM or analog stereo signals to the high precision digital matrix decoder used for DTS-ES Matrix 6.1 to achieve 6.1-channel surround playback. DTS Neo: 6 surround includes two modes for selecting the optimum decoding ofthe signal sources DTS NEO: 6 CINEMA : This method is ideal for the reproduction of movies. The decoding takes place by emphasizing the separation in order to achieve the same atmosphere with 2-channel, as with 6.1-channel sources. DTS NEO: 6 MUSIC : Mainly recommended for music reproduction, The right and left front channels do not pass through the decoder and are reproduced directly so there is no loss in sound quality, and the effects of the right surround, left surround, central and back surround channels add a natural sensation of expansion of the sound field ENHANCED STEREO Please refer to the same description of'ENHANCED STEREO'under the’LISTENING MODES segment of the'OPERATION - USING THET 765 - MAIN MENU:

Display Setup VFD Di 8p1 ay on Dimmer Bright Line 1 Main Source Line 2 Listening Mode Temp Line Line 2 0SD Temp Disp : On

DISPLAY SETUP The Vacuum Fluorescent Display (VFD) and On-Screen Display (SD) can be shown in various ways by navigating through the parameters at the Display Setup menu. Use a combination of or ENTER and AZ Y keys to step through the Display Setup menu items. NOTE The configurations set forth at ‘Display Setup'are carried over whenever itis enabled during AV Preset setting. Please see also the section below about AV Presets. VACUUM FLUORESCENT DISPLAY (VFD) Display : Select'On'to display all applicable data or characters at the VFD. Nothing will be shown at VFD if Temp'is selected. At Temp'setting however, whenever any ofthe front panel controls or their corresponding keys in the remote control is activated, the appropriate VFD characters will be shown temporarily and then fade away. Note that if any of the Zones are at powered state, they will be continually shown at VFD even at'Temp'setting Dimmer: fit is desired to reduce the brightness of the VFD, set Dimmer to'Dim! Othenwise, select Bright'to return to normal VFD brightness. Line 1, Line 2 : The VFD shows two main lines of data or characters. Line 2 is the line of data or characters located at the lower bottom of the VFD while directly above it is Line 1. For both lines, one can select which display could be shown by choosing through the following Main Source : Shows the active Source. Volume : Current Volume level is shown. Listening Mode : Selected Listening Mode is shown: Audio Src Format : Shows the active Sources detected audio format Audio Codec: Displays the detected audio stream format like Analog, PCM Surround, Dolby TrueHD, DTS-HD Master Audio and other formats, Video Mode: Show the video resolution ofthe active input source. Details shown include the video resolution with frame rate, Deep Color bit rate and the luma and chroma components. For a better understanding of these video details, consult with your NAD Audio Specialist or your distributor technical department Zone 2-Zone 3-Zone 4 Source : he assigned Source for the applicable Zone is shown. Off: Select'Off'ifitis desired not to show any data at the applicable Line. Temp Line : Choose between Line 1 and Line 2 as the desired line where VFD will be temporarily shown if Temp'is selected at'Display'option as described above. ON-SCREEN DISPLAY (OSD) Temp Disp: This applies to the OSD that is temporarily shown at video out whenever any ofthe front panel controls or their corresponding keys in the remote control is activated. Set to'On'f i is desired to show the applicable OSD at the monitor/TV, otherwise, select'Off!

ABOUT DEEP COLOR AND XVYCC

DEEP COLOR The T 765 has the supp nd 48-bit RGB or deep color a specification that extends color depths beyond the capability ofthe human eye to perce them, Deep color expandé the colors on the display resulting to a vividness and accuracy that has never been before seen in display technology. Deep Color eliminates the on-screen color banding, for tonal transitions that are smooth and graduations of color that are very subtle. It enables increased contrast ratio, and may represent many times more shades of gray between black and white. xvYcc Extended-gamut YCC, or xwCC as it is called, is a color space used in video electronics that supports

1.8 times as many colors as the sAGB color space. Color space is the range of colors based on the three

primary colors (red, green and blue, or RGB). An xvYCC display, along with Deep Color, can display the complete range of colars that can be viewed by the human eye and give a crystal clear picture that is full of clarity. IMPORTANT NOTICE For xwYCC and Deep Color signal transfer possible, the source and TV/Monitor must be xvYCC and Deep Color compatible. lfeither source or TV/Monitor does not support xvYCC and Deep Color, then you cannot ully enjoy the wide color gamut and high bit depth that xvYCC and Deep Color offer.

AIN PRESETS TheT 7655 simple but powerfull flexible system of Presets'allows you to customize virtually every aspect of your audio-video playback, and recal them with a single key-press. The parameters Listening Mode! DSP Options'and'Tone Controls' accessible via the ‘Main Menu'together with'Speaker Setup and'Display Setup'configurable through"Setup Menu'are stored together as a Single Preset. . € Listenin: You might create one Preset optimized for pp music and another for classical. One more Preset can be set 9 DSP Opt up to recall each family member favorite setting or one for full cinematic home-theater playback and yet another one for late-night movies, with each Preset fine-tuned to a particular scenario or preference. Display CREATING PRESETS Creating a Preset consists simply of storing a complete set of the parameters set foi Mode" DSP Options'and‘Tone Controls' accessible via the ‘Main Menu'together with and'Display Setup'configurable through'Setup Menu! Scroll to'AW Presets’using the A/Y keys to save a collection of said parameter settings to a Preset. Save Current inthe Listening Load Defaults t peaker Setup Select a Preset number and by a combination of pressing the A/ Y keys, you can selectively include in the particular Preset any of the above-mentioned parameter settings by choosing ‘Yes! If you decide not to include in the particular Preset a certain parameter setting, select No! Now in order to save the settings chosen for the particular Preset number, scroll down to'Save Current Setup to Preset'and press the b key. If you chose to load instead the default settings, scroll down to “Load Defaus to Preset'and press the b key to restore the default settings In addition to the parameter settings, the Preset label itself can be assigned a new name. This new Name will be shown in the VFD as well as on the OSD. To rename the Preset label, scroll to'Nameand press to go the character. Then, press A/Y to pick and select through the alphanumeric selections. Press 4/b to move to the next character or back to the previous character and at the same time save the changes done on the current character. NOTE The selected Preset remains in force until you select a different Preset. RECALLING PRESETS You may recall a Preset at any time using the HTR 3 remote control. Press the HTR 35 square AVPS key and then the numeric key 1-5 corresponding to the desired preset number The new recalled Preset willthen manifest or replace the previous Preset (if any)

TheT 7655 internal AM/FM tuner offers very high quality sound from radio broadcasts. The reception and sound quality will always be dependent to à degree however on the type of antenna(s) used as well as proximity to the broadcast origin, geography and weather conditions. ABOUT ANTENNAS The supplied ribbon-wire FM antenna can be connected to the rear-panel FMrantenna input using the included'balun'adapter and should be fully extended to form a°T: This folded-dipole antenna wil usually work best when oriented vertically, with the arms ofits"T”fully outstretched and arranged perpendicular to the origin ofthe desired broadcast. There are no ‘rules’ however and experimenting freely with antenna placement and orientation may yield the clearest sound and lowest background noise In areas of poor FM reception, an exterior FM antenna can improve performance dramaticalh.Iradio listening isimportant to you, consider consulting an antenna installation professional to optimize your system. The supplied AM'loop'antenna will usually provide adequate reception However, an exterior AM antenna can be used to improve reception Consult an antenna professional for more information. IMPORTANT NOTICE Unless otherwise specifcally stated, navigating or accessing AM/FM functions can be undertaken by using either the HTR 3 remote control or the front panel buttons. Ifthe control button or icon button being referred to is available on the HTR 3 remote control and front panel, then the reference to said button is applicable to both the HTR 3 remote control and front panel. The same condition applies to their equivalent buttons. NOTE When using the HTR 3 to carry out AM/FM commands, ensure that the DEVICE SELECTOR is set to “TUNER

Press the [AM/FM/DB] button on the front panel or the numeric +10" button of the HTR 3 while at AMP or TUNER device selector page. Each subsequent press of either button will toggle you through AM, FM and XM (or DAB) band. Stop (release button) at your desired tuner band.

TUNING STATIONS 1 Press TUNE 4@/B2> on the front panel momentarily to step up or down between AM or FMfrequencies.

2. Press and hold TUNE 44 or TUNE Be for more than 2 seconds to search

up or down - the T 765‘ tuner will stop at the next sufficientiy strong. signal it encounters. Pressing the TUNE 44/2 during the search process will stop the search. 3 After first pressing TUNER (yellow lettering) at the Device Selector page OfHTR 3 to set the remote to control Tuner functions, press TUNE 44 or TUNER (yellow lettering) on the HTR 3 - toggle in to perform slowr manual search, press and hold to automatically search DIRECT TUNING If you know your desired stations frequency allocation, you can tune directly to the station. 1 Toggle [ENTER] button to switch between‘Presetand'Tune” mode (see the lower line of the VFD). Select"Tune” mode.

2. Using the numeric keys of the remote control, key-in the frequency

The T 765 can store a mix of your 40 favorite AM, FM and XM (or DAB) radio stations for immediate recall 1 To store a radio preset, fist tune the desired frequency (see above) then press the front panel MEMORY key.

2. TheVFD will show the next available preset number (Preset _ _ Free)

Ifthere are no more vacant Preset number, you can overwrite an existing Preset number by pressing the A/Y buttons on the HTR 3 or corresponding front panel navigation buttons) to select the Preset number you want to ovenwrite. 3 Then, press the MEMORY'key once again to save the station to the particular Preset number and displaying P__'(the two blank spaces will correspond to the preset number that could be from ‘Ol'to the maximum of"40) on the VFD. 4 Press PRESET 4/1 on the front panel to step up or down between presets. Press and hold PRESET H4/»»1to"scrollcontinuously up or down. The HTR 3 remote PRESET A/Y keys work similar. NOTE The T 765 Radio Presets are distinct from its global’ Presets that can be used to manage listening and setup modes and levels. See A/V Presets above.

2. Using the numeric keys ofthe remote control key-in directly your

1 Select the Preset number to be deleted

2. Press and hold [MEMORY] button and then press and release [INFO]

button - current stored preset setting will be erased. The Radio Preset can only be deleted using the front panel buttons.

The front-panel TUNER MODE key is à dual-purpose control. In the normal position, FM Mute FM Stereo icons on the VFD are illuminated, only the stations with a strong signal can be listened to, and the noise between stations is muted Pressing the TUNER MODE button again (FM Mute FM Stereo icons on the VFD are extinguished) allows distant and potentially noisy stations to be received. Noise is reduced ifthe FM station signal level is less than the FM Stereo threshold (since mono FM is inherentiy less noise-prone) though at the sacrifice of the stereo effect. NOTE One can store the same channel in two preset locations - one with TUNER MODE On and another with TUNER MODE Off.

You can assign an eight character*User Name”to each radio preset, which will show in the front-panel readout whenever that preset is recalled

To name a radio preset"NEWS/ follow the procedure as below (The buttons mentioned apply to the front panels buttons. The applicable HTR 3 keys also execute the same functions as described). 1 Recall the desired radio preset. 2 Then, press the'MEMORY'button once and then within five (5) seconds, press the’INFO' button - the readout shows a blinking box.

3. Use thePRESET H4/@B1' buttons to select the first character ofthe

name (N'from the alphabetical list). 4 Press TUNER button to select the character and correspondingly move forward to the next position. (Press TUNE 4 to go back to the previous character) Repeat this process for each character in sequence. 5 Press the MEMORY key again to store the User Name and exit the text- entry mode. ABOUT RDS The Radio Data System (RDS) permits compatible FM AW Receivers to display text determined by the broadcaster. The T 765 supports two RDS modes, station-name (PS mode) and radio-text (RT mode). However, not every FM station incorporates RDS in its broadcast signal. In most areas you wil find from one to several RDS-enabled stations, but is by no means impossible that your favorite stations will not be broadcasting RDS data

When an RDS-enabled FM broadcast is tuned, after à brief delay the*RDS" symbol will illuminate in the T 765 front-panel readout and the readout's character section will show its station-name (PS) text:"ROCK101/for example. Press the front-panel INFO key to toggle the readout between this and the stations radio-text (RT) readout if any, which might scroll song- or artist- name, or any other text of the station's choosing. USING THET 765 - AM/FM/DB/iPod

LISTENING TO XM RADIO

The T 765 is'XM Ready’ which means that with the addition of separately sold XM Mini-Tuner CPC-9000 and XM Mini-Tuner Home Dock, it has everything you need to listen to live XM. Everything else is buit right in Just subscribe to the XM service and your T 765 will be ready to receive XM content. NOTES + When using the HTR 3 to carry out XM commandé, ensure that the DEVICE SELECTOR is set to “TUNER” In XM mode and with DEVICE SELECTOR set to ‘TUNER' HTR 35 [FM MUTE] button has the same function as that of the front panels [TUNER MODE] button. Check with your NAD audio specialist for other versions of XM Mini- Tuner compatible with T 765. IMPORTANT NOTICE Unless otherwise specificall stated navigating or accessing XM functions can be undertaken by using either the HTR 3 remote control orthe front panel buttons. the control button or icon button being referred tois available on the HTR 3 remote control and front panel then the reference to said button is applicable to both the HTR 3 remote control and front panel. The same condition applies to their equivalent buttons,

CONNECTING THE XM ANTENNA

1 Plugthe end ofthe XM antenna into the corresponding XM antenna port on the rear panel oftheT 765.

2. Press and hold'TUNER MODE" button on the front panel to check the

current XM channels signal strength as shown in the VFD and OSD Press*TUNER MODE" again to exit signal strength check. Refer also to your XM radio guide on how to install the XM antenna for optimum signal reception. TUNING STATIONS There are three ways to tune to the XM channel you wish to listen. Make sure to set your HTR 35 Device Selector to"TUNER' prior to undertaking the following tuning options. The A/W/4/» buttons refer to the corresponding keys on the HTR 3. The same keys correspond to the front panel navigation buttons *PRESET 4/ PRESET BB1/TUNE 44/TUNE D" 1 Manual Tuning : Toggle the 4/» buttons to step up or down each available XM channel. Press and hold 4 for faster scanning of XM channels. The HTR 3 keys *TUNE 44/TUNE >" will lkewise execute these same functions.

2. Direct Channel Call: Using the numeric keypadks ofthe HTR 3,

key-in directly the desired available channel number and it will be automatically tuned. 3 Category :Toggle TUNER MODE" until" CAT" and a corresponding category is displayed on the VFD.'CATH" stands for the categories channels are grouped into - ie, Country, Rock, Jazz & Blues, etc. Toggle AFY buttons to step up or doun the avallable categories. After selecting the desired category, use the same steps as that of XM Manual Tuning, Tuning will only be limited to within the selected category. Toggle the A/Y buttons to choose another category and then tune again

Toggle’INFO'button to display the XM information of the selected channel such as the artist name, song title, category or any ather text as supplied for the channel PRESETS The procedure for storing XM channels is the same method as stated in the section "Setting Radio Presets” under “Listening to Radio’ For immediate recall of stored XM presets, toggle "TUNER MODE" button until*P__* {the two blank spaces corresponding to the preset number) is shown in VFD. Press the front panels "PRESET H4/ PRESET BR button or HTR 35 A/V keys to step up or down the stored presets that can be a combination of AM, FM and XM channels.

LISTENING TO DAB RADIO

Uni now, analogue radio signals such as FM or AM have been subject to numerous kinds of interference on their way from the transmitter to your radio. These problems were caused by mountains, high-rise buildings and weather conditions. With Digital Audio Broadcast (DAB), you can now receive CD-Ike quality radio programs without any annoying interference and signal distortion. DAB broadcasts use digital signals rather than traditional analogue transmissions, thus providing clear high quality reception. You get far more robust reception and virtually hiss or crackle free sound with DAB as long as you are within à good coverage area With DAB, the listener can scroll through list of avallable stations - then instantly tune to the station of his choice. There is no need either to remember channel frequencies. All broadcasts are selected by simply selecting the service name. The T 765 makes it possible for you to enjoy listening to DAB broadcasts TheT 765 has a Digital Audio Broadcast (DAB) module socket on the rear panel for adding a separately sold and NAD-specified outboard DAB module - the NAD DAB Adaptor DB 1. All the control software for this format is included: just plug-in the module and start enjoying the CD-ike quality sound and expansive content selection available with DAB. IMPORTANT NOTICE Unless otherwise specifcally stated, navigating or accessing DAB functions can be undertaken by using either the HTR 3 remote control or the front panel buttons. Ifthe control button or icon button being referred to is available on the HTR 3 remote control and front panel then the reference to said button is applicable to both the HTR 3 remote control and front panel. The same condition applies to their equivalent buttons. NOTES + When using the HTR 3 remote control to carry out DAB commands, ensure that the DEVICE SELECTOR is set to “TUNER" HTR 3'S [FM MUTE], [ENTER] and 4/» are the equivalent remote control Keys for the front panel buttons [TUNER MODE), [ENTER] and (TUNE <U»»].

Plug-in the other end of the DIN connector (supplied with your NAD DAB Adaptor DB 1) from the DAB modules output port into the corresponding DAB module input socket on the rear panel oftheT 765. Select DAB mode on the T 765 by toggling the [AM/FM/DB] button in the front panel. NOTES + The NAD DAB Adaptor DB 1 is not supplied with your T 765. Please refer to NAD DAB Adaptor DB 1 installation guide for proper setup connection ofthe DB1 with respect to the T 765. lfthere is no NAD DAB Adaptor DB 1 connected, the VFD will show “Check DAB Tuner DAB OPERATION With the separately sold NAD DAB Adaptor DB1 already connected to the 1765, you can now carry out the T 765 to receive DAB broadcasts. 1 Toggle [AM/FM/DB] button until DAB mode. The VFD will showNo Service List’indicating that there are no scanned DAB broadcast services yet. This is the default mode ofthe DB1 DAB P-— Ho Service List

2. Totune to DAB broadcast services, press [TUNER MODE] and then

toggle the front panel [TUNE 44/p> ] to select either ‘Full Scan” or “Local Scan FULL SCAN will enable the scanning of the full range of digital frequencies (Band Ill and L-Band) LOCAL SCAN performs local scanning of available DAB services in your area. Check with your dealer or visit wwMWorldDABorg to check the applicable digital transmission frequencies in your area 3 Upon selecting either‘Full Scan” or'Local Scan’ automatic scanning will be performed. This sequence cannot be interrupted. During the sequence, the following message will be visible in the VFD. canti LLCLLI The bars show the progress of the sequence. When scanning is completed, the last number shown on the right side of the VFD corresponds to the total number of DAB broadcast stations found. Then, the first station is tuned in (See‘ALPHANUMERIC" section below to understand the order or arrangement of stations)

OPERATION 4 The strength ofthe incoming signal can be shown on the VFD by pressing the [ENTER] button. The more segments visible in the lower display line, the stronger the signal. By changing the position ofthe antenna, you can increase the signal strength. You can also opt for an external antenna, Consult an antenna professional for more information. NOTE “No Service List’ will also be shown in the VFD when no stations are found after the scanning process. Ifthis occurs, check the connection and position of the DAB antenna or call your local DAB broadcast providers for coverage information SERVICE LIST Follow the steps below to select through the DAB service stations found.

1. ATDAB mode, press [TUNE 44/2 ] to step through the list of

available stations as shown in the lower display line of the VFD. 2 Press [ENTER] to select the desired station.

Aside from Full Scan'and'Local Scan' as already described above, pressing the [TUNER MODE] button will also present you with other options namely — Station Order, DRC, Manual Scan, Prune List and Reset STATION ORDER Use "Station Order”to sort the sequence ofthe listed stations. There are three orders - Alphanumeric, Ensemble and Active. 1 While listening to a DAB broadcast, press front panel s [TUNER MODE] button and then [TUNE 44/2 ] to select "Station Order’ Press [ENTER] 2 Toggle [TUNE 44/2 ] to select through "Alphanumeric! "Ensemble" and'Active" 3 Press [ENTER] to select desired station order. ALPHANUMERIC Thisis the default setting. Stations are arranged by numbers first and then alphabetically by letters. ENSEMBLE Digital radio is broadcast as groups of data called ensemble. Each ensemble contains a number of stations, transmitted at a set frequency. When “Ensemble"is selected as the mode of station order, the radio stations are arranged in the order of their ensemble names. NOTE Ensemble is also interchangeably termed as "mulüplex” by other broadcast providers. ACTIVE Active stations are listed at the top ofthe channel list. Those channels that are in list but have no service in the area will be displayed last in the channel list. USING THE T 765 - AM/FM/DB/iPod DRC The level of compression of stations can be set to eliminate the differences in dynamic range or sound level between radio stations. Popular music would normally be more compressed than classical muse, resulting in possible different audio levels when changing from one station to the other. Setting the DRC to*0"means no compression, “1/2'indicates medium compression and“1"shows maximum compression. No compression is recommended, especially for classical music. 1 While listening to a DAB broadcast, press front panel's [TUNER MODE] button and then [TUNE #@/BB ] to select *DRC" Press [ENTER]. 2 Toggle [TUNE @@/@» ] to select through"DRC 0°"DRC "and "DRC 1° 3 Press [ENTER] to select desired DRC level. MANUAL SCAN This option allows you to directly tune to a desired channel and include it in the service list (f not yet available at the time). You can also use manual scan to assist you in positioning the DAB antenna for best reception of the desired channel 1 While listening to a DAB broadcast, press front panel's [TUNER MODE] button and then [TUNE @/BB ] to select*“Manual Scan Press LENTERL The current channel and frequency are shown in the upper line ofthe VFD. The bars’ at the lower line of the FD indicate the signal strength level ofthe current channel 2 Toselect other channels, toggle [TUNE #4@/BB ] to step through the channel list. Release [TUNE @4/ BB ] when you have arrived at your desired channel. Channel and frequency are shown in the upper line ofthe VFD. The “bars’ at the lower line of the VFD indicate the signal strength level ofthe current channel. To improve the reception ofthe selected channel adjust or reposition the DAB antenna until the best reception is indicated 3 Press [ENTER] to tune the selected channel NOTE The number of ensembles and stations that could be scanned will vary depending on your location. PRUNE LIST There maybe situations wherein certain stations become inactive. The ‘Prune List’option enables the deletion of these inactive stations in the service list

1. While listening to a DAB broadcast, press front panels [TUNER MODE]

button and then [TUNE 44/2 ] to select“Prune List! 2 Press [ENTER] Any inactive stations are automatically deleted.

OPERATION USING THET 765 - AM/FM/DB/iPod RESET The*Reset”option allows the connected (and separately sold) NAD DAB Adaptor DB1 to be reset ta its factory default settings 1 While listening to a DAB broadcast, press front panel s [TUNER MODE] button and then [TUNE 44/2 ] to select"Reset” 2 Press [ENTER] ‘Reset? No’will be shown in the lower line ofthe VFD. Press [TUNE 44/2» ] to switch to'Reset? Yes' option. 3 To select'Reset? No'or'Reset? Yes’ press [ENTER] while at the desired option. Selecting "Reset? Ves’ will cause the DB1 to be reset to its factory default settings

INFORMATION SETTINGS While listening to a DAB broadcast the type of information displayed in the lower line ofthe VFD can be varied. Toggle front panels [INFO] button to step through the following display options Station Name <——

Channel and Frequency

Time and Date Audio Signal information

Error Rate STATION NAME The name or identification of the DAB broadcast station is shown, This is the default display. DLS Dynamic Label Segment (DLS) is the scrolling text supplied by the broadcasting station. It may contain information on music titles or details regarding the program or station

CHANNEL AND FREQUENCY

The channel and frequency ofthe currently tuned DAB broadcast are displayed ENSEMBLE NAME The name ofthe ensemble that is broadcasting the program is displayed PROGRAM TYPE This is à description ofthe type of broadcast supplied by the station, such as Pop, Rock, Drama and the likes.

The current time and date as supplied by the DAB station are displayed.

AUDIO SIGNAL INFORMATION

Displays the bit rate and audio type (stereo, mono or joint stereo) as transmitted by the DAB broadcast provider. These are set by the broadcaster to suit the type and quality of material being transmitted ERROR RATE This displays the digital error rate (0 to 99) of the currently tuned channel - the lower the figure the better the quality ofthe received broadcast

OPERATION LISTENING TO YOUR iPod PLAYER The T 765 is equipped with a data port in the rear panel where an optional “NAD IPD Dock for iPod” (NAD IPD) can be plugged in. With the NAD IPD linking the T 765 with your ou iPod player, you can enjoy listening to your favorite tracks and playlists as well as view applicable still image and video playback You can control your iPod player using the assigned buttons in the T 765 front panel. And with the corresponding HTR 3 remote control function keys, you can select the materials stored in your iPod for playback as well as access many of ts functions even from across the room. The optional NAD IPD also charges your iPod player while it is connected to the T 765. NOTES “NAD IPD Dock for iPod” (NAD IPD) currentiy has two versions - the NAD IPD 1 and NAD IPD 2. These two NAD IPD models and later variants are compatible with the T 765. NAD IPD and iPod player are not supplied with your T 765. iPod player functions, features and playback capabilities accessible through T 765 may vary depending on your iPod player model. When using the HTR 3 to control the iPod functions, make sure that the Device Selector is set to AMP" CONNECTING THE OPTIONAL NAD IPD AND iPod PLAYER TO THE T765 Mike sure that al the devices are unplugged before making the connections. 1 Connect the NAD IPD$ DATA PORT to the corresponding" MP DOCK' data port ofthe T 765.

2. Connect also the NAD IPD S-video out and audio out to the T 765

Audio 5/Wideo 5 input (the default iPod source allocation in the T 765). You can also connect both audio and video out connectors to any available assignable input ofthe T 765. 3 Dock your iPod player into the NAD IPD. NAVIGATING THE iPod PLAYER'S FUNCTIONS AND FEATURES After linking together your iPod player, NAD IPD and the T 765, you can now plug them IN to their applicable power sources. 1 With your T 765, iPod player and NAD IPD all at power ON state, select SOURCE 5 of yourT 765. Your iPod player will show in its display the NAD logo and below it"OK to disconnect' On the other hand, the T 765 VFD will show in the upper line“iPod Menu"and the lower line“Playlists’ The lower line will vary depending on the current menu selected Atthe same time, the T 765 OSD will display the whole iPod Menu selections like Playlists, Artists, Albums, Songs, Podcasts, Genres, Composers and Audiobooks.

2. Navigate through the iPod menu selections using a combination ofthe

[A/w/4/»] buttons. NOTES + The iPod players click wheel and controls will not operate when it is properly connected to the T 765 via the NAD docking station. To exit from the iPod Menu at Source 5, press [4] bringing you to Menu Select OSD. Follow the instructions as shown.

CONTROL FEATURES AND SETTINGS

The following control functions and settings are selectable or enabled using the front panel and HTR 3 remote control buttons. Since the HTR 3 will be the primary controller in most cases, we will focus on remote- controlled operations. Note that other NAD IPD models, like the NAD IPD 2, have their own remote controls. The controls below also apply to the corresponding buttons ofthe remote controls of such applicable NAD IPD models. USING THET 765 - AM/FM/DB/iPod ENTER Press [ENTER] to go "iPod Settings menu where you can setup the following options: Shuffle : Select [Shuffle] to enable random playback of either [Songs] or [Albums] lists. To turn off shuffle mode, select [Off] Repeat : Select [One] for repeated playback of the current song. Select [AI for repeated playback of your entire list under [Songs] selection. Audiobook Speed : The playback speed of your audiobook can be varied according to your preference. During audiobook playback, adjust the reading speed to [Normal] [Fast] or [Slow] DISP During playback toggle [DISPI key of HTR 3 to show in the T 765 VFD upper line the Song title, Artist Name and Album title. IFthere are no information available, the display wi show*No Song/"No Artist’ or“No Album' as applicable. Aside from these information, the lower line will display the current titles track number allocation and time elapsed. The equivalent front panel key for [DISP is INFO]

A/Y NAVIGATION BUTTONS

During playback mode, press [A] to skip forward to the next song or [W] to skip back to the previous sang. For quicker scrolling up or down the list, press and hold [A/W] While at menu options or selection lists, toggle [A] to go up or down the options or lists. ‘The equivalent front panel keys for [ A/W ] are [PRESET m1, PRESET Hd]

Press HTR 35 [A/W SKIP/CH/PRESET] to scroll up and down the Songs list one page or at least 8 titles at a time. Press and hold [A/W SKIP/CH/PRESET] to quickly scroll through the song titles, During fast scrolling, the first letter ofthe song is displayed on the bottom right comer of the OSD as the title changes SCAN L44/»>]1/ PAUSE [11] / PLAY De] Press PAUSE [II] during playback to stop playback temporarily, Resume play by pressing PAUSE [II] again or PLAY De] During playback or PAUSE mode, press [SCAN 44/ Bb] for fast forward or backward scanning of current song

OPERATION USING THET 765 - AM/FM/DB/iPod NADIPD2 The NAD IPD 2 has its own remote control - the DR 1. For you to control the NAD IPD 2 using the DR 1, you have to go to“iPod Setup' menu (please refer to the item about"iPod Setup under the“USING THE T 765 - SETUP MENU" segment of OPERATION section) and then set'Auto Connect"to“No'. With this setting, you can then use the DR 1 to control your iPod player docked in the NAD IPD 2. Note that if you set'Auto Connect" to"No'while at Source 5, you have to change source and then return to Source 5 for the changed setting to take effect. When using the DR 1 to command your iPod player docked in the NAD IPD 2, you have to referto your iPod players own display screen to make full use ofits feature; there is no OSD at this condition. However, any time you press HTR 35 Le ] or front panelS [TUNE me] the ‘Menu Select’ OSD comes up I you select'iPod Menu"at this" Menu Select” option, the NAD IPD 2 gets manually connected. The control of the NAD IPD 2 will then again be done through the T 765 using the applicable front panel control buttons or HTR 3 buttons while refering to the OSD; the NAD IPD 2 will not respond to any DR 1 commands at this stage In addition to the above commands common to the DR 1, below are the descriptions of the other DR 1 control buttons. LIGHT Press [LIGHT] to turn ON the backlight of your iPod player ifit is at idle mode MENU Press [MENU] to return to previous option or menu selection ENTER Press [ENTER] to select an option or start playback. (REPEAT) Toggle to initiate repeat mode as follows - repeat one song, repeat all songs or cancel repeat mode 26 (RANDOM) Toggle to initiate playback in random order. There are three random modes = Shuffle Song, Shuffle Album or Shuffle Of.

TO VIEW VIDEOS OR PHOTOS LOADED IN YOUR iPod Videos or photos uploaded in your iPod can be viewed directly via the 1765. The following are the steps 1 Make sure thatthe [TV Out] setting of your iPod‘ Video Settings menu is at [On] mode and appropriate [TV Signal] is chosen. 2 Video or photo file selections and playback procedures are managed directly from your iPod player and not through the T 765. You must exit completely from the T 765 Setup Menu or Menu Select OSD for you to be able to navigate through your iPod player video or photo menu options. À more direct way is by going to the iPod Setup'menu and set “Enabled'to [No] 3 With the NAD IPD5 S-VIDEO OUT and AUDIO OUT ports connected to the T 765 AUDIO/VIDEO 5 input or to any other assignable input, you can now directly enjoy via T 765 your video or photo file selections as uploaded in your iPod. Make sure that you select the correct'Source Number‘ofthe T 765. NOTE For other navigation functions, please refer to your iPod players owners manual. Depending on the iPod player model some other functions maybe controlled using the applicable T 765 navigation controls. iPod is a trademark of Apple, Inc, registered in the US. and other countries

SPECIFICATIONS + Controls up to 8 devices. ( \ + 44 function keys. PE + Learns up to 352 commandés. + Records up to 44 macros with à maximum of 64 commands each + Configurable punch-through + Keyillumination with programmable timeout + Upgradable. + Contains pre-programmed library of NAD remote codes. The NAD HTR 3 is ready to operate the T 765 AN Receiver right out of the box, but it is really eight remotes in one. Each ofthe 8 Device Selector keys at the top ofthe handset can call up a new'page’ of remote control codes to be transmitted by the remaining 44 keys. You may ‘teach' codes from any infrared-remote controlled component, regardiess of brand, to any or all of these. Obviously, the most logical system is that you teach the codes from your DVD player to the [DVD] Device Selector‘page' your television codes to the [TV] “page” and so on, but there is no required scheme: You may load any commands to any key on any page (see “Learning Codes From Other Remotes’ below) The HTR 3 is already preprogrammed with a full complement of commands for the T 765 AM Receiver on its AMP] Device Selector page, and as well as with library commands to operate most NAD-brand DVD or CD components on the corresponding Device Selector “pages! These default commandés are permanent: Even if you teach the HTR 3 new commandé to take their place, the underlying library commandés remain in place and can easily be recalled should you add an NAD companent to your system later (see“Delete Mode’ below) Note: For use with the T 765, it should not be necessary to re-program any keys on the HTR 3 [AMP] page. However, in order for the HTR 3 to control your specific NAD-brand components you may need to load one or more different code-libraries (see“Loading Code Libraries! below CONTROLLING THET 765 The HTR 3 is divided into two main sections. Eight Device Selector keys at the top—[AMP], [DVD] [TV] and so on—set the handset' remaining keys to a‘page" of commands to control a particular component. À Device Select key determines only what component the HTR 3 will command: it does not perform any function on the AM Receiver All ofthe remaining keys are function keys that can “learn' control codes from virtually any infrared remote controller allowing you to teach the codes of your equipment, regardless of brand, to the HTR 3 However, the HTR 3 is already preprogrammed to operate the T 765. All ofthe function keys on the [AMP] Device Selector*page" perform T 765 functions. (The HTR 3 can also command many other NAD components, from its [DVD] [CD,] [TUNER] and [CUSTOM] pages.) Itis important to note that certain HTR 3 keys perform different functions depending on the selected Device Selector"page! The color of the Device Selector key-labeling corresponds to the labeling ofthe function keys. Most centrall, the black [AMP] Device Selector'page" correspandé to the black as well as white input-select labeling above the numeric keys: When the HTR 35 [AMP] Device Selector page is active, these keys select the AW Receiver inputs. Similarly, the purple [DVD] Device Selector"page” corresponds to several purple labels, the green [TV] page to green labels, and so on

Begin by positioning the HTR 3“nose-to-nose"with the source remote so the two devices‘infrared windows are about 2 inches apart + Enter Leaming Mode: On the HTR 3, simultaneously press-and-hold for 3 seconds both a Device Selector key and the [RES] key (just below the DISP key) untl the Learn LED at the center ofthe HTR 3 turns steady green. + Pressthe HTR 35 function key you wish to teach a command; the Learn LED will turn amber. + Press-and-hold the function key on the source remote: The HTR 35 Learn LED will flicker amber for a second or two, then turn solid green. The command is leamed. + Press the HTR 35 Device Selector key again to exit the learning mode IFthe Learn LED does not flicker amber you may need to vary the distance between the remotes. If the Learn LED turns red rather than green, that particular command of that source remote command could not be learned: Example: Learning DVD Pause" Position the HTR 3 and your DVD player remote as described above. + Onthe HTR3, simultaneously press-and-hold [DVD] and [RES]: the Learn LED turns steady green: + Press the HTR 35 Pause [I] key the Learn LED turns amber. + Press-and-hold the corresponding Pause key of your DVD players remote control; the HTR 3 Learn LED flickers amber and then turns solid green. The command is learned. + Press [DVD] again to exit the learning mode. CANCEL OPERATION You can cancel configuring a key, by pressing the active Device Selector key before the learn process is complete the Learn LED will turn red PUNCH THROUGH The HTR 35 “punch-through"function allows you to retain a function key from one Device Select'page" to another, so that, for example, the AMP [SURR MODE] function might still control the T 765 when the DVD Device Selector page is active. NOTE The HTR 35 [VOL] keys are pre-programmed as “punched-through'" for all Device Select pages: IVOL] will operate the T 7655 master-volume regardless ofthe currently selected device. The [SUR] ICENTER ] and [SUB] Channel Volume controls similarly are pre-programmed as punched-through. To set a punch through, after entering the Learning Mode, and pressing the desired key to be punched through, simply press the device key twice of the device to punch through to. The status LED will turn green: press the Device Selector key again to exit Leaming Mode. Example: Punch-through AMP [SURR MODE] key to the DVD ‘page' + Onthe HTR3, simultaneously press-and-hold [DVD] and [RES]: the Learn LED turns steady green: + Press [SURR MODE}; the Learn LED turns amber. + Press [AMP] twice: the Learn LED turns green + Press [DVD] again to exit the learning mode.

COPY A COMMAND FROM ANOTHER KEY

You may copy à command from any HTR 3 key to any other. To copy a key function, after entering the Learning Mode, and pressing the desired key to be copied to, simply press the device key from which you wish to copy, having fist pressed its Device Selector key ifitresides on anotherpage! The status LED will turn green; press the Device Selector key again to exit Learning Mode. Example: Copy the Pause command from the CD page to the AMP [HI] button: + On the HTR3, simultaneously press-and-hold [AMP] and [RES]; the Learn LED turns steady green + Press Pause [II]; the Learn LED turns amber. + Press [CD}; press Pause [11]; the Learn LED turns green + Press [AMP] again to exit the learning mode. NOTE The copy and punch-through functions are similar. However, if you copy a command and then subsequently delete, or over-write the original (source-key) command, the copied-to keys command remains unchanged. you punch-through to a command and then delete or over-write the original key, the punched-through functions also change accordingly.

MACRO COMMANDS A‘macro' command is a series of two or more remote codes issued automatically from a single keypress. You might use à macro to automate a simple command sequence, such as, “Turn on the DVD player and then press PLAY! Or you might compose an elaborate macro to power up an entire system, select a source, choose a Listening Mode, and begin playback—again, all from a single keypress. The HTR 3 can store one macro on each of its function keys (these exclude the Device Selector keys). NOTE Macros are independent of the currently selected device. RECORDING MACROS To record a macro, simultaneous|y press-and-hold for 3 seconds both the [MACRO] key and the HTR 3 function key to which you wish to assign the macro, until the status LED turns green. The macro button will also light up. Press the sequence of function keys to be recorded into the macro, being sure to first press the requisite Device Selector key or each function (you may switch devices while recording the macro as many times as necessary), allowing you to create macro containing command from more than one Device Selector“page! When you have finished entering the desired command sequence, press [MACRO] again to store the macro: the Learn LED and [MACRO] key ilumination will turn off. NOTE Each macro can store a maximum of 64 command steps. f you exceed this number, the macro will be stored automatically after the 64th command is added. Example: Record a Macro to the [0] key to Turn on the T 765, Select‘input 1” (Source 1), and Commence Playback of connected Source 1 device (as in DVD player) + Onthe HTR 3, simultaneously press-and-hold [MACRO] and [0] (numeric zero); the Learn LED turns steady green. + Press [AMP}; press [ON]; press [1] (input or Source 1°); press [DVD]; press D] (Plaÿ) - the Learn LED blinks as each step is added! + Press [MACRO] again to exit the macro-record mode. To clear a macro, perform the above steps without entering any functions. EXECUTING MACROS To execute a macro, press and release [MACRO] its key ilumination lights for 5 seconds. While it remains lit, press an HTR 3 key to which à macro has previously been stored. The corresponding macro will run; as each step executes, its parent" Device Selectar key flashes lights briefly: when execution is finished, the [MACRO] key illumination goes out. Pressing any other HTR 3 key while a macro is executing will abort the macro. Remember that you must hold the HTR 3 so that its infrared emnitter can activate the target components. NOTE When a macro executes, a 1 second delay is automatically inserted between its commands. If you need more than a 1 second delay between particular commands—for example, to permit a component to power up completely—you can record empty" steps into the macro by changing Device Selector ‘pages’ without entering actual command functions.

BUTTON ILLUMINATION TIMEOUT

The HTR 35 key-illumination can be set to remain lit for 0-9 seconds, The default value is 2 seconds. To setthe illumination timeout, simultaneously press-and-hold for 3 seconds both the HTR 35 [DISPI and the [0-9] key, with the digit corresponding to the desired timeout duration: the Learn LED will flash twice to confirm the new setting. When set to zero, the illumination will not turn on at all. NOTE Key ilumination is the biggest drain on the HTR 35 batteries. À short key-illumination timeout will extend battery life appreciably;turning it off altogether (set it to 0 seconds) will lengthen it still further.

FACTORY RESET The HTR 3 can be reset toits factory state, deleting all learned commands, copied and punched- through keys, macros, and other setup information, reverting all keys to their pre-programmed library. commandé. To perform à factory reset simultaneously press-and-hold for 10 seconds the HTR 35 [ON] and IRTNI keys:the Learn LED will start to flash green. Release [ON and [RTNI before the second flash is complete: the Learn LED will turn red, indicating the remote has been reset NOTE You must release [ON] and [RTN] before the second flash goes out, otherwise the unit will not reset: should this occur, repeat the full procedure DELETE MODE The HTR 3 can store leamed, copied, and'default library” commands on any single key (The default library commands are the pre-programmed NAD codes, such as the native T 765 commands on the IAMP]'page/) You can delete command by layers back'down'to the default library command on any key, removing learned commandé, punched-through functions, and copied keys. NOTE The default library commandé cannot be deleted, so you need not worry that using Delete Mode might cause irreparable changes. To enter Delete Mode, simultaneously press-and-hold for 3 seconds both the desired keys Device Selector key and the [RTN] key, until the Learn LED turns green. Press the function key whose command you wish to delete; the Learn LED flashes; the number of times indicates which type of function has become active - see the table below. Press the active Device Selector key again to exit Delete Mode. NOTE You may delete multiple function-key commands on the same Device Selector page” but to delete from more than one Device Selector page you must exit Delete Mode and then re-enter it on the required page. Flashes Command Type 1 Defauft Library Command 2 Copied Library Command 3 Learned Command

LOADING CODE-LIBRARIES The HTR 3 can store a different library of default NAD codes for each ofits Device Selector"pages® Ifthe original default library does not control your NAD CD player tape deck, DVD player, or other component, follow the procedure below to change the code-library. Begin by ensuring that the component you wish the HTR 3 to control is plugged in and powered-up l'on/'not merely in standby). To enter the HTR 35 Library Mode, simultaneously press-and-hold for 3 seconds both the desired Device Selector key and the [AVPS] key, until the Learn LED turns green. While keeping the HTR 3 pointed toward the component, enter the first appropriate three-digit code- library number from the table below Press [OFF IFthe component turns off, press [ENTER] to accept that code library number and exit the Library Mode. IFthe component does not tum off, enter the next three-digit code-library number from the table. When you enter the correct number the component will turn off: press [ENTER] to accept that code library number and exit the Library Mode. LIBRARY CODE NAD PRODUCT DESCRIPTION LIBRARY CODE NAD PRODUCT DESCRIPTION 100 Receiver/Processor (Discrete ON/OFF) 300 Tuner 101 Receiver/Processor (Toggle ON/OFF) 301 75, L76 Tuner 102 s170 302 L70 Tuner 10 U5 303 L53 Tuner 104 Second Zone Commands (Zone 2) 304 L73 Tuner 3112 Zone3 305 cs 41 Zone4 306 cas 105 170 307 x Series Tuner 106 16 400 Tape Deck B 107 18 401 TAPE Deck A 108 153 500 1V280 109 13 501 NRB 110 Stereo Receiver / Amplifier 502 MR20 LL Stereo Second Zone 503 PMR4S 112 xS Series 600 1535, 1562, 1585, M55 200 CD Player 601 1550, LSS 201 CD Player (old) 602 1512,1531,1532, 1571, 1572 20 5170, 5240, 5340 603 L70, 73 DVD 203 5325 604 L56 204 5060 605 1513,1514, 1515, 1517, 1524,1533,1534 205 Ms 606 LS3DVD SEARCH MODE Ifnone of the codes from the table, when entered, turns on the component, and if you are quite sure you have followed the above procedure completely and carefull, you may want to try the “search” method as follows: Enter Library Mode by simultaneously pressing-and-holding for 3 seconds both the desired Device Selector key and the [APS] key, until the Learn LED turns green. Now press-and-hold the HTR 35 [A] or WI) key: the remote will step through al the available codes at a rate of approximately 1 per second When the component turns off immediately release the cursor key: press [ENTER] to accept that code- library and exit the Library Mode. Try a few commandés; should you prove to have stepped past the needed code-ibrary, re-enter the Library Mode and use the cursor key to step back to it NOTE Ii possible that search mode will nd code-libraries that operate, at least partially, some other brand (non-NAD) components. You may certainly exploit such capabilities as you find them. However, since we can only ensure the completeness or accuracy of NAD code-libraries, we cannot support the HTR 3% operation with other-brand components.

You can check the current code-library on any Device Selector key as follows. Enter Library Mode by simultaneously pressing-and-holding for 3 seconds both the desired components Device Selector key and the [APS] key, until the Learn LED turns green. Press the [DISP] key; the HTR 3 indicates the current code-library by flashing its (CUSTOM, [VCRI and [MACRO] keys For example, to indicate code-library #501, the HTR 3 will flash [CUSTOM] 5 times, pause, and then flash IMACRO] once. You might wish to make a note of your components’ code-library numbers.

SUMMARY OF THE HTR 3 MODES

Mode Keys To Press (for 3 seconds) Leam/Copy/Punch Through Device Key + RES Key Delete Mode Device Key + RTN Key Macro Record Macro Key + Function Key Library Mode Device Key + AVPS Key Back Light Timeout DISP Key + Digi Key Factory Reset See"Factory Reset above SLEEP MODE The Sleep Mode timer will switch the T 765 to Standby mode automatically after à preset number of minutes. Pressing the HTR-35 SLEEP button once will display the setting ofthe sleep time increment. Pressing the HTR-3% SLEEP button a second time within a 3-second period will change the sleep time increment in 15-minute intervals, after which time the T 765 will automatically switch into Standby mode. To adjust the sleep delay, press the HTR-35 SLEEP button twice: first to display the sleep time increment, and a second time to change the sleep time increment. The sleep time increment and a “SLEEP"icon will continuously display on the T 7655 front panel Vacuum Fluorescent Display (VFD) Each consecutive press increases the sleep time in 15-minute increments from 15 to 90 minutes. To cancel the sleep mode, continue pressing the HTR-3SSLEEP button until'SLEEP OFF displays on the VFD. Switching the T 765 to standby from either the HTR-35 OFF or the T 765: POWER button will also cancel the sleep mode

USING THE ZR 4 REMOTE CONTROL

The ZR 4 remote control is a discrete compact remote for controlling the T 765 from various rooms other than the main room. The ZR 4 remote allows full separate control of the source selection irrespective to the main room. This means the zone input may be completely different, audio and video, from the main input and thus corresponding volume levels as well Ifone wishes to enjoy the same source as the main room, the ZR 4 remote has a [LOCAL] button to allow simultaneous listening, but with full separate volume levels. To mute the Zone Volume level, press MUTE'on the ZR 4. fthe’Zone Controls OSD menu is ON, the Zone ‘Volume level section will displayMute’ The T 765% front fluorescent display will show activity of the zone control so that main room occupants are aware of the zone remote activity. Furthermore ifthere is no main room activity, only the zone indicator will be active in the T 7655 fluorescent display. NOTE The ZR 4 remote control will only control Zone 2 applications. Zone 3 and Zone 4 could be configured and managed at the appropriate Zone OSD menu using the front panel navigation keys as well as the corresponding keys on the HTR 3 remote control. The HTR 35 CUSTOM" device is also defaulted to Zone 2 remote control codes.

REFERENCE TROUBLESHOOTING CONDITION No sound from all channels. No sound from some channels. No sound from surround channels. No sound from Subwoofer. No sound from Center channel. No Dolby Digital/DTS. T765 does not respond to front panel commands or remote control. T765 does not respond to HTR 3 remote. POSSIBLE CAUSES + AC power unplugged + Powernot switched on + Outlet has no power. + Speaker A (or Speaker B) is not activated. - Feulty/missing cables. = Speaker Configuration’ channel (s) set to "OFF" + Power-amp or speaker-connections fauity. + No surround listening mode is engaged + Surround-channels set to"OFF'on'Speaker Configuration menu + Surround-channels level set too low on “Speaker Levels menu + Subwoofer is off, not powered or improperly connected. + Subwoofer set to*OFF'on Speaker Configuration menu + Sub level set too low on‘Speaker Levels' menu. + Source is a 2/0 (etc). Dolby Digital or DTS recording without center channel + Center set to "OFF" on ‘Speaker Configuration menu. + Center level set too low on"Speaker Levels' menu. + Sources digital output is not connected to a 1765 digital input.

• Source component not configured for multichannel digital output. + Batteries are flat or incorrectly inserted + IR transmitter window on remote or IR A/V Receiver window on T 765 is obstructed. + 1765 front panel is in very bright sunlight or ambient light. + Microprocessor error. + 1765 may have over heated + 12VTRIGGER IN/OUT is set to AUTO position. + Check AC cable connection and outlet. + Activate Speaker A (or Speaker B) by pressing + Check cables. + Check'Speaker Configuration’ menu. + Check power amp, cabling, and speakers.

• Play a known 5:1-channel recording or select + Correct Speaker Configuration’ or Speaker + Check connections. + Check source component setup. + Check batteries. + CheckIR windows and ensure clear line-of-sight + Reduce sunlight/room lighting + Power-down theT 765 via the rear panel + Wait five minutes, re-connect and power up. + Switch 12VTRIGGER IN/OUT to OFF position. POSSIBLE SOLUTIONS the corresponding front panel or HTR 3 button. Levels'settings. or check connections. Levels'settings. Dolby Pro Logic Ix Music mode. Levels settings from remote toT 765. Power switch and unplug it from the AC outlet. Factory defaults for 120V version only : Press simultaneously Source 4 + Front Input/MP Factory defaults for 230V version only : Press simultaneously Source + Front Input/MP Audyssey Setup settings along with other stored presets and settings will all be deleted upon restoring your T 765 to its factory defaults.

REFERENCE SPECIFICATIONS AMPLIFIER SECTION Power output Stereo Mode IHF dynamic power. 8 ohms IHF dynamic power. 4 ohms IHF dynamic power: 2 ohms Power output Surround Mode Total harmonic distortion at rated power IM distortion at rated power Damping factor, 8 ohms Input sensitivity and impedance Frequency response Signal/noise ratio Signal/noise ratio PREAMPLIFIER SECTION Input sensitivity and impedance Frequency response Signal/noise ratio TUNER SECTION AM SECTION Frequency range Usable sensitivity SIN ratio Total Harmonic Distortion Loop sensitivity 20dB S/N FM SECTION Usable sensitivity, MONO HF (3% THD) S/N Ratio MONO S/N Ratio STEREO Total Harmonie Distortion, MONO Total Harmonie Distortion, STEREO Channel Separation RDS decode sensitivity PHYSICAL SPECIFICATIONS Unit Dimensions (Wx H x D} Net Weight Shipping Weight *- Gross dimensions include feet, volume knob and extended speaker terminals. 120W (8 ohms within rated distortion) 160w 260W 360 W 7x80W (19dBW) <005% <005% >60 11V/50KQ 2 08dB (ref. 1kHz, 20Hz — 20kHz) >92d8 (ref rated power at 8 ohms, A-WTD) >82d8 (ref Wat 8 ohms, A-WTD) 350mV/50KQ 4 0,5 dB (20Hz - 20kHz) >88dB (ref. 2V, AWTD) S30kHz -1710kHz (120V version, 10kHz steps) 531kHz -1602kHz (230V version, 9kHz steps) 30dBu 38dB <3% 66dBu <16.1d8f 18dBu 60d8 55dB 0.25% 0.5% 40dB 28dBu 435 x 170 x431mm (Gross)* 198kg 247kg Specifications are subject to change without notice. For updated documentation and features, please log onto www. NADelectronies.com for the latest information about T 765, Manufactured under license under US. Patent #: 5,451,942; 5,956,674; 5,974,380,5,978,762; 6,226,616; 6,487,535; 7,212,872; 7,333,929; 7,392,195; 7,272,567 &other US. and worldwide patents issued & pending. DTS is a registered trademark and the DTS logos, Symbol, DTS-HD and DTS-HD Master Audio are trademarks of DTS, Inc. © 1996-2009 DTS, Inc. All Rights Reserved. Manufactured under License from Dolby Laboratories. "Dolby" “Pro Logic’ and the double-D symbol are trademarks of Dolby Laboratories. HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC. The XM name, XM Ready and related logos are registered trademarks of XM Satellite Radio Inc. This product incorporates copyright protection technology that is protected by method claims of certain US. patents and other intellectual property rights owned by Macrovision Corporation and other rights owners. Use of this copyright protection technology must be authorized by Macrovision Corporation, and is intended for home and other limited viewing uses only unless otherwise authorized by Macrovision Corporation. Reverse engineering or disassembly is prohibited

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duced, sto Allights reserved. No part of this publication may be x transmited in any form without the written permission of NAD Electron T'765HD Manual sue 1