Poly D - Synthesizer BEHRINGER - Free user manual and instructions

USER MANUAL Poly D BEHRINGER

Important Safety Instructions LEGAL DISCLAIMER LIMITED WARRANTY Terminals marked with this symbol carry electrical current of sucient magnitude to constitute risk of electric shock. Use only high-quality professional speaker cables with ¼" TS or twist-locking plugs pre-installed. Allother installation or modication should be performed only by qualiedpersonnel. This symbol, wherever it appears, alertsyou to the presence of uninsulated dangerous voltage inside the enclosure-voltage that may be sucient to constitute a risk ofshock. This symbol, wherever it appears, alertsyou to important operating and maintenance instructions in the accompanying literature. Please read the manual. Caution To reduce the risk of electric shock, donot remove the top cover (or the rear section). No user serviceable parts inside. Refer servicing to qualied personnel. Caution To reduce the risk of re or electric shock, do not expose this appliance to rain and moisture. The apparatus shall not be exposed to dripping or splashing liquids and no objects lled with liquids, suchas vases, shall be placed on the apparatus. Caution These service instructions are for use by qualied service personnel only. Toreduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions. Repairs have to be performed by qualied servicepersonnel.

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with dry cloth.

7. Do not block any ventilation openings. Install in

accordance with the manufacturer’s instructions.

8. Do not install near any heat sources such as

radiators, heat registers, stoves, or other apparatus (including ampliers) that produce heat.

9. Do not defeat the safety purpose of the polarized

or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. Ifthe provided plug does not t into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or

pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Use only attachments/accessories specied by

12. Use only with the

cart, stand, tripod, bracket, or table specied by the manufacturer, orsold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or

when unused for long periods of time.

14. Refer all servicing to qualied service personnel.

Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has beendropped.

15. The apparatus shall be connected to a MAINS socket

outlet with a protective earthing connection.

16. Where the MAINS plug or an appliance coupler is

used as the disconnect device, the disconnect device shall remain readily operable.

17. Correct disposal of this

product: This symbol indicates that this product must not be disposed of with household waste, according to the WEEE Directive (2012/19/EU) and your national law. This product should be taken to a collection center licensed for the recycling of waste electrical and electronic equipment (EEE). The mishandling of this type of waste could have a possible negative impact on the environment and human health due to potentially hazardous substances that are generally associated with EEE. At the same time, your cooperation in the correct disposal of this product will contribute to the ecient use of natural resources. For more information about where you can take your waste equipment for recycling, please contact your local city oce, or your household waste collection service.

18. Do not install in a conned space, such as a book

case or similar unit.

19. Do not place naked ame sources, such as lighted

candles, on the apparatus.

20. Please keep the environmental aspects of battery

disposal in mind. Batteries must be disposed-of at a battery collection point.

OGRANICZONA GWARANCJA12 POLY D Quick Start Guide 13 POLY D Hook-up (EN) Step 1: Hook-Up (ES) Paso 1: Conexión (FR) Etape 1 : Connexions (DE ) Schritt 1: Verkabelung (PT) Passo 1: Conexões (IT) Passo 1: Allacciare (NL) Stap 1: Hook-Up (SE) Steg 1: Anslutning (PL) Krok 1: Podłączeni Studio System Sistema para estudio de grabación Système de studio Studio-System Sistema de Estúdio Sistema di studio Studio-Systeem Studio-Systemet Studio System Band / Practice System Sistema para un grupo/ensayos Système pour répétition Band/Proberaum-System Sistema Banda/Prática Sistema Band/Pratica Band/Oefensysteem Band/Övningssystem Zespół/System ćwiczeń USB BMIDI KeyboardMIDI INMIDI OUTPowerAdapterDesktop ComputerHeadphonesStudio MonitorsAudio InterfaceUSB BUSB AUSB A Headphones Keyboard Amplier Power Adapter14 POLY D Quick Start Guide 15 POLY D Hook-up (EN) Step 1: Hook-Up (ES) Paso 1: Conexión (FR) Etape 1 : Connexions (DE ) Schritt 1: Verkabelung (PT) Passo 1: Conexões (IT) Passo 1: Allacciare (NL) Stap 1: Hook-Up (SE) Steg 1: Anslutning (PL) Krok 1: Podłączeni Headphones Power Adapter Mixing console Active Loudspeakers Live System Sistema para actuación en directo Système pour représentation Live-System Sistema Ao Vivo Sistema Live Live-Systeem Live-System System na żywo16 POLY D Quick Start Guide 17 POLY D Controls (EN) Step 2: Controls Keyboard Section (1) KEYBOARD - the keyboard has 37 semi-weighted, full-size keys. (2) MOD WHEEL - adjust the modulation depth from o to maximum. (3) PITCH WHEEL - this wheel allows you to lower or raise the pitch. (4) GLIDE ON/OFF - this turns the Glide on or o. (5) LFO RATE - adjusts the frequency of the LFO. (6) WAVE SHAPE - select the LFO wave shape from either triangular or square wave. (7) TRANSPOSE - adjust the keyboard up or down one octave. Controllers Section (8) NOISE (MOD SRC)/ LFO - switch between Noise (or external modulation source) or Low Frequency Oscillator (LFO) as a modulation source. (9) OSC4/FILTER EG - switch between OSC 4 or the Filter Envelope as a modulation source. (10) MODULATION MIX - adjust the modulation mix between OSC4/Filter EG and Noise/LFO. Note: Use the MOD WHEEL to adjust the modulation depth. (11) GLIDE - adjust the amount of Glide (Portamento), between notes on the keyboard. (12) MODE - select the synthesizer mode from Monophonic, Unison, or Polyphonic. (13) AUTO DAMP ON/OFF- when OFF, and a chord is played, the chord will continue to play until all its notes are released, or a new note is played. When ON, only non-released notes will continue to play; the others are damped. (14) TUNE - adjust the frequency of oscillators 1, 2, 3, and 4. (OSC4 is not aected if the OSC4 CONTROL switch is o.) (15) OSCILLATOR MODULATION - when ON, the oscillators are modulated by the modulation mix, set by the MODULATION MIX knob. Oscillator Bank Section (16) OSC 4 CONTROL - when ON, the frequency of Oscillator 4 will vary with the keyboard. When OFF, the keyboard, Pitch wheel, and Modulation wheel, will have no eect on OSC4. (17) FREQUENCY RANGE - select from six frequency ranges of Oscillator 1, 2, 3, or 4. (18) FREQUENCY ADJUSTMENT - adjust the frequency of Oscillator 2, 3, or 4. (19) WAVE SHAPE - select the wave shape used for Oscillator 1, 2, 3, or 4 from: triangular, triangular/sawtooth (OSC 1, 2, 3), reverse sawtooth (OSC 4), sawtooth, square, medium pulse, and narrow pulse. Mixer Section (20) VOLUME - adjust the volume of Oscillator 1, 2, 3, or 4. (21) ON/OFF - select the sources to play from OSC 1, OSC 2, OSC 3, OSC 4, Noise, and External Input, or any combination of these 6 sources. (22) NOISE VOLUME - adjust the level of the internal Noise source. (23) WHITE/PINK - switch the internal Noise source from Pink noise to White noise. (24) EXT IN VOLUME - adjust the level of any external source playing into the external Input. (25) OVERLOAD LED - to prevent overloading and distortion, turn down the EXT IN volume control if this LED turns on. (26) DECAY - when ON, the signal will decay during the time set by the DECAY TIME knob after a note or external trigger is released. When OFF, it will decay immediately after a note or external trigger is released. (27) KEYBOARD CONTROL - these switches vary the eect of the keyboard tracking, where the lter section is aected by the pitch of note played. Switch 1 and 2 OFF - no keyboard tracking eect Switch 1 and 2 ON - maximum eect Switch 1 ON (only) - 1/3 of maximum eect Switch 2 ON (only) - 2/3 of maximum eect (28) FILTER MODULATION - when ON, the lter section is modulated by the modulation mix, set by the MODULATION MIX knob. (29) FILTER MODE - select the lter between Low- pass or High-pass. (30) FILTER ENVELOPE CONTROLS - these 3 knobs adjust the overall shape enveloping the lter section. The controls aect the change in cuto frequency with time. ATTACK - adjust the time for the cuto frequency to increase from its set value and reach the frequency set by the CUTOFF FREQUENCY control. DECAY TIME - adjust the time for the cuto frequency to decay down to the sustain frequency after the attack time is over. SUSTAIN - adjust the cuto to a frequency which is sustained after the attack time and initial decay time have been reached. (31) FILTER CONTROLS - the lter can be low-pass or high-pass, depending on the setting of the FILTER MODE switch. In low-pass mode, audio frequencies above the cuto frequency are attenuated. In high-pass mode, audio frequencies below the cuto frequency are attenuated. CUTOFF FREQUENCY - adjusts the cut-o frequency of the lter. FILTER EMPHASIS - adjusts the amount of volume level boost (resonance) given at the cut-o frequency. AMOUNT OF CONTOUR - adjusts the amount of Filter Envelope contour. (32) LOUDNESS CONTOUR - these 3 knobs adjust the overall shape enveloping the audio after it has passed through the mixer section and lter section. The controls aect the change in volume (loudness) level with time. ATTACK - adjust the time it takes for the signal to reach a maximum level after a note is played. DECAY TIME - adjust the time for a signal to decay down to the sustain volume level after the attack time is over. If the DECAY switch is ON, this is also how long it takes to decay to minimum once a note is released. SUSTAIN - adjust the volume level that the signal is sustained after the attack time and initial decay time have been reached. (1)(2)(3) (7)(6) (4) (5) (8)(9) (10) (13) (14) (15) (24)(25) (12) (11) (16)(17) (18) (19) (20) (21) (22) (23)

We recommend leaving 15 minutes or more time for the POLY D to warm up before recording or live performance. (Longer if it has been brought in from the cold.) This will allow the precision analog circuits time to reach their normal operating temperature and tuned performance. MIXER SECTION The POLY D has four oscillators, an internal Noise generator, and an external source input. Each of these, and any combination, are used by the POLY D to generate sound. The Mixer section allows you to turn each of these sources on or o, and adjust the volume of each to create an overall mix. Start by turning on the top switch for Oscillator 1, and turn o the others. Adjust the volume control of Oscillator 1. In the Output section, adjust the main volume. Now, if you play a note on your keyboard, you should hear the sound of Oscillator 1 only. Turn on other oscillators and/or noise and adjust their volume controls to create a mix. If the MODE switch is set to POLY, the rst note will play Oscillator 1, playing 2 notes plays Oscillator 1 and 2, playing 3 notes plays Oscillator 1, 2, and 3, and playing 4 notes plays Oscillator 1, 2, 3, and 4. OSCILLATOR SECTION In the Oscillator section, adjust the Range knob and you will hear the sound of the various octaves. Adjust the wavetype and listen to the dierences. The oscillator modulation switch allows the oscillator frequency to be modulated by the modulation mix. The OSC 4 switch allows its frequency to be aected by, or be independent of, the notes played on the keyboard, and the modulation and pitch wheels. Note: The TUNE knob and OSCILLATOR 2, 3, and 4 FREQUENCY knobs are marked in units of semi tones as a general guide. FILTER SECTION Play with the Cuto Frequency, Emphasis, and Contour, and listen to their eects on the sound. Adjust the Attack, Decay, and Sustain; they aect the cuto frequency with time, while a note is played. The 2 keyboard switches aect how much the lter is aected by the frequency of notes that are played. If the lter modulation switch is ON then the lter section is modulated by the modulation mix.

LOUDNESS CONTOUR SECTION

In this section, adjust the Attack, Decay, and Sustain; they aect the overall level with time, while a note is played. The loudness decay switch aects the decay in level after a note is released. CONTROLLERS SECTION First set the 2 switches to choose from internal LFO or internal Noise, OSC 4 or the lter envelope, and then use the MODULATION MIX knob to vary the mix between them. You can experiment by rst setting the switch to OSC 4, and turning the MODULATION MIX knob to OSC 4. Then set the Oscillator 4 range control to LO, and the Oscillator Modulation switch ON. You may now be able to hear the sound of the Oscillator 1 modulated by OSC 4. Use the Modulation wheel of your keyboard to increase the eect. If the Filter Modulation switch is ON, listen to the eect of modulation on the lter. The Modulation Sensitivity curve can be chosen from hard, medium, or soft (the default), using the SysEx commands shown later in this manual. SEQUENCER SECTION Details of the Sequencer operation are shown on page 38. ARPEGGIATOR To use the arpeggiator, press the ARP switch in the sequencer section:

1. Press it once to play the arpeggiator.

(It stops when notes are released.)

2. Press HOLD to play and hold the arpeggiator.

(It continues when notes are released.) The arpeggiator rate is set by the TEMPO/GATE LENGTH knob. The order in which the arpeggiator notes are played has 8 options, and this can be changed by pressing either <KYBD or STEP> when the arpeggiator is playing. The LOCATION LED shows the current order 1 to 8:

1. Press SHIFT and <KYBD to select the

2. Initialise the current pattern by pressing SHIFT,

RESET, and PATTERN at the same time. This will delete any previous steps of the current pattern.

3. Press REC, and the STEP 1 switch LED will begin

ashing, indicating this is the current step about to be added and edited. (If you cannot select REC, then repeat step 1.)

4. Press any note on the keyboard, or a rest as

REST switch. When a rest is added, the LOCATOR LED 8 will light.

6. Press further notes. The next STEP switch LED

will be ashing after each note or rest has been added.

7. The gate length of a step can be adjusted using

the TEMPO/GATE LENGTH control. The LOCATOR LEDs will turn red, showing the gate length from 1 to 8. If set to 8, this creates a tie with the next step. If the next step is the same note, this creates a longer note, as the 2 steps are tied.

8. To create a “Ratchet,” hold SHIFT, and turn the

GLIDE control. The locator LEDs will show the number of ratchets from 1 to 4, in yellow. For example, with a setting of 4, the single step is split into 4 equal parts. When a ratchet is applied, the LOCATION LED 6 will light.

9. To turn the GLIDE on for a step, turn up the

GLIDE control. To turn o, turn it all the way down. When GLIDE is on for a step, the LOCATION LED 5 will light.

10. To increase the brightness or accent, press

the RESET/ACCENT switch. When an accent is applied, the LOCATION LED 7 will light.

11. Press REC when you have nished creating the

pattern. It is not saved yet, but it can be played back. Caution: Do not turn o the unit, or create a new pattern, or the current unsaved pattern will be lost.

1. Press PLAY/STOP to listen to the current pattern.

2. If you decide not to save it, you can repeat the

recording steps above to record a new pattern. Alternatively, press PATTERN and RESET to recall the currently saved pattern, and discard any changes.

3. If you decide to save the pattern, you must

follow the “SAVING A PATTERN” procedure shown below, or it will not remain in memory if a new pattern is begun, or the power is turned o.

4. To create a SWING for this pattern, hold SHIFT

and adjust the TEMPO/GATE LENGTH control. In the center position, no swing is applied, if turned down, only the o-beats will play, and if all the way up, only the on-beats will play. The SWING setting for the pattern is saved when the pattern is saved as shown below.

5. While playing a pattern:

Press HOLD/REST to hold the current step. Press RESET/ACCENT to return to step 1. Press SHIFT and any STEP, and you can edit the gate length, rest, accent, ratchet, glide but not note. Press SHIFT and the same STEP again to exit step edit. (If playback is paused, the same operation can edit the note as well. Press PAGE to view the pattern page from 1 to 4. Press SHIFT and PAGE to return to automatic page turning. Press SHIFT and ARP/SETEND and a STEP to change the sequence end step. PLAY/STOP to pause playback.

1. Press and hold SHIFT + PLAY/STOP for 2 seconds

until the LOCATOR LED of the current pattern number begins to ash green slowly.

2. Press a STEP switch 1 to 8 to select the new

desired pattern number.

3. Press PATTERN + STEP switch 1 to 8 to select the

desired bank number.

4. Press SHIFT + REC to save the pattern and exit

RECALLING A SAVED PATTERN

1. Press and hold PATTERN. The LOCATION LED

will show the current pattern number. Use the <KYBD or STEP> switches to move up and down through the patterns 1 to 8, or press a STEP switch 1 to 8. You can also do this while a pattern is playing.

2. Press and hold SHIFT and PATTERN. The

LOCATION LED will show the current bank number. Use the <KYBD or STEP> switches to move up and down through the banks 1 to 8, or press a STEP switch 1 to 8. You can also do this while a pattern is playing.

3. Press PLAY/STOP to play back the

4. During playback, the LOCATION LEDs will show

the current page of the pattern (1 to 4), and the STEP Switch LEDs will show the steps moving. LIVE PERFORMANCE During playback, temporary adjustments can be made as follows. (None of these are saved with the pattern.)

1. To add Ratchet to all steps of the pattern, press

SHIFT and adjust the GLIDE control.

The STEP switch LEDs will light.

2. Press PAGE to select the pattern page from 1 to

4 to be edited. The green LOCATION LEDs 1 to 4 will show the current page.

3. Press SHIFT and the STEP switch you want to

edit. You can enter a new note, or a rest, and adjust any of the other parameters such as ratchet, glide on/o, and so on.

4. Press SHIFT and the next STEP switch to be

edited. (The steps will not automatically advance to the next step in line; you can choose which steps to edit next.)

5. Press REC to exit the editing mode.

6. Press PLAY/STOP to listen to the edited pattern.

7. Remember to save the pattern using the

“SAVING A PATTERN” procedure above.

CREATING A PATTERN IN STEP MODE

1. Press SHIFT and STEP> to select the Sequencer’s

STEP mode. The ashing LOCATION LED will turn from green (Keyboard mode) to yellow (Step mode).

2. Initialise the current pattern by pressing SHIFT,

RESET, and PATTERN at the same time. This will delete any previous steps of the current pattern. (If you want to use the current pattern instead, then do not initialise it.)

3. Press PAGE to move to a desired page of

your pattern. Then press SET END and a STEP switch to choose the length of the pattern. For example, if you are on page 1 and press SET END + 8, then the pattern length is 8 steps. If you press PAGE and reach page 4, and press SET END + 8, then the pattern will be 32 steps long (4 pages of 8 steps each).

4. When the desired SET END is selected, all the

STEP switch LEDs up to that step will be on solid red.

5. Press SHIFT and any one of the STEP switches at

the same time. It will begin to ash, indicating it is the current step about to be edited. You can now add a note, or a rest, or any of the other functions described above in the Keyboard mode, such as Ratchet, Glide, Accent, change gate length and so on.

6. Press SHIFT and the current STEP switch to nish

editing that step. It will stop ashing.

7. Repeat procedure steps 5 and 6 above, until all

your required steps are good.

8. Press PLAY/STOP to play the pattern.

9. While playing, you can add temporary

adjustments as shown in the “LIVE PERFORMANCE” procedure above.

SAVING A PATTERN IN STEP MODE

1. Patterns created in STEP mode are not saved in

2. If you wanted to save it, rst switch back to

KEYBOARD mode by pressing SHIFT + <KYBD.

3. Caution: Do not turn o the unit, or create a

new pattern, or the current unsaved pattern will be lost.

pressione SHIFT + RESET / ACCENT.

premere MAIUSC + RESET / ACCENT.

MINNER OM ETT SPARAD MÖNSTER

Use the following data format to set global value using a SysEx message. F0 00 20 32 00 01 0c aa bb cc D0 … Dn F7 00 20 32 = Manufacture SYSEX ID number (Behringer GmbH) 00 01 0c = Model ID for POLY D aa = Device ID: 00-0x7F (must match hardware device ID), or 0x00 to address all devices. bb = Packet Number cc = Sub packet number (maybe absent for some message). D0..Dn = Packet payload COMMAND TABLE Packet Number SysEx Packet Functions Note Default 00 F0 00 20 32 00 01 0c DID 00 nn F7 Set device id (DID) n= DID to be set, range from [0-127], 0 ==any [0] 0E F0 00 20 32 00 01 0c DID 0E 01 nn mm F7 Set midi channel nn = Midi TX channel number to be set, range from [0-16], 0 == Any channel. mm = Midi RX channel number to be set, range from [0-16], 0 == Any channel. Default value [1]. [1] 0F F0 00 20 32 00 01 0c DID 0F nn F7 Set MIDI IN Transpose nn = transpose value [0-24]. Transpose range is -12 to + 12, so 12 is no transpose. Default value [1]. [1] 10 F0 00 20 32 00 01 0c DID 10 nn mm pp F7 Set velocity info nn = Key velocity of note on, 1 – 127 is a xed value of velocity; 0 is dynamic velocity. mm = Key velocity of note o, 1 – 127 is a xed value of velocity; 0 is dynamic velocity. pp = velocity Curve: 0 - soft, 1 - med, 2 - hard nn = [0], mm = [0], pp = [0] 11 F0 00 20 32 00 01 0c DID 11 nn mm F7 Set pitch bend range nn = Pitch bend range [0-24] , 0 – 2 octave. Ignore mm [12 -- 1 octave] 12 F0 00 20 32 00 01 0c DID 12 nn F7 Set key priority [0-low, 1- high, 2-last] [2-last] 14 F0 00 20 32 00 01 0c DID 14 nn mm F7 Set multi trigger nn = multi-trigger [0-o, 1-on]. Ignore mm Nn = [nn=1, on] 15 F0 00 20 32 00 01 0c DID 15 nn F7 Set modulation curve. nn = curve [0-soft, 1-Med, 2-hard] [0- soft] 16 F0 00 20 32 00 01 0c DID 16 nn F7 Set the Note @zero CV [0-127] [0x24-C2] 17 F0 00 20 32 00 01 0c DID 17 nn F7 Set the MIDI clock output nn = [0—OFF, 1—DIN, 2—USB, 3-BOTH] [3-BOTH] 19 F0 00 20 32 00 01 0c DID 19 nn F7 Set external clock polarity. nn = [0—FALLING, 1—RISSING], [1—RISING] 1A F0 00 20 32 00 01 0c DID 1A nn F7 Set sync clock rate nn = [0 – 1 PPS, 1 – 2 PPQ, 2 – 24 PPQ, 3- 48 PPQ] [2-24 PPQ] 1B F0 00 20 32 00 01 0c DID 1B nn F7 Set sync clock source. nn = [0 – Internal, 1 – DIN, 2 – USB, 3 – TRIG] [0 – Internal] 20 F0 00 20 32 00 01 0c DID 20 nn F7 Modulation wheel range nn = [0-4] [2—100%] 21 F0 00 20 32 00 01 0c DID 21 nn F7 Set midi output of modulation wheel nn = [0—OFF, 1—DIN, 2—USB, 3-BOTH] [3-BOTH] 22 F0 00 20 32 00 01 0c DID 22 nn F7 Set midi output of pitch wheel nn = [0—OFF, 1—DIN, 2—USB, 3-BOTH] [3-BOTH] 23 F0 00 20 32 00 01 0c DID 23 nn F7 Set midi output of keyboard nn = [0—OFF, 1—DIN, 2—USB, 3-BOTH] [3-BOTH] 24 F0 00 20 32 00 01 0c DID 24 nn F7 Set midi output of keyboard after touch nn = [0—OFF, 1—DIN, 2—USB, 3-BOTH] [3-BOTH] 25 F0 00 20 32 00 01 0c DID 25 nn F7 Set midi output of sequencer nn = [0—OFF, 1—DIN, 2—USB, 3-BOTH] [3-BOTH] 26 F0 00 20 32 00 01 0c DID 26 nn F7 Set midi output of arpeggiator nn= [0—OFF, 1—DIN, 2—USB, 3-BOTH [3-BOTH] 7D F0 00 20 32 00 01 0c DID 7D F7 Restore factory settings COMMAND FUNCTION F0 00 20 32 00 01 0c DID 00 01 F7 Set DID as 1 F0 00 20 32 00 01 0c 00 0E 01 03 04 F7 Set MIDI channel: TX channel = 0x3, RX channel = 0x4 F0 00 20 32 00 01 0c 00 0F 18 F7 Set MIDI IN Transpose +12 ( +1 Octave) F0 00 20 32 00 01 0c 00 10 00 30 00 F7 Set velocity: Velocity Note On = dynamic. Velocity Note O = 48 Velocity Curve = Soft F0 00 20 32 00 01 0c 00 11 08 00 F7 Set pitch bend range = 0x8 F0 00 20 32 00 01 0c 00 12 01 F7 Set key priority = High F0 00 20 32 00 01 0c 00 14 01 00 F7 Set multi trigger = ON F0 00 20 32 00 01 0c 00 15 02 F7 Set modulation curve.= HARD F0 00 20 32 00 01 0c 00 16 3C F7 Set the Note @zero CV = 0x3C (note C4) F0 00 20 32 00 01 0c 00 17 00 F7 Set the MIDI clock output OFF F0 00 20 32 00 01 0c 00 19 00 F7 Set external clock polarity FALLING.. F0 00 20 32 00 01 0c 00 1A 02 F7 Set sync clock rate 24PPQ F0 00 20 32 00 01 0c 00 1B 02 F7 Set sync clock source as USB F0 00 20 32 00 01 0c 00 20 02 F7 Modulation wheel range 100% F0 00 20 32 00 01 0c 00 21 00 F7 Set midi output of modulation wheel as OFF F0 00 20 32 00 01 0c 00 22 01 F7 Set midi output of pitch wheel as DIN F0 00 20 32 00 01 0c 00 23 02 F7 Set midi output of keyboard as USB F0 00 20 32 00 01 0c 00 24 03 F7 Set midi output of keyboard after touch as BOTH F0 00 20 32 00 01 0c 00 25 02 F7 Set midi output of sequencer as USB F0 00 20 32 00 01 0c 00 26 01 F7 Set midi output of arpeggiator as DIN F0 00 20 32 00 01 0c 00 7D F7 Restore factory settings (EN) System Exclusive Data Sheet74 POLY D Quick Start Guide 75 POLY D System Exclusive Data Sheet The “Synthtool.exe” application allows you to select the MIDI channel number and to set and adjust various parameters of the POLY D to suit your preferences. Parameters can also be accessed via MIDI system Exclusive (SysEx) commands. Please see the information shown below.

Use o seguinte formato de dados para denir o valor global usando uma mensagem SysEx. F0 00 20 32 00 01 0c aa bb cc D0 ... Dn F7 00 20 32 = Número de identicação do SYSEX de fabricação (Behringer GmbH) 00 01 0c = ID do modelo para POLY D aa = ID do dispositivo: 00-0x7F (deve corresponder ao ID do dispositivo de hardware) ou 0x00 para endereçar todos os dispositivos. bb = Número do Pacote cc = Número do subpacote (talvez ausente para alguma mensagem). D0..Dn = Carga útil do pacote (FR) Fiche technique exclusive (NL) Systeem exclusief gegevensblad (PL) Wyjątkowa karta katalogowa (PT) Folha de dados exclusiva do sistema76 POLY D Quick Start Guide 77 POLY D Patch Sheet Patch Number DATE: NOTES: AUTHOR: TITLE: POLY D Default Patch DATE: NOTES: AUTHOR: TITLE: : Oscillators 1 and 2 play in mono, saw waveform, no modulation, adjust volume or headphone volume to suit.78 POLY D Quick Start Guide 79 Specications Chorus Section Switches Chorus I: on / o Chorus II: on / o Chorus: on / o LED Chorus I, Chorus II Output Section Knobs Volume: 0 to 10, adjustable Headphone volume: 0 to 10, adjustable Switches Power: on / o LED Power Sequencer Section Number of steps 32 steps max./pattern Number of patterns 64 patterns max. Memory storage 8 banks 8 patterns/bank Knobs Tempo / gate length / swing Switches Hold / rest Reset / accent Arp / set end Pattern / bank Shift Page Play / stop Record Keyboard mode Step mode LED 8 x location 10 x backlit switches LFO Section Knobs LFO rate: 0 to 10, adjustable Switches LFO waveform: triangular / square LED LFO rate Keyboard and Controls Wheels Pitch Modulation Switches Glide on / o Transpose up / down 1 octave Keyboard 37, semi-weighted, full-size keys with velocity USB Type Class-compliant USB 2.0, type B Supported operating systems Windows XP or higher Mac OS X 10.6.8 or higher Power Requirements External power adaptor 12 VDC 1000 mA Power consumption 10 W max. Environmental Operating temperature range 5°C – 40°C (41°F – 104°F) Physical Dimensions (H x W x D) 90 x 648 x 361 mm (3.5 x 25.5 x 14.2") Weight 10.2 kg (22.5 lbs) Synthesizer Architecture Number of voices Monophonic / unison / polyphonic (4 voices), switchable Type Analog Oscillators 4 (0.1 Hz to 20 kHz, 6 overlapping ranges) LFO 1 (0.05 Hz to 200 Hz) VCF 1 x low / high pass lter, switchable, 24 dB/oct. slope Envelopes VCA, VCF MIDI channels 16 Connectivity MIDI in / out/ thru 5-pin DIN USB (MIDI) Type B Main output 2 x ¼" TRS, servo-balanced Max. output level -16 dBu Impedance 100 Ω External signal input ¼" TS, unbalanced Impedance 1 MΩ External v-trigger input 1 x ¼" TS, unbalanced, +5 V Sync 2 x ¼" TS, input and output, unbalanced, +5 V Headphones 1 x ¼" TRS, stereo Max. output level -4 dBu Output impedance 110 Ω External Control Inputs Loudness 1 x ¼" TS, unbalanced, 0 to +5 V Filter 1 x ¼" TS, unbalanced, 0 to +5 V, 1 V/oct. Oscillator 1 x ¼" TS, unbalanced, ±5 V Modulation source 1 x ¼" TS, unbalanced Internal control outputs After pressure 1 x ¼" TS, unbalanced, 0 to +5 V Pitch 1 x ¼" TS, unbalanced, -3 to +7 V V-trigger 1 x ¼" TS, unbalanced, +5 V Velocity 1 x ¼" TS, unbalanced, 0 to +5 V Controllers Section Knobs Tune: -2 to +2, adjustable Glide: 0 to 10, adjustable Modulation mix: (OSC 4 / lter EG) to (noise/ext. mod source / LFO), adjustable Switches Modulation source: OSC 4 / lter EG Modulation source: noise or external modulation source / LFO Mode: mono / unison / poly Auto Damp: on / o Oscillator Bank Knobs Range (OSC 1, 2, 3, and 4): LO / 32' / 16' / 8' / 4' / 2', selectable Frequency (OSC 2, 3, and 4): -7 to +7, adjustable Waveform (OSC 1, 2, and 3): triangular / triangular saw / saw / square / wide pulse /narrow pulse, selectable Waveform (OSC 4): triangular / reverse saw /saw / square / wide pulse / narrow pulse, selectable Switches Oscillator modulation on / o OSC 4 control (by keyboard) on / o Mixer Section Knobs Volume (OSC 1, 2, 3, and 4): 0 to 10, adjustable Volume (external input): 0 to 10, adjustable Volume (noise): 0 to 10, adjustable Switches OSC 1, 2, 3, and 4: on /o External input: on / o Noise: on / o Noise source: pink / white Indicators Overload LED Filter Section Knobs Cuto frequency: -4 to +4, adjustable Filter emphasis: 0 to 10, adjustable Amount of contour: 0 to 10, adjustable Attack: 1 ms to 10 s, adjustable Decay: 4 ms to >35 s, adjustable Sustain: 0 to 10, adjustable Switches Filter mode: low pass / high pass Filter modulation: on / o Keyboard control 1: on (1/3) / o Keyboard control 2: on (2/3) / o Loudness Contour Section Knobs Amount of contour: 0 to 10, adjustable Attack: 1 ms to 10 s, adjustable Decay: 4 ms to >35 s, adjustable Switch Decay: on / o Distortion Section Knobs Distortion: 0 to 10, adjustable Tone: 0 to 10, adjustable Level: 0 to 10, adjustable Switches Distortion on / o80 POLY D Quick Start Guide 81 Other important information

1. Register online. Please register your new

Music Tribe equipment right after you purchase it by visiting musictribe.com. Registering your purchase using our simple online form helps us to process your repair claims more quickly and eciently. Also, read the terms and conditions of our warranty, if applicable.

2. Malfunction. Should your Music Tribe

Authorized Reseller not be located in your vicinity, you may contact the Music Tribe Authorized Fulller for your country listed under “Support” at musictribe.com. Should your country not be listed, please check if your problem can be dealt with by our “Online Support” which may also be found under “Support” at musictribe.com. Alternatively, please submit an online warranty claim at musictribe.com BEFORE returning the product.

3. Power Connections. Before plugging the

unit into a power socket, please make sure you are using the correct mains voltage for your particular model. Faulty fuses must be replaced with fuses of the same type and rating without exception.

urządzenia do gniazdka sieciowego upewnij się, że używasz odpowiedniego napięcia sieciowego dla danego modelu. Wadliwe bezpieczniki należy bez wyjątku wymienić na bezpieczniki tego samego typu i wartości. Belangrijke informatie Viktig information Ważna informacja82 POLY D Quick Start Guide 83 FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION Responsible Party Name: Music Tribe Commercial NV Inc. Address: 5270 Procyon Street, Las Vegas NV 89118, United States Phone Number: +1 702 800 8290 POLY D This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment o and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• • Reorient or relocate the receiving antenna.

• • Increase the separation between the equipment and receiver.

• • Connect the equipment into an outlet on a circuit dierent from that to which the receiver is connected.

• • Consult the dealer or an experienced radio/TV technician for help. This device complies with Part 15 of the FCC rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Important information: Changes or modications to the equipment not expressly approved by Music Tribe can void the user’s authority to use the equipment. Hereby, Music Tribe declares that this product is in compliance with Directive 2014/35/EU,Directive 2014/30/EU, Directive 2011/65/EU and Amendment 2015/863/EU, Directive 2012/19/EU, Regulation 519/2012 REACH SVHC and Directive 1907/2006/EC. Full text of EU DoC is available at https://community.musictribe.com/ EU Representative: Music Tribe Brands DK A/S Address: Ib Spang Olsens Gade 17, DK - 8200 Aarhus N, Denmark POLY DWe Hear You