Diskklavier E3 Classic - Digital piano YAMAHA - Free user manual and instructions

USER MANUAL Diskklavier E3 Classic YAMAHA

PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated on the safety instruction section.

SEE BOTTOM OF ENCLOSURE OR LOWER FRONT PANEL FOR GRAPHIC SYMBOL MARKINGS

The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

The lightning flash with arrowhead symbol within the equilateral triangle is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electrical shock.

IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small nonrechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.

Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer's warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

SECTION DEMESSAGE SPECIAL

IMPORTANT SAFETY INSTRUCTIONS

WARNING - When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with dry cloth.

7. Do not block any ventilation openings. Install in accordance with the manufacturer's instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

1. Unplug this apparatus during lightning storms or when unused for long periods of time.

2. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

3. This product shall not be exposed to dripping or splashing and that no objects filled with liquids, such as vases, shall be placed on the apparatus.

4. Do not put burning items, such as candles, on the apparatus.

5. Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25^ cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.

6. WARNING - To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
7. Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist.
8. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.
9. Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied as a part or the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.
10. This product shall be connected to a MAINS socket outlet with a protective earthing connection.
11. This product has a power switch for shutting off all system. The switch is located on the Power Supply Unit nearby the entrance of the AC cord. Note that the switch on the Controller does not shutdown all system.
12. Make sure that the plug of the Power Supply Unit's power cable can easily be disconnected from the AC outlet as a measure of precaution.

Battery

• Danger of explosion if battery incorrectly replaced. Replace only with the same type.

Outlets for Speakers

• Connect speakers of 2A or less of totals. Do not connect other products except speakers.

• Consult Yamaha service technician when using the outlets outside the purchased area.

INSTRUCTIONS DE SECURITE IMPORTANTES

The control unit is classified as a Class 1 laser product. One of the labels below is located on the inside of the CD drive unit.

CLASS 1 LASER PRODUCT

LASER KLASSE 1

1类激光产品

CAUTION -CLASS 3B VISIBLE AND INVISIBLE LASER RADIATION WHEN OPEN

AVOID EXPOSURE TO THE BEAM.

• Material: GaAlAs
• Wavelength: 783 nm
• Laser Output Power at the lens of the Laser Pickup Unit: max. 130.7 mW

CAUTION—Use of controls or adjustments or performance of procedures other than those specified herein may result in hazardous radiation exposure.

COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address: 6600 Orangethorpe Avenue, Buena Park, CA 90620 USA

Telephone: [phone]

Fax:[phone]

Type of Equipment : Player Piano

Model Name: DGB1KE3Classic

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference that may cause undesired operation.
See user manual instructions if interference to radio reception is suspected.

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

1. 1t t with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
2. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class "B" digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit "OFF" and "ON", please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

(1) Remove the four screws from the sides of the control unit.
(2) Place the metal suspension bracket, supplied with the Disklavier grand model, over the control unit, then secure the metal suspension bracket to the control unit using the four screws (4× 10) supplied with the Disklavier.
(3) Insert the three restraining screws (5× 12) into the marked nuts underneath the bass side key bed, then tighten the screws, leaving a gap of about 5mm between head of the screw and piano body.

Notes:

1) Handle the metal suspension bracket and the control unit carefully to avoid scratches.
2) Screws; For suspension bracket installation: Flat head (4× 10)× 4 For control unit suspension: Bind head (5× 12)× 3
3) When mounted correctly, the control unit is angled approximately 18^ above horizontal.

(4) Fit the "slots" of the metal suspension bracket containing the control unit to the screws mentioned in step (3).

(5) After mounting the control unit, push the control unit back as far as it will go and then tighten the three screws to secure the bracket.

(6) Connect the cables extending from the piano to the appropriate connectors/jacks on the rear panel of the control unit.

Coaxial cable: to the TO PIANO connectors
- Speaker cord: to the OUTPUT jacks

Mounting an Optional USB Floppy Disk Drive to the Grand Piano

(1) Remove the backing papers from the adhesive tape inside the case, and fit the floppy disk drive into the case.
(2) Attach the drive and case assembly to the bottom of the control unit, using the four screws (3× 6) supplied with the Disklavier.
(3) Connect the USB cable extending from the drive to the USB port on the rear panel of the control unit.

Notes:

1) The case is supplied with the USB floppy disk drive.
2) Use the screws (3 × 6) supplied with the Disklavier when attaching.

Piano Development Department, Yamaha Corporation

Gestion des albums 66

Prises OMNI (SYNC) OUT

6 Prises OMNI (SYNC) IN

• CopyAlbum
  -DeleteAlbum
• NewAlbum
• RenameAlbum
• SortAlbum
• AddToPList
  -DeleteList
• NewList
• RenameList

E

Suppression des albums

=RenameAlbum=OK? YES/NO 01: Jazz Selection

• CopySong
  -DeleteSong
• RenameSong
• SortSong
• AddToPList
• ConvertSong
• Counter
• Strip XP

=SortSong= OK? YES/NO

008:Interaction

006:Toccata and Fusue

-CounterChange=OK?YES/NO

001:Song For Students TIME METRONOME

=DeleteList ENT 02:My Best Collection

=DeleteList=OK? YES/NO 02:My Best Collection

Delete Complete Press an

= button.

=RenameList= OK? YES/NO My Best Hit Collection

Double-cliquez I'icone [Dkv*****].

Double-cliquez I'icone [FromToPC].

Internet Direct Connection (IDC)

=Reset= ANY Completed. Press any button.

Version 2, June 1991

Copyright © 1989, 1991 Free Software Foundation, Inc.

59 Temple Place, Suite 330, Boston, MA 02111-1307 USA

Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed.

■Preamble

The licenses for most software are designed to take away your freedom to share and change it. By contrast, the GNU General Public License is intended to guarantee your freedom to share and change free software — to make sure the software is free for all its users. This General Public License applies to most of the Free Software Foundation's software and to any other program whose authors commit to using it. (Some other Free Software Foundation software is covered by the GNU Library General Public License instead.) You can apply it to your programs, too.

When we speak of free software, we are referring to freedom, not price. Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for this service if you wish), that you receive source code or can get it if you want it, that you can change the software or use pieces of it in new free programs; and that you know you can do these things.

To protect your rights, we need to make restrictions that forbid anyone to deny you these rights or to ask you to surrender the rights. These restrictions translate to certain responsibilities for you if you distribute copies of the software, or if you modify it.

For example, if you distribute copies of such a program, whether gratis or for a fee, you must give the recipients all the rights that you have. You must make sure that they, too, receive or can get the source code. And you must show them these terms so they know their rights.

We protect your rights with two steps: (1) copyright the software, and (2) offer you this license which gives you legal permission to copy, distribute and/or modify the software.

Also, for each author's protection and ours, we want to make certain that everyone understands that there is no warranty for this free software. If the software is modified by someone else and passed on, we want its recipients to know that what they have is not the original, so that any problems introduced by others will not reflect on the original authors' reputations.

Finally, any free program is threatened constantly by software patents. We wish to avoid the danger that redistributors of a free program will individually obtain patent licenses, in effect making the program proprietary.

To prevent this, we have made it clear that any patent must be licensed for everyone's free use or not licensed at all.

The precise terms and conditions for copying, distribution and modification follow.

■TERMS AND CONDITIONS FOR COOPYING, DISTRIBUTION AND MODIFICATION

0 This License applies to any program or other work which contains a notice placed by the copyright holder saying it may be distributed under the terms of this General Public License. The "Program", below, refers to any such program or work, and a "work based on the Program" means either the Program or any derivative work under copyright law: that is to say, a work containing the Program or a portion of it, either verbatim or with modifications and/or translated into another language. (Hereinafter, translation is included without limitation in the term modification.) Each licensee is addressed as "you".

Activities other than copying, distribution and modification are not covered by this License; they are outside its scope. The act of running the Program is not restricted, and the output from the Program is covered only if its contents constitute a work based on the Program (independent of having been made by running the Program). Whether that is true depends on what the Program does.

1. You may copy and distribute verbatim copies of the Program's source code as you receive it, in any medium, provided that you conspicuously and appropriately publish on each copy an appropriate copyright notice and disclaimer of warranty; keep intact all the notices that refer to this License and to the absence of any warranty; and give any other recipients of the Program a copy of this License along with the Program.

You may charge a fee for the physical act of transferring a copy, and you may at your option offer warranty protection in exchange for a fee.

1. You may modify your copy or copies of the Program or any portion of it, thus forming a work based on the Program, and copy and distribute such modifications or work under the terms of Section 1 above, provided that you also meet all of these conditions:

a) You must cause the modified files to carry prominent notices stating that you changed the files and the date of any change.
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c) If the modified program normally reads commands interactively when run, you must cause it, when started running for such interactive use in the most ordinary way, to print or display an announcement including an appropriate copyright notice and a notice that there is no warranty (or else, saying that you provide a warranty) and that users may redistribute the program under these conditions, and telling the user how to view a copy of this License. (Exception: if the Program itself is interactive but does not normally print such an announcement, your work based on the Program is not required to print an announcement.)

These requirements apply to the modified work as a whole. If identifiable sections of that work are not derived from the Program, and can be reasonably considered independent and separate works in themselves, then this License, and its terms, do not apply to those sections when you distribute them as separate works. But when you distribute the same sections as part of a whole which is a work based on the Program, the distribution of the whole must be on the terms of this License, whose permissions for other licensees extend to the entire whole, and thus to each and every part regardless of who wrote it.

Thus, it is not the intent of this section to claim rights or contest your rights to work written entirely by you; rather, the intent is to exercise the right to control the distribution of derivative or collective works based on the Program.

In addition, mere aggregation of another work not based on the Program with the Program (or with a work based on the Program) on a volume of a storage or distribution medium does not bring the other work under the scope of this License.

1. You may copy and distribute the Program (or a work based on it, under Section 2) in object code or executable form under the terms of Sections 1 and 2 above provided that you also do one of the following:

a) Accompany it with the complete corresponding machine-readable source code, which must be distributed under the terms of Sections 1 and 2 above on a medium customarily used for software interchange; or,
b) Accompany it with a written offer, valid for at least three years, to give any third party, for a charge no more than your cost of physically performing source distribution, a complete machine-readable copy of the corresponding source code, to be distributed under the terms of Sections 1 and 2 above on a medium customarily used for software interchange; or,
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NO WARRANTY

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2. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

GNU LESSER GENERAL PUBLIC LICENSE

Version 2.1, February 1999

Copyright © 1991, 1999 Free Software Foundation, Inc.

59 Temple Place, Suite 330, Boston, MA 02111-1307 USA

Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed.

[This is the first released version of the Lesser GPL. It also counts as the successor of the GNU Library Public License, version 2, hence the version number 2.1.]

■Preamble

The licenses for most software are designed to take away your freedom to share and change it. By contrast, the GNU General Public Licenses are intended to guarantee your freedom to share and change free software — to make sure the software is free for all its users.

This license, the Lesser General Public License, applies to some specially designated software packages — typically libraries — of the Free Software Foundation and other authors who decide to use it. You can use it too, but we suggest you first think carefully about whether this license or the ordinary General Public License is the better strategy to use in any particular case, based on the explanations below.

When we speak of free software, we are referring to freedom of use, not price. Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for this service if you wish); that you receive source code or can get it if you want it; that you can change the software and use pieces of it in new free programs; and that you are informed that you can do these things.

To protect your rights, we need to make restrictions that forbid distributors to deny you these rights or to ask you to surrender these rights. These restrictions translate to certain responsibilities for you if you distribute copies of the library or if you modify it.

For example, if you distribute copies of the library, whether gratis or for a fee, you must give the recipients all the rights that we gave you. You must make sure that they, too, receive or can get the source code. If you link other code with the library, you must provide complete object files to the recipients, so that they can relink them with the library after making changes to the library and recompiling it. And you must show them these terms so they know their rights.

We protect your rights with a two-step method: (1) we copyright the library, and (2) we offer you this license, which gives you legal permission to copy, distribute and/or modify the library.

To protect each distributor, we want to make it very clear that there is no warranty for the free library. Also, if the library is modified by someone else and passed on, the recipients should know that what they have is not the original version, so that the original author's reputation will not be affected by problems that might be introduced by others.

Finally, software patents pose a constant threat to the existence of any free program. We wish to make sure that a company cannot effectively restrict the users of a free program by obtaining a restrictive license from a patent holder. Therefore, we insist that any patent license obtained for a version of the library must be consistent with the full freedom of use specified in this license.

Most GNU software, including some libraries, is covered by the ordinary GNU General Public License. This license, the GNU Lesser General Public License, applies to certain designated libraries, and is quite different from the ordinary General Public License. We use this license for certain libraries in order to permit linking those libraries into non-free programs.

When a program is linked with a library, whether statically or using a shared library, the combination of the two is legally speaking a combined work, a derivative of the original library. The ordinary General Public License therefore permits such linking only if the entire combination fits its criteria of freedom. The Lesser General Public License permits more lax criteria for linking other code with the library.

We call this license the "Lesser" General Public License because it does Less to protect the user's freedom than the ordinary General Public License. It also provides other free software developers Less of an advantage over competing non-free programs. These disadvantages are the reason we use the ordinary General Public License for many libraries. However, the Lesser license provides advantages in certain special circumstances.

For example, on rare occasions, there may be a special need to encourage the widest possible use of a certain library, so that it becomes a de-facto standard. To achieve this, non-free programs must be allowed to use the library. A more frequent case is that a free library does the same job as widely used non-free libraries. In this case, there is little to gain by limiting the free library to free software only, so we use the Lesser General Public License.

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Although the Lesser General Public License is Less protective of the users' freedom, it does ensure that the user of a program that is linked with the Library has the freedom and the wherewithal to run that program using a modified version of the Library.

The precise terms and conditions for copying, distribution and modification follow. Pay close attention to the difference between a "work based on the library" and a "work that uses the library". The former contains code derived from the library, whereas the latter must be combined with the library in order to run.

■TERMS AND CONDITIONS FOR COOPYING, DISTRIBUTION AND MODIFICATION

1. This License Agreement applies to any software library or other program which contains a notice placed by the copyright holder or other authorized party saying it may be distributed under the terms of this Lesser General Public License (also called "this License"). Each licensee is addressed as "you".

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The "Library", below, refers to any such software library or work which has been distributed under these terms. A "work based on the Library" means either the Library or any derivative work under copyright law: that is to say, a work containing the Library or a portion of it, either verbatim or with modifications and/or translated straightforwardly into another language. (Hereinafter, translation is included without limitation in the term "modification".)

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   You may charge a fee for the physical act of transferring a copy, and you may at your option offer warranty protection in exchange for a fee.
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NO WARRANTY

1. BECAUSE THE LIBRARY IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY FOR THE LIBRARY, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES PROVIDE THE LIBRARY "AS IS" WITHOUT WARRANTY OF ANY KIND, Either EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTYES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE LIBRARY IS WITH YOU. SHOULD THE LIBRARY PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION.
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expat

Copyright © 1998, 1999, 2000 Thai Open Source Software Center Ltd and Clark Cooper Copyright © 2001, 2002, 2003 Expat maintainers.

Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:

The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.

THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTY OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT.

IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.

glibc

This file contains the copying permission notices for various files in the GNU C Library distribution that have copyright owners other than the Free Software Foundation. These notices all require that a copy of the notice be included in the accompanying documentation and be distributed with binary distributions of the code, so be sure to include this file along with any binary distributions derived from the GNU C Library.

All code incorporated from 4.4 BSD is distributed under the following license:

Copyright © 1991 Regents of the University of California. All rights reserved.

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
3. [This condition was removed.]
4. Neither the name of the University nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission.

THIS SOFTWARE IS PROVIDED BY THE REGENTS AND COLNTRIBUTORS "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE REGENTS OR COLNTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

The DNS resolver code, taken from BIND 4.9.5, is copyrighted both by UC Berkeley and by Digital Equipment Corporation. The DEC portions are under the following license:

Portions Copyright © 1993 by Digital Equipment Corporation.

Permission to use, copy, modify, and distribute this software for any purpose with or without fee is hereby granted, provided that the above copyright notice and this permission notice appear in all copies, and that the name of Digital Equipment Corporation not be used in advertising or publicity pertaining to distribution of the document or software without specific, written prior permission.

THE SOFTWARE IS PROVIDED "AS IS" AND DIGITAL EQUIPMENT CORP. DISCLAIMS ALL WARRANTYES WITH REGARD TO THIS SOFTWARE, INCLUDING ALL IMPLIED WARRANTYES OF MERCHANTABILITY AND FITNESS. IN NO EVENT SHALL DIGITAL EQUIPMENT CORPORATION BE LIABLE FOR ANY SPECIAL, DIRECT, INDIRECT, OR CONSEQUENTIAL DAMAGES OR ANY DAMAGES WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR PROFITS, WHETHER IN AN ACTION OF CONTRACT, NEGLIGENCE OR OTHER TORTIOUS ACTION, ARISING OUT OF OR IN CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.

The Sun RPC support (from rpcsrc-4.0) is covered by the following license:

Copyright © 1984, Sun Microsystems, Inc.

Sun RPC is a product of Sun Microsystems, Inc. and is provided for unrestricted use provided that this legend is included on all tape media and as a part of the software program in whole or part. Users may copy or modify Sun RPC without charge, but are not authorized to license or distribute it to anyone else except as part of a product or program developed by the user.

SUN RPC IS PROVIDED AS IS WITH NO WARRANTYES OF ANY KIND INCLUDING THE WARRANTYES OF DESIGN, MERCHANTIBILITY AND FITNESS FOR A PARTICULAR PURPOSE, OR ARISING FROM A COURSE OF DEALING, USAGE OR TRADE PRACTICE.

Sun RPC is provided with no support and without any obligation on the part of Sun Microsystems, Inc. to assist in its use, correction, modification or enhancement.

SUN MICROSYSTEMS, INC. SHALL HAVE NO LIABILITY WITH RESPECT TO THE INFRINGEMENT OF COPYRIGHTS, TRADE SECRETS OR ANY PATENTS BY SUN RPC OR ANY PART THEREOF.

In no event will Sun Microsystems, Inc. be liable for any lost revenue or profits or other special, indirect and consequential damages, even if Sun has been advised of the possibility of such damages.

The following CMU license covers some of the support code for Mach, derived from Mach 3.0:

Mach Operating System

Copyright © 1991, 1990, 1989 Carnegie Mellon University All Rights Reserved.

Permission to use, copy, modify and distribute this software and its documentation is hereby granted, provided that both the copyright notice and this permission notice appear in all copies of the software, derivative works or modified versions, and any portions thereof, and that both notices appear in supporting documentation.

CARNEGIE MELLON ALLOWS FREE USE OF THIS SOFTWARE IN ITS "AS IS" CONDITION.
CARNEGIE MELLON DISCLAIMS ANY LIABILITY OF ANY KIND FOR ANY DAMAGES
WHATSOEVER RESULTING FROM THE USE OF THIS SOFTWARE.

Carnegie Mellon requests users of this software to return to

Software Distribution Coordinator

School of Computer Science

Carnegie Mellon University

Pittsburgh PA 15213-3890

or [e-mail] any improvements or extensions that they make and grant Carnegie Mellon the rights to redistribute these changes.

The file if_ppp.h is under the following CMU license:

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
3. Neither the name of the University nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission.

THIS SOFTWARE IS PROVIDED BY CARNegie MELLON UNIVERSITY AND
CONTRIBUTORS "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE UNIVERSITY OR
CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ASING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

The following license covers the files from Intel's "Highly Optimized Mathematical Functions for Itanium" collection:

Intel License Agreement

Copyright © 2000, Intel Corporation

All rights reserved.

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

• Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
• Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
• The name of Intel Corporation may not be used to endorse or promote products derived from this software without specific prior written permission.

THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND COLNTRIBUTORS "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL INTEL OR COLNTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTIAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

The files inlet/getnameinfo.c and sysdeps/posix/getaddrinfo.c are copyright © by Craig Metz and are distributed under the following license:

The Inner Net License, Version 2.00

The author(s) grant permission for redistribution and use in source and binary forms, with or without modification, of the software and documentation provided that the following conditions are met:

1. If you receive a version of the software that is specifically labelled as not being for redistribution (check the version message and/or README), you are not permitted to redistribute that version of the software in any way or form.
2. All terms of the all other applicable copyrights and licenses must be followed.
3. Redistributions of source code must retain the authors' copyright notice(s), this list of conditions, and the following disclaimer.
4. Redistributions in binary form must reproduce the authors' copyright notice(s), this list of conditions, and the following disclaimer in the documentation and/or other materials provided with the distribution.
5. [The copyright holder has authorized the removal of this clause.]
6. Neither the name(s) of the author(s) nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission.

THIS SOFTWARE IS PROVIDED BY ITS AUTHORS AND COLLECTORS "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE AUTHORS OR COLLECTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUsION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

If these license terms cause you a real problem, contact the author.

libcap

Unless otherwise explicitly stated, the following text describes the licensed conditions under which the contents of this libcap release may be used and distributed:

Redistribution and use in source and binary forms of libcap, with or without modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain any existing copyright notice, and this entire permission notice in its entirety, including the disclaimer of warranties.
2. Redistributions in binary form must reproduce all prior and current copyright notices, this list of conditions, and the following disclaimer in the documentation and/or other materials provided with the distribution.
3. The name of any author may not be used to endorse or promote products derived from this software without their specific prior written permission.

ALTERNATIVELY, this product may be distributed under the terms of the GNU General Public License, in which case the provisions of the GNU GPL are required INSTEAD OF the above restrictions. (This clause is necessary due to a potential conflict between the GNU GPL and the restrictions contained in a BSD-style copyright.)

THIS SOFTWARE IS PROVIDED "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED.

IN NO EVENT SHALL THE AUTHOR(S) BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

libupnp

Copyright © 2000-2003 Intel Corporation All rights reserved.

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

• Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
• Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
• Neither name of Intel Corporation nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission.

THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND COLNTRIBUTORS "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL INTEL OR COLNTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUIPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

ntp

Copyright Notice

jpg "Clone me," says Dolly sheepishly

Last update: 02:45 UTC Tuesday, June 27, 2006

The following copyright notice applies to all files collectively called the Network Time Protocol Version 4 Distribution. Unless specifically declared otherwise in an individual file, this notice applies as if the text was explicitly included in the file.

Copyright © David L. Mills 1992-2006

Permission to use, copy, modify, and distribute this software and its documentation for any purpose with or without fee is hereby granted, provided that the above copyright notice appears in all copies and that both the copyright notice and this permission notice appear in supporting documentation, and that the name University of Delaware not be used in advertising or publicity pertaining to distribution of the software without specific, written prior permission. The University of Delaware makes no representations about the suitability of this software for any purpose. It is provided "as is" without express or implied warranty.

openldap

The OpenLDAP Public License

Version 2.8, 17 August 2003

Redistribution and use of this software and associated documentation ("Software"), with or without modification, are permitted provided that the following conditions are met:

1. Redistributions in source form must retain copyright statements and notices,
2. Redistributions in binary form must reproduce applicable copyright statements and notices, this list of conditions, and the following disclaimer in the documentation and/or other materials provided with the distribution, and
3. Redistributions must contain a verbatim copy of this document.

The OpenLDAP Foundation may revise this license from time to time. Each revision is distinguished by a version number. You may use this Software under terms of this license revision or under the terms of any subsequent revision of the license.

THIS SOFTWARE IS PROVIDED BY THE OPENLDAP FOUNDATION AND ITS CONTRIButors "AS IS" AND ANY EXPRESSED OR IMPLIED WARRANTYES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTYES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE OPENLDAP FOUNDATION, ITS CONTRIButors, OR THE AUTHOR(S) OR OWNER(S) OF THE SOFTWARE BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDUREM OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

The names of the authors and copyright holders must not be used in advertising or otherwise to promote the sale, use or other dealing in this Software without specific, written prior permission. Title to copyright in this Software shall at all times remain with copyright holders.

OpenLDAP is a registered trademark of the OpenLDAP Foundation.

Copyright 1999-2003 The OpenLDAP Foundation, Redwood City, California, USA. All Rights Reserved. Permission to copy and distribute verbatim copies of this document is granted.

openssl

LICENSE ISSUES

The OpenssL toolkit stays under a dual license, i.e. both the conditions of the OpenssL License and the original SLeay license apply to the toolkit.

See below for the actual license texts. Actually both licenses are BSD-style Open Source licenses. In case of any license issues related to OpenSSL please contact [e-mail].

OpenSSL License

Copyright © 1998-2006 The OpenSSL Project. All rights reserved.

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
3. All advertising materials mentioning features or use of this software must display the following acknowledgment: "This product includes software developed by the OpensSL Project for use in the OpensSL Toolkit. (http://www.openssl.org/)
4. The names "OpenSSL Toolkit" and "OpenSSL Project" must not be used to endorse or promote products derived from this software without prior written permission. For written permission, please contact [e-mail].
5. Products derived from this software may not be called "OpenSSL" nor may "OpenSSL" appear in their names without prior written permission of the OpenSSL Project.
6. Redistributions of any form whatsoever must retain the following acknowledgment: "This product includes software developed by the OpensSL Project for use in the OpensSL Toolkit. (http://www.openssl.org/)

THIS SOFTWARE IS PROVIDED BY THE OpensSL PROJECT "AS IS" AND ANY EXPRESSED OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE OpensSL PROJECT OR ITS CONTRIButors BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODSOR SERVICES;LOSS OF USE,DATA,OR PROFITS;OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY,WHETHER IN CONTRACT,STRICTLIABILITY,ORTORT (INCLUDING NEGLIGENCEOROTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

This product includes cryptographic software written by Eric Young ([e-mail]).

This product includes software written by Tim Hudson ([e-mail]).

Original SSLeay License

Copyright © 1995-1998 Eric Young ([e-mail]) All rights reserved.

This package is an SSL implementation written by Eric Young ([e-mail]). The implementation was written so as to conform with Netscapes SSL.

This library is free for commercial and non-commercial use as long as the following conditions are ahead to. The following conditions apply to all code found in this distribution, be it the RC4, RSA, Ihash, DES, etc., code; not just the SSL code. The SSL documentation included with this distribution is covered by the same copyright terms except that the holder is Tim Hudson ([e-mail]).

Copyright remains Eric Young's, and as such any Copyright notices in the code are not to be removed.

If this package is used in a product, Eric Young should be given attribution as the author of the parts of the library used.

This can be in the form of a textual message at program startup or in documentation (online or textual) provided with the package.

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain the copyright notice, this list of conditions and the following disclaimer.
2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
3. All advertising materials mentioning features or use of this software must display the following acknowledgement:

"This product includes cryptographic software written by Eric Young ([e-mail])" The word 'cryptographic' can be left out if the routines from the library being used are not cryptographic related :-).

1. If you include any Windows specific code (or a derivative thereof) from the apps directory (application code) you must include an acknowledgement:

"This product includes software written by Tim Hudson ([e-mail])"

THIS SOFTWARE IS PROVIDED BY ERIC YOUNG "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE AUTHOR OR COLNTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

The license and distribution terms for any publicly available version or derivative of this code cannot be changed.

i.e. this code cannot simply be copied and put under another distribution license [including the GNU Public License.]

pam

Unless otherwise explicitly stated the following text describes the licensed conditions under which the contents of this Linux-PAM release may be distributed:

Redistribution and use in source and binary forms of Linux-PAM, with or without modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain any existing copyright notice, and this entire permission notice in its entirety, including the disclaimer of warranties.
2. Redistributions in binary form must reproduce all prior and current copyright notices, this list of conditions, and the following disclaimer in the documentation and/or other materials provided with the distribution.
3. The name of any author may not be used to endorse or promote products derived from this software without their specific prior written permission.

ALTERNATIVELY, this product may be distributed under the terms of the GNU General Public License, in which case the provisions of the GNU GPL are required INSTEAD OF the above restrictions. (This clause is necessary due to a potential conflict between the GNU GPL and the restrictions contained in a BSD-style copyright.)

THIS SOFTWARE IS PROVIDED "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED.

IN NO EVENT SHALL THE AUTHOR(S) BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODSOR SERVICES;LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUsION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

unzip

This is version 2005-Feb-10 of the Info-ZIP copyright and license. The definitive version of this document should be available at ftp://ftp.info-zip.org/pub/infozip/legal.html indefinitely.

Copyright © 1990-2005 Info-ZIP. All rights reserved.

For the purposes of this copyright and license, "Info-ZIP" is defined as the following set of individuals:

Mark Adler, John Bush, Karl Davis, Harald Denker, Jean-Michel Dubois, Jean-Ioup Gailly, Hunter Goatley, Ed Gordon, Ian Gorman, Chris Herborth, Dirk Haase, Greg Hartwig, Robert Heath, Jonathan Hudson, Paul Kienitz, David Kirschbaum, Johnny Lee, Onno van der Linden, Igor Mandrichenko, Steve P. Miller, Sergio Monesi, Keith Owens, George Petrov, Greg Roelofs, Kai Uwe Rommel, Steve Salisbury, Dave Smith, Steven M. Schweda, Christian Spieler, Cosmin Truta, Antoine Verheijen, Paul von Behren, Rich Wales, Mike White

This software is provided "as is," without warranty of any kind, express or implied. In no event shall Info-ZIP or its contributors be held liable for any direct, indirect, incidental, special or consequential damages arising out of the use of or inability to use this software.

Permission is granted to anyone to use this software for any purpose, including commercial applications, and to alter it and redistribute it freely, subject to the following restrictions:

1. Redistributions of source code must retain the above copyright notice, definition, disclaimer, and this list of conditions.
2. Redistributions in binary form (compiled executables) must reproduce the above copyright notice, definition, disclaimer, and this list of conditions in documentation and/or other materials provided with the distribution. The sole exception to this condition is redistribution of a standard UnZipSFX binary (including SFXWiz) as part of a self-extracting archive; that is permitted without inclusion of this license, as long as the normal SFX banner has not been removed from the binary or disabled.
3. Altered versions — including, but not limited to, ports to new operating systems, existing ports with new graphical interfaces, and dynamic, shared, or static library versions — must be plainly marked as such and must not be misrepresented as being the original source. Such altered versions also must not be misrepresented as being Info-ZIP releases — including, but not limited to, labeling of the altered versions with the names "Info-ZIP" (or any variation thereof, including, but not limited to, different capitalizations), "Pocket UnZip," "WiZ" or "MacZip" without the explicit permission of Info-ZIP. Such altered versions are further prohibited from misrepresentative use of the Zip-Bugs or Info-ZIP e-mail addresses or of the Info-ZIP URL(s).
4. Info-ZIP retains the right to use the names "Info-ZIP," "Zip," "UnZip," "UnZipSFX," "WiZ," "Pocket UnZip," "Pocket Zip," and "MacZip" for its own source and binary releases.

zlib

© 1995-2004 Jean-Ioup Gailly and Mark Adler

This software is provided 'as-is', without any express or implied warranty. In no event will the authors be held liable for any damages arising from the use of this software.

Permission is granted to anyone to use this software for any purpose, including commercial applications, and to alter it and redistribute it freely, subject to the following restrictions:

1. The origin of this software must not be misrepresented; you must not claim that you wrote the original software. If you use this software in a product, an acknowledgment in the product documentation would be appreciated but is not required.
2. Altered source versions must be plainly marked as such, and must not be misrepresented as being the original software.
3. This notice may not be removed or altered from any source distribution.

Jean-Ioup Gailly Mark Adler

[e-mail] [e-mail]

If you use the zlib library in a product, we would appreciate not receiving lengthy legal documents to sign. The sources are provided for free but without warranty of any kind. The library has been entirely written by Jean-loup Gailly and Mark Adler; it does not include third-party code.

If you redistribute modified sources, we would appreciate that you include in the file ChangeLog history information documenting your changes. Please read the FAQ for more information on the distribution of modified source versions.

MIDI Data Format

If you are familiar with MIDI, or are using a computer to control your music software with computer-generated MIDI messages, the data provided in this section can help you to control your Disklavier. Messages include those that can be received by the piano part and/or those that can be received by an ESBL part. Messages that can be transmitted as well as received are shown as "transmitted."

1.CHANNEL MESSAGES

1.1 Key On / Key Off

(Piano Part, ESBL Part) (transmitted)

Piano Part reception note range = A-1~C7 : C3=60

ESBL part reception note range = C - 2 G8

Velocity range = 1 127 Only the Key On velocity is received)

1.2 Control Change

1.2.1 Bank Select

(ESBL Part) (transmitted)

Cntrl# Parameter Data Range

0 Bank Select MSB 0: Normal,

63:User voice,

64:SFX.

126:SEX kit.

127:Drum

32 Bank Select LSB 0...127

You can select the Voice banks with MSB and LSB numbers. MSB and LSB functions differently depending on the play mode. In XG mode, MSB numbers select Voice type (Normal Voice or Drum Voice), and LSB number select Voice banks.

In TG300B mode, LSB is fixed, and MSB numbers select Voice banks.

(See Normal Voice List Drum Voice List.)

A new bank selection will not become effective until the next

Program Change message is received.

1.2.2 Modulation

(ESBL Part)

Cntrl# Parameter Data Range

1 Modulation 0...127

1.2.3 Portamento Time

(ESBL Part)

Ctrl# Parameter Data Range

5 Portamento Time 0...127

When the parameter 1.2.9 Portamento = ON, values will adjust the speed of pitch change.

A setting of 0 - minimum portamento time, and 127 - maximum portamento time.

1.2.4 Data Entry

(ESBL Part)

Messages which set the value for the parameter specified by RPN/NRPN.

Cntrl# Parameter Data Range

6 Data Entry MSB 0...127

38 Data Entry LSB 0...127

Parameter value is determined by combining MSB and LSB.

1.2.5 Main Volume

(Piano Part, ESBL Part) (transmitted)

Cntrl# Parameter Data Range

7 Main Volume 0...127

1.2.6 Pan

(ESBL Part)

Ctrl# Parameter Data Range

10 Pan 0...127

1.2.7 Expression

(Piano Part, ESBL Part)

Cntrl# Parameter Data Range

11 Expression 0...127

1.2.8 Hold1

(Piano Part, ESBL Part) (transmitted)

Cntrl# Parameter Data Range

64 Hold1 0...127

(0-63:off, 64-127:on)

1.2.9 Portamento

(ESBL Part)

Cntrl# Parameter Data Range

65 Portamento 0...127

(0-63:off, 64-127:on)

1.2.10 Sostenuto

(Piano Part, ESBL Part)

Cntrl# Parameter Data Range

Messages which adjust the resonance set for each Voice.

Cntrl# Parameter Data Range

71 Harmonic Content 0...127

(0:-64, 64:+0, 127:+63)

Higher values will result in a more characteristic, resonant sound.

Depending on the Voice, the effective range may be narrower than the range available for adjustment.

1.2.13 Release Time

(ESBL Part)

Messages which adjust the envelope release time set for each Voice.

Cntrl# Parameter Data Range

72 Release Time 0...127

(0:-64, 64:+0, 127:+63)

1.2.14 Attack Time

(ESBL Part)

Messages which adjust the envelope attack time set for each

Voice.

Cntrl# Parameter Data Range

73 Attack Time 0...127

(0:-64, 64:+0, 127:+63)

1.2.15 Brightness

(ESBL Part)

Messages which adjust the filter cutoff frequency set for each Voice.

Ctrl# Parameter Data Range

74 Brightness 0...127

(0:-64, 64:+0, 127:+63)

1.2.16 Portamento Control

(ESBL Part)

Messages which apply a portamento between the currently-sounding note and the subsequent note.

Ctrl#Parameter Data Range

84 Portamento Control 0...127

1.2.17 Effect1 Depth (Reverb Send Level)

(ESBL Part)

Cntrl# Parameter Data Range

91 Effect1 Depth 0...127

1.2.18 Effect3 Depth (Chorus Send Level) (ESBL Part)

Ctrl# Parameter Data Range 93 Effect3 Depth 0...127

1.2.19 Effect4 Depth (Variation Effect Send Level) (ESBL Part)

Ctrl# Parameter Data Range 94 Effect4 Depth 0...127

1.2.20 Data Increment / Decrement (for RPN) (ESBL Part)

Cntrl# Parameter Data Range 96 RPN Increment 0...127 97 RPN Decrement 0...127

1.2.21 NRPN (Non-Registered Parameter Number) (ESBL Part)

Cntrl# Parameter Data Range 98 NRPN LSB 0...127 99 NRPN MSB 0...127

First send the NRPN MSB and NRPN LSB to specify the parameter which is to be controlled. Then use Data Entry to set the value of the specified parameter.

• Note that once the NRPN has been set for a channel subsequent data entry will be recognized as the same NRPN's value change. Therefore, after you use the NRPN, you should set a Null (7FH, 7FH) value to avoid an unexpected result.

The following NRPN number can be received. NRPN Data entry

MSB LSB MSB PARAMETER NAME and VALUE RANGE

0108 Smm Vibrato Rate mm : 00 -40 - $7F (-64 - 0 + +63)

0109 Smm Vibrato Depth mm : 00 - S40 -7F (-64 - 0 - +63)

010A $mm Vibrato Dclay mm : 00 - S40 -7F (-64 - 0 - +63)

0120 Smm Filter Cutoff Frequency mm : 00 -40 - $7F (-64 - 0 +63)

0121 Smm Filter Resonance mm : 00 -40 - $7F (-64 - 0 - +63)

0163 Smm EG Attack Time mm : 00 -40 - $7F (-64 - 0 - +63)

0164 $mm EG Decay Time mm : 00 - S40 -7F (-64 - 0 + +63)

0166 $mm EG Release Time mm : 00 -40 - $7F (-64 - 0 - +63)

$14 Srr Smm Drum Filter Cutoff Frequency mm : 00 -40 - $7F (-64 - 0 +63) rr : drum instrument note number

$15 Srr Smm Drum Filter Resonance mm: 00 -40 - $7F (-64 - 0 - +63) rr: drum instrument note number

$16 Srr Smm Drum EG Attack mm : 00 - S40 -7F (-64 - 0 - +63) rr : drum instrument note number

$17 Srr Smm Drum EG Decay Rate mm : 00 -40 - $7F (-64 - 0 +63) rr : drum instrument note number Applies to both Decay1 and 2.

$18 Srr Smm Drum Instrument Pitch Coarse mm : 00 - S40 -7F (-64 - 0 +63) rr : drum instrument note number

$19 Srr Smm Drum Instrument Pitch Fine mm : 00 -40 - $7F (-64 - 0 - +63) rr : drum instrument note number

1Arr $mm Drum Instrument Level mm: $00 - S7F (0 - max)

rr : drum instrument note number 1Crr $mm Drum Instrument Pan mm : 00 -40 - $7F (random, left) center - right) rr : drum instrument note number

1Drr Smm Drum Instrument Reverb Send Level mm: $00 - S7F (0-max) rr: drum instrument note number

E Srr Smm Drum Instrument Chorus Send Level mm :00 - S7F (0 - max) rr : drum instrument note number

1F Srr Smm Drum Instrument Variation Send Level mm :00 - S7F (0 - max) rr : drum instrument note number

MSB 14H-1FH (for Drum) is valid only if the Multi Part parameter PART MODE = DRUMS 1 or DRUMS2 for that channel. (If PART MODE = DRUM, no values will be changed.)

1.2.22 RPN (Registered Parameter Number) (ESBL Part)

Cntrl# Parameter Data Range
100 RPN LSB 0...127
101 RPN MSB 0...127

The following RPN numbers can be received.

RPN Data entry MSB LSB MSB LSB PARAMETER NAME and VALUE

00H	00H	mmH	Pitch Bend Sensitivity mm:00-18H (0-24 chromatic steps) Assignable in chromatic steps up to 2 octaves Default:02H LSB value is ignored.
00H	01H	mmH	Fine Tuning mm:00H-40H-7FH (-64-0,+63)
00H	02H	mmH	Coarse Tuning mm:28H - 40H - 58H (-24 - +24 chromatic steps) LSB value is ignored.
7FH	7FH	—	RPN null Cancelrs RPN and NRPN numbers

1.2.23 Channel Mode Messages

The following Channel Mode Messages can be received.

2nd byte 3rd byte
120 0 All Sound Off
121 0 Reset All Controllers
123 0 All Note Off
124 0 Omni Off
125 0 Omni On
126 0 ~ 16 Mono
127 0 Poly

1.2.23.1 All Sound Off (Piano Part, ESBL Part) (transmitted)

ESBL part; Terminates all sounds currently sounding on the specified channel. However, the status of channel messages such as Note On and Hold On is maintained.

Piano Part; The status of channel messages is not maintained.

1.2.23.2 Reset All Controllers (ESBL Part)

The values of the following controllers will be reset to the defaults.

CONTROLLER VALUE

Pitch Bend Change	±O (center)
Channel Aftertouch	0 (off)
Polyphonic Aftertouch	0 (off)
Modulation	0 (off)
Expression	127 (max)
Hold 1	0 (off)
Portamento	0 (off)
Sostenuto	0 (off)
Soft Pedal	0 (off)

Portamento Control cancels the Portamento Source Key

Number that was received

RPN number not specified; internal data

will not change

NRPN number not specified; internal data

will not change

1.2.23.3 All Note Off

(Piano Part, ESBL Part) (transmitted)

Terminates all notes currently on for the specified channel.

However, if Hold 1 or Sostenuto is on, notes will continue.

sounding until these are turned off.

1.2.23.4 Omni Off

(Piano Part, ESBL Part)

Performs the same function as when an All Notes Off message is received.

1.2.23.5 Omni On

(Piano Part, ESBL Part)

Performs the same function as when an All Notes Off message is received.

1.2.23.6 Mono

(Piano Part, ESBL Part)

Performs the same function as when an All Sounds on message is

received, and if the 3rd byte (mono number) is in the range of 0 -

1. sets the corresponding channel to Mono Mode (Mode 4: m = 1).

1.2.23.7 Poly

(Piano Part, ESBL Part)

Performs the same function as when an All Sounds Off message

is received, and sets the corresponding channel to Poly Mode

Mode

1.2.24 Local Control

(Piano Part, ESBL Part)

0;Off Disklavier keyboard does not play the internal voices.

127;On

1.3 Program Change

(ESBL Part) (transmitted)

Messages for Voice selection.

With a combination of Bank Select, you can select not only basic

Voice numbers, but also variation Voice bank numbers.

1.4 Pitch Bend

(ESBL Part)

When Multi Part Parameter Rcv PITCH BEND CHANGE=OFF

pitch bend for that part is not received.

1.5 Channel Aftertouch

(ESBL Part)

1.6 Polyphonic Aftertouch

(ESBL Part) (PianoPart) (transmitted)

Applying further pressure on the key does not output "key

aftertouch" information. Instead, key position is transmitted as

additional information.

2. SYSTEM EXCLUSIVE MESSAGES

2.1 Parameter Change

The Disklavier receives the following parameter change messages.

[UNIVERSAL REALTIMEMESSAGE]

1) Master Volume

[UNIVERSAL NON REALTIMEMESSAGE]

1) General MIDI Mode On

[XGNATIVE]

1) XG System on

2) XG System Data parameter change

3) Multi Effect1 Data parameter change

4) Multi Part Data parameter change

5) Drums Setup Data parameter change

OTHER

1) Master tuning
2) TG300 System Data Parameter change
3) TG300 Multi Effect Data parameter change
4) TG300 Multi Part Data parameter change

2.1.2 Universal Realtime Messages

2.1.2.1 Master Volume

(Piano Part, ESBL Part)

11110000 F0 = Exclusive status

01111117F = Universal Real Time

01111117F = ID of target device

00000100 04 = Sub-ID #1=Device Control Message

00000001 01 = Sub-IT #2=Master Volume

0ssssss *SS =Volume LSB

0tttttt TT =VolumeMSB

11110111 F7 = End of Exclusive

or

11110000 F0 = Exclusive status

01111117F = Universal Real Time

0xxxxnnn XN = Device Number, xxx =don't care

00000100 04 = Sub-ID #! = Device Control Message

00000001 01 = Sub-IT #2=Master Volume

0ssssss SS =Volume LSB

0tttt TT =Volume MSB

11110111 F7 = End of Exclusive

When received, the Volume MSB will be effective for the

System Parameter MASTER VOLUME.

• "SS" is the hexadecimal expression of Ossssss; same as for

"u". "aa", etc.

2.1.3 Universal Non-Realtime Messages

2.1.3.1 General MIDI Mode On

(ESBL Part)

11110000 F0 = Exclusive status

01111107E = Universal Non-Real Time

01111117F = ID of target device

00001001 09 = Sub-ID #|=General MIDI Message

00000001 01 = Sub-ID #2=General MID1 On

1110111 F7 = End of Exclusive

or

11110000 F0 = Exclusive status

01111107E =UniversalNon-RealTime

0xxxxnnnnxN = Device Number. xxx = don't care

00001001 09 = Sub-ID #| = General MIDI Message

00000001 01 = Sub-ID #2=General MIDI On

11110111 F7 = End of Exclusive

When General MIDI Mode On is received, the play mode will be changed to XG mode.

When this happens, the ESBL part will receive the MIDI

messages which compatible with GM System Level 1, and consequently will not receive NRPN and Bank Select messages.

Since approximately 50ms is required to execute this messag, be

sure to leave an appropriate interval before the subsequent

message.

2.1.4 XG Native Parameter Change

(ESBL Part)

With the Parameter Change messages as listed below, you can

change the characteristic of a Voice, such as by Effect Type or

effect parameter, transpose, tuning, and others.

11110000 F0

0100001143

0001nnm 1n

010011004C

0aaaaaaa aaaaaaa

0aaaaaaaa aaaaaaa

0aaaaaaa aaaaaaa

Oddddddd dd

1

1110111F7

Exclusive status

YAMAHA ID

Device Number

XG Model TD

Address High

Address Mid

Address Low

Data

End of Exclusive

• Any number is OK since the device number for the Disklavier is fixed to "All."

For parameters with data size of 2 or 4, transmit the appropriate number of data bytes.

When sending the parameter change messages consecutively, be sure to leave an appropriate interval (if the time base is 480. ca 5 unit) between the messages.

2.1.4.1 XG System On

(ESBL Part)

1110000 F0 Exclusive status

0100001143YAMAHAID

0001nnn 1N Device Number

010011004C XG Model TD

0aaaaaa 00 Address High

0aaaaaaa 00 Address Mid

0aaaaaaa 7E Address Low

00000000 00 Data

11110111 F7 End of Exclusive

When this data is received, the Disklavier will switch to XG mode and all the parameters will be initialized accordingly, and XG-compatible messages such as NRPN and Bank Select messages can be received.

Since approximately 50ms is required to execute this message, be sure to leave an appropriate interval before the subsequent message

2.1.4.2 XG System Data parameter change (ESBL Part)

See tables < 1 - 1> and < 1 - 2>

2.1.4.3 Multi Effect1 Data parameter change (ESBL Part)

See tables < 1 - 1> and < 1 - 3>

2.1.4.4 Multi Part Data parameter change (ESBL Part)

Sec tables < 1 - 1> and < 1 - 4> .

2.1.4.5 Drums Setup Data parameter change (ESBL Part)

See tables < 1 - 1> and < 1 - 5> .

If a Drum Setup Reset parameter change message is received, the Drum Setup parameter values will be initialized.

Selecting a Drum Set will cause the Drum Setup parameter values to be initialized.

2.1.5 Other parameter changes

2.1.5.1 Master Tuning (ESBL Part)

11110000 F0 Exclusive status

0100001143YAMAHAID

0001nnn In Device Number

00100111 27 Model ID

00110000 30 Sub 1D2

00000000 00

00000000 00

0mmmmmm mm Master Tune MSB

0111111 Master Tune LSB

0ccccccccc

1110111 F7 End of Exclusive

This message simultaneously changes the pitch of all channels.

2.2 Bulk Dump

(ESBL Part)

The Disklavier receives the following bulk dump data.

[XGNATIVE]

1) XG System Data

2) Multi Effect1 Data

3) Multi Part Data

4) Drums Setup Data

[QS300 NATIVE]

1) QS300 User Normal Voice Data

2.2.1 XG Native Bulk Dump

1110000 F0 Exclusive status

0100001143YAMAHAID

0000nnn On Device Number

010011004C XG Model ID

Ohhhhhhh bhhhbbb ByteCount

0bbbbbb bbbbbbb

aa Address High

aa Address Mid

Oaaaaaa

aaaaaa

Address Low

Odddddd dd Data

0ccccccccc ccccccc

Checksum

1110111 F7 End of Exclusive

For the Address and Byte Count, refer to the supplementary tables.

The Checksum is the value that results in a value of 0 for the lower 7 bits when the Start Address, Byte Count, plus the Checksum itself are added.

2.2.1.1 XG System Data bulk dump (ESBL Part)

See tables < 1 - 1> and < 1 - 2> .

2.2.1.2 Multi Effect1 Data bulk dump (ESBL Part)

See tables < 1 - 1> and < 1 - 3>

2.2.1.3 Multi Part Data bulk dump (ESBL, Part)

See tables < 1 - 1> and < 1 - 4>

2.2.1.4 Drums Setup Data bulk dump (ESBL Part)

See tables < 1 - 1> and < 1 - 5> .

2.2.2 QS300 Native Bulk Dump

1110000 F0 Exclusive status

01000011 43YAMAHAID

0000nnn On Device Number

01001101 4B QS300 Model ID

Ohhhhhbb bhhhbbb ByteCount

Ohhhhhhh bhhhbbb ByteCount

Oaaaaaa

aaaaaa

Address High

Oaaaaaa

aaaaaa

Address Mid

Oaaaaaa

aaaaaa

Address Low

Oddddddd dd Data

1

1

1

CCCCCC

Checksum

1110111 F7 End of Exclusive

2.2.2.1 QS300 User Normal Voice Data bulk damp (ESBL Part)

See tables < 2 - 1> and < 2 - 2> .

3. SYSTEM REALTIME MESSAGES

3.1 Active Sensing

a) Transmission Transmitted.
b) Reception Once FE has been received, if no MIDI data is subsequently received for longer than an interval of approximately 300msec. the Disklavier will perform the same function as when ALL SOUND'S OFF. ALL NOTES OFF, and RESET ALL CONTROLLER'S messages are received, and will then return to a status in which FE is not monitored.

3.2 Start

a) Transmission This message is transmitted only when the REMOTE OUT parameter is set to On.
b) Reception This message is received only when REMOTE IN Parameter is Set to On.

3.3 Stop

a) Transmission This message is transmitted only when the REMOTE OUT parameter is set to On.
b) Reception This message is received only when REMOTE IN Parameter is Set to On.

Parameter Bass Address Model ID = 4C [XG]

	Parameter Change
	Address
	(H)	(M)	(L)	Description
XG SYSTEM	00	00	00	System
	00	00	7D	Drum setup Reset
	00	00	7E	XG System On
	00	00	7F	All Parameter Reset
EFFECT1	02	01	00	Effect1 (Reverb, Chorus, Variation)
MULTI PART	08	00	00	Multi Part 1
	08	0F	00	:Multi Part 16
DRUM	30	18	00	Drum Setup 1
	30	18	00	Drum Setup 2

Address			Parameter
3n	0B	00	note number 13
3n	0C	00	note number 14
	:		:
3n	5B	00	note number 91

n: Drum setup number (0, 1)

MIDI Parameter Change table (SYSTEM) [XG]

Address Size Data Parameter Description Default value (H) (H) (H)

00 00 00 4 0000-07FF MASTER TUNE -102.4 +102.3 [cent] 00 04 00 00

-102.4 +102.3 [cent] 00 04 00 00
lst bit3-0→bit15-12 -400

2ndbit3-0→bit11-8

3rd bit3-0→bit7-4

4thbit3-0→bit3-0

04100-7F MASTER VOLUME 0-127 7F
05100-7F not used

06 1 28-58 TRANSPOSE -24 +24 [semitones] 40
7D n DRUM SETUP RESET n=Drum setup number
7E 00 XG SYSTEM ON 00=XG system ON (reccive only)

7F 00 ALL PARAMETER RESET 00=ON (receive only) TOTAL SIZE 07

MIDI Parameter Change table (EFFECT 1) [XG]

Address Size Data		Parameter	Description Default value
(H) (H)			(H)
02 01 00 2 00-7F REVERB TYPE MSB		see Effect Type List	01(=HALL1)
	00-7F REVERB TYPE LSB		00 : basic type	00
02	1 00-7F	REVERB PARAMETER 1	see Effect Parameter List	Depends on reverb type
03	1 00-7F	REVERB PARAMETER 2	"	"
04	1 00-7F	REVERB PARAMETER 3	"	"
05	1 00-7F	REVERB PARAMETER 4	"	"
06	1 00-7F	REVERB PARAMETER 5	"	"
07	1 00-7F	REVERB PARAMETER 6	"	"
08	1 00-7F	REVERB PARAMETER 7	"	"
09	1 00-7F	REVERB PARAMETER 8	"	"
0A	1 00-7F	REVERB PARAMETER 9	"	"
0B	1 00-7F	REVERB PARAMETER 10	"	"
0C	1 00-7F	REVERB RETURN	\( -\infty \mathrm{{dB}}...0\mathrm{{dB}}...+6\mathrm{{dB}}(0...64...127) \)	40
0D	1 01-7F	REVERB PAN	L63...C...R63(1...64...127)	40

TOTAL SIZE 0E

02 01 10 100-7F REVERB PARAMETER 11 see Effect Parameter List Depends on reverb type

11 100-7F REVERB PARAMETER 12 ”
12 100-7F REVERB PARAMETER 13”
13 100-7F REVERB PARAMETER 14
14 100-7F REVERB PARAMETER 15"
15 100-7F REVERB PARAMETER 16"

TOTAL SIZE 6

02 01 20 2 00-7F CHORUS TYPE MSB see Effect Type List 41 (=CHORUS1)

00-7F CHORUS TYPE LSB 00: basic type 00

22 1 00-7F CHORUS PARAMETER 1 see Effect Parameter List Depends on chorus Type
23.100-7F CHORUS PARAMETER 2."
24 100-7F CHORUS PARAMETER 3 ”
25100-7FCHORUSPARAMETER4”
26 100-7F CHORUS PARAMETER 5 ”
27 100-7F CHORUS PARAMETER 6
28.100-7F CHORUS PARAMETER 7 ”
29100-7FCHORUSPARAMETER8
2A 100-7F CHORUS PARAMETER 9”
2B100-7FCHORUSPARAMETER10

2C 1 00-7F CHORUS RETURN -dB...0dB...+6dB(0...64...127) 40
2D 101-7F CHORUS PAN L63...C...R63(1...64...127) 40
2E 1 00-7F SEND CHORUS TO REVERB -cdB...0dB...+6dB(0...64...127) 00

TOTAL SIZE OF

02 01 30 1 00-7F CHORUS PARAMETER 11 see Effect Parameter List Depends on chorus Type

31 100-7F CHORUS PARAMETER 12
32100-7FCHORUSPARAMETER13
33100-7FCHORUSPARAMETER14
34100-7FCHORUSPARAMETER15
35.100-7FCHORUSPARAMETER16

TOTAL SIZE 6

02 01 40 2 00-7F VARIATION TYPE MSB

00-7F VARIATION TYPE LSB

see Effect Type List 05 (=DELAY L, C, R)

00:basic type 00

42 2 00-7F VARIATION PARAMETER 1 MSB see Effect Parameter List Depends on variation type

00-7F VARIATION PARAMETER 1 LSB

44 2 00-7F VARIATION PARAMETER 2 MSB

00-7F VARIATION PARAMETER 2 LSB

46 2 00-7F VARIATION PARAMETER 3 MSB

00-7F VARIATION PARAMETER 3 LSB

48200-7F VARIATION PARAMETER 4 MSB

00-7F VARIATION PARAMETER 4 LSB

4A 2 00-7F VARIATION PARAMETER 5 MSB

00-7F VARIATION PARAMETER 5 LSB

4C 2 00-7F VARIATION PARAMETER 6 MSB

00-7F VARIATION PARAMETER 6 LSB

4E 2 00-7F VARIATION PARAMETER 7 MSB

00-7F VARIATION PARAMETER 7 LSB

50200-7F VARIATION PARAMETER 8 MSB

00-7F VARIATION PARAMETER 8 LSB

52 2 00-7F VARIATION PARAMETER 9 MSB

00-7F VARIATION PARAMETER 9 LSB

54 2 00-7F VARIATION PARAMETER 10 MSB

00-7F VARIATION PARAMETER 10 LSB

56 1 00-7F VARIATION RETURN -dB...0dB...+6dB(0...64...127) 40

01-7F VARIATION PAN L63...C...R63(1...64...127) 40

58 00-7F SEND VARIATION TO REVERB - dB...0dB...+6dB(0...64...127) 00

59 1 00-7F SEND VARIATION TO CHORUS -dB...0dB...+6dB(0...64...127) 00

5A 1 00-01 VARIATION CONNECTION 0:INSERTION, 1:SYSTEM 00

5B 1 00-OF,7F VARIATION PART Part1...16(0...15) 7F

OFF (127)

5C 100-7F MW VARIATION CONTROL DEPTH -64 +63 40
5D 1 00-7F BEND VARIATION CONTROL DEPTH -64-+63 40
5E 1 00-7F CAT VARIATION CONTROL DEPTH -64-+63 40
5F 1 00-7F ACI VARIATION CONTROL DEPTH -64 +63 40
60 1 00-7F AC2 VARIATION CONTROL DEPTH -64-+63 40

TOTAL SIZE 21

02 01 70 1 00-7F VARIATION PARAMETER 11 see Effect Parameter List Depends on variation type

71 1 00-7F VARIATION PARAMETER 12
72 00-7F VARIATION PARAMETER 13
73 1 00-7F VARIATION PARAMETER 14
74 1 00-7F VARIATION PARAMETER 15
75 00-7F VARIATIONPARAMETER16

TOTAL SIZE 6

MIDI Parameter Change table (MULTI PART) [XG]

Address Size Data Parameter Description Default value (H) (H) (H)
08 nn 00 1 00 - 20 ELEMENT RESERVE 0 - 32 part10=0, other=2 nn 01 1 00 - 7F BANK SELECT MSB 0 - 127 part10=7F, other=0
nn 02 1 00 - 7F BANK SELECT LSB 0 - 127 00
nn 03 1 00 - 7F PROGRAM NUMBER 1 - 128 00
nn 04 1 00 - 0F, 7F Rcv CHANNEL 1 - 16,OFF part no.
nn 05 1 00 - 01 MONO/POLY MODE 0:MONO 01
			1:POLY
nn 06 1 00 - 02 SAME NOTE NUMBER KEY ON ASSIGN 0: SINGLE 1 (all part) nn 07 1 00 - 03 PART MODE 1:MULTI 2:INST (for DRUM)
nn 08 1 28 - 58 NOTE SHIFT 0:NORMAL 00 (other than Part10) nn 09 2 00 - FF DETUNE 1:DRUM 02 (Part10)
			2-3:DRUMS1 - 2
nn 0B 1 00 - 7F VOLUME 0 - 127 64
nn 0C 1 00 - 7F VELOCITY SENSE DEPTH 0 - 127 40
nn 0D 1 00 - 7F VELOCITY SENSE OFFSET 0 - 127 40
nn 0E 1 00 - 7F PAN 0/random, 1/L63-64/C-127/R63 40
nn 0F 1 00 - 7F NOTE LIMIT LOW C-2 - G8 00
nn 10 1 00 - 7F NOTE LIMIT HIGH C-2 - G8 7F
nn 11 1 00 - 7F DRY LEVEL 0 - 127 7F
nn 12 1 00 - 7F CHORUS SEND 0 - 127 00
nn 13 1 00 - 7F REVERB SEND 0 - 127 40
nn 14 1 00 - 7F VARIATION SEND 0 - 127 00
nn 15 1 00 - 7F VIBRATO RATE -64 +63 40
nn 16 1 00 - 7F VIBRATO DEPTH -64 +63 40 (drum part ignores)
nn 17 1 00 - 7F VIBRATO DELAY -64 +63 40 (drum part ignores)
nn 18 1 00 - 7F FILTER CUTOFF FREQUENCY -64 +63 40
nn 19 1 00 - 7F FILTER RESONANCE -64 +63 40
nn 1A 1 00 - 7F EG ATTACK TIME -64 +63 40
nn 1B 1 00 - 7F EG DECAY TIME -64 +63 40
nn 1C 1 00 - 7F EG RELEASE TIME -61 +63 40
nn 1D 1 28 - 58 MW PITCH CONTROL -24 +24 [semitones] 40
nn 1E 1 00 - 7F MW FILTER CONTROL -9600 - +9450 [cent] 40
nn 1F 1 00 - 7F MW AMPLITUDE CONTROL -64 +63 40
nn 20 1 00 - 7F MW LFO PMOD DEPTH 0 - 127 0A
nn 21 1 00 - 7F MW LFO FMOD DEPTH 0 - 127 00
nn 22 1 00 - 7F MW LFO AMOD DEPTH 0 - 127 00
nn 23 1 28 - 58 BEND PITCH CONTROL -24 +24 [semitones] 42
nn 24 1 00 - 7F BEND FILTER CONTROL -9600 - +9450 [cent] 40
nn 25 1 00 - 7F BEND AMPLITUDE CONTROL -64 +63 40
nn 26 1 00 - 7F BEND LFO PMOD DEPTH +100 - +100 [%] 40
nn 27 1 00 - 7F BEND LFO FMOD DEPTH +100 - +100 [%] 40
nn 28 1 00 - 7F BEND LFO AMOD DEPTH +100 - +100 [%] 40
TOTAL SIZE 29
nn 30 1 00 - 01 Rcv PITCH BEND 0/OFF, 1/ON 01
nn 31 1 00 - 01 Rcv CH AFTER TOUCH (CAT) 0/OFF, 1/ON 01
nn 32 1 00 - 01 Rcv PROGRAM CHANGE 0/OFF, 1/ON 01
nn 33 1 00 - 01 Rcv CONTROL CHANGE 0/OFF, 1/ON 01
nn 34 1 00 - 01 Rcv POLY AFTER TOUCH (PAT) 0/OFF, 1/ON 01
nn 35 1 00 - 01 Rcv NOTEMESSAGE 0/OFF, 1/ON 01
nn 36 1 00 - 01 Rcv RPN 0/OFF, 1/ON 01
nn 37 1 00 - 01 Rcv NRPN 0/OFF, 1/ON 01
nn 38 1 00 - 01 Rcv MODULATION 0/OFF, 1/ON 01
nn 39 1 00 - 01 Rcv VOLUME 0/OFF, 1/ON 01
nn 3A 1 00 - 01 Rcv PAN 0/OFF, 1/ON 01
nn 3B 1 00 - 01 Rcv EXPRESSION 0/OFF, 1/ON 01
nn 3C 1 00 - 01 Rcv HOLD1 0/OFF, 1/ON 01
nn 3D 1 00 - 01 Rcv PORTAMENTO 0/OFF, 1/ON 01
nn 3E 1 00 - 01 Rcv SOSTENUTO 0/OFF, 1/ON 01
nn 3F 1 00 - 01 Rcv SOFT PEDAL 0/OFF, 1/ON 01
nn 40 1 00 - 01 Rcv BANK SELECT 0/OFF,1/ON XG=01, GM=00
nn 41 1 00 - 7F SCALE TUNING C -64 +63 [ccnt] 40

nn 42 1 00 - 7F SCALE TUNING C# -64 + +63 [cent] 40

nn 43 1 00 - 7F SCALE TUNING D -64 + +63 [cent] 40

nn 44 1 00 - 7F SCALE TUNING D# -64 + +63 [cent] 40

nn 45 1 00 - 7F SCALE TUNING E -64 + +63 [cent] 40

nn 46 1 00 - 7F SCALE TUNING F -64 + +63 [cent] 40

nn 47 1 00 - 7F SCALE TUNING F# -64 + +63 [cent] 40

nn 48 1 00 - 7F SCALE TUNING G -64 + +63 [cent] 40

nn 49 1 00 - 7F SCALE TUNING G# -64 + +63 [cent] 40

nn 4A 1 00 - 7F SCALE TUNING A -64 + +63 [cent] 40

nn 4B 1 00 - 7F SCALE TUNING A# -64 + +63 [cent] 40

nn 4C 1 00 - 7F SCALE TUNING B -64 + +63 [cent] 40

nn 4D 1 28 - 58 CAT PITCH CONTROL -24 + +24 [semitones] 40

nn 4E 1 00 - 7F CAT FILTER CONTROL -9600 + +9450 [cent] 40

nn 4F 1 00 - 7F CAT AMPLITUDE CONTROL -64 + +63 40

nn 50 1 00 - 7F CAT LFO PMOD DEPTH 0 - 127 00

nn 51 1 00 - 7F CAT LFO FMOD DEPTH 0 - 127 00

nn 52 1 00 - 7F CAT LFO AMOD DEPTH 0 - 127 00

nn 53 1 28 - 58 PAT PITCH CONTROL -24 + +24 [semitones] 40

nn 54 1 00 - 7F PAT FILTER CONTROL -9600 + +9450 [cent] 40

nn 55 1 00 - 7F PAT AMPLITUDE CONTROL -64 + +63 40

nn 56 1 00 - 7F PAT LFO PMOD DEPTH 0 - 127 00

nn 57 1 00 - 7F PAT LFO FMOD DEPTH 0 - 127 00

nn 58 1 00 - 7F PAT LFO AMOD DEPTH 0 - 127 00

nn 59 1 00 - 5F AC1 CONTROLLER NUMBER 0 - 95 10

nn 5A 1 28 - 58 AC1 PITCH CONTROL -24 + +24 [semitones] 40

nn 5B 1 00 - 7F AC1 FILTER CONTROL -9600 + +9450 [cent] 40

nn 5C 1 00 - 7F AC1 AMPLITUDE CONTROL -64 + +63 40

nn 5D 1 00 - 7F AC1 LFO PMOD DEPTH 0 - 127 00

nn 5E 1 00 - 7F AC1 LFO FMOD DEPTH 0 - 127 00

nn 5F 1 00 - 7F AC1 LFO AMOD DEPTH 0 - 127 00

nn 60 1 00 - 5F AC2 CONTROLLER NUMBER 0 - 95 11

nn 61 1 28 - 58 AC2 PITCH CONTROL -24 + +24 [semitones] 40

nn 62 1 00 - 7F AC2 FILTER CONTROL -9600 + +9450 [cent] 40

nn 63 1 00 - 7F AC2 AMPLITUDE CONTROL -64 + +63 40

nn 64 1 00 - 7F AC2 LFO PMOD DEPTH 0 - 127 00

nn 65 1 00 - 7F AC2 LFO FMOD DEPTH 0 - 127 00

nn 66 1 00 - 7F AC2 LFO AMOD DEPTH 0 - 127 00

nn 67 1 00 - 01 PORTAMENTO SWITCH 0/OFF, I/ON 00

nn 68 1 00 - 7F PORTAMENTO TIME 0 - 127 00

nn 69 1 00 - 7F PITCH EG INITIAL LEVEL -64 + +63 40

nn 6A 1 00 - 7F PITCH EG ATTACK TIME -64 + +63 40

nn 6B 1 00 - 7F PITCH EG RELEASE LEVEL -64 + +63 40

nn 6C 1 00 - 7F PITCH EG RELEASE TIME -64 + +63 40

nn 6D 1 01 - 7F VELOCITY LIMIT LOW 1 - 127 01

nn 6E 1 01 - 7F VELOCITY LIMIT HIGH 1 - 127 7F

TOTAL SIZE 3F

nn = Part Number (0:1Part, 1:2Part, 2:3Part, ..., 15:16Part) For the DRUM PART, the following parameters have no effect. - SOFT PEDAL - PITCH EG INITIAL LEVEL BANK SELECT LSB - PITCH EG ATTACK TIME MONO/POLY PITCHEGRELEASELEVEL SCALE TUNING - PITCH EF RELEASE TIME - PORTAMENTO POLY AFTER TOUCH MIDI Parameter Change table (DRUM SETUP) [XG]

Address (H)			Size (H)	Data (H)	Parameter	Description	Default (H)
3n	rr	00	1	00 - 7F	PITCH COARSE	-64 - +63	40
3n	rr	01	1	00 - 7F	PITCH FINE	-64 - +63 [cent]	40
3n	rr	02	1	00 - 7F	LEVEL	0 - 127	Depends on the note
3n	rr	03	1	00 - 7F	ALTERNATE GROUP	0/OFF, 1 - 127	"
3n	rr	04	1	00 - 7F	PAN	0/random, 1/L63 - 64/C - 127/R63	"
3n	rr	05	1	00 - 7F	REVERB SEND	0 - 127	"
3n	rr	06	1	00 - 7F	CHORUS SEND	0 - 127	"
3n	rr	07	1	00 - 7F	VARIATION SEND	0 - 127	7F

3n rr 08 1 00 - 01 KEY ASSIGN 0/SINGLE, 1/MULTI 00 3n rr 09 1 00 - 01 Rcv NOTE OFF 0/OFF, I/ON Depends on the note 3n rr 0A 1 00 - 01 Rcv NOTE ON 0/OFF, 1/ON 01 3n rr 0B 1 00 -7F FILTER CUTOFF FREQUENCY -64 +63 40 3n rr 0C 1 00-7F FILTER RESONANCE -64-+6340 3n rr 0D 1 00-7F EG ATTACK RATE -64-+6340 3n rr 0E 1 00-7F EG DECAYI RATE -64-+6340 3nrr0F100-7FEGDECAY2RATE -64-+6340 TOTAL SIZE 10 [Note] n: Drum number (0-1) rr: note number (OD - 5B) When XG system on or GM mode on messages are received, all Drum Setup parameters are initialized. The Drum Setup Reset message can be used to initialized each Drum Setup parameter. Selecting a Drum Set will cause the Drum Setup parameter values to be initialized.

Parameter Bass Address Model ID = 4B [QS300]

Bulk Dump
	Address			Description
	(H)	(M)	(L)
USER	11	00	00	User Normal Voice 1
NORMAL				:
VOICE	00	1F	00	User Normal Voice 32

MIDI Bulk Dump table (USER NORMAL VOICE) [QS300]

Address (H)	Size (H)	Data (H)	Parameter	Description	Default (H)
				[Common]
11 nn 00 17D	20-7E	Voice Name
:
07
08		not used
:		"
0A		"
0B	01-03	Element Switch		1:Element 1 on, 2:Element 2 on, 3:Element 1 and 2 on
0C	00-7F Voice Level
0D		not used
:		"
3C		"
				[Element 1]
3D	00-7F Wave Number High			bit13-bit7
3E	00-7F Wave Number Low			bit6-bit0
3F	00-7F Note Limit Low
40	00-7F Note Limit High
41	00-7F Velocity Limit Low
42	00-7F Velocity Limit High
43	00-01	Filter EG Velocity Curve
44	00-02	LFO Wave Select		0:saw, 1:tri, 2:S&H
45	00-01	LFO Phase Initialize		0:OFF, 1:ON
46	00-3F LFO Speed
47	00-7F LFO Delay
48	00-7F LFO Fade Time
49	00-3F LFO PMD Depth
4A	00-0F LFO CMD Depth
4B	00-1F LFO AMD Depth
4C	20-60	Note Shift
4D	0E-72	Detunc
4E	00-05	Pitch Scaling		0:100%, 1:50%, 2:20%, 3:10%, 4:5%, 5:0%
4F	00-7F Pitch Scaling Center Note
50	00-03	Pitch EG Depth		0:1/2oct, 1:1oct, 2:2oct, 3:4oct
51	39-47	Velocity PEG Level Sensitivity
52	39-47	Velocity PEG Rate Sensitivity
53	39-47	PEG Rate Scaling
54	00-7F PEG Rate Scaling Center Note
55	00-3F PEG Rate 1
56	00-3F PEG Rate 2
57	00-3F PEG Rate 3

58 00-3F PEG Rate 4 59 00-7F PEG Level 0 5A 00-7F PEG Level 1 5B 00-7F PEG Level 2 5C00-7FPEGLevel3 5D 00-7F PEG Level 4 5E 00-3F Filter Resonance 5F 00-07 Velocity Sensitivity 60 00-7F Cutoff Frequency 61 00-7F Cutoff Scaling Break Point 1 62 00-7F Cutoff Scaling Break Point 2 63 00-7F Cutoff Scaling Break Point 3 64 00-7F Cutoff Scaling Break Point 4 65 00-7F Cutoff Scaling Offset I 66 00-7F Cutoff Scaling Offset 2 67 00-7F Cutoff Scaling Offset 3 68 00-7F Cutoff Scaling Offset 4 69 39-47 Velocity FEG Level Sensitivity 6A 39-47 Velocity FEG Rate Sensitivity 6B 39-47 FEG Rate Scaling 6C 00-7F FEG Rate Scaling Center Note 6D 00-3F FEG Rate 6E 00-3F FEG Rate 2 6F 00-3F FEG Rate 3 70 00-3F FEG Rate 4 7100-7FFEGLevel0 72 00-7F FEG Level I 73 00-7F FEG Level 2 7400-7FFEGLevel3 75 00-7F FEG Level 4 76 00-7F Element Level 77 00-7F Level Scaling Break Point I 78 00-7F Level Scaling Break Point 2 79 00-7F Level Scaling Break Point 3 7A 00-7F Level Scaling Break Point 4 7B 00-7F Level Scaling Offset 1 7C 00-7F Level Scaling Offset 2 7D 00-7F Level Scaling Offset 3 7E 00-7F Level Scaling Offset 4 7F 00-06 Velocity Curve 80 00-OF Pan O (Left)-14 (Right), 15:Scaling 81 39-47 AEG Rate Scaling 82 00-7F AEG Scaling Center Note 83 00-OF AEG Key on Delay 84 00-7F AEG Attack Rate 85 00-7F AEG Decay 1 Rate 86 00-7F AEG Decay 2 Rate 87 00-7F AEG Release Rate 88 00-7F AEG Decay I Level 89 00-7F AEG Decay 2 Level 8A 00-7F Address Offset High bit13-bit7 8B 00-7F Address Offset Low bit6-bit0 8C 39-47 Resonance Sensitivity 8D same as [Element 1] ： DC DD not used ： 12C” 12D [Element 4] ： 17C” TOTAL SIZE 17D nn=Voice Number (00-1F) [Element 2] 1 ” [Element 3] # not used ”

XG Normal Voice List

Bank Select MSB = 000, LSB = Bank Number

Voice names in bold typeface are voices that can be selected in the Disklavier. The Disklavier can produce all the voices listed below, but can only display bank 0 voices.

Instrument Group	Program #	Bank #	Voice Name	Elleme#t
Piano	1 0 Grand	1 GmmePnoK 1 18 MelloGriP 1 40 PianoStr 2 41 Dream 2	2
	2	0 1 Brit	BritePno 1 PnoK 1
	3	0 1 E.Grand 2 1 LIGPnoK 2 32 DelCP80.2 40 ElGrPno1 2 41 ElGrPno2 2
	4	0 1 HnkyTunk 2 1 HnkyTunk K 2
	5	0 1 E.Piano1 2 1 ELPno1K 1 18 MelloFP1 2 32 Chor.LP1 2 40 HardFLP 2 45 VX LEP1 2 64 60eLLP 1
	6	0 1 E.Piano2 2 1 ELPno2K 1 32 Chor.EP2 2 33 DX Hard 2 34 DX Legend 2 40 DX Phase 2 41 DX+Analg 2 42 DX KotoLP 2 45 VX LIP2 2
	7	0 1 Harpsi. 1 1 Harpsi.K 1 25 Harpsi.2 2 35 Harpsi.3 2
	8	0 1 Clavi. 2 1 Clavi.K 1 27 ClaviWah 2 64 Pu seCly 1 65 PieceCI 2
Chromatic Percussion	9	0 Celesta 1
	10 0 Clocken 1
	11 0 MusicBox 2 64 Orgel 2
	12 0 Vibes 1 1 VibesK 1 45 HardVibe 2
	13 0 Marimba 1 1 MarimbaK 1 64 SireMrrb 2 97 Balafon2 2 98 Log Drum 2
	14 0 Xylophone 1
	15 0 tubulBelt 1 96 ChetchBel 2 97 Caribbean 2
	16 0 Drclimer 1 35 Dukimr2 2 96 Cimbalom 2 97 Samar 2

Instrument Group	Program #	Bank #	Voice Name	Elec.
Organ 17 0 DrawOrg n 1				2
		32 DetDrawOr 2
		33 60sDrOr 1 2
		34 60sDrOr 2 2
		35 70sDrOr 1 2
		36 DrawOrg 2 2
		37 60sDrOr 3 2
		38 EvenBar
		40 16g2"2/3 2
		64 Organ Ba 1
		65 70sDrOr 2 2
		66 CheezOrg 2
		67 DrawOrg 3 2
	18 0 PrcOrgn 1
		24 70sDrOr 1 2
		32 DetPrcOr 2
		33 TiteOrg 2
		37 PercOrg 2 2
	19 0 RockOrgn 2
		64 RotaryOr 2
		65 SlpRotar 2
		66 FsRotor 2
	20 0 ChrchOrg 2
		32 ChurOrg3 2
		35 ChurOrg2 2
		40 NotreDam 2
		64 OrgHate 2
		65 TrmOrgFl 2
	21 0 RedOrgn 1
		40 PullOrg 2
	22 0 Aordion 2
		32 Aordorl 2
	23 0 Harmonica 1
		32 Harmono 2 2
	24 0 TmgOAd 2
		64 TmguAcd 2
		64 TmguAcd 2
Guitar	25 0 N ylonGtr 1
		16 NylonGtr 1
		25 NylonGtr 2
		43 ValGirThm 2
		96 Ukulele 1
	26 0 SceelGtr 1
		16 SteelGtr 2 1
		35 12StrGtr 2
		40 Nylon&Stl 2
		41 St&Body 2
		96 Mandolin 2
	27 0 JazzGtr 1
		18 MellnGtr 1
		32 JazzAmp 2
	28 0 LeanGtr 1
		32 ChorusGtr 2
	29 0uteGtr 1
		40 FunkGtr1 2
		41 MuteStlG 2
		43 FunkGtr2 2
	30 0 Vdrive 1
		43 Gtr Pinch 2
	31 0 DistGtr 1
		40 FeedbkGtr 2
		41 FeedbGtr 2
	32 0 GrrHarmo 1
		65 Gtr Feedbk 1
		66 Gtr Hrmo2 1

Instrument Group	Program#	Bank#	Voice Name	Ex-
Bass	33 0 A	co.Bass 1
		40 Jazz Rthm 2
		45 VX Upright 2
	34 0 FnrgBass 1	18 FnrgDrk 2
		27 FlangeBa 2
		40 Ba&DstrFG 2
		43 FnrgSlap 2
		45 FngBass 2
		65 ModAlem 2
	35 0 FckBass 1
		28 MotePkBa 1
	36 0 Frecless 1
		32 Frecltes 2
		33 Frecltes 3
		34 Frecltes 4
		96 SynFrecl 2
		97 Smooth 2
	37 0 SapBass 1
		27 ResoSlap 1
		32 PunchThm 2
	38 0 SapBas 1
		43 VidoSlap 2
	39 0 SnyBass 1
		18 SyhBa1Dk 1
		20 FuntResB 1
		24 AcuBass 1
		35 C1s Bass 2
		40 TeknoBa		2
		64 Oscar 2
		65 SqBass 1
		66 RubberBa 2
		96 Hammer 2
	40 0 SnyBass 2
		6 McloSB1 1
		12 Sq Bass 2
		18 ClkSynBa 2
		19 SynBa2Dk 1
		32 SmithBa 2
		40 ModulrBa 2
		41 DX Bass 2
		64 X WireBa 2
Strings	41 0 Violin	1
		8 SlowVln 1
	42 0 Viola	1
	43 0 Cello	1
	44 0 Contrats 1
	45 0 Trem.Str 1
		8 SlowTrStr 1
		40 Supp Str 2
	46 0 Fzz.Str	1
	47 0 Iarp	1
		40 YingChin 2
	48 0 Impani 1

Instrument Group	Program #	Bank #	Voice Name	Ex- men
Ensemble 49	0 Strings	1 3 S. Strngs 8 SlowStr 24 AchoStr 35 60 Strg 40 Orch 41 Orchstr 42 Trem 45 VeloStr	2 1 2 2 2 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 2 2 2 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 2 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 2 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 2 2 2 2 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 2 2 2 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

Bank 0: (GM) Bank 1:Key Scale Planning Bank 3: Stereo Bank 6: Single Bank 8: Slow Bank 12: Fast Decay Bank 14:Double Attack Bank 16: Bright Bank 17: Bright Bank 18: Dark Bank 19: Dark Bank 20: Resonant Bank 24: Attack Bank 24: Release Bank 27: Reso Sweep Bank 28: Muted Bank 32: Detune 1 Bank 33: Detune 2 Bank 34: Detune 3 Bank 35:Octave I Bank 36:Octave 2 Bank 37:5th1 Bank 38:5th 2 Bank 39:Bend Bank 40: Tutti Bank 41: Tutti Bank 42:Tutti Bank 43: Velo-Switch Bank 45: Velo-Xfade Bank 64: Other wave Bank 65:Other wave Bank 66: Other wave Bank 67: Other wave Bank 68 : Other wave Bank 69: Other wave Bank 70 : Other wave Bank 71: Other wave Bank 72: Other wave Bank 96 : Other wave Bank 97: Other wave Bank 98 : Other wave Bank 99 : Other wave Bank 100: Other wave Bank 101: Other wave

Bank Select

MSB = 064, LSB = 000 SFX Voice

Instrument Group	Program#	Bank#	Voice Name	Element
Reed 65 0 Sp	SprnoSax	1
	66 0 A	to Sax140 SaxScct 243 HyprAlio 2
	67 0 T	nordSax140 BrthTnSx 241 SoftTent 264 TnSax 2 1
	68 0 BariSax1
	69 0 Ope 2
	70 0 EngHorn 1
	71 0 Bssoon 1
	72 0 Cartinet 1
Pipe 73 0 Piccolo 1
		74 0 Flute 1
		75 0 Rconder 1
		76 0 PinFlute 1
		77 0 Bttle 2
		78 0 Stalthei 2
		79 0 Whistle 1
		80 0 Orinna 1
Synth Lead	81 0 S	quareLd 26 Square 2 18 IMLSquare 218 Holow 119 Shmoog 264 Mellow 265 SoloSine 266 SingLead 1
	82 0 S	w.Lead 26 Saw 2 18 ThickSaw 218 DyaSaw 119 DigitSaw 220 Big Lead 224 HeavySyn 225 WiSpsySyn 240 PulseSaw 241 Dr. Lead 245 VeLoLead 296 Seq Ana 2
	83 0 C	hlopLd 265 Pure Pad 2
	84 0 C	hiff Ld 264 Ruby 2
	85 0 C	haranLd 264 DisLead 265 WireLad 2
	86 0 V	ice Ld 224 SynthAah 264 VocLead 2
	87 0 Fth Ld 235 Big Five 2
	88 0 Bass &Ld 216 Big&Low64 Fat&Prky 265 SoftWurl 2			2
Synth Pad	89 0 W	wAge Pd 264 Fantasy 2 2
	90 0 W	arm Pad 216 ThickPad 217 Soft Pad 218 SinePad 264 Horn Pad 265 RolarStr 2
	91 0 PolySyPd 264 PolyPd80 265 ClickPad 266 Anr Pad 267 SquarPad 2

Instrument Group	Program #	Bank #	Voice Name	Ele- ment
Synth Pad	92 0 ChoirPad 2			2
	64 Heaven2
	66 Itopia 2
	67 CC Pad 2
	93 0 BswedPad 2
	64 Glacier 2
	65 GlacierPad 2
	94 0 MetalPad 2
	64 Time Pad 2
	65 Par Pad 2
	95 0 Halo Pad 2
	96 0 SveepPad 2
	20 Shwimmer 2
	27 Converge 2
	64 PolarPad 2
	66 Celestial 2
Synth Effects	97	0 Rain
	45 CheriPad 2
	64 HrmoRain 2
	65 AfonWind 2
	66 Caribbean 2
	SoundTrek 2
	27 Prologue 2
	64 Ancestral 2
	99 0 Crystal 2
	12 SynDrCmp 2
	14 Popcom 2
	18 TimyBell 2
	35 RndGlock 2
	40 GlockChi 2
	41 ClearBel 2
	42 CheriBell 2
	64 SynMalet 1
	65 SHCryst 2
	66 LoudGlock 2
	67 XmasBell 2
	68 ViteBell 2
	69 DigiBell 2
	70 AirBells 2
	71 BellHarp 2
	72 Gamelmha 2
	100	0 Atmosphr 2
	18 WarmAtms 2
	19 Holwrls 2
	40 Ny onEP 2
	64 Ny pHarp 2
	65 Harp Vox 2
	66 AtmosPad 2
	67 Planet 2
	101	0 Bright 2
	64 FantaBel 2
	96 Smokekey 2
	102	0 Goblins 2
	64 GoSyn 2
	65 50'sSciFi 2
	66 Ring Pad 2
	67 Rittal 2
	68 To Hteuven 2
	70 Night 2
	71 Glisten 2
	96 BeKhoir 2
	103	0 Echoes 2
	8 EchoPad2 2
	14 Echo Pan 2
	64 EchoBell 2
	65 Big Pan 2
	66 Syn Piano 2
	67 Creation 2
	68 Sta'dust 2
	69 Reo Pan 2
	104	0 Sci-Fi 2
	64 Starz 2

Instrument Group	Program #	Bank #	Voice Name	Ele-m#n
Ethnic	105	0	Sitar	1
		32 De# Sitar	2
		35 Sitar 2	2
		96 Tambr2	2
		97 Tambroura	2
	106	0 Banjo 1
		28 Mule Eblmo 1
		96 Rahab 2
		97 Gopichnt 2
		98 Oud	2
	107	0 Shamiscn	1
	108	0 Koto	1
		96 T. Koto 2
		97 Kaoun	2
	109	0 Kalluba 1
	110	0 Bagpipe 2
	111	0 Fiddle	1
	112	0 Shannai	1
		64 Shannai2	1
		96 Pungi	1
		97 Hichriki	2
Percussive	113	0 TnkBell 2
		96 Bonang 2
		97 Gender	2
		98 Gunelan 2
		99 S Gunlan 2
		100 Rama Cym	2
		101 AsianBel 2
	114	0 Agogo	2
	115	0 SteelDrm 2
		97 GlasPerc 2
		98 Th# Bell 2
	116	0 WoodBlok	1
		96 Castanct 1
	117	0 TaikoDrm	1
		96 Gr.Cassa 1
	118	0 MelodTom	2
		64 Me Tom2 1
		65 Real Tom 2
		66 Rock Tom 2
	119	0 Syn.Drum	1
		64 Ana Tom 1
		65 Elec Perc 2
	120	0 Rev Cymbl	1
Sound Effects	121	0	FretNoiz 2
	122	0 Brth Noiz 2
	123	0 Seashore 2
	124	0 Tweet 2
	125	0 Telephone 1
	126	0 Helieptr 1
	127	0 Applause 1
	128	0 Gunshot 1

Program #	MSH=164 LSB=000	File size	Program #	MSH=164 LSB=000	File size
1	CuttingNz 1		65	Tel.Dial	1
2	Ctang.Nz2 2		66	Door.Squelk 1
3			67	Door.Slam 1
4	Str Slap 1		68	Scratch 1
5			69	Scratch 2 2
6			70	WindChm 1
7			71	Telephone2 1
8			72
9			73
10			74
11			75
12			76
13			77
14			78
15			79
16			80
17	FL.KClik 1		81	CarEngin 1
18			82	Car Stop 1
19			83	Car Pass 1
20			84	CarCrash 1
21			85	Siren 2
22			86	Train 1
23			87	Jetplane 2
24			88	Starship 2
25			89	Burst 2
26			90	Coaster 2
27			91	SbMarine 2
28			92
29			93
30			94
31			95
32			96
33	Rain 1		97	Laughing 1
34	Thunder 1		98	Scream 1
35	Wind 1		99	Punch 1
36	Stream 2		100	Heart 1
37	Bubble 2		101	FootStep 1
38	Feed 2		102
39			103
40			104
41			105
42			106
43			107
44			108
45			109
46			110
47			111
48			112
49	Dog 1		113	MchnGun 1
50	Horse 1		114	LaserGun 2
51	Bird 2 1		115	Xplosion 2
52			116	FireWork 2
53			117
54			118
55	Ghost 2		119
56	Maou 2		120
57			121
58			122
59			123
60			124
61			125
62			126
63			127
64			128

 :NoSound

TG300B Normal Voice List

Bank Select MSB = Bank Number, LSB = 000

Instrument	Program	Rank	Voice Name	Ref.
10 Grail	8 CinPharM 1	16 MadLabEPT1	1264 A-Pharo12
		8 RistTorch 1	136 A-Pharo22
		127 a.stanen11
20 Brie Pro1	2 EFG-Poln12	127 a.stanen11
	2 EFG-PoNo22	1264 A-Pharo32
	1264 A-Pharo32	127 a.stanen11
40 Hedy Tork 2	8 TldyTorch 2	1264 A-Pharo42
	8 TldyTorch 2	127 e.stanen11
50 EFG-Poln12	8 Chc-EPI12	127 e.stanen11
	1264 A-Pharo12	127 e.stanen11
8 Chc-EPI12	1264 A-Pharo12	127 e.stanen11
16 VX EPI12	24 606 EP1	25 HandELP12
	25 HandELP12	26 MadLabEPT12
	1264 A-Pharo12	127 a.stanen11
1264 A-Pharo12	1264 A-Pharo12	127 e.stanen11
1264 A-Pharo12	1264 A-Pharo12	127 e.stanen11
6.0 EFG-PoNo22	8 Chc-EPI22	127 e.stanen11
	1264 A-Pharo12	127 e.stanen11
16 VX EPI22	24 606 EP2	25 HandELP22
	25 HandELP22	26 MadLabEPT22
	1264 A-Pharo12	127 e.stanen11
1264 A-Pharo12	1264 A-Pharo12	127 e.stanen11
7.0 Hedy Pals 1	8 Hedy Pals 1	127 e.stanen11
	8 Hedy Pals 1	127 e.stanen11
8 Chc K1 K1	1264 A-Pharo11	127 e.stanen11
	1264 A-Pharo11	127 e.stanen11
8 Chc K1 K1	1264 A-Pharo11	127 e.stanen11
16 VX EPI11	24 606 EP11	25 HandELP11
	25 HandELP11	26 MadLabEPT11
	1264 A-Pharo11	127 e.stanen11
1264 A-Pharo11	1264 A-Pharo11	127 e.stanen11
7.0 Hedy Pals 2	8 Hedy Pals 2	127 e.stanen11
	8 Hedy Pals 2	127 e.stanen11
16 VX EPI22	24 606 EP2	25 HandELP22
	25 HandELP22	26 MadLabEPT22
	1264 A-Pharo12	127 e.stanen11
1264 A - Pharo12	1264 A - Pharo12	127 e.stanen11
9 Carthon	8 Chc-K1 K1	127 e.stanen11
	8 Chc-K1 K1	127 e.stanen11
9 Carthon	1264 A - Pharo12	127 e.stanen11
1264 A - Pharo12	127 e.stanen11
127 Pharo12	127 e.stanen11
127 Pharo12	127 e.stanen11
127 Pharo12	127 e.stanen11
127 Pharo12	127 e.stanen11
127 Pharo12	1264 A - Pharo12	127 e.stanen11
127 Pharo12	127 e.stanen11
127 Pharo12	127 e.stanen11
127 Pharo12	127 e.stanen11
127 Pharo12	127 e.stanen11
1264 A - Pharo12	127 e.stanen11

Instrument	Group	Hapl	Voice Name	Ref.
Organ 17.0 Dose-Oral	1	78.4 DCO12	9 Ds-Dw-Or-2	1
		9 Ds-Dw-Or-2	9 Ds-Dw-Or-2	1
		17.60 DCO22	18.60 DCO22	1
		18.60 DCO22	34 Cose-Or-2	1
		32 Ds-Cose-Or-2	32 Ds-Cose-Or-2	1
		33 Exer-Ex-	40 Or-Ex- or BA1	1
		120 S	120 S	1
		127 hrs-PS11	127 hrs-PS11	1
Culprit 25.0 Dose-Oral	1	16.0 Pcs-Or-1	1
		17.8 S-CO12	18.8 S-CO12	1
		8 Roys-Or-2	9 Roys-Or-2	1
		16 Ss-Roys-2	16 Ss-Roys-2	1
		24 I-Thor-2	24 I-Thor-2	1
		125 Ss-Or-2	125 Ss-Or-2	1
		127 hrs-PS11	127 hrs-PS11	1
Culprit 25.0 Dose-Oral	1	20.0 Pcs-Or-2	1
		8 Chro-Or-2	8 Chro-Or-2	1
		16 Chro-Or-2	16 Chro-Or-2	1
		24 Oe-Phne-2	24 Oe-Phne-2	1
		32 Thro-Or-2	32 Thro-Or-2	1
		125 Ss-Phne-2	125 Ss-Phne-2	1
		127 hrs-PS11	127 hrs-PS11	1
Culprit 25.0 Dose-Oral	1	21.0 Rcs-Or-1	1
		125 Ss-Phc-2	125 Ss-Phc-2	1
		127 ees-PS11	127 ees-PS11	1
		22.0 Aec-Or-2	22.0 Aec-Or-2	1
		8 Acc-Or-2	8 Acc-Or-2	1
		125 Ss-Phc-2	125 Ss-Phc-2	1
		127 ees-PS11	127 ees-PS11	1
Culprit 25.0 Dose-Oral	1	1 Harno-2	1
		125 Ss-Phc-2	125 Ss-Phc-2	1
		127 ees-PS11	127 ees-PS11	1
		24 Tt-Phc-Ad-2	24 Tt-Phc-Ad-2	1
		125 Ss-Phc-2	125 Ss-Phc-2	1
		127 ees-PS11	127 ees-PS11	1
Culprit 25.0 Dose-Oral	1	16 t-Phc-Ad-2	1
		125 Ss-Phc-2	125 Ss-Phc-2	1
		24 Ss-Or-2	24 Ss-Or-2	1
		32 Ns-Or-2	32 Ns-Or-2	1
		401 Aa-Phc-1	401 Aa-Phc-1	1
		125 Ss-Phc-2	125 Ss-Phc-2	1
		127 s-spheres-2	127 s-spheres-2	1
Culprit 25.0 Dose-Oral	1	8 Ukele-2	1
		16 Ns-Phc-2	16 Ns-Phc-2	1
		34 Ns-Or-2	34 Ns-Or-2	1
		32 Ns-Or-2	32 Ns-Or-2	1
		401 Aa-Phc-1	401 Aa-Phc-1	1
		125 Ss-Phc-2	125 Ss-Phc-2	1
		127 ees-PS11	127 ees-PS11	1
Culprit 25.0 Dose-Oral	1	8 Ukele-2	1
		16 Ns-Phc-2	16 Ns-Phc-2	1
		34 Ns-Or-2	34 Ns-Or-2	1
		32 Ns-Or-2	32 Ns-OR-2	1
		401 Aa-Phc-1	401 Aa-Phc-1	1
		125 Ss-Phc-2	125 Ss-Phc-2	1
		127 ees-PS11	127 ees-PS11	1
Culprit 25.0 Dose -Oral	1	8 Ukele-2	1
		16 Ns-Phc-2	16 Ns-Phc-2	1
		34 Ns-Or-2	34 Ns-Or-2	1
		32 Ns-Or-2	32 Ns-Or-2	1
		401 Aa-Or-2	401 Aa-Or-2	1
		125 Ss-Phc-2	125 Ss-Phc-2	1
		127 ees-PS11	127 ees-PS11	1

Instrument	Program	Rank	Voice Name	EC-1
Guarit 29.0 Mice-Cat
8 FunCat1	1	1
16 SphoGri2	2	2
15x1-Mbsa2	2	2
30°C Cerve	1	1
136 Chor1	1	1
127 s/minas1	2	2
31.0 Lst-Gri	1	1
8 FeeRtCt2	9 FeeRtGri2	2
15x1-Chor2	2	2
127 s/minas2	2	2
32°C CineFam1	1	1
8 Gut cebk1	1	1
15x1-Chor3-1	2	2
127 s/minas3	2	2
33.0 Fof Dost	1	1
136 Chor4	2	2
127 s/minas4	2	2
34.0 Fof Base1	1	1
1 PsgnBss2 2	1	1
126 Srgm1-2	2	2
127 s/minmaio2	2	2
35.0 Lst-Brist	1	1
8 MuRtRtA1	1	1
156 Srgm2-2	2	2
127 s not pd	2	2
36.0 Fof Feetss	1	1
2 Feet3 2	2	2
3 Pcsfct4	2	2
4 Sqrtgri1	2	2
5 Smaoth	2	2
126 Srgm3-2	2	2
127 bwee pd2	2	2
37.0 Smaas1	1	1
8 RessSsIpl1	1	1
126 L Ognim12	2	2
127 s amshy2	2	2
39.0 Smaas1	1	1
1 SphyLd1	1	1
8 AysBas1	1	1
9 FeesRt1	1	1
10 RtsRtB1	1	1
127 bwee pd2	2	2
37.0 Smaas1	1	1
8 RessSsIpl1	1	1
127 s amshy2	2	2
39.0 Smaas1	1	1
1 SphyLd1	1	1
8 AysBas1	1	1
9 FeesRt1	1	1
127 bwee pd2	2	2
37.0 Smaas1	1	1
8 RessSsIpl1	1	1
127 s amshy2	2	2
39.0 Smaas1	1	1
1 SphyLdl1	1	1
8 AysBas1	1	1
9 FeesRt1	1	1
127 bwee pd2	2	2
37.0 Smaas1	1	1
8 RessSsIpl1	1	1
127 s amshy2	1	1
39.0 Smaas1	1	1
1 SphyLdl1	1	1
8 AysBas1	1	1
9 FeesRt1	1	1
127 bwee pd2	2	2
37.0 Smaas1	1	1

Instrument	Group	Rank	Voice Name	Recl.
Strengths	410 V
	8 Shot 1	1	420 V
	136 L Organ 2	1	126 L Organ 52	2
	127 mm	2
	410 Cntl	1	410 Cntl
	137 Symbiose	2
	127 symbiose	2
	126 L Organ 72	2
	127 symbiose	2
	450 Tm 1	1	450 Tm 1
	9 Shot 2	2	9 Shot 2
	136 P Organ 82	2	136 P Organ 82
	127 symbiose	2
	400 Tp 1	1	400 Tp 1
	127 symbiose	2
	400 Tp 2	1	400 Tp 2
	127 symbiose	2
	470 Harp	1	470 Harp
	136 SMTT-1	1	136 SMTT-1
	127 symbiose	2
	400 Tp 1	1	400 Tp 1
	127 symbiose	2
	400 Tp 2	1	400 Tp 2
	127 symbiose	2
	400 Tp 3	1	400 Tp 3
	127 symbiose	2
	400 Tp 4	1	400 Tp 4
	127 symbiose	2
	400 Tp 5	1	400 Tp 5
	127 symbiose	2
	400 Tp 6	1	400 Tp 6
	127 symbiose	2
	400 Tp 7	1	400 Tp 7
	127 symbiose	2
	400 Tp 8	1	400 Tp 8
	127 symbiose	2
	400 Tp 9	1	400 Tp 9
	127 symbiose	2
	400 Tp 10	1	400 Tp 10
	127 symbiose	2
	400 Tp 11	1	400 Tp 11
	127 symbiose	2
	400 Tp 12	1	400 Tp 12
	127 symbiose	2
	400 Tp 13	1	400 Tp 13
	127 symbiose	2
	400 Tp 14	1	400 Tp 14
	127 symbiose	2
	400 Tp 15	1	400 Tp 15
	127 symbiose	2
	400 Tp 16	1	400 Tp 16
	127 symbiose	2
	400 Tp 17	1	400 Tp 17
	127 symbiose	2
	400 Tp 18	1	400 Tp 18
	127 symbiose	2
	400 Tp 19	1	400 Tp 19
	127 symbiose	2
	400 Tp 20	1	400 Tp 20
	127 symbiose	2
	400 Tp 21	1	400 Tp 21
	127 symbiose	2
	400 Tp 22	1	400 Tp 22
	127 symbiose	2
400 Tp 23	1	400 Tp 23
127 symbiose	2
400 Tp 24	1	400 Tp 24
127 symbiose	2
400 Tp 25	1	400 Tp 25
127 symbiose	2
400 Tp 26	1	400 Tp 26
127 symbiose	2
400 Tp 27	1	400 Tp 27
127 symbiose	2
400 Tp 28	1	400 Tp 28
127 symbiose	2
400 Tp 29	1	400 Tp 29
127 symbiose	2
400 Tp 30	1	400 Tp 30
127 symbiose	2
400 Tp 31	1	400 Tp 31
127 symbiose	2
400 Tp 32	1	400 Tp 32
127 symbiose	2
400 Tp 33	1	400 Tp 33
127 symbiose	2
400 Tp 34	1	400 Tp 34
127 symbiose	2
400 Tp 35	1	400 Tp 35
127 symbiose	2
400 Tp 36	1	400 Tp 36
127 symbiose	2
400 Tp 37	1	400 Tp 37
127 symbiose	2
400 Tp 38	1	400 Tp 38
127 symbiose	2
400 Tp 39	1	400 Tp 39
127 symbiose	2
400 Tp 40	1	400 Tp 40
127 symbiose	2
400 Tp 41	1	400 Tp 41
127 symbiose	2
400 Tp 42	1	400 Tp 42
127 symbiose	2
400 Tp 43	1	400 Tp 43
127 symbiose	2
400 Tp 44	1	400 Tp 44
127 symbiose	2
400 Tp 45	1	400 Tp 45
127 symbiose	2
400 Tp 46	1	400 Tp 46
127 symbiose	2
400 Tp 47	1	400 Tp 47
127 symbiose	2
400 Tp 48	1	400 Tp 48
127 symbiose	2
400 Tp 49	1	400 Tp 49
127 symbiose	2
400 Tp 50	1	400 Tp 50
127 symbiose	2
400 Tp 51	1	400 Tp 51
127 symbiose	2
400 Tp 52	1	400 Tp 52
127 symbiose	2
400 Tp 53	1	400 Tp 53
127 symbiose	2
400 Tp 54	1	400 Tp 54
127 symbiose	2
400 Tp 55	1	400 Tp 55
127 symbiose	2
400 Tp 56	1	400 Tp 56
127 symbiose	2
400 Tp 57	1	400 Tp 57
127 symbiose	2
400 Tp 58	1	400 Tp 58
127 symbiose	2
400 Tp 59	1	400 Tp 59
127 symbiose	2
400 Tp 60	1	400 Tp 60
127 symbiose	2
400 Tp 61	1	400 Tp 61
127 symbiose	2
400 Tp 62	1	400 Tp 62
127 symbiose	2
400 Tp 63	1	400 Tp 63
127 symbiose	2
400 Tp 64	1	400 Tp 64
127 symbiose	2
400 Tp 65	1	400 Tp 65
127 symbiose	2
400 Tp 66	1	400 Tp 66
127 symbiose	2
400 Tp 67	1	400 Tp 67
127 symbiose	2
400 Tp 68	1	400 Tp 68
127 symbiose	2
400 Tp 69	1	400 Tp 69
127 symbiose	2
400 Tp 70	1	400 Tp 70
127 symbiose	2
400 Tp 71	1	400 Tp 71
127 symbiose	2
400 Tp 72	1	400 Tp 72
127 symbiose	2
400 Tp 73	1	400 Tp 73
127 symbiose	2
400 Tp 74	1	400 Tp 74
127 symbiose	2
400 Tp 75	1	400 Tp 75
127 symbiose	2
400 Tp 76	1	400 Tp 76
127 symbiose	2
400 Tp 77	1	400 Tp 77
127 symbiose	2
400 Tp 78	1	400 Tp 78
127 symbiose	2
400 Tp 79	1	400 Tp 79
127 symbiose	2
400 Tp 80	1	400 Tp 80
127 symbiose	2
400 Tp 81	1	400 Tp 81
127 symbiose	2
400 Tp 82	1	400 Tp 82
127 symbiose	2
400 Tp 83	1	400 Tp 83
127 symbiose	2
400 Tp 84	1	400 Tp 84
127 symbiose	2
400 Tp 85	1	400 Tp 85
127 symbiose	2
400 Tp 86	1	400 Tp 86
127 symbiose	2
400 Tp 87	1	400 Tp 87
127 symbiose	2
400 Tp 88	1	400 Tp 88
127 symbiose	2
400 Tp 89	1	400 Tp 89
127 symbiose	2
400 Tp 90	1	400 Tp 90
127 symbiose	2
400 Tp 91	1	400 Tp 91
127 symbiose	2
400 Tp 92	1	400 Tp 92
127 symbiose	2
400 Tp 93	1	400 Tp 93
127 symbiose	2
400 Tp 94	1	400 Tp 94
127 symbiose	2
400 Tp 95	1	400 Tp 95
127 symbiose	2
400 Tp 96	1	400 Tp 96
127 symbiose	2
400 Tp 97	1	400 Tp 97
127 symbiose	2
400 Tp 98	1	400 Tp 98
127 symbiose	2
400 Tp 99	1	400 Tp 99
127 symbiose	2
400 Tp 100	1	400 Tp 100
127 symbiose	2
400 Tp 101	1	400 Tp 101
127 symbiose	2
400 Tp 102	1	400 Tp 102
127 symbiose	2
400 Tp 103	1	400 Tp 103
127 symbiose	2
400 Tp 104	1	400 Tp 104
127 symbiose	2
400 Tp 105	1	400 Tp 105
127 symbiose	2
400 Tp 106	1	400 Tp 106
127 symbiose	2
400 Tp 107	1	400 Tp 107
127 symbiose	2
400 Tp 108	1	400 Tp 108
127 symbiose	2
400 Tp 109	1	400 Tp 109
127 symbiose	2
400 Tp 110	1	400 Tp 110
127 symbiose	2
400 Tp 111	1	400 Tp 111
127 symbiose	2
400 Tp 112	1	400 Tp 112
127 symbiose	2
400 Tp 113	1	400 Tp 113
127 symbiose	2
400 Tp 114	1	400 Tp 114
127 symbiose	2
400 Tp 115	1	400 Tp 115
127 symbiose	2
400 Tp 116	1	400 Tp 116
127 symbiose	2
400 Tp 117	1	400 Tp 117
127 symbiose	2
400 Tp 118	1	400 Tp 118
127 symbiose	2
400 Tp 119	1	400 Tp 119
127 symbiose	2
400 Tp 120	1	400 Tp 120
127 symbiose	2
400 Tp 121	1	400 Tp 121
127 symbiose	2
400 Tp 122	1	400 Tp 122
127 symbiose	2
400 Tp 123	1	400 Tp 123
127 symbiose	2
400 Tp 124	1	400 Tp 124
127 symbiose	2
400 Tp 125	1	400 Tp 125
127 symbiose	2
400 Tp 126	1	400 Tp 126
127 symbiose	2
400 Tp 127	1	400 Tp 127
127 symbiose	2
400 Tp 128	1	400 Tp 128
127 symbiose	2
400 Tp 129	1	400 Tp 129
127 symbiose	2
400 Tp 130	1	400 Tp 130
127 symbiose	2
400 Tp 131	1	400 Tp 131
127 symbiose	2
400 Tp 132	1	400 Tp 132
127 symbiose	2
400 Tp 133	1	400 Tp 133
127 symbiose	2
400 Tp 134	1	400 Tp 134
127 symbiose	2
400 Tp 135	1	400 Tp 135
127 symbiose	2
400 Tp 136	1	400 Tp 136
127 symbiose	2
400 Tp 137	1	400 Tp 137
127 symbiose	2
400 Tp 138	1	400 Tp 138
127 symbiose	2
400 Tp 139	1	400 Tp 139
127 symbiose	2
400 Tp 140	1	400 Tp 140
127 symbiose	2
400 Tp 141	1	400 Tp 141
127 symbiose	2
400 Tp 142	1	400 Tp 142
127 symbiose	2
400 Tp 143	1	400 Tp 143
127 symbiose	2
400 Tp 144	1	400 Tp 144
127 symbiose	2
400 Tp 145	1	400 Tp 145
127 symbiose	2
400 Tp 146	1	400 Tp 146
127 symbiose	2
400 Tp 147	1	400 Tp 147
127 symbiose	2
400 Tp 148	1	400 Tp 148
127 symbiose	2
400 Tp 149	1	400 Tp 149
127 symbiose	2
400 Tp 150	1	400 Tp 150
127 symbiose	2
400 Tp 151	1	400 Tp 151
127 symbiose	2
400 Tp 152	1	400 Tp 152
127 symbiose	2
400 Tp 153	1	400 Tp 153
127 symbiose	2
400 Tp 154	1	400 Tp 154
127 symbiose	2
400 Tp 155	1	400 Tp 155
127 symbiose	2
400 Tp 156	1	400 Tp 156
127 symbiose	2
400 Tp 157	1	400 Tp 157
127 symbiose	2
400 Tp 158	1	400 Tp 158
127 symbiose	2
400 Tp 159	1	400 Tp 159
127 symbiose	2
400 Tp 160	1	400 Tp 160
127 symbiose	2
400 Tp 161	1	400 Tp 161
127 symbiose	2
Instrument Group	Program#	Bank #	Voice Name	Fleme
Brass 57 0 Trumpet1		1 Trumpet2 124 BristTrap 225 WimtrnTrap 2126 Sax-3 1127 contrabs 1
58 0 Trombone1		1 Trombone 11 Trmone2 2126 Sax-4 2127 harp 1 1
59 0 Tuba1		1 Tuba 2 1126 Bass-1 1127 harp 2 1
60 0 Mute Trap1		1ute Trap 1126 Brass-2 1127 guitar 1 1
61 0 F Horn2		1 FrHorn2 11		2
62 0 R BassSec1		1 BassSec2 2126 Bass-4 2127 elecgrt1 2
63 0 S SnBrass2		21 Poly Brss 28 Syn Bras3 29 QuackBr 216 AmbrBrs1 2126 Brass-5 2127 elecgrt2 2
64 0 S SnBras2		1Soft Brs 218 Syn Bras4 216 AmbrBrs2 217 Vc 2126 Orch-Hit 1127 sitar 1
Recd 65 0 Sp noSax		1127 a. bass 1 1
		66 0 Ato Sax 18 Hypo Alto 2127 a. bass 2 1
		67 0 TnrSax 18 Brth TnSx 2127 c. bass 1 1
		68 0 BariSax 1127 c. bass 2 1
		69 0 Cblue 2127 slaphas1 1
		70 0 Fng.Horn 1127 slupbas2 1
		71 0 Bassoon 1127 fretles1 1
		72 0 Carinet 1127 fretles2 1
Pipe		73 0 Fccolo 1127 flute1 1
		74 0 Fute 1127 flute2 1
		75 0 Recordes 1127 piccolo1 1
		76 0 PanFlute 1127 piccolo2 2
		77 0 Bottle 2127 recorder 11
		78 0 Nakhchch 2127 pinnipes 2
		79 0 Whistle 1127 sax1 2
		80 0 Carina 1127 sax2 1

Instrument Group	Program #	Bank #	Voice Name	Flement
Synth Lead	81 O S	squareLd 2
		1 Square 2 1
		2 Hollow 1
		3 Mel 2
		4 Sold 2
		5 Shmoog 2
		6 LMsquare 2
		8 Sine Lead 1
		127 sax 3 1
	82 O S	aw. Lead 2
		1 Saw 2 1
		2 PulseSaw 2
		3 ThickSaw 2
		4 Big Lead 2
		5 VeloLead 2
		6 HeavySyn 2
		7 DyrkSaw 1
		8 Dr. Lead 2
		16 WaspSyn 2
		127 sax 4 1
	83 O C	aliopLd 2
		2 Pure Pad 2
		127 clarint 1
	84 O Chiff Ld 2
				127 clarint 1
	85 O C	haranLd 2
		8 Dist Lead 2
		127 ooe 1
	86 O V	voice Ld 2
		127 cam.horn 1
	87 O I	fih Ld 2
		1 Big Five 2
		127 bassoon 1
	88 O L	ass &Ld 2		2
		1 Big&Low
		2 FadePrky 2
		127 harmonica 1
Synth Pad	89 O N	ewAge Pad 2
		1 Fantasy 2 2
		127 trumpet1 1
	90 O W	arm Pad 2
		1 ThickPad 2
		2 Horn Pad 2
		3 RotarStr 2
		4 Soft Pad 2
		127 trumpet2 1
	91 O F	plySyPd 2
		1 Poly Pad80 2
		127 trmbone1 2
	92 O C	hoirtPad 2
		1 Heavcn2		2
		127 trmbone2 2
	93 O F	rowedPad 2
		127 frh horn1 1
	94 O M	retailPad 2
		1 Time Pad 2
		2 Pan Pad 2
		127 frh horn2 2
	95 O I	alo Pad 2
		127 tuba 2
	96 O S	sweepPad 2
		1 PolarPad 2
		8 Converge 2
		9 Shwimmer 2
		10 Celestial 2
		127 bssect1 1

Instrument Group	Program#	Bank #	Voice Name	Flement
Synth Effects	97	0	Rain
		1 Hm	oRain 2
		2 Arvi	nWad 2
		8 ClaviPad	2
		127 bissect2	2
	98 0 S	oundTrik	2
		1 Ancestral	2
		2 Prologue	2
		127 vibe1 1
	99 0 C	crystal	2
		1 Syn	Maler 1
		2 Stc	cryst 2
		3 RndGlock	2
		4 Loul	Glock 2
		5 GlockChi	2
		6 ClearBel	2
		7 XmasBell	2
		8 VibeBell	2
		9 DigitBell	2
		16 ChorBell	2
		17 AirBells 2	2
		18 BellHarp	2
		19 Gamelma	2
		127 vibe2 1
	100	0 Atmosph	2
		1 WangAtms	2
		2 NylHarp	2
		3 Harp Vox	2
		4 HollwRls 2	2
		5 NylonEP	2
		6 AtmosPad 2	2
		127 symallet 1
	101	0 Bright 2
		127 maletwin 2
	102	0 Goldins 2
		1 GobSyn	2
		2 50sSciFi	2
		127 glocken 2
	103	0 Echoes	2
		1 EchoBell2	2
		2 Echo Pan 2
		3 EchoPad2 2
		4 Big Pan 2
		6 Syn Piano 2
		127 tufulhe1	1
	104	0 Sci-Fi	2
		1 Starz 2
		127 xyleophon 1
Ethnic	105	0 Sitar	1
		1 Sitar 2	2
		2 DetSitar	2
		8 Tarnbra	2
		16 Tamboura	2
		127 marimha	2
	106	0 Bano	1
		1 MuteEnjo 1
		8 Rabab 2
		16 Gopichnt 2
		24 Oud	2
		127 koto	1
	107	0 Shamisen	1
		127 sho	2
	108	0 Koto	1
		8 T. Koto	2
		16 Kamoon 2
		127 slikhchhi	2
	109	0 Kalimba 1
		127 whistle1 2
	110	0 Bagpipe	2
		127 whistle2 1
	111	0 Fikde1
		127 bottle 2
	112	0 Shauai	1
		1 Shanai2		1
		8 Pungi1
		16 Hichriki	2
		127 beath 2

Instrument Group	Program #	Bank #	Voice Name	Fle- ment
Percussive	113	0 Tnk8 Bomng9 Gender10 Gamelan11 S. Gamlan16 Rama Cym127 timpani 1	Bell2222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222
	114	0 Agogo127 nolom 1	222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222
	115	0 Steel127 dcipsnar 1	Drm 222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222
	116	0 Wood127 eblok 1	Dblok 1111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111
	117	0 TaikoDrm 18 Gr.Cassa 1127 eplc2 1	Drm 11111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111
	118	0 MclodTom 18 Real Tom 28 Mel Tom 29 Rock Tom 2127 taiko 1	Tom 2127 taiko 11111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111
	119	0 Syn 8 Ana9 Elec Perc 127 taikorim 1	Drm 1Tom 1127 taikorim 1127 taikorim 1
	120	0 Rev Cymbl 1127 cmlb 1	Cymbl 1127 cmlb 1
Sound Effects	121	0 FretNoiz 1 CuttingNz 12 Str Slap 13 Ctrn NgZ2 2127 catanet 1	Climk 1Clink 1
	122	0 Brio Noiz 1 Chik 1127 triangle 1	Chik 1
	123	0 Seashore 1 Rain 12 Thunder 13 Wind 14 Storm 25 Bush 26 chechit 1	Storm 2111
	124	0 Tweet 2 1 Dog 12 Horse 13 Bird 2 1	Bird 1111
	125	0 Telephone 1 Tel Dial 12 DoorSqck 13 DoorSlam 14 Scratch 15 Wind dChm 16 Scratch 2 127 bird 1	Scatch 1111
	126	0 Hcliptpr 1 1 Carlin Engin 1 2 Carlin Stop 13 Pass 14 Carlin Crash 15 Siren 26 Train 17 Jetplane 28 Starship 29 Burst 30 Coaster 127 jlm 1	jlm 1111
	127	0 Applause 1 1 Laughing 1 2 Scream 13 Punch 14 Heart 15 Foot Step 16 Feetwar 2	Foot Step 11
	128	0 Gun shot 1 McInGun 1 2 LaserGun 2 3 Xplion 2 4ctjngl 2	ctjngl 2

XG Drum Voice List

Bank Select MSB = Bank Number, LSB = 000 Drum kit names in bold typeface are those that can be selected in the Disklavier.

Program#

1

2

9

17

25

26

33

41

49

1

3

Note#

Note#

Key#

Alternate assign

Standard Kit

Standard 2 Kit

Room Kit

Rock Kit

Electro Kit

Analog Kit

Jazz Kit

Brush Kit

Classic Kit

SFX 1

SFX 2

13

C# -1

3

Sardo Mate

14

D -1

3

Sardo Open

15

D# -1

H.O

16

E -1

Whip Stap

17

F -1

4

Scratch Push

18

F# -1

4

Saratch Pull

19

G -1

Finger Snap

20

G# -1

Click Noise

21

A -1

Metrophone Click

22

A# -1

Microphone Bell

23

B -1

Seq Click L

24

C 0

Seq Click II

25

C# 0

Brush Tip

26

D 0

O Brach Swirl L

27

D# 0

Brush Slap

28

F 0

O

Brach Swirl H

Reverse Cymbol

Reverse Cymbol

29

F 0

O

Snare Roll

Snare Roll 2

30

F# 0

Castraner

H.O

H.O

31

G 0

Snare L

Snare L 2

SD Rock M

Snaw M

SD Rock II

Brush Slap L

32

G# 0

Sticks

33

A 0

Bass Drum L

Bass Drum M

Bass Drum H 4

Bass Drum M

Mass Drum L 2

34

A# 0

Open Rim Stot

Open Rim Shect 2

35

B 0

Bass Drum M

Bass Drum M 2

Bass Drum H 3

BD Rock

BD Analog L

Gram Caste

36

C 1

Bass Drum H

Bass Drum H 2

BD Rock

BD Guitc

BD Analog H

BD Jazz

BD Soft

Gross Caste Mute

Guitar Clattering Noise

Dial Tone

37

C# 1

Side Stick

38

D 1

Snare M

Snare M 2

SD Room L

SD Rock

SD Rock L

Analog Snare L

Brush Slap M

Marching Sn M

Door Clacking

Door Stam

39

D# 1

Iland Clamp

40

E 1

Snare H

Snare H 2

SD Room H

SD Rock Rm

SD Rock H

Analog Snare H

Anush Tap H

Marching Sn H

41

F 1

Floor Tom L

Room Tcm 1

Rock Tom 1

E Tom 1

Analog Tom 1

Jazz Tom 1

Rash Tom 1

Jazz Tom 1

Windchime

42

F# 1

1

He-Hat Closed

Analog III Closed 1

Telephone Ring 2

43

G 1

Fluar Tom H

Room Tom 2

Rock Tom 2

E Tom 3

Analog Tom 2

Jazz Tom 2

Brush Tom 2

Jazz Tom 2

44

G# 1

1

Hi Hat Podzai

Room Tom 3

Rock Tom 3

E Tom 3

Analog Ht Closed 2

Jazz Tom 3

Brush Tom 3

Jazz Tom 3

45

A 1

Low Tom

Room Tom 3

Rock Tom 3

E Tom 3

Analog Tom 3

Jazz Tom 3

Brush Tom 3

Jazz Tom 3

46

A# 1

1

Hi Flat Open

Analog III Open

47

B 1

Mid Tom 1

Room Tcm 4

Rock Tom 4

E Tom 4

Analog Tom 4

Jazz Tom 4

Rash Tom 4

Jazz Tom 4

48

C 2

Mid Tom H

Room Tcm 5

Rock Tom 5

E Tom 5

Analog Tom 5

Jazz Tom 5

Rash Tom 5

Jazz Tom 5

49

C# 2

Crack Cymbal I

Analog Cymbal

Hand Cym Open L

50

D 2

High Tom

Room Tom 6

Rock Tom 6

E Tom 6

Analog Tom 6

Jazz Tom 6

Brush Tom 6

Jazz Tom 6

51

D# 2

Ride Cymbal I

Hand Cym Closed L

52

E 2

Chinese Cymbal

FL-Key Click

Engine Start

53

F 2

Ride Cymbal Cup

Tire Screws

Truck Pass

54

F# 2

Tandolines

Car Passing

Car Pass

55

G 2

Sindah Cymbal

56

G# 2

Cowbell

Analog Cowbell

57

A 2

Crack Cymbal 2

Hand Cym Open II

58

A# 2

Vibratrap

Jetplane

59

B 2

Ride Cymbal 2

Hand Cym Closed H

Starship

60

C 3

Bongo II

Burial Noise

Burial Noise

61

C# 3

Bongo L

62

D 3

Congo H Mottc

Analog Conpa H

ShiMarine

63

D# 3

Congo H Open

Analog Conpa M

64

E 3

Congo L

Analog Conpa L

65

F 3

Timbale H

66

F# 3

Timbale L

67

G 3

Aegogo II

Food

68

G# 3

Azogio L

Rain

Laughing

69

A 3

Cabava

Analog Claves

Thunder

Sneezing

70

A# 3

Mimiazas

Analog Maracas

Wind

Punch

71

B 3 0

O

Samba Whistle H

Stream

Heartbeat

72

C 4 0

O

Samba Whistle L

BubbleL

FixSteps

73

C# 4

Guine Shet

Food

74

D 4 0

O Gujo Long

75

D# 4

76

F 4

77

F 4

78

F# 4

: Same as Standard kit : No sound

TG300B Drum Voice List

Program # 19 17 26 33 41 57 128

Note#

Note#

Alternate assign

Standard Kit

Karnin Kit

Power Kit

Electro Kit

Analog Kit

Jazz Kit

Brush Kit

Orchmon Kit

SPX Net

CM Kit

25

CA 0

Spare Roll

26

D 0

Finger Soup

27

DW 0

El Q

Hi Hat Closed

28

E 0

Whip Slip

Hi Hat Pedal

29

F 0

?

Scratch Pass

Hi-Hat Open

30

FR 0

?

Scratch Pass

Rice Cymdal 1

31

G 0

Sticks

32

CA 0

Click Noise

33

A 0

Motozone Click

34

AE 0

Metrophone Bell

35

B 0

Bass Drum M

BD Jazz

36

C 1

Base Drum H

BD Power

BD Electronic

BD Analog H

BD Jazz

BD Soft

Gran Creme

37

CA 1

Side Stick

Analog Side Stick

38

D 1

Squeeze M

SD Power

SD Electronic

Analog Share L

Brush Tap

Concer SD

39

DW 1

Iland Clap

Brush Slip

Castman

High-Q

40

E 1

Squeeze H

SD Power

Brush Wind

Concer SD

Slap

ND Electro

41

F 1

Flower Stem I

Kraen Tom 1

Kraen Tom 1

E Tom 1

Analog Tom 1

Jazz Tom 1

Jazz Tom 1

Timpani F

Scratch Pad

42

FR 1

1

Hi-Hat Clamped

Analog HH Closed 1

Timpani FR

Scratch Pad

43

G 1

Flower Stem II

Raven Tom 2

Raven Tom 2

E Tom 2

Analog Tom 2

Jazz Tom 2

Jazz Tom 2

Timpani G

Sticks

44

CA 1

1

Hi-Hat Pedal

Analog HH Closed 2

Timpani GI

Spruce Click

Hi-Hat Open 1

45

A 1

Low Tom

Kraen Tom 3

Kraen Tom 3

E Tom 3

Analog Tom 3

Jazz Tom 3

Jazz Tom 3

Timpani A

Metronome Click

46

AF 1

1

Hi-Hat Open

Analog III Open

Timpani AF

Metronome Bell

Hi-Hat Open 2

47

B 1

Mid Tom 1

Raven Tom 1

Raven Tom 1

E Tom 1

Analog Tom 1

Jazz Tom 1

Jazz Tom 1

Timpani H

Guitar Fix Nails

48

C 2

Mid Tom H

Raven Tom 5

Raven Tom 5

E Tom 5

Analog Tom 5

Jazz Tom 5

Jazz Tom 5

Timpani C

Guitar Cutting Down

49

CA 2

Crash Cymdal 1

Analog Cymdal

Timpani CI

Guitar Cutting Up

50

D 2

High Tom

Room Tom 6

Room Tom 6

E Tom 6

Analog Tom 6

Jazz Tom 6

Jazz Tom 6

Timpani D

Ac Bass Slip

51

DW 2

Ride Cymdal 1

Timpani DI

FL Key Click

52

E 2

Chinese Cymdal

Reverse Cymdal

Timpani E

Laughing

53

F 2

Ride Cymdal Cup

Timpani F

Screening

54

FA 2

Timberline

Punch

55

CI 2

Splintch Cymdal

Heartbeat

56

CE 2

Cowbell

Analog Cowbell

Footsteps 1

57

A 2

Crash Cymdal 2

Iland Cymal 1

Footsteps 2

58

AE 2

Yvelasap

Applause

59

R 2

Rice Cymdal 2

Hand Cymal 2

Door Creaking

60

C 3 Banga H

Door Stam

61

CA 3

Dongo L

Scratch

62

D 3

Congu H Molo

Analog Conga II

Windshoe

63

DE 3

Conga H Open

Analog Conga M

Engine Start

64

E 3

Conga L

Analog Conga L

Tire Screchch

65

F 3

Timbule H

Car Passing

66

FA 3

Timbule L

Crash

67

C 3

Agogo II

Siren

68

CA 3

Arogo L

Train

69

A 3

Calena

Jetplane

70

AE 3

Maracat

Analog Maraca

Helicopter

71

B 3

2

Samba Whistle H

Starship

72

C 1

2

Sumba Whistle L

Gunshot

73

CA 4

3

Clara Shet

Machine Gun

Vibreshop

74

D 4

3

Clara Long

Laser Gun

75

DE 4

Claves

Analog Claves

Explosion

76

F 4

Wand Block H

Org.

Laughing

77

F 4

Wand Block 1

House Gallop

Screening

78

FR 4

4

Chicka White

Hired Tweer

Punch

79

C 4

4

Coca Open

Rain

Elephant

80

CA 4

5

Triangle Mole

Thunder

Footsteps 1

81

A 4

5

Triangle Open

Wind

Footsteps 2

82

AE 4

Skater

Seshare

Applause

83

B 4

Jungle Bell

Stream

Door Creaking

84

C 5

Ball Trax

Bubble

Door Stam

85

CA 5

Castanot

Scratch

86

D 5

6

Sundco Mole

Windchime

87

DW 5

6

Sundco Open

Engine Start

88

E 5

Applause

Fire Sprach

89

F 5

Car Passing

90

FA 5

Cashflow

91

G 5

Simon

92

CA 5

Rain

93

A 5

Jetplane

94

AE 5

Delicopee

95

B 5

Starship

96

C 6

Gunshot

97

CA 6

Machine Gun

98

D 6

Laser Gun

99

DE 6

Explaination

100

F 6

Dog

101

F 6

Harse Gallop

102

FA 6

Bird Tweet

103

CI 6

Rain

104

GE 6

Thunder

105

A 6

Wind

106

AE 6

Snowshoe

107

H 6

Stream

108

C 7

Bubble

: Same as Standard kit  No sound.

Effect Type List

Exclusive Effect Type Description
MSB LSB
REVERB
00 00 NO EFFECT Effect turned off.01 00 HALL1 Reverb simulating the resonance of a hall.01 01 HALL2 Reverb simulating the resonance of a hall.02 00 ROOM1 Reverb simulating the resonance of a room.02 01 ROOM2 Reverb simulating the resonance of a room.02 02 ROOM3 Reverb simulating the resonance of a room.03 00 STAGE1 Reverb appropriate for a solo instrument.03 01 STAGE2 Reverb appropriate for a solo instrument.04 00 PLATE Reverb simulating a metal plate reverb unit.10 00 WHITE ROOM A unique short reverb with a bit of initial delay.11 00 TUNNEL Simulation of a tunnel space expanding to left and right.13 00 BASEMENT A bit of initial delay followed by reverber with a unique resonance.
CHORUS
00 00 NO EFFECT Effect turned off.41 00 CHORUS1 Conventional chorus program that adds natural spaciousness.41 01 CHORUS2 Conventional chorus program that adds natural spaciousness.41 02 CHORUS3 Conventional chorus program that adds natural spaciousness.41 08 CHORUS4 phase LFO adds modulation and spaciousness to the sound.42 00 CELESTE1 A 3 phase LFO adds modulation and spaciousness to the sound.42 01 CELESTE2 A 3 phase LFO adds modulation and spaciousness to the sound.42 02 CELESTE3 A 3 phase LFO adds modulation and spaciousness to the sound.42 08 CELESTE4 Celeste with stereo input. The pan setting specified for the Part will also apply to the effect sound.43 00 FLANGER1 Adds a jet-airplane effect to the sound.43 01 FLANGER2 Adds a jct-airplane effect to the sound.43 08 FLANGER3 Adds a jet-airplane effect to the sound.
VARIATION
00 00 NO EFFECT Effect turned off.01 00 HAL1 Reverb simulating the resonance of a hall.01 01 HAL2 Reverb simulating the resonance of a hall.02 00 ROOM1 Reverb simulating the resonance of a room.02 01 ROOM2 Reverb simulating the resonance of a room.02 02 ROOM3 Reverb simulating the resonance of a room.03 00 STAGE1 Reverb appropriate for a solo instrument.03 01 STAGE2 Reverb appropriate for a solo instrument.04 00 PLANER1 Adds a jet-airplane effect to the sound.05 00 DELAY L, C, R A program that creates three delay sounds; I, R, and C (center).06 00 DELAY L, R A program that creates two delay sounds; L and R. Two feedback delays are provided.07 00 ECHO A program that crosses the feedback of two delays.08 00 CROSS DELAY A program that crosses the feedback of two delays.09 00 EARLY REF1 An effect that produces only the early reflection component of reverb.09 01 EARLY REF2 An effect that produces only the early reflection component of reverb.0A 00 GATE REVERB A simulation of gated reverb.0B 00 REVERSE GATE A program that simulates gated reverb played backwards.14 00 KARAOKE 1 A delay with feedback of the same types as used for karaoke reverb.14 01 KARAOKE 2 A delay with feedback of the same types as used for karaoke reverb.14 02 KARAOKE 3 A delay with feedback of the same types as used for karaoke reverb.41 00 CHORUS1 Conventional chorus program that add natural spaciousness.41 01 CHORUS2 Conventional chorus program that add natural spaciousness.41 02 CHORUS3 Conventional chorus program that add natural spaciousness.41 08 CHORUS4 Chorus with stereo input.42 00 CELESTE1 A 3 phase LFO adds modulation and spaciousness to the sound.42 01 CELESTE2 A 3 phase LFO adds modulation and spaciousness to the sound.42 02 CELESTE3 A 3 phase LFO adds modulation and spaciousness to the sound.42 08 CELESTE4 Celeste with stereo input.43 00 FLANGER1 Adds a jet-airplane effect to the sound.43 01 FLANGER2 Adds a jet-airplane effect to the sound.43 08 FLANGER3 Adds a jet-airplane effect to the sound.44 00 SYMMPHONIC A multi-phase version of CELESTE.45 00 ROTARY SPEAKER A simulation of a rotary speaker. You can use AC1 (assignable controller) etc. to control the speed of rotation.46 00 TREMOLO An effect that cyclically modulates the volume.47 00 AUTO PAN A program that cyclically moves that sound image to left and right, front and back.48 00 PLASER1 Cyclically changes the phase to add modulation to the sound.48 08 PHASFR2 Phaser with stereo input.49 00 DISTORTION Adds a sharp-edged distortion to the sound.4A 00 OVER DRIVE Adds mild distortion to the sound.4B 00 AMP SIMULATOR A simulation of a guitar amp.4C 00 3BAND EQ (MONO) A mono EQ with adjustable LOW, MID, and HIGH equalizing.4D 00 2BAND EQ (STEREO) A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts.4E 00 AUTO WAH (LFO) Cyclically modulates the center frequency of a wah filter. With an AC1 etc. this can function as a pedal wah.40 00 THRU Bypass without applying any effect.

* MSB, LSB is represented in hexadecimal. * LCB=0 is the basic effect type.

Effect Parameter List

No	Parameter Range	Value See		Table	Control
HALL1, HALL2, ROOM 1, 2, 3, STAGE 1, 2, PLATE
1	Reverb Time 0.3~30	0s 0~69 table#4
2	Diffusion	0~10	0-10
3	Initial Delay 0~63	0-63 table#5
4	HPF Cutoff Thru~8.0kHz 0-52 table#3
5	LPF Cutoff 1.0k~Thru 34-60 table#3
6
7
8
9
10	Dry/Wet D63>W~D=W~D< W63 1-127			•table#5
11	Rev Delay	0~63	0-63
12	Density	0~3	0-3
13	Er/Rev Balance	E63>R ~ E=R ~ E>R63	1-127
14
15	Feedback Level	63~+63	1-127
16

WHITE ROOM, TUNNEL, BASEMENT

1	Reverb Time 0.3~30	0s 0-69 table#4
2	Diffusion	0~10 0-10
3	Initial Delay	0~63 0~63 table#5
4	HPF Cutoff Thru~8.0kHz	0-52 table#3
5	LPF Cutoff 1.0k~Thru	34-60 table#3
6	Width	0.5~10.2m	0~37	table#1
7	Height	0.5~20.2m	0~73	table#1
8	Depth	0.5~30.2m	0~104	table#1
9	Wall Vary	0~30 0-30
10	Dry/Wet D63>W~D	0=W~D< W63 1-127		•
11	Rev Delay	0~63	0~63	table#5
12	Density	0~3	0~3
13	Er/Rev Balance	E63>R-E=R-E>R63	1-127
14
15	Feedback Level	-63~+63	1-127
16

DELAYL.C.R

1 Lch Delay	0.1~715.0ms	1-7150
2 Rch Delay	0.1~715.0ms	1-7150
3 Cch Delay	0.1~715.0ms	1-7150
4 Feedback Delay	0.1~715.0ms	1-7150
5 Feedback Level	-63~+63	1-127
6 Cch Level	0~127 0-127
7 High Damp 0.1~1.0		1-10
8
9
10 Dry/Wet D63=W~D=W~D< W63	1-127		·
11
12
13 EQ Low Frequency	50Hz~2.0kHz	8-40 table#3
14 EQ Low Gain	12~+12dB	52-76
15 EQ High Frequency	500Hz~16.0kHz	28-58 table#3
16 EQ High Gain	12~+12dB	52-76

DELAY L, R

1 Loh Delay 0.1~715.0ms 1-7150
2 Roh Delay 0.1~715.0ms 1-7150
3 Feedback Delay1 0.1~715.0ms 1-7150
4 Feedback Delay2 0.1~715.0ms 1-7150
5 Feedback Level -63~+63 1-127
6 High Damp 0.1~1.0 1-10
7
8
9
10 Dry/Wet D63=W~D=W~D<W63 1-127			·
11
12
13 EQ Low Frequency 50Hz~2.0kHz 8-40 tab c#3
14 EQ Low Gain -12~+12dB 52-76
15 EQ High Frequency 500Hz~16.0kHz 28-58 tab#3
16 EQ High Gain -12~+12dB 52-76

: Can be controlled by AC1 (Assignable Controller 1) No.* : These numbers correspond to the Parameter Suffix numbers in See Table**: Refer to "Effect Data Assign Table"

No	Parameter	Range	Value	See Table	Control
ECHO
1	Lch Delay1 0.1~355	0ms	1-3350
2	Lch Feedback Level	-63~+63		1-127
3	Rch Delay1 0.1~355.0ms	1~355.0ms	1-3550
4	Rch Feedback Level	-63~+63		1-127
5	High Damp 0.1~1.0	1~1.0	1-10
6	Lch Delay2 0.1~355	0ms	1-3550
7	Rch Dclay2 0.1~355.0ms	1~355.0ms	1-3550
8	Delay2 Level 0~127	127 0~127
9
10	Dry/Wet D63>W~D=W~D< W63 1-127 •
11
12
13	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
14	EQ Low Gain	12~+12dB	52-76
15	EQ High Frequency	500Hz~16.0kHz	28-58 table#3
16	EQ High Gain	12~+12dB	52-76

CROSS DELAY

1 L->R Delay 0. ~355.0ms 1-3550
2 R->L Delay 0. ~355.0ms 1-3550
3 Feedback Level -63~+63 1-127
4 Input Select L, R, L&R 0-2
5 High Damp 0. ~1.0 1-10
6
7
8
9
10 Dry/Wet D63=W~D=W~D<W63 1-127·
11
12
13 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3
14 EQ Low Gain -2~+12dB 52-76
15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3
16 EQ High Gain -12~+12dB 52-76

EARLY REF1, EARLY REF2

1 Type		S-H, L-H, Rdm, Rvs, Pht, Spr	0-5
2 Room Size	0.~7.0		0-44 table#6
3 Diffusion	0~10 0-10
4 Initial Delay	0~63 0-63 table#5
5 Feedback Level	-63~+63		1-	27
6 HPF Cutoff Thru~8.0kHz		0-52
7 LPF Cutoff	1.0k~Thru 34-60
8
9
10 Dry/Wet D63>W~D=W~D< W63 1-127 •
11 Liveness	0~10 0-10
12 Density	0~3		0-3
13 High Damp 0.1~1.0		1-10
14
15
16

GATE REVERB, REVERSE GATE

1 Type	TypcA, TypcB	0-1
2 Room Size	0.1~7.0	0~44 table#6
3 Diffusion	0~10 0-10
4 Initial Delay	0~63 0-63 table#5
5 Feedback Level	-63~+63	1-127
6 HPF Cutoff Thru~8.0kHz		0-52
7 LPF Cutoff	1.0k~Thru 34-60
8
9
10 Dry/Wet D63=W~D=W~D< W63		1-127·
11 Liveness	0~10 0-10
12 Density	0~3	0-3
13 High Damp 0.1~1.0		1-10
14
15
16

No	Parameter	Range Value See		Table	Control
KARAOKE 1, 2, 3
1	Delay Time 0~127 0~127 table#7
2	Feedback Level -63~+63 1-127
3	HPF Cutoff Thru~8.0kHz 0-52
4	LPF Cutoff 1.0k~Thru 34-60
5
6
7
8
9
10	Dry/Wet D63>W~D=W~D< W63 1-127 •
11
12
13
14
15
16
CHORUS 1, 2, 3, 4, CELESTE 1, 2, 3, 4
1	LFO Frequency 0.00~39.7Hz 0-127 table#1
2	LFO PM Depth 0~127 0~127
3	Feedback Level -63~+63 1-127
4	Delay Offset 0~127 0-127 table#2
5
6	EQ Low Frequency50Hz~2.0kHz8-40table#3
7	EQ Low Gain -127 52-76
8	EQ High Frequency500Hz~16.0kHz28-58 table#3
9	EQ High Gain -127 52-76
10	Dry/Wet D63>W~D=W~D< W63 1-127 •
11
12
13
14	Input Mode mono/stereo 0-1
15
16
FLANGER 1, 2, 3
1	LFO Frequency 0.00~39.7Hz 0-127 table#1
2	LFO Depth 0~127 0~127
3	Feedback Level -63~+63 1-127
4	Delay Offset 0~127 0-127 table#2
5
6	EQ Low Frequency50Hz~2.0kHz8-40table#3
7	EQ Low Gain -127 52-76
8	EQ High Frequency500Hz~16.0kHz28-58 table#3
9	EQ High Gain -127 52-76
10	Dry/Wet D63>W~D=W~D< W53 1-127 •
11
12
13
14	LFO Phase Difference-180~+180deg 4-124
15
16
SYMPHONIC
1	LFO Frequency 0.00~39.7Hz 0-127 table#1
2	LFO Depth 0~127 0~127
3	Delay Offset 0~127 0-127 table#2
4
5
6	EQ Low Frequency50Hz~2.0kHz8-40table#3
7	EQ Low Gain -127 52-76
8	EQ High Frequency500Hz~16.0kHz28-58 table#3
9	EQ HighGain -127 52-76
10	Dry/Wet D63>W~D=W~D< W63 1-127 •
11
12
13
14
15
16

No	Parameter	Range Value See		Table	Control
ROTARY SPEAKER
1 LFO Frequency 0.00	-39.7Hz	0~127	table#1	·
2 LFO Depth 0~127 0	127
3
4
5
6	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
7 EQ Low Gain	-127+12dB	52-76
8	EQ High Frequency	500Hz~16.0kHz	28-58 table#3
9 EQ High Gain	-127+12dB	52-76
10 Dry/Wet D63=W~D	W~D<W63 1-127
11
12
13
14
15
16
TREMOLO
1 LFO Frequency 0.00	-39.7Hz	0~127	table#1	·
2 AM Depth	0-127 0-127
3 PM Depth	0-127 0-127
4
5
6	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
7 EQ Low Gain	-127+12dB	52-76
8	EQ High Frequency	500Hz~16.0kHz	28-58	table#3
9 EQ High Gain	-127+12dB	52-76
10
11
12
13
14
15
16
AUTO PAN
1 LFO Frequency 0.00	-39.7Hz	0-127	table#1	·
2 L/R Depth	0-127 0-127
3 F/R Depth	0-127 0-127
4 PAN Direction	L<-R, L->R, L<-R, Lturn, Rturn, L/R	0-5
5
6	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
7 EQ Low Gain	-127+12dB	52-76
8	EQ High Frequency	500Hz~16.0kHz	28-58	table#3
9 EQHigh Gain	-127+12dB	52-76
10
11
12
13
14
15
16
PHASER1, PHASER2
1 LFO Frequency 0.00	-39.7Hz	0-127	table#1
2 LFO Depth 0~127 0	127
3 Phase Shift	0-127 0-127
4 Feedback Level	-63+63 1-127
5
6	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
7 EQ Low Gain	-127+12dB	52-76
8	EQ High Frequency	500Hz~16.0kHz	28-58	table#3
9EQ High Gain	-127+12dB	52-76
10 Dry/Wet D63=W~D=W~D<W63 1-127 •
11 Stage	3~10	3-10
12 Diffusion	Mono/Stereo	0-1
13 LFO Phase Di	-180~+180deg	4-124
14
15
16

: Can be controlled by AC1 (Assignable Controller 1) No.* : These numbers correspond to the Parameter Suffix numbers in See Table**: Refer to "Effect Data Assign Table".

No	Parameter	Range	Value See Table	Control
DISTORTION, OVERDRIVE
1 Drive 0~127 0~127 •2 EQ Low Frequency3 EQ Low Gain -12~+4 LPF Cutoff 1.0k~Thu 34-60 table#35 Output Level 0~1276 EQ Mid Frequency8 EQ Mid Gain -12~+9 EQ Mid Width 1.0~10 Dry/Wet11 Edge (Clip Curve)	50Hz~2.0kHz 8-40 table#312dB 52-76ru 34-60 table#30-127500Hz~10.0kHz 28-54 table#32dB 52-762.0 10-120D63=W~D=W~D<W630~127	1-1270-127	mild ~sharp
GUITAR AMP SIMULATOR
1 Drive 0~127 0~127 •2 AMP Type Off, Stack, Combo, Tube 0-33 LPF Cutoff 1.0k~Thru 34-60 table#34 Output Level 0~127500Hz~10.0kHz 2-127	D63=W~D=W~D<W630~127	1-1270-127	mild ~sharp
5678910111213141516Dry/WetEdge (Clip Curve)
3-BAND EQ
1 EQ Low Gain -12~+2 EQ Mid Frequency3 EQ Mid Gain -12~+4 EQ Mid Width 1.0~15 EQ High Gain -16 EQ Low Frequency7 EQ High Frequency910111213141516	12dB 52-76500Hz~10.0kHz 28-54 table#312dB 52-762.0 10-1202~+12dB 52-7650Hz~2.0kHz 8-40 table#3500Hz~16.0kHz 28-58 table#3	1-1270-127	mild ~sharp

No	Parameter	Range	Value See Table	Control
2-BAND EQ
1	EQ Low Frequency	50Hz~2.0kHz	8-40 tab	e#3
2 EQ	Low Gain -12~+12dB 52-76
3	EQ High Frequency	500Hz~16.0kHz 28-58 tab	c#3
4 EQ	High Gain -12~+12dB 52-76
5
6
7
8
9
10
11	EQ Mid Frequency	100Hz~10.0kHz 14-54 tab	e#3
12	EQ Mid Gain -12~+12dB 52-76
13	EQ Mid Width 1.0~12.0 10-120
14
15
16
AUTO WAH
1	LFO Frequency	0.00~39.7Hz	0-127	table#1
2	LFO Depth 0~127 0~127
3	Cutoff Frequency 0~127
4	Resonance 1.0~12.0 10-120
5
6	EQ Low Frequency	50Hz~2.0kHz	8-40 tab	e#3
7	EQ Low Gain -12~+12dB 52-76
8	EQ High Frequency	500Hz~16.0kHz 28-58 tab	c#3
9	EQ High Gain -12~+12dB 52-76
10	Dry/Wet	D63=W~D=W~D<W63	1-127
11
12
13
14
15
16

Can be controlled by AC1 (Assignable Controller 1) No.* : These numbers correspond to the Parameter Suffix numbers in Sec Table** : Refer to "Effect Data Assign Table"

Effect Data Assign Table

Table#1

LFO Frequency (Hz)

Data	Value	Data	Value	Data	Value
0 0	00	43 1	81	86 5.38
1 0	04	44 1	85	87 5.55
2 0	08	45 1	89	88 5.72
3 0	13	46 1	94	89 6.06
4 0	17	47 1	98	90 6.39
5 0	21	48 2	02	91 6.73
6 0	25	49 2	06	92 7.07
7 0	29	50 2	10	93 7.40
8 0	34	51 2	15	94 7.74
9 0	38	52 2	19	95 8.08
10 0	42	53 2	23	96 8.41
11 0	46	54 2	27	97 8.75
12 0	51	55 2	31	98 9.08
13 0	55	56 2	36	99 9.42
14 0	59	57 2	40	100 9.76
15 0	63	58 2	44	101 10.10
16 0	67	59 2	48	102 10.80
17 0	72	60 2	52	103 11.40
18 0	76	61 2	57	104 12.10
19 0	80	62 2	61	105 12.80
20 0	84	63 2	65	106 13.50
21 0	88	64 2	69	107 14.10
22 0	93	65 2	78	108 14.80
23 0	97	66 2	86	109 15.50
24 1	101	67 2	94	110 16.20
25 1	105	68 3	103	111 16.80
26 1	109	69 3	111	112 17.50
27 1	114	70 3	119	113 18.20
28 1	118	71 3	124	114 19.50
29 1	122	72 3	131	115 20.90
30 1	126	73 3	141	116 22.20
31 1	130	74 3	151	117 23.60
32 1	135	75 3	161	118 24.90
33 1	139	76 3	170	119 26.20
34 1	143	77 3	181	120 27.60
35 1	147	78 4	191	121 28.90
36 1	151	79 4	201	122 30.30
37 1	156	80 4	210	123 31.60
38 1	160	81 4	219	124 33.00
39 1	164	82 4	219	125 34.30
40 1	168	83 4	228	126 37.00
41 1	172	84 5	238	127 39.70
42 1	177	85 5	252

Table#2

Modulation Delay Offset (ms)

Data	Value	Data	Value	Data	Value
0 0	0	43 4.3		86 8.6
1 0.1	1	44 4.4		87 8.7
2 0.2	2	45 4.5		88 8.8
3 0.3	3	46 4.6		89 8.9
4 0.4	4	47 4.7		90 9.0
5 0.5	5	48 4.8		91 9.1
6 0.6	6	49 4.9		92 9.2
7 0.7	7	50 5.0		93 9.3
8 0.8	8	51 5.1		94 9.4
9 0.9	9	52 5.2		95 9.5
10 1.0	10	53 5.3		96 9.6
11 1.1	11	54 5.4		97 9.7
12 1.2	12	55 5.5		98 9.8
13 1.3	13	56 5.6		99 9.9
14 1.4	14	57 5.7		100 10.0
15 1.5	15	58 5.8		101 11.1
16 1.6	16	59 5.9		102 12.2
17 1.7	17	60 6.0		103 13.3
18 1.8	18	61 6.1		104 14.4
19 1.9	19	62 6.2		105 15.5
20 2.0	20	63 6.3		106 17.1
21 2.1	21	64 6.4		107 18.6
22 2.2	22	65 6.5		108 20.2
23 2.3	23	66 6.6		109 21.8
24 2.4	24	67 6.7		110 23.3
25 2.5	25	68 6.8		111 24.9
26 2.6	26	69 6.9		112 25.5
27 2.7	27	70 7.0		113 28.0
28 2.8	28	71 7.1		114 29.6
29 2.9	29	72 7.2		115 31.2
30 3.0	30	73 7.3		116 32.8
31 3.1	31	74 7.4		117 34.3
32 3.2	32	75 7.5		118 35.9
33 3.3	33	76 7.6		119 37.5
34 3.4	34	77 7.7		120 39.0
35 3.5	35	78 7.8		121 40.6
36 3.6	36	79 7.9		122 42.2
37 3.7	37	80 8.0		123 43.7
38 3.8	38	81 8.1		124 45.3
39 3.9	39	82 8.2		125 46.9
40 4.0	40	83 8.3		126 48.4
41 4.1	41	84 8.4		127 50.0
42 4.2	42	85 8.5

Table#3

EQ Frequency (Hz)

Data	Value	Data	Value
0	THRU(20)	43	2.8k
1	22	44	3.2k
2	25	45	3.6k
3	28	46	4.0k
4	32	47	4.5k
5	36	48	5.0k
6	40	49	5.6k
7	45	50	5.3k
8	50	51	7.0k
9	56	52	8.0k
10	63	53	9.0k
11	70	54	10.0k
12	80	55	11.0k
13	90	56	12.0k
14	100	57	14.0k
15	110	58	16.0k
16	125	59	18.0k
17	140	60	THRU(20.0k)
18	160
19	180
20	200
21	225
22	250
23	280
24	315
25	355
26	400
27	450
28	500
29	560
30	630
31	700
32	800
33	900
34	1.0k
35	1.1k
36	1.2k
37	1.4k
38	1.6k
39	1.8k
40	2.0k
41	2.2k
42	2.5k

Table#4

Reverb Time (ms)

Data	Value	Data	Value
0	0.3	43	4.6
1	0.4	44	4.7
2	0.5	45	4.8
3	0.6	46	4.9
4	0.7	47	5.0
5	0.8	48	5.5
6	0.9	49	5.0
7	1.0	50	5.5
8	1.1	51	7.0
9	1.2	52	7.5
10	1.3	53	8.0
11	1.4	54	8.5
12	1.5	55	9.0
13	1.6	56	9.5
14	1.7	57	10.0
15	1.8	58	11.0
16	1.9	59	12.0
17	2.0	60	13.0
18	2.1	61	14.0
19	2.2	62	15.0
20	2.3	63	16.0
21	2.4	64	17.0
22	2.5	65	18.0
23	2.6	66	19.0
24	2.7	67	20.0
25	2.8	68	25.0
26	2.9	69	30.0
27	3.0
28	3.1
29	3.2
30	3.3
31	3.4
32	3.5
33	3.6
34	3.7
35	3.8
36	3.9
37	4.0
38	4.1
39	4.2
40	4.3
41	4.4
42	4.5

Table#5

Delay Time (ms)

Data	Value	Data	Value	Data	Value
0	0.1	43	57.8	86	35.5
1	1.7	44	59.4	87	37.0
2	3.2	45	70.9	88	38.6
3	4.8	46	72.5	89	40.2
4	6.4	47	74.1	90	41.8
5	8.0	48	75.7	91	43.3
6	9.5	49	77.2	92	44.9
7	11.1	50	78.8	93	46.5
8	12.7	51	80.4	94	48.1
9	14.3	52	81.9	95	49.6
10	15.8	53	83.5	96	51.2
11	17.4	54	85.1	97	52.8
12	19.0	55	86.7	98	54.4
13	20.6	56	88.2	99	55.9
14	22.1	57	89.8	100	57.5
15	23.7	58	91.4	101	59.1
16	25.3	59	93.0	102	60.6
17	26.9	60	94.5	103	62.2
18	28.4	61	96.1	104	63.8
19	30.0	62	97.7	105	65.4
20	31.6	63	99.3	106	66.9
21	33.2	64	100.8	107	68.5
22	34.7	65	102.4	108	70.1
23	36.3	66	104.0	109	71.7
24	37.9	67	105.6	110	73.2
25	39.5	68	107.1	111	74.8
26	41.0	69	108.7	112	76.4
27	42.6	70	110.3	113	78.0
28	44.2	71	111.9	114	79.5
29	45.7	72	113.4	115	81.1
30	47.3	73	115.0	116	82.7
31	48.9	74	116.6	117	84.3
32	50.5	75	118.2	118	85.8
33	52.0	76	119.7	119	87.4
34	53.6	77	121.3	120	89.0
35	55.2	78	122.9	121	90.6
36	56.8	79	124.4	122	92.1
37	58.3	80	126.0	123	93.7
38	59.9	81	127.6	124	95.3
39	61.5	82	129.2	125	96.9
40	63.1	83	130.7	126	98.4
41	64.6	84	132.3	127	200.0
42	66.2	85	133.9

Table#6

Room Size (m)

Data	Value	Data	Value
0	0.1	43	6.8
1	0.3	44	7.0
2	0.4
3	0.6
4	0.7
5	0.9
6	1.0
7	1.2
8	1.4
9	1.5
10	1.7
11	1.8
12	2.0
13	2.1
14	2.3
15	2.5
16	2.6
17	2.8
18	2.9
19	3.1
20	3.2
21	3.4
22	3.5
23	3.7
24	3.9
25	4.0
26	4.2
27	4.3
28	4.5
29	4.6
30	4.8
31	5.0
32	5.1
33	5.3
34	5.4
35	5.6
36	5.7
37	5.9
38	6.1
39	6.2
40	6.4
41	6.5
42	6.7

Table#7

Delay Time (ms)

Data	Value	Data	Value	Data	Value
0	0.1	43	135.5	86	270.9
1	3.2	44	138.6	87	274.0
2	6.4	45	141.8	88	277.2
3	9.5	46	144.9	89	280.3
4	12.7	47	148.1	90	283.5
5	15.8	48	151.2	91	286.6
6	19.0	49	154.4	92	289.8
7	22.1	50	157.5	93	292.9
8	25.3	51	160.7	94	296.1
9	28.4	52	163.8	95	299.2
10	31.6	53	167.0	96	302.4
11	34.7	54	170.1	97	305.5
12	37.9	55	173.3	98	308.7
13	41.0	56	176.4	99	311.8
14	44.2	57	179.6	100	315.0
15	47.3	58	182.7	101	318.1
16	50.5	59	185.9	102	321.3
17	53.6	60	189.0	103	324.4
18	56.8	61	192.2	104	327.6
19	59.9	62	195.3	105	330.7
20	63.1	63	198.5	106	333.9
21	66.2	64	201.6	107	337.0
22	69.4	65	204.8	108	340.2
23	72.5	66	207.9	109	343.3
24	75.7	67	211.1	110	346.5
25	78.8	68	214.2	111	349.6
26	82.0	69	217.4	112	352.8
27	85.1	70	220.5	113	355.9
28	88.3	71	223.7	114	359.1
29	91.4	72	226.8	115	362.2
30	94.6	73	230.0	116	365.4
31	97.7	74	233.1	117	368.5
32	100.9	75	236.3	118	371.7
33	104.0	76	239.4	119	374.8
34	107.2	77	242.6	120	378.0
35	110.3	78	245.7	121	381.1
36	113.5	79	248.9	122	384.3
37	116.6	80	252.0	123	387.4
38	119.8	81	255.2	124	390.6
39	122.9	82	258.3	125	393.7
40	126.1	83	261.5	126	396.9
41	129.2	84	264.6	127	400.0
42	132.4	85	267.7

Table#8

Reverb Width; Depth; Height

Data	Value	Data	Value	Data	Value
0	0.5	43	11.8	86	24.2
1	0.8	44	12.1	87	24.5
2	1.0	45	12.3	88	24.9
3	1.3	46	12.6	89	25.2
4	1.5	47	12.9	90	25.5
5	1.8	48	13.1	91	25.8
6	2.0	49	13.4	92	26.1
7	2.3	50	13.7	93	26.5
8	2.6	51	14.0	94	26.8
9	2.8	52	14.2	95	27.1
10	3.1	53	14.5	96	27.5
11	3.3	54	14.8	97	27.8
12	3.6	55	15.1	98	28.1
13	3.9	56	15.4	99	28.5
14	4.1	57	15.6	100	28.8
15	4.4	58	15.9	101	29.2
16	4.6	59	16.2	102	29.5
17	4.9	60	16.5	103	29.9
18	5.2	61	16.8	104	30.2
19	5.4	62	17.1
20	5.7	63	17.3
21	5.9	64	17.6
22	6.2	65	17.9
23	6.5	66	18.2
24	6.7	67	18.5
25	7.0	68	18.8
26	7.2	69	19.1
27	7.5	70	19.4
28	7.8	71	19.7
29	8.0	72	20.0
30	8.3	73	20.2
31	8.6	74	20.5
32	8.8	75	20.8
33	9.1	76	21.1
34	9.4	77	21.4
35	9.6	78	21.7
36	9.9	79	22.0
37	10.2	80	22.4
38	10.4	81	22.7
39	10.7	82	23.0
40	11.0	83	23.3
41	11.2	84	23.6
42	11.5	85	23.9

Function... Transmitted Recognized Remarks
Basic Default 1-16 1-16 MemorizedChannel Changed 1-16 1-16
Default 3 3Mode Messages xAltered*****		3, 4 (m=1)xxxxxx	*2, *3
NoteNumber : True voice		0-127**********	0-1270-127
Velocity Note ONNote OFF		○ 9nH, v=1-127 v=1-127○ 8nH, v=0-127	○○
After Touch	Key s	○ *4×	○○	*1, *2
	Ch s
Pitch Bend		×	○ 0-24 semi *1, *2
Control	0, 32	○	○ *1, *2	Bank Select
	7, 11	○	○ *1
	1, 5, 10	×	○ *1, *2
	6, 38	×	○ *2	Data EntryHold1 (Sustain)
	64	○	○	*2Portament
	65 ×		○ *2 Sostenuto	*2Soft (Shift) Pedal
Change	66 ×		○ *2	*2
	67 ×		○ *2	*2
	71-74, 84	×	○	*2
	91, 93, 94	×	○	*2
	96-101	×	○	*1, *2
ProgChange : True #		○ 0-127**********	○ 0-127 *2
System Exclusive		○	○
Common : Song Pos		×	×
		×	×
		×	×
System : Clock		×	×
Real Time : Commands		×	×
Aux : All Sound OFF		○	○ (120, 126, 127)
		×	○ (121)
		×	○
		○	○ (123-125)
Messages : Active Sense		○	○
		○	○
Notes *1 = Received (transmitted) if switch is on. *2 = Only ESBL Part can be recognized. *3 = m is always treated as 1 regardless of its value.			*4 = Applying further pressure on the key does not output key aftertouch information. Instead, key position is transmitted as additional information.

YAMAHA