DC1E3 PE - Digital piano YAMAHA - Free user manual and instructions

Product Type	Digital Disklavier Piano (acoustic piano with digital reproduction system)
Brand and Model	YAMAHA DC1E3 PE
Control Unit Dimensions	292 × 49 × 216 mm
Control Unit Weight	2.7 kg
Control Speaker Dimensions	144 × 236 × 167 mm
Control Speaker Weight	4.4 kg
Power Supply	120 V AC, 60 Hz
Internal Memory	128 MB Flash Memory (for song storage)
Removable Media	Audio CD (CD-DA), Data CD (ISO 9660 Level 1), USB Flash Drive (FAT16/32), USB Hard Drive (FAT32), 3.5″ Floppy Disk (optional, via USB floppy drive)
Supported File Formats	SMF 0, SMF 1, E-SEQ
Tone Generator Polyphony	32 notes maximum
Tone Generator Voices	676 normal voices, 21 drum kits (including 480 voices and 11 kits playable)
Connectors	MIDI IN/OUT, USB TO HOST, 2× USB TO DEVICE, LAN, audio OUTPUT jacks, ANALOG MIDI IN, OMNI IN/OUT
Main Functions	CD playback, multi-track recording, DisklavierRadio (Internet), SmartKey (learning), PianoSmart (accompaniment), A-B repeat, transposition, metronome, timer playback, video synchronization
Supplied Accessories	Control unit, suspension bracket, control speaker, remote control with batteries, 2 PianoSoft CDs, user manual, sheet music collection
Maintenance and Cleaning	Clean with a soft dry cloth; for stains, use a slightly damp soft cloth. Do not use benzene, thinner, or detergent.
Safety	Do not expose to moisture, do not open the unit (consult a technician), unplug during storms or long periods of non-use, do not place heavy objects or liquids on the device.
Spare Parts and Repairability	Non-rechargeable internal battery (life ~5 years): replace by a qualified technician. Remote control batteries: type UM-3/AA/R6P/LR6. Repairs to be carried out by an authorized Yamaha service center.

Frequently Asked Questions - DC1E3 PE YAMAHA

How to play a CD on the Disklavier?

Insert an audio or data CD into the drive. Press SELECT to choose the CD media, then use the cursor keys to select an album and a song. Press PLAY to start playback.

How to record my own performance?

Press RECORD to put the unit in recording standby. Play on the keyboard; recording starts automatically. To stop, press STOP. The song will be saved to internal memory or a USB device.

How to adjust the volume?

Use the VOLUME + and VOLUME - buttons on the remote control, or the dial on the control unit. Volume can be set from -10 to 0. To balance different sources (piano, orchestra), use the BALANCE key.

How to use the A-B repeat function?

During playback, press A-B at the start point (A), then again at the end point (B). Playback will repeat between these two points. To cancel, press A-B again until 'OFF' is displayed.

How to transpose music to a different key?

Press TRANSPOSE + or TRANSPOSE - on the remote control. Transposition can be set from -24 to +24 semitones (2 octaves). Press TRANSPOSE 0 to return to the original key.

How to clean the Disklavier?

Use a soft dry cloth. For stains, lightly dampen the cloth. Never use benzene, thinner, or detergent. Always unplug the unit before cleaning.

How to connect the Disklavier to the Internet to listen to DisklavierRadio?

Connect an Ethernet cable from the router to the LAN port on the control unit. Press SELECT and choose 'D-Radio'. Select a free channel and press ENTER. An active Internet connection is required.

What to do if the Disklavier produces no sound?

Check that the unit is powered on (the ON/OFF button is lit green). Make sure the volume is not set to minimum and the mute function is not activated. If the problem persists, try restarting the unit or contact a Yamaha technician.

How to replace the remote control batteries?

Remove the battery compartment cover on the back of the remote control. Insert two batteries of type UM-3/AA/R6P/LR6, observing polarity. Close the cover. Always replace all batteries at the same time and do not mix new and used batteries.

How to schedule playback at a specific time (timer)?

Press SETUP on the remote control, select 'TimerPlay', then enable the function. Choose the program number, start time, function (PLAY/STOP/ RND/OFF), and album. Make sure the internal clock is set correctly and the control unit remains powered on.

USER MANUAL DC1E3 PE YAMAHA

PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated on the safety instruction section.

SEE BOTTOM OF ENCLOSURE OR LOWER FRONT PANEL FOR GRAPHIC SYMBOL MARKINGS

The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

The lightning flash with arrowhead symbol within the equilateral triangle is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electrical shock.

IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small nonrechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.

Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer's warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

SECTION DEMESSAGE SPECIAL

IMPORTANT SAFETY INSTRUCTIONS

WARNING - When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with dry cloth.

7. Do not block any ventilation openings. Install in accordance with the manufacturer's instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

1. Unplug this apparatus during lightning storms or when unused for long periods of time.

2. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

3. This product shall not be exposed to dripping or splashing and that no objects filled with liquids, such as vases, shall be placed on the apparatus.

4. Do not put burning items, such as candles, on the apparatus.

5. Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25^ cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.

6. WARNING - To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
7. Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist.
8. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.
9. Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied as a part or the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.
10. This product shall be connected to a MAINS socket outlet with a protective earthing connection.
11. This product has a power switch for shutting off all system. The switch is located on the Power Supply Unit nearby the entrance of the AC cord. Note that the switch on the Controller does not shutdown all system.
12. Make sure that the plug of the Power Supply Unit's power cable can easily be disconnected from the AC outlet as a measure of precaution.

Battery

• Danger of explosion if battery incorrectly replaced. Replace only with the same type.

Outlets for Speakers

• Connect speakers of 2A or less of totals. Do not connect other products except speakers.

• Consult Yamaha service technician when using the outlets outside the purchased area.

INSTRUCTIONS DE SECURITE IMPORTANTES

The control unit is classified as a Class 1 laser product. One of the labels below is located on the inside of the CD drive unit.

CLASS 1 LASER PRODUCT

LASER KLASSE 1

1类激光产品

CAUTION-CLASS 38 VISIBLE AND INVISIBLE LASER RADIATION WHEN OPEN.

AVOID EXPOSURE TO THE BEAM

• Material: GaALAs
• Wavelength: 783 nm
• Laser Output Power at the lens of the Laser Pickup Unit: max. 130.7 mW

CAUTION—Use of controls or adjustments or performance of procedures other than those specified herein may result in hazardous radiation exposure.

COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address: 6600 Orangethorpe Avenue, Buena Park, CA 90620 USA

Telephone: [phone]

Fax:[phone]

Type of Equipment : Player Piano

Model Name: DGB1KE3Classic

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including interference that may cause undesired operation.

See user manual instructions if interference to radio reception is suspected.

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

1. 1t t with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
2. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class "B" digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit "OFF" and "ON", please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

(1) Remove the four screws from the sides of the control unit.
(2) Place the metal suspension bracket, supplied with the Disklavier grand model, over the control unit, then secure the metal suspension bracket to the control unit using the four screws (4× 10) supplied with the Disklavier.
(3) Insert the three restraining screws (5× 12) into the marked nuts underneath the bass side key bed, then tighten the screws, leaving a gap of about 5mm between head of the screw and piano body.

Notes:

1) Handle the metal suspension bracket and the control unit carefully to avoid scratches.
2) Screws; For suspension bracket installation: Flat head (4× 10)× 4 For control unit suspension: Bind head (5× 12)× 3
3) When mounted correctly, the control unit is angled approximately 18^ above horizontal.

(4) Fit the "slots" of the metal suspension bracket containing the control unit to the screws mentioned in step (3).

(5) After mounting the control unit, push the control unit back as far as it will go and then tighten the three screws to secure the bracket.

(6) Connect the cables extending from the piano to the appropriate connectors/jacks on the rear panel of the control unit.

Coaxial cable: to the TO PIANO connectors
- Speaker cord: to the OUTPUT jacks

Mounting an Optional USB Floppy Disk Drive to the Grand Piano

(1) Remove the backing papers from the adhesive tape inside the case, and fit the floppy disk drive into the case.
(2) Attach the drive and case assembly to the bottom of the control unit, using the four screws (3× 6) supplied with the Disklavier.
(3) Connect the USB cable extending from the drive to the USB port on the rear panel of the control unit.

Notes:

1) The case is supplied with the USB floppy disk drive.
2) Use the screws (3 × 6) supplied with the Disklavier when attaching.

Piano Development Department, Yamaha Corporation

Gestion des albums 66

Prises OMNI (SYNC) OUT

6 Prises OMNI (SYNC) IN

• CopyAlbum
  -DeleteAlbum
• NewAlbum
• RenameAlbum
• SortAlbum
• AddToPList
  -DeleteList
• NewList
• RenameList

E

Suppression des albums

Vouppouz supprimeresalbums.

=RenameAlbum=OK? YES/NO 01: Jazz Selection

• CopySong
  -DeleteSong
• RenameSong
• SortSong
• AddToList
• ConvertSong
• Counter
• Strip XP

=SortSong= OK? YES/NO

008:Interaction

006:Toccata and Fusue

-CounterChange=OK?YES/NO

001:Song For Students TIME METRONOME

=DeleteList ENT 02:My Best Collection

=DeleteList=OK?YES/NO 02:My Best Collection

=RenameList= OK? YES/NO My Best Hit Collection

Double-cliquez I'icone [Dkv*****].

Double-cliquez I'icone [FromToPC].

Internet Direct Connection (IDC)

=Reset= ANY Completed. Press any button.

COMPLETE Turn OFF. Turn ON again! 

Version 2, June 1991

Copyright © 1989, 1991 Free Software Foundation, Inc.

59 Temple Place, Suite 330, Boston, MA 02111-1307 USA

Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed.

■Preamble

The licenses for most software are designed to take away your freedom to share and change it. By contrast, the GNU General Public License is intended to guarantee your freedom to share and change free software — to make sure the software is free for all its users. This General Public License applies to most of the Free Software Foundation's software and to any other program whose authors commit to using it. (Some other Free Software Foundation software is covered by the GNU Library General Public License instead.) You can apply it to your programs, too.

When we speak of free software, we are referring to freedom, not price. Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for this service if you wish), that you receive source code or can get it if you want it, that you can change the software or use pieces of it in new free programs; and that you know you can do these things.

To protect your rights, we need to make restrictions that forbid anyone to deny you these rights or to ask you to surrender the rights. These restrictions translate to certain responsibilities for you if you distribute copies of the software, or if you modify it.

For example, if you distribute copies of such a program, whether gratis or for a fee, you must give the recipients all the rights that you have. You must make sure that they, too, receive or can get the source code. And you must show them these terms so they know their rights.

We protect your rights with two steps: (1) copyright the software, and (2) offer you this license which gives you legal permission to copy, distribute and/or modify the software.

Also, for each author's protection and ours, we want to make certain that everyone understands that there is no warranty for this free software. If the software is modified by someone else and passed on, we want its recipients to know that what they have is not the original, so that any problems introduced by others will not reflect on the original authors' reputations.

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The precise terms and conditions for copying, distribution and modification follow.

■TERMS AND CONDITIONS FOR COOPYING, DISTRIBUTION AND MODIFICATION

0 This License applies to any program or other work which contains a notice placed by the copyright holder saying it may be distributed under the terms of this General Public License. The "Program", below, refers to any such program or work, and a "work based on the Program" means either the Program or any derivative work under copyright law: that is to say, a work containing the Program or a portion of it, either verbatim or with modifications and/or translated into another language. (Hereinafter, translation is included without limitation in the term modification.) Each licensee is addressed as "you".

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You may charge a fee for the physical act of transferring a copy, and you may at your option offer warranty protection in exchange for a fee.

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GNU LESSER GENERAL PUBLIC LICENSE

Version 2.1, February 1999

Copyright © 1991, 1999 Free Software Foundation, Inc.

59 Temple Place, Suite 330, Boston, MA 02111-1307 USA

Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed.

[This is the first released version of the Lesser GPL. It also counts as the successor of the GNU Library Public License, version 2, hence the version number 2.1.]

■Preamble

The licenses for most software are designed to take away your freedom to share and change it. By contrast, the GNU General Public Licenses are intended to guarantee your freedom to share and change free software — to make sure the software is free for all its users.

This license, the Lesser General Public License, applies to some specially designated software packages — typically libraries — of the Free Software Foundation and other authors who decide to use it. You can use it too, but we suggest you first think carefully about whether this license or the ordinary General Public License is the better strategy to use in any particular case, based on the explanations below.

When we speak of free software, we are referring to freedom of use, not price. Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for this service if you wish); that you receive source code or can get it if you want it; that you can change the software and use pieces of it in new free programs; and that you are informed that you can do these things.

To protect your rights, we need to make restrictions that forbid distributors to deny you these rights or to ask you to surrender these rights. These restrictions translate to certain responsibilities for you if you distribute copies of the library or if you modify it.

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The files inlet/getnameinfo.c and sysdeps/posix/getaddrinfo.c are copyright © by Craig Metz and are distributed under the following license:

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libupnp

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ntp

Copyright Notice

jpg "Clone me," says Dolly sheepishly

Last update: 02:45 UTC Tuesday, June 27, 2006

The following copyright notice applies to all files collectively called the Network Time Protocol Version 4 Distribution. Unless specifically declared otherwise in an individual file, this notice applies as if the text was explicitly included in the file.

Copyright © David L. Mills 1992-2006

Permission to use, copy, modify, and distribute this software and its documentation for any purpose with or without fee is hereby granted, provided that the above copyright notice appears in all copies and that both the copyright notice and this permission notice appear in supporting documentation, and that the name University of Delaware not be used in advertising or publicity pertaining to distribution of the software without specific, written prior permission. The University of Delaware makes no representations about the suitability of this software for any purpose. It is provided "as is" without express or implied warranty.

openldap

The OpenLDAP Public License

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The OpenLDAP Foundation may revise this license from time to time. Each revision is distinguished by a version number. You may use this Software under terms of this license revision or under the terms of any subsequent revision of the license.

THIS SOFTWARE IS PROVIDED BY THE OPENLDAP FOUNDATION AND ITS CONTRIButors "AS IS" AND ANY EXPRESSED OR IMPLIED WARRANTYES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTYES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE OPENLDAP FOUNDATION, ITS CONTRIButors, OR THE AUTHOR(S) OR OWNER(S) OF THE SOFTWARE BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDUREM OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

The names of the authors and copyright holders must not be used in advertising or otherwise to promote the sale, use or other dealing in this Software without specific, written prior permission. Title to copyright in this Software shall at all times remain with copyright holders.

OpenLDAP is a registered trademark of the OpenLDAP Foundation.

Copyright 1999-2003 The OpenLDAP Foundation, Redwood City, California, USA. All Rights Reserved. Permission to copy and distribute verbatim copies of this document is granted.

openssl

LICENSE ISSUES

The OpenssL toolkit stays under a dual license, i.e. both the conditions of the OpenssL License and the original SLeay license apply to the toolkit.

See below for the actual license texts. Actually both licenses are BSD-style Open Source licenses. In case of any license issues related to OpenSSL please contact [e-mail].

OpenSSL License

Copyright © 1998-2006 The OpenSSL Project. All rights reserved.

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
3. All advertising materials mentioning features or use of this software must display the following acknowledgment: "This product includes software developed by the OpensSL Project for use in the OpensSL Toolkit. (http://www.openssl.org/)
4. The names "OpenSSL Toolkit" and "OpenSSL Project" must not be used to endorse or promote products derived from this software without prior written permission. For written permission, please contact [e-mail].
5. Products derived from this software may not be called "OpenSSL" nor may "OpenSSL" appear in their names without prior written permission of the OpenSSL Project.
6. Redistributions of any form whatsoever must retain the following acknowledgment: "This product includes software developed by the OpensSL Project for use in the OpensSL Toolkit. (http://www.openssl.org/)

THIS SOFTWARE IS PROVIDED BY THE OpenssL Project "AS IS" AND ANY EXPRESSED OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE OpenssL PROJECT OR ITS COUITRutors BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

This product includes cryptographic software written by Eric Young ([e-mail]).

This product includes software written by Tim Hudson ([e-mail]).

Original SSLeay License

Copyright © 1995-1998 Eric Young ([e-mail]) All rights reserved.

This package is an SSL implementation written by Eric Young ([e-mail]). The implementation was written so as to conform with Netscapes SSL.

This library is free for commercial and non-commercial use as long as the following conditions are ahead to. The following conditions apply to all code found in this distribution, be it the RC4, RSA, Ihash, DES, etc., code; not just the SSL code. The SSL documentation included with this distribution is covered by the same copyright terms except that the holder is Tim Hudson ([e-mail]).

Copyright remains Eric Young's, and as such any Copyright notices in the code are not to be removed.

If this package is used in a product, Eric Young should be given attribution as the author of the parts of the library used.

This can be in the form of a textual message at program startup or in documentation (online or textual) provided with the package.

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain the copyright notice, this list of conditions and the following disclaimer.
2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
3. All advertising materials mentioning features or use of this software must display the following acknowledgement:

"This product includes cryptographic software written by Eric Young ([e-mail])" The word 'cryptographic' can be left out if the routines from the library being used are not cryptographic related :-).

1. If you include any Windows specific code (or a derivative thereof) from the apps directory (application code) you must include an acknowledgement:

"This product includes software written by Tim Hudson ([e-mail])"

THIS SOFTWARE IS PROVIDED BY ERIC YOUNG "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE AUTHOR OR COLNTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

The license and distribution terms for any publicly available version or derivative of this code cannot be changed.

i.e. this code cannot simply be copied and put under another distribution license [including the GNU Public License.]

pam

Unless otherwise explicitly stated the following text describes the licensed conditions under which the contents of this Linux-PAM release may be distributed:

Redistribution and use in source and binary forms of Linux-PAM, with or without modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain any existing copyright notice, and this entire permission notice in its entirety, including the disclaimer of warranties.
2. Redistributions in binary form must reproduce all prior and current copyright notices, this list of conditions, and the following disclaimer in the documentation and/or other materials provided with the distribution.
3. The name of any author may not be used to endorse or promote products derived from this software without their specific prior written permission.

ALTERNATIVELY, this product may be distributed under the terms of the GNU General Public License, in which case the provisions of the GNU GPL are required INSTEAD OF the above restrictions. (This clause is necessary due to a potential conflict between the GNU GPL and the restrictions contained in a BSD-style copyright.)

THIS SOFTWARE IS PROVIDED "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED.

IN NO EVENT SHALL THE AUTHOR(S) BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODSOR SERVICES;LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUIPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

unzip

This is version 2005-Feb-10 of the Info-ZIP copyright and license. The definitive version of this document should be available at ftp://ftp.info-zip.org/pub/infozip/licenses.html indefinitely.

Copyright © 1990-2005 Info-ZIP. All rights reserved.

For the purposes of this copyright and license, "Info-ZIP" is defined as the following set of individuals:

Mark Adler, John Bush, Karl Davis, Harald Denker, Jean-Michel Dubois, Jean-Ioup Gailly, Hunter Goatley, Ed Gordon, Ian Gorman, Chris Herborth, Dirk Haase, Greg Hartwig, Robert Heath, Jonathan Hudson, Paul Kienitz, David Kirschbaum, Johnny Lee, Onno van der Linden, Igor Mandrichenko, Steve P. Miller, Sergio Monesi, Keith Owens, George Petrov, Greg Roelofs, Kai Uwe Rommel, Steve Salisbury, Dave Smith, Steven M. Schweda, Christian Spieler, Cosmin Truta, Antoine Verheijen, Paul von Behren, Rich Wales, Mike White

This software is provided "as is," without warranty of any kind, express or implied. In no event shall Info-ZIP or its contributors be held liable for any direct, indirect, incidental, special or consequential damages arising out of the use of or inability to use this software.

Permission is granted to anyone to use this software for any purpose, including commercial applications, and to alter it and redistribute it freely, subject to the following restrictions:

1. Redistributions of source code must retain the above copyright notice, definition, disclaimer, and this list of conditions.
2. Redistributions in binary form (compiled executables) must reproduce the above copyright notice, definition, disclaimer, and this list of conditions in documentation and/or other materials provided with the distribution. The sole exception to this condition is redistribution of a standard UnZipSFX binary (including SFXWiz) as part of a self-extracting archive; that is permitted without inclusion of this license, as long as the normal SFX banner has not been removed from the binary or disabled.
3. Altered versions — including, but not limited to, ports to new operating systems, existing ports with new graphical interfaces, and dynamic, shared, or static library versions — must be plainly marked as such and must not be misrepresented as being the original source. Such altered versions also must not be misrepresented as being Info-ZIP releases — including, but not limited to, labeling of the altered versions with the names "Info-ZIP" (or any variation thereof, including, but not limited to, different capitalizations), "Pocket UnZip," "WiZ" or "MacZip" without the explicit permission of Info-ZIP. Such altered versions are further prohibited from misrepresentative use of the Zip-Bugs or Info-ZIP e-mail addresses or of the Info-ZIP URL(s).
4. Info-ZIP retains the right to use the names "Info-ZIP," "Zip," "UnZip," "UnZipSFX," "WiZ," "Pocket UnZip," "Pocket Zip," and "MacZip" for its own source and binary releases.

zlib

© 1995-2004 Jean-Ioup Gailly and Mark Adler

This software is provided 'as-is', without any express or implied warranty. In no event will the authors be held liable for any damages arising from the use of this software.

Permission is granted to anyone to use this software for any purpose, including commercial applications, and to alter it and redistribute it freely, subject to the following restrictions:

1. The origin of this software must not be misrepresented; you must not claim that you wrote the original software. If you use this software in a product, an acknowledgment in the product documentation would be appreciated but is not required.
2. Altered source versions must be plainly marked as such, and must not be misrepresented as being the original software.
3. This notice may not be removed or altered from any source distribution.

Jean-Ioup Gailly Mark Adler

[e-mail] [e-mail]

If you use the zlib library in a product, we would appreciate not receiving lengthy legal documents to sign. The sources are provided for free but without warranty of any kind. The library has been entirely written by Jean-loup Gailly and Mark Adler; it does not include third-party code.

If you redistribute modified sources, we would appreciate that you include in the file ChangeLog history information documenting your changes. Please read the FAQ for more information on the distribution of modified source versions.

MIDI Data Format

If you are familiar with MIDI, or are using a computer to control your music software with computer-generated MIDI messages, the data provided in this section can help you to control your Disklavier. Messages include those that can be received by the piano part and/or those that can be received by an ESBL part. Messages that can be transmitted as well as received are shown as "transmitted."

1.CHANNEL MESSAGES

1.1 Key On / Key Off

(Piano Part, ESBL Part) (transmitted)

Piano Part reception note range = A-1~C7 : C3=60

ESBL part reception note range = C - 2 G8

Velocity range = 1 127 Only the Key On velocity is received)

1.2 Control Change

1.2.1 Bank Select

(ESBL Part) (transmitted)

Cntrl# Parameter Data Range

0 Bank Select MSB 0: Normal,

63:User voice,

64: SFX,

126: SFX kit,

127:Drum

32 Bank Select LSB 0...127

You can select the Voice banks with MSB and LSB numbers. MSB and LSB functions differently depending on the play mode. In XG mode, MSB numbers select Voice type (Normal Voice or Drum Voice), and LSB number select Voice banks.

In TG300B mode, LSB is fixed, and MSB numbers select Voice banks.

(See Normal Voice List Drum Voice List.)

A new bank selection will not become effective until the next

Program Change message is received.

1.2.2 Modulation

(ESBL Part)

Cntrl# Parameter Data Range

1 Modulation 0...127

1.2.3 Portamento Time

(ESBL Part)

Ctrl# Parameter Data Range

5 Portamento Time 0...127

When the parameter 1.2.9 Portamento = ON, values will adjust the speed of pitch change.

A setting of 0 - minimum portamento time, and 127 - maximum portamento time.

1.2.4 Data Entry

(ESBL Part)

Messages which set the value for the parameter specified by RPN/NRPN.

Cntrl# Parameter Data Range

6 Data Entry MSB 0...127

38 Data Entry LSB 0...127

Parameter value is determined by combining MSB and LSB.

1.2.5 Main Volume

(Piano Part, ESBL Part) (transmitted)

Cntrl# Parameter Data Range

7 Main Volume 0...127

1.2.6 Pan

(ESBL Part)

Ctrl# Parameter Data Range

10 Pan 0...127

1.2.7 Expression

(Piano Part, ESBL Part)

Cntrl# Parameter Data Range

11 Expression 0...127

1.2.8 Hold1

(Piano Part, ESBL Part) (transmitted)

Cntrl# Parameter Data Range

64 Hold1 0...127

(0-63:off, 64-127:on)

1.2.9 Portamento

(ESBL Part)

Cntrl# Parameter Data Range

65 Portamento 0...127

(0-63:off, 64-127:on)

1.2.10 Sostenuto

(Piano Part, ESBL Part)

Cntrl# Parameter Data Range

67 Soft Pedal 0...127

(0-63:off, 64-127:on)

1.2.12 Harmonic Content

(ESBL Part)

Messages which adjust the resonance set for each Voice.

Cntrl# Parameter Data Range

71 Harmonic Content 0...127

(0:-64, 64:+0, 127:+63)

Higher values will result in a more characteristic, resonant sound.

Depending on the Voice, the effective range may be narrower than the range available for adjustment.

1.2.13 Release Time

(ESBL Part)

Messages which adjust the envelope release time set for each Voice.

Cntrl# Parameter Data Range

72 Release Time 0...127

(0:-64,64:+0,127:+63)

1.2.14 Attack Time

(ESBL Part)

Messages which adjust the envelope attack time set for each

Voice.

Cntrl# Parameter Data Range

73 Attack Time 0...127

(0:-64, 64:+0, 127:+63)

1.2.15 Brightness

(ESBL Part)

Messages which adjust the filter cutoff frequency set for each Voice.

Ctrl# Parameter Data Range

74 Brightness 0...127

(0:-64, 64:+0, 127:+63)

1.2.16 Portamento Control

(ESBL Part)

Messages which apply a portamento between the currently-sounding note and the subsequent note.

Ctrl# Parameter Data Range

84 Portamento Control 0...127

1.2.17 Effect1 Depth (Reverb Send Level)

(ESBL Part)

Cntrl# Parameter Data Range

91 Effect1 Depth 0...127

1.2.18 Effect3 Depth (Chorus Send Level) (ESBL Part)

Cntrl# Parameter Data Range 93 Effect3 Depth 0...127

1.2.19 Effect4 Depth (Variation Effect Send Level) (ESBL Part)

Cntrl# Parameter Data Range 94 Effect4 Depth 0...127

1.2.20 Data Increment / Decrement (for RPN) (ESBL Part)

Cntrl# Parameter Data Range
96 RPN Increment 0...127
97 RPN Decrement 0...127

1.2.21 NRPN (Non-Registered Parameter Number) (ESBL Part)

Cntrl# Parameter Data Range 98 NRPN LSB 0...127 99 NRPN MSB 0...127

First send the NRPN MSB and NRPN LSB to specify the parameter which is to be controlled. Then use Data Entry to set the value of the specified parameter.

• Note that once the NRPN has been set for a channel subsequent data entry will be recognized as the same NRPN's value change. Therefore, after you use the NRPN, you should set a Null (7FH, 7FH) value to avoid an unexpected result.

The following NRPN number can be received. NRPN Data entry

MSB LSB MSB PARAMETER NAME and VALUE RANGE

0108 Smm Vibrato Rate mm : 00 -40 - $7F (-64 - 0 +63)

0109 Smm Vibrato Depth mm : 00 - S40 -7F (-64 - 0 - +63)

010A $mm Vibrato Dclay mm : 00 - S40 -7F (-64 - 0 - +63)

0120 Smm Filter Cutoff Frequency mm : 00 -40 - $7F (-64 - 0 +63)

0121 Smm Filter Resonance mm : 00 -40 - $7F (-64 - 0 +63)

0163 $mm EG Attack Time mm : 00 -40 - $7F (-64 - 0 +63)

0164 $mm EG Decay Time mm : 00 - S40 -7F (-64 - 0 - +63)

0166 $mm EG Release Time mm : 00 - S40 -7F (-64 - 0 +63)

$14 Srr Smm Drum Filter Cutoff Frequency mm : 00 -40 - $7F (-64 - 0 +63) rr : drum instrument note number

$15 Srr Smm Drum Filter Resonance mm : 00 -40 - $7F (-64 - 0 - +63) rr : drum instrument note number

16rr Smm Drum EG Attack mm : 00 - S40 -7F (-64 - 0 - +63) rr : drum instrument note number

$17 Srr Smm Drum EG Decay Rate mm: 00 -40 - $7F (-64 - 0 - +63) rr: drum instrument note number Applies to both Decay1 and 2.

$18 Srr Smm Drum Instrument Pitch Coarse mm : 00 - S40 -7F (-64 - 0 - +63) rr : drum instrument note number

$19 Srr Smm Drum Instrument Pitch Fine mm : 00 -40 - $7F (-64 - 0 - +63) rr : drum instrument note number

1Arr $mm Drum Instrument Level mm : $00 - S7F (0 - max) rr : drum instrument note number 1Crr $mm Drum Instrument Pan

mm : 00 -40 - $7F (random, left - center - right)
rr : drum instrument note number

1Drr Smm Drum Instrument Reverb Send Level mm : $00 - S7F (0 -max) rr : drum instrument note number

$1E Srr Smm Drum Instrument Chorus Send Level mm : $00 - S7F (0 - max) rr : drum instrument note number

1F Srr Smm Drum Instrument Variation Send Level mm :00 - S7F (0 - max) rr : drum instrument note number

MSB 14H-1FH (for Drum) is valid only if the Multi Part parameter PART MODE = DRUMS 1 or DRUMS2 for that channel. (If PART MODE = DRUM, no values will be changed.)

1.2.22 RPN (Registered Parameter Number) (ESBL Part)

Cntrl# Parameter Data Range
100 RPN LSB 0...127
101 RPN MSB 0...127

The following RPN numbers can be received.

RPN Data entry MSB LSB MSB LSB PARAMETER NAME and VALUE

				RANGE
00H	00H	mmH	—	Pitch Bend Sensitivity mm:00-18H (0-24 chromatic steps) Assignable in chromatic steps up to 2 octaves Default : 02H LSB value is ignored.
00H	01H	mmH	11H	Fine Tuning mm: 00H-40H-7FH (-64-0+63)
00H	02H	mmH	—	Coarse Tuning mm: 28H - 40H - 58H (-24 - +24 chromatic steps) LSB value is ignored.
7FH	7FH	—	—	RPN null Cancelcs RPN and NRPN numbers

1.2.23 Channel Mode Messages

The following Channel Mode Messages can be received.

2nd byte 3rd byte
120 0 All Sound Off
121 0 Reset All Controllers
123 0 All Note Off
124 0 Omni Off
125 0 Omni On
126 0 ~ 16 Mono
127 0 Poly

1.2.23.1 All Sound Off

(Piano Part, ESBL Part) (transmitted)

ESBL part; Terminates all sounds currently sounding on the specified channel. However, the status of channel messages such as Note On and Hold On is maintained.

Piano Part; The status of channel messages is not maintained.

1.2.23.2 Reset All Controllers (ESBL Part)

The values of the following controllers will be reset to the defaults.

CONTROLLER VALUE

Pitch Bend Change	±O (center)
Channel Aftertouch	0 (off)
Polyphonic Aftertouch	0 (off)
Modulation	0 (off)
Expression	127 (max)
Hold 1	0 (off)
Portamento	0 (off)
Sostenuto	0 (off)
Soft Pedal	0 (off)

Portamento Control cancels the Portamento Source Key

Number that was received

RPN number not specified; internal data

will not change

NRPN number not specified; internal data

will not change

1.2.23.3 All Note Off

(Piano Part, ESBL Part) (transmitted)

Terminates all notes currently on for the specified channel.

However, if Hold 1 or Sostenuto is on, notes will continue.

sounding until these are turned off.

1.2.23.4 Omni Off

(Piano Part, ESBL Part)

Performs the same function as when an All Notes Off message is received.

1.2.23.5 Omni On

(Piano Part, ESBL Part)

Performs the same function as when an All Notes Off message is received.

1.2.23.6 Mono

(Piano Part, ESBL Part)

Performs the same function as when an All Sounds on message is

received, and if the 3rd byte (mono number) is in the range of 0 -

1. sets the corresponding channel to Mono Mode (Mode 4: m = 1).

1.2.23.7 Poly

(Piano Part, ESBL Part)

Performs the same function as when an All Sounds Off message

is received, and sets the corresponding channel to Poly Mode

Mode

1.2.24 Local Control

(Piano Part, ESBL Part)

0;Off Disklavier keyboard does not play the internal voices.

127;On

1.3 Program Change

(ESBL Part) (transmitted)

Messages for Voice selection.

With a combination of Bank Select, you can select not only basic

Voice numbers, but also variation Voice bank numbers.

1.4 Pitch Bend

(ESBL Part)

When Multi Part Parameter Rcv PITCH BEND CHANGE=OFF

pitch bend for that part is not received.

1.5 Channel Aftertouch

(ESBL Part)

1.6 Polyphonic Aftertouch

(ESBL Part) (PianoPart) (transmitted)

Applying further pressure on the key does not output "key

aftertouch" information. Instead, key position is transmitted as

additional information.

2. SYSTEM EXCLUSIVE MESSAGES

2.1 Parameter Change

The Disklavier receives the following parameter change messages.

[UNIVERSAL REALTIMEMESSAGE]

1) Master Volume

[UNIVERSAL NON REALTIMEMESSAGE]

1) General MIDI Mode On

[XGNATIVE]

1) XG System on

2) XG System Data parameter change

3) Multi Effect1 Data parameter change

4) Multi Part Data parameter change

5) Drums Setup Data parameter change

OTHER

1) Master tuning
2) TG300 System Data Parameter change
3) TG300 Multi Effect Data parameter change
4) TG300 Multi Part Data parameter change

2.1.2 Universal Realtime Messages

2.1.2.1 Master Volume

(Piano Part, ESBL Part)

11110000 F0 = Exclusive status

01111117F = Universal Real Time

01111117F = ID of target device

00000100 04 = Sub-ID #1=Device Control Message

00000001 01 = Sub-ID #2=Master Volume

0ssssss *SS =Volume LSB

0tttttt TT =VolumeMSB

11110111 F7 = End of Exclusive

or

1110000 F0 = Exclusive status

01111117F = Universal Real Time

0xxxxnnn XN = Device Number, xxx =don't care

00000100 04 = Sub-ID #! = Device Control Message

00000001 01 = Sub-ID #2=Master Volume

0ssssss SS =Volume LSB

0tttt TT =Volume MSB

11110111 F7 = End of Exclusive

When received, the Volume MSB will be effective for the

System Parameter MASTER VOLUME.

• "SS" is the hexadecimal expression of Ossssss; same as for

"u". "aa", etc.

2.1.3 Universal Non-Realtime Messages

2.1.3.1 General MIDI Mode On

(ESBL Part)

11110000 F0 = Exclusive status

01111107E = Universal Non-Real Time

01111117F = ID of target device

00001001 09 = Sub-ID #|=General MIDI Message

00000001 01 = Sub-ID #2=General MID1 On

1110111 F7 = End of Exclusive

or

11110000 F0 = Exclusive status

01111107E =UniversalNon-RealTime

0xxxxnnnn XN = Device Number. xxx = don't care

00001001 09 = Sub-ID #| = General MIDI Message

00000001 01 = Sub-ID #2=General MIDI On

11110111 F7 = End of Exclusive

When General MIDI Mode On is received, the play mode will be changed to XG mode.

When this happens, the ESBL part will receive the MIDI

messages which compatible with GM System Level 1, and consequently will not receive NRPN and Bank Select messages.

Since approximately 50ms is required to execute this messag, be

sure to leave an appropriate interval before the subsequent

message.

2.1.4 XG Native Parameter Change

(ESBL Part)

With the Parameter Change messages as listed below, you can

change the characteristic of a Voice, such as by Effect Type or

effect parameter, transpose, tuning, and others.

11110000 F0

0100001143

0001nnn 1n

010011004C

0aaaaaaa aaaaaaa

0aaaaaaa aaaaaaa

0aaaaaaa aaaaaaa

Oddddddd dd

1

1110111F7

Exclusive status

YAMAHA ID

Device Number

XG Model TD

Address High

Address Mid

Address Low

Data

End of Exclusive

• Any number is OK since the device number for the Disklavier is fixed to "All."

For parameters with data size of 2 or 4, transmit the appropriate number of data bytes.

When sending the parameter change messages consecutively, be sure to leave an appropriate interval (if the time base is 480. ca 5 unit) between the messages.

2.1.4.1 XG System On

(ESBL Part)

11110000 F0 Exclusive status

0100001143YAMAHAID

0001nnn 1N Device Number

010011004C XG Model ID

0aaaaaaa 00 Address High

0aaaaaa 00 Address Mid

0aaaaaaa 7E Address Low

00000000 00 Data

111011 F7 End of Exclusive

When this data is received, the Disklavier will switch to XG mode and all the parameters will be initialized accordingly, and XG-compatible messages such as NRPN and Bank Select messages can be received.

Since approximately 50ms is required to execute this message, be sure to leave an appropriate interval before the subsequent message

2.1.4.2 XG System Data parameter change

(ESBL Part)

See tables < 1 - 1> and < 1 - 2>

2.1.4.3 Multi Effect1 Data parameter change

(ESBL Part)

See tables < 1 - 1> and < 1 - 3> .

2.1.4.4 Multi Part Data parameter change

(ESBL Part)

Sec tables < 1 - 1> and < 1 - 4>

2.1.4.5 Drums Setup Data parameter change

(ESBL Part)

See tables < 1 - 1> and < 1 - 5> .

If a Drum Setup Reset parameter change message is received, the

Drum Setup parameter values will be initialized.

Selecting a Drum Set will cause the Drum Setup parameter

values to be initialized.

2.1.5 Other parameter changes

2.1.5.1 Master Tuning

(ESBL Part)

11110000 F0 Exclusive status

0100001143YAMAHAID

0001nnn In Device Number

00100111 27 Model ID

00110000 30 Sub 1D2

00000000 00

00000000 00

0mmmmmm mm Master Tune MSB

011111 1 Master Tune LSB

0ccccccccc 1

1110111 F7 End of Exclusive

This message simultaneously changes the pitch of all channels.

2.2 Bulk Dump

(ESBL Part)

The Disklavier receives the following bulk dump data.

[XGNATIVE]

1) XG System Data

2) Multi Effect1 Data

3) Multi Part Data

4) Drums Setup Data

[QS300 NATIVE]

1) QS300 User Normal Voice Data

2.2.1 XG Native Bulk Dump

1110000 F0 Exclusive status

0100001143YAMAHA ID

0000nnn On Device Number

010011004C XG Model ID

For the Address and Byte Count, refer to the supplementary tables.

The Checksum is the value that results in a value of 0 for the lower 7 bits when the Start Address, Byte Count, plus the

Checksum itself are added.

2.2.1.1 XG System Data bulk dump

(ESBL Part)

See tables < 1 - 1> and < 1 - 2> .

2.2.1.2 Multi Effect1 Data bulk dump

(ESBL Part)

See tables < 1 - 1> and < 1 - 3> .

2.2.1.3 Multi Part Data bulk dump

(ESBL Part)

Sec tables < 1 - 1> and < 1 - 4>

2.2.1.4 Drums Setup Data bulk dump

(ESBL Part)

See tables < 1 - 1> and < 1 - 5>

2.2.2 QS300 Native Bulk Dump

1110000 F0 Exclusive status

01000011 43YAMAHAID

0000nnn On Device Number

010011014B QS300 Model ID

0bbbbbb bbbbbbb ByteCount

0bccccbbb bccccbbb ByteCount

Oaaaaaa

Oaaaaaa

Oaaaaaa

aaaaaaa Address High

aaaaaa Address Mid

aaaaaaa Address Low

Oddddddd dd Data

Occcccc

ccccccc Checksum

11110111 F7 End of Exclusive

2.2.2.1 QS300 User Normal Voice Data bulk damp

(ESBL Part)

See tables < 2 - 1> and < 2 - 2> .

3. SYSTEM REALTIME MESSAGES

3.1 Active Sensing

a) Transmission Transmitted
b) Reception Once FE has been received, if no MIDI data is subsequently received for longer than an interval of approximately 300msec. the Disklavier will perform the same function as when ALL SOUND'S OFF. ALL NOTES OFF, and RESET ALL CONTROLLER'S messages are received, and will then return to a status in which FE is not monitored.

3.2 Start

a) Transmission This message is transmitted only when the REMOTE OUT parameter is set to On.
b) Reception This message is received only when REMOTE IN Parameter is Set to On.

3.3 Stop

a) Transmission This message is transmitted only when the REMOTE OUT parameter is set to On.
b) Reception This message is received only when REMOTE IN Parameter is Set to On.

Parameter Bass Address Model ID = 4C [XG]

	Parameter Change
	Address
	(H)	(M)	(L)	Description
XG SYSTEM	00	00	00	System
	00	00	7D	Drum setup Reset
	00	00	7E	XG System On
	00	00	7F	All Parameter Reset
EFFECT1	02	01	00	Effect1 (Reverb, Chorus, Variation)
MULTI PART	08	00	00	Multi Part 1
	08	0F	00	:Multi Part 16
DRUM	30	18	00	Drum Setup 1
	30	18	00	Drum Setup 2

Address			Parameter
3n	0B	00	note number 13
3n	0C	00	note number 14
	:		:
3n	5B	00	note number 91

n: Drum setup number (0, 1)

MIDI Parameter Change table (SYSTEM) [XG]

Address Size Data Parameter Description Default value (H) (H) (H) (H)

00 00 00 4 0000-07FF MASTER TUNE

-102.4 +102.3 [cent] 00 04 00 00

1stbit3-0→bit15-12 -400

2ndbit3-0→bit11-8

3rd bit3-0→bit7-4

4thbit3-0→bit3-0

04100-7F MASTERVOLUME 0-127 7F

05100-7F not uscd

06 1 28-58 TRANSPOSE -24-+24 [semitones] 40

7D n DRUM SETUP RESET n=Drum setup number

7E 00 XG SYSTEM ON 00=XG system ON (receive only)

TOTAL SIZE 07

ALLPARAMETERRESET 00=ON(receiveonly)

MIDI Parameter Change table (EFFECT 1) [XG]

Address Size Data		Parameter	Description Default value
(H) (H)				(H)
02 01 00 2 00-7F REVERB TYPE MSB		see Effect Type List	01(=HALL1)
	00-7F REVERB TYPE LSB	00: basic type	00
02	1 00-7F	see Effect Parameter List	Depends on reverb type
03	1 00-7F	"	"
04	1 00-7F	"	"
05	1 00-7F	"	"
06	1 00-7F	"	"
07	1 00-7F	"	"
08	1 00-7F	"	"
09	1 00-7F	"	"
0A	1 00-7F	"	"
0B	1 00-7F	"	"
0C	1 00-7F	"	"
0D	1 01-7F	"	"

TOTAL SIZE 0E

02 01 10 100-7F REVERB PARAMETER 11 see Effect Parameter List Depends on reverb type

11 100-7F REVERB PARAMETER 12 ”
12 100-7F REVERB PARAMETER 13 ”
13 100-7F REVERB PARAMETER 14
14 1 00-7F REVERB PARAMETER 15"
15.100-7F REVERB PARAMETER 16

TOTAL SIZE 6

02 01 20 2 00-7F CHORUS TYPE MSB see Effect Type List 41 (=CHORUS1)

00-7F CHORUS TYPE LSB 00: basic type 00

22 1 00-7F CHORUS PARAMETER 1 see Effect Parameter List Depends on chorus Type
23.100-7F CHORUS PARAMETER 2."
24 100-7F CHORUS PARAMETER 3 ”
25100-7FCHORUSPARAMETER4”
26100-7FCHORUSPARAMETER5
27 100-7F CHORUS PARAMETER 6
28 1.00-7F CHORUS PARAMETER 7 ”
29100-7FCHORUSPARAMETER8
2A 100-7F CHORUS PARAMETER 9 ”
2B100-7FCHORUSPARAMETER10

2C 00-7F CHORUS RETURN -dB...0dB...+6dB(0...64...127) 40
2D 101-7F CHORUS PAN L63...C...R63(1...64...127) 40
2E 1 00-7F SEND CHORUS TO REVERB -cdB...0dB...+6dB(0...64...127) 00

TOTAL SIZE OF

02 01 30 1 00-7F CHORUS PARAMETER 11 see Effect Parameter List Depends on chorus Type

31 100-7F CHORUS PARAMETER 12
32100-7FCHORUSPARAMETER13
33100-7FCHORUSPARAMETER14
34100-7FCHORUSPARAMETER15
35100-7FCHORUSPARAMETER16

TOTAL SIZE 6

02 01 40 2 00-7F VARIATION TYPE MSB

00-7F VARIATION TYPE LSB

see Effect Type List 05 (=DELAY L, C, R)

00:basic type 00

42 2 00-7F VARIATION PARAMETER 1 MSB see Effect Parameter List Depends on variation type

00-7F VARIATION PARAMETER 1 LSB

44 2 00-7F VARIATION PARAMETER 2 MSB

00-7F VARIATION PARAMETER 2 LSB

46 2 00-7F VARIATION PARAMETER 3 MSB

00-7F VARIATION PARAMETER 3 LSB

48200-7F VARIATION PARAMETER 4MSB

00-7F VARIATION PARAMETER 4 LSB

4A 2 00-7F VARIATION PARAMETER 5 MSB

00-7F VARIATION PARAMETER 5 LSB

4C 2 00-7F VARIATION PARAMETER 6 MSB

00-7F VARIATION PARAMETER 6 LSB

4E 2 00-7F VARIATION PARAMETER 7 MSB

00-7F VARIATION PARAMETER 7 LSB

50200-7F VARIATION PARAMETER 8 MSB

00-7F VARIATION PARAMETER 8 LSB

52 2 00-7F VARIATION PARAMETER 9 MSB

00-7F VARIATION PARAMETER 9 LSB

54 2 00-7F VARIATION PARAMETER 10 MSB

00-7F VARIATION PARAMETER 10 LSB

56 1 00-7F VARIATION RETURN -dB...0dB...+6dB(0...64...127) 40

01-7F VARIATION PAN L63...C...R63(1...64...127) 40

58 00-7F SEND VARIATION TO REVERB - dB...0dB...+6dB(0...64...127) 00

59 1 00-7F SEND VARIATION TO CHORUS - dB...0dB...+6dB(0..64...127) 00

5A 1 00-01 VARIATION CONNECTION 0:INSERTION, 1:SYSTEM 00

5B 1 00-OF,7F VARIATION PART Part1...16(0...15) 7F

OFF (127)

5C 100-7FMW VARIATION CONTROL DEPTH -64-+63 40
5D 1 00-7F BEND VARIATION CONTROL DEPTH -64 +63 40
5E 1 00-7F CAT VARIATION CONTROL DEPTH -64-+63 40
5F 1 00-7F ACI VARIATION CONTROL DEPTH -64-+63 40
60 1 00-7F AC2 VARIATION CONTROL DEPTH -64-+63 40

TOTAL SIZE 21

02 01 70 1 00-7F VARIATION PARAMETER 11 see Effect Parameter List Depends on variation type

71 1 00-7F VARIATION PARAMETER 12
72 00-7F VARIATION PARAMETER 13
73 1 00-7F VARIATION PARAMETER 14
74 1 00-7F VARIATION PARAMETER 15
75 00-7F VARIATION PARAMETER 16

TOTAL SIZE 6

MIDI Parameter Change table (MULTI PART) [XG]

Address Size Data Parameter Description Default value (H) (H) (H)
08 nn 00 1 00 - 20 ELEMENT RESERVE 0 - 32 part10=0, other=2 nn 01 1 00 - 7F BANK SELECT MSB 0 - 127 part10=7F, other=0
nn 02 1 00 - 7F BANK SELECT LSB 0 - 127 00
nn 03 1 00 - 7F PROGRAM NUMBER 1 - 128 00
nn 04 1 00 - 0F, 7F Rcv CHANNEL 1 - 16,OFF part no.
nn 05 1 00 - 01 MONO/POLY MODE 0:MONO 01
			1:POLY
nn 06 1 00 - 02 SAME NOTE NUMBER KEY ON ASSIGN 0: SINGLE 1 (all part) nn 07 1 00 - 03 PART MODE 1:MULTI 2:INST (for DRUM)
nn 08 1 28 - 58 NOTE SHIFT 0:NORMAL 00 (other than Part10) nn 09 2 00 - FF DETUNE 1:DRUM 02 (Part10)
			2-3:DRUMS1 - 2
nn 0B 1 00 - 7F VOLUME 0 - 127 64
nn 0C 1 00 - 7F VELOCITY SENSE DEPTH 0 - 127 40
nn 0D 1 00 - 7F VELOCITY SENSE OFFSET 0 - 127 40
nn 0E 1 00 - 7F PAN 0/random, 1/L63-64/C-127/R63 40
nn 0F 1 00 - 7F NOTE LIMIT LOW C-2 - G8 00
nn 10 1 00 - 7F NOTE LIMIT HIGH C-2 - G8 7F
nn 11 1 00 - 7F DRY LEVEL 0 - 127 7F
nn 12 1 00 - 7F CHORUS SEND 0 - 127 00
nn 13 1 00 - 7F REVERB SEND 0 - 127 40
nn 14 1 00 - 7F VARIATION SEND 0 - 127 00
nn 15 1 00 - 7F VIBRATO RATE -64 +63 40
nn 16 1 00 - 7F VIBRATO DEPTH -64 +63 40 (drum part ignores)
nn 17 1 00 - 7F VIBRATO DELAY -64 +63 40 (drum part ignores)
nn 18 1 00 - 7F FILTER CUTOFF FREQUENCY -64 +63 40
nn 19 1 00 - 7F FILTER RESONANCE -64 +63 40
nn 1A 1 00 - 7F EG ATTACK TIME -64 +63 40
nn 1B 1 00 - 7F EG DECAY TIME -64 +63 40
nn 1C 1 00 - 7F EG RELEASE TIME -61 +63 40
nn 1D 1 28 - 58 MW PITCH CONTROL -24 +24 [semitones] 40
nn 1E 1 00 - 7F MW FILTER CONTROL -9600 - +9450 [cent] 40
nn 1F 1 00 - 7F MW AMPLITUDE CONTROL -64 +63 40
nn 20 1 00 - 7F MW LFO PMOD DEPTH 0 - 127 0A
nn 21 1 00 - 7F MW LFO FMOD DEPTH 0 - 127 00
nn 22 1 00 - 7F MW LFO AMOD DEPTH 0 - 127 00
nn 23 1 28 - 58 BEND PITCH CONTROL -24 +24 [semitones] 42
nn 24 1 00 - 7F BEND FILTER CONTROL -9600 - +9450 [cent] 40
nn 25 1 00 - 7F BEND AMPLITUDE CONTROL -64 +63 40
nn 26 1 00 - 7F BEND LFO PMOD DEPTH +100 - +100 [%] 40
nn 27 1 00 - 7F BEND LFO FMOD DEPTH +100 - +100 [%] 40
nn 28 1 00 - 7F BEND LFO AMOD DEPTH +100 - +100 [%] 40
TOTAL SIZE 29
nn 30 1 00 - 01 Rcv PITCH BEND 0/OFF, 1/ON 01
nn 31 1 00 - 01 Rcv CH AFTER TOUCH (CAT) 0/OFF, 1/ON 01
nn 32 1 00 - 01 Rcv PROGRAM CHANGE 0/OFF, 1/ON 01
nn 33 1 00 - 01 Rcv CONTROL CHANGE 0/OFF, 1/ON 01
nn 34 1 00 - 01 Rcv POLY AFTER TOUCH (PAT) 0/OFF, 1/ON 01
nn 35 1 00 - 01 Rcv NOTEMESSAGE 0/OFF, 1/ON 01
nn 36 1 00 - 01 Rcv RPN 0/OFF, 1/ON 01
nn 37 1 00 - 01 Rcv NRPN 0/OFF, 1/ON 01
nn 38 1 00 - 01 Rcv MODULATION 0/OFF, 1/ON 01
nn 39 1 00 - 01 Rcv VOLUME 0/OFF, 1/ON 01
nn 3A 1 00 - 01 Rcv PAN 0/OFF, 1/ON 01
nn 3B 1 00 - 01 Rcv EXPRESSION 0/OFF, 1/ON 01
nn 3C 1 00 - 01 Rcv HOLD1 0/OFF, 1/ON 01
nn 3D 1 00 - 01 Rcv PORTAMENTO 0/OFF, 1/ON 01
nn 3E 1 00 - 01 Rcv SOSTENUTO 0/OFF, 1/ON 01
nn 3F 1 00 - 01 Rcv SOFT PEDAL 0/OFF, 1/ON 01
nn 40 1 00 - 01 Rcv BANK SELECT 0/OFF,1/ON XG=01, GM=00
nn 41 1 00 - 7F SCALE TUNING C -64 +63 [ccnt] 40
Address (H)	Size (H)	Data (H)	Parameter	Description	Default
3n rr 00	1	00 - 7F	PITCH COARSE	-64 - +63	40
3n rr 01	1	00 - 7F	PITCH FINE	-64 - +63 [cent]	40
3n rr 02	1	00 - 7F	LEVEL	0 - 127	Depends on the note
3n rr 03	1	00 - 7F	ALTERNATE GROUP	0/OFF, 1 - 127	"
3n rr 04	1	00 - 7F	PAN	0/random, 1/L63 - 64/C - 127/R63	"
3n rr 05	1	00 - 7F	REVERB SEND	0 - 127	"
3n rr 06	1	00 - 7F	CHORUS SEND	0 - 127	"
3n rr 07	1	00 - 7F	VARIATION SEND	0 - 127	7F

3n rr 08 1 00 - 01 KEY ASSIGN 0/SINGLE, 1/MULTI 00 3n rr 09 1 00 - 01 Rcv NOTE OFF 0/OFF, I/ON Depends on the note 3n rr 0A 1 00 - 01 Rcv NOTE ON 0/OFF, 1/ON 01 3n rr 0B 1 00 -7F FILTER CUTOFF FREQUENCY -64 +63 40 3n rr 0C 1 00-7F FILTER RESONANCE -64-+6340 3n rr 0D 1 00-7F EG ATTACK RATE -64-+6340 3n rr 0E 1 00-7F EG DECAYI RATE -64-+6340 3nrr0F100-7FEGDECAY2RATE -64-+6340 TOTAL SIZE 10 [Note] n: Drum number (0-1) rr: note number (OD - 5B) When XG system on or GM mode on messages are received, all Drum Setup parameters are initialized. The Drum Setup Reset message can be used to initialized each Drum Setup parameter. Selecting a Drum Set will cause the Drum Setup parameter values to be initialized.

Parameter Bass Address Model ID = 4B [QS300]

Bulk Dump
	Address			Description
	(H)	(M)	(L)
USER	11	00	00	User Normal Voice 1
NORMAL				:
VOICE	00	1F	00	User Normal Voice 32

MIDI Bulk Dump table (USER NORMAL VOICE) [QS300]

Address (H)	Size (H)	Data (H)	Parameter	Description	Default (H)
				[Common]
11 nn 00 17D	20-7E	Voice Name
:
07
08		not used
:		"
0A		"
0B	01-03	Element Switch		1:Element 1 on, 2:Element 2 on, 3:Element 1 and 2 on
0C	00-7F Voice Level
0D		not used
:		"
3C		"
				[Element 1]
3D	00-7F Wave Number High			bit13-bit7
3E	00-7F Wave Number Low			bit6-bit0
3F	00-7F Note Limit Low
40	00-7F Note Limit High
41	00-7F Velocity Limit Low
42	00-7F Velocity Limit High
43	00-01	Filter EG Velocity Curve
44	00-02	LFO Wave Select		0:saw, 1:tri, 2:S&H
45	00-01	LFO Phase Initialize		0:OFF, 1:ON
46	00-3F LFO Speed
47	00-7F LFO Delay
48	00-7F LFO Fade Time
49	00-3F LFO PMD Depth
4A	00-0F LFO CMD Depth
4B	00-1F LFO AMD Depth
4C	20-60	Note Shift
4D	0E-72	Detunc
4E	00-05	Pitch Scaling		0:100%, 1:50%, 2:20%, 3:10%, 4:5%, 5:0%
4F	00-7F Pitch Scaling Center Note
50	00-03	Pitch EG Depth		0:1/2oct, 1:1oct, 2:2oct, 3:4oct
51	39-47	Velocity PEG Level Sensitivity
52	39-47	Velocity PEG Rate Sensitivity
53	39-47	PEG Rate Scaling
54	00-7F PEG Rate Scaling Center Note
55	00-3F PEG Rate 1
56	00-3F PEG Rate 2
57	00-3F PEG Rate 3

58 00-3F PEG Rate 4
59 00-7F PEG Level 0
5A 00-7F PEG Level 1
5B 00-7F PEG Level 2
5C 00-7F PEG Level 3
5D 00-7F PEG Level 4
5E 00-3F Filter Resonance
5F 00-07 Velocity Sensitivity
60 00-7F Cutoff Frequency
61 00-7F Cutoff Scaling Break Point 1
62 00-7F Cutoff Scaling Break Point 2
63 00-7F Cutoff Scaling Break Point 3
64 00-7F Cutoff Scaling Break Point 4
65 00-7F Cutoff Scaling Offset 1
66 00-7F Cutoff Scaling Offset 2
67 00-7F Cutoff Scaling Offset 3
68 00-7F Cutoff Scaling Offset 4
69 39-47 Velocity FEG Level Sensitivity
6A 39-47 Velocity FEG Rate Sensitivity
6B 39-47 FEG Rate Scaling
6C 00-7F FEG Rate Scaling Center Note
6D 00-3F FEG Rate 1
6E 00-3F FEG Rate 2
6F 00-3F FEG Rate 3
70 00-3F FEG Rate 4
71 00-7F FEG Level 0
72 00-7F FEG Level 1
73 00-7F FEG Level 2
74 00-7F FEG Level 3
75 00-7F FEG Level 4
76 00-7F Element Level
77 00-7F Level Scaling Break Point 1
78 00-7F Level Scaling Break Point 2
79 00-7F Level Scaling Break Point 3
7A 00-7F Level Scaling Break Point 4
7B 00-7F Level Scaling Offset 1
7C 00-7F Level Scaling Offset 2
7D 00-7F Level Scaling Offset 3
7E 00-7F Level Scaling Offset 4
7F 00-06 Velocity Curve
80 00-0F Pan 0 (Left)-14 (Right), 15:Scaling
81 39-47 AEG Rate Scaling
82 00-7F AEG Scaling Center Note
83 00-0F AEG Key on Delay
84 00-7F AEG Attack Rate
85 00-7F AEG Decay 1 Rate
86 00-7F AEG Decay 2 Rate
87 00-7F AEG Release Rate
88 00-7F AEG Decay 1 Level
89 00-7F AEG Decay 2 Level
8A 00-7F Address Offset High bit13-bit7
8B 00-7F Address Offset Low bit6-bit0
8C 39-47 Resonance Sensitivity
	[Element 2]
8D same as [Element 1]
:	"
DC	"
	[Element 3]
DD not used	"
:	"
12C"	"
12D [Element 4]	not used
:
17C"
TOTAL SIZE 17D	"

XG Normal Voice List

Bank Select MSB = 000, LSB = Bank Number

Voice names in bold typeface are voices that can be selected in the Disklavier. The Disklavier can produce all the voices listed below, but can only display bank 0 voices.

Instrument Group	Program #	Bank #	Voice Name	Elie- ment
Piano	1 0 Grand
	2	0	BritePno 1
		1 Brit	PnoK 1
	3	0	E.Grand 2
		1 ElIG	PnoK 2
		32 Del	CP80 2
		40 ElIG	GrPno1 2
		41 ElIG	GrPno2 2
	4	0	HnkyTnk 2
		1 Hnky	TnkK 2
	5	0	E.Piano 2
		1 ELPIo1K 1
		18 MlloFP1 2
		32 Chor.EP1 2
		40 HardELP 2
		45 VX	LIP1 2
		64 608	LIP 1
	6	0	E.Piano2 2
		1 ELPIo2K 1
		32 Chor.EP2 2
		33 DX Hard 2
		34 DX Legend 2
		40 DX Phase 2
		41 DX+Analg 2
		42 DX KotoEP 2
		45 VX	LIP2 2
	7	0	Harpsi. 1
		1 Harpsi.K 1
		25 Harpsi. 2
		35 Harpsi. 3 2
	8	0	Clavi. 2
		1 Clavi. K 1
		27 ClaviWah 2
		64 Pu seCiv 1
		65 PierceCI 2
Chromatic Percussion	9	0 Celesta	1
	10 0 Jocken	1
	11 0 MusicBox 2
		64 Orgel 2
	12 0 Vibes 1	1
		1 VibesK 1
		45 HardVibe 2
	13 0 Marimba 1
		1 MarimbaK 1
		64 Sire Mcmb 2
		97 Balafon2 2
		98 Log Drum 2
	14 0 Xylophon 1
	15 0 TubulBol 1
		96 ChchBol 2
		97 Caillon 2
	16 0 Dulcimer 1
		Ducimr2		2
		96 Cianhalom 2
		97 Santar 2

Instrument Group	Program #	Bank #	Voice Name	Elie- ment
Organ 17 0 DrawOrg n 1				2
		32 DetDrwOr 2
		33 60sDrOr 1 2
		34 60sDrOr 2 2
		35 70sDrOr 1 2
		36 DrawOrg2 2
		37 60sDrOr 2 2
		38 EvenBar
		40 16+2"2/3 2
		64 Organ Ba 1
		65 70sDrOr 2 2
		66 CheezOrg 2
		67 DrawOrg3 2
	18 0 PrcOrgn 1
		24 70sPcOr 1 2
		32 DetPcOr 2
		33 LteOrg 2
		37 PercOrg2 2
	19 0 RockOrgn 2
		64 RollaryOr 2
		65 SlaRotar 2
		66 FsRotar 2
	20 0 CharchOrg 2
		32 ChurOrg3 2
		35 ChurOrg2 2
		40 NtotDam 2
		64 OrgHlute 2
		65 TrmOrgFl 2
	21 0 ReedOrgn 1
		40 Pullr Org 2
	22 0 A zordion 2
		32 Accordlt 2
	23 0 Harmonica 1
		32 Harmo 2 2
	24 0 T mngoAcd 2
		64 TrnguAcd2 2
Guitar	25 0 NylonGtr 1
		16 NylonGtr2 1
		25 NylonGtr3 2
		43 ValGtHrm 2
		96 Ukulele 1
	26 0 SeelGtr 1
		16 SteelGtr2 1
		35 12StrGtr 2
		40 Nyln&Stl 2
		41 St&Body 2
		96 Mandolin 2
	27 0 JazzGtr 1
		18 MelloGtr 1
		32 JazzAmp 2
	28 0 LeanGtr 1
		32 ChorusGtr 2
	29 0 MuteGtr 1
		40 FunkGtr1 2
		41 MuteStlC 2
		43 FunkGtr2 2
		45 Jazz Man 1
	30 0 Ovrdrive 1
		43 Gtr Pinch 2
	31 0 Dst.Gtr 1
		40 FeedbkGtr 2
		41 FeedbGtr2 2
	32 0 GrHarmo 1
		65 GtrFeedbk 1
		66 GtrHrmo2 1

Instrument Group	Program #	Bank #	Voice Name	Elec.
Bass	33 0 A	co.Bass 1
		40 JazzRthm 2
		45 V.X Upright 2
	34 0 FnrgBass 1	18 FigrgDrk 2
		27 FlangeBa 2
		40 Ba&DstrFG 2
		43 FnrgSlap 2
		45 FingBass2 2
		65 ModAlem 2
	35 0 PckBass 1	FickBass 1
		28 MotePkBa 1
	36 0 Frecless 1	32 Frecltes2 2
		33 Frecltes3 2
		34 Frecltes4 2
		96 SynFrecl 2
		97 Smooth 2
	37 0 SapBas1 1	27 ResoSlap 1
		32 PunchtThm 2
	38 0 SapBas2 1	43 VeltoSlap 2
	39 0 SnyBas1 1	SynBas1 1
		18 SynBa1Dk 1
		20 FastResB 1
		24 AcadBass 1
		35 Clr Bass 2
		40 TeknoBa 2		2
		64 Oscar 2
		65 SqBass 1
		66 RubberBa 2
		96 Hammer 2
	40 0 SnyBas2 2	6 McloSB1 1
		12 Seq Bass 2
		18 Clk SynBa 2
		19 SynBa2Dk 1
		32 SmithBa 2 2
		40 ModulBa 2
		41 DX Bass 2
		64 X WireBa 2
Strings	41 0 Violin 1
	42 0 Viola 1
	43 0 Cello 1
	44 0 Contrabas 1
	45 0 Trom.Str 1
	46 0 Pizz.Str 1
	47 0arp 1
	48 0 timpani 1

Instrument Group	Program #	Bank #	Voice Name	Ele-mel
Ensemble 49	String	1
		3 S. Strings 2
		8 SlowStr 1
		24 ArpoStr 2
		35 60ch String 2
		40 Orthesr 2
		41 Orchestr 2		2
		42 TremOrch 2
		45 VeloStr		2
	50 O Strings 2	1
		3 S. SlowStr 2
		8 LegatoStr 2
		40 Warm Str 2
		41 Kingdom 2
		64 70h Str 1
		65 Str Fns3 1
	51 O Syn.Str 2
		27 ResoStr 2
		64 Syn Str4 2
		65 SS Str 2
	52 O Syn.Str 2
	53 O ChoirAah 1
		3 S. Choir 2
		16 Ch Aahs2 2
		32 Melchoir 2
		40 ChoirStr 2
	54 O VoiceOoh 1
	55 O SynVolce 1
		40 SynVox2 2
		41 Choral 2
		64 AraVoice 1
	56 O Chrb.Hit 2
		35 Orthe Hit2 2
		64 Impact 2
Brass	57 O Trumpet 1
		16 Trumpet2 1
		17 Brie Trp 2
		32 WarmTrp 2
	58 O trombone 1
		18 Trombone2 2
	59 O tuba 1
		16 Tuba 2 1
	60 O Mute.Trp 1
	61 O Dr.Horn 2
		6 FrHrSolo 2
		32 Fria Horn2 1
		37 HornOrch 2
	62 O BrasSec 1
		35 Tp& ThSec 2
		40 BrasSec2 2
		41 Hi Bras 2
		42 MelloBrs 2
	63 O SynBras1 2
		12 QuackBr 2
		20 ReySynBr 2
		24 PolyBrss 2
		27 SybrBras3 2
		32 JumpBrs 2
		45 AraVelBr 2
		64 AraBrss1 2
	64 O SynBras2 1
		18 Sol1 Brs 2
		40 SynBras4 2
		41 ChorBrss 2
		45 VclBras2 2
		64 AraBras2 2

Bank 0: (GM) Bank 1: Key Scale Planning Bank 3: Stereo Bank 6: Single Bank 8: Slow Bank 12: Fast Decay Bank 14: Double Attack Bank 16: Bright Bank 17: Bright Bank 18: Dark Bank 19: Dark Bank 20: Resonant Bank 24: Attack Bank 24: Release Bank 27: Reso Sweep Bank 28: Muted Bank 32: Detune 1 Bank 33: Detune 2 Bank 34: Detune 3 Bank 35:Octave 1 Bank 36: Octave 2 Bank 37:5th1 Bank 38:5th 2 Bank 39:Bend Bank 40: Tutti Bank 41: Tutti Bank 42: Tutti Bank 43: Velo-Switch Bank 45: Velo-Xfade Bank 64: Other wave Bank 65: Other wave Bank 66: Other wave Bank 67: Other wave Bank 68: Other wave Bank 69: Other wave Bank 70 : Other wave Bank 71: Other wave Bank 72: Other wave Bank 96: Other wave Bank 97: Other wave Bank 98: Other wave Bank 99: Other wave Bank 100: Other wave Bank 101: Other wave

Bank Select

MSB = 064, LSB = 000 SFX Voice

Instrument Group	Program#	Bank#	Voice Name	Element
Reed 65 0 Sp	SprnoSax	1
	66 0 A	to Sax140 SaxScct 243 HyprAlio 2
	67 0 T	nordSax140 BrthTnSx 241 SoftTent 264 TnSax 2 1
	68 0 BariSax1
	69 0 Ope 2
	70 0 EngHorn 1
	71 0 Bssoon 1
	72 0 Cartinet 1
Pipe 73 0 Piccolo 1
		74 0 Flute 1
		75 0 Rconder 1
		76 0 PinFlute 1
		77 0 Bttle 2
		78 0 Stalthei 2
		79 0 Whistle 1
		80 0 Orinna 1
Synth Lead	81 0 S	quareLd 26 Square 2 18 IMLSquare 218 Holow 119 Shmoog 264 Mellow 265 SoloSine 266 SingLead 1
	82 0 S	w.Lead 26 Saw 2 18 ThickSaw 218 DyaSaw 119 DigitSaw 220 Big Lead 224 HeavySyn 225 WiSpsySyn 240 PulseSaw 241 Dr. Lead 245 VeLoLead 296 Seq Ana 2
	83 0 C	hlopLd 265 Pure Pad 2
	84 0 C	hiff Ld 264 Ruby 2
	85 0 C	haranLd 264 DisLead 265 Wirecad 2
	86 0 V	ice Ld 224 SynthAah 264 VocLead 2
	87 0 Fth Ld 235 Big Five 2
	88 0 Bass &Ld 216 Big&Low64 Fat&Prky 265 SoftWurl 2			2
Synth Pad	89 0 W	wAge Pd 264 Fantasy 2 2
	90 0 W	arm Pad 216 ThickPad 217 Soft Pad 218 SinePad 264 Horn Pad 265 RolarStr 2
	91 0 PolySyPd 264 PolyPd80 265 ClickPad 266 Anr Pad 267 SquarPad 2

Instrument Group	Program #	Bank #	Voice Name	Ele- ment
Synth Pad	92 0 ChoirPad 2			2
	64 Heaven2
	66 Itopia 2
	67 CC Pad 2
	93 0 BswedPad 2
	64 Glacier 2
	65 GlacierPad 2
	94 0 MetalPad 2
	64 Time Pad 2
	65 Par Pad 2
	95 0 Halo Pad 2
	96 0 SveepPad 2
	20 Shwimmer 2
	27 Converge 2
	64 PolarPad 2
	66 Celestial 2
Synth Effects	97	0 Rain
	45 CheriPad 2
	64 HrmoRain 2
	65 AfonWind 2
	66 Caribbean 2
	SoundTrek 2
	27 Prologue 2
	64 Ancestral 2
	99 0 Crystal 2
	12 SynDrCmp 2
	14 Popcom 2
	18 TimyBell 2
	35 RndGlock 2
	40 GlockChi 2
	41 ClearBel 2
	42 CheriBell 2
	64 SynMalet 1
	65 SHCryst 2
	66 LoudGlock 2
	67 XmasBell 2
	68 ViteBell 2
	69 DigiBell 2
	70 AirBells 2
	71 BellHarp 2
	72 Gamelmha 2
	100	0 Atmosphr 2
	18 WarmAtms 2
	19 Holwrls 2
	40 Ny onEP 2
	64 Ny pHarp 2
	65 Harp Vox 2
	66 AtmosPad 2
	67 Planet 2
	101	0 Bright 2
	64 FantaBel 2
	96 Smokekey 2
	102	0 Goblins 2
	64 GoSyn 2
	65 50'sSciFi 2
	66 Ring Pad 2
	67 Rittal 2
	68 To Hteuven 2
	70 Night 2
	71 Glisten 2
	96 BeKhoir 2
	103	0 Echoes 2
	8 EchoPad2 2
	14 Echo Pan 2
	64 EchoBell 2
	65 Big Pan 2
	66 Syn Piano 2
	67 Creation 2
	68 Sta'dust 2
	69 Reo Pan 2
	104	0 Sci-Fi 2
	64 Starz 2

Instrument Group	Program #	Bank #	Voice Name	Ele-m#n
Ethnic	105	0	Sitar	1
		32 De# Sitar	2
		35 Sitar 2	2
		96 Tambr2	2
		97 Tambroura	2
	106	0 Banjo 1
		28 Mule Eblmo 1
		96 Babah 2
		97 Gopichnt 2
		98 Ouid	2
	107	0 Shamiscn	1
	108	0 Koto	1
		96 T. Koto 2
		97 Kaoun	2
	109	0 Kalluba 1
	110	0 Bagpipe 2
	111	0 Fiddle	1
	112	0 Shannai	1
		64 Shannai2	1
		96 Pungi	1
		97 Hichriki	2
Percussive	113	0 TnkBell 2
		96 Bonang 2
		97 Gender	2
		98 Gunelan 2
		99 S Gunlan 2
		100 Rama Cym	2
		101 AsianBel 2
	114	0 Agogo	2
	115	0 SteelDrm 2
		97 GlasPerc 2
		98 Th# Bell 2
	116	0 WoodBlok	1
		96 Castanct 1
	117	0 TaikoDrm	1
		96 Gr.Cassa 1
	118	0 MelodTom	2
		64 Me Tom2 1
		65 Real Tom 2
		66 Rock Tom 2
	119	0 Syn.Drum	1
		64 Ana Tom 1
		65 Elec Perc 2
	120	0 Rev Cymbl	1
Sound Effects	121	0	FretNoiz 2
	122	0 Brth Noiz 2
	123	0 Seashore 2
	124	0 Tweet 2
	125	0 Telephone 1
	126	0 Helieptr 1
	127	0 Applause 1
	128	0 Gunshot 1

Program #	MSH=164 LSB=000	File size	Program #	MSH=164 LSB=000	File size
1	CuttingNz 1		65	Tel.Dial	1
2	Ctang.Nz2 2		66	Door.Squelk 1
3			67	Door.Slam 1
4	Str Slap 1		68	Scratch 1
5			69	Scratch 2 2
6			70	WindChm 1
7			71	Telephone2 1
8			72
9			73
10			74
11			75
12			76
13			77
14			78
15			79
16			80
17	FL.KClik 1		81	CarEngin 1
18			82	Car Stop 1
19			83	Car Pass 1
20			84	CarCrash 1
21			85	Siren 2
22			86	Train 1
23			87	Jetplane 2
24			88	Starship 2
25			89	Burst 2
26			90	Coaster 2
27			91	SbMarine 2
28			92
29			93
30			94
31			95
32			96
33	Rain 1		97	Laughing 1
34	Thunder 1		98	Scream 1
35	Wind 1		99	Punch 1
36	Stream 2		100	Heart 1
37	Bubble 2		101	FootStep 1
38	Feed 2		102
39			103
40			104
41			105
42			106
43			107
44			108
45			109
46			110
47			111
48			112
49	Dog 1		113	MchnGun 1
50	Horse 1		114	LaserGun 2
51	Bird 2 1		115	Xplosion 2
52			116	FireWork 2
53			117
54			118
55	Ghost 2		119
56	Maou 2		120
57			121
58			122
59			123
60			124
61			125
62			126
63			127
64			128

 :NoSound

TG300B Normal Voice List

Bank Select MSB = Bank Number, LSB = 000

Instrument	Program	Rank	Voice Name	Ref.
10 Gr	8 CinPhen 1	16 MladEPA1 1	126 A-Phano1 2
10 Gr	8 Rint PhoR 1	136 A-Phano2 2	20 Brie Pro 1	127 a.stano1 1
10 Gr	8 Rint PhoR 1	136 A-Phano2 2	20 Brie Pro 1	127 a.stano1 1
10 Gr	8 Rint PhoR 1	136 A-Phano2 2	40 Hedy ToaK 2	127 a.stano1 1
10 Gr	8 Tldy ToaK 2	136 A-Phano2 2	8 Tldy ToaK 2	127 e.stano1 1
10 Gr	8 Tldy ToaK 2	136 A-Phano2 2	8 Tldy ToaK 2	127 e.stano1 1
10 Gr	8 Tldy ToaK 2	136 A-Phano2 2	8 Tldy ToaK 2	127 e.stano1 1;
10 Gr	8 Tldy ToaK 2	136 A-Phano2 2	8 Tldy ToaK 2	127 e.stano1 1;
10 Gr	8 Tldy ToaK 2	136 A-Phano2 2	8 Tldy ToaK 2	127 e.stano1 1;
8 ChE-EP1 2	16 VX EJP 2	24 60 EP 1	25 HandELP 2	127 a.stano1 1
8 ChE-EP1 2	16 VX EJP 2	24 60 EP 1	25 HandELP 2	127 a.stano1 1
8 ChE-EP1 2	16 VX EJP 2	24 60 EP 1	25 HandELP 2	127 a.stano1 1
8 ChCt 3.2	16 VX EJP 2	24 60 EP 1	25 HandELP 2	127 a.stano1 1
8 ChCt 3.2	16 VX EJP 2	24 60 EP 1	25 HandELP 2	127 a.stano1 1
8 ChCt 3.2	16 Vx EJP 2	24 60 EP 1	25 HandELP 2	127 a.stano1 1;
8 ChCt 3.2	16 Vx EJP 2	24 60 EP 1	25 HandELP 2	127 a.stano1 1;
8 ChCt 3.2	16 Vx EJP 2	24 60 EP 1	25 HandELP 2	127 a.stano1 1;
10 Gc	17 Cst 3.2	24 60 EP 1	25 HandELP 2	127 a.stano1 1;
10 Gc	17 Cst 3.2	24 60 EP 1	25 HandELP 2	127 a.stano1 1;
10 Gc	17 Cst 3.2	24 60 EP 1	17 c.stano1 1	127 e.stano1 1;
10 Gc	17 Cst 3.2	24 60 EP 1	17 c.stano1 1	127 e.stano1 1;
10 Gc	17 Cst 3.2	24 60 EP 1	17 c.stano1 1	127 e.stano1 1;
9 Carthon	9 Carthon 1	127 e.stano1 1	127 e.stano1 1	127 a.stano1 2
9 Carthon	9 Carthon 1	127 e.stano1 1	127 e.stano1 1	127 a.stano1 2
9 Carthon	9 Carthon 1	127 e.stano1 1	127 e.stano1 1	127 a.stano1 2
9 Carthon	9 Carthor 1	127 e.stano1 1	127 e.stano1 1	127 a.stano1 2
9 Carthon	9 Carthor 1	127 e.stano1 1	127 e.stano1 1	127 a.stano1 2
9 Carthon	9 Carthor 1	127 e.stano1 2	127 e.stano1 2	127 a.stano1 2
9 Carthon	9 Carthor 1	127 e.stano1 2	127 e.stano1 2	127 a.stano1 2
9 Carthon	9 Carthor 1	127 e.stano1 2	127 e.stano1 2	127 a.stano1 2

Instrument	Group	Hapl	Voice Name	Ref.
Organ 17.0 Dose-Oral	1	78.4 D01.2	9 Ds-Dw-Or-2	1
		9 Ds-Dw-Or-2	9 Ds-Dw-Or-2	1
		17.60 D02.2	18.60 D03.2	1
		18.60 D04.2	18.60 D05.2	1
		34 Cose-Or-2	34 Cose-Or-2	1
		32 Dw-Or-2	32 Dw-Or-2	1
		33 Exer-Ex-	33 Exer-Ex-	1
		40 Or-Or-2	40 Or-Or-2	1
		120 S	120 S	1
		127 hrs-11	127 hrs-11	1
Culprit 25.0 Dose-Oral	1	18.0 P01.1	18.0 P01.1	1
		17.8 S-C01.2	17.8 S-C01.2	1
		8 Roar-Or-2	8 Roar-Or-2	1
		16 S-Roar-2	16 S-Roar-2	1
		24 Or-Phne-2	24 Or-Phne-2	1
		125 S-Phne-2	125 S-Phne-2	1
		127 hrs-12	127 hrs-12	1
Culprit 25.0 Dose-Oral	1	20.0 P01.2	20.0 P01.2	1
		8 Chut-Or-2	8 Chut-Or-2	1
		16 Chut-Or-2	16 Chut-Or-2	1
		24 Or-Phne-2	24 Or-Phne-2	1
		32 Tntr-Or-2	32 Tntr-Or-2	1
		125 S-Phne-2	125 S-Phne-2	1
		127 hrs-11	127 hrs-11	1
Culprit 25.0 Dose-Oral	1	21.0 Re-Or-Pr-1	21.0 Re-Or-Pr-1	1
		125 S-Phn-2	125 S-Phn-2	1
		127 eet-2.1	127 eet-2.1	1
		22 Oac-Or-2	22 Oac-Or-2	1
		8 Accr-Or-2	8 Accr-Or-2	1
		125 S-Phn-2	125 S-Phn-2	1
		127 eet-3.1	127 eet-3.1	1
		24 I-Emmbr-1	24 I-Emmbr-1	1
		1 Harno-2.2	1 Harno-2.2	1
		125 S-Phn-2	125 S-Phn-2	1
		127 eet-3.1	127 eet-3.1	1
		24 Tt-Phn-Ad-2	24 Tt-Phn-Ad-2	1
		126 Lf-Phn-1	126 Lf-Phn-1	1
		127 s-Phn-2	127 s-Phn-2	1
Culprit 25.0 Dose-Oral	1	8 Ucule-1	8 Ucule-1	1
		16 Nc-Phn-2.2	16 Nc-Phn-2.2	1
		34 Nc-Phn-2.2	34 Nc-Phn-2.2	1
		32 Nc-Phn-2.1	32 Nc-Phn-2.1	1
		401 A-Phn-1	401 A-Phn-1	1
		127 s-Phn-12	127 s-Phn-12	1
		25.0 S-Ecc-Or-1	25.0 S-Ecc-Or-1	1
		8 Ls-C01.2	8 Ls-C01.2	1
		9 Nc-Ac-S01.2	9 Nc-Ac-S01.2	1
		16 Nc-Ac-S01.2	16 Nc-Ac-S01.2	1
		32 Sdc-S01.2	32 Sdc-S01.2	1
		127 s-Phn-12	127 s-Phn-12	1
		25.0 S-Ecc-Or-1	25.0 S-Ecc-Or-1	1
		8 Ls-C01.1	8 Ls-C01.1	1
		16 Mc-C01.1	16 Mc-C01.1	1
		127 s-Phn-12	127 s-Phn-12	1
		25.0 S-Ecc-Or-1	25.0 S-Ecc-Or-1	1

Instrument	Program	Rank	Voice Name	EC#
Guarit 29.0 Mice-Cat
8 FunCat1	1	16 pts	1	1
16 pts-Big2	2	17 pts	2
15 pts-Basin 2	2	17 pts	2
30°C Cerve	1	16 pts	1
127 s minualseg	1	16 pts	1
31.0 Lst Cat	1	9 FecsCat2	9	9
8 FeeCat2	2	9 FecsCat2	2	2
126 Chest-2	1	127 s minualseg	1
32.0 CtrnFam o1	1	127 s minualseg	1
8 Gut fedk1	2	126 Chest-3	2
126 Chest-3	2	127 s minualseg	1
34.0 FegtBase 1	1	127 s minualseg	1
1 Pngcat2 2	1	126 S mge-1 2	1
127 s minualseg	2	126 S mge-2 2	2
35.0 Lst Bats	1	126 S mge-2 2	2
8 MpuBPs1	1	127 s not pd	1
36.0 Fertless	1	127 s not pd	1
2 Fetec3	2	1	2
3 Fetec4	2	1	2
4 Sminth	2	1	2
5 Sminth	2	1	2
126 S mge-3 2	2	127 b woei pd	2
37.0 Sminb1	1	127 s not pd	1
8 RessSlay1	1	126 L Ogun 1 2	1
127 s minualseg	2	126 L Ogun 1 2	2
39.0 SminBats1	1	127 a minualseg	1
1 Sphydlsk1	1	127 a minualseg	1
8 AysBasal1	1	126 S mge-1 2	1
9 FecsRat1	1	126 S mge-2 2	2
10 RtsAtona	1	127 s woei pd	1
127 s minualseg	1	127 s minualseg	1
40.0 SminBats 2	1	127 s min uumseg	1
1 CctySma2	2	127 s min uumseg	1
3 Sept Bases 2	2	126 S mge-1 2	2
9 X WecBases 2	2	126 S mge-2 2	2
16 RtsBases 1	1	127 s woei pd	1
127 s minualseg	1	127 s minualseg	1

Instrument	Group	Rank	Voice Name	Recl.
Strengths	410 V
	8 Shot 1	1	420 V
	136 L Organ 2	1	126 L Organ 52	2
	127 mm	2
	410 Cntl	1	410 Cntl	1
	137 Symbiose	2
	410 Combustie 1	1	410 Combustie 1	1
	127 symbiose	2
	400 T Pnt 2	1	400 T Pnt 2	1
	127 symbiose	2
	400 T Pnt 1	1	400 T Pnt 1	1
	127 symbiose	2
	400 T Pnt 2	1	400 T Pnt 2	1
	127 symbiose	2
	410 Hard	1	410 Hard	1
	126 SoftT-1	1
	127 symbiose	2
	400 T Timp 1	1	400 T Timp 1	1
	127 symbiose	2
	400 T Timp 2	1
	127 symbiose	2
	400 T Timp 3	1
	127 symbiose	2
	400 T Timp 4	1
	127 symbiose	2
	400 T Timp 5	1
	127 symbiose	2
	400 T Timp 6	1
	127 symbiose	2
	400 T Timp 7	1
	127 symbiose	2
	400 T Timp 8	1
	127 symbiose	2
	400 T Timp 9	1
	127 symbiose	2
	400 T Timp 10	1
	127 symbiose	2
	400 T Timp 11	1
	127 symbiose	2
	400 T Timp 12	1
	400 T Timp 13	1
	127 symbiose	2
	400 T Timp 14	1
	127 symbiose	2
	400 T Timp 15	1
	127 symbiose	2
	400 T Timp 16	1
	127 symbiose	2
	400 T Timp 17	1
	127 symbiose	2
	400 T Timp 18	1
	127 symbiose	2
	400 T Timp 19	1
	127 symbiose	2
	400 T Timp 20	1
	127 symbiose	2
	400 T Timp 21	1
	127 symbiose	2
	400 T Timp 22	1
	126 Sx-1	1
	127 sxn-1	1
	127 sxn-2	1
	126 Sx-2	1
	126 Sx-3	1
127 sxn-3	1
126 Sx-4	1
127 sxn-4	1
126 Sx-5	1
126 Sx-6	1
126 Sx-7	1
126 Sx-8	1
126 Sx-9	1
126 Sx-10	1
126 Sx-11	1
126 Sx-12	1
126 Sx-13	1
126 Sx-14	1
126 Sx-15	1
126 Sx-16	1
126 Sx-17	1
126 Sx-18	1
126 Sx-19	1
126 Sx-20	1
126 Sx-21	1
126 Sx-22	1
126 Sx-23	1
126 Sx-24	1
126 Sx-25	1
126 Sx-26	1
126 Sx-27	1
126 Sx-28	1
126 Sx-29	1
126 Sx-30	1
126 Sx-31	1
126 Sx-32	1
126 Sx-33	1
126 Sx-34	1
126 Sx-35	1
126 Sx-36	1
126 Sx-37	1
126 Sx-38	1
126 Sx-39	1
126 Sx-40	1
126 Sx-41	1
126 Sx-42	1
126 Sx-43	1
126 Sx-44	1
126 Sx-45	1
126 Sx-46	1
126 Sx-47	1
126 Sx-48	1
126 Sx-49	1
126 Sx-50	1
126 Sx-51	1
126 Sx-52	1
126 Sx-53	1
126 Sx-54	1
126 Sx-55	1
126 Sx-56	1
126 Sx-57	1
126 Sx-58	1
126 Sx-59	1
126 Sx-60	1
126 Sx-61	1
126 Sx-62	1
126 Sx-63	1
126 Sx-64	1
126 Sx-65	1
126 Sx-66	1
126 Sx-67	1
126 Sx-68	1
126 Sx-69	1
126 Sx-70	1
126 Sx-71	1
126 Sx-72	1
126 Sx-73	1
126 Sx-74	1
126 Sx-75	1
126 Sx-76	1
126 Sx-77	1
126 Sx-78	1
126 Sx-79	1
126 Sx-80	1
126 Sx-81	1
126 Sx-82	1
126 Sx-83	1
126 Sx-84	1
126 Sx-85	1
126 Sx-86	1
126 Sx-87	1
126 Sx-88	1
126 Sx-89	1
126 Sx-90	1
126 Sx-91	1
126 Sx-92	1
126 Sx-93	1
126 Sx-94	1
126 Sx-95	1
126 Sx-96	1
126 Sx-97	1
126 Sx-98	1
126 Sx-99	1
126 Sx-100	1
126 Sx-101	1
126 Sx-102	1
126 Sx-103	1
126 Sx-104	1
126 Sx-105	1
126 Sx-106	1
126 Sx-107	1
126 Sx-108	1
126 Sx-109	1
126 Sx-110	1
126 Sx-111	1
126 Sx-112	1
126 Sx-113	1
126 Sx-114	1
126 Sx-115	1
126 Sx-116	1
126 Sx-117	1
126 Sx-118	1
126 Sx-119	1
126 Sx-120	1
126 Sx-121	1
126 Sx-122	1
126 Sx-123	1
126 Sx-124	1
126 Sx-125	1
126 Sx-126	1
126 Sx-127	1
126 Sx-128	1
126 Sx-129	1
126 Sx-130	1
126 Sx-131	1
126 Sx-132	1
126 Sx-133	1
126 Sx-134	1
126 Sx-135	1
126 Sx-136	1
126 Sx-137	1
126 Sx-138	1
126 Sx-139	1
126 Sx-140	1
126 Sx-141	1
126 Sx-142	1
126 Sx-143	1
126 Sx-144	1
126 Sx-145	1
126 Sx-146	1
126 Sx-147	1
126 Sx-148	1
126 Sx-149	1
126 Sx-150	1
126 Sx-151	1
126 Sx-152	1
126 Sx-153	1
126 Sx-154	1
126 Sx-155	1
126 Sx-156	1
126 Sx-157	1
126 Sx-158	1
126 Sx-159	1
126 Sx-160	1
126 Sx-161	1
126 Sx-162	1
126 Sx-163	1
126 Sx-164	1
126 Sx-165	1
126 Sx-166	1
126 Sx-167	1
126 Sx-168	1
126 Sx-169	1
126 Sx-170	1
126 Sx-171	1
126 Sx-172	1
126 Sx-173	1
126 Sx-174	1
126 Sx-175	1
126 Sx-176	1
126 Sx-177	1
126 Sx-178	1
126 Sx-179	1
126 Sx-180	1
126 Sx-181	1
126 Sx-182	1
126 Sx-183	1
126 Sx-184	1
126 Sx-185	1
126 Sx-186	1
126 Sx-187	1
126 Sx-188	1
126 Sx-189	1
126 Sx-190	1
126 Sx-191	1
126 Sx-192	1
126 Sx-193	1
126 Sx-194	1
126 Sx-195	1
126 Sx-196	1
126 Sx-197	1
126 Sx-198	1
126 Sx-200	1
126 Sx-201	1
126 Sx-202	1
126 Sx-203	1
126 Sx-204	1
126 Sx-205	1
126 Sx-206	1
126 Sx-207	1
126 Sx-208	1
126 Sx-209	1
126 Sx-210	1
126 Sx-211	1
126 Sx-212	1
126 Sx-213	1
126 Sx-214	1
126 Sx-215	1
126 Sx-216	1
126 Sx-217	1
126 Sx-218	1
126 Sx-219	1
126 Sx-220	1
126 Sx-221	1
126 Sx-222	1
126 Sx-223	1
126 Sx-224	1
126 Sx-225	1
126 Sx-226	1
126 Sx-227	1
126 Sx-228	1
126 Sx-229	1
126 Sx-230	1
126 Sx-231	1
126 Sx-232	1
126 Sx-233	1
126 Sx-234	1
126 Sx-235	1
126 Sx-236	1
126 Sx-237	1
126 Sx-238	1
126 Sx-239	1
126 Sx-240	1
126 Sx-241	1
126 Sx-242	1
126 Sx-243	1
126 Sx-244	1
126 Sx-245	1
126 Sx-246	1
126 Sx-247	1
126 Sx-248	1
126 Sx-249	1
126 Sx-250	1
126 Sx-251	1
126 Sx-252	1
126 Sx-253	1
126 Sx-254	1
126 Sx-255	1
126 Sx-256	1
126 Sx-257	1
126 Sx-258	1
126 Sx-259	1
126 Sx-260	1
126 Sx-261	1
126 Sx-262	1
126 Sx-263	1
126 Sx-264	1
126 Sx-265	1
126 Sx-266	1
126 Sx-267	1
126 Sx-268	1
126 Sx-269	1
126 Sx-270	1
126 Sx-271	1
126 Sx-272	1
126 Sx-273	1
126 Sx-274	1
126 Sx-275	1
126 Sx-276	1
126 Sx-277	1
126 Sx-278	1
126 Sx-279	1
126 Sx-280	1
126 Sx-281	1
126 Sx-282	1
126 Sx-283	1
126 Sx-284	1
126 Sx-285	1
126 Sx-286	1
126 Sx-287	1
126 Sx-288	1
126 Sx-289	1
126 Sx-290	1
126 Sx-291	1
126 Sx-292	1
126 Sx-293	1
126 Sx-294	1
126 Sx-295	1
126 Sx-296	1
126 Sx-297	1
126 Sx-298	1
126 Sx-300	1
126 Sx-301	1
126 Sx-302	1
126 Sx-303	1
126 Sx-304	1
126 Sx-305	1
126 Sx-306	1
126 Sx-307	1
126 Sx-308	1
126 Sx-309	1
126 Sx-310	1
126 Sx-311	1
126 Sx-312	1
126 Sx-313	1
126 Sx-314	1
126 Sx-315	1
126 Sx-316	1
126 Sx-317	1
126 Sx-318	1
126 Sx-319	1
126 Sx-320	1
126 Sx-321	1
126 Sx-322	1
126 Sx-323	1
126 Sx-324	1
126 Sx-325	1
126 Sx-326	1
126 Sx-327	1
126 Sx-328	1
126 Sx-329	1
126 Sx-330	1
126 Sx-331	1
126 Sx-332	1
126 Sx-333	1
126 Sx-334	1
126 Sx-335	1
126 Sx-336	1
126 Sx-337	1
126 Sx-338	1
126 Sx-339	1
126 Sx-340	1
126 Sx-341	1
126 Sx-342	1
126 Sx-343	1
126 Sx-344	1
126 Sx-345	1
126 Sx-346	1
126 Sx-347	1
126 Sx-348	1
126 Sx-349	1
126 Sx-350	1
126 Sx-351	1
126 Sx-352	1
126 Sx-353	1
126 Sx-354	1
126 Sx-355	1
126 Sx-356	1
126 Sx-357	1
126 Sx-358	1
126 Sx-359	1
126 Sx-360	1
126 Sx-361	1
126 Sx-362	1
126 Sx-363	1
126 Sx-364	1
126 Sx-365	1
126 Sx-366	1
126 Sx-367	1
126 Sx-368	1
126 Sx-369	1
126 Sx-370	1
126 Sx-371	1
126 Sx-372	1
126 Sx-373	1
126 Sx-374	1
126 Sx-375	1
126 Sx-376	1
126 Sx-377	1
126 Sx-378	1
126 Sx-379	1
126 Sx-380	1
126 Sx-381	1
126 Sx-382	1
126 Sx-383	1
126 Sx-384	1
126 Sx-385	1
126 Sx-386	1
126 Sx-387	1
126 Sx-388	1
126 Sx-389	1
126 Sx-390	1
126 Sx-391	1
126 Sx-392	1
126 Sx-393	1
126 Sx-394	1
126 Sx-395	1
126 Sx-396	1
126 Sx-397	1
126 Sx-398	1
126 Sx-400	1
126 Sx-401	1
126 Sx-402	1
126 Sx-403	1
126 Sx-404	1
126 Sx-405	1
126 Sx-406	1
126 Sx-407	1
126 Sx-408	1
126 Sx-409	1
126 Sx-410	1
126 Sx-411	1
126 Sx-412	1
126 Sx-413	1
126 Sx-414	1
126 Sx-415	1
126 Sx-416	1
126 Sx-417	1
126 Sx-418	1
126 Sx-419	1
126 Sx-420	1
126 Sx-421	1
126 Sx-422	1
126 Sx-423	1
126 Sx-424	1
126 Sx-425	1
126 Sx-426	1
126 Sx-427	1
126 Sx-428	1
126 Sx-429	1
126 Sx-430	1
126 Sx-431	1
126 Sx-432	1
126 Sx-433	1
126 Sx-434	1
126 Sx-435	1
126 Sx-436	1
126 Sx-437	1
126 Sx-438	1
126 Sx-439	1
126 Sx-440	1
126 Sx-441	1
126 Sx-442	1
126 Sx-443	1
126 Sx-444	1
126 Sx-445	1
126 Sx-446	1
126 Sx-447	1
126 Sx-448	1
126 Sx-449	1
126 Sx-450	1
126 Sx-451	1
126 Sx-452	1
126 Sx-453	1
126 Sx-454	1
126 Sx-455	1
126 Sx-456	1
126 Sx-457	1
126 Sx-458	1
126 Sx-459	1
126 Sx-460	1
126 Sx-461	1
126 Sx-462	1
126 Sx-463	1
126 Sx-464	1
126 Sx-465	1
126 Sx-466	1
126 Sx-467	1
126 Sx-468	1
126 Sx-469	1
126 Sx-470	1
126 Sx-471	1
126 Sx-472	1
126 Sx-473	1
126 Sx-474	1
126 Sx-475	1
126 Sx-476	1
126 Sx-477	1
126 Sx-478	1
126 Sx-479	1
126 Sx-480	1
126 Sx-481	1
126 Sx-482	1
126 Sx-483	1
126 Sx-484	1
126 Sx-485	1
126 Sx-486	1
126 Sx-487	1
126 Sx-488	1
126 Sx-489	1
126 Sx-490	1
126 Sx-491	1
126 Sx-492	1
126 Sx-493	1
126 Sx-494	1
126 Sx-495	1
126 Sx-496	1
126 Sx-497	1
126 Sx-498	1
126 Sx-500	1
Instrument Group	Program#	Bank #	Voice Name	Fleme
Brass 57 0 Trumpet1		1 Trumpet2 1
		24 BrameTrp 2
		25 WarmTrp 2
		126 Sax-3 1
		127 contrabs 1
	58 0 Tuba1	trumbone 1
		1 Trumbone2 2
		126 Sax-4 2
		127 guitar 1 1
	59 0 Drums1	Tuba 1
		1 Tube 2 1
		126 Brass-1 1
		127 guitar 1 1
	60 0 Mute Trp 1	tune Trp 1
		126 Brass-2 1		2
		127 guitar 1 1
	61 0 Forn2	Horn 2
		1 FrHorn2
		8 FrHornSolo 1
		16 HornOrch 2
		126 Brass-3 2
		127 guitar 2 1
	62 0 Flussect 1	flussect 1
		8 Brass Sec2 2
		126 Brass-4 2
		127 electgrt1 2
	63 0 SnnBrass 2	SnnBrass 2
		1 Poly Brss 2
		8 Syn Bras3 2
		9 QuackBr 2
		16 AnmBrss1 2
		126 Brass-5 2
		127 electgrt2 2
	64 0 SdnBras2 1	SdnBras2 1
		1 Soft Brs 2
		8 Syn Bras4 2
		16 AnmBrss2 2
		17 Vc Bras2 2
		126 Orch-Hit 1
		127 sitar 1
Recd 65 0 SpinoSax		1
		127 a. bass 1 1
		66 0 Alto Sax 1
		8 Hypo-Altto 2
		127 a. bass 2 1
		67 0 TnR Sax 1
		8 BrthnTnSx 2
		127 c. bass 1 1
		68 0 Uri Sax 1
		127 c. bass 2 1
		69 0 Cblue 2
		127 slaphas1 1
		70 0 Eg.Horn 1
		127 slaphas2 1
		71 0 Bassoon 1
		127 fretles1 1
		72 0 Carinet 1
		127 fretles2 1
Pipe		73 0 Eccolo 1
		127 flute1 1
		74 0 fute 1
		127 flute2 1
		75 0 Recordes 1
		127 piccolo1 1
		76 0 PanFlute 1
		127 piccolo2 2
		77 0 Bottle 2
		127 recorder 1
		78 0 nakhchch 2
		127 pinnipes 2
		79 0 Whistle 1
		127 sax1 2
		80 0 Carina 1
		127 sax2 1

Instrument Group	Program #	Bank #	Voice Name	Flement
Synth Lead	81 O S	squareLd 2
		1 Square 2 1
		2 Hollow 1
		3 Mel 2
		4 Sold 2
		5 Shmoog 2
		6 LMsquare 2
		8 Sine Lead 1
		127 sax3 1
	82 O S	aw. Lead 2
		1 Saw 2 1
		2 PulseSaw 2
		3 ThickSaw 2
		4 Big Lead 2
		5 VeloLead 2
		6 HeavySyn 2
		7 DyrkSaw 1
		8 Dr. Lead 2
		16 WaspSyn 2
		127 sax4 1
	83 O C	aliopLd 2
		2 Pure Pad 2
		127 clarint 1
	84 O Chiff Ld 2
				127 clarint 1
	85 O C	haranLd 2
		8 Dist Lead 2
		127 ooe 1
	86 O V	voice Ld 2
		127 cam.horn 1
	87 O I	fth Ld 2
		1 Big Five 2
		127 bsstoon 1
	88 O L	lass &Ld 2		2
		1 Big&Low
		2 FadePrky 2
		127 harmonica 1
Synth Pad	89 O N	ewAge Pad 2
		1 Fantasy 2 2
		127 trumpet1 1
	90 O W	arm Pad 2
		1 ThickPad 2
		2 Horn Pad 2
		3 RotarStr 2
		4 Soft Pad 2
		127 trumpet2 1
	91 O F	plySyPd 2
		1 Poly Pad80 2
		127 trmbone1 2
	92 O C	hoirtPad 2
		1 Heavcn2		2
		127 trmbone2 2
	93 O F	rowedPad 2
		127 frh horn1 1
	94 O M	retallPad 2
		1 Time Pad 2
		2 Pan Pad 2
		127 frh horn2 2
	95 O I	alo Pad 2
		127 tuba 2
	96 O S	sweepPad 2
		1 PolarPad 2
		8 Converge 2
		9 Shwimmer 2
		10 Celestial 2
		127 bssect1 1

Instrument Group	Program #	Bank #	Voice Name	Flement
Synth Effects	97	0	Rain
		1 Hm	oRain 2
		2 Arvi	nWad 2
		8 ClaviPad	2
		127 bissect2	2
	98 0 S	oundTnk	2
		1 Ancestral	2
		2 Prologue	2
		127 vibe1 1
	99 0 C	crystal	2
		1 Syn	Maler 1
		2 Stc	cryst 2
		3 RndGlock	2
		4 Loul	Glock 2
		5 GlockChi	2
		6 ClearBel	2
		7 XmasBell	2
		8 Vibe	2
		9 DigitBell	2
		16 ChorBell	2
		17 AirBells 2	2
		18 BellHarp	2
		19 Gamelma	2
		127 vibe2 1
	100	0 Atmosph	2
		1 WangAtms	2
		2 NylHarp	2
		3 Harp Vox	2
		4 HollwRls 2	2
		5 NylonEP	2
		6 AtmosPad 2	2
		127 symallet 1
	101	0 Bright 2
		127 maletwin 2
	102	0 Goldins 2
		1 GobSyn	2
		2 50sSciFi	2
		127 glocken 2
	103	0 Echoes	2
		1 EchoBell2	2
		2 Echo Pan 2
		3 EchoPad2 2
		4 Big Pan 2
		6 Syn Piano 2
		127 tufulhe1	1
	104	0 Sci-Fi	2
		1 Starz 2
		127 xyleophon 1
Ethnic	105	0 Sitar	1
		1 Sitar 2	2
		2 DetSitar	2
		8 Tarrbra	2
		16 Tamboura	2
		127 marimha	2
	106	0 Bano	1
		1 MuteEnjo 1
		8 Rabab 2
		16 Gopichnt 2
		24 Oud	2
		127 koto	1
	107	0 Shamisen	1
		127 sho	2
	108	0 Koto	1
		8 T. Koto	2
		16 Kamoon 2
		127 slikhchhi	2
	109	0 Kalimba 1
		127 whistle1 2
	110	0 Bagpipe	2
		127 whistle2 1
	111	0 Fikde1
		127 bottle 2
	112	0 Shauai	1
		1 Shanai2		1
		8 Pungi1
		16 Hichriki	2
		127 beath 2

Instrument Group	Program #	Bank #	Voice Name	Fle- ment
Percussive	113	0 Tnk8 Bomng9 Gender10 Gamelan11 S Gamlan16 Rama Cym127 timpani 1	Bell2222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222
	114	0 Agogo127 nclotom1
	115	0 SteelDrm 2127 dcpesnar1
	116	0 WooddBlok18 Caset1127 eperc11
	117	0 TaikoDrm 18 Gr.Cassa1127 eperc21
	118	0 McloDTom21 Real Tom28 MelToum219 Rock Tom2127 taiko1
	119	0 SynDrum18 Ana18 ElecPerc2127 taikorim1
	120	0 RevCymb1127 cmbal1
Sound Effects	121	0 FretNoiz1 CuttNgNz12 StrSlap13 CtrnNgNz2127 cactanet1
	122	0 BrioNoiz21 Fl.R.CliK127 trangle1
	123	0 Seashore1 Rain12 Thunder13 Wind14 Streat15 Bushle2127 orchehit1
	124	0 Tweet21 Dog12 Horse13 Bird2127 tdlphone1
	125	0 Telephone1 Tel.Dial12 DoerSsck13 DourSlatt14 Scratch15 WindChm16 Scratch2127 bird1
	126	0 Hcliptpr11 CarEngin12 CarStop13 CarPass14 CarCrash15 Siren16 Train17 Jetplane18 Starship19 Burst16 Coaster127 jam1
	127	0 Applause11 Lauching12 Scream13 Punch14 Heart15 FoodStep1127 cfctwartr2
	128	0 Gunshot11 McInGun12 LaserGun23 Xplion2127 cfctjngl2

XG Drum Voice List

Bank Select MSB = Bank Number, LSB = 000

Drum kit names in bold typeface are those that can be selected in the Disklavier.

Program#

1

2

9

17

25

26

33

41

49

1

2

Note#

Note#

Key#

Alternate assign

Standard Kit

Standard 2 Kit

Room Kit

Rock Kit

Electro Kit

Analog Kit

Jazz Kit

Brush Kit

Classic Kit

SFX 1

SFX 2

13

C# -1

3

Sardo Mate

14

D -1

3

Sardo Open

15

D# -1

H.O

16

E -1

Whip Stap

17

F -1

4

Scratch Push

18

F# -1

4

Saratch Pull

19

G -1

Finger Snap

20

G# -1

Click Noise

21

A -1

Metrophone Click

22

A# -1

Microphone Bell

23

B -1

Seq Click L

24

C 0

Seq Click II

25

C# 0

Brush Tip

26

D 0

O Brach Swirl L

27

D# 0

Brush Slap

28

F 0

O

Brach Swirl H

Reverse Cymbol

Reverse Cymbol

29

F 0

O

Snare Roll

Snare Roll 2

30

F# 0

Castraner

H.O

H.O

31

G 0

Snare L

Snare L 2

SD Rock M

Snaw M

SD Rock II

Brush Slap L

32

G# 0

Sticks

33

A 0

Bass Drum L

Bass Drum M

Bass Drum H 4

Bass Drum M

Mass Drum L 2

34

A# 0

Open Rim Stot

Open Rim Shect 2

35

B 0

Bass Drum M

Bass Drum M 2

Bass Drum H 3

BD Rock

BD Analog L

Gram Caste

36

C 1

Bass Drum H

Bass Drum H 2

BD Rock

BD Guitc

BD Analog H

BD Jazz

BD Soft

Gross Caste Mute

Guitar Clattering Noise

Dial Tone

37

C# 1

Side Stick

38

D 1

Snare M

Snare M 2

SD Room L

SD Rock

SD Rock L

Analog Snare L

Brush Slap M

Marching Sn M

Door Cracking

Door Stam

39

D# 1

Iland Clamp

40

E 1

Snare H

Snare H 2

SD Room H

SD Rock Rim

SD Rock H

Analog Snare H

Anush Tap H

Marching Sn H

41

F 1

Floor Tom L

Room Tern 1

Rock Tom 1

E Tom 1

Analog Tom 1

Jazz Tom 1

Rash Tom 1

Jazz Tom 1

Windchime

42

F# 1

1

He-Hat Closed

Analog III Closed 1

Telephone Ring 2

43

G 1

Fluar Tom H

Room Tom 2

Rock Tom 2

E Tom 3

Analog Tom 2

Jazz Tom 2

Brush Tom 2

Jazz Tom 2

44

G# 1

1

Hi Hat Podzi

Room Tom 3

Rock Tom 3

E Tom 3

Analog Tom 3

Jazz Tom 3

Brush Tom 3

Jazz Tom 3

45

A 1

Low Tom

Room Tom 3

Rock Tom 3

E Tom 3

Analog Tom 3

Jazz Tom 3

46

A# 1

1

Hi Flat Open

Analog III Open

47

B 1

Mid Tom 1

Room Tern 4

Rock Tom 4

E Tom 4

Analog Tom 4

Jazz Tom 4

Rash Tom 4

Jazz Tom 4

48

C 2

Mid Tom H

Room Tern 5

Rock Tom 5

E Tom 5

Analog Tom 5

Jazz Tom 5

Rash Tom 5

Jazz Tom 5

49

C# 2

Crack Cymbal I

Analog Cymbal

Hand Cym Open L

50

D 2

High Tom

Room Tom 6

Rock Tom 6

E Tom 6

Analog Tom 6

Jazz Tom 6

Brush Tom 6

Jazz Tom 6

51

D# 2

Ride Cymbal I

Hand Cym Closed L

52

E 2

Chinese Cymbal

FL-Key Click

Engine Start

53

F 2

Ride Cymbal Cup

Tire Screws

Truck Pass

54

F# 2

Tandolins

Car Passing

Car Pass

55

G 2

Sindah Cymbal

56

G# 2

Cowbell

Analog Cowbell

57

A 2

Crack Cymbal 2

Hand Cym Open II

58

A# 2

Vibratrap

Jetplane

59

B 2

Ride Cymbal 2

Hand Cym Closed H

Starship

60

C 3

Bongo II

Burial Noise

Burial Noise

61

C# 3

Bongo L

62

D 3

Congo H Moti#

Analog Conpa H

ShillMarke

63

D# 3

Congo H Open

Analog Conpa M

64

E 3

Congo L

Analog Conpa L

65

F 3

Timbale H

66

F# 3

Timbale L

67

G 3

Aegogo II

Food

68

G# 3

Azogio L

Rain

Laughing

69

A 3

Cabava

Analog Claves

Thunder

Sneezing

70

A# 3

Maznas

Analog Maracas

Wind

Punch

71

B 3 0

O

Samba Whistle H

Stream

Heartbeat

72

C 4 0

O

Samba Whistle L

BubbleL

FixSteps

73

C# 4

Guile Shet

Food

74

D 4 0

O Gupe Long

Dog

Machine Gun

75

D# 4

Claves

Analog Claves

76

F 4

Ward Block H

77

F 4 4

Wood Block L

78

F# 4

Culea Mote

Scratch Push. Scratch Push.

Scratch Push. Scratch Push.

79

G 4 4

Culea Open.

Scratch Pull. Scratch Pull.

80

G# 4 1

2

Triangle Mote

81

A 4 4

2

Triangle Open

82

A# 4

83

B 4

84

C 5

85

C# 5

86

D 5

87

D# 5

88

E 5

89

F 5

90

F# 5

91

G 5

: Same as Standard kit : No sound

TG300B Drum Voice List

Program # 19 19 26 26 33 41 49 57 128

Note#

Note#

Alternate assign

Standard Kit

Karnin Kit

Power Kit

Electro Kit

Analog Kit

Jazz Kit

Brush Kit

Orchmon Kit

SPX Net

CM Kit

25

CA 0

Spare Roll

26

D 0

Finger Soup

27

DW 0

El Q

Hi Hat Closed

28

E 0

Whip Slip

Hi Hat Pedal

29

F 0

?

Scatch Pad

Hi-Hat Open

30

FR 0

?

Scratch Pad

Rice Cymbal 1

31

G 0

Sticks

32

CA 0

Click Noise

33

A 0

Meteomee Click

34

AR 0

Metrosomee Hell

35

B 0

Bass Drum M

BD Jazz

36

C 1

Base Drum H

BD Power

BD Electronic

BD Analog H

BD Jazz

BD Soft

Gram Cone

37

CA 1

Side Stick

Analog Side Stick

38

D 1

Square M

SD Power

SD Electronic

Analog Share L

Brush Tap

Concer SD

39

DV 1

Hland Cap

Brush Slip

Castomet

High-Q

40

E 1

Square H

SD Power

Brush Swirl

Concer SD

Slap

ND Electro

41

F 1

Flather Tom I

Racco Tom 1

Racco Tom 1

E Tom 1

Analog Tom 1

Jazz Tom 1

Jazz Tom 1

Timpani F

Scratch Pad

42

FR 1

1

Hi-Hat Closed

Analog HH Closed 1

Timpani P

Scratch Pad

43

G 1

Flather Tom II

Racco Tom 2

Racco Tom 2

E Tom 2

Analog Tom 2

Jazz Tom 2

Jazz Tom 2

Timpani G

Sticks

44

GR 1

1

Hi-Hat Pedal

Analog HH Chwaf 2

Timpani Gd

Space Click

Hi-Hat Open 1

45

A 1

Low Tom

Racco Tom 3

Racco Tom 3

E Tom 3

Analog Tom 3

Jazz Tom 3

Jazz Tom 3

Timpani A

Metronome Click

46

AF 1

1

Hi-Hat Open

Analog III Open

Timpani Af

Metrosome Beel

Hi-Hat Open 2

47

B 1

Mid Tom 1

Racco Tom 1

Racco Tom 1

E Tom 1

Analog Tom 1

Jazz Tom 1

Jazz Tom 1

Timpani H

Guitar Fix Nails

48

C 2

Mid Tom H

Racco Tom 5

Racco Tom 5

E Tom 5

Analog Tom 5

Jazz Tom 5

Jazz Tom 5

Timpani C

Guitar Cutting Down

49

CA 2

Crash Cymbal 1

Analog Cymbal

Timpani C#

Guitar Cutting Up

50

D 2

High Tom

Room Tom 6

Room Tom 6

E Tom 6

Analog Tom 6

Jazz Tom 6

Jazz Tom 6

Timpani D

Ac Bass Slip

51

DF 2

Racco Cymbal 1

Timpani Dd

FL Key Click

52

E 2

Chinese Cymbal

Reverse Cymbal

Timpani E

Laughing

53

F 2

Racco Cymbal Cup

Timpani F

Screening

54

FA 2

Tunbvcine

Punch

55

G 2

Splash Cymbal

Heartbeat

56

GR 2

Cowbell

Analog Cowbell

Footsteps 1

57

A 2

Crash Cymbal 2

Iland Cym 1

Footsteps 2

58

AA 2

Yvelaslop

Timpani C#

Guitar Clamping

59

R 2

Rice Cymbal 2

Hand Cym 2

Door Clamping

60

U 3 Bango H

Door Slam

61

CA 3

Dongt L

Scratch

62

D 3

Conga H Mole

Analog Conga H

Windshoe

63

DF 3

Conga H Open

Analog Conga M

Engine Start

64

E 3

Conga L

Analog Conga L

Tape Screech

65

F 3

Timhule H

Car Passing

66

FA 3

Timhulz L

Crash

67

G 3

Arago II

Siren

68

CA 3

Arago L

Train

69

A 3

Calena

Jetplane

70

AE 3

Maracat

Analog Maracat

Helicopter

71

B 3

2

Namba Whistle H

Starship

72

C 1

2

Sunby Whistle L

Gunshot

73

CA 4

3

Gaia Shet

Machine Gun

Vilionshop

74

D 4

3

Gaia Long

Laser Gun

75

DA 4

Claves

Analog Claves

Explosion

76

F 4

Wand Block H

Dog

Laughing

77

F 4

Wand Block 1

House Gang

Screening

78

FA 4

4

Chua State

Bird Touch

Punch

79

G 4

4

Chua Open

Rain

Elephant boat

80

CA 4

5

Triangle Mose

Thunder

Footsteps 1

81

A 4

5

Triangle Open

Wind

Footsteps 2

82

AE 4

Stakeer

Seshore

Applause

83

B 4

Jackie Bell

Stream

Door Cracking

84

C 5

Bill Traci

Bubble

Door Sham

85

CA 5

Castanot

Scratch

86

D 5

6

Sundco Mose

Windchime

87

DA 5

6

Sunda Open

Engine Start

88

E 5

Applause

Fire Spray

89

F 5

Car Passing

90

TA 5

Crash

91

G 5

Sirion

92

CA 5

Rain

93

AA 5

Jetplane

94

AM 5

Delicoper

95

B 5

Starship

96

CA 6

Gunshot

97

CA 6

Machine Gun

98

D 6

Laser Gun

99

DA 6

Hypnosis

100

E 6

Dog

101

F 6

Harse Gang

102

FA 6

Bird Tweet

103

G 6

Rain

104

GR 6

Thunder

105

A 6

Wind

106

AA 6

Footshoe

107

H 6

Screwup

108

C 7

Bubble

: Same as Standard kit  No sound.

Effect Type List

Exclusive Effect Type Description
MSB LSB
REVERB
00 00 NO EFFECT Effect turned off.01 00 HALL1 Reverb simulating the resonance of a hall.01 01 HALL2 Reverb simulating the resonance of a hall.02 00 ROOM1 Reverb simulating the resonance of a room.02 01 ROOM2 Reverb simulating the resonance of a room.02 02 ROOM3 Reverb simulating the resonance of a room.03 00 STAGE1 Reverb appropriate for a solo instrument.03 01 STAGE2 Reverb appropriate for a solo instrument.04 00 PLATE Reverb simulating a metal plate reverb unit.10 00 WHITE ROOM A unique short reverb with a bit of initial delay.11 00 TUNNEL Simulation of a tunnel space expanding to left and right.13 00 BASEMENT A bit of initial delay followed by reverb with a unique resonance.
CHORUS
00 00 NO EFFECT Effect turned off.41 00 CHORUS1 Conventional chorus program that adds natural spaciousness.41 01 CHORUS2 Conventional chorus program that adds natural spaciousness.41 02 CHORUS3 Conventional chorus program that adds natural spaciousness.41 08 CHORUS4 phase LFO adds modulation and spaciousness to the sound.42 00 CELESTE1 A 3 phase LFO adds modulation and spaciousness to the sound.42 01 CELESTE2 A 3 phase LFO adds modulation and spaciousness to the sound.42 02 CELESTE3 A 3 phase LFO adds modulation and spaciousness to the sound.42 08 CELESTE4 Celeste with stereo input. The pan setting specified for the Part will also apply to the effect sound.43 00 FLANGER1 Adds a jet-airplane effect to the sound.43 01 FLANGER2 Adds a jct-airplane effect to the sound.43 08 FLANGER3 Adds a jet-airplane effect to the sound.
VARIATION
00 00 NO EFFECT Effect turned off.01 00 HAL1 Reverb simulating the resonance of a hall.01 01 HAL2 Reverb simulating the resonance of a hall.02 00 ROOM1 Reverb simulating the resonance of a room.02 01 ROOM2 Reverb simulating the resonance of a room.02 02 ROOM3 Reverb simulating the resonance of a room.03 00 STAGE1 Reverb appropriate for a solo instrument.03 01 STAGE2 Reverb appropriate for a solo instrument.04 00 PLANER1 Adds a jet-airplane effect to the sound.05 00 DELAY L, C, R A program that creates three delay sounds; I, R, and C (center).06 00 DELAY L, R A program that creates two delay sounds; L and R. Two feedback delays are provided.07 00 ECHO A program that crosses the feedback of two delays.08 00 CROSS DELAY A program that crosses the feedback of two delays.09 00 EARLY REF1 An effect that produces only the early reflection component of reverb.09 01 EARLY REF2 An effect that produces only the early reflection component of reverb.0A 00 GATE REVERB A simulation of gated reverb.0B 00 REVERSE GATE A program that simulates gated reverb played backwards.14 00 KARAOKE 1 A delay with feedback of the same types as used for karaoke reverb.14 01 KARAOKE 2 A delay with feedback of the same types as used for karaoke reverb.14 02 KARAOKE 3 A delay with feedback of the same types as used for karaoke reverb.41 00 CHORUS1 Conventional chorus program that add natural spaciousness.41 01 CHORUS2 Conventional chorus program that adds natural spaciousness.41 02 CHORUS3 Conventional chorus program that adds natural spaciousness.41 08 CHORUS4 Chorus with stereo input.42 00 CELESTE1 A 3 phase LFO adds modulation and spaciousness to the sound.42 01 CELESTE2 A 3 phase LFO adds modulation and spaciousness to the sound.42 02 CELESTE3 A 3 phase LFO adds modulation and spaciousness to the sound.42 08 CELESTE4 Celeste with stereo input.43 00 FLANGER1 Adds a jct-airplane effect to the sound.43 01 FLANGER2 Adds a jet-airplane effect to the sound.43 08 FLANGER3 Adds a jet-airplane effect to the sound.44 00 SYMMPHONIC A multi-phase version of CELESTE.45 00 ROTARY SPEAKER A simulation of a rotary speaker. You can use ACI (assignable controller) etc. to control the speed of rotation.46 00 TREMOLO An effect that cyclically modulates the volume.47 00 AUTO PAN A program that cyclically moves that sound image to left and right, front and back.48 00 PLASER1 Cyclically changes the phase to add modulation to the sound.48 08 PHASFR2 Phaser with stereo input.49 00 DISTORTION Adds a sharp-edged distortion to the sound.4A 00 OVER DRIVE Adds mild distortion to the sound.4B 00 AMP SIMULATOR A simulation of a guitar amp.4C 00 3BAND EQ (MONO) A mono EQ with adjustable LOW, MID, and HIGH equalizing.4D 00 2BAND EQ (STEREO) A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts.4E 00 AUTO WAH (LFO) Cyclically modulates the center frequency of a wah filter. With an ACI etc. this can function as a pedal wah.40 00 THRU Bypass without applying any effect.

* MSB, LSB is represented in hexadecimal. * LCB=0 is the basic effect type. Effect Parameter List

No	Parameter Range	Value See		Table	Control
HALL1, HALL2, ROOM 1, 2, 3, STAGE 1, 2, PLATE
1	Reverb Time 0.3~30	0s 0~69 table#4
2	Diffusion	0~10	0-10
3	Initial Delay 0~63	63 table#5
4	HPF Cutoff Thru~8.0kHz 0~52 table#3
5	LPF Cutoff 1.0k~Thru 34-60 table#3
6
7
8
9
10	Dry/Wet D63>W~D	W~D< W63 1-127		•table#5
11	Rev Delay	0~63	0-63
12	Density	0~3	0-3
13	Er/Rev Balance	E63>R ~ E=R ~ E>R63	1-127
14
15	Feedback Level	63~+63	1-127
16

WHITE ROOM, TUNNEL, BASEMENT

1	Reverb Time 0.3~30	0s 0-69 table#4
2	Diffusion	0~10 0-10
3	Initial Delay	0~63 0~63 table#5
4	HPF Cutoff Thru~8.0kHz	0-52 table#3
5	LPF Cutoff 1.0k~Thru	34-60 table#3
6	Width	0.5~10.2m	0~37	table#1
7	Height	0.5~20.2m	0~73	table#1
8	Depth	0.5~30.2m	0~104	table#1
9	Wall Vary	0~30 0-30
10	Dry/Wet D63>W~D	0=W~D< W63 1-127		•
11	Rev Delay	0~63	0~63	table#5
12	Density	0~3	0~3
13	Er/Rev Balance	E63>R-E=R-E>R63	1-127
14
15	Feedback Level	-63~+63	1-127
16

DELAYL.C.R

1 Lch Delay	0.1~715.0ms	1-7150
2 Rch Delay	0.1~715.0ms	1-7150
3 Cch Delay	0.1~715.0ms	1-7150
4 Feedback Delay	0.1~715.0ms	1-7150
5 Feedback Level	-63~+63	1-127
6 Cch Level	0~127 0-127
7 High Damp 0.1~1.0		1-10
8
9
10 Dry/Wet D63=W~D=W~D< W63	1-127		·
11
12
13 EQ Low Frequency	50Hz~2.0kHz	8-40 tabe#3
14 EQ Low Gain	12~+12dB	52-76
15 EQ High Frequency	500Hz~16.0kHz	28-58 tabe#3
16 EQ High Gain	12~+12dB	52-76

DELAY L, R

1 Loh Delay 0.1~715.0ms 1-7150
2 Roh Delay 0.1~715.0ms 1-7150
3 Feedback Delay1 0.1~715.0ms 1-7150
4 Feedback Delay2 0.1~715.0ms 1-7150
5 Feedback Level -63~+63 1-127
6 High Damp 0.1~1.0 1-10
7
8
9
10 Dry/Wet D63=W~D=W~D<W63 1-127			·
11
12
13 EQ Low Frequency 50Hz~2.0kHz 8-40 tab c#3
14 EQ Low Gain -12~+12dB 52-76
15 EQ High Frequency 500Hz~16.0kHz 28-58 tab#3
16 EQ High Gain -12~+12dB 52-76

: Can be controlled by AC1 (Assignable Controller 1) No.* : These numbers correspond to the Parameter Suffix numbers in See Table**: Refer to "Effect Data Assign Table"

No	Parameter	Range	Value	See Table	Control
ECHO
1	Lch Delay1 0.1~355	0ms	1-3350
2	Lch Feedback Level	-63~+63		1-127
3	Rch Delay1 0.1~355.0ms	1~355.0ms	1-3550
4	Rch Feedback Level	-63~+63		1-127
5	High Damp 0.1~1.0	1~1.0	1-10
6	Lch Delay2 0.1~355	0ms	1-3550
7	Rch Dclay2 0.1~355.0ms	1~355.0ms	1-3550
8	Delay2 Level 0~127	127 0-127
9
10	Dry/Wet D63=W~D=W~D< W63 1-127 •
11
12
13	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
14	EQ Low Gain	12~+12dB	52-76
15	EQ High Frequency	500Hz~16.0kHz	28-58 table#3
16	EQ High Gain	12~+12dB	52-76

CROSS DELAY

1 L->R Delay 0. ~355.0ms 1-3550
2 R->L Delay 0. ~355.0ms 1-3550
3 Feedback Level -63~+63 1-127
4 Input Select L, R, L&R 0-2
5 High Damp 0. ~1.0 1-10
6
7
8
9
10 Dry/Wet D63=W~D=W~D<W63 1-127·
11
12
13 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3
14 EQ Low Gain -2~+12dB 52-76
15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3
16 EQ High Gain -12~+12dB 52-76

EARLY REF1, EARLY REF2

1 Type		S-H, L-H, Rdm, Rvs, Pht, Spr	0-5
2 Room Size	0.~7.0		0-44 table#6
3 Diffusion	0~10 0-10
4 Initial Delay	0~63 0-63 table#5
5 Feedback Level	-63~+63		1-	27
6 HPF Cutoff Thru~8.0kHz		0-52
7 LPF Cutoff	1.0k~Thru 34-60
8
9
10 Dry/Wet D63>W~D=W~D< W63 1-127 •
11 Liveness	0~10 0-10
12 Density	0~3		0-3
13 High Damp 0.1~1.0		1-10
14
15
16

GATE REVERB, REVERSE GATE

1 Type	TypcA, TypcB	0-1
2 Room Size	0.1~7.0	0~44 table#6
3 Diffusion	0~10 0-10
4 Initial Delay	0~63 0-63 table#5
5 Feedback Level	-63~+63	1-127
6 HPF Cutoff Thru~8.0kHz		0-52
7 LPF Cutoff	1.0k~Thru 34-60
8
9
10 Dry/Wet D63=W~D=W~D< W63		1-127·
11 Liveness	0~10 0-10
12 Density	0~3	0-3
13 High Damp 0.1~1.0		1-10
14
15
16

No	Parameter	Range Value See		Table	Control
KARAOKE 1, 2, 3
1	Delay Time 0~127 0~127 table#7
2	Feedback Level -63~+63 1-127
3	HPF Cutoff Thru~8.0kHz 0-52
4	LPF Cutoff 1.0k~Thru 34-60
5
6
7
8
9
10	Dry/Wet D63>W~D=W~D< W63 1-127 •
11
12
13
14
15
16
CHORUS 1, 2, 3, 4, CELESTE 1, 2, 3, 4
1	LFO Frequency 0.00~39.7Hz 0-127 table#1
2	LFO PM Depth 0~127 0~127
3	Feedback Level -63~+63 1-127
4	Delay Offset 0~127 0-127 table#2
5
6	EQ Low Frequency50Hz~2.0kHz8-40table#3
7	EQ Low Gain -127 52-76
8	EQ High Frequency500Hz~16.0kHz28-58 table#3
9	EQ High Gain -127 52-76
10	Dry/Wet D63>W~D=W~D< W63 1-127 •
11
12
13
14	Input Mode mono/stereo 0-1
15
16
FLANGER 1, 2, 3
1	LFO Frequency 0.00~39.7Hz 0-127 table#1
2	LFO Depth 0~127 0~127
3	Feedback Level -63~+63 1-127
4	Delay Offset 0~127 0-127 table#2
5
6	EQ Low Frequency50Hz~2.0kHz8-40table#3
7	EQ Low Gain -127 52-76
8	EQ High Frequency500Hz~16.0kHz28-58 table#3
9	EQ High Gain -127 52-76
10	Dry/Wet D63>W~D=W~D< W53 1-127 •
11
12
13
14	LFO Phase Difference-180~+180deg 4-124
15
16
SYMPHONIC
1	LFO Frequency 0.00~39.7Hz 0-127 table#1
2	LFO Depth 0~127 0~127
3	Delay Offset 0~127 0-127 table#2
4
5
6	EQ Low Frequency50Hz~2.0kHz8-40table#3
7	EQ Low Gain -127 52-76
8	EQ High Frequency500Hz~16.0kHz28-58 table#3
9	EQ HighGain -127 52-76
10	Dry/Wet D63>W~D=W~D< W63 1-127 •
11
12
13
14
15
16

No	Parameter	Range Value See		Table	Control
ROTARY SPEAKER
1 LFO Frequency 0.00	-39.7Hz	0~127	table#1	·
2 LFO Depth 0~127 0	127
3
4
5
6	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
7 EQ Low Gain	-127+12dB	52-76
8	EQ High Frequency	500Hz~16.0kHz	28-58 table#3
9 EQ High Gain	-127+12dB	52-76
10 Dry/Wet D63=W~D	W~D<W63 1-127
11
12
13
14
15
16
TREMOLO
1 LFO Frequency 0.00	-39.7Hz	0~127	table#1	·
2 AM Depth	0-127 0-127
3 PM Depth	0-127 0-127
4
5
6	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
7 EQ Low Gain	-127+12dB	52-76
8	EQ High Frequency	500Hz~16.0kHz	28-58	table#3
9 EQ High Gain	-127+12dB	52-76
10
11
12
13
14
15
16
AUTO PAN
1 LFO Frequency 0.00	-39.7Hz	0-127	table#1	·
2 L/R Depth	0-127 0-127
3 F/R Depth	0-127 0-127
4 PAN Direction	L<-R, L->R, L<-R, Lturn, Rturn, L/R	0-5
5
6	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
7 EQ Low Gain	-127+12dB	52-76
8	EQ High Frequency	500Hz~16.0kHz	28-58	table#3
9 EQHigh Gain	-127+12dB	52-76
10
11
12
13
14
15
16
PHASER1, PHASER2
1 LFO Frequency 0.00	-39.7Hz	0-127	table#1
2 LFO Depth 0~127 0	127
3 Phase Shift	0-127 0-127
4 Feedback Level	-63+63 1-127
5
6	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
7 EQ Low Gain	-127+12dB	52-76
8	EQ High Frequency	500Hz~16.0kHz	28-58	table#3
9EQ High Gain	-127+12dB	52-76
10 Dry/Wet D63=W~D=W~D<W63 1-127 •
11 Stage	3~10	3-10
12 Diffusion	Mono/Stereo	0-1
13 LFO Phase Di	-180~+180deg	4-124
14
15
16

: Can be controlled by AC1 (Assignable Controller 1) No.* : These numbers correspond to the Parameter Suffix numbers in See Table**: Refer to "Effect Data Assign Table".

No	Parameter	Range	Value See Table	Control
DISTORTION, OVERDRIVE
1 Drive 0~127 0~127 •2 EQ Low Frequency3 EQ Low Gain -12~+4 LPF Cutoff 1.0k~Thu 34-60 table#35 Output Level 0~1276 EQ Mid Frequency8 EQ Mid Gain -12~+9 EQ Mid Width 1.0~10Dry/Wet11 Edge (Clip Curve)	50Hz~2.0kHz 8-40 table#312dB 52-76ru 34-60 table#30-127500Hz~10.0kHz 28-54 table#32dB 52-762.0 10-120D63=W~D=W~D<W630~127	1-1270-127	mild~sharp
GUITAR AMP SIMULATOR
1 Drive 0~127 0~127 •2 AMP Type Off, Stack, Combo, Tube 0-33 LPF Cutoff 1.0k~Thru 34-60 table#34 Output Level 0~127500Hz~10.0kHz 2-127	D63=W~D=W~D<W630~127	1-1270-127	mild~sharp
5678910111213141516Dry/WetEdge (Clip Curve)
3-BAND EQ
1 EQ Low Gain -12~+2 EQ Mid Frequency3 EQ Mid Gain -12~+4 EQ Mid Width 1.0~15 EQ High Gain -16EQ Low Frequency7 EQ High Frequency910111213141516	12dB 52-76500Hz~10.0kHz 28-54 table#312dB 52-762.0 10-1202~+12dB 52-7650Hz~2.0kHz 8-40 table#3500Hz~16.0kHz 28-58 table#3	1-1270-127	mild~sharp

No	Parameter	Range	Value See Table	Control
2-BAND EQ
1	EQ Low Frequency	50Hz~2.0kHz	8-40 tab	e#3
2 EQ	Low Gain -12~+12dB 52-76
3	EQ High Frequency	500Hz~16.0kHz 28-58 tab
4 EQ	High Gain -12~+12dB 52-76
5
6
7
8
9
10
11	EQ Mid Frequency	100Hz~10.0kHz 14-54 tab	e#3
12	EQ Mid Gain -12~+12dB 52-76
13	EQ Mid Width 1.0~12.0 10-120
14
15
16
AUTO WAH
1	LFO Frequency	0.00~39.7Hz	0-127	table#1
2 LFO Depth 0~127 0~127
3 Cutoff Frequency 0~127
4 Resonance 1.0~12.0 10-120
5	EQ Low Frequency	50Hz~2.0kHz	8-40 tab	e#3
6	EQ Low Gain -12~+12dB 52-76
7 EQ	EQ High Frequency	500Hz~16.0kHz 28-58 tab
8	EQ High Gain -12~+12dB 52-76
9 EQ	Dry/Wet	D63=W~D=W~D<W63	1-127
10
11
12
13
14
15
16

Can be controlled by AC1 (Assignable Controller 1) No.* : These numbers correspond to the Parameter Suffix numbers in See Table** : Refer to "Effect Data Assign Table"

Effect Data Assign Table

Table#1

LFO Frequency (Hz)

Data	Value	Data	Value	Data	Value
0 0	00	43 1	81	86 5.38
1 0	04	44 1	85	87 5.55
2 0	08	45 1	89	88 5.72
3 0	13	46 1	94	89 6.06
4 0	17	47 1	98	90 6.39
5 0	21	48 2	02	91 6.73
6 0	25	49 2	06	92 7.07
7 0	29	50 2	10	93 7.40
8 0	34	51 2	15	94 7.74
9 0	38	52 2	19	95 8.08
10 0	42	53 2	23	96 8.41
11 0	46	54 2	27	97 8.75
12 0	51	55 2	31	98 9.08
13 0	55	56 2	36	99 9.42
14 0	59	57 2	40	100 9.76
15 0	63	58 2	44	101 10.10
16 0	67	59 2	48	102 10.80
17 0	72	60 2	52	103 11.40
18 0	76	61 2	57	104 12.10
19 0	80	62 2	61	105 12.80
20 0	84	63 2	65	106 13.50
21 0	88	64 2	69	107 14.10
22 0	93	65 2	78	108 14.80
23 0	97	66 2	86	109 15.50
24 1	101	67 2	94	110 16.20
25 1	105	68 3	103	111 16.80
26 1	109	69 3	111	112 17.50
27 1	114	70 3	119	113 18.20
28 1	118	71 3	124	114 19.50
29 1	122	72 3	131	115 20.90
30 1	126	73 3	140	116 22.20
31 1	130	74 3	149	117 23.60
32 1	135	75 3	160	118 24.90
33 1	139	76 3	170	119 26.20
34 1	143	77 3	180	120 27.60
35 1	147	78 4	200	121 28.90
36 1	151	79 4	211	122 30.30
37 1	156	80 4	231	123 31.60
38 1	160	81 4	241	124 33.00
39 1	164	82 4	271	125 34.30
40 1	168	83 4	288	126 37.00
41 1	172	84 5	305	127 39.70
42 1	177	85 5	322

Table#2

Modulation Delay Offset (ms)

Data	Value	Data	Value	Data	Value
0 0	0	43 4.3		86 8.6
1 0.1	1	44 4.4		87 8.7
2 0.2	2	45 4.5		88 8.8
3 0.3	3	46 4.6		89 8.9
4 0.4	4	47 4.7		90 9.0
5 0.5	5	48 4.8		91 9.1
6 0.6	6	49 4.9		92 9.2
7 0.7	7	50 5.0		93 9.3
8 0.8	8	51 5.1		94 9.4
9 0.9	9	52 5.2		95 9.5
10 1.0	10	53 5.3		96 9.6
11 1.1	11	54 5.4		97 9.7
12 1.2	12	55 5.5		98 9.8
13 1.3	13	56 5.6		99 9.9
14 1.4	14	57 5.7		100 10.0
15 1.5	15	58 5.8		101 11.1
16 1.6	16	59 5.9		102 12.2
17 1.7	17	60 6.0		103 13.3
18 1.8	18	61 6.1		104 14.4
19 1.9	19	62 6.2		105 15.5
20 2.0	20	63 6.3		106 17.1
21 2.1	21	64 6.4		107 18.6
22 2.2	22	65 6.5		108 20.2
23 2.3	23	66 6.6		109 21.8
24 2.4	24	67 6.7		110 23.3
25 2.5	25	68 6.8		111 24.9
26 2.6	26	69 6.9		112 25.5
27 2.7	27	70 7.0		113 28.0
28 2.8	28	71 7.1		114 29.6
29 2.9	29	72 7.2		115 31.2
30 3.0	30	73 7.3		116 32.8
31 3.1	31	74 7.4		117 34.3
32 3.2	32	75 7.5		118 35.9
33 3.3	33	76 7.6		119 37.5
34 3.4	34	77 7.7		120 39.0
35 3.5	35	78 7.8		121 40.6
36 3.6	36	79 7.9		122 42.2
37 3.7	37	80 8.0		123 43.7
38 3.8	38	81 8.1		124 45.3
39 3.9	39	82 8.2		125 46.9
40 4.0	40	83 8.3		126 48.4
41 4.1	41	84 8.4		127 50.0
42 4.2	42	85 8.5

Table#3

EQ Frequency (Hz)

Data	Value	Data	Value
0	THRU(20)	43	2.8k
1	22	44	3.2k
2	25	45	3.6k
3	28	46	4.0k
4	32	47	4.5k
5	36	48	5.0k
6	40	49	5.6k
7	45	50	5.3k
8	50	51	7.0k
9	56	52	8.0k
10	63	53	9.0k
11	70	54	10.0k
12	80	55	11.0k
13	90	56	12.0k
14	100	57	14.0k
15	110	58	16.0k
16	125	59	18.0k
17	140	60	THRU(20.0k)
18	160
19	180
20	200
21	225
22	250
23	280
24	315
25	355
26	400
27	450
28	500
29	560
30	630
31	700
32	800
33	900
34	1.0k
35	1.1k
36	1.2k
37	1.4k
38	1.6k
39	1.8k
40	2.0k
41	2.2k
42	2.5k

Table#4

Reverb Time (ms)

Data	Value	Data	Value
0	0.3	43	4.6
1	0.4	44	4.7
2	0.5	45	4.8
3	0.6	46	4.9
4	0.7	47	5.0
5	0.8	48	5.5
6	0.9	49	5.0
7	1.0	50	5.5
8	1.1	51	7.0
9	1.2	52	7.5
10	1.3	53	8.0
11	1.4	54	8.5
12	1.5	55	9.0
13	1.6	56	9.5
14	1.7	57	10.0
15	1.8	58	11.0
16	1.9	59	12.0
17	2.0	60	13.0
18	2.1	61	14.0
19	2.2	62	15.0
20	2.3	63	16.0
21	2.4	64	17.0
22	2.5	65	18.0
23	2.6	66	19.0
24	2.7	67	20.0
25	2.8	68	25.0
26	2.9	69	30.0
27	3.0
28	3.1
29	3.2
30	3.3
31	3.4
32	3.5
33	3.6
34	3.7
35	3.8
36	3.9
37	4.0
38	4.1
39	4.2
40	4.3
41	4.4
42	4.5

Table#5

Delay Time (ms)

Data	Value	Data	Value	Data	Value
0	0.1	43	57.8	86	35.5
1	1.7	44	59.4	87	37.0
2	3.2	45	70.9	88	38.6
3	4.8	46	72.5	89	40.2
4	6.4	47	74.1	90	41.8
5	8.0	48	75.7	91	43.3
6	9.5	49	77.2	92	44.9
7	11.1	50	78.8	93	46.5
8	12.7	51	80.4	94	48.1
9	14.3	52	81.9	95	49.6
10	15.8	53	83.5	96	51.2
11	17.4	54	85.1	97	52.8
12	19.0	55	86.7	98	54.4
13	20.6	56	88.2	99	55.9
14	22.1	57	89.8	100	57.5
15	23.7	58	91.4	101	59.1
16	25.3	59	93.0	102	60.6
17	26.9	60	94.5	103	62.2
18	28.4	61	96.1	104	63.8
19	30.0	62	97.7	105	65.4
20	31.6	63	99.3	106	66.9
21	33.2	64	100.8	107	68.5
22	34.7	65	102.4	108	70.1
23	36.3	66	104.0	109	71.7
24	37.9	67	105.6	110	73.2
25	39.5	68	107.1	111	74.8
26	41.0	69	108.7	112	76.4
27	42.6	70	110.3	113	78.0
28	44.2	71	111.9	114	79.5
29	45.7	72	113.4	115	81.1
30	47.3	73	115.0	116	82.7
31	48.9	74	116.6	117	84.3
32	50.5	75	118.2	118	85.8
33	52.0	76	119.7	119	87.4
34	53.6	77	121.3	120	89.0
35	55.2	78	122.9	121	90.6
36	56.8	79	124.4	122	92.1
37	58.3	80	126.0	123	93.7
38	59.9	81	127.6	124	95.3
39	61.5	82	129.2	125	96.9
40	63.1	83	130.7	126	98.4
41	64.6	84	132.3	127	200.0
42	66.2	85	133.9

Table#6

Room Size (m)

Data	Value	Data	Value
0	0.1	43	6.8
1	0.3	44	7.0
2	0.4
3	0.6
4	0.7
5	0.9
6	1.0
7	1.2
8	1.4
9	1.5
10	1.7
11	1.8
12	2.0
13	2.1
14	2.3
15	2.5
16	2.6
17	2.8
18	2.9
19	3.1
20	3.2
21	3.4
22	3.5
23	3.7
24	3.9
25	4.0
26	4.2
27	4.3
28	4.5
29	4.6
30	4.8
31	5.0
32	5.1
33	5.3
34	5.4
35	5.6
36	5.7
37	5.9
38	6.1
39	6.2
40	6.4
41	6.5
42	6.7

Table#7

Delay Time (ms)

Data	Value	Data	Value	Data	Value
0	0.1	43	135.5	86	270.9
1	3.2	44	138.6	87	274.0
2	6.4	45	141.8	88	277.2
3	9.5	46	144.9	89	280.3
4	12.7	47	148.1	90	283.5
5	15.8	48	151.2	91	286.6
6	19.0	49	154.4	92	289.8
7	22.1	50	157.5	93	292.9
8	25.3	51	160.7	94	296.1
9	28.4	52	163.8	95	299.2
10	31.6	53	167.0	96	302.4
11	34.7	54	170.1	97	305.5
12	37.9	55	173.3	98	308.7
13	41.0	56	176.4	99	311.8
14	44.2	57	179.6	100	315.0
15	47.3	58	182.7	101	318.1
16	50.5	59	185.9	102	321.3
17	53.6	60	189.0	103	324.4
18	56.8	61	192.2	104	327.6
19	59.9	62	195.3	105	330.7
20	63.1	63	198.5	106	333.9
21	66.2	64	201.6	107	337.0
22	69.4	65	204.8	108	340.2
23	72.5	66	207.9	109	343.3
24	75.7	67	211.1	110	346.5
25	78.8	68	214.2	111	349.6
26	82.0	69	217.4	112	352.8
27	85.1	70	220.5	113	355.9
28	88.3	71	223.7	114	359.1
29	91.4	72	226.8	115	362.2
30	94.6	73	230.0	116	365.4
31	97.7	74	233.1	117	368.5
32	100.9	75	236.3	118	371.7
33	104.0	76	239.4	119	374.8
34	107.2	77	242.6	120	378.0
35	110.3	78	245.7	121	381.1
36	113.5	79	248.9	122	384.3
37	116.6	80	252.0	123	387.4
38	119.8	81	255.2	124	390.6
39	122.9	82	258.3	125	393.7
40	126.1	83	261.5	126	396.9
41	129.2	84	264.6	127	400.0
42	132.4	85	267.7

Table#8

Reverb Width; Depth; Height

Data	Value	Data	Value	Data	Value
0	0.5	43	11.8	86	24.2
1	0.8	44	12.1	87	24.5
2	1.0	45	12.3	88	24.9
3	1.3	46	12.6	89	25.2
4	1.5	47	12.9	90	25.5
5	1.8	48	13.1	91	25.8
6	2.0	49	13.4	92	26.1
7	2.3	50	13.7	93	26.5
8	2.6	51	14.0	94	26.8
9	2.8	52	14.2	95	27.1
10	3.1	53	14.5	96	27.5
11	3.3	54	14.8	97	27.8
12	3.6	55	15.1	98	28.1
13	3.9	56	15.4	99	28.5
14	4.1	57	15.6	100	28.8
15	4.4	58	15.9	101	29.2
16	4.6	59	16.2	102	29.5
17	4.9	60	16.5	103	29.9
18	5.2	61	16.8	104	30.2
19	5.4	62	17.1
20	5.7	63	17.3
21	5.9	64	17.6
22	6.2	65	17.9
23	6.5	66	18.2
24	6.7	67	18.5
25	7.0	68	18.8
26	7.2	69	19.1
27	7.5	70	19.4
28	7.8	71	19.7
29	8.0	72	20.0
30	8.3	73	20.2
31	8.6	74	20.5
32	8.8	75	20.8
33	9.1	76	21.1
34	9.4	77	21.4
35	9.6	78	21.7
36	9.9	79	22.0
37	10.2	80	22.4
38	10.4	81	22.7
39	10.7	82	23.0
40	11.0	83	23.3
41	11.2	84	23.6
42	11.5	85	23.9

Function... Transmitted Recognized Remarks
Basic Default 1-16 1-16 MemorizedChannel Changed 1-16 1-16
Default 3 3Mode Messages xAltered*****		3, 4 (m=1)xxxxxx	*2, *3
NoteNumber : True voice		0-127**********	0-1270-127
Velocity Note ONNote OFF		○ 9nH, v=1-127 v=1-127○ 8nH, v=0-127	○○
After Touch	Key s	○ *4×	○○	*1, *2
	Ch s
Pitch Bend		×	○ 0-24 semi *1, *2
Control	0, 32	○	○ *1, *2	Bank Select
	7, 11	○	○ *1
	1, 5, 10	×	○ *1, *2
	6, 38	×	○ *2	Data EntryHold1 (Sustain)
	64	○	○	*2Portament
	65 ×		○ *2 Sostenuto	*2Soft (Shift) Pedal
Change	66 ×		○ *2	*2
	67 ×		○ *2	*2
	71-74, 84	×	○	*2
	91, 93, 94	×	○	*2
	96-101	×	○	*1, *2
ProgChange : True #		○ 0-127**********	○ 0-127 *2
System Exclusive		○	○
Common : Song Pos		×	×
		×	×
		×	×
System : Clock		×	×
Real Time : Commands		×	×
Aux : All Sound OFF		○	○ (120, 126, 127)
		×	○ (121)
		×	○
		○	○ (123-125)
Messages : Active Sense		○	○
		○	○
Notes *1 = Received (transmitted) if switch is on. *2 = Only ESBL Part can be recognized. *3 = m is always treated as 1 regardless of its value.			*4 = Applying further pressure on the key does not output key aftertouch information. Instead, key position is transmitted as additional information.

YAMAHA