WK880 - Stage keyboard PEAVEY - Free user manual and instructions

USER MANUAL WK880 PEAVEY

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Mode Style/RealTime 2.2

Mode Song (morceau) 2.2

2 - Essayez lessons duclavier du WK6/8 (mode Style/RealTime) 2.3

Mode Full keyboard 2.3

Mode Upper/Lower keyboard (clavier supérieur/inferieur) 2.4

Quantize (Quantification) 7.8

Transpose (Transposition) 7.13

Microscope 7.14

Delete (F6) (effacer) 7.16

Master Track 7.17

Score & Edit Score 7.20

Score Controls 7.21

Video controls 7.21

Edit Score (Edition du Score) 7.22

Quantize (Quantifier) 9.8

Transpose (Transposition) 9.13

Microscope 9.14

Delete (F6) (effacer) 9.16

Common Channel/Arrangement 11.6

MIDI Dump... 11.7

Local ON, local Off 11.9

MIDI lock 11.9

Transpose (transposition) 14.1

Edit Sound Patch 15.5

Pitch Envelope 16.29

LFO (Low Frequency Oscillator) 16.32

Pan 16.34

Sample Translator 16.37

Algorithm 16.37

Load 16.43

Tuning/Scale (Accordage fin) 17.2

Pedalboard/Computer 17.4

Date & Time (Date & Heure) 17.5

Display controls 17.6

Mic/Line Inputs 17.6

Les options du menu principal de Edit General 17.9

Restore 17.9

Restore All 17. 10

Restore Styles 17. 10

Restore Performance 17. 10

Restore Songs 17. 10

Restore Style-Performance 17. 10

Fonction Restore Sounds 17. 10

APPENDIX

Tableaux Sons ROM A. 2

Tableaux Drumkit A. 10

Tableaux ROM Style A. 20

Tableaux Performance tables A. 21

Tableaux Effects A. 21

Tableaux Wave A. 22

MIDI Implementation chart A. 24/25

Messages de Control Change reconnus A. 26

Implementation System Exclusive A. 27

Index A. 47

INTRODUCTION

Requests MEMORY CLEAR !!

STOCKAGE DES DONNÉES DANS LA MÉMOIRE RAM

La batterie tampon

NAVIGATION, SAISIE DE DONNÉES, CONFIRMATION/ANNULATION

Edit Controllers/Pads

Edit Tracks

Edit Perf Sound/Drumkit

Edit Style/Song

Edit General

Edit Disk / Preload

Edit Sound

LES PISTES, LES PERFORMANCE ET LES ICONES DES PISTES

3

< SteelGuit 1 (Upper 1) >
< SteelGuit 2 (Upper 2) >

MODIFIER LE POINT DE SPLIT (SPLIT POINT)

Le point de Split est:

$$ \downarrow = 1 0 0 $$

$$ \downarrow = 9 0 $$

$$ j = 9 0 $$

$$ \downarrow = 1 0 0 $$

$$ \downarrow = 1 1 0 $$

7

8

9

Are you sure? (Enter) to confirm (Escape) to cancel

10

Load Group User Style

WX2, WX 400, WX Expander, SX2, SX3

This file cannot be copied/noved/saved/load to another location!

• Floopy Disk Utility et,
• Hard Disk Utility.

"Operation completed"

"Operation completed"

SEARCH RESOURCE (F4)

Play/Rec mode (mode de lecture)

II y a trois options:

- Linear

Start (point de commencement)

Song memory (non modifiable)

Play/Rec_mode: Linear
Play/Rec_mode: Forced stop
Play/Rec_mode: Loop

Are you sure? (nter) to confirm (scape) to cancel

Controls rec... (F3)

Select all tracks (F4)

MEMORY PROGRESS BAR (NON MODIFIABLE)

Edit Song - Main menu (menu principal de Edit Song)

PROCEDURE D'ÉDITION

Are you sure? (Enter) to confirm (Escape) to cancel

UNDO utility is OFF!

Options: All, Duplicate note, Note, Pitch Bend, Mono touch, Poly touch, Velocity Off, ProgramChange, ControlChange 00...31, ControlChange 64...127.

Note range from... to... (Extension)

Options: Merge, Replace.

Note range from... to...(Extension)

Quantize (Quantification)

Note On quantization

Note Off quantization

Note range from... to...(Extension)

Note range from... to...(Extension)

Transpose (Transposition)

Music trk (F8) (Piste Music)

INS: (X) (F3) (INTRODUIRE)

INS TYPE... (F4) (TYPE D'INTRODUCTION)

INS: (X) (F3) (INTRODUIRE)

Statut	Valeur
Tempo	120
Performance	1
Volume	64
Eff. Dv. Sel	0
Statut	Valeur
Eff. Type	0
Eff. Vol	0
RotaryA	Slw/Fst
RotaryB	Slw/Fst
Scale	1
Key Sign	C

INS TYPE... (F4) (TYPE D'INTRODUCTION)

COMMENT QITTER EDIT SCORE

Score Edit - mode Chord

Var1	Var2	Var3	Var4
Basic Major	Basic Major	Basic Major	Basic Major
Basic Minor	Basic Minor	Basic Minor	Basic Minor
Basic 7th	Basic 7th	Basic 7th	Basic 7th
Fill Major	Fill Major	Fill Major	Fill Major
Fill Minor	Fill Minor	Fill Minor	Fill Minor
Fill 7th	Fill 7th	Fill 7th	Fill 7th
Intro Major	Intro Major	Intro Major	Intro Major
Intro Minor	Intro Minor	Intro Minor	Intro Minor
Intro 7th	Intro 7th	Intro 7th	Intro 7th
End Major	End Major	End Major	End Major
End Minor	End Minor	End Minor	End Minor
End 7th	End 7th	End 7th	End 7th

	Do#	Ré#			Fa#	Sol#	La#
	Do	Ré	Mi	Fa	Sol	La	Si
7th 1 accomp.	-2
7th 1 basse
7th 2 accomp.	-2						-1
7th 2 basse							-1
7th 3 accomp.	-2					+1
7th 3 basse						+1
7th 4 accomp.	-2
7th 4 basse

Scale Converter active: Do Maj riff -> Do mineur riff

	Do#	Ré#		Fa#	Sol#	La#
	Do	Ré	Mi	Fa	Sol	La	Si
min 1 accomp.			-1
min 1asse			-1
min 2 accomp.			-1				-1
min 2asse			-1				-1
min 3 accomp.			-1			+1
min 3asse			-1			+1
min 4 accomp.		-1	-1
min 4asse		-1	-1
min 5 accomp.		-1	-1				-1
min 5asse		-1	-1				-1
min 6 accomp.		-1	-1			+1
min 6asse		-1	-1			+1
min 7 accomp.		-1	-1		-1	-1
min 7asse		-1	-1		-1	-1

Accords complexes

Are you sure? (Enter) to confirm (Escape) to cancel

UNDO utility is OFF!

Riff (all tracks) (F6) - Tout un riff (toutes les pistes du riff).

Options: All, Duplicate note, Note, Pitchbend, Mono Touch, Poly Touch, Velocity Off, Program Change, Control Change 00...31, Control Change 64...127.

Note range from... to... (Extension des notes de... à...)

Riff (all tracks) (F6) - Tout un riff (toutes les pistes du riff).

Options: Merge, Replace.

Quantize (Quantifier)

Measures to delete (Mesures à effacer)

Transpose (Transposition)

INS: (X) (F3) (INTRODUIRE)

INS TYPE... (F4) (TYPE D'INTRODUCTION)

Edit Effects - Send level (mode Style/RealTime)

Edit Effects - General Effect Balance

EFFECTS PROGRAMMING (F4) (PROGRAMMATION DES EFFETS)

Effect 2 - Delay/Chorus/Flanger/Modulations
1 Mono Delay 1	Delay [0 (0ms)...125 (500ms)]	Feedback [0% ... 99%]	L.P.Filter [0-bypass...10-16kHz]
2 Mono Delay 2	“	“	“
3 Stereo Delay 1	“	“	“
4 Stereo Delay 2	“	“	“
5 Multitap Delay 1	“	“	“
6 Multitap Delay 2	“	“	“
7 Ping-pong	“	“	“
8 Panmix	Delay [0-(0ms)...125-(500ms)]	Freq.Mod [0-bypass...30-6kHz]	Depth [0 ... 100]
9 Chorus 1	Freq.Mod [0-0kHz...30-6kHz]	Depth [0 ... 100]	L.P.Filter [0-bypass...10-16kHz]
10 Chorus 2	“	“	“
11 Ensemble 1	“	“	“
12 Ensemble 2	“	“	“
13 Phaser 1	Freq.Mod [0-0kHz...30-6kHz]	Depth [0 ... 100]	Feedback [0% ... 99%]
14 Phaser 2	“	“	“
15 Flanger 1	“	“	“
16 Flanger 2	“	“	“
17 Chorus/Delay1	Delay [0-(0ms)...125-(500ms)]	Freq.Mod [0-bypass...30-6kHz]	Depth [0 ... 100]
18 Chorus/Delay2	“	“	“
19 Flanger/Delay1	“	“	“
20 Flanger/Delay2	“	“	“
21 Dubbing	Delay [0-(0ms)...125-(500ms)]	Feedback [0% ... 99%]	L.P.Filter [0-bypass...10-16kHz]
22 Distortion	Depth [0% ... 100%]	Feedback [0% ... 100%]	L.P.Filter [0-bypass...10-16kHz]
23 Distortion/Delay	Depth [0% ... 100%]	Delay [0-(0ms)...125-(500ms)]	Feedback [0% ... 99%]
24 Pitch Shifter 1	Semitone [-12 ... +12]	Detune [-100c ... +100c]	L.P.Filter [0-bypass...10-16kHz]
25 Pitch Shifter 2	“	“	“
26 Shift/Delay	Delay [0-(0ms)...125-(500ms)]	Feedback [0% ... 99%]	Detune [-100c ... +100c]
27 Rotary 1	Speed [1s ... 11s]	Rotary [slow/fast]	L.P.Filter [0-bypass...10-16kHz]
28 Rotary 2	“	“	“
29 EQ Jazz	Low Gain	Medium Gain	High Gain
30 EQ Pop	“	“	“
31 EQ Rock	“	“	“
32 EQ Classic	“	“	“

- Vocal Processor (Edit Effect)

INTRODUCTION

Edit Effect- Main Menu

Connexions

Vocal Processor-Mode Chord, option Volume

Vocal Processor - Edit

Sine

Triangle

Saw-tooth

Square

Random

Sample&Hold

LES PARAMÉTRES DE LA PAGE D'ÉDITION

LFO Wave

Vocal Processor - Mode Chord, option Volume, Lock

Modifications diverses

Vocal On/Off (Pedals/Pads)
Vocal Volume (uniquement Pedals Assign.)
Vocal Custom 1-16 (Pedals/Pads)
Vocal Mute (Pedals/Pads)
Vocal Chord/Vocoder/Unison (Pedals/Pads)

High gain
Middle Freq
Middle gain
Low gain

Edit General - Equalizer

SPECIAL MIDI CONTROLLER ASSOCIÉS AU VOCAL PROCESSOR

Cntrl No.	Description	Value
12	Vocal volume	0 ... 127
13	Vocal On/Off	0 Off/On (toggle)
		64-127 On
14	Mode recall	0 = Chord mode
		1 - Vocoder mode
		2 = Unison
15	Voice Set recall	1 = 1
		2 = 2
		3 = 3
		...
		15 = 15
		16 = 16
85	Voice Mute mode	0 = Voice 1
		1 = Voice 2
		2 = Voice 3
		3 = Voice 4
		4 = Main
		5 = Bass

11 Edition du MIDI

Options: Off, Program Change, Pitchbend, Mono touch, Poly touch, ControlChange 00...31, ControlChange 64...127.

System Exclusive Channel

Chord to Arr.1 / Chord to Arr.2

Options: Left&Right, Left, Right.

Options: Pitch Bend: Off, 1...12.

Modulation: Off, On.

Edit Controllers/Pads - Molette

• «SWITCH»: Off, Modulation, Damper, Sostenuto, Soft, Start/Stop, Key Start, Intro, Fill<, Fill=, Fill>, Ending, Var1, Var2, Var3, Var4, Var>, Performance>, Performance<, Harmony, Bass Follow, Easy Play, Fade In/Out, Tempo-, Tempo+, Punch, Rotary Slow/Fast, Minor, 7th, Dim, Min 7th, Maj 7th, Freeze Chord.
• «CONTINUOUS»: Off., PitchBend, Pitch+, Pitch-, Filter Cutoff Frequency (CC74), Resonance (CC71), Modulation (CC01), Breath controller (CC02), Volume (CC07), Pan (CC10), Expression (CC11), Damper (CC64).

Fonctions disponibles: Off, KeybAssign, Rotary slow/fast, Hardcopy.

Off - Pad déclenché

Edit Controllers/Pads - Pads (programming des pads)

Edit Tracks - Random pitch

MODE/PRIORITY (F5) (PRIORITE)

Options: Poly, Mono L, Mono R, Mono T.

Priority (priorite)

Edit Tracks - Velocity Range

HARMONY (F1) (HARMONIE)

Edit Tracks - Harmony

DELAY (F2) (RETARD)

Edit Tracks - Key Range

CREATE TRACK (F5) (CREER UNE PISTE)

Release (relachement)

Resonance (resonance)

Selection Dynamic Layer

LES PARAMÉTRES DE EDIT SOUND PATCH

Edit note

Eff 2 (Delay/Chorus/Flanger/Modulation)

Copy to Layer... (F2)

Edit Sound - Balance tracking (1 segment)

Amplitude Envelope et Balance Envelope

Edit Sound - Amp. Key Off Envelope

EXAMPLE DE PROGRAMMATION D'UNE ENVELOPPE KEY ON OU KEY OFF

Edit Sound - Balance Tracking

Filter

FILTER ENVELOPE TRACKING

Pitch Envelope Control

Edit Sound - page Pitch Envelope Control

PITCH ENVELOPE KEY ON & KEY OFF

Edit Sound - Pitch Key On Envelope, Zoom 3

Edit Sound - Pitch Key Off Envelope, Zoom 3

Level

PITCH ENVELOPE TRACKING

LFO (Low Frequency Oscillator)

PAN ENVELOPE TRACKING

Cutoff Freq. -> 'Wha-wha'

FILTRES

Are you sure? (Enter) to confirm (Escape) to cancel

LES OPTIONS DE SAMPLE EDIT

NORMALIZE (2) (NORMALISATION)

Edit General - Menu principal

DESCRIPTION DE LA PAGE PRINCIPALE (MAIN MENU)

La page menu affiche au centre 6 modules: General Controls, Tuning/Scale, Pedalboard/ Computer, Date & Time, Display Controls et Mic/ Line In.

Tuning/Scale (Accordage fin)

MASTER PITCH

Options: Equal, Inverse, Meantone, Werkmeister III, Arabian 1, Arabian 2, User1 ... User8.

SCALE USER (CLÉS PROGRAMMABLES PAR L'UTILISATEUR)

Date & Time (Date & Heure)

Edit General; Date & Time

Display controls

Edit General - Display controls

Mic/Line Inputs

Edit General - Mic/Line In (carte AV installee)

PARAMÉTRES (AVEC CARTE AV OPTIONNELLE INSTALLÉE)

Input VU

Styles/Style Performances

CC00	PC	Style
LATIN 1		Bank 1
33	32	Bossa Nova
	33	SoftBossa
	34	ChaCha 1
	35	ChaCha 2
	36	Rhumba 1
	37	Rhumba 2
	38	Rhumba 3
	39	Rhumba 4

LATIN 1 Bank 2

33 40 Tango

41 Stand.Tango

42 Samba

43 Beguine

44 Salsa 1

45 Salsa 2

46 Cumbia 1

47 Cumbia 2

LATIN 2 Bank 1

33 48 Merengue 1

49 Merengue 2

50 Mambo 1

51 Mambo 2

52 DiscoSamba

53 disco Cha

54 Meneito 1

55 Meneito 2

LATIN 2 Bank 2

33 56 EI Tic Tac

57 Makarena

58 Caliente 1

59 Caliente 2

60 Limbo

61 Gipsy

62 Guaracha

63 Calypso

Performances (RealTime)

CC00 PC Performances†

Group 1

48 1 GrandPiano

2 EPSymphony

3 CoolPiano

4 Heavenly

5 Cathedral

6 Warm Grand

7 Grit Organ

8 St. Guitar

Group 2

48 9 CleanSweep

10 L.R.Ballad

11 TheBrass

12 Diglogue

13 PopSynth

14 Matrix 98

15 Secrets

16 EvenDeeper

Group 3

48 17 Piano

18 E.Piano1

19 E.Piano2

20 E.Piano3

21 PianoStrgs

22 E.PianoStrg

23 Clavinet

24 Vibraphone

Group 4

48 25 Marimba

26 ManualBas1

27 ManualBas2

28 SoloGuitar

29 JazzGtr1

30 OctJ.Gtr

31 LeadDist

32 FunkGuitar

CC00 PC Performances†

Group 5

48 33 ChrousGtr

34 RockOrgan

35 JazzOrgan

36 ClickOrgan

37 VintageOrg

38 Fisa

39 Musette

40 Harmonica

Group 6

48 41 SoftSax

42 Trumpet

43 Brass1

44 Brass2

45 Brass3

46 Brass4

47 BrassSec

48 SaxSection

Group 7

48 49 SynBrass

50 Strings1

51 Strings2

52 Strings3

53 Choi

54 Vocal

55 SynthPad1

56 SynthPad2

Group 8

48 57 HammBass

58 Swingin'

59 SoftOrgan

60 PercusOrgan

61 PrettySplit

62 BlueSplit

63 JazzSplit

64 HrmoncSplit

Effects

CC16 DSP A/B select

0 Eff1 (Reverbs GrpA)

1 Eff1 (Reverbs GrpB)

CC48 Rev Eff type select †

48 0 Hall 1

1 Hall 2

2 Hall 3

8 Warm Hall

9 Long Hall

10 St. Concert

16 Chamber

32 Studio Room 1

40 Studio Room 2

41 Studio Room 3

48 Club Room 1

56 Club Room2

57 Club Room3

64 Vocal

65 Metal Vocal

72 Plate 1

73 Plate 2

80 Church

88 Mountains

89 Falling

104 Early 1

105 Early 2

106 Early 3

112 Stereo

CC16 DSP A/B select †

64 Eff2 (Mod. GrpA)

65 Eff2 (Mod. GrpB)

CC48 Mod. Eff type select

48 0 Mono Delay 1

1 Mono Delay 2

8 Stereo Delay 1

9 Stereo Delay 2

16 Multimap Delay 1

17 Multitap Delay 2

24 Ping Pong

25 Pan Mix

32 Chorus 1

33 Chorus 2

40 Ensemble 1

41 Ensemble 2

48 Phaser 1

49 Phaser 2

56 Flanger 1

57 Flanger 2

36 Chorus Delay 1

37 Chorus Delay 2

60 Flanger Delay 1

61 Flanger Delay 2

28 Dubbing

64 Distortion

65 Distortion Delay

80 Pitch Shifter 1

81 Pitch Shifter 2

82 Shift Delay

96 Rotary 1

97 Rotary 2

104 EQ Jazz

105 EQ Pops

106 EQ Rock

107 EQ Classic

1. PIANO

2. MARTELLO

3. AGOGO

4. BABYVOX

5. BD_ELECT1

6. BD_HOUS1

7. BD_HOUS2

8. BD_JAZZ

9. BD ROOM1

10. BD_STD_1

11. BD_STD_2

12. BD_STD_3

13. BD_TECOD

14. BONG_SLH

15. BONGO_HI

16. BONGO_LO

17. BRUS_REV

18. BRUS_RIG

19. BRUSHSLP

20. BRUSHTAP

21. CABASA

22. CABASA_L

23. CASTAGNT

24. CHINA

25. CLAKSON

26. CLAVES

27. CON_H_SL

28. CON_L_SL

29. CONGA_HI

30. CONGA_LO

31. COWBELL

32. CRASH

33. DARBK_HI

34. DARBK_LO

35. DOLLYVOX

36. DROP

37. FINGERSP

38. GUIRO_LG

39. GUIRO_SH

40. HH CLO1L

41. HH_CLO1S

42. HH_OPEN1

43. HH_PEDAL

44. HH_TGHT1

45. HH_TGHT2

46. HOU_COWB

47. HOU TCON

48. HOUS_RIM

49. HOUS_SD1

50. HOUS_SD2

51. HOUSCLAP

52. HOUSEHH

53. HOUSRIDE

54. JNG_BELL

55. MARACAS

56. MT_SURDO

57. OP_SURDO

58. QUICA_HI

59. QUICA_LO

60. RIDE_CUP

61. RIDE_CYM

62. RIMSHOT1

63. RIMSHOT2

64. ROLL_SN

65. SD_ELECT

66. SD_JAZZ1

67. SD_JAZZ2

68. SD_JAZZ3

69. SD ORCH

70. SD ROOM1

71. SD ROOM2

72. SD_STD1

73. SD_STD2

74. SD_STD3

75. SD_STD4

76. SMASH

77. SPLASH

78. STICK

79. TAMB_SLP

80. TAMBOURI

81. TIMB_LOW

82. TIMBALES

83. TIMPANI

84. TOM_ELEC

85. TOM HIGH

86. TOM_JAZZ

87. TOM_LOW

88. TOM ROOM

89. TRIAN_LO

90. TRIAN_SH

91. VIBRASLP

92. VOICES 1

93. VOICES_2

94. VOICES_3

95. VOX_HHCL

96. VOX_TAP

97. VOX_TIP

98. WATER

99. WHISTLE

100. WIND_CHI

101. WOODBLCK

102. DIGIT1WV

103. DIGIT2WV

104. 1685DRAW

105. EL_PIAN7

105.ORGAN_2W

106.ORGAN_3W

107.ORGAN_4W

1. FROG_WV

109.ORGAN_5W

110.ORGAN_6W

1. VIBES_2W

2. E_PIANO4

3. E_PIANO5

4. FORMANT

115.ORGAN_1W

1. PIP_ORG3

2. SQUARE

3. PULSE_05

4. PULSE_10

5. PULSE_15

6. PULSE_20

7. PULSE_25

8. PULSE_30

9. PULSE_35

10. PULSE_40

11. PULSE_45

12. SAW

13. SINUS

14. SUPERSAW

15. TRIANGLE

16. TUB_WAVE

17. ACCORDIO

18. ACO_STR

19. ARMONICA

20. BARCHIME

21. BOTTLE

22. BRS_RIP

23. CASSOTTO

24. CHOIR

25. CLARINET

26. STEL_GTR

27. CLAVINET

28. BIRDS

29. GUN_SHOT

30. ELICOPT

31. PHONE_1

32. PHONE_2

33. SCRATCH1

34. SCRATCH2

35. SEA

36. TICKTACK

37. ZAPP

38. ELGTR_S2

39. FAGOTTO

40. FLHARD_H

41. FLHARD_L

42. FLUGE_S2

43. FNKGSTOP

44. SCRAP_GT

45. HARP

46. JAZZ_GT1

47. MUTE_TR1

48. SPECTR_1

49. NOISE

50. OBOE

51. OCT_JGT

52. PANFLUTE

53. PICKBASS

54. SOFT_SAX

55. SOPRANO

56. TENORSAX

57. PIZZICATO

58. TROMBONE

59. VOCALBOY

60. STRINGS

61. ACBASS_L

62. ACBASS_H

63. HARMACBS

64. BAGPIPE

65. ELBASS_H

66. EL BASS L

67. THUMBASS

68. HARMELBS

69. BASSLAP_H

70. BASSLAP_L

71. FRETLES

72. FLUTE

73. HARMGT_H

74. HARMGT_L

75. DIST_GTR

76. JAZZ_GT2

77. GTR_KURZ

78. ICERAIN

79. KOTO

80. OR_THEAT

81. ORROCK F

82. SAX BARI

83. VOC-DUKN

84. FLANDED

85. BANJO

86. KALIUMBA

87. SHAMISEN

88. SITAR

89. GLOCKEN

205 ELPN_KNH

1. ELPN_KNL

2. FLICORNO

3. GTR MUTE

4. ELPN_MKS

5. RHODES_H

6. RHODES_L

7. TRUMPET

8. VIBES

9. XILOPHNO

10. ACCORD2

11. BRASS

12. VOCAL_DU

13. VOCAL_BA

14. FRHORN H

15. FRHORN_L

16. ELPNKURZ

17. A_MUSETT

18. PLECTRA

19. MANDOL

20. PKBSMUTE

21. 16 1DRAW

22. ORJAZZ_S

23. BD_ORCH

24. FINGBELL

25. CELLO

26. HH_CLO2

27. HH OPEN2

28. DOOR

29. KITCHEN

30. LOGDRUM

31. CRAS_ORC

32. KNELGT_L

33. APPLAUSE

34. HARPSI_S

35. VIOLA

36. VIOLIN

37. FKG_G_WS

38. GT_HARMO

39. PIK_GRT1

40. PIK_GRT2

41. WHAWHA1

42. WHAWHA2

43. WHAWHAA3

44. WHAWHAA4

45. ORCH_HIT

46. PIK GTWS

47. PIPE_S2

48. TROMBO_K

254.ORG_PIP1

1. MARIMBA

2. ORROCK S

3. MANDOL2

4. BD_POWER

5. ACO_GTR2

6. STELGTR2

7. PIANO_H

8. PIANOL2

9. BRASS_2

	0	0	HJ NO NO HJ NO NO HJ NO NO HJ NO NO HJ NO NO HJ NO NO HJ NO NO HJ NO NO HJ NO NO HJ NO NO HJ NO NO HJ NO NO HJ NO NO HJ NO NO HJ NO NO HJ NO NO HJ NO NO HJ NO NO HJ NO NO HJ NO NO HJ NO NO
O	0	0	spun	C
C	0	0	C	S
S	0	0	S	S
	0	0	S	S
	0	0	S	S
	0	0	S	S
L21-0	L21-0	***** L21-0	L21-0	L21-0
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MESSAGESD CONTROL CHANGE RECONNUS (MIDI CONTROLLER)

CC00,32	Bank change.
CC01	Modulation.
CC06,38	Data Entry.
CC07	Main Volume.
CC10	Pan (panorama).
CC11	Expression.
CC12†	Vocal Volume (Vocal Processor)
CC13†	Vocal On/Off (Vocal Processor)
CC14†	Mode Recal (Vocal Processor)
CC15†	Voice Set recall (Vocal Processor)
CC16,48†	Effects selection
CC17,49†	Effects volume
CC18,50†	General Purpose (Tuning control)
CC32	BankSelect LSB.
CC64	Damper pedal.
CC66	Sostenuto (sustain) pedal.
CC67	Soft pedal.
CC71	Resonance.
CC72	Release Time.
CC73	Attack Time.
CC74	Filter Cutoff Frequency.
CC80	One Shot control
CC81	On/Off control
CC85†	Voice Mute mode (Vocal Processor)
CC91	Effect 1 send (E1, reverb depth).
CC93	Effect 2 send (E2, modulation depth).
CC98,99	NRPN
CC100-101	RPN

The transfer of data relating to the samples contained in the sounds of the instrument ias based on the standard protocol, called SDS (Sample Dump Standard). The formats of the various commands available are as follows:

ACK (handshake message):

F0H	=	System Exclusive Message status
7EH	=	Non-Real Time extension
cc	=	device ID
7FH	=	ACK ID
pp	=	packet number
F7H	=	EOX

NACK (handshake message):

F0H	=	System Exclusive Message status
7EH	=	Non-Real Time extension
cc	=	device ID
7EH	=	NACK ID
pp	=	packet number
F7H	=	EOX

CANCEL (handshake message):

F0H = System Exclusive Message status

7EH = Non-Real Time extension

cc = device ID

7DH = CANCEL ID

pp = packet number

F7H = EOX

WAIT (handshake message):

F0H	=	System Exclusive Message status
7EH	=	Non-Real Time extension
cc	=	device ID
7CH	=	WAIT ID
pp	=	packet number
F7H	=	EOX

DUMPHEADER:

F0 7E cc 01 ss ss ee ff ff gg gg gg hh hh ii ii jj F7

cc	=	device ID
ss ss	=	Sample number (LSB first)
ee	=	Sample format(# of significant bits from 8-28)
ff ff ff	=	Sample period in nanoseconds (LSB first)
gg gg gg	=	Sample length in words (LSB first)
hh hh hh	=	Sustain loop start point word number (LSB first)
ii ii ii	=	Sustain loop end point word number (LSB first)
jj	=	Loop type (00=forward,01=backward/forward,7F=loop off)

DUMP REQUEST:

F0H = System Exclusive Message status

7EH = Non-Real Time extension

cc = device ID

03H = DUMP REQUEST ID

ss ss = Request sample (LSB first)

F7H = EOX

DATA PACKET:

F0H	=	System Exclusive Message status
7EH	=	Non-Real Time extension
cc	=	device ID
02H	=	DATA PACKET ID
kk	=	running packet count (0-127)
<120 bytes>	=	data (7 bit data format)
II	=	checksum (XOR of 7E cc kk <120 bytes>)
F7H	=	EOX

DEVICE INQUIRY

To be able to identify a MIDI device, the following two messages are utilized; the first used for the inquiry:

INQUIRYMESSAGE:

F0H = System Exclusive Message status

7EH = Non-Real Time extension

cc = device ID

06H = INQUIRY ID

01H = Identity Request

F7H = EOX

and the second for the device response:

RESPONSEMESSAGE:

F0 7E cc 06 02 mm ff ff dd dd ss ss ss ss F7

cc	=	device ID
mm	=	Manufactures Sistem Exclusive id code
ff ff	=	Device family code (14 bits, LSB first)
dd dd	=	Device family member code (14 bits, LSB first)
ss ss ss ss	=	Software revision (format device specific)

UNIVERSAL REAL TIME SYSTEM MESSAGES

DEVICE CONTROL

These messages are used to control the general functions of the system, without referring to a specific MIDI channel and, therefore, inserted in the context of the Universal messages.

Master Volume:

F0H = System Exclusive Message status

7FH = Real Time extension

cc = device ID

04H = Device Control ID

01H = Master Volume ID

vv vv = Volume (LSB first)

F7H = EOx

SYSTEM REALTIME MESSAGES

ADDRESS DATA INTERFACE

The MIDI System Exclusive capabilities of the SK Series instruments allow you to manipulate all parts of the instrument's memory from a computer system.

The following is a reference to the SysEx protocol used by the SK Series instruments. This Data Address Interface is based on two principal functions: SET and GET. SET is used to set the contents of some of the instrument's resources while GET is used to withdraw them.

At the reception of a GET message, the instrument replies with an appropriate SET message containing the values of the requested data and relative checksums.

	status	data			EOX
GET	F0	2F 3c 00 id	aa1 aa2 aa3 ss1 ss2 ss3 cc		F7
SET	F0	2F 3c 01 id	cf aa1 aa2 aa3 dd1 ... ddn cc		F7
F0H		=	System Exclusive Message status
2FH		=	ID number (manufacturer ID) = GENERAL MUSIC
3cH		=	Command ID: 3 RealTime, c = Device ID (0-F)
00H/01H		=	Get subfunction / Set subfunction
id		=	Model ID, 00 = WK4
cf		=	c = checksum (0:1), f = Data Format (0:4)1
			c=1 checksum present, c=0 absent;
aa1:3		=	starting address code (MSB first)
ss1:3		=	amount of required data bytes (MSB first)
dd1		=	Data byte : first data byte to be sent
ddn		=	Data byte : last data byte to be sent
cc		=	checksum ( optional )
F7H		=	EOX ( End Of Exclusive )

EXTREMELY IMPORTANT: when parameters have positive values that exceed 127 (=7FH), always enter f=2 in the cf field of the SET stream and transform the data into nibble format as in the example: 134 = 0 × 86 becomes 0 × 08 × 06 .

N.B.: in the following address map, the undefined value xx that parameterizes some of the addresses is the number relating to the structure (typically track or note).

EXAMPLES OF EXCLUSIVE MESSAGES AND CHECKSUM CALCULATIONS

(relating to the structure of the Address Data Interface)

: The setting for the 1st Effect Type of Group A on Hall 3 using the common channel 7, the format 0 (7 bit data value) and without checksum.

According to the address map relating to the Performance Parameters -EFFECTS A the address is 00 13 00H (effectnr1) and the value relating to HALL3 is 02H; therefore the set streams is as follows:

F0	2F	36	01	00	00	00 13 00	02	F7
(1)	(2)	(3)	(4)	(5)	(6)	address	data	(7)

(1)Exclusive Status
(2)manufacturer ID=GENERAL MUSIC
(3)CommandID(3=RealTime)+deviceID (6 = 7^ deviceID)
(4)Set Subfunction
(5)Model ID (0=WK4)
(6)c=0(No checksum),f=0(7 bit data value)
(7)EOX

: The setting for the Attack of track 11 to +13 using common channel 2 (N.B. the 1st channel is 0), format 0 (7 bit data value) and with checksum.

According to the address map relating to Performance Parameters - T_SLIDER the address relating to track 11 (the first track is 0) is 0A 1C 00H (Attack) and the value to set is 4DH; therefore the set stream is as follows:

F0	2F	31	01	00	10	0A	1C	00	4D	cc=?	F7
(1)	(2)	(3)	(4)	(5)	(6)	address			data	checksum	(7)

(1)Exclusive Status
(2)manufacturer ID=GENERAL MUSIC
(3)CommandID(3=RealTime)+deviceID (1 = 2^ deviceID)
(4)Set Subfunction
(5)Model ID (0 = WK4)
(6)c=1(Yes checksum),f=0(7 bit data value)
(7)EOX

The checksum value is obtained with an XOR of all the bytes starting from the GeneralMusic ID (2FH) included; using as the operator XOR (OR Exclusive), then:

$$ \mathbf {c c} = \text {c h e c k s u m} = 2 \mathrm {F} ^ {\wedge} 3 1 ^ {\wedge} 0 1 ^ {\wedge} 0 0 ^ {\wedge} 1 0 ^ {\wedge} 0 \mathrm {A} ^ {\wedge} 1 \mathrm {C} ^ {\wedge} 0 0 ^ {\wedge} 4 \mathrm {D} = 5 4 $$

the message to send is:

F0 2F 31 01 00 10 0A 1C 00 4D 54 F7.

: Setting the M.Transpose to -6 using common channel 2, format 0 (7 bit data value) with and without checksum. According to the address map relating to the Global Parameters - GLOBSET the address is 00 09 02H (transpose) and the value to set is 24-6=18=12H ; therefore the set stream without checksum is as follows:

F0 2F 31 01 00 00 00 09 02 12 F7 (1) (2) (3) (4) (5) (6) address data (7)

(1)Exclusive Status
(2)manufacturer ID=GENERAL MUSIC
(3)CommandID(3=RealTime)+deviceID (1 = 2^ deviceID)
(4)Set Subfunction
(5)Model ID (0 = WK4)
(6)c=0(No checksum),f=0(7 bit data value)
(7)EOX

with the checksum, the stream will be:

F02F31010010009021216F7.

: setting the parameter FltCutoff of the group AUDIOIN1 to 147 (>127) on command channel 2 and format 2 (data in nibble) with and without checksum.

According to the address map relating to Global Parameters - AUDIOIN1 the address is 00 0B 05H (FItCutoff) and the value to set in nibble format is, 09 03H; infact 147 = 93H , therefore the value is sliced in two nibbles 9 and 3 obtaining 09 03H; therefore the set stream without checksum is as follows:

F0 2F 31 01 00 02 000B05 0903 F7 (1) (2) (3) (4) (5) (6) address data (7)

(1)Exclusive Status
(2)manufacturer ID=GENERAL MUSIC
(3)CommandID (3 = RealTime) ^+ deviceID (1 = 2^ deviceID)
(4)Set Subfunction
(5)Model ID (0 = WK4)
(6)c=0 (No checksum), f=2 (Nibble)
(7)EOX

with the checksum, the stream will be:

F02F31010012000B05090309F7.

: To know the value of the parameter HighGain of the Equalizer using common channel 9 and format 0 (7 bit data value).

According to the address map relating to the Global Parameters - EQUALIZER the address is 00 00 01H (HighGain) and the size is 00 00 01H; therefore, the get stream is as follows:

F0 (1)

2F (2)

38 (3)

00 (4)

00 (5)

00 00 01 address

00 00 01 size

F7 (6)

(1)Exclusive Status
(2)manufacturer ID=GENERAL MUSIC
(3)CommandID(3=RealTime)+deviceID (8 = 9^ deviceID)
(4)Get Subfunction
(5)Model ID (0=WK4) (6) EOX

If, for example, the value of the parameter equals 1 dB, the instrument will respond with the appropriate Set stream containing the value requested and with the checksum; therefore, the stream returned will be:

F02F38010010000010D0A F7.

REFERENCE TABLE

GLOBAL PARAMETERS

MIXER EQUALIZER

Address(H)	Size (H)	Range(H)		Parameter	Description	Default
00 00 00	00 00 01	00	18	LowGain	-12 -> +12 [dB]	0EH= 2dB
00 00 01	00 00 01	00	18	HighGain	-12 -> +12 [dB]	0DH= 1dB
00 00 02	00 00 01	00	0C	LowFrequency	100 -> 400 [Hz]	2=150KHz
00 00 03	00 00 01	00	0C	HighFrequency	3.0 -> 15.0 [KHz]	0 = 3KHz
SCORE CONTROL
Address(H)	Size (H)	Range(H)		Parameter	Description	Default
00 01 00	00 00 01	00	04	video_display	2	01
00 01 01	00 00 01	00	03	lyrics.Fonts	char size	00
					(if video_display=3)
00 01 02	00 00 01	00	15	view_mode	monitor bkgrnd col	00
GENERAL CONTROLS
Address(H)	Size (H)	Range(H)		Parameter	Description	Default
00 02 00	00 00 01	01	05	dynamic		3=Medium
00 02 01	00 00 01	01	05	a_touch		3=Medium
ARRANGE MODE
Address(H)	Size (H)	Range(H)		Parameter	Description	Default
00 03 00	00 00 01	00	01	FixCh_Mode	on/off	01
00 03 01	00 00 01	00	02	ChordMode1	Up/low-multi	01
					(Auto chord mode)
00 03 02	00 00 01	03	04	ChordMode2	Full keyboard	03
					(Auto chord mode)
00 03 03	00 00 01	00	04	ChordMode3	Fix chord mode	01
00 03 05	00 00 01	00	01	DynamArrg	on/off	00
00 03 09	00 00 01	00	01	Autobacking	on/off	01
00 03 0B	00 00 01	15	6C	Chord_split		3BH = 59
(GENERAL CONTROLS) FOOTSWITCH POLARITY
Address(H)	Size (H)	Range(H)		Parameter	Description
00 04 00	00 00 01	00	01	Footswitch[1]	0=Normally closed, 1=open
00 04 01	00 00 01	00	01	Footswitch[2]	0=Normally closed, 1=open
00 04 02	00 00 01	00	01	Footswitch[3]	0=Normally closed, 1=open
(GENERAL) DISPLAY CONTROLS
Address(H)	Size (H)	Range(H)		Parameter	Description
00 05 00	00 00 01	00	01ChordLanguage		0 = English, 1 = Italiano
00 05 01	00 00 01	00	01Help_Language		0 = English, 1 = Italiano
00 05 02	00 00 01	00	01Display_Mode		0 = Positive 1 = Negative

(GENERAL) NOTE TUNING/SCALE ( xx = NOTE = 0 - 7F )
Address(H)	Size (H)	Range(H)	Parameter	Description	Default
xx 06 00	00 00 01	00	7F	coarse	0 -> 127
xx 06 01	00 00 01	01	7F	finetune	-63 -> +63;
(GENERAL) TUNING/SCALE
Address(H)	Size (H)	Range(H)	Parameter	Description	Default
00 07 00	00 00 01	01 7F	Master_pitch	-63 -> +63;	0
00 07 01	00 00 01	00 0D	kbd_scale	0 -> +13	0=Equal
MIDI CLOCK
Address(H)	Size (H)	Range(H)	Parameter	Description	Default
00 08 00	00 00 01	00 01	MidiClock	Int/Ext	0=Internal
GLOBAL SET
Address(H)	Size (H)	Range(H)	Parameter	Description	Default
00 09 02	00 00 01	00 30	transpose	-24 +24 [semitones]	18H = 0
MIDI GENERAL SET
Address(H)	Size (H)	Range(H)	Parameter	Description	Default
00 0A 00	00 00 01	00 10	Common_ch	0=Off; 1->10 = chan 1->16	0 = Off
00 0A 01	00 00 01	01 02	Common_In	1 = MidIn A, 2 = MidIn B	1 = In A
00 0A 02	00 00 01	01 02	Common_Out	1 = MidiOut A, 2 = MidiOut B	1 = Out A
00 0A 03	00 00 01	00 01	Midi_lock		1 = On
00 0A 04	00 00 01	00 01	Clock_Send		1 = On
00 0A 05	00 00 01	00 01	Midi_Merge		0 = Off
00 0A 06	00 00 01	00 01	MidinTran		0 = Off
00 0A 07	00 00 01	00 7F	MidiFixedDyn	0 -> 127	0 = Off
00 0A 08	00 00 01	00 01	Midi_sysex	0=Excl System OFF, 1=ON	1 = On
00 0A 09	00 00 01	00 01	SMF saveFrm	0 = GModi, 1 = smfformat	0=GModi
00 0A 0A	00 00 01	00 01	Bank_select		1
(GENERAL) MIC/LINE INPUT 1
Address(H)	Size (H)	Range(H)	Parameter	Description	Default
00 0B 00	00 00 01	00 7F	Volume	0 -> 127	7FH = 127
00 0B 01	00 00 01	00 01	EffGroup		0
00 0B 02	00 00 01	00 7F	Eff1Send	0 -> 127	40H = 64
00 0B 03	00 00 01	00 7F	Eff2Send	0 -> 127	40H = 64
00 0B 04	00 00 01	00 05	FltType		0
00 0B 05	00 00 01	00 BF	FltCutoff	0 191, Use nibblized if > 127	0
00 0B 06	00 00 01	00 7f	FltResonance	0 -> 127	0
00 0B 07	00 00 01	00 3E	Pan	-31 -> +31	3EH = 31
00 0B 08	00 00 01	00 03	AnalogOut		0
00 0B 09	00 00 01	00 01	Mic/Line	On/Off	0
(GENERAL) MIC/LINE INPUT 2
Address(H)	Size (H)	Range(H)	Parameter	Description	Default
00 0C 00	00 00 01	00 7F	Volume	0 -> 127	7FH=127
00 0C 01	00 00 01	00 01	EffGroup		0
00 0C 02	00 00 01	00 7F	Eff1Send	0 -> 127	40H= 64
00 0C 03	00 00 01	00 7F	Eff2Send	0 -> 127	40H= 64
00 0C 04	00 00 01	00 05	FltType		0
00 0C 05	00 00 01	00 BF	FltCutoff	0->191, Use nibblized if >127	0
00 0C 06	00 00 01	00 7f	FltResonance	0 -> 127	0
00 0C 07	00 00 01	00 3E	Pan	-31 -> +31	3EH= 31
00 0C 08	00 00 01	00 03	AnalogOut		0
00 0C 09	00 00 01	00 01	Mic/Line	On/Off	0

MIDI_CHANNELS (xx = CHANNEL³ = 0 - 1F)

Address(H)	Size (H)	Range(H)		Parameter	Description	Default
xx 0D 00	00 00 01	01	02	Midi_IN_Port	1 = Midin A, 2= Midin B	1=In A
xx 0D 01	00 00 01	01	10	Midi_IN_Ch	1->10 = channels 1->16
xx 0D 02	00 00 01	01	02	Midi_OUT_Port	1 = MidiOut A, 2= MidiOut B	1=Out A
xx 0D 03	00 00 01	01	10	Midi_OUT_Ch	1->10 = channels 1->16
(GENERAL) PEDALBOARD/COMPUTER MODE
Address(H)	Size (H)	Range(H)		Parameter	Description	Default
00 0E 00	00 00 01	00	03	Computer Mode	0=Off, 1=Mac, 2=PC1, 3=PC3	0 = Off
00 0E 01	00 00 01	00	03	Pedalb. Mode	0=Off,1=Pdbass, 2=Pdchord, 3=MFun	0 = Off
00 0E 02	00 00 01	00	01	PclfcPedB	Mode switch
0

MIDI FILTERS IN (xx = CHANNEL = 0 - 1F, Midi Lock ON)

Address(H)	Size (H)	Range(H)		Parameter	Description	Default
xx 0F 00	00 00 01	00	64	filter_1	0 -> 100 (see Appendix C)	00H
xx 0F 01	00 00 01	00	64	filter_2	0 -> 100 (see Appendix C)	00H
xx 0F 02	00 00 01	00	64	filter_3	0 -> 100 (see Appendix C)	00H
xx 0F 03	00 00 01	00	64	filter_4	0 -> 100 (see Appendix C)	00H
xx 0F 04	00 00 01	00	64	filter_5	0 -> 100 (see Appendix C)	00H
xx 0F 05	00 00 01	00	64	filter_6	0 -> 100 (see Appendix C)	00H
xx 0F 06	00 00 01	00	64	filter_7	0 -> 100 (see Appendix C)	00H

MIDI FILTERS OUT ( xx = CHANNEL = 0 - 1F , Midi Lock ON)

Address(H)	Size (H)	Range(H)		Parameter	Description	Default
xx 10 00	00 00 01	00	64	filter_1	0 -> 100 (see Appendix C)	00H
xx 10 01	00 00 01	00	64	filter_2	0 -> 100 (see Appendix C)	00H
xx 10 02	00 00 01	00	64	filter_3	0 -> 100 (see Appendix C)	00H
xx 10 03	00 00 01	00	64	filter_4	0 -> 100 (see Appendix C)	00H
xx 10 04	00 00 01	00	64	filter_5	0 -> 100 (see Appendix C)	00H
xx 10 05	00 00 01	00	64	filter_6	0 -> 100 (see Appendix C)	00H
xx 10 06	00 00 01	00	64	filter_7	0 -> 100 (see Appendix C)	00H

MIDI COMMON/ARRG NoteToArrang

Address(H)	Size (H)	Range(H)		Parameter	Description	Default
00 11 00	00 00 01	00	10	Chord Ch.1	0=Off, 1->10 = chans 1->16	0 = Off
00 11 01	00 00 01	00	01	IN_1		0
00 11 02	00 00 01	00	10	Chord Ch.2	0=Off, 1->10 = chans 1->16	0 = Off
00 11 03	00 00 01	00	01	IN_2		0

MIDI CTRL PADS (xx = CHANNEL = 0 - 1F)

Address(H)	Size (H)	Range(H)		Parameter	Description	Default
xx 12 00	00 00 01	00	01	ped_ftsw[1]		1
xx 12 01	00 00 01	00	01	ped_ftsw[2]		1
xx 12 02	00 00 01	00	01	ped_ftsw[3]		1

PERFORMANCE PARAMETERS

EFFECTS A

Address(H)	Size (H)	Range(H)	Parameter	Description	Default
00 13 00	00 00 01	00 17	Eff_Type1	0 -> 23	5=St.Concert
00 13 01	00 00 01	00 7F	eff_vol1	0 -> 127	5AH = 90
00 13 02	00 00 01		par#1_1
00 13 03	00 00 01		par#2_1
00 13 04	00 00 01		par#3_1
00 13 05	00 00 01	00 1F	Eff_Type2	0 -> 31	9 = Chorus2
00 13 06	00 00 01	00 7F	eff_vol2	0 -> 127	79H = 121
00 13 07	00 00 01		par#1_2
00 13 08	00 00 01		par#2_2
00 13 09	00 00 01		par#3_2
00 13 0A	00 00 01	00 7F	Eff2ToEff1	0 -> 127	0
EFFECTS B
Address(H)	Size (H)	Range(H)	Parameter	Description	Default
00 14 00	00 00 01	00 17	Eff_Type1	0 -> 23	2= Hall3
00 14 01	00 00 01	00 7F	eff_vol1	0 -> 127	37H = 55
00 14 02	00 00 01		par#1_1
00 14 03	00 00 01		par#2_1
00 14 04	00 00 01		par#3_1
00 14 05	00 00 01	00 1F	Eff_Type2	0 -> 31	0=MonoDelay1
00 14 06	00 00 01	00 7F	eff_vol2	0 -> 127	79H = 121
00 14 07	00 00 01		par#1_2
00 14 08	00 00 01		par#2_2
00 14 09	00 00 01		par#3_2
00 14 0A	00 00 01	00 7F	Eff2ToEff1	0 -> 127	0
TRACK SOUND ( xx = CHANNEL = 0 - 1F )
Address(H)	Size (H)	Range(H)	Parameter	Description	Default
xx 15 00	00 00 02	0: 7F+0:F	Soundnr	Prog.Charge(MSB) + Bank(LSB)
xx 15 01	00 00 01	0		no sound if no zero
0
MIDI CONFIGURATION ( xx = CHANNEL = 0 - 1F )
Address(H)	Size (H)	Range(H)	Parameter	Description	Default
xx 16 00	00 00 01	00 03	source	Track source4
xx 16 01	00 00 01	00 03	destination	Track destination5
xx 16 04	00 00 01	01 02	Midi_In_Port	1 = Midin A, 2= Midin B
xx 16 05	00 00 01	01 10	Midi_In-Ch	1->10 = channels 1->16
xx 16 06	00 00 01	01 02	Midi_Our_Port	1 = MidiOut A, 2= MidiOut B
xx 16 07	00 00 01	01 10	Midi_out-Ch	1->10 = channels 1->16
COMMON ( xx = CHANNEL = 0 - 1F )
Address(H)	Size (H)	Range(H)	Parameter	Description	Default
xx 17 00	00 00 01	00 7F	volume
xx 17 01	00 00 01	00 78	transp	-60 -> +60	3CH = 0
xx 17 02	00 00 02	00 0300	delay	0 -> 768 Use nibblized if > 127	0
xx 17 03	00 00 01	00 07	dynResp		0
xx 17 04	00 00 01	00 01	m_transp		1
INTERNAL ( xx = CHANNEL = 0 - 1F )
Address(H)	Size (H)	Range(H)	Parameter	Description	Default
xx 18 00	00 00 01	00 02	mode		0
xx 18 01	00 00 01	00 01	m_priority	Poly.Mono	0
xx 18 02	00 00 01	00 7F	detune	-64 -> +63	40H = 0
xx 18 03	00 00 01	00 03	analog_out		0
xx 18 04	00 00 01	00 01	effect_group	Selection effects group A or B
xx 18 05	00 00 01	00 7F	vol_group_A	Volume sent of eff. group A

xx 18 06	00 00 01	00	7F
xx 18 07	00 00 01	00	3E
xx 18 08	00 00 01	00	07
xx 18 09	00 00 01	00	07
xx 18 0A	00 00 01	01	0B
xx 18 0B	00 00 01	00	0C

MIDI IN FILTER (xx = CHANNEL = 0 - 1F)

Address(H)	Size (H)	Range(H)
xx 19 00	00 00 01	00 64
xx 19 01	00 00 01	00 64
xx 19 02	00 00 01	00 64
xx 19 03	00 00 01	00 64
xx 19 04	00 00 01	00 64
xx 19 05	00 00 01	00 64
xx 19 06	00 00 01	00 64

MIDI OUT FILTER (xx = CHANNEL = 0 - 1F)

Address(H)	Size (H)	Range(H)
xx 1A 00	00 00 01	00 64
xx 1A 01	00 00 01	00 64
xx 1A 02	00 00 01	00 64
xx 1A 03	00 00 01	00 64
xx 1A 04	00 00 01	00 64
xx 1A 05	00 00 01	00 64
xx 1A 06	00 00 01	00 64

LOCAL (xx = CHANNEL = 0 - 1F)

Address(H)	Size (H)	Range(H)
xx 1B 00	00 00 01	00 01
xx 1B 01	00 00 01	00 01
xx 1B 02	00 00 01	00 01

SLIDER (xx = CHANNEL = 0 - 1F)

Address(H)	Size (H)	Range(H)
xx 1C 00	00 00 01	00 7F
xx 1C 01	00 00 01	00 7F
xx 1C 02	00 00 01	00 7F
xx 1C 03	00 00 01	00 7F
xx 1C 04	00 00 01	00 7F
xx 1C 05	00 00 01	00 7F
xx 1C 06	00 00 01	00 7F
xx 1C 07	00 00 01	00 7F
xx 1C 08	00 00 02	0: 7F+0:F

vol_group_B	Volume sent of eff. group B
pan	-31 -> +31	3EH =31
rand_pitch		0
randshan		0
Harmony	1 -> 11	1
PitchRange	0 -> 12	0

Parameter	Description	Default
filter_in1	0 -> 100	00H
filter_in2	0 -> 100	00H
filter_in3	0 -> 100	00H
filter_in4	0 -> 100	00H
filter_in5	0 -> 100	00H
filter_in6	0 -> 100	00H
filter_in7	0 -> 100	00H

Parameter	Description	Default
filter_out1	0 -> 100	00H
filter_out2	0 -> 100	00H
filter_out3	0 -> 100	00H
filter_out4	0 -> 100	00H
filter_out5	0 -> 100	00H
filter_out6	0 -> 100	00H
filter_out7	0 -> 100	00H

Parameter	Description	Default
ped_ftsw[1]
ped_ftsw[2]
ped_ftsw[3]

Parameter	Description	Default
Attack	-64 +63	40H = 0
Release	-64 +63	40H = 0
Flt Cutoff	-64 +63	40H = 0
Flt Resonance	-64 +63	40H = 0
Decay	-64 +63	40H = 0
LFO Depth	-64 +63	40H = 0
LFO Rate	-64 +63	40H = 0
LFO Delay	-64 +63	40H = 0
Soundnr	Prog.Change(MSB) + Bank(LSB)	0

DRUM KIT EDITING

LAYER1 SOUND PATCH (xx = NOTE = 0 - 7F)

Address(H)	Size (H)	Range(H)
xx 1D 00	00 00 02	0: 7F+0:F
xx 1D 01	00 00 01	00 7F
xx 1D 02	00 00 01	00 7F
xx 1D 03	00 00 01	00 7F
xx 1D 04	00 00 01	00 7F
xx 1D 05	00 00 01	00 7F
xx 1D 06	00 00 01	00 03
xx 1D 07	00 00 01	00 7F
xx 1D 08	00 00 01	00 7F
xx 1D 09	00 00 01	00 04

Parameter	Description	Default
Soundnr	Prog.Change(MSB) + Bank(LSB)
Level	00 127
Panorama	-64 +63
Transpose	-64 +63
Tune	-64 +63
FltCutOff	-64 +63
Exclude	00 03
Effect 1	00 127
Effect 2	00 127
Analog Out	00 04

DYNAMIC SWITCH
Address(H)	Size (H)	Range(H)	Parameter	Description	Default
00 1E 00	00 00 01	00 7F	DynSwitch	00 127
LAYER2 SOUND PATCH ( xx = NOTE = 0 - 7F )
Address(H)	Size (H)	Range(H)	Parameter	Description	Default
xx 1F 00	00 00 02	0: 7F+0:F	Soundnr	Prog.Charge + Bank
xx 1F 01	00 00 01	00 7F	Level	00 127
xx 1F 02	00 00 01	00 7F	Panorama	-64 +63
xx 1F 03	00 00 01	00 7F	Transpose	-64 +63
xx 1F 04	00 00 01	00 7F	Tune	-64 +63
xx 1F 05	00 00 01	00 7F	FltCutOff	-64 +63
xx 1F 06	00 00 01	00 03	Exclude	00 03
xx 1F 07	00 00 01	00 7F	Effect 1	00 127
xx 1F 08	00 00 01	00 7F	Effect 2	00 127
xx 1F 09	00 00 01	00 04	Analog Out	00=track,1=L+R,2=O1+O2,3=O1,4=O2
TRACK SELECT
Address(H)	Size (H)	Range(H)	Parameter	Description	Default
00 20 00	00 00 01	00 1F	Selected	00 31

SYSTEM OBJECT ACCESS MESSAGES

SYSTEM RESOURCE ACCESS

Messages relating to the RESOURCE ACCESS allow the transfer via MIDl of the same basic resources of the instrument that can be exported to disk, and which are:

Σ	System SETUP
Σ	SOUNDS
Σ	REAL PERFORMANCES
Σ	STYLE PERFORMANCES
Σ	USER STYLES
Σ	SONGS

Each type of resource can constitute several files, in which case, before transmitting, are compacted into a single data block.. The transmission can take place in handshake mode for higher speeds and better control of the data transmitted (the system automatically recognizes the mode utilized according to the reply given or not after the transmission of the File Header Message). The MIDI message transmitted consists of the following structure:

F0H = System Exclusive Message status

2FH = ID number (manufacturer ID) = GENERAL MUSIC

5cH = Command ID: 5=Resource Access, c=device ID(0-F)6

ss = Subfunction ID

id = Model ID, 00 = WK4

cf = c = checksum (0-1), f = Data Format (0-3)

pp = packet number (optional)

<data> = (optional)

cc = checksum (optional)

F7H = EOX

Subfunction ID:	File Header	01H
	File Data	02H
	Resource Request	03H
	Parametr Request	40H
	Parameter Data	41H

ACK	7FH
NACK	7EH
CANCEL	7DH
WAIT	7CH

The transmission of one of the available resources starts by sending a message (File Header message) to identify the successive blocks of data desired (File Data message).

Typically the files concerned can be relatively long, therefore it is better to subdevide the information into several brief packets which can be individually tested and eventually retransmitted (in the case of using the handshake mode and the reception of an ACK reply confirms the correctness of the packet received, while a reply of the type NACK forces the retransmission of the error packet).

Should it be necessary to interrupt the transmission, it is always possible to send the CANCEL command at any moment during the course of the communication.

A WAIT command has also been included for future implementations.

File Header message:

F0H =	System Exclusive Message status
2FH =	ID number (manufacturer ID) = GENERAL MUSIC
5cH =	Command ID: 5=Resource Access, c=device ID(0-F)
01H =	Subfunction ID = FILE HEADER
00 =	Model ID, 00 = WK4
03H =	not checksum, format 3 (octect)
<data> =	3 octects8
F7H =	EOX

File Data message:

F0H =	System Exclusive Message status
2FH =	ID number (manufacturer ID) = GENERAL MUSIC
5cH =	Command ID: 5=Resource Access, c=device ID(0-F)
02H =	Subfunction ID = FILE DATA
00 =	Model ID, 00 = WK4
13H =	checksum, format 3 (octect)
pp =	packet number (00:7fH)
<data> =	15 octects
cc =	checksum
F7H =	EOX

Resource Request message:

F0H	=	System Exclusive Message status
2FH	=	Manufacturer ID = GENERAL MUSIC
5cH	=	Command ID: 5=Resource Access, c=device ID(0-F)
03H	=	Subfunction ID = RESOURCE REQUEST
00	=	Model ID, 00 = WK4
00	=	not checksum, format 0
tt	=	Resource ID
ss	=	all files(0), selected(>0)9
F7H	=	EOX

ACK message:
F0H = System Exclusive Message status
2FH = ID number (manufacturer ID) = GENERAL MUSIC
5cH = Command ID: 5=Resource Access, c=device ID(0-F)
7FH = Subfunction ID = ACK
00 = Model ID, 00 = WK4
00 = not checksum, format 0
pp = packet number (00:7fH)
F7H = EOX

NACK message:
F0H = System Exclusive Message status
2FH = ID number (manufacturer ID) = GENERAL MUSIC
5cH = Command ID: 5=Resource Access, c=device ID(0-F)
7EH = Subfunction ID = NACK
00 = Model ID, 00 = WK4
00 = not checksum, format 0
pp = packet number (00:7fH)
F7H = EOX

CANCEL message:
F0H = System Exclusive Message status
2FH = ID number (manufacturer ID) = GENERAL MUSIC
5cH = Command ID: 5=Resource Access, c=device ID(0-F)
7DH = Subfunction ID = CANCEL
00 = Model ID, 00 = WK4
00 = not checksum, format 0
pp = packet number (00:7fH)
F7H = EOX

WAIT message:
F0H = System Exclusive Message status
2FH = ID number (manufacturer ID) = GENERAL MUSIC
5cH = Command ID: 5=Resource Access, c=device ID(0-F)
7CH = Subfunction ID = WAIT
00 = Model ID, 00 = WK4
00 = not checksum, format 0
pp = packet number (00:7fH)
F7H = EOX

EXAMPLES of Resource Request message compositions

: System Setup request:
F0 F7 F0 F7 F1 (1) 2F 50 03 00 00 00 00 (2) (3) (4) (5) (6) (7) (8) (9)

(1)Exclusive Status
(2)manufacturer ID=GENERAL MUSIC
(3)Command ID(5=RESOURCE ACCESS) + device ID (0=1° device ID)
(4)Subfunction ID (3=RESOURCE REQUEST)
(5)Model ID (0=WK4)
(6)c=0(No checksum),f=0(7 bit data value)
(7)Resource ID (0=Setup)
(8)not used for Setup Req
(7)EOX

: System Sound request:

F0 F7 F0 F7 F1 (1) 2F 50 03 00 00 01 (2) (3) (4) (5) (6) (7) (8) (9)

(1)Exclusive Status
(2)manufacturer ID=GENERAL MUSIC
(3)Command ID(5=RESOURCE ACCESS) + device ID (0=1° device ID)
(4)Subfunction ID (3=RESOURCE REQUEST)
(5)Model ID (0=WK4)
(6)c=0(No checksum),f=0(7 bit data value)
(7)Resource ID (1=Sound)
(8)Selected (00 = Al files)
(7)EOX

: Request for the 3rd Song in the System:

Messages relating to the DEVICE PARAMETERS ACCESS allows access to specific information relating to the instrument; the protocol includes the transmission of a request message which will be followed by the eventual reply.

Parameter Request message:

F0H = System Exclusive Message status

2FH = Manufacturer ID = GENERAL MUSIC

5cH = Command ID: 5=Resource Access, c=device ID(0-F)

40H = Subfunction ID = PARAMETER REQUEST

00 = Model ID, 00 = WK4

00 = not checksum, format 0

Parameter ID

bs = Bank Select

ps = PrChange Select (only for SOUND)

F7H = EOX

Parameter ID: STATUS of the system 0

SOUND Name 1

REALPERF.Name 2

STYLEPERF.Name 3

USER STYLE Name 4

SONG Name 5

Parameter Data message:

F0H = System Exclusive Message status

2FH = ID number (manufacturer ID) = GENERALMUSIC

5cH = Command ID: 5=Resource Access, c=device ID(0-F)

41H = Subfunction ID = PARAMETER DATA
00 = Model ID, 00 = WK4
cf = checksum=1, format (5 per Status, 0 altrimenti)
pp = packet number (00:7fH)

cc = checksum
F7H = EOX

The data sent refer to the structure as described below.

Status Data. The data relates to the parameters contained in the following fields (the quantities of memory are expressed in Kbyte):

bytes	rel(addr. name		description
1	0	iClass	see classification in Tab.1
1	1	iSubClass	see classification in Tab.1
1	2	iRelease instrument	release
1	3	peripherals	HD=b1, AV=b0
4	4	totalSysRam	Total System Memory
4	8	freeSysRam	Freee System memory
4	12	totalBackedRam	Backed Sample Ram Memory
4	16	freeBackedRam	Free Backed Sample Ram Memory
4	20	totalVolRam	Total Volatile Sample Ram Memory
4	24	freeVolRam	Free Volatile Sample Ram Memory

iClass / iSubClass	1	2	3	4	5	6	7	8
1 - Synth Expander	S2	S3	S2 Box	SK76	SK88
2 - Masterkeyboards	MK88
3 - Keyboards	WS2	WS1	WX2	WX2Box	CD	WX400	WK4	SX2	SX3	WK3
4 - Pianos	WS400		RPro1	RPro2	RPprox	Ps2500	PS1500
5 - Home Organs
6 - Classic Organs
7 - Accessories	AS-1

(TAB.1)

Parameter Data. In this case the streams relating to the parameter names requested are returned and all the data is identified by the following 16 bytes:

0	1	2	3-15
Parameter ID	Bank Select	Perf Select	Parameter Name (13 char Max)

The parameters bs (bank select) and ps (prChange select) contained in the request vary according to the parameter as in Tab.2, taking into account that the request will have effectively followed only in the case in which what has been requested is actually present in the system; to be able to request all the values available for a given parameter, it is sufficient to send the values bs=00 e ps=00.

	STATUS SOUND		REAL PERF.	STYLE	SONG
Bank Select Range	00	1 - 16	1 - 8	1 - 96	1 - 16
PrCh Select Range (Tab.2)	00	1 - 128	not used (nu)	nu	nu

APPENDIX A

DATA FORMAT

The messages used to control the system exclusives accept data in the following formats:

format =0 (7 bit data value): the natural data format with values from 0 to 127. Does not require any form of treatment.

format =1 (7 bit wide word LSB_J): the value of the data present in the stream has a range defined by the number of bytes transmitted. For example, to transmit the hexadecimal value F123 (61731 decimal) three bytes configured as follows are required:

03 62 23. This format is useful to transmit single data (byte, short, int, long, float, double) which do not fall within the range 0-127.

format =2 (nibble): single byyes contain only 4 significant bits but which can represent much greater values. for example, to transmit the hexadecimal value F123 (61731 decimal) would require four bytes configured as: 0F 01 02 03; i practice, each single byte is sliced in two and transmitted on two bytes with the four most significant bits at 0.

format =3 (octect): the bytes are groups in sets of 8 Bytes with 7 significant bits to represent 7 real bytes in 8 MIDI bytes (56 bit). This format allows, therefore, to achieve maximum compactness of the data to transmit in cases of data consisting of a large number of bytes whose priory value is not known.

The procedure is as follows: from each byte of the 7 in sequence, the least significant bit is extracted and saved in an eighth byte, therefore the same byte is shifted to the right; finally all is transmitted in the order. For example:

$$ 7 \text {r e a l b y t e s} = 0 x 1 1 0 x 2 2 0 x 3 3 0 x 4 4 0 x 5 5 0 x 6 6 0 x 7 7 $$

then shifting to the right and memorizing in a byte the "extracted" bits:

$$ 0 x 1 1 = 0 x 0 9 + 1 (b 0) \quad 8 ^ {\circ} b y e t: 0 x 0 1 $$

$$ 0 x 2 2 = 0 x 1 1 + 0 (b 1) \quad 0 x 0 1 $$

$$ 0 \times 3 3 = 0 \times 1 A + 1 (b 2) \quad 0 \times 0 5 $$

$$ 0 \times 4 4 = 0 \times 2 2 + 0 (b 3) \quad 0 \times 0 5 $$

$$ 0 \times 5 5 = 0 \times 2 B + 1 (b 4) \quad 0 \times 1 5 $$

$$ 0 \times 6 6 = 0 \times 3 3 + 0 (\mathrm {b} 5) \quad 0 \times 1 5 $$

$$ 0 x 7 7 = 0 x 3 C + 1 (b 6) \quad 0 x 5 5 $$

$$ 8 \text {b y t e} \quad \text {M i d i} = 0 x 0 9 0 x 1 1 0 x 1 A 0 x 2 2 0 x 2 B 0 x 3 3 0 x 3 C 0 x 5 5. $$

format =4 (nibble data dump): the single bytes containing only 4 significant bits to be able to represent any data stream. For example, the stream "ciao" corresponds to the ASCII data 0x63 0x69 0x61 0x6f and will, therefore, be represented by the following bytes: 0x06 0x03 0x06 0x09 0x06 0x01 0x06 0x0f.

format =5 (BCD data dump): the single bytes are subdivided in two nibbles and subsequently converted in BCD; this is a format particularly useful with numerical data which does not permit direct visualization. For example, the number 0x12345678 corresponds to the ASCII data 0x12 0x34 0x56 0x78 which subdevided in nibbles give:

$$ 0 x 0 1 0 x 0 2 0 x 0 3 0 x 0 4 0 x 0 5 0 x 0 6 0 x 0 7 0 x 0 8 $$

which when converted in BCD give:

$$ 0 \times 3 1 0 \times 3 2 0 \times 3 3 0 \times 3 4 0 \times 3 5 0 \times 3 6 0 \times 3 7 0 \times 3 8 $$

which when shown on the terminal gives the stream "12345678", representing the initial data.

Observations:

The Set function of the System Exclusive is able to automatically identify the amount of the field to update, regardless of the format with which the data is sent with the following exceptions:

the format 0 always modifies a byte relating to the address of the variable to update, therefore, if for example, we want to modify with format 0 a variable of 32 bits of the current value equalling 0x12345678 (hexadecimal value), after sending the data 0x7F we will obtain the variable updated to the value 0x7F345678. The correct method to update a variable with a value greater than 7 bit (corresponding to the decimal value 127) is to use the format 1 or 2; in the way, to update a 16 bit variable to the hexadecimal value 0x1234 you can send:

format 1: 0x24 0x34 (2 data bytes)

format 2: 0x01 0x02 0x03 0x04 (4 data bytes).

∑ the formats 4 and 5 do not consider the limits accepted by the filed in memory for which case should be taken not to send a number of data higher than the accepted limit.

APPENDIX B

Creation of RESOURCE ACCESS files.

To control the resources via system exclusive (RESOURCE ACCESS) makes use of the solution of packaging the various files which constitute the same resource into a single buffer.

Generally,therefre,we would have the following situation:

Resource File = FILE.000

FILE.001

FILE.002

···

FILE.00n

for a total of (n + 2) files (with n which can also be 0).

Each file can be identified by a set of three numbers which represent their own description:

File ID = type (Resource ID)

bank (0xFF if not exist)

perf (0xFF if not exist)

This document wants to indicate how to identify the files concerned for each resource to be accessed, how to operate to manipulate these files and, finally, the effective transmission mode.

Types of Resources

The resources can be classified as follows:

Resource ID: system SETUP 0

SOUNDS 1

REAL PERFORMANCES 2

STYLE PERFORMANCES 3

USER STYLES 4

SONGS 5

for each of which concern various files

For each of the resources available, it is possible to send a command requesting all the resources which make up the part of that groups (all the SOUNDS, all the SONGS, ...), or, it is possible to refer to a single resource of the currently selected group (send the selected SONG, the selected STYLE, ...).

Referring to the Resource Request Message command detailed above, setting the value of 0 in the field ss we will obtain all the resources, while specifying a number greater than 0 we will obtain the transmission of the single resource required. for each group of rerouces the possible selection values are the following:

Resource ID	Max Select Number
SOUNDS	16
REAL PERFORMANCES	8
STYLE PERFORMANCES	96
USER STYLES	32
SONGS	16

Creation of the Resource File

To create the Resource File it is necessary to write for each single file of a chunk consisting of a desription of the file and of the data that consists the file; the format of each chunk is the following:

bytes rel(addr. name description
4 0 chunk id "data"
4 4 chunk len es.: 30^10 1 8 file type
1 9 file bank
1 10 file perf
1 11 not used
20 12 F_HEAD vedi除去
len-28 32 < data >byte data

therefore the Resource File can be represented as:

"data" len0 ... < data > for FILE.000  
"data" len1 = len0 + 4 ... < data > for FILE.001  
"data" len2 = len0 + len1 + 8 ... < data > for FILE.002  
"data" len3 = len0 + len1 + len2 + 12 ... < data > for FILE.003  
"data" len_n = S[len(i)] + 4^n ... < data > for FILE.00n 

To calculate the totale length of the Resource File it is sufficient sum of the lengths of each file (Li) with the length of each single header chunk (32 bytes):

Resource File Length = S[Li] + n^*32

The variable FHEADER present refers to the internal structure of how the file is effectively memorized within the system; to identify it we refer directly to the stuctures "C" used internally:

union TIMEInf{ struct part{ unsigned short hour : 5; unsigned short min : 6; unsigned short sec : 5; }; ushort time; } //total2bytes   
union DATEINF{ struct part{ unsigned short year : 7; unsigned short month : 4; unsigned short day : 5; }; ushort date; 

}； //total2bytes

struct F_HEAD { unsigned char name[8],ext[3],flags; // 12 TIMEINF time; // 2 DATEINF date; // 2 long length; // 4 };

For completion, the description of the file inside the HEADER.hdr refers instead to a more complex stecture:

struct FHEADER { F_HEAD f; char name[16]; long offset; };

Creation of the Resource Header

Before sending the Resource File, a Resource Header is sent which describes the entire Data File which is then sent. The Format of the file is the following:

bytes rel(addr. name description
1 0 resource type Resource ID
1 1 nfile number of file
4 2 len total length of the effective binary resource file
15 6 name name of the complete structure associated to the file

for a total length of files equal to 21 bytes.

APPENDIX C

MIDI FILTERS conversion table

N. Description N. Description
0 Filter off 50 77 S.C. (Undef.)
1 Prg. change 51 78 S.C. (Undef.)
2 Pitch 52 79 S.C. (Undef.)
3 Mono touch 53 80 Gen. purp. c.5
4 Poly touch 54 81 Gen. purp. c.6
5 0 Bank sel 55 82 Gen. purp. c.7
6 1 Modulation 56 83 Gen. purp. c.8
7 2 Breath cnt. 57 84 Portam. cnt.
8 3 Undef. cnt. 58 85 Undef. cnt.
9 4 Foot cnt. 59 86 Undef. cnt.
10 5 Portamento time 60 87 Undef. cnt.
11 6 Data en. MSB 61 88 Undef. cnt.
12 7 Main vol. 62 89 Undef. cnt.
13 8 Balance 63 90 Undef. cnt.
14 9 Undef. cnt. 64 91 Eff. 1 (Rev.)
15 10 Panorama 65 92 Eff. 2
16 11 Expression 66 93 Eff. 3 (Chor.)
17 12 Control 1 67 94 Eff. 4
18 13 Control 2 68 95 Eff. 5
19 14 Undef. cnt. 69 96 Data incr.
20 15 Undef. cnt. 70 97 Data decr.
21 16 Gen. purp. c.1 71 98 NRPN LSB
22 17 Gen. purp. c.2 72 99 NRPN MSB
23 18 Gen. purp. c.3 73 100 RPN LSB
24 19 Gen. purp. c.4 74 101 RPN MSB
25 20 Undef. cnt. 75 103 Undef. cnt.
26 21 Undef. cnt. 76 104 Undef. cnt.
27 22 Undef. cnt. 77 105 Undef. cnt.
28 23 Undef. cnt. 78 106 Undef. cnt.
29 24 Undef. cnt. 79 107 Undef. cnt.
30 25 Undef. cnt. 80 108 Undef. cnt.
31 26 Undefined. cnt. 81 109 Undefined. cnt.
32 27 Undef. cnt. 82 110 Undef. cnt.
33 28 Undef. cnt. 83 111 Undef. cnt.
34 29 Undef. cnt. 84 112 Undef. cnt.
35 30 Undef. cnt. 85 113 Undef. cnt.
36 31 Undef. cnt. 86 114 Undef. cnt.
37 64 Damper ped. 87 115 Undef. cnt.
38 65 Portamento 88 116 Undef. cnt.
39 66 Sostenuto 89 117 Undef. cnt.
40 67 Soft pedal 90 118 Undef. cnt.
41 68 Legato foot 91 119 Undef. cnt.
42 69 Hold 2 92 119 Undef. cnt.
43 70 S.C. (Sn.v.) 93 120 All snd. off
44 71 S.C.(Res.) 94 121 Reset all c
45 72 S.C. (Rel.) 95 122 Local cnt.
46 73 S.C. (Att.) 96 123 All note off
47 74 S.C. (Cut.) 97 124 Omni m. of
48 75 S.C. (Undef.) 98 125 Omni m. or
49 76 S.C. (Undef.) 99 126 Mono m. or
100 127 Poly m. on

1 see Appendix A on Data Format
2 0 = Echo LCD, 1=All, 2=All on 2 lines, 3=Lyric only, 4=Chord only
3 The values 00H-0FH relative to the Midi Port-A and 10H-1FH to Port-B
4 00=No Midi, No Keyboard, 1=only Keyboard, 2=only Midi, 3=Midi & Keyboard
5 00=N0 Midi, No Generation, 1=only Generation, 2=only Midi, 3=Midi & Generation
6 see Appendix A on Data Format
7 see paragraph "Device Parameter Access"
⁸ Infact the Resource File Header is composed of 21 byte (see Appendix B)
9 See Appendix B regarding the composition of the various resources available
10 28 + byte data number

Index

A

Battery & release 17.9

Chord to Arr.1/2 11.6

Chords 7.21,7.23,7.25

Chords on lyrics 7.22

Chords track 7.3

Chords trk 7. 13

Clock send 11.4

Close 14.4

Coarse 17.3

Coarse&Fine 17.3

Common Channel/Arrangement 11.6

Compare 16.3

Compare exit 16.3

Cutoff Frequency 16.24

D

Date & Time 17.5

Deassign 16.49

Decay 15.3

Del segm 16. 17

Delay 10.3,14.5

Delete 3. 37, 3. 39, 16. 37, 16. 47

Delete measure(s) 7.11,9.11

Démarcations de «Start» et de «End» 6.9

Edit Tracks/Split 14.1

Effect 2 to Effect 1 10. 1

Effects Programming 10.3

Effects type 10. 1

Ejection de la disquette 3.43

End 6.4

End phrase 7.26

General transposition 2.9

Get score 7.26

Go to loc 7.25

Group A & B 10. 1

H

H.F.Decay 10.3

Hard disk (disque dur) 4.3

Hard disk check/recovery (diagnostic/récapération) 3. 35

Hard Disk Protection

Low Frequency Oscillator 16.32

Low Gain 10.4

Low Pass 16.40

Low-pass 15.3

Lyric 1...Lyric 4 7. 21

Lyrics 7.24

Lyrics track 7.3,7.6

M

Macintosh 17.5

Mic/Line On/Off 17.8

Microscope 7.14,9.14

MIDI Channels 11.1

MIDI Clock 11.3

MIDI filters 11.3

MIDI Implementation Chart A. 25

MIDI IN 11.2

MIDI IN fix velocity 11.4

MIDI IN Transpose 11.4

MIDI Lock 11.1

MIDI lock 11.9

MIDI Merge 11.4

Next event 7.24, 7.25

Nom du Style 9.2

Pedals assignment 13.2

Pedals programming 13.2

Pedals/Pads Lock 13. 3

Performance tables A. 22

Peterson 14. 4

Phrasé musical 8.1

Piste Score 7.20

Pitch Envelope 16.29

Pitch envelope 16.3

Pitch Envelope Control 16.29

Pitch Envelope Key On & Key Off 16.30

Pitch Envelope Tracking 16. 31

Pitch touch 16. 11

PitchBend 13.1

Play 6.3

Pre-quantification 6.9

Preload 2.52,4.1

Preload functions 4.3

Previous event 7.24

Priority 14.2

Procedure d'edition 7.1,9.1,15.1

Programmer les Song-Performances 6.2

Properties 16.50

Protection de la disquette 3.43

Quantize 6.9, 6.13, 7.8, 8.3, 8.6, 9.8

QuickRecord 6.7

Real Performance 11.7

Rec Mode 6.8

Rec riff 8.5

Rec View 6.11

Reverbs (effect table) 10.5

Reverse 16. 10

Riff 8.1,9.3

Riff (all tracks) 9.3, 9.6

Rock 14. 4

ROM-Sound tables A. 2

Room Size 10.3

Root 7.24, 7.26

Rotary 10.4

Rotary slow/fast 13. 3

S

Saisiedu texte 7.24

Sample 16.3

Sample MIDI Dump 16.53

Sample name 16.50

Sample Pitch 16.50

Sample Rate 16.50

Sample Request 16.53

Sample size 16.50

Sample Translator version 1.0 16.41

Sample Type 16.50

Sample Vision 16.41

Sample-RAM (Edit Disk) 3.40

Song 6.5, 6.11, 11.7

Song (morceau) 4.3

Song memory 6.5

Song Name 7.2

Sound 11.7

Sound Designer 1 16.41

Sound View 6.11

System Exclusive Channel 11.4

System Exclusive Impolimentation A. 27

T

WAIT (handshake message): A. 27

Wave 16. 41

Wave Vector 16. 10

Waveform 16.3,16.10,16.39

Wavestart 16. 11

Wheels (Molettes) 13.1

Y

Y shift 7.21

Z

Zoom 16. 17, 16. 27, 16. 30