B3 - Guitar effects pedalboard ZOOM - Free user manual and instructions

USER MANUAL B3 ZOOM

Bass Effects & Amp Simulator ERATION MAN Thank you very much for purchasing the ZOOM B3. Please read this manual carefully to learn about all the functions of the 33 so that you will be able to use it fully for a long time Keep this manual in a convenient place for reference when necessary. Contents Usage and Safety Precautions 2 Using Rhythms 24 Introduction 3 Usingthe Looper 26 Terms Used in this Manual 3 Updatingthe Firmware 30 Part Names à Restoring the 83 to its factory default settings a Turn the Power on and Play 6 Using Audio Interface Functions 32 Adjusting Effects 8 Effect Types and Parameters 33 Selecting Patches 10 Troubleshooting 50 Storing Patches 12 Rhythm List 50 Setting Specific Patch Parameters 14 Specifications si Changing Various Settings 18 Using the Tuner. 22 (=—4{ 0, en | 5 © ZOOM CORPORATION Coming or reproduction af this document in whole or in rt without permission is prohibited

suonnessi4 Ajejes pue e6esn Usage and Safety Precautions SAFETY PRECAUTIONS in this manual, symbols are used to highlight warnings and cautiens that you must read to prevent accidents. The meanings of these symbols are as follows: Something that could cause serious injury Warning ©" death. Something that could cause injury or Caution damage to the equipment. Other symbols CRE O rronibited actions [ À Warning | Battery handling @ £ » sacs batery pe. Do nt mx new and id baies or Gran brand pas at no same lime. Men OÙ Lai haut Ha an extended pr fine, remove te tri from ha un. the battery terminaiscarefuly to remove al battery residue. Connecting cables with input and output jacks @ Ar ame poner OFF ral aiment ele comnectng any cas. @ a connect al connection cables and the AC apte bete mg the ant Volume © 20 not use the product at à loud volume for à long time Operation using an AC adapter @ 1 on 200M 016 2€ aie ah nie @ nt us or do angtng ht ou need tata out nd air tal ang equipment. Bar uing ie up in à reg cou rar gone act olag rs am Mat td on a C dpi, as const hp at aies 2O0M produis blaéhand and use he apprit AC apte Operation using batteries Use 4 conventional L5-volt AA bateries [alkalne or nickelmetal hydrdel @ ressoarer marmno bob each, @ 21027: ose ie barons comparant cover en using the rit Alterations © river open teens o atomot to mod he product. | À Precautions Product handling @ 22 0:00 bre or pp cesse fret eut @ £° cacurt 1 lou forign bts ar qui 1 enter the unit, Opera: © 20 not use in extreme high or low temperatures, g environment © Do not use in very high humidity or near splashing water. © D not ei places with excsaive vbrations © 0 not us in places with encosae dust or and AC adapter handling @ ie dscomocing io AG atom an out, als put re body fe adapter ok @ 240 ons som 0 uen not sg he ur fr ang time, scomec 1h par game A eut l nce with other electrical equipment In consideration of safety, the 133 has been designed to rrinimize the emission of electromagneric radiation from the device and to minimize external electromagnet interference. However, equipment that is very susceptible to interference or that emnits poweriul electromagnetic waves could rest in interference placed nearby. if this oceurs, place the (33 and the other device farther apart. With any type of electronic device that uses digital control, including the 33. electromagnetic interference could cause maïfunction, corrupt or destroy data and result in other unexpected trouble. Always use caution. Cleaning Use a soft cloih 10 clean the panels of the unit if they become dit. H necessary, use a damp cloth that has been wrung out wel. Never use abrasive cleansers, wax or solvents, including alcohol, benzene and paint thinner Malfunc: I the unit becomes broken or malfunctions, immediately disconnect the AC adapter, turn the power OFF and disconnect other cables. Contact the store where you bought the unit or ZOOM service with the following information: product model, serial number and specific symptoms of falure or malfunction, along wéh Your name, address and telephone number.

Copyrights + Windows® and Windows Vista” are trademarks or registered trademarks of Microsoft® Macintosh® and Mac OS' are trademarks or registered trademarks of Apple Inc. Al other trademarks, product names and company names mentioned in this documentation are the property of their respective owners Not: AI trademarks and registered trademarks memioned in this manual are for identiation purposes on and are nat intended to infnge on he comrighs of hair respecte owners.

Introduction Feels just like using effect pedals The three effects each have their own displays, parameter knobs and footswitches, allowing you to control all of them intuitively. Realistic amplifier modeling With our new ZFX-4 DSP we have magnificentiy recreated low-end thickness, pitch clarity. and loudness, which are elements that contribute to a natural playing feel. Models range from famous historical amps to recent popular ones, covering a great variety of bass sounds Combine diverse effects as you like You can freely combine the over 100 types of onboard effects, including preamps and stomp boxes tuned for bass guitars. Looper that can be synchronized with rhythms The looper can be synchronized with rhythms and record phrases of up to 40 seconds. Automatic saving The auto save function reliably stores the changes you make. Works with ZOOM Edit & Share software The 83 can be used with Edit & Share software, which is a patch editor and librarian, on a ‘computer to back up patches and change the order of effects See the ZOOM website (http:/www.zoom.co.jp/) for further information about Edit & Share. Terms Used in this Manual Patch The ON/OFF status and the parameter settings of each effect are stored as "patches." Use patches to recall and save effects. The 83 can store 100 patches. Bank A set of 10 patches is called a ‘bank.’ The 43 has 10 banks labeled A-J

seen j18q | Part Names Top Panel TOTAL key RHYTHM [/1m] key TAP key — ( geo ue 908) om mme PATCH SELECT keys Eert © O9 C'9) _—J TYPE keys © © © Displays | | |

BALANCED OUT connector OUTPUT jacks —l

EE — c > B3 ©_O Qi VIE à KG HOLD FOR LOOPER O)e PAGE keys Parameter knobs 1-3 Foot switches 1-3 ACTIVE/PASSIVE switch Use this switch to set the 833 INPUT impedance. Set this to "ACTIVE" {pushed in) it vou have an effect pedal connected between your instrument and the BB or you are directly connecting 8 bass guitar with active pickups. Set this to *PASSIVE” {not pushed in) if you are directly | connecting a bass guitar with passive pickups C————————— PRE/POST switch Use this switch to set the point when the signal is output from the BALANCED om ue rm zen GE TA

POWER (eco) switch DCV AC adapter jack ZOOM AC adapter [AD-16) OUT comnectar. Set it to “POST” {pushed in) to output the Signal after the BBeliects. Set it to “PRE {not pushed in) to output the signal before the B3 cfiects. GROUND switch Use this switch to connect or disconnect the BALANCED OUT connector with the ground Set it to "LIFT” Ipushed in) to separate the signal path from the grounding pin. Set it to CONNECT {not pushed in) to connect it to the grounding pin. _| Computer seuwen j1ed |

Ae|d pue uo 18M0d eu} UN | Turn the Power on and Play To turn the power on Always lower the amplifier's volume all the way before turning the power on EH When using batteries E When using an adapter Insert batteries into the battery Connect the AC adapter and set the compartment and set the POWER POWER switch to ON. switch to ON. Bottom of the unit Turn the amplifier's power on and raise its volume. + POWER such options eco: _Ifthe Bis not used for about 25 minutes, it will be set to standby, The BB will not be set to standby as long as there is a signal input from à bass guitar OFF: When set to "OFF! the £3 can be powered from a USB bus by connecting i to a computers USB port

Sie}; Bunsn{py Adjusting Effects Contfirm that the Home screens are shown. (e] Von né | 1 | To turn effects ON and OFF

+ Press : ©] and C} + Turns the effect ON/OFF NOTE +_An effect is ON when th LED is lit +_An effect is OFF when its footswitch LED is not lit. | 2 To select an effect type + Press O Y TYPE À + The effect type changes. +_ See page 38 for information about eff types and parameters.

+_Adjustments are automaticalh

‘um @: © ‘" © + The editing screen opens where you can adjust parameters. COTE) — + Time, rate and some other effect parameters can be set in note durations that are synchronized to the tempo | À | To change the page + Press O PAGE + The next page opens. Effect processing capacity The B3 allows you to combine three effects as you like. However, if you combine effect types that require great amounts of processing power, it is possible to CHMIREIAHET exceed the processing capacity of the 833. If the processing required for the effect [ CI exceeds the capacity of the 3, “THRU” is shown over the effect graphic and the effect is bypassed. This can be avoided by changing one or more of the effect types. (NOTE + An effect requires the same amount of processing power whether i is on or off. Amp models require great amounts of S128}ja Sunsn{py

Selecting Patches Confirm that the Home display is shown. Vmmi na vomi [e]

| 1 | To activate patch selection + Press and Hold + The screens show the patch bank, number and name. Oo oO Fatch ne SlarSolo for 1 second to activate patch selection | 2 To change the patch

e Press to select the next lower patch.

e Press to select the next higher patch.

+ Turn © of the middle effect. + The patch number and name changes. O0 O Oo | Patch Xe | ou can aso change patches À using PATCHSEECT

To change the bank U 2 + Press and at the same time to select the next lower bank.

e Press and at the same time to select the next higher bank.

+ Turn ©” the middle effect. + The patch bank and name changes

Pme na | Data En | rar CNOTE + Wihen pressing to footswithes at the same time, the sound could be affected by he footswith that pressed slightiy earlier To avoid this, do not thing banks: To return to the Home Screens + Press and hold E seyszed Bul9o1es |

| 1 | To store a patch or swap with a different patch STORE/SUAP + Press O : STORE/SUAP . O blinks and the screens appear as below.

+ Turn © of the left effect Store Swap

| 3 To set where to store or swap the new patch & To change the patch number where stored/swapped

e Turn © of the right effect. & To change the bank where stored/swapped

e Turn © of the right effect. The currentiy cannot be sel destinatior The current s CNOTE > — active patch lected as the etting values y saved. | 4 To complete patch storing/swapping STORE/SUAP + Press O : + After "COMPLETE!" appears on the display, the stored/swapped patch opens. 0,9 © oO © © L'HINT 2 To cancel key instead of STORESMAP

To activate the TOTAL menu TOTAL + Press O : CNOTE_)—— + Settings made for total parameters are saved separately for each patch

+ Turn © of the left effect NOTE + The setting range is 0-120 hange the overall volume of all patches, adjust the master level

To adjust the balance between original and effected sounds

+ Turn © of the left effect CNOTE + The setting range is 0-100. Set to 0 for only the original sound or 100 for only the effect sound

To change the order of the effects

+ Turn © © and © of the middle effect to exchange effect locations.

To change the patch name + Press [@) of the middle effect PAGE

e Turn © of the right effect.

NOTE +_INPUTVOL: Use this 10 control the input level + OUTPUTVOL: Use this to contra the output level + NO ASSIGN: _ No function is assigne + Ba The balance between the original sound and the effect sound can be adusted

un @ 10 show ie ciferent parameters that can be controle te enression pc See “Etc iypes and parameters” or deals about he parameter Get can be controller ac ect Rhythm and looper output levels are not affected when controlln the Output Volume with an expression pedal Set the adjustment range

e Turn © of the right effect to set the minimum value.

e Turn © of the right effect to set the maximum value. he minimum value can be set higher than the maximum value. When set this way, pushing the pedal down decreases the effect while leting it up increases the effect. cc] nn E

cc] BYPASS/MUTE Sets the effect to bypass or mute. TAP TEMPO Press the footswitch repeatediy at the desired tempo to set the tempo used for rhythms, the looper and effects NO ASSIGN No function is assigned to the footswitch. CNOTE

*_ When more than one function can be assigned, use @ÿ) select one. In order to use the function set, the corresponding effect must also be ON. See "Effect types and parameters” for details about the parameters that can be assigned for each effect

+ Turn © of the left effect Oo O oO @e.e NOTE + The setting range is 0-120 | 3 | To set the master tempo

+ Turn © of the left effect CNOTE +__ The setting range is 40-250. + This tempo setting is used by every effect, rhythms and the looper

& Setting the tempo by tapping

e Press O two or more times at the desired tempo. + _ You can also set the tempo using an FSO1 footswitch (sold separately). (See page 17 | 4 To change the direction of the signal flow + Press © on the left effect PAGE

+ Turn © to set the signal flow direction. { 5 | To set the amount of time until the backlight dims

+ Tumn © of the middle effect. Oo O Oo NOTE Epices +__ The setting options are ON and 1-30 seconds

(ART BE Ein) eee unt of power consumed can be reduced by dimming the backight. NEXT >>> sunes snoueA Buifueya |

Changing Various Settings

To select the battery type ] + Tumn

ones of the middle effect to set the battery type to ALKALINE or Ni-MH {nickel-metal hydride). (I Operating on batteries fl : Operating on adapter power Ce Operating on USB bus power CNOTE + Set the battery type correct in order to allow the remaining battery charge 19 be shown accurately.

To adjust the USB audio monitoring balance

+ Turn © of the right effect CNOTE ‘This adjusts the balance between the signals sent from a connected computer (DAWI and the signal input and processed through the unit (DIRECT) The setting range is 0-100. Set 10 0 to monitor only the DIRECT signal or 100 to monitor only the DAW signal

To adjust the recording level

e Turn © of the right effect.

ED verso NOTE + This adjusts the level of the signal sent to the computer. + The setting range is 26 dB.

| 9 | To view the firmware versions + Press ©O of the right effect. PAGE | 10 To adjust the display contrast + Press O of the middle effect. PAGE

+ Turn © , © and © of the middle effect

+ Press for 1 second. O0 O Oo 9 © Ce) NOTE

+ Pressing (@) 10 vil bypass 1 second

To change the tuner's standard pitch

e Turn © of the right effect. NOTE + The standard pitch for middle A can be adjusted to 435-445 Hz.

e Turn © of the right effect. CHROMATIC The chromatic tuner shows the nearest pitch name {semitone) and how far the input sound is from that pitch. BASS Depending on the selected type, the nearest string name and how far the sound input is from that pitch are shown

To use a drop tuning

e Turn © of the right effect. [e] CNOTE

+ Drop tuning is not possible when the TYPE is set to CHROMATIC. Se BSS ba

Tune the bass guitar + Play the open string that you want to tune and tune it.

The name of the nearest note and the pitch accuracy are shown. Flat Correct piton Sharp

The number of the nearest string and the pitch accuracy are shown + The keys above the displays also light to show the pitch éccuracy.

To end tuning u 2 3 aeunL eu} Suisn |

+ The rhythm pattern starts to play automatically and the rhythm setting screens open.

+ Turn © of the left effect. NOTE + See page 80 for types of patterns

+ Turn © of the middle effect. + Youcan als setthe tempousing À CNOTE +__ The setting range is 40-250. + This tempo setting is used by every effect, rhythms and the looper

e Turn © of the right effect. NOTE +__ The setting range is 0-100

| 5 To stop the rhythm

+ Press : | 6 To complete setting the rhythm & The rhythm stops and the previous screen reappears EH To select a patch (and keep the rhythm playing)

+ Press : Æ To return to the Home Screens (and keep the rhythm playing)

+ Press : swuuyyAyy Buisn |

+ Press for 1 second. | 2 To set the recording time

+ Turn © on the left unit. Manual Use the footswitch to start and stop recording Note mark Set the recording time by setting the tempo and the number of quarter notes. NOTE + The looper can record 18-40 seconds (20 seconds when UNDO is enabled). + Ifthe setting (number of quarter notes) would not fall in this range, it will automatically be adjusted + Changing the TIME setné | 3 | To adjust the tempo

+ Turn © of the middle unit

+ You can also set the tempo using +_lfno loop has been recorded yet, You can also set the tempo by

+ The setting range is 40-250. + Changing the tempo will erase the currently recorded loop. + This tempo setting is used by every effect, rhythms and the looper

To record a phrase and play it back

+ Press : Recording Playing If set to “Manual”

° When is pressed again or the maximum recording time {about 40 seconds) is reached, loop playback starts (and “PLAY” appears on the display). If set to a note mark + Recording continues for the set time and then loop playback starts (and “PLAY” appears on the display) H COTE) —È —

+ When using à rhythm, the loop timing will be quantized, so even if you stop the loop recording 2 little out of time, the loop end point will be adjusted to match the tempa correct.

e Turn © of the right unit. CNOTE +__ The setting range is 0-100 NEXT >>> 484007 eo; Buisn |

To overdub a recorded loop & To start overdubbing

+ During loop playback, press Playing Overdubbing & To end overdubbing

e Press again. Overdubbing Playing

To stop loop playback | | 8 To erase the loop

+ Press : + Press + _“CLEAR" appears on the display.

LOOPER (9 To return to the Home Screens + You can return to the Home Screens while the loop is playing NOTE + Retuming to the Home Screens will not erase the loop. + Tuming the power OFF will erase the loop. [re change the Looper settings + Press O of the right unit. PAGE AUDE CAE F sw 80

• To activate the Undo function (° NOTE Tu @ °' eight unit + When Und is ON, the maximum loop recording time is limited to 20 seconds: After undoing, you can also redo by pressing (©) for 1 second again, restoring the last overdubbing.

+To select the STOP MODE [SIP How To0p playback SI0pS Tu @* the right unit. STOP Playback stops immediately FINSH Playback stops after the loop plays toits end FADE OUT | Playhack stops after facing out + Even when set to “FINISH” or “FADE OUT you can stop loop playback immediately by pressing and holding down + To adjust the RHYTHM LEVEL Tu @ 1 right unit 484007 eo; Buisn |

To prepare to update the firmware version + Confirm that the POWER switch is set to OFF. PATCH SELECT Y ns + While pressing both O O , connect the unit to a computer using the USB cable. roue Q° + The VERSION UPDATE screen appears. VERSION UPDATE Ready for version update!

To update the firmware + Launch the version update application on your computer, and execute the update COTE) — + Do not disconnect the USB cable while the firmware is being upgraded. ŒIL + See the ZOOM website for instructions about howr to use the application.

VERSION UPDATE (3 To complete updating + When the B3 has finished updating, "COMPLETE!" appears on the display.

+ Disconnect the USB cable Updating the firmware version will not erase saved patches. Restoring the B3 to its factory default settings.

+ The Al Initialize screen appears. âre You Sure? YES: STORE

2. To execute the All Initialize function.

NOTE STORE/SWAP + Press any key other than? C5" to cancel. + Executing the All Initialize function will restore all the settings of the 43, including its patches, to factor defaults. Do not use this function unless you are certain that you want to do this. eiemuu eu} Bunepdn |

Using Audio Interface Functions This unit can be used with computers running the following operating systems EH Compatible OS Windows Windows® XP SP3 (32bit) or newer Windows Vista? SP1 (32bit, 64bit) or newer Windows® 7 (32bit, 64bit) 32bit: Intel® Pentium® 4 1.8GHz or faster, 1GB RAM or more 64bit: Intel” Pentium” DualCore 2.7GHz or faster, 2GB RAM or more Intel Mac OSX 10.5.8/10.6.5 or later Intel® CoreDuo 1.83GHz or faster 1GB RAM or more EH Quantization (bit-rate) 16-bit E Sampling frequency 44.1kHz For details about recording, playback and other functions, please see the included startup guide. L'HINT 2 You can adjust the balance between the signals from the 33 and the computer. (See page 20) You can adjust the recording level. (See page 20) When its POWER switch is set 10 OFF the 3 can be connected to a computer by USB and powered by its USB bus. CNOTE + To monitor the signal of your connected bass guitar after it has passed through your DAW software, set the USB AUDIO MONITOR balance to 100. (See page 20.) At otner setings, ne signals from the computer and the 12 Wil be mixed, causing the output signal 10 sound ke a langer efectis being used

Effect Types and Parameters Limiter This is a limiter that suppresses signal peaks above a certain reference level. = Knob1 Kno2 KhoBs FRE [po Lee Jr [Ile Jo [I PageOt [Agusts the reference signa fev frfAiusts the compression rate of Me ne imiter action imiter. adiusts the output eva. Re Tin IT I IT I IT Pagec2 [Adiusts the delay between he por 297 here the signal level als belou tk reshod eve an the imiter ralsase, 007 SM This effect slows the attack of each note, resulting in a violin-like performance. EE) - = Koobi Koob2 Rob ES Fine jrs Lie Jr Lies re I Ÿ oc su 008 A ZOOM's unique noise reduction cuts noise during pauses in playing without affecting the tone — Kobt Rob Koob DE ES Cire Jvnemn [les Jon [I Paseo lAdjusts the effect sensitivity. [Sets control signal detected. lAdiusts the output level. MAGraphicEQ [This unit has a seven band equalizer. Kb Ro Ro Eu fr Liber per Like per I PageOt [Aajusts he amount of bossteur at 80 Ads the amount of Boosteut le 20 Hz [aoo Hz KfAdlusts 1e amount of Bossteut af son fr [Its ju [Lt ju I Page02 |Agjusts the amount of baostjeut ai[Adjusts the amount of boosÿeut atAdjusts 1he amount of boosteut al oo He. É (5 kHz or fr [Lee je [I I [I Page08 [Austs te amount of O0SUEUt 2 gun the output eva robe MAParcEo js is à 2-band parametric equalzer Ron Ro Fo me | [(S Dora) | [on ni Paseo JAdijusts center frequency of EQT. JAdiusts EQ1 Q. JAdjusts EQ gain. Ra e æ poisse] [ [en [I Pageo2 cu center Frequency are OZ. aus 0 ass EG nos [eo 150 LT I [I [I chute 1e output va This effect divides the signal into two bands (high/low) and lets you freely adjust the mix ratio of the two bands = Knob1 Kno2 KhoBs CE m Jo LL pr [] Pageot [Adjusts the mx rate of 1 requency band FadTuste the me rat of the low (Aus crossover point between el frequency band tigh frequency an ler frequency band. we [ose Page02 JAgjuss the output eve Emphasizes the low and high frequencies. Knob1 Kno2 KhoBs

ol C2 LC [Ile Jo [I Pageot [agusts the amount of lowfrequency| Ajust the amount of high-requency| boost boost Adiusts the output leve. CEExciter This exciter is in the style of the BBE Sonic Maximizer. ése Ecciter Knob1 Kno2 KhoBs

ol C2 LC [Ile Jo [I Pageot [austs the amount of lonrequency| Adusts the amount of igh-requenc} 0 Jhéusts 1 foutre 'ahrequeneÿ its the output eve. phase corection. phase correction.

El" This effect uses the comb filter that results from fixing the modulation of the flanger like! lan equalizer. = Ron Ro Ro Fe Je US CC ECTS | Lw LI Pan sou te emasregtrequeno [AS ne ee crane amount O1 atcted our] Page02

vai [o-150 FAGjust the treble atenaaton of 1h Acjusts the output levei Dawn [is effect varies wah in accordance with picking intensity — Rob Ro Ro GES eme Fiori [Pi or RCE [I Pageoï = Autet cut ho sens of the ect ss vel oral sound

o16 EE his is like à G-Tron Envelope Filter in LP mode = Rob Ro Ro eme Fiori [Pi or RCE [I Pageoï = cut ho sens of the ect dus level o tgat sou PR ET [I I [I JAdjuss the output vel o17 TE This envelope filter with MOOG Mi F:101 low pass filter favor can be set in a wide range Knob1 Kno2 KhoBs Pageot GC ET I

Fes Jo [I Sets minimum frequency of envelope| Gi efface sansitivity. [Sets effect resonance. EN SC Bois Mere Aciusts amount fier appien… Ets apocd or hr action Eur 1 Lea [er LI I [I Page03 [Adjusts the balance between onginal Aciusts the output levei This is a resonance filter with à sharp envelope. Knob1 Kno2 KhoBs Pageot Sewe _Jrro LE Pur Jr oæ [uwoom [| Adusts the effect sensiity Agjusts the Q value of the fier Seiects wrhetner the direction of iter change is up or down. PE LL LI I [I chats eve of ga sound. [dust ne ouipurree This effect varies the sound like a talking modulator. Ron Ro Ro Fons Jo [IF Lu IRRE poire [Jr Pageot dust the frequency range pracessen] the ect Jdusts the intensity of the modulation adiusts the sensitvity of the effect Page02

Effect Types and Parameters 021 ÉTERE] The sequence filter has the flavor of a Z.Vex Seek-Wah: = Ro Ro E je IRRETRMRE Paseo (s effect pattern [Sets modulation speed. PE fo [Ie _Jo-no [I ans feet sound vaio 5 eee resonance Past e ouputiver This filter effect changes character randomiy. _ Knob1 Knob2 Knob3 Epes [so ange _[o-00 [LP pr [I Pageot FAclust frequency range affected Gers erectresonance. Page02 ne [eur |] Gras —_ [pri ae Eu Jo Sets ter type. Aciusts amount of fiter appied FRausts te balance atween oran [and effect sounds Page03

[Adjuss the output eve Booster This is a simulation of the Xotic EP Booster, which is warm and firm. Knobr Khaz KnoBs

Simulation o inspired numerous clones the Ibanez TS808, which is loved by many guitarists as a booster and has| Knob2

> ie [Simulation of the Fuzz Face, which has made rock history with its humorous panel design Œ:::" land smashing sound. = Ron Ro Ro Gin Jr LE Jo LL ni Paseo JAtiusts the gain JAciusts the tone. JAdiusts the output level. m jo Page02 [Agjuste the balance Bet original sound ana the [Simulation of the Elec Lo Muorid for its fat, swe. Knob1 Knob2 Knob3 no Fo Life Jo [Iles [rw IT Bi (en

original sound ana the Le: DS Simulation of the Boss Metal Zone, which is characterized by long sustain and a powerful -Harmonix Big Muff, which is loved by famous artists around thel uzz sound lower midrange. sisyeweieg pue sedAÂL39043 | — Rob Ro Ro Gin for [Pl Je [Ile Jo [I Pagcoï cit he gi dit etone st ne output En Jo I [I I [I Page02 [Adjusts te balanci original sound and the ŒsssDrive [Simulation of the Sansamp Bass Driver DI, highly popular among bass players. Knabi Knob2 Knob Bas [roro LI [ren [ro-10 LT [Pose [ro-10 [I Pageot au He ou Roquereyie…—fAdue oo Meuecyine— fade supochgh encre Gun —_fo-i00 [_Jrfeuns —_Jo-00 Loai —_Jo-re0 I Page02 lAdjusts the balance betw he cit ie gai ES agists he output eve. Paco [Mia pro IT I [II cu the middle frequeney vel CD Plus [This is a simulation of the MXR Bass D.1.+, which has both clean and distortion channels. Ron Ro Ro EE AT A DL A A CE ni Pageoi cute 1e lon requeney level [Adusts te mile fegueneylvol. Agua ne high remuer ve Gin —_Jo-00 T [FEnre_Jo0 TLles Je I Pageo2 dus the gain just the output level CTRMCTI Page03 uns preset EG on or ff [This is a simulation of the Xotic Bass BB Preamp, which has a tube-like, thick sound! = Rob Rob Ro Gin —_fproe I Fro-10 LI pro [I Pageoi cit he Se low Frequeney eve faute te Mg requency vel mp pe [IE jose [I I [I cit ve oo sound [Aduee eouputie This simulates the AVALON DESIGN U5 pre: Rnb Rob Ro Gin —_fproe [ie Lire [les Jon LE Pageoi cie he gi aise etone st de output PR LE TT I [ I [I Gui ag equencie en ON EE» :

ne gramp and te sal ter he catinet Dacoustic Simulation of the Acoustic 360 well known for its gutsy midrange. Re Kooz Ko Es ju LL Fr CLS fr I Pageot Ads the low Frequency level Achats 1e middle frequency level Juste the high frequency level Page02 Mie |] Gain —_fo-100 I ner [0-0 I Faust he conter frequency of te) mirange aciusts the gain. adiusts the output eva. Pageos [E; Bron [over CE 100 high frequence whenl ass he mix Eaares De ne pr-amp and te srl ater Simulation of the Aguilar DB750 fai mous for its powerful sound = Rob Rob Ro Es _frouo [I Fo LI pro [I Pageoi cu 1e lon Frequency eue [Acute ie mile fegueney vel Ads 1ne hi emueney ve D rome [en Jr LiFlee Jr I Page02 Adlusts he center frequency of the) mirage Aciusts the gain. adiusts the output eva. Page03 char [ON Deer. era, Boin

fe I] Seiacis one of à types of reset ones, POSTE ETES ne pr-amp and te srl ater Simulation of the POLYTONE MINI-BRUTE III with its distinct midrange, often used byl Jazz musicians.

Dh, [This is an 8-stage phaser effect that produces a swooshing sound. Compared to the] A-stage phaser, the effect sound is more detailed = Rob Ro Fe fo DIF fE mer —_Jo-r0 [I Paseo JAdjusts the modulation rate. Adiusts t JAdiusts the output level. Wen for |] I [I Pageo2 |Sats the cut Frequency in the low range of ie efoct sound This vibe sound features unique undulations Rob Ro Su ps Car pre TLE= pseot [5 ais mouton spe0d D ET Ms jrs LC ON MC Pe02 Los PE This effect combines two phasers Rob Ro fus Jrs0 NOT La Jo-o Pageot

sisyeweieg pue sedAÂL39043 | cit spae oO A mouton. Ads spoed of LPO E moduiaion (Act ne output et Fest _[o-0 [IS Jo Din Jim |] Page02 as resanance I TFO Ardant ut ronance FO madumon [Sts Ro o phases are connect bera [io [Lime [re [I I I si dinar LEO Amoduiaion [acute aapin of FO E mousse Page03 loss D This phaser has a one way effect = Kacbt Ko Koubs 3-6 ET Fo fo Lies Je [I Pageot RS as mouton speed Bas resonance Pause output Be A PME ma | I [I I IT os direction ofwarpng DAChorus [This effect mixes a shifted pitch with the original sound to add movement and thickness. Rssbt Ro Dern Jp-100 LL Jp LI 782% [seu tne agp of tre modulation. [Sets ne spocd the modulation. ane means D EE D CE DIS Jonor I Pe2e02 [Species the lowrrange eutof point lAdiusts the output level Tums pre-delay on or of. orthe effect sound By mixing an effect sound that is slightly pitch-shifted with the original sound, this effect type has a chorus effect without much sense of modulation. = Koobi Koob2 Ro CNE F5 fo LIL Lo CL Pageo! [Rats tre dotenng nc Sas no real ne ae act A amount OT aHectd sou] rene nement of 1160 sound he ann Fons —_fp-10 Lai Jo-nee [Ile Lors [I] Page02 Sets the cut frequency in the low adists ho tone Acists he output , ange of he efect sound This is a simulation of the BOSS CE-1 Knobr oo Res COMME LL ps LIL -100 LE

Effect Types and Parameters UT StercoCho [This is a stereo chorus with a clear tone. Knob1 Kno2 KhoBs Pageot Dern Jp-100 [I LT [I Sets the depth of the modulation. Sets the speed of he modulation. x _Jo-0o LE 7 ni] Page02 Ke foros |] PT ET [I Species the louange cutoff point orthe effect sound Acjusts the output levei Ensemble [This is a chorus ensemble that features three-dimensional movement : Rnsbt Ro Ro REZ Dern Jp-100 LL Jp [I Je-100 LE cee Pageot amount 07 efected sourd] Sets the depth of the modulation. Sets the speed of the modulation. né. Page02 Rs fre [I PT ET [I dust tre tone Achats 1e output vel CAVinELNGR [This an alog flanger sound is similar to an MXR M-17R Knob1 Knob2 Knob3 Pageot Dern Jp-100 [I fe frs GE Fes _Jurorn | Sets the depth of the modulation. 5 the speed of ihe modulation. GO [I TR [I CC [I Sets pre-delay üme of effect sound. "adiusts the output level Page03 ar Jr |] Sais the cut-of frequency in the low range of ne effct sound CXAFinger |Mnis is a jet sound like an ADA flanger Knob1 Kno2 KhoBs Pageot Dern Jp-100 [I Fu [50 IE For | Sets the depth of the modulation. 5 the speed of ihe modulation. Page02 CO [I Mr _fæ [I Loai Jo [I Sets pre-delay üme of effect sound. adiusts the output eva. Page03 ar Jr |] Sais the cut-of frequency in the low range of the effet sound lume of the effect sound changes according to the The vol input signal level with this] Kneb1 Kno2 Kobe Pageot Dep Jo-100 fe frs DE Sens

Effect Types and Parameters Lo DER This effect produces the sound of a monophonic (single-note playing} bass synthesizer that SeS

detects the pitch of the input signal. = Knobt Knob3 Decay Ï 00 I I Vie Reso be I I Pageot Adiusts the rate of sound change. ais he wavelorm type te Sa {sawtootnl, “Pulse” {square wave) or PAM {puise width modulation esuting in fater sound. djusts the intensity of the effect haracter Page02 ES EU [I Dy Jeu LE CC [I [Adjuss level of synthesizer sound FAciusts voi of onginal sourd Fusts he ounpur ver 075 SXEM LZOOM original bass synthesizer sound — Rob Ro Ro EU Bond frs I [I Pageot Adjusts te sonatvity for tiger tection. Sciects a synthesizer variation. aiuss the tonal quality of the sound Page02 Smn__Jeno y fo I Re _[eu JAdiuss avai of synthesizer sound FAciuss aval of original sound fAciusts tre output ever. Pageot GASynTk [Mis effect produces a synthesizer sound similar to a talking modulator producing vowels. u Ro Kooz Koos Sse UT] [ip JAUEU [ ] or sound change LT] Dy _[o-uo I

Rnb Ro Ro Dec Jp-100 LL pr CE [I Pageot te te of fAdjusts the sensitivity for trigc cit ho rte of sound change AE aust tnofiter ahit range PE A ET BC CE [I JAdiuss avai of synthesizer sound FAciusts aval of original sound Fusts he oupur ever CERAVoiceSyn his effect type adds synthesizer bass. The harmony components are determined by the Mode and Scale parameters: harmony components to single notes played on thel Knob1 KnoB2 KhoBs Pageot ET Jo [I TN LE [I Sue _[rz ni Selects a harmony variation. lwol cts the tac rt fa synthese Select à harmony type from 1-9, [Helacts à harmons variation Te] pont jee Table he 1-9 modes. (See Table 4} on) = San force RC ET [Flo Jos I Pape02 cluster sou Aus vol of ongnal sourd (ciao put eat 079 PA [his bass synthesizer sound adds analog synth fatness. Knob1 Knob2 Knob3 Was ww [|] Dear __[E-100 I Fons —_foro [I Pageot Seiacrs ie ave. usts tre speed of one modulation austs the tone Page02 Fu po [I Funge [9-0 [I Fos [oo I Sets the œutof frequency af the lrr. pass filter juste te amount euro requenoy medion. Agiusts the intensity of the fie: Page03 SSI [I Dy Ju [I mai Joe [I [Adjuss level of synthesizer sound FAciusts evol of onginal sourd Fusts he ounpur ver This effect simulates an organ sound Ron Ro Ro moe [lee Jo A CE CT] ni just voue of Mg equences. [aausts voue of auences. Agua velo ongnai our. per — jo ir Jeu TLles Je I Pageo2 Faust hgnpsss Mer ua requena [ust lovepass fier cutoN frequency. Fusts he ounpur ver

siezeueieg pue sedAL39843 | Effect Types and Parameters This dynamic delay adjusts the volume of the effect sound according ta the input signal level. revue = Ron Ro Ro LD EL = horre [|] 00 LE F20501 ist goiy time Just he eat sons RER EC LL [I I [I Paget2 casse feecbecamoun [Ads me oupurre Error This effect fiers a delayed sound FSIrpuivute Ro Ro Ko LD EL CE CT LL 00 LI RE F20501 ist goiy time Adists ho feccback amount [se re our 2e De TE ROCCO EE CE I li 29802 [saisine ape of ine moduation. [Sat he depih of he moduation. [Aus een OT mad D CC CE IT I IT I IT use 1e output ve This effect applies pitch shift to a delayed sound! FS [mputMute Rob Ko Ko fine rw [If fr LE 100 I Pageol | ts volume of pitch shift applied to |Adjusts the amount of effected sound] saisine deay time Ée EC LL pr LI Pageo2 casse feecbocamoun —__[Aduets me one custs te output eve This stereo delay allows the left and right delay times to be] ke; InputMute set separately. = Rob Ro Mimet fire Jo[ [ner [iææ [] [un LE PageOt [Adjusts delay time of left channel| Adiusts delay time of right channel |Adjusts the amount of effected sound] ay cas uonrs_Jpo0 LIRE Jon LI ur [I Paue02 JAdiusts delay feedback of left chan lAdiusts delay feedback of right channel. [Adjusts the output level. av fpr0e LL Jo [I I [I Paget Fuss day our oo channel, [Aus day our og channel This effect applies a phaser to a delayed sound FS [noumute Ron Ro Ko LD EL CE CT [I Pageoi Sets no day ma. chusts the faadback amount FEES Rae 50 P |coor sisine sposdon he mouton. [Suis ie rome ofineeïecrtpe faite outre This delay samples and holds using picking as the trigger. ES |inputMute = Ron Ro Ko fine Jon [Ps fr LL 100 LE Pageot Lo : ets the time that the sample fAdust the amount of lfcted sourc] es Ne er ne hold sound is produced. that is mixed wi und. D LL CL js LI I LI Faits ecran Achats te output ere This is a high-definition reverb. FS [mputMute RoëT Ro Ko Guy Jo LU A LE LL 100 LE Page [ 4 k due JAdiusts the amount of effected sound] sois ie duration cine revetberations.justs he one: ed ro GO EL LIFE [Tes Pago02 [Rai de 150 [I ere pu il sou and tar oh rever sauna. [ES ah pass ft of frequency. Adusts the output level

This reverb effect simulates the acoustics of a concert hall FS [mputMute = Rob Rob Ko

COMME LU A LE LL 100 LE

Pageot x Fausse amount of efcred soune] Sets the duration of the revetberations.|adusts the tone. M a deg co Fo] 5 LL I I I Page02 fau à beige put 0 igral sourd and star of the reve sou Acjusts the output levei This reverb effect simulates the acoustics of a room FS [mputMute : Rob ob Ko

Pageot 19907 Gers te duration o he reverberations. [adjusts the tone. Fu] Page02 fau à 1 LI je 1 Beteen put o the] ia sous and tar of th reves sound, [A ISES the output eve siezeueieg pue sedAL39843 This reverb effect simulates the acoustics of a tiled room FS [mputMute Rob Ko Ko COMME LU A LE CE LL 100 LE PageO1 JAdjusts the amount of effected sound] Sets the duration of the revetberations. | adusts the tone. ts med and Fo je LL LI I LI Page02 [Adjusts the delay between input of the] ir sound and a of 1er au This reverb effect simulates a spring reverb FS [noumute Ron Ro Ko

Aciusts the output levei Pageot 9807 ets the duration of he reverberations. [adjusts the tone. Ps]

LT] A A LC Een put OT 1e gr au and a otre and This reverb effect simulates the acousties of a large enclosure| such as a sports arena. = Knoët Koz Ko COS EI CLP pr LL 100 Cr or feed sourd] EE P2080! usine auation of rvoboratons.Agusts he tone SRE CXXT GO EI LC CE I I I Page02 [quart de Aciusts the output levei FS |inputMute y Beteen put of tel ire sou and star of the reve sound MMAEsryRef [This effect reproduces only the early reflections of reverb Aciusts the output levei Rob Ro Ro 35 CR ET LL or LIL -100 LE RAR Page! is he duration of the reverb.… Agusts the efct emvelope fciusts ie amount of utered sound Ms © Fo ere Lie fs LI I LI Pape02 07 fesse ve tre dit he output This effect reproduces the ambience of a room to create spatial depth. = Re Kooz Ko

Do [o-0 Laver G-150 [I Adiusts the emphasired frequency. just ho mix he unafcted sound adiusts the output eva.

This is a pedal wah effect for bass guitar. Knob1 Knob2 Knob3 Pageot Frea

Dex [o-100 Laver G-150 [I gists the frequency that is emphaszed. ste the mix with the unaffected adiusts the output eva. Pedal wah with a strong character. Knob1 Kno2 KhoBs Pageot Frea

Go ni adiusts the amphasized frequency. character. FAcjusts the intensity of the ef adiusts the output eva. Page02 Dax

Acute amount of ongnal sound]

[ro DS Use an expression pedal to change the pitch in real time with this effect

Troubleshooting The unit will not turn ON The sound distorts strangely/has an odd timbre + Confirm that the POWER switch is set to “ON”. When using bus power, confirm that the switch is "OFF' before connecting the USB cable + When using batteries, confirm that they are still charged No sound or very low volume + Check the connections (-P4-6) + Adjust the patch level (-P14) + Adjust the master level (—P18). +When adjusting the volume with an expression pedal, make sure that à suitable volume setting has been set with the pedal + Confirm that unit is not in mute mode (-P22) + The unit might have switched to standby to save power (-P6). In standby, audio input and output are disabled There is a lot of noise + Check the shielded cables that you are using for defects. + Use only a genuine ZOOM AC adapter Rhythm List + Set the Active/Passive switch according to the type of bass guitar pickups or the device connected directly to the 83. An effect not working If the effect processing capacity is exceeded, *THRU" appears on the effect graphic. In this case, the effect is bypassed! The express n pedal is not working well Check the expression pedal settings (—P16) The recorded level in a DAW is low Check the recording level setting (—P20) Batteries lose their charge quickly + Are you using manganese batteries? Alkaline batteries should provide 6 hours of operation + Check the battery setting (—P20). Set the type of battery being used for à more accurate display of the remaining charge: # | PattemName | TimSig. # | PattemName | Tim Sig. # | PattemName | Tim Sig GUIDE an 15 | Dn8 SPera_ 2 | sseat aa 16 | Funk SPerd_2 3 | 88e aa 17 | Fe Latin MES aa 18 | Hiphop Balladt 5 | SHFFL 15 | RoR Baled2 6 | 168eat 20 | Popi Blues T_ | 16Bea 21 | Pop? Blues? 8 [ i6sHFrL 22 | Pops Den 9 | Row 23 | Dancet Jar? 0 | Hard 24 | Dance Merro3 M | Meta 75 | Dances Metroë 12 | Metaz 26 | Dance Metro5 13 | Thesn 77 | sPen Metro 1 | Fu 73 | cree

(rec regulation warning (for U.S.A.) This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not oceur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by ane or mare of the fallowing measures: + Reorient or relocate the receiving antenna + Increase the separation between the equipment and receiver. + Connect the equipment to an outlet on a circuit different from that to which the receiver is connected + Consul the dealer or an experienced radio/TV technician for help.

— For EU Countries Declaration of Conformity: This product complies with the requirements of EMC Directive 2004/108/EC, Low Voltage Directive 2006/95/EC and ErP Directive 2009/125/EC Disposal of Old Electrical & Electronic Equipment {Applicable in European countries with separate collection systems) This symbol on the product or on its packaging indicates that this product shall not be treated as household waste. Instead it shall be handed over to the applicable collection point for the recycling of electrical and electronic equipment. By ensuring this product is disposed of correctiy, you will help prevent potential negative consequences for the environment and human health, which could otherwise be caused by inappropriate waste handling of this product. The recycling of materials will help to conserve natural resources. For more detailed information about recycling of this product, please contact your local city office, your household waste disposal service or the shop where you purchased the product. ZOOM CORPORATION 4-43 Surugadai, Kanda, Chiyoda-ku, Tokyo 101-0062 Japan http:/www:z00m.c0.jp 83-5000-1

EsssDrur | Manufacturer names and product names mentioned in his patch lis are trademarks or registered trademarks of their respective owners and do not indicate any affiliation with ZOOM CORPORATION. A product and artist names are intended onl to illustrate sonic characteristics that were used as reference in the development of this product. Comment | Patch Name | annisr D cou Mur David Elefson Frank Boo M victor mocten | 0] MarkBoost | This uses modeling of the all-around Markbass sound. Switch the graphic EQ on for a tighter low end when using an amplifier re 0] 1P83604mp | This reproduces the sound of that legendary master of the fretless bass. Explore the world of “Word of Mouth” with chorus and distortion! 1] Potone | This has the characteristic mid range of the Polytone MINI-BRUTE, which is popular among jazz players. Switch the EQ on for a tighter low end when using an amplifier. Èè 1] Lamy | This reproduction of that Jet Phaser sound favored by Larry Graham is a great enhancement 10 wild bass solos! 2] SL4PWaH | This patch with additional auto-wah is useful for slapping solos. E 2] Miller | This simulates the slapping sound of Marcus Miller using SWR amplifiers. 8] basstank | Less overdriven style into an SVT style amp modeler 8] STANLEY | This simulates the bass sound of Stanley Clarke on “School Days” and is optimized for chord stroking and slapping A 4] Hate | A Harke HA3500 is combined with a 4.5XL cabinet with aluminum cone drivers. Switch the EQ on for tighter low end when using an amplifier. 4] TimB | This reproduces the sounds of the wild guy of “Fudge” and “BBA.” Try to control the depth of distortion with your picking touch. 5] SansCmp_ | A basic combination of SansAmp and Punch Factory, which are two favorite effects among bass players. Add EQ to your taste: 5] pino | Octaver into a Flip Top B-15 simulator, emulates the classic d'angelo pino p sound 8] sacolaz | Jaco Jazz Ah yes the famous Jaco and his sound this sound emulates a fretless bass very well 8] Sasicset | This basic compressor, overdrive and preamp setup can be used like a chain of compact effect pedals. 7] ST | Thealltube Ampeg SVT is combined with an 810E cabinet. Switch the EQ on for a tighter low end when using an amplifier. 7] Rodet | This “rock” setup of octave, booster and preamp effects can be used like a chain of compact pedals. 8| ülocawe | My basic beefed up octave sound, big lows and fat sine wave: 8| POPSet | An all-round “pop” setup of compressor, booster and exciter effects that can be used like a chain of compact effect pedals. 8] RecuS | The AVALON US model contributes to this clear and crispy bass sound 8] Fusionset | A setup of compressor, chorus and delay effects for fusion that can be used like a chain of compact effect pedals. 0[ wiosign | Very powerful Octave and Distortion sound 0] JumpSet | This set is stuffed with three wild weapons. Use any of these when you need to be “in-your-face”! 1[wi0rhumbt | Moog filter sound for thumb play style 1] ZTRON | This auto-wah sound with a heavy bottom end is a combination of the Q-Tron-inspired Z Tron effect and a preamp. 2] wW10 Thumb2 | Q-Tron filter sound for thumb play style. 2] Dbicomp | This patch gives a hard compression sound using two compressors in a row and is good for cool slapping solos 8] W10 Stepup | Long time delay sound with Hall reverb. 8] PHASER | This phaser sound is very effective in certain sections of songs B 4[ wio Up Top | Pitch shifier with delay for bass guitar solo. 4] WahAttack | This adds an auto-wah sound to the natural dry sound of the bass. 5] W10 Bottom | Nice bottom sound with booster and Bottom B. 5] SL4P | This slapping sound euts though with natural compression and low and high registers enhanced by an exciter. 8] wiolesrret | Fretless sound with Hall reverb. 8] SLAP SOLO | This adds a short delay to a classic 805 slapping solo sound. 7] W0 DreamX| Dreamy sound using Reverse Delay ë 7] TAPPING | This patch is optimized for tapping. The signal is compressed fairly heavily and enhanced with EQ for a broader sound 8[w10 Dreamy | Dreamy sound using Pitch Delay ä 8] CHORD | This patch is optimized for chord work. Room and reverb effects add depth to the sound. 8] W10 Bowie | Slow attack sound with Hall reverb 8] PULL MELO | Use this patch for beautiful melodies played with a pull-off technique. 0] Hintociff | This patch is a tribute dedicated to my friend Cliff Burton. L think of him when I hear it O[HARMONICS | This patch is effective for harmonics. Chorus and reverb effects contribute 10 the floating sound 1] Gaieplus | This patch is a kind of straight-ahead vibe plus a little more "stuff * I added to it 1] Bassman | This is a simulation of the Fender Bassman 100 amp once used by Paul McCartney. Switch the graphic EQ on for tighter low end when using an amplifier. 2] Smoothfun | This patch says to me that this bass sound is so smooth, I should have some fun with it. 2] Super Bass | This is a simulation of a Marshall 1992 Superbass with a 1935A cabinet. Switch the graphic EQ on for tighter low end when using an amplifier. 8] Wahralkin_| With this patch, I have this picture in my head of having a conversation with a wah pedal 8] Aguilar | This models the powerful and clean sound of an Aguilar amp. Switch the graphic EQ on for tighter low end when using an amplifier C 4] Hororiuz | This patch is my horror movie bass sound. To me it sounds like its from a horror movie soundtrack 4] GKruger | This is a simulation of a Gallien-Krueger 800RB with a 410RBH cabinet. Switch the graphic EQ on for tighter low end when using an amplifier 5] _Tremozep | When lm playing with this patch, it sounds like it has a Led Zeppelin vibe to it. Tremolo all the way! 5] nice warm | Just a nice tube amp warm patch, good for any use 8] FolowWe | When I hear this patch, it makes me feel like there is a sound following me every note I play. 8] BritHardRk | This is just like the name suggests —a typical sound of British hard rock. Perfect with a pick. 7] LeStandard | With this patch, 1 just wanted to have a cool, straight ahead bass sound to jam to: 7] huge clean | Nice eq'd lo mid boosted sound sent into an SWR style amp. 8] Beleveit | This patch has a journey-bass sound vibe to it. Big Chorus going on 8] REC CLEAN | This clean sound is suitable for recording and has added fatness from Hartke HA3500 modeling 8] Cureme | Lühink-This patch has a Cure-ish (the band) vibe toit. Fun with the Flanger! 8] RECSLAP | This simulation of an amp sound with punchy lows and highs is suitable for recording slapped basses. 0] Crunch Fuz | FuzzSmile gives hard edge fuzz 0] 2CoMP | This patch simulates settings for recording using both studio and pedal compressors. 1] Amused | Synth & OptComp creates a modern alt metal talk box type sound 1] ReggaeNo.1 | This popular reggae sound has a big bottom. Add the octaver if you like a more aggressive sound 2] UR No Good | Derived from Van Halen II “You're No Good” bass intro. Classic Phaser and Compression. Great bass intro patch 2] NORMAL DIS | This standard distortion sound blends well with the mix. This sound is good for everything but ballads! 3] Widsprd | D.1 Plus with the Vibe gives useful effect for blues or rock songs. z 3] SOLODIS | This distortion sound accompanied by a delay effect is suitable for soloing with fast passages D 4 Nat 8gWah | A natural bass wah created with Bottom B, Pedal Wah and Early Reflection. Ê 4] LudditeSyn | This synth bass is simulated only with analog-type effects. Of course, the whole thing is still digitally simulated! 5] BigRoom | Oct Stomp, Reverb and Flip Top create an ambient hall setting with a lower octave added $ 5] ot0D | Heavy fuzz and the bottom end give this patch a retro feel 6] Space Div | Exciter, Phaser, Fuzz. Good for solo bass and oddity pieces. L 6] Bigket | This jet sound has that characteristic wild swell. 7] Bass Synth_ | Mono Synth creates outstanding effect for solos and special effects. à 7] MufiCmp | This distortion sound uses the modeled Big Muff, which is a popular effect among many bass players. Switch on the exciter for a more contoured sound 8] LoDoun | Octave creates lower octave while Random Filter adds mystic 8] meshugger | Distorted, sounds amazing with bass tuned to low € with roundwound strings. 8 SpcFusion | Vibrato with 4 Voice Synth provides fusion jazz voicing 8] Zofuzzoct | Retro fuzz and octave through a resonance filter 0 cto Stomp | A combination of Bottom B and Flip Top rounded out through the 160 COMP delivers a FAT SOLID SOUND. O] RECDIST | This natural distortion sound js suitable for recording. 1] Pump House | SVT Amp with a twist of Mono Pitch and 160 Comp creates controllable Sub Low with the expression pedal. PUMP IT! 1] Bottomsyn | This fat bass synth sound with a pleasant attack is suitable for recording 2| Propeller | A Bass Drive merged with Trigger Hold then the 160 Comp evens it out. Expression Pedal makes it pulse. [ 2| BigBrass | This is another big brassy cool analogue sound very useful in synth sounds. 3] Swi With the Vibrato, Arena Reverb and Exciter, you create a Whirling Leslie Vibe a 81 FastPi | This is a sound emulating you playing very fast 1/8 notes very accurate. 4Ï Jaco Solo | Jaco Solo is a very dreamy sound thick with a nice reverb can be used for solo's or a main sound! EMA incambien | Reverse delay into a rich delay with mega feedback. Excellent ambience for looping E 5] EanhW&r | This is a cool synth patch emulating the famous tune “Let's Groove Tonight” by Earth Wind & Fire. ë 5] Sig Moog | This is a very cool impression of the Mini Moog synth very analogue. 8] Anthony! | This patch simulates Anthony Jackson’s trademark sound with a flanger. The swelling effect of the flanger fits nicely with tight rhythmic figures played with a pick: 8] DukWah 8 | No, this is not the sound of the Stax legend. This is a sonic imitation of a “real” duck! 7] FatéBright | Use this patch for a fat and bright slapping sound. Remember that funky guy who performed with Miles and the Stones? 7] Retro Game | This is a simulation of the sound of those 8-bit game machines that took the world by storm in the 80. 8] SipissTny | This simulates the sound of that impressive intro played by that skinhead guy with a “disciplined” British prog group. Try slapping with this. 8] fairwamin | Sub bass analog synth sound, most effective tracked slowly with long sustains. 8Ù Percy] | A set of the favorite effects used by the legendary fretless player of Brand X 8] Distseg | This spacey sound combines Dist1, Seq Filter and Stereo Delay effects B3-PatchListE-t

B/Sequel LE Startup Guide B/Sequel LE Startup Guide This USB/Sequel LE Startup Guide explains how to install Sequel LE on a computer, make connections and settings for this unit, and perform recording. Sequel LE installation > Connections and preparation

To connect this unit to a computer running Windows 7 (or Windows Vista, XP) and to enable audio input/output, proceed as follows. The installation description uses Windows 7 as an example. Download the latest ASIO driver from the web site of O ZOOM Corporation (http://www.zoom.co.jp) and install the driver. The ASIO driver software is required to enable use of Sequel LE for audio input and output with a computer. Refer to the read_me file [4] included in the download package for instructions on how to install the driver correctly. NOTE HINT + No special steps are necessary for canceling the USB connection: Simply disconnect the USB cable from the computer. +_ When you connect this unit for the first time to a computer running Windows 7, a message saying "New Hardware Found will appear. Before proceeding, wait a while until this message disappears. Bring up the "Sound" window from the Control Panel and make the input device setting for the computer. To bring up the "Sound" window, select "Control Panel" from the Start menu and click "Hardware and Sound", then click "Sound". If the system software is an older version, the product may not be recognized properly by the computer. I is therefore recommended to always keep the system software updated to the latest version. The system software can be downloaded from our web site. drive of the computer, and perform the installation steps. Insert the CD-ROM. When the contents of the CD-ROM are shown, double-click "Sequel LE2 for Windows” and then select "Setup.exe". When the language selection screen appears, choose the language to use. After making the selection, follow the instructions on the screen. HINT nothing happens when you insert the CD-ROM, open the Start menu and select "Computer* (‘My Computer" in Windows XP). Then double-click the "Sequel LE 2 for windows" CD-ROM icon to display the contents of the CD-ROM, and double-click the executable file "Setup" ("Setup.exe*). [2] Insert the supplied "Sequel LE" CD-ROM into the CD NOTE During the installation of Sequel LE, a screen asking about installation of activation (software license authentication) management software appears. Install this software, because it is required for registering Sequel LE. (3) Connect this unit to the computer using a USB cable. Computer C___, n P USB cable This unit | IOUTPUT] jack À Audio system or other @ hi-fi playback equipment Batteries NOTE +_lf you monitor the audio signal during recording via the audio output of the computer, there will be an audible delay. Be sure to use the IOUTPUT] jack of this unit to monitor the signal. When this unit is operated on USB bus power via the USB cable, insuficient power may result in unstable operation or error indications appearing on the computer screen or unit display. In such a case, power the device from an AC adapter. Use a high-quality USB cable and keep the connection as short as possible. If USB bus power is supplied to this unit via a USB cable that is more than 3 meters in length, the low voltage warning indication may appear. In the "Sound" window, verify that "ZOOM G Series Audio" is listed under the Play and Record devices and that the device is checked. (To switch between Play and Record, click the tabs at the top of the window.) If the device is not checked, right-click on the icon for the device and click "Set as Default Device” so that a check mark appears. (5) Launch Sequel LE and select "ZOOM G Series ASIO" as the ASIO driver. To start Sequel LE, double-click the Sequel LE shorteut icon that was created on the desktop. After Sequel LE starts, click the button in the bottom left corner of the Multi Zone area of the Sequel window to open the settings page. Click the Audio Connection item and select "ZOOM G series ASIO" from the pop-up menu. When you change the ASIO driver, a confirmation window will appear: Click the *Switch" button. Pot ORea Arrange Zone Multi Zone Next, click the "Setup..." button to open a window where you can set the latency of the ASIO driver. Set the latency as low as possible without causing the sound to drop out during recording and playback. EE L CORRE FO rnb ant FE Sort eco @ Continued overleaf [ Sequel LE installation >| Connections and preparation I Use Sequel LE to record » To connect this unit to a computer running MacOS X and enable audio input/output, proceed as follows. The installation description uses Mac OS X v10.6 as an example. Insert the supplied "Sequel LE" CD-ROM into the CD O drive of the Macintosh. The contents of the CD-ROM appear automatically, If nothing happens when you insert the CD-ROM, double-click the "Sequel LE2 for Mac OS X"'icon shown on the desktop. [2] Install Sequel LE on the Macintosh. When the contents of the CD-ROM are shown, double-click "Sequel LE 2.mpkg" to install the software.

Sequel LE 2.mpkg © Connect this unit to the computer using a USB cable. AC adapter # Guitar or other instrument

\Y INPUT] jack LC, or This unit

Æ (OUTPUTI jack e Audio system or other Batteries -fi playback equipment USB cable NOTE +_lf you monitor the audio signal during recording via the audio output of the computer, there will be an audible delay. Be sure to use the IOUTPUT] jack of this unit to monitor the signal. When this unit is operated on USB bus power via the USB cable, insufficient power may result in unstable operation or error indications appearing on the computer screen or unit display. In such a case, power the device from an AC adapter. Use a high-quality USB cable and keep the connection as short as possible. If USB bus power is supplied to this unit via a USB cable that is more than 3 meters in length, the low voltage warning indication may appear. HINT No special steps are necessary for canceling the USB connection. Simply disconnect the USB cable from the computer. Open the "Applications" folder and then the "Utilities" folder, and double-click "Audio MIDI Setup". The Audio MIDI Setup screen appears. Click "Audio Devices" and check whether "USB Audio CODEC" is selected as default input/ default output. Sequel LE installation > Connections and preparation D Audio Devices Ciock source | Def Di Coreausi Deus == Format 44100 0 He nl [2ch-160e — 1) 50 Be ——— | 6 Configure Speskers… If another item is selected, select the "ZOOM G Series" After confirming the setting, quit Audio MIDI Setup. Launch Sequel LE and set "ZOOM G Series" as the Audio Connection. To launch Sequel LE, click Sequel LE icon in the Applications folder. After Sequel LE starts, click the button in the bottom left corner of the Multi Zone area of the Sequel window to open the settings page. Click the Audio Connection item and select "ZOOM G series" from the pop- up menu. When you change the driver, a confirmation window will appear. Click the "Switch" button. Arrange Zone Next, click the "Setup..." button to open a window where you can set the latency (buffer size) of the driver. Set the latency as low as possible without causing the sound to drop out during recording and playback. D 0.0. CoreAudio Device Settings ZOOM G Series Version: 1.1.0.121 (256 Samples Dé Buffer Size [2 Use CoreAudio Channel Names Open Config Apr @ Continued overleaf Sequel LE Starting Manual G-E-1

Continued from front @ [6] Select "New Project" from the "Project" menu. This will close the currently open project and create a new empty project file. If the currently open file has been changed. a message appears asking if you want to save it or not. File menu Menus on Windows version Project menu Edit menu In the Mac OS X version, the "File", "Project" and "Edit" menus appear at the upper left corner of the screen. @ SequelLE File Project Edit (8) Set the recording level. Use the track "Volume" slider to adjust the input volume of the track so that distortion does not occur during recording. Turn the "Record Ready" button on for the added track so that you can hear the sound of the instrument input on that track. The level meter to the right of the track setting area moves in response to the input. Track volume Track meter Record Ready (Allows recording to take place on this track) HINT In order to record with better sound quality, adjust the volume so that itis as loud as possible without the signal distorting. NOTE After installing Sequel LE, the first time you launch it, a demo project is automatically opened. Even after creating a new project, you can open this demo project again any time by using "Open Project..." from the "Project" menu. © Add an audio track.

1. Click the "Add New Track" button at the top of the track

list. Untitled d New Track

2. Click the "Audio" button at the top of the dialog shown.

3. Select "empty" at the top of the Name list and click the

"OK" button to add an audio track to the project. Add eu Track

4. Double-click the track name if you want to edit it. Input

"Guitar"_here for this example. NOTE + While a track is record ready, the signal input to this audio interface is output directly and the same signal is also output after it passes through the computer once, resulting in a flanger-like sound. To avoid this, set the USB level of the interface all the way to DAW. The meter above shows the signal level after processing with Sequel LE. For this reason, after playing the guitar or other instrument, a slight delay might occur before the level meter moves. Use Sequel LE to record » | Windows | MacOS X | O Record to a track.

1. Press [M to return to the beginning of the track before

<.. starting recording.

2. Atthe right side of the Pilot Zone are several buttons used

for recording, playback and other controls. Among these, the second one from the right is the "Cycle" button. Conirm that this button is ÔFF (same color as other buttons). NT es Li Col cle On/Off

3. Click the "Record" button to start recording. Recording

will start after a two-bar pre-count

4. After you are done performing, press the space key on the

computer keyboard to stop recording. O Check the recording. Start playback You can start playback in Sequel using one of the following methods. + Click the "Play" button. + Press the space key on the computer keyboard. The space key can be used alternately to start and stop playback. + Press the "Enter" key on the computer keyboard {numerical keypad). + Double-click the bottom half of the ruler at the top of the Arrange Zone. Stop playback You can stop playback using one of the following methods. + Click the "Play" button during playback. + Press the space key on the computer keyboard. + Press the "0" key on the computer keyboard (numerical keypad).

For optimum enjoyment While using Sequel LE, other applications may slow down drastically or a message such as "Cannot synchronize with USB audio interface" may appear. If this happens frequently, consider taking the following steps to optimize the operation conditions for Sequel LE. {1) Shut down other applications besides Sequel LE. In particular, check for resident software and other utiities (2) Reduce plug-ins (effects, instruments) used by Sequel LE. When there is a high number of plug-ins, the computer's processing power may not be able to keep up. Reducing the number of tracks for simultaneous playback can also be helpful. (8) Power the unit from an AC adapter. When a device designed to use USB power is powered via the USB port, the current supply may sometimes fluctuate, leading to problems. See if using an AC adapter improves operation. If applications still run very slowly or the computer itself does not function properly, disconnect this unit from the computer and shut down Sequel LE. Then reconnect the USB cable and start Sequel LE again.