B1 - Guitar effects pedalboard ZOOM - Free user manual and instructions

USER MANUAL B1 ZOOM

51/51X Operation Manual Thank you for selecting the ZOOM B1/B1X (hereaîter simply called the "B1/B1X"). Please take the time to read this manual carefully to get the most out of this product and to ensure optimum performance and reliability. Keep this manual at hand for future reference. Contents SAFETY PRECAUTIONS / Usage PATCH LEVEL Precautions COMP/LIMIT module Terms Used in This Manual . EFX (Effects) module Controls and Functions / DRIVE module Connections . EQ module … ZNR/AMP (ZNR/Amp Simulator) module . -21 MODULATION/DELAY module . REVERB/DELAY module B1/B1X Preset Pattern Restoring Factory Defaults . Storing/Copying Patches Changing the Way Patches Are Called Up … ” : Using a Foot Switch or Pedal …16 SPEDA ASS Ex Using the foot switch (FS01) operation . (B1 only) Adjusting the expression Using the expression pedal pedal Effect Types and Parameters Linking Effects … Explanation of symbols (—{ es | 14 © ZOOM Corporation Reproduction of this manual, in whole or in part, by any means, is prohibited. Specifications . Troubleshooting …

SAFETY PRECAUTIONS / Usage Precautions Terms Used in This Manual SAFETY PRECAUTIONS In this manual, symbols are used to highlight warnings and cautions for you 0 read so that accidents can be prevented. The meanings of these symbols are as follows: ‘This symbol indicates explanations about extremely dangerous matters. f users ignore this symbol and Warning _ hand the device the wrong way, serious injury or death could resui. This symbol indicates explanations about dangerous matters. If users ignore this symbol and handle the Éstfon device the wrong way, bodily injury and damage to the equipment could result.

se observe the following safety tips and precautions 10 sure hazard-free use of the B1/BIX. Power requirements Since power consumption of this unit is fairly high, we recommend the use of an AC adapter whenever possible. When powering the unit from batteries, use only alkaline types. [AC adapter operation] + Be sure to use only an AC adapter which supplies 9 V DC. 300 mA and is equipped with a “center minus" plug {Zoom AD-0006). The use of an adapter other than the specified type may damage the unit and pose a safety hazard Connect the AC adapter only 10 an AC outlet that supplies the rated voltage required by the adapter + When disconnecting the AC adapter from the AC outlet, always grasp the adapter itself and do not pull at the cable. + During lighining or when not using the unit for an extended period, disconnect the AC adapter from the AC outlet [Battery operation] + Use four comventional IEC R6 (size AA) batteries (alkaline). ‘The B1/BIX cannot be used for recharging. Pay close attention to the labelling of the battery to make sure you choose the correct type. + When not using the unit for an extended period, remove the batteries from the unit If battery leakage has occurred, wipe the battery compariment and the battery terminals carefully to remove all remnants of batery fluid. + While using the unit, the battery compartment cover should be closed. Environment To prevent the risk of fire, electric shock or malfunction, avoid using your B1/BIX in environments where it will be exposed 10: + Extreme temperatures + Heat sources such as radiators or stoves + High humidity or moisture + Excessive dust or sand + Excessive vibration or shock Handling A + Never place objects fille with liquide, such as vases, on à place obj û the B1/BIX since this can cause electric shock. + Do not place naked flame sources, such as lighted candles, on the B1/B1X since this can cause fire. + The B1/BIX is a precision instrument. Do not exert undue pressure on the keys and other controls. AÏso take care not Gauen to drop the unit, and do not subject it to shock or excessive pressure. + Take care that no foreign objects (coins or pins ete.) or liquids can enter the unit. jacks You should always turn off the power to the B1/B1X and all other equipment before connecting or disconnecting any cables. AIso make sure 10 disconnect all connection cables and the power cord before moving the BI/BIX. Connecting cables and input and output

Alterations Never open the case of the B1/BIX or attempt to modify the product in any way since this can result in damage 10 the unit Volume Do not use the B1/B1X at a loud volume for a long time “since {his can cause hearing impairment. Usage Precautions Electrical interference For safety considerations, the B1/B1X has been designed to provide maximum protection against the emission of electromagnetic radiation from inside the device, and protection from external interference. However, equipment that is very susceptible 10 interference or that emits powerful lectromagnetic waves should not be placed near the BI/BIX, as the possibility of interference cannot be ruled out entire With any type of digital control device, the BI/BIX included, electromagnetic interference can cause malfunctioning and can Corrupt or destroy data. Care should be taken 10 minimize the risk of damage. Cleaning Use a sofl dry cloth to clean the BI/BIX. If necessary, sighuly moisten the cloth, Do not use abrasive cleanser, wax, or solvents {such as paint thinner or cleaning alcohol), since these may dull Ah finish or damage the surface. Please keep this manual in a convenient place for future reference.

This section explains some important terms that are used throughout the B1/B1X documentation. IN (COMP/LIMNT) DRIVE }{EQ }{ZNR} {AMP }MODULATION/DELAY}{REVERB/DELAY}>OUT Effect module As shown in the illustration above, the B1/B1X can be thought of as a combination of several single effects. Each such effect is referred to as an effect module. In addition to modules such as DRIVE and MODULATION/DELAY, the B1/B1X also provides a module for noise reduction and amp simulation (ZNR/AMP). Parameters such as effect intensit be adjusted for each module ind modules can be switched on and off. Effect type Some effect modules have several different effects which are referred to as effect types. For example, the MODULATION/DELAY module comprises chorus, flanger, and other effect types. Only one of these can be selected at a time. HEïffect parameter Al effect modules have various parameters that can be adjusted. These are called effect parameters When thinking of an effect module as a compact effect, the parameters change the tone and effect intensity similar Lo the knobs on the device. BPatch In the B1/B1X, effect module combinations are Stored and called up in units referred to as patches. A patch comprises information about the on/off Status of each effect module, about the effect type used in each module, and about effect parameter settings. The internal memory of the B1/BIX can store up 10 80 patches. BBank and area A group of ten patches is called a bank. The memory of the B1/B1X comprises à total of eight banks, labelled with letters A to d and numbers 0 10

3. Banks À — d are the user area which allows read/

write. 0 — 3 form the preset area of read-only patches. The patches within each bank are numbered 0 £ through 9. To specify a Re patch of the B1/BIX, you | ro À use the format "Al" (patch number 1 from bank A), esièus 06" (patch number 6 from bank 0), etc. Mode The internal status of the B1/B1X is referred to the operation mode. In "play mode" you can select patches and use them for playing your instrument. In “edit mode" you can modify the effects, and there is also a “rhythm mode" in which you can make settings for the rhythm function. The module selector serves for switching between these three modes.

Press latch to release and then lift the cover.

1. Tum the B1/B1X over and open the cover _ 2. Insert four fresh IEC R6 _ 3. Close the cover of the

of the battery compartment on the bottom. (size AA) batteries. Polar is opposite for two banks of to batteries each. latch audibly snaps into place: Use four IEC R6 (size AA) batteries When the batteries are getting low, the indication “bt" appears on the display. When operating the B1/B1X on batteries, it is advisable to disconnect the guitar cable plug from the [INPUT] jack when not using the unit, to conserve battery power. battery compartment. Push the cover in until the

Controls and Functions / Connections Controls and Functions / Connections (IVALUE] knob Switches between play mode, edit mode, and | rhythm mode. In edit mode, the knob selects the module for operation. This knob allows changing the level of effect parameters or of the overall patch. (Expression pedal (B1X only) Can be used as a volume pedal or as a real-time controller for effect parameters. (For details, see page 26.) [STORE] key This section describes the names and functions of all parts of the B1 and B1X. Functions that are special to the B1X are explained on page 26. Please also refer to that section. Module selector Top Panel (B1X) RHYTHM D>/H] key In play mode and rhythm mode, this key serves to start and stop the rhythm pattern In edit mode, the key serves to select the module to control with the pedal. mm su OJOIQ Display Shows patch numbers, setting values, and Serves for storing edited patches in memory. [PEDAL ASSIGN] key (B1X only) Serves to select the module to assign to the built-in (expression pedal. [BANK UP°TAP] key In play mode, the key switches to the next higher bank. In other information for operating the B1/B1X. When operating the LETOTON B1/B1X on batteries, it is advisable to ecom disconnect the bass

[YJ/[A] foot switches à cable plug from the LINPUT] jack when not using the unit, to conserve battery power. Rear Panel (B1)

[INPUT] jack Serves for connecting the bass When operating the B1/B1X on batteries, inserting the bass cable plug into this jacl will turn the unit on. te

[OUTPUT/PHONES] jack This stereo phone jack serves for connection of the bass amplifier or a air of stereo headphones. It is also ble to use a Y cable and send the output to a stereo system, to produce sweeping stereo effects. Bass amplifiers Headphones

These switches are used for selecting patches, controlling the tuner, and other functions. J Differences between B1X and B1 B1X special features that differ from B1: + Equipped with expression pedal as standard feature (-> p. 26) + [PEDAL ASSIGNI] key on top panel allows selection of module to be controlled with expression pedal (-> p. 26) + No [CONTROL IN] jack on rear panel: optional foot switch (FS01) or expression pedal (FP01/FP02) cannot be used.

[DC IN] jack An AC adapter (ZOOM AD-0006) with a rated output of 9 volts DC, 300 mA (center minus plug) can be plugged into this jack FSO1

Selecting a Patch To try out the various effects of the B1/B1X, we recommend that you simply play your instrument while switching patches. O Turn power on + When using the B1/B1X on batteries, plug a Shielded cable with mono phone plug into the [INPUT] jack on the rear panel of the B1/B1X. Selecting a Patch PLAN LI VUE » TE Au | O6 Adjust the master level + When using the B1/B1X with the AC ser jssrunonnaur + To adjust the master level in play mode, adapter, plug the adapter into the outlet E ASE you can use the [VALUE] knob. and plug the cable from the adapter into icawime ro When you turn the [VALUE] knob, the master the [DC IN] jack on the B1/B1X. + Turn the bass amplifier on and adjust the volume to a suitable position. A Set the B1/B1X to play mode + If the Module selector is set to a position other than "PLAY", set it to "PLAY". The currently selected bank and patch number are shown on the display. HINT immediately after turning the B1/B1X on, the unit will be in play mode, even if the Module selector is set to a position other than "PLAY". Bank name Patch number

level setting is shown for a time on the display.

The master level setting range is 0 —98, 1.0. It will be reset to 80 when the unit is turned off and then on again. NOTE When using headphones, this knob adjusts the listening volume. E] Select a patch O3 Directly selecting a bank + To select the banks A - d, 0 - 3 directly, use the [BANK UP°TAP] key. + To switch the patch, press one of the [V]/[A] foot switches. Pressing the [ W] foot switch calls up the next lower patch, and pressing the [A] foot switch calls up the next higher patch. Each push of the key switches to the next higher bank. NOTE With the B1, using the foot switch (FS01) to switch banks is also Repeatedly pressing one foot switch cycles through patches in the order A0 — A9 … d0 — d9 Pas Er D 1e — 00-09. 30 — 39 — AO, or the reverse order. 6 ZOOM B1/B1X ZOOM B1/B1X 7

Using the Tuner The B1/BIX incorporates an auto-chromatic tuner. To use the tuner function, the built-in effects must be bypassed (temporarily turned off) or muted (original sound and effect sound turned off). @ Switch to bypass or mute + Setting the B1/B1X to the bypass state In play mode or rhythm mode (— p. 10), press both [ W J/LA] foot switches together briefly and release. e Setting the B1/B1X to the mute state In play mode or rhythm mode (> p. 10), press both [ W J/{A] foot switches together and hold for at least 1 second. NOTE The bypass or mute condition cannot be o activated when the unit is in edit mode. Patch change at bypass/mute When you press both [A]/[V] foot switches together while playing your instrument, the sound may change momentarily just before the bypass/mute condition is activated. This is because the B1/B1X switches to the next higher or lower patch when one of the foot switches is pressed slightly earlier. (When you cancel the bypass/mute condition, the original patch number will be active again.) This behavior is not a defect. It is due to the very high speed at which the B1/B1X responds to patch switching. To prevent the sound change caused by the above condition, do not produce sound with your instrument until the bypass/mute condition is fully established. Using the Tuner en ME me ET

VALUE TU Qu, CHILI Du stone F1 Tune your instrument + Play the open string to tune, and adjust the pitch. The left side of the display shows the note which is closest to the current pitch.

€ Adjusting the reference pitch of the tuner If required, you can fine-adjust the reference pitch of the B1/B1X tuner. + Turn the [VALUE] knob. ‘When you turn the [VALUE] knob in the bypass/mute condition, the current reference pitch is shown for a time on the display. The default setting is 40 (center À = 440 Hz). + While the reference pitch is shown, turn the [VALUE] knob to adjust the value in the range from 35 - 45 (center A = 435 to 445 Hz). Shorily after you release the [VALUE] knob, the display indication will revert to the previous condition. NOTE When you turn the B1/B1X off and on again, the reference pitch setting will be reset to 40 (center À = 440 Hz). € Return to play mode Press one of the [ W]/[A] foot switches. The right side of the display shows a symbol that indicates by how much the tuning is of. Tune the other strings in the same way. Pitchis high Pitchis correct Pitch is low y | / \- fi ) à Ly- ©

Indication turns faster the more the pitch is off

Using the Rhythm Function The B1/B1X has a built-in rhythm function that plays realistic drum sounds in various patterns. The rhythm function is available in play mode and in rhythm mode. This section describes how to use the function in rhythm mode. O1 Select rhythm mode + Set the Module selector to the "RHYTHM" Using the Rhythm Function 3 Adjust the rhythm volume + To adjust the rhythm volume, turn the [VALUE] knob. When you turn the [VALUE] knob, the current setting (0— 30) is shown #7 for a time on the display. 6 Adjust the tempo position. The rhythm pattern tempo can be adjusted in the The number of the currently selected rhythm pattern (01 — 40) appears on the display. You cannot switch patches or adjust the master level. HINT * The rhythm function can also be used in play mode. + In play mode, you cannot switch the rhythm pattern or adjust the rhythm volume and tempo. Æ Start the rhythm function + To start the rhythm function, press the RHYTHM [>/1] key. NOTE VWnile the rhythm is playing, the REVERB/DELAY module effect is disabled. Æ] Select a rhythm pattern The B1/B1X has 40 built-in rhythm patterns. For more information on pattern contents, see page 25. e To switch rhythm patterns, press one of the Gi ED

range of 40 — 250 BPM (beats per minute). + To continuously change the rhythm tempo, VAL hit the [BANK UP*TAP] key once and then pra N\ turn the [VALUE] knob while the tempo value is being shown on the display. + To manually specify the tempo, hit the ED son [BANK UP-TAP] key at least twice in the desired interval. The B1/B1X automatically detects the interval in which the key is pressed the second and subsequent times, and sets the tempo accordingly (tap tempo function).

While the above steps are carried out, the current tempo value (40 — 250) is shown for à time on the display. For values in the range from 100 to 199, a dot is shown in the bottom right corner (after the second digit). For values of 200 and above, dots are shown after the first and second digits.

Dot is shoun Æ_ pots are shoun Tempo = 120 BPM Tempo =240 BPM HINT._ With the Bt, using the foot switch (FS01) to manually adjust the tempo is also [Y1/[A] foot switches in rhythm mode. HINT. When you press both [W}/A] foot switches in rhythm mode, the B1/B1X switches to the bypass/mute condition (— p. 8). The rhythm function can also be used in this condition.

possible (> p. 16). The B1X does not support use of a foot switch. GStop the rhythm + To stop the rhythm, press the RHYTHM [b-/M] key. The B1/BIX returns to the previous condition.

Editing a Patch Editing a Patch F1 Change the setting The patches of the B1/B1X can be freely edited by changing the effect parameter settings. Try editing the currently selected patch to create your own sound. e Use the [VALUE] knob to change the effect type and parameter as shown on the display. € Select the effect module/ parameter < Turn the Module selector to select the effect module and parameter to edit. The available settings are listed below. The EQ module has three parameters, and the DRIVE, MODULATION/DELAY, and REVERB/DELAY modules have two parameters each. The Module selector lets you directly access each of these. LL When the effect type and/or parameter setting has been changed, a dot (.) appears in the bottom right of the display, This indicates that a setting has been VALUE _ changed. Tux un, “ Dotindicates that setting a has been changed Du son F When you have selected a parameter that NOTE can be set with the tap function (-> p. 18), you can use the [BANK UPeTAP] key to specify a time interval or rate by repeatediy hitting the key. Carr (14) _ € To switch an effect module Type = Effect type Prm = Parameter ne on and off (1) Patch level (Prm) @) COMP/LIMIT module (Type&Prm) e To switch the currently selected effect (3) EFX module (Type&Prm) module between on and off, press one of (4) DRIVE module (Type) the [V]/[A] foot switches. (5) DRIVE module (Prm1) (6) DRIVE module (Prm2) (7) - (9) EQ module (Prm) (10) ZNR/AMP module (Type&Prm) (11) MODULATION/DELAY module (Type&Prm1) (12) MODULATION/DELAY module (Prm2) (13) REVERB/DELAY module (Type&Prm1) (14) REVERB/DELAY module (Prm2) (V AYPASS/ (TUNER À The indication "oF" appears on the display. When you press one of the switches once more, the indication returns to the previous condition. Type&Prm or Type&Prm1 e Type e Prm, Prmi, or Prm2 [4 Terminate the edit mode Item where the effect type (left Item where the effect Item where the . . side of display) and parameter type only is selected. parameter setting °T crmrets NS ea mode and re a pla. . setting value (right side of display) value only is adjusted. mode, set the Module selector to the position. are adjusted simultaneously. NOTE Ven you return to play mode and have made any change to the patch, the dot () will be shown in the bottom right of the display. If you select another patch in this condition, the changes you have made in edit mode Parameter A NS will be lost unless you store the patch first. To retain the setting value Effect type Parameter setting value changes, store the patch as described on page 14. Effect type 12 ZOOM B1/B1X ZOOM B1/B1X 13

An edited patch can be stored in a bank of the user area (A — d). It is also possible to store an existing patch in another location to create a copy. Q in play mode or edit mode, press the [STORE] key. + The bank and patch number are shown on the display as a flashing indication. Storing/Copying Patches 5 To cancel the store process + To cancel the store process, operate the [VALUE] knob before pressing the [STORE] key again in step [4 cum M, Le pie F9 Patches of banks in the preset area (0 - 3) DEN NOTE are read-only. No patches can be stored or PILE copied into these locations. If you press the = ISTORE] key while a patch from the preset area is selected, the patch "A0" (bank A, patch number 0) will be selected automatically as default store/copy target. F1 Select the store/copy target bank + To select the store/copy target bank, use the [BANK UPeTAP] key.

Cranpnn ] W BYPASS. NOTE * On a bank of the user area (A - d) can be Oo selected as store/copy target bank. — = + During the store/copy process, the foot switch (FS01) cannot be used to change banks. € Press the [STORE] key once more + When the store/copy process is completed, the B1/B1X returns to the previous mode, with the target patch being selected. @ Specify the store/copy target patch number + To specify the store/copy target patch number, use the [V]/[A] foot switches. "TUNER À

Changing the Way Patches Are Called Up In normal operation, changing a patch in play mode of the B1/B1X will be active immediately. This means that the sound changes straight away when you make the selection In some cases, such as when the new patch is at a memory location not adjacent to the current one, this method may not be ideal, because the sound will change in various ways as you switch through the patche In such a case, you may want to change the patch selection method to "pre-select". In this mode, you first select the patch to use next, and then perform an additional step to activate the patch. To change B1/B1X operation to pre-select, perform the following steps.

1. Turn power to the B1/B1X on while

holding down the [A] foot switch. The indication "PrE-SEIEct" scrolls on the display during startup.

2. In play mode, use the [W]/[A] foot

switches to specify the patch to use next. You can use the [BANK UP*TAP] key or a foot switch (FS01) connected to the [CONTROL IN] jack to switch only the bank (The B1X does not support use of a foot switch.) The new bank or patch number specified by the above step flashes on the display. The sound does not change yet.

3. When you have specified the patch to

use, press both [V]/[A] foot switches together. The patch change is accepted, the display changes from flashing to permanently lit, and the sound changes.

4. To retum the B1/B1X to the normal

patch selection method, simply turn power off and then on agai The patch selection method is automatically reset to conventional operation, Using a Foot Switch or Pedal The BI is equipped with a [CONTROL IN] jack that allows connection of an optional foot switch or expression pedal This section explains how to use this capability.

Using the foot switch (FS01) (B1 only) Simply connect the optional foot switch (FSO1) to the [CONTROL IN] jack of the B1 and turn the unit on. This allows you to switch banks and specify the tempo for rhythm patterns with the foot switch. Depending on the currently selected mode, the foot switch operates as follows. © Play mode Pressing the foot switch selects the next higher bank. © Rhythm mode When you press the foot switch two times or

Using a Foot Switch or Pedal more, the BI detects the interval and automatically adjusts the tempo accordingly (ap tempo function) © Edit mode The foot switch has no effect.

Using the expression pedal

With the B1, an expression pedal (FPO1/FPO2) can be connected to the [CONTROL IN] jack and used as a volume pedal or for adjusting a certain parameter of an effect type in real time. With the BIX, the built-in expression pedal can be used in the same way. The function of the expression pedal can be selected and stored individually for each patch

1. To use an expression pedal with the

Bi, plug the FPO1 or FPO2 into the [CONTROL IN] jack and turn on the power. . Select the patch in which to use the expression pedal.

3. Set the Module selector to a position

other than "PLAY" or "RHYTHM". The B1/BIX goes into edit mode.

4. While holding down the [RHYTHM]

key, use the [VALUE] knob to select the module to control with the expression pedal. Available settings are shown below. Display Control target (BF) | Disabled LA | Volume COMP/LIMIT module FA EFX module 6? DRIVE module Display Control target FF | MODULAMONDELAY ur module FA REVERB/DELAY module HINT In the section "Effect Types and Parameters” (page

19 - 24), a pedal symbol indicates which effect

type/parameter is controlled by the pedal. + When a module has been selected as control target, but the effect type currently selected for that module does not have a pedal symbol, the expression pedal has no effect:

5. Store the patch as required.

The expression pedal setting is stored for that patch.

6. Select this patch in play mode, and

operate the expression pedal. The respective parameter changes when you operate the pedal (pushing the pedal down has the same effect as increasing the value of the parameter). In the bypass condition, the expression pedal always functions as volume pedal, regardiess of the setting made in step 4. HINT +_ The expression pedal operates also in edit mode. + With the B1X, you can also use the [PEDAL ASSIGN] key on the top panel instead of the IRHYTHM] key and [VALUE] knob to select the module to be controlled by the pedal. For details, see page 26.

Effect Types and Parameters illustration below. You can use all effect modules together or selectively set certain modules to on or off. Linking Effects The patches of the B1/B1X consist of eight serially linked effect modules, as shown in the Effect modules ENTENDRE (Gomprassor | | Auto Wah AMPES 2 | [amp Chorus Delay Limiter | [Resonance Fiter| [SUPER Bass Ensemble Tape Echo Octave swa Flangor Analog Delay Tremoio AGOUSHE Sep Ping Pong Delay Phaser BASSUAN Mono Pie ai Effect types ‘ ‘ L ‘

• Manufacturer names and product names mentioned in this listing are trademarks or registered trademarks of their respective owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with ZOOM CORPORATION. For some effect modules, you can select an effect type from several possible choices. For example, the MODULATION/DELAY module comprises Chorus, Flanger, and other effect types. The REVERB/ DELAYmodule comprises Hall, Room, and other effect types from which you can choose one eTap A [TAP] icon in the listing LD indicates a parameter that can be Explanation of symbols © Module selector set with the [BANK UP«TAP] The Module selector symbol key. shows the position of the knob at ee which this module/parameter is When the respective module/effect type is called up. selected in edit mode and the [BANK UP+TAP] key is pressed repeatedly, the parameter (such as © Expression pedal modulation rate or delay time) will be set À pedal icon in the listing eCording 10 the interval in which the key is Æ indicate a parameter that can be pressed. controlled with the built-in or an external expression pedal When this item is selected, the parameter in the module can then be controlled in real time with a connected expression pedal

Effect Types and Parameters BPATCH LEVEL PATCH LEVEL (Prm) Determines the overall volume level of the patch. Sets the patch level in the range from 2 — 98, 1.0. À setting of 80 corresponds Lo unity gain “input level and output level are equal). BCOMP/LIMIT module This module comprises the effects that control the level dynamics such as compressor and limiter. COMP/LIMIT (Type&Prm)

5) Selects the COMP/LIMIT module effect type and adjusts the effect intensity.

Compressor Z LE 8E 9] lis is a compressor which Keeps the level within a certain range by attenuating high level signals and boosting low-level signals. Higher setting values result in higher effect sen [Limiter LB 9] Mis is a limiter that suppresses signal peaks above a certain reference level. The right-digit value adjusts the limiter reference level. M EFX (Effects) module This module comprises modulation effects such as tremolo and phaser. EFX (Type&Prm) Selects the EFX module effect type and adjusts the effect intensity. Auto Wah 2 {579 [This effect varies wah in accordance with the input signal intensity. Higher setting values result in higher effect sensitivity. Resonance Filter 2 {ff 9] [This effect varies the frequency band of the resonance filter according to the input signal . Higher setting values result in higher effect sensitivity Octave (@_4e-f0 9] PThis effect adds a one octve lower component to the original sound. Higher setting values increase the Level of the effect sound (one-octave lower sound). -__ [Tremolo {25 9] lThis effect periodically varies the volume. Higher setting values result in faster modulation rate. Phaser Z (PP 9] [This effect produces sound with a pu modulation rate. Ring Mod (Ring Modulator) 2 This effect produces a metallie ringing sound. Higher seting values result in higher modulation frequency. ne character. Higher setting values result in faster

Effect Types and Parameters Defret This € makes the sound of à fretted bass resemble that of a fretless bass. Higher setting values result in higher effect sensitivity. Slow Attack 25 This effect reduces the attack rate of each individual note, producing a violin playing style sound. Higher setting values result in slower attack times. Pedal Vox 2 This effect simulates the half-open sound of a vintage Vox wah pedal. Higher setting values result in higher emphasized frequency. BDRIVE module DRIVE (Type) Selects the effect type for the DRIVE module. This module includes 13 types of amp/Stomp box modeling effects and a bass synthesizer For this module, DRIVE (effect type), GAIN (parameter 1), and MIX (parameter 2) can be adjusted separately. Fender Bassman 100,

(FE) (Fmecmodeedonthesoundorthe GE] fSimutation ofthe Marshal Super Bass ultimate rock bass amp, the Ampeg SVT. head amp that has made rock history. _ [Swr ACOUSTIC (4 [Simulation ofthe SWR SM-900, 2] lEntect modeled on the sound ofthe famous for its hi-fi sound Acoustic 360 with its tight midrange. __ [BASSMAN HARTKE 1 lErecrmodeledonthe sound ofthe {HA lSimulaton of the Hartke HA3500 famous for its aluminum cone. TRACE ELLIOT TUBE PRE Effect modeled on the sound of the Trace Elliot AH-500. ZOOM original tube preamplifier sound. [SANSAMP TS9 rock history with its zany look and smashing sound (A lSimulation ofthe Sansamp Bass Driver] (5) | Simulation ofthe Tube Screamer used DL, highly popular among bass players. by many guitarists as a booster. _ [ons-s MXR BASS DI a) |Simuresthe ODB-3 overdrive bass Simulates the MXR Bass D.L+ machine from Boss. distortion channel

Effect Types and Parameters [When MONO SYN effect type is selected 5-50) [Variation Allows selection of the oscillator waveform type and tone variation. Available settings are "s" (awtooth), "p° (square), and "m" (PWM = pulse width modulation). Sets the DRIVE module parameter 2. This parameter is the same for all effect types. Mix D {1 [Sets the mixing balance between the signal before the DRIVE module and the signal after passing the module. Higher setting values result in more drive sound. do not indicate any affiliation with ZOOM CORPORATION. REQ module This is a 8-band equalizer. For this module, the three items EQ LO, EQ MID, and EQ HI can be adjusted separatel EQ LO (Prm) EQ MID (Prm) EQ HI (Prm) Y | Adjusts the LO Y _|'Adjusts the MID Adjusts the HI band of the EQ band of the EQ band of the EQ module. module. module. Lo Mid Hi 64-58 Pause | 09070 |A te (8-58 aus te nien range (70Hz) boost/ midrange (450 Hz) range (3 KHz) boost/ cut. boost/eut. cut EZNR/AMP (ZNR/Amp Simulator) module This module combines two elements. ZNR is a noise reduction circuit developed by ZOOM which removes noise during play pauses without affecting sound quality. The amp simulator recreates the sound of speaker cabinets. G ZNR/AMP (Type&Prm) ZNR (ZOOM Noise Reduction) CAL 9) Pris is the noise reduction function only. Higher setting values resultin stronger effect. Setthe value as high as possible without causing the sound to be eut off unnaturally AMP&ZNR (Amp Simulator & ZNR) F8 9) lCombination of ZNR with bass amp cabinet simulator. The right-digit value controls ZNR sensitivity. Selects ZNR sensitivity and amp simulator type at the same time.

Effect Types and Parameters BMODULATION/DELAY module Effect Types and Parameters {parameter 2) can be set separatel MODULATION/DELAY (Type&Prm1) ..| Selects the MODULATION/ DELAY module effect type and controls parameter 1 at the same time. This module comprises modulation and delay effects such as chorus, flanger, delay, etc. For this module, the two items MODULATION/DELAY (effect type & parameter 1) and RATE/TIME RATE/TIME (Prm2) Sets the value of parameter 2 for the MODULATION/DELAY module. Vibrato Ratern This is an automatic vibrato effect. Higher right-digit setting values result in deeper vibrato. Adjusts the modulation rate. Chorus << Rate Pitch Bend Pedal Position <& This effect allows using the expression pedal to change the pitch in real time. Right-digit setting values select the pitch change type caused by the expression pedal (see Table 1) Sets the initial value for the pitch shift amount (the value that is active when the pedal is at rest). The original sound/effect sound level balance also changes according 10 the parameter 1 setting (see Table 1). This elfect mixes à variable pitch | - | shifted component to the original E 4{0 9 lsignal, resulting in full-bodied resonating sound. Higher right-digit setting values result in higher effect sound level. Ensemble _ This is à chorus ensemble with rec EE 9 | dimensional movement. Higher right- digit setting values result in higher effect sound level Adjusts the modulation rate Prm2=0 Prm2=1.0 Prm2=0 Pr Pedal fuly raised … [Pedal fully depressed|Mype8Prmt | Pedarfuiy rase Pedal fuly depressed (minimum) (maximum) 2 (minimum) 2 (maximum) 2% 0 cent 1 octave [1 octave + original sound [+1 octave + original sound 0 cent +2 octaves [700 cent + original sound [+500 cent + original sound 0 cent 100 cent Doubling Detune + original sound 0 cent 2 octaves “I0Hz) + original sound [+1 octave + original sound Toent = Detune Flanger Ratenn This effect produces à resonatng and F 49 | strongly undulating sound. Higher eht-digit setting values emphasize the characteristics of the effect. Step Special effect that changes the sound in a Staircase pattern. Higher right- digit setting values emphasize the characteristics of the effect. Adjusts the modulation rate By adding a slighüy pitch-shified harmonie component 10 the input Signal, this effect produces a sound reminiscent of a 12-string gu Higher setting values increase the level of the effect sound. Allows fine-tuning of pitch shift in 1/ 100 semitone units. Delay Timern This is a long delay with a maximum ing of 5000 ms. Higher right-digit ng values increase the level of the effect sound and the feedback amount. Mono Pitch 24 Shift Tape Echo re [TMS is a monophoni pitch shifer (for TT deft5 | single-note playing) with reduced Mutter. Higher right-digit setting values increase the Level of the effect sound. Sets the pitch shift amount in semitones. “dt” results in à detune effect. This effect simulates a tape echo long delay time of up to 5000 ms. The right-digit setting values determine the level of the effect sound and the feedback amount. HPS (Harmonized Pitch Shifter) 2 Key

Sets the delay time. In the 10 - 1000 millisecond range, the adjustment is performed in 10-ms steps (1 - 99,1.0). Above 1 second, the adjustment is performed in 100-ms steps (1.1 - 5.0). This is an intelligent pitch shifier that automatically shifis the pitch of the original sound along a major scale, based on a preset key. Higher right- digit setting values increase the level of the effect sound. Specifies the tonic for the scale used or pitch shifting. The "o" symbol Stands for #.

Effect Types and Parameters BREVERB/DELAY module This module contains effects that simulate various reverb sounds. For this module, the two items REVERB/DELAY and DECAY/TIME can be adjusted separately. REVERB/DELAY DECAY/TIME (Prm2) (Type&Prm1) Selects the REVERB/DELAN fs] Controis the value of parameter module effect type and controls 2 parameter 1 at the same time. ° Delay Time Sets the delay time. In the 10 - 1000 {JA | vilisecond range, he adjustment is performed in 10-ms steps (1 - 99,1.0). Above 1 second, the adjustment is performed in 100-ms steps (1.1 - 3.0). This is a delay with a maximum setting {cf à 9) of 3000 ms. Higher right-digit setting | (_2 values increase the level of the effect sound and the feedback amount Tape Echo This effect simulates a tape echo with a JE 2-{E 9 | long delay time of up 10 3000 ms. The 21 | right-digit setting values determine the level of the effect sound and the feedback amount Analog Delay 2 This effect simulates an analog delay CE with a long delay time of up to 3000 BIRT ms. The right-digit setting values determine the level of the effect sound and the feedback amount Ping Pong Delay 2 This is a ping-pong type delay where fra | he delay sound alternates between left and right. The right-digit setting values determine the level of the effect sound and the feedback amount Hall Decay This reverb elfect simulates the acoustics of a concert hall. Higher right-digit setting values increase the level of the effect sound Room This reverb elfect simulates the acoustics of a room. Higher right-digit setting values increase the level of the effect sound Spring << This effect simulates a spring-type (6 6 9 reverb. Higher right-digit setting values increase the level of the effect sound Adjusts the decay duration

Restoring Factory Defaults B1/B1X Preset Pattern #_]Pattern Name] TimSig || # ]Pattern Name] TimSig | | # |Pattern Name] TimSig 1 |8beat1 ma 15 | FUNK 1 ma 29 | 5per4 2 5/4 2 |Sbeat2 4 16 [FUNK2 aa 830 | LATIN 4 8 |8beats ais 17 [HIPHOoP aa 81 [BALLAD 1 ais 4 |Sshuffle 44 18 [R'nR ma 82 | BALLAD2 aa 5 |[iGbeati 4 19 [pop1 aa 83 [BLUES 1 4 6 |[i6beat2 ais 20 [Pop2 aa 84 [BLUES 2 sa 7_|16shuffe ai 21 [PoPs aa 85 [Jazz 1 ai 8 [ROCK 44 22 [DANCE ma 36 |Jazz2 aa o [HarD 4 23 [DANCE 2 aa 87 [METROS 7 10 [METAL 1 ais 24 [DANCE aa 88 | METRO 4 ais 11 [METAL 2 44 25 [DANCE 4 ma 39 | METROS 5/4 12 [THRASH 4 26 | 3per4 sa 40 | METRO 13 [PUNK ais 27 | 6pers 3/4 14 |DnB 4/4 28 | 5per4 1 5/4 Restoring Factory Defaults In the factory default condition, the patches of the user area (AO — d9) of the B1/B1X contain the same settings as the patches of the preset area (00 — 39). Even after overwriting the user patches, their original content can be restored in a single operation ("AI Initialize" function). . Turn the B1/B1X on while holding Al patch settings are returned to the factory down the [STORE] key. default condition, and the unit switches to play The indication "AL" appears on the display, mode. To cancel All Initialize, press the RHYTHM [B/M] key instead of the [STORE] key. NOTE When you carry out AI Initialize, any newly created patches that were stored in the user area will be

2. To carry out the All Initialize function, deleted (overwritten). Perform this operation with care

press the [STORE] key once more. to prevent losing any patches that you want to keep.

Special Features of B1X | This section explains features and operating steps that are unique to the B1X.

[PEDAL ASSIGN] key operation

The top panel of the BIX has a [PEDAL ASSIGNI key. Besides the method described on page 17, the module to be controlled by the pedal can be selected with this key.

2. Store the patch as required.

3. In play mode, select the patch and

pedal between on and off, briefly push the pedal fully down. When the module is off, the respective LED above the [PEDAL ASSIGN] key flashes. This function can also be used in edit mode.

Adjusting the expression pedal CR RER ee The expression pedal of the BIX can be readjusted as necessary. If the effect change seems insufficient when pushing the pedal down, or if the volume or tone changes excessively even when the pedal is only lightly pushed, adjust the pedal as follows.

1. Hold down the [PEDAL ASSIGN] key

while turning power to the B1X on. The indication "dn" appears on the display.

2. Fully raise the expression pedal and

press the [STORE] key. The indication "UP" appears on the display.

3. Push the expression pedal fully down

Push strongly, so When foot is lifted, that pedal touches pedal returns slightiy here

4. Press the [STORE] key once more.

The adjustment is complete, and the unit returns to the play mode. If the indication s shown, repeat the procedure from step 2.

Preset area: 10 patches x 4 banks = 40 Total 80 patches Sampling frequency 96 kHz AID converter D/A converter Signal processing 32 bit Frequency response 24 bit, 128 times oversampling 24 bit, 128 times oversampling 20 Hz — 40 kHz +1.0 dB -4.0 dB (10-kilohm load) Display 2-digit 7-segment LED Input Standard mono phone jack Rated input level -20 dBm Input impedance 470 kilohms Output Standard stereo phone jack (doubles as line/headphone jack) Maximum output level Line +3 dBm (output load impedance of 10 kilohms or more) Phones 20 mW + 20 mW (into 32-ohm load) Control input Power requirements For FPO2/FPO1 or FS01 (BI only) AC adapter 9 V DC, 300 mA (center minus plug) (ZOOM AD-0006) Batteries B1/B1X Four IEC R6 (size AA) batteries, approx. 12 hours continuous operation (alkaline batteries) Dimensions B1 155 mm (D) x 136 mm (W) x 52 mm (H) B1X 155 mm (D) x 234 mm (W) x 52 mm (H) Weight B1 350 g (without batteries B1X 600 g (without batterie: Options Expression pedal FPO1/FP02 or Foot switch FSO1 (B1 only) Troubleshooting © No power Refer to “Turn power on” on page 6. © RREVERB/DELAY module effect does not operate While a rhythm pattern is playing, the REVERB/DELAY module effect is not available. Stop the rhythm pattern first (— p. 11). © Patches cannot be switched Has the method for calling up patches been changed to "pre-select" (— p. 16)? Turn power off and then on again to reset the unit to normal operation. © High level of noise Is ZOOM AC adapter being used? Be sure to use only an adapter for 9 V DC, 300 mA with center minus plug (ZOOM AD-0006). © Battery life is short Are manganese batteries being used? Continuous operation time is 12 hours with alkaline batteries.

The FCC regulation warning (for U.S.A.) This equipment has been tested and found 10 comply with the limits for a Class B digital device, pursuant 10

Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful

interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference 10 radio communications. However, there is no guarantee that interference will not oceur in a particular allation. If this equipment does cause harmful interference 10 radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged Lo try to correct the interference by one or more of the following measures: + Reorient or relocate the receiving antenna. + Increase the separation between the equipment and receiver. + Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. + Consut the dealer or an experienced radio/TV technician for help. Disposal of Old Electrical & Electronic Equipment (Applicable in European countries with separate collection systems) This symbol on the product or on its packaging indicates that this product shall not be treated as houschold waste. Instead it shall be handed over to the applicable collection point for the recycling of electrical and electronic equipment. By ensuring this product is disposed of correctly, you will help prevent potential negative consequences for the environment and human health, which could otherwise be caused by inappropriate waste handling of this product. The recycling of materials will help to conserve natural resources. For more detailed information about recycling of this product, please contact your local city office, your household waste disposal service or he shop where you purchased the product ZOOM CORPORATION ITOHPIA Iwamotocho 2chome Bldg. 2F, 2-11-2, Iwamoto-cho, Chiyoda-ku, Tokyo 101-0032, Japan Web Site: hupi/www.zoom.c0.jp

CA %7 BTBIXEPLfm 1 A—> 2006#Æ7A12H >kHH F1 OH4 75 fs) No.| Patch Description Main effect | Pedal setting AO | Rock Out Versatle sound (hat fts almost any playing style. Modeled on the Fender Bassman 100 that is the realization of | BASSMAN re every bassists dream A1 | Groovy Ass Funk | Auto Wah lets you get into that seventies Disco groove. Play funky bass lines in the style of the dance band Chic. | Auto Wah Es This patch gives you bass sound Ath just the night edec for punk. Sing your bass low and bolter your bands A2 | Punk Trash sound with driving phrases as in ‘I Wanna Be Sedated" by The Ramones, TSs VOLUME , Oldestyle overdrive sound with many uses, Sometimes even a conservative bass player will want to let loose With | OpB. A3 | Tappers Delight | ne dramatically distorted solos. Thars when this patch comes in handy ODB$ demie © A4 | Blow your speakerl! | Mighty octaver sound that will make your speakers wail. You can control the octave mixing ratio withthe pedal. | Octave OCTAVE MIX Qu a5 |enseueue Th path produce à wide, tansaret bas sound ui ie Ensemble ele, Ti vi mood os and | Ensomble DEEE X AG | Frotoss Maximus | mOn areat For pay à jy ai Bas Tu Jour sue Et à es Das a ME OT | Dot mme nth bass sound mainly based on MONO SYN, with Resonance Fier and Mono Pitch throun in for good RESONANCE AT | SynFifths measure, Choose it 10 play lead bass or to get that intense synthesizer sound. MONO SYN FILTER SENSE A8 | sLow Slow Attack sound which gives a bow playing effect. The pedal lets you freely adjust the rise time Slow Attack | SLOW ATTACK A9 | Bass + Guitar “This Mono Pitch effect simulates unison playing of electric guitar and bass. Create great unison phrases even | Mono Pitch MONO PITCH without à guitarist. MIX DO | Big Bassman Simulates 1he Fender Bassman 100 made famous by Paul MeCarney. Use a Rickenbacker or violin bass and enjoy | BASSMAN mme g that special Beatles sound. Simulation of the Sansamp Bass Driver DI, Mighly popular among bass players. The Hght and polished sound is b1 | SansAmp die SANSAMP VOLUME aulates the Fuzz Face famous for ts unique look, The aggressive fuzz sound will give your bass play that extra PITCH BEND b2 | Buzz Drive bite. FUZZFACE PEDAL POSITION b3 |HaRTKE aufation of Harke HA3500 head amp combined with aluminum-cone cabinet 4.3XL. Note de characteritically | HARTKE mme transparent and responsive sound of aluminum This patch is modeled on the allube Ampeg SVT. Known as the ultimate rock bass amp. The gutsy sound of tube Qu, P4 | SVT Saturation saturation creates a solid bottom end. AMPEG Ven © s Simulation of the MXR Bass D.L+ distortion channel, great for playing diny solos. By moving 1he pedal, you can S\ DS | Dirty Job control the Delay mix MBA D [RE b6 | TUBE Simulates a high-class tube preamp such as used in recording studios. The fat and creamy sound suits every genre. | TUBE PRE VOLUME b7 |orivin over Simulation of the Boss Overdrive ODB-3 for bass guitar, Combination with (he Phaser effect reauls in a Brsk and | GDB-8 RENE pleasing drive sound Simulates the combination of the Acoustic 260 head amp and 301 cabinet, Subdued high range and firm midrang DB | True Grit produce an appealing vintage style tonc ACOUSTIC Ven Simulates the SWR sound as produced by the SM-900 head amp together with the Goliath cabinet. Rich low end À bo |SwR and sharp highs are great for slap playing SR eme @ F Ÿ The bass sound of Jaco Pastorius with strong chorus, Place your finger on the rear pickup of a Jazz Bass and try out CO | Jaco those cool phrases from "Three Views Of À SecreL." Chorus ROOM MIX This patch is inspired by the legendary Motown bass player James Jamerson. Every fan of sixties Motown sound C1 | Tribute This Patchs AMPEG VOLUME EL cuve Rock sound vit Auto Wa as used By Fe fie Red Hot Chi Peppers. Try some sh ap play and um up | auto Wah AUTO WAH volume. SENSE Simulates the sound of that ultimate bass virtuoso, Victor Wooten, as heard on his Hit album “Show of hands.” C3 | Victor Wooten Select this and explore the boundaries of the bass universe. Room ROOM MIX k n - 5 The distorted bass sound used For solos by Mr-Big bassist Billy Shechan is programmed into (ns patch, When not | ODB- | C4 | Bily Shechan using the patch for a solo, you can adjust îhe mixing balance between original sound and distortion with the pedal._ | PB-8 DRIVE BALANCE : C5 | Stanley Ciarke Sound in the style of Stanley Clarke who plays electric and acoustic bass with equal finesse, Brush up on your ja | TUBE PRE VOLUME sense Simulates the sound of one of New Yorks top session bass players, Will Lee, The fat tone has à strong fusion C6 | WillLee character, Combination with Derune produces an expansive sound with moderate amounts of modulation, Detune DETUNE MIX Famous for his work with King Crimson, Tony Levin played the Kind of uicky inventive phrases that are the C7 | Tony Levin hallmark of progressive rock. This patch produces just the right tone for this kind of play Defret VOLUME Simulates the sound of bassist Geezer Buler as heard on seminal Black Sabbath hits such as Electric Funeral” and C8 | Geezer mate Room DRIVE BALANCE C9 | Mr. Bruce Rediscover the sound created by Cream bassist Jack Bruce on Badge” and "Sunshine of Your Love." SUPERBASS | VOLUME dO | Big Bottom Rez | rat ah or pyine tone pumping Reggu phases The tone AO sub For oo Bas ne ne | auto Wah mme esonance Filter. at | Attack tom Mars! | Msn space Te sound he Step leu Star our audience AU GIE PR GE PT | Stop TT 42 [HEAVY comP Clean sound th song compression, Provides à api eched atack but Res tie volume even wie plyine | Gomprossor | VOLUME slap phrases HPS (Harmonized Pitch Shifter) sound. G major scale harmonies bring the bass clearly 10 the foreground. The 3 43) Heppy disaster pedal serves 10 adjust the HPS mix. HPS CSC BA da | ronsoe Dan ae à mue ump Great 1 ga een ation, Cons e volume HR Te | Reçonance Fier | VOLUME à Combination of Auto Wah and Delay, Adjust the Delay mix with the pedal and change the ambient feeling while È d5 | Aguabass playing. This adds a twist 10 slap and finger playi Delay DELAY MIX d6 | Vibe Vibrato creates à beautiful tone that is well matched to phrases with long held notes. Vibrato VOLUME 47 | Phased Synth bass sound defined By à sgh Phaser component, Suiable for lead bass and obtaining intense synih sound | MONO SYN RENE during a live performance. Octave sound that an be used for lead solo. Lets you ereute an eurth-shaking bass sound that Wal hold its own even d8 | Dark Octave against a down-tuned guitar Octave CHERE Combination of Flanger and Delay results in à dreamy sound that tend to linger on, An excellent choice for d9 | Dreamscape melodious solo phrases and intros. Flanger DEUX + The preset area of banks 0 — 8 contains the same patches as À d._ ||. Manufacturer names and product names mentionedin this patch Ist are trademarks or registered irademanks of their respective + The ZNR value may need to be adjusted depending on the bass guitar || owners and do not indicate any aflition with ZOOM CORPORATION. All product and arist names are intended oniy to and ampifier. ilusrate sonic characteristics that were used as reference in the development o his product B1/B1X-PatchList-E-t