FR-3X WH - Digital Accordion ROLAND - Free user manual and instructions
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| Product Type | V-Accordion FR-3X Digital Accordion |
| Brand | Roland |
| Model | FR-3X WH |
| Dimensions (piano keyboard) | 430 (H) x 481 (W) x 270 (D) mm |
| Dimensions (button keyboard) | 390 (H) x 470 (W) x 240 (D) mm |
| Weight (piano keyboard) | 8.3 kg |
| Weight (button keyboard) | 8.0 kg |
| Power Supply | PSB-7U AC adapter (included) or 10 Ni-MH AA rechargeable batteries (not included) |
| Battery Life | Approximately 5 hours with speakers, 9 hours without (Ni-MH 2000 mAh batteries) |
| Polyphony | 128 voices |
| Accordion Sounds | 14 right-hand registers, 7 bass registers, 7 chord registers, 4 right-hand reed sets |
| Orchestral Sounds | 10 orchestral sounds |
| Organ Sounds | 10 organ sounds with rotary effect |
| Drum Sounds | Yes, several kits assignable to left-hand buttons |
| USB Audio Playback | MP3 and WAV files on USB drive |
| Built-in Metronome | Yes, with tempo, time signature and volume adjustment |
| Transposition | By semi-tones |
| Musette Tuning | Adjustable |
| Connectivity | L/Mono and R/Mono outputs (6.35 mm jack), headphone jack, MIDI In/Out, USB memory port |
| Internal Speakers | 2 x 10 cm, power 2 x 11 W RMS |
| Maintenance | Clean with a soft, dry cloth. Do not use benzene, thinner, or alcohol. |
| Included Accessories | PSB-7U AC adapter, owner's manual, reference caps, straps, cloth, battery case |
| Warranty and Repairability | Contact a Roland authorized dealer. Do not open or modify the device. |
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USER MANUAL FR-3X WH ROLAND
This product complies with the requirements of European Directive EMC 2004/108/EC.
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
- Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
Pour le Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Caising Equipment Regulations.
AVIS
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE: NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
Roland
FR-3X

Mode d'emploi
Introduction
PBM (Physical Behavior Modeling)
Section Treble' (clavier main droite)
⑦ Registre ORGAN/ORCHESTRA
Precautions concerning le casque
Mode LOW/HIGH (register [7])
| Registres de basses libres | ||
| 1 | Low | 5 Low Low + High |
| 2 | High | 6 High Low + High |
| 3 | Low + High | 7 Low High |
| 4 | Low + High Low | |
Le FR-3x vous laisse le choix entre 15 réglages d'accords différents. Illes sont appelés "1" (Dry), "2" (Classic), "3" (F-Folk), "4" (American L), "5" (American_H), "6" (North Eur), "7" (German L), "8" (D-Folk L), "9" (Italian L), "10" (German H), "11" (Alpine), "12" (Italian H), "13" (D-Folk H), "14" (French), "15" (Scottish).
| Réglage | Signification | Réglage | Signification |
| 0 | Pas de désaccord | 8 | D-Folk L |
| 1 | Dry | 9 | Italian L |
| 2 | Classic | 10 | German H |
| 3 | F-Folk | 11 | Alpine |
| 4 | American L | 12 | Italian H |
| 5 | American_H | 13 | D-Folk H |
| 6 | North Eur | 14 | French |
| 7 | German L | 15 | Scottish |
Orchestra Bass Level, Orchestra Chord Level, Orchestra Free Bass Level
Free Bass Reed Growl
| Réglage | Signification | Réglage | Signification |
| 1 | Fixed Low | 5 | High |
| 2 | Fixed Medium | 6 | Fixed L + Bellows |
| 3 | Fixed High | 7 | Fixed M + Bellows |
| 4 | Low | 8 | Fixed H + Bellows |
| 5 | Medium | 10 | Bellows |
Fixed Low, Fixed Medium, Fixed High
Orchestra Bass/Chord Touch
Fixed Low, Fixed Medium, Fixed High
| Réglage | Signification | Réglage | Signification |
| 1 | Minor 3rd | 4 | N. Europe |
| 2 | Bajan | 5 | Finnish |
| 3 | Fifth |
Mode basses & accords
| Réglage | Signification | Réglage | Signification |
| 1 | 2 Bass Rows | 4 | 3 Bass Rows B-7th |
| 2 | 3 Bass Row A-7th | 5 | 3 Bass Rows B-5dim |
| 3 | 3 Bass Rows A-5dim | 6 | 3 Bass Rows Bx-7th |
2 Bass Rows
3 Bass Rows A-7th, 3 Bass Rows A-5dim 3 Bass Rows B-7th, 3 Bass Rows B-5dim
Output Level Attenuation
Treble TX/RX channel
Bass/Free Bass TX/RX Channel
Bass/Free Bass Octave TX
Orchestra Bass TX/RX Channel
Orchestra Bass Octave TX
Orchestra Chord TX/RX Channel
Orchestra Chord Octave TX
Orchestra Free Bass TX/RX Channel
Orchestra Free Bass Octave TX
Bellows TX Resolution
You've got to be careful with your words.
Micro-accords préprogrammés: 16 (Off, Dry, Classic, F-Folk, American L/H, North Europe, German L/H, D-Folk L/H, Alpine, Italian L/H, French, Scottish)
■ Effets
Reverb: 8 types, Chorus: 8 types,
Commandes: VOL, Treble/Bass BAL, Reverb, Chorus
Modes Bass & Chord: 2 Bass Rows, 3 Bass Rows A-7th,
3 Bass Rows A-5dim, 3 Bass Rows B-7th, 3 Bass Rows
B-5dim, 3 Bass Rows Bx-7th
Modes Free Bass: Minor 3rd, Bajan, Fifth, N. Europe, Finnish
Mode Bass-to-Treble: Activation/coupure
Piles (AA, rechargeables, Ni-MH x 10)
Consommation
3000mA
| # | TITRE DU MORCEAU* | JOUÉ PAR |
| 1 | By The Roundabout by L. Beier | Ludovic Beier |
| 2 | Walking In Old Paris by S. Scappini | Sergio Scappini |
| 3 | Carnival in Venice - Traditional | Sergio Scappini |
| 4 | Passionate Red Rose by S. Scappini | Sergio Scappini |
| 5 | Starry Night by L. Beier | Ludovic Beier |
| 6 | Funky Night by L. Beier | Ludovic Beier |
| 7 | Mad Mouse by L. Beier | Ludovic Beier |
| 8 | Bezaubernder Sinaklia by S. Scappini | Sergio Scappini |
| 9 | O Sole Mio - Traditional | Sergio Scappini |
| 10 | Sonata in C Maj by D. Scarlatti | Sergio Scappini |
| 11 | Edelweiss by S. Scappini | Sergio Scappini |
| 12 | Mexican Hat Dance - Traditional | Luigi Bruti |
| 13 | Smells from Toccata by J. S. Bach | Sergio Scappini |
| 14 | Capriccio 13 by N. Paganini | Sergio Scappini |
| 15 | Salvador by L. Bruti | Luigi Bruti |
| 16 | Scattered Jazz by S. Scappini | Sergio Scappini |
| 17 | Figaro by G. Rossini | Sergio Scappini |
| 18 | RÈve d'amour by L. Bruti | Luigi Bruti |
| 19 | Sugar cane by L. Bruti | Luigi Bruti |
| 20 | To my beloved teacher by S. Scappini | Sergio Scappini |
| 21 | Dancing in the courtyard by L. Beier | Ludovic Beier |
| 22 | Sotto I ponti della Senna | Ludovic Beier |
| 23 | Sunny Grasslands by L. Beier | Ludovic Beier |
| 24 | Swing Hanging Around by L. Beier | Ludovic Beier |
| 25 | Lights And Shadows Of The Moon by L. Beier | Ludovic Beier |
| 26 | Acrobat by L. Beier | Ludovic Beier |
| 27 | Islands by L. Beier | Ludovic Beier |
| 28 | Fence Jumper by L. Beier | Ludovic Beier |
| 29 | Passion In The Atmosphere by L. Beier | Ludovic Beier |
| 30 | 9th Bossa by Y. Sato | Yoshiaki Sato |
| 31 | Song From Far East by Y. Sato | Yoshiaki Sato |
| 32 | Zak-Zak by Y. Sato | Yoshiaki Sato |
| 33 | O&B 4-Beat by Y. Sato | Yoshiaki Sato |
n = MIDI channel number:
0H~FH (Ch.1~16)
kk = note number:
00H~7FH (0~127)
vv = note off velocity:
00H~7FH (0~127)
Note on
Status
2nd byte
kkH
3rd byte
vH
n = MIDI channel number: 0H~FH (Ch.1~16)
kk = note number:
00H~7FH (0~127)
vv = note on velocity:
01H~7FH (1~127)
Control Change
- The value specified by a Control Change message is not reset by a Program Change, etc.
Bank Select (Controller number 0, 32)
Status
2nd byte
00H
3rd byte
mmH
BnH
20H
IHH
n = MIDI channel number:
0H~FH (Ch.1~16)
mm = Bank number MSB:
00H~7FH
= Bank number LSB:
00H~7FH
Only for Free Bass.
Expression (Controller number 11)
Status
2nd byte
OBH
3rd byte
wH
n = MIDI channel number:
0H~FH (Ch.1~16)
vv = Expression:
00H~7FH (0~127)
- This adjusts the volume of a Part. It can be used independently from Volume (CC07) messages. Expression messages are used for musical expression within a performance, e.g., expression pedal movements, crescendo and decrescendo.
Program Change
Status
2nd byte
CnH
ppH
n = MIDI channel number:
0H~FH (Ch.1~16)
pp = Program number:
See "3. Program change messages".
For the Sets, see "SET RX" à la p. 72
System Realtime Messages
Active Sensing
Status
FEH
- When Active Sensing is received, the FR-3x starts monitoring the intervals of all further messages. While monitoring, if the interval between messages exceeds 420 ms, the same processing will be carried out as when All Sounds Off, All Notes Off and Reset All Controllers are received, and message interval monitoring will be halted.
2. Transmitted data
■ Channel Voice Messages
Note off
Status
2nd byte
kkH
3rd byte
wH
n = MIDI channel number:
0H~FH (Ch.1~16)
kk = note number:
00H~7FH (0~127)
vv = note off velocity:
00H~7FH (0~127)
Note on
Status
2nd byte
kkH
3rd byte
wH
n = MIDI channel number:
0H~FH (Ch.1~16)
kk = note number:
00H~7FH (0~127)
vv = note on velocity:
01H~7FH (1~127)
Control
Bank Select (Controller number 0, 32)
Status
2nd byte
00H
3rd byte
mmH
BnH
20H
H
n = MIDI channel number:
0H~FH (Ch.1~16)
mm = Bank number MSB:
00H~7FH
= Bank number LSB:
00H~7FH
Mdulation number (Controller number 01)
Status
2nd byte
3rd byte
BnH
01H
wH
n = MIDI channel number:
OH\~FH (Ch.1\~16)
vv = Modulation depth:
00H~7FH (0~127)
Expression (Controller number 11)
Status
2nd byte
3rd byte
BnH
0BH
wH
n = MIDI channel number:
OH~FH (Ch.1~16)
vv = Expression:
00H~7FH (0~127)
- This adjusts the volume of a Part. Expression messages are used for musical expression within a performance, e.g., expression pedal movements, crescendo and decrescendo.
Program Change
Status
2nd byte
CnH
ppH
n = MIDI channel number:
0H~FH (Ch.1~16)
pp = Program number:
00H~7FH: program no. 1~128
Pitch Bend Change
Status
2nd byte
3rd byte
EnH
IIH
mmH
Transmitted about every 250ms.
Start
Status
FAH
This message is transmitted when the [METRONOME] switch is pressed after assigning the "2" option to the "MFn" parameter.
Stop
Status
This message is transmitted when the METRONOME switch is pressed after assigning the "2" option to the "MFn" parameter.
3. Program change messages
| CC00 | CC32 | Program Change | Register | Name |
| TREBLE REGISTER TX/RX | ||||
| 0 | 0 | 1 | 1 | Bassoon |
| 0 | 0 | 2 | 2a | Bandon |
| 0 | 0 | 3 | 2b | Cello |
| 0 | 0 | 4 | 3 | Harmon |
| 0 | 0 | 5 | 4 | Organ |
| 0 | 0 | 6 | 5a | Accord |
| 0 | 0 | 8 | 5b | Master |
| 0 | 0 | 11 | 6a | Tremolo |
| 0 | 0 | 9 | 6b | Musette |
| 0 | 0 | 7 | 7 | Violin |
| 0 | 0 | 13 | 8 | Oboe |
| 0 | 0 | 12 | 9a | Clarinet |
| 0 | 0 | 10 | 9b | Celeste |
| 0 | 0 | 14 | 0 | Piccolo |
| ORCHESTRA (Treble) TX/RX | ||||
| 0 | 0 | 1 | 1 | Trombone |
| 0 | 0 | 2 | 2 | Trumpet |
| 0 | 0 | 3 | 3 | T Sax |
| 0 | 0 | 4 | 4 | A Sax |
| 0 | 0 | 5 | 5 | Clarinet |
| 0 | 0 | 7 | 6 | Harmonica |
| 0 | 0 | 9 | 7 | Violin |
| 0 | 0 | 11 | 8 | Flute |
| 0 | 0 | 26 | 9 | El. Piano |
| 0 | 0 | 20 | 0 | Strings |
| ORGAN (Treble) TX/RX (without rotary effect) | ||||
| 0 | 0 | 27 | 1 | Perc Jazz |
| 0 | 0 | 28 | 2 | Jazz Ballad |
| 0 | 0 | 29 | 3 | Distort Organ |
| 0 | 0 | 30 | 4 | Full Organ |
| 0 | 0 | 31 | 5 | Overdr Organ |
| 0 | 0 | 32 | 6 | Popular Organ |
| 0 | 0 | 33 | 7 | Ligh Jazz |
| 0 | 0 | 34 | 8 | Bossa |
| 0 | 0 | 35 | 9 | Latin |
| 0 | 0 | 36 | 0 | Light Latin |
| ORGAN (Treble) TX/RX (with rotary effect) | ||||
| 0 | 0 | 37 | 1 | Perc Jazz |
| 0 | 0 | 38 | 2 | Jazz Ballad |
| 0 | 0 | 39 | 3 | Distort Organ |
| 0 | 0 | 40 | 4 | Full Organ |
| 0 | 0 | 41 | 5 | Overdr Organ |
| 0 | 0 | 42 | 6 | Popular Organ |
| 0 | 0 | 43 | 7 | Light Jazz |
| 0 | 0 | 44 | 8 | Bossa |
| 0 | 0 | 45 | 9 | Latin |
| 0 | 0 | 46 | 0 | Light Latin |
| BASS REGISTER TX/RX | ||||
| 0 | 0 | 1 | 1 | \(2^{\prime}\) |
| 0 | 0 | 2 | 2 | \(4^{\prime}\) |
| 0 | 0 | 3 | 3 | \(8-4^{\prime}\) |
| 0 | 0 | 4 | 4 | \(16'/8'-8-4'/4'/2'\) |
| 0 | 0 | 5 | 5 | \(8'/4'/2'\) |
| 0 | 0 | 6 | 6 | \(16'/8'/8-4'\) |
| 0 | 0 | 7 | 7 | \(16'/2'\) |
| FREE BASS REGISTER TX/RX | ||||
| 0 | 1 | 1 | 1 | Low |
| 0 | 1 | 2 | 2 | High |
| 0 | 1 | 3 | 3 | Low + High |
| 0 | 1 | 4 | 4 | Low +High Low |
| 0 | 1 | 5 | 5 | Low Low + High |
| 0 | 1 | 6 | 6 | High Low + High |
| 0 | 1 | 7 | 7 | Low High |
| ORCHESTRA BASS TX/RX | ||||
| 0 | 0 | 1 | 1 | Acoustic |
| 0 | 0 | 2 | 2 | Bowed |
| 0 | 0 | 3 | 3 | Fingered |
| 0 | 0 | 4 | 4 | Fretless |
| 0 | 0 | 5 | 5 | Picked |
| 0 | 0 | 6 | 6 | Tuba |
| 0 | 0 | 7 | 7 | Tuba Mix |
| ORCHESTRA CHORD TX/RX | ||||
| 0 | 0 | 1 | 1 | Trombone |
| 0 | 0 | 2 | 2 | Alto Sax |
| 0 | 0 | 3 | 3 | Clarinet |
| 0 | 0 | 4 | 4 | Jazz Organ |
| 0 | 0 | 5 | 5 | Jazz Doos |
| 0 | 0 | 6 | 6 | Ac. Guitar |
| 0 | 0 | 7 | 7 | Ac. Piano |
| SET RX | ||||
| 1 CLASSIC | ||||
| 0 | 0 | 1 | Concerto | |
| 0 | 0 | 2 | Classic | |
| 0 | 0 | 16 | Studio | |
| 0 | 0 | 34 | Classic 3 | |
| 2 JAZZ | ||||
| 0 | 0 | 3 | Jazz | |
| 0 | 0 | 33 | Folk Jazz | |
| 3 I FOLK | ||||
| 0 | 0 | 4 | “J” Folk | |
| 0 | 0 | 14 | Ciao Roma | |
| 0 | 0 | 8 | Ballroom | |
| 4 D FOLK | ||||
| 0 | 0 | 5 | “D” Folk | |
| 5 F FOLK | ||||
| 0 | 0 | 6 | “F” Folk | |
| 0 | 0 | 13 | Old Paris | |
| 6 SP FOLK | ||||
| 0 | 0 | 7 | “SP” Folk | |
| 7 BANDONEON | ||||
| 0 | 0 | 9 | Bandoneon | |
| 8 ALPINE | ||||
| 0 | 0 | 10 | Alpine | |
| 9 ETHNIC | |||
| 0 | 0 | 15 | Diatonic Folk |
| 0 | 0 | 21 | Scottish |
| 0 | 0 | 22 | Irish |
| 0 | 0 | 23 | Celtic |
| 0 | 0 | 11 | Cajun |
| 0 | 0 | 12 | Tex Mex |
| 0 USER | |||
| 0 | 0 | 77 | User 1 |
| 0 | 0 | 78 | User 2 |
| 0 | 0 | 79 | User 3 |
| 0 | 0 | 80 | User 4 |
| Function... | Transmitted | Recognized | Remarks | |
| Basic Channel | Default Changed | 1~16 1~16, Off | 1~16 1~16, Off | 7 Parts: 1=Treble, 2=Bass/Free Bass, 3=Chord, 4=Orchestra, 5=Orchestra Bass, 6=Orchestra Chord, 7=Orchestra Free Bass, 2 Logical parts: 13=Basic MIDI Channel for SET change, 13=Control MIDI Channel only TX |
| Mode | Default Message Altered | Mode 3 **** **** | Mode 3 **** | |
| Note Number | True Voice | 0~127 *1 **** | 0~127 0~127 | |
| Velocity | Note ON Note OFF | O *1 O | O O | |
| After Touch | Key's Ch's | X X | X X | |
| Pitch Bend | O | X | ||
| Control Change | 0,32 1 7 10 11 64 91 93 | O *1 O | O X X | Bank Select Modulation Volume Panpot Expression Hold 1 Reverb Send Chorus Send |
| O | ||||
| X | ||||
| X | ||||
| X | ||||
| O | O | Program Number 1~128 transmitted See the table under "3. Program change messages". See "SET RX" à la p. 72. for the Sets | ||
| 0~127 | 0~11 | |||
| System Exclusive | X | X | ||
| System Common | Song Position Pointer Song Sel Tune | X X X | X X X | |
| X X | X X | |||
| X | ||||
| System Real Time | Clock Commands | X O *2 | X X | |
| X | ||||
| Aux Messages | All Sounds Off Reset All Controllers Local On/Off All Notes Off Active Sense Reset | X X X X | X X X X | |
| X X X | X X X | |||
| O | O | |||
| X | X | |||
| Notes | *1 O X is selectable *2 Transmit Start (FA) and Stop (FC) | |||
Mode 1: OMNI ON, POLY
Mode 3: OMNI OFF, POLY
Mode 2: OMNI ON, MONO
Mode 4: OMNI OFF, MONO
O: Yes
X: No
20.
Information
AI Fanny Trading Office
9, EBN Hagar Al Askalany Street,
ARD E1 Golf, Heliopolis,
Cairo 11341,EGYPT
TEL: (022)-417-1828
REUNION
MARCEL FO-YAM Sarl
Royal Cape Park, Unit 24
Londonderry Road, Ottery 7800
Cape Town, SOUTH AFRICA
TEL: (021) 799 4900
ASIA
CHINA
Roland Shanghai Electronics
Co., Ltd.
5F.No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
Roland Shanghai Electronics
Co.,Ltd. (BEIJING OFFICE)
10F.No.183 Section Anhuaxili
Chaoyang District Beijing 100011 CHINA
100017TEL/010-6432
TEL: (010) 6426-3050
HONG KONG
Tom Lee Music
11/F Silvercord Tower 1
30 Canton Rd
Tsimshatsui, Kowloon, HONG KONG
HONGKONG TEL:825-2733
TEL:825-2737-7688
Parsons Music Ltd.
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T.
Kowloon, HONG KONG
TEL:23331863
INDIA
Rivera Digitec (India) Pvt. Ltd.
411, Nirman Kendra Mahalaxmi
Flats Compound Off. D
Moses Road, Mumbai-
INDIATEL: (023) 2403-0051
INDONESIA
PT Citra Intirama
JI. Cideng Timur No. 15J-150
Jakarta Pusat,
INDONESIA
TEL: (021) 6324170
KOREA
Cosmos Corporation
1461-9,Seocho-Dong
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8
MALAYSIA
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39
Dataran Prima, 47301 Pet
Jaya, Selangor, MALAYSIA
TEL: (02) 7805-3263
VIET NAM
VIET THUONG CORPORATION
386 CACH MANG THANG TAM ST.
DIST.3, HO CHI MINH CITY
VIET NAM
TEL: (08) 9316540
PHILIPPINES
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
TEL: (02) 899 9801
MALAYSIA/
SINGAPORE
Roland Asia Pacific Sdn, Bhd.
45-1, Block C2, Jalan PJU 1/39
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
TAIWAN
ROLAND TAIWAN ENTERPRISE
CO.,LTD.
9F-5, No. 112 Chung Shan
North Road Sec. 2 Taipei 104.
TAIWAN R.O.C.
TEL: (02) 2561 3339
THAILAND
Theera Music Co., Ltd.
100-108 Soi Verng Nakornkasem,
New Road,Sumpantawong,
Bangkok 10100, THAILAND
TEL: (02) 224-8821
OCEANIA
AUSTRALIA
NEW ZEALAND
Roland Corporation
Australia Pty., Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
For Australia
TEL: (02) 9982 8266
For New Zealand
TEL: (09) 3098 715
CENTRAL/LATIN AMERICA
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires, ARGENTINA
TEL: (011) 4508-2700
BARBADOS
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, BARBADOS
TEL: (246) 430-1100
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 211
Parque Industrial San JoseCortes, Mexico 60-PPA
Cotia-Sao Paulo-SP,BRAZIL TFI: (011)46155666
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-
Nataniel Cox #739, 4th Floor
Santiago - Centro
TEL: (02) 688-9540
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, COLOMBIA
TEL: (574) 3812529
COSTA RICA
JUAN Bansbach Instrumentos
Musicales
Ave.1.Calle 11, Apartado 10237
San Jose, COSTA RICA
TEL: 258-0211
CURACAO
Zeelandia Music Center Inc.
Orionweg 30
Curacao, Netherland Antilles
TEL: (305) 5926866
DOMINICAN REPUBLIC
Instrumentos Fernando Giraldez
RELAND
Pelikan Lohard
Roland Ireland
C3 Calmout Pa
G2 Calmount Park, Calmount Avenue, Dublin 13
Avenue, Dublin 12, Republic of IRELI ANI
TEI: (01) 429444
ITALY
IRAN
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mir
Tehran, IRAN
TEL: (021)-2285-4169
ISRAEL
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha'alia Hashnia St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
21. Index
A
Accompagnement 34
Accord. 45
Accord Musette 45
Accord musette 37
Accordage. 45
Accordéon basson 29
Accords 56
Adaptateur 20
Free Bass. 13, 46, 51
Free Bass (MIII). 32
French 37
FrG. 46
Fy 64
G
German 37
Orchestra Free Bass 60
Treble 59
OFb 60
QF0 60
OCL 46
OLA 55
Old 42
OrC 59
Orchestra
Bass TX/RX Channel 60
Chord TX/RX Channel. 60
Free Bass TX/RX Channel. 60
Touch 47
TX/RX Channel. 59
Orgue
Niveau 46
0r0 60
Program Change TX 61
B
Registre
Basses. 13
Main droite 12
Réglages d'usine 64
rEu 47
Reverb. 22, 47
Room. 47
S
SRU 40
Sauvegarder 38
Save 38
Scottish. 37
Set 25

m = 311

This symbol indicates that in EU countries, this product must be collected separately from household waste, as defined in each region. Products bearing this symbol must not be discarded together with household waste.

This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.