SB-400 SPEEDLIGHT - External Flash NIKON - Free user manual and instructions

USER MANUAL SB-400 SPEEDLIGHT NIKON

Speedlights Nikon Software Capture NX Wireless Remote Speedlight SB-R200 Wireless Speedlight Commander SU-800 If your Nikon digital SLR adopts Nikon’s exclusive i-TTL flash control of the Nikon Creative Lighting System, you can attach SB-800/SU-800 and control up to 3 wireless remote groups, with each group consisting of any number of SB-800, SB-600, or SB-R200 Speedlight units. SB-R200 Speedlight SB-800 SU-800 The easiest wireless remote unit

• Guide Number of 53 [ISO200, m] (at 35mm position)
• Master commander function
• Tilting/rotating flash head for bounce effect
• Repeating Flash Commander unit for Nikon Advanced Wireless Lighting

• Guide Number of 14 [ISO200, m]
• Functions only as a remote Speedlight unit
• Speedlight stand is supplied Fast forward to a new generation of image editing U Point™ Technology Go to the next generation of high-quality image editing and processing to supercharge your workflow. Advanced Nikon Capture 4 plus exclusive patented U Point™ technology, by Nik Software, delivers easier access to the results of your imagination. Simply select a control point and adjust its slider until you see the image as you like it. It's a highly visual, intuitive technique. Color Control Points Color Control Points let you directly select and isolate an entire image or an area within it for enhancement quickly. Within moments, you can choose and use any Color Control Point to modify any aspect of a selected area including: Size, Hue, Brightness, Saturation, Contrast, Red, Green, Blue and Warmth.

• Controls up to 3 groups of Speedlight units
• Compatible with SB-R200, SB-800 and SB-600 Speedlights
• Simple operation Black, White, Neutral Control Points Black, White and Neutral Control Points can be used to set the dynamic range and correct color casts in your images. Neutral Control Points can also be used to set color balance in an image. This is useful for removing color casts and toning, even without a neutral object in the scene. Control Points Dimensions (W x H x D): Approx. 80 x 75 x 55mm Weight (without batteries): Approx. 120g Dimensions (W x H x D): Approx. 68 x 96 x 58mm Weight (without batteries): Approx. 160g Size

Dimensions (W x H x D): Approx. 70.5 x 129.5 x 93.0mm Weight (without batteries): Approx. 350g

Moving any one of these sliders will change how that Control Point interacts with your image. Contrast, Red, Green, Blue and Warmth sliders are also available as an advanced setting. Speedlight SB-600

Nikon Close-up Speedlight Commander Kit R1C1

• Guide Number of 42 [ISO200, m] (at 35mm position)
• Tilting/rotating flash head for bounce effect
• Simple operation Wireless multiple flash photography with Nikon’s Creative Lighting System helps create more natural-looking pictures by using several flash units to emphasize the subject or eliminate shadows. M: Master A: Remote B: Remote C: Remote Hue Saturation Brightness Shot with multiple flash units Show Selection for Accurate Control The new Capture NX software releases not only the newest powers of Nikon’s Electronic Format (NEF) files; for the first time, it makes JPEG and TIFF processing and editing elegant and easy enough for any photographer to implement, with no need for complicated procedures. Its new interface provides access to powerful and visually intuitive enhancement tools you need, so it’s easier to explore, with more visual potential. With Capture NX to realize your imagination, the possibilities are endless! Use the "show selection" feature for each Color Control Point to see which area of the image is affected by the Color Control Point. This process reverses the image into a black and white view and clearly shows the image areas under adjustment. Red-Eye Reduction Thanks to U Point™ technology, red-eye can be easily removed. Just place a Red-Eye Reduction Control Point on each of the offending eyes, and away it goes! With just a few slider adjustments, you can use a color Control Point to make blue (or any other eye color) eyes brighter, darker or more radiant. Color Aberration Control by Lens Correction Tools Dimensions (W x H x D): Approx. 68.0 x 123.5 x 90.0mm Weight (without batteries): Approx. 300g

Shot with Nikon Close-up Speedlight Commander Kit R1C1 http://capturenx.com/

To learn more about Nikkors, please visit The basics for choosing a lens

18mm 12mm 18mm 24mm 55mm 200mm Perspective refers to the relationship between size and depth of subjects in a picture. A wideangle lens emphasizes foreground objects by making them appear further away from the background. A telephoto lens compresses the foreground and background, deemphasizing their difference in size and relative distance. To learn more about Speedlights, please visit Getting More From Your http://nikonimaging.com/global/technology/speedlight/ Nikon Digital SLR. Depth of field 55mm 70mm 120mm The area of a photograph in which subjects in front of and behind the main subject appear sharply focused is known as the depth of field. The depth of field corresponds to the lens aperture in use. A smaller aperture (larger f-number) creates a greater depth of field, increasing the area in focus. The focal length of a lens also has an effect; as the focal length increases, depth of field decreases. Shallow depth of field (f/2.8) http://nikonimaging.com/global/activity/npci/ Products and brand names are trademarks or registered trademarks of their respective companies. Images on LCDs and monitors shown in this brochure are simulated. Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. August 2006 200mm 300mm 400mm Picture angle — the image area seen through the lens — is determined by the focal length. A lens with a shorter focal length provides a wide-angle picture and broader images, while a longer focal length (i.e. telephoto lens) results in a narrower picture angle and larger image. Note: When the lens is attached to a digital camera, the picture angle is equivalent to that of a 35mm film-based camera lens with approximately 1.5x focal length. Great depth of field (f/16) © 2006 NIKON CORPORATION WARNING TO ENSURE CORRECT USAGE, READ MANUALS CAREFULLY BEFORE USING YOUR EQUIPMENT. Brightness of a lens (f-number) An f-number — marked, for example, as f/2.8, F2.8 or 1:2.8 — indicates how much light a lens allows through its aperture. A small f-number corresponds to a large aperture, meaning it allows more light through and can be used with faster shutter speeds. Fuji Bldg., 2-3, Marunouchi 3-chome, Chiyoda-ku, Tokyo 100-8331, Japan http://nikonimaging.com/ Printed in Japan Code No. 6CE41660 (0608/C) T

Speedlights Nikon Software Capture NX Wireless Remote Speedlight SB-R200 Wireless Speedlight Commander SU-800 If your Nikon digital SLR adopts Nikon’s exclusive i-TTL flash control of the Nikon Creative Lighting System, you can attach SB-800/SU-800 and control up to 3 wireless remote groups, with each group consisting of any number of SB-800, SB-600, or SB-R200 Speedlight units. SB-R200 Speedlight SB-800 SU-800 The easiest wireless remote unit

• Guide Number of 53 [ISO200, m] (at 35mm position)
• Master commander function
• Tilting/rotating flash head for bounce effect
• Repeating Flash Commander unit for Nikon Advanced Wireless Lighting

• Guide Number of 14 [ISO200, m]
• Functions only as a remote Speedlight unit
• Speedlight stand is supplied Fast forward to a new generation of image editing U Point™ Technology Go to the next generation of high-quality image editing and processing to supercharge your workflow. Advanced Nikon Capture 4 plus exclusive patented U Point™ technology, by Nik Software, delivers easier access to the results of your imagination. Simply select a control point and adjust its slider until you see the image as you like it. It's a highly visual, intuitive technique. Color Control Points Color Control Points let you directly select and isolate an entire image or an area within it for enhancement quickly. Within moments, you can choose and use any Color Control Point to modify any aspect of a selected area including: Size, Hue, Brightness, Saturation, Contrast, Red, Green, Blue and Warmth.

• Controls up to 3 groups of Speedlight units
• Compatible with SB-R200, SB-800 and SB-600 Speedlights
• Simple operation Black, White, Neutral Control Points Black, White and Neutral Control Points can be used to set the dynamic range and correct color casts in your images. Neutral Control Points can also be used to set color balance in an image. This is useful for removing color casts and toning, even without a neutral object in the scene. Control Points Dimensions (W x H x D): Approx. 80 x 75 x 55mm Weight (without batteries): Approx. 120g Dimensions (W x H x D): Approx. 68 x 96 x 58mm Weight (without batteries): Approx. 160g Size

Dimensions (W x H x D): Approx. 70.5 x 129.5 x 93.0mm Weight (without batteries): Approx. 350g

Moving any one of these sliders will change how that Control Point interacts with your image. Contrast, Red, Green, Blue and Warmth sliders are also available as an advanced setting. Speedlight SB-600

Nikon Close-up Speedlight Commander Kit R1C1

• Guide Number of 42 [ISO200, m] (at 35mm position)
• Tilting/rotating flash head for bounce effect
• Simple operation Wireless multiple flash photography with Nikon’s Creative Lighting System helps create more natural-looking pictures by using several flash units to emphasize the subject or eliminate shadows. M: Master A: Remote B: Remote C: Remote Hue Saturation Brightness Shot with multiple flash units Show Selection for Accurate Control The new Capture NX software releases not only the newest powers of Nikon’s Electronic Format (NEF) files; for the first time, it makes JPEG and TIFF processing and editing elegant and easy enough for any photographer to implement, with no need for complicated procedures. Its new interface provides access to powerful and visually intuitive enhancement tools you need, so it’s easier to explore, with more visual potential. With Capture NX to realize your imagination, the possibilities are endless! Use the "show selection" feature for each Color Control Point to see which area of the image is affected by the Color Control Point. This process reverses the image into a black and white view and clearly shows the image areas under adjustment. Red-Eye Reduction Thanks to U Point™ technology, red-eye can be easily removed. Just place a Red-Eye Reduction Control Point on each of the offending eyes, and away it goes! With just a few slider adjustments, you can use a color Control Point to make blue (or any other eye color) eyes brighter, darker or more radiant. Color Aberration Control by Lens Correction Tools Dimensions (W x H x D): Approx. 68.0 x 123.5 x 90.0mm Weight (without batteries): Approx. 300g

Shot with Nikon Close-up Speedlight Commander Kit R1C1 http://capturenx.com/

To learn more about Nikkors, please visit The basics for choosing a lens

18mm 12mm 18mm 24mm 55mm 200mm Perspective refers to the relationship between size and depth of subjects in a picture. A wideangle lens emphasizes foreground objects by making them appear further away from the background. A telephoto lens compresses the foreground and background, deemphasizing their difference in size and relative distance. To learn more about Speedlights, please visit Getting More From Your http://nikonimaging.com/global/technology/speedlight/ Nikon Digital SLR. Depth of field 55mm 70mm 120mm The area of a photograph in which subjects in front of and behind the main subject appear sharply focused is known as the depth of field. The depth of field corresponds to the lens aperture in use. A smaller aperture (larger f-number) creates a greater depth of field, increasing the area in focus. The focal length of a lens also has an effect; as the focal length increases, depth of field decreases. Shallow depth of field (f/2.8) http://nikonimaging.com/global/activity/npci/ Products and brand names are trademarks or registered trademarks of their respective companies. Images on LCDs and monitors shown in this brochure are simulated. Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. August 2006 200mm 300mm 400mm Picture angle — the image area seen through the lens — is determined by the focal length. A lens with a shorter focal length provides a wide-angle picture and broader images, while a longer focal length (i.e. telephoto lens) results in a narrower picture angle and larger image. Note: When the lens is attached to a digital camera, the picture angle is equivalent to that of a 35mm film-based camera lens with approximately 1.5x focal length. Great depth of field (f/16) © 2006 NIKON CORPORATION WARNING TO ENSURE CORRECT USAGE, READ MANUALS CAREFULLY BEFORE USING YOUR EQUIPMENT. Brightness of a lens (f-number) An f-number — marked, for example, as f/2.8, F2.8 or 1:2.8 — indicates how much light a lens allows through its aperture. A small f-number corresponds to a large aperture, meaning it allows more light through and can be used with faster shutter speeds. Fuji Bldg., 2-3, Marunouchi 3-chome, Chiyoda-ku, Tokyo 100-8331, Japan http://nikonimaging.com/ Printed in Japan Code No. 6CE41660 (0608/C) T

Speedlights Nikon Software Capture NX Wireless Remote Speedlight SB-R200 Wireless Speedlight Commander SU-800 If your Nikon digital SLR adopts Nikon’s exclusive i-TTL flash control of the Nikon Creative Lighting System, you can attach SB-800/SU-800 and control up to 3 wireless remote groups, with each group consisting of any number of SB-800, SB-600, or SB-R200 Speedlight units. SB-R200 Speedlight SB-800 SU-800 The easiest wireless remote unit

• Guide Number of 53 [ISO200, m] (at 35mm position)
• Master commander function
• Tilting/rotating flash head for bounce effect
• Repeating Flash Commander unit for Nikon Advanced Wireless Lighting

• Guide Number of 14 [ISO200, m]
• Functions only as a remote Speedlight unit
• Speedlight stand is supplied Fast forward to a new generation of image editing U Point™ Technology Go to the next generation of high-quality image editing and processing to supercharge your workflow. Advanced Nikon Capture 4 plus exclusive patented U Point™ technology, by Nik Software, delivers easier access to the results of your imagination. Simply select a control point and adjust its slider until you see the image as you like it. It's a highly visual, intuitive technique. Color Control Points Color Control Points let you directly select and isolate an entire image or an area within it for enhancement quickly. Within moments, you can choose and use any Color Control Point to modify any aspect of a selected area including: Size, Hue, Brightness, Saturation, Contrast, Red, Green, Blue and Warmth.

• Controls up to 3 groups of Speedlight units
• Compatible with SB-R200, SB-800 and SB-600 Speedlights
• Simple operation Black, White, Neutral Control Points Black, White and Neutral Control Points can be used to set the dynamic range and correct color casts in your images. Neutral Control Points can also be used to set color balance in an image. This is useful for removing color casts and toning, even without a neutral object in the scene. Control Points Dimensions (W x H x D): Approx. 80 x 75 x 55mm Weight (without batteries): Approx. 120g Dimensions (W x H x D): Approx. 68 x 96 x 58mm Weight (without batteries): Approx. 160g Size

Dimensions (W x H x D): Approx. 70.5 x 129.5 x 93.0mm Weight (without batteries): Approx. 350g

Moving any one of these sliders will change how that Control Point interacts with your image. Contrast, Red, Green, Blue and Warmth sliders are also available as an advanced setting. Speedlight SB-600

Nikon Close-up Speedlight Commander Kit R1C1

• Guide Number of 42 [ISO200, m] (at 35mm position)
• Tilting/rotating flash head for bounce effect
• Simple operation Wireless multiple flash photography with Nikon’s Creative Lighting System helps create more natural-looking pictures by using several flash units to emphasize the subject or eliminate shadows. M: Master A: Remote B: Remote C: Remote Hue Saturation Brightness Shot with multiple flash units Show Selection for Accurate Control The new Capture NX software releases not only the newest powers of Nikon’s Electronic Format (NEF) files; for the first time, it makes JPEG and TIFF processing and editing elegant and easy enough for any photographer to implement, with no need for complicated procedures. Its new interface provides access to powerful and visually intuitive enhancement tools you need, so it’s easier to explore, with more visual potential. With Capture NX to realize your imagination, the possibilities are endless! Use the "show selection" feature for each Color Control Point to see which area of the image is affected by the Color Control Point. This process reverses the image into a black and white view and clearly shows the image areas under adjustment. Red-Eye Reduction Thanks to U Point™ technology, red-eye can be easily removed. Just place a Red-Eye Reduction Control Point on each of the offending eyes, and away it goes! With just a few slider adjustments, you can use a color Control Point to make blue (or any other eye color) eyes brighter, darker or more radiant. Color Aberration Control by Lens Correction Tools Dimensions (W x H x D): Approx. 68.0 x 123.5 x 90.0mm Weight (without batteries): Approx. 300g

Shot with Nikon Close-up Speedlight Commander Kit R1C1 http://capturenx.com/

To learn more about Nikkors, please visit The basics for choosing a lens

18mm 12mm 18mm 24mm 55mm 200mm Perspective refers to the relationship between size and depth of subjects in a picture. A wideangle lens emphasizes foreground objects by making them appear further away from the background. A telephoto lens compresses the foreground and background, deemphasizing their difference in size and relative distance. To learn more about Speedlights, please visit Getting More From Your http://nikonimaging.com/global/technology/speedlight/ Nikon Digital SLR. Depth of field 55mm 70mm 120mm The area of a photograph in which subjects in front of and behind the main subject appear sharply focused is known as the depth of field. The depth of field corresponds to the lens aperture in use. A smaller aperture (larger f-number) creates a greater depth of field, increasing the area in focus. The focal length of a lens also has an effect; as the focal length increases, depth of field decreases. Shallow depth of field (f/2.8) http://nikonimaging.com/global/activity/npci/ Products and brand names are trademarks or registered trademarks of their respective companies. Images on LCDs and monitors shown in this brochure are simulated. Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. August 2006 200mm 300mm 400mm Picture angle — the image area seen through the lens — is determined by the focal length. A lens with a shorter focal length provides a wide-angle picture and broader images, while a longer focal length (i.e. telephoto lens) results in a narrower picture angle and larger image. Note: When the lens is attached to a digital camera, the picture angle is equivalent to that of a 35mm film-based camera lens with approximately 1.5x focal length. Great depth of field (f/16) © 2006 NIKON CORPORATION WARNING TO ENSURE CORRECT USAGE, READ MANUALS CAREFULLY BEFORE USING YOUR EQUIPMENT. Brightness of a lens (f-number) An f-number — marked, for example, as f/2.8, F2.8 or 1:2.8 — indicates how much light a lens allows through its aperture. A small f-number corresponds to a large aperture, meaning it allows more light through and can be used with faster shutter speeds. Fuji Bldg., 2-3, Marunouchi 3-chome, Chiyoda-ku, Tokyo 100-8331, Japan http://nikonimaging.com/ Printed in Japan Code No. 6CE41660 (0608/C) T

Speedlights Nikon Software Capture NX Wireless Remote Speedlight SB-R200 Wireless Speedlight Commander SU-800 If your Nikon digital SLR adopts Nikon’s exclusive i-TTL flash control of the Nikon Creative Lighting System, you can attach SB-800/SU-800 and control up to 3 wireless remote groups, with each group consisting of any number of SB-800, SB-600, or SB-R200 Speedlight units. SB-R200 Speedlight SB-800 SU-800 The easiest wireless remote unit

• Guide Number of 53 [ISO200, m] (at 35mm position)
• Master commander function
• Tilting/rotating flash head for bounce effect
• Repeating Flash Commander unit for Nikon Advanced Wireless Lighting

• Guide Number of 14 [ISO200, m]
• Functions only as a remote Speedlight unit
• Speedlight stand is supplied Fast forward to a new generation of image editing U Point™ Technology Go to the next generation of high-quality image editing and processing to supercharge your workflow. Advanced Nikon Capture 4 plus exclusive patented U Point™ technology, by Nik Software, delivers easier access to the results of your imagination. Simply select a control point and adjust its slider until you see the image as you like it. It's a highly visual, intuitive technique. Color Control Points Color Control Points let you directly select and isolate an entire image or an area within it for enhancement quickly. Within moments, you can choose and use any Color Control Point to modify any aspect of a selected area including: Size, Hue, Brightness, Saturation, Contrast, Red, Green, Blue and Warmth.

• Controls up to 3 groups of Speedlight units
• Compatible with SB-R200, SB-800 and SB-600 Speedlights
• Simple operation Black, White, Neutral Control Points Black, White and Neutral Control Points can be used to set the dynamic range and correct color casts in your images. Neutral Control Points can also be used to set color balance in an image. This is useful for removing color casts and toning, even without a neutral object in the scene. Control Points Dimensions (W x H x D): Approx. 80 x 75 x 55mm Weight (without batteries): Approx. 120g Dimensions (W x H x D): Approx. 68 x 96 x 58mm Weight (without batteries): Approx. 160g Size

Dimensions (W x H x D): Approx. 70.5 x 129.5 x 93.0mm Weight (without batteries): Approx. 350g

Moving any one of these sliders will change how that Control Point interacts with your image. Contrast, Red, Green, Blue and Warmth sliders are also available as an advanced setting. Speedlight SB-600

Nikon Close-up Speedlight Commander Kit R1C1

• Guide Number of 42 [ISO200, m] (at 35mm position)
• Tilting/rotating flash head for bounce effect
• Simple operation Wireless multiple flash photography with Nikon’s Creative Lighting System helps create more natural-looking pictures by using several flash units to emphasize the subject or eliminate shadows. M: Master A: Remote B: Remote C: Remote Hue Saturation Brightness Shot with multiple flash units Show Selection for Accurate Control The new Capture NX software releases not only the newest powers of Nikon’s Electronic Format (NEF) files; for the first time, it makes JPEG and TIFF processing and editing elegant and easy enough for any photographer to implement, with no need for complicated procedures. Its new interface provides access to powerful and visually intuitive enhancement tools you need, so it’s easier to explore, with more visual potential. With Capture NX to realize your imagination, the possibilities are endless! Use the "show selection" feature for each Color Control Point to see which area of the image is affected by the Color Control Point. This process reverses the image into a black and white view and clearly shows the image areas under adjustment. Red-Eye Reduction Thanks to U Point™ technology, red-eye can be easily removed. Just place a Red-Eye Reduction Control Point on each of the offending eyes, and away it goes! With just a few slider adjustments, you can use a color Control Point to make blue (or any other eye color) eyes brighter, darker or more radiant. Color Aberration Control by Lens Correction Tools Dimensions (W x H x D): Approx. 68.0 x 123.5 x 90.0mm Weight (without batteries): Approx. 300g

Shot with Nikon Close-up Speedlight Commander Kit R1C1 http://capturenx.com/

To learn more about Nikkors, please visit The basics for choosing a lens

18mm 12mm 18mm 24mm 55mm 200mm Perspective refers to the relationship between size and depth of subjects in a picture. A wideangle lens emphasizes foreground objects by making them appear further away from the background. A telephoto lens compresses the foreground and background, deemphasizing their difference in size and relative distance. To learn more about Speedlights, please visit Getting More From Your http://nikonimaging.com/global/technology/speedlight/ Nikon Digital SLR. Depth of field 55mm 70mm 120mm The area of a photograph in which subjects in front of and behind the main subject appear sharply focused is known as the depth of field. The depth of field corresponds to the lens aperture in use. A smaller aperture (larger f-number) creates a greater depth of field, increasing the area in focus. The focal length of a lens also has an effect; as the focal length increases, depth of field decreases. Shallow depth of field (f/2.8) http://nikonimaging.com/global/activity/npci/ Products and brand names are trademarks or registered trademarks of their respective companies. Images on LCDs and monitors shown in this brochure are simulated. Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. August 2006 200mm 300mm 400mm Picture angle — the image area seen through the lens — is determined by the focal length. A lens with a shorter focal length provides a wide-angle picture and broader images, while a longer focal length (i.e. telephoto lens) results in a narrower picture angle and larger image. Note: When the lens is attached to a digital camera, the picture angle is equivalent to that of a 35mm film-based camera lens with approximately 1.5x focal length. Great depth of field (f/16) © 2006 NIKON CORPORATION WARNING TO ENSURE CORRECT USAGE, READ MANUALS CAREFULLY BEFORE USING YOUR EQUIPMENT. Brightness of a lens (f-number) An f-number — marked, for example, as f/2.8, F2.8 or 1:2.8 — indicates how much light a lens allows through its aperture. A small f-number corresponds to a large aperture, meaning it allows more light through and can be used with faster shutter speeds. Fuji Bldg., 2-3, Marunouchi 3-chome, Chiyoda-ku, Tokyo 100-8331, Japan http://nikonimaging.com/ Printed in Japan Code No. 6CE41660 (0608/C) T

VR (Vibration Reduction) Nikkor lenses VR II High-power zoom with VR system — minimize image blur caused by camera shake. VR II Micro Nikkor for dramatic close-ups VR II Supertelephoto zoom with VR system High-speed telephoto zoom lens with VR system AF-S VR Zoom-Nikkor 70-200mm f/2.8G IF-ED (2.8x)

• VR minimizes image blur caused by camera shake
• SWM for fast and accurate autofocusing Dimensions: Approx. 87 x 215mm, Weight: 1,470g Supertelephoto zoom with VR system AF-S DX VR Zoom-Nikkor 18-200mm f/3.5-5.6G IF-ED (11.1x)

• Improved VR II minimizes image blur caused by camera shake
• 11.1x zoom covers most shooting situations Dimensions: Approx. 77 x 96.5mm, Weight: 560g AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED (4.3x)

• Improved VR II minimizes image blur caused by camera shake
• Lets you shoot as close as 31.4cm

• Improved VR II minimizes image blur caused by camera shake
• SWM for fast and accurate autofocusing Dimensions: Approx. 83 x 116mm, Weight: 790g AF VR Zoom-Nikkor 80-400mm f/4.5-5.6D ED (5.0x)

• VR enables handheld supertelephoto shooting
• Useful for candid shots Dimensions: Approx. 80 x 143.5mm, Weight: 745g Dimensions: Approx. 91 x 171mm, Weight: 1,360g Ultra-wideangle lenses Telephoto lenses Single-focal, portrait lenses Standard zoom lens Fisheye lens to give you unique perspective Portable telephoto zoom to bring your subjects closer Portable standard lens — great for portraits Compact, high-power standard zoom AF DX Fisheye-Nikkor 10.5mm f/2.8G ED

• Reproduces distorted images with exaggerated perspective
• 180° picture angle captures everything in front of you. Dimensions: Approx. 63 x 62.5mm, Weight: 305g Ultra-wideangle zoom to capture great landscapes AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED (3.6x)

• Great companion for your AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED
• Compact and lightweight Dimensions: Approx. 68 x 79mm, Weight: 255g AF Nikkor 50mm f/1.8D
• Bright standard lens for professional-looking portraits
• Ultracompact and lightweight Dimensions: Approx. 63.5 x 39mm, Weight: 155g Supertelephoto for creative opportunities Portable medium telephoto — for intimate portraits AF-S DX Zoom-Nikkor 18-135mm f/3.5-5.6G IF-ED (7.5x)

• 7.5x zoom for use in a variety of situations
• Compact and lightweight design Dimensions: Approx. 73.5 x 86.5mm Weight: Approx. 385g Features Specifically developed for use with sophisticated Nikon digital SLR cameras. Employs an ED (Extra-low Dispersion) glass element, which minimizes chromatic aberration and offers superior color and image sharpness. Employs an aspherical lens, which corrects image distortion in wideangle lenses. Distance information. Relays subject-to-camera distance information to the camera and enables Nikon’s advanced metering and flash control. Silent Wave Motor for ultra-quiet and ultra-fast focusing. AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED (2.0x) AF-S Nikkor 300mm f/4D IF-ED + TC-14E II AF Nikkor 85mm f/1.8D Internal Focusing (IF) design* prevents lens front rotation, thus enables use of circular polarizing filters Nano Crystal Coat employs multiple layers of Nikon’s outstanding extra-low refractive index coating, which features ultra-fine crystallized particles of nano. Features Nikon Super Integrated Coating to minimize ghost and flare.

• Frame great panoramas
• Useful for shooting group shots in confined spaces Dimensions: Approx. 82.5 x 90mm, Weight: 465g

• SWM for fast and accurate autofocusing
• You can easily capture supertelephoto (420mm) images with the TC-14E II

• High-speed telephoto for professional-looking portraits
• Compact and lightweight Dimensions: Approx. 90 x 222.5mm, Weight: 1,440g Dimensions: Approx. 71.5 x 58.5mm, Weight: 380g Equipped with Nikon’s innovative Vibration Reduction system to minimize image blur caused by camera shake. *With IF, focal length becomes slightly shorter when shooting at closest focusing distance. VR (Vibration Reduction) Nikkor lenses VR II High-power zoom with VR system — minimize image blur caused by camera shake. VR II Micro Nikkor for dramatic close-ups VR II Supertelephoto zoom with VR system High-speed telephoto zoom lens with VR system AF-S VR Zoom-Nikkor 70-200mm f/2.8G IF-ED (2.8x)

• VR minimizes image blur caused by camera shake
• SWM for fast and accurate autofocusing Dimensions: Approx. 87 x 215mm, Weight: 1,470g Supertelephoto zoom with VR system AF-S DX VR Zoom-Nikkor 18-200mm f/3.5-5.6G IF-ED (11.1x)

• Improved VR II minimizes image blur caused by camera shake
• 11.1x zoom covers most shooting situations Dimensions: Approx. 77 x 96.5mm, Weight: 560g AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED (4.3x)

• Improved VR II minimizes image blur caused by camera shake
• Lets you shoot as close as 31.4cm

• Improved VR II minimizes image blur caused by camera shake
• SWM for fast and accurate autofocusing Dimensions: Approx. 83 x 116mm, Weight: 790g AF VR Zoom-Nikkor 80-400mm f/4.5-5.6D ED (5.0x)

• VR enables handheld supertelephoto shooting
• Useful for candid shots Dimensions: Approx. 80 x 143.5mm, Weight: 745g Dimensions: Approx. 91 x 171mm, Weight: 1,360g Ultra-wideangle lenses Telephoto lenses Single-focal, portrait lenses Standard zoom lens Fisheye lens to give you unique perspective Portable telephoto zoom to bring your subjects closer Portable standard lens — great for portraits Compact, high-power standard zoom AF DX Fisheye-Nikkor 10.5mm f/2.8G ED

• Reproduces distorted images with exaggerated perspective
• 180° picture angle captures everything in front of you. Dimensions: Approx. 63 x 62.5mm, Weight: 305g Ultra-wideangle zoom to capture great landscapes AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED (3.6x)

• Great companion for your AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED
• Compact and lightweight Dimensions: Approx. 68 x 79mm, Weight: 255g AF Nikkor 50mm f/1.8D
• Bright standard lens for professional-looking portraits
• Ultracompact and lightweight Dimensions: Approx. 63.5 x 39mm, Weight: 155g Supertelephoto for creative opportunities Portable medium telephoto — for intimate portraits AF-S DX Zoom-Nikkor 18-135mm f/3.5-5.6G IF-ED (7.5x)

• 7.5x zoom for use in a variety of situations
• Compact and lightweight design Dimensions: Approx. 73.5 x 86.5mm Weight: Approx. 385g Features Specifically developed for use with sophisticated Nikon digital SLR cameras. Employs an ED (Extra-low Dispersion) glass element, which minimizes chromatic aberration and offers superior color and image sharpness. Employs an aspherical lens, which corrects image distortion in wideangle lenses. Distance information. Relays subject-to-camera distance information to the camera and enables Nikon’s advanced metering and flash control. Silent Wave Motor for ultra-quiet and ultra-fast focusing. AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED (2.0x) AF-S Nikkor 300mm f/4D IF-ED + TC-14E II AF Nikkor 85mm f/1.8D Internal Focusing (IF) design* prevents lens front rotation, thus enables use of circular polarizing filters Nano Crystal Coat employs multiple layers of Nikon’s outstanding extra-low refractive index coating, which features ultra-fine crystallized particles of nano. Features Nikon Super Integrated Coating to minimize ghost and flare.

• Frame great panoramas
• Useful for shooting group shots in confined spaces Dimensions: Approx. 82.5 x 90mm, Weight: 465g

• SWM for fast and accurate autofocusing
• You can easily capture supertelephoto (420mm) images with the TC-14E II

• High-speed telephoto for professional-looking portraits
• Compact and lightweight Dimensions: Approx. 90 x 222.5mm, Weight: 1,440g Dimensions: Approx. 71.5 x 58.5mm, Weight: 380g Equipped with Nikon’s innovative Vibration Reduction system to minimize image blur caused by camera shake. *With IF, focal length becomes slightly shorter when shooting at closest focusing distance. VR (Vibration Reduction) Nikkor lenses VR II High-power zoom with VR system — minimize image blur caused by camera shake. VR II Micro Nikkor for dramatic close-ups VR II Supertelephoto zoom with VR system High-speed telephoto zoom lens with VR system AF-S VR Zoom-Nikkor 70-200mm f/2.8G IF-ED (2.8x)

• VR minimizes image blur caused by camera shake
• SWM for fast and accurate autofocusing Dimensions: Approx. 87 x 215mm, Weight: 1,470g Supertelephoto zoom with VR system AF-S DX VR Zoom-Nikkor 18-200mm f/3.5-5.6G IF-ED (11.1x)

• Improved VR II minimizes image blur caused by camera shake
• 11.1x zoom covers most shooting situations Dimensions: Approx. 77 x 96.5mm, Weight: 560g AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED (4.3x)

• Improved VR II minimizes image blur caused by camera shake
• Lets you shoot as close as 31.4cm

• Improved VR II minimizes image blur caused by camera shake
• SWM for fast and accurate autofocusing Dimensions: Approx. 83 x 116mm, Weight: 790g AF VR Zoom-Nikkor 80-400mm f/4.5-5.6D ED (5.0x)

• VR enables handheld supertelephoto shooting
• Useful for candid shots Dimensions: Approx. 80 x 143.5mm, Weight: 745g Dimensions: Approx. 91 x 171mm, Weight: 1,360g Ultra-wideangle lenses Telephoto lenses Single-focal, portrait lenses Standard zoom lens Fisheye lens to give you unique perspective Portable telephoto zoom to bring your subjects closer Portable standard lens — great for portraits Compact, high-power standard zoom AF DX Fisheye-Nikkor 10.5mm f/2.8G ED

• Reproduces distorted images with exaggerated perspective
• 180° picture angle captures everything in front of you. Dimensions: Approx. 63 x 62.5mm, Weight: 305g Ultra-wideangle zoom to capture great landscapes AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED (3.6x)

• Great companion for your AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED
• Compact and lightweight Dimensions: Approx. 68 x 79mm, Weight: 255g AF Nikkor 50mm f/1.8D
• Bright standard lens for professional-looking portraits
• Ultracompact and lightweight Dimensions: Approx. 63.5 x 39mm, Weight: 155g Supertelephoto for creative opportunities Portable medium telephoto — for intimate portraits AF-S DX Zoom-Nikkor 18-135mm f/3.5-5.6G IF-ED (7.5x)

• 7.5x zoom for use in a variety of situations
• Compact and lightweight design Dimensions: Approx. 73.5 x 86.5mm Weight: Approx. 385g Features Specifically developed for use with sophisticated Nikon digital SLR cameras. Employs an ED (Extra-low Dispersion) glass element, which minimizes chromatic aberration and offers superior color and image sharpness. Employs an aspherical lens, which corrects image distortion in wideangle lenses. Distance information. Relays subject-to-camera distance information to the camera and enables Nikon’s advanced metering and flash control. Silent Wave Motor for ultra-quiet and ultra-fast focusing. AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED (2.0x) AF-S Nikkor 300mm f/4D IF-ED + TC-14E II AF Nikkor 85mm f/1.8D Internal Focusing (IF) design* prevents lens front rotation, thus enables use of circular polarizing filters Nano Crystal Coat employs multiple layers of Nikon’s outstanding extra-low refractive index coating, which features ultra-fine crystallized particles of nano. Features Nikon Super Integrated Coating to minimize ghost and flare.

• Frame great panoramas
• Useful for shooting group shots in confined spaces Dimensions: Approx. 82.5 x 90mm, Weight: 465g

• SWM for fast and accurate autofocusing
• You can easily capture supertelephoto (420mm) images with the TC-14E II

• High-speed telephoto for professional-looking portraits
• Compact and lightweight Dimensions: Approx. 90 x 222.5mm, Weight: 1,440g Dimensions: Approx. 71.5 x 58.5mm, Weight: 380g Equipped with Nikon’s innovative Vibration Reduction system to minimize image blur caused by camera shake. *With IF, focal length becomes slightly shorter when shooting at closest focusing distance. VR (Vibration Reduction) Nikkor lenses VR II High-power zoom with VR system — minimize image blur caused by camera shake. VR II Micro Nikkor for dramatic close-ups VR II Supertelephoto zoom with VR system High-speed telephoto zoom lens with VR system AF-S VR Zoom-Nikkor 70-200mm f/2.8G IF-ED (2.8x)

• VR minimizes image blur caused by camera shake
• SWM for fast and accurate autofocusing Dimensions: Approx. 87 x 215mm, Weight: 1,470g Supertelephoto zoom with VR system AF-S DX VR Zoom-Nikkor 18-200mm f/3.5-5.6G IF-ED (11.1x)

• Improved VR II minimizes image blur caused by camera shake
• 11.1x zoom covers most shooting situations Dimensions: Approx. 77 x 96.5mm, Weight: 560g AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED (4.3x)

• Improved VR II minimizes image blur caused by camera shake
• Lets you shoot as close as 31.4cm

• Improved VR II minimizes image blur caused by camera shake
• SWM for fast and accurate autofocusing Dimensions: Approx. 83 x 116mm, Weight: 790g AF VR Zoom-Nikkor 80-400mm f/4.5-5.6D ED (5.0x)

• VR enables handheld supertelephoto shooting
• Useful for candid shots Dimensions: Approx. 80 x 143.5mm, Weight: 745g Dimensions: Approx. 91 x 171mm, Weight: 1,360g Ultra-wideangle lenses Telephoto lenses Single-focal, portrait lenses Standard zoom lens Fisheye lens to give you unique perspective Portable telephoto zoom to bring your subjects closer Portable standard lens — great for portraits Compact, high-power standard zoom AF DX Fisheye-Nikkor 10.5mm f/2.8G ED

• Reproduces distorted images with exaggerated perspective
• 180° picture angle captures everything in front of you. Dimensions: Approx. 63 x 62.5mm, Weight: 305g Ultra-wideangle zoom to capture great landscapes AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED (3.6x)

• Great companion for your AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED
• Compact and lightweight Dimensions: Approx. 68 x 79mm, Weight: 255g AF Nikkor 50mm f/1.8D
• Bright standard lens for professional-looking portraits
• Ultracompact and lightweight Dimensions: Approx. 63.5 x 39mm, Weight: 155g Supertelephoto for creative opportunities Portable medium telephoto — for intimate portraits AF-S DX Zoom-Nikkor 18-135mm f/3.5-5.6G IF-ED (7.5x)

• 7.5x zoom for use in a variety of situations
• Compact and lightweight design Dimensions: Approx. 73.5 x 86.5mm Weight: Approx. 385g Features Specifically developed for use with sophisticated Nikon digital SLR cameras. Employs an ED (Extra-low Dispersion) glass element, which minimizes chromatic aberration and offers superior color and image sharpness. Employs an aspherical lens, which corrects image distortion in wideangle lenses. Distance information. Relays subject-to-camera distance information to the camera and enables Nikon’s advanced metering and flash control. Silent Wave Motor for ultra-quiet and ultra-fast focusing. AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED (2.0x) AF-S Nikkor 300mm f/4D IF-ED + TC-14E II AF Nikkor 85mm f/1.8D Internal Focusing (IF) design* prevents lens front rotation, thus enables use of circular polarizing filters Nano Crystal Coat employs multiple layers of Nikon’s outstanding extra-low refractive index coating, which features ultra-fine crystallized particles of nano. Features Nikon Super Integrated Coating to minimize ghost and flare.

• Frame great panoramas
• Useful for shooting group shots in confined spaces Dimensions: Approx. 82.5 x 90mm, Weight: 465g

• SWM for fast and accurate autofocusing
• You can easily capture supertelephoto (420mm) images with the TC-14E II

• High-speed telephoto for professional-looking portraits
• Compact and lightweight Dimensions: Approx. 90 x 222.5mm, Weight: 1,440g Dimensions: Approx. 71.5 x 58.5mm, Weight: 380g Equipped with Nikon’s innovative Vibration Reduction system to minimize image blur caused by camera shake. *With IF, focal length becomes slightly shorter when shooting at closest focusing distance. Speedlights Nikon Software Capture NX Wireless Remote Speedlight SB-R200 Wireless Speedlight Commander SU-800 If your Nikon digital SLR adopts Nikon’s exclusive i-TTL flash control of the Nikon Creative Lighting System, you can attach SB-800/SU-800 and control up to 3 wireless remote groups, with each group consisting of any number of SB-800, SB-600, or SB-R200 Speedlight units. SB-R200 Speedlight SB-800 SU-800 The easiest wireless remote unit
• Guide Number of 53 [ISO200, m] (at 35mm position)
• Master commander function
• Tilting/rotating flash head for bounce effect
• Repeating Flash Commander unit for Nikon Advanced Wireless Lighting

• Guide Number of 14 [ISO200, m]
• Functions only as a remote Speedlight unit
• Speedlight stand is supplied Fast forward to a new generation of image editing U Point™ Technology Go to the next generation of high-quality image editing and processing to supercharge your workflow. Advanced Nikon Capture 4 plus exclusive patented U Point™ technology, by Nik Software, delivers easier access to the results of your imagination. Simply select a control point and adjust its slider until you see the image as you like it. It's a highly visual, intuitive technique. Color Control Points Color Control Points let you directly select and isolate an entire image or an area within it for enhancement quickly. Within moments, you can choose and use any Color Control Point to modify any aspect of a selected area including: Size, Hue, Brightness, Saturation, Contrast, Red, Green, Blue and Warmth.

• Controls up to 3 groups of Speedlight units
• Compatible with SB-R200, SB-800 and SB-600 Speedlights
• Simple operation Black, White, Neutral Control Points Black, White and Neutral Control Points can be used to set the dynamic range and correct color casts in your images. Neutral Control Points can also be used to set color balance in an image. This is useful for removing color casts and toning, even without a neutral object in the scene. Control Points Dimensions (W x H x D): Approx. 80 x 75 x 55mm Weight (without batteries): Approx. 120g Dimensions (W x H x D): Approx. 68 x 96 x 58mm Weight (without batteries): Approx. 160g Size

Dimensions (W x H x D): Approx. 70.5 x 129.5 x 93.0mm Weight (without batteries): Approx. 350g

Moving any one of these sliders will change how that Control Point interacts with your image. Contrast, Red, Green, Blue and Warmth sliders are also available as an advanced setting. Speedlight SB-600

Nikon Close-up Speedlight Commander Kit R1C1

• Guide Number of 42 [ISO200, m] (at 35mm position)
• Tilting/rotating flash head for bounce effect
• Simple operation Wireless multiple flash photography with Nikon’s Creative Lighting System helps create more natural-looking pictures by using several flash units to emphasize the subject or eliminate shadows. M: Master A: Remote B: Remote C: Remote Hue Saturation Brightness Shot with multiple flash units Show Selection for Accurate Control The new Capture NX software releases not only the newest powers of Nikon’s Electronic Format (NEF) files; for the first time, it makes JPEG and TIFF processing and editing elegant and easy enough for any photographer to implement, with no need for complicated procedures. Its new interface provides access to powerful and visually intuitive enhancement tools you need, so it’s easier to explore, with more visual potential. With Capture NX to realize your imagination, the possibilities are endless! Use the "show selection" feature for each Color Control Point to see which area of the image is affected by the Color Control Point. This process reverses the image into a black and white view and clearly shows the image areas under adjustment. Red-Eye Reduction Thanks to U Point™ technology, red-eye can be easily removed. Just place a Red-Eye Reduction Control Point on each of the offending eyes, and away it goes! With just a few slider adjustments, you can use a color Control Point to make blue (or any other eye color) eyes brighter, darker or more radiant. Color Aberration Control by Lens Correction Tools Dimensions (W x H x D): Approx. 68.0 x 123.5 x 90.0mm Weight (without batteries): Approx. 300g

Shot with Nikon Close-up Speedlight Commander Kit R1C1 http://capturenx.com/

To learn more about Nikkors, please visit The basics for choosing a lens

18mm 12mm 18mm 24mm 55mm 200mm Perspective refers to the relationship between size and depth of subjects in a picture. A wideangle lens emphasizes foreground objects by making them appear further away from the background. A telephoto lens compresses the foreground and background, deemphasizing their difference in size and relative distance. To learn more about Speedlights, please visit Getting More From Your http://nikonimaging.com/global/technology/speedlight/ Nikon Digital SLR. Depth of field 55mm 70mm 120mm The area of a photograph in which subjects in front of and behind the main subject appear sharply focused is known as the depth of field. The depth of field corresponds to the lens aperture in use. A smaller aperture (larger f-number) creates a greater depth of field, increasing the area in focus. The focal length of a lens also has an effect; as the focal length increases, depth of field decreases. Shallow depth of field (f/2.8) http://nikonimaging.com/global/activity/npci/ Products and brand names are trademarks or registered trademarks of their respective companies. Images on LCDs and monitors shown in this brochure are simulated. Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. August 2006 200mm 300mm 400mm Picture angle — the image area seen through the lens — is determined by the focal length. A lens with a shorter focal length provides a wide-angle picture and broader images, while a longer focal length (i.e. telephoto lens) results in a narrower picture angle and larger image. Note: When the lens is attached to a digital camera, the picture angle is equivalent to that of a 35mm film-based camera lens with approximately 1.5x focal length. Great depth of field (f/16) © 2006 NIKON CORPORATION WARNING TO ENSURE CORRECT USAGE, READ MANUALS CAREFULLY BEFORE USING YOUR EQUIPMENT. Brightness of a lens (f-number) An f-number — marked, for example, as f/2.8, F2.8 or 1:2.8 — indicates how much light a lens allows through its aperture. A small f-number corresponds to a large aperture, meaning it allows more light through and can be used with faster shutter speeds. Fuji Bldg., 2-3, Marunouchi 3-chome, Chiyoda-ku, Tokyo 100-8331, Japan http://nikonimaging.com/ Printed in Japan Code No. 6CE41660 (0608/C) T