DISKLAVIER E3 CLASSIC - Digital piano YAMAHA - Free user manual and instructions

USER MANUAL DISKLAVIER E3 CLASSIC YAMAHA

PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated on the safety instruction section.

ATTENTION -RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR.

WARNING -TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

AEVERTISSEMENT-AFIN DE REDUIRE LE RISQUE DE DECHARGE ELECTRIQUE, VEUILLEZ NE PAS EXPOSER CET APPAREIL A L'EAU NAI L'HUMIDITE.

SEE BOTTOM OF ENCLOSURE OR LOWER FRONT PANEL FOR GRAPHIC SYMBOL MARKINGS

The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

The lightning flash with arrowhead symbol within the equilateral triangle is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electrical shock.

IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small nonrechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.

Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer's warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

SECTION DEMESSAGE SPECIAL

WARNING -TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

AVERTISSEMENT-AFIN DE REDUIRE LE RISQUE DE DECHARGE ELECTRIQUE, VEUILLEZ NE PAS EXPOSER CET APPAREIL A L'EAU NI A L'HUMIDITE.

VOIR SOUS L'ENCOFFREMENT OU EN BAS DU PANNEAU FRONTAL EN CE QUI CONCERNE LES INSCRIPTIONS DE SYMBOLE GRAPHIQUES

IMPORTANT SAFETY INSTRUCTIONS

WARNING — When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with dry cloth.

7. Do not block any ventilation openings. Install in accordance with the manufacturer's instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

1. Unplug this apparatus during lightning storms or when unused for long periods of time.

2. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

3. This product shall not be exposed to dripping or splashing and that no objects filled with liquids, such as vases, shall be placed on the apparatus.

4. Do not put burning items, such as candles, on the apparatus.

5. Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25' cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.

6. WARNING — To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
7. Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist.
8. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.
9. Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied as a part or the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.
10. This product shall be connected to a MAINS socket outlet with a protective earthing connection.
11. This product has a power switch for shutting off all system. The switch is located on the Power Supply Unit nearby the entrance of the AC cord. Note that the switch on the Controller does not shutdown all system.
12. Make sure that the plug of the Power Supply Unit's power cable can easily be disconnected from the AC outlet as a measure of precaution.

Battery

• Danger of explosion if battery incorrectly replaced. Replace only with the same type.

Outlets for Speakers

• Connect speakers of 2A or less of totals. Do not connect other products except speakers.
• Consult Yamaha service technician when using the outlets outside the purchased area.

INSTRUCTIONS DE SECURITE IMPORTANTES

The control unit is classified as a Class 1 laser product. One of the labels below is located on the inside of the CD drive unit.

CLASS 1 LASER PRODUCT

LASER KLASSE 1

1类激光产品

CAUTION CLASS 3B VISIBLE AND INVISIBLE LASER RADIATION WHEN OPEN.

AVOID EXPOSURE TO THE BEAM.
VORSICHT - SICHTBARE UND UNSICHTBARE LASERSTRAHLUNG
KLASSE 3B,WHEN GEOFFNET.
NICT DEM STRAHL AUSSETZEN.
注意 - 打开时有3B类可见及不可见激光辐射
避免光束照射

Laser Diode Properties

• Material: GaAIAs
• Wavelength: 783 nm
• Laser Output Power at the lens of the Laser Pickup Unit: max. 130.7 mW

CAUTION—Use of controls or adjustments or performance of procedures other than those specified herein may result in hazardous radiation exposure.

COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Avenue, Buena Park, CA 90620 USA

Telephone : [phone]

Fax : [phone]

Type of Equipment : Player Piano

Model Name : DGB1KE3Classic

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference that may cause undesired operation.

See user manual instructions if interference to radio reception is suspected.

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
   This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class "B" digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit "OFF" and "ON", please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

(1) Remove the four screws from the sides of the control unit.
(2) Place the metal suspension bracket, supplied with the Disklavier grand model, over the control unit, then secure the metal suspension bracket to the control unit using the four screws (4× 10) supplied with the Disklavier.
(3) Insert the three restraining screws (5 × 12) into the marked nuts underneath the bass side key bed, then tighten the screws, leaving a gap of about 5mm between head of the screw and piano body.

Notes:

1) Handle the metal suspension bracket and the control unit carefully to avoid scratches.
2) Screws; For suspension bracket installation: Flat head (4× 10)× 4 For control unit suspension: Bind head (5× 12)× 3
3) When mounted correctly, the control unit is angled approximately 18^ above horizontal.

(4) Fit the "slots" of the metal suspension bracket containing the control unit to the screws mentioned in step (3).
(5) After mounting the control unit, push the control unit back as far as it will go and then tighten the three screws to secure the bracket.
(6) Connect the cables extending from the piano to the appropriate connectors/jacks on the rear panel of the control unit.

• Coaxial cable: to the TO PIANO connectors
• Speaker cord: to the OUTPUT jacks

Mounting an Optional USB Floppy Disk Drive to the Grand Piano

(1) Remove the backing papers from the adhesive tape inside the case, and fit the floppy disk drive into the case.
(2) Attach the drive and case assembly to the bottom of the control unit, using the four screws (3× 6) supplied with the Disklavier.
(3) Connect the USB cable extending from the drive to the USB port on the rear panel of the control unit.

Notes:

1) The case is supplied with the USB floppy disk drive.
2) Use the screws (3 × 6) supplied with the Disklavier when attaching.

10-1 Nakazawa-cho, Naka-ku, Hamamatsu, Shizuoka, 430-8650, JAPAN
Piano Development Department, Yamaha Corporation

Gestion des albums 66

Suppression des albums 68

(5) Prises OMNI (SYNC) OUT

(6) Prises OMNI (SYNC) IN

• CopyAlbum
  -DeleteAlbum
• NewAlbum
• RenameAlbum
• SortAlbum
• AddToPList
  -DeleteList
• NewList
• RenameList

Suppression des albums

=DeleteAlbum= ENT 01:PopssSelection

=DeleteAlbum=OK? YES/NO 01:PopslSelection

• CopySong
  -DeleteSong
• RenameSong
• SortSong
• AddToList
• ConvertSong
• Counter
• Strip XP

=DeleteSong OK? YES/NO 001:Mo'Art

-RenameSongs= Executing..

=RenameSongs ANY Completed. Press any button.

=SortSong 1ENT
006:Toccata and Fugue
007:Admiration

=SortSong= OK? YES/NO

008: Interaction

006:Toccata and Fusue

=SortSong ANY

Completed.

Press any button.

=ConvertSongs = +ENT

001:Song For Students

SMFO E-SEQ

Remarque :

=ConvertSong=OK? YES/NO

001:Song For Students

SMFO Piano1

=CounterChange=OK?YES/NO

001:Song For Students

TIME METRONOME

=CounterChange ANY

Completed.

Press any button.

=DeleteList ENT 02:My Best Collection

=DeleteList= OK? YES/NO 02:My Best Collection

=DeleteList= Executing..

=DeleteList ANY Completed. Press any button.

Double-cliquez I'icône [FromToPC].

=SYSTEM MENU= (1/2)→

*Clock Adj. *TimeZone

Backup Restore

Remarque :

=SYSTEM MENU= (1/2)→

*Clock Adj. *TimeZone

Backup Restore

Make a backup copy to an external USB medium.

=SYSTEM MENU= (1/2)→

*Clock Adj. *TimeZone

Backup Restore

Restore songs data from

USB medium.

Date:2007-10-22 15:42:00

=Update ↓ Turn OFF. Turn ON again while holding [PLAY]

=SYSTEM MENU= (1/2)→

*Clock Adj. *TimeZone

Backup Restore

=SYSTEM MENU= ←(2/2)

Language Maintenance

*Display

1. Post Delivery Check

2. Program Versions

Version 2, June 1991

Copyright © 1989, 1991 Free Software Foundation, Inc.

59 Temple Place, Suite 330, Boston, MA 02111-1307 USA

Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed.

Preamble

The licenses for most software are designed to take away your freedom to share and change it. By contrast, the GNU General Public License is intended to guarantee your freedom to share and change free software — to make sure the software is free for all its users. This General Public License applies to most of the Free Software Foundation's software and to any other program whose authors commit to using it. (Some other Free Software Foundation software is covered by the GNU Library General Public License instead.) You can apply it to your programs, too.

When we speak of free software, we are referring to freedom, not price. Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for this service if you wish), that you receive source code or can get it if you want it, that you can change the software or use pieces of it in new free programs; and that you know you can do these things.

To protect your rights, we need to make restrictions that forbid anyone to deny you these rights or to ask you to surrender the rights. These restrictions translate to certain responsibilities for you if you distribute copies of the software, or if you modify it.

For example, if you distribute copies of such a program, whether gratis or for a fee, you must give the recipients all the rights that you have. You must make sure that they, too, receive or can get the source code. And you must show them these terms so they know their rights.

We protect your rights with two steps: (1) copyright the software, and (2) offer you this license which gives you legal permission to copy, distribute and/or modify the software.

Also, for each author's protection and ours, we want to make certain that everyone understands that there is no warranty for this free software. If the software is modified by someone else and passed on, we want its recipients to know that what they have is not the original, so that any problems introduced by others will not reflect on the original authors' reputations.

Finally, any free program is threatened constantly by software patents. We wish to avoid the danger that redistributors of a free program will individually obtain patent licenses, in effect making the program proprietary.

To prevent this, we have made it clear that any patent must be licensed for everyone's free use or not licensed at all.

The precise terms and conditions for copying, distribution and modification follow.

■ TERMS AND CONDITIONS FOR COOPYING, DISTRIBUTION AND MODIFICATION

0 This License applies to any program or other work which contains a notice placed by the copyright holder saying it may be distributed under the terms of this General Public License. The "Program", below, refers to any such program or work, and a "work based on the Program" means either the Program or any derivative work under copyright law: that is to say, a work containing the Program or a portion of it, either verbatim or with modifications and/or translated into another language. (Hereinafter, translation is included without limitation in the term modification.) Each licensee is addressed as "you".

Activities other than copying, distribution and modification are not covered by this License; they are outside its scope. The act of running the Program is not restricted, and the output from the Program is covered only if its contents constitute a work based on the Program (independent of having been made by running the Program). Whether that is true depends on what the Program does.

1. You may copy and distribute verbatim copies of the Program's source code as you receive it, in any medium, provided that you conspicuously and appropriately publish on each copy an appropriate copyright notice and disclaimer of warranty; keep intact all the notices that refer to this License and to the absence of any warranty; and give any other recipients of the Program a copy of this License along with the Program.

You may charge a fee for the physical act of transferring a copy, and you may at your option offer warranty protection in exchange for a fee.

1. You may modify your copy or copies of the Program or any portion of it, thus forming a work based on the Program, and copy and distribute such modifications or work under the terms of Section 1 above, provided that you also meet all of these conditions:

a) You must cause the modified files to carry prominent notices stating that you changed the files and the date of any change.
b) You must cause any work that you distribute or publish, that in whole or in part contains or is derived from the Program or any part thereof, to be licensed as a whole at no charge to all third parties under the terms of this License.
c) If the modified program normally reads commands interactively when run, you must cause it, when started running for such interactive use in the most ordinary way, to print or display an announcement including an appropriate copyright notice and a notice that there is no warranty (or else, saying that you provide a warranty) and that users may redistribute the program under these conditions, and telling the user how to view a copy of this License. (Exception: if the Program itself is interactive but does not normally print such an announcement, your work based on the Program is not required to print an announcement.)

These requirements apply to the modified work as a whole. If identifiable sections of that work are not derived from the Program, and can be reasonably considered independent and separate works in themselves, then this License, and its terms, do not apply to those sections when you distribute them as separate works. But when you distribute the same sections as part of a whole which is a work based on the Program, the distribution of the whole must be on the terms of this License, whose permissions for other licensees extend to the entire whole, and thus to each and every part regardless of who wrote it.

Thus, it is not the intent of this section to claim rights or contest your rights to work written entirely by you; rather, the intent is to exercise the right to control the distribution of derivative or collective works based on the Program.

In addition, mere aggregation of another work not based on the Program with the Program (or with a work based on the Program) on a volume of a storage or distribution medium does not bring the other work under the scope of this License.

1. You may copy and distribute the Program (or a work based on it, under Section 2) in object code or executable form under the terms of Sections 1 and 2 above provided that you also do one of the following:

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If distribution of executable or object code is made by offering access to copy from a designated place, then offering equivalent access to copy the source code from the same place counts as distribution of the source code, even though third parties are not compelled to copy the source along with the object code.

1. You may not copy, modify, sublicense, or distribute the Program except as expressly provided under this License. Any attempt otherwise to copy, modify, sublicense or distribute the Program is void, and will automatically terminate your rights under this License. However, parties who have received copies, or rights, from you under this License will not have their licenses terminated so long as such parties remain in full compliance.
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If any portion of this section is held invalid or unenforceable under any particular circumstance, the balance of the section is intended to apply and the section as a whole is intended to apply in other circumstances.

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This section is intended to make thoroughly clear what is believed to be a consequence of the rest of this License.

1. If the distribution and/or use of the Program is restricted in certain countries either by patents or by copyrighted interfaces, the original copyright holder who places the Program under this License may add an explicit geographical distribution limitation excluding those countries, so that distribution is permitted only in or among countries not thus excluded. In such case, this License incorporates the limitation as if written in the body of this License.
2. The Free Software Foundation may publish revised and/or new versions of the General Public License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns.

Each version is given a distinguishing version number. If the Program specifies a version number of this License which applies to it and "any later version", you have the option of following the terms and conditions either of that version or of any later version published by the Free Software Foundation. If the Program does not specify a version number of this License, you may choose any version ever published by the Free Software Foundation.

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NO WARRANTY

1. BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTYES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION.
2. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

GNU LESSER GENERAL PUBLIC LICENSE

Version 2.1, February 1999

Copyright © 1991, 1999 Free Software Foundation, Inc.

59 Temple Place, Suite 330, Boston, MA 02111-1307 USA

Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed.

[This is the first released version of the Lesser GPL. It also counts as the successor of the GNU

Library Public License, version 2, hence the version number 2.1.]

Preamble

The licenses for most software are designed to take away your freedom to share and change it. By contrast, the GNU General Public Licenses are intended to guarantee your freedom to share and change free software — to make sure the software is free for all its users.

This license, the Lesser General Public License, applies to some specially designated software packages — typically libraries — of the Free Software Foundation and other authors who decide to use it. You can use it too, but we suggest you first think carefully about whether this license or the ordinary General Public License is the better strategy to use in any particular case, based on the explanations below.

When we speak of free software, we are referring to freedom of use, not price. Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for this service if you wish); that you receive source code or can get it if you want it; that you can change the software and use pieces of it in new free programs; and that you are informed that you can do these things.

To protect your rights, we need to make restrictions that forbid distributors to deny you these rights or to ask you to surrender these rights. These restrictions translate to certain responsibilities for you if you distribute copies of the library or if you modify it.

For example, if you distribute copies of the library, whether gratis or for a fee, you must give the recipients all the rights that we gave you. You must make sure that they, too, receive or can get the source code. If you link other code with the library, you must provide complete object files to the recipients, so that they can relink them with the library after making changes to the library and recompiling it. And you must show them these terms so they know their rights.

We protect your rights with a two-step method: (1) we copyright the library, and (2) we offer you this license, which gives you legal permission to copy, distribute and/or modify the library.

To protect each distributor, we want to make it very clear that there is no warranty for the free library. Also, if the library is modified by someone else and passed on, the recipients should know that what they have is not the original version, so that the original author's reputation will not be affected by problems that might be introduced by others.

Finally, software patents pose a constant threat to the existence of any free program. We wish to make sure that a company cannot effectively restrict the users of a free program by obtaining a restrictive license from a patent holder. Therefore, we insist that any patent license obtained for a version of the library must be consistent with the full freedom of use specified in this license.

Most GNU software, including some libraries, is covered by the ordinary GNU General Public License. This license, the GNU Lesser General Public License, applies to certain designated libraries, and is quite different from the ordinary General Public License. We use this license for certain libraries in order to permit linking those libraries into non-free programs.

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expat

Copyright © 1998, 1999, 2000 Thai Open Source Software Center Ltd and Clark Cooper Copyright © 2001, 2002, 2003 Expat maintainers.

Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:

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glibc

This file contains the copying permission notices for various files in the GNU C Library distribution that have copyright owners other than the Free Software Foundation. These notices all require that a copy of the notice be included in the accompanying documentation and be distributed with binary distributions of the code, so be sure to include this file along with any binary distributions derived from the GNU C Library.

All code incorporated from 4.4 BSD is distributed under the following license:

Copyright © 1991 Regents of the University of California. All rights reserved.

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
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3. [This condition was removed.]
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THIS SOFTWARE IS PROVIDED BY THE REGENTS AND COLNTRIBUTORS "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE REGENTS OR COLNTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

The DNS resolver code, taken from BIND 4.9.5, is copyrighted both by UC Berkeley and by Digital Equipment Corporation. The DEC portions are under the following license:

Portions Copyright © 1993 by Digital Equipment Corporation.

Permission to use, copy, modify, and distribute this software for any purpose with or without fee is hereby granted, provided that the above copyright notice and this permission notice appear in all copies, and that the name of Digital Equipment Corporation not be used in advertising or publicity pertaining to distribution of the document or software without specific, written prior permission.

THE SOFTWARE IS PROVIDED "AS IS" AND DIGITAL EQUIPMENT CORP. DISCLAIMS ALL WARRANTYES WITH REGARD TO THIS SOFTWARE, INCLUDING ALL IMPLIED WARRANTYES OF MERCHANTABILITY AND FITNESS. IN NO EVENT SHALL DIGITAL EQUIPMENT CORPORATION BE LIABLE FOR ANY SPECIAL, DIRECT, INDIRECT, OR CONSEQUENTIAL DAMAGES OR ANY DAMAGES WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR PROFITS, WHETHER IN AN ACTION OF CONTRACT, NEGLIGENCE OR OTHER TORTIOUS ACTION, ARISING OUT OF OR IN CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.

The Sun RPC support (from rpcsrc-4.0) is covered by the following license:

Copyright © 1984, Sun Microsystems, Inc.

Sun RPC is a product of Sun Microsystems, Inc. and is provided for unrestricted use provided that this legend is included on all tape media and as a part of the software program in whole or part. Users may copy or modify Sun RPC without charge, but are not authorized to license or distribute it to anyone else except as part of a product or program developed by the user.

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The following CMU license covers some of the support code for Mach, derived from Mach 3.0:

Mach Operating System

Copyright © 1991, 1990, 1989 Carnegie Mellon University All Rights Reserved.

Permission to use, copy, modify and distribute this software and its documentation is hereby granted, provided that both the copyright notice and this permission notice appear in all copies of the software, derivative works or modified versions, and any portions thereof, and that both notices appear in supporting documentation.

CARNEGIE MELLON ALLOWS FREE USE OF THIS SOFTWARE IN ITS "AS IS" CONDITION.
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Carnegie Mellon requests users of this software to return to

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or [e-mail] any improvements or extensions that they make and grant Carnegie Mellon the rights to redistribute these changes.

The file if_ppp.h is under the following CMU license:

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

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The following license covers the files from Intel's "Highly Optimized Mathematical Functions for Itanium" collection:

Intel License Agreement

Copyright © 2000, Intel Corporation

All rights reserved.

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THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND COLNTRIBUTORS "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL INTEL OR COLNTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

The files inlet/getnameinfo.c and sysdeps/positi/getaddrinfo.c are copyright © by Craig Metz and are distributed under the following license:

The Inner Net License, Version 2.00

The author(s) grant permission for redistribution and use in source and binary forms, with or without modification, of the software and documentation provided that the following conditions are met:

1. If you receive a version of the software that is specifically labelled as not being for redistribution (check the version message and/or README), you are not permitted to redistribute that version of the software in any way or form.
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THIS SOFTWARE IS PROVIDED BY ITS AUTHORS AND COLLECTORS "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE AUTHORS OR COLLECTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUsION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

If these license terms cause you a real problem, contact the author.

libcap

Unless otherwise explicitly stated, the following text describes the licensed conditions under which the contents of this libcap release may be used and distributed:

Redistribution and use in source and binary forms of libcap, with or without modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain any existing copyright notice, and this entire permission notice in its entirety, including the disclaimer of warranties.
2. Redistributions in binary form must reproduce all prior and current copyright notices, this list of conditions, and the following disclaimer in the documentation and/or other materials provided with the distribution.
3. The name of any author may not be used to endorse or promote products derived from this software without their specific prior written permission.

ALTERNATIVELY, this product may be distributed under the terms of the GNU General Public License, in which case the provisions of the GNU GPL are required INSTEAD OF the above restrictions. (This clause is necessary due to a potential conflict between the GNU GPL and the restrictions contained in a BSD-style copyright.)

THIS SOFTWARE IS PROVIDED "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED.

IN NO EVENT SHALL THE AUTHOR(S) BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

libunp

Copyright © 2000-2003 Intel Corporation All rights reserved.

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

• Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
• Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
• Neither name of Intel Corporation nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission.

THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND Contributors "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL INTEL OR CONTRIButors BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUsION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

ntp

Copyright Notice

jpg "Clone me," says Dolly sheepishly

Last update: 02:45 UTC Tuesday, June 27, 2006

The following copyright notice applies to all files collectively called the Network Time Protocol Version 4 Distribution. Unless specifically declared otherwise in an individual file, this notice applies as if the text was explicitly included in the file.

Copyright © David L. Mills 1992-2006

Permission to use, copy, modify, and distribute this software and its documentation for any purpose with or without fee is hereby granted, provided that the above copyright notice appears in all copies and that both the copyright notice and this permission notice appear in supporting documentation, and that the name University of Delaware not be used in advertising or publicity pertaining to distribution of the software without specific, written prior permission. The University of Delaware makes no representations about the suitability of this software for any purpose. It is provided "as is" without express or implied warranty.

openldap

The OpenLDAP Public License

Version 2.8, 17 August 2003

Redistribution and use of this software and associated documentation ("Software"), with or without modification, are permitted provided that the following conditions are met:

1. Redistributions in source form must retain copyright statements and notices,
2. Redistributions in binary form must reproduce applicable copyright statements and notices, this list of conditions, and the following disclaimer in the documentation and/or other materials provided with the distribution, and
3. Redistributions must contain a verbatim copy of this document.

The OpenLDAP Foundation may revise this license from time to time. Each revision is distinguished by a version number. You may use this Software under terms of this license revision or under the terms of any subsequent revision of the license.

THIS SOFTWARE IS PROVIDED BY THE OPENLDAP FOUNDATION AND ITS CONTRIBUTORS "AS IS" AND ANY EXPRESSED OR IMPLIED WARRANTYES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTYES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE OPENLDAP FOUNDATION, ITS CONTRIBUTORS, OR THE AUTHOR(S) OR OWNER(S) OF THE SOFTWARE BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

The names of the authors and copyright holders must not be used in advertising or otherwise to promote the sale, use or other dealing in this Software without specific, written prior permission. Title to copyright in this Software shall at all times remain with copyright holders.

OpenLDAP is a registered trademark of the OpenLDAP Foundation.

Copyright 1999-2003 The OpenLDAP Foundation, Redwood City, California, USA. All Rights Reserved. Permission to copy and distribute verbatim copies of this document is granted.

openssl

LICENSE ISSUES

The OpenssL toolkit stays under a dual license, i.e. both the conditions of the OpenssL License and the original SLeay license apply to the toolkit.

See below for the actual license texts. Actually both licenses are BSD-style Open Source licenses. In case of any license issues related to OpenSSL please contact [e-mail].

OpenSSL License

Copyright © 1998-2006 The OpenSSL Project. All rights reserved.

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
3. All advertising materials mentioning features or use of this software must display the following acknowledgment: "This product includes software developed by the OpensSL Project for use in the OpensSL Toolkit. (http://www.openssl.org/)
4. The names "OpenSSL Toolkit" and "OpenSSL Project" must not be used to endorse or promote products derived from this software without prior written permission. For written permission, please contact [e-mail].
5. Products derived from this software may not be called "OpenSSL" nor may "OpenSSL" appear in their names without prior written permission of the OpenSSL Project.
6. Redistributions of any form whatsoever must retain the following acknowledgment: "This product includes software developed by the OpenSSL Project for use in the OpenSSL Toolkit. (http://www.openss.org/)

THIS SOFTWARE IS PROVIDED BY THE OpensSL PROJECT "AS IS" AND ANY EXPRESSED OR IMPLIED WARRANTYES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTYES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE OpensSL PROJECT OR ITS CONTRIButors BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

This product includes cryptographic software written by Eric Young ([e-mail]).

This product includes software written by Tim Hudson ([e-mail]).

Original SSLeay License

Copyright © 1995-1998 Eric Young ([e-mail]) All rights reserved.

This package is an SSL implementation written by Eric Young ([e-mail]).

The implementation was written so as to conform with Netscapes SSL.

This library is free for commercial and non-commercial use as long as the following conditions are ahead to. The following conditions apply to all code found in this distribution, be it the RC4, RSA, Ihash, DES, etc., code; not just the SSL code. The SSL documentation included with this distribution is covered by the same copyright terms except that the holder is Tim Hudson ([e-mail]).

Copyright remains Eric Young's, and as such any Copyright notices in the code are not to be removed.

If this package is used in a product, Eric Young should be given attribution as the author of the parts of the library used.

This can be in the form of a textual message at program startup or in documentation (online or textual) provided with the package.

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain the copyright notice, this list of conditions and the following disclaimer.
2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
3. All advertising materials mentioning features or use of this software must display the following acknowledgement:

"This product includes cryptographic software written by Eric Young ([e-mail])" The word 'cryptographic' can be left out if the routines from the library being used are not cryptographic related :-).

1. If you include any Windows specific code (or a derivative thereof) from the apps directory (application code) you must include an acknowledgement:

"This product includes software written by Tim Hudson ([e-mail])"

THIS SOFTWARE IS PROVIDED BY ERIC YOUNG "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTYES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE AUTHOR OR COLLECTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTIAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

The license and distribution terms for any publicly available version or derivative of this code cannot be changed.

i.e. this code cannot simply be copied and put under another distribution license [including the GNU Public License.]

pam

Unless otherwise explicitly stated the following text describes the licensed conditions under which the contents of this Linux-PAM release may be distributed:

Redistribution and use in source and binary forms of Linux-PAM, with or without modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain any existing copyright notice, and this entire permission notice in its entirety, including the disclaimer of warranties.
2. Redistributions in binary form must reproduce all prior and current copyright notices, this list of conditions, and the following disclaimer in the documentation and/or other materials provided with the distribution.
3. The name of any author may not be used to endorse or promote products derived from this software without their specific prior written permission.

ALTERNATIVELY, this product may be distributed under the terms of the GNU General Public License, in which case the provisions of the GNU GPL are required INSTEAD OF the above restrictions. (This clause is necessary due to a potential conflict between the GNU GPL and the restrictions contained in a BSD-style copyright.)

THIS SOFTWARE IS PROVIDED "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTY, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED.

IN NO EVENT SHALL THE AUTHOR(S) BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCEDURE OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

unzip

This is version 2005-Feb-10 of the Info-ZIP copyright and license. The definitive version of this document should be available at ftp://ftp.info-zip.org/pub/infozip/licenses.html indefinitely.

Copyright © 1990-2005 Info-ZIP. All rights reserved.

For the purposes of this copyright and license, "Info-ZIP" is defined as the following set of individuals:

Mark Adler, John Bush, Karl Davis, Harald Denker, Jean-Michel Dubois, Jean-Ioup Gailly, Hunter Goatley, Ed Gordon, Ian Gorman, Chris Herborth, Dirk Haase, Greg Hartwig, Robert Heath, Jonathan Hudson, Paul Kienitz, David Kirschbaum, Johnny Lee, Onno van der Linden, Igor Mandrichenko, Steve P. Miller, Sergio Monesi, Keith Owens, George Petrov, Greg Roelofs, Kai Uwe Rommel, Steve Salisbury, Dave Smith, Steven M. Schweda, Christian Spieler, Cosmin Truta, Antoine Verheijen, Paul von Behren, Rich Wales, Mike White

This software is provided "as is," without warranty of any kind, express or implied. In no event shall Info-ZIP or its contributors be held liable for any direct, indirect, incidental, special or consequential damages arising out of the use of or inability to use this software.

Permission is granted to anyone to use this software for any purpose, including commercial applications, and to alter it and redistribute it freely, subject to the following restrictions:

1. Redistributions of source code must retain the above copyright notice, definition, disclaimer, and this list of conditions.
2. Redistributions in binary form (compiled executables) must reproduce the above copyright notice, definition, disclaimer, and this list of conditions in documentation and/or other materials provided with the distribution. The sole exception to this condition is redistribution of a standard UnZipSFX binary (including SFXWiz) as part of a self-extracting archive; that is permitted without inclusion of this license, as long as the normal SFX banner has not been removed from the binary or disabled.
3. Altered versions — including, but not limited to, ports to new operating systems, existing ports with new graphical interfaces, and dynamic, shared, or static library versions — must be plainly marked as such and must not be misrepresented as being the original source. Such altered versions also must not be misrepresented as being Info-ZIP releases — including, but not limited to, labeling of the altered versions with the names “Info-ZIP” (or any variation thereof, including, but not limited to, different capitalizations), “Pocket UnZip,” “WiZ” or “MacZip” without the explicit permission of Info-ZIP. Such altered versions are further prohibited from misrepresentative use of the Zip-Bugs or Info-ZIP e-mail addresses or of the Info-ZIP URL(s).
4. Info-ZIP retains the right to use the names "Info-ZIP," "Zip," "UnZip," "UnZipSFX," "WiZ," "Pocket UnZip," "Pocket Zip," and "MacZip" for its own source and binary releases.

Zlib

© 1995-2004 Jean-Ioup Gailly and Mark Adler

This software is provided 'as-is', without any express or implied warranty. In no event will the authors be held liable for any damages arising from the use of this software.

Permission is granted to anyone to use this software for any purpose, including commercial applications, and to alter it and redistribute it freely, subject to the following restrictions:

1. The origin of this software must not be misrepresented; you must not claim that you wrote the original software. If you use this software in a product, an acknowledgment in the product documentation would be appreciated but is not required.
2. Altered source versions must be plainly marked as such, and must not be misrepresented as being the original software.
3. This notice may not be removed or altered from any source distribution.

Jean-Ioup Gailly

Mark Adler

[e-mail]

[e-mail]

If you use the zlib library in a product, we would appreciate not receiving lengthy legal documents to sign. The sources are provided for free but without warranty of any kind. The library has been entirely written by Jean-loup Gailly and Mark Adler; it does not include third-party code.

If you redistribute modified sources, we would appreciate that you include in the file ChangeLog history information documenting your changes. Please read the FAQ for more information on the distribution of modified source versions.

MIDI Data Format

If you are familiar with MIDI, or are using a computer to control your music software with computer-generated MIDI messages, the data provided in this section can help you to control your Disklavier.

Messages include those that can be received by the piano part and/or those that can be received by an

ESBL part. Messages that can be transmitted as well as received are shown as "transmitted."

1. CHANNEL MESSAGES

1.1 Key On / Key Off

(Piano Part, ESBL Part) (transmitted)

Piano Part reception note range = A - 1 C7:C3 = 60

ESBL part reception note range = C - 2 G8

Velocity range = 1 127 (Only the Key On velocity is received)

1.2 Control Change

1.2.1 Bank Select

(ESBL Part) (transmitted)

Ctrl#

0

Parameter

Bank Select MSB

Data Range

0: Normal,

63:User voice,

64: SFX

126: SFX kit,

127:Drum

32

Bank Select LSB

0...127

You can select the Voice banks with MSB and LSB numbers.

MSB and LSB functions differently depending on the play mode. In XG mode, MSB numbers select Voice type (Normal Voice or Drum Voice), and LSB number select Voice banks.

In TG300B mode, LSB is fixed, and MSB numbers select Voice banks.

(See Normal Voice List Drum Voice List.)

A new bank selection will not become effective until the next

Program Change message is received.

1.2.2 Modulation

(ESBL Part)

Ctrl#

1

Parameter

Modulation

Data Range

0...127

1.2.3 Portamento Time

(ESBL Part)

Cntrl#

Parameter

Portamento Time

Data Range

0...127

When the parameter 1.2.9 Portamento = ON, values will adjust the speed of pitch change.

A setting of 0 - minimum portamento time, and 127 - maximum portamento time.

1.2.4 Data Entry

(ESBL Part)

Messages which set the value for the parameter specified by RPN/NRPN.

Ctrl#

6

38

Parameter

Data Entry MSB

Data Entry LSB

Data Range

0...127

Parameter value is determined by combining MSB and LSB.

1.2.5 Main Volume

(Piano Part, ESBL Part) (transmitted)

Ctrl#

7

Parameter

Main Volume

Data Range

0...127

1.2.6 Pan

(ESBL Part)

Ctrl#

Parameter

Pan

Data Range

0...127

1.2.7 Expression

(Piano Part, ESBL Part)

Ctrl#

11

Parameter

Expression

Data Range

0...127

1.2.8 Hold1

(Piano Part, ESBL Part) (transmitted)

Ctrl#

Parameter

Data Range

64

Hold1

0...127

(0-63:off, 64-127:on)

1.2.9 Portamento

(ESBL Part)

Cctrl#

Parameter

Data Range

65

Portamento

0...127

(0-63:off, 64-127:on)

1.2.10 Sostenuto

(Piano Part, ESBL Part)

Cntrl#

Parameter

Data Range

66

Sostenuto

0...127

(0-63:off, 64-127:on)

1.2.11 Soft Pedal

(ESBL Part)

Ctrl#

Parameter

Data Range

67

Soft Pedal

0...127

(0-63:off, 64-127:on)

1.2.12 Harmonic Content

(ESBL Part)

Messages which adjust the resonance set for each Voice.

Ctrl#

Parameter

Data Range

71

Harmonic Content

0...127

(0:-64, 64:+0, 127:+63)

Higher values will result in a more characteristic, resonant sound.

Depending on the Voice, the effective range may be narrower than the range available for adjustment.

1.2.13 Release Time

(ESBL Part)

Messages which adjust the envelope release time set for each Voice.

Ctrl#

Parameter

Data Range

72

Release Time

0...127

(0:-64, 64:+0, 127:+63)

1.2.14 Attack Time

(ESBL Part)

Messages which adjust the envelope attack time set for each Voice.

Cntrl#

Parameter

Data Range

73

Attack Time

0...127

(0:-64, 64:+0, 127:+63)

1.2.15 Brightness

(ESBL Part)

Messages which adjust the filter cutoff frequency set for each Voice.

Ctrl#

Parameter

Data Range

74

Brightness

0...127

(0:-64, 64:+0, 127:+63)

1.2.16 Portamento Control

(ESBL Part)

Messages which apply a portamento between the currently-sounding note and the subsequent note.

Ctrl#

Parameter

Data Range

84

Portamento Control

0...127

1.2.17 Effect1 Depth (Reverb Send Level)

(ESBL Part)

Cctrl#

Parameter

Data Range

91

Effect1 Depth

0...127

1.2.18 Effect3 Depth (Chorus Send Level)

(ESBL Part)

Cntrl# Parameter Data Range

93

Effect3 Depth

0...127

1.2.19 Effect4 Depth (Variation Effect Send Level)

(ESBL Part)

Cntrl# Parameter Data Range

94

Effect4 Depth

0...127

1.2.20 Data Increment / Decrement (for RPN)

(ESBL Part)

Cntrl# Parameter Data Range

96 RPN Increment 0...127

97 RPN Decrement 0...127

1.2.21 NRPN (Non-Registered Parameter Number)

(ESBL Part)

Cntrl# Parameter Data Range

98 NRPN LSB 0...127

99 NRPN MSB 0...127

First send the NRPN MSB and NRPN LSB to specify the parameter which is to be controlled. Then use Data Entry to set the value of the specified parameter.

• Note that once the NRPN has been set for a channel subsequent data entry will be recognized as the same NRPN's value change. Therefore, after you use the NRPN, you should set a Null (7FH, 7FH) value to avoid an unexpected result.

The following NRPN number can be received.

NRPN Data entry

PARAMETER NAME and VALUE

RANGE

01	08	$mm	Vibrato Rate mm : 00 -40 - 7F (-64 - 0 - +63)
01	09	mm	Vibrato Depth mm : 00 -40 - 7F (-64 - 0 - +63)
01	0A	mm	Vibrato Delay mm : 00 -40 - 7F (-64 - 0 - +63)
01	20	mm	Filter Cutoff Frequency mm : 00 -40 - 7F (-64 - 0 - +63)
01	21	mm	Filter Resonance mm : 00 -40 - 7F (-64 - 0 - +63)
01	63	mm	EG Attack Time mm : 00 -40 - 7F (-64 - 0 - +63)
01	64	mm	EG Decay Time mm : 00 -40 - 7F (-64 - 0 - +63)
01	66	mm	EG Release Time mm : 00 -40 - 7F (-64 - 0 - +63)
14	rr	mm	Drum Filter Cutoff Frequency mm : 00 -40 - 7F (-64 - 0 - +63)
			rr : drum instrument note number
15	rr	mm	Drum Filter Resonance mm : 00 -40 - 7F (-64 - 0 - +63)
			rr : drum instrument note number
16	rr	mm	Drum EG Attack mm : 00 -40 - 7F (-64 - 0 - +63)
			rr : drum instrument note number
17	rr	mm	Drum EG Decay Rate mm : 00 -40 - 7F (-64 - 0 - +63)
			rr : drum instrument note number
			Applies to both Decay1 and 2.
18	rr	mm	Drum Instrument Pitch Coarse mm : 00 -40 - 7F (-64 - 0 - +63)
			rr : drum instrument note number
19	rr	mm	Drum Instrument Pitch Fine mm : 00 -40 - 7F (-64 - 0 - +63)
			rr : drum instrument note number
1A	rr	mm	Drum Instrument Level mm : 00 -7F (0 - max)
			rr : drum instrument note number
1C	rr	$mm	Drum Instrument Pan mm : 00 -40 - $7F (random, left - center - right)
			rr : drum instrument note number

1D	rr	$mm	Drum Instrument Reverb Send Level mm : 00 -7F (0 - max)
			rr : drum instrument note number
1E	rr	$mm	Drum Instrument Chorus Send Level mm : 00 -7F (0 - max)
			rr : drum instrument note number
1F	rr	$mm	Drum Instrument Variation Send Level mm : 00 -7F (0 - max)
			rr : drum instrument note number

MSB 14H-1FH (for Drum) is valid only if the Multi Part parameter PART MODE = DRUMS 1 or DRUMS2 for that channel. (If PART MODE = DRUM, no values will be changed.)

1.2.22 RPN (Registered Parameter Number)

(ESBL Part)

Cntrl# Parameter Data Range

100 RPN LSB 0...127

101 RPN MSB 0...127

The following RPN numbers can be received.

RPN Data entry

MSB LSB MSB LSB PARAMETER NAME and VALUE RANGE

00H	00H	mmH	—	Pitch Bend Sensitivity mm:00-18H (0-24 chromatic steps) Assignable in chromatic steps up to 2 octaves Default:02H LSB value is ignored.
00H	01H	mmH	11H	Fine Tuning mm:00H-40H-7FH (-64-0--+63)
00H	02H	mmH	—	Coarse Tuning mm:28H - 40H - 58H (-24 - +24 chromatic steps) LSB value is ignored.
7FH	7FH	—	—	RPN null Cancels RPN and NRPN numbers

1.2.23 Channel Mode Messages

The following Channel Mode Messages can be received.

2nd byte	3rd byte
120	0	All Sound Off
121	0	Reset All Controllers
123	0	All Note Off
124	0	Omni Off
125	0	Omni On
126	0 ~ 16	Mono
127	0	Poly

1.2.23.1 All Sound Off

(Piano Part, ESBL Part) (transmitted)

ESBL part;

Terminates all sounds currently sounding on the specified channel. However, the status of channel messages such as Note On and Hold On is maintained.

Piano Part;

The status of channel messages is not maintained.

1.2.23.2 Reset All Controllers

(ESBL Part)

The values of the following controllers will be reset to the defaults.

CONTROLLER	VALUE
Pitch Bend Change	±O (center)
Channel Aftertouch	0 (off)
Polyphonic Aftertouch	0 (off)
Modulation	0 (off)
Expression	127 (max)
Hold l	0 (off)
Portamento	0 (off)
Sostenuto	0 (off)
Soft Pedal	0 (off)
Portamento Control	cancels the Portamento Source Key Number that was received
RPN	number not specified; internal data will not change
NRPN	number not specified; internal data will not change

1.2.23.3 All Note Off

(Piano Part, ESBL Part) (transmitted)

Terminates all notes currently on for the specified channel. However, if Hold 1 or Sostenuto is on, notes will continue sounding until these are turned off.

1.2.23.4 Omni Off

(Piano Part, ESBL Part)

Performs the same function as when an All Notes Off message is received.

1.2.23.5 Omni On

(Piano Part, ESBL Part)

Performs the same function as when an All Notes Off message is received.

1.2.23.6 Mono

(Piano Part, ESBL Part)

Performs the same function as when an All Sounds on message is received, and if the 3rd byte (mono number) is in the range of 0 - 16, sets the corresponding channel to Mono Mode (Mode 4:m = 1 ).

1.2.23.7 Poly

(Piano Part, ESBL Part)

Performs the same function as when an All Sounds Off message is received. and sets the corresponding channel to Poly Mode (Mode 3).

1.2.24 Local Control

(Piano Part, ESBL Part)

0;Off Disklavier keyboard does not play the internal voices. 127;On

1.3 Program Change

(ESBL Part) (transmitted)

Messages for Voice selection.

With a combination of Bank Select, you can select not only basic Voice numbers, but also variation Voice bank numbers.

1.4 Pitch Bend

(ESBL Part)

When Multi Part Parameter Rcv PITCH BEND CHANGE=OFF, pitch bend for that part is not received.

1.5 Channel Aftertouch

(ESBL Part)

1.6 Polyphonic Aftertouch

(ESBL Part) (PianoPart) (transmitted)

Applying further pressure on the key does not output "key aftertouch" information. Instead, key position is transmitted as additional information.

2. SYSTEM EXCLUSIVE MESSAGES

2.1 Parameter Change

The Disklavier receives the following parameter change messages.

[UNIVERSAL REALTIMEMESSAGE]

1) Master Volume

[UNIVERSAL NON REALTIMEMESSAGE]

1) General MIDI Mode On

[XG NATIVE]

1) XG System on
2) XG System Data parameter change
3) Multi Effect1 Data parameter change
4) Multi Part Data parameter change
5) Drums Setup Data parameter change

[OTHER]

1) Master tuning
2) TG300 System Data Parameter change
3) TG300 Multi Effect Data parameter change
4) TG300 Multi Part Data parameter change

2.1.2 Universal Realtime Messages

2.1.2.1 Master Volume

(Piano Part, ESBL Part)

11110000 F0 = Exclusive status

0111111 7F = Universal Real Time

0111111 7F = ID of target device

00000100 04 = Sub-ID #1=Device Control Message

00000001 01 = Sub-ID #2=Master Volume

0ssssss *SS =VolumeLSB

0tttttt TT =VolumeMSB

11110111 F7 = End of Exclusive

or

11110000 F0 = Exclusive status
01111111 7F = Universal Real Time
0xxxxnnnn XN = Device Number, xxx = don't care
00000100 04 = Sub-ID #1=Device Control Message
00000001 01 = Sub-ID #2=Master Volume
0ssssss SS =VolumeLSB
0tttttt TT =VolumeMSB
11110111 F7 = End of Exclusive

When received, the Volume MSB will be effective for the System Parameter MASTER VOLUME.

• "SS" is the hexadecimal expression of Ossssss; same as for "tt", "aa", etc.

2.1.3 Universal Non-Realtime Messages

2.1.3.1 General MIDI Mode On

(ESBL Part)

11110000 F0 = Exclusive status

0111110 7E = Universal Non-Real Time

01111111 7F = ID of target device

00001001 09 = Sub-ID #1=General MIDI Message

00000001 01 = Sub-ID #2=General MIDI On

11110111 F7 = End of Exclusive

or

11110000 F0 =Exclusivestatus

01111110 7E = Universal Non-Real Time

0xxxxnnnn XN = Device Number, xxx = don't care

00001001 09 = Sub-ID #1=General MIDI Message

00000001 01 = Sub-ID #2=General MIDI On

11110111 F7 = End of Exclusive

When General MIDI Mode On is received, the play mode will be changed to XG mode.

When this happens, the ESBL part will receive the MIDI messages which compatible with GM System Level 1, and consequently will not receive NRPN and Bank Select messages. Since approximately 50ms is required to execute this messag, be sure to leave an appropriate interval before the subsequent message.

2.1.4 XG Native Parameter Change

(ESBL Part)

With the Parameter Change messages as listed below, you can change the characteristic of a Voice, such as by Effect Type or effect parameter, transpose, tuning, and others.

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

0001nnnn 1n Device Number

01001100 4C XG Model ID

0aaaaaaa aaaaaa Address High

0aaaaaaa aaaaaa Address Mid

0aaaaaaa aaaaaa Address Low

0dddddd ddddd Data

1

11110111 F7 End of Exclusive

• Any number is OK since the device number for the Disklavier is fixed to "All."

For parameters with data size of 2 or 4, transmit the appropriate number of data bytes.

When sending the parameter change messages consecutively, be sure to leave an appropriate interval (if the time base is 480. ca 5 unit) between the messages.

2.1.4.1 XG System On

(ESBL Part)

11110000	F0	Exclusive status
01000011	43	YAMAHA ID
0001nnnn	1N	Device Number
01001100	4C	XG Model ID
0aaaaaa	00	Address High
0aaaaaa	00	Address Mid
0aaaaaa	7E	Address Low
00000000	00	Data
11110111	F7	End of Exclusive

When this data is received, the Disklavier will switch to XG mode and all the parameters will be initialized accordingly, and XG-compatible messages such as NRPN and Bank Select messages can be received.

Since approximately 50ms is required to execute this message, be sure to leave an appropriate interval before the subsequent message

2.1.4.2 XG System Data parameter change

(ESBL Part)

See tables < 1 - 1> and < 1 - 2> .

2.1.4.3 Multi Effect1 Data parameter change

(ESBL Part)

See tables < 1 - 1> and < 1 - 3> .

2.1.4.4 Multi Part Data parameter change

(ESBL Part)

See tables < 1 - 1> and < 1 - 4> .

2.1.4.5 Drums Setup Data parameter change (ESBL Part)

See tables < 1 - 1> and < 1 - 5> .

If a Drum Setup Reset parameter change message is received, the Drum Setup parameter values will be initialized.

Selecting a Drum Set will cause the Drum Setup parameter values to be initialized.

2.1.5 Other parameter changes

2.1.5.1 Master Tuning

(ESBL Part)

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

0001nnnn 1n Device Number

00100111 27 Model ID

00110000 30 Sub ID2

00000000 00

00000000 00

0mmmmmm mm Master Tune MSB

01111 11 Master Tune LSB

0cccccc cc

11110111 F7 End of Exclusive

This message simultaneously changes the pitch of all channels.

2.2 Bulk Dump

(ESBL Part)

The Disklavier receives the following bulk dump data.

[XGNATIVE]

1) XG System Data

2) Multi Effect1 Data

3) Multi Part Data

4) Drums Setup Data

[QS300 NATIVE]

1) QS300 User Normal Voice Data

2.2.1 XG Native Bulk Dump

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

0000nnnn 0n Device Number

01001100 4C XG Model ID

0bccccbb bccccbb ByteCount

0bAAAAAAAA bAAAAAAAA ByteCount

0aaaaaaa aaaaaa Address High

0aaaaaaa aaaaaa Address Mid

0aaaaaaa aaaaaa Address Low

0dddddd dd Data

For the Address and Byte Count, refer to the supplementary tables.

The Checksum is the value that results in a value of 0 for the lower 7 bits when the Start Address, Byte Count, plus the Checksum itself are added.

2.2.1.1 XG System Data bulk dump

(ESBL Part)

See tables < 1 - 1> and < 1 - 2> .

2.2.1.2 Multi Effect1 Data bulk dump

(ESBL Part)

See tables < 1 - 1> and < 1 - 3> .

2.2.1.3 Multi Part Data bulk dump

(ESBL Part)

See tables < 1 - 1> and < 1 - 4> .

2.2.1.4 Drums Setup Data bulk dump

(ESBL Part)

See tables < 1 - 1> and < 1 - 5> .

2.2.2 QS300 Native Bulk Dump

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

0000nnnn On Device Number

01001101 4B QS300 Model ID

0bbbbbb bbbbbbb ByteCount

0bbbbbb bbbbbbb ByteCount

0aaaaaaa aaaaaa Address High

0aaaaaaa aaaaaa Address Mid

0aaaaaaa aaaaaa Address Low

0dddddd dd Data

a) Transmission Transmitted.
b) Reception Once FE has been received. if no MIDI data is subsequently received for longer than an interval of approximately 300msec. the Disklavier will perform the same function as when ALL SOUND'S OFF. ALL NOTES OFF, and RESET ALL CONTROLLER'S messages are received, and will then return to a status in which FE is not monitored.

3.2 Start

a) Transmission This message is transmitted only when the REMOTE OUT parameter is set to On.
b) Reception This message is received only when REMOTE IN Parameter is Set to On.

3.3 Stop

a) Transmission This message is transmitted only when the REMOTE OUT parameter is set to On.
b) Reception This message is received only when REMOTE IN Parameter is Set to On.

Parameter Bass Address Model ID = 4C [XG]

	Parameter Change
	Address
	(H)	(M)	(L)	Description
XG SYSTEM	00	00	00	System
	00	00	7D	Drum setup Reset
	00	00	7E	XG System On
	00	00	7F	All Parameter Reset
EFFECT1	02	01	00	Effect1 (Reverb, Chorus, Variation)
MULTI PART	08	00	00	Multi Part 1 : Multi Part 16
	08	0F	00
DRUM	30	18	00	Drum Setup 1
	30	18	00	Drum Setup 2

------>	Address			Parameter
	3n	0B	00	note number 13
	3n	0C	00	note number 14
		:		:
	3n	5B	00	note number 91

n: Drum setup number (0, 1) MIDI Parameter Change table (SYSTEM) [XG]

Address (H)		Size (H)	Data (H)	Parameter	Description (H)	Default value
00 00	00	4	0000-07FF	MASTER TUNE	-102.4 - +102.3 [cent]	00 04 00 00
					1st bit3-0→bit15-12	-400
					2nd bit3-0→bit11-8
					3rd bit3-0→bit7-4
					4th bit3-0→bit3-0
	04	1	00 - 7F	MASTER VOLUME	0 - 127	7F
	05	1	00 - 7F	not used
	06	1	28 - 58	TRANSPOSE	-24 - +24 [semitones]	40
	7D		n	DRUM SETUP RESET	n=Drum setup number
	7E		00	XG SYSTEM ON	00=XG system ON (receive only)
	7F		00	ALL PARAMETER RESET	00=ON (receive only)
TOTAL SIZE			07

MIDI Parameter Change table (EFFECT 1) [XG]

Address (H)			Size (H)	Data (H)	Parameter	Description	Default value (H)
02	01	00	2	00-7F	REVERB TYPE MSB	see Effect Type List	01(=HALL1)
				00-7F	REVERB TYPE LSB	00 : basic type	00
		02	1	00-7F	REVERB PARAMETER 1	see Effect Parameter List	Depends on reverb type
		03	1	00-7F	REVERB PARAMETER 2	”	”
		04	1	00-7F	REVERB PARAMETER 3	”	”
		05	1	00-7F	REVERB PARAMETER 4	”	”
		06	1	00-7F	REVERB PARAMETER 5	”	”
		07	1	00-7F	REVERB PARAMETER 6	”	”
		08	1	00-7F	REVERB PARAMETER 7	”	”
		09	1	00-7F	REVERB PARAMETER 8	”	”
		0A	1	00-7F	REVERB PARAMETER 9	”	”
		0B	1	00-7F	REVERB PARAMETER 10	”	”
		0C	1	00-7F	REVERB RETURN	-∞dB...0dB...+6dB(0...64...127)	40
		0D	1	01-7F	REVERB PAN	L63...C...R63(1...64...127)	40

TOTAL SIZE		0E
02	01	1	00-7F	REVERB PARAMETER 11	see Effect Parameter List	Depends on reverb type
		11	00-7F	REVERB PARAMETER 12	”	”
		12	00-7F	REVERB PARAMETER 13	”	”
		13	00-7F	REVERB PARAMETER 14	”	”
		14	00-7F	REVERB PARAMETER 15	”	”
		15	00-7F	REVERB PARAMETER 16	”	”
TOTAL SIZE		6
02	01	20	00-7F	CHORUS TYPE MSB	see Effect Type List	41 (=CHORUS1)
			00-7F	CHORUS TYPE LSB	00: basic type	00
		22	1	00-7F	see Effect Parameter List	Depends on chorus Type
		23	1	00-7F	”	”
		24	1	00-7F	”	”
		25	1	00-7F	”	”
		26	1	00-7F	”	”
		27	1	00-7F	”	”
		28	1	00-7F	”	”
		29	1	00-7F	”	”
		2A	1	00-7F	”	”
		2B	1	00-7F	”	”
		2C	1	00-7F	L63...C...R63(1...64...127)	40
		2D	1	01-7F	”	40
		2E	1	00-7F	"	”
TOTAL SIZE		0F
02	01	30	00-7F	CHORUS PARAMETER 11	see Effect Parameter List	Depends on chorus Type
		31	1	00-7F	”	”
		32	1	00-7F	”	”
		33	1	00-7F	”	”
		34	1	00-7F	”	”
		35	1	00-7F	"	”
TOTAL SIZE		6
02	01	40	2	00-7F	VARIATION TYPE MSB	00: basic type
			00-7F	VARIATION TYPE LSB	see Effect Parameter List	Depends on variation type
		42	2	00-7F	"	"
			00-7F	VARIATION PARAMETER 1 MSB	"	"
			00-7F	VARIATION PARAMETER 1 LSB	"	"
		44	2	00-7F	"	"
			00-7F	VARIATION PARAMETER 2 MSB	"	"
			00-7F	VARIATION PARAMETER 2 LSB	"	"
		46	2	00-7F	"	"
			00-7F	VARIATION PARAMETER 3 MSB	"	"
			00-7F	VARIATION PARAMETER 3 LSB	"	"
		48	2	00-7F	"	"
			00-7F	VARIATION PARAMETER 4 MSB	"	"
			00-7F	VARIATION PARAMETER 4 LSB	"	"
		4A	2	00-7F	"	"
			00-7F	VARIATION PARAMETER 5 MSB	"	"
			00-7F	VARIATION PARAMETER 5 LSB	"	"
		4C	2	00-7F	"	"
			00-7F	VARIATION PARAMETER 6 MSB	"	"
			00-7F	VARIATION PARAMETER 6 LSB	"	"
		4E	2	00-7F	"	"
			00-7F	VARIATION PARAMETER 7 MSB	"	"
			00-7F	VARIATION PARAMETER 7 LSB	"	"
		50	2	00-7F	"	"
			00-7F	VARIATION PARAMETER 8 MSB	"	"
			00-7F	VARIATION PARAMETER 8 LSB	"	"
		52	2	00-7F	"	"
			00-7F	VARIATION PARAMETER 9 MSB	"	"
			00-7F	VARIATION PARAMETER 9 LSB	"	"
		54	2	00-7F	"	"
			00-7F	VARIATION PARAMETER 10 MSB	"	"
			00-7F	VARIATION PARAMETER 10 LSB	"	"
		56	1	00-7F	"	"
			00-7F	VARIATION RETURN	-∞ dB...0dB...+6dB(0...64...127)	40
			57	1	01-7F	"
			00-7F	VARIATION PAN	L63...C...R63(1...64...127)	40
			58	1	00-7F	"
			00-7F	SEND VARIATION TO REVERB	-∞ dB...0dB...+6dB(0...64...127)	00
			59	1	00-7F	"
			00-7F	SEND VARIATION TO CHORUS	-∞ dB...0dB...+6dB(0...64...127)	00
			5A	1	00-01	"
			5B	1	00-0F,7F	"
			5C	1	00-7F	"
			5D	1	00-7F	"
			5E	1	00-7F	"
			5F	1	00-7F	"
			60	1	00-7F	"
TOTAL SIZE		21
		70	1	00-7F	VARIATION PARAMETER 11	see Effect Parameter List
		71	1	00-7F	"	"
		72	1	00-7F	"	"
		73	1	00-7F	"	"
		74	1	00-7F	"	"
		75	1	00-7F	"	"

MIDI Parameter Change table (MULTI PART) [XG]

Address (H)		Size (H)	Data (H)	Parameter	Description	Default value (H)
08	nn 00	1	00 - 20	ELEMENT RESERVE	0 - 32	part10=0, other =2
	nn 01	1	00 - 7F	BANK SELECT MSB	0 - 127	part10=7F, other=0
	nn 02	1	00 - 7F	BANK SELECT LSB	0 - 127	00
	nn 03	1	00 - 7F	PROGRAM NUMBER	1 - 128	00
	nn 04	1	00 - 0F, 7F	Rcv CHANNEL	1 - 16,OFF	part no.
	nn 05	1	00 - 01	MONO/POLY MODE	0:MONO	01
					1:POLY
	nn 06	1	00 - 02	SAME NOTE NUMBER KEY ON ASSIGN	0:SYNGL	1 (all part)
					1:MULTI	part10=2, other=0
					2:INST (for DRUM)
	nn 07	1	00 - 03	PART MODE	0:NORMAL	00 (other than Part10)
					1:DRUM	02 (Part10)
					2-3:DRUMS1 - 2
	nn 08	1	28 - 58	NOTE SHIFT	-24 - +24 [semitones]	40
	nn 09	2	00 - FF	DETUNE	-12.8 - +12.7 [Hz]	08 00
	nn 0A				1st bit3-0→bit7-4	(80)
					2nd bit3-0→bit3-0
	nn 0B	1	00 - 7F	VOLUME	0 - 127	64
	nn 0C	1	00 - 7F	VELOCITY SENSE DEPTH	0 - 127	40
	nn 0D	1	00 - 7F	VELOCITY SENSE OFFSET	0 - 127	40
	nn 0E	1	00 - 7F	PAN	0/random, 1/L63-64/C-127/R63	40
	nn 0F	1	00 - 7F	NOTE LIMIT LOW	C-2 - G8	00
	nn 10	1	00 - 7F	NOTE LIMIT HIGH	C-2 - G8	7F
	nn 11	1	00 - 7F	DRY LEVEL	0 - 127	7F
	nn 12	1	00 - 7F	CHORUS SEND	0 - 127	00
	nn 13	1	00 - 7F	REVERB SEND	0 - 127	40
	nn 14	1	00 - 7F	VARIATION SEND	0 - 127	00
	nn 15	1	00 - 7F	VIBRATO RATE	-64 - +63	40
	nn 16	1	00 - 7F	VIBRATO DEPTH	-64 - +63	40 (drum part ignores)
	nn 17	1	00 - 7F	VIBRATO DELAY	-64 - +63	40 (drum part ignores)
	nn 18	1	00 - 7F	FILTER CUTOFF FREQUENCY	-64 - +63	40
	nn 19	1	00 - 7F	FILTER RESONANCE	-64 - +63	40
	nn 1A	1	00 - 7F	EG ATTACK TIME	-64 - +63	40
	nn 1B	1	00 - 7F	EG DECAY TIME	-64 - +63	40
	nn 1C	1	00 - 7F	EG RELEASE TIME	-61 - +63	40
	nn 1D	1	28 - 58	MW PITCH CONTROL	-24 - +24 [semitones]	40
	nn 1E	1	00 - 7F	MW FILTER CONTROL	-9600 - +9450 [cent]	40
	nn 1F	1	00 - 7F	MW AMPLITUDE CONTROL	-64 - +63	40
	nn 20	1	00 - 7F	MW LFO PMOD DEPTH	0 - 127	0A
	nn 21	1	00 - 7F	MW LFO FMOD DEPTH	0 - 127	00
	nn 22	1	00 - 7F	MW LFO AMOD DEPTH	0 - 127	00
	nn 23	1	28 - 58	BEND PITCH CONTROL	-24 - +24 [semitones]	42
	nn 24	1	00 - 7F	BEND FILTER CONTROL	-9600 - +9450 [cent]	40
	nn 25	1	00 - 7F	BEND AMPLITUDE CONTROL	-64 - +63	40
	nn 26	1	00 - 7F	BEND LFO PMOD DEPTH	+100 - +100 [%]	40
	nn 27	1	00 - 7F	BEND LFO FMOD DEPTH	+100 - +100 [%]	40
	nn 28	1	00 - 7F	BEND LFO AMOD DEPTH	+100 - +100 [%]	40
TOTAL SIZE		29
		30	1	00 - 01	Rcv PITCH BEND	0/OFF, 1/ON
		31	1	00 - 01	Rcv CH AFTER TOUCH (CAT)	0/OFF, 1/ON
		32	1	00 - 01	Rcv PROGRAM CHANGE	0/OFF, 1/ON
		33	1	00 - 01	Rcv CONTROL CHANGE	0/OFF, 1/ON
		34	1	00 - 01	Rcv POLY AFTER TOUCH (PAT)	0/OFF, 1/ON
		35	1	00 - 01	Rcv NOTEMESSAGE	0/OFF, 1/ON
		36	1	00 - 01	Rcv RPN	0/OFF, 1/ON
		37	1	00 - 01	Rcv NRPN	0/OFF, 1/ON
		38	1	00 - 01	Rcv MODULATION	0/OFF, 1/ON
		39	1	00 - 01	Rcv VOLUME	0/OFF, 1/ON
		3A	1	00 - 01	Rcv PAN	0/OFF, 1/ON
		3B	1	00 - 01	Rcv EXPRESSION	0/OFF, 1/ON
		3C	1	00 - 01	Rcv HOLD1	0/OFF, 1/ON
		3D	1	00 - 01	Rcv PORTAMENTO	0/OFF, 1/ON
		3E	1	00 - 01	Rcv SOSTENUTO	0/OFF, 1/ON
		3F	1	00 - 01	Rcv SOFT PEDAL	0/OFF, 1/ON
		40	1	00 - 01	Rcv BANK SELECT	0/OFF, 1/ON
		41	1	00 - 7F	SCALE TUNING C	-64 - +63 [cent]

nn	42	1	00 - 7F	SCALE TUNING C#	-64 - +63 [cent]	40
nn	43	1	00 - 7F	SCALE TUNING D	-64 - +63 [cent]	40
nn	44	1	00 - 7F	SCALE TUNING D#	-64 - +63 [cent]	40
nn	45	1	00 - 7F	SCALE TUNING E	-64 - +63 [cent]	40
nn	46	1	00 - 7F	SCALE TUNING F	-64 - +63 [cent]	40
nn	47	1	00 - 7F	SCALE TUNING F#	-64 - +63 [cent]	40
nn	48	1	00 - 7F	SCALE TUNING G	-64 - +63 [cent]	40
nn	49	1	00 - 7F	SCALE TUNING G#	-64 - +63 [cent]	40
nn	4A	1	00 - 7F	SCALE TUNING A	-64 - +63 [cent]	40
nn	4B	1	00 - 7F	SCALE TUNING A#	-64 - +63 [cent]	40
nn	4C	1	00 - 7F	SCALE TUNING B	-64 - +63 [cent]	40
nn	4D	1	28 - 58	CAT PITCH CONTROL	-24 - +24 [semitones]	40
nn	4E	1	00 - 7F	CAT FILTER CONTROL	-9600 - +9450 [cent]	40
nn	4F	1	00 - 7F	CAT AMPLITUDE CONTROL	-64 - +63	40
nn	50	1	00 - 7F	CAT LFO PMOD DEPTH	0 - 127	00
nn	51	1	00 - 7F	CAT LFO FMOD DEPTH	0 - 127	00
nn	52	1	00 - 7F	CAT LFO AMOD DEPTH	0 - 127	00
nn	53	1	28 - 58	PAT PITCH CONTROL	-24 - +24 [semitones]	40
nn	54	1	00 - 7F	PAT FILTER CONTROL	-9600 - +9450 [cent]	40
nn	55	1	00 - 7F	PAT AMPLITUDE CONTROL	-64 - +63	40
nn	56	1	00 - 7F	PAT LFO PMOD DEPTH	0 - 127	00
nn	57	1	00 - 7F	PAT LFO FMOD DEPTH	0 - 127	00
nn	58	1	00 - 7F	PAT LFO AMOD DEPTH	0 - 127	00
nn	59	1	00 - 5F	AC1 CONTROLLER NUMBER	0 - 95	10
nn	5A	1	28 - 58	AC1 PITCH CONTROL	-24 - +24 [semitones]	40
nn	5B	1	00 - 7F	AC1 FILTER CONTROL	-9600 - +9450 [cent]	40
nn	5C	1	00 - 7F	AC1 AMPLITUDE CONTROL	-64 - +63	40
nn	5D	1	00 - 7F	AC1 LFO PMOD DEPTH	0 - 127	00
nn	5E	1	00 - 7F	AC1 LFO FMOD DEPTH	0 - 127	00
nn	5F	1	00 - 7F	AC1 LFO AMOD DEPTH	0 - 127	00
nn	60	1	00 - 5F	AC2 CONTROLLER NUMBER	0 - 95	11
nn	61	1	28 - 58	AC2 PITCH CONTROL	-24 - +24 [semitones]	40
nn	62	1	00 - 7F	AC2 FILTER CONTROL	-9600 - +9450 [cent]	40
nn	63	1	00 - 7F	AC2 AMPLITUDE CONTROL	-64 - +63	40
nn	64	1	00 - 7F	AC2 LFO PMOD DEPTH	0 - 127	00
nn	65	1	00 - 7F	AC2 LFO FMOD DEPTH	0 - 127	00
nn	66	1	00 - 7F	AC2 LFO AMOD DEPTH	0 - 127	00
nn	67	1	00 - 01	PORTAMENTO SWITCH	0/OFF, 1/ON	00
nn	68	1	00 - 7F	PORTAMENTO TIME	0 - 127	00
nn	69	1	00 - 7F	PITCH EG INITIAL LEVEL	-64 -+63	40
nn	6A	1	00 - 7F	PITCH EG ATTACK TIME	-64 - +63	40
nn	6B	1	00 - 7F	PITCH EG RELEASE LEVEL	-64 - +63	40
nn	6C	1	00 - 7F	PITCH EG RELEASE TIME	-64 - +63	40
nn	6D	1	01 - 7F	VELOCITY LIMIT LOW	1 - 127	01
nn	6E	1	01 - 7F	VELOCITY LIMIT HIGH	1 - 127	7F
TOTAL SIZE			3F

nn = Part Number (0:1Part, 1:2Part, 2:3Part, ..., 15:16Part) For the DRUM PART, the following parameters have no effect. - SOFT PEDAL BANK SELECT LSB - MONO/POLY - SCALE TUNING - PORTAMENTO - PITCH EG INITIAL LEVEL - PITCH EG ATTACK TIME - PITCH EG RELEASE LEVEL - PITCH EF RELEASE TIME POLY AFTER TOUCH MIDI Parameter Change table (DRUM SETUP) [XG]

Address (H)			Size (H)	Data (H)	Parameter	Description	Default (H)
3n	rr	00	1	00 - 7F	PITCH COARSE	-64 - +63	40
3n	rr	01	1	00 - 7F	PITCH FINE	-64 - +63 [cent]	40
3n	rr	02	1	00 - 7F	LEVEL	0 - 127	Depends on the note
3n	rr	03	1	00 - 7F	ALTERNATE GROUP	0/OFF, 1 - 127	”
3n	rr	04	1	00 - 7F	PAN	0/random, 1/L63 - 64/C - 127/R63	”
3n	rr	05	1	00 - 7F	REVERB SEND	0 - 127	”
3n	rr	06	1	00 - 7F	CHORUS SEND	0 - 127	”
3n	rr	07	1	00 - 7F	VARIATION SEND	0 - 127	7F
3n	rr	08	1	00 - 01	KEY ASSIGN	0/SINGLE, 1/MULTI	00
3n	rr	09	1	00 - 01	Rcv NOTE OFF	0/OFF, 1/ON	Depends on the note
3n	rr	0A	1	00 - 01	Rcv NOTE ON	0/OFF, 1/ON	01
3n	rr	0B	1	00 - 7F	FILTER CUTOFF FREQUENCY	-64 - +63	40
3n	rr	0C	1	00 - 7F	FILTER RESONANCE	-64 - +63	40
3n	rr	0D	1	00 - 7F	EG ATTACK RATE	-64 - +63	40
3n	rr	0E	1	00 - 7F	EG DECAY1 RATE	-64 - +63	40
3n	rr	0F	1	00 - 7F	EG DECAY2 RATE	-64 - +63	40

TOTAL SIZE 10 [Note] n: Drum number (0 - 1) rr: note number (0D - 5B) When XG system on or GM mode on messages are received, all Drum Setup parameters are initialized. The Drum Setup Reset message can be used to initialized each Drum Setup parameter. Selecting a Drum Set will cause the Drum Setup parameter values to be initialized. Parameter Bass Address Model ID = 4B [QS300]

Bulk Dump
	Address			Description
	(H)	(M)	(L)
USER	11	00	00	User Normal Voice 1
NORMAL				:
VOICE	00	1F	00	User Normal Voice 32

MIDI Bulk Dump table (USER NORMAL VOICE) [QS300]

Address (H)		Size (H)	Data (H)	Parameter	Description	Default (H)
					[Common]
11	nn	00	17D	20-7E	Voice Name
		:
		07
		08		not used
		:		”
		0A		”
		0B	01-03	Element Switch	1:Element 1 on, 2:Element 2 on, 3:Element 1 and 2 on
		0C	00-7F	Voice Level
		0D		not used
		:		”
		3C		”		[Element 1]
		3D	00-7F	Wave Number High	bit13-bit7
		3E	00-7F	Wave Number Low	bit6-bit0
		3F	00-7F	Note Limit Low
		40	00-7F	Note Limit High
		41	00-7F	Velocity Limit Low
		42	00-7F	Velocity Limit High
		43	00-01	Filter EG Velocity Curve
		44	00-02	LFO Wave Select	0:saw, 1:tri, 2:S&H
		45	00-01	LFO Phase Initialize	0:OFF, 1:ON
		46	00-3F	LFO Speed
		47	00-7F	LFO Delay
		48	00-7F	LFO Fade Time
		49	00-3F	LFO PMD Depth
		4A	00-0F	LFO CMD Depth
		4B	00-1F	LFO AMD Depth
		4C	20-60	Note Shift
		4D	0E -72	Detune
		4E	00-05	Pitch Scaling	0:100%, 1:50%, 2:20%, 3:10%, 4:5%, 5:0%
		4F	00-7F	Pitch Scaling Center Note
		50	00-03	Pitch EG Depth	0:1/2oct, 1:1oct, 2:2oct, 3:4oct
		51	39-47	Velocity PEG Level Sensitivity
		52	39-47	Velocity PEG Rate Sensitivity
		53	39-47	PEG Rate Scaling
		54	00-7F	PEG Rate Scaling Center Note
		55	00-3F	PEG Rate 1
		56	00-3F	PEG Rate 2
		57	00-3F	PEG Rate 3

58	00-3F	PEG Rate 4
59	00-7F	PEG Level 0
5A	00-7F	PEG Level 1
5B	00-7F	PEG Level 2
5C	00-7F	PEG Level 3
5D	00-7F	PEG Level 4
5E	00-3F	Filter Resonance
5F	00-07	Velocity Sensitivity
60	00-7F	Cutoff Frequency
61	00-7F	Cutoff Scaling Break Point 1
62	00-7F	Cutoff Scaling Break Point 2
63	00-7F	Cutoff Scaling Break Point 3
64	00-7F	Cutoff Scaling Break Point 4
65	00-7F	Cutoff Scaling Offset 1
66	00-7F	Cutoff Scaling Offset 2
67	00-7F	Cutoff Scaling Offset 3
68	00-7F	Cutoff Scaling Offset 4
69	39-47	Velocity FEG Level Sensitivity
6A	39-47	Velocity FEG Rate Sensitivity
6B	39-47	FEG Rate Scaling
6C	00-7F	FEG Rate Scaling Center Note
6D	00-3F	FEG Rate 1
6E	00-3F	FEG Rate 2
6F	00-3F	FEG Rate 3
70	00-3F	FEG Rate 4
71	00-7F	FEG Level 0
72	00-7F	FEG Level 1
73	00-7F	FEG Level 2
74	00-7F	FEG Level 3
75	00-7F	FEG Level 4
76	00-7F	Element Level
77	00-7F	Level Scaling Break Point 1
78	00-7F	Level Scaling Break Point 2
79	00-7F	Level Scaling Break Point 3
7A	00-7F	Level Scaling Break Point 4
7B	00-7F	Level Scaling Offset 1
7C	00-7F	Level Scaling Offset 2
7D	00-7F	Level Scaling Offset 3
7E	00-7F	Level Scaling Offset 4
7F	00-06	Velocity Curve
80	00-0F	Pan	0 (Left)-14 (Right), 15:Scaling
81	39-47	AEG Rate Scaling
82	00-7F	AEG Scaling Center Note
83	00-0F	AEG Key on Delay
84	00-7F	AEG Attack Rate
85	00-7F	AEG Decay 1 Rate
86	00-7F	AEG Decay 2 Rate
87	00-7F	AEG Release Rate
88	00-7F	AEG Decay 1 Level
89	00-7F	AEG Decay 2 Level
8A	00-7F	Address Offset High	bit13-bit7
8B	00-7F	Address Offset Low	bit6-bit0
8C	39-47	Resonance Sensitivity
			[Element 2]
8D			same as [Element 1]
:			”
DC			”
			[Element 3]
DD			not used
:			”
12C			”
12D			[Element 4]
:			not used
17C			”
TOTAL SIZE	17D		”

XG Normal Voice List

Bank Select MSB = 000, LSB = Bank Number

Voice names in bold typeface are voices that can be selected in the Disklavier. The Disklavier can produce all the voices listed below, but can only display bank 0 voices.

Instrument Group	Program #	Bank #	Voice Name	Ele- ment
Piano	1	0	GrandPno	1
		1	GrndPnoK	1
		18	MelloGrP	1
		40	PianoStr	2
		41	Dream	2
	2	0	BritePno	1
		1	BritPnoK	1
	3	0	E.Grand	2
		1	ElGrPnoK	2
		32	Det.CP80	2
		40	ElGrPno1	2
		41	ElGrPno2	2
	4	0	HnkyTnk	2
		1	HnkyTnkK	2
	5	0	E.Piano1	2
		1	El.Pno1K	1
		18	MelloEP1	2
		32	Chor.EPI	2
		40	HardEl.P	2
		45	VX El.P1	2
		64	60sEl.P	1
	6	0	E.Piano2	2
		1	El.Pno2K	1
		32	Chor.EPI2	2
		33	DX Hard	2
		34	DXLegend	2
		40	DX Phase	2
		41	DX+Analg	2
		42	DXKotoEP	2
		45	VX El.P2	2
	7	0	Harpsi.	1
		1	Harpsi.K	1
		25	Harpsi.2	2
		35	Harpsi.3	2
	8	0	Clavi.	2
		1	Clavi. K	1
		27	ClaviWah	2
		64	PulseClv	1
		65	PierceCI	2
Chromatic Percussion	9	0	Celesta	1
	10	0	Glocken	1
	11	0	MusicBox	2
		64	Orgel	2
	12	0	Vibes	1
		1	VibesK	1
		45	HardVibe	2
	13	0	Marimba	1
		1	MarimbaK	1
		64	SineMrmb	2
		97	Balafon2	2
		98	Log Drum	2
	14	0	Xylophon	1
	15	0	TubulBel	1
		96	ChrchBel	2
		97	Carillon	2
	16	0	Dulcimer	1
		35	Dulcimr2	2
		96	Cimbalom	2
		97	Santur	2

Instrument Group	Program #	Bank #	Voice Name	Element
Organ	17	0	DrawOrgn	1
		32	DetDrwOr	2
		33	60sDrOr1	2
		34	60sDrOr2	2
		35	70sDrOr1	2
		36	DrawOrg2	2
		37	60sDrOr3	2
		38	EvenBar	2
		40	16+2'2/3	2
		64	Organ Ba	1
		65	70sDrOr2	2
		66	CheezOrg	2
		67	DrawOrg3	2
	18	0	PercOrgn	1
		24	70sPcOr1	2
		32	DetPrcOr	2
		33	LiteOrg	2
		37	PercOrg2	2
	19	0	RockOrgn	2
		64	RotaryOr	2
		65	SloRotar	2
		66	FstRotar	2
	20	0	ChrchOrg	2
		32	ChurOrg3	2
		35	ChurOrg2	2
		40	NotreDam	2
		64	OrgFlute	2
		65	TmorgFl	2
	21	0	ReedOrgn	1
		40	Puff Org	2
	22	0	Acordion	2
		32	AccordIt	2
	23	0	Harmnica	1
		32	Harmo 2	2
	24	0	TangoAcd	2
		64	TngoAcd2	2
Guitar	25	0	NylonGtr	1
		16	NylonGt2	1
		25	NylonGt3	2
		43	VelGtHrm	2
		96	Ukulele	1
	26	0	SteelGtr	1
		16	SteelGt2	1
		35	12StrGtr	2
		40	Nyln&Stl	2
		41	Stl&Body	2
		96	Mandolin	2
	27	0	Jazz Gtr	1
		18	MelloGtr	1
		32	JazzAmp	2
	28	0	CleanGtr	1
		32	ChorusGt	2
	29	0	Mute.Gtr	1
		40	FunkGtr1	2
		41	MuteStlG	2
		43	FunkGtr2	2
		45	Jazz Man	1
	30	0	Ovrdrive	1
		43	Git.Pinch	2
	31	0	Dist.Gtr	1
		40	FeedbkGt	2
		41	FeedbGt2	2
	32	0	GtrHarmo	1
		65	GitFeedback	1
		66	GtrHrmo2	1

Instrument Group	Program #	Bank #	Voice Name	Element
Bass	33	0	Aco.Bass	1
		40	JazzRthm	2
		45	VXUprght	2
	34	0	FngrBass	1
		18	FingrDrk	2
		27	FlangeBa	2
		40	Ba&DstEG	2
		43	FngrSlap	2
		45	FngBass2	2
		65	ModAlem	2
	35	0	PickBass	1
		28	MutePkBa	1
	36	0	Fretless	1
		32	Fretles2	2
		33	Fretles3	2
		34	Fretles4	2
		96	SynFretl	2
		97	Smooth	2
	37	0	SlapBas1	1
		27	ResoSlap	1
		32	PunchThm	2
	38	0	SlapBas2	1
		43	VeloSlap	2
	39	0	SynBass1	1
		18	SynBa1Dk	1
		20	FastResB	1
		24	AcidBass	1
		35	Clv Bass	2
		40	TeknoBa	2
		64	Oscar	2
		65	SqrBass	1
		66	RubberBa	2
		96	Hammer	2
	40	0	SynBass2	2
		6	MelloSB1	1
		12	Seq Bass	2
		18	_clkSynBa	2
		19	SynBa2Dk	1
		32	SmithBa 2	2
		40	ModulBa	2
		41	DX Bass	2
		64	X WireBa	2
Strings	41	0	Violin	1
		8	SlowVln	1
	42	0	Viola	1
	43	0	Cello	1
	44	0	Contrabs	1
	45	0	Trem.Str	1
		8	SlowTrStr	1
		40	Susp Str	2
	46	0	Pizz.Str	1
	47	0	Harp	1
		40	YangChin	2
	48	0	Timpani	1

Instrument Group	Program #	Bank #	Voice Name	Ele- ment
Ensemble	49	0	Strings1	1
		3	S. Strings	2
		8	SlowStr	1
		24	ArcoStr	2
		35	60sString	2
		40	Orchestra	2
		41	Orchstr2	2
		42	TremOrch	2
		45	VeloStr	2
	50	0	Strings2	1
		3	S.SlwStr	2
		8	LegatoSt	2
		40	Warm Str	2
		41	Kingdom	2
		64	70s Str	1
		65	Str Ens3	1
	51	0	Syn.Str1	2
		27	ResoStr	2
		64	Syn Str4	2
		65	SS Str	2
	52	0	Syn.Str2	2
	53	0	ChoirAah	1
		3	S.Choir	2
		16	Ch.AaHS2	2
		32	MelChoir	2
		40	ChoirStr	2
	54	0	VoiceOoh	1
	55	0	SynVoice	1
		40	SynVox2	2
		41	Choral	2
		64	AnaVoice	1
	56	0	Orch.Hit	2
		35	OrchHit2	2
		64	Impact	2
Brass	57	0	Trumpet	1
		16	Trumpet2	1
		17	BriteTrp	2
		32	WarmTrp	2
	58	0	Trombone	1
		18	Trombone2	2
	59	0	Tuba	1
		16	Tuba 2	1
	60	0	Mute.Trp	1
	61	0	Fr.Horn	2
		6	FrHrSolo	2
		32	FrHorn2	1
		37	HornOrch	2
	62	0	BrasSect	1
		35	Tp&TbSec	2
		40	BrssSec2	2
		41	HiBrass	2
		42	MelloBrs	2
	63	0	SynBras1	2
		12	QuackBr	2
		20	RezSynBr	2
		24	PolyBrss	2
		27	SynBras3	2
		32	JumpBrss	2
		45	AnaVelBr	2
		64	AnaBrss1	2
	64	0	SynBras2	1
		18	Soft Brs	2
		40	SynBras4	2
		41	ChorBrss	2
		45	VelBras2	2
		64	AnaBrss2	2

Bank 0 : (GM) Bank 1: Key Scale Planning Bank 3 : Stereo Bank 6 : Single Bank 8: Slow Bank 12: Fast Decay Bank 14: Double Attack Bank 16: Bright Bank 17: Bright Bank 18: Dark Bank 19: Dark Bank 20: Resonant Bank 24:Attack Bank 24: Release Bank 27: Reso Sweep Bank 28: Muted Bank 32: Detune 1 Bank 33: Detune 2 Bank 34 : Detune 3 Bank 35: Octave 1 Bank 36:Octave2 Bank 37:5th 1 Bank 38:5th 2 Bank 39:Bend Bank 40: Tutti Bank 41: Tutti Bank 42: Tutti Bank 43 : Velo-Switch Bank 45 : Velo-Xfade Bank 64: Other wave Bank 65: Other wave Bank 66: Other wave Bank 67: Other wave Bank 68: Other wave Bank 69: Other wave Bank 70 : Other wave Bank 71: Other wave Bank 72 : Other wave Bank 96 : Other wave Bank 97: Other wave Bank 98: Other wave Bank 99 : Other wave Bank 100: Other wave Bank 101 : Other wave

Bank Select

MSB = 064, LSB = 000 SFX Voice

Instrument Group	Program #	Bank #	Voice Name	Element
Reed	65	0	SprnoSax	1
	66	0	Alto Sax	1
		40	Sax Sect	2
		43	HyprAlto	2
	67	0	TenorSax	1
		40	BthTnSx	2
		41	SoftTener	2
		64	TnrSax 2	1
	68	0	Bari.Sax	1
	69	0	Oboe	2
	70	0	Eng.Horn	1
	71	0	Bassoon	1
	72	0	Clarinet	1
Pipe	73	0	Piccolo	1
	74	0	Flute	1
	75	0	Recorder	1
	76	0	PanFlute	1
	77	0	Bottle	2
	78	0	Shakhchi	2
	79	0	Whistle	1
	80	0	Ocarina	1
Synth Lead	81	0	SquareLd	2
		6	Square 2	1
		8	LMSquare	2
		18	Hollow	1
		19	Shmoog	2
		64	Mellow	2
		65	SoloSine	2
		66	SineLead	1
	82	0	Saw.Lead	2
		6	Saw 2	1
		8	ThickSaw	2
		18	DynaSaw	1
		19	DigiSaw	2
		20	Big Lead	2
		24	HeavySyn	2
		25	WaspySyn	2
		40	PulseSaw	2
		41	Dr. Lead	2
		45	VeloLead	2
		96	Seq Ana	2
	83	0	CaliopLd	2
		65	Pure Pad	2
	84	0	Chiff Ld	2
		64	Rubbby	2
	85	0	CharanLd	2
		64	DistLead	2
		65	WireLead	2
	86	0	Voice Ld	2
		24	SynthAah	2
		64	VoxLead	2
	87	0	Fifth Ld	2
		35	Big Five	2
	88	0	Bass &Ld	2
		16	Big&Low	2
		64	Fat&Prky	2
		65	SoftWurl	2
Synth Pad	89	0	NewAgePd	2
		64	Fantasy2	2
	90	0	Warm Pad	2
		16	ThickPad	2
		17	Soft Pad	2
		18	SinePad	2
		64	Horn Pad	2
		65	RotarStr	2
	91	0	PolySyPd	2
		64	PolyPd80	2
		65	ClickPad	2
		66	Ana Pad	2
		67	SquarPad	2

Instrument Group	Program #	Bank #	Voice Name	Ele- ment
Synth Pad	92	0	ChairPad	2
		64	Heaven2	2
		66	Itopia	2
		67	CC Pad	2
	93	0	BowedPad	2
		64	Glacier	2
		65	GlassPad	2
	94	0	MetalPad	2
		64	Time Pad	2
		65	Pan Pad	2
	95	0	Halo Pad	2
	96	0	SweepPad	2
		20	Shwimmer	2
		27	Converge	2
		64	PolarPad	2
		66	Celstial	2
Synth Effects	97	0	Rain	2
		45	ClaviPad	2
		64	HrmoRain	2
		65	AfrcnWnd	2
		66	Caribbean	2
	98	0	SoundTrk	2
		27	Prologue	2
		64	Ancestral	2
	99	0	Crystal	2
		12	SynDrCmp	2
		14	Popcorn	2
		18	TinyBell	2
		35	RndGlock	2
		40	GlockChi	2
		41	ClearBel	2
		42	ChorBell	2
		64	SynMalet	1
		65	SftCryst	2
		66	LoudGlok	2
		67	XmasBell	2
		68	VibeBell	2
		69	DigiBell	2
		70	AirBells	2
		71	BellHarp	2
		72	Gamelmba	2
	100	0	Atmosphr	2
		18	WarmAtms	2
		19	HollwRIs	2
		40	NylonEP	2
		64	NylnHarp	2
		65	Harp Vox	2
		66	AtmosPad	2
		67	Planet	2
	101	0	Bright	2
		64	Fantabel	2
		96	Smokey	2
	102	0	Goblins	2
		64	GobSyn	2
		65	50sSciFi	2
		66	Ring Pad	2
		67	Ritual	2
		68	ToHeaven	2
		70	Night	2
		71	Glisten	2
		96	BelChoir	2
	103	0	Echoes	2
		8	EchoPad2	2
		14	Echo Pan	2
		64	EchoBell	2
		65	Big Pan	2
		66	SynPiano	2
		67	Creation	2
		68	Stardust	2
		69	Reso Pan	2
	104	0	Sci-Fi	2
		64	Starz	2

Instrument Group	Program #	Bank #	Voice Name	Ele- ment
Ethnic	105	0	Sitar	1
		32	DetSitar	2
		35	Sitar 2	2
		96	Tambra	2
		97	Tamboura	2
	106	0	Banjo	1
		28	MuteBnjo	1
		96	Rabab	2
		97	Gopichnt	2
		98	Oud	2
	107	0	Shamisen	1
	108	0	Koto	1
		96	T. Koto	2
		97	Kanoon	2
	109	0	Kalimba	1
	110	0	Bagpipe	2
	111	0	Fiddle	1
	112	0	Shanai	1
		64	Shanai2	1
		96	Pungi	1
		97	Hichriki	2
Percussive	113	0	TnklBell	2
		96	Bonang	2
		97	Gender	2
		98	Gamelan	2
		99	S.Gamlan	2
		100	Rama Cym	2
		101	AsianBel	2
	114	0	Agogo	2
	115	0	SteelDrm	2
		97	GlasPerc	2
		98	ThaiBell	2
	116	0	WoodBlok	1
		96	Castanet	1
	117	0	TaikoDrm	1
		96	Gr.Cassa	1
	118	0	MelodTom	2
		64	Mel Tom2	1
		65	Real Tom	2
		66	Rock Tom	2
	119	0	Syn.Drum	1
		64	Ana Tom	1
		65	ElecPerc	2
	120	0	RevCymbl	1
Sound Effects	121	0	FretNoiz	2
	122	0	BthNoiz	2
	123	0	Seashore	2
	124	0	Tweet	2
	125	0	Telephone	1
	126	0	Helicptr	1
	127	0	Applause	1
	128	0	Gunshot	1

Program #	MSB=064 LSB=000	Ele- ment
1	CuttngNz	1
2	CttngNz2	2
3
4	Str Slap	1
5
6
7
8
9
10
11
12
13
14
15
16
17	Fl.KClik	1
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33	Rain	1
34	Thunder	1
35	Wind	1
36	Stream	2
37	Bubble	2
38	Feed	2
39
40
41
42
43
44
45
46
47
48
49	Dog	1
50	Horse	1
51	Bird 2	1
52
53
54
55	Ghost	2
56	Maou	2
57
58
59
60
61
62
63
64

Program #	MSB=064 LSB=000	Ele- ment
65	Tel.Dial	1
66	DoorSqek	1
67	Door Slam	1
68	Scratch	1
69	Scratch 2	2
70	WindChm	1
71	Telphon2	1
72
73
74
75
76
77
78
79
80
81	CarEngin	1
82	Car Stop	1
83	Car Pass	1
84	CarCrash	1
85	Siren	2
86	Train	1
87	Jetplane	2
88	Starship	2
89	Burst	2
90	Coaster	2
91	SbMarine	2
92
93
94
95
96
97	Laughing	1
98	Scream	1
99	Punch	1
100	Heart	1
101	FootStep	1
102
103
104
105
106
107
108
109
110
111
112
113	MchinGun	1
114	LaserGun	2
115	Xplosion	2
116	FireWork	2
117
118
119
120
121
122
123
124
125
126
127
128


TG300B Normal Voice List

Bank Select MSB = Bank Number, LSB = 000

Instrument Group	Program #	Bank #	Voice Name	Ele-ment
Piano	1	0	GrandPno	1
		8	GrndPnoK	1
		16	MelloGrP	1
		126	A-Piano1	2
		127	a.piano1	1
	2	0	BritePno	1
		8	BritPnoK	1
		126	A-Piano2	2
		127	a.piano2	1
	3	0	E.Grand	2
		1	ElGrPno1	2
		2	ElGrPno2	2
		8	ElGrPnoK	2
		126	A-Piano3	2
		127	a.piano3	1
	4	0	HnkyTnk	2
		8	HnkyTnkK	2
		126	A-Piano4	2
		127	e.piano1	1
	5	0	E.Piano1	2
		8	Chor.EP1	2
		16	VX El.P1	2
		24	60sEl.P	1
		25	HardEl.P	2
		26	MelloEP1	2
		32	El.Pno1K	1
		126	A-Piano5	1
		127	e.piano2	1
	6	0	E.Piano2	2
		8	Chor.EP2	2
		16	VX El.P2	2
		24	DX Hard	2
		32	El.Pno2K	1
		126	A-Piano6	1
		127	e.piano3	1
	7	0	Harpsi.	1
		8	Harpsi.3	2
		16	Harpsi.K	1
		24	Harpsi.2	2
		126	A-Piano7	1
		127	e.piano4	1
	8	0	Clavi.	2
		8	Clavi. K	1
		126	E-Piano1	2
		127	hnyktnk	2
Chromatic Percussion	9	0	Celesta	1
		126	E-Piano2	2
		127	e organ1	2
	10	0	Glocken	1
		126	E-Piano3	2
		127	e organ2	2
	11	0	MusicBox	2
		126	A-Guitr1	1
		127	e organ3	1
	12	0	Vibes	1
		1	HardVibe	2
		8	VibesK	1
		126	A-Guitr2	2
		127	e organ4	1
	13	0	Marimba	1
		8	MarimbaK	1
		17	Balafon2	2
		24	Log Drum	2
		126	A-Guitr3	2
		127	pipeorg1	2
	14	0	Xylophon	1
		126	E-Guitr1	2
		127	pipeorg2	2
	15	0	TubulBel	1
		8	ChrchBel	2
		9	Carillon	2
		126	E-Guitr2	1
		127	pipeorg3	2
	16	0	Dulcimer	1
		1	Dulcimr2	2
		8	Cimbalom	2
		126	Slap-1	2
		127	acordion	2

Instrument Group	Program #	Bank #	Voice Name	Ele-ment
Organ	17	0	DrawOrgn	1
		1	70sDrOr1	2
		8	DetDrewOr	2
		9	70sDrOr2	2
		16	60sDrOr1	2
		17	60sDrOr2	2
		18	60sDrOr3	2
		24	CheezOrg	2
		32	DrawOrg2	2
		33	EvenBar	2
		40	Organ Ba	1
		126	Slap-2	2
		127	harpsi1	1
	18	0	PercOrgn	1
		1	70sPcOr1	2
		8	DetPrcOr	2
		32	PercOrg2	2
		126	Slap-3	2
		127	harpsi2	2
	19	0	RockOrgn	2
		8	RotaryOr	2
		16	SloRotar	2
		24	FstRotar	2
		126	Slap-4	2
		127	harpsi3	1
	20	0	ChrchOrgn	2
		8	ChurOrg2	2
		16	ChurOrg3	2
		24	OrgFlute	2
		32	TmOrgFl	2
		126	Slap-5	2
		127	clavi1	1
	21	0	ReedOrgn	1
		126	Slap-6	2
		127	clavi2	1
	22	0	Acordion	2
		8	AccordIt	2
		126	Slap-7	2
		127	clavi3	1
	23	0	Harmnica	1
		1	Harmo 2	2
		126	Slap-8	2
		127	celesta1	1
	24	0	TangoAcd	2
		126	Finger-1	1
		127	celesta2	1
Guitar	25	0	NylonGtr	1
		8	Ukulele	1
		16	NylonGt3	2
		24	VelGaHrm	2
		32	NylonGt2	1
		40	LequintG	1
		126	Finger-2	2
		127	synbras1	2
	26	0	SteelGtr	1
		8	12StrGtr	2
		9	Nyln&Stl	2
		16	Mandolin	2
		32	SteelGt2	1
		126	Picked-1	1
		127	synbras2	2
	27	0	Jazz Gtr	1
		1	MelloGtr	1
		8	PdISteel	1
		126	Picked-2	2
		127	synbras3	2
	28	0	CleanGtr	1
		8	ChorusGt	2
		126	FretlsBs	1
		127	synbras4	2

Instrument Group	Program #	Bank #	Voice Name	Ele- ment
Guitar	29	0	Mute.Gtr	1
		8	FunkGtr1	2
		16	FunkGtr2	2
		126	A-Bass	2
		127	synbass1	1
	30	0	Ovdrive	1
		126	Choir-1	1
		127	synbass2	1
	31	0	Dist.Gtr	1
		8	FeedbkGt	2
		9	FeedbGt2	2
		126	Choir-2	1
		127	synbass3	2
	32	0	GtrHarmo	1
		8	GtFeedbk	1
		126	Choir-3	2
		127	synbass4	1
Bass	33	0	Aco.Bass	1
		126	Choir-4	2
		127	newagepd	2
	34	0	FngrBass	1
		1	FngBass2	2
		126	Strngs-1	2
		127	synharmo	2
	35	0	PickBass	1
		8	MutePkBa	1
		126	Strngs-2	2
		127	choir pd	2
	36	0	Fretless	1
		1	Fretles2	2
		2	Fretles3	2
		3	Fretles4	2
		4	SynFretl	2
		5	Smooth	2
		126	Strngs-3	2
		127	bowed pd	2
	37	0	SlapBas1	1
		8	ResoSlap	1
		126	Strngs-4	2
		127	soundtrk	2
	38	0	SlapBas2	1
		126	E-Organ1	2
		127	atmosphr	2
	39	0	SynBass1	1
		1	SynBa1Dk	1
		8	AcidBass	1
		9	FastResB	1
		10	TeknoBa	2
		16	ResoBass	1
		126	E-Organ2	2
		127	syn warm	2
	40	0	SynBass2	2
		1	_clkSynBa	2
		2	ModulrBa	2
		3	Seq Bass	2
		8	DX Bass	2
		9	X WireBa	2
		16	RubberBa	2
		17	SynBa2Dk	1
		18	MelloSB1	2
		19	SmithBa 2	2
		126	E-Organ3	2
		127	synfunny	1

Instrument Group	Program #	Bank #	Voice Name	Element
Strings	41	0	Violin	1
		8	SlowVln	1
		126	E-Organ4	2
		127	synecho1	2
	42	0	Viola	1
		126	E-Organ5	2
		127	rain	2
	43	0	Cello	1
		126	E-Organ6	2
		127	synoboe	2
	44	0	Contrabs	1
		126	E-Organ7	2
		127	synecho2	2
	45	0	Trem.Str	1
		8	SlowTrStr	1
		9	Susp Str	2
		126	E-Organ8	2
		127	synsolo	2
	46	0	Pizz.Str	1
		126	E-Organ9	2
		127	syndorg	2
	47	0	Harp	1
		126	SoftTP-1	1
		127	synbell	1
	48	0	Timpani	1
		126	SoftTP-2	1
		127	squareld	2
Ensemble	49	0	Strings1	1
		1	Slow Str	1
		8	Orchestr	2
		9	Orchstr2	2
		10	TremOrch	2
		11	ChoirStr	2
		16	S.Strngs	2
		24	VeloStr	2
		126	TP/TRB-1	1
		127	strsect1	2
	50	0	Strings2	1
		1	70s Str	1
		8	LegatoSt	2
		9	Warm Str	2
		10	S.SlwStr	2
		126	TP/TRB-2	1
		127	strsect2	2
	51	0	Syn.Str1	2
		1	Syn Str4	2
		126	TP/TRB-3	1
		127	strsect3	2
	52	0	Syn.Str2	2
		126	TP/TRB-4	1
		127	pizz.str	1
	53	0	ChoirAah	1
		8	S.Choir	2
		9	MelChoir	2
		32	Ch.Aahs2	2
		126	TP/TRB-5	2
		127	violin 1	2
	54	0	VoiceOoh	1
		126	TP/TRB-6	2
		127	violin 2	1
	55	0	SynVoice	1
		8	SynVox2	2
		126	Sax-1	1
		127	cello 1	1
	56	0	Orch.Hit	2
		1	OrchHit2	2
		8	Impact	2
		16	LoFiRave	2
		126	Sax-2	1
		127	cello 2	1

Instrument	Group	Program	Bank	Voice Name	Elc
Brass	57	0	Trumpet2	1	1
			Tuba2	1	1
			Tuba2	1	1
			Tuba2	1	1
			Tuba2	1	1
			Tuba2	1	1
			Tuba2	1	1
			Tuba2	1	1
			Tuba2	1	1
	59	0	Tuba	1	1
	1	Tuba2	1	1	1
	1	Tuba2	1	1	1
	1	Tuba2	1	1	1
	1	Tuba2	1	1	1
	1	Tuba2	1	1	1
	1	Tuba2	1	1	1
	1	Tuba2	1	1	1
	126	Sax-4	1	1	1
	127	harp1	1	1	1
	127	harp1	1	1	1
	127	harp1	1	1	1
	127	harp1	1	1	1
	127	harp1	1	1	1
	127	harp1	1	1	1
	127	garmin	1	1	1
	127	garmin	1	1	1
	127	garmin	1	1	1
	127	garmin	1	1	1
	127	garmin	1	1	1
	127	garmin	1	1	1
	127	garmin	1	2	1
	127	garmin	1	2	1
	127	garmin	1	2	1
	127	garmin	1	2	1
	127	garmin	1	2	1
	127	garmin	1	2	1
	127	garmin	1	2	1

Instrument Group Bank	Group Program	81	0	Squirrel 2	1	23	177	sax3	1	1
82	0	Saw-Lead	2	2	2	2	2	2	1	1
83	0	Cation-Ld	2	2	2	2	2	2	1	1
84	0	Pure Pad	2	2	2	2	2	2	1	1
85	0	Chiff-Ld	2	2	2	2	2	2	1	1
86	0	Chart-Ld	2	2	2	2	2	2	1	1
87	0	Fifth-Ld	2	2	2	2	2	2	1	1
88	0	Bases-Ld	2	2	2	2	2	2	1	1
89	0	Big-Low	2	2	2	2	2	2	1	1
90	0	Big-Five	2	2	2	2	2	2	1	1
91	0	Big-Five	2	2	2	2	2	2	1	1
92	0	Warm Pad	2	2	2	2	2	2	1	1
93	0	Warm Pad	2	2	2	2	2	2	1	1
94	0	Third-Pad	2	2	2	2	2	2	1	1
95	0	Hom Pad	2	2	2	2	2	2	1	1
96	0	Rotarod	2	2	2	2	2	2	1	1
97	0	Soft Pad	2	2	2	2	2	2	1	1
98	0	Trumpet2	1	1	1	1	1	1	1	1
99	0	Pol-SyFd	2	2	2	2	2	2	1	1
100	0	Halo Pad	2	2	2	2	2	2	1	1
101	0	Halo Pad	2	2	2	2	2	2	1	1
102	0	Tim Pad	2	2	2	2	2	2	1	1
103	0	Time Pad	2	2	2	2	2	2	1	1
104	0	Time Pad	2	2	2	2	2	2	1	1
105	0	Time Pad	2	2	2	2	2	2	1	1
106	0	Time Pad	2	2	2	2	2	2	1	1
107	0	Time Pad	2	2	2	2	2	2	1	1
108	0	Time Pad	2	2	2	2	2	2	1	1
109	0	Time Pad	2	2	2	2	2	2	1	1
110	0	Time Pad	2	2	2	2	2	2	1	1
111	0	Time Pad	2	2	2	2	2	2	1	1

Instrument
Program
Bank																																																																127			127			127			127			127			127			127			127			127			127			127			127			127			127			127			127			127			2			2			2			2			2			2			2			2			2			2			2			2			2			2			2			2			2			2			2			2			2			2			2			2			2			127			127			127			127			127			127			127			127			127			127			127			127			127			127			127			127			3			3			3			3			3			3			3			3			3			3			3			3			3			3			3			3			3			3			3			3			3			3			3			3			3			4			5			5			6			6			7			7			8			9			10			11			127			127			127			127			127			127			127			127			127			127			127			127			127			127			127			127			4			4			5			5			5			5			5			5			5			5			5			5			5			5			5			5			5			5			5			5			5			5			5			5			5			5			5			6			6			7			7			7			7			8			9			9			9			9			9			9			9			9			9			9			9			9			9			9			9			9			9			9			9			9			9			9			9			9			9			10			10			10			10			10			10			10			10			10			10			10			10			10			10			10			10			10			10			10			10			1111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111 111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111

Percussive		113	0	Taubell	2	127	1	126	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	2
SoundEffects		121	0	Taubell	2	127	1	126	0	Taubell	2	127	1	127	1	126	0	Taubell	2	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	126	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	127	1	126	1	127	1	2
118	0	MotoTom	2	127	1	127	1	126	0	MotoTom	2	127	1	127	1	126	0	MotoTom	2	127	1	127	1	127	1	127	1	127	1	126	0	MotoTom	2	127	1	126	0	MotoTom	2	127	1	126	0	MotoTom	2	127	1	126	0	MotoTom	2	127	1	126	0	MotoTom	2	127	1	126	0	MotoTom	2	127	1	127	0	MotoTom	2	127	1	126	0	MotoTom	2	127	1	126	0	MotoTom	2	127	1	126	0	MotoTom	2	127	1	126	0	MotoTom	2	127	1	126	0	MotoTom	2	-
118	0	Real Tom	2	127	1	127	1	126	0	Real Tom	2	127	1	127	1	126	0	Real Tom	2	127	1	126	0	Real Tom	2	127	1	126	0	Real Tom	2	127	1	126	0	Real Tom	2	127	1	126	0	Real Tom	2	127	1	126	0	Real Tom	2	127	1	126	0	RealTom	2	127	1	126	0	RealTom	2	127	1	126	0	RealTom	2	127	1	126	0	RealTom	2	127	1	126	0	RealTom	2	127	1	126	0	RealTom	2	127	1	126	0 (continued on next page)
119	0	Syr#m	1	127	1	127	1	126	0	Syr#m	2	127	1	127	1	126	0	Syr#m	2	127	1	126	0	Syr#m	2	127	1	126	0	Syr#m	2	127	1	126	0	Syr#m	2	127	1	126	0	Syr#m	2	127	1	126	0	Syr#m	2	127 (continued on next page)
98	0	WoodBlok	1	127	1	127	1	126	0	WoodBlok	2	127	1	126	0	WoodBlok	2	127	1	126	0	WoodBlok	2	127	1	126	0	WoodBlok	2	127	1	126	0	WoodBlok	2	127	1	126	0	WoodBlok	2	127 (continued on next page)
97	0	ElecPer	2	127	1	127	1	126	0	ElecPer	2	127	1	126	0	ElecPer	2	127	1	126	0	ElecPer	2	127	1	126	0	ElecPer	2	127	1	126	0	ElecPer	2	127	1	126	0	ElecPer	2	127 (continued on next page)
96	0	Electrom	2	127	1	127	1	126	0	Electrom	2	127	1	126	0	Electrom	2	127	1	126	0	Electrom	2	127	1	126	0	Electrom	2	127	1	126	0	Electrom	2	127 (continued on next page)
95	0	ReC-Xy#b#l	1	127	1	127	1	126	0	ReC-Xy#b#l	1	127	1	127	1	126	0	ReC-Xy#b#l	1	127	1	126	0	ReC-Xy#b#l	1	127	1	126	0	ReC-Xy#b#l	1	127	1	126	0	ReC-Xy#b#l	1	127	1	126	0 (continued on next page)
94	0	CangN2	2	127	1	127	1	126	0	CangN2	2	127	1	126	0	CangN2	2	127	1	126	0	CangN2	2	127	1	126	0	CangN2	2	127	1	126	0 (continued on next page)
93	0	CangN3	2	127	1	127	1	126	0	CangN3	2	127	1	126	0	CangN3	2	127	1	126	0	CangN3	2	127	1	126	0 (continued on next page)
92	0	CangN4	2	127	1	127	1	126	0	CangN4	2	127	1	126	0	CangN4	2	127	1	126	0	CangN4	2	127	1	126	0 (continued on next page)
91	0	CangN5	2	127	1	127	1	126	0	CangN5	2	127	1	126	0	CangN5	2	127	1	126	0	CangN5	2	127	1	126	0 (continued on next page)
90	0	CangN6	2	127	1	127	1	126	0	CangN6	2	127	1	126	0	CangN6	2	127	1	126	0	CangN6	2	127	1	126	0 (continued on next page)
89	0	CangN7	2	127	1	127	1	126	0	CangN7	2	127	1	126	0	CangN7	2	127	1	126	0	CangN7	2	127	1	126	0 (continued on next page)

Bank Select MSB = Bank Number, LSB = 000

Drum kit names in bold typeface are those that can be selected in the Disklavier.

Bank

127

127

127

127

127

127

127

127

126

126

Program #

1

2

9

17

25

26

33

41

49

1

2

Note#

Note

Key off

Alternate assign

Standard Kit

Standard2 Kit

Room Kit

Rock Kit

Electro Kit

Analog Kit

Jazz Kit

Brush Kit

Classic Kit

SFX 1

SFX 2

13

C# -1

3

Surdo Mate

14

D -1

3

Surdo Open

15

D# -1

Hi Q

16

E -1

Whip Slap

17

F -1

4

Scratch Push

18

F# -1

4

Scratch Pull

19

G -1

Finger Snap

20

G# -1

Click Noise

21

A -1

Metronome Click

22

A# -1

Metronome Bell

23

B -1

Seq Click L

24

C 0

Seq Click H

25

C# 0

Brush Tap

26

D 0

O

Brush Swirl L

27

D# 0

Brush Slap

28

E 0

O

Brush Swirl H

Reverse Cymbal

Reverse Cymbal

29

F 0

O

Snare Roll

Snare Roll 2

30

F# 0

Castanet

Hi Q

Hi Q

31

G 0

Snare L

Snare L 2

SD Rock M

Snare M

SD Rock H

Brush Slap L

32

G# 0

Sticks

33

A 0

Bass Drum L

Open Rim Shot

Open Rim Shot 2

Bass Drum M

Bass Drum H 4

Bass Drum M

Bass Drum L2

35

B 0

Bass Drum M

Bass Drum M 2

Bass Drum H 3

BD Rock

BD Analog L

Gran Cassa

36

C 1

Bass Drum H

Bass Drum H 2

BD Rock

BD Gate

BD Analog H

BD Jazz

BD Soft

Gran Cassa Mute

Guitar Cutting Noise

Dial Tone

37

C# 1

Side Stick

Analog Side Stick

Guitar Cutting Noise 2

Door Creaking

38

D 1

Snare M

Snare M 2

SD Room L

SD Rock

SD Rock L

Analog Snare L

Brush Slap M

Marching Sn M

Door Slam

39

D# 1

Hand Clap

String Slap

Scratch

40

E 1

Snare H

Snare H 2

SD Room H

SD Rock Rim

SD Rock H

Analog Snare H

Brush Tap H

Marching Sn H

Scratch 2

41

F 1

Floor Tom L

Room Tom 1

Room Tom 1

Rock Tom 1

E Tom 1

Analog Tom 1

Jazz Tom 1

Brush Tom 1

Jazz Tom 1

Windchime

42

F# 1

Hi-Hat Closed

Analog HH Closed 1

Telephone Ring2

43

G 1

Floor Tom H

Room Tom 2

Rock Tom 2

E Tom 2

Analog Tom 2

Jazz Tom 2

Brush Tom 2

Jazz Tom 2

44

G# 1

Hi-Hat Pedal

Room Tom 3

Rock Tom 3

E Tom 3

Analog HH Closed 2

45

A 1

Low Tom

46

A# 1

Hi-Hat Open

Analog HH Open

47

B 1

Mid Tom L

Room Tom 4

Rock Tom 4

E Tom 4

Analog Tom 4

Jazz Tom 4

Brush Tom 4

Jazz Tom 4

48

C 2

Mid Tom H

Room Tom 5

Room Tom 5

Rock Tom 5

E Tom 5

Analog Tom 5

Jazz Tom 5

Brush Tom 5

Jazz Tom 5

49

C# 2

Crash Cymbal 1

Analog Cymbal

Hand Cym. Open L

50

D 2

High Tom

Room Tom 6

Rock Tom 6

E Tom 6

Analog Tom 6

Jazz Tom 6

Brush Tom 6

Jazz Tom 6

51

D# 2

Ride Cymbal 1

Hand Cym. Closed L

52

E 2

Chinese Cymbal

FL.Key Click

Engine Start

53

F 2

Ride Cymbal Cup

Tire Screech

54

F# 2

Tamhourne

Car Passing

55

G 2

Splash Cymbal

Crash

56

G# 2

Cowbell

Analog Cowbell

Siren

57

A 2

Crash Cymbal 2

Hand Cym. Open H

Train

58

A# 2

Vibraslap

Jetplane

59

B 2

Ride Cymbal 2

Hand Cym. Closed H

Starship

60

C 3

Bongo H

Burst Noise

61

C# 3

Bongo L

Coaster

62

D 3

Conga H Mute

Analog Conga H

SbMarine

63

D# 3

Conga H Open

Analog Conga M

64

E 3

Conga L

Analog Conga L

65

F 3

Timbale L

66

F# 3

Timbale L

67

G 3

Agogo H

68

G# 3

Agogo L

Rain

Laughing

69

A 3

Cabasa

Thunder

Screaming

70

A# 3

Maracas

Analog Maracas

Wind

Punch

71

B 3

O

Samba Whistle H

Stream

Heartbeat

72

C 4

O

Samba Whistle L

Bubble

Footsteps

73

C# 4

Guiro Short

Feed

74

D 4

O

Guiro Long

75

D# 4

Claves

Analog Claves

76

E 4

Wood Block H

77

F 4

Wood Block L

78

F# 4

Cuica Mute

Scratch Push

Scratch Push

79

G 4

Cuica Open

Scratch Pull

Scratch Pull

80

G# 4

2 Triangle Mute

81

A 4

2 Triangle Open

82

A# 4

Shaker

83

B 4

Jingle Bell

84

C 5

Bell Tree

Dog

Machine Gun

85

C# 5

Horse Gallop

Laser Gun

86

D 5

Bird 2

Explosion

87

D# 5

FireWork

88

E 5

89

F 5

90

F# 5

Ghost

91

G 5

Maou

: Same as Standard kit : No sound

TG300B Drum Voice List

Program #

1

9

17

25

26

33

41

49

57

128

Note#

Note

Alternate assign

Standard Kit

Room Kit

Power Kit

Electro Kit

Analog Kit

Jazz Kit

Brush Kit

Orchestra Kit

SFX Set

C/M Kit

25

C# 0

Snare Roll

26

D 0

Finger Snap

27

D# 0

Hi Q

Hi-Hat Closed

28

E 0

Whip Slap

Hi-Hat Pedal

29

F 0

7

Scratch Push

Hi-Hat Open

30

F# 0

7

Scratch Pull

Ride Cymbal 1

31

G 0

Sticks

32

G# 0

Click Noise

33

A 0

Metronome Click

34

A# 0

Metronome Bell

35

B 0

Bass Drum M

BD Jazz

36

C 1

Bass Drum H

BD Power

BD Electronic

BD Analog H

BD Jazz

BD Soft

Gran Cassa

37

C# 1

Side Stick

Analog Side Stick

38

D 1

Snare M

SD Power

SD Electronic

Analog Snare L

Brush Tap

Concert SD

39

D# 1

Hand Clap

Brush Slap

Castanet

High-Q

40

E 1

Snare H

SD Power

Brush Swirl

Concert SD

Slap

SD Electro

41

F 1

Floor Tom L

Room Tom 1

Room Tom 1

E Tom 1

Analog Tom 1

Jazz Tom 1

Jazz Tom 1

Timpani F

Scratch Push

42

F# 1

1

Hi-Hat Closed

Analog HH Closed 1

Timpani F#

Scratch Pull

43

G 1

Floor Tom H

Room Tom 2

Room Tom 2

E Tom 2

Analog Tom 2

Jazz Tom 2

Jazz Tom 2

Timpani G

Sticks

44

G# 1

1

Hi-Hat Pedal

Analog HH Closed 2

Timpani G#

Square Click

Hi-Hat Open 1

45

A 1

Low Tom

Room Tom 3

Room Tom 3

E Tom 3

Analog Tom 3

Jazz Tom 3

Jazz Tom 3

Timpani A

Metronome Click

46

A# 1

1

Hi-Hat Open

Analog HH Open

Timpani A#

Metronome Bell

Hi-Hat Open 2

47

B 1

Mid Tom L

Room Tom 4

Room Tom 4

E Tom 4

Analog Tom 4

Jazz Tom 4

Jazz Tom 4

Timpani B

Guitar Freet Noise

48

C 2

Mid Tom H

Room Tom 5

Room Tom 5

E Tom 5

Analog Tom 5

Jazz Tom 5

Jazz Tom 5

Timpani C

Guitar Cutting Down

49

C# 2

Crash Cymbal 1

Analog Cymbal

Timpani C#

Guitar Cutting Up

50

D 2

High Tom

Room Tom 6

Room Tom 6

E Tom 6

Analog Tom 6

Jazz Tom 6

Jazz Tom 6

Timpani D

Ac Bass Slap

51

D# 2

Ride Cymbal 1

Timpani D#

FL.Key Click

52

E 2

Chinese Cymbal

Reverse Cymbal

Timpani E

Laughing

53

F 2

Ride Cymbal Cup

Timpani F

Screaming

54

F# 2

Tambourine

Punch

55

G 2

Splash Cymbal

Heartbeat

56

G# 2

Cowbell

Analog Cowbell

Footsteps 1

57

A 2

Crash Cymbal 2

Hand Cym.1

Footsteps 2

58

A# 2

Vibraslap

Applause

59

B 2

Ride Cymbal 2

Hand Cym.2

Door Creaking

60

C 3

Bongo H

Door Slam

61

C# 3

Bongo L

Scratch

62

D 3

Conga H Mute

Analog Conga H

Windchime

63

D# 3

Conga H Open

Analog Conga M

Engine Start

64

E 3

Conga L

Analog Conga L

Tire Sreech

65

F 3

Timbale H

Car Passing

66

F# 3

Timbale L

Crash

67

G 3

Agogo H

Siren

68

G# 3

Agogo L

Train

69

A 3

Cabasa

Jetplane

70

A# 3

Maracas

Analog Maracas

Helicopter

71

B 3

2

Samba Whistle H

Starship

72

C 4

2

Samba Whistle L

Gunshot

73

C# 4

3

Guiro Short

Machine Gun

Vibraslap

74

D 4

3

Guiro Long

Laser Gun

75

D# 4

Claves

Analog Claves

Explosion

76

E 4

Wood Block H

Dog

Laughing

77

F 4

Wood Block L

Horse Gallop

Screaming

78

F# 4

4

Cuica Mute

Bird Tweet

Punch

79

G 4

4

Cuica Open

Rain

Heartbeat

80

G# 4

5

Triangle Mute

Thunder

Footsteps 1

81

A 4

5

Triangle Open

Wind

Footsteps 2

82

A# 4

Shaker

Seashore

Applase

83

B 4

Jingle Bell

Stream

Door Creaking

84

C 5

Bell Tree

Bubble

Door Slam

85

C# 5

Castanet

Scratch

86

D 5

6

Surdo Mute

Windchime

87

D# 5

6

Surdo Open

Engine Start

88

E 5

Applause

Tire Screech

89

F 5

Car Passing

90

F# 5

Crash

91

G 5

Siren

92

G# 5

Train

93

A 5

Jetplain

94

A# 5

Helicopter

95

B 5

Starship

96

C 6

Gunshot

97

C# 6

Machine Gun

98

D 6

Laser Gun

99

D# 6

Explosion

100

E 6

Dog

101

F 6

Horse Gallop

102

F# 6

Bird Tweet

103

G 6

Rain

104

G# 6

Thunder

105

A 6

Wind

106

A# 6

Seashore

107

B 6

Stream

108

C 7

Bubble

 : Same as Standard kit : No sound Effect Type List

Exclusive		Effect Type	Description
MSB	LSB
REVERB
00	00	NO EFFECT	Effect turned off.
01	00	HALL1	Reverb simulating the resonance of a hall.
01	01	HALL2	Reverb simulating the resonance of a hall.
02	00	ROOM1	Reverb simulating the resonance of a room.
02	01	ROOM2	Reverb simulating the resonance of a room.
02	02	ROOM3	Reverb simulating the resonance of a room.
03	00	STAGE1	Reverb appropriate for a solo instrument.
03	01	STAGE2	Reverb appropriate for a solo instrument.
04	00	PLATE	Reverb simulating a metal plate reverb unit.
10	00	WHITE ROOM	A unique short reverb with a bit of initial delay.
11	00	TUNNEL	Simulation of a tunnel space expanding to left and right.
13	00	BASEMENT	A bit of initial delay followed by reverb with a unique resonance.
CHORUS
00	00	NO EFFECT	Effect turned off.
41	00	CHORUS1	Conventional chorus program that adds natural spaciousness.
41	01	CHORUS2	Conventional chorus program that adds natural spaciousness.
41	02	CHORUS3	Conventional chorus program that adds natural spaciousness.
41	08	CHORUS4	Chorus with stereo input. The pan setting specified for the Part will also apply to the effect sound.
42	00	CELESTE1	A 3-phase LFO adds modulation and spaciousness to the sound.
42	01	CELESTE2	A 3-phase LFO adds modulation and spaciousness to the sound.
42	02	CELESTE3	A 3-phase LFO adds modulation and spaciousness to the sound.
42	08	CELESTE4	Celeste with stereo input. The pan setting specified for the Part will also apply to the effect sound.
43	00	FLANGER1	Adds a jet-airplane effect to the sound.
43	01	FLANGER2	Adds a jet-airplane effect to the sound.
43	08	FLANGER3	Adds a jet-airplane effect to the sound.
VARIATION
00	00	NO EFFECT	Effect turned off.
01	00	HALL1	Reverb simulating the resonance of a hall.
01	01	HALL2	Reverb simulating the resonance of a hall.
02	00	ROOM1	Reverb simulating the resonance of a room.
02	01	ROOM2	ReLU modulation and spaciousness to the sound.
02	02	ROOM3	Reverb simulating the resonance of a room.
03	00	STAGE1	Reverb appropriate for a solo instrument.
03	01	STAGE2	Reverb appropriate for a solo instrument.
04	00	PLATE	Reverb simulating a metal plate reverb unit.
05	00	DELAY L, C, R	A program that creates three delay sounds; L, R, and C (center).
06	00	DELAY L, R	A program that creates two delay sounds; L and R. Two feedback delays are provided.
07	00	ECHO	Two delays (L and R) and independent feedback delays for L and R.
08	00	CROSS DELAY	A program that crosses the feedback of two delays.
09	00	EARLY REF1	An effect that produces only the early reflection component of reverb.
09	01	EARLY REF2	An effect that produces only the early reflection component of reverb.
0A	00	GATE REVERB	A simulation of gated reverb.
0B	00	REVERSE GATE	A program that simulates gated reverb played backwards.
14	00	KARAOKE 1	A delay with feedback of the same types as used for karaoke reverb.
14	01	KARAOKE 2	A delay with feedback of the same types as used for karaoke reverb.
14	02	KARAOKE 3	A delay with feedback of the same types as used for karaoke reverb.
41	00	CHORUS1	Conventional chorus program that add natural spaciousness.
41	01	CHORUS2	Conventional chorus program that adds natural spaciousness.
41	02	CHORUS3	Conventional chorus program that adds natural spaciousness.
41	08	CHORUS4	Chorus with stereo input.
42	00	CELESTE1	A 3-phase LFO adds modulation and spaciousness to the sound.
42	01	CELESTE2	A 3-phase LFO adds modulation and spaciousness to the sound.
42	02	CELESTE3	A 3-phase LFO adds modulation and spaciousness to the sound.
42	08	CELEASTE4	Celeste with stereo input.
43	00	FLANGER1	Adds a jet-airplane effect to the sound.
43	01	FLANGER2	Adds a jet-airplane effect to the sound.
43	08	FLANGER3	Adds a jet-airplane effect to the sound.
44	00	SYMPHONIC	A multi-phase version of CELESTE.
45	00	ROTARY SPEAKER	A simulation of a rotary speaker. You can use AC1 (assignable controller) etc. to control the speed of rotation.
46	00	TREMODO	An effect that cyclically modulates the volume.
47	00	AUTO PAN	A program that cyclically moves that sound image to left and right, front and back.
48	00	PHASER1	Cyclically changes the phase to add modulation to the sound.
48	08	PHASER2	Phaser with stereo input.
49	00	DISTORTION	Adds a sharp-edged distortion to the sound.
4A	00	OVER DRIVE	Adds mild distortion to the sound.
4B	00	AMP SIMULATOR	A simulation of a guitar amp.
4C	00	3BAND EQ (MONO)	A mono EQ with adjustable LOW, MID, and HIGH equalizing.
4D	00	2BAND EQ (STEREO)	A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts.
4E	00	AUTO WAH (LFO)	Cyclically modulates the center frequency of a wah filter. With an AC1 etc. this can function as a pedal wah.
40	00	THRU	Bypass without applying any effect.

* MSB, LSB is represented in hexadecimal. * LCB=0 is the basic effect type.

Effect Parameter List

No	Parameter	Range	Value	See Table	Control
HALL1, HALL2, ROOM 1, 2, 3, STAGE 1, 2, PLATE
1	Reverb Time	0.3~30.0s	0-69	table#4
2	Diffusion	0~10	0-10
3	Initial Delay	0~63	0-63	table#5
4	HPF Cutoff	Thru~8.0kHz	0-52	table#3
5	LPF Cutoff	1.0k~Thru	34-60	table#3
6
7
8
9
10	Dry/Wet	D63=W~D=W~D<W63	1-127
11	Rev Delay	0~63	0-63	table#5
12	Density	0~3	0-3
13	Er/Rev Balance	E63>R ~ E=R ~ E>R63	1-127
14
15	Feedback Level	-63~+63	1-127
16
WHITE ROOM, TUNNEL, BASEMENT
1	Reverb Time	0.3~30.0s	0-69	table#4
2	Diffusion	0~10	0-10
3	Initial Delay	0~63	0-63	table#5
4	HPF Cutoff	Thru~8.0kHz	0-52	table#5
5	LPF Cutoff	1.0k~Thru	34-60	table#5
6	Width	0.5~10.2m	0-37	table#11
7	Height	0.5~20.2m	0-73	table#11
8	Depth	0.5~30.2m	0-104	table#11
9	Wall Vary	0~30	0-30
10	Dry/Wet	D63=W~D=W~D<W63	1-127
11	Rev Delay	0~63	0-63	table#5
12	Density	0~3	0-3
13	Er/Rev Balance	E63>R~E=R~E>R63	1-127
14
15	Feedback Level	-63~+63	1-127
16
DELAY L, C, R
1	Lch Delay	0.1~715.0ms	1-7150
2	Rch Delay	0.1~715.0ms	1-7150
3	Cch Delay	0.1~715.0ms	1-7150
4	Feedback Delay	0.1~715.0ms	1-7150
5	Feedback Level	-63~+63	1-127
6	Cch Level	0~127	0-127
7	High Damp	0.1~1.0	1-10
8
9	Dry/Wet	D63=W~D=W~D<W63	1-127
10	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
11	EQ Low Gain	-12~+12dB	52-76
12	EQ High Frequency	500Hz~16.0kHz	28-58	table#3
13	EQ High Gain	-12~+12dB	52-76
14
15
16
DELAY L, R
1	Lch Delay	0.1~715.0ms	1-7150
2	Rch Delay	0.1~715.0ms	1-7150
3	Feedback Delay1	0.1~715.0ms	1-7150
4	Feedback Delay2	0.1~715.0ms	1-7150
5	Feedback Level	-63~+63	1-127
6	High Damp	0.1~1.0	1-10
7
8
9	Dry/Wet	D63=W~D=W~D<W63	1-127
10	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
11	EQ Low Gain	-12~+12dB	52-76
12
13	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
14	EQ Low Gain	-12~+12dB	52-76
15	EQ High Frequency	500Hz~16.0kHz	28-58	table#3
16	EQ High Gain	-12~+12dB	52-76

No	Parameter	Range	Value	See Table	Control
ECHO
1	Lch Delay1	0.1~355.0ms	1-3350
2	Lch Feedback Level	-63~+63	1-127
3	Rch Delay1	0.1~355.0ms	1-3550
4	Rch Feedback Level	-63~+63	1-127
5	High Damp	0.1~1.0	1-10
6	Lch Delay2	0.1~355.0ms	1-3550
7	Rch Delay2	0.1~355.0ms	1-3550
8	Delay2 Level	0~127	0-127
9					•
10	Dry/Wet	D63=W~D=W~D<W63	1-127
11
12
13	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
14	EQ Low Gain	-12~+12dB	52-76	table#3
15	EQ High Frequency	500Hz~16.0kHz	28-58
16	EQ High Gain	-12~+12dB	52-76
CROSS DELAY
1	L->R Delay	0.1~355.0ms	1-3550
2	R->L Delay	0.1~355.0ms	1-3550
3	Feedback Level	-63~+63	1-127
4	Input Select	L, R, L&R	0-2
5	High Damp	0.1~1.0	1-10
6
7
8
9
10	Dry/Wet	D63=W~D=W~D<W63	1-127		•
11
12
13	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
14	EQ Low Gain	-12~+12dB	52-76	table#3
15	EQ High Frequency	500Hz~16.0kHz	2B-58
16	EQ High Gain	-12~+12dB	52-76
EARLY REF1, EARLY REF2
1	Type	S-H, L-H, Rdm, Rvs, Plt, Spr	0-5	table#6
2	Room Size	0.1~7.0	0-44
3	Diffusion	0~10	0-10	table#5
4	Initial Delay	0~63	0-63
5	Feedback Level	-63~+63	1-127
6	HPF Cutoff	Thru~8.0kHz	0-52
7	LPF Cutoff	1.0k~Thru	34-60
8
9
10	Dry/Wet	D63=W~D=W~D<W63	1-127		•
11	Liveness	0~10	0-10	table#5
12	Density	0~3	0-3
13	High Damp	0.1~1.0	1-10
14
15
16
GATE REVERB, REVERSE GATE
1	Type	TypeA, TypeB	0-1	table#6
2	Room Size	0.1~7.0	0-44
3	Diffusion	0~10	0-10	table#5
4	Initial Delay	0~63	0-63
5	Feedback Level	-63~+63	1-127
6	HPF C cutoff	Thru~8.0kHz	0-52
7	LPF Cutoff	1.0k~Thru	34-60
8
9
10	Dry/Wet	D63=W~D=W~D<W63	1-127		•
11	Liveness	0-10	0-10
12	Density	0~3	0-3
13	High Damp	0.1~1.0	1-10
14
15
16

- : Can be controlled by AC1 (Assignable Controller 1) No.* : These numbers correspond to the Parameter Suffix numbers in See Table** : Refer to "Effect Data Assign Table"

No	Parameter	Range	Value	See Table	Control
KARAOKE 1, 2, 3
1	Delay Time	0~127	0-127	table#7
2	Feedback Level	-63~+63	1-127
3	HPF Cutoff	Thru~8.0kHz	0-52
4	LPF Cutoff	1.0k~Thru	34-60
5
6
7
8
9
10	Dry/Wet	D63=W~D=W~D<W63	1-127		·
11
12
13
14
15
16
CHORUS 1, 2, 3, 4, CELESTE 1, 2, 3, 4
1	LFO Frequency	0.00~39.7Hz	0-127	table#1
2	LFO PM Depth	0~127	0-127
3	Feedback Level	-63~+63	1-127
4	Delay Offset	0~127	0-127	table#2
5
6	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
7	EQ Low Gain	-12~+12dB	52-76
8	EQ High Frequency	500Hz~16.0kHz	28-58	table#3
9	EQ High Gain	-12~+12dB	52-76
10	Dry/Wet	D63=W~D=W~D<W63	1-127		·
11
12
13
14	Input Mode	mono/stereo	0-1
15
16
FLANGER 1, 2, 3
1	LFO Frequency	0.00~39.7Hz	0-127	table#1
2	LFO Depth	0~127	0-127
3	Feedback Level	-63~+63	1-127
4	Delay Offset	0~63	0-63	table#2
5
6	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
7	EQ Low Gain	-12~+12dB	52-76
8	EQ High Frequency	500Hz~16.0kHz	28-58	table#3
EQ High Gain	-12~+12dB	52-76
10	Dry/Wet	D63=W~D=W~D<W63	1-127		·
11
12
13
14	LFO Phase Difference	-180~+180deg	4-124
15
16
SYMPHONIC
1	LFO Frequency	0.00~39.7Hz	0-127	table#1
2	LFO Depth	0~127	0-127	table#2
3	Delay Offset	0~127	0-127
4
5
6	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
7	EQ Low Gain	-12~+12dB	52-76
8	EQ High Frequency	500Hz~16.0kHz	28-58	table#3
EQ High Gain	12~+12dB	52-76
10	Dry/Wet	D63=W~D=W~D<W63	1-127		·
11
12
13
14
15
16

No	Parameter	Range	Value	See Table	Control
ROTARY SPEAKER
1	LFO Frequency	0.00~39.7Hz	0-127	table#1	•
2	LFO Depth	0~127	0-127
3
4
5
6	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
7	EQ Low Gain	-12~+12dB	52-76
8	EQ High Frequency	500Hz~16.0kHz	28-58	table#3
9	EQ High Gain	-12~+12dB	52-76
10	Dry/Wet	D63=W~D=W~D<W63	1-127
11
12
13
14
15
16
TREMOLO
1	LFO Frequency	0.00~39.7Hz	0-127	table#1	•
2	AM Depth	0~127	0-127
3	PM Depth	0~127	0-127
4
5
6	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
7	EQ Low Gain	-12~+12dB	52-76
8	EQ High Frequency	500Hz~16.0kHz	28-58	table #3
9	EQ High Gain	-12~+12dB	52-76
10
11
12
13
14		-180~+180deg	4-124
15	Input Mode	mono/stereo	0-1
16
AUTO PAN
1	LFO Frequency	0.00~39.7Hz	0-127	table#1	•
2	L/R Depth	0~127	0-127
3	F/R Depth	0~127	0-127
4	PAN Direction	L<-R, L->R, L<-R, Lturn, Rturn, L/R	0-5
5
6	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
7	EQ Low Gain	-12~+12dB	52-76
8	EQ High Frequency	500Hz~16.0kHz	28-58	table#3
9	EQHigh Gain	-12~+12dB	52-76
10
11
12
13
14
15
16
PHASER1, PHASER2
1	LFO Frequency	0.00~39.7Hz	0-127	table#1
2	LFO Depth	0~127	0-127
3	Phase Shift	0~127	0-127
4	Feedback Level	-63~+63	1-127
5
6	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
7	EQ Low Gain	-12~+12dB	52-76
8	EQ High Frequency	500Hz~16.0kHz	28-58	table#3
9	EQHight Gain	-12~+12dB	52-76
10	Dry/Wet	D63=W~D=W~D<W63	1-127
11	Stage	3~10	3-10
12	Diffusion	Mono/Stereo	0-1
13	LFO Phase Di	-180~+180deg	4-124
14
15
16

: Can be controlled by AC1 (Assignable Controller 1) No.* : These numbers correspond to the Parameter Suffix numbers in See Table** : Refer to "Effect Data Assign Table"

No	Parameter	Range	Value	See Table	Control
DISTORTION, OVERDRIVE
1	Drive	0~127	0-127	table#3	•
2	EQ Low Frequency	50Hz~2.0kHz	8-40
3	EQ Low Gain	-12~+12dB	52-76	table#3
4	LPF Cutoff	1.0k~Thru	34-60
5	Output Level	0~127	0-127
6
7	EQ Mid Frequency	500Hz~10.0kHz	28-54	table#3
8	EQ Mid Gain	-12~+12dB	52-76
9	EQ Mid Width	1.0~12.0	10-120
10	Dry/Wet	D63=W~D=W~D<W63	1-127	mild ~sharp
11	Edge (Clip Curve)	0~127	0-127
12
13
14
15
16
GUITAR AMP SIMULATOR
1	Drive	0~127	0-127	table#3	•
2	AMP Type	Off, Stack, Combo, Tube	0-3
3	LPF Cutoff	1.0k~Thru	34-60
4	Output Level	0~127	0-127
5
6
7
8
9
10	Dry/Wet	D63=W~D=W~D<W63	1-127	mild ~sharp
11	Edge (Clip Curve)	0~127	0-127
12
13
14
15					table#3
16					table#3
3-BAND EQ
1	EQ Low Gain	-12~+12dB	52-76	table#3
2	EQ Mid Frequency	500Hz~10.0kHz	28-54
3	EQ Mid Gain	-12~+12dB	52-76
4	EQ Mid Width	1.0~12.0	10-120
5	EQ High Gain	-12~+12dB	52-76
6	EQ Low Frequency	50Hz~2.0kHz	8-40
7	EQ High Frequency	500Hz~16.0kHz	28-58
8
9
10
11
12
13
14
15
16

No	Parameter	Range	Value	See Table	Control
2-BAND EQ
1	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
2	EQ Low Gain	-12~+12dB	52-76
3	EQ High Frequency	500Hz~16.0kHz	28-58	table#3
4	EQ High Gain	-12~+12dB	52-76
5
6
7
8
9
10
11	EQ Mid Frequency	100Hz~10.0kHz	14-54	table#3
12	EQ Mid Gain	-12~+12dB	52-76
13	EQ Mid Width	1.0~12.0	10-120
14
15
16
AUTO WAH
1	LFO Frequency	0.00~39.7Hz	0-127	table#1
2	LFO Depth	0~127	0-127
3	Cutoff Frequency	0~127	0-127
4	Resonance	1.0~12.0	10-120
5
6	EQ Low Frequency	50Hz~2.0kHz	8-40	table#3
7	EQ Low Gain	-12~+12dB	52-76
8	EQ High Frequency	500Hz~16.0kHz	28-58	table#3
9	EQ High Gain	-12~+12dB	52-76
10	Dry/Wet	D63=W~D=W~D<W63	1-127
11
12
13
14
15
16

: Can be controlled by AC1 (Assignable Controller 1) No.* : These numbers correspond to the Parameter Suffix numbers in See Table** : Refer to "Effect Data Assign Table"

Effect Data Assign Table

Table#1 LFO Frequency (Hz)

Data	Value	Data	Value	Data	Value
0	0.00	43	1.81	86	5.38
1	0.04	44	1.85	87	5.55
2	0.08	45	1.89	88	5.72
3	0.13	46	1.94	89	6.06
4	0.17	47	1.98	90	6.39
5	0.21	48	2.02	91	6.73
6	0.25	49	2.06	92	7.07
7	0.29	50	2.10	93	7.40
8	0.34	51	2.15	94	7.74
9	0.38	52	2.19	95	8.08
10	0.42	53	2.23	96	8.41
11	0.46	54	2.27	97	8.75
12	0.51	55	2.31	98	9.08
13	0.55	56	2.36	99	9.42
14	0.59	57	2.40	100	9.76
15	0.63	58	2.44	101	10.10
16	0.67	59	2.48	102	10.80
17	0.72	60	2.52	103	11.40
18	0.76	61	2.57	104	12.10
19	0.80	62	2.61	105	12.80
20	0.84	63	2.65	106	13.50
21	0.88	64	2.69	107	14.10
22	0.93	65	2.78	108	14.80
23	0.97	66	2.86	109	15.50
24	1.01	67	2.94	110	16.20
25	1.05	68	3.03	111	16.80
26	1.09	69	3.11	112	17.50
27	1.14	70	3.20	113	18.20
28	1.18	71	3.28	114	19.50
29	1.22	72	3.37	115	20.90
30	1.26	73	3.45	116	22.20
31	1.30	74	3.53	117	23.60
32	1.35	75	3.62	118	24.90
33	1.39	76	3.70	119	26.20
34	1.43	77	3.87	120	27.60
35	1.47	78	4.04	121	28.90
36	1.51	79	4.21	122	30.30
37	1.56	80	4.37	123	31.60
38	1.60	81	4.54	124	33.00
39	1.64	82	4.71	125	34.30
40	1.68	83	4.88	126	37.00
41	1.72	84	5.05	127	39.70
42	1.77	85	5.22

Table#2 Modulation Delay Offset (ms)

Data	Value	Data	Value	Data	Value
0	0.0	43	4.3	86	8.6
1	0.1	44	4.4	87	8.7
2	0.2	45	4.5	88	8.8
3	0.3	46	4.6	89	8.9
4	0.4	47	4.7	90	9.0
5	0.5	48	4.8	91	9.1
6	0.6	49	4.9	92	9.2
7	0.7	50	5.0	93	9.3
8	0.8	51	5.1	94	9.4
9	0.9	52	5.2	95	9.5
10	1.0	53	5.3	96	9.6
11	1.1	54	5.4	97	9.7
12	1.2	55	5.5	98	9.8
13	1.3	56	5.6	99	9.9
14	1.4	57	5.7	100	10.0
15	1.5	58	5.8	101	11.1
16	1.6	59	5.9	102	12.2
17	1.7	60	6.0	103	13.3
18	1.8	61	6.1	104	14.4
19	1.9	62	6.2	105	15.5
20	2.0	63	6.3	106	17.1
21	2.1	64	6.4	107	18.6
22	2.2	65	6.5	108	20.2
23	2.3	66	6.6	109	21.8
24	2.4	67	6.7	110	23.3
25	2.5	68	6.8	111	24.9
26	2.6	69	6.9	112	26.5
27	2.7	70	7.0	113	28.0
28	2.8	71	7.1	114	29.6
29	2.9	72	7.2	115	31.2
30	3.0	73	7.3	116	32.8
31	3.1	74	7.4	117	34.3
32	3.2	75	7.5	118	35.9
33	3.3	76	7.6	119	37.5
34	3.4	77	7.7	120	39.0
35	3.5	78	7.8	121	40.6
36	3.6	79	7.9	122	42.2
37	3.7	80	8.0	123	43.7
38	3.8	81	8.1	124	45.3
39	3.9	82	8.2	125	46.9
40	4.0	83	8.3	126	48.4
41	4.1	84	8.4	127	50.0
42	4.2	85	8.5

Table#3 EQ Frequency (Hz)

Data	Value	Data	Value
0	THRU(20)	43	2.8k
1	22	44	3.2k
2	25	45	3.6k
3	28	46	4.0k
4	32	47	4.5k
5	36	48	5.0k
6	40	49	5.6k
7	45	50	6.3k
8	50	51	7.0k
9	56	52	8.0k
10	63	53	9.0k
11	70	54	10.0k
12	80	55	11.0k
13	90	56	12.0k
14	100	57	14.0k
15	110	58	16.0k
16	125	59	18.0k
17	140	60	THRU(20.0k)
18	160
19	180
20	200
21	225
22	250
23	280
24	315
25	355
26	400
27	450
28	500
29	560
30	630
31	700
32	800
33	900
34	1.0k
35	1.1k
36	1.2k
37	1.4k
38	1.6k
39	1.8k
40	2.0k
41	2.2k
42	2.5k

Table#4 Reverb Time (ms)

Data	Value	Data	Value
0	0.3	43	4.6
1	0.4	44	4.7
2	0.5	45	4.8
3	0.6	46	4.9
4	0.7	47	5.0
5	0.8	48	5.5
6	0.9	49	6.0
7	1.0	50	6.5
8	1.1	51	7.0
9	1.2	52	7.5
10	1.3	53	8.0
11	1.4	54	8.5
12	1.5	55	9.0
13	1.6	56	9.5
14	1.7	57	10.0
15	1.8	58	11.0
16	1.9	59	12.0
17	2.0	60	13.0
18	2.1	61	14.0
19	2.2	62	15.0
20	2.3	63	16.0
21	2.4	64	17.0
22	2.5	65	18.0
23	2.6	66	19.0
24	2.7	67	20.0
25	2.8	68	25.0
26	2.9	69	30.0
27	3.0
28	3.1
29	3.2
30	3.3
31	3.4
32	3.5
33	3.6
34	3.7
35	3.8
36	3.9
37	4.0
38	4.1
39	4.2
40	4.3
41	4.4
42	4.5

Table#5 Delay Time (ms)

Data	Value	Data	Value	Data	Value
0	0.1	43	67.8	86	135.5
1	1.7	44	69.4	87	137.0
2	3.2	45	70.9	88	138.6
3	4.8	46	72.5	89	140.2
4	6.4	47	74.1	90	141.8
5	8.0	48	75.7	91	143.3
6	9.5	49	77.2	92	144.9
7	11.1	50	78.8	93	146.5
8	12.7	51	80.4	94	148.1
9	14.3	52	81.9	95	149.6
10	15.8	53	83.5	96	151.2
11	17.4	54	85.1	97	152.8
12	19.0	55	86.7	98	154.4
13	20.6	56	88.2	99	155.9
14	22.1	57	89.8	100	157.5
15	23.7	58	91.4	101	159.1
16	25.3	59	93.0	102	160.6
17	26.9	60	94.5	103	162.2
18	28.4	61	96.1	104	163.8
19	30.0	62	97.7	105	165.4
20	31.6	63	99.3	106	166.9
21	33.2	64	100.8	107	168.5
22	34.7	65	102.4	108	170.1
23	36.3	66	104.0	109	171.7
24	37.9	67	105.6	110	173.2
25	39.5	68	107.1	111	174.8
26	41.0	69	108.7	112	176.4
27	42.6	70	110.3	113	178.0
28	44.2	71	111.9	114	179.5
29	45.7	72	113.4	115	181.1
30	47.3	73	115.0	116	182.7
31	48.9	74	116.6	117	184.3
32	50.5	75	118.2	118	185.8
33	52.0	76	119.7	119	187.4
34	53.6	77	121.3	120	189.0
35	55.2	78	122.9	121	190.6
36	56.8	79	124.4	122	192.1
37	58.3	80	126.0	123	193.7
38	59.9	81	127.6	124	195.3
39	61.5	82	129.2	125	196.9
40	63.1	83	130.7	126	198.4
41	64.6	84	132.3	127	200.0
42	66.2	85	133.9

Table#6 Room Size (m)

Data	Value	Data	Value
0	0.1	43	6.8
1	0.3	44	7.0
2	0.4
3	0.6
4	0.7
5	0.9
6	1.0
7	1.2
8	1.4
9	1.5
10	1.7
11	1.8
12	2.0
13	2.1
14	2.3
15	2.5
16	2.6
17	2.8
18	2.9
19	3.1
20	3.2
21	3.4
22	3.5
23	3.7
24	3.9
25	4.0
26	4.2
27	4.3
28	4.5
29	4.6
30	4.8
31	5.0
32	5.1
33	5.3
34	5.4
35	5.6
36	5.7
37	5.9
38	6.1
39	6.2
40	6.4
41	6.5
42	6.7

Table#7 Delay Time (ms)

Data	Value	Data	Value	Data	Value
0	0.1	43	135.5	86	270.9
1	3.2	44	138.6	87	274.0
2	6.4	45	141.8	88	277.2
3	9.5	46	144.9	89	280.3
4	12.7	47	148.1	90	283.5
5	15.8	48	151.2	91	286.6
6	19.0	49	154.4	92	289.8
7	22.1	50	157.5	93	292.9
8	25.3	51	160.7	94	296.1
9	28.4	52	163.8	95	299.2
10	31.6	53	167.0	96	302.4
11	34.7	54	170.1	97	305.5
12	37.9	55	173.3	98	308.7
13	41.0	56	176.4	99	311.8
14	44.2	57	179.6	100	315.0
15	47.3	58	182.7	101	318.1
16	50.5	59	185.9	102	321.3
17	53.6	60	189.0	103	324.4
18	56.8	61	192.2	104	327.6
19	59.9	62	195.3	105	330.7
20	63.1	63	198.5	106	333.9
21	66.2	64	201.6	107	337.0
22	69.4	65	204.8	108	340.2
23	72.5	66	207.9	109	343.3
24	75.7	67	211.1	110	346.5
25	78.8	68	214.2	111	349.6
26	82.0	69	217.4	112	352.8
27	85.1	70	220.5	113	355.9
28	88.3	71	223.7	114	359.1
29	91.4	72	226.8	115	362.2
30	94.6	73	230.0	116	365.4
31	97.7	74	233.1	117	368.5
32	100.9	75	236.3	118	371.7
33	104.0	76	239.4	119	374.8
34	107.2	77	242.6	120	378.0
35	110.3	78	245.7	121	381.1
36	113.5	79	248.9	122	384.3
37	116.6	80	252.0	123	387.4
38	119.8	81	255.2	124	390.6
39	122.9	82	258.3	125	393.7
40	126.1	83	261.5	126	396.9
41	129.2	84	264.6	127	400.0
42	132.4	85	267.7

Table#8 Reverb Width; Depth; Height

Data	Value	Data	Value	Data	Value
0	0.5	43	11.8	86	24.2
1	0.8	44	12.1	87	24.5
2	1.0	45	12.3	88	24.9
3	1.3	46	12.6	89	25.2
4	1.5	47	12.9	90	25.5
5	1.8	48	13.1	91	25.8
6	2.0	49	13.4	92	26.1
7	2.3	50	13.7	93	26.5
8	2.6	51	14.0	94	26.8
9	2.8	52	14.2	95	27.1
10	3.1	53	14.5	96	27.5
11	3.3	54	14.8	97	27.8
12	3.6	55	15.1	98	28.1
13	3.9	56	15.4	99	28.5
14	4.1	57	15.6	100	28.8
15	4.4	58	15.9	101	29.2
16	4.6	59	16.2	102	29.5
17	4.9	60	16.5	103	29.9
18	5.2	61	16.8	104	30.2
19	5.4	62	17.1
20	5.7	63	17.3
21	5.9	64	17.6
22	6.2	65	17.9
23	6.5	66	18.2
24	6.7	67	18.5
25	7.0	68	18.8
26	7.2	69	19.1
27	7.5	70	19.4
28	7.8	71	19.7
29	8.0	72	20.0
30	8.3	73	20.2
31	8.6	74	20.5
32	8.8	75	20.8
33	9.1	76	21.1
34	9.4	77	21.4
35	9.6	78	21.7
36	9.9	79	22.0
37	10.2	80	22.4
38	10.4	81	22.7
39	10.7	82	23.0
40	11.0	83	23.3
41	11.2	84	23.6
42	11.5	85	23.9

Function...		Transmitted	Recognized	Remarks
Basic Channel	Default	1-16	1-16	Memorized
	Changed	1-16	1-16
Mode	Default	3	3
	Messages	×	3, 4 (m=1) *2, *3
	Altered	**********	×
Note Number	: True voice	0-127	0-127
		**********	0-127
Velocity	Note ON	○ 9nH, v=1-127	○ v=1-127
	Note OFF	○ 8nH, v=0-127	○
After Touch	Key s	○ *4	○
	Ch s	×	○ *1, *2
Pitch Bend		×	○ 0-24 semi *1, *2
Control	0, 32	○	○ *1, *2	Bank Select
	7, 11	○	○ *1
	1, 5, 10	×	○ *1, *2
	6, 38	×	○ *2	Data Entry
	64	○	○	Hold1 (Sustain)
	65	×	○ *2	Portament
	66	×	○ *2	Sostenuto
	67	×	○ *2	Soft (Shift) Pedal
	71-74, 84	×	○ *2
	91, 93, 94	×	○ *2	Effect Depth
	96-101	×	○ *1, *2
Prog Change : True #		○ 0-127	○ 0-127 *2
System Exclusive		○	○
Common : Song Pos		×	×
		×	×
		×	×
System : Clock		×	×
Real Time : Commands		×	×
Aux : All Sound OFF		○	○ (120, 126, 127)
		: Reset All Cntrls	×	○ (121)
		: Local ON/OFF	×	○
		: All Notes OFF	○	○ (123-125)
Messages : Active Sense		○	○
		: Reset	×	×
Notes *1 = Received (transmitted) if switch is on. *2 = Only ESBL Part can be recognized. *3 = m is always treated as 1 regardless of its value.			*4 = Applying further pressure on the key does not output key aftertouch information. Instead, key position is transmitted as additional information.

Mode 1: OMNI ON. POLY Mode 2: OMNI ON. MONO :YES Mode 3: OMNI OFF. POLY Mode 4: OMNI OFF. MONO x:NO 

YAMAHA