iD44 - Hi-Fi System Audient - Free user manual and instructions
Find the device manual for free iD44 Audient in PDF.
User questions about iD44 Audient
0 question about this device. Answer the ones you know or ask your own.
Ask a new question about this device
Download the instructions for your Hi-Fi System in PDF format for free! Find your manual iD44 - Audient and take your electronic device back in hand. On this page are published all the documents necessary for the use of your device. iD44 by Audient.
USER MANUAL iD44 Audient
Welcome to your new Audient iD44 Audio Interface
To help get you started please visit audient.com/products/iD44
to download the latest softwareand firmware.
The 12VDC power supply comes with interchangeable UK, EU, US and Australian socket adapters and will work across a broad range of line voltages making iD44 globally portable.
Inside the box:
• iD44
• 12VDC PSU with regional adapters
- USB Type C Cable
- Quick Start Guide

natural_image
Black audio player interface with labeled buttons and dials (no readable text or symbols beyond branding)Features include:
- 4 x Class - A Audient Console Mic Preamplifiers
• Class Leading AD/DA Converters - 2 x ADAT Inputs & Outputs for Digital Expansion
• 2 x Discrete JFET Instrument Inputs
• 2 x Fully Balanced Inserts - 2 x Independent Class-AB Headphone output channels with options for 1/4 inch and 3.5mm headphone jacks
• Main and Alt Speaker Outputs - Audio Loop-back
- ScrollControl
• 3 x User Defined Function Keys
• Dedicated Talkback, Dim and Cut Controls - Low Latency DSP Mixer
- Word Clock Output
• USB2.0 Compliant
24b/96khz
• AllMetal Enclosure - Standalone Mode
• Free Software & Plugins
Contents
iD44 Overview 4
Safety Information 5
Declaration of Conformities 7
Installation: 8
Mac Installation 9
Windows Installation 12
iD App & Firmware Update 14
Hardware Features: 15
Microphone & Line Input 16
Instrument Input 17
Send and Returns 17
Digital Inputs and Outputs 19
Loudspeaker Outputs 24
Headphone Outputs 24
Monitor Control 25
Metering 27
Kensington Lock 27
Software Features: 28
Input Channel Types 29
Channel Features 31
Mastering Section Features 32
System Panel Features 35
The Routing Matrix 37
Setting Up Talkback 38
Save & Loading Presets 39
Menu & Task Bar Icon 40
Standalone Mode 41
Firmware Update 41
Audio Loop-Back 42
Keyboard Shortcuts 44
DAW Setups: 45
Pro Tools Setup 46
Logic Pro Setup 47
Cubase/Nuendo Setup 49
Ableton Setup 51
Troubleshooting & FAQ 52
Technical Specifications 55
Dimensions 56
Warranty 57
Service & Contact 58
Glossary 59
iD44 Overview

text_image
Channel 1 - 4 Gain 0 - 60dB Main Meters Volume Encoder Headphone 1 + 2 Volume Signal/Peak Indicators 48V Phantom Power iD44 Programmable F-Keys High Pass Filter iD Button Talkback Dim/Cut Buttons-10dB Pad
text_image
Word Clock Output Insert Send/Return Power Switch AUDIENT OPTICAL OUT WORD CLOCK OUT 3L 1L 4 3 SND 2 SND 1 +1DVDC 2A 0 USB-C EN 4R 2R LINE OUTPUTS LINE ○ MIC INSERT RET INSERT RET DESIGNED IN ENGLAND | MODE IN CHINA 12VDC Power Digital I/O Line Outputs USB-C Mic / Line InputsSafety Information
Important Safety Instructions
Please read all of these instructions and save them for later reference before connecting the DC power adapter to the mains and powering up iD44.
To prevent electrical shock and fire hazard follow all instructions on the 12VDC power supply. iD44 itself does not operate with any high voltage mains supply inside the unit but appropriate safety measures should still be adhered to regarding the AC/DC supply.
Please ensure you only use the supplied iD44 power supply. We cannot recommend the usage of third party power supplies. In the event of a power supply failure do not open the 12VDC supply. If required, please contact Audient support so that a suitable replacement can be sourced.
support.audient.com
iD44 utilises an external switch-mode power supply that is very quiet and rated at 2A. This switch-mode design will accept any A.C line voltage from 90v to 264v @ 47-63Hz. Therefore the unit will work anywhere in the world but please ensure your A.C mains line voltage is within this specification.
Consult a qualified technician if you suspect difficulties. Do not attempt to tamper with the power supply or mains voltages - HAZARDOUS TO HEALTH. Ensure that the appropriate international pin adapter is fitted to the power supply before insertion into the mains socket.
WARNING!
To reduce risk of fire or electrical shock, DO NOT expose this apparatus to rain or moisture.
No user serviceable parts inside. Please refer servicing to qualified service personnel.
Safety Information
Important Safety Instructions
- Read these instructions
- Keep these instructions
- Heed all warnings
- Follow all instructions
- Do not use this equipment near water
- Clean only with dry cloth
- Do not install near any heat sources such as radiators, heat registers, stoves, or other equipment (including amplifiers) that produce heat
- Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet
- Protect power cords from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the equipment
- Only use attachments/accessories specified by the manufacturer
- Unplug this equipment during lightning storms or when unused for long periods of time
- Refer all servicing to qualified service personnel. Servicing is required when the equipment has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the equipment, the equipment has been exposed to rain or moisture, does not operate normally, or has been dropped
- For products that are a mains powered device: The equipment shall not be exposed to dripping or splashing and no objects filled with liquids (such as vases) shall be placed on the equipment
Declaration of Conformities
FCC Part 15B
This apparatus has been tested and found to comply with the limits of a class-A digital device, pursuant to Part 15B of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
- Re-orient or relocate the receiving antenna
- Increase the separation between the equipment and receiver
- Connect the equipment into an outlet on a different circuit from that
to which the receiver is connected - Consult the dealer or an experienced radio/TV technician for help

We, Audient Ltd, Aspect House, Herriard, Hampshire, RG25 2PN, UK,
256 381944,declare under our sole responsibility that the product iD44
complies with Part 15 of FCC Rules.
Operation is subject to the following two conditions:
- This device may not cause harmful interference,
- This device must accept any interference received,
including interference that may cause undesired operation

We, Audient Ltd, declare that the product, the iD44, to which this declaration relates, is in material conformity with the appropriate CE standards and directives for an audio product designed for consumer use.

We, Audient Ltd, declare that the product, the iD44, to which this declaration relates, is in material conformity with the appropriate UKCA standards and directives for an audio product designed for consumer use.

Audient Ltd has conformed where applicable, to the European Union's Directive EN 63000:2018 on Restrictions of Hazardous Substances (RoHS) as well as the following sections of California law which refer to RoHS, namely sections 25214.10, 25214.10.2, and 58012, Health and Safety Code; Section 42475.2, Public Resources
Installation
Mac Installation
System Requirements
macOS 10.11.6 (EI Capitan) or Later Mac Intel CPU or Apple Silicon 1GB RAM Minimum
1. Download the latest iD Software
Head to our website for the latest version of our iD Mixer:
audient.com/products/id44
Open the downloaded .dmg file. Now, drag the downloaded app into your application folder to install it.
2. Connect iD44
Using the USB cable provided, connect iD44 to your computer's USB port.

text_image
USB - C Dv4.0.4 AUDIENT iD >Mac Installation
3. Status LED
Once connected to your computer and powered on, the green status LED on iD44 will illuminate.

If at any time the status LED turns off during normal operation please check all connections and if further problems develop please contact Audient support.
4. Double Checking Connectivity
To ensure iD44 has been detected by your computer and correct clocking sources are set-up, navigate to:
Macintosh HD > Applications > System Preferences
Check that iD44 is set as your audio device. It's recommended to disable system sounds.

text_image
Sound Sound Effects Output Input Select a device for sound output: Name Title Internal Speakers Built-in Sound Data Data Settings for the selected device: The selected device has no output controls Output volume: Show volume in menu barIt's also worth checking Audio MIDI Setup (found in Mac HD > Applications > Utilities).
Window > Show Audio Window
Here you should see iD44 report with 20 inputs and 24 outputs. The clock source is configured in the iD app. See page 23 for more details.

text_image
Audio Devices Built-in Microphone 2 ms / 9 bits Built-in Output 0 ms / 7 bits Audient ID44 20 Hz / 34 bits Pro Tools Aggregate (O 2 ms / 9 bits) Audient ID44 Clock Source: Audient Internal Clock Input Output Source: Default Format: 24 ch 24-bit Integer 44.1 kHz Channel Volume Value Edit Multi Master Analogue 1 Analogue 2 Analogue 3 Analogue 4 Analogue 5 Analogue 6 Analogue 7 Analogue 8 SPDF - UADAT-1 EPDF - UADAT-2 ADAT-3 ADAT-4 ADAT-5 SPDF - UADAT-6 Configur Speakers...Mac Installation
Menu/Task Bar Icons
On MacOS, the iD icon appears in the menu bar in the top right hand corner of the screen. This gives you quick access to various functions of the iD44.

text_image
Show Mixer About iD Visit iD Knowledge Base Register Product Check for Updates Set Clock Source QuitShow Mixer
If the mixer window has been hidden, this will bring it back to the forefront.
Quit
Fully closes the iD Software Mixer application.
About iD
Displays information regarding the current version of the iD Software Mixer application and firmware.
Visit iD Knoweldge Base
Opens a browser windows for the Audient Helpdesk with helpful articles and FAQs.
Check for Updates
The iD app will check with the Audient update server for any available firmware updates for iD44.
Top Tip
Right click on the iD icon in the Dock and select Keep in Dock to have quick access to the iD mixer app at all times.

text_image
Options Show All Windows Hide Quit Keep in Dock Open at Login Show in FinderWindows Installation
Windows System Requirements:
Windows 8 or later (32 or 64 bit)
Intel Core 2 @1.6Ghz, or AMD equivalent 1GB
RAM Minimum
1. Download the iD44 Software
Head to our website for the latest version of our iD Windows Installer:
audient.com/products/iD44
2. Connect iD44
Using the USB cable provided, connect
iD44 to your computer's USB port and connect the iD44's power supply.
3. Run iD Mixer Setup
Double click on the installer to run the iD mixer setup and follow the on-screen instructions.
4. Reboot PC
Reboot your PC to make sure that all the drivers have been applied.

natural_image
Four blue square grids arranged in a 2x2 grid (no text or symbols)
text_image
Setup AUDIENT Welcome to the Audient USB Audio Driver v4.0.3 Setup Wizard This wizard will guide you through the installation of Audient USB Audio Driver v4.0.3. It is recommended that you close all other applications before starting Setup. This will make it possible to update relevant system files without having to reboot your compter. Click Next to continue. Next > Cancel4. Check Connectivity

The USB status LED will illuminate as soon as iD44 has achieved stable communication and should remain solidly lit during operation of the unit until power down.
To double check the connection, go to PC sound settings by following:
PC Settings > Control Panel > Hardware and Sound > Sound
Here you can see whether iD44 is visible to the PC and you can make it the computers default sound device by pressing 'Set Default'.
iD Icon
Once installed, the iD icon can be found in the Windows system tray (it may be in the hidden icons area):
- Double-click to open the iD44 mixer window when iD44 is connected.
- Right-click to quit or change sample rate and buffer size.

text_image
Show Mixer Quit About ID Visit ID Knowledge Base Register Product Check for Updates Set A$10 Buffer Size Set Sample Rate Set Clock Source 10 Samples 32 Samples 64 Samples 128 Samples ✓ 256 Samples 512 Samples 1024 Samples 2048 Samples 4098 Samples 17:16 15/12/2020For mixing, a buffer size of 256 should be perfect. For tracking, experiment with lower buffer size values.
Various factors including how powerful your computer is, and how processor hungry your project is, will affect how low you can get the buffer size settings before you get audio instability.
More information on optimisation can be found on our support site.
iD App & Firmware Update
Launch the iD Mixer Application
Launch the iD mixer application by finding it in the following folder:
Mac OS
Macintosh HD > Applications > iD
Windows
Start > All Programs > Audient > iD
For more information on the mixer application feature set, please refer to the Software Features section of this manual.
On Windows, the app will launch when the device is connected.

text_image
Mio 1 Mio 2 Mio 3 Mio 4 DAW 1+2 DAW 3+4 MASTER MIX AUDIENT ID 10 20 30 40 50 60 70 80 90 100 110 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100Check for Firmware Updates
If your computer is connected to the internet, the iD app will check for firmware updates whenever a unit is connected. If there is a firmware update available then the iD app will notify you.
Once the firmware update is complete, you can continue using iD44 as normal.
Firmware Update
When there is a firmware update, you can select 'From audient.com' to download the latest version automatically (or select 'From file' to install a local firmware file).

text_image
UPDATE FIRMWARE From audient.com: From file: CANCEL NEXTThe latest version number will be retrieved from our servers and will be displayed. Press next to continue with the firmware update. Press 'update' to install it. Once complete reboot iD44 using the power switch to apply it manually.

text_image
Update Firmware UPDATE FIRMWARE COMPLETE CANCEL OKHardware Features
Microphone Preamplifiers & Line Inputs
iD44 features four classic Audient
microphone preamplifiers. These preamps are based on designs from Audient's classic consoles and are the same that are used across our entire product range.
The design features discrete Class-A circuitry providing exceedingly low distortion and noise performance. From a sonic point of view, iD44 is fast, open and detailed.
Amphenol™ XLR/TRS Jack combi-connectors provide microphone and line inputs. The line inputs are padded through the microphone preamplifiers.

text_image
SND INSERT RET 2 SND INSERT RET 1
text_image
0 GAIN 10 SIG PK 48V -10dB 1The four microphone preamplifiers feature:
- 58 dB of clean gain
- 48V (±4V) phantom power rated at 14mA/channel
-
2.8kΩ input impedance which provides a punchy tone from any microphone transducer type
• Signal and Clip Indicators - -10dB Pad
- 100Hz High Pass Filter to remove unwanted rumble
Channels 1 and 2 also include an Insert Send and Return allowing for the use of outboard equipment while tracking.
Instrument Input
iD44 employs 2 discrete Class-A JFET instrument (D.I) inputs on channels one and two which are easily accessible on the front of the unit.
The JFET circuitry adds a tiny bit of colour and warmth to the signal, making it sound great on guitars and basses.
Plugging in a TS (tip-sleeve unbalanced) jack will override the mic signal for that channel and turn it into a fully fledged, fantastic sounding instrument input with access to the Pad and High Pass Filters.

natural_image
Electronic audio amplifier device with a yellow-orange electric guitar shown below (no text or symbols visible)Balanced Inserts & Returns
On Channels 1 and 2, the iD44 features a dedicated insert allowing you to connect outboard gear to your recording chain; Just like the work flow you would find on an Audient console!
The two channels feature an impedance balanced send and an electronically balanced return, all before the AD converters.
Insert your favourite EQ and compressor into the insert and with the super clean audient pre-amps, you can build vocal chains that will rival the best out there!
Insert Normalling
The Insert send and return jacks are half normalled meaning you don't need to patch the two together when not in use. The internal signal chain is only broken when a jack is plugged into the return. Plugging a jack into the Insert send will split the signal which can be useful for parallel processing.
Class A Mic Preamplifier, Inserts, A/D converters and Optical Input Block Diagram

flowchart
graph LR
subgraph Input Specs
CH1["CH1"] --> A["Auto Sense Input Select"]
D.I1["D.I 1"] --> A
CH2["CH2"] --> B["Auto Sense Input Select"]
D.I2["D.I 2"] --> B
CH3["CH3"] --> C["Auto Sense Input Select"]
CH4["CH4"] --> C
end
A --> D1["-48V"]
A --> D2["-10dB"]
B --> D3["-48V"]
B --> D4["-10dB"]
C --> D5["-48V"]
C --> D6["-10dB"]
E["Auto Sense Input Select"] --> F["+60dB"]
G["Auto Sense Input Select"] --> H["+60dB"]
I["ADC"] --> J["Insert"]
K["ADC"] --> L["Insert"]
M["ADC"] --> N["ADC"]
O["USB OUT"] --> P["Direct Monitor Path (software controlled)"]
Q["OPTICAL IN 1"] --> R["OPTICAL"]
[Non-Text]
Microphone Input
XLR Combi Female
Pin 1: Chassis Ground Pin
Pin 2:Hot (+ve)
Pin 3: Cold (-ve)
Input Impedance: >2.8k ohm
Maximum Input Level: +18 dBu
Line Input
1/4" TRS Combi Jack
Tip: Hot (+ve)
Ring: Cold (-ve)
Sleeve: Chassis Ground
Input Impedance: >8k ohm
Maximum Input Level: +28 dBu
DI Input
1/4" TS Jack
Tip: Hot (+ve)
Sleeve: Ground
Input Impedance: >1Meg ohm
Insert Sends
1/4" TRS Jack
Tip: Hot (+ve)
Ring: Cold (-ve)
Sleeve: Chassis Ground
Output Impedance: >100 ohm
Maximum Output Level: +22 dBu
Insert Return
1/4" TRS Jack
Tip: Hot (+ve)
Ring: Cold (-ve)
Sleeve: Chassis Ground
Input Impedance: >10k ohm
Maximum Input Level: +18 dBu
Digital Reference: 0dBFS = +18dBU
Optical Inputs
TOSLink Optical Connector
ADAT: 8 channels @ 48kHz
ADAT SMUX: 4 channels @ 96kHz
S/PDIF: 2 Channels @ All sample rates
Patching Inserts
To incorporate your favourite processing before conversion, simply patch the iD44 insert send into the first piece of gear in your processing chain. Then take the output of the last device in the chain and patch this into the iD44 insert return.

text_image
SND INSERT RET TELETRONIX OUTPUT + 10 OUTPUT + 4 MAIN REDUCTOR OUTFRONT + 10 MAIN REDUCTOR OUTPUT + 4 MAIN REDUCTOR OUTFRONT + 10 MAIN REDUCTOR OUTPUT + 4 MAIN REDUCTOR OUTPUT + 4 MAIN REDUCTOR OUTPUT + 4 MAIN REDUCTOR OUTPUT + 4 MAIN REDUCTOR OUTPUT + 4 MAIN REDUCTOR OUTPUT + 4 MAIN REDUCTOR OUTPUT + 4 MAIN REDUCTOR OUTPUT + 4 MAIN REDUCTOR OUTPUT + 4 MAIN REDUCTOR OUTPUT + 4 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 3 MAIN REDUCTOR OUTPUT + 3 MAIN REDUCTOR OUTPUT + 3 MAIN REDUCTOR OUTPUT + 3 MAIN REDUCTOR OUTPUT + 3 MAIN REDUCTOR OUTPUT + 3 MAIN REDUCTOR OUTPUT + 3 MAIN REDUCTOR OUTPUT + 3 MAIN REDUCTOR OUTPUT + 3 MAIN REDUCTOR OUTPUT + 3 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 2 MAIN REDUCTOR OUTPUT + 10 OUTPUT + 10 OUTPUT + 10 OUTPUT + 10 OUTPUT + 10 OUTPUT + 10 OUTPUT + 10 OUTPUT + 10 OUTPUT + 10 OUTPUT + 10 OUTPUT + 10
text_image
WARM SND INSERT RET WA12-500 MAXI DCOR: AND REDirect Access to ADC
The Insert return connection on the iD44 is a electronically balanced input stage that directly drives the analogue to digital converter for that channel.
As such, this is a great place to input signals directly to the ADC, bypassing the preamplifiers and minimising any colouration of the signal.
This makes it useful to patch in external microphone preamplifiers without adding additional colouration or noise. It is also handy for using the iD44's outputs to drive external effects before returning them into your DAW using the insert returns.
Please note; the digital calibration level of the iD44's converters is 0dBFS = +18dBu.
Digital Inputs and Outputs
iD44 features two optical inputs and two optical outputs. These can be set to operate using optical stereo S/PDIF or 8-channel ADAT using the iD mixer application. All i/o will operate at up to 96kHz, with ADAT dropping to 4 channels at sample rates of 88.2kHz or higher.

text_image
OPTICAL OUT IN 2 1 WORD CLOCK OUTRunning in S/PDIF mode, the optical i/o provides the option to integrate external digital outboard, allowing up to 4 channels of audio in and out of the iD44 at sample rates up to 96KHz.
Running in ADAT mode, the optical i/o provides a great way to expand to 20 inputs for recording via external mic preamps such as the Audient ASP800.
The ADAT outputs could also be connected to headphone distribution systems such as a HearbackTM System or to an 8-channel DAC for summing purposes
When using 88.2kHz and 96kHz as a sample rate, you only have access to 8 channels of digital input and 8 channels of digital output (due to the ADAT protocol).
More information on how the iD mixer is used to route to the optical outputs can be found under The Routing Matrix section of this manual.
Word Clock Output
The iD44 also includes a BNC Word Clock output which allows you to clock multiple digital devices to the iD44's master clock and keep everything in sync.
The Word Clock output will send a clock signal at the same sample rate (44.1, 48, 88.2 or 96kHz) that the iD44 is operating at. This will occur regardless of whether the iD44 is being clocked internally or externally.
Clocking Configurations
When connecting external digital devices to the iD44, its important to ensure that all devices are synchronised.
To ensure this, one device in the setup must be set as the master clock. The other devices will then use the master clocks signal to stay in sync. There can only ever be one master clock present in a chain.
The master clock signal can be sent either via an Optical cable embedded into the digital signal data, or through a BNC clock line cable. Please bear in mind that the clock will only travel in one direction through these connections, from a devices output to a devices input.
Choosing a Master Clock
In a digital setup, there can be a number of options when determining which device should be your master clock. Quite often the best device to set as the master is the one that is connected to the computer (where possible) such as an audio interface. This way, when you open a project in a DAW, the audio interface should change to match the project sample rate, and therefore change the sample rate of all the slave devices. However this depends on the devices being used.
iD44 as the Master Clock
With the iD44 set as the Master Clock the other devices in the chain can be clocked by either the Optical Outputs or the BNC word clock output.
When clocking just one device, clocking via the optical port would be the simplest option, simply connect the TOSlink cable up to the iD44's optical output and to the other digital devices input.
Then set the other device to Slave off the iD44's clock.
If you are using multiple devices then it is recommended to use the BNC word clock output and then use T-connectors to daisy chain the devices together. It is important to note that the final device in the chain should have its BNC connector terminated with 75 Ohms to stop reflections of the clock signal. This should be a switch able option on most devices.
iD44 with Single BNC Connection

text_image
AUDIENT iD44 75 Ohm TerminatediD44 with Daisychained BNC connection

flowchart
graph TD
A["AUDIENT"] --> B["iD44"]
B --> C["BNC T Connector"]
C --> D["75 Ohm UnTerminated"]
D --> E["Output Stage"]
75 Ohm Terminated
---→ OpticalTOSlink Cable BNC Word Clock Cable
iD44 as the Slave
The iD44 can also act as the slave to an external master clock via it's optical inputs. The BNC connector is an output only.
In this case, you would simply connect the optical output of a device to the iD44's optical input. Then, in the iD Software Mixer, select the optical input you wish to be used as the clock source. You would also need to set the inputs to either ADAT or S/PDIF depending on the specification of the external device. Finally, ensure your sample rates match.

text_image
DIGITAL IN ADAT S/PDIF 1 2 DIGITAL OUT ADAT S/PDIF 1 2 PREFERRED CLOCK SOURCE INTERN DIG 1 DIG 2iD44 clocked via the Optical Port

text_image
AUDIENT ID44 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80Line Outputs
iD44 has four line outputs, these can be used for connecting monitors on the back panel in the form of balanced TRS jack connectors. The outputs are impedance balanced using the same topology as our flagship console, the ASP8024-HE.
The outputs are fed from high quality DACs (Digital to Analogue Converters) sending clean, linear audio to your speakers, perfect for critical listening.

text_image
3L 1L 4R 2R LINE OUTPUTSYou can use these outputs for more than just speakers. If you want to use hardware outboard equipment, you can send out up to four mono, or two stereo signals from these outputs, this is configured in the iD Software Mixer.
In order to keep your audio noise free, we would recommend against the use of unbalanced (TS, RCA.. etc) cables on the line outputs.
Headphone Outputs
iD44 features two high current headphone amplifiers which are fed by separate DACs. Headphone Output One can be accessed from both the 3.5mm and 6.35mm sockets found on the front of the unit. The same audio signal comes out of both connectors simultaneously, so it does not matter which you plug your headphones into. You can also plug in two pairs at the same time.
Whilst Headphone Output Two can only be accessed via the 6.35mm output.

natural_image
Close-up of a black electronic device front panel with two labeled buttons (1 and 2), no visible text or symbols beyond labels.These can be used instead of or alongside speakers to get an idea how your mix translates to headphones, or to provide artist headphone mixes
The headphone outputs can comfortably drive a wide range of headphone impedances meaning that you will get great sounding audio no matter what model of headphones you have.
Monitor Control
iD44 provides excellent monitor control functionality as found on our consoles.
As such, it is possible to control main and alternative loudspeaker volumes with a perfectly matched stereo volume control.

text_image
iD2 F2 F3 TALKBACK USB DIM CUTAccompanied by this monitor volume knob are permanently assigned hardware DIM & CUT switches. The level of DIM and ALT. loudspeaker trim can be adjusted in the iD Mixer application.
Alongside these functions, three user programmable 'F' keys provide access to several useful monitoring features.
Monitor Control Features
• Volume control (perfectly matched)
- ALT loudspeaker with programmable level (assignable to an 'F' key)
• DIM with programmable level
- CUT
• Mono Sum (assignable to an 'F' key)
- Polarity reverse (assignable to an 'F' key)
By using polarity reverse and mono sum it is possible to listen in sum or difference (mid or side) modes. This provides an excellent way to check mono compatibility and to also learn spatial tricks from your favourite reference material.

text_image
1 10 F1 F2 F3 TALKBACKiD Button

text_image
iDThe iD button switches iD44 into
ScrollControl mode, allowing the encoder to be used as a scrollwheel for the computer. This gives you the ability to control plugin parameters and anything else that is scrollable. This works well for adding automation or setting parameters in a hands-on way.
To use ScrollControl, hover your mouse over whatever you want to control and rotate the encoder.
ScrollControl may act slightly different on different plugins or DAWs depending on how they have been programmed to work with scrolling. If you find it is too sensitive or not sensitive enough, you can try adjust your computer scrolling speed.
Talkback
The iD44 can take a talkback signal from a variety of places. You can assign one of the 4 analogue or 16 digital inputs as your talkback channel. When tallback is activated, signal from that channel is sent through one of the Cue mixes to the artist(s).

text_image
TALKBACKYou can also source the talkback audio from another audio device connected to your computer such as the built-in microphone. This allows you to free up an input channel on your iD44 that would otherwise be taken up, great for big sessions.
Details on how to set this up can be found in the 'Software' section of this manual.
Hardware Metering
The 8-segment hardware meters indicate playback level of the iD Mixer app, so it is suggested that end users observe their DAW metering for input levels.

text_image
0 -3 -6 -9 -12 -18 -24 -36Status LED
The status LED indicates connection via USB to your computer. A solidly lit light means that there is stable communication between iD44 and your computer.

text_image
USBKensington Lock
For those who work in educational establishments or in situations where your equipment is public facing and subject to possible theft opportunities, we have provided a Kensington lock hole to enable you to protect your iD44.

natural_image
Coiled black cable with a small connector and loop, no visible text or symbolsSoftware Features
Input Channels - Channel Types
The iD Mixer application features three types of input channels:
Mic Inputs
These are the inputs where you will see the signal from the iD44's four analogue inputs
Digital Inputs
These are the inputs from the iD44's optical inputs. The number of digital inputs present on the iD mixer application depends on the digital input type (S/PDIF or ADAT) and the sample rate being used.
DAW Returns
These are the signals being played back from your DAW. The iD44 has 8 DAW Return Channels allowing you set up multiple cue mixes or sends to hardware outboard gear.
Using these three channel types, you can build up your main monitor mix and up to four additional cue mixes.
Its important to note that the iD mixer application only controls the monitoring of the iD44. Changes made to the iD mixer application won't affect the level present in your DAW or audio software.

text_image
Mic 1+2 Channel Name Phase Flip Pan Control Stereo Stereo Grouping Solo SOLO MUTE Mute Meters -128 -128 FaderChannel Features
Channel Name
By double clicking on the name of the channel you can rename it to help you organise your iD mixer application. You could name a channel 'Kick' or 'Snare' for example.
Phase Flip
Inverts the polarity of the signal by 180^ to stop phase cancellation. This is useful if you a micing the rear of a guitar amplifier or the underside of a snare drum.
Pan Control
Allows you to send the audio to the left, to the right or anywhere between on your Main Monitor Mix or Cue Mixes.
Stereo Grouping
Allows you to group two adjacent channels together into a stereo channel with a single fader controlling the level of both channels. When a channel is stereo grouped, the pans will automatically be set to far left and far right.
Solo
The Solo button mutes all other channels other than the one that is currently solo'd. Multiple channels can be solo'd at one time.
Mute
The Mute button stops this channel from outputting audio whilst it is engaged.
Fader
The fader controls the amount of signal that is sent to the currently selected mix. This can be set to anywhere between -inf dB to +6dB.
Meter
The meter shows the current signal level in dBFS. Should the signal level exceed 0dBFS then the peak indicators will illuminate red to indicate a peak. The peak indicators can be cleared by clicking the mouse cursor in them. You can also clear all peak indicators using Alt + Click.
Master Section Features

text_image
Mix Selection MASTER MIX Cue Mix Name CUE A CUE MASTER S Cue Mix Level Chronometer CUE B S CUE C S CUE D S Channel Views MIC OPT DAW Mix Solo Mix Meters AUDIENT iD Monitor Controls TB MONO ALT DIM CUTChannel Features
Mix Selection
Clicking on one of mixes allows you to make changes to that mix. When a mix is selected, it expands to reveal additional controls for that mix.
Cue Mix Name
Double clicking on a Cue Mixes name allows you to rename the Cue Mix. If for example you were creating mixes for four separate band members, you could name them 'Drummer', 'Guitarist', 'Bassist'... etc.
Mix Solo
The Solo button allows you to audition each of the Cue mixes through your monitors.
Mix Level
The Mix level allows you to control the overall level of the Cue mix that is sent to the outputs.
Mix Meters
The Mix meters show the master signal level of the selected Mix.
Chronometer
The Chronometer Meters allows you to see not only the current signal level but also the signal level from a few seconds previously.
This can be great to track down a sudden
loud transient on a particular cue mix or to monitor the change in level over time as you make changes to a mix.
Channel Views
These three buttons allow you control which of the three channel types are shown in the mixer. If for example you weren't using the digital inputs for a particular project, you can simply hide the optical channels by clicking on the OPT control.
Monitor Controls
These six buttons control various aspects of the iD44's monitor controller capability. The function of each control can be found below:
- TB (Talkback)
The Talkback button switches Talkback on and off. More information regarding Talkback and its various settings can be found in the 'System Panel' section of this manual.
- (Phase Flip)
Pressing this switch flips the phase of one side of the stereo field. Used in conjunction with the mono button, this can be a great way to remove centred elements from a mix in order to hear the hidden elements of a mix.
Mono
The mono button sums the stereo outputs down to mono. This can be used to quickly check the mono compatibility of your mix to make sure it'll sound great almost anywhere!
ALT
ALT allows you to quickly switch your monitor path to a secondary set of monitors to let you check how your mix translates on various speakers.
You can select which outputs the ALT monitor control flips to in the System Panel.
Dim
Reduces the output level by a pre-set amount, which can be great if you get a call or need to quickly chat to someone during a session.
Cut
The cut button cuts the signal to the monitors.
All these controls can be controlled from the iD44 itself, either by assigning them to an F-Key, or using the dedicated Talkback, Dim and Cut controls.
Assigning F-Keys
Various functions of the iD mixer application can be assigned to the Function Keys of the iD44 to allow you to quickly control your monitoring at the click of a button.
To assign a monitor control to an F-Key, simply right click on the control and select the F-Key.

text_image
✓ F1 F2 F3 None TB Ø MONO ALT DIM CUTSystem Panel Features

System Panel Features
Digital I/O Format
Allows you to select whether each optical input or output uses ADAT or S/PDIF digital format.
Preferred Clock Source
The Clock source can be selected from either the internal clock or one of the two optical inputs. More information about choosing a clock source can be found in the clocking section of this manual.
When using an external clock source the indicator beside the selector shows the current status of the clock on that input.
- Red - No clock signal detected on input
- Amber - A clock signal is detected but at a different sample rate to iD44
- Green - A clock signal is detected and is at the correct sample rate.
For an external clock source to be working correctly you would want the indicator to be green. If the indicator isn't green, iD44 will default back to the internal clock until it detects a valid clock input.
Mono Mode
When the iD44's Mono feature is engaged this option controls whether the mono signal is sent to the left, right or both monitors.
Dim Level
When the iD44's dim button is pressed, this control defines how much the level is reduced by.
ALT Speaker Level
This control defines the level drop/boost when the iD44 is switched to ALT speaker mode. This is used to balance levels between different speaker brands or types.
Output Routing Selection
Opens the routing matrix for either the Analogue Outputs, Digital Output 1, Digital Output 2 or the Talkback channel.
Routing Matrix
The Routing Matrix allows you to control the audio source for each of the iD44's outputs from the following options:
- Main Mix – This takes signal from the Master Mix of the iD mixer. This is what is usually used for most standard playback.
- ALT - This takes signal from the Master Mix but only when the Alt speaker mode is active.
- Cue A, B, C, D - This takes signal from the four cue mixes which can be created using the iD mixer. Please note that the hardware volume control does not affect these mixes and the Cue's have separate trims which can be adjusted when the cue mix is selected in the Main Mixer Window.
- DAW THRU - This allows you to route to outputs exactly as they would appear in your DAW. For example, if you set
| ANALOGUE OUTPUTS | DIGITAL OUTPUT 1 | DIGITAL OUTPUT 2 | TALKBACK | ||||||
| MAIN MIX | ALT SPK | CUE A | CUE B | CUE C | CUE D | DAW THRU | |||
| STEREO | 1 + 2 | ● | ● | ● | ● | ● | ● | ● | ● |
| STEREO | 3 + 4 | ● | ● | ● | ● | ● | ● | ● | ● |
| STEREO | 5 + 6 | ● | ● | ● | ● | ● | ● | ● | ● |
| STEREO | 7 + 8 | ● | ● | ● | ● | ● | ● | ● | ● |
Analogue out 1+2 to DAW THRU, anything your DAW sends out to Outputs 1+2 will be sent directly to Analogue outputs 1+2. This can also applicable for the digital outputs meaning you can have numerous sends direct from your DAW out via the optical outputs for adding outboard gear or for extensive fold-back solutions. As an example, setting digital outputs 1+2 to DAW THRU would allow you to directly send audio to this output from your DAW by setting channels in your DAW to playback via outputs 9+10 (outputs 1-8 would be your the analogue outputs). Digital outputs 3+4 would be outputs 11+12... and so on.
Please note that in DAW THRU, the channel in question will bypass any volume control and audio will be passed at full scale. If this output is sent to a set of monitors without inline attenuation, this may be very loud.
The only exception to this is the headphone outouts where the volume control will still function.
Talkback Source
The Talkback source allows the talkback input to be taken from one of the iD44's internal inputs or from a device connected to the host computer (such as a built-in microphone or USB microphone).
When you select an input as your Talkback channel, the channel strip in the iD mixer will be changed to a talkback channel which will have a TB button in the centre.
If using an external device, the talkback signal will appear on channel DAW 10.
Faders will only appear for these channels on the Cue mixes, not on the Main Mix.
Talkback Device
If an external device is selected then this allows you to select which connected device is used.

text_image
DAW 10 L R TALKBACK TB +6 0 -5 10 15 20 30 40 50 ∞ -128Saving & Loading Mixer Presets
To allow you to quickly setup your iD Software Mixer during a session you can save and load various presets. This is great if you are moving between different recording scenarios quite often.
Mixer presets can be saved and loaded in two ways:
- Using the File menu and selecting either Save or Open.
• Using standard keyboard shortcuts :
Save: Mac - Cmd + S
Windows - Ctrl + S
Load: Mac - Cmd+O
Windows - Ctrl + O
Saving a Preset
To save a preset, simply setup your mixer the way that you'd like. Then select File > Save as explained above. The mixer window then presents the Save dialogue.

text_image
iD SAVE MIXER CONFIGURATION Drum Mix SAVE DO SUPPORT NAME COMPRESSIVE TO FILESimply enter the name of your preset and press save.
It is also possible to export your preset files in order to send them to friends or to simply save them within your DAW session files for easy recall later on. To do this, select Export Mixer Configuration at the base of the Save screen.
Loading a Mixer Configuration
To load a previously saved preset, select File > Open to bring up the Load screen.

text_image
iD LOAD MIXER CONFIGURATION LOAD DO LOAD FROM FILEThe previously saved configuration will appear in a list. Select the configuration you wish to use and click Load.
You can also open a mixer configuration directly from a file by selecting Load From File.
Menu/Task Bar Icons
MacOS
On MacOS, the iD icon appears in the menu bar in the top right hand corner of the screen. This gives you quick access to various functions of the iD44.

text_image
Show Mixer About iD Visit iD Knowledge Base Register Product Check for Updates Set Clock Source Quit 0Quit
Fully closes the iD mixer application.
About iD
Displays information regarding the current version of the iD mixer application.
Visit iD Knowledge Base
Opens a browser window for the Audient Helpdesk with helpful articles and FAQ's
Set Clock Source
Allows you to quickly adjust the clock source between the internal and optical clocks.
Check for Updates
The iD app will check with the Audient update server for any available firmware updates for iD44.
Windows
The Windows system tray icon has all the options of the MacOS menu bar icon but also includes some Windows specific options.

text_image
Show Mixer Quit strl • 0 About iD Visit iD Knowledge Base Register Product Check for Updates Set AS10 Buffer Size Set Sample Rate Set Clock SourceSet Sample Rate
Sets the operating sample rate of iD44. 44.1, 48, 88.2 and 96kHz are the four options available.
Set ASIO Buffer Size
Sets the buffer size of the iD44 between 16 and 8192 samples. Higher sizes will take processing load off your computer but will cause increased latency.
Standalone Operation
If you would like to use iD44 without a host computer, iD44 can be configured to operate in standalone mode. This is great for setting up complex tracking setups in remote locations.

text_image
iD File View Setup Help Store Standalone StateTo setup Standalone mode, first setup the iD mixer in the way that you wish to be saved onto your iD44. This includes your digital I/O settings, output routings and talkback settings in the System panel.
Now navigate to the Setup menu and select Store Standalone State. The iD Software Mixers current configuration will then be saved onto the iD44 itself, ready to be recalled when the iD44 is next powered on.
Firmware Update
Occasionally, Audient will release a firmware update for the iD44 in order to, improve compatibility, add new features and address bugs. Therefore you may wish to check occasionally for any updates.
This can be accessed by navigating to either the Menu bar on Mac, or the system tray on Windows and selecting Check for Updates.
The iD Software Mixer application will then check with audient.com for any available updates. If there are, you will prompted to install them onto the iD44.

text_image
UPDATE FIRMWARE From audient.com: From file: CANCEL NEXTIf you then click next, you'll be requested to stop any playback through the iD44. Click Update and the update will begin. The iD44 may turn off a number of times. Therefore, we recommend powering off any monitors.
Audio Loop-back
Another feature of the iD44's Mixer Application is the ability to loop-back audio so you can record or stream audio from different applications on your computer using the dedicated Loop-back channels.
These Loop-back channels are input channels 21+22 and using the "Input Routing" option found in the "Setup" menu of the iD mixer, you can then select the audio source to be sent to these Loop-back channels.
On macOS:

text_image
Setup Help Store Standalone State Input Routing Loop-back Input Source DAW 1+2 DAW 3+4 DAW 5+6 DAW 7+8 DAW 9+10 ✓ MASTER MIX CUE A CUE B CUE C CUE DOn Windows:

text_image
File View Setup Help Mic 1 Set ASIO Buffer Size Set Sample Rate Store Standalone State Input Routing Mic 4 Digi 1 Digi Loop-back Input Source DAW 1+2 DAW 3+4 DAW 5+6 DAW 7+8 DAW 9+10 MASTER MIX CUE A CUE B CUE C CUE DThe various sources you can select from in the menu are as follows:
- DAW 1+2 - Any audio being sent to outputs 1+2 of the iD44
- DAW 3+4 - Any audio being sent to outputs 3+4 of the iD44
- DAW 5+6 - Any audio being sent to outputs 5+6 of the iD44
- DAW 7+8 - Any audio being sent to outputs 7+8 of the iD44
- DAW 9+10 - Any audio being sent to outputs 9+10 of the iD44
- Master Mix - The audio mix created in the iD mixer on the Main Mix panel
- Cue A - The audio mix created in the iD mixer via the CUE A panel
- Cue B - The audio mix created in the iD mixer via the CUE B panel
- Cue C - The audio mix created in the iD mixer via the CUE C panel
- Cue D - The audio mix created in the iD mixer via the CUE D panel
Using the Loop-back Mixer
To record or stream your Loop-back mix in your audio software, you need to select the Loop-back channels as your input channels in your audio software. Depending on the software you are using, they may appear as either Loop-back 1+2 or Input 21-22. For example the image below shows how you would select the Loop-back input in Logic Pro X.

text_image
Input 21-22 No Input Input Bus Input 1-2 Input 3-4 Input 5-6 Input 7-8 Input 9-10 Input 11-12 Input 13-14 Input 15-16 Input 17-18 Input 19-20 Input 21-22A similar process would be used in other software. If you are unsure on how to adjust the input on your audio software, we'd recommend referencing the user manual for your software. On Windows, you may also need to adjust the audio device in your System settings from Analogue 1+2 to Loop-back 1+2.
Please note: Some software will not allow you to adjust the input channel you are using and will just default to Channels 1+2. This limitation with some software can stop you from using Loop-back with this software as you are unable to select Channels 21+22.
Recording/Streaming your Loop-back Source
Once you have selected the Loop-back Inputs as your audio source in your recording/streaming software, you can now setup your Loop-back mix using the iD Mixer.
The first step is to decide which source you will use for your Loop-back stream.
If you wish to combine audio from your computer and microphones/instruments into a single mix then selecting either the Main Mix or one of the Cue Mixes is the best option as you can use the faders in the mixer to send multiple channels to the same Mix.
For example, below you can see the CUE A mix being used as the Loop-back source with the Mic 1 and DAW 1+2 being sent to the CUE A mix. When recording the Loop-back inputs with this setup, you would hear both the Mic Channel and the Computer Playback on a single stereo channel.

text_image
Mio 1 Mio 2 Mio 3 Mio 4 DAW 1+2 DAW 3+4 HOLDEN MODE CUE A AUDIENT ID CW 0 CW 5 CW 2 ON OFF ALL WIN OUTOtherwise, if you only wish to send audio from the computer without any mic signal you can just use one of the DAW Channels.
When selecting a Channel or Mix as the loop-back Source, a small loop-back icon will appear on that channel/mix so you can check where the loopback is being fed from with just a quick glance.

text_image
DAW 1+2 LBAdjusting your Output Channels
When setting up your Loop-back mix, you may wish to setup your computer audio output so it is sent to DAW 3+4, DAW 5+6, DAW 7+8 or DAW 9+10 in order to keep it separate from your Main Monitor Mix which typically will be sent to DAW 1+2.
In most DAW software, you should be able to create a new output send or adjust the output channel. The process to do this will vary so we recommend that you reference the user manual for your chosen software on how to adjust the output channel.
On Applications that don't give the option to adjust the output channels (Media Players, Video calls...etc) then you may need to adjust this in the Operating System Settings.
On macOS:
Open Finder and navigate to Applications > Utilities > Audio MIDI Setup. In the Audio MIDI Setup Utility, select the iD44 MKII from the list of devices. Select the Output Tab and the click "Configure Speakers". You can then select which channels on the iD44 you wish to be your left and right outputs. Channels 3+4 will relate to DAW 3+4, Channels 5+6 will relate to DAW 5+6...etc.

text_image
Configuration: Stereo Left front Analogue 1 Right front Analogue 2 For each speaker, choose the device channel connected to the speaker. To test the connection, click a speaker to play a sound. Done ApplyOn Windows:
Open the Start menu and select the Settings. In the Settings navigate to System > Sound > Sound Control Panel. Using the "Output Device" drop down menu, you can select the channels you wish to use for your Output. Again, channels 3+4 will relate to DAW 3+4, Channels 5+6 will relate to DAW 5+6...etc.
Keyboard Shortcuts
Keyboard Shortcut Index
To allow you to find all shortcuts for the mixer application in one place without having to go through each page of this manual please refer to this table:
Location
Mac
Windows
Description
Faders Alt + Click Alt + Click Resets fader to unity gain (0 dB)
Pans Alt + Click Alt + Click Resets pan pots to central
position
Solos Cmd + Click Ctrl + Click Clears all solos if clicking on a solo'd
channel
Overrides all other solos
exclusive) if clicking on
channel
Meters Alt + Click Alt + Click Clicking on peak hold indicator will
clear all clip indicators
System Panel Cmd + S Ctrl + S Save mixer configuration
Cmd + O Ctrl + 0 Load mixer configuration
View Modes Cmd + 1 Ctrl + 1
Cmd + 2 Ctrl + 2 View Optical (Digital) Inputs
Cmd + 3 Ctrl + 3 View DAW Mix Inputs
Cmd + 4 Ctrl + 4 View System Panel
Please check the iD44 page online at audient.com/products/iD44
for the latest mixer application updates.
More shortcuts may be added without notification.
DAW Setup

Pro Tools Setup
Operation with Pro Tools
Once iD44 has been successfully installed following the steps detailed in this manual, launch Pro Tools and ensure that a new session is created at the desired sample rate (if clocking internally) or at the rate of the clock source (if clocking externally).
If using Windows, make sure that you have set the correct latency and buffer size settings in the iD app before opening a project. Changing these settings will result in ProTools needing to restart.

text_image
○ Create Session from Template... ● Create Blank Session... Session Parameters Audio File Type: BWF (WAV) Bit Depth: 15 Bit 24 Bit 32 Bit Float □ Interleaved Sample Rate: 48 kHz IO Settings: Last Used Cancel OKPlayback Engine
Go to Setup > Playback Engine... and ensure that iD44 is set as the active playback device.

text_image
File Edit View Track Clip Event AudioSuite Options Setup Window Marketplace Help Hardware... Playback Engine... Disk Allocation... Peripherals... I/O... Video Sync Offset... Session N:2
text_image
Preferences General Audio Recording MGR Display Score Waste Automation Control Surfaces My Info Advanced Devices General Editing I/O Assignments Audio File Editor MPS Core Audio Enabled Output Device: Audient iD44 Input Device: Audient iD44 I/O Buffer Size: 128 Samples Resulting Latency: 11.1 ms Roundrip (4.8 ms Output) Recording Delay Processing Threads: Automatic Process Buffer Range: Medium Multithreading: Playback & Live Tracks Summing: High Precision (64 bit) Delining Behavior: OffI/O Setup
Go to Setup > I/O... to label your inputs and outputs and ensure that iD44 is correctly reporting 20-inputs and 24-outputs to and from Pro Tools. Note that analogue outputs 1-8 are the DAW playback channels in the iD mixer and can either be routed through the iD mixer or hard-wired directly from Pro Tools to the physical outputs.

text_image
I/O Setup Input Output Bus Insert Bus Prescope ACW Insert Delay Name Format A - Aculent ID14 Analog Optical 1 2 3 4 5 6 7 Analog: 1-2 Sterio:L R ADAT 1-2 Sterio:L R ADAT 3-4 Sterio:L R ADAT 6-8 Sterio:L R ADAT 7-8 Sterio:L R UO Setup Input Output Bus Insert Bus Prescope ACW Insert Delay Name Format A - Aculent ID14 Analog 1 2 3 4 OUT 1-2 Sterio:L R OUT 3-4 Sterio:L R OUT 6-8 Sterio:L R OUT 7-8 Sterio:L R OUT 9-10 Sterio:L R OUT 11-12 Sterio:L R OUT 13-14 SterioFor more Pro Tools information consult your Avid user manuals & documentation.

Logic Pro Setup
Operation with Logic Pro
Once iD44 has been successfully installed following the installation process that can be found at the start of this manual, launch Logic Pro and check the following:
Logic Pro > Preferences > Audio

text_image
Logic Pro X File Edit Track Navigate Record Mix View Wind About Logic Pro X Preferences General... Control Surfaces Audio... Key Commands MIDI... Download Additional Content... Display... Provide Logic Pro Feedback Score... Download Logic Remote... Movie... Learn About MainStage... Automation... Services My Info... Advanced Tools... Hide Logic Pro X %H Initialize All Except Key CommandsEnsure that iD44 is selected as the active audio device and set the buffer size (to affect system latency). If you are experiencing issues with playback stability and CPU loading, try increasing the buffer size. This appears with "overload" errors and/or pops and clicks and distortion in the audio.

text_image
Devices General Editing I/O Assignments Audio File Editor MP3 Core Audio: Enabled Output Device: Audient ID44 Input Device: Audient ID44 I/O Buffer Size: 1024 Samples Resulting Latency: 55.6 ms Roundtrip (26.3 ms Output) Recording Delay: 169 Samples Processing Threads: Automatic Process Buffer Range: Small Multithreading: Playback & Live Tracks Summing: High Precision (64 bit) Retire Behavior: Off Apply ChangesIf you are using the iD mixer to monitor input signals while recording, be sure to disable Logic's software monitoring to avoid phasing as the same source will be heard twice with a short delay between the low latency DSP signal and the delayed software monitoring signal.
Assigning I/O
All of iD44's input and output channels will be available to Logic for routing. There are a total of 20-inputs and 24-outputs reported from the driver. You can rename input and output channels to whatever you wish using the I/O label function. This is a great way to keep things organised.

text_image
Input 1 (Lead Vocals) No Input Input Bus Input 1 (Lead Vocals) Input 2 (Backing Vocals) Input 3 Input 4Mix > I/O Labels

text_image
Reset Channel Input 1 Input 2 Input 3 Input 4 Input 5 Input 6 Input 7 Input 8 Input 9 Input 10 Output 1 Output 2 Provided by Driver Analogue 1 Analogue 2 ADAT 1 ADAT 2 ADAT 3 ADAT 4 ADAT 5 ADAT 6 ADAT 7 ADAT 8 Analogue 1 Analogue 2 User Long Lead Vocals Backing Vocals Vox BY Back Navigate Record View Window Help Show Automation Create Track Automation Convert Automation Delete Automation Move Track Automation with Regions Enable Automation Quick Access Automation Preferences... Show Groups Disable Groups V0 Labels... V0 Assignments... Pre-Fader Matching Open Access Control Panel Close On-Drawn SettingsOperation with Logic Pro
If you are using an external clock source (ADAT or S/PDIF) to clock iD44, please ensure that your Logic Pro project is set to the same sample rate when recording and playing back in a session, otherwise things may sound a bit sharp or flat!
File > Project Settings > Audio

text_image
Logic Pro X File Edit Track Navigate Record Mix View Window New New from Template... Open... Open Recent Close Close Project Save As... Save As... Save As... Revert to Alternatives Project Management Project Settings Page Setup... Print Movie Import Export Bounce General... Synchronization... Metronome... Recording... Audio... MIDI... Movie...If you are using the internal clock in iD44, setting the sample rate via Logic Pro will update the iD44 sample rate to follow your session.
There may be a slight pause as the system re-clocks. This is normal.
This can be verified in Audio MIDI Setup.
Macintosh HD > Applications > Utilities

text_image
Audio Devices Audient iD44 Clock Source: Audient Internal Clock Input Output Source: Default Format: 24 ch 16-bit Integer 44.1 kHz Channel Volume Value dB ▼ Master Stream Master Analogue 1 Analogue 2 Analogue 3 Analogue 4 Analogue 5 Analogue 6 Analogue 7 Analogue 8 SPDIE 1/ADAT 1 Configure Speaker
text_image
Untitled 1 - Project Settings General Synchronization Matronome Recording Tuning Audio MIDI Score Mov ✓ Automatic management of channel strip objects ✓ Automatic naming of channel strip objects ✓ Playback pre-roll Sample Rate: 44.1 kHz Surround Format: 5.1 (ITU 775) Pan Law: -3 dB compensated Apply Pan Law Compensation to Stereo BalancersFor more Logic Pro information please consult your Apple user manuals & documentation.
Cubase/Nuendo Setup
Operation with Cubase / Nuendo
Once iD44 has been successfully installed following the installation process that can be found at the start of this manual, launch Cubase or Nuendo and head straight for the Devices menu:
Devices > Device Setup...

text_image
Transport Devices Window Hub Help MIDI Device Manager MixConsole Lower Zone F3 MixConsole F3 Plug-in Information Plug-in Manager Record Time Max VST Connections F4 VST Performance F12 Video Player F8 Virtual Keyboard K Show Panel Device Setup...Select VST Audio System from the list of options

text_image
Devices Chord Pads Chord Pads MIDI MIDI Port Setup Remote Devices Track Quick Controls Transport Record Time Max Video Video Player VST Audio System Audient iD14 VST System Link
text_image
Device Setup No Driver ✓ Built-in Audio Audient iD44 Pro Tools Aggregate I/O Input Latency: 12.167 ms Output Latency: 25.104 msSelect Audient iD44 in the menu to ensure that Cubase / Nuendo addresses the iD44 device driver. You will be asked if this is OK, select 'switch'.

text_image
Do you want to switch the ASIO driver? Keep SwitchSelect Audient iD44 in the devices menu...
Here you will see the main iD44 information, where clock sources can be set as well as activating i/o ports. Be sure to click Externally Clocked if clocking from another digital device via ADAT or SPDIF.
Cubase/Nuendo Setup
Operation with Cubase / Nuendo
Buffer sizes can be set in the control panel within the VST devices display. It is ideal to keep them quite high to reduce CPU loading if you use the iD mixer as the input monitoring device while recording.

text_image
CoreAudio Device Settings Audient iD44 Version: 2.2.9.84 Buffer Size 256 Samples Options ✓ Set Device Attenuation To 0 dB CloseI/O ports can be renamed in the device panel such that they better represent what you connect to them (for example Main Monitors, Headphones). This is useful as any names chosen here will be those displayed when assigning i/o on track input/output channel routing.

text_image
Audiott ID44 Device MIX MCI Port Setup Transport Record Time Max Video VST Audio System Audiott ID44 VST System Line Control Panel Input Latency: 5.917 ms Output Latency: 4.977 ms Audiott Internal Clots Clock Source Extremely Clipped Close Monitoring Ports VDS Port System Name In Antique 1 In Antique 2 In Antique 3 In Antique 4 In SPDF-1/ADAT-1 In SPDF-2/ADAT-2 In ADAT-3 In ADAT-4 In ADAT-5 In ADAT-6 In ADAT-7 In ADAT-8 Status: Active Active Inactive Inactive Inactive Inactive Inactive InactiveClose the VST device setup panel and navigate to the VST connections panel:
Devices > VST Connections (F4)

text_image
Transport Devices Window (1) Steinberg Hub Help Control Room Mixer Control Room Overview MIDI Device Manager MMC Master MixConsole F3 MixConsole 2 MixConsole 3 Plug-in Information Record Time Max Time Display VST Connections F4 VST Instruments F11Here you can ensure that all buses have been created in Cubase / Nuendo and therefore all ports are addressable in your session. Add new buses and assign them to the necessary i/o if required.

text_image
VIS Connections - Inputs Inputs Outputs Add Bus Projects Bus Name Speakers Audio Device Device Port □ Stereo In Stereo Audiert Q44 Analogue 1 -0 Left -0 Right Analogue 2Bus types can be set (mono / stereo) and the VST control room section can also be used. For more information regarding set-up please consult your Steinberg user manuals and documentation.
Ableton Live Setup
Operation with Ableton Live
Once iD44 has been successfully installed following the installation process that can be found at the start of this manual, launch Ableton Live and head straight to:
Live > Preferences > Audio

text_image
Live File Edit Create View Options Help About Live Preferences... Services Hide Live %H Hide Others %H Show All Quit Live %Q Plug-ins Mallets Chord Stab SynthHere navigate to the Audio tab and make sure that iD44 is assigned as the playback device.

text_image
Preferences Audio Device Driver Type CoreAudio Audio Input Device No Device Audio Output Device No Device Audient iD44 (20 In, 24 Out) Built-in Microphone (2 In, 0 Out) Pro Tools Aggregate I/O (2 In, 0 Out)For more information about setting up audio i/o refer to your Ableton Live user manuals & documentation.
In the Live Audio Preference panel you can set an appropriate buffer size (this can be kept high if you are monitoring input signals for recording via the iD mixer. Ensure that iD44 reports as a 20-in, 24-out device to Live.
If necessary you can limit the number of i/o channels reported as active inputs (from the driver) in Live by using the input and output config tabs.
This is an excellent feature to help reduce CPU loading if all channels are not required.

text_image
Preferences Audio Device Driver Type CoreAudio Audio Input Device Audient: ID44 (20 In, 24 Out) Audio Output Device Audient: ID44 (20 In, 24 Out) Channel Configuration Input Config Output Config Sample Rate In/Out Sample Rate 44100 Default SR & Pitch Conversion High Quality Latency Buffer Size 512 Samples Input Latency 14.9 ms Output Latency 13.7 ms Driver Error Compensation 0.00 ms Overall Latency 28.6 ms Test Test Tone Off Tone Volume -36 dB Tone Frequency 440 Hz CPU Usage Simulator 50%
text_image
input Config Choose which audio hardware inputs to make available to Live's tracks. Every input pair can be used as one stereo in and/or two mono ins. Deactivating inputs reduces the CPU load. 1 (mono) & 2 (mono) 3 (mono) & 4 (mono) 5 (mono) & 6 (mono) 7 (mono) & 8 (mono) 9 (mono) & 10 (mono) 1/2 (stereo) 3/4 (stereo) 5/6 (stereo) 7/8 (stereo) 9/10 (stereo)Troubleshooting & FAQ
Troubleshooting
"The unit will not power on"
Double check that the 12V adaptor is properly connected and that the regional adaptor pins of the power supply are fully pushed into place.
"I get clicks and pops on DAW playback"
This is most likely to do with setting the buffer size too low for your computer. This can be caused by running very large projects with a lot of plugins and virtual instruments. Experiment with higher buffer sizes. Typically you want small buffer sizes for tracking or recording software synths to keep the latency low. However when mixing it is fine to set a slightly higher buffer size as latency is not so much of a problem.
"When I connect to my computer, I cannot play any audio out from iD44"
Firstly double check that the USB cable connecting iD44 to your computer is functional and attached at both ends.
Double check that iD44 is set as the active playback device in your DAW and computer:
System Preferences > Sound > Output Tab
Audient iD44 (OSX)
Control Panel > Hardware and Sound > Sound > Manage Audio Devices > Audient iD44 (Windows)

text_image
Sound Effects Output Input Select a device for sound output: Name Type Audient ID44 USB BlackHole 16ch MacBook Pro Speakers Built-in Raspberrypi AirPlay Settings for the selected device: The selected device has no output controls Output volume: Mute Show volume in menu barLaunch the iD mixer application to activate communication between your computer and iD44. This only needs to be done once straight after power up. Once iD44 is set to the operational state you desire, you can quit the iD application and it will continue to function as intended.
In the software mixer, locate the DAW channels by pressing the DAW view button and increase the level of DAW 1+2 fader.
Troubleshooting
"I have clocking issues which include iD44 not locking to external ADAT or SPDIF devices or operating at the incorrect rate compared to my session"
If there is an issue with syncing of an external device, the Status LED in the System Panel will be red or yellow. If the status light is red then iD44 cannot detect a clock signal from an external device, and yellow if it can detect a signal at the wrong sample rate.
To change sample rate in OSX go to Audio MIDI Setup found by navigating to the folder:
Macintosh HD > Applications > Utilities > Audio MIDI Setup
Ensure that Audient iD44 is seen as an audio device (Window Menu > Show Audio Window).

text_image
Audio Devices Built-in Microphone 2 ins / 0 outs Built-in Output 0 ins / 2 outs Audient ID44 20 ins / 26 outs Pro Tools Aggregate I/O 2 ins / 0 outs Audient ID44 Clock Source: Audient Internal Clock Input Output Source: Default Format: 24 ch 24-bit integer 44.1 kHz Channel Volume Value Master Stream Master Analogue 1 Analogue 2 Analogue 3 Analogue 4 Analogue 5 Analogue 6 Analogue 7 Analogue 8 SPDIF-1/ADAT-1 SPDIF-2/ADAT-2 ADAT-3 ADAT-4 ADAT-5 ConfigureDouble check that an appropriate clock source is selected (Internal for master operation), ADAT or S/PDIF clock for external slave operation. Ensure that you see the correct sample rate displayed in the Format drop-down menu.

text_image
Audient iD44 Clock Source ✓ Audient Internal Clock Audient Optical Input 1 Clock Audient Optical Input 2 Clock Source: Default Format: 24 ch 24-bit Integer 44.1 kHz Channel Volume ▼ Master StreamIf you are using Windows, go to the iD icon in the system tray and right click on it. This will bring up some settings including sample rate. Alternatively you can alter these settings in the Setup tab of the iD app.
Change the sample rate to match that of the external ADAT device and session.

text_image
Show Money Quit About iD Visit iD Knowledge Base Register Product Check for Updates Set ASIO Buffer Size Set Sample Rate Set Clock Source 18 Samples 32 Samples 64 Samples 128 Samples 251 Samples 531 Samples ✓ 101 Samples 201 Samples 401 SamplesTroubleshooting
"How do I reset the iD mixer application to its default state?"
To reset the mixer application, quit the iD app completely, then navigate to the following folder and delete the state.xml file (it will replenish upon a fresh launch of the application):
Macintosh HD > User > Library > Application Support > Audient > iD > state.xml
(C:) > Users > yourusername > AppData > Roaming > Audient > iD > state.xml
Do not delete the parent folder as this will also contain your iD mixer presets.
"How do I make sure I have the latest version of iD firmware/software?"
To check for the latest updates to the iD desktop mixer application please visit: audient.com/id44/downloads
download and install the latest driver.
You will be made aware of firmware releases from the iD app when connected to the internet. Please refer to earlier in this user manual for more information regarding firmware updates.
FAQs
For more information and bug support, please search our online Help Centre which can be found here:
support.audient.com
For technical support please create a ticket in our online support system, which can also be found in the support section of our website (see link above).
Technical Specifications

natural_image
Black audio player control device labeled 'AUDIENT' with knobs and dials (no readable text beyond branding)D.I / Instrument Input:
(Channel 1)
D.I GAIN:
0 to 60dB
MAXIMUM INPUT LEVEL:
+10 dBu
INPUT IMPEDANCE:
1MegΩ unbalanced
FREQUENCY RESPONSE:
±0.5 dB 10Hz to 50kHz
THD+N @ 0dBu (1kHz):
<0.3%
SNR:
95 dB A-weighted
1/4^N JACK:
Tip (Hot) & Sleeve (Shield)
Analogue to Digital Converter (ADC 1 & 2):
(Measured via Insert Returns under AES-17)
MAXIMUM INPUT LEVEL:
+18 dBu (0 dBFS digital maximum)
DIGITAL REFERENCE LEVEL:
+18 dBu = 0 dBFS
INPUT IMPEDANCE:
10k Ω Balanced
FREQUENCY RESPONSE:
±0.5 dB 10Hz to Fs/2 (Nyquist)
CROSSTALK:
-115 dBu @ 1kHz & 10kHz
THD+N @ -1dBFS (1kHz):
<0.0003% (-112dB)
DYNAMIC RANGE:
120 dB A-weighted
1/4" TRS JACK:
TIP (Hot), RING (Cold) & SLEEVE
(Shield)
Digital to Analogue Converter (DAC 1 & 2):
(Measured under AES-17 at line outputs 1 & 2)
MAXIMUM INPUT LEVEL:
+18 dBu (0 dBFS digital maximum)
DIGITAL REFERENCE LEVEL:
+18 dBu = 0 dBFS
OUTPUT IMPEDANCE:
<100 Ω
FREQUENCY RESPONSE:
±0.5 dB 10Hz to Fs/2 (Nyquist)
CROSSTALK:
<-118 dBu @ 1kHz & 10kHz
THD+N @ -1dBFS (1kHz):
<0.0006% (-104dB)
DYNAMIC RANGE:
124 dB un-weighted, 126 dB
A-weighted
1/4" TRS JACK:
TIP (Hot), RING (Cold) & SLEEVE
(Shield)
Microphone Preamplifier:
(Measurement includes ADC signal path)
MIC GAIN:
0 to +60 dB
LINEGAIN:
-10 to +50 dB
PHANTOM POWER:
48v +/-4v @ 10mA/Channel
MIC EIN
(12VDC only)
CMRR:
-126.0 dBu
MAXIMUM INPUT LEVEL:
80dB @ 1kHz
INPUT IMPEDANCE (Mic):
+18 dBu (+28dBu with pad)
INPUT IMPEDANCE (Line):
3k Ω balanced
FREQUENCY RESPONSE:
10k Ω balanced
CROSSTALK:
±0.5 dB 10Hz to 65kHz
THD+N @ 0dBu (1kHz):
<-90 dBu @ 1kHz & 10kHz
SNR
<0.003% (-96dBu)
XLR COMBI FEMALE:
96 dB
1/4" TRS JACK:
Pin 2 (Hot), Pin 3 (Cold) & Pin
1 (Shield)
TIP (Hot), RING (Cold) &
SLEEVE (Shield)
Headphone Outputs
(Measured under AES-17 at phones output)
MAXIMUM OUTPUT LEVEL:
+14 dBu (0 dBFS digital maximum)
DIGITAL REFERENCE LEVEL:
+14 dBu = 0 dBFS
OUTPUT IMPEDANCE:
<50 Ω unbalanced
FREQUENCY RESPONSE:
±0.5dB 10Hz to Fs/2
CROSSTALK:
<-110 dBu @ 1kHz & 10kHz
THD+N @ -1dBFS (1kHz):
<0.0008% (-103 dB)
DYNAMIC RANGE
121 dB un-weighted, 124 dB A-weighted
MAX LEVEL INTO 30ohms:
+7.5 dBu 0.003% THD+N Power: 225mW
MAX LEVEL INTO 60ohms:
+10.2 dBu 0.002% THD+N Power: 210mW
MAX LEVEL INTO 600ohms:
+14.2 dBu 0.001% THD+N Power: 54mW
1/4" JACK:
TIP (Hot), RING (Cold) & SLEEVE (Shield)
USB 2.0 High Speed
No. of INPUT CHANNELS
20 (4 Analogue, 16 Digital)
No. of OUTPUT CHANNELS
24 (8 Analogue, 16 Digital)
CONNECTOR:
USB Type-C
INCLUDED CABLES:
1.5m USB 2.0 Type-C to
USB Type-C
1.5m USB 2.0 Type-C to
USB Type-A
DSP Mixer Latency:
ROUND TRIP (in-to-out)
44.1kHz 0.677ms
48.0kHz 0.625ms
88.2kHz 0.354ms
96.0kHz 0.323ms
Digital Input
16-CHANNEL ADAT:
44.1kHz to 48.0kHz
8-CHANNEL ADAT:
88.2kHz to 96.0kHz SMUX
STEREO S/PDIF:
44.1kHz to 96.0kHz (Stereo)

Warranty
Warranty Statement
Please read through this Limited Hardware Warranty before using Audient hardware.
Audient products are designed and built to the highest standards, using premium components designed to deliver years of reliable performance.
In the event of a manufacturing defect becoming apparent during the 3 year limited warranty period, Audient will ensure the product is repaired free of charge.
Audient are not liable for direct or consequential loss or damage resulting from the goods and/or their use.
Warranty Limitations
The Limited Warranty for any product purchased on or after February 01 2021 is for a period of 3 years from the original purchase.
Additionally, the 3-year Limited Warranty is retrospectively offered on any product purchased after February 01 2018.
Without exception you will need to provide a copy of your original dated invoice or store receipt identifying the product serial number as part of the consideration of the grant of warranty.
In the event that you are unable to provide proof of purchase, you should request a copy of your receipt from the reseller from whom you purchased the product.
For the full 'Terms and Conditions' please head over https://audient.com/warranty/
Service
Service Information
iD44 contains no user-serviceable components, please refer to qualified service personnel for diagnosis and repair. Your warranty will be void if you tamper with the device at component level. If you have any questions with regard to the repair, please contact Audient Ltd.
If your unit is in warranty, please contact your dealer directly for a repair or replacement (at the discretion of the dealer).
For out of warranty repairs, please contact Audient Ltd, after which a Return Materials Authorization (RMA) number will be assigned. This number will serve as a reference for you and helps facilitate and expedite the return process. When the unit is returned please include this RMA number along with a description of the fault inside the packaging box.
To request an RMA, access technical support & FAQs, ask for troubleshooting assistance or make an enquiry, please visit: support.audient.com
Audient Ltd
Aspect House
Herriard
Hampshire
RG25 2PN
United Kingdom
Tel: +44 (0) 1256 381944
audient.com
Glossary
A Amperes
ADAT Alesis Digital Audio Tape
ADC Analogue to Digital Converter
DAW Digital Audio Workstation
ASP Analogue Signal Processing
CPU Central Processing Unit
CUE Artist Headphone Mix
DAC Digital to Analogue Converter
dB Decibel
dBu Decibel referenced to 0.775Vrms = 0 dBu
dBFS Decibel Full Scale
DC Direct Current
D.I Direct Injection (Instrument Input)
DoC Declaration of Conformity
DSP Digital Signal Processing
EQ Equaliser
FAQ Frequently Asked Questions
FCC Federal Communications Commission
GB Gigabyte
GUI Graphical User Interface
HPF High Pass Filter
HV High Voltage
i/o Input / Output
JFET Junction Field Effect Transistor
LED Light Emitting Diode
RoHS Restriction of Hazardous Substances
RAM Random Access Memory
S/PDIF Sony Philips Digital Interface Format
THD+N Total Harmonic Distortion + Noise
TRS Tip Ring Sleeve (1/4" Jack Balanced)
TS Tip Sleeve (1/4" Jack Unbalanced)
USB Universal Serial Bus
V Volts
XLR Extra Live Return, Extremely Low Resistance, Canon X Series, Latching, Resilient Rubber Compound... or make up your own!