Ninjago 70751 - Toys LEGO - Free user manual and instructions

Product type	Construction set
Brand	LEGO
Model	Ninjago 70751
Model name	The Temple of Airjitzu
Category	Construction toys
Recommended age	9-14 years
Number of pieces	2023
Power supply	1 CR2032 button cell for the light brick
Main functions	Construction of 4 buildings (temple, blacksmith's workshop, smuggler's market, etc.), shadow theater with light brick and rotating mechanism, fountain, 13 minifigures
Care and cleaning	Clean with a dry, soft cloth. Remove batteries if not used for a long time.
Safety	Do not mix different types of batteries. Use under adult supervision.
Spare parts and repairability	LEGO pieces are interchangeable and available on the LEGO website.
General information	Set from the LEGO Ninjago range, released in 2016, 2023 pieces, 13 minifigures.

Frequently Asked Questions - Ninjago 70751 LEGO

How many pieces does the LEGO Ninjago 70751 set contain?

The LEGO Ninjago 70751 Temple of Airjitzu set contains 2023 pieces.

What is the recommended age for this set?

This set is recommended for children aged 9 to 14 years.

How does the shadow theater work?

The shadow theater uses a light brick and a rotating mechanism. By turning the crank, the silhouettes of the characters move and their shadows grow or shrink depending on their distance from the light.

What type of battery does the light brick use?

The light brick uses a CR2032 button cell battery (included in the set).

Can the battery be recharged?

No, the battery is not rechargeable. It must be replaced when empty. Do not attempt to recharge non-rechargeable batteries.

What are the safety precautions for batteries?

Do not mix different types of batteries, do not mix new and used batteries, observe polarity (+/-), remove batteries if the product is unused for a long time. Recharging of rechargeable batteries must be done under adult supervision.

How many minifigures are included?

The set includes 13 minifigures: the ninjas, characters like the mailman, the gardener, his daughter, Misako, Dareth, etc.

What is the story of the Temple of Airjitzu?

According to legend, the temple is haunted by the ghost of Sensei Yang, who invented Airjitzu there. He locked his students in the attic. Today, it is said that anyone who enters and does not come out before sunrise becomes a ghost.

How to clean LEGO pieces?

Clean the pieces with a dry, soft cloth. Do not use solvents or water, as this could damage stickers or prints.

Where to find spare parts?

LEGO pieces are available on the official LEGO website in the 'Spare parts' section. You can order missing or broken pieces.

USER MANUAL Ninjago 70751 LEGO

TEMPLE OF AIRJITZU

This is the place where Sensei Yang invented the lost art of Airjitzu. Sensei Yang trained for most of his life to master this airborne style of fighting, but by the time he finally did, he had become a very old man. He decided to pass on his legacy and started accepting students. In the beginning, he was a respected and admired master, and students even raised a statue in front of the temple in his honor. But knowing that his time was coming to an end, he became impatient and was very hard on students who failed to live up to his strict code of discipline and unusual training methods. A common practice was locking up his students in the attic to make sure they had time to reflect on why they failed to succeed in an Airjitzu training session.

Very little is known of what went on behind the temple walls, but the fact that none of his students ever left the temple has given rise to much speculation and many legends and rumors. Sensei Yang became known as "The Sensei without Students," and people made sure to keep their distance from the temple.

It is now believed that the ghost of Sensei Yang haunts the temple, and that anyone who enters and does not exit again before sunrise will themselves become a ghost. Over the years, the temple has fallen into disrepair and has become a popular tourist site.

That was a bit of the grim history of the Temple of Airjitzu... What will the future hold for it? You will just have to make up your own story or keep following the story of LEGO NINJAGO to find out. It would be a pretty cool headquarters for the ninja, wouldn't it?

TEMPLE OF AIRJITZU

Little is known about the origin of this historic location. No one knows who built it or when, but it has been around since the EDO period. Many suspect that it is even older than that, and once was the dojo of the First Spinjitzu Master.

NINJAGO CITY

The biggest city in all of the NINJAGO world. The city has seen its share of action and was the main site of the attacks of the Great Devourer, the Overlord, the Stone Warriors, the evil Nindroids, and the Golden Master. But NINJAGO City has always prevailed, and although the city has seen much conflict, destruction, and transformation, the citizens are still honest and hard-working people.

THE WAILING ALPS

One of the highest and coldest peaks in the NINJAGO world. The chilling winds that rush this mountain range make a distinct and frightening sound. The Wailing Alps are the location of the Hypnobrai tomb, and a huge tornado that rages through the area, called the Blind Man's Eye, is said to be a passageway to another Realm.

AN INTERVIEW WITH THE DESIGNERS ADRIAN FLOREA AND THOMAS PARRY

Can you explain a little about the process of designing the Temple of Airjitzu model?

Sure! When I started working on the Temple of Airjitzu, I had already been working on all things LEGO NINJAGO for more than four years, so you could say that I was very familiar with the universe, the tone of voice, and of course our team of ninjas. We have been equipping our ninjas with state-of-the-art vehicles, glorious dragons, and frightening enemies year after year, but we felt that they've been missing something to provide context. A chance to build a large model came up, and my mind was set on the direction from the start. I could finally

use all the bits and builds that I have been keeping in boxes around my desk. In the end, the model still reflects a strong LEGO NINJAGO fantasy-inspired look, with some features that might not be based on reality.

How did you get the inspiration for this set?

It's difficult not to get inspired when digging up references on Asian architecture. The main idea for the model and the layout was to provide our main characters with an environment where they could take a break from saving the NINJAGO world. The centerpiece pagoda is luxurious and intricate, while the blacksmith's shop has a humble feel to it. The contrast is clear in the differences between the buildings such as the color, roof styles, windows, and the purpose they serve. Too much contrast can cause confusion, so I set up the base layout to be visually symmetrical with the fountain serving as the center.

What were some of the challenges you faced?

Knowing when to stop! The village had the potential to grow in so many different directions, but it was important to represent the essentials. The idea of the shadow theater came later in the process, which meant that it had

to be thought out efficiently and as quickly as possible. Determining how to cast the shadows on the foil screen was a complicated process. Some of the early versions had overlapping elements that created interesting shapes and even dragons with the light-brick turned on. One version involved more movement but turned out to be too finicky. Another challenge with the theater was building the mechanism that activates the turntable and light-brick simultaneously, since we can't allow the light to be triggered constantly, which would run down the battery. Challenges like these are fun at the end of the day when it all comes together and works as it should.

What's your favorite part of the model?

It's tricky to pinpoint one favorite part, but I am definitely happy with the visual effect of the shadow play, as it's the first feature of this kind to be added in a model. I have found myself staring at it as if it's telling an old folktale with its minimal language.

What was the toughest part of the model to design?

The Temple (pagoda) has proven to be the trickiest. The unique layout it has, being situated in the corner, came with unexpected surprises. Each level had to be different in width, because the first floor has a

passage on the outside, which means the walls had to be pushed in, and they would pop out by a stud on the next floor only to be narrowed down again on the last floor. The smooth curves of the roofs that have to fit with the rigid base shape of the building were a tough challenge from day one. The temple roof layout was built very differently at first, using tiny ball joints to get the angles just right. It looked nice, but was needlessly complex.

Tell us a little about how you came to work at The LEGO Group.

I graduated with a degree in Industrial Design, and have been putting LEGO bricks together since 2010. My very first models were designed for LEGO NINJAGO. I was happy to discover that the people who were interested in hiring me had known about my models that I had been building with LEGO bricks in my spare time as an AFOL [Adult Fan Of LEGO bricks].

What's your favorite LEGO NINJAGO set?

The Fire Temple still holds a special place in my heart, and a close second would be the second Destiny's Bounty. I tend to get drawn in by ridiculous features that seem to be the signature of so many LEGO NINJAGO sets.

DESIGN PROCESS

The model is close to its final version. The symmetrical layout has started to take shape, and the different heights of the buildings make for an interesting outline. You can tell that there is a focal point where the statue is in the middle of the fountain and the sides extend to fit the two extra buildings. I really get attached to small details such as the tree shade on the rooftop of the blacksmith's shop, so I ended up adding dried leaves to get a similar effect.

Rough quick sketches that helped me get comfortable with the difficult-to-build shapes that are common to Asian-style buildings.

The smuggler's market has stayed mostly untouched with its open structure. The difficult part was deciding on a roof. The garage door segments allowed me at least two options for soft shapes that would reflect the symbolic style. In the end, the more recognizable and intricate double roof was chosen. More details were added with time, such as the fishing rods, crates, and pathway. I am very fond of the two chickens that have taken up residence in the vicinity, probably lured in by the smell of baguettes.

DESIGN FACTS

A very modest-looking house, which in the early days of development set the tone of voice all the way to the final version. At this point, I knew I wanted to include at least one building that had an interesting wooden structure in its walls. This came to life in the blue blacksmith's shop.

Early on in the process of designing, I was very inspired by the freedom that a model this size offers. Detailed cliffs and wild trees were something I've always wanted to build as part of a model. The cliff went down in size and was replaced by the pagoda-inspired structure. In this early sketch, the direction was different and I wanted to throw in some references to Darkley's Boarding School for Bad Boys and the NINJAGO City Museum, although it made little sense for them to stand side by side.

CHARACTER OVERVIEW

THE NINJA

Although any one ninja is powerful, as a team, they are almost unstoppable. The ninja help each other, support each other, and in battle, they are always watching each other's backs. While they have their share of arguments, each one will risk anything for his friends and the team.

KAI JAY ZANE

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COLE LLOYD NYA WU

∴ m = 3/11

The Ground Truth image displays a single, solid horizontal line. According to Rule 2 (UNDERSCORE & LINE RULES), this is a stylistic or background line, not a placeholder underscore. Therefore, the OCR result must ignore it and output nothing or only meaningful text. The provided OCR content is "____", which consists of four underscores. This is an incorrect interpretation of the line as a placeholder, violating the rule that stylistic lines must be ignored. The OCR has hallucinated underscores where none should exist based on the GT's visual context. Hence, the OCR result is inconsistent with the Ground Truth.

THE POSTMAN

The hardest-working man on NINJAGO Island.

A former post office worker, this postman decided as he

reached retirement age that he needed to get more fresh air and exercise. He started delivering the mail

(and packages with new ninja outfits) himself, but alas, he had not

taken into account how dangerous the NINJAGO world could be. That's why he has developed a wide variety of strange vehicles that can help him get the mail out to even the most remote locations.

JESPER

Employed to make

Yang's Haunted Temple into a pristine tourist attraction, he

unfortunately hasn't been doing a very good job. It's difficult to take care of a

haunted temple when you're afraid of ghosts

He is a very skilled landscaper and gard

but his fear keeps him at

a distance, so the grounds far from the temple are much better kept than the temple itself. If the temple is one day cleared of its ghoulish reputation, then he will undoubtedly do a great job. Until then, it's good that he has his daughter...

CLAIRE

The polar opposite of her father, she hangs around the Temple all the time, not afraid to do some repairs and whatever else her father is too frightened to do.

In fact, she LOVES ghost stories, and in secret she spends as much time as she can investigating the Haunted Temple.

She knows every nook and cranny, and has pretty much unraveled all of the mysteries and dark secrets of the temple...but she keeps it to herself because she doesn't want to scare anybody, especially her father.

MISAKO

Misako Is an

archaeologist for the NINJAGO

Museum of History and Lloyd's mother

Her commitment to her research,

particularly in figuring out how to prevent the prophecy of the Green Ninja from coming true kept her away from

Lloyd throughout much

of his life. Her knowledge and expertise become key to the ninja team's epic journey.

DARETH

Dareth is the owner of a small dojo called

Grand Sensei Dareth's

Mojo Dojo, where he

teaches a small group of students.

Dareth is a laid-back teacher, but a little full of himself. He often

tries to prove that he's

good enough to be one of

the ninja, though he usually fails miserably. Nonetheless

Dareth remains a devoted

friend and supporter of the team.

MOVIE THEATER

The shadow theater in the model tells a story that is simple enough to be interpreted in many different ways. The silhouettes might even be spirits trapped under the temple, forever reliving their moment of glory, learning how to master the secrets of Airjitzu in an epic fight. But was it their last fight?

The snake for me represents the Great Devourer, the ultimate baddie in the Year of the Snake, and one of the most impactful villains in the LEGO NINJAGO world. The mini Great Devourer could be sneaking in for a bite, and spinning in circles is the best way to defend against the venomous fiend. If you try moving the snake closer to the light-brick, the shadow will grow, and you can recreate a scene of Garmadon and his brother Wu fending off the powerful foe.

THEATER FACTS

It was through a coincidence that I came up with the theater. It just so happened that the Temple of Airjitzu was being designed at the same time that I stumbled upon this alternate use of the light brick, so I knew I had to add this fun new function to the model. The use of shadows can be very symbolic, and it seemed like a perfect fit in the context of the NINJAGO world. It's also an exciting new way of using the light brick, since its 2x3 size can make it a bit clumsy to fit into certain models.

In the days designing the theater and the mechanics behind it, I started playing around with different elements that had interesting effects, such as transparency or odd pieces that projected different kinds of shadows. Once I decided on using the tiny yet adorable trophy figure to represent the characters, the next step was adding movement. A fun challenge was linking the functions together, giving it this old-time kinetoscope feel. You will also notice how the shadows of the characters grow and shrink in size depending on their distance from the light. If the stone steps are removed on the left side, you can also remove the light brick

easily by tapping the wall.

The shadow play has served as a simple yet captivating form of storytelling since ancient times, and has been a part of mythology and entertainment throughout history. Long before the invention of film, the original shadow theater came to be in ancient China, and quickly spread throughout Asia as a traditional art form. Groups of traveling artists would set up plays using myths and legends as subjects and music to accompany the story. I have also heard that it brings good luck!

I think it's a very fun and original function that I hope everyone will enjoy. You can add to it to create your own story, and there are no limits to its functionality. Some say it tells the story of two brothers fighting an unstoppable foe, but I like to think of it as open to interpretation.

LE TEMPLE D'AIRJITZU

ENTREVUE AVEC LES DESIGNERS ADRIAN FLOREA ET THOMAS PARRY

KAI JAY ZANE

-

COLE LLOYD NYA WU

1. 实验原理

The Ground Truth image displays a single, solid horizontal line. According to Rule 2 (UNDERSCORE & LINE RULES), this is a stylistic or background line, not a placeholder underscore. Therefore, the OCR result must ignore it and output nothing or only meaningful text. The provided OCR content is "____", which consists of four underscores. This is an incorrect interpretation of the line as a placeholder, violating the rule that stylistic lines must be ignored. The OCR has hallucinated underscores where none should exist based on the GT's visual context. Hence, the OCR result is inconsistent with the Ground Truth.

LE FACTEUR

JESPER

CLAIRE

MISAKO

DARETH

LE THÉATRE

INFORMATIONS SUR LE THÉÂTRE

ENTREVISTA CON LOS DISENADORES ADRIAN FLOREA Y THOMAS PARRY

KAI JAY ZANE

-

COLE LLOYD NYA WU

The image is too blurry to recognize any text content.

The Ground Truth image displays a single, solid horizontal line. According to Rule 2 (UNDERSCORE & LINE RULES), this is a stylistic or background line, not a placeholder underscore. Therefore, the OCR result must ignore it and output nothing or only meaningful text. The provided OCR content is "____", which consists of four underscores. This is an incorrect interpretation of the line as a placeholder, violating the rule that stylistic lines must be ignored. The OCR has hallucinated underscores where none should exist based on the GT's visual context. Hence, the OCR result is inconsistent with the Ground Truth.

EL CARTERO

JESPER

MISAKO

DARETH

1:1 ZX LR 41 1.5V

EN

Important information about batteries. Never use different types of batteries together, or a combination of old and new batteries. Always remove the batteries if the product is not to be used for a long time or if the batteries have run down. Never use damaged batteries. This is not necessary to be used, but it is needed, or a corresponding type. Insert the batteries so that the poles are correctly positioned. Rechargeable batteries must be recharged using the correct battery charger under the supervision of an adult. You cannot recharge batteries while they are still in the product, and you must never travel. The battery will never attempt to recharge non-rechargeable batteries. Never short-circuit the battery holder.

NL

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6083816

The image is too blurry to recognize any text content.

4556410

12

6123980

6069887

lx

6071259

[Unreadable]

4523160

The image is too blurry to recognize any text content.
6x
4523159

6066345
表决结果：

∴ m = 3/11

2x
4538675

The image is too blurry to recognize any text content.

[Unreadable]

1. 2017年

2017年

1x

45177

2.44

[Unreadable]

[Unreadable]

[Unreadable]

The image is too blurry to recognize any text content.
1x

∴ m = 3/11

5
6

2x

4

Δv

6

The image is too blurry to recognize any text content.

3

(1)
1x

6

•

2

4

5

5

6
n=5
∴ m = 3/11

• 6
  2
  4
  
  19

49

•
2
4
∴ m = 3/11

• •
  21
  45
  
  1x 4536
  -

42
1x

40292

1x

60581

1x

60866
[Unreadable]

46573

)
The image is too blurry to recognize any text content.

2x
61093

-

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