Seiren Mini - Microphone RAZER - Free user manual and instructions

USER MANUAL Seiren Mini RAZER

The BBA is intended to be mounted to a desktop or similar flat surface, using the clamp assembly at the base of the arm. Begin by determining where on your worktop the base should be placed. The boom arm should ideally come close to forming an inverted “L” when set up, to allow the internal spring assembly to handle the weight of any microphone easily. That means that for very deep and large table tops or work surfaces you may need to mount the arm on the same side of the table that your body sits on, in order to maintain the desired shape for the arm.EN | 5

Open the clamp at the base of the arm wide enough to accommodate the flat surface, and place the arm in position. The clamp will be seated properly when both of its surfaces are making solid contact with a flat and solid surface on the top and bottom of the clamp. Tighten the clamp until the assembly is secure and the base of the arm won’t move unintentionally. note: Make sure that you don’t over-tighten the clamp! (We realize that might sound a lot like “make sure you don’t get overly wet when you go swimming”, or “enjoy your dinner but don’t eat it all”, but it’s true.)6 | EN

SETTING UP YOUR MICROPHONE

The BBA has a number of different ways to mount a microphone to it: mics can be attached to the boom arm via hard mount, shock mount or even directly to the microphone itself if desired (for instance, the Blue Yeti is often attached directly if a shockmount isn’t being used). The BBA can attach mounts or clips using either 3/8 or 5/8-inch threading, and the microphone can hang from underneath the top of the arm (which is the most traditional way of mounting mics in the broadcast world), or be mounted face up above the top of the arm, if desired.loading-circle-18 | EN

Now that you have everything roughly in place, it’s time to get things looking and sounding great for your production environment.

1. Sit down in your chair and get your body into the position that it will

normally be in when you’re streaming or broadcasting.

2. Determine the best position by speaking into the microphone and listening

to the sound of your voice. If you’re not appearing on-camera, it makes sense to put the mic where it sounds the absolute best, regardless of what it does to the look of your setup. If you ARE appearing on camera, you will need to find the best compromise between sound quality, lighting and on- camera look.

3. Now that your microphone is properly situated, you can clean up the finalEN | 9