Clavinova CVP505PM - Digital piano YAMAHA - Free user manual and instructions
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USER MANUAL Clavinova CVP505PM YAMAHA
Drum/key Assignment List.... 27
Chord Types Recognized in the Fingered Mode....41
Effect Type List.... 42
Song Meta Event List....90
CVP-509 (Legacy Voice)
| Category Voice Name Voice Number Voice Type | |||||
| Piano BallacStack 0 | 114 3 Regular | ||||
| MIDIGrand 0 112 3 Regular | |||||
| Harpsichord 0 112 7 Live! | |||||
| E.Piano JazzChorus | 0 118 6 Regular | ||||
| HyperTines 0 113 6 Regular | |||||
| VonusEP 0 114 6 Regular | |||||
| SuperDX | 0 117 6 Regular | ||||
| PolarisEP | 0 115 5 Regular | ||||
| DX Modern | 0 112 6 Regular | ||||
| NowTinos | 0 116 6 Regular | ||||
| PhaseEP | 0 120 5 Regular | ||||
| ModernEP | 0 115 6 Regular | ||||
| FunkEP | 0 112 5 Regular | ||||
| ChorusBell | 0 120 6 Regular | ||||
| StereoClavi 0 114 8 Regular | |||||
| Strings | SlowStrings | 0 113 50 Regular | |||
| StringFalls | 0 121 49 Live! | ||||
| AnalogStrings | 0 112 52 Regular | ||||
| Strings | 0 112 49 Regular | ||||
| OrchStrings 0 113 49 Regular | |||||
| Symphonic | 0 114 49 Regular | ||||
| ConcertoStrings | 0 115 49 Regular | ||||
| BowStrings | 0 116 49 Regular | ||||
| TremoloStrings | 0 112 45 Regular | ||||
| Pizzicato | 0 112 46 Regular | ||||
| Orchestra | 0 116 50 Live! | ||||
| Orch&Flute | 0 119 50 Regular | ||||
| Orch&Oboe | 0 121 50 Regular | ||||
| Orch&Horns 0 118 50 Regular | |||||
| Marcato | 0 115 50 Regular | ||||
| StringQuartet | 0 114 50 Regular | ||||
| Harp | 0 112 47 Regular | ||||
| Hackbrett2 0 113 47 Regular | |||||
| Banjo2 | 0 112 106 | Regular | |||
| Sitar2 | 0 112 105 | Regular | |||
| Guitar&Bass | FolkGuitar | 0 112 26 Regular | |||
| MutocGuitar 0 112 29 Regular | |||||
| FunkGuitar | 0 113 29 Regular | ||||
| SolidChord | 0 121 28 Regular | ||||
| SolidGuitar 0 118 28 Regular | |||||
| CampfiroGtr | 0 115 26 Regular | ||||
| Electric12Str 0 119 28 Regular | |||||
| DXJazzGuitar | 0 117 27 Regular | ||||
| SmoothLead 0 119 27 Regular | |||||
| PowerChord 0 117 31 Regular | |||||
| RockGuitar | 0 116 30 Regular | ||||
| VodocLead 0 116 31 Regular | |||||
| TremoloGuitar 0 113 28 Regular | |||||
| WahGuitar | 0 122 28 Regular | ||||
| LeadGuitar | 0 114 30 Regular | ||||
| 18String | 0 119 26 Regular | ||||
| ChorusGuitar | 0 124 28 Regular | ||||
| VintageTrem 0 120 28 Regular | |||||
| DoopChorus 0 114 28 Regular | |||||
| BrightClean 0 116 28 Regular | |||||
| DistortionGtr | 0 112 31 Regular | ||||
| OverdriveGtr | 0 112 30 Regular | ||||
| FeedbackGtr | 0 113 30 Regular | ||||
| WarmSolid | 104 | 2 | 28 | Cool! | |
| CleanSolid | 104 3 | 28 Cool! | |||
| GuitarHero | 104 0 | 31 Cool! | |||
| 70'sSolidGtr | 104 1 | 28 Cool! | |||
| HalfDrive | 104 0 | 30 Cool! | |||
| HeavyRock 104 1 31 Cool! | |||||
| ClickBass | 0 115 39 Regular | ||||
| PunchyBass 0 117 39 Regular | |||||
| AnalogBass | 0 112 40 Regular | ||||
| DX FunkBass | 0 113 38 Regular | ||||
| DrySynthBass | 0 116 40 Regular | ||||
| 80'sSynthBass 0 115 40 Regular | |||||
| HiQBass 0 113 39 Regular | |||||
| Saxophone | Saxophone | 104 | 0 | 67 | Sweet! |
| GrowISax | 0 118 | 67 | Regular | ||
| SopranoSax | 0 112 | 65 | Regular | ||
| AltoSax | 0 112 | 66 | Regular | ||
| TenorSax | 0 112 | 67 | Regular | ||
| SaxStack | 0 124 | 67 | Regular | ||
| WoodwindsEns | 0 113 | 67 | Regular | ||
| SaxyMood | 0 120 | 67 | Regular | ||
| Flute&Woodwind | EnglishHorn | 0 | 112 | 70 | Regular |
| Bassoon 0 112 71 Regular | |||||
| Flute | 0 112 | 74 | Regular | ||
| Clarinet | 0 112 | 72 | Regular | ||
| Category Voice | Name Voice Number Voice Type | ||||
| Flute&Woodwind | Oboe | 0 | 112 | 69 | Regular |
| PanFlute 0 113 74 Regular | |||||
| EthnicFlute 0 112 76 Regular | |||||
| Organ | DancoOrgan | 0 | 113 | 18 | Regular |
| ClickOrgan | 0 112 | 18 | Regular | ||
| RoodOrgan | 0 112 | 21 | Regular | ||
| RotarySwitch | 0 110 | 18 | Cool! | ||
| RotaryDrive | 0 118 | 19 | Regular | ||
| FullRocker2 | 104 3 | 19 | Cool! | ||
| GospelOrgan | 0 119 | 17 | Regular | ||
| PurpleOrgan | 0 114 | 19 | Regular | ||
| RockOrgan1 0 112 19 Regular | |||||
| RockOrgan2 0 119 19 Regular | |||||
| RockOrgan3 0 113 19 Regular | |||||
| 60'sOrgan | 0 116 | 18 | Regular | ||
| JazzOrgan1 | 0 112 | 17 | Regular | ||
| JazzOrgan2 | 0 113 | 17 | Regular | ||
| JazzOrgan3 | 0 120 | 17 | Regular | ||
| DrawbarOrgan1 | 0 120 | 18 | Regular | ||
| DrawbarOrgan2 | 0 115 | 17 | Regular | ||
| BrightDraw | 0 116 | 17 | Regular | ||
| PercOrgan | 0 119 | 18 | Regular | ||
| ElectricOrgan | 0 118 | 18 | Regular | ||
| Tibia 8&4 Acmp | 0 122 | 17 | Regular | ||
| Tibia 16&4 Acmp | 0 114 | 17 | Regular | ||
| Tibia Full Acmp | 0 114 | 18 | Regular | ||
| Tibia 8 Acmp | 0 122 | 18 | Regular | ||
| Vox 8 Acmp | 0 123 | 18 | Regular | ||
| Vox&Tibia Acmp | 0 125 | 17 | Regular | ||
| Trumpet | MutedTrumpet | 0 | 112 | 60 | Regular |
| FlugolHorn | 0 113 | 57 | Regular | ||
| SoloTrombone | 0 112 | 58 | Regular | ||
| JazzTrumpet | 0 116 | 57 | Regular | ||
| Trombone | 0 | 116 | 58 | Regular | |
| SoftTrombone 0 115 58 Regular | |||||
| SoloTrumpet | 0 112 | 57 | Regular | ||
| MellowTrombone | 0 114 | 58 | Regular | ||
| Tuba2 | 0 112 | 59 | Regular | ||
| Brass | SoftBrass | 0 | 123 | 62 | Regular |
| Sforzando | 0 125 | 62 | Regular | ||
| SmallBrass | 0 117 | 62 | Regular | ||
| BrassSection | 0 112 | 62 | Regular | ||
| HybridComp | 0 119 | 63 | Regular | ||
| NaturalBrass | 0 124 | 62 | Regular | ||
| BrightBrass | 0 120 | 62 | Regular | ||
| Hybrihorn | 0 113 | 61 | Regular | ||
| HighBrass | 0 115 | 62 | Regular | ||
| BigBandBrass | 0 113 62 | Regular | |||
| PopBrass | 0 118 | 62 | Regular | ||
| BrassCombo | 0 115 | 67 | Regular | ||
| BreathBrass | 0 118 | 61 | Regular | ||
| BigBrass | 0 121 | 62 | Regular | ||
| MellowBrass 0 116 62 Regular | |||||
| Hybripad | 0 114 | 61 | Regular | ||
| FullHorns | 0 114 | 62 | Regular | ||
| SmoothTrombone | 0 118 | 58 | Regular | ||
| TrumpetEns 0 122 62 Regular | |||||
| MellowHorns | 0 119 | 62 | Regular | ||
| BrassHit | 0 126 | 62 | Regular | ||
| SynthBrass | 0 112 | 63 | Regular | ||
| TonSection | 0 113 | 58 | Regular | ||
| Accordion | Accordion | 0 | 116 | 22 | Regular |
| SmallAccordion 0 115 22 Regular | |||||
| ModernHarp 0 113 23 Regular | |||||
| BluesHarp | 0 114 | 23 | Regular | ||
| BallroomAcc | 0 112 | 24 | Regular | ||
| SoftAccordion | 0 114 | 22 | Regular | ||
| TuttAccordion | 0 113 | 22 | Regular | ||
| Musette | 0 112 | 22 | Regular | ||
| Choir&Pad | Voices | 0 | 113 | 55 | Regular |
| Choir | 0 112 | 53 | Regular | ||
| AirChoir | 0 112 | 55 | Regular | ||
| VoxHumana | 0 112 | 54 | Regular | ||
| PsychoPad | 0 118 102 | Regular | |||
| FarEast | 0 112 | 98 | Regular | ||
| Disclosure | 0 118 | 90 | Regular | ||
| Mystery | 0 113 | 98 | Regular | ||
| Sirius | 0 114 102 | Regular | |||
| S&H Groove 0 115 102 Regular | |||||
| VolioAshraml 0 116 102 Regular | |||||
| EveningStars | 0 117 102 | Regular | |||
| AngelVibes 0 114 99 Regular | |||||
| GlassPad | 0 114 | 94 | Regular | ||
CVP-509 (Legacy Voice)
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Choir&Pad DX Pad | 0 112 83 Regular | ||||
| Symbiont 0 113 89 Regular | |||||
| DarkMoon 0 113 90 Regular | |||||
| Ionosphoro 0 115 95 Regular | |||||
| Millennium 0 117 89 Regular | |||||
| Atmosphorc 0 112 100 Regular | |||||
| Equinox 0 112 95 Regular | |||||
| Fantasia 0 112 89 Regular | |||||
| Stargate 0 114 89 Regular | |||||
| Aroa51 0 112 90 Regular | |||||
| DigitalPad 0 115 94 Regular | |||||
| Duncs 0 114 90 Regular | |||||
| Messenger 0 116 96 Regular | |||||
| Wave2001 | 0 112 96 Regular | ||||
| XenonPad 0 112 82 Regular | |||||
| Synth&FX | ProLead 0 113 84 Regular | ||||
| FunkyLead | 0 121 82 Regular | ||||
| Portstono | 0 112 85 Regular | ||||
| Adrenaline | 0 113 85 Regular | ||||
| Stardust | 0 112 99 Regular | ||||
| AcroLead | 0 112 84 Regular | ||||
| MiniLead | 0 114 81 Regular | ||||
| SunBoll 0 113 99 Regular | |||||
| HiBias 0 116 81 Regular | |||||
| VinylLead | 0 115 81 Regular | ||||
| PanLead | 0 122 81 Regular | ||||
| StringBells 0 124 89 Regular | |||||
| Padbells | 0 126 89 Regular | ||||
| BigTuno 0 118 90 Regular | |||||
| TrumpetSaw | 0 125 82 Regular | ||||
| Paraglido | 0 114 85 Regular | ||||
| Robolead | 0 124 82 Regular | ||||
| Fargo | 0 119 82 Regular | ||||
| BigLead 0 113 82 Regular | |||||
| Warp | 0 117 82 Regular | ||||
| Impact | 0 113 88 Regular | ||||
| UndiorHolm | 0 112 88 Regular | ||||
| CrystalEyes | 0 125 89 Regular | ||||
| MelodyMaker | 0 117 90 Regular | ||||
| AttackSaw | 0 126 82 Regular | ||||
| PorcSquare | 0 123 81 Regular | ||||
| SquareLead | 0 112 81 Regular | ||||
| SawLoad 0 112 82 Regular | |||||
| PopLead | 0 120 81 Regular | ||||
| BrightMini | 0 125 81 Regular | ||||
| OrbittSinc 0 126.81 Regular | |||||
| Blaster | 0 114 82 Regular | ||||
| TinyLoad | 0 118 81 Regular | ||||
| Perc&Drum | StandardKit1 | 127 | 0 | 1 | Live!Drums |
| StandardKit2 | 127 0 | 2 | Live!Drums | ||
| RockKit | 127 0 | 17 | Drums | ||
| ArabicKit | 126 0 | 36 | SFX Kit | ||
CVP-505
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Piano | GrandPiano1 | 0 122 | 1 Natural! | ||
| GrandPiano2 | 0 122 | 2 Natural! | |||
| BrightPiano | 0 123 | 1 Natural! | |||
| MollowPiano | 0 124 | 1 Natural! | |||
| RockPiano 0 124 3 Natural! | |||||
| PopGrand | 104 6 | 1 | Natural! | ||
| Oct.Piano1 | 0 123 | 4 Natural! | |||
| Oct.Piano2 | 0 124 | 4 Natural! | |||
| Harpsichord8' | 0 122 | 7 Natural! | |||
| HonkyTonk | 0 122 | 4 | Natural! | ||
| GrandPiano | 0 113 | 1 Live! | |||
| WarmGrand 0 114 1 | Live! | ||||
| BrightPiano | 0 112 | 2 Live! | |||
| BalladStack | 0 114 | 3 Regular | |||
| MIDIGrand | 0 112 | 3 Regular | |||
| OctavePiano1 | 0 113 | 4 Live! | |||
| OctavePiano2 | 0 114 | 4 Live! | |||
| CP80 | 0 113 | 3 Regular | |||
| Harpsichord | 8 | 32 11 | 3 S.Articulation! | ||
| HonkyTonk | 0 112 | 4 | Regular | ||
| Harpsichord | 0 112 | 7 Live! | |||
| GrandHarpsi | 0 113 | 7 Live! | |||
| Ic8 +4' | 0 123 | 7 Natural! | |||
| Harpsi&Str | 0 124 | 7 Natural! | |||
| Piano&Str | 0 125 | 1 Natural! | |||
| Piano&EP | 0 122 | 3 Natural! | |||
| E.Piano | SparkleStack | 0 121 | 6 Cool! | ||
| SweetIDX 104 0 6 Cool! | |||||
| DX Dynamics | 0 123 | 6 Cool! | |||
| GalaxyEP | 0 114 | 5 Cool! | |||
| BalladDX 0 124 6 Cool! | |||||
| SuitcaseEP 0 118 5 Cool! | |||||
| E.Piano 0 122 5 Natural! | |||||
| TremoloEP 0 124 5 Natural! | |||||
| FunkyEP | 0 123 | 5 Natural! | |||
| DX EP | 0 122 | 6 Natural! | |||
| ElectricPiano | 0 119 | 5 Cool! | |||
| TremoloEP 0 113 5 Cool! | |||||
| StageEP | 0 117 | 5 Regular | |||
| VintageEP 0 116 5 Regular | |||||
| HyperTinos | 0 113 | 6 Regular | |||
| VenusEP | 0 114 | 6 Regular | |||
| SuporDX | 0 117 | 6 Regular | |||
| PolarisEP | 0 115 | 5 Regular | |||
| DX Modern 0 112 6 Regular | |||||
| NewTinos | 0 116 | 6 Regular | |||
| SmoothTime | 0 119 | 6 Regular | |||
| Clavi | 0 112 | 6 Regular | |||
| WahClavi | 0 113 | 8 Regular | |||
| PhaseClavi 0 115 8 Regular | |||||
| Strings | ConcertStrings | 8 | 32 | 50 | S.Articulation! |
| StudioStrings | 8 | 32 49 | S.Articulation! | ||
| Spiccato | 0 120 | 49 Regular | |||
| Pizzicato | 0 113 | 46 Live! | |||
| TremoloStrings | 0 113 | 45 Regular | |||
| Violin | 0 113 | 41 Sweet! | |||
| DiscoStrings1 | 0 123 | 50 Regular | |||
| DiscoStrings2 | 0 124 | 50 Regular | |||
| MovieStrings | 0 123 | 49 Regular | |||
| Strings | 0 117 | 50 Live! | |||
| Strings p | 0 117 | 49 Regular | |||
| Strings mf | 0 118 | 49 Regular | |||
| Strings f | 0 119 | 49 Regular | |||
| DynamicStrings | 0 124 | 49 Regular | |||
| TremoloBowing | 8 | 34 | 49 | S.Articulation! | |
| Allogro | 0 122 | 50 Live! | |||
| Tutti | 0 120 | 50 Regular | |||
| OrchestraHit | 0 112 | 56 Regular | |||
| Spiccato | 8 | 33 49 | S.Articulation! | ||
| Harp | 0 112 | 47 Regular | |||
| SynthStrings1 | 0 112 | 51 Regular | |||
| SynthStrings2 | 0 113 | 51 Regular | |||
| OberStrings | 0 113 | 52 Regular | |||
| ChamberStrings | 0 112 | 50 Regular | |||
| Banjo | 0 112 | 105 Regular | |||
| Koto | 0 112 | 108 Regular | |||
| Shamisen | 0 112 | 107 Regular | |||
| Sitar | 104 0 | 105 Regular | |||
| Hackbrett | 0 113 | 47 Regular | |||
| Fiddle | 0 112 | 111 Regular | |||
| SolioViolin | 0 112 | 41 Regular | |||
| Viola | 0 112 | 42 Regular | |||
| Cello | 0 112 | 43 Regular | |||
CVP-505
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Strings Contrabass 0 112 44 Regular | Guitar&Bass 1o1Sub 104 5 39 Regular | ||||
| SmallStrings 8 0 49 MegaVoice | LittleBassSynth 104 6 39 Regular | ||||
| LargeStrings 8 0 50 MegaVoice | TeknoBass 104 7 39 Regular | ||||
| Guitar&Bass Concon Guitar 8 32 1 S.Articulation! | PorcPunch 104 8 39 Regular | ||||
| SteelGuitar 8 32 2 S.Articulation! | SquareBass 104 4 40 Regular | ||||
| FlamoncoGtr 8 33 1 S.Articulation! | TrancoBass 104 9 39 Regular | ||||
| 12StringGtr 0 113 26 Live! | SubCutBass 104 5 40 Regular | ||||
| PedalSteel 8 36 4 S.Articulation! | DynoAcidBass 104 10 39 Regular | ||||
| WarmSolid 8 33 4 S.Articulation! | MiniSub 104 6 40 Regular | ||||
| CleanSolid 8 34 4 S.Articulation! | FatSincRes 104 11 39 Regular | ||||
| GuitarHero 8 32 6 S.Articulation! | BalladBass 104 7 40 Regular | ||||
| 70'sSolidGtr 8 38 4 S.Articulation! | VoioMaster 104 17 82 Regular | ||||
| HeavyRock 8 32 5 S.Articulation! | SubBass 0 114 40 Regular | ||||
| Mandolin 0 114 26 Sweet! | HardBass 0 114 39 Regular | ||||
| NylonGuitar 8 34 1 S.Articulation! | ResoBass 0 112 39 Regular | ||||
| FolkGuitar 8 33 2 S.Articulation! | HouseBass 0 116 39 Regular | ||||
| DynamicNylon 0 116 25 Regular | BigDrone 0 118 39 Regular | ||||
| DynamicStool 0 116 26 Live! | FunkBass 0 112 38 Regular | ||||
| HalfDrive 8 37 4 S.Articulation! | TB Bass 0 117 40 Regular | ||||
| VintageLead 0 125 28 Cool! | Bass&Cymbal 0 114 33 Regular | ||||
| BluesGuitar 0 117 30 Cool! | AcousticBass 8 0 7 MegaVoice | ||||
| WarmElectric 8 32 4 S.Articulation! | ElectricBass 8 0 18 MegaVoice | ||||
| CleanElectric 8 35 4 S.Articulation! | PickBass 8 0 9 MegaVoice | ||||
| SlideNylon 0 117 25 Regular | FretlessBass 8 0 20 MegaVoice | ||||
| SlideSteel 0 118 26 Live! | Saxophone Saxophone 8 32 83 S.Articulation! | ||||
| SlideSolid 0 110 28 Cool! | BigBandSax 8 35 83 S.Articulation! | ||||
| SlideClean 0 117 29 Cool! | RockSax 8 33 83 S.Articulation! | ||||
| PedalSteel 0 115 28 Regular | SopranoSax 0 113 66 Sweet! | ||||
| AlphaGuitar 0 118 27 Regular | SaxSection 0 116 67 Live! | ||||
| HardFlamenco 0 118 25 Regular | PopTenor 0 127 67 Sweet! | ||||
| JazzSoloGtr 0 116 27 Cool! | BalladTenor 0 126 67 Sweet! | ||||
| ClassicalGtr 0 115 25 Regular | JazzTenor 0 125 67 Sweet! | ||||
| SteelGuitar 0 117 26 Live! | AltoSax 0 114 66 Sweet! | ||||
| TremoloSolid 0 111 28 Cool! | TenorSax 0 117 67 Sweet! | ||||
| ChorusSolid 0 107 28 Cool! | GrowlSax 0 111 67 Sweet! | ||||
| BalladSolid 0 109 28 Cool! | SaxSectionSoft 0 121 67 Live! | ||||
| DynamicMuto 0 118 29 Cool! | SaxSectionHard 0 122 67 Live! | ||||
| ElectricGtr 0 114 29 Cool! | SaxAppeal 0 123 67 Live! | ||||
| PowerLead 0 115 31 Cool! | BaritoneSax 0 112 68 Regular | ||||
| Feedbackor 8 33 5 S.Articulation! | BigBandSaxcs 0 110 67 Regular | ||||
| CleanGuitar 0 112 28 Cool! | BigBandUnison 0 109 67 Regular | ||||
| SlapSolid 0 108 28 Cool! | BigBandOctave 0 108 67 Regular | ||||
| FunkGuitar 0 116 29 Cool! | Moonlight 0 115 72 Regular | ||||
| JazzGuitar 0 115 27 Cool! | BalladSection 0 119 67 Regular | ||||
| VintageOpen 0 123 28 Regular | TenorSax 8 0 83 MegaVoice | ||||
| VintageStrum 0 126 28 Regular | Flute&Woodwind Flute 0 114 74 Sweet! | ||||
| VintageAmp 0 115 30 Regular | Clarinet 0 114 72 Sweet! | ||||
| VintageMutoGt 0 115 29 Regular | Oboo 0 113 69 Sweet! | ||||
| NylonMuto 0 119 25 Regular | Englishlorn 0 112 70 Regular | ||||
| SteelMute 0 120 26 Live! | Bassoon 0 112 71 Regular | ||||
| HeavyStack 0 114 31 Regular | PanFlute 0 113 76 Sweet! | ||||
| CrunchGuitar 0 110 31 Regular | ClassicalFlute 0 115 74 Sweet! | ||||
| MutedGuitar 0 119 29 Cool! | Piccolo 0 112 73 Regular | ||||
| OctavoGuitar 0 113 27 Regular | Whistic 0 112 79 Regular | ||||
| NylonGuitar 8 0 1 MegaVoice | Shakuhachi 0 112 78 Regular | ||||
| SteelGuitar 8 0 2 MegaVoice | Flute 0 112 74 Regular | ||||
| 12StringGtr 8 1 3 MegaVoice | Clarinet 0 112 72 Regular | ||||
| HiStringGtr 8 0 3 MegaVoice | Oboo 0 112 69 Regular | ||||
| SolidGuitar1 8 1 4 MegaVoice | FluteEnsemble 0 116 74 Regular | ||||
| SolidGuitar2 8 2 4 MegaVoice | Bagpipe 0 112 110 Regular | ||||
| CleanGuitar 8 0 4 MegaVoice | Recorder 0 112 75 Regular | ||||
| OverdriveGtr 8 0 5 MegaVoice | Ocarina 0 112 90 Regular | ||||
| DistortionGtr 8 0 6 MegaVoice | PanFlute 0 113 74 Regular | ||||
| ElectricBass 0 114 34 Cool! | EthnicFlute 0 112 76 Regular | ||||
| AcousticBass 0 112 33 Regular | Organ PipeOrganP 0 123 20 Natural! | ||||
| DynoPickBass 0 113 35 Cool! | PipoOrgTu 0 122 20 Natural! | ||||
| FretlessBass 0 112 36 Cool! | JazzRotary 8 32 114 S Articulation! | ||||
| SlapBass 0 112 37 Regular | CurvedBars 0 121 17 Cool! | ||||
| MellowFinger 0 112 34 Regular | EvenBars 0 111 17 Cool! | ||||
| RockBass 0 114 35 Regular | VintageFast 0 127 17 Cool! | ||||
| SuporFretless 0 113 36 Regular | JazzOrgan 0 117 17 Cool! | ||||
| PickBass 0 112 35 Regular | RockRotary 8 33 114 S Articulation! | ||||
| FusionBass 0 113 37 Regular | RotorOrgan 0 117 19 Cool! | ||||
| LoBass 104 0 40 Regular | FullRocker 0 115 19 Cool! | ||||
| DarkBass 104 1 40 Regular | Hold It Fast 0 111 18 Cool! | ||||
| MoonBass 104 0 39 Regular | R&B Tremloio 0 111 19 Cool! | ||||
| KickBass 104 1 39 Regular | Organ 0 118 19 Cool! | ||||
| ClubBass 104 2 39 Regular | JazzSlow 0 126 18 Cool! | ||||
| FatPulse 104 2 40 Regular | JazzFast 0 127 18 Cool! | ||||
| WazzoSaw 104 3 81 Regular | OrganAccomp1 0 108 18 Regular | ||||
| DeepPoint 104 3 39 Regular | OrganAccomp2 0 107 18 Regular | ||||
| TightBass 104 3 40 Regular | OrganAccomp3 0 106 18 Regular | ||||
| Competitor 104 4 39 Regular | OrganAccomp4 0 105 18 Regular | ||||
CVP-505
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Organ OrganAccomp | p5 0 104 18 Regular | ||||
| TwoChannels 0 109 18 C | boll | ||||
| EuroOrgan 0 118 17 Regular | |||||
| MollowDraw 0 115 18 Regular | |||||
| Tibia 16&4 Acmp 0 114 17 Regular | |||||
| Tibia Full Acmp 0 114 18 Regular | |||||
| PipeOrgan 0 112 20 Regular | |||||
| ChapelOrgan1 0 113 20 Regular | |||||
| ChapelOrgan2 0 114 20 Regular | |||||
| ChapelOrgan3 0 115 20 Regular | |||||
| Full Theatre 0 127 19 Regular | |||||
| SweetThoatro 0 126 19 Regular | |||||
| BallroomOrgan 0 115 4 Regular | |||||
| Trumpet Trumpet 8 | 32 65 S.Articulation! | ||||
| SilverTrumpet 8 33 65 S.Articulation! | |||||
| GoldenTrumpet 8 34 65 S.Articulation! | |||||
| BigBandTrumpet | 8 | 37 65 S.Articulation! | |||
| TrumporFall | 8 | 38 65 S.Articulation! | |||
| Cornet | 0 119 57 Sweet! | ||||
| FlugelHorn 0 118 57 Sweet! | |||||
| MutocTrumpet | 0 114 60 Sweet! | ||||
| Trumpet 0 115 57 Sweet! | |||||
| Trombonc | 0 117 58 Sweet! | ||||
| TrumpetShake | 8 | 35 65 S.Articulation! | |||
| GoldenTrumpet 0 122 57 Sweet! | |||||
| SilverTrumpet 0 121 57 Sweet! | |||||
| MellowTrumpet 0 120 57 Sweet! | |||||
| BaritoneHorn | 0 113 59 Regular | ||||
| Baritonlit 0 114 59 Regular | |||||
| AlpBass | 0 113 34 Regular | ||||
| Tuba | 0 112 59 Regular | ||||
| Trumpet 8 0 65 Mega Voice | |||||
| Brass | BigBandBrass | 8 | 37 57 S.Articulation! | ||
| SmoothBrass | 8 | 36 57 S.Articulation! | |||
| DynamicBrass | 0 127 62 Regular | ||||
| PowerBrass | 0 121 63 Regular | ||||
| AccentBrass | 0 109 62 Regular | ||||
| FrenchHorns | 0 112 61 Live! | ||||
| SymphonyBrass | 0 119 61 Regular | ||||
| Brass p | 0 111 62 Regular | ||||
| Brass mf | 0 110 62 Regular | ||||
| Brass f | 0 108 62 Regular | ||||
| BrassFalls f | 8 | 34 57 S.Articulation! | |||
| BrassFalls mf 8 35 57 S.Articulation! | |||||
| BrassBand 0 123 57 Regular | |||||
| SoftHorns | 0 117 61 Regular | ||||
| SoftTrombones | 0 118 61 Regular | ||||
| BrassShaka | 8 | 32 57 S.Articulation! | |||
| AccentFalls | 8 | 36 57 S.Articulation! | |||
| Sforzando | 0 105 62 Regular | ||||
| SforzandoFall 0 107 62 Regular | |||||
| SymphonyHorns | 0 115 61 Live! | ||||
| BrassDynamics | 0 100 62 Regular | ||||
| PopBrass | 0 117 63 Live! | ||||
| HyperBrass | 0 118 63 Live! | ||||
| SmallBrass | 0 120 61 Live! | ||||
| OctavoBrass | 0 116 63 Live! | ||||
| ThinthBrass | 104 0 63 Regular | ||||
| BrassProfit | 104 1 63 Regular | ||||
| SlowPWMBrass | 104 2 63 Regular | ||||
| FastPWMBrass | 104 6 63 Regular | ||||
| CiberBrass 0 113 64 Regular | |||||
| SoftVeloBrass 0 120 63 Regular | |||||
| 80'sBrass | 0 113 63 Regular | ||||
| AnalogBrass | 0 112 64 Regular | ||||
| SoftAnalog 0 114 64 Regular | |||||
| FunkyAnalog | 0 115 63 Regular | ||||
| TechnoBrass | 0 114 63 Regular | ||||
| CiberHorns 0 115 64 Regular | |||||
| FatSynthBrass | 0 116 64 Regular | ||||
| BallroomBrass | 0 113 60 Regular | ||||
| Brass | 8 | 0 57 MegaVoice | |||
| Accordion | FrenchMusette | 0 119 22 Regular | |||
| MasterAccord | 0 118 22 Regular | ||||
| JazzAccordion | 0 120 22 Regular | ||||
| TangoAccordion | 0 114 24 Regular | ||||
| Stoirisch | 0 117 22 Regular | ||||
| Harmonica 0 112 23 Sweet! | |||||
| ModernHarp | 0 113 23 Regular | ||||
| Bluosi-Iarp | 0 114 23 Regular | ||||
| Bandoneon | 0 113 24 Regular | ||||
| Musette | 0 112 22 Regular | ||||
| MasterBass | 0 122 22 Regular | ||||
CVP-505
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Synth&FX Oxygen 0 | 122 82 Regular | ||||
| Matrix 0 123 82 Regular | |||||
| WireLead 0 120 82 Regular | |||||
| SoftR&B 0 119 81 Regular | |||||
| EarlyLead 0 118 82 Regular | |||||
| LoktroCodos 104 2 85 Regular | |||||
| SimpleComp 104 12 82 Regular | |||||
| BalladComp 104 6 89 Regular | |||||
| HeavenBell 104 0 101 Regular | |||||
| BrightPacBell 104 7 89 Regular | |||||
| SoftSquare | 104 5 | 81 Regular | |||
| WildPWM | 104 4 | 81 Regular | |||
| DetunedVintage | 104 1 | 85 Regular | |||
| PWMLead | 104 1 | 82 Regular | |||
| BrassyLead | 104 5 | 63 Regular | |||
| PunchLead 104 7 82 Regular | |||||
| FlangeFilter | 104 2 | 82 Regular | |||
| MouthLoad | 104 0 | 82 Regular | |||
| ResonantClavi | 104 2 | 91 Regular | |||
| ResonanceComp | 104 4 | 63 Regular | |||
| TrancePerc 104 5 82 Regular | |||||
| Chordrmaster | 104 13 | 82 Regular | |||
| DigitalScq | 104 2 | 86 Regular | |||
| AnalogSeq | 104 3 | 88 Regular | |||
| TranceSeq1 | 104 4 | 88 Regular | |||
| TranceSeq2 | 104 5 | 88 Regular | |||
| TranceSeq3 | 104 1 | 91 Regular | |||
| PercSeqFS | 104 6 | 88 Regular | |||
| PorcScqFM1 104 7 88 Regular | |||||
| PercSeqFM2 104 8 88 Regular | |||||
| SynthSticks | 104 0 | 107 Regular | |||
| SazFeeze | 104 0 | 98 Regular | |||
| EasternAir | 104 1 | 98 Regular | |||
| Xtune | 104 1 | 88 Regular | |||
| PitchFall | 104 0 | 104 Regular | |||
| PercSeqSaw 104 11 82 Regular | |||||
| PorcSeqHipa | 104 9 | 88 Regular | |||
| Attack | 104 4 | 82 Regular | |||
| PWMpercussion | 104 6 | 82 Regular | |||
| Nomad | 104 1 | 105 Regular | |||
| ChorusSawLoad | 104 10 | 82 Regular | |||
| FaaatComp | 104 4 | 52 Regular | |||
| FatSawlHook | 104 7 | 52 Regular | |||
| TechGlide | 104 14 | 82 Regular | |||
| DanceChords | 104 5 | 52 Regular | |||
| DanceHook | 0 112 | 87 Regular | |||
| OctaveHook | 0 113 | 87 Regular | |||
| HipaLoad | 0 116 | 85 Regular | |||
| PunchylHook 0 127 82 Regular | |||||
| CryingLead | 0 114 | 88 Regular | |||
| HipLead | 0 113 | 81 Regular | |||
| HopLoad | 0 117 | 81 Regular | |||
| TechLead | 0 117 | 85 Regular | |||
| Tokkllnc | 0 116 | 85 Regular | |||
| SoftMini | 0 124 | 81 Regular | |||
| TranceLead | 0 121 | 81 Regular | |||
| FireWiro | 0 116 | 82 Regular | |||
| Analogon 0 115 82 Regular | |||||
| Skyline | 0 115 | 85 Regular | |||
| OrbitSinc | 0 126 | 81 Regular | |||
| Perc&Drum | Vibraphone | 0 122 | 12 Natural! | ||
| TremoloVibos | 0 124 | 12 Natural! | |||
| Suspense | 0 114 | 12 Regular | |||
| Marimba | 0 112 | 13 Regular | |||
| SteelDrums | 0 112 | 115 Regular | |||
| Glockonspicl | 0 112 | 10 Regular | |||
| Xylophone | 0 112 | 14 Regular | |||
| Colosta | 0 112 | 9 Regular | |||
| MusicBox | 0 112 | 11 Regular | |||
| TubularBells | 0 112 | 15 Regular | |||
| Vibraphono | 0 112 | 12 Regular | |||
| JazzVibos | 0 113 | 12 Regular | |||
| Kalimba | 0 112 | 109 Regular | |||
| Dulcimcr | 0 112 | 16 Regular | |||
| Timpani | 0 112 | 48 Regular | |||
| StackBell | 104 8 | 89 Regular | |||
| NicoBell 104 9 89 Regular | |||||
| PowerKit1 | 127 0 | 88 Drums | |||
| PowerKit2 | 127 0 | 89 Drums | |||
| BrushKit | 127 0 | 41 Drums | |||
| StandardKit1 | 127 0 | 1 Drums | |||
| StandardKit2 | 127 0 | 2 Drums | |||
| AnalogTäKit | 127 0 | 59 Drums | |||
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Perc&Drum | AnalogT9Kit | 127 0 | 60 Drums | ||
| BreakKit | 127 0 | 58 Drums | |||
| HipHopKit | 127 0 | 57 Drums | |||
| DanceKit | 127 0 | 28 Drums | |||
| StudioKit | 127 0 | 87 Drums | |||
| HitKit | 127 0 | 5 Drums | |||
| SymphonyKit | 127 0 | 49 Drums | |||
| RockKit | 127 0 | 17 Drums | |||
| JazzKit | 127 0 | 33 Drums | |||
| PopLatinKit 126 0 44 SFX Kit | |||||
| CubanKit | 126 0 | 41 SFX Kit | |||
| ArabicKit | 126 0 | 36 SFX Kit | |||
| RoomKit | 127 0 | 9 Drums | |||
| ElectroKit | 127 0 | 25 Drums | |||
| AnalogKit | 127 0 | 26 Drums | |||
| SFX Kit1 | 126 0 | 1 SFX Kit | |||
| SFX Kit2 | 126 0 | 2 SFX Kit | |||
| OrganFlutos | JazzDraw! | 0 126 | 17 OrganFlutos | ||
| BluesOrgan! 0 126 17 OrganFlutes | |||||
| SixteenOne! | 0 126 | 17 OrganFlutes | |||
| EvenBars! | 0 126 | 17 OrganFlutes | |||
| PopOrgan! | 0 126 | 17 OrganFlutes | |||
| RockingOrg! | 0 126 | 17 OrganFlutes | |||
| Percussive! | 0 126 | 17 OrganFlutes | |||
| GospelOrg! | 0 126 | 17 OrganFlutes | |||
| PadOrgan! | 0 126 | 17 OrganFlutes | |||
| FullRanks! | 0 126 | 17 OrganFlutes | |||
CVP-505 (Legacy Voice)
| Category Voice Name Voice Number Voice Type | Category Voice Name Voice Number Voice Type | |||||||||
| E.Piano JazzChorus 0 118 6 Regular | Organ | DrawbarOrgan2 | 0 | 115 | 17 Regular | |||||
| PhaseEP 0 120 5 Regular | BrightDraw | 0 116 | 17 Regular | |||||||
| ModernEP 0 115 6 Regular | PercOrgan 0 119 18 Regular | |||||||||
| FunkFP 0 112 5 Regular | ElectricOrgan | 0 113 | 18 Regular | |||||||
| ChorusBell 0 120 6 Regular | Trumpet | MutedTrumpet | 0 | 112 | 60 Regular | |||||
| StorooClavi 0 114 8 Regular | FlugollHorn 0 113 57 Regular | |||||||||
| Strings SlowStrings | 0 113 50 Regular | SoloTrombone | 0 112 | 58 Regular | ||||||
| StringFalls 0 121 49 Regular | JazzTrumpet | 0 116 | 57 Regular | |||||||
| AnalogStrings 0 112 52 Regular | Trombone | 0 | 116 | 58 Regular | ||||||
| Strings | 0 112 49 Regular | SoftTrombone 0 115 58 Regular | ||||||||
| CrchStrings | 0 113 49 Regular | SoloTrumpet | 0 112 | 57 Regular | ||||||
| Symphonic | 0 114 49 Regular | MollowTrombone | 0 114 | 58 Regular | ||||||
| ConcertoStrings | 0 115 49 Regular | Brass | SoftBrass | 0 | 123 | 62 Regular | ||||
| BowStrings | 0 116 49 Regular | Sforzando | 0 125 | 62 Regular | ||||||
| TremoloStrings | 0 112 45 Regular | SmallBrass | 0 117 | 62 Regular | ||||||
| Pizzicato 0 112 46 Regular | BrassSection | 0 112 | 62 Regular | |||||||
| Orchestra | 0 116 50 Live! | HybridComp | 0 119 | 63 Regular | ||||||
| Orch&Fluto | 0 119 50 Regular | NaturalBrass | 0 124 | 62 Regular | ||||||
| Orch&Cboe | 0 121 50 Regular | BrightBrass | 0 120 | 62 Regular | ||||||
| Orch&Horns | 0 118 50 Regular | Hybrithorn | 0 113 | 61 Regular | ||||||
| Marcato | 0 115 50 Regular | HighBrass 0 115 62 Regular | ||||||||
| StringQuartet | 0 114 50 Regular | BigBandBrass | 0 113 | 62 Regular | ||||||
| Sitar2 | 0 112 105 Regular | PopBrass | 0 118 | 62 Regular | ||||||
| Guitar&Bass | 60'sClean | 0 117 25 Regular | BrassCombo | 0 115 | 67 Regular | |||||
| FolkGuitar | 0 112 26 Regular | BreathBrass | 0 116 | 61 Regular | ||||||
| MutedGuitar | 0 112 29 Regular | BigBrass | 0 121 | 62 Regular | ||||||
| FunkGuitar 0 113 29 Regular | MellowBrass | 0 116 | 62 Regular | |||||||
| SolidChord | 0 121 28 Regular | Hybripad | 0 114 | 61 Regular | ||||||
| SolidGuitar | 0 118 28 Regular | FullHorns | 0 114 | 62 Regular | ||||||
| CampfireGtr | 0 115 26 Regular | SmoothTrombone | 0 118 | 58 Regular | ||||||
| Electric12Str | 0 119 28 Regular | TrumpotEns | 0 122 | 62 Regular | ||||||
| DXJazzGuitar | 0 117 27 Regular | MellowHorns | 0 119 | 62 Regular | ||||||
| SmoothLead | 0 119 27 Regular | BrassHit | 0 126 | 62 Regular | ||||||
| PowerChord | 0 117 31 Regular | SynthBrass | 0 112 | 63 Regular | ||||||
| RockGuitar | 0 116 30 Regular | TonSection | 0 113 | 58 Regular | ||||||
| VodocLead 0 116 31 Regular | Accordion | Accordion | 0 | 116 | 22 Regular | |||||
| TromoloGuitar 0 113 28 Regular | SmallAccordion 0 115 22 Regular | |||||||||
| WahGuitar | 0 122 28 Regular | BallroomAcc | 0 112 | 24 Regular | ||||||
| LeadGuitar | 0 114 30 Regular | SoftAccordion | 0 114 | 22 Regular | ||||||
| 18String | 0 119 26 Regular | TuttAccordion | 0 113 | 22 Regular | ||||||
| ChorusGuitar | 0 124 28 Regular | Choir&Pad | Sunboam | 0 | 123 | 89 Regular | ||||
| VintageTrem | 0 120 28 Regular | UuhChoir | 0 115 | 53 Regular | ||||||
| DoopChorus | 0 114 28 Regular | IlahPad | 0 116 | 95 Regular | ||||||
| BrightClean 0 116 28 Regular | Voices | 0 113 | 56 Regular | |||||||
| DistortionGtr | 0 112 31 Regular | Choir | 0 112 | 53 Regular | ||||||
| OverdriveGtr | 0 112 30 Regular | AirChoir | 0 112 | 55 Regular | ||||||
| FeedbackGtr | 0 113 30 Regular | VoxHumana | 0 112 | 54 Regular | ||||||
| WarmSolid | 104 | 2 | 28 | Cool! | PsychoPad | 0 113 | 102 Regular | |||
| CleanSolid | 104 3 | 26 Cool! | FarEast 0 112 98 Regular | |||||||
| GuitarHero | 104 0 | 31 Cool! | Disclosure | 0 116 | 90 Regular | |||||
| 70'sSolidGtr | 104 1 | 28 Cool! | Mystery | 0 113 | 98 Regular | |||||
| HalfDrive 104 0 30 Cool! | Sirius | 0 114 | 102 Regular | |||||||
| HeavyRock | 104 1 | 31 Cool! | S&H Groove | 0 115 | 102 Regular | |||||
| ClickBass | 0 115 39 Regular | VoioAshraml | 0 116 | 102 Regular | ||||||
| PunchyBass | 0 117 39 Regular | EveningStars | 0 117 | 102 Regular | ||||||
| AnalogBass | 0 112 40 Regular | AngelVibes 0 114 99 Regular | ||||||||
| DX FunkBass | 0 113 38 Regular | GlassPad | 0 114 | 94 Regular | ||||||
| DrySynthBass 0 116 40 Regular | DX Pad 0 112 93 Regular | |||||||||
| 80'sSynthBass 0 115 40 Regular | Symbiont | 0 113 | 89 Regular | |||||||
| HiQBass | 0 113 39 Regular | DarkMoon | 0 113 | 90 Regular | ||||||
| Saxophone | Saxophone | 104 | 0 | 67 | Sweet! | Ionosphere | 0 115 | 95 Regular | ||
| GrowlSax | 0 118 67 Regular | Millennium | 0 117 | 89 Regular | ||||||
| SopranoSax | 0 112 65 Regular | Atmosphere | 0 112 | 100 Regular | ||||||
| AlloSax 0 112 66 Regular | Equinox | 0 112 | 95 Regular | |||||||
| TenorSax | 0 112 67 Regular | Fantasia | 0 112 | 89 Regular | ||||||
| SaxStack | 0 124 | 67 Regular | Stargato | 0 114 | 89 Regular | |||||
| WoodwindsEns | 0 113 | 67 Regular | Area51 | 0 112 | 90 Regular | |||||
| SaxyMood | 0 120 | 67 Regular | DigitalPad | 0 115 | 94 Regular | |||||
| Organ | DanceOrgan | 0 | 113 | 18 Regular | Dunes | 0 114 | 90 Regular | |||
| ClickOrgan | 0 112 | 18 Regular | Messenger | 0 113 | 96 Regular | |||||
| RoadOrgan | 0 112 | 21 Regular | Wave2001 | 0 112 | 96 Regular | |||||
| RotarySwitch | 0 110 | 18 Cool! | XononPad | 0 112 | 92 Regular | |||||
| RotaryDrive | 0 116 | 19 Regular | Synth&FX | Adrenaline | 0 | 113 | 85 Regular | |||
| GospelOrgan | 0 119 | 17 Regular | ProLoad | 0 113 | 84 Regular | |||||
| PurpleOrgan | 0 114 | 19 Regular | FunkyLead | 0 121 | 82 Regular | |||||
| RockOrgan1 | 0 112 | 19 Regular | Portalone | 0 112 | 85 Regular | |||||
| RockOrgan2 | 0 119 | 19 Regular | Stardust | 0 112 | 99 Regular | |||||
| RockOrgan3 | 0 113 | 19 Regular | AeroLead | 0 112 | 84 Regular | |||||
| 60'sOrgan 0 116 18 Regular | MiniLead | 0 114 | 81 Regular | |||||||
| JazzOrgan1 | 0 112 | 17 Regular | SunBoll 0 113 99 Regular | |||||||
| JazzOrgan2 | 0 113 | 17 Regular | HiBias | 0 116 | 81 Regular | |||||
| JazzOrgan3 | 0 120 | 17 Regular | VinylLead | 0 115 | 81 Regular | |||||
| DrawbarOrgan1 | 0 120 | 18 Regular | PanLead 0 122 81 Regular | |||||||
CVP-505 (Legacy Voice)
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Synth&FX StringBells | 0 124 89 Regular | ||||
| Padbells 0 126 89 Regular | |||||
| BigTune 0 118 90 Regular | |||||
| TrumpotSaw 0 125 82 Regular | |||||
| Paraglide 0 114 85 Regular | |||||
| Roboload 0 124 82 Regular | |||||
| Fargo 0 119 82 Regular | |||||
| BigLead 0 113 82 Regular | |||||
| Warp 0 117 82 Regular | |||||
| Impact 0 113 88 Regular | |||||
| UnderHeim 0 112 88 Regular | |||||
| CrystalEyes | 0 125 89 Regular | ||||
| MelodyMaker | 0 117 90 Regular | ||||
| AttackSaw | 0 126 82 Regular | ||||
| PercSquare | 0 123 81 Regular | ||||
| SquareLead 0 112 81 Regular | |||||
| SawLead | 0 112 82 Regular | ||||
| PopLead | 0 120 81 Regular | ||||
| BrightMini | 0 125 81 Regular | ||||
| Blaster 0 114 82 Regular | |||||
| TinyLead | 0 118 81 Regular | ||||
CVP-503
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Piano | GrandPiano1 | 0 122 | 1 Natural! | ||
| GrandPiano2 | 0 122 | 2 Natural! | |||
| BrightPiano | 0 123 | 1 Natural! | |||
| MollowPiano | 0 124 | 1 Natural! | |||
| RockPiano 0 124 3 Natural! | |||||
| PopGrand | 104 6 | 1 | Natural! | ||
| Oct.Piano1 | 0 123 | 4 Natural! | |||
| Oct.Piano2 | 0 124 | 4 Natural! | |||
| Harpsichord8' | 0 122 | 7 Natural! | |||
| HonkyTonk | 0 122 | 4 | Natural! | ||
| GrandPiano | 0 113 | 1 Live! | |||
| BrightPiano | 0 112 | 2 Live! | |||
| Harpsichord 0 112 7 Regular | |||||
| GrandHarpsi | 0 113 | 7 Regular | |||
| HonkyTonk | 0 112 | 4 | Regular | ||
| OctavePiano1 | 0 113 | 4 Regular | |||
| OctavePiano2 | 0 114 | 4 Regular | |||
| WarmGrand | 0 114 | 1 Live! | |||
| MIDIGrano | 0 112 | 3 Regular | |||
| CP80 | 0 113 | 3 Regular | |||
| Piano&Str | 0 125 | 1 Natural! | |||
| Piano&EP | 0 122 | 3 Natural! | |||
| Ic8 +4' | 0 123 | 7 Natural! | |||
| Harpsi&Str | 0 124 | 7 Natural! | |||
| E.Piano | SparkleStack | 0 121 | 6 Cool! | ||
| GalaxyEP 0 114 5 Cool! | |||||
| SuitcaseEP | 0 118 | 5 Cool! | |||
| PolarisEP | 0 115 | 5 Regular | |||
| JazzChorus | 0 118 | 6 Regular | |||
| DX EP | 0 122 | 6 Natural! | |||
| E.Piano | 0 122 | 5 Natural! | |||
| TremoloEP 0 124 5 Natural! | |||||
| FunkyEP 0 123 5 Natural! | |||||
| HyperTines 0 113 6 Regular | |||||
| ElectricPiano | 0 119 | 5 Cool! | |||
| PhaseEP | 0 120 | 5 Regular | |||
| NowTinos | 0 116 | 6 Regular | |||
| FunkEP | 0 112 | 5 Regular | |||
| DX Modern | 0 112 | 6 Regular | |||
| VintageEP | 0 116 | 5 Regular | |||
| VenusEP 0 114 6 Regular | |||||
| ModernEP | 0 115 | 6 Regular | |||
| TromoloEP 0 113 5 Cool! | |||||
| SuperDX | 0 117 | 6 Regular | |||
| StageEP | 0 117 | 5 Regular | |||
| SterooClavi 0 114 8 Regular | |||||
| Clavi | 0 112 | 8 Regular | |||
| WahClavi | 0 113 | 8 Regular | |||
| Strings | Strings 0 117 50 Live! | ||||
| Allegro | 0 122 | 50 Live! | |||
| Orchestra | 0 116 | 50 Live! | |||
| Symphonic | 0 114 | 49 Regular | |||
| Strings 0 112 49 Regular | |||||
| Violin 0 113 41 Swoct! | |||||
| Orch&Horns 0 118 50 Regular | |||||
| Orch&Flute | 0 119 | 50 Regular | |||
| Orch&Oboe | 0 121 | 50 Regular | |||
| Tutti | 0 120 | 50 Regular | |||
| OrchStrings | 0 113 | 49 Regular | |||
| StringQuartot | 0 114 | 50 Regular | |||
| ConcertoStrings | 0 115 | 49 Regular | |||
| AnalogStrings | 0 112 | 52 Regular | |||
| ChamberStrings | 0 112 | 50 Regular | |||
| BowStrings | 0 116 | 49 Regular | |||
| SlowStrings | 0 113 | 50 Regular | |||
| TromoloStrings | 0 112 | 45 Regular | |||
| Marcato 0 115 50 Regular | |||||
| Pizzicato | 0 112 | 46 Regular | |||
| Banjo | 0 112 | 106 Regular | |||
| Koto | 0 112 | 103 Regular | |||
| Shamison | 0 112 | 107 Regular | |||
| Sitar | 0 112 | 105 Regular | |||
| Hackbrett | 0 113 | 47 Regular | |||
| SynthStrings1 | 0 112 | 51 Regular | |||
| SynthStrings2 | 0 113 | 51 Regular | |||
| Viola | 0 112 | 42 Regular | |||
| Cello | 0 112 | 43 Regular | |||
| Contrabass | 0 112 | 44 Regular | |||
| SoloViolin 0 112 41 Regular | |||||
| Fiddio | 0 112 | 111 Regular | |||
| Harp | 0 112 | 47 Regular | |||
| OrchestraHit | 0 112 | 56 Regular | |||
CVP-503
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Guitar&Bass Classic/Gtr 0 115 25 Regular | |||||
| SteelGuitar 0 117 26 Live | |||||
| HardFlamenco 0 118 25 Regular | |||||
| WarmSolid 104 2 26 Cool | |||||
| CleanSolid 104 3 28 Cool | |||||
| Guitar-Iero 104 0 31 Cool | |||||
| 70'sSolidGtr 104 1 28 Cool | |||||
| HallDrive 104 0 30 Cool | |||||
| HeavyRock 104 1 31 Cool | |||||
| JazzGuitar 0 115 27 Cool | |||||
| SlideNylon 0 117 25 Regular | |||||
| SlideStool 0 118 26 Live! | |||||
| SlideSolid 0 110 28 Cool | |||||
| SlideClean 0 117 29 Cool | |||||
| Mandolin 0 114 26 Sweel | |||||
| PowerLead | 0 110 31 Cool | ||||
| VintageLesd 0 125 28 Cool | |||||
| VintageAmp | 0 115 30 Regular | ||||
| BluesCuitar | 0 117 30 Cool | ||||
| SlapSolid | 0 108 28 Cool | ||||
| DynamicNylon | 0 116 25 Regular | ||||
| DynamicSteel | 0 110 26 Live! | ||||
| 12StringGtr | 0 113 26 Live! | ||||
| PedalSteel 0 115 28 Regular | |||||
| AlchaGuitar | 0 118 27 Regular | ||||
| ChorusSolid 0 107 28 Cool | |||||
| BalladSolid | 0 109 28 Cool | ||||
| TremololSolid | 0 111 28 Cool | ||||
| ElectricGtr | 0 114 29 Cool | ||||
| SolidChord | 0 121 28 Regular | ||||
| NylonMute 0 119 25 Regular | |||||
| SteelMute 0 120 26 Live! | |||||
| DynamicMute | 0 118 29 Cool | ||||
| VintageMutedGl | 0 115 29 Regular | ||||
| MutcoGuitar | 0 119 29 Cool | ||||
| HeavySlack 0 114 31 Regular | |||||
| CrunchGuitar 0 113 31 Regular | |||||
| PowerChord | 0 117 31 Regular | ||||
| RockGuitar | 0 116 30 Regular | ||||
| VocoolLead | 0 116 31 Regular | ||||
| SmoothLcsd 0 119 27 Regular | |||||
| CleanGuitar 0 112 28 Cool | |||||
| FunkGuitar | 0 116 29 Cool | ||||
| SolidGuitar 0 118 28 Regular | |||||
| VintageOpen | 0 123 28 Regular | ||||
| VintageStrum 0 126 28 Regular | |||||
| 60'sClean 0 117 28 Regular | |||||
| TromoloGuitar | 0 113 28 Regular | ||||
| WahGuitar | 0 122 28 Regular | ||||
| LeadGuitar | 0 114 30 Regular | ||||
| Electric12Str 0 119 28 Regular | |||||
| 18String | 0 119 26 Regular | ||||
| ChorusGuitar | 0 124 28 Regular | ||||
| DoopChorus 0 114 28 Regular | |||||
| DistortionGtr | 0 112 31 Regular | ||||
| FunkGuitar | 0 113 29 Regular | ||||
| OverdriveGtr | 0 112 30 Regular | ||||
| FeedbackGtr | 0 113 30 Regular | ||||
| VintageIrem | 0 120 28 Regular | ||||
| CampfiroGtr | 0 115 26 Regular | ||||
| FolkGuitar | 0 112 26 Regular | ||||
| OctavoGuitar | 0 113 27 Regular | ||||
| BrightClean | 0 116 28 Regular | ||||
| MutedGuitar | 0 112 29 Regular | ||||
| SteelGuitar 8 0 | 2 MegaVoice | ||||
| 12StringGtr | 8 1 | 3 MegaVoice | |||
| HiStringGtr 8 0 | 3 MegaVoice | ||||
| CleanGuitar | 8 0 | 4 MegaVoice | |||
| NylonGuitar | 8 0 | 1 MegaVoice | |||
| SolidGuitar1 | 8 1 | 4 MegaVoice | |||
| SolidGuitar2 | 8 2 | 4 MegaVoice | |||
| OverdriveGtr | 8 0 | 5 MegaVoice | |||
| DistortionGtr | 8 0 | 6 MegaVoice | |||
| DymoPickBass | 0 113 35 Cool | ||||
| ElectricBass | 0 114 34 Cool | ||||
| AcousticBass | 0 112 33 Regular | ||||
| FretlossBass | 0 112 36 Cool | ||||
| StapBass | 0 112 37 Regular | ||||
| RockBass | 0 114 35 Regular | ||||
| PunchyBass | 0 117 39 Regular | ||||
| TB Bass | 0 117 40 Regular | ||||
| AnalogBass 0 112 40 Regular | |||||
| SuoBass | 0 114 40 Regular | ||||
| HardBass 0 114 39 Regular | |||||
CVP-503
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Organ RockOrgan2 | 0 113 19 Regular | ||||
| Trumpet GoldenTru | mpet 0 122 57 Sweet! | ||||
| SilverTrumpet 0 121 57 S sweet! | |||||
| MollowTrumpet 0 120 57 Swoot! | |||||
| Trumpet 0 115 57 Sweet! | |||||
| Trombono 0 117 58 Swoot! | |||||
| FlugelHorn 0 118 57 Sweet! | |||||
| MutedTrumpet 0 114 60 Sweet! | |||||
| SoloTrumpet 0 112 57 Regular | |||||
| SoloTrombone | 0 112 58 Regular | ||||
| JazzTrumpet 0 116 57 Regular | |||||
| Trombone 0 116 58 Regular | |||||
| SoftTrombone | 0 115 58 Regular | ||||
| MellowTrombone | 0 114 58 Regular | ||||
| MutcdTrumpet 0 112 60 Regular | |||||
| FlugelHorn 0 113 57 Regular | |||||
| BaritoneHorn | 0 113 59 Regular | ||||
| BaritoneHit | 0 114 59 Regular | ||||
| AlpBass | 0 113 34 Regular | ||||
| Tuba | 0 112 59 Regular | ||||
| Trumpet 8 0 65 MegaVoice | |||||
| Brass | HyperBrass | 0 118 63 Live! | |||
| PopBrass | 0 117 63 Live! | ||||
| OctaveBrass | 0 116 63 Live! | ||||
| FrenchHorns | 0 112 61 Live! | ||||
| BrassCombo | 0 115 67 Regular | ||||
| BrassSection | 0 112 62 Regular | ||||
| NaturalBrass | 0 124 62 Regular | ||||
| Sforzando | 0 125 62 Regular | ||||
| BigBrass | 0 121 62 Regular | ||||
| BallroomBrass 0 113 60 Regular | |||||
| BrightBrass | 0 120 62 Regular | ||||
| MellowBrass 0 116 62 Regular | |||||
| 80'sBrass | 0 113 63 Regular | ||||
| SoftBrass | 0 123 62 Regular | ||||
| FullHorns | 0 114 62 Regular | ||||
| SmoothTrombone | 0 118 58 Regular | ||||
| HighBrass | 0 115 62 Regular | ||||
| CberBrass | 0 113 64 Regular | ||||
| TrumpetEns | 0 122 62 Regular | ||||
| MellowHorns | 0 119 62 Regular | ||||
| BigBandBrass 0 113 62 Regular | |||||
| PopBrass | 0 118 62 Regular | ||||
| AnalogBrass | 0 112 64 Regular | ||||
| TbnSection | 0 113 58 Regular | ||||
| SmallBrass | 0 117 62 Regular | ||||
| SoftAnalog 0 114 64 Regular | |||||
| FunkyAnalog | 0 115 63 Regular | ||||
| TechnoBrass | 0 114 63 Regular | ||||
| SynthBrass | 0 112 63 Regular | ||||
| Accordion | Musette | 0 112 22 Regular | |||
| TuttiAccordion | 0 113 22 Regular | ||||
| SmallAccordion | 0 115 22 Regular | ||||
| BallroomAcc | 0 112 24 Regular | ||||
| Steirisch | 0 117 22 Regular | ||||
| Harmonica 0 112 23 Sweet! | |||||
| Accordion | 0 118 22 Regular | ||||
| SoftAccordion | 0 114 22 Regular | ||||
| Bandoneon | 0 113 24 Regular | ||||
| Modcrmlarp 0 113 23 Regular | |||||
| BluesHarp | 0 114 23 Regular | ||||
| Choir&Pad | GospelVoices | 0 116 53 Regular | |||
| HahChoir | 0 114 53 Regular | ||||
| Choir | 0 112 53 Regular | ||||
| AirChoir 0 112 55 Regular | |||||
| GothicVox | 0 113 54 Regular | ||||
| SweetHeaven | 0 118 89 Regular | ||||
| DreamHeaven 0 121 89 Regular | |||||
| VoxHumana | 0 112 54 Regular | ||||
| Voices | 0 113 55 Regular | ||||
| Insomnia | 0 113 95 Regular | ||||
| Skydivor | 0 112 102 Regular | ||||
| BrightOber | 0 113 96 Regular | ||||
| Sirius | 0 114 102 Regular | ||||
| Messenger | 0 116 96 Regular | ||||
| MellowPad 0 117 96 Regular | |||||
| NeoWarmPad | 0 115 90 Regular | ||||
| CyberPad | 0 113 100 Regular | ||||
| Wave2001 | 0 112 96 Regular | ||||
| FarEast | 0 112 98 Regular | ||||
| Atmosphere | 0 112 100 Regular | ||||
| XenonPad | 0 112 92 Regular | ||||
| Equinox 0 112 95 Regular | |||||
| GlassPad | 0 114 94 Regular | ||||
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Choir&Pad | Fantasia | 0 112 | 89 Regular | ||
| DX Pad | 0 112 | 93 Regular | |||
| Symbiont | 0 113 | 89 Regular | |||
| Stargato | 0 114 | 89 Regular | |||
| Area51 | 0 112 | 90 Regular | |||
| DarkMoon | 0 113 | 90 Regular | |||
| Ionosphere | 0 115 | 95 Regular | |||
| GoldenAge | 0 115 | 89 Regular | |||
| Solaris | 0 114 | 95 Regular | |||
| TimeTravel | 0 116 | 89 Regular | |||
| Millennium | 0 117 | 89 Regular | |||
| Duncs | 0 114 | 90 Regular | |||
| Synth&FX | Oxygen | 0 122 | 82 Regular | ||
| Matrix | 0 123 | 82 Regular | |||
| WireLead | 0 120 | 82 Regular | |||
| HipLead | 0 113 | 81 Regular | |||
| HopLead | 0 117 | 81 Regular | |||
| FiroWiro 0 116 82 Regular | |||||
| Analogon | 0 115 | 82 Regular | |||
| Blaster | 0 114 | 82 Regular | |||
| SawLead | 0 112 | 82 Regular | |||
| SquareLead | 0 112 | 81 Regular | |||
| Skylino | 0 115 | 85 Regular | |||
| TinyLead | 0 118 | 81 Regular | |||
| FunkyLead | 0 121 | 82 Regular | |||
| Paraglide | 0 114 | 85 Regular | |||
| Fargo | 0 119 | 82 Regular | |||
| Portalone | 0 112 | 85 Regular | |||
| BigLead | 0 113 | 82 Regular | |||
| Warp | 0 117 | 82 Regular | |||
| Adrenaline | 0 113 | 85 Regular | |||
| Stardust | 0 112 | 99 Regular | |||
| AeroLead | 0 112 | 84 Regular | |||
| MiniLead | 0 114 | 81 Regular | |||
| Impact | 0 113 | 88 Regular | |||
| SunBell | 0 113 | 99 Regular | |||
| UnderHolm | 0 112 | 88 Regular | |||
| HiBias | 0 116 | 81 Regular | |||
| VinylLead | 0 115 | 81 Regular | |||
| Porc&Drum | Vibraphone | 0 122 | 12 Natural! | ||
| TremoloVibes 0 124 12 Natural! | |||||
| Suspense 0 114 12 Regular | |||||
| Marimba | 0 112 | 13 Regular | |||
| SteelDrums | 0 112 | 115 Regular | |||
| Glockenspiel | 0 112 | 10 Regular | |||
| Xylophone | 0 112 | 14 Regular | |||
| Celesta | 0 112 | 9 Regular | |||
| MusicBox | 0 112 | 11 Regular | |||
| TubularBolls | 0 112 | 15 Regular | |||
| Vibraphone | 0 112 | 12 Regular | |||
| JazzVibes | 0 113 | 12 Regular | |||
| Kalimba 0 112 109 Regular | |||||
| Dulcimer | 0 112 | 16 Regular | |||
| Timpani | 0 112 | 48 Regular | |||
| PowerKit1 | 127 0 | 85 Drums | |||
| PowerKit2 | 127 0 | 89 Drums | |||
| StandardKit1 | 127 0 | 1 Drums | |||
| StandardKit2 | 127 0 | 2 Drums | |||
| BrushKit | 127 0 | 41 Drums | |||
| SymphonyKit 127 0 19 Drums | |||||
| StudioKit | 127 0 | 87 Drums | |||
| DanceKit | 127 0 | 25 Drums | |||
| AnalogKit 127 0 26 Drums | |||||
| HitKit | 127 0 | 5 Drums | |||
| CubanKit | 126 0 | 41 SFX Kit | |||
| PopLatinKit 126 0 44 SFX Kit | |||||
| ArabicKit | 126 0 | 36 SFX Kit | |||
| JazzKit | 127 0 | 33 Drums | |||
| RoomKit | 127 0 | 9 Drums | |||
| RockKit | 127 0 | 17 Drums | |||
| ElectroKit | 127 0 | 25 Drums | |||
| SFX Kit1 | 126 0 | 1 SFX Kit | |||
| SFX Kit2 | 126 0 | 2 SFX Kit | |||
| OrganFlutos | JazzDraw! | 0 126 | 17 OrganFlutes | ||
| BluesOrgan! 0 126 17 OrganFlutes | |||||
| SixteenOne! | 0 126 | 17 OrganFlutes | |||
| EvenBars! | 0 126 | 17 OrganFlutes | |||
| PopOrgan! | 0 126 | 17 OrganFlutes | |||
| RockingOrg! | 0 126 | 17 OrganFlutes | |||
| Percussive! | 0 126 | 17 OrganFlutes | |||
| GospelOrg! | 0 126 | 17 OrganFlutes | |||
| PadOrgan! | 0 126 | 17 OrganFlutes | |||
| FullRanks! | 0 126 | 17 OrganFlutes | |||
CVP-501
| Category Voice Name Voice Number Voice Type | Category Voice Name Voice Number Voice Type | ||||||||||
| Piano Grand Piano 0 122 1 Natural! | Guitar&Bass | SmoothLead | 0 | 119 | 27 | Regular | |||||
| Harpsichord8 0 122 7 Natural! | PowerChord | 0 117 | 3 | Regular | |||||||
| Hc8 +4 0 123 7 Natural! | RockGuitar | 0 116 | 30 | Regular | |||||||
| Grano Piano 0 113 1 Live | VodoolLead 0 116 31 Regular | ||||||||||
| Bright Piano 0 112 2 Live! | VintageMule | 0 115 | 29 | Regular | |||||||
| WarmGrand 0 114 1 Live | TromokoGuitar 0 113 28 Regular | ||||||||||
| Cct.Piano1 0 113 4 Regular | WahGuitar | 0 122 | 28 | Regular | |||||||
| Cct.Piano2 0 114 4 Regular | LeadGuitar | 0 114 | 30 | Regular | |||||||
| HonkyTonk | 0 112 4 Regular | ChorusGuitar | 0 124 | 28 | Regular | ||||||
| Harpsichord | 0 112 7 Regular | OctavoGuitar | 0 113 | 27 | Regular | ||||||
| GrandHarpsi | 0 113 7 Regular | VintageTrem | 0 120 | 28 | Regular | ||||||
| MidGrand | 0 112 3 Regular | DoopChorus 0 114 28 Regular | |||||||||
| CP80 | 0 113 3 Regular | DistortionGtr | 0 112 | 31 | Regular | ||||||
| E.Piano | GalaxyEP | 0 114 5 Cool! | MuteoGuitar | 0 112 | 29 | Regular | |||||
| SuitcaseEP | 0 118 5 Cool! | OverdriveGtr | 0 112 | 30 | Regular | ||||||
| PoianstEP | 0 115 5 Regular | FeedbackGtr | 0 113 | 30 | Regular | ||||||
| JazzChorus | 0 118 6 Regular | FolkGuitar | 0 112 | 26 | Regular | ||||||
| HyporTincs | 0 113 6 Regular | ElectricBass | 0 114 | 34 | Copll | ||||||
| ElectricPiano | 0 119 5 Cool! | AcousticBass | 0 112 | 33 | Regular | ||||||
| PhaseEP | 0 120 5 Regular | FretlessBass | 0 112 | 36 | Copll | ||||||
| NewTincs | 0 116 6 Regular | SlapBass | 0 112 | 37 | Regular | ||||||
| FunkEP | 0 112 5 Regular | SubBass | 0 114 | 40 | Regular | ||||||
| DX Modom | 0 112 6 Regular | HardBass | 0 114 | 39 | Regular | ||||||
| StageEP | 0 117 5 Regular | ResoBass | 0 112 | 39 | Regular | ||||||
| ModernEP | 0 115 6 Regular | SuperFretless | 0 113 | 36 | Regular | ||||||
| VintageEP | 0 116 5 Regular | PickBass | 0 112 | 35 | Regular | ||||||
| VenusEP | 0 114 6 Regular | FusionBass 0 113 37 Regular | |||||||||
| TremoloEP | 0 113 5 Regular | Bass&Cymbal 0 114 33 Regular | |||||||||
| SuporDX | 0 117 6 Regular | AnalogBass 0 112 40 Regular | |||||||||
| Clavi | 0 112 8 Regular | DrySynthBass | 0 116 | 40 | Regular | ||||||
| WahClavi | 0 113 8 Regular | 50sSynthBass 0 115 40 Regular | |||||||||
| Strings | Strings | 0 117 50 Live! | HiGBass | 0 113 39 Regular | |||||||
| Allegro | 0 122 50 Live! | FunkBass | 0 112 | 38 | Regular | ||||||
| Orchestra | 0 110 50 Live! | MellowFinger | 0 112 | 34 | Regular | ||||||
| Symphonic | 0 114 49 Regular | ClickBass | 0 115 | 39 | Regular | ||||||
| Strings | 0 112 49 Regular | Saxophone | TenorSax | 0 | 117 | 67 | Sweet! | ||||
| Violin | 0 113 41 Swoot! | AitoSax | 0 114 | 66 | Swpot! | ||||||
| OrchStrings 0 113 49 Regular | SopranoSax 0 113 65 Sweet! | ||||||||||
| AnalogStrings | 0 112 52 Regular | GrowlSax | 0 113 | 67 | Regular | ||||||
| ChamberStrings | 0 112 50 Regular | SopranoSax 0 112 65 Regular | |||||||||
| BowStrings | 0 116 49 Regular | AitoSax | 0 112 | 66 | Regular | ||||||
| SlowStrings | 0 113 50 Regular | TenorSax | 0 112 | 67 | Regular | ||||||
| TromoloStrings | 0 112 45 Regular | BaritoneSax 0 112 68 Regular | |||||||||
| Marcato | 0 115 50 Regular | WoodwindsEns | 0 113 | 67 | Regular | ||||||
| Pizzicato | 0 112 46 Regular | Flute&Woodwind | Flute | 0 114 74 Sweet! | |||||||
| SyminStrings | 0 112 51 Regular | Clarinet | 0 114 | 73 | Swpot! | ||||||
| SoioViolin | 0 112 41 Regular | EnglishHorn 0 112 70 Regular | |||||||||
| Viola | 0 112 42 Regular | Bassoon | 0 112 | 71 | Regular | ||||||
| Colo | 0 112 43 Regular | PanFluto | 0 113 | 76 | Swpot! | ||||||
| Contrabass 0 112 44 Regular | ClassicalFlute 0 115 74 Sweet! | ||||||||||
| Harp | 0 112 47 Regular | Piccolo | 0 112 | 73 | Regular | ||||||
| Hackbrett | 0 113 47 Regular | Whistic | 0 112 | 79 | Regular | ||||||
| Fuddle | 0 112 111 Regular | Clarinet | 0 112 | 72 | Regular | ||||||
| Banjo | 0 112 106 Regular | Fluto | 0 112 | 74 | Regular | ||||||
| Sitar | 0 112 105 Regular | Obce | 0 112 | 69 | Regular | ||||||
| Koto | 0 112 108 Regular | PanFlute | 0 113 | 74 | Regular | ||||||
| Shamison | 0 112 107 Regular | Shakunachi | 0 112 | 78 | Regular | ||||||
| OrchestraHit 0 112 56 Regular | EthnicFlute 0 112 76 Regular | ||||||||||
| Guitar&Bass | DynamicNylon | 0 113 25 Regular | Bagpipe | 0 112 110 Regular | |||||||
| DynamicStool | 0 116 26 Regular | Recordor | 0 112 | 75 | Regular | ||||||
| 12StringGtr | 0 113 26 Regular | Ocarina | 0 112 | 80 | Regular | ||||||
| SlideSteel | 0 113 26 Regular | Organ | Organ | 0 | 118 | 19 | Cool! | ||||
| Mandolin | 0 114 26 Sweet! | JazzOrgan | 0 117 | 17 | Copll | ||||||
| JazzGuitar | 0 110 27 Cool! | RotorOrgan | 0 117 | 19 | Copll | ||||||
| ElectricGtr | 0 114 29 Cool! | FullRocker | 0 115 | 19 | Copll | ||||||
| VintageLoad 0 125 28 Cool! | StadiumOrgan | 0 113 | 17 | Regular | |||||||
| SlideClean | 0 117 29 Cool! | RotaryDrive | 0 113 | 19 | Regular | ||||||
| PowerLead | 0 115 31 Cool! | RockOrgan1 0 112 19 Regular | |||||||||
| ClassicalGtr 0 115 25 Regular | DanceOrgan | 0 113 | 18 | Regular | |||||||
| SteelGuitar 0 117 26 Regular | GospelOrgan | 0 119 | 17 | Regular | |||||||
| CleanGuitar 0 112 28 Cool! | JazzOrgan1 0 112 17 Regular | ||||||||||
| BluesGuitar | 0 117 30 Cool! | PurpleOrgan | 0 114 | 19 | Regular | ||||||
| FunkGuitar | 0 113 29 Regular | ElectricOrgan | 0 113 | 18 | Regular | ||||||
| PedalStool | 0 115 28 Regular | DrawbarOrgan | 0 115 | 17 | Regular | ||||||
| CrunchGuitar | 0 113 31 Regular | JazzOrgan2 0 113 17 Regular | |||||||||
| 60sClean | 0 117 28 Regular | RockOrgan2 0 113 19 Regular | |||||||||
| VintageAmp | 0 115 30 Regular | ClickOrgan | 0 112 | 18 | Regular | ||||||
| HeavyStack 0 114 31 Regular | MellowDraw 0 115 18 Regular | ||||||||||
| VintageOpen | 0 123 28 Regular | BrightDraw | 0 113 | 17 | Regular | ||||||
| VintageStrum | 0 126 28 Regular | 60sOrgan | 0 113 | 18 | Regular | ||||||
| SolidGuitar 0 118 28 Regular | JazzOrgan3 0 120 17 Regular | ||||||||||
| CampfireGtr | 0 115 26 Regular | Tibia 16&4 | 0 114 | 17 | Regular | ||||||
| Electric 12Str 0 119 28 Regular | Tibia Full | 0 114 | 18 | Regular | |||||||
CVP-501
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Organ ChapelOrgan | 1 0 113 20 Regular | ||||
| ChapelOrgan2 0 114 20 Regular | |||||
| ChapelOrgan3 0 115 20 Regular | |||||
| PipoOrgan 0 112 20 Regular | |||||
| ReedOrgan 0 112 21 Regular | |||||
| Trumpet Trumpot 0 | 115 57 Sweet! | ||||
| Trombone 0 117 58 Sweet! | |||||
| MutedTrumpet 0 112 60 Regular | |||||
| FlugelHorn 0 113 57 Regular | |||||
| SoloTrumpot 0 112 57 Regular | |||||
| SoloTrombone 0 112 58 Regular | |||||
| JazzTrumpot | 0 116 57 Regular | ||||
| Trombone 0 116 58 Regular | |||||
| SoftTrombone | 0 115 58 Regular | ||||
| MellowTrombone | 0 114 58 Regular | ||||
| BaritoneHorn | 0 113 59 Regular | ||||
| BaritoneHit | 0 114 59 Regular | ||||
| AlpBass | 0 113 34 Regular | ||||
| Tuba | 0 112 59 Regular | ||||
| Brass | HyperBrass | 0 113 63 Live! | |||
| PopBrass | 0 117 63 Live! | ||||
| OctaveBrass | 0 116 63 Live! | ||||
| Frenchlorns | 0 112 61 Live! | ||||
| BrassCombo | 0 115 67 Regular | ||||
| BrassSection | 0 112 62 Regular | ||||
| Sforzando | 0 125 62 Regular | ||||
| BigBrass | 0 121 62 Regular | ||||
| BallroomBrass 0 113 60 Regular | |||||
| BrightBrass 0 120 62 Regular | |||||
| MellowBrass | 0 116 62 Regular | ||||
| 80sBrass | 0 113 63 Regular | ||||
| SoftBrass | 0 123 62 Regular | ||||
| FullHorns | 0 114 62 Regular | ||||
| SmoothTromb | 0 118 58 Regular | ||||
| HighBrass | 0 115 62 Regular | ||||
| OberBrass 0 113 64 Regular | |||||
| TrumpotEns | 0 122 62 Regular | ||||
| MellowHorns | 0 119 62 Regular | ||||
| BigBandBrass 0 113 62 Regular | |||||
| PopBrass | 0 118 62 Regular | ||||
| AnalogBrass | 0 112 64 Regular | ||||
| TbnSection | 0 113 58 Regular | ||||
| SmallBrass | 0 117 62 Regular | ||||
| SoftAnalog 0 114 64 Regular | |||||
| FunkyAnalog | 0 115 63 Regular | ||||
| TechnoBrass | 0 114 63 Regular | ||||
| SynthBrass | 0 112 63 Regular | ||||
| Accordion | Musotto | 0 112 22 Regular | |||
| TuttiAccordion 0 113 22 Regular | |||||
| SmallAccordion | 0 115 22 Regular | ||||
| BallroomAcc | 0 112 24 Regular | ||||
| Steirisch | 0 117 22 Regular | ||||
| Accordion | 0 116 22 Regular | ||||
| SoftAccordion | 0 114 22 Regular | ||||
| Bandoneon | 0 113 24 Regular | ||||
| ModernHarp | 0 113 23 Regular | ||||
| BluesHarp | 0 114 23 Regular | ||||
| Choir&Pad | AirChoir 0 112 55 Regular | ||||
| GothicVox | 0 113 54 Regular | ||||
| Choir | 0 112 53 Regular | ||||
| VoxHumana | 0 112 54 Regular | ||||
| SweetHeaven | 0 118 89 Regular | ||||
| DreamHeaven 0 121 89 Regular | |||||
| Insomnia | 0 113 95 Regular | ||||
| NeoWarmPad | 0 115 90 Regular | ||||
| CyborPad | 0 113 100 | Regular | |||
| Wave2001 | 0 112 96 Regular | ||||
| Atmosphere | 0 112 100 | Regular | |||
| XenonPad | 0 112 92 Regular | ||||
| Equinox 0 112 95 Regular | |||||
| Fantasia | 0 112 89 Regular | ||||
| DX Pad | 0 112 93 Regular | ||||
| Symbiont | 0 113 89 Regular | ||||
| Stargato | 0 114 89 Regular | ||||
| Area51 | 0 112 90 Regular | ||||
| DarkMoon | 0 113 90 Regular | ||||
| Ionosphere | 0 115 95 Regular | ||||
| GoldenAge | 0 115 89 Regular | ||||
| Solaris | 0 114 95 Regular | ||||
| Millennium | 0 117 89 Regular | ||||
| Dunes | 0 114 90 Regular | ||||
| Synth&FX | Oxygen | 0 122 82 Regular | |||
| Matrix | 0 123 82 Regular | ||||
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Synth&FX | WireLead | 0 120 | 82 Regular | ||
| HipLead | 0 113 | 81 Regular | |||
| HopLead | 0 117 | 81 Regular | |||
| FiroWiro 0 116 82 Regular | |||||
| Analogon | 0 115 | 82 Regular | |||
| Blastor | 0 114 | 82 Regular | |||
| SFX Kit1 | 126 0 | 1 SFX Kit | |||
| SFX Kit2 | 126 0 | 2 SFX Kit | |||
| SawLead | 0 112 | 82 Regular | |||
| SquarcLead | 0 112 | 81 Regular | |||
| Skyline | 0 115 | 85 Regular | |||
| TinyLead | 0 113 | 81 Regular | |||
| FunkyLead | 0 121 | 82 Regular | |||
| Paraglide | 0 114 | 85 Regular | |||
| Fargo | 0 119 | 82 Regular | |||
| Portalone | 0 112 | 85 Regular | |||
| BigLead | 0 113 | 82 Regular | |||
| Warp | 0 117 | 82 Regular | |||
| Adrenaline 0 113 85 Regular | |||||
| Stardust | 0 112 | 99 Regular | |||
| AeroLead | 0 112 | 84 Regular | |||
| MiniLead | 0 114 | 81 Regular | |||
| Impact | 0 113 | 88 Regular | |||
| SunBell | 0 113 | 99 Regular | |||
| UnderHeim | 0 112 | 88 Regular | |||
| HiBias | 0 113 | 81 Regular | |||
| VinylLead | 0 115 | 81 Regular | |||
| Perc&Drum | Vibraphone | 0 112 | 12 Regular | ||
| JazzVibos | 0 113 | 12 Regular | |||
| Marimba | 0 112 | 13 Regular | |||
| Xylophone | 0 112 | 14 Regular | |||
| SteelDrums | 0 112 | 115 Regular | |||
| Celesta | 0 112 | 9 Regular | |||
| Glockenspiel | 0 112 | 10 Regular | |||
| MusicBox | 0 112 | 11 Regular | |||
| TubularBells | 0 112 | 15 Regular | |||
| Kalimba 0 112 109 Regular | |||||
| Dulcimer | 0 112 | 16 Regular | |||
| Timpani | 0 112 | 48 Regular | |||
| StandardKit1 127 0 | 1 Drums | ||||
| StandardKit2 127 0 | 2 Drums | ||||
| JazzKit | 127 0 | 33 Drums | |||
| BrushKit | 127 0 | 4 Drums | |||
| RoomKit | 127 0 | 9 Drums | |||
| RockKit | 127 0 | 17 Drums | |||
| ElectroKit 127 0 25 Drums | |||||
| AnalogKit 127 0 26 Drums | |||||
| DancoKit | 127 0 | 28 Drums | |||
| SymphonyKit 127 0 49 Drums | |||||
| CubanKit | 126 0 | 4 SFX Kit | |||
| PopLatinKit | 126 0 | 44 SFX Kit | |||
| ArabicKit | 126 0 | 36 SFX Kit | |||
| OrganFlutes | JazzDraw! | 0 126 | 17 OrganFlutes | ||
| BluesOrgan! | 0 126 | 17 OrganFlutes | |||
| SixteenOne! | 0 126 | 17 OrganFlutes | |||
| EvenBars! | 0 126 | 17 OrganFlutes | |||
| PopOrgan! | 0 126 | 17 OrganFlutes | |||
| RockingOrg! | 0 126 | 17 OrganFlutes | |||
| Percussive! 0 126 17 OrganFlutes | |||||
| GospelOrg! | 0 126 | 17 OrganFlutes | |||
| PadOrgan! | 0 126 | 17 OrganFlutes | |||
| FullRanks! | 0 126 | 17 OrganFlutes | |||
GM & XG
| Category Voice Name Voice Number Voice Type | Category Voice Name Voice Number Voice Type | ||||||||||
| Piano | GrandPlano | 0 | 0 | 1 | Regular | ChurchOrgan3 0 32 | 20 Regular | ||||
| GrndPlanoKSP 0 1 1 Regular | ChurchOrgan2 0 35 | 20 Regular | |||||||||
| MellowGrPro 0 18 1 Regular | NotreDarne | 0 40 | 20 Regular | ||||||||
| PlanoStrings 0 40 1 Regular | OrganFlute | 0 64 | 20 Regular | ||||||||
| Dream 0 41 1 Regular | Trem.OrganFi | 0 | 65 | 20 Regular | |||||||
| BrightPlano 0 0 2 Regular | RoodOrgan | 0 0 21 | Regular | ||||||||
| BriteProKSP 0 1 2 Regular | PuffOrgan | 0 40 | 21 Regular | ||||||||
| ElecGrandPro | 0 0 3 Regular | Accordion | 0 0 22 | Regular | |||||||
| ElecGrProKSP 0 1 3 Regular | Accordlt | 0 32 | 22 Regular | ||||||||
| DctuncoCP60 | 0 32 3 Regular | Harmonica | 0 0 23 | Regular | |||||||
| LayeredCP1 | 0 40 3 Regular | Harmonica2 | 0 32 | 23 Regular | |||||||
| LayeroCDP2 | 0 41 3 Regular | TangoAccord 0 0 24 Regular | |||||||||
| Honkytonk | 0 0 4 Regular | TangoAccord2 | 0 64 | 24 Regular | |||||||
| HonkytonkKSP | 0 1 4 Regular | Gutier | NylonGuitar | 0 | 0 25 Regular | ||||||
| El.Piano1 | 0 0 5 Regular | NylonGuitar2 | 0 16 | 25 Regular | |||||||
| El.Piano1KSP | 0 1 5 Regular | NylonGuitar3 | 0 25 | 25 Regular | |||||||
| MellowEP1 | 0 18 5 Regular | VelGrHarmo | 0 43 | 25 Regular | |||||||
| ChorusEP1 | 0 32 5 Regular | Ukuiko | 0 06 | 25 Regular | |||||||
| HardEl.Piano | 0 40 5 Regular | SteelGuitar | 0 0 26 | Regular | |||||||
| VXladeEl.P1 | 0 45 5 Regular | SteelGuitar2 | 0 16 | 26 Regular | |||||||
| 60sEl.Piano1 | 0 64 5 Regular | 12StrGuitar | 0 35 | 26 Regular | |||||||
| El.Piano2 | 0 0 6 Regular | Nylon&Steel | 0 40 | 26 Regular | |||||||
| El.Piano2KSP | 0 1 6 Regular | Stool&Body | 0 41 | 26 Regular | |||||||
| ChorusEP2 | 0 32 6 Regular | Mandolin | 0 96 | 26 Regular | |||||||
| DXEPHard | 0 33 6 Regular | JazzGuitar | 0 0 27 | Regular | |||||||
| DXLegend | 0 34 6 Regular | MellowGuitar | 0 18 | 27 Regular | |||||||
| DXPhaseEP 0 40 6 Regular | JazzAmp | 0 32 | 27 Regular | ||||||||
| DX+AnalogEP | 0 41 6 Regular | CleanGuitar 0 0 28 Regular | |||||||||
| DXKotoEP | 0 42 6 Regular | ChorusGuitar 0 32 28 Regular | |||||||||
| VXladeEl.P2 | 0 45 6 Regular | MuteoGuitar | 0 0 29 Regular | ||||||||
| Harpsichord | 0 0 7 Regular | FunkGuitar1 | 0 40 | 29 Regular | |||||||
| Harpsi.KSP | 0 1 7 Regular | MuteSteelGtr | 0 41 | 29 Regular | |||||||
| Harpsichord2 | 0 25 7 Regular | FunkGuitar2 | 0 43 | 29 Regular | |||||||
| Harpsichord3 | 0 35 7 Regular | JazzMan | 0 45 | 29 Regular | |||||||
| Clavi. | 0 0 8 Regular | Ovordrvin | 0 0 30 | Regular | |||||||
| Clavi.KSP | 0 1 8 Regular | GuitarPinch | 0 43 | 30 Regular | |||||||
| Clavi.Wah | 0 27 8 Regular | Distortion | 0 0 31 | Regular | |||||||
| PulseClavi. | 0 64 8 Regular | FeedbackGtr | 0 40 | 31 Regular | |||||||
| PierceClavi. 0 65 8 Regular | FeedbackGtr2 | 0 41 | 31 Regular | ||||||||
| ChromaticPerc | Colcsta | 0 0 9 Regular | GtriHarmonics 0 0 32 Regular | ||||||||
| Glockonspiol | 0 0 10 Regular | GtriFeedback | 0 65 | 32 Regular | |||||||
| MusicBox | 0 0 11 Regular | GtriHarmonic2 | 0 66 | 32 Regular | |||||||
| Orgoi | 0 64 11 Regular | Bass | AcousticBass | 0 | 0 33 Regular | ||||||
| Vibraphone 0 0 12 Regular | JazzRhythm | 0 40 | 33 Regular | ||||||||
| VibesKSP | 0 1 2 Regular | VXUprghtBass | 0 45 | 33 Regular | |||||||
| HardVibos | 0 45 12 Regular | FingerBass | 0 0 34 | Regular | |||||||
| Marimba | 0 0 13 Regular | FingerDark | 0 18 | 34 Regular | |||||||
| MarimbaKSP | 0 1 13 Regular | FlangeBass | 0 27 | 34 Regular | |||||||
| SinoMarimba | 0 64 13 Regular | Bass&DistEG | 0 40 | 34 Regular | |||||||
| Batimba | 0 97 13 Regular | FingerSlao | 0 43 | 34 Regular | |||||||
| LogDrums | 0 98 13 Regular | FingerBass2 0 45 34 Regular | |||||||||
| Xylophone | 0 0 14 Regular | Mod.Bass | 0 65 | 34 Regular | |||||||
| TubularBells | 0 0 15 Regular | PickBass | 0 0 35 | Regular | |||||||
| ChurchDolls | 0 96 15 Regular | MutoPickBass | 0 28 | 35 Regular | |||||||
| Carillon | 0 97 15 Regular | FretlessBass | 0 0 36 | Regular | |||||||
| Dulcimer | 0 0 16 Regular | Fretless2 | 0 32 | 36 Regular | |||||||
| Dulcimer2 | 0 35 16 Regular | Fretless3 | 0 33 | 36 Regular | |||||||
| Cimbalom | 0 96 16 Regular | Fretless4 | 0 34 | 36 Regular | |||||||
| Santur | 0 97 16 Regular | Syn.Fretless | 0 96 | 36 Regular | |||||||
| Organ | DrawbarOrgan | 0 | 0 | 17 Regular | SmithFretless | 0 97 | 36 Regular | ||||
| DetDrawOrgan | 0 32 17 Regular | SlapBass1 | 0 0 37 Regular | ||||||||
| 60sDrawOrg1 0 33 17 Regular | ResonantSlap 0 27 37 Regular | ||||||||||
| 60sDrawOrg2 0 34 17 Regular | PunchThumb 0 32 37 Regular | ||||||||||
| 70sDrawOrg1 0 35 17 Regular | SlapBass2 | 0 0 38 Regular | |||||||||
| DrawbarOrg2 | 0 36 17 Regular | Veio.Sw.Slap | 0 43 | 38 Regular | |||||||
| 60sDrawOrg3 0 37 17 Regular | SymthBass1 | 0 0 39 Regular | |||||||||
| EvenBarOrg | 0 38 17 Regular | SynBass1Dark | 0 18 | 39 Regular | |||||||
| 16=2'2_3Org | 0 40 17 Regular | FastResoBass | 0 20 | 39 Regular | |||||||
| OrganBass | 0 64 17 Regular | AcioBass | 0 24 | 39 Regular | |||||||
| 70sDrawOrg2 0 65 17 Regular | ClaviBass | 0 35 | 39 Regular | ||||||||
| ChoczyOrgan 0 66 17 Regular | TechnoBass | 0 40 | 39 Regular | ||||||||
| DrawbarOrg3 | 0 67 17 Regular | Orbitor | 0 64 | 39 Regular | |||||||
| Perc.Organ 0 0 18 Regular | SquareBass | 0 65 | 39 Regular | ||||||||
| 70sPorcOrg1 0 24 18 Regular | RubberBass | 0 66 | 39 Regular | ||||||||
| DelPercOrgan | 0 32 18 Regular | Hammer | 0 96 | 39 Regular | |||||||
| LightOrgan | 0 33 18 Regular | SynthBass2 | 0 0 40 Regular | ||||||||
| Perc.Organ2 | 0 37 18 Regular | MellowSyBass | 0 6 40 Regular | ||||||||
| RockOrgan | 0 0 19 Regular | SequenceBass | 0 12 | 40 Regular | |||||||
| RotaryOrgan | 0 64 19 Regular | ClickSynBass | 0 18 | 40 Regular | |||||||
| SlowRotary | 0 65 19 Regular | SynBass2Dark | 0 19 | 40 Regular | |||||||
| FastRotary | 0 66 19 Regular | SmoothSyBass | 0 32 | 40 Regular | |||||||
| ChurchOrgan | 0 0 20 Regular | ModulSyBass | 0 40 | 40 Regular | |||||||
GM & XG
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Brass DXBass 0 41 | 40 Regular | ||||
| XWireBass 0 64 40 Regular | |||||
| Strings | Violin 0 | 0 | 41 Regular | ||
| SlwAtkViolin 0 8 41 Regular | |||||
| Viola 0 0 42 Regular | |||||
| Cello 0 0 43 Regular | |||||
| Contrabass 0 0 44 Regular | |||||
| TremStrings 0 0 45 Regular | |||||
| SlwATtremStr 0 8 45 Regular | |||||
| SusponsacStr | 0 40 | 45 Regular | |||
| PizzicatoStr | 0 0 46 Regular | ||||
| Orch.Harp | 0 0 47 Regular | ||||
| YangChin | 0 40 | 47 Regular | |||
| Timpani 0 0 48 Regular | |||||
| Ensembio | Strings1 | 0 | 0 | 49 Regular | |
| StereoStrings | 0 3 | 49 Regular | |||
| SlwAlkStrings 0 8 49 Regular | |||||
| ArcoStrings | 0 24 | 49 Regular | |||
| 60'sStrings | 0 35 | 49 Regular | |||
| Orchestra | 0 40 | 49 Regular | |||
| Orchestra2 | 0 41 | 49 Regular | |||
| TremOrchstra | 0 42 | 49 Regular | |||
| VoioStrings | 0 45 | 49 Regular | |||
| Strings2 | 0 0 50 Regular | ||||
| S.SlowStrings 0 3 50 Regular | |||||
| LegatoStrings | 0 8 | 50 Regular | |||
| WarmStrings 0 40 50 Regular | |||||
| Kingdom | 0 41 | 50 Regular | |||
| 70'sStrings | 0 64 | 50 Regular | |||
| Strings3 | 0 65 | 50 Regular | |||
| SynStrings1 | 0 0 51 Regular | ||||
| ResoStrings 0 27 51 Regular | |||||
| SynStrings4 | 0 64 | 51 Regular | |||
| SynStrings5 | 0 68 | 51 Regular | |||
| SynStrings2 | 0 0 52 Regular | ||||
| ChoirAahs | 0 0 53 Regular | ||||
| SterooChoir | 0 3 | 53 Regular | |||
| ChoirAahs2 | 0 16 | 53 Regular | |||
| MellowChoir | 0 32 | 53 Regular | |||
| ChoirStrings | 0 40 | 53 Regular | |||
| VoiceOchs 0 0 54 Regular | |||||
| SynthVoice | 0 0 55 Regular | ||||
| SynthVoice2 | 0 40 | 55 Regular | |||
| Choral | 0 41 | 55 Regular | |||
| AnalogVoice 0 64 55 Regular | |||||
| OrchestraHit | 0 0 56 Regular | ||||
| OrchestHit2 | 0 38 | 56 Regular | |||
| Impact | 0 64 | 56 Regular | |||
| Brass | Trumpet | 0 | 0 | 57 | |
| Trumpet2 | 0 16 | 57 Regular | |||
| BriteTrumpet 0 17 57 Regular | |||||
| WarmTrumpet | 0 32 | 57 Regular | |||
| Trombone | 0 0 58 Regular | ||||
| Trombono2 | 0 18 | 58 Regular | |||
| Tuba 0 0 59 Regular | |||||
| Tuba2 | 0 16 | 59 Regular | |||
| MutodTrumpet | 0 0 60 Regular | ||||
| FrenchHorn | 0 0 61 Regular | ||||
| Fr.HornSolo | 0 6 61 Regular | ||||
| FrenchHorn2 | 0 32 | 61 Regular | |||
| HornOrchestr | 0 37 | 61 Regular | |||
| BrassSection 0 0 62 Regular | |||||
| Tp&TbSection | 0 35 | 62 Regular | |||
| BrassSect2 | 0 40 | 62 Regular | |||
| HighBrass | 0 41 | 62 Regular | |||
| MollowBrass | 0 42 | 62 Regular | |||
| SynthBrass1 | 0 0 63 Regular | ||||
| QuackBrass | 0 12 | 63 Regular | |||
| RescSynBrass | 0 20 | 63 Regular | |||
| PolyBrass | 0 24 | 63 Regular | |||
| SynthBrass3 | 0 27 | 63 Regular | |||
| JumpBrass | 0 32 | 63 Regular | |||
| AnaVeBrass1 | 0 45 | 63 Regular | |||
| AnalogBrass1 | 0 64 | 63 Regular | |||
| SynthBrass2 | 0 0 64 Regular | ||||
| SoftBrass | 0 18 | 64 Regular | |||
| SynthBrass4 | 0 40 | 64 Regular | |||
| ChoirBrass | 0 41 | 64 Regular | |||
| AnaVeBrass2 | 0 45 | 64 Regular | |||
| AnalogBrass2 | 0 64 | 64 Regular | |||
| Reed | SopranoSax | 0 | 0 | 65 | |
| AltoSax | 0 0 66 Regular | ||||
| SaxSection | 0 40 | 66 Regular | |||
GM & XG
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Synth.Effect | Rain 0 0 | 97 | Regular | ||
| ClaviPad 0 45 97 Regular | |||||
| HarmoRain 0 64 97 Regular | |||||
| AfricanWind 0 65 97 Regular | |||||
| Carib 0 66 97 Regular | |||||
| SoundTrack 0 0 98 Regular | |||||
| Prologue 0 27 98 Regular | |||||
| Ancestral 0 64 98 Regular | |||||
| Crystal 0 0 99 Regular | |||||
| SynthDr.Comp 0 12 99 Regular | |||||
| Popcorn 0 14 99 Regular | |||||
| TinyBolls 0 18 99 Regular | |||||
| RoundGlocken 0 35 99 Regular | |||||
| GlockenChime | 0 40 | 99 Regular | |||
| ClearBells | 0 41 | 99 Regular | |||
| ChorusBells | 0 42 | 99 Regular | |||
| SynthMallet | 0 64 | 99 Regular | |||
| SoftCrystal | 0 65 | 99 Regular | |||
| LoudGlocken | 0 66 | 99 Regular | |||
| ChristmasBel | 0 67 | 99 Regular | |||
| VibeBells | 0 68 | 99 Regular | |||
| DigitalBells 0 69 99 Regular | |||||
| AirBolls | 0 70 | 99 Regular | |||
| BellHarp | 0 71 | 99 Regular | |||
| Gamelimba | 0 72 | 99 Regular | |||
| Atmosphere 0 0 100 Regular | |||||
| WarmAtmos. | 0 | 18 | 100 | Regular | |
| HollowRelease | 0 19 | 100 | Regular | ||
| NylonElPlano | 0 40 | 100 | Regular | ||
| NylonHarp | 0 64 | 100 | Regular | ||
| HarpVox 0 65 100 Regular | |||||
| Atmos.Pad | 0 66 | 100 | Regular | ||
| Planet | 0 67 | 100 | Regular | ||
| Brightness | 0 01 | 101 | Regular | ||
| FantasyBolls | 0 64 | 101 | Regular | ||
| Smokey | 0 96 | 101 | Regular | ||
| Goblins | 0 01 | 102 | Regular | ||
| GoblinsSynth | 0 64 | 102 | Regular | ||
| Creeper | 0 65 | 102 | Regular | ||
| RingPad | 0 66 | 102 | Regular | ||
| Ritual | 0 67 | 102 | Regular | ||
| ToHeaven | 0 65 | 102 | Regular | ||
| Night | 0 70 | 102 | Regular | ||
| Glisten 0 71 102 Regular | |||||
| BellChoir | 0 96 | 102 | Regular | ||
| Echoes | 0 01 | 103 | Regular | ||
| Echoes2 | 0 81 | 103 | Regular | ||
| EchoPan 0 14 103 Regular | |||||
| EchoBolls | 0 64 | 103 | Regular | ||
| BigPan | 0 65 | 103 | Regular | ||
| SynthPlano 0 66 103 Regular | |||||
| Creation 0 67 103 Regular | |||||
| StarDust | 0 68 | 103 | Regular | ||
| RososPanning | 0 69 | 103 | Regular | ||
| Sci-Fi | 0 01 | 104 | Regular | ||
| Starz | 0 64 | 104 | Regular | ||
| Ethnic | Sitar 0 | 0 | 105 Regular | ||
| DetunedSitar | 0 32 | 105 | Regular | ||
| Sitar2 | 0 36 | 105 | Regular | ||
| Tambra | 0 | 96 | 105 | Regular | |
| Tamboura | 0 | 97 | 105 | Regular | |
| Banjo | 0 01 | 106 | Regular | ||
| MutedBanjo | 0 28 | 106 | Regular | ||
| Rabab | 0 96 | 106 | Regular | ||
| Gopichant | 0 97 | 106 | Regular | ||
| Cud | 0 98 | 106 | Regular | ||
| Shamisen | 0 01 | 107 | Regular | ||
| Koto 0 0 108 Regular | |||||
| Taisho-kin | 0 96 | 108 | Regular | ||
| Karooon | 0 97 | 108 | Regular | ||
| Kalimba | 0 01 | 109 | Regular | ||
| Bagpipo | 0 01 | 10 | Regular | ||
| Fiddle | 0 01 | 111 | Regular | ||
| Shanal | 0 01 | 12 | Regular | ||
| Shanal2 | 0 64 | 112 | Regular | ||
| Pungi | 0 96 | 112 | Regular | ||
| Hichiriki | 0 97 | 112 | Regular | ||
| Percussive | TinkleBel | 0 | 0 | 113 Regular | |
| Bonang | 0 96 | 113 | Regular | ||
| Altair | 0 97 | 113 | Regular | ||
| GamelanGongs | 0 98 | 113 | Regular | ||
| StereoGamlan | 0 99 | 113 | Regular | ||
| RamaCymbal | 0 100 | 113 | Regular | ||
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Percussive | AsianBells | 0 | 101 | 113 Regular | |
| Agogo | 0 0 | 14 | Regular | ||
| SteelDrums | 0 0 | 15 | Regular | ||
| GlassPerc. | 0 97 | 115 Regular | |||
| ThaBells | 0 98 | 115 Regular | |||
| Woodblock | 0 0 | 16 | Regular | ||
| Castanets | 0 96 | 116 Regular | |||
| TaikoDrum | 0 0 | 17 | Regular | ||
| GranCassa | 0 96 | 117 Regular | |||
| MelodicTom 0 0 118 Regular | |||||
| MelodicTom2 | 0 64 | 118 Regular | |||
| RoalTom | 0 65 | 118 Regular | |||
| RockTom | 0 66 | 118 Regular | |||
| SynthDrum | 0 0 | 19 | Regular | ||
| AnalogTom | 0 64 | 119 Regular | |||
| ElectroPerc. 0 65 119 Regular | |||||
| Rev.Cymbal | 0 0 | 120 | Regular | ||
| Sound Effect | GrFrotNoise | 0 | 0 | 121 Regular | |
| BreathNoise | 0 0 | 122 | Regular | ||
| Seashore 0 0 123 Regular | |||||
| BirdTweet | 0 0 | 124 | Regular | ||
| TelephonRing | 0 0 | 125 | Regular | ||
| Holicopter | 0 0 | 126 | Regular | ||
| Applause | 0 0 | 127 | Regular | ||
| Gunshot 0 0 128 Regular | |||||
| CuttingNoise | 64 0 | 1 | Regular | ||
| CuttingNoiz2 | 64 0 | 2 | Regular | ||
| StringSlap | 64 0 | 4 | Regular | ||
| Fl.KoyClick 64 0 17 Regular | |||||
| Shower | 64 0 | 33 | Regular | ||
| Thunder 64 0 34 Regular | |||||
| Wind | 64 0 | 35 | Regular | ||
| Stream | 64 0 | 36 | Regular | ||
| Bubble | 64 0 | 37 | Regular | ||
| Food | 64 0 | 38 | Regular | ||
| Dog | 64 0 | 49 | Regular | ||
| Horse | 64 0 | 50 | Regular | ||
| BirdTweet2 | 64 0 | 51 | Regular | ||
| Ghost | 64 0 | 55 | Regular | ||
| Macu | 64 0 | 56 | Regular | ||
| PhoneCall | 64 0 | 65 | Regular | ||
| DoorSqueak | 64 0 | 66 | Regular | ||
| DoorSlam | 64 0 | 67 | Regular | ||
| ScratchCut 64 0 68 Regular | |||||
| ScratchSplit | 64 0 | 69 | Regular | ||
| WindChimo 64 0 70 Regular | |||||
| TelophonRing2 | 64 0 | 71 | Regular | ||
| CarEnginolgn 64 0 61 Regular | |||||
| CarTiroSqol | 64 0 | 82 | Regular | ||
| CarPassing 64 0 83 Regular | |||||
| CarCrash | 64 0 | 84 | Regular | ||
| Siren | 64 0 | 85 | Regular | ||
| Train 64 0 86 Regular | |||||
| JotPlano | 64 0 | 87 | Regular | ||
| Starship | 64 0 | 88 | Regular | ||
| Burst | 64 0 | 89 | Regular | ||
| RollrCoaster | 64 0 | 90 | Regular | ||
| Suomarine | 64 0 | 91 | Regular | ||
| Laugh 64 0 97 Regular | |||||
| Scram | 64 0 | 98 | Regular | ||
| Punch 64 0 99 Regular | |||||
| Heartboat | 64 0 | 100 | Regular | ||
| FootSteps | 64 0 | 101 | Regular | ||
| MachineGun | 64 0 | 113 | Regular | ||
| LaserGun | 64 0 | 114 | Regular | ||
| Explosion | 64 0 | 115 | Regular | ||
| Firework | 64 0 | 116 | Regular | ||
GM2
| Category Voice Name Voice Number Voice Type | |||||
| Piano GrandPiano 121 0 1 Regular | |||||
| GrandPianoW 121 1 1 Regular | |||||
| GrandPianoD 121 2 1 Regular | |||||
| BrightPiano 121 0 2 Regular | |||||
| BrightPianoW 121 1 2 Regular | |||||
| ElecGranoPno 121 0 3 Regular | |||||
| ElecGrandPW 121 1 3 Regular | |||||
| Honkytonk 121 0 4 Regular | |||||
| HonkytonkW | 121 1 4 Regular | ||||
| El.Piano1 | 121 0 5 Regular | ||||
| DetunedEP1 | 121 1 5 Regular | ||||
| EP1VeloMix 121 2 5 Regular | |||||
| 60'sEl.Piano | 121 | 3 5 Regular | |||
| El.Piano2 | 121 | 0 6 Regular | |||
| DetunedEP2 | 121 | 1 6 Regular | |||
| EP2VeloMix 121 2 6 Regular | |||||
| EPLegend | 121 | 3 6 Regular | |||
| EPPhasc | 121 | 4 6 Regular | |||
| Harpsichord | 121 | 0 7 Regular | |||
| Harpsi.OctMx | 121 | 1 7 Regular | |||
| HarpsichordW | 121 | 2 7 Regular | |||
| Harpsi.KOII | 121 | 3 7 Regular | |||
| Clavi. | 121 | 0 8 Regular | |||
| PulseClavi. | 121 | 1 8 Regular | |||
| ChromaticPerc Celesta 121 0 9 Regular | |||||
| Category Voice Name Voice Number Voice Type | |||||
| Bass | SlapBass2 | 121 | 0 | 38 | Regular |
| SynthBass1 | 121 | 0 | 39 | Regular | |
| WarmSyBass | 121 | 1 | 39 | Regular | |
| RoscoSynhBass 121 2 | 39 | Regular | |||
| ClaviBass | 121 | 3 | 39 | Regular | |
| Hammer | 121 | 4 | 39 | Regular | |
| SynthBass2 | 121 | 0 | 40 | Regular | |
| AttackBass | 121 | 1 | 40 | Regular | |
| RubberBass | 121 | 2 | 40 | Regular | |
| AttackPulso | 121 | 3 | 40 | Regular | |
| Strings | Violin | 121 | 0 | 41 | Regular |
| SlwAtkViolin 121 1 | 41 | Regular | |||
| Viola | 121 | 0 | 42 | Regular | |
| Cello | 121 | 0 | 43 | Regular | |
| Contrabass 121 0 | 44 | Regular | |||
| Trem.Strings | 121 | 0 | 45 | Regular | |
| PizzicatoStr | 121 | 0 | 46 | Regular | |
| Orch.Harp 121 0 | 47 | Regular | |||
| YangChin | 121 | 1 | 47 | Regular | |
| Timpani | 121 | 0 | 48 | Regular | |
| Ensemble | Strings1 | 121 | 0 | 49 | Regular |
| StringsBrass | 121 1 | 49 | Regular | ||
| 60'sStrings | 121 | 2 | 49 | Regular | |
| Strings2 | 121 | 0 | 50 | Regular | |
| SynStrings1 121 0 51 | Regular | ||||
| SynStrings3 121 1 51 | Regular | ||||
| SynStrings2 121 0 52 | Regular | ||||
| ChoirAahs | 121 | 0 | 53 | Regular | |
| ChoirAahs2 | 121 | 1 | 53 | Regular | |
| VoiceOohs | 121 0 | 54 | Regular | ||
| Humming | 121 | 1 | 54 | Regular | |
| SynthVoice | 121 0 | 55 | Regular | ||
| AnalogVoice | 121 1 | 55 | Regular | ||
| OrchestraHit | 121 0 | 56 | Regular | ||
| BassiLitPlus 121 1 56 | Regular | ||||
| 6thHit | 121 | 2 | 56 | Regular | |
| EuroHit | 121 | 3 | 56 | Regular | |
| Brass | Trumpet | 121 | 0 | 57 | Regular |
| DarkTpSoft | 121 | 1 | 57 | Regular | |
| Trombono | 121 | 0 | 58 | Regular | |
| Trombono2 | 121 | 1 | 58 | Regular | |
| BriteTrombon | 121 | 2 | 58 | Regular | |
| Tuba | 121 | 0 | 59 | Regular | |
| MutedTrumpet 121 0 | 60 | Regular | |||
| MuteTrumpet2 | 121 1 | 60 | Regular | ||
| FrenchHorn | 121 | 0 | 61 | Regular | |
| FrenchHorn2 | 121 | 1 | 61 | Regular | |
| BrassSection 121 0 62 | Regular | ||||
| BrassSoc2 | 121 | 1 | 62 | Regular | |
| SynthBrass1 | 121 | 0 | 63 | Regular | |
| SynthBrass3 | 121 | 1 | 63 | Regular | |
| AnaSynBrass1 | 121 | 2 | 63 | Regular | |
| JumpBrass | 121 | 3 | 63 | Regular | |
| SynthBrass2 | 121 | 0 | 64 | Regular | |
| SynthBrass4 | 121 | 1 | 64 | Regular | |
| AnaSynBrass2 | 121 | 2 | 64 | Regular | |
| Reed | SopranoSax | 121 | 0 | 65 | Regular |
| AltoSax | 121 | 0 | 66 | Regular | |
| TenorSax | 121 0 | 67 | Regular | ||
| BaritoneSax 121 0 | 68 | Regular | |||
| Oboe | 121 | 0 | 69 | Regular | |
| EnglishHorn | 121 | 0 | 70 | Regular | |
| Bassoon | 121 | 0 | 71 | Regular | |
| Clarinet | 121 | 0 | 72 | Regular | |
| Pipe | Piccolo | 121 | 0 | 73 | Regular |
| Fluto | 121 | 0 | 74 | Regular | |
| Recorder | 121 | 0 | 75 | Regular | |
| PanFluto | 121 | 0 | 76 | Regular | |
| BlownBottle | 121 | 0 | 77 | Regular | |
| Shakunachi | 121 | 0 | 78 | Regular | |
| Whistic | 121 | 0 | 79 | Regular | |
| Ocarina | 121 | 0 | 80 | Regular | |
| Synth.Lead | SquareLead | 121 | 0 | 81 | Regular |
| SquareLead2 121 1 | 81 | Regular | |||
| SineLead | 121 | 2 | 81 | Regular | |
| SawtoothLead | 121 | 0 | 82 | Regular | |
| SawtoothLd2 | 121 | 1 | 82 | Regular | |
| SawPulseLead | 121 | 2 | 82 | Regular | |
| DoubiSawLead | 121 | 3 | 82 | Regular | |
| Seq.Analog | 121 | 4 | 82 | Regular | |
| CalliopeLead | 121 0 | 83 | Regular | ||
| ChiffLead | 121 | 0 | 84 | Regular | |
| CharangLead | 121 | 0 | 85 | Regular | |
GM2
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| Synth.Lead Wire.Lead | 121 1 85 Regular | ||||
| VoiceLead 121 0 86 Regular | |||||
| Fifth'sLead 121 0 87 Regular | |||||
| Bass&Lead 121 0 88 Regular | |||||
| SoftWhirl 121 1 85 Regular | |||||
| Synth.Pad NowAgoPad | 121 0 89 Regular | ||||
| WarmPad 121 0 90 Regular | |||||
| SinePad 121 1 90 Regular | |||||
| PolySynthPad 121 0 91 Regular | |||||
| ChoirPad 121 0 92 Regular | |||||
| ItopiaPad 121 1 92 Regular | |||||
| BowodPad | 121 0 | 93 Regular | |||
| MetallicPad | 121 0 | 94 Regular | |||
| HaloPad | 121 0 | 95 Regular | |||
| SweepPad | 121 0 | 96 Regular | |||
| Synth.Effect | Rain | 121 0 | 97 Regular | ||
| SoundTrack | 121 0 | 98 Regular | |||
| Crystal | 121 0 | 99 Regular | |||
| SynthMallet 121 1 99 Regular | |||||
| Atmosphere | 121 0 | 100 Regular | |||
| Brightness | 121 0 | 101 Regular | |||
| Goblins | 121 0 | 102 Regular | |||
| Echoos | 121 0 | 103 Regular | |||
| EchoBell 121 1 103 Regular | |||||
| EchoPan | 121 2 | 103 Regular | |||
| Sci-Fi | 121 0 | 104 Regular | |||
| Ethnic Sitar | 121 0 105 Regular | ||||
| Sitar2 | 121 1 | 105 Regular | |||
| Banjo | 121 0 | 106 Regular | |||
| Shamisen 121 0 107 Regular | |||||
| Koto | 121 0 | 108 Regular | |||
| TaishoKoto | 121 1 | 108 Regular | |||
| Kalimba | 121 0 | 109 Regular | |||
| Bagpipe | 121 0 | 110 Regular | |||
| Fiddle | 121 0 | 111 Regular | |||
| Shanai | 121 0 | 112 Regular | |||
| Percussivo | TinkleBoll 121 0 113 Regular | ||||
| Agogo | 121 0 | 114 Regular | |||
| SteelDrums 121 0 115 Regular | |||||
| Woodblock | 121 0 | 116 Regular | |||
| Castanots | 121 1 | 116 Regular | |||
| TalkoDrum 121 0 117 Regular | |||||
| ConcertBD | 121 1 | 117 Regular | |||
| MelodicTom | 121 0 | 118 Regular | |||
| MelodicTorn2 | 121 1 | 118 Regular | |||
| SynthDrum | 121 0 | 119 Regular | |||
| RhythmBoxTom | 121 1 | 119 Regular | |||
| ElectricDrum | 121 2 | 119 Regular | |||
| Rov.Cymbal | 121 0 | 120 Regular | |||
| SoundEffect | GtrFretNoise | 121 | 0 | 121 | Regular |
| GtrCutNoise | 121 1 | 121 Regular | |||
| StringSlap | 121 2 | 121 Regular | |||
| BreathNoise | 121 0 | 122 Regular | |||
| Fl.KeyClick | 121 1 | 122 Regular | |||
| Seashore | 121 0 | 123 Regular | |||
| Rain | 121 1 | 123 Regular | |||
| Thunder 121 2 123 Regular | |||||
| Wind | 121 3 | 123 Regular | |||
| Stream | 121 4 | 123 Regular | |||
| Bubble | 121 5 | 123 Regular | |||
| BirdTweet 121 0 124 Regular | |||||
| Dog | 121 1 | 124 Regular | |||
| HorseGallop 121 2 124 Regular | |||||
| BirdTweet2 | 121 3 | 124 Regular | |||
| TelephonRing | 121 0 | 125 Regular | |||
| TolRing2 | 121 1 | 125 Regular | |||
| DoorCreaking | 121 2 | 125 Regular | |||
| Door | 121 3 | 125 Regular | |||
| Scratch | 121 4 | 125 Regular | |||
| WindChime 121 5 125 Regular | |||||
| Holicopter | 121 0 | 126 Regular | |||
| CarEngine 121 1 126 Regular | |||||
| CarStop | 121 2 | 126 Regular | |||
| CarPass | 121 3 | 126 Regular | |||
| CarCrash 121 4 126 Regular | |||||
| Siren | 121 6 | 126 Regular | |||
| Train | 121 6 | 126 Regular | |||
| Jetplane | 121 7 | 126 Regular | |||
| Starship | 121 8 | 126 Regular | |||
| BurstNoise | 121 9 | 126 Regular | |||
| Applause 121 0 127 Regular | |||||
| Laughing | 121 1 | 127 Regular | |||
| Screaming | 121 2 | 127 Regular | |||
| Category | Voice Name | Voice Number | Voice Type | ||
| MSB | LSB | PRG | |||
| SoundEffect | Punch | 121 3 | 127 | Regular | |
| HeartBeat | 121 4 | 127 | Regular | ||
| Footsteps 121 5 127 Regular | |||||
| Gunshot | 121 0 | 128 | Regular | ||
| MachineGun | 121 1 | 128 | Regular | ||
| Lasorgun | 121 2 | 128 | Regular | ||
| Explosion 121 3 128 Regular | |||||
| StandardSet | 120 0 | 1 | Drums | ||
| RoomSet | 120 0 | 9 | Drums | ||
| PowerSet | 120 0 | 17 | Drums | ||
| ElectroSet | 120 0 | 25 | Drums | ||
| AnalogSet | 120 0 | 26 | Drums | ||
| JazzSet | 120 0 | 33 | Drums | ||
| BrushSet | 120 0 | 41 | Drums | ||
| OrchestraSet | 120 0 | 49 | Drums | ||
| SFXSet | 120 0 | 57 | SFX Kit | ||
Mega Voice Map / Sound-Zuordnungen der Mega Voices / Carte des voix Mega / Mapa de Mega Voice (CVP-509/505/503)
Mega Voices indicated by a circle (O) in the chart are included in the corresponding instrument(s).

No Sound
Mega Voices indicated by a circle (O) in the chart are included in the corresponding instrument(s).
Mega Voices indicated by a circle (O) in the chart are included in the corresponding instrument(s).

No Sound
| Mega VintageRound Mega VintageFlat Mega PickBass Mega VintagePick Mega FretlessBass | |||||
| CVP-509 ○ | ○ | ○ | ○ | ○ | |
| CVP-505 ○ | ○ | ||||
| CVP-503 ○ | ○ | ||||
| MSB (0-127) 88888 | |||||||||||||||
| LSB (0-127) 12010 | |||||||||||||||
| PRG (0-127) 17 17 18 18 19 | |||||||||||||||
| PRG (1-128) 18 18 19 19 20 | |||||||||||||||
| Voice Name Mega VintageRound Mega VintageFlat Mega PickBass Mega VintagePick Mega FretlessBass | |||||||||||||||
| Key Range | below B5 | above C6 | above C8 | below B5 | above C6 | above C8 | below B5 | above C6 | above C8 | below B5 | above C6 | above C8 | below B5 | above C6 | above C8 |
| 127 | 127 127 | 127 127 | 127 | 127 | 127 127 | 127 127 | |||||||||
| Harmonics | Harmonics | Harmonics | Harmonics | Harmonics | |||||||||||
| 121 | 121 | 121 | 121 | 121 | |||||||||||
| 120 | 120 | 120 | 120 | 120 | 120 | ||||||||||
| 110 | |||||||||||||||
| Dead | Dead | Dead | Dead | Dead | |||||||||||
| 100 | |||||||||||||||
| 90 | |||||||||||||||
| 81 | 81 | 81 | 81 | 81 | |||||||||||
| 80 | 80 | 80 | 80 | 80 | 80 | ||||||||||
| 70 | Open Hard | Open Hard | |||||||||||||
| EFX | EFX | EFX | EFX | EFX | |||||||||||
| Key On Velocity Value | 61 | 61 | Mute | Mute | |||||||||||
| 60 | 60 | ||||||||||||||
| 50 | |||||||||||||||
| 40 | 41 | 41 | Open | ||||||||||||
| 40 | 40 | ||||||||||||||
| 30 | Open Soft | Open Soft | |||||||||||||
| 20 | Open | Open | |||||||||||||
| 10 | |||||||||||||||
| 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | |||||
Mega Voices indicated by a circle (O) in the chart are included in the corresponding instrument(s).
Mega Voices indicated by a circle (O) in the chart are included in the corresponding instrument(s).

No Sound
Drum/key Assignment List / Liste der Tastenzuordnungen der Schlaginstrumente / Liste d'assignation instrument de batterie/touche du clavier / Lista de asignación de teclas/batería
Panel Drum Kit/XG Drum Kit
Same as Standard Kit 1
*1 Drum Kits indicated by a circle (O) in the chart are included in the corresponding instrument(s).

No Sound
*2 Key Off: Keys marked "●" stop sounding the instant they are released.
*3 Alternate Group: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
Same as Standard Kit 1
*1 Drum Kits indicated by a circle (O) in the chart are included in the corresponding instrument(s).

No Sound
*2 Key Off: Keys marked "●" stop sounding the instant they are released.
*3 Alternate Group: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
| Break Kit AnalogT8 Kit AnalogT9 Kit Studio Kit Live Power Kit 1 | |||||
| CVP-509 (*1) | ○ | ○ | ○ | ○ (Live!) ○ | |
| CVP-505 (*1) | ○ | ○ | ○ | ○ | |
| CVP-503 (*1) | ○ | ||||
| CVP-501 (*1) | |||||
| Bank Select MSB (0-127) 127 127 127 127 127 | ||||||||
| Bank Select LSB (0-127) 0 | 0 | 0 | 0 | |||||
| Program Change (0-127) 57 58 59 86 87 | ||||||||
| Program Change (1-128) 58 59 60 87 88 | ||||||||
| MIDI | Keyboard Note | Key Off (*2) | Alternate Group (*3) | Break Kit AnalogT8 | Kit AnalogT9 Kit Studio Kit Live | Power Kit 1 | ||
| Note# | Note | |||||||
| 13 | C#-1 | C#03 | ||||||
| 14 | D-1 | D0 | 3 | |||||
| 15 | D#-1 | D#0 | ||||||
| 16 | E-1 | E0 | ||||||
| 17 | F-1 | F0 | 4 | |||||
| 18 | F#-1 | F#04 | ||||||
| 19 | G-1 | G0 | Snare Hammer | Snare Drum&Basa 1 | ||||
| 20 | G#-1 | G#0 | Snare Break 8 | Kick ZapHard | Kick Break 2 | |||
| 21 | A-1 | A0 | Snare Break 9 | Snare Garg L | Snare Distortion | |||
| 22 | A#-1 | A#0 | Hi-Hat Closed Break 1 | Kick TokPower | Kick TokPower | |||
| 23 | B-1 | B0 | Hi-Hat Closed Break 2 | Kick Slimy | Kick Distortion RM | |||
| 24 | C0 | C1 | Kick Break Doop | Kick T8 1 | Kick T9 2 | |||
| 25 | C#0 | C#1 | Snare Hip | Snare Analog CR | Snare Analog CR | |||
| 26 | D0 | D1 | ● | Snare Lo-Fi | Snare T8 4 | Snare T9 5 | ||
| 27 | D#0 | D#1 | Snare Clappy | Snare Clap Analog | Clap Analog Sm | |||
| 28 | E0 | E1 | ● | Snare LowH Mono | Snare T8 3 | Snare T9 Gate | ||
| 29 | F0 | F1 | ● | Snare Rock Roll | Tom T8 5 | Snare Rock Roll | ||
| 30 | F#0 | F#1 | Snare Gate 1 | Snare T8 5 | Snare T9 3 | |||
| 31 | G0 | G1 | Snare Mid | Kick T8 3 | Snare T9 4 | Snare Studio L | ||
| 32 | C#0 | C#1 | Snare Break Rim | Snare T8 4 | Snare T9 Gate | |||
| 33 | A0 | A1 | Kick Break Heavy | Kick T8 2 | Kick T9 4 | Kick Amb H | ||
| 34 | A#0 | A#1 | Snare Hip Rim 4 | Snare T8 3 | Snare T9 5 | Open Rim Shot | ||
| 35 | B0 | B1 | Kick Break 2 | T8 Kick Bass | Kick T9 1 | Kick Amb L | ||
| 36 | C1 | C2 | Kick Break 1 | Kick T8 1 | Kick T9 3 | Kick Studio | ||
| 37 | C#1 | C#2 | Snare Hip Rim 1 | Snare T8 Rim | Snare T9 Rim | Side Stick | ||
| 38 | D1 | D2 | Snare Break 3 | Snare T8 2 | Snare T9 1 | Snare Studio M | ||
| 39 | D#1 | D#2 | Snare Break 1 | Clap T9 | Clap T9 | Hand Clap | ||
| 40 | E1 | E2 | Snare Break 2 | Snare T8 1 | Snare T9 2 | Snare Studio L | ||
| 41 | F1 | F2 | Tom Break 1 | Tom T8 1 | Tom T9 1 | |||
| 42 | F#1 | F#2 | 1 | Hi-Hat Closed Rock Soft | Hi-Hat Closed T8 2 | Hi-Hat Closed T9 | ||
| 43 | G1 | G2 | Tom Break 22 | Tom T8 2 | Tom T9 2 | |||
| 44 | G#1 | G#2 | 1 | Hi-Hat Podal Rock | Hi-Hat Opon T8 1 | Hi-Hat Podal T9 | ||
| 45 | A1 | A2 | Tom Break 3 | Tom T8 3 | Tom T9 3 | |||
| 46 | A#1 | A#2 | 1 | Hi-Hat Half Opon Rock | Hi-Hat Opon T8 1 | Hi-Hat Opon T9 | ||
| 47 | B1 | B2 | Tom Break 4 | Tom T8 4 | Tom T9 4 | |||
| 48 | C2 | C3 | Tom Break 5 | Tom T8 6 | Tom T9 5 | |||
| 49 | C#2 | C#3 | Crash Cymbal 2 | Crash T8 | Crash T9 | |||
| 50 | D2 | D3 | Tom Break 6 | Tom T8 7 | Tom T9 6 | |||
| 51 | D#2 | D#3 | Ride Cymbal 3 | Ride T9 | Ride T9 | |||
| 52 | E2 | E3 | Chinese Cymbal 2 | Chinese Cymbal 2 | Chinese Cymbal 2 | |||
| 53 | F2 | F3 | Ride Cymbal Cup 2 | Ride Cymbal Cup 2 | Ride Cymbal Cup 2 | |||
| 54 | F#2 | F#3 | Tambourine 1 Hit | Tambourine RX5 | Tambourine RX5 | |||
| 55 | G2 | G3 | Crash Cymbal 3 | Splash Cymbal | Crash Cymbal 3 | |||
| 56 | G#2 | G#3 | Cowbell 1 | Cowbell T8 | Cowbell 1 | |||
| 57 | A2 | A3 | Crash Cymbal 2 | Crash Cymbal 4 | Crash Cymbal 4 | |||
| 58 | A#2 | A#3 | Cowbell RX11 | Vibraslap | Cowbell T8 | |||
| 59 | B2 | B3 | Rido Cymbal 2 | Rido Cymbal 3 | Rido Cymbal 3 | |||
| 60 | C3 | C4 | Bongo H | Conga T8 5 | Conga T8 5 | |||
| 61 | C#3 | C#4 | Bongo L | Conga T8 4 | Conga T8 4 | |||
| 62 | D3 | D4 | Conga H Tip | Conga T8 3 | Conga Tip | |||
| 63 | D#3 | D#4 | Conga H Opon Slap | Conga T8 2 | Conga Open Slap | |||
| 64 | E3 | E4 | Conga H Opon | Conga T8 1 | Conga Opon | |||
| 65 | F3 | F4 | Bongo 2 H | Timbalo H | Timbalo H | |||
| 66 | F#3 | F#4 | Bongo 2 L | Timbale L | Timbale L | |||
| 67 | G3 | G4 | Conga Opon | Glass H | Analog Click | |||
| 68 | G#3 | G#4 | Agogo L | Glass L | Conga T8 1 | |||
| 69 | A3 | A4 | Cabasa | Cabasa | Cabasa | |||
| 70 | A#3 | A#4 | Maracas Slur | Maracas T8 | Maracas Slur | |||
| 71 | B3 | B4 | ● | Timbale H FxGun 2 | FxGun 2 | |||
| 72 | C4 | C5 | ● | Timbale L | FxGun 1 | FxGun 1 | ||
| 73 | C#4 | C#5 | Scratch H 2 | Analog Shaker H | Scratch H 2 | |||
| 74 | D4 | D5 | ● | Scratch Down | Analog Shaker L | Scratch Down | ||
| 75 | D#4 | D#5 | Clave | Clave T6 | Hi Q 3 | |||
| 76 | E4 | E5 | Wood Block H | Hi Q 1 | Hi Q 1 | |||
| 77 | F4 | F5 | Wood Block L | Hi Q 2 | Hi Q 2 | |||
| 78 | F#4 | F#5 | Scratch L | Scratch L | Scratch L | |||
| 79 | G4 | G5 | Scratch L 2 | Scratch L 2 | Scratch L 2 | |||
| 80 | G#4 | G#5 | 2 | Triangle Mute | Triangle Mute | Triangle Mute | ||
| 81 | A4 | A5 | 2 | Triangle Opon | Triangle Opon | Triangle Opon | ||
| 82 | A#4 | A#5 | Kick Break 3 | Analog Shaker | Analog Shaker | |||
| 83 | B4 | B5 | Kick Break 4 | Sloigh Boll | Sloigh Boll | |||
| 84 | C5 | C6 | Kick Break 5 | Bell Tree | Bell Tree | |||
| 85 | C#5 | (C#6) | Kick Break 6 | Snare Hip 1 | Snare Piccolo | |||
| 86 | D5 | (D6) | Kick Break 7 | Snare Hip 2 | Snaro T8 5 | |||
| 87 | D#5 | (D#6) | Hi-Hat Closed Brosk 3 | Snaro Hip Gato | Snaro Rock Roll Distortion | |||
| 88 | E5 | (E6) | Snare Break 4 | Snare Break 1 | Snare Brush Mute | |||
| 89 | F5 | (F6) | Snare Break 5 | Kick Bilp | Kick Bilp Hard | |||
| 90 | F#5 | (F#6) | Snare Break 6 | Snaro FX 1 | Snaro Jungle 1 | |||
| 91 | G5 | (G6) | Snare Break 7 | Kick FxHammer | Kick Sustain | |||
| Live! Power Kit 2 Power Kit 1 Power Kit 2 Live! Acoustic Kit Live! Rock Kit | |||||
| CVP-509 (*1) | ○ | ○ | ○ | ||
| CVP-505 (*1) | ○ | ○ | |||
| CVP-503 (*1) | ○ | ○ | |||
| CVP-501 (*1) | |||||
| Bank Select MSB (0-127) 127 127 127 127 127 | |||||||||
| Bank Select LSB (0-127) 0 0 0 0 0 | |||||||||
| Program Change (0-127) 88 87 88 | 89 | 90 | |||||||
| Program Change (1-128) 89 88 89 | 90 | 91 | |||||||
| MIDI | Keyboard Note | Key Off (*2) | Alternate Group (*3) | Live! Power Kit 2 Power | Kit 1 Power Kit 2 Live! Acoustic | Kit Live! Rock Kit | |||
| Note# | Note | ||||||||
| 13 | C#-1 | C#03 | |||||||
| 14 | D-1 | D0 | 3 | ||||||
| 15 | D#-1 | D#0 | |||||||
| 16 | E-1 | E0 | |||||||
| 17 | F-1 | F0 | 4 | ||||||
| 18 | F#-1 | F#04 | |||||||
| 19 | G-1 | G0 | |||||||
| 20 | G#-1 | G#0 | |||||||
| 21 | A-1 | A0 | |||||||
| 22 | A#-1 | A#0 | |||||||
| 23 | B-1 | B0 | |||||||
| 24 | C0 | C1 | |||||||
| 25 | C#0 | C#1 | |||||||
| 26 | D0 | D1 | ● | ||||||
| 27 | D#0 | D#1 | |||||||
| 28 | E0 | E1 | ● | ||||||
| 29 | F0 | F1 | ● | Snare Roll Acoustic | Snare Roll Rock | ||||
| 30 | F#0 | F#1 | |||||||
| 31 | G0 | G1 | Snare Soft Power 2 | Snare Soft Power 1 | Snare Soft Power 2 | Snare Soft Acoustic | Snare Soft Rock | ||
| 32 | C#0 | C#1 | |||||||
| 33 | A0 | A1 | Kick Amb+ | Kick Amb+ | Kick Amb+ | Kick Soft Acoustic | Kick Soft Rock | ||
| 34 | A#0 | A#1 | Opon Rim Power 2 | Open Rim Power 1 | Open Rim Power 2 | Rim Acoustic | Rim Rock | ||
| 35 | B0 | B1 | Kick Power Open | Kick Power Open | Kick Power Open | Kick Close Acoustic | Kick Rock Heavy | ||
| 36 | C1 | C2 | Kick Power Closed | Kick Power Closed | Kick Power Closed | Kick Open Acoustic | Kick Rock | ||
| 37 | C#1 | C#2 | Side Stick Power | Side Stick Power | Side Stick Power | Stick Acoustic | Stick Rock | ||
| 38 | D1 | D2 | Snare Power Snappy | Snare Power | Snare Power Snappy | Snare Acoustic | Snare Rock | ||
| 39 | D#1 | D#2 | Hand Clap Power | Hand Clap Power | Hand Clap Power | Hand Clap Power | Hand Clap Power | ||
| 40 | E1 | E2 | Snare Loose | Snare Rough | Snare Loose | Snare Rough Acoustic | Snare Dry Rock | ||
| 41 | F1 | F2 | Tom Power 1 | Tom Power 1 | Tom Power 1 | Tom Acoustic 1 | Tom Rock 1 | ||
| 42 | F#1 | F#2 | 1 | Hi-Hat Closed Power + Edge | Hi-Hat Closed Power | Hi-Hat Closed Power + Edge | Hi-Hat Closed Acoustic | Hi-Hat Closed Rock | |
| 43 | G1 | G2 | Tom Power 2 | Tom Power 2 | Tom Power 2 | Tom Acoustic 2 | Tom Rock 2 | ||
| 44 | G#1 | G#2 | 1 | Hi-Hat Podal Power | Hi-Hat Podal Power | Hi-Hat Podal Power | Hi-Hat Podal Acoustic | Hi-Hat Podal Rock | |
| 45 | A1 | A2 | Tom Power 3 | Tom Power 3 | Tom Power 3 | Tom Acoustic 3 | Tom Rock 3 | ||
| 46 | A#1 | A#2 | 1 | Hi-Hat Opon Power | Hi-Hat Opon Power | Hi-Hat Opon Power | Hi-Hat Opon Acoustic | Hi-Hat Opon Rock | |
| 47 | B1 | B2 | Tom Power 4 | Tom Power 4 | Tom Power 4 | Tom Acoustic 4 | Tom Rock 4 | ||
| 48 | C2 | C3 | Tom Power 5 | Tom Power 5 | Tom Power 5 | Tom Acoustic 5 | Tom Rock 5 | ||
| 49 | C#2 | C#3 | Crash Cymbal Acoustic 1 | Crash Cymbal 1 | Crash Cymbal 1 | Crash Cymbal Acoustic 1 | Crash Cymbal Acoustic 1 | ||
| 50 | D2 | D3 | Tom Power 6 | Tom Power 6 | Tom Power 6 | Tom Acoustic 6 | Tom Rock 6 | ||
| 51 | D#2 | D#3 | Ride Cymbal Acoustic 1 | Ride Cymbal 1 | Ride Cymbal 1 | Ride Cymbal Acoustic 1 | Ride Cymbal Acoustic 1 | ||
| 52 | E2 | E3 | Chinese Cymbal Acoustic | Chinese Cymbal | Chinese Cymbal | Chinese Cymbal Acoustic | Chinese Cymbal Acoustic | ||
| 53 | F2 | F3 | Ride Cymbal Acoustic | Ride Cymbal Cup | Ride Cymbal Cup | Ride Cymbal Acoustic | Ride Cymbal Acoustic | ||
| 54 | F#2 | F#3 | |||||||
| 55 | G2 | G3 | Splash Cymbal Acoustic | Splash Cymbal | Splash Cymbal | Splash Cymbal Acoustic | Splash Cymbal Acoustic | ||
| 56 | G#2 | G#3 | |||||||
| 57 | A2 | A3 | Crash Cymbal Acoustic 2 | Crash Cymbal 2 | Crash Cymbal 2 | Crash Cymbal Acoustic 2 | Crash Cymbal Acoustic 2 | ||
| 58 | A#2 | A#3 | |||||||
| 59 | B2 | B3 | Ride Cymbal Acoustic 2 | Ride Cymbal 2 | Ride Cymbal 2 | Ride Cymbal Acoustic 2 | Ride Cymbal Acoustic 2 | ||
| 60 | C3 | C4 | |||||||
| 61 | C#3 | C#4 | |||||||
| 62 | D3 | D4 | |||||||
| 63 | D#3 | D#4 | |||||||
| 64 | E3 | E4 | |||||||
| 65 | F3 | F4 | |||||||
| 66 | F#3 | F#4 | |||||||
| 67 | G3 | G4 | |||||||
| 68 | G#3 | G#4 | |||||||
| 69 | A3 | A4 | |||||||
| 70 | A#3 | A#4 | |||||||
| 71 | B3 | B4 | ● | ||||||
| 72 | C4 | C5 | ● | ||||||
| 73 | C#4 | C#5 | |||||||
| 74 | D4 | D5 | ● | ||||||
| 75 | D#4 | D#5 | |||||||
| 76 | E4 | E5 | |||||||
| 77 | F4 | F5 | |||||||
| 78 | F#4 | F#5 | |||||||
| 79 | G4 | G5 | |||||||
| 80 | G#4 | G#5 | 2 | ||||||
| 81 | A4 | A5 | 2 | ||||||
| 82 | A#4 | A#5 | |||||||
| 83 | B4 | B6 | |||||||
| 84 | C5 | C6 | |||||||
| 85 | C#5 | (C#6) | |||||||
| 86 | D5 | (D6) | |||||||
| 87 | D#5 | (D#6) | |||||||
| 88 | E5 | (E6) | |||||||
| 89 | F5 | (F6) | |||||||
| 90 | F#5 | (F#6) | |||||||
| 91 | G5 | (G6) | |||||||

Same as Standard Kit 1
*1 Drum Kits indicated by a circle (O) in the chart are included in the corresponding instrument(s).

No Sound
*2 Key Off: Keys marked "●" stop sounding the instant they are released.
*3 Alternate Group: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
Same as Standard Kit 1
No Sound
* Actual Keyboard Notes of the SFX Kit 1 and 2 are one octave lower than the ones described in the above list.
** Not available (does not sound) on the CVP-501
*1 Drum Kits indicated by a circle (O) in the chart are included in the corresponding instrument(s).
GM2 Drum Kit / SFX Kit
| Bank Select MSB (0-127) 120 120 120 120 120 | |||||||
| Bank Select LSB (0-127) 00000 | |||||||
| Program Change (0-127) 08 16 24 25 | |||||||
| Program Change (1-128) 19 17 25 26 | |||||||
| MIDI | Keyboard Note | Standard Set Room Set Power Set Electronic Set Analog Set | |||||
| Note# Note | |||||||
| 13 C#-1 C#0 | |||||||
| 14 D#1 D0 | |||||||
| 15 D#-1 D#0 | |||||||
| 16 | E-1 | E0 | |||||
| 17 | F-1 | F0 | |||||
| 18 | F#-1 | F#0 | |||||
| 19 G-1 | G0 | ||||||
| 20 G#-1 G#0 | |||||||
| 21 A#1 | A0 | ||||||
| 22 A#-1 | A#0 | ||||||
| 23 B#1 | B0 | ||||||
| 24 C0 | C1 | ||||||
| 25 | C#0 | C#1 | |||||
| 26 D0 | D1 | ||||||
| 27 | D#0 | D#1 | High Q | ||||
| 28 | E0 | E1 Slap | |||||
| 29 | F0 | F1 | Scratch Push | ||||
| 30 | F#0 | F#1 | Scratch Pull | ||||
| 31 G0 | G1 Sticks | ||||||
| 32 | G#0 | G#1 | Square Click | ||||
| 33 | A0 | A1 Metronome Click | |||||
| 34 | A#0 | A#1 | Metronome Bell | ||||
| 35 | B0 | B1 Acoustic Bass Drum | |||||
| 36 | C1 | C2 | Bass Drum 1 | Power Kick Drum | Electric Bass Drum | Analog Bass Drum | |
| 37 | C#1 | C#2 | Side Stick | Analog Rim Shot | |||
| 38 D# | D2 Acoustic Snare | Power Snare Drum | Electric Snare 1 | Analog Snare 1 | |||
| 39 | D#1 | D#2 | Hand Clap | ||||
| 40 | E1 | E2 | Electric Snare | Electric Snare 2 | |||
| 41 | F1 | F2 | Low Floor Tom | Room Low Tom 2 | Power Low Tom 2 | Electric Low Tom 2 | Analog Low Tom 2 |
| 42 | F#1 | F#2 | Closed Hi-hat | Analog CHH 1 | |||
| 43 | G1 | G2 | High Floor Tom | Room Low Tom 1 | Power Low Tom 1 | Electric Low Tom 1 | Analog Low Tom 1 |
| 44 | G#1 | G#2 | Pedal Hi-hat | Analog CHH 2 | |||
| 45 | A1 | A2 | Low Tom | Room Mid Tom 2 | Power Mid Tom 2 | Electric Mid Tom 2 | Analog Mid Tom 2 |
| 46 | A#1 | A#2 | Open Hi-hat | Analog OHH | |||
| 47 | B1 | B2 | Low-Mid Tom | Room Mid Tom 1 | Power Mid Tom 1 | Electric Mid Tom 1 | Analog Mid Tom 1 |
| 48 | C2 | C3 | High Mid Tom | Room Hi Tom 2 | Power Hi Tom 2 | Electric Hi Tom 2 | Analog Hi Tom 2 |
| 49 | C#2 | C#3 | Crash Cymbal 1 | Analog Cymbal | |||
| 50 | D2 | D3 | High Tom | Room Hi Tom 1 | Power Hi Tom 1 | Electric Hi Tom 1 | Analog Hi Tom 1 |
| 51 | D#2 | D#3 | Ride Cymbal 1 | ||||
| 52 | E2 | E3 Chinese Cymbal | Reverse Cymbal | ||||
| 53 | F2 | F3 | Ride Bell | ||||
| 54 | F#2 | F#3 | Tambourine | ||||
| 55 G2 | G3 Splash Cymbal | ||||||
| 56 | G#2 | G#3 | Cowbell | Analog Cowbell | |||
| 57 | A2 | A3 Crash Cymbal 2 | |||||
| 58 | A#2 | A#3 | Vibra-slap | ||||
| 59 | B2 | B3 Ride Cymbal 2 | |||||
| 60 C3 | C4 High Bongo | ||||||
| 61 | C#3 | C#4 | Low Bongo | ||||
| 62 D8 | D4 Muto Hi Conga | Analog High Conga | |||||
| 63 | D#3 | D#4 | Open Hi Conga | Analog Mid Conga | |||
| 64 | E3 | E4 Low Conga | Analog Low Conga | ||||
| 65 | F3 | F4 | High Timbalc | ||||
| 66 | F#3 | F#4 | Low Timbalc | ||||
| 67 G8 | G4 High Agogo | ||||||
| 68 | G#3 | G#4 | Low Agogo | ||||
| 69 | A3 | A4 Cabasa | |||||
| 70 | A#3 | A#4 | Maracas | Analog Maracas | |||
| 71 | B3 | B4 Short Whistle | |||||
| 72 C4 | C5 Long Whistle | ||||||
| 73 | C#4 | C#5 | Short Guiro | ||||
| 74 D4 | D5 Long Guiro | ||||||
| 75 | D#4 | D#5 | Claves | Analog Claves | |||
| 76 | E4 | E5 Hi Wood Block | |||||
| 77 | F4 | F5 | Low Wood Block | ||||
| 78 | F#4 | F#5 | Mute Culca | ||||
| 79 G4 | G5 Open Cuica | ||||||
| 80 | G#4 | G#5 | Mute Triangle | ||||
| 81 | A4 | A5 Open Triangle | |||||
| 82 | A#4 | A#5 | Shaker | ||||
| 83 | B4 | B5 Jinglo Bell | |||||
| 84 C5 | C6 Bell Trda | ||||||
| 85 | C#5 | (C#6) | Castanots | ||||
| 86 D5 | (D6) Muto Surdo | ||||||
| 87 | D#5 | (D#6) | Opon Surdo | ||||
| 88 | E5 (E6) | ||||||
| 89 | F5 (F6) | ||||||
| 90 | F#5 | (F#6) | |||||
| 91 G5 | (G6) | ||||||

Same as Standard Kit 1

No Sound
| Bank Select MSB (0-127) 120 120 120 120 | ||||||
| Bank Select LSB (0-127) 0 D 0 0 | ||||||
| Program Change (0-127) 32 40 48 56 | ||||||
| Program Change (1-128) 33 41 49 57 | ||||||
| MIDI | Keyboard Note | Jazz Set Brush Set | Orchestra Set SFX Set | |||
| Note# Note | ||||||
| 13 C#-1 C#0 | ||||||
| 14 | D-1 | D0 | ||||
| 15 D#-1 D#0 | ||||||
| 16 | E-1 | E0 | ||||
| 17 | F-1 | F0 | ||||
| 18 | F#-1 | F#0 | ||||
| 19 | G-1 | G0 | ||||
| 20 G#-1 | G#0 | |||||
| 21 | A-1 | A0 | ||||
| 22 A#-1 | A#0 | |||||
| 23 | B-1 | B0 | ||||
| 24 C0 | C1 | |||||
| 25 | C#0 | C#1 | ||||
| 26 D0 | D1 | |||||
| 27 | D#0 | D#1 | Closed Hi-hat 2 | |||
| 28 | E0 | E1 | Podal H-II-hat | |||
| 29 | F0 | F1 | Open Hi-hat 2 | |||
| 30 | F#0 | F#1 | Ride Cymbal 1 | |||
| 31 G0 | G1 | |||||
| 32 | C#0 | C#1 | ||||
| 33 | A0 | A1 | ||||
| 34 | A#0 | A#1 | ||||
| 35 | B0 | B1 | Jazz Kick 2 | Jazz Kick 2 | Concert BD 2 | |
| 36 | C1 | C2 | Jazz Kick 1 | Jazz Kick 1 | Concert BD 1 | |
| 37 | C#1 | C#2 | ||||
| 38 D1 | D2 | Brush Tap | Concert SD | |||
| 39 | D#1 | D#2 | Brush Slap | Castanets | High Q | |
| 40 | E1 | E2 | Brush Swirl | Concert SD | Slap | |
| 41 | F1 | F2 | Timpani F | Scratch Push | ||
| 42 | F#1 | F#2 | Timpani F# | Scratch Pull | ||
| 43 G1 | G2 | Timpani G | Sticks | |||
| 44 | G#1 | G#2 | Timpani G# | Squaro Click | ||
| 45 | A1 | A2 | Timpani A | Metronome Click | ||
| 46 | A#1 | A#2 | Timpani A# | Metronome Bell | ||
| 47 | B1 | B2 | Timpani B | Guitar Fret | ||
| 48 C2 | C3 | Timpani c | Guitar Cutting Noise Up | |||
| 49 | C#2 | C#3 | Timpani c# | Guitar Cutting Noise Down | ||
| 50 D2 | D3 | Timpani d | String Slap of Double Bass | |||
| 51 | D#2 | D#3 | Timpani d# | Fl.Key Click | ||
| 52 | E2 | E3 | Timpani e | Laughing | ||
| 53 | F2 | F3 | Timpani f | Scream | ||
| 54 | F#2 | F#3 | Punch | |||
| 55 G2 | G3 | Heart Beat | ||||
| 56 | G#2 | G#3 | Footsteps 1 | |||
| 57 | A2 | A3 | Concert Cymbal 2 | Footsteps 2 | ||
| 58 | A#2 | A#3 | Apolause | |||
| 59 | B2 | B3 | Concert Cymbal 1 | Door Croaking | ||
| 60 C8 | C4 | Door | ||||
| 61 | C#3 | C#4 | Scratch | |||
| 62 D3 | D4 | Wind Chimos | ||||
| 63 | D#3 | D#4 | Car-Engine | |||
| 64 | E3 | E4 | Car-Slop | |||
| 65 | F3 | F4 | Car-Pass | |||
| 66 | F#3 | F#4 | Car-Crash | |||
| 67 G8 | G4 | Siren | ||||
| 68 | G#3 | G#4 | Train | |||
| 69 | A3 | A4 | Jetplane | |||
| 70 | A#3 | A#4 | Helicopter | |||
| 71 | B3 | B4 | Starship | |||
| 72 C4 | C5 | Gun Shot | ||||
| 73 | C#4 | C#5 | Machine Gun | |||
| 74 D# | D5 | Lasergun | ||||
| 75 | D#4 | D#5 | Explosion | |||
| 76 | E4 | E5 | Dog | |||
| 77 | F4 | F5 | Horse-Gallop | |||
| 78 | F#4 | F#5 | Birds | |||
| 79 G4 | G5 | Rain | ||||
| 80 | G#4 | G#5 | Thunder | |||
| 81 | A4 | A5 | Wind | |||
| 82 | A#4 | A#5 | Seashore | |||
| 83 | B4 | B5 | Stroam | |||
| 84 C5 | C6 | Bubble | ||||
| 85 | C#5 | (C#6) | ||||
| 86 D5 | (D6) | |||||
| 87 | D#5 | (D#6) | ||||
| 88 | E5 | (E6) | Applause | |||
| 89 | F5 | (F6) | ||||
| 90 | F#5 | (F#6) | ||||
| 91 G5 | (G6) | |||||

Same as Standard Kit 1

No Sound
CVP-509
| Category Style Name | Category Style Name | Category Style Name | |||
| Pop&Rock Standard8Beat | Ballad PopPianoBallad | Swing&Jazz JazzWaltzFast | |||
| Live8Beat | Chillout1 | Dixicland1 | |||
| Classic8Beat | Chillout2 | Ragtime1 | |||
| EasyPop | 6-8SlowRock | Charleston | |||
| 70'sEasyPop | 6-8Modern | FrenchJazz | |||
| HardRock | 6-8Orchestral | AfroCubanBB | |||
| 80'sPowerRock | 12-8Ballad | Dixicland2 | |||
| 80'sPop | OrganBallad | Ragtime2 | |||
| BritRockPop | PianoBallad | Five-Four | |||
| GlamPianoRock | RomanticBallad | OrganGroove | |||
| 60'sVintageRock | AnalogBallad | Bebop | |||
| 60'sPianoPop | GuitarBallad | MovieSwing1 | |||
| 60'sVintagePop | ChartBallad | MovieSwing2 | |||
| ChartPianoShfl | LoveSong | TapDanceSwing | |||
| ChartRockShfl | Slow&Easy | MidnightSwing | |||
| 60'sCharSwing | GuitarSerensde | LoungePiano | |||
| 70'sSwingPiano | NewR&BBallad | 40'sBigBand | |||
| BritPop | 8BeatAdria | MoonlightBallad | |||
| BritPopSwing | PowcrBallad2 | JumpJivo | |||
| GermanRock | Dance Electronica | MoviePanther | |||
| StandardRock | ModernHipHop | R&B ModernShuffle | |||
| ContempRock | FunkyHouse | BluesRock | |||
| AcousticRock | Clubdance | 70'sChartSoul | |||
| FunkPopRock | DreamDance | SouBrothers | |||
| SoftRock | FunkDisco | FranklySoul | |||
| 90'sRockBallad | 70'sDisco1 | JazzFunk | |||
| 8BoatModern | 70'sDisco2 | LiveSoulBand | |||
| WestCoastPop | 70'sDiscoFunk | 6-8Soul | |||
| Uptempo8Beat | DiscoPhilly | MotorCity | |||
| ContempPop | Ibiza2004 | SlowBlucs | |||
| VintageGrPop | Ibiza2002 | Rock&Roll 1 | |||
| 60'sPopRock | EuroTrance | Rock&RollShll | |||
| 60's8Beat | TrancePop | Skifflo | |||
| 60'sGuitarPop | DiscoTeens | OldiesR&R | |||
| 70's8Beat | FrenchHouse | Swingin'Boogie | |||
| BubblogumPop | ClubHouse | DetroitPop1 | |||
| RockShuffle | DiscoHouse | DetroitPop2 | |||
| KoolShuffle | House | SoulShuffle | |||
| FusionShuffle | SwingHouso | Soul | |||
| PopShuffle | ClassicHipHop | SoulBeat | |||
| ScandPopShuffle | NewHipHop | GospelSwing | |||
| Unplugged | EuroHipHop | GospelSisters | |||
| 8BeatGrlPop | PopR&B | SouthernGospel | |||
| Classic16Boat | ChanR&B | GospelBrothers | |||
| JazzPop | 80'sDisco | R&BBallad | |||
| J-PopHit1 | MovieDisco | WorshipSlow | |||
| J-PopHit2 | SaturdayNight | WorshipMed | |||
| Ballad ModernPopBld | RetroPop | WorshipFast | |||
| SoulR&B | USlPop | WorshipIrishRk | |||
| 70'sGlamPlano | Groundboat | Worship6-8 | |||
| 70'sChartBallad | ChartPop | PianoBoogie | |||
| 80'sSynthPiano | TechnoParty | ShuffleBlues | |||
| 90'sCoolBallad | LatinDJ's | LovelyShuffle | |||
| 80'sSmoothBid | DiscoChocolate | KooFunk | |||
| 80'sPianoBallad | 6-8Trance | BlueberryBlues | |||
| ModernOrchBid | Swing&Jazz ModBigBand | Sinf1 | 60'sRock&Roll | ||
| ChilloutCafe | ModBigBandBld | Rock&Roll2 | |||
| LightBallad | ModernBigBand | Twist | |||
| PopBallad | ClassicBigBand | ComboBoogie | |||
| EasyBallad | DreamyBallad | Country 70'sCountryPop | |||
| PowerBallad1 | JazzGrClub | 70'sChartCntry | |||
| EpicBallad | JazzGrClubFast | EasyCountry | |||
| 8BeatBallad1 | ModernJazz | CountryHits | |||
| 8BoatBallad2 | AcousticJazz | Country8Beat | |||
| 16BeatBallad1 | CoolJazz | Bluegrass | |||
| 16BeatBallad2 | OrchBigBand1 | Hoedown | |||
| R&BsoulBallad | TradPianoJazz | ModCntryBld1 | |||
| ElecOrgBallad | ModernJazzBid | ModCntryBld2 | |||
| SlowOrchBid | CoolJazzBallad | NowCountry | |||
| MORWaltz | EasySwing | CountrySwing | |||
| PopGrBallad | OrchBigBand2 | CountryShuffle | |||
| EPBallad | TradPianoBallad | CntrySing-along | |||
| AnimationBid | MORSwing | CountryStrum | |||
| BroadwayBld | EasyListening | CountryWaltz | |||
| ClassicPianoBld | OrganCombo | CountryBallad | |||
| MovieBallad | BigBandFast1 | Country2-4 | |||
| 80'sMovieBallad | BigBandMed1 | CountryTwoStep | |||
| 70'sPopBallad | OrchestraSwing1 | CountryBrothers | |||
| 80'sEPBallad | OrchestraSwing2 | CountryPop | |||
| 80'sBoyBand | JazzClub | CountryRock | |||
| PopWaltz | BigBandFast2 | FolkPop | |||
| ContempPopBid | BigBandMed2 | FingerPickin | |||
| 16BeatPop | JazzWaltzSlow | Latin LatinPartyPop | |||
| PopNewAge | JazzWaltzMed | BrazilianSamba | |||
CVP-509
| Category Style Name | Category Style Name | Category Style Name | |||
| Latin BossaNova | Entertainment ScandCountry1 | Planist Musical | |||
| FastBossa | ScandCountry2 | Traditional1 | |||
| SlowBarBossa | ScandSlowRock | Traditional2 | |||
| SheriffReggae | ScandBugg | Traditional3 | |||
| HappyReggae | ColticXmas | SlowRock | |||
| PopLatinBid | ChristmasShuffle | 2BeatSwing | |||
| BolorolLonto | ChristmasBallad | JazzBallad | |||
| Bomoa | ChristmasSwing | 8Beat | |||
| Salsa | ChristmasWaltz | 8BeatBallad | |||
| Gujira | SchlagerSamba | 4Stroke | |||
| Guaguanco | SchlagerItalia | Nocturne | |||
| CubanSon | SchlagerRock | PianoMarch1 | |||
| Moronguo | SchlagerAlp | PianoMarch2 | |||
| Bachala | SchlagerPop | 6-8PianoMarch | |||
| Cumbia | SchlagerBeat | Waltz | |||
| Danzon | SchlagerRumba | JazzWaltz | |||
| RumboFlamenco1 | PartyPolka | PianoBossa | |||
| Calypso | PolkaPop | PianoSamba | |||
| PopLatin | Carnival | PianoChaCha | |||
| LatinDisco | 70'sTVTheme | PianoBeguine | |||
| RockChaCha | Showtune | PianoRumba | |||
| OrchestralBossa | French50 s | SlowWaltz | |||
| PopBossa | PubPiano | ||||
| OrganBossa | Caribbean | ||||
| Boguino | Learning2-4 | ||||
| GuitarRumba | Learning3-4 | ||||
| RumoaFlamenco2 | Learning4-4 | ||||
| Rumbalsland | Learning6-8 | ||||
| Tijuana | World BohemianWaltz | ||||
| BigBandMambo | ZithorPolka | ||||
| PopMambo | IrishHymn1 | ||||
| PopSalsa | IrishHymn2 | ||||
| Ballroom VionnosoWaltz1 | IrishDanco | ||||
| VienneselWaltz2 | Flamenco | ||||
| EnglishWaltz | SpanishPaso | ||||
| Slowfox | PopFlamenco | ||||
| Foxtrol | FrenchMuselle | ||||
| Quickstep | Sirtaki | ||||
| Tango | HighlandWaltz | ||||
| Swingfox | ItalianWaltz | ||||
| Pasodoble | FrenchWaltz | ||||
| Jiveo | ScandWaltz | ||||
| Samba | MarischWaltz | ||||
| ChaChaCha | ColticDanco | ||||
| Rumba | OrientalPop | ||||
| OrganChaCha | Zouk | ||||
| OrganSwing | Hawaiian | ||||
| OrganSamba | GermanWaltz | ||||
| OrganQuickstep | OberPolka | ||||
| OrganRumba | OborWalzer | ||||
| TheatreFoxtrot | ItalianPolka | ||||
| TheatroQuickstep | ItalianMazurka | ||||
| 9-8Waltz | Tarantella | ||||
| Entertainment MovieSoundtrack | Strathspey | ||||
| Reel | |||||
| Jig | |||||
| GayGordons | |||||
| BrassBand | |||||
| ScandHambo | |||||
| ScandSchottis | |||||
| Nortono | |||||
| BandaPolka | |||||
| HullyGully | |||||
| USMarch | |||||
| 6-8March | |||||
| GermanMarch1 | |||||
| GermanMarch2 | |||||
| FolkRock | |||||
| Enka | |||||
| PopEnka | |||||
| Plani: Stride1 | |||||
| Stride2 | |||||
| PlanoSwing1 | |||||
| PlanoSwing2 | |||||
| PlanoRag1 | |||||
| PlanoRag2 | |||||
| PlanoBlues1 | |||||
| PlanoBlues2 | |||||
| RocknRoll | |||||
| BoogieWoogie | |||||
| Arpoggio1 | |||||
| Arpeggio2 | |||||
| Arpoggio3 | |||||
| PlanoOrchBallad | |||||
CVP-505
| Category Style Name | Category Style Name | Category Style Name | |||
| Pop&Rock Standard8Beat | Dance ModernHipHop | R&B GospelSisters | |||
| Live8Beat | FunkylIouso | GospelBrothers | |||
| Classic8Beat | Clubdance | R&BBallad | |||
| EasyPop | DreamDance | LovelyShuffle | |||
| 80sPop | 70'sDisco1 | WorshipSlow | |||
| HardRock | 70'sDisco2 | WorshipMed | |||
| BritRockPop | 70'sDiscoFunk | WorshipFast | |||
| 60'sVintageRock | DiscoPhilly | Worship-6-8 | |||
| 60'sPianoPop | 80'sDisco | PianoBoogie | |||
| 60'sVintagePop | Ibiza2002 | ShuffleBlues | |||
| 60'sChartSwing | EuroTrance | BlueberryBlues | |||
| 70'sSwingPiano | TrancePop | 60'sRock&Roll | |||
| BritPop | RetroPop | Rock&Roll2 | |||
| BritPopSwing | DiscoTeens | Twist | |||
| GermanRock | FrenchHouse | ||||
| StandardRock | DiscoHouse | 70'sChartCntry | |||
| ContempRock | SwingHouse | EasyCountry | |||
| AcousticRock | MovieDisco | CountryHits | |||
| FunkPopRock | SaturdayNight | Country8Beat | |||
| 90'sRockBallad | ClassicHipHop | Bluegrass | |||
| GramPianoRock | EuroHipHop | Hoodown | |||
| ChartRockShift | PopR&B | ModCntryBld1 | |||
| 8BeatModern | ChartR&B | ModCntryBld2 | |||
| Uplempo8Beat | Groundbeat | NewCountry | |||
| WorstCoastPop | USPop | CountrySwing | |||
| VintageGirlPop | ChartPop | CountryShuffle | |||
| 60's8Beat | TechnoParty | CntrySing-along | |||
| 60'sGuitarPop | LatinDJ's | CountryStrum | |||
| 70's8Best | DiscoChocolate | CountryWallz | |||
| BubbiogumPop | 6-8Tranco | CountryBallad | |||
| SoftRock | Swing&Jazz ModBigBand | Sinf! | Country2-4 | ||
| RockShuffle | ModernBigBand | CountryTwoStep | |||
| KoolShuffle | ClassicBigBand | CountryBrothers | |||
| JazzPop | JazzCtrClub | CountryPop | |||
| Classic16Beat | ModernJazz | FolkPop | |||
| Unplugged | EasySwing | ||||
| 8BeatGirlPop | AcousticJazz | BrazilianSamba | |||
| J-PopHit1 | ModernJazzBid | BossaNova | |||
| J-PopHit2 | CoolJazzBallad | FastBossa | |||
| Ballad ModernPopBld | MORSwing | SlowBarBossa | |||
| SouiR&B | OrchBigBand1 | SheriffReggae | |||
| 70'sGlamPiano | TradPianoJazz | HappyReggae | |||
| 80'sSyninPiano | EasyListening | BoteroLento | |||
| 90'sCoolBallad | MovieSwing1 | Bomba | |||
| AnimationBid | MovieSwing2 | Salsa | |||
| ModernCorchBid | OrchBigBand2 | Gujira | |||
| LightBallad | TradPianoBallad | CubanSon | |||
| PopBallad | JazzClub | Merengue | |||
| ChilcutCale | TapDanceSwing | Bachala | |||
| PopGirBallad | MidnightSwing | Cumbia | |||
| EPBallad | BigBandFast1 | RumbaFlamenco | |||
| EasyBallad | BigBandMed1 | Calypso | |||
| PowerBallad1 | OrchestraSwing1 | PopLatin | |||
| EpicBallad | OrchestraSwing2 | LatinDisco | |||
| 8BeatBallad1 | LoungePiano | RockChaCha | |||
| 8BoatBallad2 | BigBandFast2 | OrchostralBossa | |||
| 16BeatBallad1 | BigBandMed2 | PopBossa | |||
| 16BestBallad2 | JazzWaltzMod | Bogulino | |||
| R&BsoulBallad | JazzWaltzFast | GuitarRumba | |||
| 70'sPopBallad | Five-Four | Rumbalsland | |||
| 80'sEPBallad | Dixoland1 | Tijuana | |||
| 80'sMovieBallad | Raglime1 | ||||
| 80'sBoyBand | Charleston | EnglishWaltz | |||
| ContempPopBid | FrenchJazz | Slowfox | |||
| MORWaltz | AfroCubanBB | Foxtrot | |||
| PopWaltz | Dixieland2 | Quickstep | |||
| MovieBallad | Raglime2 | Tango | |||
| BroadwayBld | 40'sBigBand | Swingflox | |||
| ClassicPianoBld | R&B ModernShuffle | Pasodoplo | |||
| 6-5SlowRock | BluesRock | Jive | |||
| 6-5Modern | SoulBrothers | Samba | |||
| 6-8Orchestral | FrankySoul | ChaChaCha | |||
| 12-8Ballad | JazzFunk | Rumba | |||
| PopPianoBallad | 6-8Soul | OrganChaCha | |||
| OrganBallad | MotorCity | OrganSwing | |||
| PianoBallad | SlowBlues | OrganSamba | |||
| RomanticBallad | Rock&Rol1 | OrganQuickstep | |||
| LoveSong | Rock&RolShfl | 9-8Waltz | |||
| Chillout | Skiffie | ||||
| NewR&BBallad | OldiesR&R | SecretService | |||
| GuitarSoronado | DotroiPop1 | WildWorst | |||
| 8BeatAdria | DetroiPop2 | EtherealMovie | |||
| PowerBailed2 | Soul | EtherealHymn | |||
| Dance Electronica | GospelSwing | BaroqueAir | |||
CVP-505 CVP-503
| Category Style Name | |
| Entertainment ClassicalMenuet | |
| ClassicalSoronad | |
| OrchestraBolero | |
| OrchestraMarch | |
| DiscoFox | |
| SchlagerFox | |
| EuroPopOrgan | |
| AlpBallad1 | |
| AlpBallad2 | |
| 70'sFrenchHit | |
| Schlager6-8 | |
| SchlagerPolka | |
| SchlagerSamba | |
| SchlagerShuffle | |
| PopClassics | |
| Moonlight6-8 | |
| 70'sTVTheme | |
| French50's | |
| Showtunc | |
| ScandShuffle | |
| ScandCountry1 | |
| ScandCountry2 | |
| ScandSlowRock | |
| ScandBugg | |
| SchlagerItalia | |
| SchlagerRock | |
| SchlagerAlp | |
| SchlagerPop | |
| SchlagerBeat | |
| SchlagerRumba | |
| PartyPolka | |
| PubPiano | |
| PolkaPop | |
| Caribbean | |
| ChristmasShuffle | |
| ChristmasSwing | |
| ChristmasWaltz | |
| Learning2-4 | |
| Learning3-4 | |
| Learning4-4 | |
| Learning6-8 | |
| World BohemianWaltz | |
| IrishHymn | |
| IrishDanco | |
| FrenchMusette | |
| Sirtaki | |
| Flamenco | |
| SpanishPaso | |
| PopFlamenco | |
| Hawaiian | |
| OrientalPop | |
| HighlandWaltz | |
| ItalianWaltz | |
| FrenchWaltz | |
| ScandWaltz | |
| MarachiWaltz | |
| GermanWaltz | |
| OporPolka | |
| OberWalzer | |
| ItalianPolka | |
| ItalianMazurka | |
| Zouk | |
| Tarantella | |
| Reel | |
| Jig | |
| GayGordons | |
| ScandHambo | |
| ScandScholls | |
| USMarch | |
| 6-8March | |
| GermanMarch | |
| HullyGully | |
| FolkRock | |
| Enka | |
| Planist Strido1 | |
| Stride2 | |
| PianoSwing1 | |
| PianoSwing2 | |
| PianoRag1 | |
| PianoRag2 | |
| PianoBluos1 | |
| PianoBlues2 | |
| RocknRoll | |
| BoogieWoogie | |
| Category Style Name | |
| Pianist Arpeggio1 | |
| Arpoggio2 | |
| Arpeggio3 | |
| PianoOrchBallad | |
| Musical | |
| Tracitional1 | |
| Tracitional2 | |
| Tracitional3 | |
| SlowRock | |
| 2BeatSwing | |
| JazzBallad | |
| 8Beat | |
| 8BeatBallad | |
| 4Stroke | |
| Nocturne | |
| PianoMarch1 | |
| PianoMarch2 | |
| 6-8PianoMarch | |
| Waltz | |
| JazzWaltz | |
| PianoBossa | |
| PianoSamba | |
| PianoChaCha | |
| PianoBeguine | |
| PianoRumba | |
| SlowWaltz | |
| Category Style Name | |
| Pop&Rock Standard8Bea | |
| EasyPop | |
| 8BeatModern | |
| GlamPianoRock | |
| BritRockPop | |
| HardRock | |
| StandardRock | |
| AcousticRock | |
| 90'sRockBallad | |
| SoftRock | |
| VintageGtrPop | |
| 60'sVintageRock | |
| 60'sPianoPop | |
| 60's8Beat | |
| 60'sGuitarPop | |
| 70'sSwingPiano | |
| 70's8Beat | |
| BritPopSwing | |
| BubbiogumPop | |
| Unplugged | |
| RockShuffle | |
| KoolShuffle | |
| 8BeatGtrPop | |
| JazzPop | |
| J-PopHit1 | |
| J-PopHit2 | |
| Ballad 8BoatBallad1 | |
| 8BeatBallad2 | |
| 16BeatBallad1 | |
| 16BoatBallad2 | |
| PopGtrBallad | |
| 70'sGlamPiano | |
| 70'sPopBallad | |
| 80'sEPBallad | |
| 80'sMovieBallad | |
| LightBallad | |
| EasyBallad | |
| EPBallad | |
| PowerBallad1 | |
| MovieBallad | |
| BroadwayBid | |
| 6-8SlowRock | |
| 6-8Modern | |
| 6-8Orchostral | |
| 12-8Ballad | |
| PopPianoBallad | |
| OrganBallad | |
| PianoBallad | |
| RomanticBallad | |
| PopWaltz | |
| Chillout | |
| ClassicPianoBid | |
| LoveSong | |
| NewR&BBallad | |
| GuitarSerenade | |
| 8BoatAdria | |
| PowerBallad2 | |
| Dance Ibiza2002 | |
| EuroTrance | |
| DreamDance | |
| DiscoTcone | |
| DiscoHouse | |
| 70'sDisco1 | |
| 70'sDisco2 | |
| DiscoPhilly | |
| MovieDisco | |
| SaturdayNight | |
| FrenchHouse | |
| ClassicHipHop | |
| EuroHipHop | |
| ChartR&B | |
| ChartPop | |
| 80'sDisco | |
| LatinDJ's | |
| DiscoChocolate | |
| 6-8Trance | |
| Swing&Jazz ClassicBigBand | |
| JazzGtrClub | |
| ModernJazz | |
| ModernJazzBld | |
| AcousticJazz | |
| OrchBigBand1 | |
| OrchBigBand2 | |
| TradPianoJazz | |
CVP-503
| Category Style Name | |
| Swing&Jazz EasyListening | |
| MORSwing | |
| BigBandFast1 | |
| BigBandMed1 | |
| OrchestraSwing1 | |
| OrchestraSwing2 | |
| JazzClub | |
| BigBandFast2 | |
| BigBandMed2 | |
| JazzWaltzMed | |
| MovieSwing | |
| TapDanceSwing | |
| Dixioland1 | |
| Ragtime | |
| Charleston | |
| FrenchJazz | |
| Five-Four | |
| Dixieland2 | |
| MidnightSwing | |
| LoungePiano | |
| 40'sBigBand | |
| R&B BluesRock | |
| Sou!Brothers | |
| FranklySoul | |
| JazzFunk | |
| 6-8Soul | |
| MotorCity | |
| SlowBlues | |
| Rock&Roll1 | |
| Skiffic | |
| OidiosR&R | |
| GospelSwing | |
| GospelSisters | |
| GospelBrothers | |
| R&BBallad | |
| Soul | |
| WorshipSlow | |
| WorshipMed | |
| DotroltPop | |
| LovelyShuffle | |
| PianoBoogie | |
| ShuffleBlues | |
| BlueberryBlues | |
| 60'sRock&Roll | |
| Rock&Roll2 | |
| Twist | |
| Country 70'sChartCntry | |
| EasyCountry | |
| CountryHits | |
| Bluegrass | |
| Hoedown | |
| ModCntryBld | |
| NewCountry | |
| CountrySwing | |
| CountryShuffle | |
| CountryWaltz | |
| CountryBallad | |
| Country2-4 | |
| CountryPop | |
| FolkPop | |
| Latin BrazilianSamba | |
| BossaNova | |
| FastBossa | |
| SlowBarBossa | |
| HappyReggae | |
| Bomba | |
| Salsa | |
| Guijira | |
| CubanSon | |
| Merengue | |
| Bachata | |
| Cumbia | |
| RumbaFlamenco | |
| Calypso | |
| LatinDisco | |
| RockChaCha | |
| OrchestralBossa | |
| PopBossa | |
| Begune | |
| GuitarRumba | |
| Rumbaisland | |
| Tijuana | |
| Ballroom VienneseWaltz | |
| EnglishWaltz | |
| Category Style Name | |
| Ballroom Slowfox | |
| Foxtrot | |
| Quickstep | |
| Tango | |
| Swingfox | |
| Pasodoble | |
| Jlvo | |
| Samba | |
| ChaChaCha | |
| Rumba | |
| OrganSwing | |
| OrganSamba | |
| OrganQuickstop | |
| 9-8Waltz | |
| Entertainment Sci-fiMarch | |
| SecretService | |
| WildWest | |
| 70'sTVTheme | |
| PopClassics | |
| BaroqueAir | |
| OrchestralBolero | |
| OrchestralMarch | |
| Moonlight6-8 | |
| Showtune | |
| DiscoFox | |
| AloBallad | |
| 70'sFrenchHit | |
| Schlager6-8 | |
| SchlagerPolka | |
| ScandShuffle | |
| ScandCountry | |
| ScandSlowRock | |
| SchlagerSamba | |
| SchlagerShuffle | |
| SchlagerPop | |
| SchlagerBeat | |
| SchlagerRumba | |
| PartyPolka | |
| PolkaPop | |
| PubPiano | |
| French50's | |
| Caribbean | |
| ChristmasSwing | |
| ChristmasWaltz | |
| Learning2-4 | |
| Learning3-4 | |
| Learning4-4 | |
| Learning6-8 | |
| World Flamenco | |
| SpanishPaso | |
| PopFlamenco | |
| FrenchMusette | |
| IrishDance | |
| ItalianWaltz | |
| FrenchWaltz | |
| ScandWaltz | |
| Sirtaki | |
| OrientalPop | |
| OberPolka | |
| OberWalzer | |
| Rocl | |
| Jig | |
| Hawaiian | |
| USMarch | |
| 6-8March | |
| GermanMarch | |
| Tarantella | |
| Enka | |
| Planist Strido1 | |
| Stride2 | |
| PianoSwing1 | |
| PianoSwing2 | |
| PianoRag1 | |
| PianoRag2 | |
| PianoBlucs1 | |
| PianoBlues2 | |
| RocknRoll | |
| BoogieWoogie | |
| Arpeggio1 | |
| Arpeggio2 | |
| Arpeggio3 | |
| PianoOrchBallad | |
| Musical | |
| Tracitional1 | |
| Category Style Name | |
| Pianist Traditional2 | |
| Traditional3 | |
| SlowRock | |
| 2BeatSwing | |
| JazzBallad | |
| 8Beat | |
| 8BeatBallad | |
| 4Stroke | |
| Nocturne | |
| PianoMarch1 | |
| PianoMarch2 | |
| 6-8PianoMarch | |
| Waltz | |
| JazzWaltz | |
| PianoBossa | |
| PianoSamba | |
| PianoChaCha | |
| PianoBeguine | |
| PianoRumba | |
| SlowWaltz | |
CVP-501
| Category Style Name | |
| Pop&Rock FunkPopRock | |
| AcousticRock | |
| Cool8Beat | |
| VintageGtrPop | |
| BritPopSwing | |
| 70's8Beat | |
| BubblogumPop | |
| 60'sGuitarPop | |
| 90'sGuitarPop | |
| 60'sRock1 | |
| 60'sRock2 | |
| RockShuffle | |
| HardRock | |
| PowerRock | |
| KoolShuffle | |
| JazzPop | |
| Unpugged | |
| J-PopHit | |
| Ballad 8BeatBallad | |
| EasyBallad | |
| PowerBallad | |
| 16BeatBallad | |
| NewR&BBallad | |
| EPBallad | |
| OrganBallad | |
| 6-8Modern | |
| Chillout | |
| ClassicPianoBld | |
| 8BeatAdria | |
| PopPianoBallad | |
| PianoBallad | |
| Dance Ibiza | |
| 70'sDisco | |
| DiscoPhilly | |
| SaturdayNight | |
| DreamDance | |
| FrenchHouse | |
| Houso | |
| ClassicHipHop | |
| NewHipHop | |
| HipHopGroove | |
| Garage | |
| DiscoHouse | |
| 80'sDisco | |
| TechnoParty | |
| LatinDJ's | |
| DiscoHands | |
| Swing&Jazz OrchBigBand | |
| Dixieland | |
| Ragtime | |
| BigBandFast | |
| OrchestraSwing1 | |
| OrchestraSwing2 | |
| JazzWaltzFast | |
| MidnightSwing | |
| Five-Four | |
| OrganGroove | |
| JumpJive | |
| JazzClub | |
| BigBandShuffle | |
| Charleston | |
| R&B BluesRock | |
| SoulBrothers | |
| FranklySoul | |
| 6-8Soul | |
| OldiesR&R | |
| Soul | |
| DetroitPop | |
| GospolSisters | |
| WorshipMed | |
| 60'sRock&Roll | |
| Rock&Roll | |
| Twist | |
| ModernR&B | |
| ComboBoogie | |
| BluesBallad | |
| Country NewCountry | |
| CountryHits | |
| Bluegrass | |
| Hoedown | |
| CountryBallad | |
| CountryPop | |
| CountryShuffle | |
| CountryWaltz | |
| Category Style Name | |
| Country Country2-4 | |
| FingerPickin | |
| Latin BrazilianSamba | |
| Bachata | |
| CubanSon | |
| Merengue | |
| LatinDisco | |
| FastBossa | |
| Beguine | |
| Calypso | |
| HappyReggae | |
| PopMambo | |
| PopSalsa | |
| Rumbalsland | |
| RumbaFlamenco | |
| Ballroom VienneseWaltz | |
| EnglishWaltz | |
| Slowfox | |
| Foxtrot | |
| Quickstep | |
| Tango | |
| Pasodcble | |
| Samba | |
| ChaChaCha | |
| Rumba | |
| Jive | |
| Swingfox | |
| OrganSwing | |
| OrganSamba | |
| OrganQuickstop | |
| 9-8Waltz | |
| Entertainment Sci-IIMarch | |
| 70'sTVThemo | |
| WildWest | |
| BaroqueAir | |
| OrchestralBoloro | |
| OrchestralMarch | |
| 70'sFrenchHit | |
| DiscoFox | |
| AlpBallad | |
| SchlagerPolka | |
| SchlagerPop | |
| SchlagerBeat | |
| ChristmasSwing | |
| ChristmasWaltz | |
| Moonlight6-8 | |
| PolkaPop | |
| Tijuana | |
| PubPiano | |
| Showtuno | |
| Carnival | |
| ChildrensMarch | |
| World SpanishPaso | |
| PopFlarnenco | |
| FrenchMusette | |
| IrishDanco | |
| Sirtaki | |
| OrientalPop | |
| Reel | |
| Jig | |
| Tarantella | |
| OberPolka | |
| OberWalzer | |
| TraditionsWaltz | |
| USMarch | |
| 6-8March | |
| GermanMarch | |
| ScandShuffle | |
| ScandSlowRock | |
| Enka | |
| PopEnka | |
| Planist Stride1 | |
| Stride2 | |
| PianoSwing1 | |
| PianoSwing2 | |
| PianoRag1 | |
| PianoRag2 | |
| PianoBlues1 | |
| PianoBlues2 | |
| RocknRoll | |
| BoogioWoogio | |
| Arpeggio1 | |
| Arpeggio2 | |
| Arpeggio3 | |
| Category Style Name | |
| Pianist PianoOrchBallad | |
| Musical | |
| Traditional1 | |
| Traditional2 | |
| Traditional3 | |
| SlowRock | |
| 2BeatSwing | |
| JazzBallad | |
| 8Beat | |
| 8BeatBallad | |
| 4Stroke | |
| Nocturne | |
| PianoMarch1 | |
| PianoMarch2 | |
| 6-8PianoMarch | |
| Waltz | |
| JazzWaltz | |
| PianoBossa | |
| PianoSamba | |
| PianoChaCha | |
| PianoBegulne | |
| PianoRumba | |
| SlowWaltz | |
| Operation: [DIRECT ACCESS] button + button listed below Function of the accessed LCD display | |||||
| STYLE CONTROL | [ACMP ON/OFF][AUTO FILL IN][BREAK][NTRO I][NTRO II][NTRO III][MAIN VARIATION [A][MAIN VARIATION [B][MAIN VARIATION [C][MAIN VARIATION [D][ENDING/II, I][ENDING/II, II][ENDING/II, III][SYNC START] SPLIT POINT[SYNC STOP][START/STOP] | FUNCTION | STYLE SETTING/SPLIT POINT/CHORD FINGERING | CHORD FINGERING | — |
| STYLE SETTING | |||||
| STYLE Category Selection | [POP & ROCK][GALLAD][DANCE][SWING & JAZZ][R & B][COUNTRY][LATIN][SAIL ROOM][ENTERTAINMENT][WORLD][TRANIST] | FUNCTION | STYLE SETTING/SPLIT POINT/CHORD FINGERING | STYLE SETTING — | |
| SONG CONTROL | [SONG SELECT][TRACK 1 (R)][TRACK 2 (L)][EXTRA TRACKS][FF][REW][PLAY/PAUSE][STOP][REC][SCORE][LYRICS/TEXT] (CVP-509/505/503)[LYRICS] (CVP-501)[GUIDE][REPEAT] | FUNCTION SONG SETTING — — | |||
| TEMPO | [TAP TEMPO][+][-] | FUNCTION | UTILITY CONFIG 1 TAPSTYLE SETTING/SPLIT POINT/CHORD FINGERING | STYLE SETTING | |
| METRONOVE [ON/OFF] FUNCTION UTILITY CONFIG 1 METRONOME | |||||
| TRANSPOSE | [+][-] | FUNCTION CONTROLLER KEYBOARD/PANEL TRANSPOSE ASSIGN | |||
| [DEMO] FUNCTION UTILITY OWNER — | |||||
| [FUNCTION] FUNCTION MIDI | PRESCT — | ||||
| [MIXING CONSOLE][CHANNEL ON/OFF] | MIXING CONSOLE (PANEL PART)VOLVOICE | — — | |||
| [USB] | FUNCTION UTILITY VEDIA — | ||||
| [INTERNET] | FUNCTION UTILITY CONFIG 2 | ||||
| [DIRECT ACCESS] | |||||
| TAB | [▶][◀] | — | — | — | — |
| [ENTER] | |||||
| [EXIT] | MAIN | — — — | |||
| [DATA ENTRY] | — | — — — | |||
| VOICE CONTROL | PART ON/OFF(RIGHT 1) | FUNCTION REGIST SEQUENCE/FREEZE/VOICE SET VOICE SET | RIGHT 1 | ||
| PART ON/OFF(RIG IT 2) | RIGHT 2 | ||||
| PART ON/OFF(LEFT) | LEFT | ||||
| [VOICE EFFECT] | VOICE EFFECT | HARMONY/ECHO | — | — | |
| VOICE Category Selection | [Piano][E. PIANO][STRINGS][GUITAR & BASS][SAXOPHONE][FLUTE & WOOD/WIND][ORGAN][TRUWPET][BRASS][ACCORDION][CHOR & PAD][SYNTH & FX][PERC. & DRUM KIT][ORGAN FLUTES] | FUNCTION REGIST SEQUENCE/FREEZE/VOICE SET VOICE SET | — | ||
| [MUSIC FINDER] | MUSIC FINDER | MUSIC FINDER SEARCH 1 | — | — | |
| ONE TOUCH SETTING | [1][2][3][4] | OTS INFORMATION | — — — | ||
| [OTS LINK] | FUNCTION | STYLE SETTING/SPLIT POINT/CHORD FINGERING | STYLE SETTING — | ||
| [Piano RESET] | FUNCTION CONTROLLER KEYBOARD/PANEL INITIAL TOUCH | ||||
| REGISTRATION MEMORY | REGIST BANK [+] | FUNCTION | REGIST SEQUENCE/FREEZE/VOICE SET | REGISTRATION SEQUENCE | — |
| REGIST BANK [-][MEMORY] | |||||
| [1][2][3][4][5][6][7][8] | REGIST INFORMATION | ||||
| PEDAL | Damper Pedal (Right)Sostenuto Pedal (Center)Left PedalAUX PEDAL | FUNCTION CONTROLLER PEDAL | RIGHTCENTERLEFTAUX | ||
* The cursor position differs depending on the current keyboard part.
Chord Types Recognized in the Fingered Mode / Im Fingered-Modus erkannte Akkordarten / Types d'accords reconnus en mode Fingered / Tipos de acordes reconocidos en el modo Fingered (digitado)
C_1+8

C1+5

C

C6

CM7

CM7(b5)

CM7(#11)

Cadd9

CM7(9)

C6(9)

Cb5

Caug

C7aug

CM7 aug

Cm

Cm6

Cm7

Cm7(b5)

Cm add 9

Cm7(9)

Cm7(11)

CmM 7(b5)

CmM7

CmM7(9)

Cdim

Cdim 7

C7

C7sus4

C7(9)

C7(#11)

C7(13)

C7(b5)

C 7(b9)

C 7(13)

C7(#9)

Csus4

Csus 2

Cancel

| Chord Name [Abbreviation] Normal Voicing | Display for root “C” | |
| 1+8 1+8 C1+8 | ||
| 1+5 1+5 C1+5 | ||
| Major [M] 1+3+5 C | ||
| Sixth [6] 1+(3)+5+6 C6 | ||
| Major seventh [M7] 1+3+(5)+7 CM7 | ||
| Major seventh flatted fifth [M7-k5] 1-3+ | >5+7 CM7( | k5) |
| Major seventh add sharp eleventh [M7(#11)] 1+(2)+3+ | #4+5+7 CM7( | #11) |
| Add ninth [(9)] 1+2+3+5 Cadd9 | ||
| Major seventh ninth [M7_9] 1+2+3+(5)+7 CM7(9) | ||
| Sixth ninth [6_9] | 1+2+3+(5)+6 C6(9) | |
| Flattod fifth [(k5)] | 1+3+>5 | Cl5 |
| Augmented [aug] | 1+3+#5 | Caug |
| Seventh augmented [7aug] | 1+3+#5+k7 | C7aug |
| Major seventh augmented [M7aug] | 1+(3)+#5+7 | CM7aug |
| Minor [m] 1+ | k3+5 | Cm |
| Minor sixth [m6] | 1+k3+5+6 Cm6 | |
| Minor seventh [m7] 1+ | k3+(5)+k7 | Cm7 |
| Minor seventh flatted fifth [m7-k5] 1+ | k3+>5+k7 | Cm7(k5) |
| Minor add ninth [m(9)] | 1+2+k3+5 Cm add9 | |
| Minor seventh ninth [m7(9)] | 1+2+k3+(5)+k7 | Cm7(9) |
| Minor seventh eleventh [m7(11)] | 1+(2)+>3+4+5+(k7) | Cm7(11) |
| Minor major seventh flatted fifth [mM7-k5] | 1+k3+k5+7 | CmM7(k5) |
| Minor major seventh [mM7] | 1+k3+(5)+7 | CmM7 |
| Minor major seventh ninth [mM7(9)] | 1+2+k3+(5)+7 | CmM7(9) |
| Diminished [dim] | 1+k3+k5 | Cdim |
| Diminished seventh [dim7] | 1+k3+k5+6 | Cdim7 |
| Seventh [7] | 1+3+(5)+k7 | C7 |
| Seventh suspended fourth [7sus4] | 1+4+5+k7 C7sus4 | |
| Seventh ninth [7(9)] | 1+2+3+(5)+k7 | C7(9) |
| Seventh add sharp eleventh [7(#11)] 1+(2)+3+ | #4+5+k7 | C7(#11) |
| Seventh add thirteenth [7(13)] 1+3+(5)+6+ | k7 | C7(13) |
| Seventh flatted fifth [7-k5] | 1+3+k5+k7 | C7(k5) |
| Seventh flatted ninth [7(k9)] | 1+k2+3+(5)+k7 | C7(k9) |
| Seventh add flatted thirteenth [7(k13)] | 1+3+5+k6+k7 | C7(k13) |
| Seventh sharp ninth [7(#9)] 1+ | #2+3+(5)+k7 | C7(k9) |
| Suspended fourth [sus4] | 1+4+5 Csus4 | |
| One plus two plus five [sus2] 1+2+5 Csus2 | ||
| cancel | 1+k2+2 | Cancel |
* Notes in parentheses can be omitted.
Reverb Block
| Type Description MSB LSB | |||
| BASIC HALL Reverb simulating the acoustics of a hall. Standard setting. 1 21 | |||
| LIGHT HALL Reverb simulating the acoustics of a hall. Light setting. 1 22 | |||
| BALLAD HALL Reverb simulating the acoustics of a hall. For ballad type music. 1 19 | |||
| PIANO HALL Reverb simulating the acoustics of a hall. For piano sound. 1 20 | |||
| HALL1 | Reverb simulating the acoustics of a hall. | 1 | 0 |
| HALL2 116 | |||
| HALL3 117 | |||
| HALL4 118 | |||
| HALL5 11 | |||
| HALL M | 16 | ||
| HALL L | 17 | ||
| ATMO HALL | A unique long reverb with atmosphere. | 1 | 23 |
| ACOSTIC ROOM (Acoustic Room) | Reverb simulating the acoustics of a room. Standard setting. | 2 | 20 |
| DRUMS ROOM | Reverb simulating the acoustics of a room. For drums sound. | 2 | 21 |
| PERC ROOM (Percussion Room) | Reverb simulating the acoustics of a room. For percussions sound. | 2 | 22 |
| ROOM1 | Reverb simulating the acoustics of a room. | 2 | 16 |
| ROOM2 | 217 | ||
| ROOM3 | 218 | ||
| ROOM4 | 219 | ||
| ROOM5 | 20 | ||
| ROOM6 | 21 | ||
| ROOM7 | 22 | ||
| ROOM S | 25 | ||
| ROOM M | 26 | ||
| ROOM L | 27 | ||
| STAGE1 | Reverb suitable for a solo instrument. | 3 | 16 |
| STAGE2 | 317 | ||
| STAGE3 | 30 | ||
| STAGE4 | 31 | ||
| PLATE1 | Reverb simulating a plate reverb unit. | 4 | 16 |
| PLATE2 | 417 | ||
| PLATE3 | 40 | ||
| GM PLATE | 47 | ||
| TUNNEL | Simulates a cylindrical space expanding to loft and right. | 17 | 0 |
| CANYON | A hypothetical acoustic space which extends without limit. 18 0. | ||
| BASEMENT | A bit of initial delay followed by reverb with a unique resonance. | 19 | 0 |
| LARGE HALL | Reverb simulating the acoustics of a hall. | 1 | 2 |
| MEDIUM HALL | 13 | ||
| WARM ROOM | Roverb simulating the acoustics of a warm room. | 2 | 3 |
| WHITE ROOM | A unique short reverb with a bit of initial delay. | 16 0 | |
| WOODY ROOM | Reverb simulating the acoustics of a woody room. | 2 | 4 |
| RICH PLATE | Roverb simulating a rich plate roverb unit. | 4 | 1 |
| NO EFFECT | No effect. | 00 | |
*1 These types are not available on the CVP-505/503/501.
Chorus Block
| Category | Type | Description MSB LSB | |||||
| REVERB | HALL1 | Reverb simulating the acoustics of a hall. | 1 | 0 | |||
| HALL2 | 116 | ||||||
| HALL3 | 117 | ||||||
| HALL4 | 118 | ||||||
| HALL5 | 11 | ||||||
| HALL M | 16 | ||||||
| HALL L | 17 | ||||||
| ATMO HALL | A unique long reverb with atmosphere. | 1 | 23 | ||||
| ACOSTIC ROOM (Acoustic Room) | Reverb simulating the acoustics of a room. Standard setting. | 2 | 20 | ||||
| DRUMS ROOM | Reverb simulating the acoustics of a room. For drums sound. | 2 | 21 | ||||
| PERC ROOM (Porcussion Room) | Reverb simulating the acoustics of a room. For percussions sound. | 2 | 22 | ||||
| ROOM1 | Reverb simulating the acoustics of a room. | 2 | 16 | ||||
| ROOM2 | 217 | ||||||
| ROOM3 | 218 | ||||||
| ROOM4 | 219 | ||||||
| ROOM5 | 20 | ||||||
| ROOM6 | 21 | ||||||
| ROOM7 | 22 | ||||||
| ROOM S | 25 | ||||||
| ROOM M | 26 | ||||||
| ROOM L | 27 | ||||||
| STAGE1 | Reverb suitable for a solo instrument. | 3 | 16 | ||||
| STAGE2 | 317 | ||||||
| STAGE3 | 30 | ||||||
| STAGE4 | 31 | ||||||
| PLATE1 | Reverb simulating a plate reverb unit. | 4 | 16 | ||||
| PLATE2 | 417 | ||||||
| PLATE3 | 40 | ||||||
| GM PLATE | 47 | ||||||
| DELAY | TEMPO DELAY1 | Tempo-synchronized delay. | 21 | 0 | |||
| TEMPO DELAY2 | 21 | 16 | |||||
| TEMPO ECHO | Tempo-synchronized echo. | 21 8 | |||||
| TEMPO CROSS1 | Tempo-synchronized cross delay. | 22 | 0 | ||||
| TEMPO CROSS2 | 22 | 16 | |||||
| TEMPO CROSS3 | 22 | 17 | |||||
| TEMPO CROSS4 | 22 | 18 | |||||
| Category | Type | Description | MSB | LSB | |||
| ER/KARACKE KARACKE1 | Echo for karaoke. | 20 | 0 | ||||
| 66 17 | |||||||
| CHORUS CHORUS1 | Conventional chorus program with rich, warm chorusing. | 66 17 | |||||
| CHORUS2 66 8 | |||||||
| CHORUS3 66 16 | |||||||
| CHORUS4 66 1 | |||||||
| CHORUS5 65 2 | |||||||
| CHORUS6 65 0 | |||||||
| CHORUS7 65 1 | |||||||
| CHORUS8 65 8 | |||||||
| CHORUS FAST 65 16 | |||||||
| CHORUS LITE 65 17 | |||||||
| GM CHORUS1 65 3 | |||||||
| GM CHORUS2 65 4 | |||||||
| GM CHORUS3 65 5 | |||||||
| GM CHORUS4 65 6 | |||||||
| FB CHORUS 65 7 | |||||||
| CELESTE1 | A 3-phase LFO adds modulation and spaciousness to the sound. | 66 | 0 | ||||
| CELESTE2 66 2 | |||||||
| SYMPHONIC1 | Adds more stages to the modulation of Colosto. | 68 16 | |||||
| SYMPHONIC2 68 0 | |||||||
| ENS DETUNE1 (Ensemble Detune 1) | Chorus effect without modulation, created by adding a slightly pitch-shifted sound. | 87 | 0 | ||||
| ENS DETUNE2 (Ensemble Detune 2) 87 16 | |||||||
| FLANGER | FLANGER1 | Cyclically modulates the phase to add modulation to the sound. | 67 | 8 | |||
| FLANGER2 | 67 16 | ||||||
| FLANGER3 | 67 17 | ||||||
| FLANGER4 | 67 1 | ||||||
| FLANGER5 | 67 0 | ||||||
| GM FLANGER 67 7 | |||||||
| *1 | T_FLANGER (Tempo Flanger) | Tempo-synchronized flanger. | 107 | 0 | |||
| PHASER | PHASER1 | Cyclically modulates the phase to add modulation to the sound. | 72 | 0 | |||
| *1 | PHASER2 | 72 8 | |||||
| *1 | PHASER3 | 72 19 | |||||
| *1 | T_PHASER1 (Tempo Phaser 1) | Tempo-synchronized phasor. | 108 0 | ||||
| *1 | T_PHASER2 (Tempo Phasor 2) | 108 | 16 | ||||
| EP PHASER1 | Cyclically modulates the phase to add modulation to the sound. | 72 17 | |||||
| EP PHASER2 | 72 18 | ||||||
| EP PHASER3 | 72 16 | ||||||
| PITCH CHANGE | *1 | PITCH CHG1 (Pitch Change 1) | Changes the pitch of the input signal. | 80 16 | |||
| *1 | PITCH CHG2 (Pitch Change 2) | 80 0 | |||||
| *1 | PITCH CHG3 (Pitch Change 3) | 80 1 | |||||
| ROTARY SP | *1 | DUAL ROT BRT (Dual Rotor Speaker Bright) | Simulates a rotary speaker. | 99 16 | |||
| *1 | DUAL ROT WRM (Dual Rotor Speaker Warm) | 99 17 | |||||
| *1 | DUAL ROT SP1 (Dual Rotor Speaker 1) | 99 0 | |||||
| *1 | DUAL ROT SP2 (Dual Rotor Speaker 2) | 99 1 | |||||
| *1 | ROTARY SP1 (Rotary Speaker 1) | 89 16 | |||||
| *1 | ROTARY SP2 (Rotary Speaker 2) | 71 17 | |||||
| *1 | ROTARY SP3 (Rotary Speaker 3) | 71 18 | |||||
| *1 | ROTARY SP4 (Rotary Speaker 4) | 70 17 | |||||
| ROTARY SP5 (Rotary Speaker 5) | 66 18 | ||||||
| *1 | ROTARY SP6 (Rotary Speaker 6) | 89 0 | |||||
| *1 | ROTARY SP7 (Rotary Speaker 7) | 71 22 | |||||
| *1 | 2WAY ROT SP (2 way Rotary Speaker) | 86 0 | |||||
| TREMOLO | *1 | TREMOLO1 | Rich Tremolo effect with both volume and pitch modulation. | 70 16 | |||
| *1 | TREMOLO2 | 71 19 | |||||
| *1 | TREMOLO3 | 70 0 | |||||
| *1 | EP TREMOLO | 70 18 | |||||
| *1 | GT TREMOLO1 (Guitar Tremolo 1) | 71 20 | |||||
| *1 | GT TREMOLO2 (Guitar Tremolo 2) | 70 19 | |||||
| *1 | VIBE VIBRATE | Vibraphonic effect. | 119 | 0 | |||
| *1 | T_TREMOLO (Tempo Tremolo) | Tempo-synchronized rich Tremolo effect with both volume and pitch modulation. | 120 | 0 | |||
| SPATIAL | *1 | AUTO PAN1 | Several panning effects that automatically shift the sound position (left, right, front, back). | 71 16 | |||
| *1 | AUTO PAN2 | 71 0 | |||||
| *1 | AUTO PAN3 | 71 1 | |||||
| *1 | EP AUTOPAN | 71 21 | |||||
| *1 | T_AUTO PAN1 (Tempo Auto Pan 1) | Tempo-synchronized auto pan. | 121 0 | ||||
| *1 | T_AUTO PAN2 (Tempo Auto Pan 2) | 121 1 | |||||
| NO EFFECT | - | No effect. | 00 | ||||
DSP1 - 9 Block
| LCD Block Name XG Block Name | |
| DSP1 XG Variation Block | |
| DSP2 XG Insertion1 Block | |
| DSP3 XG Insertion2 Block | |
| DSP4 XG Insertion3 Block | |
| DSP5* XG Insertion4 Block | |
| DSP6* XG Insertion5 Block | |
| DSP7* XG Insertion6 Block (only for MIC) | |
| DSP8* XG Insertion7 Block (only for Style) | |
| DSP9* XG Insertion8 Block (only for Style) | |
* DSP 5 - 9 are available on the CVP-509 only.
*1 These types are not available for DSP 2-4 on the CVP-505/503/501.
^2 These types become mono for DSP 2 - 4 on the CVP-505/503/501.
| Category Type Description MSB LSB | |||||
| REVERB HALL1 | Reverb simulating the acoustics of a hall. | 1 | 0 | ||
| HALL2 116 | |||||
| HALL3 117 | |||||
| HALL4 118 | |||||
| HALL5 11 | |||||
| HALL M 16 | |||||
| HALL L 17 | |||||
| ATMO HALL | A unique long reverb with atmosphere. | 1 | 23 | ||
| ACOSTIC ROOM (Acoustic Room) | Reverb simulating the acoustics of a room. Standard setting. | 2 | 20 | ||
| DRUMS ROOM | Reverb simulating the acoustics of a room. For drums sound. | 2 | 21 | ||
| PERC ROOM (Percussion Room) | Reverb simulating the acoustics of a room. For percussions sound. | 2 | 22 | ||
| ROOM1 | Reverb simulating the acoustics of a room. | 2 | 16 | ||
| ROOM2 217 | |||||
| ROOM3 218 | |||||
| ROOM4 219 | |||||
| ROOM5 20 | |||||
| ROOM6 21 | |||||
| ROOM7 22 | |||||
| ROOM S | 25 | ||||
| ROOM M | 26 | ||||
| ROOM L | 27 | ||||
| STAGE1 | Reverb suitable for a solo instrument. | 3 | 16 | ||
| STAGE2 | 317 | ||||
| STAGE3 | 30 | ||||
| STAGE4 | 31 | ||||
| PLATE1 | Reverb simulating a plate reverb unit. | 4 | 16 | ||
| PLATE2 | 417 | ||||
| PLATE3 | 40 | ||||
| GM PLATE | 47 | ||||
| *1 | TUNNEL | Simulates a cylindrical space expanding to left and right. | 17 | 0 | |
| *1 | CANYON | A hypothetical acoustic space which extends without limit. | 18 | 0 | |
| *1 | BASEMENT | A bit of initial delay followed by reverb with a unique resonance. | 19 | 0 | |
| *1 | WHITE ROOM | A unique short reverb with a bit of initial delay. | 16 | 0 | |
| DELAY | DELAY LCR1 | Produces three delayed sounds: L, R and C (center). | 5 | 16 | |
| DELAY LCR2 | 50 | ||||
| DELAY LR | Produces two delayed sounds: L and R. Two feedback delays are provided. | 6 | 0 | ||
| ECHO | Two delayed sounds (L and R), and independent feedback delays for L and R. | 7 | 0 | ||
| CROSS DELAY1 | The feedback of the two delayed sounds is crossed. | 8 | 0 | ||
| CROSS DELAY2 | 816 | ||||
| TEMPO DELAY1 | Tempo-synchronized delay. | 21 | 0 | ||
| TEMPO DELAY2 | 21 | 16 | |||
| TEMPO ECHO | Tempo-synchronized echo. | 21 | 8 | ||
| TEMPO CROSS1 | Tempo-synchronized cross delay. | 22 | 0 | ||
| TEMPO CROSS2 | 22 | 16 | |||
| TEMPO CROSS3 | 22 | 17 | |||
| TEMPO CROSS4 | 22 | 18 | |||
| ER/KARAOKE | KARAOKE1 | Echo for karaoke. | 20 | 0 | |
| KARAOKE2 | 20 | 1 | |||
| KARAOKE3 | 20 | 2 | |||
| *1 | ER1 | This effect isolates only the early reflection components of the reverb. | 9 | 0 | |
| *1 | ER2 | 91 | |||
| *1 | GATE REVERB | Simulation of gated reverb. | 10 | 0 | |
| *1 | REVERS GATE | Simulation of gated reverb played back in reverse. | 11 | 0 | |
| CHORUS | CHORUS1 | Conventional chorus program with rich, warm chorusing. | 66 | 17 | |
| CHORUS2 | 66 | 8 | |||
| CHORUS3 | 66 | 16 | |||
| CHORUS4 | 66 | 1 | |||
| CHORUS5 | 65 | 2 | |||
| CHORUS6 | 65 | 0 | |||
| CHORUS7 | 65 | 1 | |||
| CHORUS8 | 65 | 8 | |||
| CHORUS FAST | 65 | 16 | |||
| CHORUS LITE | 65 | 17 | |||
| GM CHORUS1 | 65 | 3 | |||
| GM CHORUS2 | 65 | 4 | |||
| GM CHORUS3 | 65 | 5 | |||
| GM CHORUS4 | 65 | 6 | |||
| FB CHORUS | 65 | 7 | |||
| CELESTE1 | A 3-phase LFO adds modulation and spaciousness to the sound. | 66 | 0 | ||
| CELESTE2 | 66 | 2 | |||
| SYMPHONIC1 | Adds more stages to the modulation of Colosto. | 68 | 16 | ||
| SYMPHONIC2 | 68 | 0 | |||
| Category | Type | Description | MSB | LSB | |
| CHORUS ENS DETUNE1 (Ensemble Detune 1) | Chorus effect without modulation, created by adding a slightly pitch-shifted sound. | 67 | 0 | ||
| ENS DETUNE2 (Ensemble Detune 2) 87 16 | |||||
| FLANGER FLANGER1 | Creates a sound reminiscent of a jet airplane. | 67 | 8 | ||
| FLANGER2 67 16 | |||||
| FLANGER3 67 17 | |||||
| FLANGER4 67 1 | |||||
| FLANGER5 67 0 | |||||
| GM FLANGER 67 7 | |||||
| *1 V_FLANGER A simulation on an analog flanger effect. The LFO has a random setting. 104 0 | |||||
| *1 T_FLANGER (Tempo Flanger) Tempo-synchronized flanger. 107 0 | |||||
| *1 DYN FLANGER Dynamically controlled flanger. 110 0 | |||||
| PHASER | PHASER1 | Cyclically modulates the phase to add modulation to the sound. | 72 | 0 | |
| *1 PHASER2 | 72 8 | ||||
| *1 PHASER3 | 72 19 | ||||
| *1 T_PHASER1 (Tempo Phaser 1) | Tempo-synchronized phaser. | 108 0 | |||
| *1 T_PHASER2 (Tempo Phaser 2) | 108 | 16 | |||
| EP PHASER1 | Cyclically modulates the phase to add modulation to the sound. | 72 17 | |||
| EP PHASER2 | 72 18 | ||||
| EP PHASER3 | 72 16 | ||||
| *1 DYN PHASER | Dynamically controlled phaser. 111 0 | ||||
| DISTORTION | *1 V_DIST WARM (V Distortion Warm) | Distortion which simulates the sound of a vintage tube, fuzz effect, etc. | 98 22 | ||
| *1 V_DIST CLS H (V Distortion Classic Hard) | 98 23 | ||||
| *1 V_DIST CLS S (V Distortion Classic Soft) | 98 20 | ||||
| *1 V_DIST METAL (V Distortion Metal) | 98 24 | ||||
| *1 V_DIST CRUNC (V Distortion Crunch) | 98 18 | ||||
| *1 V_DIST BLUES (V Distortion Blues) | 98 21 | ||||
| *1 V_DIST EDGY (V Distortion Eogy) | 98 19 | ||||
| *1 V_DIST SOLID (V Distortion Solid) | 98 25 | ||||
| *1 V_DST CLEAN1 (V Distortion Clean 1) | 98 17 | ||||
| *1 V_DST CLEAN2 (V Distortion Clean 2) | 98 26 | ||||
| *1 V_DIST TWIN (V Distortion Twin) | 98 16 | ||||
| *1 V_DIST ROCA (V Distortion Rocabilly) | 103 | 18 | |||
| *1 V_DST JZ CLN (V Distortion Jazz Clean) | 98 27 | ||||
| *1 V_DST FUSION (V Distortion Fusion) | 103 | 19 | |||
| *1 STAMP SOLID (Stereo Amp Simulator Solid) | Stereo amp simulator. | 75 29 | |||
| *1 STAMP CRUNC (Stereo Amp Simulator Crunch) | 75 30 | ||||
| *1 STAMP BLUES (Stereo Amp Simulator Blues) | 75 28 | ||||
| *1 STAMP CLEAN (Stereo Amp Simulator Clean) | 75 27 | ||||
| *1 STAMP HARP (Stereo Amp Simulator Blues Harp) | 75 31 | ||||
| *1 V_DIST HARD (V Distortion Hard) | Distortion which simulates the sound of a vintage tube, fuzz effect, etc. | 98 | 0 | ||
| *1 V_DIST SOFT (V Distortion Soft) | 98 2 | ||||
| DIST HARD1 (Distortion Hard 1) | Hard-edge distortion. | 75 16 | |||
| DIST HARD2 (Distortion Hard 2) | 75 22 | ||||
| DIST SOFT1 (Distortion Soft 1) | Soft, warm distortion. | 75 17 | |||
| DIST SOFT2 (Distortion Soft 2) | 75 23 | ||||
| DIST HEAVY (Distortion Heavy) | Heavy distortion. | 73 | 0 | ||
| OVERDRIVE | Adds mild distortion to the sound. | 74 0 | |||
| *1 ST DIST (Stereo Distortion) | Stereo distortion. | 73 8 | |||
| *1 ST OD (Storco Overdrive) | Storco overdrive. | 74 8 | |||
| *1 ST DIST HARD (Stereo Distortion Hard) | Hard-edge stereo distortion. | 75 | 18 | ||
| *1 ST DIST SOFT (Storco Distortion Soft) | Soft, warm soft distortion. | 75 | 19 | ||
| AMP SIM1 (Amp Simulator 1) | A simulation of a guitar amp. | 75 | 0 | ||
| *1 AMP SIM2 (Amp Simulator 2) | 75 1 | ||||
| *2 ST AMP1 (Stereo Amp Simulator 1) | Stereo amp simulator. | 75 20 | |||
| *2 ST AMP2 (Stereo Amp Simulator 2) | 75 21 | ||||
| *2 ST AMP3 (Stereo Amp Simulator 3) | 75 8 | ||||
| *2 ST AMP4 (Storco Amp Simulator 4) | 75 24 | ||||
| *2 ST AMP5 (Stereo Amp Simulator 5) | 75 25 | ||||
| *2 ST AMP6 (Stereo Amp Simulator 6) | 75 26 | ||||
| DISTORTION+ (Distortion/Overdrive mixed with other effects) | *1 DST+DELAY1 (Distortion + Delay 1) | Distortion and Delay are connected in series. | 95 16 | ||
| *1 DST+DELAY2 (Distortion + Delay 2) | 95 0 | ||||
| *1 OD+DELAY1 (Overdrive + Delay 1) | Overdrive and Delay are connected in series. | 95 17 | |||
| *1 OD+DELAY2 (Overdrive + Delay 2) | 95 1 | ||||
| *1 CMP+DST+DLY1 (Compressor + Distortion + Delay 1) | Compressor. Distortion and Delay are connected in series. | 96 16 | |||
| *1 CMP+DST+DLY2 (Compressor + Distortion + Delay 2) | 96 0 | ||||
| *1 CMP+OD+DLY1 (Compressor + Overdrive + Delay 1) | Compressor. Overdrive and Delay are connected in series. | 96 17 | |||
| *1 CMP+OD+DLY2 (Compressor + Overdrive + Delay 2) | 96 1 | ||||
| *1 V_DST H+DLY (V Distortion Hard + Delay) | V Distortion Hard and Delay are connected in series. | 98 | 1 | ||
| *1 V_DST S+DLY (V Distortion Soft + Delay) | V Distortion Soft and Delay are connected in series. | 98 | 3 | ||
| *1 DST+TDLY (Distortion + Tempo Delay) | Distortion and Tempo Delay are connected in series. | 100 | 0 | ||
| *1 OD+TDLY (Overdrive + Tempo Delay) | Overdrive and Tempo Delay are connected in series. | 100 | 1 | ||
| *1 COMP+DIST1 (Compressor + Distortion 1) | Since a Compressor is included in the first stage, steady distortion can be produced regardless of changes in input level. | 73 16 | |||
| *1 COMP+DIST2 (Compressor + Distortion 2) | 73 1 | ||||
| *1 CMP+DST+TDLY (Compressor + Distortion + Tempo Delay) | Compressor, Distortion and Tempo Delay are connected in series. | 101 | 0 | ||
| *1 CMP+OD+TDLY1 (Compressor + Overdrive + Tempo Delay 1) | Compressor, Overdrive and Tempo Delay are connected in series. | 101 1 | |||
| *1 CMP+OD+TDLY2 (Compressor + Overdrive + Tempo Delay 2) | 101 | 16 | |||
| *1 CMP+OD+TDLY3 (Compressor + Overdrive + Tempo Delay 3) | 101 17 | ||||
| *1 CMP+OD+TDLY4 (Compressor + Overdrive + Tempo Delay 4) | 101 15 | ||||
| *1 CMP+OD+TDLY5 (Compressor + Overdrive + Tempo Delay 5) | 101 19 | ||||
| *1 CMP+OD+TDLY6 (Compressor + Overdrive + Tempo Delay 6) | 101 20 | ||||
| *1 V_DST H+TDLY (V Distortion Hard + Tempo Delay 1) | V Distortion Hard and Tempo Delay are connected in series. | 103 0 | |||
| *1 V_DST H+TDLY2 (V Distortion Hard + Tempo Delay 2) | 103 | 17 | |||
| *1 V_DST S+TDLY (V Distortion Soft + Tempo Delay 1) | V Distortion Soft and Tempo Delay are connected in series. | 103 1 | |||
| *1 V_DST S+TDLY2 (V Distortion Soft + Tempo Delay 2) | 103 | 16 | |||
| PITCH CHANGE * | PITCH CHG1 (Pitch Change 1) | Changes the pitch of the input signal. | 80 16 | ||
| *1 PITCH CHG2 (Pitch Change 2) 80 0 | |||||
| *1 PITCH CHG3 (Pitch Change 3) 80 1 | |||||
| WAH AUTO AUTO | WAH I | Cyclically modulates the center frequency of a wah filter. | 78 16 | ||
| *1 AT.WAH+DST1 (Auto Wah + Distortion 1) | The output of an Auto Wah can be distorted by Distortion. | 78 17 | |||
| *1 AT.WAH+DST2 (Auto Wah + Distortion 2) 78 1 | |||||
| *1 AT.WH+DST HD (Auto Wah + Distortion Hard) 78 21 | |||||
| *1 AT.WH+DST HV (Auto Wah + Distortion Heavy) 78 23 | |||||
| *1 AT.WH+DST LT (Auto Wah + Distortion Lite) 78 25 | |||||
| *1 AT.WAH+OD1 (Auto Wah + Overdrive 1) | The output of an Auto Wah can be distorted by Overdrive. | 78 18 | |||
| *1 AT.WAH+OD2 (Auto Wah + Overdrive 2) 78 2 | |||||
| *1 AT.WH+OD HD (Auto Wah + Overdrive Hard) 78 22 | |||||
| *1 AT.WH+OD HV (Auto Wah + Overdrive Heavy) 78 24 | |||||
| *1 AT.WH+OD LT (Auto Wah + Overdrive Lite) | 78 26 | ||||
| Tempo-synchronized Auto Wah. | 79 0 | ||||
| *1 _AT.WH+DST (Tempo Auto Wah + Distortion) | Tempo-synchronized Auto Wah. The output can be distorted by Distortion. | 79 | 1 | ||
| *1 _A.WH+DSTHD (Tempo Auto Wah + Distortion Hard) | 79 21 | ||||
| *1 _A.WH+DSTHV (Tempo Auto Wah + Distortion Heavy) | 79 23 | ||||
| *1 _A.WH+DSTLT (Tempo Auto Wah + Distortion Lite) | 79 25 | ||||
| *1 _AT.WH+OD (Tempo Auto Wah + Overdrive) | Tempo-synchronized Auto Wah. The output can be distorted by Overdrive. | 79 | 2 | ||
| *1 _A.WH+OD HD (Tempo Auto Wah + Overdrive Hard) | 79 22 | ||||
| *1 _A.WH+OD HV (Tempo Auto Wah + Overdrive Heavy) | 79 24 | ||||
| *1 _A.WH+OD LT (Tempo Auto Wah + Overdrive Lite) | 79 26 | ||||
| WAH TCH/PDL(Touch Wah/PedalWah) | TOUCH WAH1 | Changes the center frequency of a wah filter according to the input level. | 82 0 | ||
| TOUCHI WAI2 | 82 8 | ||||
| *4 TOUCH WAH3 | 82 20 | ||||
| *1 TC.WH+DST1 (Touch Wah + Distortion 1) | The output of a Touch Wah can be distorted by Distortion. | 82 16 | |||
| *1 TC.WH+DST2 (Touch Wah + Distortion 2) | 82 1 | ||||
| *1 TC.WH+DST HD (Touch Wah + Distortion Hard) | 82 21 | ||||
| *1 TC.WH+DST HV (Touch Wah + Distortion Heavy) | 82 23 | ||||
| *1 TC.WH+DST LT (Touch Wah + Distortion Lite) | 82 25 | ||||
| *1 TC.WAH+OD1 (Touch Wah + Overdrive 1) | The output of a Touch Wah can be distorted by Overdrive. | 82 17 | |||
| *1 TC.WAH+OD2 (Touch Wah + Overdrive 2) | 82 2 | ||||
| *1 TC.WAH+OD HD (Touch Wah + Overdrive Hard) | 82 22 | ||||
| *1 TC.WAH+OD HV (Touch Wah + Overdrive Heavy) | 82 24 | ||||
| *1 TC.WAH+OD LT (Touch Wah + Overdrive Lite) | 82 26 | ||||
| *1 WH+DST+DLY1 (Wah + Distortion + Delay 1) | Wah, Distortion and Delay are connected in series. | 97 16 | |||
| *1 WH+DST+DLY2 (Wah + Distortion + Delay 2) | 97 0 | ||||
| *1 WH+DST+TDLY (Wah + Distortion + Tempo Delay) | Wah, Distortion and Tempo Delay are connected in series. | 102 | 0 | ||
| *1 WH+OD+DLY1 (Wah + Overdrive + Delay 1) | Wah, Overdrive and Delay are connected in series. | 97 17 | |||
| *1 WH+OD+DLY2 (Wah + Overdrive + Delay 2) | 97 1 | ||||
| *1 WH+OD+TDLY1 (Wah + Overdrive + Tempo Delay 1) | Wah, Overdrive and Tempo Delay are connected in series. | 102 1 | |||
| *1 WH+OD+TDLY2 (Wah + Overdrive + Tempo Delay 2) | 102 | 16 | |||
| CLAVI TC.WAH (Clavi Touch Wah) | Clavinet Touch Wah | 82 15 | |||
| EP TC.WAH (EP Touch Wah) | EP Touch Wah | 82 19 | |||
| *S .PEDAL WH B (Vintage Pedal Wah Basic) | Vintage Wan which can be controlled by 'Pedal Control' parameter. (See Effect Parameter List.) | 125 1 | |||
| *S .PEDAL WH D (Vintage Pedal Wah Disco) | 125 | 16 | |||
| *1 PEDAL WAI (Podal Wah) | Changes the center frequency of a wah filter according to 'Pedal Control' parameter. (See Effect Parameter List.) | 122 0 | |||
| *1 PEDAL WH+DST (Pedal Wah + Distortion) | The output of a Pedal Wah can be distorted by Distortion. | 122 1 | |||
| *1 P.WH+DIST HD (Pedal Wah + Distortion Hard) 122 21 | |||||
| *1 P.WH+DIST HV (Pedal Wah + Distortion Heavy) | 122 | 23 | |||
| *1 P.WH+DIST LT (Pedal Wah + Distortion Lite) | 122 | 25 | |||
| *1 PEDAL WH+OD (Podal Wah + Overdrive) | The output of a Pedal Wah can be distorted by Overdrive. | 122 2 | |||
| *1 P.WH+OD HD (Pedal Wah + Overdrive Hard) 122 22 | |||||
| *1 P.WH+OD HV (Pedal Wah + Overdrive Heavy) 122 24 | |||||
| *1 P.WH+OD LT (Podal Wah + Overdrive Lite) 122 26 | |||||
| DYNAMIC | COMP MED (Compressor Medium) | Compressor with medium setting. | 83 16 | ||
| COMP HEAVY (Compressor Heavy) | Compressor with heavy setting. | 83 17 | |||
| *1 COMP MELODY (Compressor Melody) | Compressor for the Melody part. | 105 | 16 | ||
| *1 COMP BASS (Compressor Bass) | Compressor for the Bass part. | 105 | 17 | ||
| *1 MBAND COMP | Multi-band compressor that allows you to adjust the compression effect for individual frequency bands. | 105 0 | |||
| COMPRESSOR | Holds down the output level when a specified input level is exceeded. A sense of attack can also be added to the sound. | 83 0 | |||
| NO/SE GATE | Gates the input when the input signal falls below a specified level. | 84 0 | |||
| ROTARY SP | *1 DUAL ROT BRT (Dual Rotor Speaker Bright) | Simulates a rotary speaker. | 99 16 | ||
| *1 DUAL ROT WRM (Dual Rotor Speaker Warm) | 99 17 | ||||
| *1 DUAL ROT SP1 (Dual Rotor Speaker 1) | 99 0 | ||||
| *1 DUAL ROT SP2 (Dual Rotor Speaker 2) | 99 1 | ||||
| 69 16 | |||||
| 71 17 | |||||
| 71 18 | |||||
| 70 17 | |||||
| 66 18 | |||||
| 69 0 | |||||
| 71 22 | |||||
| *1 DST+ROT SP (Distortion + Rotary Speaker) | Distortion and rotary speaker connected in series. | 69 1 | |||
| *1 DST+2ROT SP (Distortion + 2-way Rotary Speaker) | Distortion and 2-way rotary speaker connected in series. | 86 1 | |||
| *1 OD+ROT SP (Overdrive + Rotary Speaker) | Overdrive and rotary speaker connected in series. | 69 2 | |||
| *1 OD+2ROT SP (Overdrive + 2-way Rotary Speaker) | Overdrive and 2-way rotary speaker connected in series. | 86 2 | |||
| *1 AMP+ROT SP (Amp Simulator + Rotary Speaker) | Amp simulator and rotary speaker connected in series. | 69 3 | |||
| *1 AMP+2ROT SP (Amp Simulator + 2-way Rotary Speaker) | Amp simulator and 2-way rotary speaker connected in series. | 86 3 | |||
| Category | Type | Description | MSB | LSB | |
| TREMOLO TREMOLO1 | Rich Tromolo effect with both volume and pitch modulation. | 70 16 | |||
| TREMOL02 71 19 | |||||
| TREMOL03 70 0 | |||||
| EP TREMOLO 70 18 | |||||
| GT TREMOLO1 (Guitar Tremolo 1) 71 20 | |||||
| GT TREMOLO2 (Guitar Tremolo 2) 70 19 | |||||
| VIBE VIBRATE Vibraphono effect 119 0 | |||||
| T_TREMOLO (Tempo Tremolo) Tempo-synchronized Tremolo. | 120 0 | ||||
| SPATIAL AUTO PAN1 | Several panning effects that automatically shift the sound position (left, right, front, back). | 71 16 | |||
| AUTO PAN2 71 0 | |||||
| *1 | AUTO PAN3 71 1 | ||||
| EP AUTOPAN 71 21 | |||||
| T_AUTO PAN1 (Tempo Auto Pan 1) | Tempo-synchronized auto pan. | 121 0 | |||
| *1 | T_AUTO PAN2 (Tempo Auto Pan 2) | 121 1 | |||
| EQ/ENHANCER | EQ DISCO | Equalizer effect that boosts both high and low frequencies, as is typical in most disco music. | 76 16 | ||
| EQ TEL | Equalizer effect that cuts both high and low frequencies, to simulate the sound heard through a telophone receiver. | 76 17 | |||
| 2BAND EQ | A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts. | 77 | 0 | ||
| 3BAND EQ | A mono EQ with adjustable LOW, MID, and HIGH equalizing. | 76 | 0 | ||
| ST 3BAND EQ A stereo EQ with adjustable LOW, MID, and HIGH equalizing. | 76 18 | ||||
| HM ENHANCE1 (Harmonic Enhancer 1) | Adds new harmonics to the input signal to make the sound stand out. | 81 16 | |||
| HM ENHANCE2 (Harmonic Enhancer 2) | 81 0 | ||||
| MISC | *1 | VCE CANCEL (Voice Cancel) | Attenuatos the vocal part of a CD or other source. | 85 | 0 |
| *1 | AMBIENCE | Blurs the stereo positioning of the sound to add spatial width. | 88 | 0 | |
| *1 | TALKING MOD (Talking Modulation) | Adds a vowel sound to the input signal. | 93 | 0 | |
| *1 | LOOP FX1 | Degrades the audio quality of the input signal. | 94 16 | ||
| *1 | LOOP FX2 | 94 17 | |||
| *1 | LO-FI | 94 0 | |||
| *1 | LO-FI DRUM1 | Degrades the audio quality of the input signal. For the drum part. | 94 18 | ||
| *1 | LO-FI DRUM2 94 19 | ||||
| LO-FI DRUM3 76 19 | |||||
| LO-FI DRUM4 76 20 | |||||
| *1 | DYN FILTER | Dynamically controlled filter. | 109 0 | ||
| *1 | DYN RINGMOD | Dynamically controlled Ring Modulator. | 112 0 | ||
| *1 | RING MOD | An effect that modifies the pitch by applying amplitude modulation to the frequency of the input. | 113 0 | ||
| *1 | ISOLATOR | Controls the level of a specified frequency band of the input signal. | 115 | 0 | |
| NO EFFECT | *3 | No effect. | 00 | ||
| THRU | Bypass without applying an effect. | 64 | 0 | ||
^3 DSP 1 only
*4 This type is not available on the CVP-509.
*5 These types are not available on the CVP-505/503/501.
Effect Parameter List / Liste der Effektparameter / Liste des paramètres d'effets / Lista de parámetros de efectos
- Parameters marked with a ● in the "Control" column can be controlled from an AC1 (assignable controller 1) etc. However, these only affect insertion type effects.
- Parameter 10 Dry/Wet only affects insertion type effects.
Effect Name
BASIC HALL, LIGHT HALL, HALL 1, 2, 3, 4, 5, HALL M, HALL L, ATMO HALL
ROOM 1, 2, 3, 4, 5, 6, 7, ROOM S, ROOM M, ROOM L, ACOSTIC ROOM, DRUMS ROOM.
PERC ROOM
STAGE 1, 2, 3, 4
PLATE 1, 2, 3, GM PLATE
| No. | Parameter Display Value | See Table Control | |||
| 1 | Feverb Time 0.3 - 30.0s | 0 - 69 table#4 | |||
| 2 | Diffusion 0 - 10 0 - 10 | ||||
| 3 | Initial Delay 0.1mS - 200 | 0mS (*1) 0 - 127 table#5 | |||
| 0.1mS - 99.3mS (*2, *3) | 0 - 63 | ||||
| 4 | HPF Cutoff | Thru - 8.0kHz | 0 - 52 table#3 | ||
| 5 | LPF Cutoff | 1.0kHz - Thru | 34 - 60 | table#3 | |
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63 >W - D = W - D < W63 | 1 - 127 | table#15 | ● |
| 11 | Rev Doley | 0.1mS - 200.0mS (*1) | 0 - 127 | table#5 | |
| 0.1mS - 99.3mS (*2, *3) | 0 63 | ||||
| 12 | Density | 0 4 (*1, *2) | 0 4 | ||
| 0 - 2 (*3) | |||||
| 13 | Er/Rev Balance | E63 >R - E = R - E < R63 | 1 - 127 | ||
| 14 | High Damp | 0.1 - 1.0 | 1 - 10 | ||
| 15 | Feedback Level | -63 - +63 | 1 - 127 | table#16 | |
| 16 |
BALLAD HALL, PIANO HALL, LARGE HALL, MEDIUM HALL
WARM ROOM, WOODY ROOM
RICH PLATE
| No. | Parameter Display Value | See Table Control | |||
| 1 | Feverb Time 0.3 - 30.0s | 0 - 69 table#4 | |||
| 2 | Diffusion 0 - 10.0 - 10 | ||||
| 3 | Initial Delay 0.1mS - 200 | 0mS 0 - 127 | table#5 | ||
| 4 | HPF Cutoff | Thru - 8.0kHz | 0 - 52 table#3 | ||
| 5 | LPF Cutoff | 1.0kHz - Thru | 34 - 60 | table#3 | |
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wot | D63 >W - D = W - D < W63 | 1 - 127 | table#15 | ● |
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | High Damp | 0.1 - 1.0 | 1 - 10 | ||
| 15 | |||||
| 16 |
DELAY LCR1, DELAY LCR2
| No. | Parameter Display Value | See Table Control | |||
| 1 | Lch Delay | 0 1 - 1638.3ms (*2) | 1 - 16383 | ||
| 0.1 - 1486.0ms (*3) | |||||
| 2 | Fch Delay | 0 1 - 1638.3ms (*2) | 1 - 16383 | ||
| 0.1 - 1486.0ms (*3) | |||||
| 3 | Cch Delay | 0 1 1638.3ms (*2) | 1 16383 | ||
| 0.1 - 1486.0ms (*3) | |||||
| 4 | Feedback Doley 0.1 - 1638.3ms (*2) | 1 - 16383 | |||
| 5 | Feedback Level | -63 - +63 | 1 - 127 | table#16 | |
| 6 | Cch Level | 0 - 127 | 0 - 127 | table#18 | |
| 7 | High Damp | 0 1 - 1.0 | 1 - 10 | ||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63 >W - D = W D < W63 | 1 - 127 | table#15 | ● |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32Hz - 2.0kHz 4 - 40 table#3 | |||
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500Hz 16.0kHz | 28 - 58 | table#3 | |
| 16 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
DELAY LR
| No. | Parameter Display Value | See Table Control | |||
| 1 | Lch Delay | 0 1 - 1638.3ms (*2)0.1 - 1486.0ms (*3) | 1 - 16383 | ||
| 2 | Fch Delay | 0 1 1638.3ms (*2)0.1 - 1486.0ms (*3) | 1 - 16383 |
| No. | Parameter Display Value | See Table Control | |||
| 3 | Feedback Delay 1 | 0.1 - 1638.3ms (*2)0.1 - 1486.0ms (*3) | 1 - 16383 | ||
| 4 | Feedback Delay 2 | 0.1 - 1638.3ms (*2)0.1 - 1486.0ms (*3) | 1 - 16383 | ||
| 5 | Feedback Level | -63 - +63 | 1 - 127 | table#16 | |
| 6 | High Damp | 0.1 - 1.0 | 1 - 10 | ||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63 >W - D = W - D < W63 | 1 - 127 | table#15 | ● |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32Hz - 2.0kHz 4 - 40 table#3 | |||
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 16 | EQ High Gain | -12 - +12dB | 52 - 76 |
ECHO
| No. | Parameter Display Value | See Table Control | |||
| 1 | Lch Delay1 | 0.1 - 1486.0ms (*2) | 1 - 14560 | ||
| 0.1 - 743.0ms (*3) | |||||
| 2 | Lch Feedback Level | -63 - +63 | 1 - 127 | table#16 | |
| 3 | Fch Delay1 0.1 - 1486.0ms (*2) | 1 - 14560 | |||
| 4 | Rch Feedback Level | -63 - +63 | 1 - 127 | table#16 | |
| 5 | High Damp | 0.1 - 1.0 | 1 - 10 | ||
| 6 | Lch Delay2 | 0.1 - 1486.0ms (*2) | 1 - 14560 | ||
| 0.1 - 743.0ms (*3) | |||||
| 7 | Fch Delay2 0.1 - 1486.0ms (*2) | 1 - 14560 | |||
| 8 | Delay2 Level | 0 - 127 | 0 - 127 | table#18 | |
| 9 | |||||
| 10 | Dry/Wot | D63 >W - D = W - D < W63 | 1 - 127 | table#15 | ● |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32Hz - 2.0kHz 4 - 40 table#3 | |||
| 14 | EQ Low Gain | -12 +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 16 | EQ High Gain | -12 +12dB | 52 - 76 | ||
CROSS DELAY 1, CROSS DELAY 2
| No. | Parameter Display Value | See Table Control | |||
| 1 | L->R Delay | 0 1 - 1486.0ms (*2)0.1 - 743.0ms (*3) | 1 - 14860 | ||
| 2 | F->L Delay | 0 1 - 1486.0ms (*2)0.1 - 743.0ms (*3) | 1 - 14860 | ||
| 3 | Feedback Level | -63 - +63 | 1 - 127 | table#16 | |
| 4 | Input Select | L R, L&R | 0 - 2 | ||
| 5 | High Damp | 0 1 - 1.0 | 1 - 10 | ||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63 >W - D = W - D < W63 | 1 - 127 | table#15 | ● |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32Hz - 2.0kHz 4 - 40 table#3 | |||
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 16 | EQ High Gain | -12 - +12dB | 52 - 76 |
ER1, ER2
| No. | Parameter Display Value | See Table Control | |||
| 1 | Type | S-H, L-H, Rdm, Rvs, Plt, Spr | 0 - 5 | ||
| 2 | Room Size | 0.1 - 20.0 | 0 - 127 | table#6 | |
| 3 | Diffusion 0 - 10 0 - 10 | ||||
| 4 | Initial Delay 0.1mS - 200.0mS | 0 - 127 | table#5 | ||
| 5 | Feedback Level | -63 - 463 | 1 - 127 | table#16 | |
| 6 | HPF Cutoff | Thru - 8.0kHz | 0 - 52 table#3 | ||
| 7 | LPF Cutoff | 1.0kHz - Thru | 34 - 60 | table#3 | |
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wot | D63 >W - D = W - D < W63 | 1 - 127 | table#15 | ● |
| 11 | Liveness | 0 - 10 0 - 10 | |||
| 12 | Density | 0 - 3 | 0 - 3 | ||
| 13 | High Damp | 0.1 - 1.0 | 1 - 10 | ||
| 14 | |||||
| 15 | |||||
| 16 |
WH+DST+DLY1, 2, WH+OD+DLY1, 2
| No. | Parameter Display Value See Table Control | |||||
| 1 | Delay Time 0.1 - 1638.3ms | 1 - 16383 | ||||
| 2 | Delay Feedback Level -63 - +63 1 - 127 table#16 | |||||
| 3 | Delay Mix 0 - 127 0 - 127 | |||||
| 4 | Dist Drive 0 - 127 0 - 127 | |||||
| 5 | Dist Output Level 0 - 127 0 - 127 table#18 | |||||
| 6 | Dist EQ Low Gain -12 +12dB | 52 - 76 | ||||
| 7 | Dist EQ Mid Gain -12 +12dB | 52 - 76 | ||||
| 8 | ||||||
| 9 | ||||||
| 10 | Dry/Wet | D63 >W - D = W - D < W63 | 1 - 127 | table#15 | ● | |
| 11 | Wan Sensitivity | 0 - 127 0 - 127 | ||||
| 12 | Wan Cutoff Freq Offset | 0 - 127 0 - 127 | ||||
| 13 | Wan Resonance | 1.0 - 12.0 | 10 - 120 | |||
| 14 | Wan Release | 10 - 680ms | 52 - 67 | table#12 | ||
| 15 | ||||||
| 16 | ||||||
DUAL ROT SP1, 2, DUAL ROT BRT, DUAL ROT WRM
| No. | Parameter Display Value | See Table Control | |||
| 1 | Rotor Speed Slow | 0.0 - 2.65Hz | 0 - 63 | table#1 | |
| 2 | Horn Speed Slow | 0.0 - 2.65Hz | 0 - 63 | table#1 | |
| 3 | Rotor Speed Fast | 2.69 - 39.7Hz | 64 - 127 | table#1 | |
| 4 | Horn Speed Fast | 2.69 - 39.7Hz | 64 - 127 | table#1 | |
| 5 | Slow-Fast Time of R | 0 - 127 0 - 127 | |||
| 6 | Slow-Fast Time of H | 0 - 127 0 - 127 | |||
| 7 | Drive Low 0 - 127 0 - 127 | ||||
| 8 | Drive High | 0 - 127 0 - 127 | |||
| 9 | Low/High Balance | L83>H - L=H - L < H=63 1 - 127 | |||
| 10 | |||||
| 11 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 12 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 13 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 14 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 15 | Mic L-R Angle | 0 - 180deg | 0 - 60 | ||
| 16 | Speed Control | Slow/Fast | 0 - 1 | ● |
V_DIST HARD, V_DIST SOFT, V_DIST WARM, V_DIST CLS H, V_DIST CLS S, V_DIST METAL, V_DIST CRUNC, V_DIST BLUES, V_DIST EDGY, V_DIST SOLID, V_DST CLEAN 1, 2, V_DIST TWIN, V_DST JZ CLN
| No. | Parameter Display Value | See Table Control | |||
| 1 | Overdrive 0 - 100% | 0 - 100 | |||
| 2 | Device | Transistor/Vintage Tube/Dist1/Dist2/Fuzz | 0 - 4 | ||
| 3 | Speaker | Fiat/Stack/Combo/Twin/Radio/Mogaphono | 0 - 5 | ||
| 4 | Prosonco | 0 - 20 | 0 - 20 | ||
| 5 | Output Level | 0 100% | 0 100 | ||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet Balance | D63>W D=W D1 127table#15● | 1 127 | table#15 | ● |
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
DST+TDLY, OD+TDLY
| No. | Parameter Display Value See Table Control | ||||
| 1 | Delay Timc 64th/3 - 4thx6 | 0 - 19 | tablo#14 | ||
| 2 | Delay Feedback Level -63 | - +63 1 - 127 | tablo#16 | ||
| 3 | Delay Mix 0 - 127 0 - 127 | ||||
| 4 | Dist Drive 0 - 127 0 - 127 | ||||
| 5 | Dist Output Level | 0 - 127 0 - 127 | table#18 | ||
| 6 | Dist EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 7 | Dist EQ Mid Gain | -12 - +12dB | 52 - 76 | ||
| 8 | L/R Diffusion | 1(-63ms) - 64(3ms) - 127(63ms) | 1 - 127 | ||
| 9 | Lag | 1(-63ms) - 64(3ms) - 127(63ms) | 1 - 127 | ||
| 10 | Dry/Wot | D63 >W - D = W - D < W = 63 | 1 - 127 | tablo#15 | ● |
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 | |||||
V_DST H+DLY V_DST S+DLY
| No. | Parameter Display Value See Table Control | |||||
| 1 | Cvordrivo 0 - 100% | 0 - 100 | ||||
| 2 | Dovico Transistor/Vintage Tubo/Dist1/Dist2/Fuzz | 0 - 4 | ||||
| 3 | Speaker Fiat/Stack/Combo/Twin/Radio/Mogaphono | 0 - 5 | ||||
| 4 | Presence 0 - 20 | 0 - 20 | ||||
| 5 | Output Level 0 - 100% | 0 - 100 | ||||
| 6 | Delay Time L 0 1 - 1638.3ms 1 - 16383 | |||||
| 7 | Delay Time R 0 1 - 1638.3ms 1 - 16383 | |||||
| 8 | Delay Feedback Timc 0 1 - 1638.3ms 1 - 16383 | |||||
| 9 | Delay Feedback Level -63 +63 1 - 127 table#16 | |||||
| 10 | Dry/Wet Balance D63>W - D=W - D1 - 127table#15● | 1 - 127 | table#15 | ● | ||
| 11 | Delay Mix 0 - 127 0 - 127 | |||||
| 12 | Feedback High Dump 0.1 - 1.0 | 1 - 10 | ||||
| 13 | ||||||
| 14 | ||||||
| 15 | ||||||
| 16 | ||||||
CMP+DST+TDL, CMP+OD+TDLY1, 2, 3, 4, 5, 6
| No. | Parameter Display Value See Table Control | ||||
| 1 | Delay Time 64th/3 - 4thx6 | 0 - 19 table#14 | |||
| 2 | Delay Feedback Level -63 - +63 1 - 127 table#16 | ||||
| 3 | Delay Mix 0 - 127 0 - 127 | ||||
| 4 | Dist Drive 0 - 127 0 - 127 | ||||
| 5 | Dist Output Level 0 - 127 0 - 127 table#18 | ||||
| 6 | Dist EQ Low Gain -12 - +12dB | 52 - 76 | |||
| 7 | Dist EQ Mid Gain -12 +12dB | 52 - 76 | |||
| 8 | LR Diffusion 1(-63ms) - 64(0ms) - 127(63ms) | 1 - 127 | |||
| 9 | Lag 1(-63ms) - 64(0ms) - 127(63ms) | 1 - 127 | |||
| 10 | Dry/Wet D63 >W - D = W - D < W = 63 | 1 - 127 | table#15 | ● | |
| 11 | Comp. Attack 1ms - 40ms | 0 - 19 | table#8 | ||
| 12 | Comp. Release 10ms 680ms | 0 - 15 | table#9 | ||
| 13 | Comp. Threshold -48dB - -6dB | 79 - 121 | |||
| 14 | Comp. Ratio 1.0 - 20.0 | 0 - 7 | table#10 | ||
| 15 | |||||
| 16 | |||||
WH+DST+TDLY, WH+OD+TDLY1, 2
| No. | Parameter Display Value See Table Control | ||||
| 1 | Delay Time 64th/3 - 4thx6 | 0 - 19 table#14 | |||
| 2 | Delay Feedback Level -63 - +63 1 - 127 table#16 | ||||
| 3 | Delay Mix 0 - 127 0 - 127 | ||||
| 4 | Dist Drive 0 - 127 0 - 127 | ||||
| 5 | Dist Output Level 0 - 127 0 - 127 table#18 | ||||
| 6 | Dist EQ Low Gain -12 - +12dB | 52 - 76 | |||
| 7 | Dist EQ Mid Gain -12 - +12dB | 52 - 76 | |||
| 8 | L/R Diffusion (1-63ms) - 64(0ms) - 127(63ms) | 1 - 127 | |||
| 9 | Lag 1(63ms) - 64(0ms) - 127(63ms) | 1 - 127 | |||
| 10 | Dry/Wot D63 >W - D=W - D < W=63 | 1 - 127 | tablo#15 | ● | |
| 11 | Wan Sensitivity 0 - 127 0 - 127 | ||||
| 12 | Wan Cutoff Freq Offset 0 - 127 0 - 127 | ||||
| 13 | Wan Resonance 1.0 - 12.0 | 10 - 120 | |||
| 14 | Wan Release 10 - 680mS | 52 - 67 | table#12 | ||
| 15 | |||||
| 16 | |||||
V_DST H+TDL1, 2, V_DST S+TDL1, 2, V_DIST ROCA, V_DST FUSION
| No. | Parameter Display Value | See Table Control | |||
| 1 | Overdrive 0 - 100% 0 - 100 | ||||
| 2 | Device Transistor/Vintage | Tube/Dist 1/Dist2/Fuzz | 0 - 4 | ||
| 3 | Speaker Flat/Stack/Combo | Twin/Radio/Megaphone | 0 - 5 | ||
| 4 | P r csoncc 0 - 20 0 | - 20 | |||
| 5 | Output Level 0 - 100% 0 | - 100 | |||
| 6 | Delay Timc 64th/3 - 4thx6 | 0 - 19 | table#14 | ||
| 7 | Delay Feedback Level | -63 +63 | 1 - 127 | table#16 | |
| 8 | LTR Diffusion | 1(-63ms) - 64(0ms) - 127(63ms) | 1 - 127 | ||
| 9 | Lag | 1(-63ms) - 64(0ms) - 127(63ms) | 1 - 127 | ||
| 10 | Dry/Wet | D63 >W - D=W - D < W63 | 1 - 127 | table#15 | ● |
| 11 | Delay Mix 0 - 127 | 0 - 127 | |||
| 12 | Feedback High Dump | 0.1 - 1.0 | 1 - 10 | ||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
V FLANGER
| No. | Parameter Display Value | See Table Control | |||
| 1 | LFO Freq 0.0 - 39.70[Hz] | 0 - 127 | table#1 | ||
| 2 | LFO Depth | 0 - 127 | 0 - 127 | table#19 | |
| 3 | LFO Wave | Trianglc, Sino. Random | 0 - 2 | ||
| 4 | Delay Offset | 0.09 - 36.21[ms] | 0 - 139 | table#23 | |
| 5 | Feedback Level | -100 - +100[%] | 0 - 200 | ||
| 6 | EQ Low Frequency | 32[Hz] - 2.0[kHz] | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12[dB] | 52 - 76 | ||
| 8 | EQ High Frequency | 500[Hz] - 16.0[kHz] | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12[dB] | 52 - 76 | ||
| 10 | Dry/Wet | D63>W - D=W - D1 - 127table#15 | 1 - 127 | table#15 | ● |
| 11 | EQ mid frequency | 100[Hz] - 10.0[kHz] | 14 - 54 | table#3 | |
| 12 | EQ mid gain | -12 - +12[dB] | 52 - 76 | ||
| 13 | EQ mid width | 0.1 - 12.0 | 1 - 120 | ||
| 14 | Modulation Phase | -180 - +180[deg] | 0 - 16 | table#24 | |
| 15 | Foodback High Damp | 0.1 - 1.0 | 1 - 10 | ||
| 16 | Analog Feel | 0 - 10.0 - 10 |
MBAND COMP, COMP MELODY, COMP BASS
| No. | Parameter Display Value | See Table Control | |||
| 1 | Typo | Normal, Low, Mid, High,Low/high, Low/Mid, Mid/High, Full Bit, Wild, Attacky,Low End, Hard, Basic | 0 – 12 | ||
| 2 | Threshold Offset | -32 – +32 | 32 – 96 | ● | |
| 3 | Low Gain Offset | -63 +63 | 1 - 127 | ||
| 4 | Mid Gain Offset | -63 – +63 | 1 – 127 | ||
| 5 | High Gain Offset | -63 – +63 | 1 - 127 | ||
| 6 | |||||
| 7 | |||||
| 8 | |||||
| 9 | |||||
| 10 | |||||
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
T_FLANGER
| No. | Parameter Display Value | See Table Control | |||
| 1 | LFO Freq 16th - 4thx16 | 5 - 21 | table#14 | ||
| 2 | LFO Depth | 0 - 127 | 0 - 127 | table#19 | |
| 3 | Feedback Level | -63 - +63 | 1 - 127 | table#17 | |
| 4 | Delay Offset | 0.0 - 50.0[ms] | 0 - 127 | table#2 | |
| 5 | |||||
| 6 | EQ Low Frequency | 32[Hz] - 2.0[kHz] | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 +12[dB] | 52 - 76 | ||
| 8 | EQ High Frequency | 500[Hz] - 16.0[kHz] | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 +12[dB] | 52 - 76 | ||
| 10 | Dry/Wet | D63>W - D=W - D1 - 127table#15 | 1 - 127 | table#15 | ● |
| 11 | EQ mid frequency | 100[Hz] - 10.0[kHz] | 14 - 54 | table#3 | |
| 12 | EQ mid gain | -12 +12[dB] | 52 - 76 | ||
| 13 | EQ mid width | 0.1 - 12.0 | 1 - 120 | ||
| 14 | LFO phase difference | -180 - +180[deg] | 4 - 124 | ||
| 15 | |||||
| 16 |
T_PHASER 1,2
| No. | Parameter Display Value | See Table Control | |||
| 1 | LFO Freq 16th - 4thx16 | 5 - 21 | table#14 | ||
| 2 | LFO Depth | 0 - 127 | 0 - 127 | table#19 | |
| 3 | Phase Shift Offset | 0 - 127 | 0 - 127 | ||
| 4 | Feedback Level | -63 - +63 | 1 - 127 | table#16 | |
| 5 | |||||
| 6 | EQ Low Frequency | 32[Hz] - 2.0[kHz] | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12[dB] | 52 - 76 | ||
| 8 | EQ High Frequency | 500[Hz] - 16.0[kHz] | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -12 - +12[dB] | 52 - 76 | ||
| 10 | Dry/Wet | D63 >W - D = W - D < W63 | 1 - 127 | table#15 | ● |
| 11 | Stage | 3 - 11 3 - 11 | |||
| 12 | |||||
| 13 | LFO phase difference | -180 - +180[deg] | 4 - 124 | ||
| 14 | |||||
| 15 | |||||
| 16 |
DYN FILTER
| No. | Parameter Display Value | See Table Control | |||
| 1 | Filter Type | L PF (12dB), L PF (18dB), LPF (24dB), HPF, BPF, BEF | 0-5 | ||
| 2 | Sensitivity | 0-127 | 0-127 | ● | |
| 3 | Dyna Level Offset | 0-127 | 0-127 | ||
| 4 | Resonance | -16-+1110-127 | |||
| 5 | Attack Time | 0-3-227[ms] 0-127 table#20 | |||
| 6 | Release Time | 2.6-2171.4[ms] | 0-127 | table#21 | |
| 7 | Release Curve | 0-127 | 0-127 | ||
| 8 | Direction | Up, Down | 0-1 | ||
| 9 | Dyna Threshold Level | 0-127 | 0-127 | ||
| 10 | Dry/Wet | D63>W D=W D1 127table#15 | 1 127 | table#15 | |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32[Hz]-2.0[kHz] | 4-40 | table#3 | |
| 14 | EQ Low Gain | -12-+12[dB] | 52-76 | ||
| 15 | EQ High Frequency | 500[Hz] 16.0[kHz] | 28 58 | table#3 | |
| 16 | EQ High Gain | -12-+12[dB] | 52-76 |
DYN FLANGER
| No. | Parameter Display Value | See Table Control | |||
| 1 | Sensitivity | 0 - 127 | 0 - 127 | ● | |
| 2 | Delay Time Offset | 0 - 127 | 0 - 127 | ||
| 3 | Feedback Level | -63 - +63 | 1 - 127 | table#17 | |
| 4 | Attack Time | 0.3 - 227[ms] 0 - 127 | table#20 | ||
| 5 | Release Time | 2.6 - 2171.4[ms] | 0 - 127 | table#21 | |
| 6 | Release Curve | 0 - 127 | 0 - 127 | ||
| 7 | Direction | Up, Down | 0 - 1 | ||
| 8 | Dyna Threshold Level | 0 - 127 | 0 - 127 | ||
| 9 | Dyna Level Offset | 0 - 127 | 0 - 127 | ||
| 10 | Dry/Wet | D63 >W - D = W - D < W63 | 1 - 127 | table#15 | |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32[Hz] - 2.0[kHz] | 4 - 40 | table#3 | |
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500[Hz] - 16.0[kHz] | 28 - 58 | table#3 | |
| 16 | EQ High Gain | -12 - +12[dB] | 52 - 76 | ||
DYN PHASER
| No. | Parameter Display Value | See Table Control | |||
| 1 | Sensitivity 0 - 127 0 - 127 | ● | |||
| 2 | Dyna Level Offset 0 - 127 | 0 - 127 | |||
| 3 | Feedback Level -63 - +63 | 1 - 127 table#16 | |||
| 4 | Attack Time 0.3 - 227[ms] | 0 - 127 table#20 | |||
| 5 | Reloase Timo | 26 - 2171.4[ms] | 0 - 127 table#21 | ||
| 6 | Release Curve | 0 - 127 0 - 127 | |||
| 7 | Direction | Up, Down | 0 - 1 | ||
| 8 | Dyna Threshold Level | 0 - 127 0 - 127 | |||
| 9 | |||||
| 10 | Dry/Wet | D63 >W - D = W - D < W63 | 1 - 127 | table#15 | |
| 11 | Stage | 4, 5, 6 | 4 - 6 | ||
| 12 | |||||
| 13 | EQ Low Frequency | 32[Hz] - 2.0[kHz] | 4 - 40 | table#3 | |
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500[Hz] - 16.0[kHz] | 28 - 58 | table#3 | |
| 16 | EQ High Gain | -12 - +12[d5] | 52 - 76 |
VIBE VIBRATE
| No. | Parameter Display Value See Table Control | ||||
| 1 | Vibrate Speed | 0.00Hz - 39.7Hz | 0 - 127 | table#1 | |
| 2 | Vibrate Depth (AM) | 0 - 127 0 - 127 | |||
| 3 | Vibrate Depth (PM) | 0 - 127 0 - 127 | |||
| 4 | |||||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz 28 - 58 table#3 | |||
| 9 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 10 | Dry/Wet Balance | D63×W - D=W - D1 - 127table#15 | 1 - 127 | table#15 | |
| 11 | EQ Mid Frequency (*2) | 100Hz - 10.0kHz 14 - 54 table#3 | |||
| 12 | EQ Mid Gain (*2) | -12 - +12dB | 52 - 76 | ||
| 13 | EQ Mid Width (*2) | 0.1 - 12.0 | 1 - 120 | ||
| 14 | LFO Phase Difference | -180 - +180deg(resolution=3deg.) | 4 - 124 | ||
| 15 | Input Mode | mono/storco | 0 - 1 | ||
| 16 | Vibrate SW | Off, On | 0 - 1 | ● | |
DYN RINGMOD
| No. | Parameter Display Value | See Table Control | |||
| 1 | Sensitivity 0 - 127 0 - 127 | ● | |||
| 2 | HPF Cutoff Frequency | Thru(20[Hz]) - 8.0[kHz] | 0 | -52 table#3 | |
| 3 | LPF Cutoff Frequency 1.0 | kHz | Thru (20.0[kHz]) | 34 | 60 table#3 | |
| 4 | Attack Timo 0.3 - 227[ms] | 0 - 127 table#20 | |||
| 5 | Release Time | 26 - 2171.4[ms] | 0 | -127 table#21 | |
| 6 | Release Curve | 0 - 127 0 - 127 | |||
| 7 | Direction | Up, Down | 0 | -1 | |
| 8 | Dyna Threshold Level | 0 - 127 0 - 127 | |||
| 9 | Dyna Level Offset 0 - 127 | 0 - 127 | |||
| 10 | Dry/Wot | D63 >W - D=W - D < W63 | 1 - 127 | table#15 | |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32[Hz] - 2.0[kHz] | 4 - 40 | table#3 | |
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500[Hz] - 16.0[kHz] | 28 - 58 | table#3 | |
| 16 | EQ High Gain | -12 - +12[dB] | 52 - 76 |
T TREMOLO
| No. | Parameter Display Value See Table Control | ||||
| 1 | LFO Freq | 16th - 4thx16 | 5 - 29 | table#14 | ● |
| 2 | AM Depth | 0 - 127 0 - 127 | |||
| 3 | PM Depth | 0 - 127 0 - 127 | |||
| 4 | |||||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz 28 - 58 table#3 | |||
| 9 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 10 | |||||
| 11 | EQ Mid Frequency (*2) | 100Hz - 10.0kHz 14 - 54 table#3 | |||
| 12 | EQ Mid Gain (*2) | -12 - +12dB | 52 - 76 | ||
| 13 | EQ Mid Width (*2) | 0.1 - 12.0 | 1 - 120 | ||
| 14 | LFO Phase Difference | -160 - +160dog(resolution=3deg.) | 4 - 124 | ||
| 15 | Input Mode | mono/storco | 0 - 1 | ||
| 16 | |||||
RING MOD
| No. | Parameter Display Value | See Table Control | |||
| 1 | Carrier Freq Coarse | 0.7[Hz] 5[kHz] | 0 127 | table#22 | ● |
| 2 | Carrier Freq Fine | 0 - 127 0 - 127 | |||
| 3 | LFO Wave | Triangle, Sine | 0 - 1 | ||
| 4 | LFO Depth | 0 - 127 0 - 127 table#19 | |||
| 5 | LFO Freq | 0 0 - 39.70[Hz] 0 - 127 table#1 | |||
| 6 | LPT Cutoff Frequency | Thru(20[Hz]) - 8.0[kHz] | 0 - 52 table#3 | ||
| 7 | LPT Cutoff Frequency 1.0 | kHz) Thru(20.0[kHz]) | 34 60 table#3 | ||
| 8 | |||||
| 9 | |||||
| 10 | Dry/Wet | D63 >W - D = W - D < W63 | 1 - 127 | table#15 | |
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32[Hz] - 2.0[kHz] | 4 - 40 | table#3 | |
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 500[Hz] - 16.0[kHz] | 28 - 58 | table#3 | |
| 16 | EQ High Gain | -12 - +12[d5] | 52 - 76 |
T_AUTO PAN 1
| No. | Parameter Display Value | See Table Control | |||
| 1 | LFO Freq | 16th - 4thx16 | 5 - 29 | table#14 | ● |
| 2 | L/R Depth | 0 - 127 0 - 127 | |||
| 3 | F/R Depth | 0 - 127 0 - 127 | |||
| 4 | PAN Direction | L<->R, L->R, L<-R, Lturn, Rturn, L/R | 0 - 5 | ||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 7 | EQ Low Gain | -12 +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz 28 - 58 table#3 | |||
| 9 | EQ High Gain | -12 - +12dB | 52 - 76 | ||
| 10 | |||||
| 11 | EQ Mid Frequency (*2) | 100Hz - 10.0kHz 14 - 54 table#3 | |||
| 12 | EQ Mid Gain (*2) | -12 +12dB | 52 - 76 | ||
| 13 | EQ Mid Width (*2) | 0.1 - 12.0 | 1 - 120 | ||
| 14 | |||||
| 15 | |||||
| 16 |
ISOLATOR
| No. | Parameter Display Value | See Table Control | |||
| 1 | On/off SW | Off, On | 0 - 1 | ● | |
| 2 | Low Level | 0 - 127 0 - 127 | |||
| 3 | Mid Level | 0 - 127 0 - 127 | |||
| 4 | High Level | 0 - 127 0 - 127 | |||
| 5 | Low Mute | Off, On | 0 - 1 | ||
| 6 | Mid Mute | Off, On | 0 - 1 | ||
| 7 | High Mute | Off, On | 0 - 1 | ||
| 8 | |||||
| 9 | |||||
| 10 | |||||
| 11 | |||||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
T_AUTO PAN 2
| No. | Parameter Display Value | See Table Control | |||
| 1 | LFO Freq 16th - 4thx16 5 | 29 table#14 ● | |||
| 2 | L/R Depth 0 - 127 0 - 127 | ||||
| 3 | F/R Depth 0 - 127 0 - 127 | ||||
| 4 | P AN Direction L<->R, L>R, L<-R, Lturn, Rturn, L/R | 0 - 5 | |||
| 5 | LFO Wave 0 - 28 | 0 - 28 | |||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz 4 - 40 table#3 | |||
| 7 | EQ Low Gain | -2 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 9 | EQ High Gain | -2 - +12dB | 52 - 76 | ||
| 10 | |||||
| 11 | EQ Mid Frequency (*2) | 100Hz - 10.0kHz | 14 - 54 | table#3 | |
| 12 | EQ Mid Gain (*2) | -12 - +12dB | 52 - 76 | ||
| 13 | EQ Mid Width (*2) | 0.1 - 12.0 | 1 - 120 | ||
| 14 | |||||
| 15 | Input Mode | mono, stereo | 0 - 1 | ||
| 16 |
V.PEDAL WH B, V.PEDAL WH D
| No. | Parameter Display Value | See Table Control | |||
| 1 | Pedal Control | 0 - 127 0 - 127 | ● | ||
| 2 | Bottom | 0 - 127 0 - 127 | |||
| 3 | T o p | 0 - 127 0 - 127 | |||
| 4 | Fesonance Offset | -12.0 - +12.0 | 40 - 88 | ||
| 5 | Direction | up, down | 0 - 1 | ||
| 6 | T ype | High, Mid, Low, Bass 0 - 3 | |||
| 7 | OverDrive 0.0dB +40.0dB | 0 - 80 | |||
| 8 | Output | -20.0dB - +10.0dB | 24 - 84 | ||
| 9 | |||||
| 10 | |||||
| 11 | |||||
| 12 | |||||
| 13 | EQ Low Frequency | 32Hz - 2.0kHz | 4 - 40 | table#3 | |
| 14 | EQ Low Gain | -12 - +12dB | 52 - 76 | ||
| 15 | EQ High Frequency | 600Hz - 16.0kHz | 28 - 58 | table#3 | |
| 16 | EQ High Gain -12 - +12dB | 52 - 76 |
PEDAL WAH
| No. | Parameter Display Value | See Table Control | |||
| 1 | Pdal Control | 0 - 127 0 - 127 | ● | ||
| 2 | Depth | 0 - 127 0 - 127 | table#19 | ||
| 3 | Cutoff Frequency Offset | 0 - 127 0 - 127 | |||
| 4 | Resonance | 1 0 - 12.0 | 10 - 120 | ||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz 4 - 40 table#3 | |||
| 7 | EQ Low Gain | - 2 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz - 16.0kHz | 28 - 58 | table#3 | |
| 9 | EQ High Gain | - 2 - +12dB | 52 - 76 | ||
| 10 | Dry/Wet | D63 >W D=W D1 127table#15 | 1 127 | table#15 | |
| 11 | Drive | 0 - 127 0 - 127 | |||
| 12 | |||||
| 13 | |||||
| 14 | |||||
| 15 | |||||
| 16 |
NO EFFECT
| No. | Parameter Display Value See Table Control | |||
| 1 | ||||
| 2 | ||||
| 3 | ||||
| 4 | ||||
| 5 | ||||
| 6 | ||||
| 7 | ||||
| 8 | ||||
| 9 | ||||
| 10 | ||||
| 11 | ||||
| 12 | ||||
| 13 | ||||
| 14 | ||||
| 15 | ||||
| 16 |
PEDAL WH+DST, P.WH+DIST HD, P.WH+DIST HV, P.WH+DIST LT PEDAL WH+OD, P.WH+OD HD, P.WH+OD HV, P.WH+OD LT
| No. | Parameter Display Value | See Table Control | |||
| 1 | Modal Control | 0 - 127 0 - 127 | ● | ||
| 2 | Depth | 0 - 127 0 - 127 table#19 | |||
| 3 | Cutoff Frequency Offset | 0 - 127 0 - 127 | |||
| 4 | Resonance | 1 0 - 12.0 | 10 - 120 | ||
| 5 | |||||
| 6 | EQ Low Frequency | 32Hz - 2.0kHz 4 - 40 table#3 | |||
| 7 | EQ Low Gain | - 2 - +12dB | 52 - 76 | ||
| 8 | EQ High Frequency | 500Hz 16.0kHz | 28 - 58 | table#3 | |
| 9 | EQ High Gain | - 2 - +12dB | 52 - 76 | ||
| 10 | Dry/Wet | D63 >W - D=W - D < W63 | 1 - 127 | table#15 | |
| 11 | Drivo | 0 - 127 0 - 127 | |||
| 12 | EQ Low Gain (distortion) | -12 - +12dB | 52 - 76 | ||
| 13 | EQ Mid Gain (distortion) | -12 - +12dB | 52 - 76 | ||
| 14 | LPF Cutoff | 1.0kHz - Thru | 34 - 60 | table#3 | |
| 15 | Output Level | 0 - 127 | 0 - 127 | table#18 | |
| 16 |
THRU
| No. | Parameter Display Value See Table Control | |||
| 1 | ||||
| 2 | ||||
| 3 | ||||
| 4 | ||||
| 5 | ||||
| 6 | ||||
| 7 | ||||
| 8 | ||||
| 9 | ||||
| 10 | ||||
| 11 | ||||
| 12 | ||||
| 13 | ||||
| 14 | ||||
| 15 | ||||
| 16 |
(*1) Reverb Block
(*2) Chorus Block (CVP-509), DSP1 Block, DSP2 - 9 Block (CVP-509)
(*3) Chorus Block (CVP-501/503/505), DSP2 4 (CVP-501/503/505)
(^4) Chorus Block (CVP-509) and/or DSP1, DSP2 - 6 (CVP-509) only
table#1
LFO Frequency
| Data Value | Data Value | Value | Data Value | Data Value | |
| 0.00 | 32 | 1.3564 | 2.6936 | 8.41 | |
| 1.00 | 33 | 1.3965 | 2.7897 | 8.75 | |
| 2.00 | 34 | 1.4366 | 2.8698 | 9.08 | |
| 3.00 | 35 | 1.4767 | 2.9499 | 9.42 | |
| 4.00 | 36 | 1.5168 | 3.0310 | 9.76 | |
| 5.00 | 37 | 1.5669 | 3.1110 | 10.1 | |
| 6.00 | 38 | 1.6070 | 3.2010 | 10.8 | |
| 7.00 | 39 | 1.6471 | 3.2810 | 11.4 | |
| 8.00 | 40 | 1.6872 | 3.3710 | 12.1 | |
| 9.00 | 41 | 1.7273 | 3.4510 | 12.8 | |
| 10.00 | 42 | 1.7774 | 3.5310 | 13.5 | |
| 11.00 | 43 | 1.8175 | 3.6210 | 14.1 | |
| 12.00 | 44 | 1.8576 | 3.7010 | 14.8 | |
| 13.00 | 45 | 1.8977 | 3.8710 | 15.5 | |
| 14.00 | 46 | 1.9478 | 4.0410 | 16.2 | |
| 15.00 | 47 | 1.9879 | 4.2110 | 16.8 | |
| 16.00 | 48 | 2.0280 | 4.3710 | 17.5 | |
| 17.00 | 49 | 2.0681 | 4.5410 | 18.2 | |
| 18.00 | 50 | 2.1082 | 4.7110 | 18.9 | |
| 19.00 | 51 | 2.1583 | 4.8810 | 19.6 | |
| 20.00 | 52 | 2.1984 | 5.0510 | 20.2 | |
| 21.00 | 53 | 2.2385 | 5.2210 | 21.8 | |
| 22.00 | 54 | 2.2786 | 5.3810 | 22.4 | |
| 23.00 | 55 | 2.3187 | 5.5510 | 23.2 | |
| 24.00 | 56 | 2.3688 | 5.7210 | 24.0 | |
| 25.00 | 57 | 2.4089 | 5.9610 | 24.8 | |
| 26.00 | 58 | 2.4490 | 6.3910 | 25.6 | |
| 27.00 | 59 | 2.4891 | 6.7310 | 26.3 | |
| 28.00 | 60 | 2.5292 | 7.0710 | 27.0 | |
| 29.00 | 61 | 2.5793 | 7.4010 | 27.8 | |
| 30.00 | 62 | 2.6194 | 7.7410 | 28.6 | |
| 31.00 | 63 | 2.6595 | 8.0810 | 29.4 |
table#4
Reverb time
| Data Value Data Value Data Value | |||||
| 0 | 0.3 | 32 | 3.5 | 64 | 17.0 |
| 1 | 0.4 | 33 | 3.6 | 65 | 18.0 |
| 2 | 0.5 | 34 | 3.7 | 66 | 19.0 |
| 3 | 0.6 | 35 | 3.8 | 67 | 20.0 |
| 4 | 0.7 | 36 | 3.9 | 68 | 25.0 |
| 5 | 0.8 | 37 | 4.0 | 69 | 30.0 |
| 6 | 0.9 | 38 | 4.1 | ||
| 7 | 1.0 | 39 | 4.2 | ||
| 8 | 1.1 | 40 | 4.3 | ||
| 9 | 1.2 | 41 | 4.4 | ||
| 10 | 1.3 | 42 | 4.5 | ||
| 11 | 1.4 | 43 | 4.6 | ||
| 12 | 1.5 | 44 | 4.7 | ||
| 13 | 1.6 | 45 | 4.8 | ||
| 14 | 1.7 | 46 | 4.9 | ||
| 15 | 1.8 | 47 | 5.0 | ||
| 16 | 1.9 | 48 | 5.5 | ||
| 17 | 2.0 | 49 | 6.0 | ||
| 18 | 2.1 | 50 | 6.5 | ||
| 19 | 2.2 | 51 | 7.0 | ||
| 20 | 2.3 | 52 | 7.5 | ||
| 21 | 2.4 | 53 | 8.0 | ||
| 22 | 2.5 | 54 | 8.5 | ||
| 23 | 2.6 | 55 | 9.0 | ||
| 24 | 2.7 | 56 | 9.5 | ||
| 25 | 2.8 | 57 | 10.0 | ||
| 26 | 2.9 | 58 | 11.0 | ||
| 27 | 3.0 | 59 | 12.0 | ||
| 28 | 3.1 | 60 | 13.0 | ||
| 29 | 3.2 | 61 | 14.0 | ||
| 30 | 3.3 | 62 | 15.0 | ||
| 31 | 3.4 | 63 | 16.0 | ||
table#7
Delay Time (0.1 - 400.0 [ms])
| Data | Value | Data Value | Data Date | Value | Data | Value | |
| 0.0.1 | 32 | 100.9 | 64 | 201.6 | 96 | 302.4 | |
| 1.3.2 | 33 | 104.0 | 65 | 204.8 | 97 | 305.5 | |
| 2.6.4 | 34 | 102.2 | 66 | 207.9 | 98 | 308.7 | |
| 3.9.5 | 35 | 110.3 | 67 | 211.1 | 99 | 311.8 | |
| 4.12 | 7.36 | 113.5 | 68 | 214.2 | 100 | 315.0 | |
| 5.15 | 9.37 | 116.8 | 69 | 217.4 | 101 | 318.1 | |
| 6.19 | 0.38 | 119.8 | 70 | 220.5 | 102 | 321.3 | |
| 7.22 | 1.59 | 122.9 | 71 | 223.7 | 103 | 324.4 | |
| 8.25 | 8.40 | 126.1 | 72 | 226.8 | 104 | 327.6 | |
| 9.28 | 9.41 | 129.2 | 73 | 230.0 | 105 | 330.7 | |
| 10.31 | 6.42 | 132.4 | 74 | 233.1 | 106 | 333.9 | |
| 11.34 | 7.43 | 135.5 | 75 | 236.3 | 107 | 337.0 | |
| 12.37 | 9.44 | 138.6 | 76 | 238.4 | 108 | 340.2 | |
| 13.41 | 0.45 | 141.8 | 77 | 242.6 | 109 | 343.3 | |
| 14.44 | 2.46 | 144.9 | 78 | 245.7 | 110 | 346.5 | |
| 15.47 | 3.47 | 148.1 | 79 | 248.9 | 111 | 349.6 | |
| 16.50 | 5.48 | 151.2 | 80 | 252.0 | 112 | 352.8 | |
| 17.53 | 6.49 | 154.4 | 81 | 255.2 | 113 | 355.9 | |
| 18.56 | 8.50 | 157.5 | 82 | 258.3 | 114 | 359.1 | |
| 19.59 | 9.51 | 160.7 | 83 | 261.5 | 115 | 362.2 | |
| 20.63 | 1.52 | 163.8 | 84 | 264.6 | 116 | 365.4 | |
| 21.66 | 2.53 | 167.0 | 85 | 267.7 | 117 | 368.5 | |
| 22.69 | 4.54 | 170.1 | 86 | 270.9 | 118 | 371.7 | |
| 23.72 | 5.55 | 173.3 | 87 | 274.0 | 119 | 374.8 | |
| 24.75 | 7.56 | 176.4 | 88 | 277.2 | 120 | 378.0 | |
| 25.78 | 8.57 | 179.6 | 89 | 280.3 | 121 | 381.1 | |
| 26.82 | 0.58 | 182.7 | 90 | 283.5 | 122 | 384.3 | |
| 27.85 | 1.59 | 185.9 | 91 | 286.6 | 123 | 387.4 | |
| 28.86 | 3.60 | 189.0 | 92 | 288.8 | 124 | 390.6 | |
| 29.91 | 4.61 | 192.2 | 93 | 292.9 | 125 | 393.7 | |
| 30.94 | 6.62 | 195.3 | 94 | 296.1 | 126 | 396.9 | |
| 31.97 | 7.63 | 198.5 | 95 | 298.2 | 127 | 400.0 |
table#12
Wah Release Time
| Data Value |
| 52 10 |
| 53 15 |
| 54 25 |
| 55 35 |
| 56 45 |
| 57 55 |
| 58 65 |
| 59 75 |
| 60 85 |
| 61 100 |
| 62 115 |
| 63 140 |
| 64 170 |
| 65 230 |
| 66 340 |
| 67 680 |
table#2
Modulation Delay Offset
| Data | Value | Data Value | Value Data | Value | Data Value | Value |
| 0 | 0,0 | 32 3.2 | 61 6.4 | 96 9.6 | ||
| 1 | 0,1 | 33 3.3 | 65 6.3 | 97 9.7 | ||
| 2 | 0,2 | 34 3.4 | 66 6.6 | 98 9.8 | ||
| 3 | 0,3 | 35 3.5 | 67 6.7 | 99 9.9 | ||
| 4 | 0,4 | 36 3.6 | 68 6.8 | 100 10.0 | ||
| 5 | 0,5 | 37 3.7 | 69 6.9 | 101 11.1 | ||
| 6 | 0,6 | 38 3.8 | 70 7.0 | 102 12.2 | ||
| 7 | 0,7 | 39 3.9 | 71 7.1 | 103 13.3 | ||
| 8 | 0,8 | 40 4.0 | 72 7.2 | 104 14.4 | ||
| 9 | 0,9 | 41 4.1 | 73 7.3 | 105 15.5 | ||
| 10 | 1,0 | 42 4.2 | 74 7.4 | 106 17.1 | ||
| 11 | 1,1 | 43 4.3 | 75 7.5 | 107 18.6 | ||
| 12 | 1,2 | 44 4.4 | 76 7.6 | 108 20.2 | ||
| 13 | 1,3 | 45 4.5 | 77 7.7 | 109 21.8 | ||
| 14 | 1,4 | 46 4.6 | 78 7.8 | 110 23.3 | ||
| 15 | 1,5 | 47 4.7 | 79 7.9 | 111 24.9 | ||
| 16 | 1,6 | 48 4.8 | 80 8.0 | 112 26.5 | ||
| 17 | 1,7 | 49 4.9 | 81 8.1 | 113 28.0 | ||
| 18 | 1,8 | 50 5.0 | 82 8.2 | 114 29.6 | ||
| 19 | 1,9 | 51 5.1 | 83 8.3 | 115 31.2 | ||
| 20 | 2,0 | 52 5.2 | 84 8.4 | 116 32.8 | ||
| 21 | 2,1 | 53 5.3 | 85 8.5 | 117 34.3 | ||
| 22 | 2,2 | 54 5.4 | 86 8.6 | 118 35.9 | ||
| 23 | 2,3 | 55 5.5 | 87 8.7 | 119 37.5 | ||
| 24 | 2,4 | 56 5.6 | 88 8.8 | 120 39.0 | ||
| 25 | 2,5 | 57 5.7 | 89 8.9 | 121 40.6 | ||
| 26 | 2,6 | 58 5.8 | 90 9.0 | 122 42.2 | ||
| 27 | 2,7 | 59 5.9 | 91 9.1 | 123 43.7 | ||
| 28 | 2,8 | 60 6.0 | 92 9.2 | 124 45.3 | ||
| 29 | 2,9 | 61 6.1 | 93 9.3 | 125 46.9 | ||
| 30 | 3,0 | 62 6.2 | 94 9.4 | 126 48.4 | ||
| 31 | 3,1 | 63 6.3 | 95 9.5 | 127 50.0 |
table#5
Delay Time (0.1 - 200.0 [ms])
| Data | Value | Data | Value | Data | Value | Data | Value | |
| 0 | 0.1 | 32 | 50.5 | 64 | 100.8 | 96 | 151.2 | |
| 1 | 1.7 | 33 | 52.0 | 65 | 102.4 | 97 | 152.8 | |
| 2 | 3.2 | 34 | 53.5 | 66 | 104.0 | 98 | 154.4 | |
| 3 | 4.8 | 35 | 55.2 | 67 | 105.6 | 99 | 155.9 | |
| 4 | 6.4 | 36 | 56.5 | 68 | 107.1 | 110 | 157.5 | |
| 5 | 8.0 | 37 | 58.3 | 69 | 108.7 | 110 | 159.1 | |
| 6 | 9.5 | 38 | 59.9 | 70 | 110.3 | 112 | 160.6 | |
| 7 | 11.1 | 39 | 61.5 | 71 | 111.9 | 103 | 162.2 | |
| 8 | 12.7 | 40 | 63 | 72 | 113.4 | 104 | 163.8 | |
| 9 | 14.3 | 41 | 64 | 73 | 115.0 | 105 | 165.4 | |
| 10 | 15 | 42 | 66 | 72 | 116.6 | 106 | 166.9 | |
| 11 | 17 | 43 | 67 | 73 | 118.2 | 107 | 168.5 | |
| 12 | 19 | 44 | 68 | 74 | 119.7 | 108 | 169.1 | |
| 13 | 20 | 45 | 70 | 77 | 121.3 | 109 | 171.7 | |
| 14 | 23 | 46 | 72 | 78 | 122.9 | 110 | 173.2 | |
| 15 | 23 | 47 | 74 | 79 | 124.4 | 111 | 174.8 | |
| 16 | 25 | 48 | 75 | 80 | 126.0 | 112 | 176.4 | |
| 17 | 26 | 49 | 76 | 81 | 127.6 | 113 | 178.0 | |
| 18 | 28 | 49 | 78 | 82 | 129.2 | 114 | 179.5 | |
| 19 | 30 | 50 | 80 | 83 | 130.7 | 115 | 181.1 | |
| 20 | 31 | 51 | 81 | 84 | 132.3 | 116 | 182.7 | |
| 21 | 33 | 52 | 83 | 85 | 133.9 | 117 | 184.3 | |
| 22 | 34 | 54 | 85 | 86 | 135.5 | 118 | 185.8 | |
| 23 | 36 | 55 | 86 | 87 | 137.0 | 119 | 187.4 | |
| 24 | 37 | 56 | 88 | 88 | 138.6 | 120 | 189.0 | |
| 25 | 38 | 57 | 89 | 88.89 | 140.2 | 121 | 190.6 | |
| 26 | 41 | 58 | 90 | 91 | 141.8 | 122 | 192.1 | |
| 27 | 42 | 59 | 91 | 90.91 | 143.3 | 123 | 193.7 | |
| 28 | 44 | 60 | 92 | 92 | 144.9 | 124 | 195.3 | |
| 29 | 45 | 61 | 93 | 93 | 146.5 | 125 | 196.9 | |
| 30 | 47 | 62 | 94 | 94.79 | 148.1 | 126 | 198.4 | |
| 31 | 48 | 63 | 95 | 93.95 | 149.6 | 127 | 200.0 |
table#8
Compressor Attack Time
| Data | Value |
| 0 | 1 |
| 1 | 2 |
| 2 | 3 |
| 3 | 4 |
| 4 | 5 |
| 5 | 6 |
| 6 | 7 |
| 7 | 8 |
| 8 | 9 |
| 9 | 10 |
| 10 12 | |
| 11 14 | |
| 12 16 | |
| 13 18 | |
| 14 20 | |
| 15 23 | |
| 16 26 | |
| 17 30 | |
| 18 35 | |
| 19 40 | |
table#9
Compressor Release Time
| Data | Value |
| 0 | 10 |
| 1 | 15 |
| 2 | 25 |
| 3 | 35 |
| 4 | 45 |
| 5 | 55 |
| 6 | 65 |
| 7 | 75 |
| 8 | 85 |
| 9 | 100 |
| 10 | 115 |
| 11 | 140 |
| 12 | 170 |
| 13 | 230 |
| 14 | 340 |
| 15 | 680 |
table#10
Compressor Ratio
| Data Value | |
| 0 1.0 | |
| 1 1.5 | |
| 2 2.0 | |
| 3 3.0 | |
| 4 5.0 | |
| 5 7.0 | |
| 6 10.0 | |
| 7 20.0 | |
table#13
LO-FI Sampling Frequency Control
| Data | Value | Data | Value | Data | Value | Data | Value | |
| 0 44.1k | 32 | 1.34k | 64 678.0 | 96 455.0 | ||||
| 1 22.1k | 33 | 1.30k | 65 668.0 | 97 400.0 | ||||
| 2 14.7k | 34 | 1.26k | 66 658.0 | 98 445.0 | ||||
| 3 11.0k | 35 | 1.23k | 67 649.0 | 99 411.0 | ||||
| 4 9.8k | 36 | 1.19k | 68 628.0 | 100 437.0 | ||||
| 5 7.4k | 37 | 1.16k | 69 630.0 | 101 432.0 | ||||
| 6 6.3k | 38 | 1.13k | 70 621.0 | 102 428.0 | ||||
| 7 5.5k | 39 | 1.10k | 71 613.0 | 103 424.0 | ||||
| 8 4.9k | 40 | 1.06k | 72 604.0 | 104 420.0 | ||||
| 9 4.4k | 41 | 1.05k | 73 586.0 | 105 416.0 | ||||
| 10 4.0k | 42 | 1.03k | 74 548.0 | 106 412.0 | ||||
| 11 3.7k | 43 | 1.00k | 75 508.0 | 107 408.0 | ||||
| 12 3.4k | 44 | 980.0 | 76 573.0 | 108 405.0 | ||||
| 13 3.2k | 45 | 959.0 | 77 568.0 | 109 401.0 | ||||
| 14 2.9k | 46 | 938.0 | 78 558.0 | 110 397.0 | ||||
| 15 2.5k | 47 | 919.0 | 79 551.0 | 111 394.0 | ||||
| 16 2.6k | 48 | 900.0 | 80 544.0 | 112 390.0 | ||||
| 17 2.5k | 49 | 887.0 | 81 538.0 | 113 387.0 | ||||
| 18 2.3k | 50 | 865.0 | 82 531.0 | 114 383.0 | ||||
| 19 2.2k | 51 | 848.0 | 83 525.0 | 115 380.0 | ||||
| 20 2.1k | 52 | 832.0 | 84 518.0 | 116 377.0 | ||||
| 21 2.0k | 53 | 817.0 | 85 513.0 | 117 374.0 | ||||
| 22 1.92k | 54 | 902.0 | 86 507.0 | 118 371.0 | ||||
| 23 1.84k | 55 | 788.0 | 87 501.0 | 119 368.0 | ||||
| 24 1.78k | 56 | 774.0 | 88 496.0 | 120 364.0 | ||||
| 25 1.70k | 57 | 763.0 | 89 493.0 | 121 361.0 | ||||
| 26 1.63k | 58 | 747.0 | 90 485.0 | 122 359.0 | ||||
| 27 1.58k | 59 | 735.0 | 91 479.0 | 123 356.0 | ||||
| 28 1.52k | 60 | 723.0 | 92 474.0 | 124 353.0 | ||||
| 29 1.47k | 61 | 711.0 | 93 468.0 | 125 350.0 | ||||
| 30 1.42k | 62 | 700.0 | 94 464.0 | 126 347.0 | ||||
| 31 1.38k | 63 | 689.0 | 95 459.0 | 127 345.0 | ||||
table#3
EQ Frequency
| Data Value Data Value | |||||
| 0 THRU(20) 32 800 | |||||
| 1 | 2 | 2 | 3 | 3 | 9 |
| 2 | 2 | 5 | 8 | 4 | |
| 3 | 2 | 8 | 9 | 5 | |
| 4 | 3 | 2 | 9 | 6 | |
| 5 | 3 | 6 | 8 | 7 | |
| 6 | 4 | 0 | 9 | 8 | |
| 7 | 4 | 5 | 9 | 9 | |
| 8 | 5 | 0 | 4 | 0 | |
| 9 | 5 | 6 | 6 | 1 | |
| 10 63 | 42 2.5x | ||||
| 11 70 | 43 2.8x | ||||
| 12 80 | 44 3.2x | ||||
| 13 90 | 45 3.6x | ||||
| 14 100 | 46 4.0x | ||||
| 15 110 | 47 4.5x | ||||
| 16 125 | 48 5.0x | ||||
| 17 140 | 49 5.5x | ||||
| 18 160 | 50 6.3x | ||||
| 19 180 | 51 7.0x | ||||
| 20 200 | 52 8.0x | ||||
| 21 225 | 53 9.0x | ||||
| 22 250 | 54 10.0x | ||||
| 23 280 | 55 11.0x | ||||
| 24 315 | 56 12.0x | ||||
| 25 395 | 57 14.0x | ||||
| 26 400 | 58 16.0x | ||||
| 27 490 | 59 18.0x | ||||
| 28 500 | 60 THRU(20.0k) | ||||
| 29 560 | |||||
| 30 630 | |||||
| 31 700 | |||||
table#6
Room Size
| Data Value | Data Value | Data Value | Data Value | Data Value | ||
| 0.0.1 | 52.5.1 | 64.10.1 | 96.15.1 | |||
| 1.0.3 | 83.5.3 | 85.10.3 | 97.15.3 | |||
| 0.0.4 | 84.5.4 | 86.10.4 | 98.15.5 | |||
| 2.0.6 | 85.5.6 | 87.10.6 | 99.15.6 | |||
| 24.0.7 | 86.5.7 | 88.10.8 | 100.15.8 | |||
| 45.0.9 | 87.5.9 | 89.10.9 | 101.15.9 | |||
| 66.1.0 | 88.6.1 | 70.11.1 | 102.16.1 | |||
| 87.1.2 | 89.6.2 | 71.11.2 | 103.16.2 | |||
| 98.1.4 | 40.6.4 | 72.11.4 | 104.16.4 | |||
| 29.1.5 | 41.6.5 | 73.11.5 | 105.16.6 | |||
| 10.1.7 | 42.6.7 | 74.11.7 | 106.16.7 | |||
| 11.1.8 | 43.6.8 | 75.11.9 | 107.16.9 | |||
| 12.2.0 | 44.7.0 | 76.12.0 | 108.17.0 | |||
| 13.2.1 | 45.7.2 | 77.12.2 | 109.17.2 | |||
| 14.2.3 | 46.7.3 | 78.12.3 | 110.17.3 | |||
| 15.2.5 | 47.7.5 | 79.12.5 | 111.17.5 | |||
| 16.2.6 | 48.7.6 | 80.12.6 | 112.17.6 | |||
| 17.2.8 | 49.7.8 | 81.12.8 | 113.17.8 | |||
| 18.2.9 | 50.7.9 | 82.12.9 | 114.18.0 | |||
| 19.3.1 | 51.8.1 | 83.13.1 | 115.18.1 | |||
| 20.3.2 | 52.8.2 | 84.13.3 | 116.18.3 | |||
| 21.3.4 | 53.8.4 | 85.13.4 | 117.18.4 | |||
| 22.3.5 | 54.8.6 | 86.13.6 | 118.18.6 | |||
| 23.3.7 | 55.8.7 | 87.13.7 | 119.18.7 | |||
| 24.3.9 | 56.8.9 | 88.13.9 | 120.18.9 | |||
| 25.4.0 | 57.9.0 | 89.14.0 | 121.19.1 | |||
| 26.4.2 | 58.9.2 | 90.14.2 | 122.19.2 | |||
| 27.4.3 | 59.9.3 | 91.14.4 | 123.19.4 | |||
| 28.4.5 | 60.9.5 | 92.14.5 | 124.19.5 | |||
| 29.4.6 | 61.9.7 | 93.14.7 | 125.19.7 | |||
| 30.4.8 | 62.9.8 | 94.14.8 | 126.19.8 | |||
| 31.5.0 | 63.10.0 | 95.15.0 | 127.20.0 |
table#11
Reverb Width; Depth; Height
| Data Value | Data Value | Data Data | Value | Data Value | ||
| 0 | 0.5 | 32 | 8.6 | 64 | 17 | 8 96 21.5 |
| 1 | 0.8 | 33 | 9.1 | 65 | 17 | 9 97 21.8 |
| 2 | 1.0 | 34 | 9.4 | 66 | 18 | 2 98 28.1 |
| 3 | 1.3 | 35 | 9.6 | 67 | 18 | 5 99 28.5 |
| 4 | 1.5 | 36 | 9.9 | 68 | 18 | 9 100 28.8 |
| 5 | 1.8 | 37 | 10 | 70 | 19 | 11 101 29.2 |
| 6 | 2.0 | 38 | 10 | 70 | 19 | 4 102 29.5 |
| 7 | 2.3 | 39 | 10 | 71 | 19 | 7 103 29.9 |
| 8 | 2.6 | 40 | 11 | 72 | 20 | 10 104 30.2 |
| 9 | 2.8 | 41 | 11 | 73 | 20.2 | |
| 10 | 3 | 42 | 11 | 5 74 | 20.5 | |
| 11 | 3 | 43 | 11 | 8 75 | 20.9 | |
| 12 | 3 | 44 | 12 | 1 76 | 21.1 | |
| 13 | 3 | 45 | 12 | 3 77 | 21.4 | |
| 14 | 4 | 46 | 12 | 6 78 | 21.7 | |
| 15 | 4 | 47 | 12 | 9 79 | 22.0 | |
| 16 | 4 | 48 | 13 | 1 80 | 22.4 | |
| 17 | 4 | 49 | 13 | 4 81 | 22.7 | |
| 18 | 5 | 50 | 13 | 7 82 | 23.0 | |
| 19 | 5 | 51 | 14 | 10 83 | 23.3 | |
| 20 | 5 | 52 | 14 | 2 84 | 23.6 | |
| 21 | 5 | 53 | 14 | 5 85 | 23.9 | |
| 22 | 6 | 54 | 14 | 8 86 | 24.2 | |
| 23 | 6 | 55 | 15 | 1 87 | 24.5 | |
| 24 | 6 | 56 | 15 | 4 88 | 24.9 | |
| 25 | 7 | 57 | 15 | 6 89 | 25.2 | |
| 26 | 7 | 58 | 15 | 9 90 | 25.5 | |
| 27 | 7 | 59 | 16 | 2 91 | 25.8 | |
| 28 | 8 | 60 | 16 | 5 92 | 26.1 | |
| 29 | 9 | 61 | 16 | 8 93 | 26.5 | |
| 30 | 9 | 62 | 17 | 1 94 | 26.9 | |
| 31 | 9 | 63 | 17 | 3 95 | 27.1 | |
table#14
Tempo
| Data | Value | Data | Value | Data | Value |
| 0 64th/3 | 32 4thX | K19 | 64 4thX5 | ||
| 1 64th, 53 4thX | 20 | 65 4thX52 | |||
| 2 32th | 34 | 8thX27 | 66 4thX53 | ||
| 3 32th/3 | 35 4thX | K22 | 67 4thX54 | ||
| 4 32th, 36 4thX | K29 | 68 4thX55 | |||
| 5 16th | 37 | 4thX24 | 69 4thX56 | ||
| 6 16th/3 | 38 4thX | K25 | 70 4thX57 | ||
| 7 16th, 39 4thX | K26 | 71 4thX58 | |||
| 8 8th | 40 | 8thX27 | 72 4thX59 | ||
| 9 8th/3 | 41 4thX | K29 | 73 4thX60 | ||
| 10 8th. | 42 | 4thX29 | 74 4thX61 | ||
| 11 4th | 43 | 4thX30 | 75 4thX62 | ||
| 12 4th/3 | 44 4thX | K31 | 76 4thX63 | ||
| 13 4th. | 45 | 4thX32 | 77 4thX64 | ||
| 14 2nd | 46 | 4thX33 | |||
| 15 2nd/3 | 47 | 4thX34 | |||
| 16 2nd | 48 | 4thX35 | |||
| 17 4thX1 | 49 | 4thX36 | |||
| 18 4thX5 | 50 | 4thX37 | |||
| 19 4thX6 | 51 | 4thX38 | |||
| 20 4thX7 | 52 | 4thX39 | |||
| 21 4thX9 | 53 | 4thX40 | |||
| 22 4thX9 | 54 | 4thX41 | |||
| 23 4thX10 | 55 | 4thX42 | |||
| 24 4thX11 | 56 | 4thX43 | |||
| 25 4thX12 | 57 | 4thX44 | |||
| 26 4thX13 | 58 | 4thX45 | |||
| 27 4thX14 | 59 | 4thX46 | |||
| 28 4thX15 | 60 | 4thX47 | |||
| 29 4thX16 | 61 | 4thX48 | |||
| 30 4thX17 | 62 | 4thX49 | |||
| 31 4thX18 | 63 | 4thX50 | |||
table#15 Dry/Wet
| Data Dry (dB) | Wet (dB) | Data Dry (dB) | Wet (dB) | Data Dry (dB) | Wet (dB) | |||||
| 1 | 0.00 | 44 | 0.00 | -6.63 | 87 | -7.99 | 0.00 | |||
| 2 | 0.00 | -71 | 97 | 45 | 0.00 | -6.24 | 88 | -8.33 | 0.00 | |
| 3 | 0.00 | -59 | 93 | 46 | 0.00 | -5.85 | 88 | -8.78 | 0.00 | |
| 4 | 0.00 | -52 | 89 | 47 | 0.00 | -5.48 | 90 | -9.35 | 0.00 | |
| 5 | 0.00 | -47 | 88 | 48 | 0.00 | -5.08 | 91 | -9.72 | 0.00 | |
| 6 | 0.00 | -44 | 91 | 49 | 0.00 | 4.72 | 92 | -10.21 | 0.00 | |
| 7 | 0.00 | -40 | 85 | 50 | 0.00 | 4.37 | 93 | -10.71 | 0.00 | |
| 8 | 0.00 | -38 | 17 | 51 | 0.00 | -4.91 | 94 | -11.28 | 0.00 | |
| 9 | 0.00 | -35 | 85 | 52 | 0.00 | -3.67 | 95 | -11.77 | 0.00 | |
| 10 | 0.00 | -33.80 | 53 | 0.00 | -3.33 | 96 | -12.32 | 0.00 | ||
| 11 | 0.00 | -31.97 | 54 | 0.00 | -3.00 | 97 | -12.88 | 0.00 | ||
| 12 | 0.00 | -30.32 | 55 | 0.00 | -2.69 | 98 | -13.49 | 0.00 | ||
| 13 | 0.00 | -28.81 | 56 | 0.00 | -2.36 | 99 | -14.09 | 0.00 | ||
| 14 | 0.00 | -27.42 | 57 | 0.00 | 2.05 | 100 | -14.72 | 0.00 | ||
| 15 | 0.00 | -26.13 | 58 | 0.00 | -1.74 | 101 | -15.37 | 0.00 | ||
| 16 | 0.00 | -24.93 | 59 | 0.00 | -1.44 | 102 | -16.06 | 0.00 | ||
| 17 | 0.00 | -23.81 | 60 | 0.00 | -1.14 | 103 | -16.77 | 0.00 | ||
| 18 | 0.00 | -22.76 | 61 | 0.00 | -0.85 | 104 | -17.50 | 0.00 | ||
| 19 | 0.00 | -21.76 | 62 | 0.00 | -0.56 | 105 | -18.28 | 0.00 | ||
| 20 | 0.00 | -20.82 | 63 | 0.00 | -0.29 | 106 | -19.08 | 0.00 | ||
| 21 | 0.00 | -19.93 | 64 | 0.00 | 0.00 | 107 | -19.93 | 0.00 | ||
| 22 | 0.00 | -19.08 | 65 | -0.28 | 0.00 | 108 | -20.82 | 0.00 | ||
| 23 | 0.00 | -18.28 | 66 | -0.56 | 0.00 | 109 | -21.76 | 0.00 | ||
| 24 | 0.00 | -17.50 | 67 | 0.85 | 0.00 | 110 | -22.76 | 0.00 | ||
| 25 | 0.00 | -16.77 | 68 | -1.14 | 0.00 | 111 | -23.81 | 0.00 | ||
| 26 | 0.00 | -16.06 | 69 | -1.44 | 0.00 | 112 | -24.93 | 0.00 | ||
| 27 | 0.00 | -15.37 | 70 | -1.74 | 0.00 | 113 | -26.13 | 0.00 | ||
| 28 | 0.00 | -14.72 | 71 | -2.05 | 0.00 | 114 | -27.42 | 0.00 | ||
| 29 | 0.00 | -14.08 | 72 | -2.36 | 0.00 | 115 | -28.81 | 0.00 | ||
| 30 | 0.00 | -13.48 | 73 | -2.68 | 0.00 | 116 | -30.32 | 0.00 | ||
| 31 | 0.00 | -12.89 | 74 | -3.00 | 0.00 | 117 | -31.97 | 0.00 | ||
| 32 | 0.00 | -12.32 | 75 | -3.33 | 0.00 | 118 | -33.90 | 0.00 | ||
| 33 | 0.00 | -11.77 | 76 | -3.67 | 0.00 | 119 | -35.85 | 0.00 | ||
| 34 | 0.00 | -11.23 | 77 | -4.01 | 0.00 | 120 | -38.17 | 0.00 | ||
| 35 | 0.00 | -10.71 | 78 | -4.37 | 0.00 | 121 | -40.85 | 0.00 | ||
| 36 | 0.00 | -10.21 | 79 | -4.72 | 0.00 | 122 | -44.01 | 0.00 | ||
| 37 | 0.00 | -9.72 | 80 | -5.09 | 0.00 | 123 | -47.89 | 0.00 | ||
| 38 | 0.00 | -9.25 | 81 | -5.46 | 0.00 | 124 | -52.99 | 0.00 | ||
| 39 | 0.00 | -9.78 | 82 | -5.95 | 0.00 | 125 | -59.35 | 0.00 | ||
| 40 | 0.00 | -8.33 | 83 | -6.24 | 0.00 | 126 | -71.97 | 0.00 | ||
| 41 | 0.00 | -7.89 | 84 | -6.63 | 0.00 | 127 | 0.00 | |||
| 42 | 0.00 | -7.46 | 85 | -7.04 | 0.00 | |||||
| 43 | 0.00 | -7.04 | 86 | -7.46 | 0.00 | |||||
table#16 Feedback Level (Reverb, Delay types, Flanger types)
| Data Value (%) Data Value (%) Data Value (%) | |||
| 1 | 99 20654297 44 31 4941 4063 87 36.2182 6172 | ||
| 2 | 97 63163534 45 29 3194 3358 88 37.792 6875 | ||
| 3 | 96 05717891 46 28 3417 656 89 39.3679 7578 | ||
| 4 | 94 48242188 47 26 7700 1053 90 40.9/23 8281 | ||
| 5 | 92 90771484 48 25 1953 125 91 42.5/170 9864 | ||
| 6 | 91 33300781 49 23 6206 547 92 44.0917 9688 | ||
| 7 | 88 75853078 50 22 0458 844 93 45.6665 0381 | ||
| 8 | 88 18259376 51 20 4711 9411 94 47.24/12 1084 | ||
| 9 | 88 60889672 52 18 9964 8438 95 48.8159 1797 | ||
| 10 | 85 03417369 53 17 321 7734 96 50.39 625 | ||
| 11 | 85 45947266 54 15.747 7031 97 51.365 33209 | ||
| 12 | 81 98476563 55 14.172 36328 98 53.540 03806 | ||
| 13 | 80 31005859 56 12.597 5625 98 55.11/4608 | ||
| 14 | 78 73535156 57 11.023 4932 100 56.68 945316 | ||
| 15 | 77 10064463 58 9.4482 2188 101 58.24 416016 | ||
| 16 | 75 5859376 58 7 67353 5156 102 69.83 88713 | ||
| 17 | 74 01123047 60 6 2988 28125 103 61.41 357422 | ||
| 18 | 72 43652344 61 4 7241 21084 104 62.98 828135 | ||
| 19 | 70 86191641 62 3 1494 14063 105 84.56 298528 | ||
| 20 | 69 28710938 63 1.5747 07031 106 86.17 768531 | ||
| 21 | 67 7124034 64 0 107 67 71240294 | ||
| 22 | 66 13769531 65 1 57470 7031 108 68.78*10398 | ||
| 23 | 64 56258828 66 3 14941 4063 109 70.90 761641 | ||
| 24 | 62 98628125 67 4 72412 1094 110.72 4362344 | ||
| 25 | 61 41357422 66 6 2988 8125 111 74.01 123047 | ||
| 26 | 59 83886719 69 7 67353 5156 112 75.58 93975 | ||
| 27 | 55 26416018 70 9 4492 2198 113 77.16 264453 | ||
| 28 | 56 68945313 71 11.029 4922 114 78.73 535156 | ||
| 29 | 55 11474609 72 7 2.978 5676 115 82.31 005859 | ||
| 30 | 55 54003906 73 14.172 6328 116 81.98 476583 | ||
| 31 | 51 96533203 74 5 7470 7031 117 83.45 847296 | ||
| 32 | 50 380625 75 17 32177 34 116.85 0341 969 | ||
| 33 | 48 81591797 76 9 896 9438 119 88.60 689672 | ||
| 34 | 47 24212094 77 20 4711 9141 120 88.18 593975 | ||
| 35 | 45 66650391 78 22 0458 8644 121 88.75 83079 | ||
| 36 | 44 09179668 79 23 6206 2547 122 91.33 80078 | ||
| 37 | 42 51703984 80 5 1955 125 123.92.977 1144 | ||
| 38 | 40 94236281 81 28.7700 1953 124.94.46 424188 | ||
| 39 | 39 36767578 82 28 3442 2656 125 96.05 71269 | ||
| 40 | 37 79296875 83 9.9194 3350 126 97.63 636394 | ||
| 41 | 36 218262172 84 31.4941 4063 127 99.20 554297 | ||
| 42 | 34 64355469 85 33.0684 4/66 | ||
| 43 | 35 0684766 86 34.6435 5469 | ||
table#17 Feedback Level (Chorus types)
| Data Value (%) | Data Value (%) | Data | Value (%) | Data Value (%) | ||||||
| 1 | -72 | 29 | 33 | -35.57 | 65 | 1 | 15 | 97 | 37 | 67 |
| 2 | -71 | 14 | 34 | -34.42 | 66 | 2 | 29 | 98 | 39 | 01 |
| 3 | -70 | 00 | 35 | -33.28 | 67 | 3 | 44 | 99 | 40 | 16 |
| 4 | -68 | 85 | 36 | -32.13 | 68 | 4 | 59 | 100 | 41 | 31 |
| 5 | -67 | 70 | 37 | -30.98 | 69 | 5 | 74 | 101 | 42 | 46 |
| 6 | -66 | 55 | 39 | -29.63 | 70 | 6 | 86 | 102 | 43 | 60 |
| 7 | -65 | 41 | 39 | -28.68 | 71 | 8 | 03 | 103 | 44 | 75 |
| 8 | -64 | 26 | 40 | -27.51 | 72 | 9 | 18 | 104 | 45 | 30 |
| 9 | -63 | 11 | 41 | -26.38 | 73 | 10 | 33 | 105 | 47 | 05 |
| 10 | -61 | 96 | 42 | -25.24 | 74 | 11 | 47 | 106 | 48 | 19 |
| 11 | -60 | 82 | 43 | -24.10 | 75 | 12 | 62 | 107 | 49 | 34 |
| 12 | -59 | 67 | 44 | -22.96 | 76 | 13 | 77 | 108 | 50 | 49 |
| 13 | -58 | 52 | 45 | -21.80 | 77 | 14 | 92 | 109 | 51 | 64 |
| 14 | -57 | 37 | 46 | -20.65 | 78 | 16 | 06 | 110 | 52 | 78 |
| 15 | -56 | 23 | 47 | -19.51 | 79 | 17 | 21 | 111 | 53 | 93 |
| 16 | -55 | 08 | 49 | -18.36 | 80 | 18 | 36 | 112 | 55 | 58 |
| 17 | -53 | 93 | 49 | -17.21 | 81 | 19 | 51 | 113 | 56 | 23 |
| 18 | -52 | 78 | 50 | -16.06 | 82 | 20 | 65 | 114 | 57 | 37 |
| 19 | -51 | 64 | 51 | -14.92 | 83 | 21 | 80 | 115 | 58 | 52 |
| 20 | -50 | 49 | 52 | -13.77 | 84 | 22 | 96 | 116 | 59 | 67 |
| 21 | -49 | 34 | 53 | -12.62 | 85 | 24 | 10 | 117 | 60 | 82 |
| 22 | -48 | 19 | 54 | -11.47 | 86 | 25 | 20 | 118 | 61 | 96 |
| 23 | -47 | 05 | 55 | -10.33 | 87 | 26 | 39 | 119 | 63 | 11 |
| 24 | -45 | 90 | 56 | 9.18 | 88 | 27 | 54 | 120 | 64 | 26 |
| 25 | -44 | 75 | 57 | -9.03 | 89 | 28 | 69 | 121 | 65 | 41 |
| 26 | -43 | 60 | 58 | -8.88 | 90 | 29 | 82 | 122 | 66 | 55 |
| 27 | -42 | 46 | 59 | -8.74 | 91 | 30 | 99 | 123 | 67 | 70 |
| 28 | -41 | 31 | 60 | -7.49 | 92 | 32 | 124 | 125 | 68 | 95 |
| 29 | -40 | 16 | 61 | -6.34 | 93 | 33 | 28 | 126 | 70 | 00 |
| 30 | -39 | 01 | 62 | -2.29 | 94 | 34 | 42 | 127 | 71 | 14 |
| 31 | -37 | 87 | 63 | -1.15 | 95 | 35 | 57 | 72 | 29 | |
| 32 | -36 | 72 | 64 | 0.00 | 96 | 36 | 72 | |||
table#18 Level
| Data dB | Data dB Data dB | Data dB | ||||||
| 0 | -∞ | 32 | -23.95 | 64 | -11.90 | 96 | -4.86 | |
| 1-84 | 15 33 | -23.41 | 65 | -11.62 | 97 | -4.68 | ||
| 2-72 | 11 34 | -22.83 | 66 | -11.37 | 98 | -1.50 | ||
| 3-65 | 07 35 | -22.30 | 67 | -11.11 | 99 | -1.33 | ||
| 4-60 | 07 36 | -21.90 | 68 | -10.86 | 100 | -4.15 | ||
| 5-56 | 19 37 | -21.42 | 69 | -10.60 | 101 | -3.98 | ||
| 6-53 | 03 38 | -20.96 | 70 | -10.35 | 102 | -3.81 | ||
| 7-50 | 35 39 | -20.58 | 71 | -10.10 | 103 | -3.64 | ||
| 8-48 | 03 40 | -20.07 | 72 | -9.86 | 104 | -3.47 | ||
| 9-45 | 98 41 | -19.60 | 73 | -9.62 | 105 | -3.30 | ||
| 10 | -44.16 | 42 | -19.22 | 74 | -9.38 | 106 | -3.14 | |
| 11 | 42.90 | 43 | -18.61 | 75 | -9.15 | 107 | -2.98 | |
| 12 | 40.98 | 44 | -18.41 | 76 | -8.92 | 108 | -2.82 | |
| 13 | -39.59 | 45 | -18.02 | 77 | -8.69 | 109 | -2.66 | |
| 14 | -38.31 | 46 | -17.64 | 78 | -8.47 | 110 | -2.50 | |
| 15 | -37.11 | 47 | -17.27 | 79 | -8.25 | 111 | -2.34 | |
| 16 | -35.99 | 48 | -16.90 | 80 | -8.03 | 112 | -2.18 | |
| 17 | -34.93 | 49 | -16.54 | 81 | -7.81 | 113 | -2.03 | |
| 18 | -33.94 | 50 | -16.19 | 82 | -7.60 | 114 | -1.98 | |
| 19 | -33.00 | 51 | -15.85 | 83 | -7.39 | 115 | -1.72 | |
| 20 | -32.11 | 52 | -15.51 | 84 | -7.18 | 116 | -1.57 | |
| 21 | -31.26 | 53 | -15.18 | 85 | -6.98 | 117 | -1.42 | |
| 22 | -30.46 | 54 | -14.86 | 86 | -6.77 | 118 | -1.28 | |
| 23 | -29.68 | 55 | -14.54 | 87 | -6.57 | 119 | -1.13 | |
| 24 | -28.94 | 56 | -14.22 | 88 | -6.37 | 120 | -0.98 | |
| 25 | -28.23 | 57 | -13.92 | 89 | -6.18 | 121 | -0.94 | |
| 26 | -27.56 | 58 | -13.62 | 90 | -5.98 | 122 | -0.70 | |
| 27 | -26.90 | 59 | -13.32 | 91 | -5.79 | 123 | -0.56 | |
| 28 | -26.27 | 60 | -13.03 | 92 | -5.60 | 124 | -0.42 | |
| 29 | -25.86 | 61 | -12.74 | 93 | -5.41 | 125 | -0.28 | |
| 30 | -25.07 | 62 | -12.46 | 94 | -5.23 | 126 | -0.14 | |
| 31 | -24.50 | 63 | -12.18 | 95 | -5.04 | 127 | 0.00 | |
table#19 LFO Depth
| Data | Value (%) | Data | Value (%) | Data | Value (%) | Data | Value (%) |
| 0.00 | 32 | 25.20 | 64 | 50.39 | 96 | 75 | 69 |
| 1.078 | 33 | 25.38 | 65 | 51.17 | 97 | 76 | 67 |
| 2.156 | 34 | 26.76 | 66 | 51.85 | 98 | 77 | 65 |
| 3.234 | 35 | 27.54 | 67 | 52.75 | 99 | 77 | 63 |
| 4.313 | 36 | 28.32 | 68 | 53.52 | 100 | 78.71 | |
| 5.391 | 37 | 29.10 | 69 | 54.30 | 101 | 79.48 | |
| 6.468 | 38 | 29.86 | 70 | 55.06 | 102 | 80.27 | |
| 7.547 | 39 | 30.66 | 71 | 55.86 | 103 | 81.05 | |
| 8.625 | 40 | 31.43 | 72 | 56.64 | 104 | 81.84 | |
| 9.709 | 41 | 32.23 | 73 | 57.42 | 105 | 82.62 | |
| 10 | 42 | 33 | 01 | 58.20 | 106 | 83.40 | |
| 11 | 439 | 33 | 79 | 58.98 | 107 | 84.18 | |
| 12 | 448 | 44 | 34 | 59.77 | 108 | 84.96 | |
| 13 | 456 | 45 | 35 | 60.55 | 109 | 85.74 | |
| 14 | 464 | 46 | 36 | 61.38 | 110 | 86.52 | |
| 15 | 472 | 47 | 36 | 62.11 | 111 | 87.30 | |
| 16 | 482 | 48 | 37 | 62.68 | 112 | 88.09 | |
| 17 | 492 | 49 | 38 | 63.67 | 113 | 89.87 | |
| 18 | 502 | 50 | 39 | 64.45 | 114 | 89.65 | |
| 19 | 512 | 51 | 40 | 65.29 | 115 | 90.43 | |
| 20 | 522 | 52 | 40 | 66.09 | 116 | 91.21 | |
| 21 | 532 | 53 | 41 | 66.65 | 117 | 91.99 | |
| 22 | 542 | 54 | 42 | 67.58 | 118 | 92.77 | |
| 23 | 552 | 55 | 43 | 68.38 | 119 | 93.55 | |
| 24 | 562 | 56 | 43 | 69.14 | 120 | 94.34 | |
| 25 | 572 | 57 | 44 | 69.92 | 121 | 95.12 | |
| 26 | 582 | 58 | 45 | 70.72 | 122 | 95.90 | |
| 27 | 592 | 59 | 46 | 71.48 | 123 | 96.68 | |
| 28 | 602 | 60 | 47 | 72.29 | 124 | 97.46 | |
| 29 | 612 | 61 | 48 | 73.05 | 125 | 98.24 | |
| 30 | 622 | 62 | 49 | 73.83 | 126 | 99.02 | |
| 31 | 632 | 63 | 49 | 74.61 | 127 | 100.00 |
table#20 Dyna Attack Time (ms)
| Data | Value | Data | Value | Data | Value | Data | Value |
| 0.0.3 | 82.54 | 6.61 | 2.96 | 120 | |||
| 1.0.9 | 83.56 | 6.65 | 1.47 | 172 | |||
| 2.1.8 | 84.58 | 6.66 | 1.68 | 124 | |||
| 3.2.7 | 85.60 | 6.67 | 1.89 | 126 | |||
| 4.3.6 | 86.61 | 6.68 | 2.00 | 128 | |||
| 5.5.4 | 87.63 | 6.69 | 2.10 | 101 | 80 | ||
| 6.7.2 | 88.65 | 6.70 | 2.32 | 102 | 81 | ||
| 7.9.0 | 89.67 | 6.71 | 2.50 | 103 | 83 | ||
| 8.10 | 89.40 | 6.72 | 2.70 | 104 | 185 | ||
| 9.12 | 89.41 | 7.00 | 2.90 | 105 | 187 | ||
| 10.14 | 89.42 | 7.00 | 3.00 | 106 | 189 | ||
| 11.16 | 89.43 | 7.00 | 3.20 | 107 | 190 | ||
| 12.18 | 89.44 | 7.00 | 3.40 | 108 | 192 | ||
| 13.20 | 89.45 | 7.00 | 3.60 | 109 | 194 | ||
| 14.21 | 89.46 | 7.00 | 3.80 | 110 | 196 | ||
| 15.23 | 89.47 | 7.00 | 4.00 | 111 | 198 | ||
| 16.25 | 89.48 | 7.00 | 4.10 | 112 | 200 | ||
| 17.27 | 89.49 | 7.00 | 4.30 | 113 | 201 | ||
| 18.29 | 89.50 | 7.00 | 4.50 | 114 | 203 | ||
| 19.30 | 89.51 | 7.00 | 4.70 | 115 | 205 | ||
| 20.32 | 89.52 | 7.00 | 4.90 | 116 | 207 | ||
| 21.34 | 89.53 | 7.00 | 5.10 | 117 | 209 | ||
| 22.36 | 89.54 | 7.00 | 5.30 | 118 | 210 | ||
| 23.38 | 89.55 | 7.00 | 5.50 | 119 | 212 | ||
| 24.40 | 89.56 | 7.00 | 5.70 | 120 | 214 | ||
| 25.41 | 89.57 | 7.00 | 6.00 | 121 | 216 | ||
| 26.43 | 89.58 | 7.01 | 6.20 | 122 | 218 | ||
| 27.45 | 89.59 | 7.03 | 6.40 | 123 | 220 | ||
| 28.47 | 89.60 | 7.05 | 6.60 | 124 | 221 | ||
| 29.49 | 89.61 | 7.07 | 6.80 | 125 | 223 | ||
| 30.50 | 89.62 | 7.09 | 7.00 | 126 | 225 | ||
| 31.52 | 89.63 | 7.10 | 7.20 | 127 | 227 |
table#21 Dyna Release Time (ms)
| Data | Value | Data | Value | Data | Value | Data | Value |
| 0 | 2.6 | 32 | 86.8 | 64 | 369.1 | 96 | 1064.0 |
| 1 | 3.0 | 33 | 91.2 | 65 | 390.8 | 97 | 1085.7 |
| 2 | 3.4 | 34 | 95.5 | 66 | 412.5 | 98 | 1107.4 |
| 3 | 3.9 | 35 | 99.8 | 67 | 434.2 | 99 | 1129.1 |
| 4 | 4.3 | 36 | 104.2 | 68 | 456.0 | 100 | 1150.8 |
| 5 | 4.7 | 37 | 108.5 | 69 | 477.7 | 101 | 1172.5 |
| 6 | 5.2 | 38 | 112.9 | 70 | 499.4 | 102 | 1194.3 |
| 7 | 5.6 | 39 | 117.2 | 71 | 521.1 | 103 | 1216.0 |
| 8 | 6.0 | 40 | 121.6 | 72 | 542.8 | 104 | 1237.7 |
| 9 | 6.5 | 41 | 125.9 | 73 | 564.5 | 105 | 1258.4 |
| 10 | 6.9 | 42 | 130.2 | 74 | 586.2 | 106 | 1291.1 |
| 11 | 7.3 | 43 | 134.6 | 75 | 606.0 | 107 | 1302.8 |
| 12 | 7.8 | 44 | 138.9 | 76 | 629.7 | 108 | 1346.3 |
| 13 | 8.2 | 45 | 143.3 | 77 | 651.4 | 109 | 1389.7 |
| 14 | 8.6 | 46 | 147.6 | 78 | 673.1 | 110 | 1433.1 |
| 15 | 13.0 | 47 | 152.0 | 79 | 684.8 | 111 | 1476.6 |
| 16 | 17.3 | 48 | 156.3 | 80 | 715.5 | 112 | 1520.0 |
| 17 | 21.7 | 49 | 160.6 | 81 | 736.3 | 113 | 1533.4 |
| 18 | 26.0 | 50 | 165.0 | 82 | 760.0 | 114 | 1606.8 |
| 19 | 30.4 | 51 | 169.3 | 83 | 781.7 | 115 | 1630.3 |
| 20 | 34.7 | 52 | 173.7 | 84 | 803.4 | 116 | 1633.7 |
| 21 | 39.0 | 53 | 178.0 | 85 | 825.1 | 117 | 1677.1 |
| 22 | 43.4 | 54 | 182.4 | 86 | 846.8 | 118 | 1703.6 |
| 23 | 47.7 | 55 | 186.7 | 87 | 866.5 | 119 | 1824.0 |
| 24 | 52.1 | 56 | 195.4 | 88 | 899.3 | 120 | 1857.4 |
| 25 | 56.4 | 57 | 201.1 | 89 | 912.0 | 121 | 1910.8 |
| 26 | 60.8 | 58 | 208.8 | 90 | 933.7 | 122 | 1954.9 |
| 27 | 65.1 | 59 | 215.5 | 91 | 955.4 | 123 | 1997.7 |
| 28 | 69.4 | 60 | 222.2 | 92 | 977.1 | 124 | 2041.1 |
| 29 | 73.8 | 61 | 234.0 | 93 | 998.8 | 125 | 2094.6 |
| 30 | 78.1 | 62 | 245.7 | 94 | 1020.5 | 126 | 2120.0 |
| 31 | 82.5 | 63 | 257.4 | 95 | 1032.3 | 127 | 2171.4 |
table#22 Ring Mod Osc Freq Course (Hz)
| Data | Value | Data | Value | Data | Value | Data | Value |
| 0 | 0.7 | 32 | 25.6 | 64 | 151.4 | 96 | 895.0 |
| 1 | 1.3 | 33 | 26.9 | 65 | 160.2 | 97 | 946.1 |
| 2 | 2.0 | 34 | 29.9 | 68 | 169.6 | 98 | 1000.7 |
| 3 | 2.7 | 35 | 30.3 | 67 | 179.0 | 99 | 1057.2 |
| 4 | 3.4 | 36 | 32.3 | 68 | 188.1 | 100 | 1117.7 |
| 5 | 4.0 | 37 | 33.6 | 69 | 199.9 | 101 | 1181.7 |
| 6 | 4.7 | 38 | 35.7 | 70 | 211.3 | 102 | 1249.0 |
| 7 | 5.4 | 39 | 37.7 | 71 | 223.4 | 103 | 1320.3 |
| 8 | 6.1 | 40 | 39.7 | 72 | 236.2 | 104 | 1395.7 |
| 9 | 6.7 | 41 | 42.4 | 73 | 249.7 | 105 | 1475.1 |
| 10 | 7.4 | 42 | 44.4 | 74 | 263.6 | 106 | 1569.2 |
| 11 | 8.1 | 43 | 47.1 | 75 | 279.3 | 107 | 1648.7 |
| 12 | 8.7 | 44 | 49.8 | 76 | 294.7 | 108 | 1742.9 |
| 13 | 9.4 | 45 | 52.5 | 77 | 311.6 | 109 | 1841.9 |
| 14 | 10.1 | 46 | 56.9 | 78 | 329.7 | 110 | 1947.5 |
| 15 | 10.6 | 47 | 59.2 | 79 | 346.6 | 111 | 2058.5 |
| 16 | 11.4 | 48 | 62.6 | 80 | 366.1 | 112 | 2176.6 |
| 17 | 12.1 | 49 | 65.9 | 81 | 389.6 | 113 | 2300.1 |
| 19 | 12.8 | 50 | 70.0 | 82 | 411.8 | 114 | 2431.3 |
| 19 | 13.5 | 51 | 75.3 | 83 | 435.4 | 115 | 2599.9 |
| 20 | 14.1 | 52 | 79.1 | 84 | 459.6 | 116 | 2716.6 |
| 21 | 14.8 | 53 | 82.1 | 85 | 486.9 | 117 | 2871.4 |
| 22 | 15.5 | 54 | 86.6 | 86 | 514.1 | 118 | 3035.6 |
| 23 | 16.2 | 55 | 90.2 | 87 | 546.1 | 119 | 3236.5 |
| 24 | 16.8 | 56 | 95.9 | 88 | 574.0 | 120 | 3381.6 |
| 25 | 17.5 | 57 | 100.0 | 89 | 607.0 | 121 | 3588.4 |
| 26 | 18.2 | 58 | 105.3 | 90 | 642.0 | 122 | 3790.0 |
| 27 | 19.5 | 59 | 115.1 | 91 | 678.3 | 123 | 4006.6 |
| 28 | 20.9 | 60 | 121.1 | 92 | 717.3 | 124 | 4234.8 |
| 29 | 21.5 | 61 | 126.5 | 93 | 757.7 | 125 | 4477.0 |
| 30 | 22.9 | 62 | 135.9 | 94 | 801.5 | 126 | 4732.1 |
| 31 | 24.2 | 63 | 143.3 | 95 | 847.2 | 127 | 5002.6 |
table#23 V-Flanger Delay Offset
| Data | Value | Data | Value |
| 0.0.1 | 70 | 6.1 | |
| 1.0.1 | 71 | 6.7 | |
| 2.0.1 | 72 | 7.0 | |
| 3.0.2 | 73 | 7.4 | |
| 4.0.2 | 74 | 7.7 | |
| 5.0.2 | 75 | 8.1 | |
| 6.0.2 | 76 | 8.5 | |
| 7.0.2 | 77 | 9.0 | |
| 8.0.3 | 78 | 9.5 | |
| 9.0.3 | 79 | 9.9 | |
| 10 | 0.3 | 80 | 10.3 |
| 11 | 0.3 | 81 | 10.7 |
| 12 | 0.4 | 82 | 11.2 |
| 13 | 0.4 | 83 | 11.6 |
| 14 | 0.4 | 84 | 12.1 |
| 15 | 0.4 | 85 | 12.5 |
| 16 | 0.4 | 86 | 12.9 |
| 17 | 0.5 | 87 | 13.4 |
| 18 | 0.5 | 88 | 13.8 |
| 19 | 0.5 | 89 | 14.2 |
| 20 | 0.5 | 90 | 14.7 |
| 21 | 0.6 | 91 | 15.1 |
| 22 | 0.6 | 92 | 15.6 |
| 23 | 0.6 | 93 | 16.0 |
| 24 | 0.7 | 94 | 16.4 |
| 25 | 0.7 | 95 | 16.9 |
| 26 | 0.7 | 96 | 17.3 |
| 27 | 0.8 | 97 | 17.8 |
| 28 | 0.8 | 98 | 18.2 |
| 29 | 0.8 | 99 | 18.6 |
| 30 | 0.9 | 100 | 19.1 |
| 31 | 0.9 | 101 | 19.5 |
| 32 | 1.0 | 102 | 20.0 |
| 33 | 1.0 | 103 | 20.4 |
| 34 | 1.1 | 104 | 20.8 |
| 35 | 1.1 | 105 | 21.3 |
| 36 | 1.2 | 106 | 21.7 |
| 37 | 1.2 | 107 | 22.2 |
| 38 | 1.3 | 108 | 22.6 |
| 39 | 1.4 | 109 | 23.0 |
| 40 | 1.4 | 110 | 23.5 |
| 41 | 1.5 | 111 | 23.9 |
| 42 | 1.6 | 112 | 24.4 |
| 43 | 1.7 | 113 | 24.9 |
| 44 | 1.8 | 114 | 25.4 |
| 45 | 1.8 | 115 | 25.7 |
| 46 | 1.9 | 116 | 26.1 |
| 47 | 2.0 | 117 | 26.5 |
| 48 | 2.1 | 118 | 27.0 |
| 49 | 2.3 | 119 | 27.4 |
| 50 | 2.4 | 120 | 27.9 |
| 51 | 2.5 | 121 | 28.3 |
| 52 | 2.6 | 122 | 28.7 |
| 53 | 2.7 | 123 | 29.2 |
| 54 | 2.9 | 124 | 29.6 |
| 55 | 3.0 | 125 | 30.1 |
| 56 | 3.2 | 126 | 30.5 |
| 57 | 3.3 | 127 | 30.9 |
| 58 | 3.5 | 128 | 31.4 |
| 59 | 3.7 | 129 | 31.8 |
| 60 | 3.9 | 130 | 32.3 |
| 61 | 4.1 | 131 | 32.7 |
| 62 | 4.3 | 132 | 33.1 |
| 63 | 4.5 | 133 | 33.5 |
| 64 | 4.7 | 134 | 34.0 |
| 65 | 5.0 | 135 | 34.5 |
| 66 | 5.2 | 136 | 34.9 |
| 67 | 5.5 | 137 | 35.3 |
| 68 | 5.8 | 138 | 35.9 |
| 69 | 6.0 | 139 | 36.2 |
table#24 Modulation Phase
| Data | Value |
| 0 -180 | |
| 1 -158 | |
| 2 -136 | |
| 3 -113 | |
| 4 -90 | |
| 5 -68 | |
| 6 -45 | |
| 7 -23 | |
| 8 | 0 |
| 9 | 23 |
| 10 45 | |
| 11 65 | |
| 12 90 | |
| 13 113 | |
| 14 135 | |
| 15 158 | |
| 16 180 |
Vocal Harmony Type List / Liste der Vocal-Harmony-Effekttypen / Liste des types d'fharmonie vocale / Lista de tipos de armonía (CVP-509/505/503)
| Order Type | LCD Name Mode | Vocoder Type Chordal Type Detune Type Chromatic Type Thru Type | |||||||||||
| MSB LSB MSB LSB | MSB LSB | MSB LSB | MSB LSB | MSB LSB | |||||||||
| 1 | CountryQuartet CountryQuar | Chordal/Vocorder 89 111 | 90 47 | ||||||||||
| 2 | ClosedMonQuartet CisdMonQuar | Chordal/Vocorder 89 117 | 90 53 | ||||||||||
| 3 | M ixAcapQuartet Mix | AcapQuar | Chordal/Vocorder 89 119 | 90 55 | |||||||||
| 4 | W omen Choir | WomenChoir | Chordal/Vocorder 89 88 | 90 24 | |||||||||
| 5 | Jazz Sisters | JazzSisters | Chordal/Vocorder 89 120 | 90 56 | |||||||||
| 6 | Standard Duct | Std Duct | Chordal/Vocorder 89 80 | 90 16 | |||||||||
| 7 | M en Choir | MenChoir | Chordal/Vocorder 89 87 | 90 23 | |||||||||
| 8 | Closed Choir | ClosedChoir | Chordal/Vocorder 89 90 | 90 26 | |||||||||
| 9 | Girl in Duet | Girl Duet | Chordal/Vocorder 89 81 | 90 17 | |||||||||
| 10 | Speedy Mouse SpdyMouse | Chromatic | 92 17 | ||||||||||
| 11 | HighMaleQuartet | HighMaleQua | Chordal/Vocorder 89 116 | 90 51 | |||||||||
| 12 | Jazz Quartet JazzQuartet | Chordal/Vocorder 89 114 | 90 50 | ||||||||||
| 13 | Mixed Choir | MixedChoir | Chordal/Vocorder 89 91 | 90 27 | |||||||||
| 14 | Country Girls | CntryGirls | Chordal/Vocorder 89 89 | 90 25 | |||||||||
| 15 | Sisters Trio | SistersTrio | Chordal/Vocorder 89 113 | 90 49 | |||||||||
| 16 | Country Men | CountryMen | Chordal/Vocorder 89 83 | 90 19 | |||||||||
| 17 | A Capolla Boy | ACapollBoy | Chordal/Vocorder 89 85 | 90 21 | |||||||||
| 18 | A Capolla Mix | ACapollaMix | Chordal/Vocorder 89 86 | 90 22 | |||||||||
| 19 | Gospel Diva | GospelDiva | Chordal/Vocorder 89 112 | 90 48 | |||||||||
| 20 | Lisa and Tina | Liss&Tina | Chordal/Vocorder 89 82 | 90 18 | |||||||||
| 21 | AcapMenQuartet | AcapMenQuar | Chordal/Vocorder 89 118 | 90 54 | |||||||||
| 22 | JazzMenChoir | JazzMenCho | Chordal/Vocorder 89 101 | 90 37 | |||||||||
| 23 | JazzClosedCho | J_CloseCho | Chordal/Vocorder 89 103 | 90 39 | |||||||||
| 24 | JazzWomenCho J_WomenCho | Chordal/Vocorder 89 102 | 90 38 | ||||||||||
| 25 | LadiesQuartet | LadiesQuart | Chordal/Vocorder 89 116 | 90 52 | |||||||||
| 26 | Sing B+G | Sing B+G | Chordal/Vocorder 89 93 | 90 29 | |||||||||
| 27 | Barborshop | Barbershop | Chordal/Vocorder 89 96 | 90 32 | |||||||||
| 28 | JazzMixedCho | J_MixedCho | Chordal/Vocorder 89 104 | 90 40 | |||||||||
| 29 | Dream Girls | Dream Girls | Chordal/Vocorder 89 94 | 90 30 | |||||||||
| 30 | Sing the Bass | SingBass | Chromatic | 92 16 | |||||||||
| 31 | Falsetto Duet | FalsetDuet | Chordal/Vocorder 89 84 | 90 20 | |||||||||
| 32 | Falsetto Trio | FalsettTrio | Chordal/Vocorder 89 92 | 90 28 | |||||||||
| 33 | Falsetto Dia | FalsettoDia | Chordal/Vocorder 89 100 | 90 36 | |||||||||
| 34 | Fal A Capella | FalACapella | Chordal/Vocorder 89 95 | 90 31 | |||||||||
| 35 | Falsetto Jazz | FalsetJazz | Chordal/Vocorder 89 106 | 90 41 | |||||||||
| 36 | 2 Unison Low | 2UnisonLow | Chordal/Vocorder 89 106 | 90 42 | |||||||||
| 37 | 3 Unison Low | 3UnisonLow | Chordal/Vocorder 89 108 | 90 44 | |||||||||
| 38 | Diatonic Jazz | DiatncJazz | Chordal/Vocorder 89 97 | 90 33 | |||||||||
| 39 | Diatonic Girl | DiatncGirl | Chordal/Vocorder 89 96 | 90 34 | |||||||||
| 40 | A Capella Dia | ACapellaDia | Chordal/Vocorder 89 99 | 90 36 | |||||||||
| 41 | ChordalXG | ChordalXG | Chordal/Vocorder 89 64 | 90 | 0 | ||||||||
| 42 | Karaoko Auto | KaraokAuto | Chordal/Vocorder 89 24 | 90 68 | |||||||||
| 43 | Karaoko Mode | KaraokMode | Chordal/Vocorder 89 25 | 90 89 | |||||||||
| 44 | Karaoko Girl | KaraokGirl | Chordal/Vocorder 89 26 | 90 90 | |||||||||
| 45 | Pitch Correct | PitchCorrect | Chordal/Vocorder 89 27 | 90 91 | |||||||||
| 46 | 2 Unison High | 2UnisonHigh | Chordal/Vocorder 89 107 | 90 43 | |||||||||
| 47 | 3 Unison High | 3UnisonHigh | Chordal/Vocorder 89 109 | 90 45 | |||||||||
| 48 | Vocoder Auto Upper | VocodAutoU | Chordal/Vocorder 89 16 | 90 80 | |||||||||
| 49 | Vocoder Auto Lower VocodAutoL | Chordal/Vocorder 89 17 | 90 81 | ||||||||||
| 50 | DeluneXG | DeluneXG | Delune | 91 | 0 | ||||||||
| 51 | VocoderXG | VocoderXG | Chordal/Vocorder 89 | 0 | 90 64 | ||||||||
| 52 | Vocoder Mode Upper | VocodModeU | Chordal/Vocorder 89 18 | 90 82 | |||||||||
| 53 | Vocoder Mode Lower | VocodModeL | Chordal/Vocorder 89 19 | 90 83 | |||||||||
| 54 | Vocoder Girl Upper | VocodGirlU | Chordal/Vocorder 89 20 | 90 84 | |||||||||
| 55 | Vocoder Girl Lower | VocodGirlL | Chordal/Vocorder 89 21 | 90 85 | |||||||||
| 56 | Vocoder Pitch Upper | VocodPichU | Chordal/Vocorder 89 22 | 90 86 | |||||||||
| 57 | Vocoder Pitch Lower VocodPichL | Chordal/Vocorder 89 23 | 90 87 | ||||||||||
| 58 | ChromaticXG | ChromatXG | Chromatic | 92 | 0 | ||||||||
| 59 | Voice&Inst | Voice&Inst | Chordal/Vocorder 89 110 | 90 46 | |||||||||
| 60 | Pop Vocal | Pop Vocal | Chordal/Vocorder 89 121 | 90 57 | |||||||||
| 61 | Thru | Thru | - | 64 | 0 | ||||||||
| Parameter | CVP-501 | CVP-503 | CVP-505 | CVP-509 | System | Voice Set | Voice Set Group | Song Style Registration | Param Lock Group | Note | |||||||||
| Setup | MIDI Setup | User Effect | Music Finder | Song | Song Setup Group | Style Data | OTS | Regist | Freeze Group | ||||||||||
| Main | |||||||||||||||||||
| SongFile O | O | O | O | X | X | X | - | X | - | X | X | O | Song - | ||||||
| StyleFile O | O | O | O | X | X | X | - | X | - | X | X | O | Style - | ||||||
| Right1 VoiceFile | O | O | O | O | X | X | X | X | X | - | X | X | X | X | - | - | |||
| Right2 VoiceFile | O | O | O | O | X | X | X | X | X | - | X | X | X | X | - | - | |||
| Left VoiceFile | O | O | O | O | X | X | X | X | X | - | X | X | X | X | - | - | |||
| PartOnOff (Right 1) | O | O | O | O | X | X | X | X | Keyboard, Voice O | X | O | O | Voice | - | |||||
| PartOnOff (Right 2) | O | O | O | O | X | X | X | X | Keyboard, Voice O | X | O | O | Voice | - | |||||
| PartOnOff (Left) | O | O | O | O | X | X | X | X | Keyboard, Voice O | X | O | O | Style - | ||||||
| RegistrationBankFile | O | O | O | O | X | X | X | X | X | - | X | X | X | X | - | - | |||
| Audio Player File | O | O | O | X | X | X | X | X | - | X | X | X | O | AUDIO | - | ||||
| File System | |||||||||||||||||||
| CharacterSelect | O | O | O | O | X | X | X | X | X | - | X | X | X | X | - | - | One setting for all the Name related pop-up window. | ||
| Song | |||||||||||||||||||
| Track1, 2 OnyOff | O | O | O | O | X | X | X | X | Guide Setting O | X | X | - | - | ||||||
| ExtraTracks OnyOff | O | O | O | O | X | X | X | X | X | - | X | X | X | X | - | - | Setting is linked to Channel on/off. | ||
| A-B Repeat | O | O | O | O | X | X | X | X | X | - | X | X | X | X | - | - | |||
| Synchro Start | O | O | O | O | X | X | X | X | X | - | X | X | X | O | SONG | - | |||
| StartStop | O | O | O | O | X | X | X | X | X | - | X | X | X | ||||||
| Channel On/Off | O | O | O | O | X | X | X | X | X | - | X | X | X | O | SONG | - | |||
| Menu > Function > SongSetting | |||||||||||||||||||
| Guide Mode | O | O | O | O | O | X | X | X | X | Guide Setting | X | X | X | - | - | ||||
| GuidoLampOnyOff | O | O | O | O | O | X | X | X | X | - | X | X | X | X | - | - | |||
| GuidoLampTiming | O | O | O | O | O | X | X | X | X | Guide Setting | X | X | X | - | - | ||||
| Repeat Mode | O | O | O | O | O | X | X | X | X | X | X | X | X | - | |||||
| Phrase Mark Repeat | O | O | O | O | X | X | X | X | X | - | X | X | X | X | - | - | |||
| Track1 Channel | O | O | O | O | O | X | X | X | X | - | O | X | X | X | - | - | Set by recording. Different from one of the Track2. | ||
| Track2 Channel | O | O | O | O | O | X | X | X | X | - | O | X | X | X | - | - | Set by recording. Different from one of the Track2. | ||
| Auto Ch Set | O | O | O | O | O | X | X | X | X | X | X | X | X | - | |||||
| Lyrics Language | O | O | O | O | O | X | X | X | X | Lyrics Language | X | X | X | - | |||||
| QuickStart | O | O | O | O | O | X | X | X | X | X | X | X | X | - | |||||
| PAT OnyOff | O | O | O | O | X | X | X | X | X | - | X | X | X | X | - | - | Set to OFF when a song is selected. Set to ON if the selected song has Sys Ex messages at the beginning of the data. | ||
| Tempo | |||||||||||||||||||
| Master Tempo | O | O | O | O | X | X | X | X | X | - | O | TEMPO | O | X | O | Tempo | - | ||
| Menu > Function > Digital Rec Menu > Song Creator | |||||||||||||||||||
| REC Mode | |||||||||||||||||||
| Rec Start | O | O | O | O | X | X | X | X | - | X | - | X | X | ||||||
| PunchInAt | O | O | O | O | X | X | X | X | - | X | - | X | X | ||||||
| Rec End | O | O | O | O | X | X | X | X | - | X | - | X | X | ||||||
| PunchOutAt | O | O | O | O | X | X | X | X | - | X | - | X | X | ||||||
| Pedal Punch In/Out | O | O | O | O | X | X | X | X | X | X | - | X | X | - | - | ||||
| Channel > Quantize | |||||||||||||||||||
| Channel O O O O X | X | X | X | X | X | X | X | X | |||||||||||
| Size | O | O | O | O | X | X | X | X | - | X | - | X | X | ||||||
| Strength | O | O | O | O | X | X | X | X | - | X | - | X | X | ||||||
| Channel > Track Delete | |||||||||||||||||||
| Track Delete | O | O | O | O | X | X | X | X | X | X | - | X | X | X | |||||
| Channel > Track Mix | |||||||||||||||||||
| Source1 O O O O X | X | X | X | X | X | X | X | X | |||||||||||
| Source2 O O O O X | X | X | X | X | X | X | X | X | |||||||||||
| Destination | O | O | O | O | X | X | X | X | - | X | X | X | |||||||
| Channel > Channel Transpose | |||||||||||||||||||
| CHANNEL TRANSPOSE | O | O | O | O | X | X | X | X | X | X | - | X | X | X | |||||
| REC Mode > Channel > Setup | |||||||||||||||||||
| Setup Select | O | O | O | O | O | X | X | X | X | X | X | X | |||||||
| Channel > Chd/1~16/SysEx./Lyric > Filter | |||||||||||||||||||
| Main Filter | O | O | O | O | O | X | X | X | X | X | X | X | |||||||
| Control Change Filter | O | O | O | O | O | X | X | X | X | X | X | ||||||||
| Style Filter | O | O | O | O | O | X | X | X | X | X | X | X | |||||||
| Parameter | CVP-501 | CVP-503 | CVP-505 | CVP-509 | System | Voice Set | Voice Set Group | Song | Style | Registration | Param Lock Group | Note | ||||||
| Setup | MIDI Setup | User Effed | Music Finder | Song | Song Setup Group | Style Data | OTS | Regist | Freeze Group | |||||||||
| Lyric/Text | ||||||||||||||||||
| BackGround (Panel Setting) O O O X X X | X - O | Lyrics Setting | X | X | X | - | - | Cannot be reset with Factory Reset. | ||||||||||
| BackGround (Song Setting) O O X X | X X | X - O | Lyrics Setting | X | X | X | - | - | Reset to the background selected last via the panel operation with Factory reset. | |||||||||
| Text File (Panel Setting) O O O X X X | X X | X - X | X O | TEXT | - | |||||||||||||
| Viewer Mode | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Text Sw | ||||||||||||||||||
| Text Size | O O O X | X X X | X - X | X - X | X - X | X - X | X - X | - | ||||||||||
| SCORE SW | ||||||||||||||||||
| Left on/off | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Right on/off | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Lyric on/off | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Pedal on/off | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Chord on/off | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| NotoName on/off | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Fingering on/off | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Size | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Left ch. | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Right ch. | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| KeySignature | O | O | O | O | X | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| Quantize | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| NameName | O | O | O | O | O | X | X | X | X | - | O | Score Setting | X | X | X | - | - | |
| ColorNote On/Off | O O O X | X X X | - O | Score Setting | X | X | X | - | - | |||||||||
| Recording data | ||||||||||||||||||
| Song XG data | O | O | O | O | X | X | X | X | X | X | O | - | X | X | X | - | - | |
| Style | ||||||||||||||||||
| AccompanimentOn/Off | O | O | O | O | X | X | X | X | X | - | X | - | X | O (On) | O | Style | - | |
| OTSLink | O | O | O | O | X | X | X | O (On) | X | - | X | - | X | X | X | - | - | |
| AutoFillin | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| Section | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Style | ||
| SynchroStart | O | O | O | O | X | X | X | X | X | - | X | - | X | O (On) | O | Style | - | |
| SynchroStop | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Style | - | |
| StartStop | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| Menu > Function > StyleSetting/SplitPoint/Chord Fingering | ||||||||||||||||||
| Style Setting | ||||||||||||||||||
| StopAcmp | O | O | O | O | O | X | X | X | X | - | X | - | X | X | O | Style | - | |
| OTSLinkTiming | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| SynchroStopWindow | O | O | O | O | O | X | X | X | X | - | X | - | X | X | O | Style | - | |
| StyleTouch | O | O | O | O | O | X | X | X | X | - | X | - | X | X | O | Style | - | |
| SectionSet | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| Tempo Hold | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| Part On/Off | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| SplitPoint | ||||||||||||||||||
| SplitPoint (Left) | O | O | O | O | O | X | X | X | X | - | X | - | X | X | O | Style | Split Point | |
| SplitPoint (Style) | O | O | O | O | O | X | X | X | X | - | O | Guide Setting | X | X | O | Style | Split Point | |
| Chord Fingering | ||||||||||||||||||
| FingeringType | O | O | O | O | O | X | X | X | X | - | X | - | X | X | O | Style | Fingering | |
| Chord Root Note | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Chord Root Type | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Menu > Function > Digital Rec Menu > Style Creator | ||||||||||||||||||
| BASIC | ||||||||||||||||||
| Section | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Pattern Length | O | O | O | O | X | X | X | X | X | - | X | - | O | X | X | - | - | |
| Tempo | O | O | O | O | X | X | X | X | X | - | X | - | O | X | X | - | - | |
| Beat | O | O | O | O | X | X | X | X | X | - | X | - | O | X | X | - | - | |
| Assembly | ||||||||||||||||||
| Source Pattern | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Section | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Channel | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Play Type | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Setup | MIDI Setup | User Effect | Music Finder | Song | Song Setup Group | Style Data | OTS | Regist | Freeze Group | |||||||||
| Groove > Groove | ||||||||||||||||||
| Original Boat O O O O X | X | X | X | X | X | - | X | X | X | - | - | |||||||
| Beat Converter O O O O | X | X | X | X | - | X | - | X | X | X | - | - | ||||||
| Swing O O O O X | X | X | X | X | X | - | X | X | X | - | - | |||||||
| Fino O O O O X | X | X | X | X | X | - | X | X | X | - | - | |||||||
| Groove > Dynamics | ||||||||||||||||||
| Channel O O O O X | X | X | X | X | X | - | X | X | X | - | - | |||||||
| Accent Type O O O O X | X | X | X | X | X | - | X | X | X | - | - | |||||||
| Strength O O O O X | X | X | X | X | X | - | X | X | X | - | - | |||||||
| Expand/Comp. O O O O | X | X | X | X | X | - | X | - | X | X | X | - | ||||||
| Boost/Cut O O O O X | X | X | X | X | X | - | X | X | X | - | - | |||||||
| Channel > Quantize | ||||||||||||||||||
| Channel O O O O X | X | X | X | X | X | - | X | X | X | - | - | |||||||
| Size O O O O X | X | X | X | X | X | - | X | X | X | - | - | |||||||
| Strength O O O O X | X | X | X | X | X | - | X | X | X | - | - | |||||||
| Channel > Velocity Change | ||||||||||||||||||
| Channel O O O O X | X | X | X | X | X | - | X | X | X | - | - | |||||||
| Boost/Cut O O O O X | X | X | X | X | X | - | X | X | X | - | - | |||||||
| Channel > Bar Copy | ||||||||||||||||||
| Channel O O O O X | X | X | X | X | X | - | X | X | X | - | - | |||||||
| Source Top | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | |||
| Source Last | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | |||
| Destination | O | O | O | O | X | X | X | X | X | X | X | X | - | |||||
| Channel > Bar Clear | ||||||||||||||||||
| Channel O O O O X | X | X | X | X | X | - | X | X | X | - | - | |||||||
| Source Top | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | |||
| Source Last | ||||||||||||||||||
| Channel > Remove Event | ||||||||||||||||||
| Channel O O O O X | X | X | X | X | X | - | X | X | X | - | - | |||||||
| Event | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | |||
| Parameter | ||||||||||||||||||
| Channel O O O O X | X | X | X | X | X | - | X | X | X | - | - | |||||||
| Source Root | O | O | O | O | X | X | X | - | X | - | O | X | X | - | ||||
| Source Chord | O | O | O | O | X | X | X | - | X | - | O | X | X | - | ||||
| NTR | O | O | O | O | X | X | X | - | X | - | O | X | X | - | ||||
| NTT | O | O | O | O | X | X | X | - | X | - | O | X | X | - | ||||
| NTT BASS | O | O | O | O | X | X | X | - | X | - | O | X | X | - | ||||
| High Key | O | O | O | O | X | X | X | - | X | - | O | X | X | - | ||||
| Note Limit Low | O | O | O | O | X | X | X | - | X | - | O | X | X | - | ||||
| Note Limit High | O | O | O | O | X | X | X | - | X | - | O | X | X | - | ||||
| RTR | O | O | O | O | X | X | X | - | X | - | O | X | X | - | ||||
| Edit > Filter | ||||||||||||||||||
| Main Filter | O | O | O | O | O | X | X | X | - | X | - | X | X | X | - | |||
| Control Change Filter | O | O | O | O | O | X | X | X | X | - | X | X | X | - | ||||
| MusicFinder | ||||||||||||||||||
| SortBy | O | O | O | O | O | X | X | - | X | - | X | X | X | - | ||||
| SortOrder O O O O O | X | X | ||||||||||||||||
| Style Tempo | O | O | O | O | O | X | X | - | X | - | X | X | X | - | ||||
| Information display SW | O | O | O | O | O | X | X | - | X | - | X | X | X | - | ||||
| Search 1/2 display | ||||||||||||||||||
| Music | O | O | O | O | X | X | X | - | X | - | X | X | X | - | ||||
| Keyword | O | O | O | O | X | X | X | - | X | - | X | X | X | - | ||||
| Style | O | O | O | O | X | X | X | - | X | - | X | X | X | - | ||||
| Beat | O | O | O | O | X | X | X | - | X | - | X | X | X | - | ||||
| SearchArea | O | O | O | O | X | X | X | - | X | - | X | X | X | - | ||||
| Tempo (Low) | O | O | O | O | X | X | X | - | X | - | X | X | X | - | ||||
| Tempo (High) | O | O | O | O | X | X | X | - | X | - | X | X | X | - | ||||
| Gonrc | O | O | O | O | X | X | X | - | X | - | X | X | X | - | ||||
| Search Result | O | O | O | O | X | X | O | - | X | X | X | - | ||||||
| Record (=Property settings) | O | O | O | O | X | X | O | - | X | X | X | - | ||||||
| Recording data | ||||||||||||||||||
| SFF data | O | O | O | O | X | X | X | - | X | O | X | X | ||||||
| VoiceEffect | ||||||||||||||||||
| LeftHold O O O O X | X | X | X | X | - | |||||||||||||
| Harmony/Echo | O | O | O | O | X | X | X | X | ||||||||||
| Poly/Mono (Right1) | O | O | O | O | X | X | X | |||||||||||
| Poly/Mono (Right2) | O | O | O | O | X | X | X | |||||||||||
| Poly/Mono (Loft) | O | O | O | O | X | X | X | |||||||||||
| Dsp (Right1) | O | O | O | O | X | X | X | |||||||||||
| Dsp (Right2) | O | O | O | O | X | X | X | |||||||||||
| Dsp (Loft) | O | O | O | O | X | X | X | |||||||||||
| Setup | MIDI Setup | User Effed | Music Finder | Song | Sono Setup Group | Style Data | OTS | Regist | Freeze Group | |||||||||
| VoiceEffect | ||||||||||||||||||
| Variation (Right1) O O O O | X | X | X | X | O | E f fact O | Keyboard Voice | X | O | O | V oice - | |||||||
| Variation (Right2) O O O O | X | X | X | X | O | E f fact O | Keyboard Voice | X | O | O | V oice - | |||||||
| Variation (Left) O O O O | X | X | X | X | O | E f fact O | Keyboard Voice | X | O | O | Style - | |||||||
| VoiceEffect > Harmony/Echo | ||||||||||||||||||
| Type | O | O | O | O | X | X | X | X | O | Harmony | O | Keyboard Voice | X | O | O | Harmony | - | |
| Volume | O | O | O | O | X | X | X | X | O | Harmony | O | Keyboard Voice | X | O | O | Harmony | - | |
| Speed | O | O | O | O | X | X | X | X | O | Harmony | O | Keyboard Voice | X | O | O | Harmony | - | |
| Assign | O | O | O | O | X | X | X | X | O | Harmony | O | Keyboard Voice | X | O | O | Harmony | - | |
| ChordNoteOnly | O | O | O | O | X | X | X | X | O | Harmony | O | Keyboard Voice | X | O | O | Harmony | - | |
| TouchLimit | O | O | O | O | X | X | X | X | O | Harmony | O | Keyboard Voice | X | O | O | Harmony | - | |
| Voice Open/Save > Voice Set | ||||||||||||||||||
| Voice (Right1) | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | V oice - | ||
| Voice (Right2) | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | V oice - | ||
| Voice (Left) | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Style - | ||
| PIANO | ||||||||||||||||||
| Natural Voice Piano SR Depth | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |||
| Natural Voice Piano SS Depth | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Piano Tuning Curve | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| KeyOff Sample | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| COMMON | ||||||||||||||||||
| Volume for Balance (Right1) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| Volume for Balance (Right2) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| Volume for Balance (Left) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style - | ||
| Touch Sense Depth (Right1) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| Touch Sense Depth (Right2) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| Touch Sense Depth (Left) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style - | ||
| Touch Sense Offset (Right1) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| Touch Sense Offset (Right2) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| Touch Sense Offset (Left) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style - | ||
| Octavo for Right1 | O | O | O | O | X | X | X | X | O | Voice | X | - | X | O | O | Voice - | ||
| Octavo for Right2 | O | O | O | O | X | X | X | X | O | Voice | X | - | X | O | O | Voice - | ||
| Octavo for Left | O | O | O | O | X | X | X | X | O | Voice | X | - | X | O | O | Style - | ||
| CONTROLLER | ||||||||||||||||||
| MW Low Pass Filter Control (Right1) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| MW Low Pass Filter Control (Right2) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| MW Low Pass Filter Control (Left) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style - | ||
| MW Amplitude Control (Right1) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| MW Amplitude Control (Right2) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| MW AmpLitude Control (Left) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style - | ||
| MW LFO PMOD Depth (Right1) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| MW LFO PMOD Depth (Right2) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| MW LFO PMOD Depth (Left) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style - | ||
| MW LFO FMOD Depth (Right1) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| MW LFO FMOD Depth (Right2) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| MW LFO FMOD Depth (Left) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style - | ||
| MW LFO AMOD Depth (Right1) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| MW LFO AMOD Depth (Right2) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| MW LFO AMOD Depth (Left) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style - | ||
| Setup | MIDI Setup | User Effect | Music Finder | Song | Setup Group | Style Data | OTS | Regist | Freeze Group | |||||||||
| SOUND | ||||||||||||||||||
| EG Attack (Right1) O O O O | X | X | X | X | O | V oice O | Keyboard Voice | X | O | O | V oice - | |||||||
| EG Attack (Right2) O O O O | X | X | X | X | O | V oice O | Keyboard Voice | X | O | O | V oice - | |||||||
| EG Attack (Left) O O O O | X | X | X | X | O | V oice O | Keyboard Voice | X | O | O | Style - | |||||||
| EG Decay (Right1) O O O O | X | X | X | X | O | V oice O | Keyboard Voice | X | O | O | V oice - | |||||||
| EG Decay (Right2) O O O O | X | X | X | X | O | V oice O | Keyboard Voice | X | O | O | V oice - | |||||||
| EG Decay (Left) O O O O | X | X | X | X | O | V oice O | Keyboard Voice | X | O | O | Style - | |||||||
| EG Reloaso (Right1) | O | O | O | O | X | X | X | X O | Keyboard Voice | OX | O | O | V oice - | |||||
| EG Release (Right2) | O | O | O | O | X | X | X | X O | Keyboard Voice | OX | O | O | V oice - | |||||
| EG Release (Left) | O | O | O | O | X | X | X | X O | Keyboard Voice | OX | O | O | Style - | |||||
| Vibrato Depth (Right1) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| Vibrato Depth (Right2) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| Vibrato Depth (Left) | O | O | O | O | X | X | X | X O | Keyboard Voice | OX | O | O | Style - | |||||
| Vibrato Spood (Right1) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| Vibrato Spood (Right2) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| Vibrato Speed (Left) | O | O | O | O | X | X | X | X O | Keyboard Voice | OX | O | O | Style - | |||||
| Vibrato Delay (Right1) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| Vibrato Delay (Right2) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice - | ||
| Vibrato Delay (Left) | O | O | O | O | X | X | X | X O | Keyboard Voice | OX | O | O | Style - | |||||
| EFFECT/EQ | ||||||||||||||||||
| DSP Type (Right1) | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | V oice - | ||
| DSP Type (Right2) | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | V oice - | ||
| DSP Type (Left) | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Style - | ||
| DSP Variation Value (Right1) | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | V oice - | ||
| DSP Variation Value (Right2) | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | V oice - | ||
| DSP Variation Value (Left) | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Style - | ||
| EQ Low Freq (Right1) | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | V oice - | ||
| EQ Low Freq (Right2) | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | V oice - | ||
| EQ Low Freq (Left) | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | Style - | ||
| EQ High Freq (Right1) | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | V oice - | ||
| EQ High Freq (Right2) | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | V oice - | ||
| EQ High Freq (Left) | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | Style - | ||
| VibeRotor Sw (Right1) | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | V oice - | ||
| VibeRotor Sw (Right2) | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | V oice - | ||
| VibeRotor Sw (Left) | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Style - | ||
| OrganFlute > Footage | ||||||||||||||||||
| Organ Flutos Footage (Right1) | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | V oice - | ||
| Organ Flutes Footage (Right2) | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | V oice - | ||
| Organ Flutes Footage (Left) | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Style - | ||
| Organ Flutos Type (Right1) | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | V oice - | ||
| Organ Flutes Type (Right2) | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | V oice - | ||
| Organ Flutes Type (Left) | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Style - | ||
| Organ Vib On/Off (Right1) | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | V oice - | ||
| Organ Vib On/Off (Right2) | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | V oice - | ||
| OrganFlute > Footage | ||||||||||||||||||
| Organ Vib On/Off (Left) O O O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Style- | |||||
| Organ Vib Depth (Right1) O O | O | O | X | X | X | O | V | oice | Keyboard Voice | X | O | O | V oice- | |||||
| Organ Vib Depth (Right2) O O | O | O | X | X | X | O | V | oice | Keyboard Voice | X | O | O | V oice- | |||||
| Organ Vib Depth (Left) O O O | O | X | X | X | X | O | V oico O | Keyboard Voice | X | O | O | Style- | ||||||
| Organ Vib Speed (Right1) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice- | ||
| Organ Vib Speed (Right2) | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | V oice- | ||
| Organ Vib Speed (Left) O O O | O | X | X | X | X | O | V oico O | Keyboard Voice | X | O | O | Style- | ||||||
| OrganFlute > Volume/Attack | ||||||||||||||||||
| Organ Flutos Attack Footage (Right1) | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | V oico- | ||||||
| Organ Flutes Attack Footage (Right2) | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | V oice- | ||||||
| Organ Flutes Attack Footage (Left) | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | Style- | ||||||
| Organ Flutos Attack Mode (Right1) | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | V oico- | ||||||
| Organ Flutos Attack Mode (Right2) | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | V oico- | ||||||
| Organ Flutes Attack Mode (Left) | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | Style- | ||||||
| Organ Flutes Attack length (Right1) | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | V oice- | ||||||
| Organ Flutes Attack length (Right2) | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | V oice- | ||||||
| Organ Flutes Attack length (Left) | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | Style- | ||||||
| Organ Flutos Responso (Right1) | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | V oico- | ||||||
| Organ Flutos Responso (Right2) | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | V oico- | ||||||
| Organ Flutes Response (Left) | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | Style- | ||||||
| Organ Flutes Volume (Right1) | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | V oice- | ||||||
| Organ Flutes Volume (Right2) | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | V oice- | ||||||
| Organ Flutes Volume (Left) | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | Style- | ||||||
| Mic | ||||||||||||||||||
| VocalHarmonyOnOff | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| TalkOnOff | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Mic EffectOnOff | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| V-Type | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| V-Parameters | O | O | O | X | X | O | X | X | - | O | Mic.Setting | X | X | X | - | Mic.Setting | ||
| Main > Mic Setting | ||||||||||||||||||
| Mic Setting > OverAll Setting | ||||||||||||||||||
| EQ Low Freq. | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| EQ Low Gain | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| EQ Mid Freq. | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| EQ Mid Gain | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| EQ High Freq. | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| EQ High Gain | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Noise Gate SW | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Noise Gate TH | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Compressor SW | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Compressor TH | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Compressor RAT | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Compressor OUT | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| VH Song Channel Mute | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Mic | Mic.Setting | ||
| VH Song Channel | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| VH Keyboard | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| VH Balance | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| VH I Modo | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Mic | Mic.Setting | ||
| VH Chord Detect | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Mic | Mic.Setting | ||
| MicMute | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | ||
| MicVolume | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| VocalRange | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Mic Setting > Talk Setting | ||||||||||||||||||
| Talk Setting Volume | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Talk Setting Pan | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Talk Setting RoworbDepth | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Talk Setting ChorusDepth | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Talk Setting TotalVolumeAttenuator | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||
| Parameter | CVP-501 | CVP-503 | CVP-505 | CVP-509 | System | Voice Set | Voice Set Group | Song | Style | Registration | Param Lock Group | Note | |||||||
| Setup | MIDI Setup | User Effect | Music Finder | Song | Song Setup Group | Style Data | OTS | Regist | Freeze Group | ||||||||||
| Mic Setting > Talk Setting | |||||||||||||||||||
| Talk Setting DSPOnOff O O O | O | X | X | X | X | X | X | X | - | - | |||||||||
| Talk Setting DSPDepth O O O | O | X | X | X | X | X | X | X | - | - | |||||||||
| Talk Setting DSPType O O O | O | X | X | X | X | X | X | X | - | - | |||||||||
| Main > Mixing Console > Vol/Voice | |||||||||||||||||||
| Volume | |||||||||||||||||||
| Offset Volume Song O O O | O | X | X | X | X | - | X | X | O | Song | |||||||||
| Offset Volume Style | O | O | O | O | X | X | X | X | X | - | X | X | X | O | Style | - | |||
| Volume Mic | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | |||
| Volume Left | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | O | Style | - | |||||
| Volume Right1 | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | O | Voice | - | |||||
| Volume Right2 | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | O | Voice | - | |||||
| Part Volume Song | O | O | O | O | X | X | X | X | X | - | O | Volume | X | X | X | - | - | ||
| Part Volume Style | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Style | - | ||
| PanPot | |||||||||||||||||||
| Offset PanPot Song | O | O | O | O | X | X | X | X | - | X | - | X | X | - | |||||
| Offset PanPot Style | O | O | O | O | X | X | X | X | X | - | X | X | X | O | Style | - | |||
| PanPot Mic | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | |||
| PanPot Left | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | O | Style | - | |||||
| PanPot Right1 | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | O | Voice | - | |||||
| PanPot Right2 | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | O | Voice | - | |||||
| Part PanPot Song | O | O | O | O | X | X | X | X | X | - | O | Pan | X | X | X | - | - | ||
| Part PanPot Style | O | O | O | O | X | X | X | X | X | - | X | O | X | O | Style | - | |||
| Voice | |||||||||||||||||||
| Voice (Right1) | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | ||
| Voice (Right2) | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Voice | - | ||
| Voice (Left) | O | O | O | O | X | X | X | X | O | - | O | Keyboard Voice | X | O | O | Style | - | ||
| Voice (Style Part) | O | O | O | O | X | X | X | X | X | - | X | O | X | O | Style | - | |||
| Voice (Song Part) | O | O | O | O | X | X | X | X | X | - | O | Voice | X | X | X | - | - | ||
| Auto Revoice | |||||||||||||||||||
| Auto Revoice On/Off | O | O | O | O | O | X | X | X | X | X | X | X | X | ||||||
| Auto Revoice Setup O O O | O | O | X | X | X | - | X | X | X | X | |||||||||
| Main > Mixing Console > Filter | |||||||||||||||||||
| Brightness | |||||||||||||||||||
| Brightness Song Part | O | O | O | O | X | X | X | X | X | - | O | Filter | X | X | X | - | - | ||
| Brightness Style Part | O | O | O | O | X | X | X | X | X | - | X | O | X | O | Style | - | |||
| Brightness Right1 | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| Brightness Right2 | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| Brightness Left | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | ||
| Harmonic Content | |||||||||||||||||||
| Harmonic Content Song Part | O | O | O | O | X | X | X | X | X | - | O | Filter | X | X | X | - | - | ||
| Harmonic Content Style Part | O | O | O | O | X | X | X | X | X | - | X | O | X | O | Style | - | |||
| Harmonic Content Right1 | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| Harmonic Content Right2 | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| Harmonic Content Left | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | ||
| Main > Mixing Console > Tune | |||||||||||||||||||
| Octave | |||||||||||||||||||
| Octave Right1 | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| Octave Right2 | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| Octave Left | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | ||
| Tune | |||||||||||||||||||
| Tune Right1 | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | O | Voice | - | |||||
| Tune Right2 | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | O | Voice | - | |||||
| Tune Left | O | O | O | O | X | X | X | X | Keyboard Voice | X | O | O | Style | - | |||||
| Portamento Time | |||||||||||||||||||
| Portamento Time Right1 | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| Portamento Time Right2 | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Voice | - | ||
| Portamento Time Left | O | O | O | O | X | X | X | X | O | Voice | O | Keyboard Voice | X | O | O | Style | - | ||
| Parameter | CVP-501 | CVP-503 | CVP-505 | CVP-509 | System | Voice Set | Voice Set Group | Song | Style | Registration | Param Lock Group | Note | ||||||
| Setup | MIDI Setup | User Efted | Music Finder | Song | Song Setup Group | Style Data | OTS | Regist | Freeze Group | |||||||||
| Pitch Bend Range | ||||||||||||||||||
| Pitch Bend Range Right1 O O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | V oice - | ||||
| Pitch Bend Range Right2 O O | O | O | X | X | X | X | X | - | O | Keyboard Voice | X | O | O | V oice - | ||||
| Pitch Bend Range Left O O O | O | X | X | X | X | - | O | Keyboard Voice | X | O | O | Style - | ||||||
| Transpose | ||||||||||||||||||
| Master Transposc | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Transposc | - | |
| Song Transpose | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Transpose | - | |
| Keyboard Transposo | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Transposo | - | |
| Main >Mixing Console >CMP | ||||||||||||||||||
| MasterCompressor Type | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||||
| MasterCompressor Threshold Offset | O | X | X | O | X | X | - | X | - | X | X | X | - | - | ||||
| MasterCompressor Ratio Offset | O | X | X | O | X | X | - | X | - | X | X | X | - | - | ||||
| MasterCompressor Output Offset | O | X | X | O | X | X | - | X | - | X | X | X | - | - | ||||
| MasterCompressor On/OI | O | O | X | X | X | X | - | X | - | X | X | X | - | - | ||||
| Main >Mixing Console >EQ | ||||||||||||||||||
| MasterEQ Type | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | Master EQ | |
| MasterEQ Parameter | O | O | O | O | X | X | O | X | X | - | X | - | X | X | X | - | Master EQ | |
| EQ Low Gain | ||||||||||||||||||
| EQ Low Gain Style Part | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Style | - | |
| EQ Low Gain Song Part | O | O | O | O | X | X | X | X | X | - | O | EQ | X | X | X | - | - | |
| EQ Low Gain Right1 | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | V oice - | ||
| EQ Low Gain Right2 | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | V oice - | ||
| EQ Low Gain Left | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | Style - | ||
| EQ Low Gain Stylo (Offset) | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Style | - | |
| EQ Low Gain Song (Offset) | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| EQ High Gain | ||||||||||||||||||
| EQ High Gain Style Part | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Style | - | |
| EQ High Gain Song Part | O | O | O | O | X | X | X | X | X | - | O | EQ | X | X | X | - | - | |
| EQ High Gain Right1 | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | V oice - | ||
| EQ High Gain Right2 | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | V oice - | ||
| EQ High Gain Left | O | O | O | O | X | X | X | X | O | EQ | O | Keyboard Voice | X | O | O | Style - | ||
| EQ High Gain Style (Offset) | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Style | - | |
| EQ High Gain Song (Offset) | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Main >Mixing Console >Effect | ||||||||||||||||||
| Reverb Type | ||||||||||||||||||
| Reverb Type | O | O | O | O | X | X | X | X | X | - | O | Effect | O | X | O | Style/Song | Reverb Type | |
| Reverb Return Level | O | O | O | O | X | X | X | X | X | - | O | Effect | O | X | O | Style/Song | Reverb Return Level | |
| Reverb Depth | ||||||||||||||||||
| Reverb Depth Style Part | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Style | - | |
| Reverb Depth Song Part | O | O | O | O | X | X | X | X | X | - | O | Effect | X | X | X | - | - | |
| Reverb Depth Mic | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic. | Mic.Setting | ||
| Reverb Depth Right1 | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | V oice - | ||
| Reverb Depth Right2 | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | V oice - | ||
| Reverb Depth Left | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Style - | ||
| Reverb Depth Style (Offset) | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Style | - | |
| Reverb Depth Song (Offset) | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Chorus Type | ||||||||||||||||||
| Chorus Type | O | O | O | O | X | X | X | X | X | - | O | Effect | O | X | O | Style/Song | - | |
| Chorus Return Level | O | O | O | O | X | X | X | X | X | - | O | Effect | O | X | O | Style/Song | Chorus Return Level | |
| Chorus Depth | ||||||||||||||||||
| Chorus Depth Style Part. | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Style | - | |
| Chorus Depth Song Part. | O | O | O | O | X | X | X | X | X | - | O | Effect | X | X | X | - | - | |
| Chorus Depth Mic | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic. | Mic.Setting | ||
| Chorus Depth Right1 | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | V oice - | ||
| Chorus Depth Right2 | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | V oice - | ||
| Chorus Depth Left | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Style - | ||
| Chorus Depth Style (Offset) | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Style | - | |
| Chorus Depth Song (Offset) | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| Parameter | CVP-501 | CVP-503 | CVP-505 | CVP-509 | System | Voice Set | Voice Set Group | Song | Style Registration | Param Lock Group | Note | |||||||
| Setup | MIDI Setup | User Effect | Music Finder | Song | Sono Setup Group | Style Data | OTS | Regist | Freeze Group | |||||||||
| DSP Type | ||||||||||||||||||
| DSP1 (Variation) Typo O O O | O | X | X | X | X | X | - | O | E f | foct | O X O | Style/Song - | ||||||
| DSP1 (Variation) Return Level | O | O | O | O | X | X | X | X | X | - | O | Effect | O | X | O | Style/Song | DSP1 Return Level | |
| DSP2Type O O O O X | X | X | X | X | O E f | f | fect X | X O | Voice/ Style/Song | - | ||||||||
| DSP3Type O O O O X | X | X | X | X | O E f | f | foct X | X O | Voice/ Style/Song | - | ||||||||
| DSP4Type | O | O | X | X | X | X | X | - | O | Effect/Mic | X | X | O | Voice/ Style/Song/Mic | Mic.Setting | |||
| DSP4Type | O | X | X | X | X | X | - | O | Effect | X | X | O | Voice/ Style/Song | - | ||||
| DSP4Type | O | X | X | X | X | X | - | O | Effect | X | X | O | Voice/ Style/Song | - | ||||
| DSP5Type | O | X | X | X | X | X | - | O | Effect | X | X | O | Voice/ Style/Song | - | ||||
| DSP6Type | O | X | X | X | X | X | - | O | Effect | X | X | O | Voice/ Style/Song | - | ||||
| DSP7Type | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Style/ Song/Mic | Mic.Setting | ||||
| DSP8Type | O | X | X | X | X | X | - | O | - | X | X | O | Stylo | - | ||||
| DSP9Type | O | X | X | X | X | X | - | O | - | X | X | O | Style | - | ||||
| DSP Depth | ||||||||||||||||||
| DSP Depth Style Part | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Style | - | |
| DSP Depth Song Part | O | O | O | O | X | X | X | X | X | - | O | Effect | X | X | X | - | - | |
| DSP Depth Right1 | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | |
| DSP Depth Right2 | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | |
| DSP Depth Left | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Style | - | |
| DSP Depth Mic | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | - | ||
| InsertionType | ||||||||||||||||||
| Ins.Type (Right1) | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | |
| Ins.Type (Right2) | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Voice | - | |
| Ins.Type (Left) | O | O | O | O | X | X | X | X | O | Effect | O | Keyboard Voice | X | O | O | Stylo | - | |
| Ins.Type (Song) | O | O | O | O | X | X | X | X | X | - | O | Effect | X | X | X | - | - | |
| Ins.Type (Mic) | O | O | O | X | X | X | X | X | - | O | Mic.Setting | X | X | O | Mic | Mic.Setting | ||
| Effect Parameter (Reverb/Chorus/DSP 1~4) | O | X | X | O | X | X | - | O | Effect | X | X | X | - | - | ||||
| Effect Parameter (Reverb/Chorus/DSP 1~3) | O | O | X | X | O | X | X | - | O | Effect | X | X | X | - | - | |||
| Effect Parameter (DSP 4) | O | O | X | X | O | X | X | - | O | Mic.Setting | X | X | X | - | Mic Setting | |||
| Effect Parameter (Reverb/Chorus/DSP 1~6) | O | X | X | O | X | X | - | O | Effect | X | X | X | - | - | ||||
| Effect Parameter (DSP 7) | O | X | X | O | X | X | - | O | Mic.Setting | X | X | X | - | - | ||||
| Effect Parameter (DSP 8~9) | O | X | X | O | X | X | - | O | Stylo | X | X | X | - | - | ||||
| Main > Channel > Channel OnOffPopup | ||||||||||||||||||
| ChannelOnOff (Song) | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Song | - | |
| ChannelOnOff (Style) | O | O | O | O | X | X | X | X | X | - | X | - | O | X | O | Stylo | - | |
| MIDI | ||||||||||||||||||
| MIDI Template | ||||||||||||||||||
| Template No. | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - | - | |
| Preset Template Name | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | |
| Menu > Function > MIDI | ||||||||||||||||||
| System | ||||||||||||||||||
| Local Control | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | |
| Clock | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | |
| Transmit Clock | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | |
| Receive Transpose | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | |
| Receive Start/Stop | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | |
| SysEx Transmit | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | |
| SysEx Receive | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | |
| Chord SysEx Transmit | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | |
| Chord SysEx Receive | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | |
| Transmit | ||||||||||||||||||
| Part Select | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | |
| Ch (for each part) | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | |
| Filter (for each part) | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | |
| Receive | ||||||||||||||||||
| CH Select | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | |
| Part Select | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | |
| Filter (for each channel) | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | |
| Bass (On Bass Note) | ||||||||||||||||||
| Bass (On Bass Note) | O | O | O | O | X | O | X | X | X | - | X | - | X | X | X | - | - | |
| Parameter | CVP-501 | CVP-503 | CVP-505 | CVP-509 | System | Voice Set | Voice Set Group | Song | Style | Registration | Param Lock Group | Note | ||||||
| Setup | MIDI Setup | User Effed | Music Finder | Song | Setup Group | Style Data | OTS | Regist | Freeze Group | |||||||||
| Chord Detect | ||||||||||||||||||
| Chord Detect O O O O X O X | X | X | X | X | X X | |||||||||||||
| Menu > Function > Master Tune/Scale Tune | ||||||||||||||||||
| Master Tune | ||||||||||||||||||
| MasterTune O O O O O X | X | X | - | X | X | X | ||||||||||||
| Scale Tune | ||||||||||||||||||
| Scale O O O O X | X | X | X | - | X | X | O | Scale - | ||||||||||
| Tune | O | O | O | O | X | X | X | X | X | - | X | X | O | Scale - | ||||
| BaseNote | O | O | O | O | X | X | X | X | X | - | X | X | O | Scale - | ||||
| Part Soloct (Right1/Right2, Left, Style) | O | O | O | O | X | X | X | X | X | - | X | X | Scale - | |||||
| Menu > Function > Controller | ||||||||||||||||||
| Pedal | ||||||||||||||||||
| PedalFunction | O | O | O | O | X | X | X | X | O | Pedal | O | Keyboard Voice | X | O | O | Pedal - | ||
| PedalSettings | O | O | O | O | X | X | X | X | O | Pedal | O | Keyboard Voice | X | O | O | Pedal - | ||
| PecialPolarity | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| Doponds On R1 Voico | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| Keyboard/Panel | ||||||||||||||||||
| Initial Touch | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| Initial TouchOffLcvol | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Voice | ||
| Initial Touch Part OnOff | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Voice | ||
| TransposeAssign | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| Menu > Function > Regist.Sequence/Freeze/VoiceSet | ||||||||||||||||||
| Regist Sequence | ||||||||||||||||||
| RegistSequenceData | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Momorized as a single Registration Bank file. | ||
| RegistSequenceEnable | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| Regist (+) Pedal | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| Regist (-) Pedal | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| SequenceEnd | O | O | O | O | X | X | X | X | X | X | X | O | Momorized as a single Registration Bank file. | |||||
| Freeze Group | ||||||||||||||||||
| FreezeGroupSetting | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| FreezeOnOff | O | O | O | O | X | X | X | X | X | X | X | X | ||||||
| VoiceSet | ||||||||||||||||||
| VoiceSet Group Right1 OnOff | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| VoiceSet Group Right2 OnOff | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| VoiceSet Group Left OnOff | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| Menu > Function > Utility | ||||||||||||||||||
| Configuration1 | ||||||||||||||||||
| FadeInTime | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| FadeOutTime | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| FadeOutHoldTime | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| MatronomeVolume | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| MatronomeSound | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| TimeSignature | O | O | O | O | X | X | X | X | X | O | O | X | X | |||||
| ParameterLock | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| TapCountPercussion | O | O | O | O | X | X | X | X | X | Keyboard Voice C | X | O | O | Style | ||||
| TapCountVelocity | O | O | O | O | X | X | X | X | X | Keyboard Voice C | X | O | O | Style | ||||
| Configuration2 | ||||||||||||||||||
| DisplayVoiceNumber | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| Speaker | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| VolcoCategory Button Options | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| Display Style Tempo | O | O | O | O | O | X | X | X | X | X | X | X | X | |||||
| Popup Display Time | O | O | O | O | O | X | X | X | X | X | X | |||||||
| ScreenOut | ||||||||||||||||||
| Monitor Type | O | O | O | X | X | X | X | X | X | X | X | |||||||
| ScreenContent | O | O | O | X | X | X | X | X | X | X | X | |||||||
| Media | ||||||||||||||||||
| SongAutoOpen | O | O | O | O | O | X | X | X | X | X | X | X | ||||||
| Format | OOOO | |||||||||||||||||
| Property | OOOO | |||||||||||||||||
| Owner | ||||||||||||||||||
| Language | O | O | O | O | O | X | X | X | X | X | X | X | ||||||
| OwnerName | O | O | O | O | O | X | X | X | X | X | X | X | ||||||
| MainPicture | O | O | O | X | X | X | X | X | X | X | X | |||||||
| SystemReset | ||||||||||||||||||
| FactoryResetSetting | O | O | X | X | X | X | X | X | X | X | X | |||||||
| Setup | MIDI Setup | User Effect | Music Finder | Song | Song Setup Group | Style Data | OTS | Regist | Freeze Group | |||||||||
| SystemReset | ||||||||||||||||||
| FactoryResetSetting O O X X X X X - | X - X | X X - - | Language, Owner Name, iAFC Calibration Data, Main Picture BackGround, Lyric Picture BackGround, and Video Out related parameters are not reset. | |||||||||||||||
| Registration | ||||||||||||||||||
| RegistMemory Contents O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O OO O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O S | ||||||||||||||||||
| RegistNumber O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O UTS | ||||||||||||||||||
| RegistContentsName | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - | - | |
| OTS | ||||||||||||||||||
| OTSNumber | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - - | ||
| Metronome | ||||||||||||||||||
| StartStop | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - - | ||
| Transpose | ||||||||||||||||||
| Transpose | O | O | O | O | X | X | X | X | X | - | X | - | X | X | O | Tuno/Trans | - | |
| Direct Access | ||||||||||||||||||
| Direct Access | O | O | O | O | X | X | X | X | X | - | X | - | X | X | X | - - | ||
| PlanoReset | ||||||||||||||||||
| PlanoReset | O | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - - | ||
| iAFC | ||||||||||||||||||
| iAFC On/Off | O O | XX | XX - | X - X | XX - | |||||||||||||
| DYNAMIC DAMPER EFFECT DEPTH | O | O | X | X | X | X | - | X | - | X | X X | - | - | |||||
| SPATIAL ENSEMBLE EFFECT DEPTH | O | O | X | X | X | X | - | X | - | X | X X | - | - | |||||
| USB Audio | ||||||||||||||||||
| Audio Volume | O | O | O | O | X | X | X | X | - | X | - | X | X | O | AUDIO | - | ||
| Audio Player Repeat Mode | O | O | O | O | X | X | X | X | - | X | - | X | X | X | - - | |||
Many MIDI messages listed in the MIDI Data Format are expressed in decimal numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers may include the letter "H" as a suffix. Also, "n" can freely be defined as any whole number. To enter data/values, refer to the table below.
| Decimal | Hexadecimal | Binary |
| 0 | 00 | 0000 0000 |
| 1 | 01 | 0000 0001 |
| 2 | 02 | 0000 0010 |
| 3 | 03 | 0000 0011 |
| 4 | 04 | 0000 0100 |
| 5 | 05 | 0000 0101 |
| 6 | 06 | 0000 0110 |
| 7 | 07 | 0000 0111 |
| 8 | 08 | 0000 1000 |
| 9 | 09 | 0000 1001 |
| 10 | 0A | 0000 1010 |
| 11 | 0B | 0000 1011 |
| 12 | 0C | 0000 1100 |
| 13 | 0D | 0000 1101 |
| 14 | 0E | 0000 1110 |
| 15 | 0F | 0000 1111 |
| 16 | 10 | 0001 0000 |
| 17 | 11 | 0001 0001 |
| 18 | 12 | 0001 0010 |
| 19 | 13 | 0001 0011 |
| 20 | 14 | 0001 0100 |
| 21 | 15 | 0001 0101 |
| 22 | 16 | 0001 0110 |
| 23 | 17 | 0001 0111 |
| 24 | 18 | 0001 1000 |
| 25 | 19 | 0001 1001 |
| 26 | 1A | 0001 1010 |
| 27 | 1B | 0001 1011 |
| 28 | 1C | 0001 1100 |
| 29 | 1D | 0001 1101 |
| 30 | 1E | 0001 1110 |
| 31 | 1F | 0001 1111 |
| Decimal | Hexadecimal | Binary |
| 32 | 20 | 0010 0000 |
| 33 | 21 | 0010 0001 |
| 34 | 22 | 0010 0010 |
| 35 | 23 | 0010 0011 |
| 36 | 24 | 0010 0100 |
| 37 | 25 | 0010 0101 |
| 38 | 26 | 0010 0110 |
| 39 | 27 | 0010 0111 |
| 40 | 28 | 0010 1000 |
| 41 | 29 | 0010 1001 |
| 42 | 2A | 0010 1010 |
| 43 | 2B | 0010 1011 |
| 44 | 2C | 0010 1100 |
| 45 | 2D | 0010 1101 |
| 46 | 2E | 0010 1110 |
| 47 | 2F | 0010 1111 |
| 48 | 30 | 0011 0000 |
| 49 | 31 | 0011 0001 |
| 50 | 32 | 0011 0010 |
| 51 | 33 | 0011 0011 |
| 52 | 34 | 0011 0100 |
| 53 | 35 | 0011 0101 |
| 54 | 36 | 0011 0110 |
| 55 | 37 | 0011 0111 |
| 56 | 38 | 0011 1000 |
| 57 | 39 | 0011 1001 |
| 58 | 3A | 0011 1010 |
| 59 | 3B | 0011 1011 |
| 60 | 3C | 0011 1100 |
| 61 | 3D | 0011 1101 |
| 62 | 3E | 0011 1110 |
| 63 | 3F | 0011 1111 |
| Decimal | Hexadecimal | Binary |
| 64 | 40 | 0100 0000 |
| 65 | 41 | 0100 0001 |
| 66 | 42 | 0100 0010 |
| 67 | 43 | 0100 0011 |
| 68 | 44 | 0100 0100 |
| 69 | 45 | 0100 0101 |
| 70 | 46 | 0100 0110 |
| 71 | 47 | 0100 0111 |
| 72 | 48 | 0100 1000 |
| 73 | 49 | 0100 1001 |
| 74 | 4A | 0100 1010 |
| 75 | 4B | 0100 1011 |
| 76 | 4C | 0100 1100 |
| 77 | 4D | 0100 1101 |
| 78 | 4E | 0100 1110 |
| 79 | 4F | 0100 1111 |
| 80 | 50 | 0101 0000 |
| 81 | 51 | 0101 0001 |
| 82 | 52 | 0101 0010 |
| 83 | 53 | 0101 0011 |
| 84 | 54 | 0101 0100 |
| 85 | 55 | 0101 0101 |
| 86 | 56 | 0101 0110 |
| 87 | 57 | 0101 0111 |
| 88 | 58 | 0101 1000 |
| 89 | 59 | 0101 1001 |
| 90 | 5A | 0101 1010 |
| 91 | 5B | 0101 1011 |
| 92 | 5C | 0101 1100 |
| 93 | 5D | 0101 1101 |
| 94 | 5E | 0101 1110 |
| 95 | 5F | 0101 1111 |
| Decimal | Hexadecimal | Binary |
| 96 | 60 | 0110 0000 |
| 97 | 61 | 0110 0001 |
| 98 | 62 | 0110 0010 |
| 99 | 63 | 0110 0011 |
| 100 | 64 | 0110 0100 |
| 101 | 65 | 0110 0101 |
| 102 | 66 | 0110 0110 |
| 103 | 67 | 0110 0111 |
| 104 | 68 | 0110 1000 |
| 105 | 69 | 0110 1001 |
| 106 | 6A | 0110 1010 |
| 107 | 6B | 0110 1011 |
| 108 | 6C | 0110 1100 |
| 109 | 6D | 0110 1101 |
| 110 | 6E | 0110 1110 |
| 111 | 6F | 0110 1111 |
| 112 | 70 | 0111 0000 |
| 113 | 71 | 0111 0001 |
| 114 | 72 | 0111 0010 |
| 115 | 73 | 0111 0011 |
| 116 | 74 | 0111 0100 |
| 117 | 75 | 0111 0101 |
| 118 | 76 | 0111 0110 |
| 119 | 77 | 0111 0111 |
| 120 | 78 | 0111 1000 |
| 121 | 79 | 0111 1001 |
| 122 | 7A | 0111 1010 |
| 123 | 7B | 0111 1011 |
| 124 | 7C | 0111 1100 |
| 125 | 7D | 0111 1101 |
| 126 | 7E | 0111 1110 |
| 127 | 7F | 0111 1111 |
- Except the table above, for example 144-159 (decimal)/9nH/1001 0000-1001 1111 (binary) denotes the Note On Message for each channel (1-16). 176-191/BnH/1011 0000-1011 1111 denotes the Control Change Message for each channel (1-16). 192-207/CnH/ 1100 0000-1100 1111 denotes the Program Change Message for each channel (1-16). 240/F0H/1111 0000 denotes the start of a System Exclusive Message. 247/F7H/1111 0111 denotes the end of a System Exclusive Message.
- aaH (hexadecimal)/0aaaaaaa (binary) denotes the data address. The address contains High, Mid, and Low.
- bbH/0bbbbbbb denotes the byte count.
- ccH/0cccccccc denotes the check sum.
- ddH/0ddddddd denotes the data/value.
MIDI CHANNEL MESSAGE (1)
[MIDI] [Song Creator]
| MIDI Events Status byte 1st Data byte 2nd Data byte Voice MIDI Reception MIDI Transmission PLAY REC | |||||||||||||||||||
| Status Data (HEX) | Parameter Data (HEX) | Parameter | Regular/Drum/ | Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | |||
| Key Off [GM1] [GM2] | 8nH (no. Channel Number) | kk | Key no. (0-127) | vv | Velocity (0-127) | O | O(Harmony Channel/Malody Channel) | O | O | O | O | O | X | O | C | X | O | X | X |
| Key On [GM1] [GM2] | 8nH (no. Channel Number) | kk | Key no. (0-127) | vv | Key On (yes=1-127 Key Off: yes=0 | O | O(Harmony Channel/Malody Channel) | O | O | O | O | O | ● | O | O | ● | O | X | O |
| Control Change | 8nH | 0 (00H) Bank | Select MSB [GM2] | 0 00H8 08H9 08H8 08H64 08H104 08H120 78H121 78I126 7CH127 7FH | Normal Mage Voice SA Voice SA2 Voice SX Voice Normal GM2 Rhythm GM2 Normal SX KC Drum Kit | O | X | O | O | O(Right1) | O | O | ● | ● | ● | X | O | O | O |
| 1 (01H) Modulation [GM1] [GM2] | C-127 (00L..7FH) | Data | O | X | O | O | O(All Keyboard parts) | O | O | ● | O | O | ● | O | O | O | |||
| 5 (05H) Portable Line [GM2] | C-127 (00H..7FH) | Data | O(Except Organ Tulos) | X | O | O | O(All Keyboard parts) | X | O | ● | X | O | X | O | O | O | |||
| 6 (08H) Data Entry MSB [GM2] | C-127 (00L..7FH) | Data | O | O(Harmony Channel/Malody Channel) | O | O | O(All Keyboard parts) | O | O | ● | O | O | X | O | X | O | |||
| 7 (01H) Main Volume [GM1] [GM2] | C-127 (00L..7FH) | Data | O | O(A/D Part Receive Channel) | O | O | O(All Keyboard parts) | O | O | ● | ● | ● | X | O | O | O | |||
| 10 (DAI) Parrot [GM1] [GM2] | C-127 (00L..7FH) | LS4...C...R63 | O | O(A/D Part Receive Channel) | O | O | O(All Keyboard parts) | O | O | ● | ● | ● | X | O | C | O | |||
| 11 (CDI) Expression [GM1] [GM2] | C-127 (00L..7FH) | Data | O | X | O | O | O(All Keyboard parts) | O | O | ● | ● | ● | ● | O | C | O | |||
| 32 (20H) Bank Select BD [GM2] | C-127 (00L..7FH) | Data | O | X | O | O | O(Right1) | O | O | ● | ● | ● | X | O | C | O | |||
| 38 (26H) Data Entry LSD [GM2] | C-127 (00H..7FH) | Data | O | X | O | O | O(All Keyboard parts) | X | O | ● | X | O | X | O | X | O | |||
| 64 (40H) Sustain (Dempair) GM1 [GM2] | C-127 (00H..7FH) | Data | O | O(Harmony Channel/Malody Channel) | O | O | O(All Keyboard parts) | X | O | ● | X | O | ● | O | O | O | |||
| 65 (41H) Postamento [GM2] | C-127 (00H..7FH) | 0..63, 64..127 (OFF, ON) | O(Except Natural Piano, Organ Tulos) | X | O | O | O(All Keyboard parts) | X | O | ● | X | O | ● | O | O | O | |||
| 66 (42H) Sostenuto [GM2] | C-127 (00H..7FH) | 0..63, 64..127 (OFF, ON) | O | X | O | O | O(All Keyboard parts) | X | O | ● | X | O | ● | O | O | O | |||
| 67 (43H) Soft Pecal [GM2] | C-127 (00H..7FH) | 0..63, 64..127 (OFF, ON) | O | X | O | O | O(All Keyboard parts) | X | O | ● | X | O | ● | O | O | O | |||
| 71 (47H) Harmonic Content [GM2] | C-127 (00L..7FH) | -64...0...+63 | O | X | O | O | O(All Keyboard parts) | O | O | ● | ● | ● | X | O | C | O | |||
| 72 (48H) Release Time [GM2] | C-127 (00H..7FH) | -64...0...+63 | O | X | O | O | O(All Keyboard parts) | O | O | ● | O | O | X | O | O | O | |||
| 73 (49H) Attack Time [GM2] | C-127 (00H..7FH) | -64...0...+63 | O | X | O | O | O(All Keyboard parts) | O | O | ● | O | O | X | O | O | O | |||
| 74 (4AII) Brightness [GM2] | C-127 (00L..7FH) | -64...0...+63 | O | X | O | O | O(All Keyboard parts) | O | O | ● | ● | ● | X | O | C | O | |||
| 75 (4BII) Decay Time [GM2] | C-127 (00H..7FH) | -64...0...+63 | O | X | O | O | O(All Keyboard parts) | O | O | X | X | O | X | O | O | X | |||
| 76 (4CH) Vibrato Ralo [GM2] | C-127 (00H..7FH) | -64...0...+63 | O | X | O | O | O(All Keyboard parts) | O | O | X | X | O | X | O | O | X | |||
| 77 (4DH) Vibrato Depth [GM2] | C-127 (00H..7FH) | -64...0...+63 | O | X | O | O | O(All Keyboard parts) | O | O | X | X | O | X | O | O | X | |||
| 78 (4EH) Vibrato Delay [GM2] | C-127 (00H..7FH) | -64...0...+63 | O | X | O | O | O(All Keyboard parts) | O | O | X | X | O | X | O | O | X | |||
| 80 (50H) General Purpose Controller (Articulation 1) | C-127 (00H..7FH) | 0:OFF 127:ON | O(SA/SA2 Voice only) | X | O | X | X | X | X | ● | X | O | X | O | O | O | |||
| 81 (51H) General Purpose Controller (Articulation 2) | C-127 (00H..7FH) | 0:OFF 127:ON | O(SA2 Voice only) | X | O | X | X | X | X | ● | X | O | X | O | O | O | |||
| 82 (51H) Prompanio Control | C-127 (00H..7FH) | Key no. (0-127) | O | X | O | O | X | O | O | ● | ● | O | X | O | X | O | |||
| 91 (5DII) Effect1 Depth (Reverb Send Level) [GM2] | C-127 (00L..7FH) | Data | O | O(A/D Part Receive Channel) | O | O | O(All Keyboard parts) | O | O | ● | ● | ● | X | O | C | O | |||
| 93 (5DII) Effect3 Depth (Chorus Send Level) [GM2] | C-127 (00L..7FH) | Data | O | O(A/D Part Receive Channel) | O | O | O(All Keyboard parts) | O | O | ● | ● | ● | X | O | C | O | |||
| 94 (5CI II) Effect4 Depth (Variation Send Level) | C-127 (00L..7FH) | Data | O | X | O | O | O(All Keyboard parts) | O | O | ○ | ● | ● | X | O | O | X Multi Part Record-ing | |||
| 96 (5CH) FPN Increment | The data byte is ignored | O | O(Harmony Channel/Malody Channel) | O | O | X | O | O | X | X | O | X | O | X | X | ||||
● Transmitted via panel operations and keyboard/controller performances.
| MIDI Events | Status byte | 1st Data byte | 2nd Data byte | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Status | Data (HEX) | Parameter | Data (HEX) | Parameter | Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel(Right1/Right2/Left) | ||
| 97 (61H) RPN | Decrement | - | The data byte is ignored | O | O(Harmony Channel/Melody Channel) | O | O | X | O | O | X | X | O | X | O | ||||
| 98 (62H) | NPN LSB | 0-127 (COH...7FH) | Data | O | O(Harmony Channel/Melody Channel) | O | O | X | O | O | ● | O | O | X | O | O | O | ||
| 99 (63H) | NPN MSB | 0-127 (COH...7FH) | Data | O | O(Harmony Channel/Melody Channel) | O | O | X | O | O | ● | O | O | X | O | O | O | ||
| 100 (64H) | PN LSB(GM2) | 0-127 (OOH...7FH) | Data | O | O(Harmony Channel/Melody Channel) | O | O | C(All Keyboard parts) | O | O | ● | O | O | X | O | O | O | ||
| 101 (65H) | PN MSB(GM2) | 0-127 (OOH...7FH) | Data | O | O(Harmony Channel/Melody Channel) | O | O | C(All Keyboard parts) | O | O | ● | O | O | X | O | O | O | ||
| Mode Message | BnH (n Channel Number) | 120 (78H) | All Sound Oil(GM2) | 0 (COH) | Data | O | X | O | O | O(All Keyboard parts) | O | O | X | X | O | X | O | X | X |
| 121 (79H) | Reset AI Controllers(GM1)(GM2) | 0 (COH) | Data | O | X | O | X | X | X | X | X | X | O | X | O | X | X | ||
| 122 (7AH) | Local Control | 0 (COH)127 (7FH) | OFF ON | - | - | C | X | X | X | X | X | X | X | ||||||
| 123 (7BH) | All Noise Oil(GM1)(GM2) | 0 (COH) | Data | O | O(Harmony Channel/Melody Channel) | O | O | C(All Keyboard parts) | O | O | X | X | O | X | O | X | X | ||
| 124 (7CH) | Omni Oil(GM2) | 0 (COH) | Data | O | X | O*1 | X | X | X | X | X | X | O | X | O | X | X | ||
| 125 (7DH) | Omni On(GM2) | 0 (COH) | Data | O | X | O*2 | X | X | X | X | X | X | O | X | O | X | X | ||
| 126 (7EH) | None(GM2) | 0-16 (COH...10H) | Data | O | X | O | X | X | X | X | X | X | O | X | O | X | X | ||
| 127 (7FH) | Poly(GM2) | 0 (COH) | Data | O | X | O | X | X | X | X | X | X | O | X | O | X | X | ||
| Program Change(GM1)(GM2) | DnH (n Channel Number) | pp (00H...7FH) | Voice Number(0-127) | - | - | O | X | O | O | O(Righ:1) | O | O | ● | ● | ● | X | O | O | |
| Channel After Touch(GM1)(GM2) | DnH (n Channel Number) | vv (00H...7FH) | Data | - | - | O | X | O | O | C(All Keyboard parts) | X | O | X | X | O | X | O | X | O |
| Polyphonic After Touch | AnH (n Channel Number) | kk (00H...7FH) | Key no.(0-127) | vv (COH...7FH) | Data | O | X | O | X | X | X | X | X | X | O | X | O | X | X |
| Pitch Bend Change(GM1)(GM2) | EnH (n Channel Number) | cc (COH...7FH) | LSB | dd (COH...7FH) | MSB | O | O(Harmony Channel/Melody Channel) | O | O | C(All Keyboard parts) | O | O | ● | O | O | ● | O | O | O |
| Realtime Message | FBH MIDI Clock | - | - | - | - | - | - | C(Received when the Clock is set to MIDI, USB1, or USB2) | O(Transmitted when the Clock is set to internal and the Transmit Clock is set to on.) | - | - | - | |||||||
| FAH Start | - | - | - | - | - | - | O(Received when the Clock is set to MIDI, USB1, or USB2) | O(Transmitted when the Transmit Clock is set to on.) | - | - | - | ||||||||
| FBH Continue | - | - | - | - | - | - | X | X | - | - | - | ||||||||
| FCH Stop | - | - | - | - | - | - | O(Received when the Clock is set to MIDI, USB1, or USB2) | O(Transmitted when the Transmit Clock is set to on.) | - | - | - | ||||||||
| FEH Active Sense(GM2) | - | - | - | - | - | - | O | O | - | - | - | ||||||||
| FTI System Reset | - | - | - | - | - | - | X | X | - | - | - | ||||||||
●: Transmitted via panel operations and keyboard/controller performances.
About Mic/Vocal Harmony column:
(Harmony Channel/Melody Channel): The relevant parameters are received by the song part designated by the Ellpool's Harmony Channel Parameter or Melody Channel Parameter (A/D Part Receive Channel): The relevant parameters are received by the song part designated by the XG's AD Part Receive Ch.
*1: Same operation as when receiving A. Note Of.
*2: Same operation as when receiving A. Note OF, OMNI ON is not enabled.
Mic/Vocal Harmony
| CVP-501 | X |
| CVP-503 | O |
| CVP-505 | O |
| CVP-509 | O |
SA (Super Articulation)
| CVP-501 | X |
| CVP-503 | X |
| CVP-505 | O |
| CVP-509 | O |
SA2 (Super Articulation 2)
| CVP-501 | X |
| CVP-503 | X |
| CVP-505 | X |
| CVP-509 | O |
[GM1] ... GM Required Parameter
[GM2] ... GM Level 2 Required Parameter
MIDI CHANNEL MESSAGE (2)
NRPN [MIDI] [Song Creator]
| NRPN Data Entry Parameter Data Range Voice MIDI Reception MIDI Transmission PLAY REC | ||||||||||||||||||
| MSB | LSB | MSB | LSB Regular/Drum/ | Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra Right1/Right2/Left | Style | Song | UpperLower | PLAY | REW | From panel(Right1/Right2/Left) | ||
| 01H | 06H | mmH | -- | Vibrato Rate | mm: 00H-40H-7FH (-64..0...+63) | O | O(Harmony Channel/Malody Channel) | O | O | X | O | O | ● | O | O | X | O | O |
| 01H | 09H | mmH | -- | Vibrato Depth | mm: 00H-40H-7FH (-64..0...+63) | O | O(Harmony Channel/Malody Channel) | O | O | X | O | O | ● | O | O | X | O | O |
| 01H | 0AH | mmH | -- | Vorato Delay | mm: 00H-40H-7FH (-64..0...+63) | O | O(Harmony Channel/Malody Channel) | O | O | X | O | O | ● | O | O | X | O | O |
| 01H | 20H | mmH | -- | Low Pass Filter Cutoff Frequency | mm: 00H-40H-7FH (-64..0...+63) | O | X | O | X | X | O | X | X | X | O | X | O | O |
| 01H | 21H | mmH | -- | Low Pass Filter Resonance | mm: 00H-40H-7FH (-64..0...+63) | O | X | O | X | X | O | X | X | X | O | X | O | O |
| 01H | 30H | mmH | -- | EQ Bass Gain | mm: 00H-40H-7FH (-64..0...+63) | O | X | O | X | X | O | X | X | X | O | X | O | O |
| 01H | 31H | mmH | -- | EQ Treole Gain | mm: 00H-40H-7FH (-64..0...+63) | O | X | O | X | X | O | X | X | X | O | X | O | O |
| 01H | 34H | mmH | -- | EQ Bass Frequency | mm: 04H-25H (32..2.0kHz)] | O | X | O | X | X | X | X | X | X | O | X | O | O |
| 01H | 35H | mmH | -- | EQ Treole Frequency | mm: 1CH-3AH (500..16.0kHz)] | O | X | O | X | X | X | X | X | X | O | X | O | O |
| 01H | 63H | mmH | -- | EG Attack Time | mm: 00H-40H-7FH (-64..0...+63) | O | X | O | X | X | O | X | X | X | O | X | O | O |
| 01H | 64H | mmH | -- | EG Decay Time | mm: 00H-40H-7FH (-64..0...+63) | O | X | O | O | X | O | O | ● | O | O | X | O | O |
| 01H | 65H | mmH | -- | EG Release | mm: 00H-40H-7FH (-64..0...+63) | O | X | O | X | X | O | X | X | X | O | X | O | O |
| 14H | mH mmH | -- | Drum Low Pass Filter Cutoff Frequency | rr: drum instrument note number mm: 00H-40H-7FH (-64..0...+63) | O(Drum only) | X | O | X | X | X | X | X | X | O | O | X | O | X |
| 15H | mH mmH | -- | Drum Low Pass Filter Resonance | rr: drum instrument note number mm: 00H-40H-7FH (-64..0...+63) | O(Drum only) | X | O | X | X | X | X | X | X | O | O | X | O | X |
| 16H | mH mmH | -- | Drum EG Attack Rate | rr: drum instrument note number mm: 00H-40H-7FH (-64..0...+63) | O(Drum only) | X | O | X | X | X | X | X | X | O | O | X | O | X |
| 17H | mH mmH | -- | Drum EG Decay Rate | rr: drum instrument note number mm: 00H-40H-7FH (-64..0...+63) | O(Drum only) | X | O | X | X | X | X | X | X | O | O | X | O | X |
| 18H | mH mmH | -- | Drum Pitch Coarse | rr: drum instrument note number mm: 00H-40H-7FH (-64..0...+63) | O(Drum only) | X | O | X | X | X | X | X | X | O | O | X | O | X |
| 19H | mH mmH | -- | Drum Pitch Fine | rr: drum instrument note number mm: 00H-40H-7FH (-64..0...+63) | O(Drum only) | X | O | X | X | X | X | X | X | O | O | X | O | X |
| 1A1I | mH mmH | -- | Drum Level | rr: drum instrument note number mm: 00H-7FH (0..127) | O(Drum only) | X | O | X | X | X | X | X | X | O | O | X | O | X |
| 1CH | mH mmH | -- | Drum Par | rr: drum instrument note number mm: 00H, 01H-40H-7FH (RND, L63..C..R63) | O(Drum only) | X | O | X | X | X | X | X | X | O | O | X | O | X |
| 1DH | mH mmH | -- | Drum Reverb Send Level | rr: drum instrument note number mm: 00H-7FH (0..127) | O(Drum only) | X | O | X | X | X | X | X | X | O | O | X | O | X |
| 1EH | mH mmH | -- | Drum Chorus Send Level | rr: drum instrument note number mm: 00H-7FH (0..127) | O(Drum only) | X | O | X | X | X | X | X | X | O | O | X | O | X |
| 1FH | mH mmH | -- | Drum Variation Send Level | rr: drum instrument note number mm: 00H-7FH (0..127)(Variation Connection=SYSTEM) mm: 00H, 01H-7FH (OFF ON)(Variation Connection=INSERTION) | O(Drum only) | X | O | X | X | X | X | X | X | O | O | X | O | X |
| 3CH | mH mmH | -- | Drum EQ Bass Gain | rr: drum instrument note number mm: 00H-7FH (0..127) | X | X | X | X | X | X | X | X | X | X | X | X | X | X |
| 31H | mH mmH | -- | Drum EQ Treole Gain | rr: drum instrument note number mm: 00H-7FH (0..127) | X | X | X | X | X | X | X | X | X | X | X | X | X | X |
| 34H | mH mmH | -- | Drum EQ Bass Frequency | rr: drum instrument note number mm: 04H-29H (32..2.0kHz)] | X | X | X | X | X | X | X | X | X | X | X | X | X | X |
| 35H | mH mmH | -- | Drum EQ Treole Frequency | rr: drum instrument note number mm: 1CH-2AH (500..16.0kHz)] | X | X | X | X | X | X | X | X | X | X | X | X | X | X |
●: Transmitted via panel operations and keyboard/controller performances.
NRPN MSB: 14H-1FH (for drums) message is accepted as long as the channel is set with a drum voice. Data Entry LSB Ignored.
NRPN (Vocal Harmony) [MIDI] [Song Creator]
| NRPN Data Entry Parameter Data Range Voice MIDI Reception MIDI Transmission PLAY REC | ||||||||||||||||||
| MSB | LSB | MSB | LSB Regular/Orum/ | Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra Right1/Right2/Left | Style | Song | UpperLower | PLAY | REW | From panel(Right1/Right2/Left) | ||
| 0CH | 0CH | mmH | -- | Harmony Mute | mm: 0CH-3FH, 40H-7FH (OII, On) | X | O(Harmony Channel) | X | X | X | X | X | X | O | X | O | X | X |
| 01H | 1AH | mmH | -- | Delune Modulation | mm: 0CH-7FH (0..127) | X | O(Harmony Channel) | X | X | X | X | X | X | O | X | O | X | X |
| 02H | 10H | mmH | -- | Harmony1 Volume | mm: 0CH-7FH (0..127) | X | O(Harmony Channel) | X | X | X | X | X | X | ● | X | O | X | X |
| 02H | 11H | mmH | -- | Harmony2 Volume | mm: 0CH-7FH (0..127) | X | O(Harmony Channel) | X | X | X | X | X | X | ● | X | O | X | X |
| 02H | 12H | mmH | -- | Harmony3 Volume | mm: 0CH-7FH (0..127) | X | O(Harmony Channel) | X | X | X | X | X | X | ● | X | O | X | X |
| 02H | 20H | mmH | -- | Harmony1 Pan | mm: 0CH, 01H-40H-7FH(RND, L63..C..R63) | X | O(Harmony Channel) | X | X | X | X | X | X | ● | X | O | X | X |
| 02I | 21H | mmH | -- | Harmony2 Pan | mm: 0CH, 01H-40H-7FH(RND, L63..C..R63) | X | O(Harmony Channel) | X | X | X | X | X | X | ● | X | O | X | X |
| 02H | 22H | mmH | -- | Harmony3 Pan | mm: 0CH, 01H-40H-7FH(RND, L63..C..R63) | X | O(Harmony Channel) | X | X | X | X | X | X | ● | X | O | X | X |
| 02H | 30H | mmH | -- | Harmony1 Detune | mm: 0CH-40H-7FH (-64..0...+63) | X | O(Harmony Channel) | X | X | X | X | X | X | ● | X | O | X | X |
| 02H | 31H | mmH | -- | Harmony2 Detune | mm: 0CH-40H-7FH (-64..0...+63) | X | O(Harmony Channel) | X | X | X | X | X | X | ● | X | O | X | X |
| 02H | 32H | mmH | -- | Harmony3 Detune | mm: 0CH-40H-7FH (-64..0...+63) | X | O(Harmony Channel) | X | X | X | X | X | X | ● | X | O | X | X |
● Transmitted via panel operations and keyboard/controller performances.
Message is sent to the Song Channel part set in Mic Setting → Vocoder Control → Song Channel.
Data Entry I.SR Ignored.
RPN [MIDI] [Song Creator]
| RPN Data | Entry Parameter | Data Range Voice MID | Reception MIDI Transmission PLAY REC | ||||||||||||||||
| MSB | LSB | MSB | LSB | Regular | /Drum/Natural/OrganVoice | Mic/VocalHarmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | UpperLower | PLAY | REW | From panel(Right1/Right2/Left) | |
| 0CH | 0OH | mmH | -- | Pitch Bond Sensitivity[GM1][GM2] | mm: 0CH-18H (0...+24[semitones]) | ○ | ○( Harmony Channel/Melody Channel) | ○ | ○ | ○(All Keyboard parts) | ○ | ○ | ● | ○ | ○ | X | ○ | ○ | ○ |
| 0CH | 01H | mmH | IIH | Fine Tune[GM1][GM2] | mm II: 0OH 0OH -100[cont]...mm II: 40H 0OH 0[cent]...mm II: 7FH 7FH 100[cent] | ○ | X | ○ | ○ | ○(All Keyboard parts) | ○ | ○ | ● | ○ | ○ | X | ○ | ○ | ○ |
| 0CH | 02H | mmH | -- | Coarse Tune[GM1][GM2] | mm: 28H 40H 58H (-24...0...+24[semitones]) | ○ | X | ○ | ○ | ○(All Keyboard parts) | ○ | ○ | X | ○ | ○ | X | ○ | ○ | X |
| 0CH | 05H | mmH | IIH | Modulation Sensitivity[GM2] | mm: Specified in semitone stepsII: Specified in 100/128 cont steps | ○ | X | ○ | X | X | X | X | X | X | ○ | X | ○ | X | X |
| 7FH | 7FH | -- | -- | Null [GM2] | - | ○ | ○ | ○ | ○ | ○(All Keyboard parts) | ○ | ○ | X | ○ | ○ | X | ○ | X | X |
● Transmitted via panel operations and keyboard/controller performances.
About MicVocal Harmony column:
The relevant parameters are received by the song part designated by the Effect's Harmony Channel Parameter or Melody Channel Parameter.
Mic Vocal Harmony
| CVP-501 | X |
| CVP-503 | O |
| CVP-505 | O |
| CVP-509 | O |
[GM1] ... GM Required Parameter
[GM2] ... GM Level2 Required Parameter
XG PARAMETER CHANGE TABLE
* Not received when Receive System Exclusive Message Parameters is set to off.
* Not transmitted when Transmit System Exclusive Message Parameters is set to off.
MIDI Parameter Change table (XG SYSTEM)
[MIDI] [Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | XG Default (H) | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | ||||||||
| 00 | 00 | 00010203 | 4 | 00-0F00-0F00-0F00-0F | MASTER TUNE | -102.4...0...+102.3[cont] [st bit3-0 -> bit15-122nd bit3-0 -> bit11-83rd bit3-0 -> bit7-44th bit3-0 -> bit3-0 | *Panel setting value | O | O | O | ● | O | X | X | |||||||
| 04 | 1 | 00-7F | MASTER VOLUME | 0...127 | 7F | O | X | O(Available for extra parts of a song) | O | O | O | X | |||||||||
| 05 | 1 | 00-7F | MASTER ATTENUATOR | 0...127 | 00 | X | X | X | X | X | X | X | |||||||||
| 06 | 1 | 29-58 | TRANSPOSE | -24...0...+24[scmillones] | 40 | O | O | O(Available for extra parts of a song) | O | O | O | X | |||||||||
| 7D | 1 | N | DRUM SETUP RESET | N: Drum setup number | - | O(Drum only) | X | O(Available for extra parts of a song) | O | O | X | X | |||||||||
| 7E | 1 | 00 | XG SYSTEM ON | 00=XG system ON | - | O | X | O(Available for extra parts of a song) | O | O | X | O | |||||||||
| 7F | 1 | 00 | ALL PARAMETER RESET | 00=ON | - | O | X | O(Available for extra parts of a song) | O | O | X | X | |||||||||
TOTAL SIZE 07
●: Transmitted via panel operations
MIDI Parameter Change table (SYSTEM INFORMATION)
[MIDI] [Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | |||||||
| 01 | 00 | 00 | E | 20-7F | Model Name 1 | 32...127 (ASCII CHARACTER) | - | - | - | O(Available only when receiving requests via MIDI) | - | - | - | |||||||
| DD | 1 | 20-7F | Model Name 14 | 32...127 (ASCII CHARACTER) | ||||||||||||||||
| DE | NOT USED | |||||||||||||||||||
| OF | 1 | NOT USED | ||||||||||||||||||
TOTAL SIZE 10
Transmitted in response to Dump Request. Not received.
MIDI Parameter Change table (EFFECT1)
[MIDI] [Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | XG Default (H) | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | ||||||||
| 02 | 01 | 00 | 2 | 00-7F00-7F | REVERB TYPE MSB REVERB TYPE LSB | Refer to Effect Parameter List | 01 (=HALL1) 00 | O | O | O | ● | O | O | O | |||||||
| 02 | 1 | 00-7F | REVERB PARAMETER 1 | Depends on Reverb Type | O | O | O | ● | O | O | O | ||||||||||
| 03 | 1 | 00-7F | REVERB PARAMETER 2 | Depends on Reverb Type | O | O | O | ● | O | O | O | ||||||||||
| 04 | 1 | 00-7F | REVERB PARAMETER 3 | Depends on Reverb Type | O | O | O | ● | O | O | O | ||||||||||
| 05 | 1 | 00-7F | REVERB PARAMETER 4 | Depends on Revorb Type | O | O | O | ● | O | O | O | ||||||||||
| 06 | 1 | 00-7F | REVERB PARAMETER 5 | Depends on Reverb Type | O | O | O | ● | O | O | O | ||||||||||
| 07 | 1 | 00-7F | REVERB PARAMETER 6 | Depends on Revorb Type | O | O | O | ● | O | O | O | ||||||||||
| 08 | 1 | 00-7F | REVERB PARAMETER 7 | Depends on Reverb Type | O | O | O | ● | O | O | O | ||||||||||
| 09 | 1 | 00-7F | REVERB PARAMETER 8 | Refer to Effect Parameter List | Depends on Revorb Type | O | O | O | ● | O | O | O | |||||||||
| Address (H) | Size (H) | Data (H) | Parameter | Description | XG Default (H) | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Regular/Drum/Natural/Organ Voice | Mis/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | ||||||||
| OA | 00-7F | REVERB | PARAMETER 9 Depends on | Reverb Type | O | O | O | ● O | O | O | |||||||||||
| OD | 00-7F | REVERB | PARAMETER 10 Depends on | Reverb Type | O | O | O | ● O | O | O | |||||||||||
| OC | 00-7F | REVERB | RETURN -=cdB..0dB...+6d8 | (0..64..127) | <0 O O O | ● O | O | O | |||||||||||||
| OD | 1 | 01-7F | REVERB PAN | L63..C..R63 | 40 | O | O | O | O | O | O | X | |||||||||
TOTAL SIZE OF
| 02 | 01 | 0 | 1 00-7F REVERB PARAMETER 11 | Refer to Effect Parameter List | Depends on Reverb Type | O | O | O | ●O | O | O | |||
| 11 | 1 00-7F REVERB PARAMETER 12 Depends on | Reverb Type | O | O | O | ●O | O | O | ||||||
| 12 | 1 00-7F REVERB PARAMETER 13 Depends on | Reverb Type | O | O | O | ●O | O | O | ||||||
| 13 | 1 00-7F REVERB PARAMETER 14 Depends on | Reverb Type | O | O | O | ●O | O | O | ||||||
| 14 | 1 00-7F REVERB PARAMETER 15 Depends on | Reverb Type | O | O | O | ●O | O | O | ||||||
| 15 | 1 00-7F REVERB PARAMETER 16 Depends on | Reverb Type | O | O | O | ●O | O | O |
TOTAL SIZE 06
●: Transmitted via panel operations
[MIDI] [Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | XG Default (H) | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | ||||||||
| 02 | 1 | 20 | 2 00-7F00-7F | CHORUS TYPE MSBCHORUS TYPE LSB | Refer to Effect Parameter List | 41(=CHORUS1)00 | O | O | O | ●O | O | O | |||||||||
| 22 | 1 00-7F | CHORUS PARAMETER 1 | Depends on Chorus Type | O | O | O | ●O | O | O | ||||||||||||
| 23 | 1 00-7F | CHORUS PARAMETER 2 | Depends on Chorus Type | O | O | O | ●O | O | O | ||||||||||||
| 24 | 1 00-7F | CHORUS PARAMETER 3 | Depends on Chorus Type | O | O | O | ●O | O | O | ||||||||||||
| 25 | 1 00-7F | CHORUS PARAMETER 4 | Depends on Chorus Type | O | O | O | ●O | O | O | ||||||||||||
| 26 | 1 00-7F | CHORUS PARAMETER 5 | Depends on Chorus Type | O | O | O | ●O | O | O | ||||||||||||
| 27 | 1 00-7F | CHORUS PARAMETER 6 | Depends on Chorus Type | O | O | O | ●O | O | O | ||||||||||||
| 28 | 1 00-7F | CHORUS PARAMETER 7 | Depends on Chorus Type | O | O | O | ●O | O | O | ||||||||||||
| 29 | 1 00-7F | CHORUS PARAMETER 8 | Depends on Chorus Type | O | O | O | ●O | O | O | ||||||||||||
| 2A | 00-7F | CHORUS PARAMETER 9 | Depends on Chorus Type | O | O | O | ●O | O | O | ||||||||||||
| 2B | 00-7F | CHORUS PARAMETER 10 | Depends on Chorus Type | O | O | O | ●O | O | O | ||||||||||||
| 2C | 1 | 00-7F | CHORUS RETURN | →dB...0dB...+6dB(0...64...127) | 40 0 0 0 | ●O | O | O | |||||||||||||
| 2D | 1 | 01-7F | CHORUS PAN | L83...C...R63 | 40 | O | O | O | O | O | O | X | |||||||||
| 2C | 1 | 00-7F | SEND CHORUS TO REVERID | →dB...0dB...+6dB(0...64...127) | 00 0 0 0 | OO | O | X | |||||||||||||
TOTAL SIZE OF
| 02 | 01 | 30 | 1 00-7F CHORUS PARAMETER 11 | Refer to Effect Parameter List | Depends on Chorus Type | O | O | O | ● O | O | O | |||
| 31 | 1 00-7F CHORUS PARAMETER 12 | Depends on Chorus Type | O | O | O | ● O | O | O | ||||||
| 32 | 1 00-7F CHORUS PARAMETER 13 | Depends on Chorus Type | O | O | O | ● O | O | O | ||||||
| 33 | 1 00-7F CHORUS PARAMETER 14 | Depends on Chorus Type | O | O | O | ● O | O | O | ||||||
| 34 | 1 00-7F CHORUS PARAMETER 15 | Depends on Chorus Type | O | O | O | ● O | O | O | ||||||
| 35 | 1 00-7F CHORUS PARAMETER 16 | Depends on Chorus Type | O | O | O | ● O | O | O | ||||||
TOTAL SIZE 06
[MIDI] [Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | XG Default (H) | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | ||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | |||||||
| 02.01 | 40 | 2.00-7F | 00-7F | VARIATION TYPE MSB VARIATION TYPE LSB | Refer to Effect Parameter List | OS (-DELAY L.C.R) 00 | O | O | ●O | O | O | |||||||||
| 42 | 2.00-7F | 00-7F | VARIATION PARAMETER 1 MSB VARIATION PARAMETER 1 LSB | Depends on Variation Typee | O | O | ●O | O | O | |||||||||||
| 44 | 2.00-7F | 00-7F | VARIATION PARAMETER 2 MSB VARIATION PARAMETER 2 LSB | Depends on Variation Typee | O | O | ●O | O | O | |||||||||||
| 46 | 2.00-7F | 00-7F | VARIATION PARAMETER 3 MSB VARIATION PARAMETER 3 LSB | Depends on Variation Typee | O | O | ●O | O | O | |||||||||||
| 48 | 2.00-7F | 00-7F | VARIATION PARAMETER 4 MSB VARIATION PARAMETER 4 LSB | Depends on Variation Typee | O | O | ●O | O | O | |||||||||||
| 4A 2.00-7F | 00-7F | VARIATION PARAMETER 5 MSB VARIATION PARAMETER 5 LSB | Depends on Variation Typee | O | O | ●O | O | O | ||||||||||||
| 4C 2.00-7F | 00-7F | VARIATION PARAMETER 6 MSB VARIATION PARAMETER 6 LSB | Depends on Variation Typee | O | O | ●O | O | O | ||||||||||||
| 4C 2.00-7F | 00-7F | VARIATION PARAMETER 7 MSB VARIATION PARAMETER 7 LSB | Depends on Variation Typee | O | O | ●O | O | O | ||||||||||||
| 50 | 2.00-7F | 00-7F | VARIATION PARAMETER 8 MSB VARIATION PARAMETER 8 LSB | Depends on Variation Typee | O | O | ●O | O | O | |||||||||||
| 52 | 2.00-7F | 00-7F | VARIATION PARAMETER 9 MSB VARIATION PARAMETER 9 LSB | Depends on Variation Typee | O | O | ●O | O | O | |||||||||||
| 54 | 2.00-7F | 00-7F | VARIATION PARAMETER 10 MSB VARIATION PARAMETER 10 LSB | Depends on Variation Typee | O | O | ●O | O | O | |||||||||||
| 56 | 1 | 00-7F | VARIATION RETURN | →dB...c dB...+6 dB (0..64..127) | 40 O O O | ●O | O | O | ||||||||||||
| 57 | 1 | 01-7F | VARIATION PAN | LC3...C..R03 | 40 | O | O | O | O | O | X | |||||||||
| 58 | 1 | 00-7F | SEND VARIATION TO REVERB | →dB...c dB...+6 dB (0..64..127) | 00 O O O | O O | O | X | ||||||||||||
| 59 | 1.00-7F | SEND | VARIATION TO CHORUS →dB...08 | B...+6 dB (0..64..127) | 00 O O O | O O | O | X | ||||||||||||
| 5A | 1 | 00-01 | VARIATION CONNECTION | INSERTION, SYSTEM | 00 | O | O | ● | O | O | O | |||||||||
[MIDI] [Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | XG Default (H) | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | ||||||||
| 5B | 00-7F | VARIATION PART NUMBER Reception: | Part1...16 (0...15)Transmission:Part1...18 (0...15)AD (64)OFF (127) | 7F O O O ● O | O | O | |||||||||||||||
| 5C | 00-7F | MW VARIATION CONTROL DEPTH | -64...0...+63 40 O O O | O O | O | X | |||||||||||||||
| 5D | 00-7F | BEND VARIATION CONTROL DEPTH | -64...0...+63 40 O O O | O O | O | X | |||||||||||||||
| 5E | 00-7F | CAT VARIATION CONTROL DEPTH | -64...0...+63 40 O O O | O O | O | X | |||||||||||||||
| 5F | 1 00-7F | AC1 VARIATION CONTROL DEPTH | -64...0...+63 40 O O O | O O | O | X | |||||||||||||||
| 6C | 1 00-7F | AC2 VARIATION CONTROL DEPTH | -64...0...+63 40 O O O | O O | O | X | |||||||||||||||
TOTAL SIZE 21
| 02 | 01 | 70 | 1 00-7F VARIATION PARAMETER 11 | Refer to Effect: Parameter List | Depends on Variation Type | O | O | O | ●O | O | O | ||
| 71 | 1 00-7F VARIATION PARAMETER 12 | Depends on Variation Type | O | O | O | ●O | O | O | |||||
| 72 | 1 00-7F VARIATION PARAMETER 13 | Depends on Variation Type | O | O | O | ●O | O | O | |||||
| 73 | 1 00-7F VARIATION PARAMETER 14 | Depends on Variation Type | O | O | O | ●O | O | O | |||||
| 74 | 1 00-7F VARIATION PARAMETER 15 | Depends on Variation Type | O | O | O | ●O | O | O | |||||
| 75 | 1 00-7F VARIATION PARAMETER 16 | Depends on Variation Type | O | O | O | ●O | O | O | |||||
TOTAL SIZE 06
●: Transmitted via panel operations.
MIDI Parameter Change table (MULTI EQ)
[MIDI] [Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | ||||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | ||||||||
| 02 | C | 00 | 1 0C-0 | EQ TYF | F | 'ist jazz, pops, rock, classic | 'The MULTI EQ Parameter cannot be reset to its factory solting with XG SYSTEM ON. | O | O | O | O | O | X | X | |||||||
| 01 | 1 | 34-4C | EQ GAIN1 | -12...0...+12[dB] | O | O | O | ● | O | X | X | ||||||||||
| 02 | 1 | 04-28 | EQ FREQUENCY1 | 32...2.0kHz | O | O | O | ● | O | X | X | ||||||||||
| 03 | 1 | 01-78 | EQ Q1 | 0...12.0 | O | O | O | ● | O | X | X | ||||||||||
| 04 | 1 | 00-01 | EQ SHAPE1 | shovling, peaking | O | O | O | O | O | X | X | ||||||||||
| 05 | 1 | 34-4C | EQ GAIN2 | -12...0...+12[dB] | O | O | O | ● | O | X | X | ||||||||||
| 06 | 1 | 05-36 | EQ FREQUENCY2 | 100...10.0kHz | O | O | O | ● | O | X | X | ||||||||||
| 07 | 1 | 01-78 | EQ Q2 | 0...12.0 | O | O | O | ● | O | X | X | ||||||||||
| 08 | 1 | NOT USED | - | - | - | - | - | - | - | ||||||||||||
| 09 | 1 | 34-4C | EQ GAIN3 | -12...0...+12[dB] | O | O | O | ● | O | X | X | ||||||||||
| 0A | 1 | 0E-36 | EQ FREQUENCY3 | 100...10.0kHz | O | O | O | ● | O | X | X | ||||||||||
| 0B | 1 | 01-78 | EQ Q3 | 0...12.0 | O | O | O | ● | O | X | X | ||||||||||
| 0C | 1 | NOT USED | - | - | - | - | - | - | - | ||||||||||||
| 0D | 1 | 34-4C | EQ GAIN4 | -12...0...+12[dB] | O | O | O | ● | O | X | X | ||||||||||
| 0E | 1 | 0E-36 | EQ FREQUENCY4 | 100...10.0kHz | O | O | O | ● | O | X | X | ||||||||||
| 0F | 1 | 01-78 | EQ Q4 | 0...12.0 | O | O | O | ● | O | X | X | ||||||||||
| 1C | 1 | NOT USED | - | - | - | - | - | - | - | ||||||||||||
| 11 | 1 | 34-4C | EQ GAIN5 | -12...0...+12[dB] | O | O | O | ● | O | X | X | ||||||||||
| 12 | 1 | 1C-3A | EQ FREQUENCY5 | 0.5k...16.0kHz | O | O | O | ● | O | X | X | ||||||||||
| 13 | 1 | 01-78 | EQ Q5 | 0...12.0 | O | O | O | ● | O | X | X | ||||||||||
| 14 | 1 | 00-01 | EQ SHAPE5 | shovling, peaking | O | O | O | O | O | X | X | ||||||||||
TOTAL SIZE 15
●: Transmitted via panel operations.
About PLAY column
Not available when Function → Utility → Parameter Lock is checked.
MIDI Parameter Change table (EFFECT2)
[MIDI] [Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | ||||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/VocalHarmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | UpperLower | PLAY | REW | From panel(Right1/Right2/Left) | ||||||||
| 03 | n | 00 | 2 00 | 7F00-7F | INSERTION EFFECT TYPE MSB INSERTION EFFECT TYPE LSB | Refer to Effect Parameter List | *The EFFECT 2 Parameter cannot be reset to its factory setting with XB SYSTEM ON. | O | O | O | ● O O | O | |||||||||
| 02 | 1 | 00-7F | INSERTION EFFECT PARAMETER 1 | O | O | O | ● | O | O | O | |||||||||||
| 03 | 1 | 00-7F | INSERTION EFFECT PARAMETER 2 | O | O | O | ● | O | O | O | |||||||||||
| 04 | 1 | 00-7F | INSERTION EFFECT PARAMETER 3 | O | O | O | ● | O | O | O | |||||||||||
| 05 | 1 | 00-7F | INSERTION EFFECT PARAMETER 4 | O | O | O | ● | O | O | O | |||||||||||
| 06 | 1 | 00-7F | INSERTION EFFECT PARAMETER 5 | O | O | O | ● | O | O | O | |||||||||||
| 07 | 1 | 00-7F | INSERTION EFFECT PARAMETER 6 | O | O | O | ● | O | O | O | |||||||||||
| 08 | 1 | 00-7F | INSERTION EFFECT PARAMETER 7 | O | O | O | ● | O | O | O | |||||||||||
| 09 | 1 | 00-7F | INSERTION EFFECT PARAMETER 8 | O | O | O | ● | O | O | O | |||||||||||
| 0A | 1 | 00-7F | INSERTION EFFECT PARAMETER 9 | O | O | O | ● | O | O | O | |||||||||||
| 0B | 1 | 00-7F | INSERTION EFFECT PARAMETER 10 | O | O | O | ● | O | O | O | |||||||||||
| 0C | 00-7F | INSERTION EFFECT PART NUMBER | Reception Part1...16 (0...15) Transmission: Part1...16 (0...15) AD (64) OFF (127) | O | O | O | ● O O | O | |||||||||||||
| 0D | 1 | 00-7F | MW INSERTION CONTROL DEPTH | -64...0...+63 | O | O | O | O | O | O | X | ||||||||||
| 0E | 1 | 00-7F | BEND INSERTION CONTROL DEPTH | -64...0...+63 | O | O | O | O | O | O | X | ||||||||||
| 0F | 1 | 00-7F | CAT INSERTION CONTROL DEPTH | -64...0...+63 | O | O | O | O | O | O | X | ||||||||||
| 10 | 1 | 00-7F | AC1 INSERTION CONTROL DEPTH | -64...0...+63 | O | O | O | O | O | O | X | ||||||||||
| 11 | 1 | 00-7F | AC2 INSERTION CONTROL DEPTH | -64...0...+63 | O | O | O | O | O | O | X | ||||||||||
TOTAL SIZE 12
| 20 | 1.00-7F INSERTION EFFECT PARAMETER 11 Refer to Effect Parameter List | O | O | O | ●O | O | O | |||||||
| 21 | 1 | 00-7F | INSERTION EFFECT PARAMETER 12 | O | O | O | ● | O | O | O | ||||
| 22 | 1 | 00-7F | INSERTION EFFECT PARAMETER 13 | O | O | O | ● | O | O | O | ||||
| 23 | 1 | 00-7F | INSERTION EFFECT PARAMETER 14 | O | O | O | ● | O | O | O | ||||
| 24 | 1 | 00-7F | INSERTION EFFECT PARAMETER 15 | O | O | O | ● | O | O | O | ||||
| 25 | 1 | 00-7F | INSERTION EFFECT PARAMETER 16 | O | O | O | ● | O | O | O | ||||
TOTAL SIZE 6
[MIDI] [Song Creator]
| Address(H) | Size(H) | Data(H) | Parameter Description Voice | MIDI Reception MIDI Transmission PLAY REC | |||||||||||||||
| Regular/Drum/Natural/OrganVoice | Mic/VocalHarmony | Song Right1/Right2/Left | Keyboard | Style Extra Right1/Right2/Left | Style Song Upper | Lower | PLAY | NEW From panel(Right1/Right2/Left) | |||||||||||
| 30 | 2 00-7F | 0C-7F | INSERTION EFFECT PARAMETER 1 MSB INSERTION EFFECT PARAMETER 1 LS8 | Refer to Effect Parameter List | O | O | O | ● | O | O | O | ||||||||
| 32 | 2 00-7F | 0C-7F | INSERTION EFFECT PARAMETER 2 MSB INSERTION EFFECT PARAMETER 2 LS8 | O | O | O | ● | O | O | O | |||||||||
| 34 | 2 00-7F | 0C-7F | INSERTION EFFECT PARAMETER 3 MSB INSERTION EFFECT PARAMETER 3 LS8 | O | O | O | ● | O | O | O | |||||||||
| 36 | 2 00-7F | INSERTION EFFECT PARAMETER 4 MSB INSERTION EFFECT PARAMETER 4 LS8 | O | O | O | ● | O | O | O | ||||||||||
| 38 | 2 00-7F | 0C-7F | INSERTION EFFECT PARAMETER 5 MSB INSERTION EFFECT PARAMETER 5 LS8 | O | O | O | ● | O | O | O | |||||||||
| 3A | 2 00-7F | 0C-7F | INSERTION EFFECT PARAMETER 6 MSB INSERTION EFFECT PARAMETER 6 LS8 | O | O | O | ● | O | O | O | |||||||||
| 3C | 2 00-7F | 0C-7F | INSERTION EFFECT PARAMETER 7 MSB INSERTION EFFECT PARAMETER 7 LS8 | O | O | O | ● | O | O | O | |||||||||
| 3E | 2 00-7F | 0C-7F | INSERTION EFFECT PARAMETER 8 MSB INSERTION EFFECT PARAMETER 8 LS8 | O | O | O | ● | O | O | O | |||||||||
| 40 | 2 00-7F | 0C-7F | INSERTION EFFECT PARAMETER 9 MSB INSERTION EFFECT PARAMETER 9 LS8 | O | O | O | ● | O | O | O | |||||||||
| 42 | 2 00-7F | 0C-7F | INSERTION EFFECT PARAMETER 10 MSB INSERTION EFFECT PARAMETER 10 LS8 | O | O | O | ● | O | O | O | |||||||||
TOTAL SIZE 14
● Transmitted via panel operations
The second byte of the address is considered as an insertion effect number
n. insertion effect number
| CVP-501 | n = 0~2 |
| CVP-503 | n = 0~2 |
| CVP-505 | n = 0~2 |
| CVP-509 | n = 0~5 |
For effect types that do not require MSB, the Parameters for Address 02-0B will be received and the Parameters for Address 30-42 will not be received. For effect types that require MSB, the Parameters for Address 30-42 will be received and the Parameters for Address 02-0B will not be received. When bulk dumps that include Effect Type data are transmitted, the parameters for addresses 02-0B will always be transmitted.
For effects that require MSE however, when a bulk dump is received, the parameters for addresses U2-UB will not be received.
MIDI Parameter Change table (SPECIAL EFFECT)
| CVP-501 | X |
| CVP-503 | O |
| CVP-505 | O |
| CVP-509 | O |
[MIDI] [Sound Creator]
| Address (H) | Size (H) | Data (H) | Parameter Description | Voice MIDI Reception MIDI Transmission PLAY REC | |||||||||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/VocalHarmony | Song Right1/Right2/Left | Keyboard | Style Extra Right1/Right2/Left | Style Song UpperLower | PLAY REW From panel(Right1/Right2/Left) | |||||||||||||||
| 04 | 30 | 00 | 2 00-7F | 00-7F | INSERTION EFFECT TYPE MSB | Vocoder(89), Chords(90), Derune(91),Chromatic(92), Thru(0..88, 93..127) | *The SPECIAL EFFECT Parameter cannot be reset to its factory setting with XG SYSTEM ON | X | O | O | ● | O | O | X | |||||||
| 02 | 1 00-7F | INSERTION EFFECT PARAMETER 1Harmony Mode | X | O | O | ● | O | O | X | ||||||||||||
| 03 | 1 00-7F | INSERTION EFFECT PARAMETER 2Harmony Gender Type | Off(0), Auto(1) | X | O | O | ● | O | O | X | |||||||||||
| 04 | 1 00-7F | INSERTION EFFECT PARAMETER 3Lead Gender Type | Off(0), Unison(1), Male(2), Female(3) | X | O | O | ● | O | O | X | |||||||||||
| 05 | 1 00-7F | INSERTION EFFECT PARAMETER 4Lead Gender Depth | -64..0..+63(0..127) | X | O | O | ● | O | O | X | |||||||||||
| 06 | 1 00-7F | INSERTION EFFECT PARAMETER 5Lead Pitch Correction | Free(0), Correct(1) | X | O | O | ● | O | O | X | |||||||||||
| 07 | 1 00-7F | INSERTION EFFECT PARAMETER 6Auto Upper Gender Threshold | 0..12(0..12) | X | O | O | ● | O | O | X | |||||||||||
| 08 | 1 00-7F | INSERTION EFFECT PARAMETER 7Auto Lower Gender Threshold | 0..12(0..12) | X | O | O | ● | O | O | X | |||||||||||
| 09 | 1 00-7F | INSERTION EFFECT PARAMETER 8Upper Gender Depth | -64..0..+63(0..127) | X | O | O | ● | O | O | X | |||||||||||
| 0A | 1 00-7F | INSERTION EFFECT PARAMETER 9Lower Gender Depth | -64..0..+63(0..127) | X | O | O | ● | O | O | X | |||||||||||
| 0B | 1 00-7F | INSERTION EFFECT PARAMETER 10 | L63>H, L-H, LxH65(1..64..127) | X | O | O | ● | O | O | X | |||||||||||
| 0C | 1 00-7F | INSERTION EFFECT PART NUMBER AD | (64), OFF(0..63,65..127) | X | O | O | ● | O | O | O | |||||||||||
| 0D | 1 | 00-7F | MW INSERTION CONTROL DEPTH | -64..0..+63 | X | X | X | X | X | X | X | ||||||||||
| 0E | 1 | 00-7F | BEND INSERTION CONTROL DEPTH | -64..0..+63 | X | X | X | X | X | X | X | ||||||||||
| 0F | 1 | 00-7F | CAT INSERTION CONTROL DEPTI | -64..0..+63 | X | X | X | X | X | X | X | ||||||||||
| 10 | 1 | 00-7F | AC1 INSERTION CONTROL DEPTI | -64..0..+63 | X | X | X | X | X | X | X | ||||||||||
| 11 | 1 | 00-7F | AC2 INSERTION CONTROL DEPTH | -64..0..+63 | X | X | X | X | X | X | X | ||||||||||
TOTAL SIZE 12
| 14 | 00-7F | UNIQUE INSERTION EFFECT EXTERNAL CONTROL CH1 (I HARMONY CHANNEL) | 1..16(0..15), OFF (127) | X | O | O | ● | O | O | X | |||
| 15 | 00-7F | UNIQUE INSERTION EFFECT EXTERNAL CONTROL CH1 (MELODY CHANNEL) | 1..16(0..15), OFF (127) | X | O | O | O | O | O | X |
TOTAL SIZE 2
| 20 | 100-7F | INSERTION EFFECT PARAMETER 11Vibrato Depth | 0...100ccr (0...127) | X | O | O | ● | O | O | X | |||
| 21 | 100-7F | INSERTION EFFECT PARAMETER 12Vibrato Rate | 9Hz (0)0.1...12.9Hz(1...127) | X | O | O | ● | O | O | X | |||
| 22 | 100-7F | INSERTION EFFECT PARAMETER 13Vibrato Delay | 0...2.54sec (0...127) | X | O | O | ● | O | O | X | |||
| 23 | 1 | 00-7F | INSERTION EFFECT PARAMETER 14 | X | X | X | X | X | X | X | |||
| 24 | 1 | 00-7F | INSERTION EFFECT PARAMETER 15 | X | X | X | X | X | X | X | |||
| 25 | 1 | 00-7F | INSERTION EFFECT PARAMETER 16 | X | X | X | X | X | X | X |
TOTAL SIZE 6
●: Transmitted via panel operations
MIDI Parameter Change table (MULTI PART)
[MIDI] [Sound Creator]
| Address (H) | Size (H) | Data (H) | Parameter Description | XG Default | (H) | Voice MIDI Reception MIDI Transmission PLAY REC | ||||||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/VocalHarmony | Song | Right1/Right2/Left | Keyboard | Style | Extra Right | Right1/Right2/Left | Style | Song | UpperLower | PLAY | REW From panel(Right1/Right2/Left) | ||||||||
| 08 | in 00 | 1 00 | 20 ELEMENT RESERVE | 0..32 | part 10, 26=3 | other parts=2 | - | - | - | - | - | - | - | - | - | - | - | - | - | - |
| 01 | 1 | 00-7F | BANK SELECT MSB | 0..127 | part 10=7T, other parts=00 | O | X | O | O | X | O | O | X | X | O | X | O | O | ||
| 02 | 1 | 00-7F | BANK SELECT LSB | 0..127 | 00 | O | X | O | O | X | O | O | X | X | O | X | O | O | ||
| 03 | 1 | 00-7F | PROGRAM NUMBER | 1..128 | 00 | O | X | O | O | X | O | O | X | X | O | X | O | O | ||
| 04 | 00 OF /F | Rev CHANNEL | 1..16 OTT | Part No. | O | X | O | X | X | X | X | X | X | X | O | X | O | X | ||
| 05 | 1 | 00-01 | MOND/POLY MODE | MOND, POLY | 01 | O | X | O | X | X | X | X | X | X | O | X | O | X | ||
| 06 | 00-02 | SAME NOTE NUMBER KEY ON ASSIGN | SINGLE MULTI INST (for Drum) | 01 | O | X | O | X | X | O | X | X | X | O | X | O | X | X | ||
| 07 | 00-03 | PART MODE | NORMA DRUMS1..2 | part 10=02, other parts=00 | O | X | O | X | X | X | X | ● | ● | ● | X | O | X | O | ||
| 08 | 1 | 29-58 | NOTE SHIFT | -24..0..+24[semilones] | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | ||
| 09OA | 2 00 OF 00-0F | DETUNE | -12 8..0..+12 7[Hz]1st bit3-0->bit7-42nd bit3-0->bit3-0 | 05:00 | O | X | O | O | X | O | O | X | X | O | X | O | X | X | ||
| 08 | 1 | 00-7F | VOLUME | 0..127 | 64 | O | X | O | O | X | O | O | X | X | O | X | O | O | ||
| 0C | 1 | 00-7F | VELOCITY SENSE DEPTH | 0..127 | 40 | O | X | O | O | X | X | O | ● | X | O | X | O | O | ||
| 0D | 1 | 00-7F | VELOCITY SENSE OFFSET | 0..127 | 40 | O | X | O | O | X | X | O | ● | X | O | X | O | O | ||
| 0E | 1 | 00-7F | PAN | RND, L03..C..R63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | ||
| 0F | 1 | 00-7F | NOTE LIMIT LOW | C-2..G8 | 00 | O | X | O | X | X | X | X | X | X | O | X | O | X | ||
| 10 | 1 | 00-7F | NOTE LIMIT HIGH | C-2..G8 | 7F | O | X | O | X | X | X | X | X | X | O | X | O | X | ||
| 11 | 1 | 00-7F | DRY LEVEL | 0..127 | 7F | O | X | O | O | X | O | O | X | ● | ● | X | O | O | ||
| 12 | 1 | 00-7F | CHORUS SEND | 0..127 | 00 | O | X | O | O | X | O | O | X | X | O | X | O | O | ||
| 13 | 1 | 00-7F | REVERB SEND | 0..127 | 28 | O | X | O | O | X | O | O | X | X | O | X | O | O | ||
| 14 | 1 | 00-7F | VARIATION SEND | 0..127 | 00 | O | X | O | O | X | O | O | X | X | O | X | O | O | ||
| 15 | 1 | 00-7F | VIBRATO RATE | -64..0..+63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | ||
| 16 | 1 | 00-7F | VIBRATO DEPTH | -64..0..+63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | ||
| 17 | 1 | 00-7F | VIBRATO DELAY | -64..0..+63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | ||
| 18 | 1 | 00-7F | FILTER CUTOFF FREQUENCY | -64..0..+63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | ||
| 19 | 1 | 00-7F | FILTER RESONANCE | -64..0..+63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | ||
| 1A | 1 | 00-7F | EC ATTACK TIME | -64..0..+63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | ||
| 1Q | 1 | 00-7F | EC DECKY TIME | -64..0..+63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | ||
| 1C | 1 | 00-7F | EC RELEASE TIME | -64..0..+63 | 40 | O | X | O | O | X | O | O | X | X | O | X | O | O | ||
| 1D | 1 | 28-58 | MW PITCH CONTROL | -24..0..+24[semilones] | 40 | O | X | O | O | X | X | O | X | X | O | X | O | X | ||
| 1E | 1 00-7F MW | LOW PASS FILTER CONTROL | -9600..0..+9450[cent] | 40 | O | X | O | O | X | X | O | ● | X | O | X | O | O | |||
| 1F | 1 | 00-7F | MW AMPLITUDE CONTROL | -100..0..+100[%] | 40 | O | X | O | O | X | X | O | X | X | O | X | O | X | ||
| 20 | 1 | 00-7F | MW LFO PMOD DEPTH | 0..127 | 0A | O | X | O | O | X | X | O | ● | X | O | X | O | O | ||
| 21 | 1 | 00-7F | MW LFO FMOD DEPTI | 0..127 | 00 | O | X | O | O | X | X | O | ● | X | O | X | O | O | ||
| 22 | 1 | 00-7F | MW LFO AMOD DEPTH | 0..127 | 00 | O | X | O | O | X | X | O | ● | X | O | X | O | O | ||
| 23 | 1 | 28-58 | BEND PITCH CONTROL | -24..0..+24[semilones] | 42 | O | X | O | O | X | O | O | X | X | O | X | O | X | ||
| 24 | 00-7F BEND LOW PASS FILTER CONTROL | -9600..0..+9450[cent] | 40 | O | X | O | O | X | O | O | X | X | O | X | O | X | ||||
| 25 | 1 | 00-7F | BEND AMPLITUDE CONTROL | -100..0..+100[%] | 40 | O | X | O | O | X | O | O | X | X | O | X | O | X | ||
| 26 | 1 | 00-7F | BEND LFO PMOD DEPTH | 0..127 | 00 | O | X | O | O | X | O | O | X | X | O | X | O | X | ||
| 27 | 1 | 00-7F | BEND LFO FMOD DEPTH | 0..127 | 00 | O | X | O | O | X | O | O | X | X | O | X | O | X | ||
| 28 | 1 | 00-7F | BEND LFO AMOD DEPTH | 0..127 | 00 | O | X | O | O | X | O | O | X | X | O | X | O | X | ||
TOTAL SIZE 29
[MIDI] [Sound Creator]
| Address (H) | Size (H) | Data (H) | Parameter Description | XG Default | (H) | Voice MIDI Reception MIDI Transmission PLAY REC | ||||||||||||||
| Regular/Drum/Natural/Organ Voice | Mlc/VocalHarmony | Song Right1/Right2/Left | Keyboard | Style Extra Right1/Right2/Left | Style Song Upper | PLAY | REW From panel(Right1/Right2/Left) | |||||||||||||
| 30 | 1 | 00-01 | Rev PITCH BEND | OFF, ON | 01 | O | X | O | X | X | X | X | X | X | O | X | X | |||
| 31 | 1 | 00-01 | Rev C1 AFTER TOUCH (CAT) | OFF, ON | 01 | O | X | O | X | X | X | X | X | O | X | O | X | |||
| 32 | 1 | 00-01 | Rev PROGRAM CHANGE | OFF, ON | 01 | O | X | O | X | X | X | X | X | O | X | O | X | |||
| 33 | 1 | 00-01 | Rev CONTROL CHANGE | OFF, ON | 01 | O | X | O | X | X | X | X | X | O | X | O | X | |||
| 34 | 1 | 00-01 | Rev POLY AFTER TOUCH(PAT) | OFF, ON | 01 | O | X | O | X | X | X | X | X | O | X | O | X | |||
| 35 | 1 | 00-01 | Rev NOTE MESSAGE | OFF, ON | 01 | O | X | O | X | X | X | X | X | O | X | O | X | |||
| 36 | 1 | 00-01 | Rev RPN | OFF, ON | 01 | O | X | O | X | X | X | X | X | O | X | O | X | |||
| 37 | 00-01 | Rev NFPN | OFF, ON | XGmode=01, GMmode=00 | O | X | O | X | X | X | X | X | X | O | X | O | X | |||
| 38 | 1 | 00-01 | Rev MODULATION | OFF, ON | 01 | O | X | O | X | X | X | X | X | O | X | O | X | |||
| 39 | 1 | 00-01 | Rev VOLUME | OFF, ON | 01 | O | X | O | X | X | X | X | X | O | X | O | X | |||
| 3A | 1 | 00-01 | Rev PAN | OFF, ON | 01 | O | X | O | X | X | X | X | X | O | X | O | X | |||
| 3D | 1 | 00-01 | Rev EXPRESSION | OFF, ON | 01 | O | X | O | X | X | X | X | X | O | X | O | X | |||
| 3C | 1 | 00-01 | Rev HOLD1 | OFF, ON | 01 | O | X | O | X | X | X | X | X | O | X | O | X | |||
| 3D | 1 | 00-01 | Rev PORTAMENTO | OFF, ON | 01 | O | X | O | X | X | X | X | X | O | X | O | X | |||
| 3E | 1 | 00-01 | Rev SOSTENUTO | OFF, ON | 01 | O | X | O | X | X | X | X | X | O | X | O | X | |||
| 3F | 1 | 00-01 | Rev SOFT PEDAL | OFF, ON | 01 | O | X | O | X | X | X | X | X | O | X | O | X | |||
| 40 | 1 | 00-01 | Rev BANK SELECT | OFF, ON | 01 | O | X | O | X | X | X | X | X | O | X | O | X | |||
| 41 | 1 | 00-7F | SCALE TUNING C | -64...0...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | |||
| 42 | 1 | 00-7F | SCALE TUNING C# | -64...0...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | |||
| 43 | 1 | 00-7F | SCALE TUNING D | -64...0...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | |||
| 44 | 1 | 00-7F | SCALE TUNING Da | -64...0...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | |||
| 45 | 1 | 00-7F | SCALE TUNING E | -64...0...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | |||
| 46 | 1 | 00-7F | SCALE TUNING F | -64...0...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | |||
| 47 | 1 | 00-7F | SCALE TUNING F# | -64...0...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | |||
| 48 | 1 | 00-7F | SCALE TUNING G | -64...0...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | |||
| 49 | 1 | 00-7F | SCALE TUNING G# | -64...0...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | |||
| 4A | 1 | 00-7F | SCALE TUNING A | -64...0...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | |||
| 4B | 1 | 00-7F | SCALE TUNING A# | -64...0...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | |||
| 4C | 1 | 00-7F | SCALE TUNING B | -64...0...+63[cent] | 40 | O | X | O | O | X | O | O | ● | ● | O | X | O | |||
| 4D | 1 | 28-58 | CAT PITCH CONTROL | -24...0...+24[semicones] | 40 | O | X | O | O | X | X | O | X | X | O | X | O | |||
| 4E | 100-7F CAT | LOW PASS FILTER CONTROL | -9600...0...+9450[cent] | 40 | O | X | O | O | X | X | O | X | X | O | X | O | X | |||
| 4F | 1 | 00-7F | CAT AMPLITUDE CONTROL | -100...0...+100[%] | 40 | O | X | O | O | X | X | O | X | X | O | X | O | |||
| 50 | 1 | 00-7F | CAT LFO PMOD DEPTH I | 0...127 | 30 | O | X | O | O | X | X | O | X | X | O | X | O | |||
| 51 | 1 | 00-7F | CAT LFO PMOD DEPTH | 0...127 | 30 | O | X | O | O | X | X | O | X | X | O | X | O | |||
| 52 | 1 | 00-7F | CAT LFO AMMOD DEPTH | 0...127 | 30 | O | X | O | O | X | X | O | X | X | O | X | O | |||
| 53 | 1 | 28-58 | PAT PITCH CONTROL | -24...0...+24[semicones] | 40 | O | X | O | X | X | X | X | X | O | X | O | X | |||
| 54 | 100-7F PAT LOW PASS FILTER CONTROL | -9600...0...+9450[cent] | 40 | O | X | O | X | X | X | X | X | O | X | O | X | |||||
| 55 | 1 | 00-7F | PAT AMPLITUDE CONTROL | -100...0...+100[%] | 40 | O | X | O | X | X | X | X | X | X | O | X | X | |||
| 56 | 1 | 00-7F | PAT LFO PMOD DEPTH I | 0...127 | 30 | O | X | O | X | X | X | X | X | O | X | O | X | |||
| 57 | 1 | 00-7F | PAT LFO PMOD DEPTH | 0...127 | 30 | O | X | O | X | X | X | X | X | O | X | O | X | |||
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI
[MIDI] [Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | XG Default (H) | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | ||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | |||||||
| 58 | 1 | 00-7F | PAT LFO AMOD DEPTH | 0..127 | 30 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |
| 59 | 1 | 00-5F | AC1 CONTROLLER NUMBER | 0..95 | 10 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |
| 5A | 1 | 28-58 | AC1 PITCH CONTROL | -24..0..+24[semitones] | 40 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |
| 5B | 1 00-7F | AC1 | LOW PASS FILTER CONTROL | -9600..0..+9450[cent] | 40 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |
| 5C | 1 | 00-7F | AC1 AMPLITUDE CONTROL | -100..0..+100[%] | 40 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |
| 5D | 1 | 00-7F | AC1 LFO PMOD DEPTH | 0..127 | 00 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |
| 5E | 1 | 00-7F | AC1 LFO PMOD DEPTH | 0..127 | 00 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |
| 5F | 1 | 00-7F | AC1 LFO AMOD DEPTH | 0..127 | 00 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |
| 60 | 1 | 00-5F | AC2 CONTROLLER NUMBER | 0..95 | 11 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |
| 61 | 1 | 29-58 | AC2 PITCH CONTROL | -24..0..+24[somiltonus] | 40 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |
| 62 | 00-7F | AC2 LOW PASS FILTER CONTROL | -9600..0..+9450[cent] | 40 | O | X | O | X | X | X | X | X | X | X | O | X | O | X | X | |
| 63 | 1 | 00-7F | AC2 AMPLITUDE CONTROL | -100..0..+100[%] | 40 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |
| 64 | 1 | 00-7F | AC2 LFO PMOD DEPTH | 0..127 | 00 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |
| 65 | 1 | 00-7F | AC2 LFO PMOD DEPTH | 0..127 | 00 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |
| 66 | 1 | 00-7F | AC2 LFO AMOD DEPTH | 0..127 | 00 | O | X | O | X | X | X | X | X | X | O | X | O | X | X | |
| 67 | 00-01 | PORTAMENTO SWITCH OFF ON | 00 O | (Except Natural Piano, Organ Flutes) | X | O | O | X | X | O | X | X | O | X | O | O | X | |||
| 68 | 1 | 00-7F | PORTAMENTO TIME | 0..127 | 30 | O | X | O | O | X | X | O | X | X | O | X | O | O | X | |
| 69 | 1 | 00-7F | PITCH EG INITIAL LEVEL | -64..0..+63 | 40 | O | X | O | O | X | X | O | X | X | O | X | O | X | X | |
| 6A | 1 | 00-7F | PITCH EG ATTACK TIME | -64..0..+63 | 40 | O | X | O | O | X | X | O | X | X | O | X | O | X | X | |
| 6B | 1 | 00-7F | PITCH EG RELEASE LEVEL | -64..0..+63 | 40 | O | X | O | O | X | X | O | X | X | O | X | O | X | X | |
| 6C | 1 | 00-7F | PITCH EG RELEASE TIME | -64..0..+63 | 40 | O | X | O | O | X | X | O | X | X | O | X | O | X | X | |
| 6D | 1 | 01-7F | VELOCITY LIMIT LOW | 1..127 | 01 | O | X | O | O | X | X | O | X | X | O | X | O | X | X | |
| 6E | 1 | 01-7F | VELOCITY LIMIT HIGH | 1..127 | 7F | O | X | O | O | X | X | O | X | X | O | X | O | X | X | |
TOTAL SIZE 3F
| 70 | 1 | NOT USED | - | - | - | - | - | - | - | - | - | - | - | - | - | - | ||||
| 71 | 1 | NOT USED | - | - | - | - | - | - | - | - | - | - | - | - | - | - | ||||
| 72 | 1 | 00-F | EQ BASS GAIN | -12dB...+12dB | 40 | 0 | X | 0 | 0 | X | 0 | 0 | ● | ● | ● | X | 0 | 0 | ||
| 73 | 1 | 00-F | EQ TREBLE GAIN | -12dB...+12c5 | 40 | 0 | X | 0 | 0 | X | 0 | 0 | ● | ● | ● | X | 0 | 0 |
TOTAL SIZE 04
| 74 | 1 | NOT USED | - | - | - | - | - | - | - | - | |||||||||||
| 75 | 1 | NOT USED | - | - | - | - | - | - | - | - | |||||||||||
| 76 | 1 | 04-28 | EQ BASS FREQUENCY | 32..2.0kHz | 0C | 0 | X | 0 | 0 | X | X | 0 | ● | ● | 0 | X | 0 | 0 | 0 | ||
| 77 | 1 | IC-3A | EQ TREEFREQUENCY | 500..16.0kHz | 36 | 0 | X | 0 | 0 | X | X | 0 | ● | ● | 0 | X | 0 | 0 | 0 | ||
| 78 | 1 | NOT USED | - | - | - | - | - | - | - | - | |||||||||||
| 79 | 1 | NOT USED | - | - | - | - | - | - | - | - | |||||||||||
| 7A | 1 | NOT USED | - | - | - | - | - | - | - | - | |||||||||||
| 7B | 1 | NOT USED | - | - | - | - | - | - | - | - | |||||||||||
| 7C | 1 | NOT USED | - | - | - | - | - | - | - | - | |||||||||||
| 7D | 1 | NOT USED | - | - | - | - | - | - | - | - | |||||||||||
| 7E | 1 | NOT USED | - | - | - | - | - | - | - | - | |||||||||||
| 7F | 1 | NOT USED | - | - | - | - | - | - | - | - |
TOTAL SIZE 00
● Transmitted via panel operations
[MIDI] [Sound Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description XG Default (H) | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | ||||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/Vocal Harmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | Upper Lower | PLAY | REW | From panel (Right1/Right2/Left) | ||||||||
| OA | nn | 40 | 1 | 00-7F | MW OFFSET LEVEL CONTROL | -100 100[%] | 40 | O | - | O | O | X | X | O | ● | X | C | X | O | O | O |
| 41 | 1 | 00-7F | BEND OFFSET LEVEL CONTROL | -100 - 100[%] | 40 | O | - | O | X | X | X | X | X | X | C | X | O | O | X | ||
| 42 | 1 | 00-7F | CAT OFFSET LEVEL CONTROL | -100 100[%] | 40 | O | - | O | O | X | X | O | X | X | O | X | O | O | X | ||
| 43 | 1 | 00-7F | PAT OFFSET LEVEL CONTROL | -100 100[%] | 40 | O | - | O | X | X | X | X | X | X | O | X | O | O | X | ||
| 44 | 1 | 00-7F | AC1 OFFSET LEVEL CONTROL | -100 - 100[%] | 40 | O | - | O | X | X | X | X | X | X | C | X | O | O | X | ||
| 45 | 1 | 00-7F | AC2 OFFSET LEVEL CONTROL | -100 100[%] | 40 | O | - | O | X | X | X | X | X | X | C | X | O | O | X | ||
TOTAL SIZE 06
●: Transmitted via panel operations
nn = PART NUMBER
If there is a Drum Voice assigned to the part, the following parameters are ineffective.
• BANK SELECT LSB PORTALWESO
• PORTAMENTO
• MONOPOLY
• MONOPOLY
• SCALE TUNING
• POLY AFTER TOUCH
• PITCH EG
MIDI Parameter Change table (A/D PART)
| CVP-501 X | |
| CVP-503 O | |
| CVP-505 O | |
| CVP-509 O |
[MIDI] [Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter Description Voice MIDI Reception MIDI | Transmission | PLAY REC | |||||||||||||
| Regular/Drum/Natural/OrganVoice | Mic/VocalHarmony | Song | Right1/Right2/Left | Keyboard | Style | Extra Right1/Right2/Left | Style | Song UpperLower | PLAY | REW | ||||||||
| 10 | On | 00 | 1 | 00-01 | INPUT GAIN | MIC, LINE | *The A/D PART parameter cannot be resol to its factory setting with XG System On | X | X | X | X | X | X | |||||
| 01 | 1 | 00-7F | BANK SELECT MSG | 0..127 | X | X | X | X | X | X | ||||||||
| 02 | 1 | 00-7F | BANK SELECT LSB | 0..127 | X | X | X | X | X | X | ||||||||
| 03 | 1 | 00-7F | PROGRAM NUMBER | 1..128 | X | X | X | X | X | X | ||||||||
| 04 | 1 | 00-0F, 7F | Rev CHANNEL | 1..16, OFF | X | O | O | O | O | X | ||||||||
| 05 | 1 | NOT USED | - | - | - | - | - | - | ||||||||||
| 06 | 1 | NOT USED | - | - | - | - | - | - | ||||||||||
| 07 | 1 | NOT USED | - | - | - | - | - | - | ||||||||||
| 08 | 1 | NOT USED | - | - | - | - | - | - | ||||||||||
| 09 | 1 | NOT USED | - | - | - | - | - | - | ||||||||||
| 0A | 1 | NOT USED | - | - | - | - | - | - | ||||||||||
| 0B | 1 | 00-7F | VOLUME | 0..127 | X | O | O | ● | O | X | ||||||||
| 0C | 1 | NOT USED | - | - | - | - | - | - | ||||||||||
| 0D | 1 | NOT USED | - | - | - | - | - | - | ||||||||||
| 0E | 1 | 01-7F | PAN | L63..C..R63 | X | O | O | ● | O | X | ||||||||
| 0F | 1 | NOT USED | - | - | - | - | - | - | ||||||||||
| 10 | 1 | NOT USED | - | - | - | - | - | - | ||||||||||
| 11 | 1 | 00-7F | DRY LEVEL | 0..127 | X | O | O | ● | O | X | ||||||||
| 12 | 1 | 00-7F | CHORUS SEND | 0..127 | X | O | O | ● | O | X | ||||||||
| 13 | 1 | 00-7F | REVERB SEND | 0..127 | X | O | O | ● | O | X | ||||||||
| 14 | 1 | 00-7F | VARIATION SEND | 0..127 | X | O | O | ● | O | X | ||||||||
TOTAL SIZE 15
n: A/D Part Number (U)
MIDI Parameter Change table (DRUM SETUP)
[MIDI] [Song Creator]
| Address (H) | Size (H) | Data (H) | Parameter | Description | XG Default (H) | Voice | MIDI Reception | MIDI Transmission PLAY REC | ||||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/VocalHarmony | Song | Right1/Right2/Left | Keyboard | Style | Extra Right1/Right2/Left | Style | Song UpperLower | PLAY | REW | From panel(Right1/Right2/Left) | |||||||||
| 3n | rr | 00 | 1 | 00-7F | PITCH COARSE | -64...0...+63 | 40 | O(Drum only) | X | C(Available only for song parts) | C | C | X | X | ||||||
| 01 | 1 | 00-7F | PITCH FINE | -64...0...+63[cent] | 40 | O(Drum only) | X | C(Available only for song parts) | C | C | X | X | ||||||||
| 02 | 1 | 00-7F | LEVEL | 0...127 | Depends on the note | C(Drum only) | X | C(Available only for song parts) | C | C | X | X | ||||||||
| 03 | 1 | 00-7F | ALTERNATE GROUP | OFF, 1...127 | Depends on the note | C(Drum only) | X | C(Available only for song parts) | C | C | X | X | ||||||||
| 04 | 1 | 00-7F | PAN | RND, L63...C...R63 | Depends on the note | C(Drum only) | X | C(Available only for song parts) | C | C | X | X | ||||||||
| 05 | 1 | 00-7F | REVERB SEND | 0...127 | Depends on the note | C(Drum only) | X | C(Available only for song parts) | C | C | X | X | ||||||||
| 06 | 1 | 00-7F | CHORUS SEND | 0...127 | Depends on the note | C(Drum only) | X | C(Available only for song parts) | C | C | X | X | ||||||||
| 07 | 1 | 00-7F | VARIATION SEND | 0...127 | 7F | O(Drum only) | X | C(Available only for song parts) | C | C | X | X | ||||||||
| 08 | 1 | 00-01 | KEY ASSIGN | SINGLE, MULTI | 00 | O(Drum only) | X | C(Available only for song parts) | C | C | X | X | ||||||||
| 09 | 1 | 00-01 | Rev NOTE OFF | OFF, ON | Depends on the note | C(Drum only) | X | C(Available only for song parts) | C | C | X | X | ||||||||
| 0A | 1 | 00-01 | Rev NOTE ON | OFF, ON | 01 | O(Drum only) | X | C(Available only for song parts) | C | C | X | X | ||||||||
| 0B | 1 | 00-7F | LOW PASS FILTER CUTOFF FREQUENCY | -64...0...+63 | 40 | O(Drum only) | X | C(Available only for song parts) | C | C | X | X | ||||||||
| 0C | 1 | 00-7F | LOW PASS FILTER RESONANCE | -64...0...+63 | 40 | O(Drum only) | X | C(Available only for song parts) | C | C | X | X | ||||||||
| 0D | 1 | 00-7F | EG ATTACK RATE | -64...0...+63 | 40 | O(Drum only) | X | C(Available only for song parts) | C | C | X | X | ||||||||
| 0E | 1 | 00-7F | EG DECAY1 RATE | -64...0...+63 | 40 | O(Drum only) | X | C(Available only for song parts) | C | C | X | X | ||||||||
| 0F | 1 | 00-7F | EG DECAY2 RATE | -64...0...+63 | 40 | O(Drum only) | X | C(Available only for song parts) | C | C | X | X | ||||||||
TOTAL SIZE 10
| 20 | 1 | 00-7F | EQ BASS GAIN | -12..+12[dB] | 40 | X | X | X | O | X | X | X | ||
| 21 | 1 | 00-7F | EQ TREBLE GAIN | -12..+12[dB] | 40 | X | X | X | O | X | X | X | ||
| 22 | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 23 | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 24 | 1 | 04-28 | EQ BASS FREQUENCY | 32..20kHz | 0C | X | X | X | O | X | X | X | ||
| 25 | 1 | 1C-3A | EQ TREBLE FREQUENCY | 500..16.0kHz | 36 | X | X | X | O | X | X | X | ||
| 26 | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 27 | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 28 | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 29 | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 2A | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 2B | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 2C | 1 | NOT USED | - | - | - | - | - | - | - | - | ||||
| 2D | 1 | NOT USED | - | - | - | - | - | - | - | - |
TOTAL SIZE OF
n: Drum Selup Number (0-1)
rr hole number (DD-5B)
In the following cases, the instrument will initialize all Drum Setups.
XC SYSTEM ON received
GM SYSTEM ON received
GM LEVEL2 SYSTEM ON received
GS RESET received
DRUM SETUP RESET received (only when in XG mode)
[Note]
When a part to which a Drum Setup is assigned receives a program change, the assigned Drum Setup will be initialized.
If the same Drum Setup is assigned to two or more parts, changes in Drum Setup parameters (including program changes) will apply to all parts to which it is assigned.
System Exclusive Messages (1)
[GM1] ... GM Required Parameter
[GM2] ... GM Level2 Required Parameter
* Not received when Receive System Exclusive Messaging Parameters is set to off.
* Not transmitted when Transmit System Exclusive Message Parameters is set to off.
System Exclusive Messages (Universal Real Time Messages)
[MIDI] [Song Creator]
| MIDI Event Data Format Voice MIDI Reception MIDI Transmission PLAY REC | ||||||||||||||
| Regular/Drum/Natural/OrganVoice | Mic/VocalHarmony | Song Right1/Right2/Left | Keyboard | Style Extra Right1/Right2/Left | Style Song Upper | PLAY | REW From paneloperations | |||||||
| MasterVolume[GM2] | F0 7F XN 04 01 SS TT F7 C X O | (Available for extra parts of a song) | O | C | O | X | ||||||||
| 11110200 F0 = Exclusive status | ||||||||||||||
| 31111111 /F = Universal Real Time | ||||||||||||||
| 3xxxxmmn XN = When N is received N = 0-F, whichever is received. X = ignored | ||||||||||||||
| 0000100 C4 = Sub-ID #1 = Device Control Message | ||||||||||||||
| 00002001 C1 = Sub-ID #2 = Master Volume | ||||||||||||||
| 3cases SS = Volume LSB | ||||||||||||||
| 3ttttttt TT = Volume MSB | ||||||||||||||
| 11110111 F7 = End of Exclusive | ||||||||||||||
| Master FineTuning[GM2] | F0 7F XN 04 03 SS TT F7 C X O | (Available for extra parts of a song) | O | C | X | X | ||||||||
| 11110200 F0 = Exclusive status | ||||||||||||||
| 31111111 /F = Universal Real Time | ||||||||||||||
| 3xxxxmmn XN = When N is received N = 0-F, whichever is received. X = ignored | ||||||||||||||
| 0000100 C4 = Sub-ID #1 = Device Control Message | ||||||||||||||
| 00002001 C3 = Sub-ID #2 = Master Fine Tuning | ||||||||||||||
| 3cases SS = Fine Tuning LSB | ||||||||||||||
| 3ttttttt TT = Fine Tuning MSB | ||||||||||||||
| 11110111 F7 = End of Exclusive | ||||||||||||||
| Master CoarseTuning[GM2] | F0 7F XN 04 04 00 TT F7 | O | X | C(Available for extra parts of a song) | O | C | X | X | ||||||
| 11110200 F0 = Exclusive status | ||||||||||||||
| 31111111 /F = Universal Real Time | ||||||||||||||
| 3xxxxmmn XN = When N is received N = 0-F, whichever is received. X = ignored | ||||||||||||||
| 0000100 C4 = Sub-ID #1 = Device Control Message | ||||||||||||||
| 00002001 C3 = Sub-ID #1 = Master Coarse Tuning | ||||||||||||||
| 3cases SS = Fine Tuning LSB | ||||||||||||||
| 3ttttttt TT = Fine Tuning MSB | ||||||||||||||
| 11110111 F7 = End of Exclusive | ||||||||||||||
| ReverbParameter[GM2] | F0 7F XN 04 05 01 01 01 01 PP VV ... F7 | O | O | O | O | C | O | X | ||||||
| 11000200 F0 = Exclusive status | ||||||||||||||
| 31111111 /F = Universal Real Time | ||||||||||||||
| 3xxxxmmn XN = When N is received N = 0-F, whichever is received. X = ignored | ||||||||||||||
| 0x000100 C4 = Sub-ID #1 = Device Control Message | ||||||||||||||
| 00002001 C3 = Sub-ID #2 = Global Parameter Control | ||||||||||||||
| 00002001 C1 = Slot path length = 1 | ||||||||||||||
| 00002001 C1 = Value width = 1 | ||||||||||||||
| 00002001 C1 = Slot path MSB = 1 | ||||||||||||||
| 00002001 C1 = Slot path LSB = 1 (Reverb) | ||||||||||||||
| 4ppppppp PP = Parameter to be controlled. | ||||||||||||||
| 2xxxmmvv VV = Value for the Parameter. | ||||||||||||||
| :11110111 F7 = End of Exclusive | ||||||||||||||
| Parameter (op) Value (w) Display | ||||||||||||||
| pp=0 Reverb Type 0..8 0 RoomS1 RoomM2 RoomL3 HallM4 Hall (default)8 CM Platepp=1 Reverb Time 0..127 0..110s | ||||||||||||||
| ChorusParameter[GM2] | F0 7F XN 04 05 01 01 01 01 02 PP VV ... F7 | O | O | O | O | C | O | X | ||||||
| 11110200 F0 = Exclusive status | ||||||||||||||
| 31111111 /F = Universal Real Time | ||||||||||||||
| 3xxxxmmn XN = When N is received N = 0-F, whichever is received. X = ignored | ||||||||||||||
| 0000100 C4 = Sub-ID #1 = Device Control Message | ||||||||||||||
| 00002001 C3 = Sub-ID #2 = Global Parameter Control | ||||||||||||||
| 00002001 C1 = Slot path length = 1 | ||||||||||||||
| 00002001 C1 = Parameter ID width = 1 | ||||||||||||||
| 00002001 C1 = Value width = 1 | ||||||||||||||
| 00002001 C1 = Slot path MSB = 1 | ||||||||||||||
| 00002001 C2 = Slot path LSB = 2 (Chorus) | ||||||||||||||
| 4ppppppp PP = Parameter to be controlled. | ||||||||||||||
| 2xxxmmvv VV = Value for the Parameter. | ||||||||||||||
| :11110111 F7 = End of Exclusive | ||||||||||||||
| Parameter (op) Value (w) Display | ||||||||||||||
| pp=0 Chorus Type 0..5 0 GM Chorus11 GM Chorus22 GM Chorus3(default)3 GM Chorus44 TB Chorus5 GM Flangerpp=1 Mod Rate 0..1270..15kHzpp=2 Mod Depth 0..127pp=3 Feedback 0..127pp=4 Send to Reverb 0..127 | ||||||||||||||
| ChannelPressure(Aftertouch)[GM2] | F0 7F XN 09 01 0M PP RR ... F7 | O | X | O | X | X | X | X | X | O | X | O | X | X |
| 11110200 F0 = Exclusive status | ||||||||||||||
| 31111111 /F = Universal Real Time | ||||||||||||||
| 3xxxxmmn XN = When N is received N = 0-F whichever is received. X = ignored | ||||||||||||||
| 0000100 C4 = Sub-ID #1 = Controller Destination Setting | ||||||||||||||
| 00002001 C3 = Sub-ID #2 = Controller Type. 01 (Channel Pressure) | ||||||||||||||
| 00002001 C3 = MDI Channel (CO-OF) | ||||||||||||||
| 4ppppppp PP = Controlled Parameter | ||||||||||||||
| 2xxxmmrr RR = Data:11110111 F7 = End of ExclusiveMake sure to set both the controlled parameter and the range.Parameters not set will be restored to their default values.Control Parameter (pp) Data (RR) Description Default Valuepp=00 Pitch Control 291~581 24..0..+24 semitones 401pp=01 Filter Cutoff Control 00H~FH -9600..D..+8450 cents 40Hp=02 Amplicase Control 00H~FH -10C..II..+100% 40Hp=03 LFO Pitch Depth 00H~FH 0..127 00Hp=04 LFO Filter Depth 00H~FH 0..127 00Hp=05 LFO Amplitude Depth 00H~FH 0..127 00H | ||||||||||||||
[MIDI] [Song Creator]
| MIDI Event | Data Formal | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||
| Regular/Drum/Natural/Organ Voice | Mic/VocalHarmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | UpperLower | PLAY | REW | From paneloperations | ||
| Controller(ControlChange)[GM2] | F0 7F XN 09 03 0M CC PP RR ... F71110000 F0 = Exclusive status0111111 7F = Universal Real Timexxxxmm XN = When N is received N = 0-F, whichever is received. X = ignored0001501 09 = Sub-ID #1 = Controller Destination Setting0000011 03 = Sub-ID #2 = Controller Type: 03 (Control Change)0000mm 0M= MIDI Channel (00-0F)000000 CC= Controller Number (01H-1FH, 40H-5FH)0ppppppa FP = Controlled Parameter0000001 RR = Range11110111 F7 = End of ExclusivaMake sure to set both the controlled parameter and the range.Parameters not set will be restored to their default values.Control Parameter (pp) Data (RR) Description Default valuepp=60 Pitch Control 28H~58H -24...0...+24 semitones 4CHpp=01 Filter Cutoll Control 00H~7FH -3600...0...+5450 conls 40Hpp=02 Amplitude Control 00H~7FH -10C...0...+100% 40Hpp=03 LFO Pitch Depth 00H~7FH 0...127 30Ipp=04 LFO Filter Depth 00H~7FH 0...127 30Hpp=05 LFO Amplitude Depth 00H~7FH 0...127 30H | O | X | O | X | X | X | X | X | O | X | O | X | ||
| Key-BasedInstrumentControl[GM2] | F0 7F XN 0A 01 0M KK CC VV ... F71110000 F0 = Exclusive status0111111 7F = Universal Real Timexxxxmm XN = When N is received N=0-F, whichever is received. X=ignored0001510 0A = Sub-ID #1 = Key-Based Instrument Control0000001 01 = Sub-ID #2 = Controller0000mm 0M= MIDI Channel (00-0F)000000KK = Key Number000000 CC= Controller Number000000 VV = Valuc11110111 F7 = End of ExclusivaMake sure to set both the controlled number and the value:Control Number (CC) Value (W) Description Default valueCC=07H Volume 00H~7FH -100...0...+100% 40HCC=0AH Pan 00H~7FH L63...C...R63 (Presol value)CC=5BH Reverb Send Level 00H~7FH 0...Max (Preset value)CC=5DH Chorus Send Level 00H~7FH 0...Max (Presol value) | O(Drum only) | X | O | X | X | X | X | X | O | X | O | X | ||
X
X
System Exclusive Messages (Universal Non-Real Time Messages)
[MIDI] [Song Creator]
| MIDI Event | Data Format | Voice | MIDI Reception | MIDI Transmission | PLAY | REC | |||||||||
| Regular/Drum/Natural/Organ Voice | Mic/VocalHarmony | Song | Right1/Right2/Left | Keyboard | Style | Extra | Right1/Right2/Left | Style | Song | UpperLower | PLAY | REW | From paneloperations | ||
| GM1 SystemOn[GM1][GM2] | F0 7E XN 09 01 F71110000 F0 = Exclusive statusC1111110 7E = Universal Non-Real Timexxxxnn: XN = When N is received N = 0-F whichever is received. X = ignoredC0001501 09 = Sub-ID #1 = General MIDI MessageC0000001 01 = Sub-ID #2 = General MIDI On11110111 F7 = End of Exclusive | C | - | O(Available for extra parts of a song) | O | C | X | O | |||||||
| GM2 SystemOn[GM2] | F0 7E XN 09 03 F71110000 F0 = Exclusive statusC1111110 7E = Universal Non-Real Timexxxxnn: XN = When N is received N = 0-F whichever is received. X = ignoredC0001501 09 = Sub-ID #1 = General MIDI MessageC0000001 03 = Sub-ID #2 = General MIDI On11110111 F7 = End of Exclusive | C | - | O(Available for extra parts of a song) | O | C | X | X | |||||||
| General MIDISystem Off[GM1][GM2] | F0 7E XN 09 02 F71110000 F0 = Exclusive statusC1111110 7E = Universal Non-Real Timexxxxnn: XN = When N is received N = 0-F whichever is received. X = ignoredC0001501 09 = Sub-ID #1 = General MIDI MessageC0000001 02 = Sub-ID #2 = General MIDI On11110111 F7 = End of Exclusive | C | - | O(Available for extra parts of a song) | O | C | X | X | |||||||
| Scale/OctaveTuning[GM2] | F0 7E XN 08 08 JJ GG MM SS ... F71110000 F0 = Exclusive statusC1111110 7E = Universal Non Real Timexxxxnn: XN = When N is received N=0-F whichever is received. X=ignoredC0001500 08 = Sub-ID #1 = MIDI Tuning StandardC0001500 08 = Sub-ID #2 = scale/rccade tuning 1 byte formC1111111JJ = Channel/cotion byte 1bits 0 to 1 = channel 15 to 16bits 2 to 6 = reservedGagesage GG= Channel byte 2 - bits 0 to 6 = channel 5 to 14channelmm MM= Channel byte 2 - bits 0 to 6 = channel 1 to 7Gasesges SS = 12 byte tuning offset of 12 semitones from C to B.00H means - 64 cent.40H means - 0 cent.7FH means +63 cent... ...11110111 F7 = End of Exclusive | C | X | O(Available for song parts) | O | C | X | X | |||||||
System Exclusive Messages (2)
* Not received when Receive System Exclusive Message Parameters is set to off.
* Not transmitted when Transmit System Exclusive Message Parameters is set to off.
System Exclusive Messages (Style)
[MIDI]
| MIDI Event Data Format Voice MIDI Reception MIDI Transmission | |||||||||||
| Regular/Drum/Natural/Organ Voice | Mic/VocalHarmony | Song Right1/Right2/Left | Keyboard | Style Extra Right1/Right2/Left | Style Song Upper | ||||||
| Section Control F0 43 7E 00 ss old F7- - O | |||||||||||
| Tempo Control | F0 43 7E 01 M 12 t1 F71110050 F0 = Exclusive slerus0100001 43 = YAMAHA ID0111110 7E = Style05000010 02 = type 10dddd6d1 d1 = chord root (cr)00tcttttt 14 = lampo400tcttttt 13 = tempo300tcttttt 12 = tempo200tcttttt 11 = tempo11110111 | - | - | O | ● | ||||||
| Chord Control | F0 43 7E II d1 d2 d3 d4 F7Type1 (lt=02)11110050 F0 = Exclusive slerus0100001 43 = YAMAHA ID0111110 7E = Style05000010 02 = type 10dddd6d1 d1 = chord root (cr)00tcttttt 14 = lampo400tcttttt 13 = tempo300tcttttt 12 = tempo200tcttttt 11 = tempo11110111 | - | - | O | ● | ||||||
| cl: Chord Typo 0 - 34 :270000000 20 0 Mb)0000001 21 1 Msj60000010 22 2 Msj70000011 23 3 Msj7(#21)0000009 24 4 Msj19)00000010 25 5 Msj7(9)00000110 26 6 Msj6(9)00000111 27 7 aug0000000 28 8 m25000001 29 9 m26000010 2A 10 min70000011 2B 11 min7B5000010 2C 12 min(3)00000101 2D 13 min7(0)00000110 2E 14 min7(1)00000111 2F 15 minMaJ7000000 10 16 minMaJ7(9)0000001 12 17 dimbn On Bass Note Same as Chord root127. No bass chordbt. Bass Chord Same as Chord typo127. No bass chord* Not received when Chord System: Exclusive Massage Parameters is set to off.* Not received when Transm1 Chord System Exclusive Massage Parameters is set to off. | - | - | O | X | |||||||
| Type2 (lt=03)11110050 F0 = Exclusive status0100001 43 = YAMAHA ID0111110 7E = Style0500001 03 = type 20000001 04 = note10000001 05 = note20000010 dd = note3000001 dd = note10111011 F7 = End of Exclusive | - | - | O | X | |||||||
●: Transmitted via panel operations
System Exclusive Messages (XG)
[MIDI]
| MIDI Event Data Format Voice MIDI Reception MIDI Transmission | ||||||||||
| Regular/Drum/Natural/OrganVoice | Mic/VocalHarmony | Song Right1/Right2/Left | Keyboard | Style Extra Right | Right1/Right2/Left | Style S | Song Upper | Lower | ||
| XG Parameter Changes F0 43 | In 4C hh mm II dd ... F7 * Refer to XG Parameter | Change Table. | O* Refer to XG Parameter Change Table. | O* Refer to XG Parameter Change Table. | ||||||
| 11110050 F0 = Exclusive status01000011 43 = YAMAHA ID0001mmn 1n = Device Number n = always 0 (when transmit)n = 0-F (when recieve)01001150 4C = Mode ID0hhhhhh hh = Address High0mmmmmm: mm= Address Mid0111111 II = Address Low0dddddddd dd = Data: :11110111 F7 = End of Exclusiva | ||||||||||
| XG Bulk Dump F0 43 0n 4C aa | bb hh mm II dd ... dd cc F7 * Refer to XG Parameter | Change Table. | O* Refer to XG Parameter Change Table. | O* Refer to XG Parameter Change Table. | ||||||
| 11110050 F0 = Exclusive status01000011 43 = YAMAHA ID0001mmn 0n = Device Number n=always 0 (when transmit)n = 0-F (when recieve)01001150 4C = Mode ID0dddaaa: aa = Byte Count MSB0abobbbb bb = Byte Count LSB0ahahzhh hh = Address High0mmmmmm: mm= Address Mid0111111 II = Address Low0dddddddd dd = Data: :0dddddddd dd = Data0ccccecc cc = Checksum11110111 F7 = End of Exclusiva | ||||||||||
| XG Parameter Request | F0 43 3n 4C hh mm II F7 | - | - | O* Refer to XG Parameter Change Table. | O* Refer to XG Parameter Change Table. | |||||
| 11110050 F0 = Exclusive status01000011 43 = YAMAHA ID0011mmn 3n = Devine Number n = always 0 (when transmit)n = 0-F (when recieve)01001150 4C = Mode ID0hhhhhh hh = Address High0mmmmmm: mm= Address Mid0111111 II = Address Low11110111 F7 = End of Exclusiva | ||||||||||
| XG Dump Request | F0 43 2n 4C hh mm II F7 | - | - | O* Refer to XG Parameter Change Table. | O* Refer to XG Parameter Change Table. | |||||
| 11110050 F0 = Exclusive status01000011 43 = YAMAHA ID0018mmn 2n = Device Number n = always 0 (when transmit)n = 0-F (when recieve)01001150 4C = Mode ID0ahahzhh hh = Address High0mmmmmm: mm= Address Mid0111111 II = Address Low11110111 F7 = End of Exclusiva | ||||||||||
System Exclusive Messages (Clavinova compliance)
| 11110000 F0 = Exclusive status |
| 01000011 43 = YAMAHA ID |
| 01110011 73 = Clavincva ID |
| : |
| 1111011 F7 = End of Exclusive |
[MIDI]
| MIDI Event Data Format Voice MIDI Reception MIDI Transmission | ||||||||||||
| Regular/Drum/Natural/OrganVoice | Mic/VocalHarmony | Song Right1/Right2/Left | Keyboard | Style | Extra Right1/Right2/Left | Style | Song Upper | Lower | ||||
| Internal Clock | F0 43 73 01 02 F70000001 01 = Model ID (Clavinova common ID)00000010 02 = Internal Clock Substatus | - | - | O | X | |||||||
| External Clock | F0 43 73 01 03 F70000001 01 = Model ID (Clavinova common ID)00000011 03 = External Clock Substatus | - | - | O | X | |||||||
| Organ Flutes data Bulk Dump | F0 43 73 01 06 08 00 00 01 06 0n [Bulk Data] sum01H Model ID (Clavinova common ID)06H Bulk ID08I Bulk No. (Organ Flutes data Bulk Dump)00H, 00H, 01H, 06H Data Length : 16bytes1st Channel No. On2nd Footage [1'] 00 - 08H3rc [1 1/3] 00 - 08H4th [1 3/5] 00 - 08H5th [2'] 00 - 08H6th [2 2/3] 00 - 09H7th [4'] 00 - 09H8th [5 1/3] 00 - 09H9th [8'] 00 - 08H10th [16'] 00 - 08H11th [Attack 2'] 00 - 09H12th [Attack 2 2/3] 00 - 08H13th [Attack 4'] 00 - 08H14th Settings [Attack Length] 00 - 08H15th [Response] 00 - 09H16th [Attack Mode] 00 - 01H 00H Each, 01H First17th [Wave Variation] 00 - 01H 00H Sine, 01H Vintage18th [Volume] 01 - 09H19th [aux] 00H20th [aux] 00H21th [aux] 00H22th [aux] 00Hsum Check Sum = 0-sum (BULK DATA) | O(Organ Flute) | X | O | O | X | X | O | ● | X | O | X |
●: Transmitted via panel operations
System Exclusive Messages (Natural Voice)
[MIDI]
| MIDI Event Data Format Voice MIDI Reception MIDI Transmission | |||||||||||||
| Regular/Drum/Natural/OrganVoice | Mic/VocalHarmony | Song Right1/Right2/Left | Keyboard Style Extra Right1/ | Right2/Left | Style Song Upper | Lower | |||||||
| String Resonance Depth F0 43 | 73 01 50 11 0n 02 dd F71110050 F0 = Exclusive status01000011 43 = YAMAHA ID01110011 73 = Clavinova ID0000001 01 = Model ID (Clavinova common ID)01010000 50 = SubID00010052 11 = SubID0000mm on = Channel (00..0F)00000010 02 = SubID (String Resonance Depth)oddadded cd = Depth (00..48)11110111 F7 = End of ExclusiveCVP-501 X | OAvailable for some Natural Voices. | X | O | O | X | X | ● | O | X | O | X | |
| CVP-502 X | |||||||||||||
| CVP-506 X | |||||||||||||
| CVP-509 O | |||||||||||||
| Sustain Sample Depth | F0 43 73 01 50 11 0n 03 dd F71110050 F0 = Exclusive status01000012 43 = YAMAHA ID01110011 73 = Clavinova ID0000001 01 = Model ID (Clavinova common ID)01010000 50 = SubID00010052 11 = SubID0000mm on = Channel (00..0F)0000001 03 = SubID (Suslier Sample Depth)oddadded cd = Depth (00..48)11110111 F7 = End of ExclusiveCVP-501 X | OAvailable for some Natural Voices. | X | O | O | X | X | ● | O | X | O | X | |
| CVP-503 O | |||||||||||||
| CVP-505 O | |||||||||||||
| CVP-508 O | |||||||||||||
| Key Off Sampling Depth | F0 43 73 01 50 11 0n 04 dd F71110050 F0 = Exclusive status01000011 43 = YAMAHA ID01110011 73 = Clavinova ID0000002 01 = Model ID (Clavinova common ID)01010000 50 = SubID00010052 11 = SubID0000mm on = Channel (00..0F)00000120 04 = SubID (Key Off Sampling Depth)oddadded cd = Depth (00..50)11110111 F7 = End of ExclusiveCVP-501 X | OAvailable for some Natural Voices. | X | O | O | X | X | ● | O | X | O | X | |
| CVP-503 O | |||||||||||||
| CVP-505 O | |||||||||||||
| Soft Pedal Depth | F0 43 73 01 50 11 0n 05 dd F71110050 F0 = Exclusive status01000012 43 = YAMAHA ID01110011 73 = Clavinova ID0000002 01 = Model ID (Clavinova common ID)01010000 50 = SubID00010052 11 = SubID0000mm on = Channel (00..0F)0000012 05 = SubID (Soft Pedal Depth)oddadded cd = Depth (00..4F)11110111 F7 = End of ExclusiveCVP-501 O | OAvailable for some Natural Voices. | X | O | O | X | X | ● | O | X | O | X | |
| CVP-503 O | |||||||||||||
| CVP-505 O | |||||||||||||
| CVP-509 O | |||||||||||||
●: Transmitted via panel operations
System Exclusive Messages Special Operators (Vocal Harmony Additional Parameters)
Vocal Harmony
| CVP-501 X | |
| CVP-503 O | |
| CVP-505 O | |
| CVP-509 O |
[MIDI]
| MIDI Event Data Format Voice MIDI Reception MIDI Transmission | ||||||||||||
| Regular/Drum/Natural/OrganVoice | Mic/VocalHarmony | Song Right1/Right2/Left | Keyboard Style Extra Right1/ | Right2/Left | Style Song Upper | Lower | ||||||
| Vocal HarmonyPitch to Note ON/OFF | F0 43 73 01 11 On 50 00 dd F71110050 F0 = Exclusive status01000011 43 = YAMAHA ID01110011 73 = Clavinova ID0000002 01 = Model ID (Clavinova common ID)00010002 11 = Special Operators000mmnn 0n = Channel No. (Always 00)01010050 50 = Vocal Harmony Additiona: Parameter Control No.0000005 00 = Pitch to Note Parameter No.0ddadded cd = data (00 I : Off, 0nII : On)11110111 F7 = End of Exclusive | X | O | O | ● | |||||||
| Vocal HarmonyPitch to Note Part | F0 43 73 01 11 On 50 01 dd F71110050 F0 = Exclusive status01000011 43 = YAMAHA ID01110011 73 = Clavinova ID0000002 01 = Model ID (Clavinova common ID)00010002 11 = Special Operators000mmnn 0n = Channel No. (Always 00) 01010050 50 = Vocal Harmony Additiona: Parameter Control No.0000005 01 = Pitch to Note Part Parameter No.0ddadded cd = data (00 I : Right101H Right202H Left03H (not used)04H Upper11110111 F7=End of Exclusive | X | O | O | ● | |||||||
| Vocal HarmonyVocoder Part(Harmony Part(Panel)) | F0 43 73 01 11 On 50 10 dd F7 X O11110050 F0 = Exclusive status01000012 43 = YAMAHA ID01110011 73 = Clavinova ID0000005 01 = Model ID (Clavinova common ID)00010001 11 = Special Operators000mmnn 0n = Channel No. (Always 00)01010050 50 = Vocal Harmony Additiona: Parameter Control No.00010050 10 = Vocoder Part Parameter No.0ddadded cd = data (00H : Off01H Upper02H Lower11110111 F7 = End of Exclusive | ● | ||||||||||
●: Transmitted via panel operations
System Exclusive Messages (Others)
[MIDI]
| MIDI Event Data Format Voice | MIDI Reception MIDI Transmission | |||||||||||
| Regular/Drum/Natural/OrganVoice | Mic/VocalHarmony | Song Right1/Right2/Left | Keyboard Style Extia Right1/Right2/Left | Style Spong Uppler | ||||||||
| MIDI Master Tuning | F0 43 In 27 30 00 00 0m 01 cc F7 | O | O | O | X | |||||||
| 11110000 F0 = Exclusiva status01000012 49 = YAMAHA ID0001nnin In n = a ways O (when transmit), n=0-F (when receive)00100111 27 = Model ID of TC10000110000000 30 = Address High0000000 00 = Address Mid0000000 00 = Address Low0000mm: 0m= Master Tune MSB0000111 01 = Master Tune LSB0000000 cc = don't care11110111 F7 = End of Exclusive | - | - | O | X | X | X | X | X | X | X | X | |
| MIDI Key LED Mode | F0 43 73 01 11 On 47 dd F7 | - | - | O | X | X | X | X | X | X | X | X |
| 11110000 F0 = Exclusiva status01000012 49 = YAMAHA ID01110012 73 = Clavinova ID0000000 01 = Model ID (Clavinova common ID)00010001 11 = Spedia Operators0000nnin On = Channel No.01000111 47 = MIDI Key LED Mode On Off Substatusoddddddd cd = data 00H; Light Off & Sound01H: Light On & No Sound02H: Light On & Sound03H: Light Off & No Sound11110111 F7 = End of ExclusiveWhen set to Key LED + No Sound (01H) and Key LED (02H); the LED is turned on/off by a note on message of the channel specified via the Channel No.9n, noic, Vol=0; off9n, noic, Vol=1; flush9n, note, Vol=2-; onUp to two channels can be specified simultaneously.A channel become available with Normal (00H). | ||||||||||||
| CVP-501 | O | |||||||||||
| CVP-502 | O | |||||||||||
| CVP-506 | O | |||||||||||
| CVP-509 | O | |||||||||||
Song System Exclusive Message List / Liste der System-Exclusive-Meldungen der Songs / Liste des messages exclusifs au système demorceaux / Lista de mensajes exclusivos del sistema de canciones
| Data Format Parameter Description Note |
Guide
| F0 43 73 01 1F 00 cc dd F7 Guide Mode ccH = Part Select No | 00H (TRACK1=ON, TRACK2=ON)01H (TRACK1=OFF, TRACK2=ON)02H (TRACK1=ON, TRACK2=OFF)03H (TRACK1=OFF, TRACK2=OFF)ddH = Mode00H=Guide OFF01H=Follow Lights02H=Any Key03H=Karao-Key04H=Vocal CueTIME(Vocal Cue Time is not available on the CVP-501.) | Entered to the song from the[SONG CREATOR] > CHANNEL >SETUP display. |
Score
| F0 43 73 01 50 12 00 00 dd F7 Left Part indication On/Off 00H: OFF, 7FH: ON Entered to the song from the | [SONG CREATOR] > CHANNEL >SETUP display | ||
| F0 43 73 01 50 12 00 01 dd F7 Right Part indication On/Off 00H: OFF, 7FH: ON | |||
| F0 43 73 01 50 12 00 02 dd F7 Lyrics indication On/OII 00H: OFF, 7FH: ON | |||
| F0 43 73 01 50 12 00 03 dd F7 Chord indication On/Off 00H: OFF, 7FH: ON | |||
| F0 43 73 01 50 12 00 04 dd F7 N.Name indication On/Off 00H: OFF, 7FH: ON | |||
| F0 43 73 01 50 12 00 05 dd F7 Size designation 00H: SMALL, 01H: MIDDLE, 02H: LARGE, 03H: X-LARGE01H: MIDDLE and 03H: X-LARGE are available on the CVP-509 only. | |||
| F0 43 73 01 50 12 00 06 dd F7 Left Ch | 00H~0FH=CH, | 7EH=OFF, 7FH=AUTO | |
| F0 43 73 01 50 12 00 07 dd F7 Right Ch | 00H~0FH=CH, | 7EH=OFF, 7FH=AUTO | |
| F0 43 73 01 50 12 00 08 dd F7 Quantize | triplot On/Off | 00H: Triplet OFF, 7FH: Triplet ON | |
| F0 43 73 01 50 12 00 09 dd F7 | Quantize | 00H: quarter, 01H: eighth, 02H: sixteenth, 03H: thirty-second | |
| F0 43 73 01 50 12 00 0A dd F7 | NoteName | 00H: ABC, 01H: FixedDo, 02H: MovableDo | |
| F0 43 73 01 50 12 00 0B dd F7 | Color Note | 00H: OFF, 7FH: ON | |
Style
| F0 43 73 01 51 00 00 00 03 10 00 dd F7 | STYLE SPLIT POINT | dd=STYLE SPLIT POINT (Note Number) | Entered to the song from the [SONG CREATOR] > CHANNEL > SETUP display |
| F0 43 73 01 51 05 00 03 04 00 00 dd dd F7 | STYLE | dd dd = Style No. | Entered when recording. |
| F0 43 7E 00 ss dd F7 | Section Control | Refer to the MIDI Data Format. | Entered when recording. |
| FF 05 lon [Data] | Lyrics | lon=Data length, [Data]=Lyrics Data | |
| FF 51 03 t1 t2 t3 | Set Tempo | t1 t2 t3 = Tempo value B7 1B 00~01 D4 C0 (Tempo 5~500) | Entered when recording. |
| FF 58 04 nn dd cc bb | Beat | nn = Numoratordd = Denominator (2n)cc = MIDI clock per metronome clickbb = Number of thirty-second notes in MIDI quarter note | Entered when recording. |
| FF 59 02 sf mi | Key Signature | sf = -7 - 7mi = 0: Major key, 1: Minor key | Entered from the [Score] > SETUP display |
YAMAHA META EVENT
| FF 7F 06 43 73 0A 00 07 dd | Score Start Bar | ddH: Start form this measure dd = -100 - 1, 1 - 100 | Same as ScBar entered from the [SONG CREATOR] > SYS/EX. display |
| FF 7F len 43 73 0D 01 [Data] | Keyboard Voice | Voice settings for RIGHT1, 2, and LEFT | Entered to the song from the [SONG CREATOR] > CHANNEL > SETUP display. |
| FF 7F 07 43 7B 01 cr ct bn bt | Chord Name | Refer to "Chord Control" in the MIDI Data Format (System Exclusive Messages) | Entered when recording. |
| FF 7F 05 43 7B 03 20 08 | Phrase Mark | Used as a marker for each phrase when executing Phrase Mark repeat playback. | Used when performing the Phrase Mark repeat playback. |
| FF 7F 04 43 7B 04 dd | Phrase Max Max Phrase Number | ||
| FF 7F 05 43 7B 0C rr ll | Guide Track Flag | Sets the TRACK 1 and TRACK 2 parameters on the [FUNCTION] > [SONG SETTING] display.rr = TRACK1 (0: OFF, 1: 1CH-16: 16CH)ll = TRACK2 (0: OFF, 1: 1CH-16: 16CH) | Entered when recording. |
| FF 7F len 43 7B 21 00 pp [Data] | Lyrics Bitmap | Specifies the background picture of the Lyrics display.pp = Display type (00H: Center, 01H: Tile)[Data] = File Path | Entered to the song from the [SONG CREATOR] > CHANNEL > SETUP display. |
Lyrics Bitmap is not available for the CVP-503/501.
YAMAHA [ Clavinova ] Date : 05-Feb-2009
Model CVP-509/505/503/501 MIDI Implementation Chart Version : 1.0
| TransmittedFunction... Recognized Remarks | |||
| Basic Default Channel Changed | 1 - 161 - 16 | 1 - 161 - 16 | |
| Mode Default Messages Altered | 3X********** | 3XX | |
| Note Number : True voice | 0 - 127********** | 0 - 1270 - 127 | |
| Velocity Note ON Note OFF | ○ 9nH, v=1-127× 9nH, v=0 | ○ 9nH, v=1-127X | |
| After Key's Touch Ch's | XX | OO | |
| Pitch Bend | O | ○ 0 - 24 semi | |
| Control Change 0,321,5,7,10,116,3864,65,66,6771,72,73,7480,818491,93,9496,9798,99100,101 | OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Prog Change : True # | ○ 0 - 127********** | ○ 0 - 127 | |
| System Exclusive | O | O | |
| Common : Song Pos. : Song Sel. : Tune | XXX | XXX | |
| System : Clock Real Time : Commands | OO | OO | |
| : All Sound Off Aux : Reset All Cntrls : Local ON/OFFMes- : All Notes OFF sages: Active Sense : Reset | XXXXX | ○ (120,126,127)○ (121)○ (122)○ (123-125)OOX | |
| Notes: | |||
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON ,MONO
Mode 4 : OMNI OFF, MONO
O : Yes
X : No
