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USER MANUAL X-S10 FUJIFILM
Thank you for your purchase of this product. Be sure that you have read this manual and understood its contents before using the camera. Keep the manual where it will be read by all who use the product.
For the Latest Information
The latest versions of the manuals are available from:
http://fujifilm-dsc.com/en/manual/

The site can be accessed not only from your computer but also from smartphones and tablets. It also contains information on the software license.


For information on firmware updates, visit:
https://fujifilm-x.com/support/download/firmware/c cameras/
Menu List iv
1 Before You Begin 1
2 First Steps 27
3 Basic Photography and Playback 41
4 Movie Recording and Playback 47
5 Taking Photographs 55
6 The Shooting Menus 105
7Playback and the Playback Menu 179
8 The Setup Menus 205
9 Shortcuts 241
10 Peripherals and Optional Accessories 257
11 Connections 275
12 Technical Notes 291
Menu List
Camera menu options are listed below.
Shooting Menus
Adjust settings when shooting photos or movies.

See page 105 for details.
Photo Menu

Items marked with both and icons are available in both the still photography and movie shooting menus. Changes to these items in either menu also apply to the item in the remaining menu.
| 1/3 | IMAGE QUALITY SETTING |
| IMAGE SIZE :106 | |
| IMAGE QUALITY :107 | |
| RAW RECORDING :108 | |
| FILM SIMULATION :108 | |
| MONOCHROMATIC COLOR :110 | |
| GRAIN EFFECT :110 | |
| COLOR CHROME EFFECT :110 | |
| COLOR CHROME FX BLUE :111 | |
| 2/3 | WHITE BALANCE :111 |
| DYNAMIC RANGE :115 | |
| D RANGE PRIORITY :116 | |
| TONE CURVE :116 | |
| COLOR :117 | |
| SHARPNESS :117 | |
| HIGH ISO NR :117 | |
| CLARITY :118 | |
| 3/3 | LONG EXPOSURE NR :118 |
| LENS MODULATION OPTIMIZER :118 | |
| COLOR SPACE :119 | |
| PIXEL MAPPING :119 | |
| EDIT/SAVE CUSTOM SETTING :120 | |
| MOUNT ADAPTOR SETTING :120 |
| AF/MF SETTING | |
| 1/3 | FOCUS AREA:122 |
| FOCUS MODE:122 | |
| AF MODE:122 | |
| AF-C CUSTOM SETTINGS:123 | |
| STORE AF MODE BY ORIENTATION:127 | |
| AF POINT DISPLAY:127 | |
| NUMBER OF FOCUS POINTS:127 | |
| PRE-AF:128 | |
| 2/3 | AF ILLUMINATOR:128 |
| FACE/EYE DETECTION SETTING:129 | |
| AF+MF:131 | |
| MF ASSIST:132 | |
| FOCUS CHECK:132 | |
| INTERLOCK SPOT AE & FOCUS AREA:133 | |
| INSTANT AF SETTING:133 | |
| DEPTH-OF-FIELD SCALE:133 | |
| 3/3 | RELEASE/FOCUS PRIORITY:134 |
| AF RANGE LIMITER:134 | |
| TOUCH SCREEN MODE:135 | |
| SHOOTING SETTING | |
| 1/3 | SCENE POSITION :137 |
| FILTER SETTING :137 | |
| SPORTS FINDER MODE :138 | |
| PRE-SHOT ES :138 | |
| SELF-TIMER :139 | |
| SAVE SELF-TIMER SETTING :139 | |
| SELF-TIMER LAMP :140 | |
| INTERVAL TIMER SHOOTING :140 | |
| 2/3 | INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING :141 |
| AE BKT SETTING :142 | |
| FILM SIMULATION BKT :142 | |
| FOCUS BKT SETTING :143 | |
| PHOTOMETRY :143 | |
| SHUTTER TYPE :144 | |
| FLICKER REDUCTION :145 | |
| IS MODE :146 | |
| 3/3 | ISO :146 |
| FLASH SETTING | |
| FLASH FUNCTION SETTING | 148 |
| RED EYE REMOVAL | 148 |
| TTL-LOCK MODE | 149 |
| LED LIGHT SETTING | 149 |
| COMMANDER SETTING | 150 |
| CH SETTING | 150 |
| MOVIE SETTING | |
| MOVIE MODE | 151 |
| FILE FORMAT | 151 |
| FULL HD HIGH SPEED REC | 151 |
| IS MODE | 151 |
| IS MODE BOOST | 151 |
| AUDIO SETTING | 152 |
| MIC/REMOTE RELEASE | 153 |
Movie Menus

Items marked with both and icons are available in both the still photography and movie shooting menus. Changes to these items in either menu also apply to the item in the remaining menu.
| MOVIE SETTING | |
| 1/3 | SHOOTING MODE :154 |
| MOVIE MODE :154 | |
| FILE FORMAT :155 | |
| FULL HD HIGH SPEED REC :156 | |
| FIX MOVIE CROP MAGNIFICATION \(CROP_{1.29x}\) :157 | |
| F-Log RECORDING :157 | |
| 4K MOVIE OUTPUT :158 | |
| FULL HD MOVIE OUTPUT :158 | |
| 2/3 | HDMI OUTPUT INFO DISPLAY :159 |
| 4K HDMI STANDBY QUALITY :159 | |
| HDMI REC CONTROL :159 | |
| \( photometry \) :159 | |
| IS MODE :160 | |
| IS MODE BOOST :160 | |
| ISO :161 | |
| ZEBRA SETTING :161 | |
| 3/3 | ZEBRA LEVEL :161 |
| MOVIE OPTIMIZED CONTROL !161 | |
| TALLY LIGHT :162 | |
| WIRELESS COMMUNICATION :162 | |
| 12 | FILM SIMULATION | 163 |
| MONOCHROMATIC COLOR | 163 | |
| WHITE BALANCE | 163 | |
| DYNAMIC RANGE | 164 | |
| TONE CURVE | 164 | |
| COLOR | 164 | |
| SHARPNESS | 165 | |
| HIGH ISO NR | 165 | |
| 22 | INTERFRAME NR | 165 |
| PERIPHERAL LIGHT CORRECTION | 166 | |
| MOUNT ADAPTOR SETTING | 166 | |
| AF/MF SETTING | ||
| 1/2 | FOCUS AREA: 167 | |
| FOCUS MODE: 167 | ||
| AF MODE: 167 | ||
| AF-C CUSTOM SETTING: 168 | ||
| AF ILLUMINATOR: 168 | ||
| FACE/EYE DETECTION SETTING: 169 | ||
| MF ASSIST: 169 | ||
| FOCUS CHECK: 170 | ||
| 2/2 | INSTANT AF SETTING: 170 | |
| DEPTH-OF-FIELD SCALE: 170 | ||
| AF RANGE LIMITER: 170 | ||
| TOUCH SCREEN MODE: 171 | ||
| FOCUS CHECK LOCK: 173 | ||
| AUDIO SETTING | |
| INTERNAL MIC LEVEL ADJUSTMENT | 174 |
| EXTERNAL MIC LEVEL ADJUSTMENT | 174 |
| MIC JACK SETTING | 175 |
| MIC LEVEL LIMITER | 175 |
| WIND FILTER | 175 |
| LOW CUT FILTER | 175 |
| HEADPHONES VOLUME | 175 |
| MIC/REMOTE RELEASE | 176 |
| TIME CODE SETTING | |
| TIME CODE DISPLAY | 177 |
| START TIME SETTING | 177 |
| COUNT UP SETTING | 177 |
| DROP FRAME | 178 |
| HDMI TIME CODE OUTPUT | 178 |
ThePlaybackMenu
Adjust playback settings.

See page 185 for details.
| PLAY BACK MENU | |
| 1/3 | RAW CONVERSION |
| ERASE | |
| CROP | |
| RESIZE | |
| PROTECT | |
| IMAGE ROTATE | |
| RED EYE REMOVAL | |
| VOICE MEMO SETTING | |
| PLAY BACK MENU | |
| 2/3 | RATING :196 |
| IMAGE TRANSFER ORDER :197 | |
| WIRELESS COMMUNICATION :198 | |
| SLIDE SHOW :198 | |
| PHOTOBOOK ASSIST :199 | |
| PC AUTO SAVE :200 | |
| PRINT ORDER (DPOF) :201 | |
| instax PRINTER PRINT :202 | |
| 3/3 | DISP ASPECT :203 |
Setup Menu
Adjust basic camera settings.

See page 205 for details.
| USER SETTING | |
| 1½ | FORMAT :206 |
| DATE/TIME :207 | |
| TIME DIFFERENCE :207 | |
| 言語/LANG. :208 | |
| MY MENU SETTING :208 | |
| MY MENU SETTING :208 | |
| SENSOR CLEANING :209 | |
| SOUND & FLASH :209 | |
| 2½ | RESET :210 |
| REGULATORY :210 | |
| SOUND SETTING | |
| AF BEEP VOL. | 211 |
| SELF-TIMER BEEP VOL. | 211 |
| OPERATION VOL. | 212 |
| SHUTTER VOLUME | 212 |
| SHUTTER SOUND | 212 |
| PLAYBACK VOLUME | 212 |
| SCREEN SETTING | |
| 1/3 | VIEW MODE SETTING :213 |
| EVF BRIGHTNESS :213 | |
| EVF COLOR :213 | |
| EVF COLOR ADJUSTMENT :214 | |
| LCD BRIGHTNESS :214 | |
| LCD COLOR :214 | |
| LCD COLOR ADJUSTMENT :214 | |
| IMAGE DISP. :215 | |
| 2/3 | AUTOROTATE DISPLAYS :215 |
| PREVIEW EXP./WB IN MANUAL MODE :216 | |
| NATURAL LIVE VIEW :216 | |
| F-Log VIEW ASSIST :217 | |
| FRAMING GUIDELINE :217 | |
| AUTOROTATE PB :218 | |
| FOCUS SCALE UNITS :218 | |
| APERTURE UNIT FOR CINEMA LENS :218 | |
| 3/3 | DISP. CUSTOM SETTING :218 |
| LARGE INDICATORS MODE(EVF) :219 | |
| LARGE INDICATORS MODE(LCD) :219 | |
| LARGE INDICATORS DISP. SETTING :220 | |
| INFORMATION CONTRAST ADJ. :220 | |
| Q MENU BACKGROUND :221 | |
| Q MENU BACKGROUND :221 | |
| BUTTON/DIAL SETTING | |
| 1/2 | FOCUS LEVER SETTING |
| EDIT/SAVE QUICK MENU | |
| EDIT/SAVE QUICK MENU | |
| FUNCTION (Fn) SETTING | |
| SHUTTER AF | |
| SHUTTER AE | |
| SHOOT WITHOUT LENS | |
| SHOOT WITHOUT CARD | |
| 2/2 | FOCUS RING |
| FOCUS RING OPERATION | |
| AE/AF-LOCK MODE | |
| AWB-LOCK MODE | |
| TOUCH SCREEN SETTING | |
| POWER MANAGEMENT | |
| AUTO POWER OFF | 229 |
| PERFORMANCE | 230 |
| BOOST SETTING | 230 |
| SAVE DATA SETTING | |
| FRAME NO. | 231 |
| SAVE ORG IMAGE | 232 |
| EDIT FILE NAME | 232 |
| SELECT FOLDER | 233 |
| COPYRIGHT INFO | 233 |
| Bluetooth SETTINGS | 234 |
| PC AUTO SAVE | 235 |
| instax PRINTER CONNECTION SETTING | 236 |
| CONNECTION MODE | 237 |
| USB POWER SUPPLY SETTING | 238 |
| GENERAL SETTINGS | 239 |
| INFORMATION | 239 |
| RESET WIRELESS SETTING | 239 |

Table of Contents
Introduction .ii
For the Latest Information
Menu List.. iv
Shooting Menus. iv
The Playback Menu .viii
Setup Menu ix
Supplied Accessories . xxiii
About This Manual. xxiv
Symbols and Conventions. xxiv
Terminology. xxiv
Before You Begin 1
Parts of the Camera 2
Camera Functions 4
The Mode Dial 4
The Focus Stick (Focus Lever) 5
Drive)Button. 5
The Command Dials. 6
The Fn (Function) Dial. 7
The Indicator Lamp. 8
The LCD Monitor 9
Focusing the Viewfinder. 9
Camera Displays. 10
The Electronic Viewfinder. 10
The LCD Monitor 12
Adjusting Display Brightness. 14
Display Rotation 14
Choosing a Display Mode 14
The DISP/BACK Button 16
Customizing the Standard Display 17
Using the Menus. 19
The Menu 19
Selecting a Menu Tab. 20
Touch Screen Mode 21
Shooting Touch Controls 21
Playback Touch Controls 25
2 First Steps 27
Attaching the Strap 28
Attaching a Lens 29
Inserting the Battery and a Memory Card 30
Compatible Memory Cards 32
Charging the Battery 33
Turning the Camera On and Off 35
Checking the Battery Level 36
Basic Setup. 37
Choosing a Different Language 39
Changing the Time and Date. 39
3 Basic Photography and Playback 41
Taking Photographs 42
Viewing Pictures 44
Deleting Pictures 45
4 Movie Recording and Playback 47
Recording Movies 48
Recording Movies 48
Adjusting Movie Settings 51
Viewing Movies 52
5 Taking Photographs 55
Choosing a Shooting Mode. 56
AUTO (AUTO) 56
Program AE (P) 57
Shutter-Priority AE (S) 58
Aperture-Priority AE (A) 60
Manual Exposure (M) 62
SPSCENEPOSITION 64
FILTER 66
Custom Modes 67
The Command and Function Dials. 69
Autofocus 70
Focus Mode. 71
Autofocus Options (AF Mode) 73
Focus-Point Selection 75
Manual Focus. 79
Checking Focus. 80
Exposure Compensation 82
Sensitivity. 83
Auto Sensitivity (A) 84
Metering 85
Focus/Exposure Lock 86
Other Controls. 87
Bracketing 88
ISO ISO BKT. 89
WB WHITE BALANCE BKT. 89
BKT Bracketing. 90
Continuous Shooting (Burst Mode) 93
HDR 94
Panoramas 96
Multiple Exposures 99
Flash Photography. 101
Flash Settings 103
6 The Shooting Meals
105
IMAGE QUALITY SETTING (Still Photography) 106
IMAGE SIZE. 106
IMAGE QUALITY 107
RAW RECORDING. 108
FILMSIMULATION. 108
MONOCHROMATIC COLOR 110
GRAIN EFFECT 110
COLOR CHROME EFFECT 110
AF/MF SETTING (Still Photography) 122
COLOR CHROME FX BLUE 111
WHITE BALANCE 111
DYNAMIC RANGE 115
D RANGE PRIORITY. 116
TONE CURVE 116
COLOR 117
SHARPNESS. 117
HIGH ISO NR. 117
CLARITY 118
LONG EXPOSURE NR. 118
LENS MODULATION OPTIMIZER 118
COLOR SPACE 119
PIXEL MAPPING 119
EDIT/SAVE CUSTOM SETTING. 120
MOUNT ADAPTER SETTING. 120
FOCUS AREA 122
FOCUS MODE 122
AF MODE 122
AF-C CUSTOM SETTINGS 123
STORE AF MODE BY ORIENTATION 127
AF POINT DISPLAY 127
NUMBER OF FOCUS POINTS 127
PRE-AF. 128
AF ILLUMINATOR 128
FACE/EYE DETECTION SETTING 129
AF+MF 131
MF ASSIST 132
FOCUS CHECK. 132
INTERLOCK SPOT AE & FOCUS AREA 133
INSTANT AF SETTING 133
DEPTH-OF-FIELD SCALE 133
RELEASE/FOCUS PRIORITY 134
AF RANGE LIMITER 134
TOUCH SCREEN MODE. 135
SHOOTING SETTING (Still Photography) 137
FLASH SETTING (Still Photography) 148
MOVIE SETTING (Still Photography) 151
SCENE POSITION 137
FILTER SETTING. 137
SPORTS FINDER MODE 138
PRE-SHOT ES 138
SELF-TIMER 139
SAVE SELF-TIMER SETTING 139
SELF-TIMER LAMP 140
INTERVAL TIMER SHOOTING 140
INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING. 141
AE BKT SETTING 142
FILMSimulation BKT. 142
FOCUS BKT SETTING 143
PHOTOMETRY 143
SHUTTERTYPE 144
FLICKER REDUCTION 145
IS MODE 146
ISO 146
WIRELESS COMMUNICATION 147
FLASH FUNCTION SETTING 148
RED EYE REMOVAL 148
TTL-LOCK MODE 149
LED LIGHT SETTING 149
COMMANDER SETTING. 150
CH SETTING 150
MOVIE MODE 151
FILE FORMAT 151
FULL HD HIGH SPEED REC 151
■ IS MODE. 151
IS MODE BOOST 151
AUDIO SETTING 152
MIC/REMOTE RELEASE 153
MOVIE SETTING (Movie Recording) 154
SHOOTING MODE 154
MOVIE MODE 154
FILE FORMAT 155
FULL HD HIGH SPEED REC 156
FIX MOVIE CROP MAGNIFICATION CROP 1.29x 157
F-Log RECORDING 157
4K MOVIE OUTPUT 158
FULL HD MOVIE OUTPUT 158
HDMI OUTPUT INFO DISPLAY 159
4K HDMI STANDBY QUALITY 159
HDMI REC CONTROL. 159
PHOTOMETRY 159
IS MODE. 160
是 MODE BOOST 160
ISO 161
ZEBRA SETTING 161
ZEBRA LEVEL. 161
MOVIE OPTIMIZED CONTROL 161
TALLY LIGHT 162
WIRELESS COMMUNICATION 162
IMAGE QUALITY SETTING (Movie Recording) 163
AF/MF SETTING (Movie Recording) 167
FILMSimulation 163
MONOCHROMATIC COLOR. 163
WHITE BALANCE. 163
DYNAMIC RANGE. 164
TONE CURVE 164
COLOR 164
SHARPNESS 165
HIGH ISO NR. 165
4k INTERFRAME NR. 165
PERIPHERAL LIGHT CORRECTION 166
MOUNT ADAPTER SETTING 166
FOCUS AREA. 167
FOCUS MODE 167
AF MODE 167
AF-C CUSTOM SETTING. 168
AFILLUMINATOR 168
FACE/EYE DETECTION SETTING. 169
MF ASSIST 169
FOCUS CHECK. 170
INSTANT AF SETTING 170
DEPTH-OF-FIELD SCALE 170
AF RANGE LIMITER 170
TOUCH SCREEN MODE 171
FOCUS CHECK LOCK 173
AUDIO SETTING (Movie Recording) 174
INTERNAL MIC LEVEL ADJUSTMENT 174
EXTERNAL MIC LEVEL ADJUSTMENT 174
MIC JACK SETTING 175
MIC LEVEL LIMITER 175
WIND FILTER 175
LOW CUT FILTER 175
HEADPHONES VOLUME 175
MIC/REMOTE RELEASE 176
TIME CODE SETTING (Movie Recording) 177
TIME CODE DISPLAY 177
START TIME SETTING. 177
COUNT UP SETTING 177
DROP FRAME 178
HDMI TIME CODE OUTPUT 178
Playback and the Playback Menu 179
ThePlaybackDisplay. 180
The DISP/BACK Button 181
Viewing Pictures 183
Playback Zoom. 184
Multi-FramePlayback 184
ThePlayback Menu. 185
RAWCONVERSION. 185
ERASE 188
CROP 190
RESIZE 191
PROTECT. 192
IMAGE ROTATE 193
RED EYE REMOVAL 194
VOICE MEMO SETTING 195
RATING. 196
IMAGE TRANSFER ORDER 197
WIRELESS COMMUNICATION 198
SLIDE SHOW 198
PHOTOBOOK ASSIST 199
PC AUTO SAVE 200
PRINT ORDER (DPOF) 201
instax PRINTER PRINT 202
DISP ASPECT 203
8 The Setup Menus
205
USER SETTING 206
FORMAT 206
DATE/TIME 207
TIME DIFFERENCE 207
言語/LANG. 208
MY MENU SETTING 208
MY MENU SETTING 208
SENSOR CLEANING 209
SOUND & FLASH 209
RESET 210
REGULATORY 210
SOUND SETTING 211
AF BEEP VOL. 211
SELF-TIMER BEEP VOL. 211
OPERATION VOL. 212
SHUTTER VOLUME. 212
SHUTTER SOUND 212
PLAYBACKVOLUME 212
SCREEN SETTING 213
BUTTON/DIAL SETTING 222
VIEW MODE SETTING 213
EVF BRIGHTNESS. 213
EVF COLOR 213
EVF COLOR ADJUSTMENT 214
LCD BRIGHTNESS 214
LCD COLOR. 214
LCD COLOR ADJUSTMENT 214
IMAGE DISP. 215
AUTOROTATE DISPLAYS 215
PREVIEW EXP./WB IN MANUAL MODE 216
NATURAL LIVE VIEW 216
F-Log VIEW ASSIST 217
FRAMINGGUIDELINE. 217
AUTOROTATE PB 218
FOCUS SCALE UNITS. 218
APERTURE UNIT FOR CINEMA LENS 218
DISP.CUSTOM SETTING 218
LARGE INDICATORS MODE(EVF) 219
LARGE INDICATORS MODE(LCD) 219
LARGE INDICATORS DISP. SETTING 220
INFORMATION CONTRAST ADJ. 220
Q MENU BACKGROUND 221
Q MENU BACKGROUND 221
FOCUS LEVER SETTING 222
EDIT/SAVE QUICK MENU 223
EDIT/SAVE QUICK MENU 223
FUNCTION (Fn) SETTING 223
SHUTTER AF 224
SHUTTER AE 224
SHOOT WITHOUT LENS 225
SHOOT WITHOUT CARD 225
FOCUS RING 225
FOCUS RING OPERATION 225
AE/AF-LOCK MODE 226
AWB-LOCK MODE 226
TOUCH SCREEN SETTING 227
POWER MANAGEMENT 229
AUTO POWER OFF 229
PERFORMANCE 230
BOOST SETTING 230
SAVE DATA SETTING 231
FRAME NO. 231
SAVE ORG IMAGE 232
EDIT FILE NAME 232
SELECT FOLDER 233
COPYRIGHT INFO 233
CONNECTION SETTING 234
Bluetooth SETTINGS 234
PC AUTO SAVE 235
instax PRINTER CONNECTION SETTING 236
CONNECTION MODE 237
USB POWER SUPPLY SETTING 238
GENERAL SETTINGS. 239
INFORMATION 239
RESET WIRELESS SETTING 239
9 Shortcuts 241
Shortcut Options 242
MY MENU 243
MY MENU SETTING. 243
The Quick Menu 245
The Quick Menu Display 245
Viewing and Changing Settings 247
Editing the Quick Menu 248
Function Controls. 251
The Function Buttons 251
The Function Dial. 254
Touch-Function Gestures 255
10Peripherals and Optional Accessories 257
Lenses 258
Lens Parts 258
Removing Lens Caps. 259
Attaching Lens Hoods 259
Lenses with Aperture Rings 260
Lenses with O.I.S. Switches 261
Manual Focus Lenses 262
Lens Care. 263
External Flash Units 264
Using an External Flash 265
SYNC TERMINAL 266
SHOE MOUNT FLASH 267
COMMANDER(OPTICAL) 270
11 Connections 275
HDMI Output. 276
Connecting to HDMI Devices 276
Shooting 277
Playback 277
Wireless Connections (Bluetooth®, Wireless LAN/Wi-Fi) .....278
Smartphones and Tablets: FUJIFILM Camera Remote. 278
Copying Pictures to a Computer: PC AutoSave 280
Connecting via USB 281
Connecting to Computers 281
Copying Pictures to a Computer 284
Converting RAW Images: FUJIFILM X RAW STUDIO 285
Backing up and Restoring Camera Settings
(FUJIFILM X Acquire) 285
Connecting to Smartphones 286
instax SHARE Printers 289
Establishing a Connection 289
Printing Pictures 290
Technical Notes
291
Accessories from Fujifilm 292
Software for Use with Your Camera 294
FUJIFILM Camera Remote 294
FUJIFILM PC AutoSave 294
RAWFILECONVERTEREXpoweredbySILKYPIX 294
Capture One Express Fujiflm 294
Capture One Pro Fujifilm 295
FUJIFILM X Acquire 295
FUJIFILM X RAW STUDIO 295
FUJIFILM X Webcam 295
For Your Safety. 296
Product Care. 305
Cleaning the Image Sensor. 306
Firmware Updates 307
Checking the Firmware Version 307
Troubleshooting 308
Warning Messages and Displays. 317
Memory Card Capacity 321
Specifications 322
Supplied Accessories
The following are included with the camera:
- NP-W126S rechargeable battery
- Body cap (comes attached to camera)
USB cable - Headphone adapter
Shoulder strap
Basic Manual

The battery is not charged at shipment. Charge the battery before use (图33).

- If you purchased a lens kit, check that a lens is included.
- The supplied headphone adapter converts USB Type-C connectors to 3.5mm headphone jacks.
- For information on compatible computer software, see "Software for Use with Your Camera" (294).
About This Manual
This manual contains instructions for your FUJIFILM X-S10 digital camera. Be sure you have read and understood its contents before proceeding.
Symbols and Conventions
The following symbols are used in this manual:

Information that should be read to prevent damage to the product.

Additional information that may be helpful when using the product.

Pages on which related information may be found.
Menu and other text in the displays are shown in bold. Illustrations are for explanatory purposes only; drawings may be simplified, while photographs are not necessarily taken with the model of camera described in this manual.
Terminology
The optional SD, SDHC, and SDXC memory cards the camera uses to store pictures are referred to as "memory cards". The electronic viewfinder may be referred to as the "EVF" and the LCD monitor as the "LCD".
Before You Begin
Parts of the Camera
The parts of the camera are listed below.

① (movie recording) button.48
(2) Q (quick menu) button. 245
③ ISO button. 251
④ Rear command dial. 6, 183
(5) Mode dial. 4, 42, 48
(6) Hot shoe. 265
⑦ Microphone. 50, 174
(8) Fn (function) dial. 7, 254
(9) (flash pop-up) lever. 101
10 Connector cover
⑪ Strap clip. 28
12 Connector cover
(13) Speaker 52, 212
(14) Lens signal contacts
15 Lens release button 29
16 AF-assist illuminator. 128
Self-timer lamp 139
Tally light 162
17 Front command dial. 6
18 ON/OFF switch 35
(19)Shutter button. 43
20 Flash 101
21 Body cap. 29
22 Microphone/remote release connector (3.5 mm) 3, 50, 153
23 USB connector (Type-C) 33, 50, 281
24 HDMI Micro connector (Type D) 276


25 (drive) button. 5,88
( delete ) button ( playback mode )......45
(26) (playback) button. 44
27 Diopter adjustment control. 9
28 Electronic viewfinder (EVF) 10, 14, 16, 21
29 Fn button. 251
30 AEL (exposure lock) button. 87, 251
31 AFON button. 87,251
32 Strap clip. 28
33 Indicator lamp. 8, 162
Tally light 162
34 Focus stick (focus lever). 5, 76, 222
35 Battery-chamber cover latch. 30
36 Battery-chamber cover. 30
37 Cable channel cover for DC coupler.....292
38 DISP(display)/BACK button. 16,181
(39) MENU/OK button. 19
④ Tripod mount
41 Vari-angle LCD monitor. 9, 12, 14 Touch screen. 21, 135, 227
42 Eye sensor. 15
(43) Memory card slot. 30
4 Battery chamber. 30
45 Battery latch. 31
46 Serial number plate. see below

Use of an optional RR-100 remote release requires a third-party adapter to convert the three-pin, 2.5 mm connector to a threepin, 3.5 mm connector.
46 Do not remove the serial number plate, which provides the CMIIT ID, serial number, and other important information.
The Mode Dial
To select a shooting mode, rotate the dial until the icon for the desired mode aligns with the index.

| Mode | Description | # |
| ① AUTO (AUTO) | The camera automatically optimizes settings to the scene. | 42 |
| ② P (PROGRAM AE) | Aperture and shutter speed can be adjusted using program shift. | 57 |
| ③ S (SHUTTER PRIORITY AE) | Select for full control over camera settings, including aperture (M and A) | 58 |
| A (APERTURE PRIORITY AE) | and/or shutter speed (M and S). | 60 |
| M (MANUAL) | 62 | |
| ④ C1/C2/C3/C4 (CUSTOM 1/2/3/4) | Take pictures using previously-stored settings. | 67 |
| ⑤ MOVIE | Record movies. | 48 |
| ⑥ FILTER (FILTER) | Take photos with filter effects. | 66 |
| ⑦ SP (SCENE POSITION) | Choose a scene suited to the subject or shooting conditions and let the camera do the rest. | 64 |
The Focus Stick (Focus Lever)
Tilt or press the focus stick to select the focus area. The focus stick can also be used to navigate the menus.


Use 2 BUTTON/DIAL SETTING > FOCUS LEVER SETTING to choose the role played by the focus stick (图222).

(Drive)Button
Pressing the (drive) button displays drive-mode menu, where you can choose from the following the drive modes.

| Mode | ||
| Single frame | 56 | |
| High-speed burst | 93 | |
| Low-speed burst | 93 | |
| ISO | ISO BKT | 89 |
| WB | WHITE BALANCE BKT | 89 |
| Mode | ||
| BKT | Bracketing | 90 |
| HDR | 94 | |
| Panorama | 96 | |
| Multiple Exposure | 99 | |
The Command Dials
The rear and front command dials are used for the operations below.


Front command dial

Rear command dial
Shooting
- Choose the desired combination of shutter speed and aperture (program shift).
- Adjust aperture.
- Choose a shutter speed.
-
Choose a scene.
-
Adjust exposure compensation.
- Choose a shutter speed.
Menu
Select menu tabs or pagethrough menus.
Highlight menu items.
Q Menu
Select items in the quick menu.
Adjust settings in the quick menu.
Playback
View other pictures.
- Zoom in or out (full-frame playback).
- Zoom in or out (multi-frame playback).

For information on the roles performed by the dials during shooting, see "The Command and Function Dials" (69).
The Fn (Function) Dial
Rotate the function dial to quickly adjust settings for the assigned function during shooting.

At shipment, the dial is assigned the DEFAULT role. At this setting, the function performed by the dial varies with the position of the mode dial.
| Mode | Description |
| FILTER (FILTER) | Filter selection |
| P (PROGRAM AE) | |
| S (SHUTTER PRIORITY AE) | |
| A (APERTURE PRIORITY AE) | |
| M (MANUAL) | |
| AUTO (AUTO) | Film simulation |
| SP (SCENE POSITION) | |
| (MOVIE) | |
| C1/C2/C3/C4 (CUSTOM) |

The role performed by the function dial can be chosen using BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING (254).
The Indicator Lamp
Camera status is shown by the indicator lamp.

| Indicator lamp | Camera status |
| Glows green | Focus locked. |
| Blinks green | Focus or slow shutter speed warning. Pictures can be taken. |
| Blinks green and orange | • Camera on: Recording pictures. Additional pictures can be taken. • Camera off: Uploading pictures to a smartphone or tablet. * |
| Glows orange | Recording pictures. No additional pictures can be taken at this time. |
| Blinks orange | Flash charging; flash will not fire when picture is taken. |
| Blinks red | Lens or memory error. |
- Displayed only if pictures are selected for upload.

-Warnings may also appear in the display.
- The indicator lamp remains off while your eye is to the viewfinder.
- The Movie SETTING > TALLY LIGHT option can be used to choose the lamp (indicator or AF-assist) that lights during movie recording and whether the lamp blinks or remains steady.
The LCD Monitor
You can adjust the angle of the LCD monitor when framing shots, but be careful not to trap your fingers or other objects.



- Do not apply excessive force to the hinge when rotating the LCD monitor, as this could damage the hinge.
- Be careful that the corners of the monitor do not contact the camera body, as this could leave marks.

The LCD monitor also functions as a touch screen that can be used for:
- Touch photography (22)
Focus area selection (21) - Function selection (24)
- Movie optimized control (图23)
Full-frame playback operations (25)
Focusing the Viewfinder
If the indicators displayed in the viewfinder are blurred, put your eye to the viewfinder and rotate the diopter adjustment control until the display is in sharp focus.

Camera Displays
This section lists the indicators that may be displayed during shooting.
For illustrative purposes, displays are shown with all indicators lit.

The Electronic Viewfinder
① Crop factor. 138
(2) Focus check. 80, 132
③ Depth-of-field preview. 61,80
(4) Location data download status.....239, 278
⑤ Bluetooth ON/OFF. 234
⑥ Image transfer status 234, 278
⑦ Movie mode. 48, 154
⑧ Full HD high-speed recording 156
(9) Recording time available/ elapsed recording time. 48
10 Date and time. 37, 39, 207
1 Number of available frames 321
(12) Image size. 106
13 File format 155
14 Image quality. 107
(15) Temperature warning 320
16 Touch screen mode 21, 135
17 White balance 111
18 AWB lock 226
19 Film simulation 108
20 F-Log recording. 157
21 Dynamic range 115
22 D-range priority 116
23 Movie optimized control 23
Sound and flash indicator 209
25 Virtual horizon. 18
26 Boost mode 230
27 Histogram 18
28 Distance indicator 80
29 Power supply. 34
30 Battery level. 36
31 Sensitivity. 83
(32) Exposure compensation. 82
33 Focus frame. 75,86
③ 4 Aperture. .57,60,62
35 Time code 177
36 Shutter speed 57, 58, 62
37 TTL lock. 149,253
38 AElock. 87,226
39 Metering. 85
40 Shooting mode 56
41 Focus mode2 71
42 Focus indicator 72
43 Manual focus indicator2 71, 79
44 AFlock. 87,226
45 Mic jack setting 175
46 Recording level 174
47 AF+MF indicator 131
48 Shutter type. 144
49 Continuous mode. 93
(50) Exposure indicator. 62
(51) Self-timer indicator. 139
(52) Microphone. 50
53 Remote release. 59
54 Flash (TTL) mode. 267
55 ISmode2 146
56 Flash compensation 267
1 Shows "9999" if there is space for over 9999 frames.
2 Not displayed when ON is selected for SCREEN SET-UP > LARGE INDICATORS MODE(EVF).
The LCD Monitor

① Crop factor. 138
② Flash compensation 267
③ Focus check. 80, 132
(4) Depth-of-field preview 61, 80
(5) Location data download status.....239, 278
⑥ Bluetooth ON/OFF 234
⑦ Image transfer status. 234, 278
⑧ Movie mode. 48, 154
(9) Full HD high-speed recording 156
10 Focus frame. 75,86
(11) Recording time available/ elapsed recording time. 48
12 Number of available frames 321
(13) Image size 106
(14) File format 155
(15) Image quality. 107
16 Date and time. 37, 39, 207
17 Touch screen mode 21, 135
18 AWB lock 226
19 White balance 111
(20) Film simulation 108
21 F-Log recording 157
22 Dynamic range 115
23 D-range priority 116
24 Movie optimized control 23
25 Boost mode 230
26 Temperature warning 320
27Sound and flash indicator 209
28 Power supply. 34
29 Battery level. 36
30 Distance indicator 80
31 Sensitivity. 83
③2 Histogram 18
③ Exposure compensation. 82
③ 4 Aperture. .57,60,62
35 Time code 177
36Shutter speed. 57,58,62
37 TTL lock. 149,253
38 AE lock. 87, 226
39 Metering. 85
40 Shooting mode 56
41 Focus mode 71
42 Focus indicator 72
43 Manual focus indicator2 71, 79
44 AFlock. 87,226
45 Mic jack setting 175
46 AF+MF indicator 131
47Shutter type. 144
(48) Recording level 174
49 Continuous mode. 93
50 Exposure indicator. 62
(51) Self-timer indicator 139
52 Microphone. 50
53 Remote release. 59
54 Flash (TTL) mode. 267
(55) IS mode 2. 146
1 Shows "9999" if there is space for over 9999 frames.
2 Not displayed when ON is selected for SCREEN SET-UP > LARGE INDICATORS MODE(LCD).
Adjusting Display Brightness
The brightness and hue of the viewfinder and LCD monitor can be adjusted using the items in the SCREEN SET-UP menu. Choose EVF BRIGHTNESS or EVF COLOR to adjust viewfinder brightness or hue, LCD BRIGHTNESS or LCD COLOR to do the same for the LCD monitor.
Display Rotation
When ON is selected for SCREEN SET-UP > AUTOROTATE DISPLAYS, the indicators in the viewfinder and LCD monitor automatically rotate to match camera orientation.
Choosing a Display Mode
Use SCREEN SET-UP > VIEW MODE SETTING to choose from the following display modes. You can choose separate display modes for shooting and playback.
SHOOTING
| Option | Description |
| EYE SENSOR | Putting your eye to the viewfinder turns the viewfinder on and the LCD monitor off; taking your eye away turns the viewfinder off and LCD monitor on. |
| EVEVF ONLY | Viewfinder on, LCD monitor off. |
| LCD LCD ONLY | LCD monitor on, viewfinder off. |
| EVEVF ONLY + SEQUENCE | Putting your eye to the viewfinder turns the viewfinder on; taking it away turns the viewfinder off. The LCD monitor remains off. |
| EVEVF SENSOR + LCD IMAGE DISP. | Putting your eye to the viewfinder during shooting turns the viewfinder on, but the LCD monitor is used for the display of images once you remove your eye from the viewfinder after shooting. |
PLAYBACK
| Option | Description |
| EYE SENSOR | Putting your eye to the viewfinder turns the viewfinder on and the LCD monitor off; taking your eye away turns the viewfinder off and LCD monitor on. |
| EVEV ONLY | Viewfinder on, LCD monitor off. |
| LCD ONLY | LCD monitor on, viewfinder off. |
The Eye Sensor
The eye sensor may respond to objects other than your eye or to light shining directly on the sensor.

The DISP/BACK Button
The DISP/BACK button controls the display of indicators in the viewfinder and LCD monitor.

Indicators for the EVF and LCD must be selected separately. To choose the EVF display, place your eye to the viewfinder while using the DISP/BACK button.

Viewfinder (EVF)

Standard indicators
Full screen
(no indicators)

LCD Monitor

Standard indicators


No indicators


Info display (still photography only)
Customizing the Standard Display
To choose the items shown in the standard indicator display:
1 Display standard indicators.
Use the DISP/BACK button to display standard indicators.
2 Select DISP.CUSTOM SETTING.
Select 2 SCREEN SET-UP > DISP. CUSTOM SETTING in the setup menu.
3 Choose items.
Highlight items and press MENU/OK to select or deselect.
| Item | Default |
| FRAMING GUIDELINE | □ |
| ELECTRONIC LEVEL | □ |
| FOCUS FRAME | ✔ |
| AF DISTANCE INDICATOR | □ |
| MF DISTANCE INDICATOR | ✔ |
| HISTOGRAM | □ |
| LIVE VIEW HIGHLIGHT ALERT | □ |
| SHOOTING MODE | ✔ |
| APERTURE/S-SPEED/ISO | ✔ |
| INFORMATION BACKGROUND | ✔ |
| Expo. Comp. (Digit) | □ |
| Expo. Comp. (Scale) | ✔ |
| FOCUS MODE | ✔ |
| PHOTOMETRY | ✔ |
| SHUTTERTYPE | ✔ |
| FLASH | ✔ |
| Item | Default |
| CONTINUOUS MODE | ✔ |
| DUAL IS MODE | ✔ |
| TOUCH SCREEN MODE | ✔ |
| WHITE BALANCE | ✔ |
| FILM SIMULATION | ✔ |
| DYNAMIC RANGE | ✔ |
| BOOST MODE | ✔ |
| FRAMES REMAINING | ✔ |
| IMAGE SIZE/QUALITY | ✔ |
| MOVIE MODE & REC. TIME | ✔ |
| IMAGE TRANSFER ORDER | ✔ |
| MIC LEVEL | ✔ |
| GUIDANCEMESSAGE | ✔ |
| BATTERY LEVEL | ✔ |
| FRAMING OUTLINE | ☐ |
4 Press DISP/BACK to save changes.
5 Press DISP/BACK as needed to exit the menus and return to the shooting display.
Virtual Horizon
Selecting ELECTRONIC LEVEL displays a virtual horizon. The camera is level when the two lines overlap. Note that the virtual horizon may not be displayed if the camera lens is pointed up or down. For a 3D display (shown), press the function button to which ELECTRONIC LEVEL is assigned (图251).

Framing Outline
Enable FRAMING OUTLINE to make the borders of the frame easier to see against dark backgrounds.
- Histograms
Histograms show the distribution of tones in the image. Brightness is shown by the horizontal axis, the number of pixels by the vertical axis.

- Optimal exposure: Pixels are distributed in an even curve throughout the tone range.
- Overexposed: Pixels are clustered on the right side of the graph.
- Underexposed: Pixels are clustered on the left side of the graph.

To view separate RGB histograms and a display showing areas of the frame that will be overexposed at current settings superimposed on the view through the lens, press the function button to which HISTOGRAM is assigned (251).
① Overexposed areas blink
② RGB histograms

Using the Menu
To display the menus, press MENU/OK.

The Menu
Different menus are displayed during still photography, movie recording, and playback.
| Shooting | Still photography: Mode dial rotated to position other than (movie) | MENU OK | IMAGE QUALITY SETTING 1/3 Image size IMAGE QUALITY RAW RECORDING FILM SIMULATION MONOCHROMATIC COLOR GRAIN EFFECT COLOR CHROME EFFECT COLOR CHROME FX BLUE DACK EXIT |
| Movie recording: Mode dial rotated to (movie) | MENU OK | MOVIE SETTING 1/3 SHOOTING MODE MOVIE MODE FILE FORMAT FULL HD HIGH SPEED REC FIX MOVIE CROP MAGNIFICATION 15%. F-Log RECORDING 4K MOVIE OUTPUT FULL HD MOVIE OUTPUT DACK EXIT | |
| Playback | During playback | MENU OK | PLAY BACK MENU 1/3 RAW CONVERSION ERASE CROP RESIZE PROTECT IMAGE ROTATE RED EYE REMOVAL VOICE MEMO SETTING DACK EXIT |
Selecting a Menu Tab
To navigate the menus:
1 Press MENU/OK to display the menus.


2 Press the focus stick (focus lever) left to highlight the tab for the current menu.

Tab
3 Press the focus stick up or down to highlight the tab containing the desired item.
4 Press the focus stick right to place the cursor in the menu.

Use the front command dial to select menu tabs or page through menus and the rear command dial to highlight menu items.
Touch Screen Mode
The LCD monitor also functions as a touch screen.
Shooting Touch Controls
To enable touch controls, select ON for BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > TOUCH SCREEN SETTING.

EVF
The LCD monitor can be used to select the focus area while pictures are being framed in the electronic viewfinder (EVF). Use BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > EVF TOUCH SCREEN AREA SETTINGS to choose the area of the monitor employed for touch controls.


When FACE DETECTION ON is selected for AF/MF SETTING > FACE/EYE DETECTION SETTING, you can choose the face used for focus.
LCD Monitor
The operation performed can be selected by tapping the touch screen mode indicator in the display. Touch controls can be used for the following operations:

| Mode | Description |
| TOUCHSHOOTING | Tap your subject in the display to focus and release the shutter. In burst mode, pictures will be taken while you keep your finger on the display. |
| AF | • If SINGLE AF is selected for focus mode, the camera will focus when you tap your subject in the display. Focus locks at the current distance until you tap the AF OFF icon. • If CONTINUOUS AF is selected for focus mode, the camera will initiate focus when you tap your subject in the display. The camera will continue to adjust focus for changes in the distance to the subject until you tap the AF OFF icon. • When MANUAL FOCUS is selected for focus mode, you can tap the display to focus on the selected subject using autofocus. |
| AF OFF | |
| AREA | Tap to select a point for focus or zoom. The focus frame will move to the selected point. |
| OFF | Touch controls disabled. |

Different touch controls are used during focus zoom (136).

- To disable touch controls and hide the touch screen mode indicator, select OFF for BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > TOUCH SCREEN SETTING.
- Touch control settings can be adjusted using AF/MF SETTING > TOUCH SCREEN MODE. For information on the touch controls available during movie recording, see "Movie Recording (Touch SCREEN MODE; 171)".
MOVIE OPTIMIZED CONTROL

Selecting ON for MOVIE SETTING > MOVIE OPTIMIZED CONTROL or tapping the movie-optimized mode button in the shooting display optimizes the command dials and touch controls for movie recording. This can be used to prevent camera sounds being recorded with movie footage.

- SHUTTERTPEED
APERTURE
EXPOSURE COMPENSATION
ISO - INTERNAL MIC LEVEL
- ADJUSTMENT/EXTERNAL MIC LEVEL ADJUSTMENT
WIND FILTER
HEADPHONES VOLUME
FILMSimulation
WHITE BALANCE
IS MODE
IS MODE BOOST
FOCUS MODE

- Enabling movie-optimized controls disables the aperture ring.
- When movie-optimized control is enabled, the movie-optimized mode button can be used to change shooting settings or disable movie-optimized control.
Touch Function
Functions can be assigned to the following flick gestures in much the same way as function buttons (255):
- Flickrup: T-Fn1
- Flickr left: T-Fn2
- Flickright:T-Fn3
- Flick down: T-Fn4


- In some cases, touch-function flick gestures display a menu; tap to select the desired option.
- Touch-function gestures are disabled by default. To enable touch-function gestures, select ON for BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > FFO TOUCH FUNCTION.

Playback Touch Controls
When ON is selected for BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > TOUCH SCREEN SETTING, touch controls can be used for the following playback operations:
- Swipe: Swipe a finger across the display to view other images.
- Pinch-out: Place two fingers on the display and spread them apart to zoom in.
- Pinch-in: Place two fingers on the display and slide them together to zoom out.




Pictures can be zoomed out until the entire image is visible but no further.
- Double-tap: Tap the display twice to zoom in on the focus point.
- Drag: View other areas of the image during playback zoom.


MEMO
First Steps
Attaching the Strap
Attach the strap.
Attach the strap to the two strap clips as shown below.



To avoid dropping the camera, be sure the strap is correctly secured.
Attaching a Lens
The camera can be used with lenses for the FUJIFILM X-mount.
Remove the body cap from the camera and the rear cap from the lens. Place the lens on mount, keeping the marks on the lens and camera aligned (①), and then rotate the lens until it clicks into place (②).


-
When attaching lenses, ensure that dust or other foreign matter does not enter the camera.
-
Be careful not to touch the camera's internal parts.
- Rotate the lens until it clicks securely into place.
- Do not press the lens release button while attaching the lens.
-Removing Lenses
To remove the lens, turn the camera off, then press the lens release button (①) and rotate the lens as shown (②).

To prevent dust accumulating on the lens or inside the camera, replace the lens caps and camera body cap when the lens is not attached.

Lenses and Other Optional Accessories
The camera can be used with lenses and accessories for the FUJIFILM X-mount.

Observe the following precautions when attaching or removing (exchanging) lenses.
- Check that the lenses are free of dust and other foreign matter.
- Do not change lenses in direct sunlight or under another bright light source. Light focused into the interior of the camera could cause it to malfunction.
- Attach the lens caps before exchanging lenses.
Inserting the Battery and a Memory Card
Insert the battery and memory card as described below.
1 Slide the battery-chamber cover latch as shown and open the battery-chamber cover.


2 Insert the battery.
Using the battery to keep the battery latch pressed to one side, insert the battery contacts first in the direction shown by the arrow.

3 Insert the memory card.

The optional SD, SDHC, and SDXC memory cards the camera uses to store pictures are referred to as "memory cards".

4 Close the battery-chamber cover and slide the battery-chamber cover latch closed.
-Removing the Battery
Before removing the battery or memory card, turn the camera off and open the battery-chamber cover.
To remove the battery, press the battery latch to the side, and slide the battery out of the camera as shown.


The battery may become hot when used in high-temperature environments. Observe caution when removing the battery.
-Removing Memory Cards
To remove the memory card, press it in and release it slowly. The card can then be removed by hand.


- Press the center of the card when ejecting it.
- When a memory card is removed, the card could be ejected too quickly. Use your finger to hold it and gently release the card.
Compatible Memory Cards
- The camera can be used with SD, SDHC, and SDXC memory cards.
The camera supports UHS-I memory cards. - To record movies, use cards with a UHS speed class of 3 or better or a video speed class of V30 or better.
- A list of supported memory cards is available on the Fujifilm website. For details, visit:
https://fujifilm-x.com/support/compatibility/camera/.

-
Do not turn the camera off or remove the memory card while the memory card is being formatted or data are being recorded to or deleted from the card. Failure to observe this precaution could damage the card.
-
Memory cards can be locked, making it impossible to format the card or to record or delete images. Before inserting a memory card, slide the write-protect switch to the unlocked position.

- Memory cards are small and can be swallowed; keep out of reach of children. If a child swallows a memory card, seek medical assistance immediately.
- miniSD or microSD adapters that are larger or smaller than memory cards may not eject normally; if the card does not eject, take the camera to an authorized service representative. Do not forcibly remove the card.
- Do not affix labels or other objects to memory cards. Peeling labels can cause camera malfunction.
- Movie recording may be interrupted with some types of memory card.
- Formatting a memory card in the camera creates a folder in which pictures are stored. Do not rename or delete this folder or use a computer or other device to edit, delete, or rename image files. Always use the camera to delete pictures; before editing or renaming files, copy them to a computer and edit or rename the copies, not the originals. Renaming the files on the camera can cause problems during playback.
Charging the Battery
The battery is not charged at shipment. Charge the battery before use.
An NP-W126S rechargeable battery is supplied with the camera.
- Turn the camera off for charging.
- The camera can be charged via USB. USB charging is available with computers with a manufacturer-approved operating system and USB interface.

Leave the computer on during charging.
The battery will not charge while the camera is on.
- Connect the supplied USB cable.
- Connect the camera directly to the computer; do not use a USB hub or keyboard.
- Charging stops if the computer enters sleep mode. To resume charging, activate the computer and disconnect and reconnect the USB cable.
- Charging may not be supported depending on the model of computer, computer settings, and the computer's current state.
-
The battery takes about 5 hours to charge with a charging input of 5V / 500mA .
-
To charge the battery from a household AC power outlet, use a BC-W126S battery charger (available separately).
Charge Status
The indicator lamp shows battery charge status as follows:

| Indicator lamp | Battery status |
| On | Battery charging. |
| Off | Charging complete. |
| Blinks | Charging error. |

- Do not affix labels or other objects to the battery. Failure to observe this precaution could make it impossible to remove the battery from the camera.
- Do not short the battery terminals. The battery could overheat.
- Read the cautions in "The Battery and Power Supply".
- Use only genuine Fujifilm rechargeable batteries designated for use in this camera. Failure to observe this precaution could result in product malfunction.
- Do not remove the labels from the battery or attempt to split or peel the outer casing.
- The battery gradually loses its charge when not in use. Charge the battery one or two days before use.
- If the battery fails to hold a charge, it has reached the end of its charging life and must be replaced.
- Remove dirt from the battery terminals with a clean, dry cloth. Failure to observe this precaution could prevent the battery from charging.
- Note that charging times increase at low or high temperatures.

- If the camera is turned on during charging, charging will end and the USB connection will instead be used to power the camera. The battery level will begin to gradually decline (238).
- The camera will display a "power supply" icon when powered via USB.

Turning the Camera On and Off
Use the ON/OFF switch to turn the camera on and off.
Slide the switch to ON to turn the camera on, or to OFF to turn the camera off.


Fingerprints and other marks on the lens or viewfinder can affect pictures or the view through the viewfinder. Keep the lens and viewfinder clean.

- Pressing the button during shooting starts playback.
- Press the shutter button halfway to return to shooting mode.
- The camera will turn off automatically if no operations are performed for the length of time selected for POWER MANAGEMENT > AUTO POWER OFF. To reactivate the camera after it has turned off automatically, press the shutter button halfway or turn the ON/OFF switch to OFF and then back to ON.
Checking the Battery Level
After turning the camera on, check the battery level in the display.
Battery level is shown as follows:

| Indicator | Description |
| □□□ | Battery partially discharged. |
| □□□ | Battery about 80% full. |
| □□□ | Battery about 60% full. |
| □□□ | Battery about 40% full. |
| □□ | Battery about 20% full. |
| □□(red) | Low battery. Charge as soon as possible. |
| □□(blinks red) | Battery exhausted. Turn camera off and recharge battery. |
Basic Setup
When you turn the camera on for the first time, you can choose a language and set the camera clock. At default settings, you can also pair the camera with a smartphone or tablet so that you can later synchronize the clocks or download pictures. Follow the steps below when turning the camera on for the first time.

If you intend to pair the camera with a smartphone or tablet, install and launch the latest version of the FUJIFILM Camera Remote App on the smart device before proceeding. For more information, visit: http://app.fujifilm-dsc.com/en/camera_remote/
1 Turn the camera on.
A language-selection dialog will be displayed.

2 Choose a language.
Highlight a language and press MENU/OK.

3 Pair the camera with the smartphone or tablet.
Press MENU/OK to pair the camera with a smartphone or tablet running the FUJIFILM Camera Remote app.

To skip pairing, press DISP/BACK.

4 Check the time.
When pairing is complete, you will be prompted to set the camera clock to the time reported by the smartphone or tablet. Check that the time is correct.

To set the clock manually, press DISP/BACK (图39).
5 Synchronize the camera settings with the settings configured on your smartphone or tablet.

The option selected can be changed at any time using CONNECTION SETTING > Bluetooth SETTINGS.
6 Set the clock.
Press MENU/OK to set the camera clock to the time reported by the smartphone or tablet and exit to shooting mode.
7 Format the memory card (206).
Format memory cards before first use, and be sure to reformat all memory cards after using them in a computer or other device.

If the battery is removed for an extended period, the camera clock will be reset and the language-selection dialog will be displayed when the camera is turned on.
-Skipping the Current Step
If you skip a step, a confirmation dialog will be displayed; select NO to avoid repeating any steps you skipped the next time the camera is turned on.
Choosing a Different Language
To change the language:
1 Display language options. Select USER SETTING > 語語/LANG..
2 Choose a language. Highlight the desired option and press MENU/OK.
Changing the Time and Date
To set the camera clock:
1 Display DATE/TIME options. Select USER SETTING > DATE/TIME.
2 Set the clock.
Press the focus stick (focus lever) left or right to highlight the year, month, day, hour, or minute and press up or down to change. Press MENU/OK to set the clock.
MEMO
Basic Photography andPlayback
Taking Photographs
This section explains basic photography.
1 Rotate the mode dial to AUTO to view the AUTO shooting display.

The camera automatically selects a scene according to the type of subject detected.

In AUTO (AUTO) mode, the camera continuously adjusts focus and searches for eyes, increasing the drain on the battery; in addition, the sound of the camera focusing may be audible.
2 Ready the camera.
Hold the camera steady with both hands—shaking or unsteady hands can blur your shots.

To prevent pictures that are out of focus or too dark (underexposed), keep your fingers and other objects away from the lens and AF-assist illuminator.

3 Frame the picture.
-Lenses with Zoom Rings
Use the zoom ring to frame the picture in the display. Rotate the ring left to zoom out, right to zoom in.

4 Focus.
Press the shutter button halfway to focus.

Focus frame
- If the camera is able to focus, it will beep twice and focus frame and focus indicator will glow green.
- If the camera is unable to focus, the focus frame will turn red, !AF will be displayed, and the focus indicator will blink white.

-
If the subject is poorly lit, the AF-assist illuminator may light to assist the focus operation.
-
Focus and exposure will lock when the shutter button is pressed halfway. Focus and exposure remain locked while the button is kept in this position (AF/AE lock).
- The camera will focus on subjects at any distance in the macro and standard focus ranges for the lens.
5 Shoot.
Smoothly press the shutter button the rest of the way down to take the picture.
Viewing Pictures
Pictures can be viewed in the viewfinder or LCD monitor.
To view pictures full frame, press

Press the focus stick (focus lever) left to page through pictures in reverse order. Press it right to page through pictures in the order recorded. Keep the stick pressed to scroll rapidly to the desired frame.

- You can also page through pictures using the front command dial or swipe gestures.
- Pictures taken using other cameras are marked with a "gift image") icon to warn that they may not display correctly and that playback zoom may not be available.
Deleting Pictures
Use the (delete) button to delete pictures.

Deleted pictures cannot be recovered. Protect important pictures or copy them to a computer or other storage device before proceeding.
1 With a picture displayed full frame, press the button and select FRAME.


2 Choose a picture and press MENU/OK to delete it.
- The picture will be deleted when the MENU/OK button is pressed; a confirmation dialog is not displayed. Be careful not to accidentally delete pictures you wish to keep.
- Additional pictures can be deleted using the MENU/OK button. Display the desired pictures and press MENU/OK to delete them one by one.

- Protected pictures cannot be deleted. Remove protection from any pictures you wish to delete (图192).
- Pictures can also be deleted from the menus using the 回 PLAY BACK MENU > ERASE option (图 188).
MEMO
Movie Recording andPlayback
Recording Movies
Record movies with sound.
Recording Movies
Movies can be recorded by pressing the (movie recording) button or rotating the mode dial to (movie).
The (Movie Recording) Button
Use the (movie recording) button to quickly and easily record movies while in still photography mode.

The camera automatically selects CONTINUOUS AF for focus mode.
1 Press to start recording.
- A recording indicator () is displayed while recording is in progress.
- The display shows the elapsed recording time.


2 Press again to end recording.
Recording ends automatically when the movie reaches 29 minutes 59 seconds or the memory card is full.

(Movie) Mode
For more control over camera settings, rotate the mode dial to (movie) and record movies using the shutter button.
1 Rotate the mode dial to (movie).

2 Press the shutter button to start recording.
- A recording indicator (●) is displayed while recording is in progress.
- The display shows the elapsed recording time.

3 Press the shutter button again to end recording.
Recording ends automatically when the movie reaches 29 minutes 59 seconds or the memory card is full.
TemperatureWarnings
The camera automatically turns off to protect itself when its temperature or the temperature of the battery rises. If a temperature warning is displayed, image noise may increase. Turn the camera off and wait for it to cool before turning it on again (320).

- Use a memory card with a UHS speed class of 3 or better when recording movies.
- Sound is recorded via the built-in microphone or an optional external microphone. Do not cover the microphone during recording.
- Note that the microphone may pick up lens noise and other sounds made by the camera during recording.
- Vertical or horizontal streaks may appear in movies containing very bright subjects. This is normal and does not indicate a malfunction.

- The indicator lamp lights while recording is in progress.
- In the case of zoom lenses, zoom can be adjusted during recording using the zoom ring (if available).
- Exposure compensation can be adjusted during recording, but only by a maximum of ± 2 EV.
- Recording may be unavailable at some settings, while in other cases settings may not apply during recording.
- Headphones connected via USB can be used to monitor audio during movie recording. Use the supplied headphone adapter to convert the USB connector to a plug for a headphone jack.
Using an External Microphone
Sound can be recorded with external microphones that connect using jacks 3.5mm in diameter; microphones that require plug-in power cannot be used. See the microphone manual for details.

Adjusting Movie Settings
Movie settings can be adjusted from the movie menus or using the Movie SETTING item in the photo menus (19).
- Use the Movie SETTING item in the photo menus to quickly adjust settings when recording movies via the movie recording) button (151).
- The movie menus contain options for use when recording movies via the shutter button in (movie) mode (154).

Changes made using the Movie SETTING item in the photo menus also apply to the movie menus. Changes made in one set of menus automatically apply in the other.
Depth of Field
To soften backgrounds, set aperture as wide as possible. Aperture can be adjusted directly in modes A (aperture-priority AE) and M (manual).
Viewing Movies
View movies on the camera.
In full-frame playback, movies are identified by a icon. Press the focus stick (focus lever) down to start movie playback.

The following operations can be performed while a movie is displayed:

| Focus stick (focus lever) | Full-frame playback | Playback in progress (■) | Playback paused (■) |
| Up | — | End playback | |
| Down | Start playback | Pause playback | Start/resume playback |
| Left/right | View other pictures | Adjust speed | Single frame rewind/advance |
Progress is shown in the display during playback.


- Do not cover the speaker during playback.
Sound is not played back if OFF is selected for ±b USER SETTING > SOUND & FLASH.

- Press MENU/OK to pause playback and display volume controls. Press the focus stick (focus lever) up or down to adjust the volume; press MENU/OK again to resume playback. Volume can also be adjusted using SOUND SET-UP > PLAYBACK VOLUME.
- Audio can be played back over headphones or other devices connected via USB using the supplied headphone adapter.
Playback Speed
Press the focus stick (focus lever) left or right to adjust playback speed during playback. Speed is shown by the number of arrows ( or

Arrows
MEMO
Taking Photographs
Choosing a Shooting Mode
Choose a shooting mode according to the scene or type of subject.
AUTO (AUTO)
When the mode dial is rotated to AUTO, the camera automatically optimizes settings to suit the scene.

The display shows the icon for the mode most closely matching the type of scene detected by the camera.

: LANDSCAPE
C:NIGHT
: NIGHT (TRIPOD)
:MACRO
SUNSET
SKY
:GREENERY
:PORTRAIT
:BACKLIT PORTRAIT
: MOVING OBJECT
: PORTRAINT&MOTION
: BACKLIT PORTAIT&MOTION
The mode selected may vary with shooting conditions. If the mode and subject do not match, select mode P or choose SP and select a scene manually.
- The additional processing time required in some scene modes may increase save times.
No icon will be displayed if the camera is unable to determine the type of scene.
Program AE (P)
Let the camera choose shutter speed and aperture for optimal exposure. Other values that produce the same exposure can be selected with program shift.
Rotate the mode dial to P.

P will appear in the display.

-Program Shift
Rotate the front command dial to choose the desired combination of shutter speed and aperture (program shift).


Program shift is not available in any of the following circumstances:
- With flash units that support TTL auto
- When a flash mode other than ⑧OFF is selected for ① FLASH SETTING > FLASH FUNCTION SETTING
- When an auto option is selected for IMAGE QUALITY SETTING > DYNAMIC RANGE
In movie mode

To cancel program shift, turn the camera off.
Shutter-Priority AE (S)
Choose a shutter speed and let the camera adjust aperture for optimal exposure.
1 Rotate the mode dial to S.

S will appear in the display.

2 Use the front command dial to choose a shutter speed.

If the correct exposure cannot be achieved at the selected shutter speed, aperture will be displayed in red.
- If the subject is outside the metering range of the camera, the aperture display will show "--".
Time (T)
Shutter speeds of 1 s or slower are referred to as "long time-exposures". Use of a tripod is recommended to prevent the camera moving during the exposure.

- A count-down timer will be displayed while the exposure is in progress.
- To reduce "noise" (mottling) in long time-exposures, select ON for IMAGE QUALITY SETTING > LONG EXPOSURE NR. Note that this may increase the time needed to record images after shooting.
Using a Remote Release
A remote release can be used for long time-exposures. When using an optional RR-100 remote release or an electronic release from third-party suppliers, connect it to the camera's microphone/remote release connector via a third-party 2.5mm to 3.5mm adapter.


A confirmation dialog will be displayed when a remote release is connected; press MENU/OK and select REMOTE for MIC/REMOTE RELEASE.
CHECK MIC/REMOTE RELEASE SETTING
OK SET BACKSKIP
Aperture-Priority AE (A)
Choose an aperture and let the camera adjust shutter speed for optimal exposure.
1 Rotate the mode dial to A.

A will appear in the display.

2 Use the front command dial to choose an aperture.

If the correct exposure cannot be achieved at the selected aperture, shutter speed will be displayed in red.
- If the subject is outside the metering range of the camera, the shutter speed display will show "--".
If the lens is equipped with a aperture ring, aperture can be adjusted by rotating the ring.
-Previewing Depth of Field
When PREVIEW DEPTH OF FIELD is assigned to a function button, pressing the button displays a 9 icon and stops aperture down to the selected setting, allowing depth of field to be previewed in the display (251).

Manual Exposure (M)
Alter exposure from that selected by the camera.
1 Rotate the mode dial to M.

M will appear in the display.

2 Rotate the rear command dial to choose a shutter speed and the front command dial to choose the aperture.


The manual exposure display includes an exposure indicator that shows the amount the picture would be under- or over-exposed at current settings.

Shutter speed
Aperture
If the lens is equipped with a aperture ring, aperture can be adjusted by rotating the ring.
Bulb (B)
Choose a shutter speed of BULB for long time-exposures in which you open and close the shutter manually. Use of a tripod is recommended to prevent the camera moving during the exposure.
1 Using the rear command dial, choose a shutter speed of BULB.

2 Press the shutter button all the way down. The shutter will remain open for up to 60 minutes while the shutter button is pressed; the display shows the time elapsed since the exposure started.

To reduce "noise" (mottling) in long time-exposures, select ON for
IMAGE QUALITY SETTING > LONG EXPOSURE NR. Note that this
may increase the time needed to record images after shooting.
- Exposure Preview
To preview exposure in the LCD monitor, select PREVIEW EXP./WB for
SCREEN SET-UP > PREVIEW EXP./WB IN MANUAL MODE.


Select an option other than PREVIEW EXP./WB when using the flash or on other occasions on which exposure may change when the picture is taken.
SPSCENEPOSITION
The camera offers a choice of "scenes", each adapted to particular shooting conditions or a specific type of subject.
1 Rotate the mode dial to SP (SCENE POSITION).

2 Choose a scene via SHOOTING SETTING > SCENE POSITION.
Choose from the following options:
| Scene | Description |
| PORTRAIT | Choose for portraits. |
| PORTRAIT ENHANCED | Processes portraits to give the subject a smooth, natural-looking complexion. |
| LANDSCAPE | Choose for daylight shots of buildings and landscapes. |
| SPORT | Choose when photographing moving subjects. |
| NIGHT | Choose for poorly lit twilight or night scenes. |
| NIGHT (TRIPOD) | Choose this mode for slow shutter speeds when shooting at night. |
| FIREWORKS | Slow shutter speeds are used to capture the expanding burst of light from a firework. |
| SUNSET | Choose this mode to record the vivid colors in sun-rises and sunsets. |
| SNOW | Choose for crisp, clear shots that capture the brightness of scenes dominated by shining white snow. |
| BEACH | Choose for crisp, clear shots that capture the brightness of sunlit beaches. |
| UNDERWATER | Reduces the blue cast typically associated with underwater lighting. |
| PARTY | Capture indoor background lighting under low-light conditions. |
| FLOWER | Effective for taking more vivid shots of flowers. |
| TEXT | Take clear pictures of text or drawings in print. |

The scene can also be selected in the shooting display via the front command dial.
FILTER
Take photos with filter effects.
1 Rotate the mode dial to FILTER.

2 Choose a filter via SHOOTING SETTING > FILTER SETTING.
| Filter | Description |
| TOY CAMERA | Choose for a retro toy camera effect. |
| MINIATURE | The tops and bottoms of pictures are blurred for a diorama effect. |
| POP COLOR | Create high-contrast images with saturated colors. |
| HIGH-KEY | Create bright, low-contrast images. |
| LOW-KEY | Create uniformly dark tones with few areas of emphasized highlights. |
| DYNAMIC TONE | Dynamic tone expression is used for a fantasy effect. |
| SOFT FOCUS | Create a look that is evenly soft throughout the whole image. |
| PARTIAL COLOR (RED) | Areas of the image that are the selected color are recorded in that color. All other areas of the image are recorded in black-and-white. |
| PARTIAL COLOR (ORANGE) | |
| PARTIAL COLOR (YELLOW) | |
| PARTIAL COLOR (GREEN) | |
| PARTIAL COLOR (BLUE) | |
| PARTIAL COLOR (PURPLE) |
Depending on the subject and camera settings, images may in some cases be grainy or vary in brightness or hue.
The scene can also be selected in the shooting display via the function dial.
Custom Modes
Rotate the mode dial to any of modes C1 (CUSTOM 1) through C4 (CUSTOM 4) to take pictures using previously-saved shooting menu settings. Settings can be saved or edited using IMAGE QUALITY SETTING > EDIT/SAVE CUSTOM SETTING.

Saving Settings
1 Select IMAGE QUALITY SETTING in the shooting menu, then highlight EDIT/SAVE CUSTOM SETTING and press MENU/OK.
2 Highlight EDIT/CHECK SETTING and press MENU/OK.


-
To store current camera settings in any of custom settings banks 1 through 4, select SAVE CURRENT SETTINGS. Previously-saved settings in the selected bank will be overwritten.
-
To restore default settings for selected banks, choose RESET.
- Banks can be renamed using EDIT CUSTOM NAME.
- If ENABLE is selected for AUTO UPDATE SETTING, changes to settings in modes C1 through C4 will automatically be saved to the current bank.
3 Highlight a custom settings bank and press MENU/OK to select.

4 Highlight an item you wish to store in the custom settings bank and press MENU/OK.
Adjust settings for the selected item.

5 Press MENU/OK to save changes to the selected item and return to the menu item list.
Adjust additional items as desired.
6 Pressing DISP/BACK in the menu item list displays a confirmation dialog. Highlight OK and press MENU/OK to save the settings to the selected bank.

The Command and Function Dials
The roles of the command and Function dials vary with the mode.
| Front command dial | Rear command dial | Fn (function) dial | |
| AUTO (AUTO) | Film simulation | Exposure compensation | Film simulation |
| P (PROGRAM AE) | Program shift | ||
| S (SHUTTER PRIORITY AE) | Shutter speed | ||
| A (APERTURE PRIORITY AE) | Aperture | ||
| M (MANUAL) | Shutter speed | ||
| SP (SCENE POSITION) | Scene position | Exposure compensation | |
| FILTER (FILTER) | Program shift | Filter selection | |
| C1/C2/C3/C4 (CUSTOM) | Varies with exposure mode | ||
| MOVIE) | |||

The role performed by the function dial can be chosen using
2 BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING (223).
Autofocus
Take pictures using autofocus.
1 Use AF/MF SETTING > FOCUS MODE to choose a focus mode (图71).
2 Use AF/MF SETTING > AF MODE to choose an AF mode (图73).
3 Select AF/MF SETTING > FOCUS AREA and choose the position and size of the focus frame (75).

4 Take pictures.
Focus Mode
Choose how the camera focuses.
1 Press MENU/OK to display the menus.
2 Select AF/MF SETTING > FOCUS MODE in the shooting menu.
3 Choose from the following options:
| Mode | Description |
| MF MANUAL FOCUS | Focus manually using the lens focus ring. Choose for man- ual control of focus or in situations in which the camera is unable to focus using autofocus (图79). |
| RF-C CONTINUOUS AF | Focus is continually adjusted to reflect changes in the dis- tance to the subject while the shutter button is pressed halfway. Use for subjects that are in motion. |
| RF-S SINGLE AF | Focus locks while the shutter button is pressed halfway. Choose for stationary subjects. |

- Regardless of the option selected, manual focus will be used when the lens is in manual focus mode.
- If ON is selected for AF/MF SETTING > PRE-AF, focus will be adjusted continuously in modes and even when the shutter button is not pressed.
The Focus Indicator
Focus status is shown by the focus indicator.
| Focus indicator | Focus status |
| () | Camera focusing. |
| ● (lights green) | Subject in focus; focus locked (focus mode MF). |
| ● (lights green) | Subject in focus (focus mode MF). Focus is automatically adjusted for changes in distance to subject. |
| ○ (blinks white) | Camera unable to focus. |
| MF | Manual focus (focus mode MF). |

Focus indicator
Autofocus Options (AF Mode)
Choose how the camera focuses in modes - S and - E .
1 Press MENU/OK and go to the shooting menu.
2 Select AF/MF SETTING > AF MODE.
3 Choose an AF mode.
How the camera focuses depends on the focus mode.
Focus Mode (SINGLE AF)
| Option | Description | Sample image |
| SINGLE POINT | Camera focuses on subject in selected focus point. Use for pin-point focus on selected subject. | |
| ZONE | Camera focuses on subject in selected focus zone. Focus zones include multiple focus points, making it easier to focus on subjects in motion. | |
| WIDE | Camera focuses automatically on high-contrast subjects; display shows areas in focus. | |
| ALL ALL | Rotate the rear command dial in the focus-point selection display (76, 77) to cycle through AF modes in the following order: SINGLE POINT, ZONE, and WIDE. | |
Focus Mode (CONTINUOUS AF)
| Option | Description | Sample image |
| SINGLE POINT | Focus tracks subject at selected focus point. Use for subjects moving toward or away from camera. | |
| ZONE | Focus tracks subject in selected focus zone. Use for subjects that are moving fairly predictably. | |
| TRACKING | Focus tracks subjects moving through wide area of frame. | |
| ALL ALL | Rotate the rear command dial in the focus-point selection display (76, 77) to cycle through AF modes in the following order: SINGLE POINT, ZONE, and TRACKING. | |
Focus-Point Selection
Choose a focus point for autofocus.
Viewing the Focus-Point Display
1 Press MENU/OK and go to the shooting menu.
2 Select AF/MF SETTING > FOCUS AREA to view the focus-point display.
3 Use the focus stick (focus lever) and rear command dial to choose a focus area.

The focus point can also be selected using touch controls (图21).
Selecting a Focus Point
Use the focus stick (focus lever) to choose the focus point and the rear command dial to choose the size of the focus frame. The procedure varies with the option selected for AF mode.

| AF mode | Focus stick | Rear command dial | DISP/BACK button | |
| Tilt | Press | Rotate | ||
| [ ] | Highlight focus point | Select highlighted focus point | Choose from 6 frame sizes | Select center focus point |
| Choose from 3 frame sizes | ||||
| [ ] | — | |||

- Manual focus-point selection is not available when [ ] WIDE/TRACKING is selected in focus mode [W-F].
- If ALL is selected for AF mode, you can rotate the rear command dial in the focus-point selection display to cycle through AF modes in the following order: SINGLE POINT (6 frame sizes), ZONE (3 frame sizes), and either WIDE (focus mode) or TRACKING (focus mode).
The Focus-Point Display
The focus-point display varies with the option selected for AF mode.

Focus frames are shown by small squares () , focus zones by the large squares.
AF mode
SINGLE POINT

Number of points available can be selected using AF/MF SETTING > NUMBER OF FOCUS POINTS.
ZONE

Choose from zones with 7 × 7, 5 × 5 , or 3 × 3 focus points.
WIDE/TRACKING

Position focus frame over subject you want to track.
-Autofocus
Although the camera boasts a high-precision autofocus system, it may be unable to focus on the subjects listed below.
- Very shiny subjects such as mirrors or car bodies.
- Subjects photographed through a window or other reflective object.
- Dark subjects and subjects that absorb rather than reflect light, such as hair or fur.
- Insubstantial subjects, such as smoke or flame.
- Subjects that show little contrast with the background.
- Subjects positioned in front of or behind a high-contrast object that is also in the focus frame (for example, a subject photographed against a backdrop of highly contrasting elements).
Checking Focus
To zoom in on the current focus area for precise focus, press the center of the focus stick (focus lever). Press again to zoom in further and a third time to cancel zoom.



Normal display

Focus zoom

- In focus mode, zoom can be adjusted by rotating the rear command dial.
- In focus mode, select SINGLE POINT for AF MODE.
- Focus zoom is not available in focus mode or when AF/MF SETTING > PRE-AF is on.
- Use F BUTTON/DIAL SETTING > FOCUS LEVER SETTING to change the function performed by the center of the focus stick (focus lever). F BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING can also be used to assign focus zoom to other controls (251).
Manual Focus
Adjust focus manually.
1 Select MANUAL FOCUS for AF/MF SETTING > FOCUS MODE.

2 Focus manually using the lens focus ring. Rotate the ring left to reduce the focus distance, right to increase.

3 Take pictures.

- Use 2 BUTTON/DIAL SETTING > FOCUS RING to reverse the direction of rotation of the focus ring.
- Regardless of the option selected, manual focus will be used when the lens is in manual focus mode.
Checking Focus
A variety of options are available for checking focus in manual focus mode.
The Manual Focus Indicator
The white line indicates the distance to the subject in the focus area (in meters or feet according to the option selected for SCREEN SET-UP > FOCUS SCALE UNITS in the setup menu), the blue bar the depth of field, or in other words the distance in front of and behind the subject that appears to be in focus.



If both AF DISTANCE INDICATOR and MF DISTANCE INDICATOR are selected in the 2 SCREEN SET-UP > DISP.CUSTOM SETTING list, the manual focus indicator can also be viewed using the depth-of-field indicator in the standard display. Use the DISP/BACK button to display standard indicators.
Focus Zoom
If ON is selected for AF/MF SETTING > FOCUS CHECK, the camera will automatically zoom in on the selected focus area when the focus ring is rotated (75). Zoom can be adjusted by rotating the rear command dial. Press the center of the focus stick (focus lever) to exit zoom.

The focus stick can be used to choose the focus area while focus zoom is in effect.
MF Assist
Use AF/MF SETTING > MF ASSIST to choose a focus check option.
The following options are available:
- DIGITAL SPLIT IMAGE: Displays a split image in the center of the frame. Frame the subject in the split-image area and rotate the focus ring until the four parts of the split image are correctly aligned.
- DIGITAL MICROPRISM: A grid pattern that emphasizes blur is displayed when the subject is out of focus, disappearing to be replaced by a sharp image when the subject is in focus.
- FOCUS PEAK HIGHLIGHT: Highlights high-contrast outlines. Rotate the focus ring until the subject is highlighted.



Exposure Compensation
Adjust exposure.
Rotate the rear command dial to adjust exposure.

The amount of compensation available varies with the shooting mode.
-
Exposure compensation can be previewed in the shooting display, although the display may not accurately reflect its effects if:
-
the exposure compensation amount exceeds ± 3 EV,
- 200 200% or 400 400% is selected for DYNAMIC RANGE, or
- STRONG or WEAK is selected for D RANGE PRIORITY.
Exposure compensation can still be previewed in the viewfinder or LCD monitor by pressing the shutter button halfway. In movie mode, the display may not accurately reflect the effects of exposure compensation during F-log recording or when 200 200% or 400 400% is selected for DYNAMIC RANGE. An accurate preview can be obtained by selecting mode M and adjusting exposure directly.
Sensitivity
Adjust the camera's sensitivity to light.
To view sensitivity settings, press the ISO button.

| Option | Description |
| AUTO1 | Sensitivity is automatically adjusted in response to shooting conditions. |
| AUTO2 | |
| AUTO3 | |
| 160-12800 | Adjust sensitivity manually. Selected value is shown in display. |
| L(80) | |
| L(100) | Choose for special situations. Note that mottling may appear in pictures taken at H, while L reduces dynamic range. |
| L(125) | |
| H(25600) | |
| H(51200) |

- Sensitivity is not reset when the camera is turned off.
- Pressing the ISO button in (movie) mode displays the Movie SETTING > ISO item in the movie menus.
-Adjusting Sensitivity
High values can be used to reduce blur when lighting is poor, while lower values allow slower shutter speeds or wider apertures in bright light; note, however, that mottling may appear in pictures taken at high sensitivities.
Auto Sensitivity (A)
Choose the base sensitivity, maximum sensitivity, and minimum shutter speed for AUTO1, AUTO2, and AUTO3.
| Item | Options | Default | ||
| AUTO1 | AUTO2 | AUTO3 | ||
| DEFAULT SENSITIVITY | 160-12800 | 160 | ||
| MAX. SENSITIVITY | 400-12800 | 800 | 3200 | 12800 |
| MIN. SHUTTER SPEED | ½00-¼ SEC, AUTO | AUTO | ||
The camera automatically chooses a sensitivity between the default and maximum values; sensitivity is only raised above the default value if the shutter speed required for optimal exposure would be slower than the value selected for MIN. SHUTTER SPEED.

- If the value selected for DEFAULT SENSITIVITY is higher than that selected for MAX. SENSITIVITY, DEFAULT SENSITIVITY will be set to the value selected for MAX. SENSITIVITY.
- The camera may select shutter speeds slower than MIN. SHUTTERT SPEED if pictures would still be underexposed at the value selected for MAX. SENSITIVITY.
- If AUTO is selected for MIN. SHUTTERTPEED, the camera will automatically choose a minimum shutter speed fast enough to prevent blur caused by subject motion or camera shake (the minimum shutter speed is not affected by the option selected for image stabilization).
Metering
Choose how the camera meters exposure.
SHOOTING SETTING > PHOTOMETRY offers a choice of the following metering options:

The selected option will only take effect when AF/MF SETTING > FACE/EYE DETECTION SETTING is OFF.
| Mode | Description |
| [Multi] | The camera instantly determines exposure based on an analysis of composition, color, and brightness distribution. Recommended in most situations. |
| [中心] | The camera meters the entire frame but assigns the greatest weight to the area at the center. |
| [SPOT] | The camera meters lighting conditions in an area equivalent to 2% of the frame. Recommended with backlit subjects and in other cases in which the background is much brighter or darker than the main subject. |
| [ ] | Exposure is set to the average for the entire frame. Provides consistent exposure across multiple shots with the same lighting, and is particularly effective for landscapes and portraits of subjects dressed in black or white. |
| AVERAGE |

To meter the subject in the selected focus area, choose ON for AF/ MF SETTING > INTERLOCK SPOT AE & FOCUS AREA (133).
Focus/Exposure Lock
Focus and exposure lock when the shutter button is pressed halfway.
1 Position the subject in the focus frame and press the shutter button halfway to lock focus and exposure. Focus and exposure will remain locked while the shutter button is pressed halfway (AF/AE lock).

2 Press the button all the way down.

Focus and exposure lock via the shutter button is only available when ON is selected for BUTTON/DIAL SETTING > SHUTTER AF, SHUTTER AE.
Other Controls
Focus and exposure can also be locked using function buttons. At default settings, you can use the AEL button to lock exposure without locking focus. If the AFON button is assigned AF LOCK ONLY (251), it can similarly be used to lock focus without locking exposure.
While the assigned control is pressed, pressing the shutter button halfway will not end the lock.
- If AE&AF ON/OFF SWITCH is selected for BUTTON/DIAL SETTING > AE/ AF-LOCK MODE, the lock can only be ended by pressing the control a second time.

AEL button (exposure lock)

AFON button

- The focus lever (focus stick) can be used to reposition the focus point during exposure lock.
- Function buttons can be assigned other roles using BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING. Exposure and focus lock can also be assigned to other function buttons (图251).
Bracketing
Automatically vary settings over a series of pictures.
1 Press the (drive) button to display drive-mode menu.

2 Press the focus stick (focus lever) up or down to highlight one of the following:
| Option | |
| ISO ISO BKT | 89 |
| WHITE BALANCE BKT | 89 |
| Option | |
| BKT Bracketing | 90 |
3 Press the focus stick left or right to highlight the desired bracketing settings.
4 Press MENU/OK to select.
5 Take pictures.
ISO ISO BKT
Select a bracketing amount (± 1/3, ± 2/3, or ± 1) in the drive mode display. Each time the shutter is released, the camera will take a picture at the current sensitivity and process it to create two additional copies, one with sensitivity raised and the other with sensitivity lowered by the selected amount.
WB WHITE BALANCE BKT
Select a bracketing amount (± 1, ± 2, or ± 3) in the drive mode display. Each time the shutter is released, the camera takes one shot and processes it to create three copies: one at the current white balanced setting, one with fine-tuning increased by the selected amount, and another with fine-tuning decreased by the selected amount.
AE BKT
Use SHOOTING SETTING > AE BKT SETTING to choose the bracketing amount, bracketing order, and number of shots. The camera will take the specified number of shots in sequence: one using the metered value for exposure and the others over- or under-exposed by multiples of the selected bracketing amount.

Regardless of the bracketing amount, exposure will not exceed the limits of the exposure metering system.
FILMSIMULATION BKT
Each time the shutter is released, the camera takes one shot and processes it to create copies with different film simulation settings, chosen using SHOOTING SETTING > FILM SIMULATION BKT.
DYNAMIC RANGE BKT
Each time the shutter button is pressed, the camera takes three shots with different dynamic ranges: 100% for the first, 200% for the second, and 400% for the third.

While dynamic range bracketing is in effect, sensitivity will be restricted to a minimum of ISO 640; the sensitivity previously in effect is restored when bracketing ends.
FOCUS BKT
Each time the shutter button is pressed, the camera takes a series of photos, varying focus with each shot. The SHOOTING SETTING > FOCUS BKT SETTING item offers a choice of MANUAL and AUTO bracketing.

- Do not adjust zoom during shooting.
- Use of a tripod is recommended.
MANUAL
In MANUAL mode, you choose the following.
| Option | Description |
| FRAMES | Choose the number of shots. |
| STEP | Choose the amount focus changes with each shot. |
| INTERVAL | Choose the interval between shots. |
-Focus and FRAMES/STEP
The relation between focus and the options chosen for FRAMES and STEP is shown in the illustration.

Focus proceeds from the starting position toward infinity.
- Small STEP values translate to small changes in focus, larger values to larger changes.
- Regardless of the option chosen for FRAMES, shooting ends when focus reaches infinity.
AUTO
In AUTO mode, the camera calculates FRAMES and STEP automatically.
1 Select SHOOTING SETTING in the shooting menu, highlight FOCUS BKT SETTING, and press MENU/OK.
2 Select AUTO and choose an INTERVAL. The view through the lens will be displayed.
3 Focus on the nearest end of the subject and press MENU/OK. The selected focus distance appears as A on the focus distance indicator.


The same focus range can be chosen by focusing on the farthest end of the subject first.
4 Focus on the farthest end of the subject and press DISP/BACK. The selected focus distance (B) and focus range (A to B) appear on the focus distance indicator.


Instead of pressing the DISP/BACK button, you can press MENU/OK and select A again.
5 Take photographs.
The camera will calculate values for FRAMES and STEP automatically. The number of frames will appear in the display.

Continuous Shooting (Burst Mode)
Capture motion in a series of pictures.
1 Press the (drive) button to display drive-mode menu and select CH HIGH SPEED BURST or CL LOW SPEED BURST.

2 Choose the frame advance rate and press the shutter button to start shooting.
Shooting ends when the shutter button is released or the memory card is full.

- Frame advance rates of 10 fps or faster are available only when ES ELECTRONIC SHUTTER is selected for SHOOTING SETTING > SHUTTERTYPE.
- If file numbering reaches 9999 before shooting is complete, the remaining pictures will be recorded to a new folder.
- Shooting ends when the memory card is full; the camera will record all photos shot to that point. Burst shooting may not begin if the space available on the memory card is insufficient.
- Frame rates may slow as more shots are taken.
- Frame rate varies with the scene, shutter speed, sensitivity, and focus mode.
- Depending on shooting conditions, frame rates may slow or the flash may not fire.
- Recording times may increase during burst shooting.
Exposure
To vary exposure with each shot, select OFF for BUTTON/DIAL SETTING > SHUTTER AE.

Depending on such factors as aperture, sensitivity, and exposure compensation, exposure may not be adjusted automatically.
HDR
Each time the shutter button is pressed, the camera takes three shots, varying exposure each time, and combines them into a single picture. The resulting photograph preserves details in highlights and shadows.
1 Press the (drive) button and select HDR in the drive-mode menu.

2 Choose the amount the brightnesses of the exposures vary.
| Option | Description |
| HDR AUTO | Dynamic range is automatically set to a value of from 200% to 800%. |
| HDR200 | Dynamic range is set to 200%. |
| HDR400 | Dynamic range is set to 400%. |
| HDR800 | Dynamic range is set to 800%. |
| HDR800+ | Camera settings are adjusted for maximum variation in dynamic range. |
3 Take photographs. The camera will create a combined image.

- Keep the camera steady.
- The desired results may not be achieved in the subject moves or the composition or lighting changes during shooting.
- The picture will be cropped a very small amount and the resolution will drop slightly.
- Mottling may appear in pictures taken at higher values. Choose a value according to the scene.
- "Extended" sensitivity values are not supported.
- Depending on the options selected for HDR and sensitivity, pictures may not be taken at the selected shutter speed.
The flash does not fire.

HDR images are indicated by a + icon during playback.
Panoramas
Follow an on-screen guide to create a panorama.
1 Press the (drive) button and select PANorama in the drive-mode menu.

2 To select the size of the angle through which you will pan the camera while shooting, press the focus stick (focus lever) left. Highlight a size and press MENU/OK.
3 Press the focus stick right to view a choice of pan directions. Highlight a pan direction and press MENU/OK.
4 Press the shutter button all the way down to start recording. There is no need to keep the shutter button pressed during recording.
5 Pan the camera in the direction shown by the arrow. Shooting ends automatically when the camera is panned to the end of the guides and the panorama is complete.

-For Best Results
- Move the camera slowly in a small circle at a steady speed
- Keep the camera parallel or at right angles to the horizon and be sure to pan only in the direction shown by the guides
- Try panning at a different speed if the desired results are not achieved
- Prop your elbows against your sides
- Use a tripod
- For best results, use a lens with a focal length of 35mm or less (50 mm or less in 35mm format).

- If the shutter button is pressed all the way down before the panorama is complete, shooting will end and no panorama may be recorded.
- The last part of the panorama may not be recorded if shooting ends before the panorama is complete.
- Panoramas are created from multiple frames, and the camera may in some cases be unable to stitch the frames together perfectly.
- Panoramas may be blurred if the subject is poorly lit.
- Shooting may be interrupted if the camera is panned too quickly or too slowly. Panning the camera in a direction other than that shown cancels shooting.
-
The camera may in some cases record a greater or lesser angle than selected.
The desired results may not be achieved with: -
Moving subjects
- Subjects close to the camera
- Unvarying subjects such as the sky or a field of grass
- Subjects that are in constant motion, such as waves and waterfalls
-
Subjects that undergo marked changes in brightness
-
If ON is selected for BUTTON/DIAL SETTING > SHUTTER AE, exposure for the entire panorama is determined by the first frame.
-Viewing Panoramas
With the panorama displayed full frame, press the focus stick (focus lever) down to start panorama playback. Vertical panoramas will scroll vertically, horizontal panoramas horizontally.



- In full-frame playback, you can use the rear command dial to zoom panoramas in or out.
- Panorama playback is controlled using the focus stick.
| Focus stick (focus lever) | Full-frame playback | Panorama playback | Panorama playback paused |
| Up | — | End playback | |
| Down | Start playback | Pause playback | Resume playback |
| Left/right | View other pictures | Choose pan direction | Scroll panorama manually |
Multiple Exposures
Create a photograph that combines multiple exposures.

1 Press the (drive) button and select MULTIPLE EXPOSURE in the drivemode menu.

2 Choose a blend mode.
| Option | Description |
| ADDITIVE | The camera adds the exposures together. You may need to lower exposure compensation depending on the number of shots. |
| AVERAGE | The camera automatically optimizes exposure for the final picture. The background in series shot without changing the composition will be optimally exposed. |
| BRIGHT | The camera compares the exposures and chooses only the brightest pixel at each location. Colors may be mixed depending on their brightness and hue. |
| DARK | The camera compares the exposures and chooses only the darkest pixel at each location. Colors may be mixed depending on their brightness and hue. |
3 Take the first shot.
4 Press MENU/OK. The first shot will be shown superimposed on the view through the lens and you will be prompted to take the second shot.


- To return to the previous step and retake the first shot, press the focus stick (focus lever) left.
- To save the first shot and exit without creating a multiple exposure, press DISP/BACK.
5 Take the second shot, using the first frame as a guide.

6 Press MENU/OK.
The combined exposures will be displayed as a guide to composing the next shot.


- To return to the previous step and retake the second shot, press the focus stick left.
- To end shooting and create a multiple exposure from the shots taken to this point, press DISP/BACK.
7 Make additional exposures.
Each photograph can contain up to nine exposures.
Press DISP/BACK to end shooting.
The camera will create the combined image and multiple exposure shooting will end.
Flash Photography
Use the built-in flash for additional lighting when shooting at night or indoors under low light.
1 Slide the lever as shown to raise the flash.

2 Select FLASH FUNCTION SETTING in the FLASH SETTING menu. The camera will display options for the built-in flash.

Sync terminal options will be displayed if the built-in flash is lowered and either no flash unit, or an incompatible flash unit, is mounted on the hot shoe (图266). Raise the flash before adjusting settings.
3 Highlight items using the focus stick (focus lever) and rotate the rear command dial to change the highlighted setting (103).

4 Press DISP/BACK to put the changes into effect.

- Depending on the distance to the subject, some lenses may cast shadows in photos taken with the flash.
- Be careful not to injure yourself on the edges of the raised flash.
- The flash will not fire at some settings, for example in panorama mode or when the electronic shutter is used.
- Choose shutter speeds slower than 1/80 s when using the flash in exposure mode S (shutter-priority AE) or manual (M).

- In TTL mode, the flash may fire several times with each shot. Do not move the camera until shooting is complete.
- The flash will not fire if OFF is selected for SOUND & FLASH in the USER SETTING menu.
Flash Settings
The following settings are available with the built-in flash.

| Setting | Description |
| ① Flash control mode | Choose from the following options: • TTL: TTL mode. Adjust flash compensation (②) and choose a flash mode (③). • M: The flash fires at the selected output (②) regardless of subject brightness or camera settings. Output is expressed in fractions of full power, from 1/4 to 1/64. The desired results may not be achieved at low values if they exceed the limits of the flash control system; take a test shot and check the results. • OFF (primary flash): Choose if the flash is being used as a primary flash controlling secondly flash units, for example as part of a studio flash system. • OFF (OFF): The flash does not fire. |
| ② Flash compensation/output | Adjust flash level. The options available vary with the flash control mode (①). |
| ③ Flash mode (TTL) | Choose a flash mode for TTL flash control. The options avail-able vary with the shooting mode (P, S, A, or M) selected. • FTL (FLASH AUTO): The flash fires only as required; flash lev-el is adjusted according to subject brightness. A 3 icon displayed when the shutter button is pressed halfway indi-cates that the flash will fire when the photo is taken. • FTL (STANDARD): The flash fires with every shot if possible; flash level is adjusted according to subject brightness. The flash will not fire if not fully charged when the shutter is released. • FTL (SLOW SYNC.): Combine the flash with slow shutter speeds when photographing portrait subjects against a backdrop of night scenery. The flash will not fire if not fully charged when the shutter is released. |
| ④ Sync | Choose whether the flash is timed to fire immediately after the shutter opens (6FRONT/1ST CURTAIN) or immediately before it closes (4REAR/2ND CURTAIN). 1ST CURTAIN is recommended in most circumstances. |
Red-Eye Removal
Red-eye removal is available when an option other than OFF is selected for FLASH SETTING > RED EYE REMOVAL and AF/MF SETTING > FACE/EYE DETECTION SETTING is FACE DETECTION ON. Red-eye removal minimizes "red-eye" caused when light from the flash is reflected from the subject's retinas.
Flash Sync Speed
The flash will synchronize with the shutter at shutter speeds of 180 s or slower.
-Optional Flash Units from Fujifilm
The camera can be used with optional Fujifilm shoe-mounted flash units.
Third-Party Flash Units
Do not use third-party flash units that apply over 300V to the camera hot shoe.
The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
Adjust image quality settings for still photography.
To display image quality settings, press MENU/OK in the photo shooting display and select the (IMAGE QUALITY SETTING) tab.


The options available vary with the shooting mode selected.
IMAGE SIZE
Choose the size and aspect ratio at which still pictures are recorded.
| Option | Image size |
| L 3:2 | 6240 × 4160 |
| L 16:9 | 6240 × 3512 |
| Option | Image size |
| L 1:1 | 4160 × 4160 |
| Option | Image size |
| M 3:2 | 4416 × 2944 |
| M 16:9 | 4416 × 2488 |
| Option | Image size |
| M 1:1 | 2944 × 2944 |
| Option | Image size |
| S 3:2 | 3120 × 2080 |
| S 16:9 | 3120 × 1760 |
| Option | Image size |
| S 1:1 | 2080 × 2080 |
The following options are available in SPORTS FINDER MODE and when 1.25X CROP is selected in burst mode:
| Option | Image size |
| M 3:2 | 4992 × 3328 |
| M 16:9 | 4992 × 2808 |
| Option | Image size |
| M 1:1 | 3328 × 3328 |

IMAGE SIZE is not reset when the camera is turned off or another shooting mode is selected.
IMAGE QUALITY
Choose a file format and compression ratio.
| Option | Description |
| FINE | Low compression ratios are used for higher-quality images. |
| NORMAL | Higher compression ratios are used to increase the number of images that can be stored. |
| FINE + RAW | Record both RAW and fine-quality JPEG images. |
| NORMAL + RAW | Record both RAW and normal-quality JPEG images. |
| RAW | Record RAW images only. |
The Function Buttons
To toggle RAW image quality on or off for a single shot, assign RAW to a function button (图251). Press the button once to select the option in the right column, again to return to the original setting (left column).
| Option currently selected for IMAGE QUALITY | Option selected by pressing function button to which RAW is assigned |
| FINE | FINE + RAW |
| NORMAL | NORMAL + RAW |
| FINE + RAW | FINE |
| NORMAL + RAW | NORMAL |
| RAW | FINE |
RAW RECORDING
Choose whether to compress RAW images.
| Option | Description |
| UNCOMPRESSED | RAW images are not compressed. |
| LOSSLESS COMPRESSED | RAW images are compressed using a reversible algo-rithm that reduces file size with no loss of image data. The images can be viewed in Capture One Express Fujifilm (☑ 294), RAW FILE CONVERTER EX powered by SILKYPIX (☑ 294), FUJIFILM X RAW STUDIO (☑ 295), or other software that supports "lossless" RAW compres-sion. Quality is the same as UNCOMPRESSED, but the resulting files are anywhere from about 30 to 90 percent of their uncompressed size. |
| COMPRESSED | RAW images are compressed using a "lossy", non-reversible algorithm. Quality is about the same as UNCOMPRESSED, but the resulting files are anywhere from about 25 to 35 percent of their uncompressed size. |
FILMSIMULATION
Simulate the effects of different kinds of film, including black-and-white (with or without color filters). Choose a palette according to your subject and creative intent.
| Option | Description |
| AUTO | The camera chooses the film simulation. This option is available when the mode dial is rotated to AUTO or SP. |
| PROVIA/STANDARD | Ideal for a wide range of subjects. |
| Velvia/VIVID | Vibrant reproduction, ideal for landscape and nature. |
| ASTIA/SOFT | Softer color and contrast for a more subdued look. |
| CLASSIC CHROME | Soft color and enhanced shadow contrast for a calm look. |
| PRO Neg. Hi | Ideal for portrait with slightly enhanced contrast. |
| PRO Neg. Std | Ideal for portrait with soft gradations and skin tones. |
| CLASSIC Neg. | Enhanced color with hard tonality to increase image depth. |
| ETERNNA/CINEMA | Soft color and rich shadow tone suitable for film look movie. |
| ETERNA BLEACH BYPASS | Unique color with low saturation and high contrast. Suitable for still and movie. |
| ACROS | Shoot in Black and White In rich details with sharpness. Available with yellow (Ye), red (R), and green (G) filters, which deepen shades of gray corresponding to hues complementary to the selected color. • ACROS+Ye FILTER: Slightly enhances contrast and darkens skies. • ACROS+R FILTER: Enhances contrast and darkens skies considerably. • ACROS+G FILTER: Produces pleasing skin tones in portrait. |
| MONOCHROME | Shoots in black and white. Available with yellow (Ye), red (R), and green (G) filters, which deepen shades of gray corresponding to hues complementary to the selected color. • MONOCHROME+Ye FILTER: Slightly enhances contrast and darkens skies. • MONOCHROME+R FILTER: Enhances contrast and darkens skies considerably. • MONOCHROME+G FILTER: Produces pleasing skin tones in portrait. |
| SEPIA | Shoots in sepia tone. |

- Film simulation options can be combined with tone and sharpness settings.
- Film simulation settings can also be accessed via shortcuts (图242).
- For more information, visit: https://fujifilm-x.com/global/tag/the-world-of-film-simulation/?post_type=xstories
MONOCHROMATIC COLOR
Add a reddish or bluish tinge (warm or cool color cast) to the ACROS and MONOCHROME monochrome film simulations. Color can be adjusted on the WARM-COOL and G (Green)-M (Magenta) axes.

GRAIN EFFECT
Add a film grain effect.
ROUGHNESS
| Option | Description |
| STRONG | Choose for rougher grains. |
| WEAK | Choose for smoother grains. |
| OFF | Turn the effect off. |
SIZE
| Option | Description |
| LARGE | Choose for coarser grains. |
| SMALL | Choose for finer grains. |
COLOR CHROME EFFECT
Increase the range of tones available for rendering colors that tend to be highly saturated, such as reds, yellows, and greens.
| Option | Description |
| STRONG | Choose for a strong effect. |
| WEAK | Choose for a weak effect. |
| OFF | Turn the effect off. |
COLOR CHROME FX BLUE
Increase the range of tones available for rendering blues.
| Option | Description |
| STRONG | Choose for a strong effect. |
| WEAK | Choose for a weak effect. |
| OFF | Turn the effect off. |
WHITE BALANCE
For natural colors, choose a white balance option that matches the light source.
| Option | Description |
| AUTO WHITE PRIORITY | White balance is adjusted automatically. Choose for whitewhites in scenes lit by incandescent bulbs. |
| AUTO | White balance is adjusted automatically. |
| AUTO AMBIENCE PRIORITY | White balance is adjusted automatically. Choose for warmerwhites in scenes lit by incandescent bulbs. |
| CUSTOM 1 | Measure a value for white balance. |
| CUSTOM 2 | |
| CUSTOM 3 | |
| COLOR TEMPERATURE | Choose a color temperature. |
| DAYLIGHT | For subjects in direct sunlight. |
| SHADE | For subjects in the shade. |
| FLUORESCENT LIGHT-1 | Use under "daylight" fluorescent lights. |
| FLUORESCENT LIGHT-2 | Use under "warm white" fluorescent lights. |
| FLUORESCENT LIGHT-3 | Use under "cool white" fluorescent lights. |
| INCANDESCENT | Use under incandescent lighting. |
| UNDERWATER | Reduces the blue cast typically associated with underwaterlighting. |

- In conditions in which AUTO fails to produce the desired results—for example, under certain types of lighting or in close-ups of portrait subjects—use custom white balance or choose a white balance option suited to the light source.
- White balance is adjusted for flash lighting only in AUTO, AUTO WHITE PRIORITY, AUTO AMBIENCE PRIORITY, and modes. Turn the flash off using other white balance options.
- White balance options can also be accessed via shortcuts (图242).
Fine-Tuning White Balance
Pressing MENU/OK after selecting a white balance option displays a fine-tuning dialog; use the focus stick (focus lever) to fine-tune white balance.


- To exit without fine-tuning white balance, press DISP/BACK after selecting a white balance option.
- You cannot tilt the focus stick diagonally when fine-tuning white balance.
Custom White Balance
Choose _1,_2, or _3 to adjust white balance for unusual lighting conditions using a white object as a reference (colored objects can also be used to lend photos a color cast). A white balance target will be displayed; position and size

the target so that it is filled by the reference object and press the shutter button all the way down to measure white balance (to select the most recent custom value and exit without measuring white balance, press DISP/BACK, or press MENU/OK to select the most recent value and display the fine-tuning dialog).
- If "COMPLETED!" is displayed, press MENU/OK to set white balance to the measured value.
- If "UNDER" is displayed, raise exposure compensation and try again.
- If "OVER" is displayed, lower exposure compensation and try again.

K:Color Temperature
Changing the color temperature changes overall hue.

Color temperature can be adjusted to make pictures "warmer" or "colder" or deliberately produce colors that differ radically from those in real life.
1 Select K in the white balance menu. The option currently selected for color temperature will be displayed.

2 Edit the color temperature using the focus stick (focus lever) and press MENU/OK.
A fine-tuning dialog will be displayed.


- You can also adjust color temperature in increments of 10K by rotating the rear command dial.
- Choose from values of from 2500 to 10000 K.
- To exit without fine-tuning white balance, press DISP/BACK after choosing a color temperature.
3 Highlight a fine-tuning amount using the focus stick.
4 Press MENU/OK.
The changes will be applied. The selected color temperature will appear in the display.

Color Temperature:
Color temperature is an objective measure of the color of a light source, expressed in Kelvin (K). Light sources with a color temperature close to that of direct sunlight appear white; light sources with a lower color temperature have a yellow or red cast, while those with a higher color temperature are tinged with blue.
DYNAMIC RANGE
Control contrast. Choose lower values to increase contrast when shooting indoors or under overcast skies, higher values to reduce loss of detail in highlights when photographing high-contrast scenes. Higher values are recommended for scenes that include both sunlight and deep shade, for such high-contrast subjects as sunlight on water, brightly-lit autumn leaves, and portraits taken against a blue sky, and for white objects or people wearing white.
Options
| AUTO | 100 100% | 200 200% | 400 400% |
| Mottling may appear in pictures taken at higher values. Choose a value according to the scene. | |||
| If AUTO is selected, the camera will automatically choose either 100% or 200% according to the subject and shooting conditions. Shutter speed and aperture will be displayed when the shutter button is pressed halfway. 200% is available at sensitivities of from ISO 320 to ISO 12800, 400 400% at sensitivities of from ISO 640 to 12800. | |||
D RANGE PRIORITY
Reduce loss of detail in highlights and shadows for natural-looking results when photographing high-contrast scenes.
| Option | Description |
| AUTO | Contrast is adjusted automatically in response to lighting conditions. |
| STRONG | Adjust dynamic range by a large amount for very high-contrast scenes. |
| WEAK | Adjust dynamic range by a smaller amount for moderately high-contrast scenes. |
| OFF | Contrast reduction off. |

- WEAK is available at sensitivities of from ISO 320 to ISO 12800, STRONG at sensitivities of from ISO 640 to 12800.
- When an option other than OFF is selected, TONE CURVE, and DYNAMIC RANGE will be adjusted automatically.
TONE CURVE
With reference to a tone curve, adjust the appearance of highlights or shadows, making them harsher or softer. Choose higher values to make shadows and highlights harsher, lower values to make them softer.

| Option | Description |
| HIGHLIGHTS | -2 to +4 |
| SHADOWS | -2 to +4 |
COLOR
Adjust color density. Choose higher values to increase saturation, lower values to reduce it.
Options
| -4 | -3 | -2 | -1 | 0 | +1 | +2 | +3 | +4 |
SHARPNESS
Sharpen or soften outlines. Choose higher values for sharper outlines, lower values for softer outlines.
Options
| -4 | -3 | -2 | -1 | 0 | +1 | +2 | +3 | +4 |
HIGH ISO NR
Reduce noise in pictures taken at high sensitivities. Choose higher values to reduce noise and smooth outlines, lower values to leave outlines visible.
Options
| -4 | -3 | -2 | -1 | 0 | +1 | +2 | +3 | +4 |
CLARITY
Increase definition while altering tones in highlights and shadows as little as possible. Choose higher values for increased definition, lower values for a softer effect.
| Options | ||||||||||
| -5 | -4 | -3 | -2 | -1 | 0 | +1 | +2 | +3 | +4 | +5 |
The additional processing required at settings other than 0 increases the time need to save each shot.
Clarity is adjusted automatically when the mode dial is rotated to AUTO or SP.
LONG EXPOSURE NR
Select ON to reduce mottling in long time-exposures.
| Options | |
| ON | OFF |
The additional processing required when ON is selected increases save times.
Select ON to improve definition by adjusting for diffraction and the slight loss of focus at the periphery of the lens.
| Options | |
| ON | OFF |
COLOR SPACE
Choose the gamut of colors available for color reproduction.
| Option | Description |
| sRGB | Recommended in most situations. |
| Adobe RGB | For commercial printing. |
PIXEL MAPPING
Use this option if you notice bright spots in your pictures.
1 Press MENU/OK in the shooting display and select the IMAGE QUALITY SETTING tab.
2 Highlight Pixel MAPPING and press MENU/OK to perform pixel mapping.
Results are not guaranteed.
- Be sure the battery is fully charged before beginning pixel mapping.
- Pixel mapping is not available when the camera temperature is elevated.
- Processing may take a few seconds.
EDIT/SAVE CUSTOM SETTING
Save custom camera settings for commonly-encountered situations. Saved settings can be recalled by rotating the mode dial to positions C1 (CUSTOM 1) through C4 (CUSTOM 4) (图67).


MOUNT ADAPTER SETTING
Adjust settings for lenses attached via a mount adapter. The camera can store settings for multiple lenses (LENS 1 through LENS 6).

Any changes made using this item also apply in movie mode (166).
Choosing a Focal Length
Enter the lens's true focal length.

Distortion Correction
Choose from STRONG, MEDIUM, or WEAK options to correct BARREL or PINCUSHION distortion.

Color Shading Correction
Color (shading) variations between the center and edges of the frame can be adjusted separately for each corner.
To use color shading correction, follow the steps below.

1 Rotate the rear command dial to choose a corner. The selected corner is indicated by a triangle.
2 Use the focus stick (focus lever) to adjust shading until there is no visible difference in color between the selected corner and the center of the image.
- Press the focus stick left or right to adjust colors on the cyan-red axis.
- Press the focus stick up or down to adjust colors on the blue-yellow axis.

To determine the amount required, adjust color shading correction while taking photos of blue sky or a sheet of gray paper.
Peripheral Illumination Correction
Choose from values between -5 and +5. Choosing positive values increases peripheral illumination, while choosing negative values reduces peripheral illumination. Positive values are recommended for vintage lenses, negative val

ues to create the effect of images taken with an antique lens or a pinhole camera.

To determine the amount required, adjust peripheral illumination correction while taking photos of blue sky or a sheet of gray paper.
EDIT LENS NAME
Change the lens name.
AF/MF SETTING (Still Photography)
Adjust focus settings for still photography.
To display AF/MF settings, press MENU/OK in the photo shooting display and select the (AF/MF SETTING) tab.


The options available vary with the shooting mode selected.
FOCUS AREA
Choose the focus area for autofocus, manual focus, and focus zoom (75).
FOCUS MODE
Choose how the camera focuses (71).
AF MODE
Choose how the camera focuses in modes and 一 (73).
AF-C CUSTOM SETTINGS
Select focus-tracking options for CONTINUOUS AF focus mode. Choose from Sets 1 (SET 1) through 5 (SET 5) according to your subject or select SET 6 CUSTOM for custom focus-tracking options.

| Option | Description |
| SET 1 MULTI PURPOSE | A standard tracking option that works well with the typical range of moving subjects. |
| SET 2 UNUSED OBSTACLES & CONTINUE TO TRACK SUBJECT | The focus system attempts to track the chosen subject. Choose with subjects that are hard to keep in the focus area or if other objects are likely to enter the focus area with the subject. |
| SET 3 FOR ACCELERATING/ DECELERATING SUBJECT | The focus system attempts to compensate for subject acceleration or deceleration. Choose for subjects prone to rapid changes in velocity. |
| SET 4 FOR SUDDENLY APPEARING SUBJECT | The focus system attempts to focus quickly on subjects entering the focus area. Choose for subjects that appear abruptly or when rapidly switching subjects. |
| SET 5 FOR ERRATICALLY MOVING & ACCEL./DECEL. SUBJECT | Choose for hard-to-track subjects prone not only to sudden changes in velocity but also to large movements front to back and left to right. |
| SET 6 CUSTOM | Adjust TRACKING SENSITIVITY, SPEED TRACKING SENSITIVITY, and ZONE AREA SWITCHING to suit your preferences based on the values for Sets 1-5 (124, 126). |
Focus Tracking Options
The individual parameters that are part of a focus tracking set are described below.
TRACKING SENSITIVITY
This parameter determines how long the camera waits to switch focus when an object enters the focus area behind or in front of the current subject. The higher the value, the longer the camera will wait.

Options
0 1 2 3 4

- The higher the value, the longer it takes the camera to refocus when you attempt to switch subjects.
- The lower the value, the more likely the camera is to switch focus from your subject to other objects in the focus area.
SPEED TRACKING SENSITIVITY
This parameter determines how sensitive the tracking system is to changes in subject velocity. The higher the value, the greater the precision with which the system attempts to respond to sudden movement.

Options
0 1 2

The higher the value, the more difficulty the camera will have focusing in situations in which autofocus does not perform well, such as when the subject is highly reflective or low in contrast.
ZONE AREA SWITCHING
This parameter determines the focus area given priority in zone AF.

| Option | Description |
| FRONT | Zone AF assigns priority to the subjects closest to the camera. |
| AUTO | The camera locks focus on the subject at the center of the zone and then switches focus areas as necessary to track it. |
| CENTER | Zone AF assigns priority to subjects in the center of the zone. |

This option takes effect only when ZONE is selected for AF mode.
-Set Values
Parameter values for the different sets are listed below.
| TRACKING SENSITIVITY | SPEED TRACKING SENSITIVITY | ZONE AREA SWITCHING | |
| SET 1 | 2 | 0 | AUTO |
| SET 2 | 3 | 0 | CENTER |
| SET 3 | 2 | 2 | AUTO |
| SET 4 | 0 | 1 | FRONT |
| SET 5 | 3 | 2 | AUTO |
Custom Focus Tracking Options
Follow the steps below to adjust settings for Set 6.
1 Select AF-C CUSTOM SETTINGS > SET 6 CUSTOM.

2 Highlight items using the focus stick (focus lever) and rotate the front command dial to change. To reset settings to their original values, press l .
3 Press DISP/BACK when settings are complete.
STORE AF MODE BY ORIENTATION
Choose whether the AF mode used when the camera is in portrait orientation is stored separately from that used when the camera is in landscape orientation.
| Option | Description |
| OFF | The same settings are used in both orientations. |
| FOCUS AREA ONLY | The focus area for each orientation can be selected separately. |
| ON | The focus mode and focus area can be selected separately. |
AF POINT DISPLAY
Choose whether individual focus frames are displayed when ZONE or WIDE/TRACKING is selected for AF/MF SETTING > AF MODE.
| Options | |
| ON | OFF |
NUMBER OF FOCUS POINTS
Choose the number of focus points available for focus-point selection in manual focus mode or when SINGLE POINT is selected for AF MODE.
| Option | Description |
| 117 POINTS (9 × 13) | Choose from 117 focus points arranged in a 9- by 13-point grid. |
| 425 POINTS (17 × 25) | Choose from 425 focus points arranged in a 17- by 25-point grid. |
PRE-AF
If ON is selected, the camera will continue to adjust focus even when the shutter button is not pressed halfway. The camera adjusts focus continuously, allowing it to focus faster when the shutter button is pressed halfway. Choosing this option helps prevent missed shots.
| Options | |
| ON | OFF |

Choosing ON increases the drain on the battery.

AF ILLUMINATOR
If ON is selected, the AF-assist illuminator will light to assist autofocus.
| Options | |
| ON | OFF |

- The camera may be unable to focus using the AF-assist illuminator in some cases.
- If the camera is unable to focus, try increasing the distance to the subject.
- Avoid shining the AF-assist illuminator directly into your subject's eyes.

Any changes made using this item also apply in movie mode (168).
FACE/EYE DETECTION SETTING
If the camera detects human faces, it will assign them priority over the background and adjust settings appropriately for portraits when setting focus and exposure. You can also choose whether the camera focuses on the left or right eye when face detection is on.

| Option | Description |
| FACE DETECTION ON | Adjust settings for Intelligent Face Detection. You can also adjust eye detection settings. • EYE OFF: Intelligent Face Detection only. • EYE AUTO: The camera automatically chooses which eye to focus on when a face is detected. • RIGHT EYE PRIORITY: The camera focuses on the right eye of subjects detected using Intelligent Face Detection. • LEFT EYE PRIORITY: The camera focuses on the left eye of subjects detected using Intelligent Face Detection. |
| OFF | Intelligent Face Detection and eye priority off. |

- If the subject moves as the shutter button is pressed, the face may not be in the area indicated by the green border when the picture is taken.
- In some modes, the camera may set exposure for the frame as a whole rather than the portrait subject.

- The face selected by the camera is indicated by a green border. Any other faces detected by the camera are indicated by gray borders. To have the camera focus on a different subject, tap inside the gray border. The icon will change from white to green.
- When DIRECT AF POINT SELECTION/FACE SELECT is chosen for BUTTON/DIAL SETTING > FOCUS LEVER SETTING > TILT ,you can also switch subjects using the focus stick (focus lever) or (during viewfinder photography) touch controls (图 21).
- To switch from face detection to manual focus-area selection, press the center of the focus stick (focus lever). Press again to re-enable face detection.
- If the selected subject leaves the frame, the camera will wait a set time for its return and consequently the green frame may sometimes appear in locations where no face is seen.
- You cannot switch subjects during burst photography.
- Depending on shooting conditions, face selection may be suspended at the close of burst shooting.
- Faces can be detected with the camera in vertical or horizontal orientation.
- If the camera is unable to detect the subject's eyes because they are hidden by hair, glasses, or other objects, the camera will instead focus on faces.
- Face/eye detection options can also be accessed via shortcuts (图242).
AF+MF
If ON is selected in focus mode and focus has been locked (whether by pressing the shutter button halfway or by other means), focus lock can be ended and focus adjusted manually by rotating the focus ring.
Options
ON
OFF

- Lenses with a focus distance indicator must be set to manual focus mode (MF) before this option can be used. Selecting MF disables the focus distance indicator.
- If the lens is equipped with a focus distance indicator, set the focus ring to the center, as the camera may fail to focus if the ring is set to infinity or the minimum focus distance.

STANDARD and FOCUS PEAK HIGHLIGHT MF assist options can be selected using MF ASSIST.
When ON is selected for AF/MF SETTING > FOCUS CHECK and SINGLE POINT selected for AF MODE, focus zoom can be used to zoom in on the selected focus area. The zoom ratio can be selected using the rear command dial.
MF ASSIST
Choose how focus is displayed in manual focus mode.
| Option | Description |
| STANDARD | Focus is displayed normally (focus peaking, digital split image, and digital microprism are not available). |
| DIGITAL SPLIT IMAGE | Displays a black-and-white (MONochrome) or color (COLOR) split image in the center of the frame. Frame the subject in the split-image area and rotate the focus ring until the four parts of the split image are correctly aligned. |
| DIGITAL MICROPRISM | A grid pattern that emphasizes blur is displayed when the subject is out of focus, disappearing to be replaced by a sharp image when the subject is in focus. |
| FOCUS PEAK HIGHLIGHT | The camera heightens high-contrast outlines. Choose a color and peaking level. |
FOCUS CHECK
If ON is selected, the display will automatically zoom in on the selected focus area when the focus ring is rotated in manual focus mode.
| Options | |
| ON | OFF |

- Press the focus stick (focus lever) to cancel focus zoom.
- The zoom position is centered on the current focus area and changes when the focus area is changed.
INTERLOCK SPOT AE & FOCUS AREA
Select ON to meter the current focus frame when SINGLE AF or CONTINUOUS AF is selected for FOCUS MODE.
| Options | |
| ON | OFF |
INSTANT AF SETTING
Chooses how the camera focuses when a button to which focus lock or AF-ON is assigned is pressed with MANUAL FOCUS selected for FOCUS MODE.
| Options | |
| AF-S | AF-C |

Any changes made using this item also apply in movie mode (170).
DEPTH-OF-FIELD SCALE
Choose FILM FORMAT BASIS to help you make practical assessments of depth of field for pictures that will be viewed as prints and the like, PILKEL BASIS to help you assess depth of field for pictures that will be viewed at high resolutions on computers or other electronic displays.
| Options | |
| PIXEL BASIS | FILM FORMAT BASIS |

Any changes made using this item also apply in movie mode (170).
RELEASE/FOCUS PRIORITY
Choose how the camera focuses when the shutter button is pressed all the way down with SINGLE AF or CONTINUOUS AF selected for FOCUS MODE.
| Option | Description |
| RELEASE | Shutter response is prioritized over focus. Pictures can be taken when the camera is not in focus. |
| FOCUS | Focus is prioritized over shutter response. Pictures can be only taken when the camera is in focus. |


AF RANGE LIMITER
Limit the range of available focus distances for increased focus speed.
| Option | Description |
| OFF | Focus limiter disabled. |
| CUSTOM | Limit focus to a range of distances defined by a minimum and maximum. • OK: Limit focus to the selected range. • SET: Choose two objects and limit focus to the distance between them. |
| PRESET1 | Limit focus to a preset range. |
| PRESET2 |

- Choosing a focus range that includes distances shorter than the minimum focus distance of the lens disables the focus limiter.
- The values listed and displayed for the focus limiter may differ from the actual focus distance.

-
The following additional operations can be performed when CUSTOM is selected:
-
You can tap objects in the touch screen display to choose the focus range.
Instead of tapping an object in the display, you set the maximum focus distance to infinity by rotating the focus ring. - Any changes made using this item also apply in movie mode (图170).


TOUCH SCREEN MODE
Choose the shooting operations performed using touch controls.
| Mode | Description |
| TOUCHSHOOTING | Tap your subject in the display to focus and release the shutter. In burst mode, pictures will be taken while you keep your finger on the display. |
| AF AF | In focus mode S (AF-S), the camera focuses when you tap your subject in the display. Focus locks at the current distance until you tap the AF OFF icon. In focus mode C (AF-C), the camera initiates focus when you tap your subject display. The camera will continue to adjust focus for changes in the distance to the subject until you tap the AF OFF icon. In manual focus mode (MF), you can tap the display to focus on the selected subject using autofocus. |
| OFF AF OFF | |
| AREA | Tap to select a point for focus or zoom. The focus frame will move to the selected point. |
| OFF OFF | Touch controls disabled. |

- To disable touch controls and hide the touch screen mode indicator, select OFF for BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > TOUCH SCREEN SETTING.
- Any changes made using this item also apply in movie mode (图171).
- Touch Controls for Focus Zooms
Different touch controls are used during focus zoom (focus check enabled).
Central Area
Tapping the center of the display performs the operations below.

| Mode | Operation performed |
| TOUCH SHOOTING | SINGLE AF/MANUAL FOCUS: Take a picture |
| AF | SINGLE AF: AF |
| MANUAL FOCUS: Instant AF | |
| AREA | SINGLE AF: AF |
| MANUAL FOCUS: Instant AF | |
| OFF | SINGLE AF/MANUAL FOCUS: OFF |
Other Areas
Tapping other areas simply scrolls the display, whether during still photography or movie recording and regardless of the option selected for touch screen mode.

SHOOTING SETTING (Still Photography)
Adjust shooting options for still photography.
To display shooting settings, press MENU/OK in the photo shooting display and select the (SHOOTING SETTING) tab.

SCENE POSITION
Choose a scene for SP mode (64).
FILTER SETTING
Choose the filter used when the mode dial is rotated to FILTER (图66).
SPORTS FINDER MODE
Take pictures using the crop in the center of the display. Choose this option for pictures of athletes, birds, and other moving subjects.

| Option | Description |
| ON | Pictures are taken using a 1.25× crop, reducing the picture angle by an amount equivalent to increasing lens focal length by 1.25×; the crop is shown by a frame in the display. |
| OFF | The 1.25× crop is disabled. |

- The IMAGE QUALITY SETTING > IMAGE SIZE item in the shooting menu is fixed at M.
- The sports finder is not available in modes that offer an electronic shutter.
PRE-SHOTES
To reduce the lag between your pressing the shutter button all the way down and the resulting picture being recorded to the memory card, the camera starts shooting with the electronic shutter when the shutter button is pressed halfway and saves a series shots starting just before the shutter button is pressed the rest of the way down.
| Options | |
| ON | OFF |

Pre-shot photography is available only when ES ELECTRONIC SHUTTER is selected in CH (high speed burst) drive mode (144).
SELF-TIMER
Choose a shutter release delay.
| Option | Description |
| 2 SEC | The shutter is released two seconds after the shutter button is pressed. Use to reduce blur caused by the camera moving when the shutter button is pressed. The self-timer lamp blinks as the timer counts down. |
| 10 SEC | The shutter is released ten seconds after the shutter button is pressed. Use for photographs in which you wish to appear yourself. The self-timer lamp blinks immediately before the picture is taken. |
| OFF | Self-timer off. |
If an option other than OFF is selected, the timer will start when the shutter button is pressed all the way down. The display shows the number of seconds remaining until the shutter is released. To stop the timer before the picture is taken, press DISP/BACK.


- Stand behind the camera when using the shutter button. Standing in front of the lens can interfere with focus and exposure.
- The self-timer turns off automatically when the camera is turned off.
SAVE SELF-TIMER SETTING
If ON is selected, the chosen self-timer setting will remain in effect after a picture is taken or the camera is turned off.
| Options | |
| ON | OFF |
SELF-TIMER LAMP
If ON is selected, the self-timer lamp will light during self-timer photography. Select OFF when shooting night scenes or in other situations in which you would prefer that the lamp remain unlit.

INTERVAL TIMER SHOOTING
Configure the camera to take photos automatically at a preset interval.



1 Select SHOOTING SETTING in the shooting menu, highlight INTERVAL TIMER SHOOTING, and press MENU/OK.
2 Use the focus stick (focus lever) to choose the interval and number of shots. Press MENU/OK to proceed.
3 Use the focus stick to choose the starting time and then press MENU/OK. Shooting will start automatically.

Interval timer photography cannot be used at a shutter speed of B (bulb) or with multiple exposure photography. In burst mode, only one picture will be taken each time the shutter is released.

- Use of a tripod is recommended.
- Check the battery level before starting. We recommend using USB power source (图238).
- The display turns off between shots and lights a few seconds before the next shot is taken.
- The display can be activated at any time by pressing the shutter button.
- To continue shooting until the number of shots taken equals the number of exposures remaining at the time interval-timer photography started, set the number of shots to .
INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING
Select ON to automatically adjust exposure during interval-timer photography to prevent it changing dramatically between shots.
| Options | |
| ON | OFF |

- Large changes in subject brightness may make exposure appear erratic. We recommend that you choose shorter values for INTERVAL TIMER SHOOTING > INTERVAL with subjects that brighten or dim dramatically during shooting.
- In manual mode (mode M), exposure smoothing is only available if an AUTO option is selected for sensitivity.
AE BKT SETTING
Adjust exposure bracketing settings.
| Option | Description |
| FRAMES/STEP SETTING | Choose the number of shots in the bracketing sequence and the amount exposure is varied with each shot. • FRAMES: Choose the number of shots in the bracketing sequence. • STEP: Choose the amount exposure is varied with each shot. |
| 1 FRAME/CONTINUOUS | • 1 FRAME: The shots in the bracketing sequence are taken one at a time. • CONTINUOUS: The shots in the bracketing sequence are taken in a single burst. |
| SEQUENCE SETTING | Choose the order in which the shots are taken. |
FILMSIMULATION BKT
Choose the three film simulation types used for film simulation bracketing (108).
FOCUS BKT SETTING
Choose from AUTO and MANUAL focus bracketing modes (图91).
PHOTOMETRY
Choose how the camera meters exposure (85).
SHUTTERTYPE
Choose the shutter type. Choose the electronic shutter to mute the shutter sound.
| Option | Description |
| MS MECHANICAL SHUTTER | Take pictures with the mechanical shutter. |
| ES ELECTRONIC SHUTTER | Take pictures with the electronic shutter. |
| M-E MECHANICAL + ELECTRONIC | The camera chooses the mechanical or electronic shutter according to shooting conditions. |
When using the electronic shutter, note the following:
Distortion may be visible in shots of moving subjects.
- Distortion may also be visible in hand-held shots taken at high shutter speeds; use of a tripod is recommended.
- Banding and fog may occur in shots taken under fluorescent lights or other flickering or erratic illumination.
- When taking pictures with the shutter muted (212), respect your subjects' image rights and right to privacy.
The following restrictions apply when the electronic shutter is used:
"Extended"sensitivity values are not supported
- Long exposure noise reduction has no effect
The flash cannot be used
FLICKER REDUCTION
Reduce flicker in pictures and the display when shooting under fluorescent lighting and other similar light sources.
| Option | Description |
| ALL FRAMES | Flicker reduction is performed for all frames. Compared to when flicker reduction is performed only on the first frame, the frame advance rate for burst photography will drop. |
| FIRST FRAME | Flicker reduction is performed for the first frame only; in burst photography, the value measured for the first frame in each burst will be used for all subsequent shots. Flicker may be visible during burst photography. |
| OFF | Flicker reduction disabled. |

- Flicker reduction increases the time needed to record pictures.
- OFF is selected for FLICKER REDUCTION when the electronic shutter is used.
- Flicker reduction is not available during movie recording.
IS MODE
Reduce blur caused by camera shake or subject motion.
| Option | Description |
| (●)1●) CONTINUOUS + MOTION | Image stabilization on. If + MOTION is selected, the camera will adjust shutter speed to reduce motion blur when moving objects are detected. |
| (●)1 CONTINUOUS | |
| (●)2●) SHOOTING + MOTION | As above, except that image stabilization is performed only when the shutter button is pressed halfway (focus mode DFF only) or the shutter is released. If + MOTION is selected, the camera will adjust shutter speed to reduce motion blur when moving objects are detected. |
| (●)2 SHOOTING ONLY | |
| OFF | Image stabilization off. Choose this option when using a tripod. |
+MOTION has no effect when sensitivity is set to a fixed value, and may also be unavailable at some other combinations of settings. The effect may vary with lighting conditions and the speed at which the object is moving.
ISO
Adjust the camera's sensitivity to light (83).


WIRELESS COMMUNICATION
Connect to smartphones running the latest version of the FUJIFILM Camera Remote app. The smartphone can then be used to:
Control the camera and take pictures remotely
Receive pictures uploaded from the camera
- Browse the pictures on the camera and download selected pictures
- Upload location data to the camera

For downloads and other information, visit: http://app.fujifilm-dsc.com/en/camera_remote/
FLASH SETTING (Still Photography)
Adjust flash-related settings for still photography.
To display flash settings, press MENU/OK in the photo shooting display and select the (FLASH SETTING) tab.

FLASH FUNCTION SETTING
Choose a flash control mode, flash mode, or sync mode or adjust the flash level. The options available vary with the flash.

For more information on flash settings, see "External Flash Units" (264) in "Peripherals and Optional Accessories".

RED EYE REMOVAL
Remove red-eye effects caused by the flash.
| Option | Description |
| FLASH+REMOVAL | A red-eye reduction pre-flash is combined with digital red-eye removal. |
| FLASH | Flash red-eye reduction only. |
| REMOVAL | Digital red-eye removal only. |
| OFF | Flash red-eye reduction and digital red-eye removal off. |

- Flash red-eye reduction can be used in TTL flash control mode.
- Digital red-eye removal is performed only when a face is detected.
- Digital red-eye removal is not available with RAW images.
TTL-LOCK MODE
Instead of adjusting flash level with each shot, TTL flash control can be locked for consistent results across a series of photographs.
| Option | Description |
| LOCK WITH LAST FLASH | Flash output is locked at the value metered for the most recent photo. |
| LOCK WITH METERING FLASH | The camera emits a series of pre-flashes and locks flash output at the metered value. |

- To use TTL lock, assign TTL-LOCK to a camera control and then use the control to enable or disable TTL lock (图251).
- Flash compensation can be adjusted while TTL lock is in effect.
- Selecting LOCK WITH LAST FLASH displays an error message if no previously metered value exists.
LED LIGHT SETTING
Choose whether to use the flash unit's LED video light (if available) as a catchlight or AF-assist illuminator when taking photos.
| Option | Role of LED video light in still photography |
| CATCHLIGHT | Catchlight |
| AF ASSIST | AF-assist illuminator |
| AF ASSIST+CATCHLIGHT | AF-assist illuminator and catchlight |
| OFF | None |

In some cases, this option can also be accessed via the FLASH FUNCTION SETTING menu.
COMMANDER SETTING
Choose groups when using the camera flash unit as a commander for Fujifilm optical wireless remote flash control. This option is available when the camera is used with clip-on flash units that support Fujifilm optical wireless flash control.
| Options | |||
| Gr A | Gr B | Gr C | OFF |

In some cases, this option can also be accessed via the FLASH FUNCTION SETTING menu.
CH SETTING
Choose the channel used for communication between the commander and remote flash units. Separate channels can be used for different flash systems or to prevent interference when multiple systems are operating in close proximity.
| Options | |||
| CH1 | CH2 | CH3 | CH4 |
MOVIE SETTING (Still Photography)
Adjust options for movies shot during still photography using the (movie recording) button.
To display movie settings, press MENU/OK in the photo shooting display and select the (MOVIE SETTING) tab.

The options available vary with the shooting mode selected.

MOVIE MODE
This item is also found in the movie menus (154). Changes here also apply to the item in the movie menus.
FILE FORMAT
This item is also found in the movie menus (155). Changes here also apply to the item in the movie menus.
FULL HD HIGH SPEED REC
This item is also found in the movie menus (156). Changes here also apply to the item in the movie menus.

IS MODE
This item is also found in the movie menus (160). Changes here also apply to the item in the movie menus.

IS MODE BOOST
This item is also found in the movie menus (160). Changes here also apply to the item in the movie menus.
AUDIO SETTING
Adjust audio-related settings for movie recording.
INTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for the built-in microphone.
| Option | Description |
| AUTO | The camera adjusts the recording level automatically. |
| MANUAL | Adjust the recording level manually. Press the focus stick (focus lever) right to choose from 25 recording levels. |
| OFF | Turn the built-in microphone off. |
EXTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for external microphones.
| Option | Description |
| AUTO | The camera adjusts the recording level automatically. |
| MANUAL | Adjust the recording level manually. Press the focus stick (focus lever) right to choose from 25 recording levels. |
| OFF | Disable recording using external microphones. |
MIC JACK SETTING
Specify the type of hardware connected to the microphone jack.
| Option | Description |
| MIC | Choose this option for direct connection to an external micro- phone. |
| LINE | Choose this option for external audio devices connected via line output. |
MIC LEVEL LIMITER
Reduces distortion caused by input that exceeds the limits of the microphone's audio circuits.
| Options | |
| ON | OFF |
WIND FILTER
Choose whether to enable wind noise reduction during movie recording.
| Options | |
| ON | OFF |
LOW CUT FILTER
Choose whether to enable the low-cut filter, reducing low-frequency noise during movie recording.
| Options | |
| ON | OFF |
HEADPHONES VOLUME
Adjust the headphone volume.
| Option | Description |
| 0 | Mute output to the headphones. |
| 1—10 | Choose a volume of from 1 to 10. |
MIC/REMOTE RELEASE
Specify whether the device connected to the microphone/remote release connector is a microphone or a remote release.
| Options | |
| MIC | REMOTE |
MOVIE SETTING (Movie Recording)
Adjust options for movies shot with the mode dial rotated to (movie).
To display options for movie recording, press MENU/OK in the movie shooting display and select the (MOVIE SETTING) tab.

The options available vary with the shooting mode selected.

SHOOTING MODE
Choose a shooting mode for movies.
| Options | |||
| PROGRAM AE | SHUTTER PRIORITY AE | APERTURE PRIORITY AE | MANUAL |
MOVIE MODE
Before shooting movies, choose the frame rate, bit rate, and frame size and aspect ratio.

1 In the shooting menu, select Movie SETTING, then highlight Movie MODE and press MENU/OK.
2 Press the focus stick (focus lever) up or down to highlight the desired frame size and aspect ratio (1) and press the stick right.
- Choose 4K 16:9 or DC17:9 for 4K movies with aspect ratios of 16 or 17 to 9.
- Choose FHD:16:9 or FHD:17:9 for Full HD movies with aspect ratios of 16 or 17 to 9.
3 Press the focus stick (focus lever) up or down to highlight a frame rate (2) and press the stick right.
| Options | |||||
| 23.98P | 24P | 25P | 29.97P | 50P | 59.94P |
4 Press the focus stick up or down to highlight a bit rate (③) and press MENU/OK.
| Options | ||
| 50Mbps | 100Mbps | 200Mbps |

The choice of frame and bit rates varies with the movie mode.
FILE FORMAT
Choose a movie format.
| Option | Description |
| MOV/H.264 LPCM | High picture and sound quality. |
| MP4/H.264 AAC | A format suitable for movies that will be uploaded to the web. |

Movies are recorded to the memory card in 8-bit 4:2:0 and output to HDMI in 10-bit 4:2:2.
FULL HD HIGH SPEED REC
Record high-frame-rate Full HD movies. High-frame-rate movies can be played back in slow motion, giving you time to view fast-moving subjects or details too fleeting for the naked eye. Select ON to choose the recording and playback rates separately.
Playback
| Options | |||||
| 23.98P | 24P | 25P | 29.97P | 50P | 59.94P |
| Recording | |||||
High-speed movies are recorded with no sound.
- Maximum recording length is 6 minutes, but varies with camera settings.
- The footage recorded to the memory card is compressed with the goal of keeping the amount of data recorded to 200 Mbps per second.
- The options available for playback rate vary with the option selected for rate of recording.
FIX MOVIE CROP MAGNIFICATION CROP 1.29x
Fix the movie crop ratio at 1.29:1. This makes it easier to match crops when filming in different formats.
| Options | |
| ON | OFF |
F-Log RECORDING
Select ON to record movies using a soft gamma curve with a wide gamut suitable for further processing post-production. Sensitivity is restricted to values between ISO 640 and 12800.
| Options | |
| ON | OFF |
4K MOVIE OUTPUT
Choose the destination for 4K movies shot while the camera is connected to an HDMI recorder or other device that supports 4K.
| Option | Description |
| SD 4K HDMI 4K | 4K movies are recorded to the camera memory card and output to the HDMI device in 4K. |
| SD 4K HDMI FHD | 4K movies are recorded to a camera memory card in 4K and output to the HDMI device in Full HD. |
| SD FHD HDMI 4K | 4K movies are output to the HDMI device in 4K and recorded to the camera memory card in Full HD. |
| SD - HDMI 4K | 4K movies are output to the HDMI device in 4K. The camera does not record 4K movies to a memory card. |

This option is only available when 4K 16:9 or DC17:9 is selected for
MOVIE SETTING > MOVIE MODE in the shooting menu.
FULL HD MOVIE OUTPUT
Choose the destination for Full HD movies shot while the camera is connected to an HDMI device.
| Option | Description |
| SD FHD HDMI FHD | Full HD movies are output to the HDMI device and recorded to the camera memory card. |
| SD - HDMI FHD | Full HD movies are not recorded to the camera memory card but are output to the HDMI device. |

- This option is only available when HD:16:9 or HD:17:9 is selected for MOVIE SETTING > MOVIE MODE in the shooting menu.
- When OFF is selected for HDMI OUTPUT INFO DISPLAY, movies will be output to the HDMI device in 4:2:2 10-bit format.
HDMI OUTPUT INFO DISPLAY
If ON is selected, HDMI devices to which the camera is connected will mirror the information in the camera display.
| Options | |
| ON | OFF |
4K HDMI STANDBY QUALITY
Choose whether output to connected HDMI devices switches from 4K to Full HD during standby.
| Option | Description |
| 4K | Output to HDMI devices continues at 4K during standby. |
| FHD | Output to HDMI devices switches to Full HD during standby, reducing the drain on the battery. |
HDMI REC CONTROL
Choose whether the camera sends movie start and stop signals to the HDMI device when the shutter button is pressed to start and stop movie recording.
| Options | |
| ON | OFF |

PHOTOMETRY
Options are the same as those for still photography, but settings must be adjusted separately (143).

The photometry option selected in the photo menus applies to movies recorded using the (movie recording) button.
Reduce blur.
| Option | Description |
| IBIS/OIS | Enable in-body (IBIS) and optical (OIS) image stabilization. IBIS is used with lenses that do not support OIS. |
| IBIS/OIS + DIS | Enable in-body (IBIS), optical (OIS), and digital (DIS) image stabilization. The crop is adjusted according to the option selected for MOVIE MODE. |
| OFF | Image stabilization off; “\(\text{串}\)” appears in the display. Choose when the camera is mounted on a tripod or otherwise fixed in place. |

- The setting selected with the lens image stabilization switch, if any, takes priority over the setting chosen with the IS mode.
- Note that vibration or camera sounds may be noticeable as image stabilization takes effect.
- IBIS/OIS + DIS is not available when high-speed Full HD recording is enabled.

IS MODE BOOST
Choose the image stabilization level.
| Option | Description |
| ON | Suitable for hand-held shooting with no panning. |
| OFF | Suitable for hand-held shooting with panning. |

Assigning IS MODE BOOST to a function button allows the image stabilization level to be changed while recording is in progress (251).

ISO
Adjust the camera's sensitivity to light.
| Option | Description |
| H (25600) | Choose for special situations. Note that dynamic range may be reduced and that pictures may be mottled. |
| 160–12800 | Adjust sensitivity manually. Selected value is shown in display. |
| AUTO | Sensitivity is automatically adjusted in response to shooting conditions. |
ZEBRA SETTING
Highlights that may be overexposed are shown by zebra stripes in the movie mode display.
| Option | Description |
| ZEBRA RIGHT | Right-slanting stripes. |
| ZEBRA LEFT | Left-slanting stripes. |
| OFF | Stripes off. |
ZEBRA LEVEL
Choose the brightness threshold for the zebra stripe display.
| Options | ||||||||||
| 50 | 55 | 60 | 65 | 70 | 75 | 80 | 85 | 90 | 95 | 100 |
MOVIE OPTIMIZED CONTROL
Select ON to allow movie settings to be adjusted using only the command dials and touch-screen controls. You may find this helpful in preventing the sounds of camera controls being recorded with movies (图23).
| Options | |
| ON | OFF |
TALLY LIGHT
Choose the lamp (indicator or AF-assist) that lights during movie recording and whether the lamp blinks or remains steady.

Indicator lamp

AF-assist illuminator
| Option | Description |
| FRONT OFFREAR | The indicator lamp lights during movie recording. |
| FRONT OFFREAR | The indicator lamp blinks during movie recording. |
| FRONT OFFREAR | The indicator and AF-assist lamps light during movie recording. |
| FRONT OFFREAR | The AF-assist lamp lights during movie recording. |
| FRONT OFFREAR | The indicator and AF-assist lamps blink during movie recording. |
| FRONT OFFREAR | The AF-assist lamp blinks during movie recording. |
| FRONT OFFREAR | The indicator and AF-assist lamps remain off during movie recording. |


WIRELESS COMMUNICATION
This item is also found in the photo menus (147).
IMAGE QUALITY SETTING (Movie Recording)
Adjust image quality settings for movies.
To display image quality settings, press MENU/OK in the movie shooting display and select the (IMAGE QUALITY SETTING) tab.


The options available vary with the shooting mode selected.

FILMSIMULATION
Options are the same as those for still photography, but settings must be adjusted separately (108).

MONOCHROMATIC COLOR
Options are the same as those for still photography, but settings must be adjusted separately (110).

WHITE BALANCE
Options are the same as those for still photography, but settings must be adjusted separately (111).

DYNAMIC RANGE
Choose a dynamic range for movie recording.
| Option | Description |
| #100 100% | See “DYNAMIC RANGE” (图115). |
| #200 200% | |
| #200 400% |

- AUTO (automatic dynamic range control) is not available during movie recording.
- 200200% is available at sensitivities of from ISO 320 to ISO 12800, 400400% at sensitivities of from ISO 640 to 12800.
- The Movie SETTING > Dynamic Range option is available when OFF is selected for Movie SETTING > F-Log RECORDING.

TONE CURVE
Options are the same as those for still photography, but settings must be adjusted separately (116).

COLOR
Options are the same as those for still photography, but settings must be adjusted separately (117).

SHARPNESS
Options are the same as those for still photography, but settings must be adjusted separately (117).

HIGH ISO NR
Options are the same as those for still photography, but settings must be adjusted separately (117).

INTERFRAME NR
Select ON to enable interframe noise reduction.
| Options | |
| ON | OFF |
| • Interframe noise reduction is available only when frame rates of 29.97P or slower are selected at a frame size of 4K or DCI. • “Ghosting” may occur with moving subjects or if the camera is moved during shooting. | |

PERIPHERAL LIGHT CORRECTION
Select ON to enable peripheral illumination correction during movie recording.
Options
ON
OFF

- If ON is selected when a lens that does not transmit data to the camera is attached using a FUJIFILM M MOUNT ADAPTER (available separately), peripheral illumination will be adjusted according to the option selected for IMAGE QUALITY SETTING > MOUNT ADAPTER SETTING > PERIPHERAL ILLUMINATION CORRECTION in the shooting menu (121).
- Select OFF if you notice banding in movies recorded using this option.

MOUNT ADAPTER SETTING
This item is also found in the photo menus (120). Changes to one apply to the other.
AF/MF SETTING (Movie Recording)
Adjust focus settings for movies.
To display AF/MF settings, press MENU/OK in the movie shooting display and select the (AF/MF SETTING) tab.


The options available vary with the shooting mode selected.

FOCUS AREA
Options are the same as those for still photography, but settings must be adjusted separately (图122).

FOCUS MODE
Choose the focus mode for movie recording.
| Option | Description |
| MF MANUAL FOCUS | Focus manually. |
| RF-C CONTINUOUS AF | The camera focuses using AF-C. |
| RF-S SINGLE AF | The camera focuses using AF-S. |

AF MODE
Choose how the camera selects the focus point for movie recording.
| Option | Description |
| MULTI | The camera selects the focus area automatically. |
| AREA | The camera focuses on the subject in the selected focus area. |
Select focus-tracking options when recording movies with CONTINUOUS AF selected for FOCUS MODE.
TRACKING SENSITIVITY
Choose how long the camera waits to switch focus when an object enters the focus area behind or in front of the current subject. See "TRACKING SENSITIVITY" (124).
| Options | ||||
| 0 | 1 | 2 | 3 | 4 |

- The higher the value, the longer it takes the camera to refocus when you attempt to switch subjects.
- The lower the value, the more likely the camera is to switch focus from your subject to other objects in the focus area.
AF SPEED
Adjust the autofocus response speed. Choose higher values for faster response times, lower values for slower response times.
| Options | ||||||||||
| -5 | -4 | -3 | -2 | -1 | 0 | +1 | +2 | +3 | +4 | +5 |

AFILLUMINATOR
This item is also found in the photo menus (128). Changes to one apply to the other.

FACE/EYE DETECTION SETTING
Enable or disable Intelligent Face Detection when recording movies.
| Option | Description |
| FACE DETECTION ON | See “FACE/EYE DETECTION SETTING” (国 129). |
| OFF | Intelligent Face Detection and eye priority off. |

If SINGLE AF is chosen for FOCUS MODE when FACE DETECTION ON is selected for AF/MF SETTING > FACE/EYE DETECTION SETTING, the camera will automatically switch to CONTINUOUS AF. Selecting MANUAL FOCUS when FACE DETECTION ON is selected for FACE/ EYE DETECTION SETTING disables Intelligent Face Detection.

MF ASSIST
Choose how focus is displayed when MANUAL FOCUS is selected for FOCUS MODE.
| Option | Description |
| STANDARD | Focus is displayed normally (focus peaking is not available). |
| FOCUS PEAK HIGHLIGHT | The camera heightens high-contrast outlines. Choose a color and peaking level. |

FOCUS CHECK
Options are the same as those for still photography, but settings must be adjusted separately (132).

INSTANT AF SETTING
This item is also found in the photo menus (133). Changes to one apply to the other.

DEPTH-OF-FIELD SCALE
This item is also found in the photo menus (133). Changes to one apply to the other.

AF RANGE LIMITER
This item is also found in the photo menus (134). Changes to one apply to the other.


TOUCH SCREEN MODE
Choose the shooting operations performed using touch controls.
| Mode | Description | |
| SHOT | TOUCH SHOOTING | Instead of pressing the shutter button, you can tap your subject in the display to focus and start recording. During recording, you can tap the display to focus as described below. To end recording, press the shutter button. |
| AF | AF | Tapping the display focuses the camera on the selected point. Use the shutter button to start and stop recording. ·When SINGLE AF is selected for FOCUS MODE, you can refocus at any time by tapping your subject in the display. ·When CONTINUOUS AF is chosen for FOCUS MODE, the camera will continuously adjust focus for changes in the distance to the subject at point selected by tapping the display. ·When MANUAL FOCUS is selected for FOCUS MODE, the camera will focus using autofocus if you tap the display before recording begins; during recording, you can tap the display again to move the focus area to a new location. |
| AREA | AREA | Tap to position the focus area. Use the shutter button to start and stop recording. ·When SINGLE AF is selected for FOCUS MODE, you can reposition the focus area at any time by tapping your subject in the display. To focus, use the button to which AF-ON is assigned. ·When CONTINUOUS AF is chosen for FOCUS MODE, the camera will continuously adjust focus for changes in the distance to the subject at point selected by tapping the display. ·When MANUAL FOCUS is selected for FOCUS MODE, you can tap the display to position the focus area over your subject. |
| OFF | OFF | Touch controls disabled. |

- To disable touch controls and hide the touch screen mode indicator, select OFF for BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > TOUCH SCREEN SETTING.
- This item is also found in the photo menus (图135). Changes to one apply to the other.
- Touch Controls for Focus Zoom
Different touch controls are used during focus zoom (focus check enabled).
Central Area
Tapping the center of the display performs the operations below.

| Mode | Operation performed |
| TOUCH SHOOTING | SINGLE AF: AF |
| MANUAL FOCUS: Instant AF | |
| AF | SINGLE AF: AF |
| MANUAL FOCUS: Instant AF | |
| AREA | SINGLE AF: AF |
| MANUAL FOCUS: Instant AF | |
| OFF | SINGLE AF/MANUAL FOCUS: OFF |
Other Areas
Tapping other areas simply scrolls the display, whether during still photography or movie recording and regardless of the option selected for touch screen mode.

FOCUS CHECK LOCK
Choose whether focus zoom remains in effect once movie recording begins.
| Options | |
| ON | OFF |
AUDIO SETTING (Movie Recording)
Adjust settings for audio recorded during filming.
To display audio settings, press MENU/OK in the movie shooting display and select the (AUDIO SETTING) tab.

INTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for the built-in microphone.
| Option | Description |
| AUTO | The camera adjusts the recording level automatically. |
| MANUAL | Adjust the recording level manually. Press the focus stick (focus lever) right to choose from 25 recording levels. |
| OFF | Turn the built-in microphone off. |
EXTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for external microphones.
| Option | Description |
| AUTO | The camera adjusts the recording level automatically. |
| MANUAL | Adjust the recording level manually. Press the focus stick (focus lever) right to choose from 25 recording levels. |
| OFF | Disable recording using external microphones. |
MIC JACK SETTING
Specify the type of hardware connected to the microphone jack.
| Option | Description |
| MIC | Choose this option for direct connection to an external micro- phone. |
| LINE | Choose this option for external audio devices connected via line output. |
MIC LEVEL LIMITER
Reduces distortion caused by input that exceeds the limits of the microphone's audio circuits.
| Options | |
| ON | OFF |
WIND FILTER
Choose whether to enable wind noise reduction during movie recording.
| Options | |
| ON | OFF |
LOW CUT FILTER
Choose whether to enable the low-cut filter, reducing low-frequency noise during movie recording.
| Options | |
| ON | OFF |
HEADPHONES VOLUME
Adjust the headphone volume.
| Option | Description |
| 0 | Mute output to the headphones. |
| 1—10 | Choose a volume of from 1 to 10. |
MIC/REMOTE RELEASE
Specify whether the device connected to the microphone/remote release connector is a microphone or a remote release.
Options
MIC
REMOTE
TIME CODE SETTING (Movie Recording)
Adjust time code (hour, minute, second, and frame number) display settings for movie recording.
To display time code settings, press MENU/OK in the movie shooting display and select the (TIME CODE SETTING) tab.

TIME CODE DISPLAY
Select ON to display time codes during movie recording and playback.

STARTTIME SETTING
Choose the time code starting time.
| Option | Description |
| MANUAL INPUT | Highlight this option and press the focus stick (focus lever) right to choose a start time manually. |
| CURRENT TIME | Set the start time to the current time. |
| RESET | Set the start time to 00:00:00. |
COUNT UP SETTING
Choose whether time is clocked continuously or only during movie recording.
| Option | Description |
| RECRUN | Time is clocked only during movie recording. |
| FREE RUN | Time is clocked continuously. |
DROP FRAME
At frame rates of 59.94P, and 29.97P, a discrepancy will gradually develop between the time code (measured in seconds) and the actual recording time (measured in fractions of a second). Choose whether the camera drops frames as necessary to match the recording time to the time code.
| Option | Description |
| ON | The camera drops frames as necessary to maintain a strict match between the time code and the actual recording time. |
| OFF | Frames are not dropped. |

The time code display varies with the option selected.


OFF
- Selecting a frame rate of 23.98P disables frame drop.
HDMI TIME CODE OUTPUT
Choose whether time codes are output to HDMI devices.
| Options | |
| ON | OFF |
Playback and the Playback Menu
ThePlaybackDisplay
This section lists the indicators that may be displayed during playback.
For illustrative purposes, displays are shown with all indicators lit.

① Date and time. 37, 39, 207
② Frame-number display
③ Face detection indicator. 129
(4) Bluetooth ON/OFF. 234
(5) Image transfer order 197
⑥ Image transfer status. 234, 278
Number of frames selected for upload... 197
(8) Frame number. 231
9 Protected image 192
10 Location data. 239, 279
(11) Battery level. 36
12 Image quality. 107
13 Image size 106
(14) Film format. 155
(15) Film simulation 108
16 Dynamic range 115
17 HDR. 94
White balance 111
(19) Sensitivity. 83
20 Exposure compensation. 82
(21) Aperture. 57, 60, 62
22Shutter speed. 57,58,62
(23)Playback mode indicator. 44
24 Movie icon 52
25 Time code. 177
26 HDR image 94
27 Red-eye removal indicator. 148, 194
28 Filter 66
(29) Gift image. 44
(30) Photobook assist indicator. 199
(31) DPOF print indicator. 201
32 Voice memo 195
Rating. 196
The DISP/BACK Button
The DISP/BACK button controls the display of indicators during playback.



Viewing Photo Information
The photo information display changes each time the focus stick (focus lever) is pressed up.


Basic data

Info display 1



Info display 3


Info display 2
Zooming in on the Focus Point
Press the center of the focus stick (focus lever) to zoom in on the focus point. Press again to return to full-frame playback.


Viewing Pictures
Read this section for information on playback zoom and multi-frame playback.
Use the rear command dial to go from full-frame playback to playback zoom or multi-frame playback.


Full-frame playback

Multi-frame playback



Nine-frame view






Hundred-frame view

Playback zoom
DISP/BACK
MENU/OK

Medium zoom




Maximum zoom

Playback Zoom
Rotate the rear command dial right to zoom in on the current picture, left to zoom out. To exit zoom, press DISP/BACK or MENU/OK.

- The maximum zoom ratio varies with the option selected for IMAGE QUALITY SETTING > IMAGE SIZE.
- Playback zoom is not available with cropped or resized copies saved at a size of 640.
Scroll
When the picture is zoomed in, the focus stick (focus lever) can be used to view areas of the image not currently visible in the display.

Navigation window
Multi-Frame Playback
To change the number of images displayed, rotate the rear command dial left when a picture is displayed full frame.

- Use the focus stick (focus lever) to highlight images and press MENU/OK to view the highlighted image full frame.
- In the nine- and hundred-frame displays, press the focus stick up or down to view more pictures.
The Playback Menu
Adjust playback settings.
The playback menu is displayed when you press MENU/OK in playback mode.

RAWCONVERSION
Even if you don't have a computer, you can use the camera to modify RAW pictures and save them in other formats.
Saving RAW Pictures in Another Format
1 Display a RAW picture.
2 Highlight RAW CONVERSION in the playback menu.
3 Press MENU/OK.
A list of settings will be displayed.

4 Press the focus stick (focus lever) up or down to highlight a setting.
5 Press the focus stick right to display options.

6 Press the focus stick up or down to highlight the desired option.
7 Press MENU/OK to select the highlighted option. The settings list shown in Step 3 will be displayed. Repeat Steps 4 to 7 to adjust additional settings.
8 Press the Q button. A preview of the copy will be displayed.
9 Press MENU/OK. The copy will be saved.

RAW conversion options can also be displayed by pressing the Q button when a RAW picture is displayed during playback.
The settings that can be adjusted when converting pictures from RAW to another format are:
| Setting | Description |
| REFLECT SHOOTING COND. | Create a copy using the settings in effect at the time the photo was taken. |
| IMAGE SIZE | Choose an image size. |
| IMAGE QUALITY | Adjust image quality. |
| PUSH/PULL PROCESSING | Adjust exposure. |
| DYNAMIC RANGE | Enhance details in highlights for natural contrast. |
| D RANGE PRIORITY | Reduce loss of detail in highlights and shadows for natural-looking results when photographing high-contrast scenes. |
| FILM SIMULATION | Simulate the effects of different types of film. |
| MONOCHROMATIC COLOR | Add a warm or cool cast to monochrome pictures. |
| GRAIN EFFECT | Add a film grain effect. |
| COLOR CHROME EFFECT | Increase the range of tones available for rendering colors that tend to be highly saturated, such as reds, yellows, and greens. |
| COLOR CHROME FX BLUE | Increase the range of tones available for rendering blues. |
| WHITE BALANCE | Adjust white balance. |
| WB SHIFT | Fine-tune white balance. |
| TONE CURVE | Adjust highlights and shadows. |
| COLOR | Adjust color density. |
| SHARPNESS | Sharpen or soften outlines. |
| HIGH ISO NR | Process the copy to reduce mottling. |
| CLARITY | Increase definition. |
| LENS MODULATION OPTIMIZER | Improve definition by adjusting for diffraction and the slight loss of focus at the periphery of the lens. |
| COLOR SPACE | Choose the color space used for color reproduction. |
| HDR MODE | Reduce loss of detail in highlights and shadows. |

Some settings may be unavailable depending on the options chosen when the picture was taken.
ERASE
Delete individual pictures, multiple selected pictures, or all pictures.

Deleted pictures cannot be recovered. Protect important pictures or copy them to a computer or other storage device before proceeding.
| Option | Description |
| FRAME | Delete pictures one at a time. |
| SELECTED FRAMES | Delete multiple selected pictures. |
| ALL FRAMES | Delete all unprotected pictures. |
FRAME
1 Select FRAME for ERASE in the playback menu.
2 Press the focus stick (focus lever) left or right to scroll through pictures and press MENU/OK to delete.

- A confirmation dialog is not displayed before pictures are deleted; be sure the correct picture is selected before pressing MENU/OK.
- Additional pictures can be deleted by pressing MENU/OK. Press the focus stick left or right to scroll through pictures and press MENU/OK to delete.
SELECTED FRAMES
1 Select SELECTED FRAMES for ERASE in the playback menu.
2 Highlight pictures and press MENU/OK to select.
- Selected pictures are indicated by check marks (☑).
- To deselect a highlighted picture, press MENU/OK again.
3 When the operation is complete, press DISP/BACK to display a confirmation dialog.
4 Highlight OK and press MENU/OK to delete the selected pictures.

Pictures in photobooks or printer orders are shown by 11.
ALL FRAMES
1 Select ALL FRAMES for ERASE in the playback menu.
2 A confirmation dialog will be displayed; highlight OK and press MENU/OK to delete all unprotected pictures.

- Pressing DISP/BACK cancels deletion; note that any pictures deleted before the button was pressed cannot be recovered.
- If a message appears stating that the selected images are part of a DPOF print order, press MENU/OK to delete the pictures.
CROP
Create a cropped copy of the current picture.
1 Display the desired picture.
2 Select CROP in the playback menu.
3 Use the rear command dial to zoom in and out and press the focus stick (focus lever) up, down, left, or right to scroll the picture until the desired portion is displayed.
4 Press MENU/OK to display a confirmation dialog.
5 Press MENU/OK again to save the cropped copy to a separate file.

- The higher the zoom ratio, the smaller the number of pixels in the cropped copy.
- If the size of the final copy will be 840, YES will be displayed in yellow.
- All copies have an aspect ratio of 3:2.
RESIZE
Create a small copy of the current picture.
1 Display the desired picture.
2 Select RESIZE in the playback menu.
3 Highlight a size and press MENU/OK to display a confirmation dialog.
4 Press MENU/OK again to save the resized copy to a separate file.
The sizes available vary with the size of the original image.
PROTECT
Protect pictures from accidental deletion. Highlight one of the following options and press MENU/OK.
| Option | Description |
| FRAME | Protect selected pictures. Press the focus stick (focus lever) left or right to view pictures and press MENU/OK to select or deselect. Press DISP/BACK when the operation is complete. |
| SET ALL | Protect all pictures. |
| RESET ALL | Remove protection from all pictures. |
Protected pictures will be deleted when the memory card is formatted.
Protecting images currently selected for upload to paired smartphones or tablets removes upload marking.
IMAGE ROTATE
Rotate pictures.
1 Select ON for SCREEN SET-UP > AUTOROTATE PB.
2 Display the desired picture.
3 Select IMAGE ROTATE in the playback menu.
4 Press the focus stick (focus lever) down to rotate the picture 90^ clockwise, up to rotate it 90^ counterclockwise.
Press MENU/OK. The picture will automatically be displayed in the selected orientation whenever it is played back on the camera.

- Protected pictures cannot be rotated. Remove protection before rotating pictures.
- The camera may not be able to rotate pictures created with other devices. Pictures rotated on the camera will not be rotated when viewed on a computer or on other cameras.
- Pictures taken with 2 SCREEN SET-UP > AUTOROTATE PB are automatically displayed in the correct orientation during playback.
RED EYE REMOVAL
Remove red-eye from portraits. The camera will analyze the image; if red-eye is detected, the image will be processed to create a copy with reduced red-eye.
1 Display the desired picture.
2 Select RED EYE REMOVAL in the playback menu.
3 Press MENU/OK.

- Results vary depending on the scene and the camera's success in detecting faces.
- The amount of time needed to process the image varies with the number of faces detected.
- Red eye cannot be removed from pictures that have already been processed using red-eye removal, which are indicated by a icon during playback.
- Red eye removal cannot be performed on RAW images.
VOICE MEMO SETTING
Add a voice memo to the current photograph.
1 Select ON for VOICE MEMO SETTING in the playback menu.
2 Display a photo to which you wish to add a voice memo.
3 Press and hold the AFON button to record a voice memo. Recording ends after 30 s or when you release the button.

- The new memo will be recorded over any existing memos.
Voice memos cannot be added to protected pictures. - Deleting the picture also deletes the memo.
-Playing Voice Memos
Pictures with voice memos are indicated by icons during playback.
To play the memo, press the AFON button.
- A progress bar will be displayed while the memo plays back.
- Volume can be adjusted by pressing MENU/OK to pause playback and then pressing the focus stick (focus lever) up or down to adjust the volume.
Press MENU/OK again to resume playback. Volume can also be adjusted using SOUND SET-UP > PLAYBACK VOLUME.
RATING
Rate pictures using stars.
1 Select RATING in the playback menu.
2 Rotate the front command dial to choose a picture and the rear command dial to choose a rating of from 0 to 5 stars (^^ )

- The focus stick (focus lever) can be used in place of the front command dial to choose a picture.
- The rating dialog can also be displayed by pressing the AEL button in single-frame, nine-frame, or hundred-frame playback.
- Use touch controls to zoom in or out.
IMAGE TRANSFER ORDER
Select photos for upload to a paired smartphone or tablet.
1 Select IMAGE TRANSFER ORDER > SELECT FRAMES in the playback menu.
2 Highlight photos and press MENU/OK to select or deselect. Repeat until all the desired photos have been selected.
3 Press DISP/BACK to exit to playback.

If ON is selected for both CONNECTION SETTING > Bluetooth SETTINGS > Bluetooth ON/OFF and AUTO IMAGE TRANSFER, upload will begin shortly after you exit to playback or turn the camera off.

- Image transfer orders can contain a maximum of 999 pictures.
-
The following cannot be selected for upload:
-
Protected pictures
Movies - RAW images
-
"Gift" pictures (pictures taken with other cameras)
-
If PAIRING/TRANSFER ORDER is selected for CONNECTION SETTING > GENERAL SETTINGS > BUTTON SETTING, the IMAGE TRANSFER ORDER dialog can be displayed by pressing the ISO button.
- To remove upload marking from all pictures in the current order, select IMAGE TRANSFER ORDER > RESET ORDER.
- If ON is selected for CONNECTION SETTING > Bluetooth SETTINGS > AUTO IMAGE TRANSFER, photos will automatically be marked for upload as they are taken.

WIRELESS COMMUNICATION
Connect to smartphones running the latest version of the FUJIFILM Camera Remote app. The smartphone can then be used to:
Control the camera and take pictures remotely
Receive pictures uploaded from the camera
- Browse the pictures on the camera and download selected pictures
- Upload location data to the camera

For downloads and other information, visit: http://app.fujifilm-dsc.com/en/camera_remote/
SLIDE SHOW
View pictures in an automated slide show. Press MENU/OK to start and press the focus stick (focus lever) right or left to skip ahead or back. Press DISP/BACK at any time during the show to view on-screen help. The show can be ended at any time by pressing MENU/OK.

The camera will not turn off automatically while a slide show is in progress.
PHOTOBOOK ASSIST
Create books from your favorite photos.
Creating a Photobook
1 Select NEW BOOK for 2 PLAY BACK MENU > PHOTOBOOK ASSIST.
2 Scroll through the images and press the focus stick (focus lever) up to select or deselect. Press MENU/OK to exit when the book is complete.

- Neither photographs 640 or smaller nor movies can be selected for photobooks.
- The first picture selected becomes the cover image. A different picture can be selected at any time.
3 Highlight COMPLETE PHOTOBOOK and press MENU/OK (to select all photos for the book, choose SELECT ALL). The new book will be added to the list in the photobook assist menu.

Books can contain up to 300 pictures.
- Books that contain no photos are automatically deleted.
Viewing Photobooks
Highlight a book in the photobook assist menu and press MENU/OK to display the book, then press the focus stick (focus lever) left or right to scroll through the pictures.
Editing and Deleting Photobooks
Display the photobook and press MENU/OK. The following options will be displayed; select the desired option and follow the on-screen instructions.
- EDIT: Edit the book as described in "Creating a Photobook".
- ERASE: Delete the book.
PC AUTO SAVE
Upload pictures from the camera to a computer running the latest version of FUJIFILM PC AutoSave (note that you must first install the software and configure the computer as a destination for images copied from the camera).

For downloads and other information, visit: http://app.fujifilm-dsc.com/en/pc_autosave/
PRINT ORDER (DPOF)
Create a digital "print order" for DPOF-compatible printers.
1 Select回PLAY BACK MENU > PRINT ORDER (DPOF).
2 Select WITH DATE to print the date of recording on pictures, WITHOUT DATE to print pictures without dates, or RESET ALL to remove all pictures from the print order before proceeding.
3 Display a picture you wish to include in or remove from the print order.
4 Press the focus stick (focus lever) up or down to choose the number of copies (up to 99).


- To remove a picture from the order, press the focus stick down until the number of copies is 0.
- Repeat steps 3-4 to complete the print order.
5 The total number of prints is displayed in the monitor. Press MENU/OK to exit.

- The pictures in the current print order are indicated by a icon during playback.
- Print orders can contain a maximum of 999 pictures from a single memory card.
- If a memory card is inserted containing a print order created by another camera, you will need to delete the order before creating as described above.
instax PRINTER PRINT
To print pictures to optional Fujifilm instax SHARE printers, first select CONNECTION SETTING > instax PRINTER CONNECTION SETTING and enter the instax SHARE printer name (SSID) and password, then follow the steps below.
1 Turn the printer on.
2 Select PLAY BACK MENU > instax PRINTER PRINT. The camera will connect to the printer.

3 Use the focus stick (focus lever) to display the picture you want to print, then press MENU/OK. The picture will be sent to the printer and printing will start.


Pictures taken with other cameras cannot be printed.
- The area printed is smaller than the area visible in the LCD monitor.
- The displays may vary depending on the printer connected.
DISP ASPECT
Choose the aspect ratio used for the display of still pictures on High Definition (HD) devices (this option is available only when an HDMI cable is connected).

Options
16:9
3:2

Choose 16:9 to display photos with an aspect ratio of 16:9 full screen. The pictures will be displayed full screen with tops and bottoms cropped out.
MEMO
The Setup Menu
USER SETTING
Adjust basic camera settings.
To access basic camera settings, press MENU/OK, select the (SET UP) tab, and choose USER SETTING.

FORMAT
To format a memory card:
1 Select USER SETTING > FORMAT in the (SET UP) tab.
2 A confirmation dialog will be displayed. To format the memory card, highlight OK and press MENU/OK.


To exit without formatting the memory card, select CANCEL or press DISP/BACK.

- All data—including protected pictures—will be deleted from the memory card. Be sure important files have been copied to a computer or other storage device.
- Do not open the battery-chamber cover during formatting.
DATE/TIME
To set the camera clock:
1 Select USER SETTING > DATE/TIME in the (SET UP) tab.
2 Press the focus stick (focus lever) left or right to highlight the year, month, day, hour, or minute and press up or down to change. To change the order in which the year, month, and day are displayed, highlight the date format and press the focus stick up or down.
3 Press MENU/OK to set the clock.
TIME DIFFERENCE
Switch the camera clock instantly from your home time zone to the local time at your destination when traveling. To specify the difference between your local and home time zone:
1 Highlight + LOCAL and press MENU/OK.
2 Use the focus stick (focus lever) to choose the time difference between local time and your home time zone. Press MENU/OK when settings are complete.
To set the camera clock to local time, highlight LOCAL and press MENU/OK. To set the clock to the time in your home time zone, select HOME.
Options
+LOCAL
HOME

If LOCAL is selected, will be displayed in yellow for about three seconds when the camera is turned on.
言語/LANG.
Choose a language.

MY MENU SETTING
Edit the items listed in the (MY MENU) tab, a personalized custom menu of frequently-used photo menu options (243).

MY MENU SETTING
Edit the items listed in the (MY MENU) tab, a personalized custom menu of frequently-used movie menu options (243).
SENSOR CLEANING
Remove dust from the camera image sensor.
| Option | Description |
| OK | Clean the sensor immediately. |
| WHEN SWITCHED ON | Sensor cleaning will be performed when the camera is turned on. |
| WHEN SWITCHED OFF | Sensor cleaning will be performed when the camera turns off (sensor cleaning is not however performed if the camera turns off in playback mode). |

Dust that cannot be removed using sensor cleaning can be removed using a blower (306).
SOUND & FLASH
Select OFF to disable the speaker, flash, illuminator, and self-timer lamp in situations in which camera sounds and lights may be unwelcome.
| Options | |
| ON | OFF |
RESET
Reset shooting or setup menu options to default values.
1 Highlight the desired option and press MENU/OK.
| Option | Description |
| STILL MENU RESET | Reset all photo menu settings other than custom white balance and custom settings banks created using EDIT/SAVE CUSTOM SETTING to default values. |
| MOVIE MENU RESET | Reset all settings other than custom white balance options selected using WHITE BALANCE. |
| SET-UP RESET | Reset all setup menu settings other than DATE/TIME, TIME DIFFERENCE, COPYRIGHT INFO, and connection-related CONNECTION SETTING options to default values. |
2 A confirmation dialog will be displayed; highlight OK and press MENU/OK.
REGULATORY
To view electronic copies of the product model number, and other certificates, select USER SETTING > REGULATORY in the setup menu.
SOUND SETTING
Make changes to camera sounds.
To access sound settings, press MENU/OK, select the (SET UP) tab, and choose SOUND SET-UP.

AF BEEP VOL.
Choose the volume of the beep that sounds when the camera focuses. The beep can be muted by selecting OFF.
Options
| (high) | (medium) | (low) | (OFF (mute)) |
SELF-TIMER BEEP VOL.
Choose the volume of the beep that sounds while the self-timer is active. The beep can be muted by selecting OFF.
Options
| (high) | (medium) | (low) | (OFF (mute)) |
OPERATION VOL.
Adjust the volume of the sounds produced when camera controls are operated. Choose OFF to disable control sounds.
Options
(high)
(medium)
(low)
OFF (mute)
SHUTTER VOLUME
Adjust the volume of the sounds produced by the electronic shutter. Choose OFF to disable the shutter sound.
Options
(1) (high)
(medium)
(1ow)
OFF (mute)
SHUTTERTOUND
Choose the sound made by the electronic shutter.
Options
1SOUND 1
2 SOUND 2
3 SOUND 3
PLAYBACK VOLUME
Adjust the volume for movie playback.
Options
0 1 2 3 4 5 6 7 8 9 10
SCREEN SETTING
Make changes to display settings.
To access display settings, press MENU/OK, select the (SET UP) tab, and choose SCREEN SET-UP.

VIEW MODE SETTING
Adjust settings for eye sensor, EVF (electronic viewfinder), or LCD monitor view modes (14).
EVF BRIGHTNESS
Adjust the brightness of the display in the electronic viewfinder.
| Option | Description |
| AUTO | Automatic brightness adjustment. |
| MANUAL | Adjust brightness manually; choose from options between -7 and +5. |
EVF COLOR
Adjust the hue of the display in the electronic viewfinder.
| Options | ||||||||||
| -5 | -4 | -3 | -2 | -1 | 0 | +1 | +2 | +3 | +4 | +5 |
EVF COLOR ADJUSTMENT
Adjust the color of the display in the electronic viewfinder.
1 Adjust colors using the focus stick (focus lever).

2 Press MENU/OK.
LCD BRIGHTNESS
Adjust monitor brightness.
| Options | ||||||||||
| -5 | -4 | -3 | -2 | -1 | 0 | +1 | +2 | +3 | +4 | +5 |
LCD COLOR
Adjust monitor hue.
| Options | ||||||||||
| -5 | -4 | -3 | -2 | -1 | 0 | +1 | +2 | +3 | +4 | +5 |
LCD COLOR ADJUSTMENT
Adjust the color of the display in the LCD monitor.
1 Adjust colors using the focus stick (focus lever).
2 Press MENU/OK.
IMAGE DISP.
Choose how long images are displayed after shooting.
| Option | Description |
| CONTINUOUS | Pictures are displayed until the MENU/OK button is pressed or the shutter button is pressed halfway. To zoom in on the active focus point, press the center of the focus stick (focus lever); press again to cancel zoom. |
| 1.5 SEC | Pictures are displayed for the selected time or until the shutter button is pressed halfway. |
| 0.5 SEC | |
| OFF | Pictures are not displayed after shooting. |

- Colors may differ slightly from those in the final image.
- "Noise" mottling may be visible at high sensitivities.
AUTOROTATE DISPLAYS
Choose whether the indicators in the viewfinder and LCD monitor rotate to match camera orientation.
| Options | |
| ON | OFF |
PREVIEW EXP./WB IN MANUAL MODE
Choose whether to enable exposure and/or white balance preview in manual exposure mode.
| Option | Description |
| PREVIEW EXP./WB | Enable exposure and white balance preview. |
| PREVIEW WB | Preview white balance only. Choose this option in situations in which exposure and white balance are likely to change during shooting, as may be the case when you use a flash with an incandescent monitoring lamp. |
| OFF | Disable exposure and white balance preview. Choose this option when using a flash or on other occasions on which exposure may change when the picture is taken. |
NATURAL LIVE VIEW
Choose whether the effects of film simulation, white balance, and other settings are visible in the monitor.
| Option | Description |
| ON | The effects of camera settings are not visible in the monitor, but shadows in low-contrast, back-lit scenes and other hard-to-see subjects more visible. Colors and tone will differ from those in the final picture. The display will however be adjusted to show the effects of monochrome and sepia settings. |
| OFF | The effects of film simulation, white balance, and other settings can be previewed in the monitor. |
F-Log VIEW ASSIST
Select ON to display a tone-corrected preview (equivalent to BT.709) when recording or viewing F-log movies.

FRAMING GUIDELINE
Choose a framing grid for shooting mode.


Framing guides are not shown at default settings but can be displayed using SCREEN SET-UP > DISP.CUSTOM SETTING (218).
AUTOROTATE PB
Choose ON to automatically rotate "tall" (portrait-orientation) pictures during playback.
| Options | |
| ON | OFF |
FOCUS SCALE UNITS
Choose the units used for the focus distance indicator.
| Options | |
| METERS | FEET |
APERTURE UNIT FOR CINEMA LENS
Choose whether the camera displays aperture as a T-number (used for movie camera lenses) or an f/-number (used for still camera lenses) when an optional FUJINON MKX-series lens is attached. For information on using cinema lenses, see the documentation provided with the lens.
| Option | Description |
| T NUMBER | A measure of lens aperture commonly used by cinematog-raphers. Lens transmittance is taken into account to better cal-culate exposure. |
| F NUMBER | A measure of lens aperture commonly used by photographers. Lens transmittance is assumed to be 100%, meaning that the same aperture may produce different exposures depending on the lens. |
DISP. CUSTOM SETTING
Choose the items shown in the standard indicator display (17).
LARGE INDICATORS MODE(EVF)
Select ON to display large indicators in the electronic viewfinder. The indicators displayed can be selected using 2 SCREEN SET-UP > LARGE INDICATORS DISP. SETTING.

OFF

ON

Some icons are not displayed when ON is selected for LARGE INDICATORS MODE(EVF) (图11).

If LARGE INDICATORS MODE is assigned to a function button, the button can be used to toggle LARGE INDICATORS MODE on (ON) and off (OFF) (251).
LARGE INDICATORS MODE(LCD)
Select ON to display large indicators in the LCD monitor. The indicators displayed can be selected using SCREEN SET-UP > LARGE INDICATORS DISP. SETTING.

OFF

ON

Some icons are not displayed when ON is selected for LARGE INDICATORS MODE(LCD) (图13).

If LARGE INDICATORS MODE is assigned to a function button, the button can be used to toggle LARGE INDICATORS MODE on (ON) and off (OFF) (251).
LARGE INDICATORS DISP. SETTING
Choose the indicators displayed when ON is selected for SCREEN SET-UP > LARGE INDICATORS MODE(EVF) or LARGE INDICATORS MODE(LCD).

| Option | Description |
| ① Expo. DISP. | Choose the items listed at the bottom of the display. Selected items are indicated by check marks (☑); to deselect, highlight the check marks and press MENU/OK. |
| ② Scale | Select ON to display the exposure indicator. |
| ③ L1, L2, L3, L4 | Choose up to four large icons for display on the left side of the screen. |
| ④ R1, R2, R3, R4 | Choose up to four large icons for display on the right side of the screen. |
INFORMATION CONTRAST ADJ.
Adjust display contrast.
| Option | Description |
| HIGH CONTRAST | High contrast. |
| STANDARD | Normal contrast. |
| LOW CONTRAST | Low contrast. |
| DARK AMBIENT LIGHTING | Contrast adjusted for dim ambient lighting. |

Q MENU BACKGROUND
Choose the background color used for the quick menu when it is displayed during still photography.
Options
TRANSPARENT
BLACK

Q MENU BACKGROUND
Choose the background color used for the quick menu when it is displayed during movie recording.
Options
TRANSPARENT
BLACK
BUTTON/DIAL SETTING
Access options for camera controls.
To access control options, press MENU/OK, select the (SET UP) tab, and choose BUTTON/DIAL SETTING.

FOCUS LEVER SETTING
Choose the functions performed by pressing the center of the focus stick (focus lever) or by pressing the stick up, down, left, or right.
PUSH
| Option | Description |
| OFF | Pressing the center of the stick has no effect. |
| EDIT FOCUS AREA | Press the center of the stick to view a focus-area display where you can choose the focus area. If FACE DETECTION ON is selected for FACE/EYE DETECTION SETTING, Intelligent Face Detection will be temporarily disabled. |
| ZOOM | Press the center of the stick to zoom in on the active focus area (78). If FACE DETECTION ON is selected for FACE/EYE DETECTION SETTING, Intelligent Face Detection will be temporarily disabled. |
TILT
| Option | Description |
| OFF | Pressing the stick up, down, left, or right has no effect. |
| DIRECT AF POINT SELECTION | Choose the focus area without leaving the shooting display. |
| EDIT FOCUS AREA | Press the stick up, down, left, or right to view a focus-area display and choose the focus area. |
| DIRECT AF POINT SELECTION/FACE SELECT | Choose the focus area without leaving the shooting display. If FACE DETECTION ON is selected for FACE/EYE DETECTION SETTING, you can also choose the face used for focus. |
EDIT/SAVE QUICK MENU
Choose the items displayed in the quick menu during still photography (248).
EDIT/SAVE QUICK MENU
Choose the items displayed in the quick menu when filming movies (248).
FUNCTION (Fn) SETTING
Choose the roles played by the function buttons (251).
SHUTTER AF
Choose whether the camera focuses when the shutter button is pressed halfway.
| Option | Description |
| AF-S | ON: Focus locks when the shutter button is pressed halfway. OFF: No focus operation is performed when the shutter button is pressed halfway. |
| AF-C | ON: The camera focuses while the shutter button is pressed halfway. OFF: No focus operation is performed when the shutter button is pressed halfway. |
SHUTTER AE
If ON is selected, exposure will lock while the shutter button is pressed halfway.

Select OFF to allow the camera to adjust exposure before each shot taken in burst mode.
SHOOT WITHOUT LENS
Choose ON to enable the shutter release when no lens is attached.
| Options | |
| ON | OFF |
SHOOT WITHOUT CARD
Choose whether the shutter can be released without a memory card inserted in the camera.
| Option | Description |
| ON | When no memory card is inserted, the shutter can be released to test camera function and the shooting and setup menus can be displayed. |
| OFF | The shutter is disabled if no memory card is inserted, preventing accidental loss of pictures taken without a memory card. |
FOCUS RING
Choose the direction in which the focus ring is rotated to increase the focus distance.
| Options | |
| ○ CW (clockwise) | ○ CCW (counterclockwise) |
FOCUS RING OPERATION
Choose how the camera adjusts focus in response to the movement of the focus ring.
| Option | Description |
| NONLINEAR | Focus is adjusted at the same rate as the ring is rotated. |
| LINEAR | Focus is adjusted linearly according to the amount the ring is ro-tated, but the focusing speed is unaffected by the speed the ring is rotated. |
AE/AF-LOCK MODE
This option determines the behavior of the button to which exposure and/or focus lock is assigned.
| Option | Description |
| AE&AF ON WHEN PRESSING | Exposure and/or focus will lock while the button is pressed. |
| AE&AF ON/OFF SWITCH | Exposure and/or focus will lock when the button is pressed and remain locked until it is pressed again. |
AWB-LOCK MODE
Choose the behavior of function buttons assigned auto white balance (AWB) lock. Auto white balance lock is used to lock white balance at the value metered by the camera when AUTO is selected for white balance.
| Option | Description |
| AWB ON WHEN PRESSING | Auto white balance locks while the button is pressed. |
| AWB ON/OFF SWITCH | Press the button once to lock auto white balance and again to end the lock. |
Enable or disable touch-screen controls.

| Option | Description |
| ON | The LCD monitor functions as a touch screen during shooting. |
| OFF | Touch controls disabled. |

DOUBLE TAP SETTING
| Option | Description |
| ON | Tap the LCD monitor twice to zoom in on your subject during shooting. |
| OFF | Touch zoom disabled. |

TOUCH FUNCTION
| Option | Description |
| ON | Enable touch-function gestures. |
| OFF | Disable touch-function gestures. |

| Option | Description |
| ON | The LCD monitor functions as a touch screen during playback. |
| OFF | Touch controls disabled. |
EVF TOUCH SCREEN AREA SETTINGS
Select the area of the LCD monitor used for touch controls while the viewfinder is active. The area used for touch controls can be selected from:
| Option | Description |
| ☐ | All. |
| ☐ | Right half. |
| ☐ | Top right quarter. |
| ☐ | Bottom right quarter. |
| ☐ | Left half. |
| ☐ | Top left quarter. |
| ☐ | Bottom left quarter. |
| OFF | Touch controls disabled. |
POWER MANAGEMENT
Adjust power management settings.
To access power management settings, press MENU/OK, select the (SET UP) tab, and choose POWER MANAGEMENT.

AUTO POWER OFF
Choose the length of time before the camera turns off automatically when no operations are performed. Shorter times increase battery life; if OFF is selected, the camera must be turned off manually.
| Options | |||||
| 5 MIN | 2 MIN | 1 MIN | 30 SEC | 15 SEC | OFF |
PERFORMANCE
Select BOOST to improve focus and EVF display performance.
| Option | Description |
| BOOST | Boost camera focus and EVF display performance. The battery drains faster than when is NORMAL selected. |
| NORMAL | Choose for standard focus and EVF display performance and battery endurance. |
BOOST SETTING
Adjust the behavior of the EVF and LCD monitor when BOOST is selected for PERFORMANCE.
| Option | Description |
| LOW LIGHT PRIORITY | Display brightness is adjusted to make subjects in shadows easier to see. Motion blur may cause ghosting. |
| RESOLUTION PRIORITY | Display resolution is increased to make details easier to see. |
| FRAME RATE PRIORITY | The refresh rate for the EVF is increased, smoothing motion. |
SAVE DATA SETTING
Make changes to file management settings.
To access file management settings, press MENU/OK, select the (SET UP) tab, and choose SAVE DATA SET-UP.

FRAME NO.
New pictures are stored in image files named using a four-digit file number assigned by adding one to the last file number used. The file number is displayed during playback as shown. FRAME NO. controls whether file num
Frame number

bering is reset to 0001 when a new memory card is inserted or the current memory card is formatted.
| Option | Description |
| CONTINUOUS | Numbering continues from the last file number used or the first available file number, whichever is higher. Choose this option to reduce the number of pictures with duplicate file names. |
| RENEW | Numbering is reset to 0001 after formatting or when a new memory card is inserted. |

- If the frame number reaches 999-9999, the shutter release will be disabled. Format the memory card after transferring to a computer any pictures you wish to keep. Next, reset frame numbering to 100-0001 by inserting a formatted memory card, selecting RENEW for FRAME NO., and taking a picture. You can then set FRAME NO. to CONTINUOUS once more and continue shooting.
- Selecting z USER SETTING > RESET does not reset the file number.
- Frame numbers for pictures taken with other cameras may differ.
SAVE ORG IMAGE
Choose ON to save unprocessed copies of pictures taken using RED EYE REMOVAL.
| Options | |
| ON | OFF |
EDIT FILE NAME
Change the file name prefix. sRGB images use a four-letter prefix (default "DSCF"), Adobe RGB images a three-letter prefix ("DSF") preceded by an underscore.
| Option | Default prefix | Sample file name |
| sRGB | DSCF | ABCD0001 |
| AdobeRGB | _DSF | _ABC0001 |
SELECT FOLDER
Create folders and choose the folder used to store subsequent pictures.
| Option | Description |
| SELECT FOLDER | To choose the folder in which subsequent pictures will be stored, press the focus stick (focus lever) up or down to highlight an existing folder and press MENU/OK. |
| CREATE FOLDER | Enter a five-character folder name to create a new folder in which to store subsequent pictures. The new folder will be created with the next picture you take and subsequent pictures will be stored in that folder. |
COPYRIGHT INFO
Copyright information, in the form of Exif tags, can be added to new images as they are taken. Changes to copyright information are reflected only in images taken after the changes are made.
| Option | Description |
| DISP COPYRIGHT INFO | View the current copyright information. |
| ENTER AUTHOR'S INFO | Enter the creator's name. |
| ENTER COPYRIGHT INFO | Enter the name of the copyright holder. |
| DELETE COPYRIGHT INFO | Delete the current copyright information. This change applies only to images taken after this option is selected; copyright information recorded with existing images is not affected. |
CONNECTION SETTING
Adjust settings for connection to other devices.
To access connection settings, press MENU/OK, select the (SET UP) tab, and choose CONNECTION SETTING.


For more information on wireless connections, visit: http://fujifilm-dsc.com/wifi/
Bluetooth SETTINGS
Adjust Bluetooth settings.
| Option | Description |
| PAIRING REGISTRATION | Pair the camera with a smartphone running the FUJIFILM Camera Remote app. |
| SELECT PAIRING DESTINATION | Choose a connection from a list of devices with which the camera has been paired using PAIRING REGISTRATION. Select NO CONNECTION to exit without connecting. |
| DELETE PAIRING REG. | Delete pairing information for selected devices. Choose the device in the device list. The selected device will also be removed from the devices listed in SELECT PAIRING DESTINATION. |
| Bluetooth ON/OFF | ON: The camera automatically establishes a Bluetooth connection with paired devices when turned on. OFF: The camera does not connect via Bluetooth. |
| AUTO IMAGE TRANSFER | ON: Mark photos for upload as they are taken. Mark JPEG photos for upload as they are taken. OFF: Photos are not marked for upload as they are taken. |
| SMARTPHONE SYNC. SETTING | Choose whether to synchronize the camera to the time and/or location provided by a paired smartphone. LOCATION&TIME: Synchronize the time and location. LOCATION: Synchronize the location. TIME: Synchronize the time. OFF: Synchronization off. |

- Install the latest version of the FUJIFILM Camera Remote app on your smartphone or tablet before pairing the device with your camera or uploading images.
- When ON is selected for both Bluetooth ON/OFF and AUTO IMAGE TRANSFER or images are currently selected for upload using the IMAGE TRANSFER ORDER option in the (playback) menu, upload to paired devices will begin shortly after you exit to playback or turn the camera off. IMAGE TRANSFER ORDER can also be used to select pictures for upload when AUTO IMAGE TRANSFER is off.
PC AUTO SAVE
Adjust settings for connection to computers via wireless LAN.
| Option | Description |
| PC AUTO SAVE SETTING | Choose the method used for connection to computers via a wireless LAN. • SIMPLE SETUP: Connect using WPS. • MANUAL SETUP: Choose the network from a list (SELECT FROM NETWORK LIST) or enter the name manually (ENTER SSID). |
| DELETE REGISTERED DESTINATION PC | Remove selected destinations. |
| DETAILS OF PREVIOUS CONNECTION | View computers to which the camera has recently connected. |

These settings also apply when pictures are downloaded to a computer using "FUJIFILM PC AutoSave" software.
instax PRINTER CONNECTION SETTING
Adjust settings for connection to optional Fujilm instax SHARE printers.
The Printer Name (SSID) and Password
The printer name (SSID) can be found on the bottom of the printer; the default password is "1111". If you have already chosen a different password to print from a smartphone, enter that password instead.

CONNECTION MODE
Adjust settings for connection to external devices.
| Option | Description |
| USB CARD READER | Connecting the camera to a computer via USB automatically enables data transfer mode, allowing data to be copied to the computer. The camera functions normally when not connected. |
| X WEBCAM | The camera can be used as a webcam when connected to a computer running FUJIFILM X Webcam. |
| USB RAW CONV./BACKUP RESTORE | Connecting the camera to a computer via USB automatically enables USB RAW conversion/backup restore mode. The camera functions normally when not connected. • USB RAW CONV. (requires FUJIFILM X RAW STUDIO): Use the camera's image processing engine to rapidly convert RAW files to high-quality JPEG images. • BACKUP RESTORE (requires FUJIFILM X Acquire): Save and load camera settings. Reconfigure the camera in an instant or share settings with other cameras of the same type. |

For information on compatible computer software, see "Software for Use with Your Camera" (国294).
USB POWER SUPPLY SETTING
Choose whether power is supplied to the camera when it is connected to a computer or other device via a USB cable.
| Option | Description |
| ON | The camera draws power from the connected device, reducing the drain on the camera battery. |
| OFF | The camera does not draw power from the connected device. |

The camera cannot draw power from Lightning connections or from devices that do not supply power. Select OFF before connecting the camera to such devices. The connection may not be available for data transfer or the like when ON is selected.

Regardless of the option selected, the battery will charge while the camera is off.
GENERAL SETTINGS
Adjust settings for connection to wireless networks.
| Option | Description |
| NAME | Choose a name (NAME) to identify the camera on the wireless network (the camera is assigned a unique name by default). |
| RESIZE IMAGE FOR SMARTPHONE 3D | Choose whether to resize images for upload to smartphones. Resizing applies only to the copy uploaded to the smartphone; the original is not affected. • ON: Larger images are resized to 3D for upload. • OFF: Images are uploaded at their original size. |
| GEOTAGGING | Choose whether location data downloaded from a smartphone are embedded in pictures as they are taken. |
| LOCATION INFO | Display the location data last downloaded from a smartphone. |
| © BUTTON SETTING | Choose the role played by the ISO button during playback. • PAIRING/TRANSFER ORDER: The ISO button can be used for pairing and selecting images for transfer during play-back. • WIRELESS COMMUNICATION: The ISO button can be used during playback to establish wireless connections. |
INFORMATION
View the camera's MAC and Bluetooth address.
RESET WIRELESS SETTING
Restore wireless settings to their default values.
MEMO
Shortcuts
Shortcut Options
Customize camera controls to suit your style or situation.
Frequently-used options can be added to "my menu" or the Q menu or assigned to the function buttons, the function dial, or touch function button flick gestures for direct access:
| Shortcut Option | Description | |
| "My menu" | Add frequently-used options to this custom menu, which can be viewed by pressing MENU/OK and se- lecting the My ("MY MENU") tab. | 243 |
| The Quick Menu | The Q menu is displayed by pressing the Q button. Use the Q menu to view or change the options se- lected for frequently-used menu items. | 245 |
| The function button | Use the function (Fn, Ⓒ, ISO, Q, AEL, and AFON) but- ton for direct access to selected features. | 251 |
| The function dial | Rotate the Fn (function) dial for direct access to se- lected features. | 254 |
| Touch-function gestures | Use touch function button flick gestures (T-Fn1, T-Fn2, T-Fn3, and T-Fn4) for direct access to selected features. | 255 |
MY MENU
Access a personalized menu of frequently-used options.
To display "my menu", press MENU/OK in the shooting display and select the (MY MENU) tab.


The My tab is only available if options have been assigned to MyMY MENU.
MY MENU SETTING
To choose the items listed in the MY (MY MENU) tab:
1 In the setup menu, select USER SETTING > MY MENU SETTING or MY MENU SETTING.

To reorder items, select RANK ITEMS. To delete items, select REMOVE ITEMS.

2 Press the focus stick (focus lever) up or down to highlight ADD ITEMS and press MENU/OK. Options that can be added to "my menu" are highlighted in blue.


Items currently in "my menu" are indicated by check marks.
3 Choose a position for the item and press MENU/OK. The item will be added to "my menu".

4 Press MENU/OK to return to the edit display.
5 Repeat Steps 3 and 4 until all the desired items have been added.

"My menu" can contain up to 16 items.
The Quick Menu
Use the quick menu for quick access to selected options. To view the quick menu, press the Q button.
The Quick Menu Display
The quick menu offers different options in photo and movie modes. At default settings, it contains the following items:
Still photography

Default
| ① SHOOTING MODE | ⑦ IMAGE QUALITY |
| ② FOCUS MODE | ⑧ FILM SIMULATION |
| ③ AF MODE | ⑨ SELF-TIMER |
| ④ DYNAMIC RANGE | ⑩ FACE/EYE DETECTION SETTING |
| ⑤ HIGH ISO NR | ⑪ FLASH FUNCTION SETTING |
| ⑥ IMAGE SIZE | ⑫ EVF/LCD BRIGHTNESS |
The quick menu shows the options currently selected for items ②-⑫ , which can be changed.

Default
| ① SHOOTING MODE | ⑤ FILM SIMULATION |
| ② SHUTTER SPEED | ⑥ ISO |
| ③ MOVIE MODE RESOLUTION/ASPECT RATIO | ⑦ MOVIE MODE FRAME RATE |
| ④ WHITE BALANCE | ⑧ WHITE BALANCE COLOR TEMP.(WHEN SELECTED) |
The quick menu shows the options currently selected for items ②-⑧ , which can be changed.
Viewing and Changing Settings
1 Press Q to display the quick menu during shooting.

2 Use the focus stick (focus lever) to highlight items and rotate the rear command dial to change.



When DISABLE is selected for IMAGE QUALITY SETTING > EDIT/SAVE CUSTOM SETTING > AUTO UPDATE SETTING in modes C1 through C4, settings altered from saved values are indicated by red icons.
3 Press Q to exit when settings are complete.

- The quick menu can also be edited using touch controls.
- Using 2 BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING, you can assign the Q button roles normally reserved for the function buttons or assign the Q button's default role to a function button (图251).
- To disable the Q (quick menu) button, select NONE for BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING > Q BUTTON SETTING.
Editing the Quick Menu
To choose the items displayed in the quick menu:
1 Press and hold the Q button during shooting.


Whether the camera displays the photo or movie quick menu depends on the position of the mode dial.
2 The current quick menu will be displayed; use the focus stick (focus lever) to highlight the item you wish to change and press MENU/OK.
3 Highlight the item you wish to change and press MENU/OK. The following can be assigned to the quick menu.

The quick menus can also be edited using BUTTON/DIAL SETTING > EDIT/SAVE QUICK MENU or EDIT/SAVE QUICK MENU.
Available Items (Still Photography)
Choose from:
- IMAGE SIZE
- IMAGE QUALITY
FILMSimulation - GRAIN EFFECT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
DYNAMIC RANGE
D RANGE PRIORITY
WHITE BALANCE - WHITE BALANCE COLOR TEMP. (WHEN)
K SELECTED)
HIGHLIGHT TONE
- SHADOW TONE
COLOR
SHARPNESS
- CLARITY
- HIGH ISO NR
FOCUS MODE
- AF MODE
- AF-C CUSTOM SETTINGS
- FACE/EYE DETECTION SETTING
MF ASSIST
- TOUCH SCREEN MODE
SELF-TIMER
PHOTOMETRY - SHUTTERTYPE
FLICKER REDUCTION
ISO - FLASH FUNCTION SETTING
FLASH COMPENSATION
MOVIE MODE RESOLUTION/ASPECT RATIO
MOVIE MODE FRAME RATE
MOVIE MODE BIT RATE
FULL HD HIGH SPEED REC
IS MODE
IS MODE BOOST - INTERNAL/EXTERNAL MIC LEVEL ADJUSTMENT
- SOUND & FLASH
- EVF/LCD BRIGHTNESS
- EVF/LCD COLOR
NONE

To disable the function button, choose NONE.
Available Items (Movies)
FILMSIMULATION
DYNAMIC RANGE
WHITE BALANCE
- WHITE BALANCE COLOR TEMP. (WHEN K SELECTED)
HIGHLIGHT TONE
- SHADOW TONE
COLOR
SHARPNESS
HIGH ISO NR
- FACE/EYE DETECTION SETTING
MF ASSIST
- TOUCH SCREEN MODE
PHOTOMETRY
ISO
MOVIE MODE RESOLUTION/ ASPECT RATIO
MOVIE MODE FRAME RATE
MOVIE MODE BIT RATE
FULL HD HIGH SPEED REC
FOCUS MODE
MOVIE AF MODE
- FIX MOVIE CROP MAGNIFICATION CROP_1.29x
IS MODE
IS MODE BOOST
- SHUTTERTPEED
- APERTURE (MOVIE OPTIMIZED CONTROL)
- INTERNAL/EXTERNAL MIC LEVEL ADJUSTMENT
- SOUND & FLASH
- EVF/LCD BRIGHTNESS
- EVF/LCD COLOR
- NONE

To disable the function button, choose NONE.
Function Controls
Each of the function (Fn, , ISO, Q, AEL, and AFON) buttons, the Fn (function) dial, and touch-function (T-Fn1, T-Fn2, T-Fn3, and T-Fn4) buttons flick gestures can be assigned its own role.
The Function Buttons
Assign roles to the function (Fn, , ISO, Q, AEL, and AFON) buttons for quick access.
Function Button Defaults
The default assignments are:

| Function buttons | Default | |
| ① | Fn button | WHITE BALANCE |
| ② | ISO button | ISO |
| ③ | © (movie recording) button | MOVIE RECORDING RELEASE |
| ④ | Q (quick menu) button | QUICK MENU |
| ⑤ | AFON button | AF-ON |
| ⑥ | AEL (exposure lock) button | AE LOCK ONLY |
Assigning Roles to the Function Buttons
The roles played by the function buttons can be selected using the 2 BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING option in the setup menu.
- IMAGE SIZE
- IMAGE QUALITY
- RAW
FILMSimulation - GRAIN EFFECT
- COLOR CHROME EFFECT
COLOR CHROME FX BLUE
DYNAMIC RANGE
D RANGE PRIORITY
WHITE BALANCE - CLARITY
FOCUS AREA
FOCUS CHECK
FOCUS MODE
AF MODE - AF-C CUSTOM SETTINGS
- FACE DETECTION ON/OFF
AF RANGE LIMITER
FOCUS CHECK LOCK - SPORTS FINDER MODE
PRE-SHOTES
SELF-TIMER - AE BKT SETTING
FOCUS BKT SETTING
PHOTOMETRY - SHUTTERTYPE
FLICKER REDUCTION
ISO -
IS MODE
WIRELESS COMMUNICATION
FLASH COMPENSATION -
FLASH FUNCTION SETTING
- TTL-LOCK
- MODELING FLASH
MOVIE RECORDING RELEASE
FULL HD HIGH SPEED REC - FIX MOVIE CROP MAGNIFICATION CROP_1.29x
IS MODE BOOST
ZEBRA SETTING - INTERNAL/EXTERNAL MIC LEVEL ADJUSTMENT
MOVIE OPTIMIZED CONTROL
VIEW MODE SETTING - PREVIEW DEPTH OF FIELD
- PREVIEW EXP./WB IN MANUAL MODE
- NATURAL LIVE VIEW
HISTOGRAM
ELECTRONIC LEVEL
LARGE INDICATORS MODE - F-Log VIEW ASSIST
AE LOCK ONLY - AF LOCK ONLY
AE/AF LOCK - AF-ON
AWB LOCK ONLY
PERFORMANCE - AUTO IMAGE TRANSFER
- SELECT PAIRING DESTINATION
- Bluetooth ON/OFF
- QUICK MENU
- PLAYBACK
- NONE

To disable the function button, choose NONE.
AF-ON
Controls to which AF-ON is assigned can be used for autofocus.
MODELING FLASH
If MODELING FLASH is selected when a compatible shoe-mounted flash unit is attached, you can press the control to test-fire the flash and check for shadows and the like (modeling flash).
TTL-LOCK
If TTL-LOCK is selected, you can press the control to lock flash output according to the option selected for FLASH SETTING > TTL-LOCK MODE (149).
The Function Dial
Rotate the Fn(function) dial for direct access to selected features.

The role played by the function dial can be selected using BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING.
EXPO.COMP.
- IMAGE SIZE
- IMAGE QUALITY
FILMSimulation
- GRAIN EFFECT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
DYNAMIC RANGE
- D RANGE PRIORITY
WHITE BALANCE
- CLARITY
FOCUS MODE
- AF MODE
- AF-C CUSTOM SETTINGS
- FACE DETECTION ON/OFF
AF RANGE LIMITER
- SPORTS FINDER MODE
PRE-SHOTES
SELF-TIMER
PHOTOMETRY
- SHUTTERTYPE
FLICKER REDUCTION
ISO
- IS MODE
FLASH COMPENSATION
- FLASH FUNCTION SETTING
FULL HD HIGH SPEED REC
- FIX MOVIE CROP MAGNIFICATION 1.29x
IS MODE BOOST
ZEBRA SETTING
- INTERNAL/EXTERNAL MIC LEVEL ADJUSTMENT
MOVIE OPTIMIZED CONTROL
- DEFAULT
- DEFAULT (E2 WHEN SET TO M)
NONE

- To disable the function dial, select NONE.
- If DEFAULT is selected, the role played by the function dial will be tailored to the mode currently chosen with the mode dial (图7).
- If DEFAULT (☑ WHEN SET TO M) is selected, the control will be assigned EXPO. COMP. instead of FILM SIMULATION in mode M (manual).
Touch-Function Gestures
Assign roles to touch-function gestures (T-Fn1, T-Fn2, T-Fn3, or T-Fn4) for quick access to selected features.

Touch-function gestures are disabled by default. To enable touch-function gestures, select ON for BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > FRET TOUCH FUNCTION.
Touch-Function Gesture Defaults
The default assignments for the different gestures are:





| Touch-Function Gestures | Default |
| ① T-Fn1 (flick up) | HISTOGRAM |
| ② T-Fn2 (flick left) | SPORTS FINDER MODE |
| ③ T-Fn3 (flick right) | LARGE INDICATORS MODE |
| ④ T-Fn4 (flick down) | ELECTRONIC LEVEL |
Assigning Roles to Touch-Function Gestures
The roles played by touch-function gestures can be selected using the BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING option in the setup menu.
- IMAGE SIZE
- IMAGE QUALITY
- RAW
FILMSimulation - GRAIN EFFECT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
DYNAMIC RANGE
D RANGE PRIORITY
WHITE BALANCE - CLARITY
FOCUS AREA
FOCUS CHECK
FOCUS MODE - AF MODE
- AF-C CUSTOM SETTINGS
- FACE DETECTION ON/OFF
AF RANGE LIMITER
FOCUS CHECK LOCK - SPORTS FINDER MODE
- PRE-SHOT ES
SELF-TIMER - AE BKT SETTING
FOCUS BKT SETTING
PHOTOMETRY -
SHUTTERTYPE
FLICKER REDUCTION
ISO -
IS MODE
WIRELESS COMMUNICATION
FLASH COMPENSATION - FLASH FUNCTION SETTING
- TTL-LOCK
- MODELING FLASH
FULL HD HIGH SPEED REC - FIX MOVIE CROP MAGNIFICATION 1.29x
IS MODE BOOST
ZEBRA SETTING - INTERNAL/EXTERNAL MIC LEVEL ADJUSTMENT
MOVIE OPTIMIZED CONTROL
VIEW MODE SETTING - PREVIEW DEPTH OF FIELD
- PREVIEW EXP./WB IN MANUAL MODE
- NATURAL LIVE VIEW
HISTOGRAM
ELECTRONIC LEVEL
LARGE INDICATORS MODE - F-Log VIEW ASSIST
PERFORMANCE - AUTO IMAGE TRANSFER
- SELECT PAIRING DESTINATION
Bluetooth ON/OFF - QUICK MENU
- PLAYBACK
NONE

To disable touch-function gestures, choose NONE.
Peripherals and Optional Accessories
Lenses
The camera can be used with lenses for the FUJIFILM X-mount.
Lens Parts



(1) Lens hood
② Mounting marks
(3) Focus ring
④ Zoom ring
⑤ Aperture ring
(6) O.I.S. switch
⑦ Aperture mode switch
Lens signal contacts
⑨ Front lens cap
10 Rear lens cap

A XF18-55mmF2.8-4 R LM OIS lens is used here for illustrative purposes.
Removing Lens Caps
Remove lens caps as shown.


Lens caps may differ from those shown.
Attaching Lens Hoods
When attached, lens hoods reduce glare and protect the front lens element.


Lenses with Aperture Rings
At settings other than A, you can adjust aperture by rotating the lens aperture ring (exposure modes A and M).

Aperture ring

- Selecting ON for MOVIE OPTIMIZED CONTROL disables the aperture ring.
- When the aperture ring is set to A, rotate the command dials to adjust aperture.
The Aperture Mode Switch
If the lens has an aperture mode switch, aperture can be adjusted manually by sliding the switch to and rotating the aperture ring.

Lenses with O.I.S. Switches
If the lens supports optical image stabilization (O.I.S.), the image stabilization mode can be chosen in the camera menus. To activate image stabilization, slide the O.I.S. switch to ON.

Manual Focus Lenses
Slide the focus ring to the front for autofocus.

For manual focus, slide the focus ring to the back and rotate it while checking the results in the camera display. The focus distance and depth-of-field indicators can be used to assist manual focus.

Note that manual focus may not be available in all shooting modes.
The Depth-of-Field Indicator
The depth-of-field indicator shows the approximate depth of field (the distance in front of and behind the focus point that appears to be in focus). The indicator is displayed in film format.

Lens Care
- Use a blower to remove dust, then gently wipe with a soft, dry cloth. Any remaining stains can be removed by wiping gently with a piece of Fujifilm lens-cleaning paper to which a small amount of lens-cleaning fluid has been applied.
- Replace the front and rear caps when the lens is not in use.
External Flash Units
Use optional external flash units for flash photography. Some units support high-speed sync (FP) and can be used at shutter speeds faster than the flash sync speed, while others can function as commanders controlling remote units via optical wireless flash control.

You may be unable to test-fire the flash in some circumstances, for example when camera menus are displayed.
Red-Eye Removal
Red-eye removal is available when an option other than OFF is selected for FLASH SETTING > RED EYE REMOVAL and AF/MF SETTING > FACE/EYE DETECTION SETTING is FACE DETECTION ON. Red-eye removal minimizes "red-eye" caused when light from the flash is reflected from the subject's retinas.
-Flash Sync Speed
The flash will synchronize with the shutter at shutter speeds of 14 s or slower.
-Optional Flash Units from Fujifilm
The camera can be used with optional Fujifilm shoe-mounted flash units.
Third-Party Flash Units
Do not use third-party flash units that apply over 300V to the camera hot shoe.
Using an External Flash
1 Connect the unit to the camera.
2 In shooting mode, select FLASH FUNCTION SETTING in the (FLASH SETTING) menu tab. The options available vary with the flash unit.

| Menu | Description | 图 |
| Built-In Flash | Displayed when the built-in flash is raised. | 101 |
| SYNC TERMINAL | Sync terminal options will be displayed if the built-in flash is lowered and either no flash unit, or an incompatible flash unit, is mounted on the hot shoe. | 266 |
| SHOE MOUNT FLASH | Displayed when an optional flash unit other than the EF-X8 is mounted on the hot shoe and turned on. | 267 |
| COMMANDER (OPTICAL) | Displayed if an optional flash unit functioning as a commander for Fujifilm optical wireless remote flash control is connected and turned on. | 270 |
3 Highlight items using the focus stick (focus lever) and rotate the rear command dial to change the highlighted setting.

4 Press DISP/BACK to put the changes into effect.
SYNC TERMINAL
SYNC TERMINAL is displayed if the built-in flash is lowered and either no flash unit, or an incompatible flash unit, is mounted on the hot shoe.

| Setting | Description |
| ① Flash control mode | Choose from the following options: · M: A trigger signal is transmitted via the hot shoe X contacts when a picture is taken. Choose a shutter speed slower than the sync speed; even slower speeds may be required if the unit uses long flashes or has a slow response time. · ④OFF (OFF): The trigger signal is disabled. |
| ② Sync | Choose whether the flash is timed to fire immediately after the shutter opens (FRONT/1ST CURTAIN) or immediately before it closes (AR/2ND CURTAIN). 1ST CURTAIN is recommended in most circumstances. |
SHOE MOUNT FLASH
The following options are available when an optional shoe-mounted flash unit is attached and turned on.

| Setting | Description |
| ① Flash control mode | The flash control mode selected with the flash unit. This can in some cases be adjusted from the camera; the options available vary with the flash. • TTL: TTL mode. Adjust flash compensation (②). • M: The flash fires at the selected output regardless of subject brightness or camera settings. Output in some cases can be adjusted from the camera (②). • MULTI: Repeating flash. Compatible shoe-mounted flash units will fire multiple times with each shot. • ③OFF (OFF): The flash does not fire. Some flash units can be turned off from the camera. |
| ② Flash compensation/output | The options available vary with flash control mode. • TTL: Adjust flash compensation (the full value may not be applied if the limits of the flash control system are exceeded). In the cases of the EF-X20, EF-20, and EF-42, the selected value is added to the value selected with the flash unit. • M/MULTI: Adjust flash output (compatible units only). Choose from values expressed as fractions of full power, from 1/1 (mode M) or 1/4 (MULTI) down to 1/s12 in increments equivalent to 1/2 EV. The desired results may not be achieved at low values if they exceed the limits of the flash control system; take a test shot and check the results. |
| ③ Flash mode (TTL) | Choose a flash mode for TTL flash control. The options available vary with the shooting mode (P, S, A, or M) selected. • AUTO (FLASH AUTO): The flash fires only as required; flash level is adjusted according to subject brightness. A icon displayed when the shutter button is pressed halfway indicates that the flash will fire when the photo is taken. • TTL (STANDARD): The flash fires with every shot if possible; flash level is adjusted according to subject brightness. The flash will not fire if not fully charged when the shutter is released. • AUTO (SLOW SYNC.: Combine the flash with slow shutter speeds when photographing portrait subjects against a backdrop of night scenery. The flash will not fire if not fully charged when the shutter is released. |
| ④ Sync | Control flash timing. • FRONT (1ST CURTAIN): The flash fires immediately after the shutter opens (generally the best choice). • REAR (2ND CURTAIN): The flash fires immediately before the shutter closes. • (AUTO FP(HSS)): High-speed sync (compatible units only). The camera automatically engages front-curtain high-speed sync at shutter speeds faster than the flash sync speed. Equivalent to 1ST CURTAIN when MULTI is selected for flash control mode. |
| ⑤ Zoom | The angle of illumination (flash coverage) for units that support flash zoom. Some units allow the adjustment to be made from the camera. If AUTO is selected, zoom will automatically be adjusted to match coverage to lens focal length. |
| ⑥ Lighting | If the unit supports this feature, choose from: • (FLASH POWER PRIORITY): Gain range by slightly reducing coverage. • (STANDARD): Match coverage to picture angle. • (EVEN COVERAGE PRIORITY): Slightly increase coverage for more even lighting. |
| ⑦ LED light | Choose how the built-in LED light functions during still photography (compatible units only): as a catchlight (√/CATCHLIGHT), as an AF-assist illuminator (AF/AF ASSIST), or as both a catch-light and an AF-assist illuminator (AF/AF ASSIST+CATCHLIGHT). Choose OFF to disable the LED during photography. |
| ⑦ Number of flashes* | Choose the number of times the flash fires each time the shutter is released in MULTI mode. |
| ⑧ Frequency* | Choose the frequency at which the flash fires in MULTI mode. * Full value may not be applied if limits of flash control system are exceeded. |
COMMANDER(OPTICAL)
The options will be displayed if the unit is currently functioning as a commander for Fujifilm optical wireless remote flash control.

Fujifilm optical wireless remote flash control offers a choice of four channels (Channels 1 through 4) for the exchange of optical signals between the commander and remote flash units. Separate channels can be used for different flash systems or to prevent interference when multiple systems are operating in close proximity.
The flash units can also be placed in up to three groups (A, B, and C) and flash mode and flash level adjusted separately for each group.

| Setting | Description |
| ① Flash control mode (group A) | Choose flash control modes for groups A, B, and C. TTL% is available for groups A and B only. • TTL: The units in the group fire in TTL mode. Flash compensation can be adjusted separately for each group. • TTL%: If TTL% is selected for either group A or B, you can specify the output of the selected group as a percentage of the other and adjust overall flash compensation for both groups. • M: In mode M, the units in the group fire at the selected output (expressed as a fraction of full power) regardless of subject brightness or camera settings. • MULTI: Choosing MULTI for any group sets all the units in all groups to repeating flash mode. All units will fire multiple times with each shot. • ⑤OFF (OFF): If OFF is selected, the units in the group will not fire. |
| ② Flash control mode (group B) | |
| ③ Flash control mode (group C) | |
| ④ Flash compensation/ output (group A) | Adjust flash level for the selected group according to option selected for flash control mode. Note that the full value may not be applied if the limits of the flash control system are exceeded. • TTL: Adjust flash compensation. • M/MULTI: Adjust flash output. • TTL%: Choose the balance between groups A and B and adjust overall flash compensation. |
| ⑤ Flash compensation/ output (group B) | |
| ⑥ Flash compensation/ output (group C) | |
| ⑦ Flash mode (TTL) | Choose a flash mode for TTL flash control. The options available vary with the shooting mode (P, S, A, or M) selected. • AUTO (FLASH AUTO): The flash fires only as required; flash level is adjusted according to subject brightness. A icon displayed when the shutter button is pressed halfway indicates that the flash will fire when the photo is taken. • FTL (STANDARD): The flash fires with every shot if possible; flash level is adjusted according to subject brightness. The flash will not fire if not fully charged when the shutter is released. • AUTO (SLOW SYNC): Combine the flash with slow shutter speeds when photographing portrait subjects against a backdrop of night scenery. The flash will not fire if not fully charged when the shutter is released. |
| ⑧ Sync | Control flash timing. • FRONT (1ST CURTAIN): The flash fires immediately after the shutter opens (generally the best choice). • REAR (2ND CURTAIN): The flash fires immediately before the shutter closes. • AUTO FP(HSS): High-speed sync (compatible units only). The camera automatically engages front-curtain high-speed sync at shutter speeds faster than the flash sync speed. Equivalent to 1ST CURTAIN when MULTI is selected for flash control mode. |
| ⑨ Zoom | The angle of illumination (flash coverage) for units that support flash zoom. Some units allow the adjustment to be made from the camera. If AUTO is selected, zoom will automatically be adjusted to match coverage to lens focal length. |
| ⑩ Lighting | If the unit supports this feature, choose from: • FLASH POWER PRIORITY: Gain range by slightly reducing coverage. • (STANDARD): Match coverage to picture angle. • EVEN COVERAGE PRIORITY: Slightly increase coverage for more even lighting. |
| 11Commander | Choose the group for units functioning as a commander for Fujim optical wireless remote flash control in TTL, TTL%, or M mode. This option is available only with clip-on flash units that support Fujim optical wireless remote flash control. • Gr A: Assign the commander to group A. • Gr B: Assign the commander to group B. • Gr C: Assign the commander to group C. • OFF: Output from the commander is held to a level that does not affect the final picture. |
| 11Number of flashes | Choose the number of times the flash fires each time the shutter is released in MULTI mode. |
| 12Channel | Choose the channel used by the commander for communication with the remote flash units. Separate channels can be used for different flash systems or to prevent interference when multiple systems are operating in close proximity. |
| 12Frequency | Choose the frequency at which the flash fires in MULTI mode. |
MEMO
Connections
HDMI Output
Camera shooting and playback displays can be output to HDMI devices.
Connecting to HDMI Devices
Connect the camera to TVs or other HDMI devices using a third-party HDMI cable.
1 Turn the camera off.
2 Connect the cable as shown below.

3 Configure the device for HDMI input as described in the documentation supplied with the device.
4 Turn the camera on. The contents of the camera display will be shown on the HDMI device. The camera display turns off in playback mode (图277).
Making sure the connectors are fully inserted.
- Use an HDMI cable no more than 1.5m (4.9 ft.) long.
Shooting
Shoot photos and record movies while viewing the scene through the camera lens on or saving footage to the HDMI device.

This feature can be used to save 4K and Full HD movies to an HDMI recorder.
Playback
To start playback, press the camera button. The camera monitor turns off and pictures and movies are output to the HDMI device. Note that the camera volume controls have no effect on sounds played on the TV; use the television volume controls to adjust the volume.

Some televisions may briefly display a black screen when movie playback begins.
Wireless Connections (Bluetooth®, Wireless LAN/Wi-Fi)
Access wireless networks and connect to computers, smartphones, or tablets. For more information, visit: http://fujifilm-dsc.com/wifi/

In the text that follows, the term "smartphone" is used to refer to both smartphones and tablets.
Smartphones and Tablets: FUJIFILM Camera Remote
Connect to the camera via Bluetooth or wireless LAN.

To establish a wireless connection to the camera, you will need to install the latest version of the FUJIFILM Camera Remote app on your smartphone or tablet.
-FUJIFILM Camera Remote
Once a connection has been established, you can use FUJIFILM Camera Remote to:
Control the camera and take pictures remotely
- Receive pictures uploaded from the camera
- Browse the pictures on the camera and download selected pictures
- Upload location data to the camera
- Release the camera shutter
- Update camera firmware
For downloads and other information, visit: http://app.fujifilm-dsc.com/en/camera_remote/
SmartPhones and Tablets: Bluetooth® Pairing
Use CONNECTION SETTING > Bluetooth SETTINGS > PAIRING REGISTRATION to pair the camera with smartphones or tablets. Pairing offers a simple method for downloading photos from the camera.


- Photos are downloaded via a wireless connection.
- Once pairing is complete, you will be able to synchronize the camera clock and location data with the smartphone or tablet (234).
- You can choose a connection from up to 7 paired smartphones or tablets.
Smartphones and Tablets: Wireless LAN
Establish wireless LAN connections to smartphones or tablets using WIRELESS COMMUNICATION in the ④ SHOOTING SETTING, ② MOVIE SETTING, or ② PLAY BACK MENU.

Copying Pictures to a Computer: PC AutoSave
Install the latest version of FUJIFILM PC Autosave to your computer to upload pictures from the camera over wireless networks (Wi-Fi).
-FUJIFILM PC AutoSave
For downloads and other information, visit: http://app.fujifilm-dsc.com/en/pc_autosave/
Computers: Wireless Connections
You can upload pictures from the camera using the PC AUTO SAVE option in the playback menu.





Connecting via USB
The camera can be connected to computers and smartphones via USB.
Connecting to Computers

Before downloading pictures or taking pictures remotely, connect the camera to a computer and check that it functions normally.
1 Turn the computer on.
2 Adjust settings according to whether you will be copying pictures to a computer (284), save RAW pictures in other formats (285), or Saving and Loading Camera Settings (285).
3 Turn the camera off.
4 Connect a USB cable.

USB connector (Type-C)

The USB cable must be no more than 1.5 m (4.9 ft.) long and be suitable for data transfer.
5 Turn the camera on.
6 Copy pictures to your computer.
- Image transfer: Use applications provided with your operating system.
- RAW conversion: Process RAW images using FUJIFILM X RAW STUDIO. The power of the camera's image processing engine is used for rapid processing.
- Saving and loading camera settings: Use FUJIFILM X Acquire to save or load camera settings. Save your preferred settings to a file in a single operation and copy them to multiple cameras.

- Turn the camera off before disconnecting the USB cable.
- When connecting USB cables, be sure the connectors are fully inserted in the correct orientation. Connect the camera directly to the computer; do not use a USB hub or keyboard.
- Loss of power during transfer could result in loss of data or damage to the memory card. Insert a fresh or fully-charged battery before connecting the camera.
- If a memory card containing a large number of images is inserted, there may be a delay before the software starts and you may be unable to import or save images. Use a memory card reader to transfer pictures.
- Make sure that the indicator lamp is off or lit green before disconnecting the camera.
- Do not disconnect the USB cable while transfer is in progress. Failure to observe this precaution could result in loss of data or damage to the memory card.
- Disconnect the camera before inserting or removing memory cards.
- In some cases, it may not be possible to access pictures saved to a network server using the software in the same way as on a standalone computer.
- Do not immediately remove the camera from the system or disconnect the USB cable once the message stating that copying is in progress clears from the computer display. If the number of images copied is very large, data transfer may continue after the message has ceased to be displayed.
- The user bears all applicable fees charged by the phone company or Internet service provider when using services that require an Internet connection.
Copying Pictures to a Computer
- Before copying pictures to a computer, select USB CARD READER for CONNECTION SETTING > CONNECTION MODE.
- The software that can be used to copy pictures varies with your computer operating system.

Mac OS X/macOS
Pictures can be copied to your computer using Image Capture (supplied with your computer) or other software.

Use a card reader to copy files over 4 GB in size.
Windows
Pictures can be copied to your computer using applications supplied with the operating system.
Converting RAW Images: FUJIFILM X RAW STUDIO
- Before proceeding, select USB RAW CONV./BACKUP RESTORE for CONNECTION SETTING > CONNECTION MODE in the camera menus.
- FUJIFILM X RAW STUDIO can be used to convert RAW images to JPEG or TIFF images.


For more information on FUJIFILM X RAW STUDIO, see "Software for Use with Your Camera" (294).
Backing up and Restoring Camera Settings (FUJIFILM X Acquire)
- Before proceeding, select USB RAW CONV./BACKUP RESTORE for CONNECTION SETTING > CONNECTION MODE in the camera menus.
- FUJIFILM X Acquire can be used to backup and restore camera settings.


For more information on FUJIFILM X Acquire, see "Software for Use with Your Camera" (294).
Connecting to Smartphones
To copy pictures to a smartphone, select OFF for CONNECTION SETTING > USB POWER SUPPLY SETTING and connect the camera to the phone using a USB cable.
For Customers Using Android Devices
How you will connect the camera depends on the type of USB connector with which your smartphone is equipped.
Type-C
Ready a cable equipped with connectors matching the USB (Type-C) connector on the camera.

Micro-B
Use a USB on-the-go (OTG) cable.


- The smartphone must support USB OTG.
- The desired results cannot be achieved with a USB Type-C-to-Mirco-B cable. Use an OTG cable.
1 Set the camera's CONNECTION SETTING > USB POWER SUPPLY SETTING to OFF.
2 Connect the camera and smartphone using a USB cable.

If the smartphone asks for permission for an application other than the "Camera Importer" to access the camera, tap "Cancel" and move on to the next step.
3 On your smartphone, tap the notification "Connected to USB PTP".
4 From the recommended applications, select "Camera Importer". The app will automatically start and allow you to import photos and movies to your smartphone.

If the message "There is no MTP device connected" appears on the app, please try again from step 2.
For Customers Using iOS
An Apple Lightning to USB Camera Adapter is required.

1 Set the camera's CONNECTION SETTING > USB POWER SUPPLY SETTING to OFF.
2 Connect the camera and smartphone using a USB cable. The "Photos" app will automatically start and allow you to import photos and movies to your smartphone.
The desired results cannot be achieved with a USB Type-C-to-Lightning cable. Use a camera adapter.
instax SHARE Printers
Print pictures from your digital camera to instax SHARE printers.
Establishing a Connection
Select CONNECTION SETTING > instax PRINTER CONNECTION SETTING and enter the instax SHARE printer name (SSID) and password.
The Printer Name (SSID) and Password
The printer name (SSID) can be found on the bottom of the printer; the default password is "1111". If you have already chosen a different password to print from a smartphone, enter that password instead.

Printing Pictures
1 Turn the printer on.
2 Select 1 PLAY BACK MENU > instant PRINTER PRINT. The camera will connect to the printer.

3 Use the focus stick (focus lever) to display the picture you want to print, then press MENU/OK.


- Pictures taken with other cameras cannot be printed.
- The area printed is smaller than the area visible in the LCD monitor.
- The displays may vary depending on the printer connected.
4 The picture will be sent to the printer and printing will start.
Technical Notes
Accessories from Fujifilm
The following optional accessories are available from Fujifilm. For the latest information on the accessories available in your region, check with your local Fujifilm representative or visit https://fujifilm-x.com/support/compatibility/c cameras/.
Rechargeable Li-ion batteries
NP-W126S: Additional high-capacity NP-W126S rechargeable batteries can be purchased as required.
Battery chargers
BC-W126S: Replacement battery chargers can be purchased as required. At +20^ / + 68^ , the BC-W126S charges an NP-W126S in about 150 minutes.
AC power adapters
AC-9V (requires CP-W126 DC coupler): Use this 100–240 V, 50/60 Hz AC power adapter for extended shooting and playback or when copying pictures to a computer.
DC couplers
CP-W126: For extended shooting or playback or when using the camera with a computer, use the CP-W126 to connect the camera to the AC-9V power adapter.
Remote releases
RR-100: Use to reduce camera shake or keep the shutter open during a time exposure. The RR-100 has a connector with a diameter of 2.5mm ; a third-party 2.5mm to 3.5mm adapter is required for connection to the camera.
Stereo microphones
MIC-ST1: An external microphone for movie recording.
FUJINON lenses
XF-/XC-series lenses: Interchangeable lenses for use exclusively with the FUJIFILM X-mount.
FUJINON MKX-series lenses: Cinema lenses for the FUJIFILM X-mount.
Macro extension tubes
MCEX-11/16: Attach between the camera and the lens to shoot at high reproduction ratios.
Teleconverters
XF1.4XC WR: Increases the focal length of the compatible lenses by about 1.4×
XF2X TC WR: Increases the focal length of the compatible lenses by about 2.0×
Mount adapters
FUJIFILM M MOUNT ADAPTER: Allows the camera to be used with a wide selection of M-mount lenses.
Body caps
BCP-001: Cover the camera lens mount when no lens is attached.
Shoe-mounted flash units
EF-X500: In addition to manual and TTL flash control, this clip-on flash unit has a Guide Number of 50/164 (ISO 100, m/ft.) and supports FP (high-speed sync), allowing it to be used at shutter speeds that exceed the flash sync speed. Featuring support for the optional EF-BP1 battery pack and Fujilm optical wireless flash control, it can be used as a commander or remote flash unit for remote wireless flash photography.
EF-BP1: A battery pack for EF-X500 flash units. Takes up to 8 AA batteries.
EF-60: In addition to manual and TTL flash control, this clip-on flash unit has a Guide Number of 60/197 (ISO 100, m/ft.) and supports FP (high-speed sync), allowing it to be used at shutter speeds that exceed the flash sync speed. It can also be used as remote flash under the control of an optional EF-W1 wireless commander.
EF-42: This clip-on flash unit has a Guide Number of 42/137 (ISO 100, m/ft.) and supports manual and TTL flash control.
EF-X20: This clip-on flash unit has a Guide Number of 20/65 (ISO 100, m/ft.) and supports manual and TTL flash control.
EF-20: This clip-on flash unit has a Guide Number of 20/65 (ISO 100, m/ft.) and supports TTL flash control (manual flash control is not supported).
EF-W1: With support for the NAS* wireless communication standard developed by Nissin Japan, this wireless flash commander can be used with optional EF-60 clip-on flash units and other NAS-compliant units.
- NAS is a registered trademark of Nissin Japan Ltd.
Grip belts
GB-001: Improves grip. Combine with a hand grip for more secure handling.
instax SHARE printers
SP-1/SP-2/SP-3: Connect via wireless LAN to print pictures on instax film.
Software for Use with Your Camera
The camera can be used with the following software. For the latest information on software available from Fujifilm, visit https://fujifilm-x.com/support/compatibility/camera/.
FUJIFILM Camera Remote
Establish a wireless connection between your camera and a smartphone or tablet (图278).
http://app.fujifilm-dsc.com/en/camera_remote/
FUJIFILM PC AutoSave
Download pictures from your camera over wireless networks (280).
http://app.fujifilm-dsc.com/en/pc_autosave/
RAW FILE CONVERTER EX powered by SILKYPIX
RAW FILE CONVERTER EX powered by SILKYPIX is RAW conversion software from Ichikawa Soft Laboratory Co., Ltd. View RAW pictures on your computer and convert them into other formats. RAW FILE CONVERTER EX powered by SILKYPIX is available free of charge from the Fujilm website.
https://fujifilm-x.com/support/download/software/raw-file-converter-ex-powered-by-silkypix/

"RAW FILE CONVERTER EX powered by SILKYPIX" is supplied by Ichikawa Soft Laboratory Co., Ltd.
Capture One Express Fujifilm
Capture One Express Fujifilm is image edit software from Capture One A/S. View RAW pictures on your computer and convert them into other formats. Capture One Express Fujifilm is available free of charge from Capture One.
https://wwwcaptureone.com/products-plans/capture-one-express/fujifilm
Capture One Pro Fujifilm
Capture One Pro Fujifilm is workflow software from Capture One A/S. Capture One Pro Fujifilm supports tethered shooting and the conversion of RAW pictures into other formats.
https://www.capTUREone.com/explore-features/fujifilm
FUJIFILM X Acquire
This application for Windows and macOS lets you connect to the camera via USB or Wi-Fi and automatically download photos to a specified folder as they are taken, or backup and restore the camera via USB.
https://fujifilm-x.com/products/software/x-acquire/

Auto download (tethered shooting) is not supported with some cameras.
When the camera is connected to a computer via USB, FUJIFILM X RAW STUDIO can use the camera's unique image processing engine to rapidly convert RAW files to create high-quality images in other formats.
https://fujifilm-x.com/products/software/x-raw-studio/
FUJIFILM X Webcam
Connect the camera to a computer via USB to turn it into a webcam.
https://fujifilm-x.com/products/software/x-webcam/
IMPORTANT SAFETY INSTRUCTIONS
- Read Instructions: All the safety and operating instructions should be read before the appliance is operated.
- Retain Instructions: The safety and operating instructions should be retained for future reference.
- Reed Warnings: All warnings on the appliance and in the operating instructions should be adhered to.
- Follow Instructions: All operating and use instructions should be followed.
Installation
Power Sources: This video product should be operated only from the type of power source indicated on the marking label. If you are not sure of the type of power supply to your home, consult your appliance dealer or local power company. For video products intended to operate from battery power, or other sources, refer to the operating instructions.
Grounding or Polarization: This video product is equipped with a polarized alternating-current line plug (a plug having one blade wider than the other). This plug will fit into the power outlet only one way. This is a safety feature. If you are unable to insert the plug fully into the outlet, try reversing the plug. If the plug should still fail to fit, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the polarized plug.
Alternate Warnings: This video product is equipped with a three-wire grounding-type plug, a plug having a third (grounding) pin. This plug will only fit into a grounding-type power outlet. This is a safety feature. If you are unable to insert the plug into the outlet, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the grounding type plug.
Overloading: Do not overload wall outlets and extension cords as this can result in a risk of fire or electric shock.
Ventilation: Slots and openings in the cabinet are provided for ventilation, to ensure reliable operation of the video product and to protect it from overheating, and these openings must not be blocked or covered. The openings should never be blocked by placing the video product on a bed, sofa, rug, or other similar surface.
This video product should not be placed in a built-in installation such as a bookcase or rack unless proper ventilation is provided or the manufacturer's instructions have been adhered to. This video product should never be placed near or over a radiator or heat register.
Attaches: Do not use attachments not recommended by the video product manufacturer as they may cause hazards.
Water and Moisture: Do not use this video product near water—for example, near a bath tub, wash bowl, kitchen sink, or laundry tub, in a wet basement, or near a swimming pool, and the like.
Power-Cord Protection: Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the appliance.
Accessories: Do not place this video product on an unstable cart, stand, tripod, bracket, or table. The video product may fall, causing serious injury to a child or adult, and serious damage to the appliance. Use only with a cart, stand, tripod, bracket, or table recommended by the manufacturer, or sold with the video product. Any mounting of the appliance should follow the manufacturer's instructions, and should use a mounting accessory recommended by the manufacturer.
An appliance and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the appliance and cart combination to overturn.

Antennas
Outdoor Antenna Grounding: If an outside antenna or cable system is connected to the video product, be sure the antenna or cable system is grounded so as to provide some protection against voltage surges and built-up static charges. Section 810 of the National Electrical Code, ANSI/NFPA No. 70, provides information with respect to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes, and requirements for the grounding electrode.
EXAMPLE OF ANTENNA GROUNDING AS PER NATIONAL ELECTRICAL CODE

Power Service Grounding Electrode System (NEC ART 250. PART H)
Conductors (NE)SECTION 810-21)
Power Lines: An outside antenna system should not be located in the vicinity of overhead power lines or other electric light or power circuits, or where it can fall into such power lines or circuits. When installing an outside antenna system, extreme care should be taken to keep from touching such power lines or circuits as contact with them might be fatal.
Use
Cleaning: Unplug this video product from the wall outlet before cleaning. Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for cleaning.
Object and Liquid Entry: Never push objects of any kind into this video product through openings as they may touch dangerous voltage points or short out parts that could result in a fire or electric shock. Never spill liquid of any kind on the video product.
Lightning: For added protection for this video product receiver during a lightning storm, or when it is left unattended and unused for long periods of time, unplug it from the wall outlet and disconnect the antenna or cable system. This will prevent damage to the video product due to lightning and power-line surges.
Service
Servicing: Do not attempt to service this video product yourself as opening or removing covers may expose you to dangerous voltage or other hazards. Refer all servicing to qualified service personnel.
Damage Requiring Service: Unplug this video product from the wall outlet and refer servicing to qualified service personnel under the following conditions:
- When the power-supply cord or plug is damaged
- If liquid has been spilled, or objects have fallen into the video product.
If the video product has been exposed to rain or water. - If the video product has been dropped or the cabinet has been damaged.
If the video product does not operate normally follow the operating instructions. Adjust only those controls that are covered by the operating instructions as an improper adjustment of other controls may result in damage and will often require extensive work by a qualified technician to restore the video product to its normal operation.
When the video product exhibits a distinct change in performance - this indicates a need for service.
Replacement Parts: When replacement parts are required, be sure the service technician has used replacement parts specified by the manufacturer or have the same characteristics as the original part. Unauthorized substitutions may result in fire, electric shock or other hazards.
Safety Check: Upon completion of any service or repairs to this video product, ask the service technician to perform safety checks to determine that the video product is in proper operating condition.
Be sure to read these notes before use
Safety Notes
- Make sure that you use your camera correctly. Read these safety notes and your Basic Manual carefully before use.
After reading these safety notes, store them in a safe place.
About the Icons
The icons shown below are used in this document to indicate the severity of the injury or damage that can result if the information indicated by the icon is ignored and the product is used incorrectly as a result.

WARNING
This icon indicates that death or serious injury can result if the information is ignored.

CAUTION
This icon indicates that personal injury or material damage can result if the information is ignored.
The icons shown below are used to indicate the nature of the instructions which are to be observed.

Triangular icons tell you that this information requires attention ("Important").

Circular icons with a diagonal bar tell you that the action indicated is prohibited ("Prohibited").

Filled circles with an exclamation mark indicate an action that must be performed ("Required").
The symbols on the product (including the accessories) represent the following:

AC

DC

Class II equipment (The construction of the product is double-insulated.)

WARNING

Unplug from power socket
If a problem arises, turn the camera off, remove the battery, disconnect the USB cable, and unplug the AC power adapter. Continued use of the camera when it is emitting smoke, is emitting any unusual odor, or is in any other abnormal state can cause a fire or electric shock. Contact your Fujifilm dealer.

Do not allow water or foreign objects to enter the camera or connecting cables. Do not use the camera or connecting cables following ingress of fresh or salt water, milk, beverages, detergents, or other liquids. Should liquid find its way into the camera or connecting cables, turn the camera off, remove the battery, disconnect the USB cable, and disconnect and unplug the AC adapter. Continued use of the camera can cause a fire or electric shock. Contact your Fujifilm dealer.
| WARNING | |
| Do not use in the bathroom or shower | Do not use the camera in the bathroom or shower. This can cause a fire or electric shock. |
| Never attempt to change or take apart the camera (never open the case). Failure to observe this precaution can cause fire or electric shock. | |
| Do not disassemble | Should the case break open as the result of a fall or other accident, do not touch the exposed parts. Failure to observe this precaution could result in electric shock or in injury from touching the damaged parts. Remove the battery immediately, taking care to avoid injury or electric shock, and take the product to the point of purchase for consultation. |
| Do not touch internal parts | |
| Do not change, heat or unduly twist or pull the connection cord and do not place heavy objects on the connection cord. These actions could damage the cord and cause a fire or electric shock. If the cord is damaged, contact your Fujifilm dealer. Do not use cables with bent connectors. | |
| Do not place the camera on an unstable surface. This can cause the camera to fall or tip over and cause injury. | |
| Never attempt to take pictures while in motion. Do not use the camera while walking or driving. This can result in you falling down or being involved in a traffic accident. | |
| Do not touch any metal parts of the camera during a thunderstorm. This can cause an electric shock due to induced current from the lightning discharge. | |
| Do not use the battery except as specified. Load the battery as shown by the indicator. | |
| Do not disassemble, modify, or heat batteries. Do not drop, strike, or throw batteries or otherwise subject them to strong impacts. Do not use batteries that show signs of leaking, deformation, discoloration, or other abnormalities. Use only designated chargers to recharge rechargeable batteries and do not attempt to recharge non-rechargeable Li-ion or alkaline batteries. Do not short batteries or store them with metallic objects. Failure to observe these precautions could result in the batteries overheating, igniting, rupturing, or leaking, causing fire, burns, or other injury. | |
| Use only batteries or AC power adapters specified for use with this camera. Do not use voltages other than the power supply voltage shown. The use of other power sources can cause a fire. | |
| If the battery leaks and fluid gets in contact with your eyes, skin or clothing, flush the affected area with clean water and seek medical attention or call an emergency number right away. | |
| WARNING | |
| Do not use the charger to charge batteries other than those specified here. The supplied charger is for use only with batteries of the type supplied with the camera. Using the charger to charge conventional batteries or other types of rechargeable batteries can cause the battery to leak, overheat or burst. | |
| Using a flash too close to a person's eyes may cause visual impairment. Take particular care when photographing infants and young children. | |
| Do not remain in prolonged contact with hot surfaces. Failure to observe this precaution could result in low-temperature burns, particularly at high ambient temperatures or with users who suffer from poor circulation or reduced sensation, in which case use of a tripod or similar precautions are recommended. | |
| Do not leave one part of the body in contact with the product for prolonged periods while the product is on. Failure to observe this precaution could result in low-temperature burns, particularly during prolonged use, at high ambient temperatures, or with users who suffer from poor circulation or reduced sensation, in which case use of a tripod or similar precautions are recommended. | |
| Do not use in the presence of flammable objects, explosive gases, or dust. | |
| When carrying the battery, install it in a digital camera or keep it in the hard case. When storing the battery, keep it in the hard case. When discarding, cover the battery terminals with insulation tape. Contact with other metallic objects or batteries could cause the battery to ignite or burst. | |
| Keep memory cards, hot shoes, and other small parts out of the reach of small children. Children may swallow small parts; keep out of reach of children. Should a child swallow a small part, seek medical attention or call emergency. | |
| Keep out of reach of small children. Among the elements that could cause injury are the strap, which could become entangled about a child's neck, causing strangulation, and the flash, which could cause visual impairment. | |
| Follow the directions of airline and hospital personnel. This product generates radio-frequency emissions that could interfere with navigational or medical equipment. | |
| CAUTION | |
| Do not use this camera in locations affected by oil fumes, steam, humidity or dust. This can cause a fire or electric shock. | |
| Do not leave this camera in places subject to extremely high temperatures. Do not leave the camera in locations such as a sealed vehicle or in direct sunlight. This can cause a fire. | |
| CAUTION | |
| Do not place heavy objects on the camera. This can cause the heavy object to tip over or fall and cause injury. | |
| Do not move the camera while the AC power adapter is still connected. Do not pull on the connection cord to dis- connect the AC power adapter. This can damage the power cord or cables and cause a fire or electric shock. | |
| Do not cover or wrap the camera or the AC power adapt- er in a cloth or blanket. This can cause heat to build up and distort the casing or cause a fire. | |
| Do not use the plug if it is damaged or if it does not fit securely into the outlet. Failure to observe this pre- caution could result in fire or electric shock. | |
| When you are cleaning the camera or you do not plan to use the camera for an extended period, remove the battery and disconnect and unplug the AC power adapter. Failure to do so can cause a fire or electric shock. |
| CAUTION | |
| When charging ends, unplug the charger from the power socket. Leaving the charger plugged into the power socket can cause a fire. | |
| When a memory card is removed, the card could come out of the slot too quickly. Use your finger to hold it and gently release the card. Injury could result to those struck by the ejected card. | |
| Request regular internal testing and cleaning for your camera. Build-up of dust in your camera can cause a fire or electric shock. Contact your Fujifilm dealer to request internal cleaning every two years. Please note that this service is not free of charge. | |
| Danger of explosion if battery is incorrectly replaced. Replace only with the same or equivalent type. | |
| Batteries (battery pack or batteries installed) shall not be exposed to excessive heat such as sunshine, fire or the like. |
The Battery and Power Supply
Note: Check the type of battery used in your camera and read the appropriate sections.
WARNING Battery shall not be exposed to excessive heat such as sunshine, fire or the like.
The following describes the proper use of batteries and how to prolong their life. Incorrect use can shorten battery life or cause leakage, overheating, fire, or explosion.
Li-ion Batteries
Read this section if your camera uses a rechargeable Li-ion battery.
The battery is not charged at shipment. Charge the battery before use. Keep the battery in its case when not in use.
Notes on the Battery
The battery gradually loses its charge when not in use. Charge the battery one or two days before use.
Battery life can be extended by turning the camera off when not in use.
Battery capacity decreases at low temperatures; a depleted battery may not function when cold. Keep a fully charged spare battery in a warm place and exchange as necessary, or keep the battery in your pocket or other warm place and insert it in the camera only when shooting. Do not place the battery in direct contact with hand warmers or other heating devices.
Charging the Battery
The battery can be charged using a BC-W126S battery charger (available separately). Charging times will increase at ambient temperatures below +10^ + 50^) or above +35^ + 95^) . Do not attempt to charge the battery at temperatures above +40^ + 104^) ; at temperatures below +5^ + 41^) , the battery will not charge.
Do not attempt to recharge a fully charged battery. The battery does not however need to be fully discharged before charging.
The battery may be warm to the touch immediately after charging or use. This is normal.
Battery Life
A noticeable decrease in the length of time the battery will hold a charge indicates that it has reached the end of its service life and should be replaced.
■ Storage
If the camera will not be used for an extended period, store it at room temperature with the battery charged to approximately one half to 12 capacity.
If the camera will not be used for an extended period, remove the battery and store it in a dry place with an ambient temperature of from +15^ to +25^ (+59^ to +77^) . Do not store in locations exposed to extremes of temperature.
Cautions: Handling the Battery
- Do not transport or store with metal objects such as necklaces or hairpins.
- Do not expose to flame or heat.
- Do not disassemble or modify.
- Do not expose to low atmospheric pressures.
- Use with designated chargers only.
- Dispose of used batteries promptly.
- Do not drop or subject to strong physical shocks.
- Do not expose to water.
- Keep the terminals clean.
- The battery and camera body may become warm to the touch after extended use. This is normal.
Caution: Disposal
Dispose of used batteries in accord with local regulations. Attention should be drawn to the environmental aspects of battery disposal. Use the apparatus under moderate climate.
Do not mechanically crush or split batteries.
AC Power Adapters
The AC power adapter is for indoor use only.
- Be sure the cable is securely connected to the camera.
- Turn the camera off before disconnecting the adapter. Disconnect the adapter by the plug, not the cable.
- Do not disassemble.
Using the Camera
- Do not aim the camera at extremely bright light sources, including artificial light sources or natural light sources such as the sun in a cloudless sky. Failure to observe this precaution could damage the camera image sensor.
- Strong sunlight focused through the viewfinder may damage the panel of electronic viewfinder (EVF). Do not aim the electronic viewfinder at the sun.
Take Test Shots
Before taking photographs on important occasions (such as at weddings or before taking the camera on a trip), take a test shot and view the results to ensure that the camera is functioning normally. FUJIFILM Corporation cannot accept liability for damages or lost profits incurred as a result of product malfunction.
Notes on Copyright
Unless intended solely for personal use, images recorded using your digital camera system cannot be used in ways that infringe copyright laws without the consent of the owner. Note that some restrictions apply to the photographing of stage performances, entertainments, and exhibits, even when intended purely for personal use. Users are also asked to note that the transfer of memory cards containing images or data protected under copyright laws is only permissible within the restrictions imposed by those copyright laws.
Handling
To ensure that images are recorded correctly, do not subject the camera to impact or physical shocks while images are being recorded.
Liquid Crystal
In the event that the display is damaged, care should be taken to avoid contact with liquid crystal. Take the urgent action indicated should any of the following situations arise:
- If liquid crystal comes in contact with your skin, clean the area with a cloth and then wash thoroughly with soap and running water.
If liquid crystal enters your eyes, flush the affected eye with clean water for at least 15 minutes and then seek medical assistance. - If liquid crystal is swallowed, rinse your mouth thoroughly with water. Drink large quantities of water and induce vomiting, then seek medical assistance.
Although the display is manufactured using extremely high-precision technology, it may contain pixels that are always lit or that do not light. This is not a malfunction, and images recorded with the product are unaffected.
- Do not expose to high heat and humidity.
- Do not subject to strong physical shocks.
- The adapter may hum or become hot to the touch during use. This is normal.
- If the adapter causes radio interference, reorient or relocate the receiving antenna.
Trademark Information
Digital Split Image is a trademark or registered trademark of FUJIFILM Corporation. Digital Micro Prism is a trademark or registered trademark of FUJIFILM Corporation. The typefaces included herein are solely developed by DynaComware Taiwan Inc. Apple, iPhone, iPad, Mac, OS X, macOS and Lightning are registered trademarks of Apple Inc. in the U.S.A. and other countries. Windows is a registered trademark of Microsoft Corporation in the U.S.A. and other countries. Android is a trademark or registered trademark of Google LLC. Adobe, the Adobe logo, Photoshop, and Lightroom are trademarks or registered trademarks of Adobe Systems Incorporated in the U.S.A. and other countries. Wi-Fi® and Wi-Fi Protected Setup® are registered trademarks of the Wi-Fi Alliance. The Bluetooth® word mark and logos are registered trademarks owned by the Bluetooth SIG, Inc., and any use of such marks by Fujifilm is under license. The SDHC and SDXC logos are trademarks of SD-3C, LLC. The HDMI logo is a trademark or registered trademark of HDMI Licensing LLC. All other trade names mentioned in this manual are the trademarks or registered trademarks of their respective owners.
Electrical Interference
This camera may interfere with hospital or aviation equipment. Consult with hospital or airline staff before using the camera in a hospital or on an aircraft.
Color Television Systems
NTSC (National Television System Committee) is a color television telecasting specification adopted mainly in the U.S.A., Canada, and Japan. PAL (Phase Alternation by Line) is a color television system adopted mainly in European countries and China.
Exif Print (Exif Version 2.32)
Exif Print is a newly revised digital camera file format in which information stored with photographs is used for optimal color reproduction during printing.
IMPORTANT NOTICE: Read Before Using the Software
Direct or indirect export, in whole or in part, of licensed software without the permission of the applicable governing bodies is prohibited.
Lenses and Other Accessories
- Use a screw 4.5mm or shorter when attaching a tripod.
- Fujilim will not be held liable for performance issues or damage caused by the use of third-party accessories.
NOTICES
To prevent fire or shock hazard, do not expose the unit to rain or moisture.
Please read the "Safety Notes" and make sure you understand them before using the camera.
Perchlorate Material—special handling may apply. See:
http://www.dtsc.ca.gov/hazardouswaste/perchlorate
For Customers in the U.S.A.
Tested To Comply With FCC Standards FOR HOME OR OFFICE USE

Contains IC: 10293A-WMBNBM26A
Contains FCC ID: COF-WMBNBM26A
FCC Statement: This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.
CAUTION: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
- Reorient or relocate the receiving antenna.
- Increase the separation between the equipment and receiver.
- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
- Consult the dealer or an experienced radio/TV technician for help.
FCC Caution: Any changes or modifications not expressly approved by the party responsible for compliance could void the user's authority to operate this equipment.
This transmitter must not be co-located or operating in conjunction with any other antenna or transmitter.
Radiation Exposure Statement: This device meets the government's requirements for exposure to radio waves. This device is designed and manufactured not to exceed the emission limits for exposure to radio frequency (RF) energy set by the Federal Communications Commission of the U.S. Government.
The exposure standard for wireless device employs a unit of measurement known as the Specific Absorption Rate, or SAR. The SAR limit set by the FCC is 1.6W / kg . Tests for SAR are conducted using standard operating positions accepted by the FCC with the device transmitting at its highest certified power level in all tested frequency bands.
Notes on the Grant: To comply with Part 15 of the FCC Rules, this product must be used with a Fujilm-specified ferrite-core A/V cable, USB cable, and DC supply cord.

A lithium ion battery that is recyclable powers the product you have purchased. Please call 1-800-8-BATTERY for information on how to recycle this battery.

California Code of Regulations, Title 20, Division 2, Chapter 4, Article 4, Appliance Efficiency Regulations, Sections 1601 through 1609
For Customers in Canada
CAN ICES-3 (B)/NMB-3(B)
CAUTION: This Class B digital apparatus complies with Canadian ICES-003.
Industry Canada statement: This device complies with Industry Canada's licence-exempt RSSs. Operation is subject to the following two conditions: (1) This device may not cause interference; and (2) This device must accept any interference, including interference that may cause undesired operation of the device.
This device and its antenna(s) must not be co-located or operating in conjunction with any other antenna or transmitter, except tested built-in radios. The County Code Selection feature is disabled for products marketed in the US/Canada.
Radiation Exposure Statement: The available scientific evidence does not show that any health problems are associated with using low power wireless devices. There is no proof, however, that these low power wireless devices are absolutely safe. Low power Wireless devices emit low levels of radio frequency energy (RF) in the microwave range while being used. Whereas high levels of RF can produce health effects (by heating tissue), exposure of low-level RF that does not produce heating effects causes no known adverse health effects. Many studies of low-level RF exposures have not found any biological effects. Some studies have suggested that some biological effects might occur, but such findings have not been confirmed by additional research. X-S10 has been tested and found to comply with IC radiation exposure limits set forth for an uncontrolled environment and meets
RSS-102 of the IC radio frequency (RF) Exposure rules.
Disposal of Electrical and Electronic Equipment in Private Households
In the European Union, Norway, Iceland and Liechtenstein: This symbol on the product, or in the manual and in the warranty, and/or on its packaging indicates that this product shall not be treated as household waste. Instead it should

be taken to an applicable collection point for the recycling of electrical and electronic equipment.
By ensuring this product is disposed of correctly, you will help prevent potential negative consequences to the environment and human health, which could otherwise be caused by inappropriate waste handling of this product.
This symbol on the batteries or accumulators indicates that those batteries shall not be treated as household waste.

If your equipment contains easy removable batteries or accumulators please dispose these separately according to your local requirements.
The recycling of materials will help to conserve natural resources. For more detailed information about recycling this product, please contact your local city office, your household waste disposal service or the shop where you purchased the product.
In Countries Outside the European Union, Norway, Iceland and Liechtenstein: If you wish to discard this product, including the batteries or accumulators, please contact your local authorities and ask for the correct way of disposal.
In Japan: This symbol on the batteries indicates that they are to be disposed of separately.

Li-ion
Wireless Network and Bluetooth Devices: Cautions
This product complies with the following EU Directives:
RoHS Directive 2011/65/EU
RE Directive 2014/53/EU
Hereby, FUJIFILM Corporation declares that the radio equipment type FF200001 is in compliance with Directive 2014/53/EU.
The full text of the EU declaration of conformity is available at the following internet address:
https://dl.filmfilm-x.com/global/products/camera/x-s10/pdf/x-s10_doc-ngc.pdf
This compliance is indicated by the following conformity marking placed on the product:
CE
This marking is valid for non-Telecom products and EU harmonized Telecom products (e.g. Bluetooth®).
Maximum radio-frequency power (EIRP):
WLAN: 10.53 dBm
Bluetooth:2.54 dBm
IMPORTANT: Read the following notices before using the camera's built-in wireless transmitter.
This product, which contains encryption function developed in the United States, is controlled by the United States Export Administration Regulations and may not be exported or re-exported to any country to which the United States embargoes goods.
- Use only a wireless network or Bluetooth device. Fujifilm does not accept liability for damages resulting from unauthorized use. Do not use in applications requiring a high degree of reliability, for example in medical devices or other systems that may directly or indirectly impact human life. When using the device in computer and other systems that demand a greater degree of reliability than offered by wireless network or Bluetooth devices, be sure to take all necessary precautions to ensure safety and prevent malfunction.
- Use only in the country in which the device was purchased. This device conforms to regulations governing wireless network and Bluetooth devices in the country in which it was purchased. Observe all location regulations when using the device. Fujifilm does not accept liability for problems arising from use in other jurisdictions.
- Do not use the device in locations subject to magnetic fields, static electricity, or radio interference. Do not use the transmitter in the vicinity of microwave ovens or in other locations subject to magnetic fields, static electricity, or radio interference that may prevent reception of wireless signals. Mutual interference may occur when the transmitter is used in the vicinity of other wireless devices operating in the 2.4 GHz band.
- The wireless transmitter operates in the 2.4 GHz band using DSSS, OFDM and GFSK modulation,
-
Security: Wireless network and Bluetooth devices transmit data via radio and consequently their use requires greater attention to security than applies in the case of wired networks.
-
Do not connect to unknown networks or networks to which you do not have access rights, even if they are displayed on your device, as such access may be considered unauthorized. Connect only to networks to which you have access rights.
- Be aware that wireless transmissions may be vulnerable to interception by third parties.
- This device cannot be directly connected to telecommunications networks (including public wireless LANs) operated by providers or mobile, landline, Internet, or other telecommunications services.
The following may be punishable by law:
Disassembly or modification or this device
- Removal of device certification labels
- This device operates on the same frequency as commercial, educational, and medical devices and wireless transmitters. It also operates on the same frequency as licensed transmitters and special unlicensed low-voltage transmitters used in RFID tracking systems for assembly lines and in other similar applications.
To prevent interference with the above devices, observe the following precautions. Confirm that the RFID transmitter is not in operation before using this device. Should you observe that the device causes interference in licensed transmitters used for RFID tracking, immediately stop using the affected frequency or move the device to another location. If you notice that this device causes interference in low-voltage RFID tracing systems, contact a Fujifilm representative. - Do not use this device on board an aircraft, Note that Bluetooth may remain on even when the camera is off. Bluetooth can be disabled by selecting OFF for CONNECTION SETTING > Bluetooth SETTINGS > Bluetooth ON/OFF.
Be sure to read these notes before using the lens
Safety Notes
- Make sure that you use the lens correctly. Read these safety notes and the camera Basic Manual carefully before use.
After reading these safety notes, store them in a safe place.
About the Icons
The icons shown below are used in this document to indicate the severity of the injury or damage that can result if the information indicated by the icon is ignored and the product is used incorrectly as a result.
| WARNING | This icon indicates that death or serious injury can result if the information is ignored. |
| CAUTION | This icon indicates that personal injury or material damage can result if the information is ignored. |
The icons shown below are used to indicate the nature of the instructions which are to be observed.
Triangular icons tell you that this information requires attention ("Important").
Circular icons with a diagonal bar tell you that the action indicated is prohibited ("Prohibited").
Filled circles with an exclamation mark indicate an action that must be performed ("Required").

WARNING

Do not immerse
Do not immerse in or expose to water. Failure to observe this precaution can cause a fire or electric shock.

Do not
sassemble
Do not disassemble (do not open the case). Failure to observe this precaution can cause fire, electric shock, or injury due to product malfunction.

Do not touch internal parts
Should the case break open as the result of a fall or other accident, do not touch the exposed parts. Failure to observe this precaution could result in electric shock or in injury from touching the damaged parts. Remove the battery immediately, taking care to avoid injury or electric shock, and take the product to the point of purchase for consultation.

Do not place on unstable surfaces. The product may fall, causing injury.

Do not view the sun through the lens or camera viewfinders. Failure to observe this precaution can cause permanent visual impairment.

CAUTION

Do not use or store in locations that are exposed to steam, or smoke or are very humid or extremely dusty. Failure to observe this precaution can cause fire or electric shock.

Do not leave in direct sunlight or in locations subject to very high temperatures, such as in a closed vehicle on a sunny day. Failure to observe this precaution can cause fire.

Keep out of the reach of small children. This product could cause injury in the hands of a child.

Do not handle with wet hands. Failure to observe this precaution can cause electric shock.

Keep the sun out of the frame when shooting backlit subjects. Sunlight focused into the camera when the sun is in or close to the frame can cause fire or burns.

When the product is not in use, replace the lens caps and store out of direct sunlight. Sunlight focused by the lens can cause fire or burns.

Do not carry the camera or lens while they are attached to a tripod. The product can fall or strike other objects, causing injury.
Product Care
To ensure continued enjoyment of the product, observe the following precautions.
Camera body: Use a soft, dry cloth to clean the camera body after each use. Do not use alcohol, thinner, or other volatile chemicals, which could discolor or deform the leather on the camera body. Any liquid on the camera should be removed immediately with a soft, dry cloth. Use a blower to remove dust from the monitor, taking care to avoid scratches, and then gently wipe with a soft, dry cloth. Any remaining stains can be removed by wiping gently with a piece of Fujifilm lens-cleaning paper to which a small amount of lens-cleaning fluid has been applied. To prevent dust entering the camera, replace the body cap when no lens is in place.
Image sensor: Multiple photographs marred by spots or blotches in identical locations may indicate the presence of dust on the image sensor. Clean the sensor using ±b USER SETTING > SENSOR CLEANING.
Cleaning the Image Sensor
Dust that cannot be removed using ±b USER SETTING > SENSOR CLEANING can be removed manually as described below.

Note that there will be a charge to repair or replace the image sensor if it is damaged during cleaning.
1 Use a blower (not a brush) to remove dust from the sensor.

Do not use a brush or blower brush. Failure to observe this precaution could damage the sensor.

2 Check whether the dust has been successfully removed. Repeat Steps 1 and 2 as necessary.
3 Replace the body cap or lens.
Firmware Updates
Updates to product firmware may result in changes not described in the manual. For more information, visit: https://fujifilm-x.com/support/download/firmware/camera/
Checking the Firmware Version

The camera will only display the firmware version if a memory card is inserted.
1 Turn the camera off and check that a memory card is inserted.
2 Turn the camera on while pressing the DISP/BACK button. The current firmware version will be displayed; check the firmware version.
3 Turn the camera off.

To view the firmware version or update firmware for optional accessories such as interchangeable lenses, shoe-mounted flash units, and mount adapters, mount the accessories on the camera.
Troubleshooting
Consult the table below should you encounter problems using your camera. If you don't find the solution here, contact your local Fujifilm distributor.
Power and Battery
| Problem | Solution |
| The camera does not turn on. | ·The battery is exhausted: Charge the battery or insert a fully-charged spare battery (33). ·The battery is inserted incorrectly: Reinsert in the correct orientation (30). ·The battery-chamber cover is not latched: Latch the battery-chamber cover (30). |
| The monitor does not turn on. | The monitor may not turn on if the camera is turned off and then on again very quickly. Keep the shutter button pressed halfway until the monitor activates. |
| The battery runs down quickly. | ·The battery is cold: Warm the battery by placing it in a pocket or other warm place and reinsert it in the camera immediately before taking a picture. ·There is dirt on the battery terminals: Clean the terminals with a soft, dry cloth. ·ON is selected for AF/MF SETTING > PRE-AF: Turn PRE-AF off (128). ·The camera is in AUTO mode: To extend battery endurance, we recommend that you choose a different mode (56). ·The battery has been charged many times: The battery has reached the end of its charging life. Purchase a new battery. |
| The camera turns off suddenly. | The battery is exhausted: Charge the battery or insert a fully-charged spare battery (33). |
| Charging does not start (USB). | • Insert the camera battery (国情 30). • Reinsert the camera battery in the correct orientation (国情 30). • Confirm that the camera is connected to the computer (国情 33). • If the computer is off or in sleep mode, turn on or wake the computer and disconnect and reconnect the USB cable (国情 33). |
| Charging does not start (battery charger). | • Insert the battery. • Reinsert the battery in the correct orientation. • Make sure that the charger is correctly plugged in. • Ensure that the plug adapter is correctly connected to the charger. |
| Charging is slow. | Charge the battery at room temperature. |
| The indicator lamp blinks, but the battery does not charge. | • There is dirt on the battery terminals: Clean the terminals with a soft, dry cloth (国情 30). • The battery has been charged many times: The battery has reached the end of its charging life. Purchase a new battery. If the battery still fails to charge, contact your Fujimler dealer (国情 292). |
| The power supply icon is not displayed. | Confirm that ON is selected for USB POWER SUPPLY SETTING (国情 238). |
Menu and Displays
| Problem | Solution |
| Display is not in English. | Select ENGLISH for √USER SETTING > √ 言語/LANG. (国 39, 208). |
Shooting
| Problem | Solution |
| No picture is taken when the shutter button is pressed. | The memory card is full: Insert a new memory card or delete pictures (30, 188).The memory card is not formatted: Format the memory card in the camera (206).There is dirt on the memory card contacts: Clean the contacts with a soft, dry cloth.The memory card is damaged: Insert a new memory card (30).The battery is exhausted: Charge the battery or insert a fully-charged spare battery (33).The camera has turned off automatically: Turn the camera on (35).You are using a third-party mount adapter: Select ON for SHOOT WITHOUT LENS (225). |
| Mottling ("noise") appears in the monitor or viewfinder when the shutter button is pressed halfway. | Gain is increased to aid composition when the subject is poorly lit and aperture is stopped down, which may result in noticeable mottling when images are previewed in the displays. Images taken with the camera are unaffected. |
| The camera does not focus. | The subject is not suited to autofocus: Use focus lock or manual focus (86). |
| No panorama is recorded when the shutter button is pressed. | The indicator lamp was orange when you attempted to record a panorama: Wait until the indicator lamps turns off (☐ 8). |
| No face is detected. | ·The subject's face is obscured by sunglasses, a hat, long hair, or other objects: Remove the obstructions (☐ 129). ·The subject's face occupies only a small area of the frame: Change the composition so that the subject's face occupies a larger area of the frame (☐ 129). ·The subject's face is turned away from the camera: Ask the subject to face the camera (☐ 129). ·The camera is tilted: Keep the camera level. ·The subject's face is poorly lit: Shoot in bright light. |
| The flash does not fire. | ·The flash is disabled: Adjust settings (☐ 148). ·The battery is exhausted: Charge the battery or insert a fully-charged spare battery (☐ 33). ·The camera is in bracketing or continuous mode: Select single frame mode (☐ 5). ·The flash is lowered: Raise the flash (☐ 101). |
| Some flash modes are not available. | OFF is selected for SOUND & FLASH: Select ON (☐ 209). |
| The flash does not fully light the subject. | ·The subject is not in range of the flash: Position the subject in range of the flash. ·The flash window is obstructed: Hold the camera correctly. ·Shutter speed is faster than the sync speed: Choose a slower shutter speed (☐ 58, 62, 324). |
| Pictures are blurred. | ·The lens is dirty: Clean the lens. ·The lens is blocked: Keep objects away from the lens (☐ 42). ·!AF is displayed during shooting and the focus frame is displayed in red: Check focus before shooting (☐ 43). |
| Pictures are mottled. | Shutter speed is slow and the ambient temperature is high: This is normal and does not indicate a malfunction. * Use pixel mapping (☑ 119). * X-rays, cosmic rays, and other forms of radiation interacting with the image sensor may cause bright spots of various colors such as white, red, and blue. Pixel mapping helps reduce the occurrence of such bright spots. The camera has been used continuously at high temperatures: Turn the camera off and wait for it to cool down (☑ 35, 320). A temperature warning is displayed: Turn the camera off and wait for it to cool down (☑ 35, 320). |
Playback
| Problem | Solution |
| Pictures are grainy. | The pictures were taken with a different make or model of camera. |
| Playback zoom is unavailable. | The pictures were created using RESIZE or with a different make or model of camera. |
| No sound in movie playback. | •Playback volume is too low: Adjust playback volume (212). •The microphone was obstructed: Hold the camera correctly during recording. •The speaker is obstructed: Hold the camera correctly during playback. •OFF is selected for SOUND & FLASH: Select ON (209). |
| Selected pictures are not deleted. | Some of the pictures selected for deletion are protected. Remove protection using the device with which it was originally applied (192). |
| Pictures remain after ERASE > ALL FRAMES is selected. | |
| File numbering is unexpectedly reset. | The battery-chamber cover was opened while the camera was on. Turn the camera off before opening the battery-chamber cover (231). |
Connections
| Problem | Solution |
| The monitor is blank. | The camera is connected to a TV: Pictures will be displayed on the TV instead of in the camera monitor (☑ 276). |
| Both the TV and camera monitor are blank. | EVF EVF ONLY + ☑ is selected for VIEW MODE SETTING: Put your eye to the viewfinder or choose a different VIEW MODE SETTING option (☑ 14). |
| No picture or sound on TV. | · The camera is not properly connected: Connect the camera properly (☑ 276). · Input on the television is set to "TV": Set input to "HDMI" (☑ 276). · The volume on the TV is too low: Use the controls on the television to adjust the volume (☑ 276). |
| The computer does not recognize the camera. | Be sure the camera and computer are correctly connected (☑ 281). |
| FUJIFILM X RAW STUDIO or FUJIFILM X Acquire fails to correctly detect the camera. | Check the option selected for CONNECTION MODE on the camera. Select USB RAW CONV./BACKUP RESTORE before connecting the USB cable (☑ 285). |
| Cannot connect to iPhones or iPads. | ON is selected for USB POWER SUPPLY SETTING. Select OFF when the camera is connected via a Lightning connection to a device that do not supply power (☑ 238). |
| Cannot connect to smartphone. | Confirm that the camera is correctly connected: The procedure for connecting the camera varies with the type of connector with which the smartphone is equipped (☑ 286). |
Wireless Transfer
For additional information on troubleshooting wireless connections, visit:
https://digitalcamera-support-en.fujifilm.com/
| Problem | Solution |
| Cannot connect to smartphone. The camera is slow to connect or upload pictures to the smartphone. Upload fails or is interrupted. | ·The smartphone is too far away: Move the devices closer (☑ 278). ·Nearby devices are causing radio interference: Move the camera and smartphone away from microwave ovens or cord-less phones (☑ 278). |
| Cannot upload images. | ·The smartphone is connected to another device: The smartphone and camera can connect to only one device at a time. End the connection and try again (☑ 278). ·There are several smartphones in the vicinity: Try connecting again. The presence of multiple smartphones can make connection difficult (☑ 278). ·The image was created on another device: The camera may not be able to upload images created on other devices. ·The image is a movie: Uploading movies takes some time. In addition, smartphones may not accept upload of movies in formats they do not support. |
| Smartphone will not display pictures. | Select ON for GENERAL SETTINGS > RESIZE IMAGE FOR SMARTPHONE 8M. Selecting OFF increases up-load times for larger images; in addition, some phones may not display images over a certain size (☑ 239). |
Miscellaneous
| Problem | Solution |
| The camera is unresponsive. | ·Temporary camera malfunction: Remove and reinsert the battery (☐ 30). ·The battery is exhausted: Charge the battery or insert a fully-charged spare battery (☐ 33). ·The camera is connected to a wireless LAN: End the connection. |
| The camera does not function as expected. | Remove and reinsert the battery (☐ 30). If the problem persists, contact your Fujifilm dealer. |
| Motion in the viewfinder or monitor appears jerky rather than smooth. | When NORMAL is selected for PERFORMANCE, the frame rate will drop if no operations are performed for a set period. The normal frame rate will be restored after you operate camera controls (☐ 230). |
| No sound. | ·Adjust the volume (☐ 211). ·OFF is selected for SOUND & FLASH: Select ON (☐ 209). |
| Pressing the Q button does not display the quick menu. | TTL-LOCK is active: End TTL-LOCK (☐ 149). |
Warning Messages and Displays
The following warnings appear in the display.
| Warning | Description |
| ☐ (red) | Low battery. Charge the battery or insert a fully-charged spare battery. |
| ☐ (blinks red) | Battery exhausted. Charge the battery or insert a fully-charged spare battery. |
| !AF (displayed in red with red focus frame) | The camera cannot focus. Use focus lock to focus on an- other subject at the same distance, then recompose the picture. |
| Aperture or shutter speed displayed in red | The subject is too bright or too dark and the picture will be over- or under-exposed. Use the flash for additional light- ing when taking photographs of poorly-lit subject. |
| FOCUS ERROR | |
| LENS CONTROL ERROR | Camera malfunction. Turn the camera off and then on again. If the message persists, contact a Fujilm dealer. |
| TURN OFF THE CAMERA AND TURN ON AGAIN | |
| NO CARD | The shutter can only be released when a memory card is inserted. Insert a memory card. |
| CARD NOT INITIALIZED | · The memory card is not formatted or the memory card has been formatted in a computer or other device: Format the memory card using ☑ USER SETTING > FORMAT. · The memory card contacts require cleaning: Clean the contacts with a soft, dry cloth. If the message is repeated, format the card. If the message persists, replace the card. · Camera malfunction: Contact a Fujilm dealer. |
| LENS ERROR | Turn the camera off, remove the lens, and clean the mounting surfaces, then replace the lens and turn the camera on. If the problem persists, contact a Fujilm dealer. |
| CARD ERROR | ·The memory card is not formatted for use in the camera: Format the card. ·The memory card contacts require cleaning or the memory card is damaged: Clean the contacts with a soft, dry cloth. If the message is repeated, format the card. If the message persists, replace the card. ·Incompatible memory card: Use a compatible card. ·Camera malfunction: Contact a Fujilm dealer. |
| PROTECTED CARD | The memory card is locked. Unlock the card. |
| BUSY | The memory card is incorrectly formatted. Use the camera to format the card. |
| MEMORY FULL | The memory card is full and pictures cannot be recorded. Delete pictures or insert a memory card with more free space. |
| WRITE ERROR | ·Memory card error or connection error: Reinsert the card or turn the camera off and then on again. If the message persists, contact a Fujilm dealer. ·Not enough memory remaining to record additional pictures: Delete pictures or insert a memory card with more free space. ·The memory card is not formatted: Format the memory card. ·The memory card was removed while data were being recorded: Do not remove the memory card during recording. |
| FRAME NO. FULL | The camera has run out of frame numbers (current frame number is 999-9999). Insert a formatted memory card and select RENEW for SAVE DATA SET-UP > FRAME NO.. Take a picture to reset frame numbering to 100-0001, then select CONTINUOUS for FRAME NO.. |
| READ ERROR | ·The file is corrupt or was not created with the camera: The file cannot be viewed. ·The memory card contacts require cleaning: Clean the contacts with a soft, dry cloth. If the message is repeated, format the card. If the message persists, replace the card. ·Camera malfunction: Contact a Fujilm dealer. |
| PROTECTED FRAME | An attempt was made to delete or rotate to a protected picture. Remove protection and try again. |
| CAN NOT CROP | The picture is damaged or was not created with the camera. |
| DPOF FILE ERROR | Print orders can contain no more than 999 pictures. Copy any additional pictures you wish to print to another memory card and create a second print order. |
| CAN NOT SET DPOF | The picture cannot be printed using DPOF. |
| CAN NOT SET DPOF | Movies cannot be printed using DPOF. |
| CAN NOT ROTATE | The selected picture cannot be rotated. |
| CAN NOT ROTATE | Movies cannot be rotated. |
| CANNOT EXECUTE | Red-eye removal cannot be applied to movies. |
| CANNOT EXECUTE | Red-eye removal cannot be applied to pictures created with other devices. |
| MISMATCH: 4K MODE AND EXTERNAL MONITOR CHANGE MOVIE MODE | The movie mode selected with the camera is not compatible with the device to which the camera is connected via HDMI. Try selecting a different movie mode (154). |
| !(yellow) | Turn the camera off and wait for it to cool. Mottling may increase in pictures taken when this warning is displayed. |
| !(red) | Turn the camera off and wait for it to cool. While this warning is displayed, movie recording may not be available, mottling may increase, and performance, including frame advance rate and display quality, may drop. |
Memory Card Capacity
The following table shows the recording time or number of pictures available at different image sizes. All figures are approximate; file size varies with the scene recorded, producing wide variations in the number of files that can be stored. The number of exposures or length remaining may not diminish at an even rate.
| Capacity | 16 GB | 32 GB | |||
| FINE | NORMAL | FINE | NORMAL | ||
| Photos | 1 3:2 | 1030 | 1540 | 2060 | 3090 |
| RAW (UNCOMPRESSED) | 270 | 550 | |||
| RAW (LOSSLESS COMPRESSED) | 500 | 1010 | |||
| RAW (COMPRESSED) | 690 | 1400 | |||
| Movies | 2K 2160 | 20 minutes | 40 minutes | ||
| FFD 1080 | 20 minutes | 40 minutes | |||
1 Use a UHS speed class 3 card or better.
2 Assumes default bit rate.

If the memory card has a capacity of over 32 GB, movies will be recorded in single files, regardless of size. If the card has a capacity of 32 GB or less, movies over 4 GB in size will be recorded uninterrupted across multiple files.
Specifications
| System | ||
| Model | FUJIFILM X-S10 | |
| Product Number | FF200001 | |
| Effective pixels | Approx. 26.1 million | |
| Image sensor | 23.5 mm × 15.6 mm (APS-C), X-Trans CMOS sensor with primary color filter | |
| Storage media | Fujifilm-recommended SD/SDHC/SDXC memory cards | |
| Memory card slot | SD memory card slot (UHS-I compliant) | |
| File system | Compliant with Design Rule for Camera File System (DCF2.0), Exif 2.32, and Digital Print Order Format (DPOF) | |
| File format | • Still pictures: Exif 2.32 JPEG (compressed); RAW (original RAF format, uncompressed or compressed using a reversible or non-reversible algorithm; special purpose software required); RAW+JPEG available • Movies: H.264 standard with stereo sound (MOV/MP4) • Audio (voice memos): Stereo sound (WAV) | |
| Image size | L 3:2 (6240 × 4160) | L 1:1 (4160 × 4160) |
| L 16:9 (6240 × 3512) | ||
| M 3:2 (4416 × 2944) | M 1:1 (2944 × 2944) | |
| M 16:9 (4416 × 2488) | ||
| S 3:2 (3120 × 2080) | S 1:1 (2080 × 2080) | |
| S 16:9 (3120 × 1760) | ||
| RAW (6240 × 4160) | ||
| L panorama: vertical (2160 × 9600)/horizontal (9600 × 1440) | ||
| M panorama: vertical (2160 × 6400)/horizontal (6400 × 1440) | ||
| Lens mount | FUJIFILM X mount | |
| Sensitivity | • Still pictures: Standard output sensitivity equivalent to ISO 160–12800 in increments of 1/3 EV; AUTO; extended output sensitivity equivalent to ISO 80, 100, 125, 25600, or 51200 • Movies: Standard output sensitivity equivalent to ISO 160–12800 in increments of 1/3 EV; AUTO; extended output sensitivity equivalent to ISO 25600 | |
| Metering | 256-segment through-the-lens (TTL) metering; MULTI, SPOT, AVERAGE, CENTER WEIGHTED | |
System
Exposure control Programmed AE (with program shift); shutter-priority AE; aperture-priority AE; manual exposure
Exposure compensation • Still pictures: -5 EV-+5 EV in increments of 13 EV
Movies: -2EV - + 2EV in increments of 1 / 3 EV
Shutter speed
MECHANICAL SHUTTER
-ModeP:4s to 1/4000s
- Mode A: 30 s to 1/4000 s
- Modes S and M: 15 min. to 14000 s
Bulb: Max. 60 min.
ELECTRONIC SHUTTER
- Mode P: 4 S to 1/32000 S
- Mode A: 30 s to 132000 s
- Modes S and M: 15 min. to 132000 s
-
Bulb: Fixed at 1 s
-
MECHANICAL + ELECTRONIC
-ModeP:4s to 13 2000 s
-ModeA:30s to 13 2000 s
- Modes S and M: 15 min. to 132000 s
- Bulb: Max. 60 min.
Continuous
| CONTINUOUS MODE | Available frame advance rates (JPEG) |
| 30fps(1.25X CROP)* | 30 |
| 20fps(1.25X CROP)* | 20 |
| 10fps(1.25X CROP)* | 10 |
| 20fps* | 20 |
| 10fps* | 10 |
| 8.0fps | 8.0 |
| 5.0fps | 5.0 |
| 4.0fps | 4.0 |
| 3.0fps | 3.0 |
- Available with electronic shutter only.
The frame rate and number of frames per burst varies with shooting conditions and type of memory card used.
| System | |
| Focus | • Mode: Single or continuous AF; manual focus with focus ring • Autofocus system: Intelligent hybrid AF (TTL contrast-detect/phase-detection AF) with AF-assist illuminator • Focus-area selection: SINGLE POINT, ZONE, WIDE/TRACKING, ALL |
| White balance | Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY), Custom 1, Custom 2, Custom 3, color temperature selection, direct sunlight, shade, daylight fluorescent, warm white fluorescent, cool white fluorescent, incandescent, underwater |
| Self-timer | Off, 2 sec., 10 sec. |
| Flash | • Type: Manual pop-up flash unit • Guide number: Approx. 7/22 (ISO 200, m/ft.) |
| Flash mode | • MODE: TTL MODE (FLASH AUTO, STANDARD, SLOW SYNC.), MANUAL, COMMANDER, OFF • SYNC. MODE: 1ST CURTAIN, 2ND CURTAIN, AUTO FP (high-speed sync) • RED EYE REMOVAL: FLASH+REMOVAL, FLASH, REMOVAL, OFF |
| Hot shoe | Accessory shoe with TTL contacts; supports sync speeds as fast as 1/80 s |
| Sync contact | X contact; supports sync speeds as fast as 1/80 s |
| Sync terminal | - |
| Electronic viewfinder (EVF) | 0.39-in., 2360k-dot OLED viewfinder; magnification 0.62× with 50 mm lens (35 mm format equivalent) at infinity and diopter set to -1.0 m-1; diagonal angle of view approximately 31° (horizontal angle of view approximately 26°) • Diopter adjustment: -4 to +2 m-1 • Eyepoint: Approximately 17.5 mm |
| LCD monitor | 3.0-in/7.6 cm, 1040k-dot color touch screen LCD monitor, Vari-angle LCD monitor |
| Movies (with stereo sound) | • Movie size: 16:9, DCD 17:9, FHD 16:9, FHD 17:9 • Frame rate: 59.94P, 50P, 29.97P, 25P, 24P, 23.98P • Bit rate: 200Mbps, 100Mbps, 50Mbps • Recording/output format: SD card, 4:2:0, 8-bit/HDMI output, 4:2:2, 10-bit |
| High-speed movies | • Movie size: FULL HD 16:9 • Frame advance rate: 240P, 200P, 120P, 100P |
Input/output terminals
Microphone connector 3.5 mm mini-stereo jack
Headphone jack socket The USB connector can be converted to a headphone jack using the supplied headphone adapter
Remote release connector 3.5mm 3-pole mini jack
Digital input/output USB connector (Type-C) USB3.2 Gen1x1
HDMI output HDMI Micro connector (type D)
Power supply/other
Power supply NP-W126S rechargeable battery (supplied with camera)
Battery life Battery type: NP-W126S
Lens:XF35mmF1.4 R
- External flash units: Disabled
- Shooting mode: Mode P
Number of shots
| PERFORMANCE | LCD | EVF |
| BOOST | Approx. 260 | Approx. 235 |
| NORMAL | Approx. 325 | Approx. 300 |
Total length of footage that can be recorded on a single charge
| Mode | Actual battery life of movie capture | Continuance battery life of movie capture |
| 4K1 | Approx. 40 minutes | Approx. 55 minutes |
| FFD2 | Approx. 40 minutes | Approx. 65 minutes |
| High-speed movies3 | Approx. 40 minutes | - |
1 At a frame rate of 29.97 fps.
2 At a frame rate of 59.94 fps.
3 At a frame rate of 120 fps.
CIPA standard. Measured using battery supplied with camera and SD memory card.
Note: Battery endurance varies with battery charge level and the figures given above are not guaranteed. Battery endurance will decline at low temperatures.
Power supply/other
| Camera size (W × H × D) | 126.0 mm × 85.1 mm × 65.4 mm (32.9 mm excluding projections, measured at thinnest part)/4.96 in. × 3.35 in. × 2.57 in. (1.30 in.) |
| Camera weight | Approx. 415 g/14.6 oz., excluding battery, accessories, and memory card |
| Shooting weight | Approx. 465 g/16.4 oz., including battery and memory card |
| Operating conditions | • Temperature: 0 °C to +40 °C/+32 °F to +104 °F • Humidity: 10% to 80% (no condensation) |
Wireless transmitter
| Wireless LAN | |
| Standards | IEEE 802.11b/g/n (standard wireless protocol) |
| Operating frequency (center frequency) | 2,412 MHz–2,462 MHz (11 channels) |
| Access protocols | Infrastructure |
| Bluetooth® | |
| Standards | Bluetooth version 4.2 (Bluetooth Low Energy) |
| Operating frequency (center frequency) | 2,402 MHz–2,480 MHz |
NP-W126S rechargeable battery
Nominal voltage 7.2V
Nominal capacity 1260 mAh
Operating 0^ to +40^ / + 32^ to +104^
temperature
Dimensions 36.4mm× 47.1mm× 15.7mm / 1.4in.× 1.9in.× 0.6in.
(W× H× D)
Weight Approx. 47 g/1.7 oz.

Weight and dimensions vary with the country or region of sale.

Specifications and performance are subject to change without notice. Fujilm will not be held liable for any errors this manual may contain. The appearance of the product may differ from that described in this manual.
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