MR 8 - Enregistreur audio numérique FOSTEX - Free user manual and instructions

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USER MANUAL MR 8 FOSTEX

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. "WARNING" "TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE." SAFETY INSTRUCTIONS Read Instructions - Allthe safety and operating instructions should be read before the appliance is operated.

2. Retain Instructions - The safety and operating instructions

should be retained for future reference.

3. Heed Wamings - All wamings on the appliance and in the

operating instructions should be adhered to.

4. Folow Instructions - All operating and use instructions should

5. Water and Moisture - The appliance should notbe used near

water - for example, near a bathtub, washbowi, kitchen sink, laundry tub, in a wetbasement, or near a swimming pool, and the like.

6. Carts and Stands - The applance should be used only with a

cart or stand thatis recommended by the manufacturer. An appliance and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the appliance and cart combination to overtum.

7. WallorCeïing Mountng - The appliance should be mounted

a wallor celing only as recommended by the manufacturer. 8... Ventilation - The appliance should be situated so that its location or position dose notinterfere with its proper ventilation. For example, the appliance should notbe situated on a bed, sofa, rug, or similar surface that may block the ventilation openings; or, placed in a buit-in installation, such as à bookcase or cabinetthat may impede the flow of air through the ventilation openings.

9. Heat- The applance should be situated away from heat

The lighining flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage" within the products enclosure thatmay be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. Power Sources - The appliance should be connected to a power supply only ofthe type described in the operating instructions or as marked on the appliance. Grounding or Polarization - The precautions that should be taken so thatthe grounding or polarization means of an appliance is not defeated. Power Cord Protection - Power supply cords should be routed so thatthey are notIikely to be walked on or pinched by items placed upon or against them, paying particular attention to cords atplugs, convenience receptacles, and the pointwhere they exit from the appliance. Cleaning - The appliance should be cleaned only as recommended by the manufacturer. Nonuse P eriods - The power cord ofthe appliance should be unplugged from the outlet when left unused for a long period oftime. Objectand Liquid Entry - Care should be taken so thatobjects do notfall and liquids are notspilled into the enclosure through openings. Damage Requiring Service - The appliance should be serviced by qualfied service personnel when: A. The power supply cord orthe plug has been damaged:

B. Objects have fallen, or liquid has been spilled into the appliance:; or C._ The appliance has been exposed to rain: or D. The appliance does not appear to operate normally or exhibits a marked change in performance; or E. The applance has been dropped, or the enclosure damaged. Servicing - The user should not attempt to service the appliance beyond that described inthe operating instructions. All other servicing should be referred to qualified service personnel. . The appliance should be situated away from drops of water or spray of water. . Objects containing liquid such as vase must not be puton the appliance. The applance is notcompletety isolated from the power supply even ifthe power suitch is at off position.

MR-8 Owner's Manual Table of Contents MR-8 Main features About power supply . The basics ofthe MR-8. Recording method Song mode About son; Time ba: Remain displa: Input monitor and repro monitor . TRIM control … Names and Functions Top panel (left part) . Top panel (right part] Rear panel Side panel Bottom pan Aboutrecording medium CompactFlash" card Recording time … Inserting a CompactFlash" card How to remove a CompactFlash" car How to insert a CompactFlash"! card .. Aboutthe power … Connecting the AC adaptor . Inserting batterie: Turning on the uni! Turning off the powe Turning on the LCD display backlight Low battery display … Listening the demo song Preparation ofa CompactFlash card … Preparation for recording onto the supplied card … Preparation for recording onto a new card … Creating a song/selecting a song Creating a song … Selecting a desired s Formatting a card Connections … Display Hom Selecting a time Adjusting the display contras! MENU screen . Warning message . MR-8recording basics Relation between the input jacks and tracks [INPUT A SELECT] switch Input level setting Distortion setting Insert effects .. Recording onto a single track Preparation for recordin, Starting recording … Playback the recorded tra Undo/redo Recording onto two tracks Preparation for recording Starting recording … Playback the recorded tracks Undo/redo … Punchin/out Punch in/out using the keys on the top panel. Punch in/out using th Auto punch in/out …

FREOU Actual auto punch in/out Using effects … Using the insert effects for recordin; Mic simulation effects Amp simulation effects Using the reverb or delay Selecting an effect type Selecting a delay type Adjusting the delay/reverb time Adjusting the effect send levels Using the mastering effects … Selecting the desired effect type Bouncingtracks .. Selecting the bounce mode Rehearsal of track bounce Actual track bounce

MR-8 Owner's Manual Digital mixdown … Playbackfunctions Basic playback 3 x playback (cueing) Playback between LOCATE A and B points Play mode … Selecting a play mode Auto play mode Auto return mc Loop mode … Loop function in auto punch in/out mo Locate functions ABS locate … LOCATE ABS ZERO functio: LOCATE REC END function Zero return …. Resetting the counter . Locating to counter z Locating to the LOCATE A or B p: Storing a locate point . Locating … Setting the pre-roll/post-roll . How’ to set the pre-roll/post-roll time Setting the beatresolution … How to set the beat resolution … Editing a song … Creating a new song . Selecting a desired song Editing a song name . Selecting an unnecessary song Protecting a song ary file in a song . Copying/pasting whole track data Moving whole track data . Exchange whole track dat. Partediting . Erasing a desired part Copying/pasting (1) Copying to the d Pasting dlipboard data Copying/pasting (2). Moving the desired part to the other track (s) … Exchange parts between tracks Synchronizing with MIDI. Synchronization using MTC Settings of the MR-8 and MIDI sequencer . MIDI sync/MTC frame rate settings Synchronization using MIDI clock … Using the rhythm guide function Creating the signature/tempo map . Setting the signature map … Changing the bar number or signature Deleting an unnecessary bar/signature setting Changing the bar offset Creating the tempo map Editing the tempo map . Deleting an unnecessary tempo setting Setting the click level WAV file conversion Enabling the file conversio: Procedure of file conversion . Exporting data to a personal computer Connection to a personal Computer Notes on exporting a file . Exporting a WAV file to a personal computer Initializing the MR-8 Troubleshooting MR-8specifications … Physical dimensions … Block diagram MIDI Implementation Chart … Index Optional accessaries Declaration ofEC Directive …

MR-8 Owner's Manual Introduction Thank you very much for purchasing the Fostex MR-8 digital multitracker. The MR-8 is a digital multitracker which records and plays back 8-track audio on a CompactFlash" card. You can record audio at 44.1 kHz/16 bits (in the normal mode) or 22.05 kHz/16 bits (in the extended mode). The MR-8 is also equipped with an 8-channel digital mixer, digital effects including the delay/reverb, mastering effects and insert effects (simula- tion effects). It allows you to carry out all the process for digital multitrack recording including overdubbing, track bounce and mixdown. Read this manual thoroughly for using all functions the MR-8 provides correctly. MR-8 Main features e Uses compact and reliable CompactFlash" cards for recording high quality audio. You can also edit recorded audio later. e User-friendly LCD screen configuration allows you to make recording intuitively. e A large 128 x 64 dot graphic LCD display allows you to check the recorder status and various settings easily. + An ASP digital effect processor (delay/reverb) with newly developed algorithm for the MR-8 is built in. In addition, the MR-8 also provides insert effects for microphone and amplifier simulation for coloring sounds. + A dedicated mastering effect is built in for the stereo buss, allowing you to process a sound during track bouncing or final mixdown. ° The metronome function generates guide clicks according to the tempo map. + Built-in compact and high quality microphone allows you to record microphone sound without an external microphone. + Two ways of receiving power. You can drive the MR-8 by batteries (AA-type) or from the supplied AC adaptor (AD-12A). e Provides a USB terminal. You can exchange WAV file data between your computer and the MR-8 via USB connection. You can not only back up song data recorded by the MR-8 to your computer, but also import data created by a computer music software to the MR-8, or burn CDs by the computer using the CD-RW drive. About power supply < Be sure to connect the MR-8 to the power supply specified in the Specifications section of this owner’s manual. Do not use an AC outlet of any other voltage. + Do not connect the MR-8 to the same AC outlet to which devices that could generate noise (such as a large motor or dimmer), or the devices that consume a large amount of power (such as an air conditioning system or large electric heater) are connected. + If you use the MR-8 in an area with a different power voltage, first consult your dealer or the nearest Fostex service station. e Itis very dangerous to use a power cord that is frayed or damage. In such a case, stop using the MR-8 immediately and ask your dealer to repair the cord. + To avoid possible electric shock and damage to the MR-8, avoid contact with water or other liquids, or do not handle the power plug while your hands are wet. + To prevent possible electric shock and damage to the MR-8, do not remove the main unit cover or reach the inside the MR-8. + Do not let water or other liquid, or metal objects such as pins, accidentally enter the inside of the MR-8 because this may lead to electric shock or damage. Should water enter the inside of the MR-8, remove the power plug from AC outlet, and consult your dealer or the nearest Fostex service station.

MR-8 Owner's Manual + To prevent damage to the MR-8, be sure to power on the connected devices first, then turn on the power to the MR-8. When you remove or connect the cables to the input/output connectors on the MR-8, make sure that the track and master faders and volume controls are set to “0”. <mportanti> Equipment name, electrical ratings, serial number and other information for the MR- 8, are written on bottom side. FOSTEX oo: nn. DIGITAL MULTITRACKER FOSTEX 100v 18w 50/6042 SERIAL NO. 7AATIARREN

Precautions upon handling the MR: + Do not install the MR-8 in locations subject to the following: *Extremely high or low temperature, or significant changes in temperature.

• Excessive humidity or dust. *Excessive changes in power supply voltage. *Unstable or significantly vibrating or shaking surfaces. *Near a strong magnetic field (such as a TV or speaker). Notes on repair + The MR-8 does not use any parts that user can repair easily. Contact your dealer or the nearest FOSTEX service station to ask about repairs. + Use the packing carton designed for the MR-8 when you transport the MR-8 to the dealer for repair or return. If you have discarded the packing box, try to pack the MR-8 completely using shock absorbing materials. Fostex is not responsible for malfunction or damage due to incomplete packaging or caused during transport. About cop Itis prohibited by law to use any part of a CD recording or video images or audio data for which copyright is possessed by a third party for commercial purposes such as contents, broadcasts, sales, or distribution-any purpose other than for your personal pleasure. About damages e Fostex is not responsible for any “direct damage” or “indirect damage” caused by using the MR-8. Note for audio rruption ° If you make recording or editing to a song many times, audio may be occasionally interrupted when the song is played back, due to data fragmentation. Note that this is not a malfunction.

MR-8 Owner's Manual | The basics of the MR-8 EE The chapter describes the basics of the MR-8 you should know before using the MR-8. Recording method The MR-8 records audio on a CompactFlash" card. Songs are recorded on a card along with the ABS time (00m00.000s through 60m00.000s). The ABS time shows the absolute time on a card and you can start recording from any desired time within the range between 00m00.000s and 60m00.000s ABS time. Bagning rte so F'andoogee 15n0 00e UBSGEROI Cnonnme Lmmpeoms (REC END) Gomo0 000

F ou can record atany point win 60 minutes in ABS Une. As the MR-8 does not consume the card space when no audio is recorded, you can record au- dio effectively, while the recordable time for a tape recorder depends on the CompactFlash"" card capacity. mon gts Less ue] 5 minute recording 5 minute recording The MR-8 provides two song modes: Normal and Extended modes. You can select an appropriate mode when creating a new song (see page 21). 60m00.000<

Normal mode: Audio quality takes precedence over the recording time. In this mode, you can record and play back 8-track audio at 44.1 KHz, 16 bit. The recorded audio can be output digitally from the [DIGITAL OUT] connector, allowing digital copy to an external digital device (such as an MD and DAT). Extended mode: The recording time takes precedence. In this mode, you can record and play back 8-track audio at 22.05 kHz, 16 bit. You can get longer record- ing time than the normal mode (see page 16). Note that audio recorded in the extended mode can- not be output digitally from the [DIGITAL OUT] con- nector. To understand songs, imagine separated rooms as shown below. With the MR-8, you can create up to 99 songs on a card (although the available space may limit the number of songs).

Songse] | Songss| | Each song is independent on a card and you can record, play back or edit a song without affect- ing other songs. You can give a desired song name for managing recorded songs (see page 57). Recorded track data is stored in a song as mono WAV files, as shown below. Song01 +

The MR-8 can convert the two WAV files bounced to tracks 7 and 8 (L and R) to a stereo WAV file (see page 86). You can export the converted ste- reo WAV file to your USB-connected personal computer, and use the file by a computer music software or burn the file to a CD-R/CD-RW disc for making an original audio CD using a CD-RW drive connected to the computer (see page 88). WAV file

MR-8 Owner's Manual The term, "time base", is used as the reference of recorder position information. Using the [TIME BASE SELECT] key, you can select from among three time base types: ABS, Bar/Beat/CIk and Time counter. ABS time: ABS time stands for Absolute time, which is "striped" on a card when creating a song. It starts from Om00.000s (=ABS zero, the begin- ning of a song) and ends by 60m00.000s at maximum. The following screen shows that the recorder is located at Om00.000s of ABS time, which is the beginning of the song. You can see "ABS" at the right-top. 18345618 LEA Bar/Beat/CIk: The Bar/Beat/CIk information is created ac- cording to the internal tempo map. The following screen shows that the beginning position of the song is "bar -2/beat 1/cIk 000". You can see "cik" at the right-top. The Bar/Beat/CIK information is initially off- set by "-2 bars" at Om00.000s ABS time (which is called "bar offset"). The MR-8 determines the Bar/Beat/CIK values in a song according to the offset, time signature and tempo. You can change the Bar offset (initially set to "-2") between 1 and -7 in the menu mode (see page 81). Time counter: This is similar to the "time counter" mode used for tape recorders. It shows the recorder posi- tion within the range between "-60m00.000$" and "60m00.000$" and looks similar to the ABS time, however, you can reset the current position to "Om00.000$" whenever you want (see page 52). Therefore, you can reset a start position of the part which you work with to the zero point (to which you can return by simply pressing the [O RETURN] key (see page 53). You can see no time base type indication at the right-top. The figure below shows the relation between the three time base types. Beginning the song Om00.000s (ABS ZERO) Om03,000s Om06,000 -2bar 1) 00ck. Bbar 19 00ckk bar 1900ck Om00,000s ms 9005 amd, 0005 Time | If you reset the time counter at the position pointed by the arrow, the time counter values changes as below. Beginning the song Om00.000s (ABS ZERO) om03,000s Om06,000 2bar 19 O0cik bar 19 00lk 3bar 1) O0cik -0m03.000 Om00.600s m0, 0006

MR-8 Owner's Manual Remain display "Remain" shows how much time you can further record audio data to the available space left on the current CompactFlash" card. As described earlier, the MR-8 stripes ABS time from Om00.000$ to 60m00.000s at maximum for each song, however, the remaining time (= available recording time left) depends on the available space on the CompactFlash" card. The remain time is shown as in the screen example below during recording or record standby. Note that it shows the remaining time for recording onto a mono track. A mono track means a single track. Therefore, to know the remaining time for recording to more than one track, divide the displayed time by the number of tracks. Note that the remaining time shown on the screen is an approximate time. Input mo and repro monitor Each of the MR-8 tracks has two output modes: repro monitor and input monitor. In the repro monitor mode, the track playback signal is output. In the input monitor mode, the input signal fed to the track is output, therefore, you can check the level of the input signal to be recorded. To enter a MR-8 track to input monitor mode, press the appropriate [REC SELECT] key to arm the track (i.e. make the track record-ready), then press only the [RECORD] key to enter the "RECORD READY" mode or press both the [RECORD] and [PLAY] keys simultaneously to start recording. Signal ouput am the recarder >>. Playback sound (Playback montor) Z$ Plaÿback sound (Playback mon) input signal Input mont) input signal Input mont EE 3 Playback sound (Playback montor) rad playback sound (Playback montor)

+ 7 25 Playback sound (Playback monte)

[race +" Piaphack sound (Playback monitor Signal input in the recorder. TRIM control Pay great attention to the TRIM control adjust- ment. The signal received at the [INPUT A] or [INPUT B] jack is routed to the appropriate TRIM con- trol, by which the signal level fed to the A/D con- verter of the MR-8 is controlled. You can check this level by the PEAK indicator. If the level is too high, the PEAK indicator lights, while you may hear the sound distorted or noisy. This distortion (noise) generated at this stage cannot be eliminated, therefore, adjust the TRIM control properly so that the PEAK indicator does not light at the loudest part of the input signal. Appropriate gain Excessive gain Chi level Chi level

MR-8 Owner's Manual Names and Functions L [INPUT A]connectors Both the [BAL] XLR and [UNBAL/GUITAR] phone connectors are provided. You can connect a gui- tar, microphone, keyboard, etc. According to the source connected, select the [INPUT A SELECT] switch appropriately. To record a mono source, use only the [INPUT A] section. To record a stereo source, use both the [INPUT A] and [INPUT B] sections (see page 29). NOTE> On each input section, the [UNBAL/GUITAR] phone connector takes priority to the [BAL] XLR connector. You cannot use both the [UNBAL/GUITAR] and [BAL] connectors on the same section simultaneously.

2. [INPUT B]connectors

Both the [BAL] XLR and [UNBAL] phone connec- tors are provided. You can connect a micro- phone, keyboard, etc. This section is used only when recording a ste- reo source. When recording a mono source, this section is not used (see page 29). NOTE> On each input section, the [UNBAL] phone connector takes priority to the [BAL] XLR con- nector. You cannot use both the [UNBAL] and [BAL] connectors on the same section simul- taneously.

3. [STEREO OUT]jacks (L,R)

These jacks output the stereo (L and R) buss sig- nals. Connect these jacks to a monitor equipment or master recorder (see page 26).

Two jacks (1 and 2) are provided. You can use two pairs of stereo headphones with the MR-8.

5. [PHONES VOL] control

Adjusts the headphone output level.

6. [REVERB/DELAY TIME] control

Controls the reverb time or delay time (see page 40).

Select the effect type from among ROOM, HALL, PLATE and DELAY (see page 39). 8 [MASTER] fader Adjusts the stereo (L and R) buss output level (see page 32 and 33).

Each fader adjusts the appropriate track play- back level. Each of track faders 5/6 and 7/8 controls the appropriate stereo signal (see page 19, 32, and 33). 10.[REC SELECT] keys Used to select one or two recording tracks. You can record onto up to two tracks simulta- neously. Pressing a key arms or unarm the cor- responding track(s). Tracks 5/6 or 7/8 are armed or unarmed simultaneously (see page 29, 31, and 33). IL [PAN] controls Control panning for tracks 1 through 4 (see page 45).

12. [EFFECT SEND] controls

Control the amount of signals from tracks 1 through 4 sent to the internal effect (reverb/de- lay). (see page 40).

13. Intemal microphone

You can make recording using the internal mi- crophone by setting the [INPUT A SELECT] switch on the rear panel to "INT MIC" (see page 29).

Used to select the insert effect (mic simulation or amp simulation) for the signal from the [IN- PUT A] jack. When setting the [INPUT A SELECT] switch on the rear panel to "MIC/LINE", you can use the mic simulation effect. When setting the switch to "GUITAR", you can use the amp simulation ef- fect (see page 30 and 38).

15. [DISTORTION] control

Controls the amount of the distortion effect for a guitar connected to the phone jack on the [IN- PUT A] section. This control is effective only when the [INPUT A SELECT] switch is set to "GUITAR" (see page 30).

Control the input gain of the [INPUT A] and [IN- PUT B] sections (see page 30).

Selects the bounce mode (see page 43). Each press of the key alternates "1-4 > 5/6" and "1-6 > 7/8". In the menu mode, this key is also used for deleting a character in a song name (see page 58).

18. [7/8 > STEREO WAV FILE] key

Converts a mono WAV file recorded on tracks 7/ 8 to a stereo WAV file (see page 86). You can export the stereo WAV file to your per- sonal computer over the USB connection (see page 88).

19. [MASTERING] keys

Used to select the mastering effect during track bounce or mixdown (see page 41). In the menu mode, the [POWERFUL] key is used for character entry of +, -, _, and O (see page 21).

This 128 x 64 dot LCD display shows various in- formation (see page 27).

2L ICURSOR ©/8/®/®©] keys Used to move the cursor in the menu mode, ex- ecute/cancel settings, etc. 22.[STORE]/J K L 4 entry key Stores the current recorder position (time data) as the LOCATE A/IN or LOCATE B/OUT point (see page 36 and 53). In the menu mode, this key is used for character entry of J (j), K (k), L (1) and 4 (see page 21).

23. [ENTER]/[CONTRAST] key

Confirms the selection in the menu mode. While holding down this and the [MENU] key together, you can adjust the LCD display con- trast by using the [CURSOR @] and [CURSOR @] key (see page 28).

24. [MENU] /[CONTRAST]key

Enters the menu mode. While holding down this and the [ENTER] key together, you can adjust the LCD display con- trast by using the [CURSOR ©] and [CURSOR @] key (see page 28).

Used to undo or redo recording or editing (see page 32 and 34). Each press of the key alternates “undo" and "redo". In the menu mode, this key is used for character entry of Y (y), Z (z) and 9 (see page 21).

26. [TIME BASE SELECT]/VW X 8 entry key

Selects the time base shown on the LCD display (see page 27). Pressing this key while holding down the [MENU] and [ENTER] keys together resets the LCD display contrast to the default value (see page 28). In the menu mode, this key is used for character entry of V (v), W (w), X (x) and 8 (see page 21).

[PLAY] key Starts playback of the recorder. Pressing this key while holding down the [RECORD] key starts recording of the armed (record-ready) track(s). Pressing this key dur- ing recording releases recording. [STOP]key Stops the recorder. By pressing the [PLAY], [REWIND] or [F FWD] key while holding down the [STOP] key, you can lo- cate to a specific point or repeat playback as be- low. + [STOP] + [PLAY] (AB PLAY) Repeats playback between the LOCATE A and LOCATE B points (see page 49). + [STOP] + [REWIND] (LOCATE ABS ZERO) Locates to the beginning (ABS ZERO) of the current song (see page 52). + [STOP] + [F FWD] (LOCATE REC END) Locates to the recording end of the current song (REC END) (see page 52). [RECORD] key Pressing the [PLAY] key while holding down the [RECORD] key starts recording of the armed (record-ready) track(s) (see page 32 and 34). By pressing only the [RECORD] key when any track(s) is armed (in record-ready), the input signal(s) of the armed track(s) can be monitored (i.e. input monitor mode).

IF FWD] key Pressing this key fast forwards the recorder. During playback, pressing this key starts 3 x cue- ing. While holding down the [STOP] key, press- ing this key locates to the recording end of the current song (REC END) (see page 52). While holding down the [ENTER] key, pressing this key selects a song (see page 24). IREWIND] key Pressing this key rewinds the recorder. During playback, pressing this key starts 3 x re- verse cueing. While holding down the [STOP] key, pressing this key locates to the beginning (ABS ZERO) of the current song (see page 52). While holding down the [ENTER] key, pressing this key selects a song (see page 24).

28. [COUNTER O0 RETURN]/ST U 7 entry key

Locates to the counter zero point (see page 53). In the menu mode, this key is used for character entry OfS (s), T (t), U (u) and 7 (see page 21).

29. [COUNTER RESET]/P Q R 6 entry key

Resets the counter to zero (see page 52). In the menu mode, this key is used for character entry of P (p), Q (q), R (r) and 6 (see page 21). 30.[AUTO PUNCH]/M N O 5 entry key Turns on or off the auto punch mode (see page 36). In the menu mode, this key is used for char- acter entry of M (m), N (n), O (0) and 5 (see page 21). 3L.ILOCATE B/OUT]/G H13 entry key Pressing the [STORE] key followed by this key stores the LOCATE B (or punch out) point (see page 36 and 53). In the menu mode, this key is used for character entry of G (g), H (h), I (i) and 3 (see page 21). 32.[LOCATE A/AN]/DE F 2entry key Pressing the [STORE] key followed by this key stores the LOCATE A (or punch in) point (see page 36 and 53). In the menu mode, this key is used for character entry of D (d), E (e), F (f) and 2 (see page 21).

33. [PLAY MODE]/A B C Lentry key

Selects the play mode from among normal, auto play, auto return and loop (see page 50). In the menu mode, this key is used forcharac- ter entry of A (a), B (b), C (c) and 1 (see page 21).

MR-8 Owner's Manual L [DC IN]jack Connect the supplied AC adaptor to this jack (see page 17).

Used to turn on or off the power. By setting the switch to "LIGHT", the backlight of the LCD display lights up (see page 18). Note> When driving the MR-8 by batteries, we rec- ommend not to use the backlight, because the batteries are exhausted quickly.

Used to connect with a personal computer using a standard USB cable (see page 88). 4.[FOOT SW]jack Used to connect with the optional footswitch (Model 8051) or an unlatched-type footswitch (see page 35).

5. [DIGITAL OUT] connector

Used to connect with an external digital device (see page 48). <Note> Only song data created by the normal mode (44.1 KE, 16 bit) can be digitally output from this port. Song data created by the extended mode can- not be digitally output.

Note> When you open the MR-8 carton, the protec- tion cap is inserted to the [DIGITAL OUT] con- nector. When using the connector, remove the cap. When no connection is made to the connector, keep the cap inserted.

This switch must be set appropriately according to the input source of the [INPUT A] section (see page 29). Setthe switch t this posiion when the source is an external microphone or line level source. Both the [BAL] XLR and [UNBAL/GUITAR] phone connectors can be used. MIC/LINE Setthe switch to this position when the source is à guitar connected to the phone connector. Both the [BAL] XLR and [UNBAL/GUITAR] phone connectors can be used. GUITAR Setthe switch to this position when the source is the buit-in microphone. Both the [BAL] XLR and [UNBAL/GUITAR] phone connectors cannot be used. INT MIC

MR-8 Owner's Manual Side panel nus L Cardslot A CompactFlash" card is inserted to this slot (see page 16).

Used to connect to a [MIDI IN] jack of an external MIDI device (such as a MIDI sequencer) (see page 77). Bottom panel EE | L Battery compartment To use the MR-8 with batteries, insert six stan- dard alkaline AA-type batteries to this compart- ment (see page 17).

MR-8 Owner's Manual EE About recording medium En CompactFlash" card The MR-8 uses a CompactFlash" card (see the illustration below) as a recording medium. On the CompactFlash"! card supplied with the unit, a demo song is recorded. See "Playing back the demo song” on page 19 for details about how to play back the demo song. <mage> Note> When using a CompactFlash" card other than the supplied one, make sure that the card is tested and confirmed by Fostex. If you use a card which is not tested and confirmed by Fostex, the MR-8 may not work correctly. About cards confirmed by Fostex, see the Fostex web site or contact your nearest Fostex dealer or service station. Also note that, before using a new card, you must format the card by the MR-8 (see page 22). Recording time The available recording time depends on the memory size of the card used. The following table shows the approximate recording time when recording in the normal mode (at 44.1-kKHz, 16- bit), as well as in the extended mode (at 22.05- kHz, 16-bit). Refer to this table when purchas- ing a CompactFlash"! card. We recommend to use a CompactFlash" card whose memory size is more than 128 MB. Approx. Minutes Memory size Mono 2TR ATR GTR 8TR 128MB | 24(48) | 12(24) | 6(12) | 4(8) | 36) 256MB | 48(96) | 24(48) | 12(24) | 8(6) | 6(12) 512MB | 96(193) | 48(96) | 24(48) | 16(32) | 12(24)

Inserting a CompactFlash" card Insert a CompactFlash" card to the slot on the right side panel. (When shipped, the supplied card is inserted.) Slot <mportant!> When inserting or removing a card, make sure that the power of the MR-8 is off. If you insert or remove a card when the power is on, the card may be damaged or the recorded data may be lost. How to remove a CompactFlash"" card Place your fingertip in the groove under the card and pull it forward. <mportant!> Do not leave a CompactFlash card in a dusty place, a place where static electricity is easily generated, or a place where is affected by mag- netic fields. AIso, do not give a strong impact or ex- cessive power. How to insert a CompactFlash"" card With the surface side up, insert a card until it cannot go further. <mportant!> + Do not insert a card in the wrong direction. + Do not push a card with excessive force.

MR-8 Owner's Manual About the power You can use the MR-8 either with the supplied AC adaptor (Model AD-12A) or alkaline batteries (AA-type x 6, not supplied with the MR-8). When preparing the power source, make sure that the [POWER] switch of the MR-8 is set to off. Connecting the AC adaptor See the illustration below. Connect the plug of the supplied AC adaptor to the [DC IN] jack firmly, then connect the AC adap- tor to the AC main outlet. Make sure that the voltage of your AC outlet matches the supplied AC adaptor's specification. Model AD-12A IDC IN] connector When the AC adaptor is connected while batter- ies are installed, the power is supplied to the MR- 8 from the AC adaptor. If the AC adaptor is un- plugged, the batteries supply the power to the MR-8. Inserting The battery compartment is located at the bot- tom of the MR-8. To insert batteries, follow the procedure below. <mportant!> No battery is supplied with the unit. Purchase AA-type alkaline batteries. Do not use manganese batteries. L Putthe MR-8 with the bottom panel up on soft material such as cloth.

2. Push the tab on the battery compartment cover to

the direction shown by arrow in the illustration below, and remove the cover.

3. Insert six batteries in the right direction as shown

4. _ Place the compartment cover to the original

position. Notes for changing batteries> + Do not leave the exhausted batteries in the bat- tery compartment. + When batteries are exhausted, remove them from the battery compartment. If you leave them, chemi- cal liquid in the batteries may leak out and damage the unit. If you do not use the unit with batteries for a long time, remove the batteries even though they are new. + Never mix old and new batteries. Tuming on the unit The first time you turn on the power, the LCD display shows the startup screen, followed by the screen below showing that the demo song is loaded. See page 27 for details about screens. The beginning ofthe demo song is shown.

MR-8 Owner's Manual If the LCD display does not show the startup screen when turning on the power, check the following. < The power is supplied to the unit. (1e. the AC adaptor is correctly connected, or batteries are not exhausted and correctly set.) + The card is correctly set to the slot. Note that the demo song is protected and the "à" icon is shown at the top right of the screen. You can play back a protected song but cannot make recording or edit data. See page 20 for the details. Tuming on the LC If you hardly see the screen on the LCD display in the dark place, turn the LCD display backlight by setting the [POWER] switch to the "LIGHT" position. BR LIGHT position Note> When using the MR-8 with batteries, we recommend not to turn on the backlight except when it is needed. Turning on the backlight consumes the battery power, therefore, the operation time becomes shorter. <mportanti> Note when external devices are connected. If external devices are connected to the MR-8, follow the procedure below when turning on the power.

1. Turn down the MR-8 [MASTER] fader.

2. Turn on the power of source devices.

3. Turn on the power of the MR-8.

4. Turn on the power of monitor devices (such

as an amplifier, speakers with built-in amplifiers, etc.). Tuming off the power When turning off the power, make sure that the MR-8 is stopped. If external devices are con- nected, reverse the procedure shown above (i.e. monitor devices -> MR-8 -> source devices). <mportant!> If you turn off the MR-8 power while the card is accessed, the recorded songs or card itself may be damaged. You do not have to shut down the MR-8 before turning it off. AIl data recorded before turning off the power are memorized.

w battery display When using the MR-8 with batteries and the bat- tery power becomes low, "Low Battery!" flashes on the display. If you see this, interrupt the current work and replace batteries. Note that when "Low Battery!" flashes on the dis- play, you cannot turn on the backlight. flashing DE <mportant!> If you continue your work after "Low Battery!" starts flashing, the batteries finally become empty. In such a condition, the warning message as shown below appears on the display and the MR-8 does not accept any key operation. We recommend to replace batteries as soon as "Low Battery!" starts flashing. Warnins Batters Emptal

MR-8 Owner's Manual EE Listening the demo song EE A demo song is recorded on the supplied CompactFlash" card. Let's listen to this song. | 1 2 oenemmuerer MTR-8 IPOWER]SW 3,5

1) Connect headphones or a monitor system to the 6) When the demo song ends, press the [STOP] key

MR-8. to stop the recorder.

2) Setthe [POWER] switch to ON.

The MR-8 turns on the power. After the LCD : p F F display shows the startup screen, the demo song Tips: Listening to the demo song again (Song O1: FOSTEX_ FEVER) is loaded. When the recorder is stopped after listening to the demo song, press the [REWIND] key while holding down the [STOP] key. The recorder instantly moves back to the beginning of the demo song. Then pressing the [PLAY] key starts playback from the beginning of the demo song. Do not raise the track faders at this stage. <Note> To record a new material onto the supplied card,

4) Press the [PLAY] key to start playback. you have to delete the demo song.

5) Raise the track faders gradually to adjustthe play If you wish to keep the demo song, you cannot record

a material onto the supplied card, therefore, you must record a material onto a new CompactFlash®" card. Before recording a material onto a new card, you must make preparations for a card. See "Prepara- tions of a CompactFlash®" card" on the next page. back level. If you are using headphones for monitoring, also raise the [PHONES] control gradually to adjust the headphones level. (If you are using a monitor amplifier/speaker system for monitoring, adjust the level control of the amplifier.) ES 19 |

MR-8 Owner's Manual M Eparation of a CompactFlash"eat: JR After playing back the demo song, let's make preparations for a CompactFlash" card onto which you are going to record. Depending on whether you are going to record a material onto the supplied CompactFlash"! card or a new card, make either of the following prepara- tions. Preparation for recording onto the supplied cai Before recording a material onto the supplied card, you must release the protection of the demo song and delete the demo song, then create a new song on the card.

1) Make sure that the supplied card is setto the slot,

then tum on the MR-8 power. The recorded demo song is loaded.

2) Press the [MENU] key to enter the menu mode.

The LCD display shows the MENU screen. The first time you access to this screen, "System" is highlighted. [(i buste Track Part USE rrrrh

3) Highlight "Song" using the [CURSOR ®] key, then

press the [ENTER] key (or [CURSOR ©] key). The display now shows the song edit menu screen. Initially, "Select Song" is highlighted. MEHURkSons System MEHUkSonakSelect Sons

@]key, then press the [ENTER] key. The protection is released, and the screen now looks like the following. MEHUkSonskProtect Select Sons + Feñare Sons k Delete Unused k FEar Dffset

6) Highlight" Delete Song" usingthe [CURSOR ©]key,

then press the [ENTER] key. The display shows the screen on which you can select a song to be deleted. On the supplied card, only one song (SOL: FOSTEX_FEVER) is shown. MEHUkSomsklelete Some =-2bar)

7) While "S01: FOSTEX_FEVER"is highlighted, press

the [ENTER] key. The display shows the confirmation screen for deleting a song.

MR-8 Owner's Manual In this screen, “Delete Song” and “Can’tUndo” are shown for warning, as well as “Yes->RECORD+YES Key” and “No->NO Key” alternately flash. MENURkSonahkDelete Sons —— Delete Sons -- Can°t Undo! Are sou sure? “es+ RECORD4VES Ke Note> You cannot undo song deletion. To cancel delet- ing a song, press the [CURSOR @)] key when the confirmation screen is shown.

8) Press the [CURSOR ®]key while holding down the

[RECORD] key. The demo song is deleted, while the display now shows the screen for newly creating song O1, in which you can select the song mode (Gnitially, "Normal" is flashing). MHENUkSonskSelect Sora —- Heu Sons == Sons Mode = Sons Hame L_fashing

You can select between "Normal" and "Ex- tended". Fs 44.1 kHz, 16-bithigh quality audio mode Normal | Normal, selectthis option Fs 22.05 kHz, 16-bit long time mode. Extended | Song data recorded in this mode cannotbe digitaly output

9) Select the song mode using the [CURSOR &]or

[CURSOR ©] key, then press the [ENTER] key. Now the song mode is set and the selected option steadily lights.

10) Press the [CURSOR ©] key.

The cursor moves to the first character entry position of a song name. MENUkSonakSelect Sons) —— Heu Sons —— Sons Mode = Hormal Sons _Hame L_flashing CCANCELT CEMTER]

11) Enter a desired character using the character

entry keys together with [CURSOR] keys. See below for details about how to enter characters. You can enter up to 16 characters. You must enter a song name, otherwise, you cannot create a song. <How to enter characters> <Character entry keys> Some keys on the MR-8 top panel act as character entry keys in the menu mode. For example, the [PLAY MODE] key (shown at the left) can be used for entering À, B,C, a,b,cand 1. Each press of a character entry key switches the character to be entered from among those assigned to the key. PLAY MODE <Æntry example> The following procedure shows how to enter "Moonlit" as a song name.

Use the [AUTO PUNCHI] key to enter "M". Press the [CURSOR ©] key to move the cursor right.

3. Use the [AUTO PUNCH] key to enter "o".

. Press the [CURSOR ©] key to move the cursor right. . Use the [AUTO PUNCHI] key to enter "o". . Press the [CURSOR ©] key to move the cursor right. Use the [AUTO PUNCHI] key to enter "n".

Notes on cursor movement> Pressing a different character entry key automati- cally moves the cursor right. If two su ve characters are assigned to the same character entry key, press the [CURSOR @] key after selecting the first c ter to move the cursor right. Also note that You cannot use “+” for a song name with less than 9 characters. For example, you cannot enter “AAA+BBB” fo: ong name. You can use “+” for a song name with 8 or more characters. For example, you can enter “AAA+BBBBB”.

MR-8 Owner's Manual To correct a character entered, use the [CURSOR @/@)] keys to move the cursor to the character you want to correct, and re- enter the desired character. By moving the cursor to the last character and pressing the [1-4>5/6, 1-6>7/8] key repeatedly, you can delete all characters. <Note> You have to enter a song name. If you go to the next operation without entering a song ne, the warning message appears and the ay shows the song name entry screen. If you enter à song name which is already used in the card, the same warning message ap- pears. You can change a song name whenever you like in the menu mode (see page 58).

To create another song, follow the same procedure above. You can also delete an unnecessary song (see page 59).

HENUonshéelent Sons Preparation for recording onto a new card — Eur OMS —— Sons Mode = Hormal Before recording a material onto a new card Sons Hame (which is operation-confirmed by Fostex), carry = Moonli À . « out the following procedure for preparation. CCAHCEL] CENTER <Note> <Correction and deletion> You can use a card which has been used with a digital camera or personal computer if the card is operation-confirmed. However, de- pending on the use of the card, the remain- ing space for recording with the MR-8 may be small. Therefore, we recommend to format the card by your digital camera or personal computer before using it with the MR-8. If you cannot format such a card with another device, you can format the card with the MR- 8 using the "Card Format" menu after creat- ing a new song by the following procedure. See page 25 for formatting a card with the MR-8.

1) While the MR-8 power is off, remove the supplied

card from the slot and insert a new card to the slot.

2) Tum on the MR-8 power.

After showing the startup screen, the display automatically shows the "Select Song" screen of the Song menu, on which you can create song O1. MENUkSonakSelect Sons —= Heu Sons == Sons Mode Sons Hame CCANCEL] CENTER] As described earlier, set the song mode (Nor- mal or Extended) and song name to create song O1. After creating a song, you Can make recording onto the card.

MR-8 Owner's Manual BL Creating a song/selecting a song This section describes how to create a new song on a card and how to select a desired song among more than one song created. In the following procedure, we assume that song 1 (S01) is already created on the card and we are going to created a new song.

1) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The LCD display shows the MENU screen. The first time you access to this screen, "System" is highlighted. HEHUkS'aS tem

press the [ENTER] key. The display now shows the song edit menu screen. Initially, "Select Song" is highlighted. MEHURSons S'astem Track Part USE LL TL MEHUkSonskSelact Sonal

[ENTER] key. Song 01 (S01: Original Song1) already created is highlighted, while "--:New Song" is shown on the next line.

key, then press the [ENTER] key. The display now shows the screen on which you can select the song mode of the new song you are going to create. HEHU+HSonmskSelect Sons Sgi:Orisinal Sonai MENUkSonakSelect Sons —- Heu Sons = Sons Mode = DE —fashing Sons Hame CCRNCELT CENTER]

5) Selectthe song mode using the [CURSOR @]or

ICURSOR &]key. You can select between "Normal" and "Extended".

6) Press the [CURSOR @]key.

The cursor (flashing point) moves to the first character entry position of a song name. MEHUkSonskSelect Sons —- Heu Sons —- Sons Mode = Hormal Sons _Hame L_fashing CCAHCELI CENTER]

7) Enter a desired name following the same

procedure as described on page 21.

8) After completing song name entry, use the

ICUR SOR ®] key to move the cursor to "ENTER" atthe bottom of the screen, then press the [ENTER] key. The screen now shows the song list in which you see the new song added. To cancel creating a song, use the [CURSOR ©] key to move the cursor to "ICANCEL]" (instead of "IENTER]"), then press the [ENTER] key.

9) Press the [MENU] key to quitthe menu mode.

To create another song, follow the same proce- dure above. You can also delete an unnecessary song (see page 59). Selecting a desired song If more than one song is created on a card, you have to select a desired song first by following the procedure below.

1) When the display shows the home screen and the

recorder is stopped, press the [RE WIND] key (or [F FWD] key) while holding down the [ENTER] key. (©) mm LENTER] key Gmn [F FWD] key IREWIND] key Pressing the [REWIND] key while holding down the [ENTER] key selects the lower song number of the current song number. Pressing the [F FWD] key while holding down the [ENTER] key selects the higher song number of the current song number.

<Tip> When the current recorder position is the beginning of a song, pressing the [F FWD] key (or [REWIND] key) while holding down the [ENTER] key moves the posi- tion to the beginning of the next or previ- ous song. When the current recorder position is the middle of a song, pressing the [REWIND] key while holding down the [ENTER] key moves the position to the beginning of the current song. Beginning the song

Current position You can also select a song from the menu mode (see page 57).

MR-8 Owner's Manual Formatting a card By formatting a card, all recorded data on the card are erased and the card returns to the initial condition, follow the procedure shown below to format the card.

1) Turn offthe MR-8.

2) Setthe card you are going to format to the slot.

3) Turn on the MR-8.

The display shows the startup screen, then the song is loaded.

4) Press the [MENU] key to enter the menu mode.

The display changes to the menu selection screen, in which "System" is initially highlighted. MEHURSuS tem Sons Track Part USE rrrvhi

5) While "System" is highlighted, press the [ENTER]

key. The display now shows the System menu selection screen, in which "Card Format" is initially highlighted.

[ENTER] key. The display now shows the screen for confirmation before the card format. In this screen, "Delete AI Songs!" and "Can't Undo!" are shown for warning, as well as "Yes->RECORD+YES key" and "No->NO key" alternately flash. MENUkSS tem bkCr-dF rm —— Card Format -- Delete 411 Sonas! Can’t Undot Are nou sure? “es+ RECORD#YES ken

<Note> Once you start formatting, you cannot stop it on the way. To cancel formatting, press the [CURSOR ©] key when the confirmation screen is shown.

7) Press the [CURSOR ®]key while holding down the

[RECORD] key. The MR-8 starts formatting. When completed, "Completed!" is shown on the display. MENUkSS tem bkCr-dF rm —— Card Format -- Completed! Press ENTER kel!

8) Press the [ENTER] key.

The screen exits the "Card Format’ menu, and automatically change to the "Select Song" menu for creating a new song (01). Then, select the song mode and enter the song name to create a new song to the formatted card, following the same procedure as described on page 21.

MR-8 Owner's Manual | Connections En You can connect sound sources, recorders, a monitor amplifier, headphones, a personal computer, etc. to the MR-8, as show in the figure below. When making connection or disconnection, make sure that the [MASTER] fader and [PHONES VOL] control are turned down. Otherwise, the noise generated when making connection or disconnection may damage external equipment. Guitar, ELA Microphone Master recorder 5 E or a | EÉ Monitor Speaker ] J <Note> On each input section, the [UNBAL] phone connector takes priority to the [BAL] XLR connector. You cannot use both the [UNEAL] and [BAL] connectors E Jand| venue MTR-83 on the same section simultaneously. MIDI device

MR-8 Owner's Manual Display The following describes details about the LCD display, including screen contents and opera- tion. Home screen When turning on the MR-8 while a formatted CompactFlash card is set, the display shows the startup screen (showing the startup status of the MR-8), followed by the "home" screen, which is similar to the one below. In this condition, the previously loaded song (or the demo song when you first use the MR-8 with the supplied card) is loaded and the recorder is located at the begin- ning of the song. The home screen includes the following infor- mation.

LTime counter display Time information of the current recorder posi- tion is shown in the selected time base (ABS, Bar/ Beat or time counter). Using the [TIME BASE SE- LECT] key, you can select a desired time base. When the recorder is moving (playing back, fast forwarding, etc.), the appropriate icon is also shown.

2. Character display

Normally, the name of the song currently loaded is shown (up to 14 characters can be shown at a time). It also shows following information. °_a name of the operation currently being executed (such as “BOUNCE 1-6>7/8”). + a warning message (such as "Low Battery!") as a flashing display.

+ The "Remain" time when at least one track is armed (i.e. at least one of the [REC SELECT] keys is active). The remain time shows how much time you can further record audio data onto a mono track using the available space left on the current card. 3.Track level display The recording or playback levels of tracks 1 through 8 are shown. The track number of an armed track is shown in reverse.

LE LA [Tracks 5 and 6 are amed.) (2 34

4. Stereo buss (L and R) level display

During recording or playback, the output levels of the stereo buss (L and R) are shown.

5. Song status display

Shows the following song status icons when the appropriate modes (functions) are active. Atleast one ofthe tracks is in the input monitor mode (see page 32). The auto punch mode is active (see page 36) AUTO FUHCH The auto return mode is active (see page 50). IHFUT_ HIHI AUTO RTH The loop mode is active (see page 50).

6. Song number/song mode display

Shows the song number and mode (Normal or Extended) of the song currently loaded.

MR-8 Owner's Manual Selecting a time base When the display shows the home screen, press- ing the [TIME BASE SELECT] key switches the time base among ABS, Bar/Beat and time counter. Example of [Demo_$orrs Fons Bar/Beat display |’! Te Le34SET8 LE Exemple of time counter display L2a45618 LR Example of ABS display PETER Le. Adjusting the display contrast You can adjust the display contrast by using the [CURSOR @] or [CURSOR @)] key while holding down the [MENU] and [ENTER] key simulta- neously. Use the [CURSOR @)] key to heighten the con- trast. Use the [CURSOR @)] to lower the contrast. High contrast Low contrast If a serious problem happens to the MR-8 during operation, an appropriate warning message is shown on the display. Most warning messages are being shown until the [ENTER] key is pressed. Warnins This message is shown when the battery power is too low to drive the unit. Battery Empis! Warnina Can°t Delete Frotected Sonal Fress ENTER keul This message is shown when you are going to de- lete à song which is pro- tected. Warning This message is shown when the MR-8 cannotread à card. Card Error! Press ENTER kesl! This message is shown Warnins . : Card Full! when you are going to edit a Can’ 4 Undo! track or partthe operation but there is notenough space on the card for executing the undo function Fress ENTER key! You can reset to the default contrast setting by pressing the [TIME BASE SELECT] key while hold- ing down the [MENU] and [ENTER] key simulta- neously. Pressing the [MENU] key while the recorder is stopped enters the menu mode and brings up the MENU screen. In the menu mode, you can make setting or editing via the appropriate MENU screen. MEHUkSSS term

Warnina During recording, this mes- sage is shown ifthere is no more space on the card for continuing recording. Card Full Fress ENTER key! Marnins This message is shown This Sons is ne gedi À] When you are going to record à material onto à song or editthe song which is protected. Press ENTER keul Warnina This message is shown when you are going to cre- ate a new song while 99 songs exist on the card. Too Mans Sonssl Fress ENTER key!

MR-8 Owner's Manual | MR-8 recording basics EE Before starting recording, we recommend to understand the MR-8 recording basics (such as the relation between the input jacks and tracks and useful recording functions) described below. Relation between the input jacks and tracks [INPUT A SELECT] switch The MR-8 provides eight tracks (1 through 8) and you can record onto a selected mono track or stereo tracks at a time. Depending on whether you select a mono track or stereo tracks for recording, use the input jacks appropriately as described below. *Recording onto a mono track Select a recording track by pressing any one of the [REC SELECT] keys. When selecting à mono recording track, only the [INPUT A] section can be used. Note that you cannot use the [INPUT B] section. REC SEL Eee] CHE

INPUT A «Recording onto stereo track Select a pair of recording tracks (1 and 2, 3 and 4, 5/6, or 7/8) by pressing the appropriate [REC SELECT] key(s). Note that you can select tracks 5/6 or 7/8 by pressing a single key, while you have to select tracks "1 and 2" or "3 and 4" by pressing appropriate two keys. When selecting stereo recording tracks, both the [INPUT A] and [INPUT B] sections can be used. The signals from the [INPUT A] and [INPUT B] sections are recorded onto the odd and even tracks, respectively.

An internal microphone is built in the [INPUT A] section. You can select a sound source of the [IN- PUT A] section between this built-in microphone or an external source (a guitar or mic/line source) using the [INPUT A SELECT] switch. [INPUT A SELECT] switch MIC/LINE: Set the switch to this position when connecting an external microphone or line-level source such as à key- board. Both the [BAL] XLR and [UNBAL/GUITAR] phone connectors can be used. Use the [TRIM] control to adjust the input level. When set- ting the switch to the MIC/LINE po- sition, the microphone simulation ef- fect can be inserted. mme] | [micume

GUITAR: Set the switch to this position when connecting a guitar. Both the [BAL] XLR and [UNBAL/GUITAR] phone connectors can be used. Use the [TRIM] control to adjust the input level and use the [DISTORTION] con- trol to control the distortion applied to the source. When setting the switch to the GUITAR position, the guitar amplifier simulation effect can be inserted. INPUT À SELECT INT MIC: Set the switch to this position when using the built-in microphone. Use the [TRIM] control to adjust the in- put level. When setting the switch to this position, you cannot use the [INPUT A] input connectors, as well as the insert effect. INPUT À SELECT

MR-8 Owner's Manual Input level setting Each of the [INPUT A] and [INPUT B] sections provides the [TRIM] control, with which you can adjust the input gain for any selected input source. This adjustment determines the record- ing level.

The [TRIM] control and [PEAK]indicator for the [INPUT B] section. The [TRIM] control and [PEAK]indicator forthe [INPUT A]sec- tion. N J J Set the [TRIM] control appropriately so that the [PEAK] indicator does not light up at the loudest part. Distortion setting You can apply distortion when recording an elec- tric guitar. To record a guitar with distortion, set the [INPUT A SELECT] switch to "GUITAR" and connect a guitar to the [UNBAL/GUITAR] phone connector of [INPUT A]. The distortion level can be adjusted using the [DISTORTION] control.

IDISTORTION] control which adjusts the distortion level. N J

Insert effects The [INPUT A] section provides the insert effects which allows you to use a simulation effect when recording the INPUT A signal. Depending on the [INPUT A SELECT] switch setting, a microphone or amplifier simulation effect can be used. About simulation effect The microphone and amplifier simulation effects on the MR-8 simulate some of popular microphones and guitar amplifiers. Each simulation effect can produce the similar sonic performance that it would have with the ac- tual modeled microphone or guitar amplifier. For example, selecting "TUBE" mic simulation effect allows you to record a vocal sound from your microphone as if you are using a tube microphone. LLC CONDENSER TUBE DYNAMIC INPUT A

BRTSTACK USMETAL 605 COMBO

AMP SIMULATION Mic simulation effects When the [INPUT A SELECT] switch is set to "MIC/ LINE", you can apply any one of the following mic simulation effects by using the keys shown in the illustration above. Simulates the sound of à popular dynamic DYNAMIC | microphone. CONDENSER | Simuiates the sound ofa popular condenser microphone. Tu8e — [Simulates the sound ofa popular tube mi- crophone. Amp. simulation effects When the [INPUT A SELECT] switch is set to "GUI- TAR", you can apply any one of the following mic simulation effects by using the keys shown in the illustration above. Simuletes à popular British stuck-type gui- BRIT STACK | Br ampliier. US METAL Suis a popular US metal guitar ampli 60s COMBO sous à popular tube combo guitar am-

MR-8 Owner's Manual | Recording onto a single track You can record onto any one of tracks 1 through 4. The following describes the procedure for recording a guitar sound onto track 1. We assume that a CompactFlash card is set to the slot and Song 1 is loaded. DicraL MucrrmRackER NATR-ES3 Preparation for recording 3) Connect a guitar to the [UNBAL/GUITAR] phone

1) Connect headphones to the PHONES] jack. connector ofthe [INPUT Al section.

4) Press the [REC SELECT] key for track 1.

Track 1 is armed, while track number "1" starts flashing on the screen. In the song name display section on the screen, the remaining time (available recording time) of the card is shown.

2) Setthe [INPUT A SELECT] switch to "GUITAR".

<Notes> + To record an external microphone or line output signal such as a keyboard output, set the [INPUT A SELECT] switch to "MIC/LINE". To record a built-in microphone sound, set the [INPUT A SELECT] switch to "INT MIC". When setting the switch to "MIC/LINE", you can Remain use the microphone simulation effect (see page 30 and 38). + When recording a guitar sound with the [INPUT A SELECT] switch set to "GUITAR", you can use the amplifier simulation effect. Try each of three simulation types (see page 30 and 38). flashing ER 31 |

5) Setthe track 1 fader and [MASTER] fader to the

nominal position (marked by “ Raising these faders allows you to monitor the input sound. If these faders are not raised, you cannot monitor the sound via headphones. Note> These faders are used to adjust the monitor level. To adjust the recording level, use the [TRIM] con- trol on the [INPUT A] section.

6) Press the [RECORD] key.

The armed track (track 1, in this case) now changes from tape monitoring to input monitoring, while "TRE" is shown on the screen.

7) While playing the guitar, adjust the recording level

using the [TRIM] control on the [INPUT A]section. The screen shows the input level of track 1, as well as the output levels of the stereo outputs (Land R). Turning the [PHONES VOL] control clockwise raises the headphone monitor level. Adjust the built-in distortion effect level using the [GUITAR DISTORTION] control. Sons <Note> Adjust the [TRIM] control properly so that the PEAK indicator does not light at the loudest part of the guitar sound. If the input level is too high, the PEAK indicator lights and the sound may be distorted or noisy. <Tip> When receiving a line level signal, set the [TRIM] control to left ("LINE") to get the appropriate level. When receiving a microphone signal (ex- ternal or internal), set the [TRIM] control to right ('MIC") to get the appropriate level. <Note> If you do not use the built-in distortion effect, turn the [GUITAR DISTORTION] control fully left. Starting recording

8) While holding down the [RECORD] key, press the

[PLAY] key to start recording.

9) When finishing recording, press the [STOP] key to

stop the recorder. <Tips> After completing recording, press the [REC SE- LECT] key for track 1 to unarm track 1. Playing back the recorded track

10) While holding down the [STOP] key, press the

IREWIND] key. The recorder instantly locates to the beginning of the song and stops.

11) Press the [PLAY] key to start playback.

You can adjust the monitor level using the fader for track 1, [MASTER] fader or [PHONES VOL] control. If you are not satisfied with the result, use the undo/ redo function to cancel the recording and try again. If you are satisfied with the result, make recording onto the next track by following the same procedure. Undo/redo If you press the [UNDO/REDO] key after finish- ing recording, you can return to the condition before the recording started (UNDO operation). Therefore, you can try recording again. If you press the [UNDO/REDO] key again (after UNDO), the undo operation is canceled and you can return to the condition when the recording finished (REDO operation). 2 —IUNDO/REDO] key <Notes> The undo/redo function can be used for all kind of recordings, however, if you carry out any of the fol- lowing operations after making recording, you cannot undo the recording. + Carrying out new recording. Carrying out new editing. Turning off the power. Carrying out song select, song delete or song name editing.

MR-8 Owner's Manual | Recording onto two tracks LE You can record a pair of tracks at a time. A pair can be tracks 1-2, 3-4, 5-6 or 7-8. The following describes the procedure for recording a stereo keyboard onto tracks 5-6 while listening to the guitar sound recorded on track 1.

Point! Preparation for recording

1) Setthe [INPUT A SELECT] switch to "MIC/LINE".

2) Connect stereo outputs of the keyboard to the

input connectors on the [INPUT A] and [INPUT B] sections.

3) Press the [REC SELECT] key for track 5/6.

Track 5/6 is armed, while track number "5-6" starts flashing on the screen. In the song name display section on the screen, the remaining time (available recording time) of the card is shown.

oicrrac muuTimeacKER MATR-S3 Remain flashing

4) Setthe track 5/6 fader and [MASTER] fader to the

nominal position (marked by Raising these faders allows you to monitor the input sound. If these faders are not raised, you cannot monitor the sound via headphones.

5) Press the [RECORD] key.

The armed tracks (tracks 5/6, in this case) now changes from tape monitoring to input monitoring, while "MH" is shown on the screen.

6) While playing the keyboard, adjust the recording

level using the [TRIM] controls on the [INPUT A] and [INPUT B]sections. The screen shows the input levels of tracks 5 and 6, as well as the output levels of the stereo outputs (L and R). Turning the [PHONES VOL] control clock- wise raises the headphone monitor level. Sons 1

• [ETATS LF DM <Note> Adjust each of the [TRIM] control properly so that the PEAK indicator does not light at the loudest part of the keyboard sound. If the in- put level is too high, the PEAK indicator lights and the sound may be distorted or noisy. Starting recording

7) While holding down the [RECORD] key, press the

[PLAY] key to start recording. <Note> When the recorder starts running, the meter for track 1 (onto which you recorded the guitar) shows the playback level. By raising the fader for track 1, you can record the keyboard onto tracks 5-6 while listen- ing to the guitar on track 1 (ie. overdub- bing). =i3mêss Conseil

8) When finishing recording, press the [STOP] key to

stop the recorder. <Tips> After completing recording, press the [REC SE- LECT] key for tracks 5/6 to unarm tracks 5/6.

Playing back the recorded tracks

9) While holding down the [STOP] key, press the

IREWIND] key. The recorder instantly locates to the beginning of the song and stops.

10) Press the [PLAY] key to start playback.

You can adjust the monitor level using the fader for tracks 5/6, [MASTER] fader or [PHONES VOL] control. If you are not satisfied with the result, use the undo/ redo function to cancel the recording and try again. If you are satisfied with the result, make recording onto the other track(s) by following the same procedure. Undo/redo If you press the [UNDO/REDO] key after finish- ing recording, you can return to the condition before the recording started (UNDO operation). Therefore, you can try recording again. If you press the [UNDO/REDO] key again (after UNDO), the undo operation is canceled and you can return to the condition when the recording finished (REDO operation). (a) Fe IUNDO/REDO] key <Notes> The undo/redo function can be used for all kind of recordings, however, if you carry out any of the fol- lowing operations after making recording, you cannot undo the recording. + Carrying out new recording. + Carrying out new editing. Turning off the pow Carrying out song select, song delete or song name editing.

MR-8 Owner's Manual Punch in/out Using the punch in/out function of the MR-8, you can overwrite a desired part of the re- corded track. "Punch in" means switching from playback to record, while "punch out" means switching form record to playback. The following description is assumed that the song you are going to make punch in/out recording to is loaded and the preparations for recording is completed. Punch in/out using the keys on the top panel <Note> The punch in/out operation by yourself us- ing the keys on the top panel sometimes dis- turbs you to concentrate on playing. In such a case, ask someone to operate the MR-8, or use the other two ways described later.

1) Press the [REC SELECT] key for the track you are

going to make punch in/out recording. The track is armed.

2) Locate the recorder to the point before the punch-

in point and then press the [PLAY] key to start play back. It may be a good idea to play the instrument along with the playback sound, so that you can get the tempo and feel.

3) When the recorder reaches atthe point you wantto

punchin, press the [PLAY] key while holding down the [RECORD] key. The armed track is punched in (ie. recording). starts

4) When the recorder reaches atthe point you wantto

punch out, press the [PLAY] key. The recording track is punched out (ie. switches from recording to playback).

5) Rewind the recorder and play back the part you

made punch in/out to check the result. If you are not satisfied with the result, use the undo function to cancel the punch in/out recording and try again.

1) Connect the footswitch to the [FOOT SW] jack on

the MR-8 rear panel. [FOOT SW] jack

2) Press the [REC SELECT] key for the track you are

going to make punch in/out recording.

3) Locate the recorder to the point before the punch-

in point and then press the [PLAY] key to start play back. It may be a good idea to play the instrument along with the playback sound, 50 that you can get the tempo and feel.

4) When the recorder reaches atthe point you wantto

punch in, press the footswitch. The armed track is punched in (ie. starts recording).

5) When the recorder reaches atthe point you want to

punch out, press the footswitch again. The recording track is punched out (ie. switches from recording to playback). You cannot successively make another punch in/ out operation, To make another punch in/out operation, stop the MR-8, then carry out the same procedure as above.

6) Rewind the recorder and play back the part you

made punch in/outto check the result. If you are not satisfied with the result, use the undo function to cancel the punch in/out recording and try again. Auto punch in/out By setting the punch-in and punch-out points in advance, The recorder automatically makes punch in/out recording for you. Setting the punch-in and punch-out points You can set the punch-in and punch-out points while playing back the recorder (as well as you can set them while stopped). <Note> If a song is record-protected, you cannot store the auto punch-in and punch-out points. If you want to store these points, you must release the protec- tion in advance (see page 20 and 60).

1) During playback, when the recorder reaches atthe

point where you want to punch in, press the ILOCATE A/IN] key while holding down the [STORE] key. The time value of the recorder position at which you operate above is stored to the punch-in point, while “Store LOCATE A” is shown on the display.

2) When the recorder reaches at the point where you

wantto punch out, press the [LOCATE B/OUT] key while holding down the [STORE] key. The time value of the recorder position at which you operate above is stored to the punch-out point, while “Store LOCATE B” is shown on the display.

3) Stop the recorder after setting the punch-in and

otes> ° If you are not satisfied with the punch-in or - out point you set, simply redo the operation above. The new point overwrites the previous one. The punch-in and punch-out point data also can be used for locate function, loop playback, auto return function, part editing, etc. Rehearsal You can rehearse the auto punch in/out for checking the punch-in and -out points or prac- ticing punch-in and -out timing. <How to make auto punch in/out mode active> Pressing the [AUTO PUNCH] key switches the auto punch in/out mode on or off. The key is lit when the mode is on, while it is unlit when off. AUTO PUNCH

1) Locate the recorder to the point before the punch-

in point. <Tip> You can locate to the punch-in point by press- ing the [LOCATE A/IN] key. Therefore, by press ing the [LOCATE A/IN] key, followed by the [RE- WIND] key then the [STOP] key, you can easily locate the point above.

2) Press the [REC SELECT] key for the track you are

going to make punch in/out to arm the track.

3) Press the [AUTO PUNCH] key to make the auto

punch mode active (the [AUTO PUNCH] key lights up). ‘CRE (AUTO PUNCH) is now shown on the screen. és lights Up

4) Press the [PLAY] key to start playback ofthe song.

h j” " (AL JTO PUNCH) on the screen changes to “FREE” (REHEARSAL), showing that the recorder starts the auto punch in/out rehearsal. The recorder automatically switches the monitor of the armed track from "repro" to input” at the punch-in point, and switches back to "repro" from "input at the punch-out point. Actual recording is not made, though only the monitor is switched. You can practice as many times as you like. Punch in Punch out point point Payback

5) After the punch-out point is passed, locate the

recorder back to the beginning position. <Note> By using the loop function when rehearsing auto punch in/out, you can concentrate on playing without bothering to operate the MR-S. See page 51 for details about the loop function. Actual auto punch in/out After rehearsing, let's execute actual auto punch in/out.

1) Locate the recorder to the point before the punch-

2) Make sure that "AUTO PUNCH" is shown on the

screen (ie. the auto punch mode is active). If it is not shown, Press the [AUTO PUNCH] key.

3) Press the [RECORD] key while holding down the

[PLAY] key. N j” (AUTO PUNCH) on the screen changes to “BRÉTEN” (TAKE), showing that the recorder starts execution of the actual auto punch in/out. The recorder starts playback and automatically switches to start recording at the punch-in point, then automatically releases recording at the punch- out point.

Punch in Punch out point point | ne Praybacr Playback <Note> You can cancel the auto punch in/out record- ing you made by pressing the [UNDO/REDO] key. <Note> In addition to the punch in/out function, the MR-8 allows you to edit the recorded material using the following editing func- tions. Deleting all data on a track + Copying all data on a track and pasting it to another track + Exchanging all track data between tracks e Deleting a desired part + Copying a desired part on a track and pasting it to another track + Exchanging parts between tracks See "Track editing" on page 62 for de- tails. See “Part editing” on page 68 for details. <About "part"> A "part" is defined as audio data between the "LOCATE A" and "LOCATE B" points. Therefore, you have to set the "LOCATE A" and "LOCATE B" points when editing a "part". The punch-in and punch-out points set for the auto punch in/out function also can be used as the "LOCATE A" and "LO- CATE B" points.

MR-8 Owner's Manual Using effects The MR-8 provides the insert effects for recording (microphone and amplifier simulation effects), the delay/reverb for track bounce or mixdown (for tracks 1 through 4 only) as well as the mastering effects. The following describes how to use the effects and details about each effect. Using the insert effects for recording As described briefly on page xx, the [INPUT A] section of the MR-8 provides two types of insert effects: microphone and amplifier simulation effects. These preset effects simulate popular micro- phones and guitar amplifiers. If you use the mi- crophone simulation effect when you record an acoustic guitar through your microphone, you can make recording as if you are using a famous microphone. If you use the guitar amplifier simu- lation effect when you record an electric guitar directly connected to the MR-8, you can make recording as if you are using a famous guitar amplifier. Mic simulation effects You can use mic simulation effects when the [IN- PUT A SELECT] switch on the rear panel is set to "MIC/LINE". — “MIC/LINE" position

You can choose from three mic simulation ef- fects by pressing any of DYNAMIC, CONDENSER and TUBE keys. The selected key is lit. MIC SIMULATION CONDENSER TUBE | | INPUT À DYNAMIC

Details of each mic simulation effect DYNAMIC Simulates the sound of a popular dynamic microphone. CONDENSER | Simwuietes the sound of a popular con- denser microphone for professional use. Simulates the sound of a popular tube mi- TUBE crophone for professional use. Amp simulation effects You can use mic simulation effects when the [IN- PUT A SELECT] switch on the rear panel is set to "GUITAR". (Note that, when the switch is set to "GUITAR", only the [UNBAL/GUITAR] connector can be used. GUITAR" position

You can choose from three guitar amp simula- tion effects by pressing any of BRIT STACK, US METAL and 60's COMBO keys. The selected key is lit. INPUT À 605 COMBO

AMP SIMULATION Details of each amp simulation effect Simulates à popular British stuck-type gui- tar amplifier. BRIT STACK Simulates a popular US high gain metal gui- US METAL tar amplifier. Simulates a popular tube combo guitar am- 60‘: COMBO plfier.

MR-8 Owner's Manual In addition, when the [INPUT A SELECT] switch is set to "GUITAR", you can also apply distortion to the guitar sound by raising the [DISTORTION] control to the appropriate position. IDISTORTION] control Using the reverb or delay The MR-8 incorporates the original reverb/de- lay effects featuring the newly-developed algo- rithm. You can apply the reverb or delay to play- back signals of tracks 1 through 4 during mixdown and track bounce. Selecting an effect type You can select an effect type from among three reverb options (ROOM, HALL and PLATE) and a delay (DELAY) by using the [EFFECT] keys shown below. The selected key is lit. max

ROOM UE un PLATE DELAY Details of each effect type ROOM Simulates the reverb in a medium-sized room. Simulates the reverb in a typical hall with moderate HALL |eariy reflection Simulates à plate reverb with a wide frequency range. PLATE You can selectfrom among three delay types: Mono, L-R and Diff (Diffusion) using a menu screen. See below for details. DELAY

Selecting a delay type When pressing the [DELAY] key to select the de- lay effect, you can select a delay type.

1) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The MENU screen is shown in which "System" is highlighted. MENURSSS ten

and then press the [ENTER] key. The current delay type starts flashing and now you can select a desired type from among three options shown below ("L-R" is initially selected). MENUkEsS temkDelssTure Card Format L Pre Roll Time = 4,0s PostRoll Time = 1.6s Delas Tire DO L-F SEC) Midi Sans Out = Off TUTC Framekate = 25 L-R L-R delay (default) Mono Mono delay Diff Diffusion delay

4) Use the [CURSOR @/©] keys to select a desired

der type and then press the [ENTER] key. d delay type while the "Delay Type" is FE Mehhehe on the screen.

5) Press the [MENU] key to quitthe menu mode.

MR-8 Owner's Manual Adjusting the delay/reverb time Adjusting the effect send levels You can adjust the reverb time or delay time us- ing the [REVERB/DELAY TIME] control, depend- ing on the selected effect type.

IREVERB / DELAY TIME]

control PLATE DELA Effecttype Reverb time/delay time adjustable range HALL Reverb ie adustble range. ROOM Reverb tie adusable range. PLATE Reverb ie adusable range. CARS To apply the effect (reverb or delay) to tracks 1 through 4, adjust the [EFFECT SEND] control for each track to adjust the level of the track signal sent to the effector. In the example as illustrated below, tracks 1 and 2 signals are sent to the effect. EFFECT sEND As shown in the signal flowchart below, a track (playback) signal after the track fader is fed to the [EFFECT SEND] control and adjusted, then fed to the effector input. The effector's stereo output signals (wet signals) and stereo (L/R) sig- nals (dry signals) are merged together and then output from the [STEREO OUT] jacks. As you can see in the flowchart below, the signal sent to the effector is affected by the track fader (ie. a track fader must be raised to send track signal to the effector). The signal which passes through a fader is generally called a "post fader signal". Signal flow from a track to the effector>

playback Track 1 adjusts the track playback level adjusts the send level to the effector dry sound STEREO BUSS wet sound

MR-8 Owner's Manual Using the mastering effects The MR-8 provides the dedicated mastering ef- fects for the stereo busses (L and R). You can use the mastering effects when bounc- ing more than one track to stereo tracks or when mixing down tracks 1 through 8 to stereo and sent to an external master recorder for record- ing. Masterhng Eflcts FT 1 proybect TK 2_ pbs FT 3 probe FTIK 4 piybsck Trk 5 recording| TK 6 recording Bounce <Bouncing tracks 1 through 4 to track 5/6> Mastering Effects FTrk 1 playback TK 2 pack FTIk 3 pytec FTIK 4 prsyback TK 5 paybact FTrK 6. playback FTrk 7 recording Selecting the desired effect type Three mastering effect types are available. You can select a desired type using the [MASTERING] keys (POWERFUL, NATURAL and BRIGHT). The selected key is lit.

POWERFUL NATURAL BRIGHT

ESS - Details about each mastering effect type Each effect type has the following character. Use the appropriate type. POWERFUL | Adds power to the sound. Good for rock. Slightiy adds power to the sound. Good for NATURAL 5 acoustic music. BRIGHT | Addbrghiness io the sound. Good or use when the mixed sound is dark. ote> When making the mastering effect active, the audio output level increases. Therefore, if you make it active or deactive while monitoring audio, the monitoring level suddenly changes. Source FTrk 8 recording <Bouncing tracks 1 through 6 to track 7/8> Mastering Effects FTrk 1 peak ITrk 2 playback FTrk 3 playback LITRES "es on [D Trk 5 piert au) FTrk 6 prarac— TK 7 playback ik 8 payrace | — +. <Mixing down tracks 1 through 8> ISTEREO OUT L, RIjacks (DIGITAL OUT] connector See "Track bounce" on page 42 for details about track bounce which allows mix multiple tracks to stereo. See "Mixdown" on page 47 for details about mixdown.

MR-8 Owner's Manual = Bouncingtracks ST The track bounce function of the MR-8 allows you to mix several tracks and record onto two other tracks. Two modes of track bounce are available: bouncing tracks 1 through 4 to tracks 5/6 ("1-4 > 5/6" mode), and bouncing tracks 1 through 6 to tracks 7/8 ("1-6 > 7/8" mode). In either mode, you can apply a reverb (or delay) and control panning for tracks 1 through 4 when bouncing to two tracks in stereo. Furthermore, you can apply the mastering effect to the mixed signals. By deleting the original track data after track bouncing, you can record new materials onto these tracks. See the following for details. <Æxample of track bouncing> You can record more than eight materials using the track bounce function as shown in the follow- ing example. Stp1> Stp2> Step3> Make recordings to tracks 1 through 6. Bounce tacks 1 through 6 to tracks 7/8. Delete tracks 1 through 6. ——— Track 5 —| Track 1 — Track 6 Track 2 Track 7 Track 7 Track 7 Track 8 Track 8 Track 8 Track 3 Track 4 <Step 4> Step 5> Step 6> Step 7> Overdub new materials to Bounce tracks 1 through 4 to Delete tracks 1 through 4. Overdub new materials to tracks 1 through 4. tracks 5/6. tracks 1 through 4. Track 1 Track 2 Track 3 Track 4 Track 5 Track 5 Track 6 Track 6 Track 7 Track 7 Track 8 Track 8 Track 5 Track 6 Track 7 Track 8 <Tip> In this step, you can make bouncing while listening to tracks 7/8 as well (see page 46). En 42 a

MR-8 Owner's Manual Signal flow of track bouncing> flow before making track bouncing. -"1-6 >7/8" mode

p7 in The following shows the signal flow for each of two track bouncing modes. Understand the signal "1-4 >5/6" mode Ÿ res [|

Lost CRT SH LE re} In the "1-6 > 7/8" mode, tracks 1 through 6 are played back and mixed down to stereo, and bounced to tracks 7/8. In this mode, you can apply a reverb (or de- lay) to tracks 1 through 4, as well as the mas- tering effect to the mixed signals. From headphones (or monitor speakers), you can hear the signals bounced to tracks 7/8 (ie. mixed signals). STEREO OUT (LR) LUKE re} CT ef Cane }} In the "1-4 > 5/6" mode, tracks 1 through 4 are played back and mixed down to stereo, and bounced to tracks 5/6. As with the "1-6 > 7/8" mode, you can apply a reverb (or delay) to tracks 1 through 4, as well as the mastering effect to the mixed sig- nals. From headphones (or monitor speakers), you can hear the signals bounced to tracks 5/6 (ie. mixed signals) as well as playback signals of tracks 7/8. Selecting the bounce mode While the recorder is stopped, each press of the [1-4 > 5/6, 1-6 > 7/8] key switches the bounce mode among "1-4 > 5/6" mode", "1-6 > 7/8" mode and off. [1-4>5/6, 1-6>7/8] key When either of the bounce modes is selected, the destination tracks (5/6 or 7/8) are automati- cally armed and change to input monitoring, as well as the screen shows the appropriate bounce mode. lights up lights up

MR-8 Owner's Manual Rehearsal of track bounce Before executing track bounce, you can rehearse it. During rehearsal, you can control the playback level, panning and reverb (or delay) send setting of each source track, as well as apply the mastering effect to the mixed L/R signals. We recommend to make rehearsal thoroughly until you satisfy the sound. The following shows the rehearsal procedure in the "1-6 > 7/8" mode. We assume that record- ings have been already made to tracks 1 through 6.

1) Select the song you are going to bounce tracks.

2) Use the [1-4 > 5/6, 1-6 > 7/8] key to select "1-6 >7/8"

bounce mode. Selecting this bounce mode automatically arms tracks 7/8 and changes the monitoring for these tracks to input monitoring. lights up femiights up fashing e the [7/8] fader and [MASTER] fader to the position. Set all the other track faders to the minimum position.

4) Press the [PLAY] key to start playback from the

beginning of the song.

5) While playing back, adjust playback levels oftracks

Lthrough 4 and 5/6 using the appropriate track faders. You can also adjust panning for tracks 1 through 4, apply the reverb or delay to these tracks, as well as apply the mastering effect to the mixed sound. During rehearsal and actual track bouncing, the track faders and [MASTER] fader control the following signals. Fader | Signal levels oftracks 1 through 4 forre- Lthrough 4 | cording. Fader 56 | Signal levels oftracks 5/6 for recording. Fader7/8 | Monitor levels oftracks 7/8. [MASTER] | Recording master level of tracks 7/8. fader

MR-8 Owner's Manual During rehearsal and actual track bouncing, level meters on the screen show the following signals. 1 dmugh à | Playback levels oftracks 1 through 4. Meter 5/6 | Playback level oftracks 5/6 for record- ing. Meter 7/8 | Recording level of tracks 7/8 Meters Monitor output levels (STEREO OUT L LandR | andR). By raising the [PHONES VOL] control, you can hear the signals bounced to tracks 7/8. Use the [7/8] fader to control the monitor output level, and use the [MASTER] fader to adjust the recording level appropriately while watching the meter 7/8. See "Applying effects" on page 38 for details <Panning control> You can freely adjust panning for tracks 1 through 4 using the PAN controls. For ex- ample, a guitar to left, a vocal to center, ote> We recommend to rehearse track bouncing thor- oughly to decide the recording level, effect set- ting, panning, etc. until you are satisfied.

6) After finishing rehearsal, locate the beginning of

the song. Do not move the controls and faders after finishing rehearsal.

Actual track bounce After finishing rehearsal, let's carry out the ac- tual track bounce.

1) Before carrying out the actual track bounce, make

sure that the bounce mode is active.

2) Press the [PLAY] key while holding down the

[RECORD] key. The track bounce starts with the effect/level settings made in the rehearsal mode and the mixed Signals are recorded onto tracks 7/8.

3) After completing the track bounce, press the [STOP]

key to stop the recorder. Stopping the recorder changes the monitoring of tracks 7/8 to repro monitoring. Checking the bounced signals on track You can check the bounced signals while the bounce mode is active.

1) Press the [REWIND] key while holding down the

[STOP] key to locate the beginning of the song.

2) Make sure thatthe monitoring oftracks 7/8 is repro

3) Press the [PLAY] key to start playback from the

beginning of the song.

4) Use the [7/8] fader to control the playback level of

the bounced signals. By playing back the recorder while the bounce mode ("1-6 > 7/8") is active, only tracks 7/8 can be monitored. In this condition, you cannot monitor playback signals of tracks 1 through 6 even if you raise the appropriate faders. If you want to redo the track bounce, use the undo function to go back to the condition before carrying out the track bounce, and try again. <Auto punch in/out of track bouncing> You can bounce a desired part using the auto punch in/out function (see page 35).

MR-8 Owner's Manual Notes on "1-4 >5/6" mode> You can bounce tracks in the "1-4 > 5/6" mode in the same manner as the "1-6 > 7/8" mode described above. However, you can monitor the playback sounds of tracks 7/8 (if any sounds are recorded) simultaneously. TRI rase TrK 2 Passsck TK 3 piayoack TK 4 rase jmingl ETES IL TK 5 ec LE TrK 6 Reco TrK 7 Plabeck STEREO OUT (LR)

Therefore, during rehearsal and actual track bouncing, faders and level meters act as the following. Faders Control the signal levels of tracks 1 Meters Show the playback levels of tracks 1 Lthrough4 | through 4 for recording, Lthrough 4 | through 4. Fader5/6 | Controls the monitor levels oftracks 5/6. Meter 5/6 | Shows the recording level oftracks 5/6. Fader7/8 | Controls the monitor levels oftracks 7/8. Meter 7/8 | Shows the playback level oftracks 7/8. [MASTER] | Controis the recording master level of Meters | Shows the monitor output levels (STE- fader tracks 5/6. LandR |REO OUT Land). <Æxporting bounced data to a personal computer> You can export bounced song data on tracks 7/8 to a personal computer. The exported data can be used for making an original audio CD via a CD-RW drive connected to the computer, or used with a musical applications on the computer. To export song data on tracks 7/8 to a personal computer, you must convert the mono WAV files of tracks 7/8 to a stereo WAV file. See page 86 for details about how to convert mono files to a stereo file. See page 88 for details about how to export song data to a personal computer.

MR-8 Owner's Manual After completing recording to tracks 1 through 8 and editing, let's make recording of the mixed sound to a stereo master recorder while adjusting the level balance between tracks, panning, etc. This process is called "mixdown". The MR-8 is equipped with the [DIGITAL OUT] connector, so you can make mixdown recording in digital domain to a digital recorder (DAT, MD, etc.) which accepts an S/P DIF digital signal. [Trk 1_ para} [Trk 2 playback [Trk 3° playback [Trk 4 _ playback [Trk 5 playback Trk 6 playback Trk7 playback Trk 8 playback TEREO OUT (L) TEREO OUT (R) DIGITAL OUT <Note> Only song data of the "Normal" song mode can be output from the [DIGITAL OUT] con- nector. Song data of the "Extended" song mode cannot be output from this connector. Analog mixdow. 2) While playing back the MR-8, rehearse mixing down the recorded sounds by adjusting the level and

1) Connectthe [STEREO OUT (L,R)]jacks ofthe MR- panning of each track, applying an effect to tracks

8 to the input connectors of an analog master and applying the mastering effects, etc. recorder. The output levels from the [STEREO OUT (L, R)] connectors can be controlled by the [MASTER] fader. Adjust the levels appropriately so that the highest segments of Land R meters do not light. Analog master recorder — Neo See "Applying effects" on page 38 for details about applying the delay/reverb and mastering effects.

3) Adjust the recording level of the master recorder

while rehearsing mixing down. See the manual of the master recorder for details MTS about how to adjust the recording level.

4) After rehearsing mixdown and adjusting the

recording level, locate the MR-8 to the beginning of the song.

5) Start recording the master recorder and then start

playing back the MR-8.

6) After finishing recording, stop both recorders.

<Tip> By moving up or down the MR-8 [MASTER] fader, you can fade in or fade out record- ing. The following is described assuming that you already finished rehearsal of mixdown, as in step 2 of "Analog mixdown" above.

1) Connect the [DIGITAL OUT] connector of the MR-8

to the digital input connector of a digital master recorder. If the master recorder supports the S/P DIF (optical) digital input, you can make direct connection using an optical cable. Digital master recorder Note> The [DIGITAL OUT] connector of the MR-8 is the Toslink optical type. If your digital recorder provides only the coaxial type connector, use the Fostex COP- 1/96 kHz coaxial-optical converter. Contact Fostex or our dealer for details about the Model COP-1/96 kHz.

2) Make the master recorder to accept the digital

input. Make sure that the recorder accepts the digital signal output from the MR-8, which is 44,1-KHz, 16- bit, S/P DIF signal. Generally, a digital recorder does not have a facility for controlling the digital input level.

3) Use the [MASTER] fader of the MR-8 to adjust the

output level. Adjust the level appropriately so that the level meter of the master recorder shows "0" when the MR-8 outputs the biggest signal. If the level meter exceeds distorted. , the sound may be

4) Start recording the master recorder and then start

playing back the MR-8.

5) After finishing recording, stop both recorders.

<Tip> By moving up or down the MR-8 [MASTER] fader, you can fade in or fade out record- ing.

MR-8 Owner's Manual Playback functions This chapter describes basic and advanced playback functions of the MR-8. Basic playback In the following description, it is assumed that a CompactFlash" card with recorded data is set in the slot.

1) Load a desired song to be played back.

See page 23 for details about how to select a song.

2) Press the [PLAY] key to start playback.

The meters on the screen shows playback levels of tracks.

3) Use track faders to control track playback levels,

as well as use the [MASTER] fader to control the total level. If you monitor the sound via headphones, you can use the [PHONES VOL] control to adjust the monitor level.

4) Setthe [PAN] control for each track (1-4) to the

desired position. 3 x playback (cueing) By pressing the [F FWD)] or [REWIND] key during playback, you can monitor playback at 3 x speed. It may be useful for searching a specific position.

• Press the [F FWD] key during playback. The recorder plays back in normal direction at 3 x speed. Demo_Sons ERREUR AL.

*_ Press the [REWIND] key during playback. The recorder plays back in reverse direction at 3 x speed. Sonsdi AL. Playback betweel CATE A and B poi When the LOCATE A and LOCATE B points are set, you Can playback between these points once. This function is always available regardless of the play mode setting (see "Play mode" on page 50). This function allows you to check the editing part (between LOCATE A and B points) for copy/paste, erase, etc. See "Part editing" on page 68. Note> Note that you have to set the LOCATE À and B points to use this function. See page 53 for details about how to set the LO- CATE A and B points.

1) While the recorder is stopped, press the [PLAY]key

while holding down the [STOP] key. The MR-8 plays back audio data between the LOCATE A and LOCATE B points once, then stops. During playback, you can monitor playback audio of the desired track(s) by raising the appropriate track fader(s), as well as the [MASTER] fader and [PHONES VOL] control. Demo_Sona LOCATE à LOCATE 8 ont Bot mme > ote> If you carry out the operation above when the LOCATE À point is set ahead of the LOCATE B point (Le. LOCATE A > LOCATE B), the MR-8 plays back audio data between the LOCATE À and REC END points once, then Stops.

MR-8 Owner's Manual The MR-8 offers special play modes including Auto play, Auto return and Loop playback. *Selecting a play mode L While the recorder is stopped, pressing the [PLAY MODE] key switches play modes among "Off, “Auto Play", “Auto retum" and "Loop". The current mode is shown on the screen as follows (when "Off" is selected, there is no indication). PLAY MODE | <= [PLAY MODE] key Play mode "off"

Auto play mode 18345618 LA Auto return mode 18345618 LA Loop mode Auto play mode In the Auto play mode, when executing the lo- cate function, the recorder automatically starts playback from the locate point. Auto retum mode The auto return mode is active when the LOCATE A and LOCATE B points are set. In the auto return mode, when reaching at the LOCATE B point during playback, the recorder automatically locates to the LOCATE A point and Stops. LocaTE 8 paré payback +Loop mode As with the auto return mode, the loop mode is active when the LOCATE A and LOCATE B points are set. In the loop mode, when reaching at the LOCATE B point during playback, the recorder automatically locates to the LOCATE A point and starts playback. The recorder repeats this behav- ior until you stops the recorder. You may find it very convenience to use the loop function together with the auto punch in/out function (see the next page).

MR-8 Owner's Manual Loop function in auto punch in/out mode When the loop mode is active (and the auto punch in/out mode is inactive), the LOCATE A and LOCATE B points are used as the loop start and end points. When the auto punch in/out mode is active (and the loop mode is inactive), the LOCATE A and LOCATE B points are used as the punch-in and punch-out points. When both the auto punch in/out and loop modes are active, the LOCATE A and LOCATE B points are used as the punch-in and punch-out points, while the loop function starts at "the LOCATE A point minus the pre-roll time" and ends at "the LOCATE B point plus the post-roll time, as shown below. The pre-roll time is initially set to four seconds, while the post-roll time is set to one second. Note> If you set the LOCATE À point to the beginning of a song (ABS ZERO) or set the LOCATE B point to the recording end point (REC END) of a song, the pre-roll or post-roll time is ignored. LOCATE À LOCATE 8 point point pi sec. Le —æhsecie—

point point Using the loop function in the auto punch in/out mode allows you to minimize the key opera- tion and concentrate on playing. LOCATE A point LOCATE B point Punch in point} {Punch out point} Le —_—_—_—————> punch Ioutrange LOOP END LOOP START point point You can change the pre-roll and post-roll time within the range between 0.1 and 10.0 seconds (in 0.1 sec steps) in the menu mode (see "Pre-roll and post-roll setting" on page 55). ES 51 a

MR-8 Owner's Manual Locate functions The following describes the locate functions, which allows you to locate immediately to the desired point in a song. ABS locate Regardless of the current recorder position, you can locate to the beginning of the song (LOCATE ABS ZERO) or the recording end of the song (LO- CATE REC END). These locate functions locate absolute positions regardless of time base selec- tion or counter reset of the time counter. +LOCATE ABS ZERO function

While the recorder is stopped, press the [REWIND] key while holding down the [STOP] key. The MR-8 immediately locates to the beginning of the song (ABS ZERO). ABS ZERO the eurent posion

While the recorder is stopped, press the [F FWD] key while holding down the [STOP] key. The MR-8 immediately locates to the recording end of the song (REC END). ÉÉTELLEC

When the time base is set to "time counter", you can reset the time counter to "Om00.000s" at any point. By resetting the time counter at the de- sired point, you can easily locate there using the zero return function. For example, if you make recording repeatedly to different tracks from the same point, by reset- ting the time counter at the point you start re- cording, you can easily locate the starting point anytime. *Resetting the counter oRETURN

IRESET] key <Notes> + You can reset the time counter only while the time ba: set to "time counter", You cannot reset the counter when the time base is set to ABS or Bar/Beat. ° When turning the power off then on, the time counter shows "Om00.000$" at the beginning of the song. Therefore, if you do not reset the time counter, the time counter matches the ABS time. + When resetting the time counter at the desired point, the time values at the beginning and recording end of the song are changed. For example, if you reset the time counter at the recording end of the song whose length is 3 minutes and 3 seconds, the time counter at the beginning of the song Shows "- 3m03.0005". ABS ZERO Om0 0008 REC END 3m 03.000 ABS ZERO 3m03.000 REC END Om 00.000

MR-8 Owner's Manual *_ While the recorder is stopped with the time base setto "time counter", press the [COUNTER RESET] key. The time counter is reset to "Om00.000s" . Demo_30

“Er Sons [HORAL | +Locating to counter zero You can locate to the zero position of the time counter regardless of the current time base set- ting (even if the time base is set to ABS or Bar/ beat). *_ Whilethe recorderis stopped, press the [0 RETURN] key. The recorder locates to "Om00.000$" in time counter base. oRETuRN

<Note> Regardless of the "OOm00.000$" position in time counter base, executing the LO- CATE ABS ZERO function always locates the beginning of the song. a8S ZERO m3 0008

PP LELLLLLLELELEEECECEEEL ELLE. ocating to the LOCATE A or LOCATE B point You can store desired points (time data) of a song as the LOCATE A and LOCATE B points. These time data can be used not only for locat- ing, but also for auto punch in/out, play modes and part editing. +Storing a locate point You can store the LOCATE A or LOCATE B point while the recorder is running or stops at the de- sired point, regardless of time base setting. ote> If a song is record-protected, you cannot store the LOCATE A and LOCATE B points. If you want to store these points, You must release the protection in advance (see page 20 and 60). Note> The LOCATE A point must be earlier than the LOCATE B point. If not, you cannot carry out the auto punch in/out or loop function cor- rectly. <Tip> While the time base is set to "Bar/Beat", setting "beat resolution" in the menu to "On" allows you to store the LOCATE A or B point in beat resolution. In other words, the clock digit of the value is automatically rounded down or up, so that the clock digit is always "O0". See page 56 for details about how to make the beat resolution active or inactive.

+Storing a LOCATE A point

• To store the LOCATE A point, while the recorder is playing back (or stopped), press the [LOCATE A/ IN] key while holding down the [STORE] key. The time value of the recorder position at which you operate above is stored to the LOCATE A point, while “Store LOCATE A” is shown on the display. Tee

• To store the LOCATE B point, while the recorder is playing back (or stopped), press the ILOCATE B/ OUT] key while holding down the [STORE] key. The time value of the recorder position at which you operate above is stored to the LOCATE B point, while “Store LOCATE B” is shown on the display. Tone LILI BOUT sroRe eLocating You can instantly locate to the stored point by carrying out the operation below. *_ While the recorder is stopped, press the [LOCATE AN] (or [LOCATE B/OUT]) key. The recorder instantly locate to the appropriate point. LOCATE & the current pose Locare 8 point pont Locale Locate H En CLCLELEELEEE CCEPECECEECET <Tip> By selecting the play mode to "Auto play", you can automatically start playback after locating the LOCATE A or LOCATE B point.

MR-8 Owner's Manual | Setting the pre-roll/post-rol As described earlier on page 51, when both the auto punch in/out and loop modes are active, the pre-roll and post-roll are effective in the loop function. You can set the pre-roll and post-roll time value by the following procedure. When both the auto punch in/out and loop modes are active, the loop function starts at "the LOCATE A point minus the pre-roll time" and ends at "the LOCATE B point plus the post- roll time". The pre-roll time is initially set to four seconds, while the post-roll time is set to one second. LOCATE à paint LOCATE B point LOOP START point +How to set the pre-roll/post-roll time

1) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The display shows the menu selection screen, in which "System" is highlighted initially. HEHUkSuS tem

4) Use the [CURSOR @YICURSOR @)] keys to select

the desired pre-roll time. You can select the pre-roll time between 0.1 s and

10.0 s in O.1 s steps.

5) After selecting the pre-roll time, press the [ENTER]

key. The pre-roll time is set, and the screen now high lights "Pre RollTime".

6) Use the [CURSOR ©] key to highlight"PostRoll

Time", then press the [ENTER] key. The current post-roll time value (initially, "LOs") flashes.

7) Selectthe post-roll time in the similar manner to

the pre-roll time selection, then press the [ENTER] key. You can select the post-roll time between 0.1 s and

10.0 s in O.1 s steps.

8) After setting the pre-roll and post-roll, press the

[MENU] key to exit the menu mode.

MR-8 Owner's Manual | Setting the beat resolution En As described earlier, while the time base is set to "Bar/Beat", setting "Beat resolution" in the menu to "On" allows you to store the LOCATE A or B point in beat resolution. When "Beat resolution" is set to "On", the clock digit of the Bar/Beat/Clock value is automati- cally rounded down or up, so that the clock digit is always "O0". For example, while the time base is set to "Bar/ Beat" and the "Beat resolution" is set to "On", if you set the LOCATE A point to "1 bar/1 J/ 46 cik" and the LOCATE B point to "2 bar/4 2/51 clik", the rounded values are stored as below. “Lbar/1//46 clk" ->"1 bar/1//00 clk" (The clock value "46" is rounded down.) "2bar/4//51clk"->"3 bar/1//00 clk" (The clock value "51" is rounded up.) How to set the beat resolution

1) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The display shows the menu selection screen, in which "System" is highlighted initially. MER Sons Track Part USE

key. The display now shows the system menu selection De , in which "Card Format" is highlighted initially. MENURSSStemkCrdFormat

"On", then press the [ENTER] key. The beat resolution is set to "On", and the screen now highlights "/ Resolution". To set the beat resolution to "off", select "Off" and then press the [ENTER] key.

5) After completing the setting, press the [MENU] key

to exit the menu mode.

MR-8 Owner's Manual | Editing a song The following describes song editing functions. Creating a new song 3) ŒNTE Re Song" is highlighted, press the See "Creating a song/selecting a song” on page The display now shows the song list screen, in which 22 for details about how to create a new song. the current song number and name are highlighted. "Y' shows that the song list continues. Selecting a desired song HÜkSomabkSelect Sorel When more than one song is created on a card, you can select (load) a desired song. Delete Sons [2 protect, d ; ff . elets Lnuse <Tip> réar Üffset =-3bar) You can also select a desired song by press- ing the [REWIND] key or [F FWD] key while holding down the [ENTER] key (see page 24 for details). risinal Sons

1) While the recorder is stopped, press the [MENU] riginal_S0naS

key to enter the menu mode. risinal_50nsË The display shows the menu selection screen, in which "System" is highlighted initially. Pressing the [CURSOR ©] key scrolls down the list. HERUR ESS Leu When you create a new song, select "-: New Song" shown in the bottom line of the list (see page 23).

Track ; MEHUkSonskSelec t Sora Part + F USE + risinal _Sonsë risginal_Sonsg "Heu Sons

press the [ENTER] key. The display now shows the song edit menu selection screen, in which "Select Song" is 4) Use the [CURSOR @/©] keys to select a desired highlighted initially. song, and press the [ENTER] key. The display returns to the song edit menu selection HENL Hions screen, in Which "select Song is highlighted. Star k Track + 5) Press the [MENU] key to exit the menu mode. fac è ; The display shows the home screen of the selected song.

Feñname Sons Delete Sons + Protect = off Delete Unused k FEsr Offset =-2bar] ES 57 a |

MR-8 Owner's Manual Editing a song name You can edit a current song name.

1) Load the desired song of which you are going to

2) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The display shows the menu selection screen, in which "System" is highlighted initially. (HI Sons + Track + Part + USE Le

3) Use the [CURSOR @]key to higl

press the [ENTER] key. The display now shows the song edit menu selection screen, in which "Select Song" is highlighted initially. MEHURSOME Sastem F Track + Part k LISE + 8 + Delete Sora Le

Song", then press the [ENTER] key. The display now shows the song name editing screen, in which the first character of the current song name flashes. MEHURSonabRename Sora Select Sons Delete Sons + Fratect = off Delete Unused k FBar Qffset =-2barl MEHUbSonshRename Saone —— Rename Sons ——

5) Use the character entry keys to enter a desired

character to the flashing point. You can move the cursor (flashing point) using the [CURSOR @)] and [CURSOR ©] keys. <Character entry keys> Some keys on the MR-8 top panel act as character entry keys in the menu mode. For example, the [PLAY MODE] key (shown at the left) can be used for entering À, B,C, a, b, cand 1. Each press of a character entry key switches the character to be entered from among those assigned to the key. U J PLAY MODE <Æntry example> To modify a part of the current name, use the [CURSOR @)] and [CURSOR ©] keys to move the cursor to a character to be changed, and enter a desired character using the appropriate char- acter entry key. If you reenter a new name, move the cursor to the first character of the name, and press the [1-4 > 5/6, 1-6 > 7/8] key repeat- edly until all characters are deleted. Then, en- ter a new song name using the character entry keys. In the screen example below, "Moon_Light" is entered. MEHUbSEnS+Rename Sons —— FRename Sons -- Sons Hame = Hoon_Listfi LCANCEL] CENTER] Note> If you carry out step 6 below after entering the same name as an existing song or without enter- ing a name, the display shows "legal Song Name!" and returns to the song name editing screen. Also note that you cannot use “+” for a song name with less than 9 characters. For example, you cannot enter “AAA+BBB” for a song name. You can use “+” for asong name with 8 or more characters. For example, you can enter “AAA+BBBEB”.

6) After entering the name, move the cursor to

“[ŒENTER]" on the screen using the [CURSOR ©] key, then press the [ENTER] key. The display now shows the screen in which "’Rename Song" is highlighted.

7) Press the [MENU] key to exit the menu mode.

The MR-8 exits the menu mode and the display shows the home screen of the current song.

MR-8 Owner's Manual Deleting an unnecessary song ote> + You cannot delete a song which is protected. To delete such a song, release the protection of the song first (see page 60). e_ You cannot undo deleting a song. Be careful when selecting a song you are going to delete.

1) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The display shows the menu selection screen, in which "System" is highlighted initially. MENURSSS ter

2) Use the [CURSOR ®] key to highlight "Song", then

press the [ENTER] key. The display now shows the song edit menu selection screen, in which "Select Song" is highlighted initially. HEHU+SonS System 2 Track + Part + USE L Rehame Sons + Delete Sons + Protect = Delete Unused k rEar Offset

3) Use the [CURSOR ®] key to highlight "Delete

Song", then press the [ENTER] key. The display now shows the song list screen, from which you select a song to be deleted. 2bar] MEHUbSonakbelete Sonal Select Sons » Rename Sons k Protect EE Delete Unused k rar 0ffeet =-?bar 564: Or iSinal CNamed

4) Use the [CURSOR @/®] keys to select a song to

be deleted, and press the [ENTER] key. The display now shows the confirmation screen for deleting the song. In this screen, “Delete Song” and “Can't Undo!” are shown for warning, as well as “Yes-> RECORD4YES” and “No-> NO Key” alternately flash. The MR-8 asks for confirmation because you cannot undo deleting the song. MEHUkSonshDelete Sons Sgl:Orisinal Hamel Sa: Orisinal_Manez S6d'Orisinal -Hamedt

5) Press the [CURSOR ®]key while holding down the

[RECORD] key. The selected song is deleted, while any song number greater than the song number of the deleted song is moved up. In the screen example below, after Song 03 is deleted, ex-Song 04 ("Original_Name4") is moved up to Song 03. MENURSonakDelete Sora Sgl'0ri isina

6) Press the [MENU] key to exit the menu mode.

MR-8 Owner's Manual Protecting a song You can protect a song to prevent an accidental erasure. The protection can be released when- ever you want. To keep a recorded song, we recommend to pro- tect it. Note> You cannot make recording or editing to a pro- tected song. If you want to make recording or editing to a protected song, you must release the protection first.

1) Load the song you want to protect.

2) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The display shows the menu selection screen, in which "System" is highlighted initially.

3) Use the [CURSOR ©] key to higl

press the [ENTER] key. The display now shows the song edit menu selection screen, in which "Select Song" is highlighted initially. ight "Song", then MENU RSONS

Track 0 Part h USE + MENURSonakSelect Sora Fename Sons + Delete Sona + Protect = Û Delete Unused k rEar Offset =-2bar)

5) Use the [CURSOR @/®] keys to select "On", and

press the [ENTER] key. The current song is now protected. You cannot make any recording or editing with the song.

To release the protection, carry out the same procedure above but select "Off" in step 5.

6) Press the [MENU] key to exit the menu mode.

<Tips> When the protected song is loaded, “h” is shown in the upper right corner of the home screen (indicated by the arrow below). When this icon is shown, you cannot make recording or edit the song. 0:00.000 2 Sons

MR-8 Owner's Manual Deleting the unnecessary file in a song Each song has two WAV file: one for track data, while the other for undo/redo operation. The latter file is called "undo WAV file" and allows undo/redo operation. Executing undo operation consumes the space of the card. Therefore, the more often you execute undo/redo, the remain- ing space becomes smaller. If you decide not to use the undo function in the recording process, you can delete only the undo WAV file which is not necessary now. By deleting the undo WAV file, you can increase the remaining (recordable) space of a song. Notes> + _ You cannot delete the undo WAV file of a song which is protected. To delete the undo WAV file of such a song, release the protection before deleting the undo WAV file. Note that you cannot undo deleting the undo WAV file. By deleting the undo WAV file, you can never execute the undo/redo function for the previous recording/editing. When you make recording/editing after deleting the undo WAV file, a new undo WAV file is created. You can undo/redo recording/ editing made after deleting the undo WAV file.

1) Load the song of which you wantto delete the undo

2) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The display shows the menu selection screen, in which "System" is highlighted initially.

press the [ENTER] key. The display now shows the song edit menu selection screen, in which "Select Song" is highlighted initially.

MENUHSona Esrame Sons Delete Sons LES Fratect off Delete Unysed rEar Offsei =-2bar

4) Use the [CURSOR ©] key to highlight

"“Delete Unused", then press the [ENTER] key. The display now shows the confirmation screen for deleting the unused (undo WAV) file. In this screen, “DEL Unused” and “Can't Undo!” are shown for warning, as well as “Yes-> RECORD4YES” and “No->NO Key” alternately flash.The MR-8 asks for confirmation because you cannot undo deleting the undo WAV file. MENURSonskDEL Unused Select Sons + Esname Sons ; Delets Soma F1 LA LEFT 1] bar MEHURÉONS DEL Unused —— DEL Unused —— Can't Undol Âre you sure? Ves+ RECORD+VES Ke <Note> To cancel deleting the file, press the [CURSOR @] key.

5) Press the [CURSOR ®]key while holding down the

[RECORD] key. The file is deleted, and "Completed!" is shown on the display. MEHURSons DEL Unused —- DEL Unused — Comrleted! Press ENTER Key!

6) Press the [ENTER] key.

The display returns to show the screen in which "Delete Unused” is highlighted.

7) Press the [MENU] key to exit the menu mode.

MR-8 Owner's Manual Track editing The following describes how to edit whole selected (mono or stereo) track data. <Undo/redo oftrack editing> to the condition after being edited. By pressing the [UNDO/REDO] key after executing the track edit operation, you can undo the editing. By pressing the [UNDO/REDO)] key after the undo operation, you can return the track(s) <Notes>

1. Making new recording

2. Making new editing

3. Turning off the power

4. Loading another song

If there is not enough space on the CompactFlash card for executing the undo operation, the display shows "Warning Card Full! Can't Undo!" when you are going to make editing. If you carry out any of the following, you cannot undo the editing anymore. Erasing whole track data You can erase whole data (from ABS ZERO to REC END) of the desired mono or stereo track(s) of the song currently loaded. ABS ZERO REC END Note> You cannot erase track data of a song pro- tected. Release the protection before erasing track data.

1) Load the song you want to edit.

2) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The display which "System" ws the menu ighlighted ction screen, in ally.

[ENTER] key. The display now shows the screen for track(s) to be erased. Initially, "1" fl The current position information is shown at the top of the screen (shown in Bar/Beat base in the screen example below). 123bar 4JéTclk -- Erase Track —- Erase Track =D fashing cting the ECANCEL] CENTER]

or a pair of stereo tracks to be erased. You can select from among mono tracks (1 through

8) and stereo pair tracks (1/2, 3/4, 5/6 and 7/8).

6) Use the [CURSOR ©] key to move the cursor to

"ENTER" on the screen, then press the [ENTER] key. The display shows "Please Wait!", immediately fol- lowed by "Complete!" when the MR-8 completes erasing. Note> If you want to cancel the erase operation, move the cursor to "CANCEL" on the screen, then press the [ENTER] key. MEHUkTraCE EraseTrack —- Erase Track -- Please Wait! MEHUkTrack EraseTrack Erase Track -- Comeleted! Press ENTER el

7) Press the [ENTER] key.

The display returns show to the screen in which "EraseTrack" is highlighted.

8) Press the [MENU] key to exit the menu mode.

ote> If you are not satisfied with the result, press the [UNDO/REDO] key to undo the opera- tion (see page 62). Copying/pasting whole track data You can copy whole data (from ABS ZERO to REC END) of the desired mono or stereo track(s) of the song currently loaded and paste it to the other desired track(s). The data on the source (cop- ied) track still remains after the copy/paste op- eration.

1) Load the song you want to edit.

2) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The display shows the menu selection screen, in which "System" is highlighted initially.

press the [ENTER] key. The display now shows the track edit menu selec- tion screen, in which "EraseTrack" is highlighted ini- tially. Houe Track + Chanse Track k

MR-8 Owner's Manual The display now shows the screen for selecting the source track(s) and destination track(s) of copy/ paste. "SourceTrack” selects the copy source track(s), while "Dest. Track” selects the paste destination track(s). The current position information is shown at the top of the screen (shown in Bar/Beat base in the screen example below). 1#5bar 4J6TclE —— Cops-Paste Trk -- Source Track =IEF——fashing Dest, Track = T8 CCAHCEL] CENTER]

5) Use the [CURSOR @/®] keys to select the source

track(s) to be copied. You can select from among mono tracks (1 through

destination track(s). If you select a mono track for the copy source in step 5 above, you can select a mono destination track. If you select stereo pair tracks for the copy. source in step 5 above, you can select stereo pair destination tracks. Note> You cannot select the same track(s) for the copy source and destination.

8) Use the [CURSOR ©] key to move the cursorto

"ENTER" on the screen, then press the [ENTER] key. The display shows "Please Wait!”, immediately fol- lowed by "Completed!" when the MR-8 completes the copy/paste operation. Note> If you want to cancel the copy/paste op- eration, move the cursor to "CANCEL" on the screen, then press the [ENTER] key.

MENUkTrack kCrPasteTrk — Cors-Paste Trk-- Please Wait! HEHURTraCE CFPasteTrk —- Cors-Faste Trk Completed! Fress ENTER Keul <Note> If a destination track has recorded data, pasting the copied data overwrites the pre- vious data.

9) Press the [ENTER] key.

The display returns show to the screen in which "Copy-PasteTrk" is highlighted.

10) Press the [MENU] key to exit the menu mode.

Note> If you are not satisfied with the result, press the [UNDO/REDO] key to undo the opera- tion (see page 62).

MR-8 Owner's Manual Moving whole track data You can move whole data (from ABS ZERO to REC END) of the desired mono or stereo track(s) to the other desired track(s). After the data is moved, the original track(s) is(are) silent.

1) Load the song you want to edit.

2) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The display shows the menu selection screen, in which "System" is highlighted initially. HEHUkSuS tem

3) Use the [CURSOR ©] key to highlight"Track",then

press the [ENTER] key. The display now shows the track edit menu selec- tion screen, in which "EraseTrack" is highlighted ini- tially. HEHURTraCE EraseTrack T k Cors-FPaste Trkh Move Track

The display now shows the screen for selecting the source track(s) and destination track(s) of the move operation. "Source Track" selects the move source track(s), while "Dest, Track" selects the move d nation track(s). The current position information is shown at the top of the screen (shown in Bar/Beat base in the screen example below). 123bar 4J6Tc1k —— Move Track —- Source Track EE —fashing Dest. Track = T'E COAHCELI CENTER]

5) Use the [CURSOR @/®] keys to select source

track(s) to be moved. You can select from among mono tracks (1 through

8) and stereo pair tracks (1/2, 3/4, 5/6 and 7/8).

6) Use the [CURSOR ©] key to move the cursor to

destination track(s). If you select a mono track for the move source in step 5 above, you can select a mono destination track. If you select stereo pair tracks for the move source in step 5 above, you can select stereo pair destination tracks. <Note> You cannot select the same track(s) for the move source and destination.

8) Use the [CURSOR ©] key to move the cursor to

"ENTER" on the screen, then press the [ENTER] key. The display shows "Please Wait !", immediately followed by "Completed!" when the MR-8 completes the move operation, Note> If you want to cancel the move operation, move the cursor to "ICANCEL]" on the screen, then press the [ENTER] key.

MR-8 Owner's Manual MEHUkTrack Move Track —- Move Track —- Plesse Wait! MENUkTracE ove Track —- Move Tra Completedl Press ENTER Keul <Note> If a destination track has recorded data, moving data overwrites the previous data.

9) Press the [ENTER] key.

The display returns show to the screen in which "Move Track" is highlighted.

10) Press the [MENU] key to exit the menu mode.

Note> If you are not satisfied with the result, press the [UNDO/REDO)] key to undo the opera- tion (see page 62).

Exchange whole track data You can exchange whole data (from ABS ZERO to REC END) between the desired mono or stereo track(s).

Note> You cannot exchange track data of a song pro- tected. Release the protection before exchang- ing track data.

1) Load the song you want to edit.

2) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The display shows the menu selection screen, in which "System" is highlighted initially. HER Sons Track Part USE

press the [ENTER] key. The display now shows the track edit menu selec- tion screen, in which "EraseTrack" is highlighted ini- tially. MEHUkTrack#EraseTrack

Track", then press the [ENTER] key. The display now shows the screen for selecting the source track(s) and destination track(s) of the exchange operation.

MR-8 Owner's Manual "Source Track” selects the exchange source track(s), while "Dest Track” selects the exchange destination track(s). The current position information is shown at the top of the screen (shown in Bar/Beat base in the screen example below). 123bar 4JETCLE -— Chanse Track -- Source Track ER —fashing Dest, Track = T'8

5) Use the [CURSOR @/®)] keys to select the source

track(s) to be exchanged. You can select from among mono tracks (1 through

8) and stereo pair tracks (1/2, 3/4, 5/6 and 7/8).

6) Use the [CURSOR ®] key to move the cursor to

the option for "Dest. Track".

7) Use the [CURSOR ©/@] keys to select the

destination track(s). If you select a mono track for the exchange source in step 5 above, you can select a mono destination track. If you select stereo pair tracks for the exchange source in step 5 above, you can select stereo pair destination tracks. <Note> You cannot select the same track(s) for the exchange source and destination.

8) Use the [CURSOR ©] key to move the cursor to

"ENTER" on the screen, then press the [ENTER] key. The display shows "Please Wait!", immediately followed by "Complete!" when the MR-8 completes the exchange operation. ote> If you want to cancel the exchange opera- tion, move the cursor to "(CANCEL]" on the screen, then press the [ENTER] key.

The display returns show to the screen in which "Change Track" is highlighted.

MR-8 Owner's Manual | Part editing En The following describes how to edit a "part" (*) of selected (mono or stereo) track data. Read the following carefully before carrying out part editing. <(*) About "part'> <Changing an edit point during the edit operation> A "part" is defined as audio data between the On the screen for selecting the target track(s) to "LOCATE A" and "LOCATE B" points. There- be edited, you can see the time (or Bar/Beat) fore, to carry out part editing, you have to information of the current recorder position. store the "LOCATE A" and "LOCATE B" points. See page 53 for details about how to store these — Hktbar 49 #rcl —- Erase Part points. The time (or Bar/beat) value changes in realtime Playing back the part to be edited> when the recorder moves (i.e. plays, You can listen to audio of the part before fastfonwards, rewinds, locates, etc.). The LOCATE carrying out the edit operation. After stor- A or LOCATE B point can be changed while this ing the LOCATE A and LOCATE B points, fol- screen is shown. For example, if you move the low the procedure below for checking. recorder to the desired position before select- ing a track to be deleted, then press the [STORE] key followed by the [LOCATE A/IN] or [LOCATE LP: the [PLAY] ke hile holding di th ress the D 1key while holding doun the B/OUT] key, the new editing point is stored. [STOP] key. The MR:8 starts playback between the LOCATE When you carry out the locate operation to the A and LOCATE B points (see also page 49). LOCATE A or LOCATE B point and the current position matches the locate point, "LocA=" (or

2. During playback, raise the appropriate track "LocB=") is shown on the left of the time (or

fader(s) and the [MASTER] fader. Bar/Beat) information, as shown below. "LocA=" You can monitor only the part of the editing (or "LocB=") is also shown when you store the track(s). new editing point. You can change the LOCATE A or LOCATE B — Lochstetbar #i 4#kelk point whenever you want (even during the —- Erase Part —— edit operation). See the following for details. <Undo/redo of editing (except the copy to the clipboard> By pressing the [UNDO/REDO)] key after executing the edit operation, you can undo the editing. By pressing the [UNDO/REDO] key after the undo operation, you can return the track(s) to the condition after being edited. otes> If there is not enough space on the CompactFlash card for executing the undo operation, the display shows "Waring Card Full! Can't Undo!" when you are going to make editing. If you carry out any of the following, you cannot undo the editing anymore.

1. Making new recording

2. Making new editing

3. Turning off the power

4, Loading another song RE 68 ____ _

TRK4 TRKS TRK6 TRK7 TRK8 <Note> You cannot erase a part of a song protected. Release the protection before erasing the part.

1) Load the song you want to edit.

2) Store the LOCATE A and LOCATE B points (see

page 53). You can check the part by playing back between the LOCATE A and LOCATE B points (see page 68).

3) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The display shows the menu selection screen, in which "System" is highlighted initially. MENUkS as tem

4) Use the [CURSOR ®] key to highlight "Part", then

press the [ENTER] key. The display now shows the part edit menu selec- tion screen, in which "Erase Part" is highlighted ini- tially. MEHURF Lors Part Paste Part Cors-PasteParth Mouse Part Chanmse Part +

The display now shows the screen for selecting the target track(s) which the desired part to be erased belongs to. The current position information (in ABS, Bar/Beat or time counter base) is shown at the top of the screen. tb Ki #4 Erase Part

6) Usethe [CURSOR &/®)]keys to selecta mono track

or a pair of stereo tracks. You can select from among mono tracks (1 through

8) and stereo pair tracks (1/2, 3/4, 5/6 and 7/8).

7) Use the [CURSOR ©] key to move the cursor to

"[ENTER]" at the lower right on the screen, then press the [ENTER] key. The display shows "Please Wait!", immediately fol- lowed by “Completed!" when the MR-8 completes crasing. If you want to cancel the erase operation, move the cursor to "ICANCEL]" on the screen, then press the [ENTER] key. khan #4 ko lk Erase Part —- Please Wait!

The display returns show to the screen in which "Erase Part’ is highlighted.

9) Press the [MENU] key to exit the menu mode.

MR-8 Owner's Manual g (1) Copying/pas You can copy a part of the mono or stereo track(s) and paste it to the desired position of the other track(s). The source part is copied to the (vir- tual) clipboard first, then pasted to the desired position of the other track(s). LOCATE A int ABS ZERO LOCATE B point TRK1 TRK2 TRK3 TRK4 TRKS5 TRK6 TRK7 TRK8 Clip Board (Virtual) LOCATE A point <Note> If you want to copy a part and paste it to the same position of the other track(s), we rec- ommend to use the other copy/paste method described later in "Copying/pasting (2)" (though, of course, you can make such a copy/paste operation with the method described here). Note> You cannot copy/paste track data of a song protected. Release the protection before mak- ing the copy/paste operation. Note> If you turn off the power after copying data to the clipboard, the data on the clipboard disappears. Also note that you cannot undo copying data to the clipboard.

+Copying to the clipboard

1) Load the song you want to edit.

2) Store the LOCATE A and LOCATE B points (see

page 53). You can check the part by playing back between the LOCATE A and LOCATE B points (see page 68).

3) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The display shows the menu selection screen, in which "System" is highlighted initially.

press the [ENTER] key. The display now shows the part edit menu selec- tion screen, in which "Erase Part" is highlighted ini- tially. MENUkP art _bE Part)

then press the [ENTER] key. The display now shows the screen for selecting the track(s) of which you copy data. Hkrbar #J #+#clk —— Lors Part —- Corsa Track NS fashing

You can select from among mono tracks (1 through

8) and stereo pair tracks (1/2, 3/4, 5/6 and 7/8).

7) Use the [CURSOR ®] key to move the cursor to

"IENTER]" atthe lower right on the screen, then press the [ENTER] key. The display shows "Please Wait!”, immediately fol- lowed by “Completed!" when the MR-8 completes the copy operation. To cancel the copy operation, move the cursor to "[CANCEL]" at the lower left on the screen, then press the [ENTER] key.

The display returns show to the screen in which "Copy Part’ is highlighted.

9) Press the [MENU] key to exit the menu mode.

+Pasting clipboard data

1) Store the LOCATE A point where you wantto paste

the data (see page 53). If you paste the data to the same position as the copied part, you can skip this step (because you have already stored it as the LOCATE A point be- fore the copy operation).

2) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The display shows the menu selection screen, in which "System" is highlighted initially.

3) Use the [CURSOR ®] key to highlight "Part", then

press the [ENTER] key. The display now shows the part edit menu selec- tion screen, in which "Paste Part" is highlighted ini- tially. MENURPart Paste Part Erase Part + BE Part Ë House Part + Chanse Part +

4) While "Paste Part" is highlighted, press the

[ENTER] key. The display now shows the screen for selecting the track(s) to which you want to paste the data. ote> If you are going to carry out the paste operation when no data is pasted on the clipboard, the er- ror message (“Clip board Empty!”) is shown on the display and the MR-8 does not accept the opera- tion, Press the [MENU] Key to exit the menu mode and copy the desired data to the clipboard be- fore carrying out the paste operation. EH 4) cl —- Paste Part Paste Track SI ——ashing CCAHCELJ CENTER]

5) Use the [CURSOR ©/®)] keys to select the desired

track(s). If you select a mono track for the copy source, you can select a mono destination track. If you select stereo pair tracks for the copy source, you can select stereo pair destination tracks.

6) Use the [CURSOR ©] key to move the cursor to

"[ENTER]" at the lower right on the screen, then press the [ENTER] key. The display shows "Please Waït!", immediately fol- lowed by "Completed!" when the MR-8 completes the paste operation. To cancel the paste operation, move the cursor to "CANCEL]" at the lower left on the screen, then press the [ENTER] key. tro Hd #kclk —- Paste Part Please Wait!

The display returns show to the screen in which "paste Part" is highlighted.

8) Press the [MENU] key to exit the menu mode.

<Note> If you are not satisfied with the result, press the [UNDO/REDO] key to undo the operation (see page 68).

MR-8 Owner's Manual Copying/pasting (2) The following describes how to copy a part of the mono or stereo track(s) and paste it to the same position of the other track(s). Unlike the method described in "Copying/past- ing a part (1)" earlier, you cannot set the desired paste position with this method. In other words, the paste position is always the LOCATE A point of the copy operation. LOCATE À point LOCATE 8 point TRK1 TRK2 TRK3 TRK4 TRK5 TRK6 TRK7 TRKS8 Note> You cannot copy/paste track data of a song protected. Release the protection before mak- ing the copy/paste operation.

1) Load the song you want to edit.

2) Store the LOCATE A and LOCATE B points (see

page 53). You can check the part by playing back between the LOCATE A and LOCATE B points (see page 68).

3) While the recorder is stopped, press the [MENU]

then press the [ENTER] key. The display now shows the screen for selecting the source track(s) and destination track(s) of copy/ paste. "Source Track" selects the copy source track(s), while "Dest. Track" selects the paste desti- nation track(s). Hkkbar #4) HHCIE —- Cops-PastePart Source Track um Dest. Track = CCANCEL] CENTER]

6) Use the [CURSOR ©/®] keys to select the source

track(s) to be copied. You can select from among mono tracks (1 through

8) and stereo pair tracks (1/2, 3/4, 5/6 and 7/8).

7) Use the [CURSOR @] key to move the cursor to

destination track(s). If you select a mono track for the copy source in step 6 above, you can select a mono destination track. If you select stereo pair tracks for the copy source in step 6 above, you can select stereo pair destination tracks. <Note> You cannot select the same track(s) for the copy source and destination.

9) Use the [CURSOR @] key to move the cursor to

"ENTER" atthe lower righton the screen, then press the [ENTER] key. The display shows "Please Wait!”, immediately fol- lowed by "Completed!" when the MR-8 completes the copy operation. To cancel the copy/paste operation, move the cur- sor to "ICANCEL]J" at the lower left on the screen, then press the [ENTER] key.

The display returns show to the screen in which "Copy-Paste Part" is highlighted.

11) Press the [MENU] key to exit the menu mode.

Moving the di part to the other track(s) You can move the desired part of the desired mono or stereo track(s) to the other desired track(s). After the part is moved, the original part on the source track(s) becomes silent. LOCATE À LOCATE 8 peint point TRK1 TRK 2 TRK3

1) Load the song you want to edit.

2) Store the LOCATE A and LOCATE B points (see

page 53). You can check the part by playing back between the LOCATE A and LOCATE B points (see page 68).

3) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The display shows the menu selection screen, in which "System" is highlighted initially.

press the [ENTER] key. The display now shows the part edit menu selec- tion screen, in which "Erase Part" is highlighted ini- tially.

then press the [ENTER] key. The display now shows the screen for selecting the source track(s) and destination track(s) of the move operation. "Source Track" selects the move source track(s), while "Dest. Track" selects the move destination track(s). Hktbar 4 ##clk -- Move Part —- Source Track M ashing Dest, Track = 1 CCANCEL] CENTER]

6) Use the [CURSOR &/®] keys to selectthe move

source track(s). You can select from among mono tracks (1 through

8) and stereo pair tracks (1/2, 3/4, 5/6 and 7/8).

7) Use the [CURSOR @]key to move the cursor to the

destination track(s). If you select a mono track for the move source in step 6 above, you can select a mono destination track. If you select stereo pair tracks for the move source in step 6 above, you can select stereo pair destination tracks. Note> You cannot select the same track(s) for the move source and destination.

9) Use the [CURSOR ©] key to move the cursorto

"ENTER" atthe lower righton the screen, then press the [ENTER] key. The display shows "Please Wait!", immediately fol- lowed by “Completed!" when the MR-8 completes the move operation. To cancel the move operation, move the cursor to "ICANCELI' at the lower left on the screen, then press the [ENTER] key.

The display returns show to the screen in which "Move Part" is highlighted.

MR-8 Owner's Manual Exchange parts between tracks You can exchange parts between mono or stereo tracks. LOCATE À paint LOCATE 8 point

TRK1 TRK2 TRK3 TRK4 TRKS5 TRK6 TRK7 TRK8 Note> You cannot exchange data of a song protected. Release the protection before exchanging data.

1) Load the song you want to edit.

2) Store the LOCATE A and LOCATE B points (see

page 53). You can check the part by playing back between the LOCATE A and LOCATE B points (see page 68).

3) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The display shows the menu selection screen, in which "System" is highlighted initially.

5) Use the [CURSOR @] key to highlight "Change

Part", then press the [ENTER] key. The display now shows the screen for selecting the source track(s) and destination track(s) of the exchange operation. "Source Track" selects the exchange source track(s), while "Des selects the exchange destination track(s). #tbar 4j HHkclk —- Chanse Part —- Source Track SM -ashing Dest, Track = CCAHCEL] CENTER]

6) Usethe [CURSOR &/®]keys to selectthe exchange

source track(s). You can select from among mono tracks (1 through

8) and stereo pair tracks (1/2, 3/4, 5/6 and 7/8).

7) Use the [CURSOR @] key to move the cursor to

the option for "Dest. Track".

8) Usethe [CURSOR &/®]keys to selectthe exchange

destination track(s). If you select a mono track for the exchange source in step 6 above, you can select a mono destination track. If you select stereo pair tracks for the exchange source in step 6 above, you can select stereo pair destination tracks. ote> You cannot select the same track(s) for the exchange source and destination. HEHURSuS tem

9) Use the [ICURSOR ©] key to move the cursor to

"[ENTER]" at the lower right on the screen, then press the [ENTER] key. The display shows "Please Waït!", immediately followed by "Completed!" when the MR-8 completes the part exchange operation. To cancel the part exchange operation, move the cursor to "ICANCEL]" at the lower left on the screen, then press the [ENTER] key.

MR-8 Owner's Manual Dar _#J “#%kolk Chanse Part —- Please Wait! MENUkPart kChamsePart —- Chanse Part Comrleted! Press ENTER Key!

10) Press the [ENTER] key.

The display returns show to the screen in which "Change Part” is highlighted.

11) Press the [MENU] key to exit the menu mode.

Note> If you are not satisfied with the result, press the [UNDO/REDO] key to undo the opera- tion (see page 68).

MR-8 Owner's Manual | Synchronizing with MIDI By connecting the external MIDI devices (such as a sequencer, sound module, computer, etc.) via the [MIDI OUT] connector of the MR-8, you can make powerful recording. For example, by synchronizing a sequencer with the MR-8 during playback, you can mix down signals (such as a vocal, guitar, etc.) recorded on the MR-8 tracks and audio from a sound module. You can synchronize MIDI with the MR-8 by connecting a MIDI device to the [MIDI OUT] connector on the MR-8 and sending out MTC (MIDI time code) or MIDI clock (with Song Position Pointer) from the MR-8. Synchronization using MTC The following describes how to synchronize a sequencer to the MR-8 which supports MTC (MIDI Time code). Connection Connect the [MIDI OUT] connector of the MR-8 to the [MIDI IN] connector of an external MIDI sequencer using a MIDI cable (not supplied). MIDI OUT MIDI IN MIDI sequencer etc Settings of the MR-8 and MIDI sequencer

1) Inthe "System" menu of the menu mode, setthe

“Midi Sync Out" item to "MTC" and the "MTC Frame Rate" to an appropriate frame rate. See "MIDI sync/MTC frame rate settings" below for details.

2) Enable the extemal MIDI sequencer to synchronize

to MTC. See the operation manual of the sequencer for details.

3) Press the [PLAY] key of the MR-8 to start playback.

The sequencer also starts playback while synchronizing to the MR-8.

MIDI sync/MTC frame rate settings While the MR-8 is stopped, you can set the refer- ence of MIDI synchronization to "MTC" and the MIC frame rate appropriately to match the se- quencer. <MTC start time> The MTC from the MR-8 has an hour offset, which is fixed. Therefore, when starting the MR- 8 from the beginning of a song (ABS ZERO), the MTC starts from "O1h00m00s00f".

1) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The display shows the menu selection screen, in which "System" is highlighted initially. MEHURSsS ten Sons Track Part USE

splay now shows the system menu screen, in which "Card Format” is highlighted initially. Pre Roll Time = 4,Ës PostRoll Time = 1.8s Delas Tape = ER Midi Sanc Out = Off FHTC FrameRate = 25

MR-8 Owner's Manual The current option (the default is "Off"') flashes. You can now select the desired one from among three options below.

• off. No signal is output from the [MIDI OUT] connector. MIDI clock with Song Position Pointer is output from the [MIDI OUT] connector. MIDI time code is output from the [MIDI OUT] connector. MEHUkSastemeMidi Sur Card Format Pre Roll Time FastRoll Time Delas Tire + CLK: + MTC: MEHUkSustemkMidi Sync Card Format Fre Eoll Time d.8s PostRoll Time 1.äs Delas Tare LR Midi Sunc Out TC Framerate

4) Use the [CURSOR @/®)]keys to select"MTC", then

press the [ENTER] key. "Midi Sync Out" setting is now effective, while "Midi Sync Out” is highlighted on the screen.

FrameRate", then press the [ENTER] key. The current option (the default is 25") flashes. You can now select a frame rate from among four options: "24", "25", "30nd" and "30df”. MEHUkSSStemRMTE Frame Card Format + Pre Roll Time = 4.8s PostRoll Time 1.6s Delsa Ture LR MENUkS3StemRMTE Frame

Card Format Fre Roll Time PostRoll Time Delas Tare Hidi Sunc Out ŒNTC Framesate = EE

6) Use the [CURSOR @/6] keys to selectthe desired

frame rate, then press the [ENTER] key. The frame rate setting is now effective, while "MTC FrameRate" is highlighted on the screen,

7) Press the [MENU] key to exit the menu mode.

Synchronization using MIDI clock The following describes how to synchronize a sequencer to the MR-8 using MIDI clock. Use this method if the sequencer does not support MTC (MIDI Time code) <Notes> + To synchronize a sequencer to the MR-8 using MIDI clock, you have to make the signature/ tempo map in the MR-8. The MIDI clock is output according to the signature/tempo map in the MR-8. When starting recording, synchronize the sequencer to the MIDI clock fed from the MR-8. Generally, a sequencer supporting MIDI song position pointer as well as MIDI clock can synchronize to the MR-8 when you start playback of the MR-8 from the middle of a song. It locates the current song position and chase the MR-8. However, note that some sequencer may not synchronize to the MR-8. Connection As with the connection for MTC synchronization, connect the [MIDI OUT] connector of the MR-8 to the [MIDI IN] connector of an external MIDI sequencer using a MIDI cable. Settings of the MR-8 and MIDI sequencer

1) Inthe "System" menu ofthe menu mode, setthe

“Midi Sync Out" item to "CIk". See "MIDI sync/MTC frame rate settings" above about how to set.

2) In the "Song" menu ofthe menu mode, create the

signature/tempo map by setting "Signature Map" and "Tempo Map" appropriately. See "Using the rhythm guide function" on page 79 for details about how to set these items.

3) Enable the external MIDI sequencer to synchronize

to MIDI clock. See the operation manual of the sequencer for details.

4) Press the [PLAY] key ofthe MR-8 to start playback.

The sequencer also starts playback while synchronizing to the MR-8.

MR-8 Owner's Manual Bus ino the rhythm guide function The MR-8 provides the metronome function which can output the guide click for recording. To output the guide click, create the signature/tempo map using the "Signature Map" and "Tempo Map" items and set the click level using the "Click level" item in the menu mode, The rhythm guide click is output together with the stereo output signals during recording/play- back. reating the signature/tempo map Setting the signature map First, set the signature for each bar in the internal programmable signature/tempo map. For example, you can set the signature to 4/4 for bars 1 and 2, and set to 2/4 from bar 3, etc. The signature map specifies the signature at the signature changing point. Each signature specified in the signature map is effective until another sig- nature is specified. To output the guide click or feed the MIDI clock and song position pointer to an external MIDI de- vice, you have to set the signature map, as well as the tempo map which will be described later.

1) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The display shows the menu selection which "System" is highlighted initially. ‘en, in ME]

2) Use the [CURSOR ©] key to highlight "Song", then

press the [ENTER] key. The display now shows the song edit menu screen, in which "Select Song" is highlighted initially. MEHURS ons Sustem Track Part USE LL ri:

Fename Sora + Delete Sons k Protect = Off Delete Unysed + rÉar Dffset =-2bar

3) Use the [CURSOR ®] key to highlight "Signature

Map", then press the [ENTER] key. The display shows the current signature map. By default, "1bar->4/4" and "--bar->—" are shown. In this condition, the signature is set to "4/4" from the beginning to the end of a song. If you want to change the signature from the middle of a song, use the "—bar -> —" line. Let's assume to specify the signatures as below. from bar 1 to bar 3 ->4/4 from bar 4 to bar 7 ->3/4 from bar 8 to bar 11 ->4/4 from bar 12 to bar 15 ->5/8 from bar 16to the lastbar ->3/4

4) Use the [CURSOR ®]key to highlight"-—bar->--",

then press the [ENTER] key. The display shows the screen for new signature setting. "2" for bar number entry flashes. You can enter a numeric value between 1 and 999.

6) Use the [CURSOR ©] key to flash "4/4" for "Sig."

CCANCEL]FEHTER]CDEL 1

7) Use the [CURSOR @/®)] keys to enter "3/4".

"TENTER]" at the lower center of the screen, then press the [ENTER] key. The bar and signature setting above is completed lay changes to show the signature map screen, in which the new setting is reflected. MENUkSonakSis. Mar 4 bar

then press the [ENTER] key. The display shows the screen for new signature setting as step 4 above. Follow the same procedure bed above until you finish all settings. You can make up to 64 bar/signature settings.

10) After completing all settings, use the [CURSOR ©]

key to retum the display to show the screen in which “Signature Map" is highlighted. Then, continue to the procedure for tempo setting described on page 82. To edit the signature map you created, see below. Changing the bar number or signature You can change the bar number or signature you specified.

1) While the display shows the signature map screen,

use the [CURSOR @/®]key to highlightthe setting you want to change, then press the [ENTER] key. The display changes to show the screen where the bar number flashes, showing that you can now edit it. L_fashing 2e ER: | Sis. = 34 ECAHCELICENTER1CDEL]

2) Use the [CURSOR ©/®)] keys to enter a desired

signature value. You can now select a signature.

4) Use the [CURSOR @/®] keys to select a desired

"IENTER|" atthe lower center of the screen, then press the [ENTER] key. The new bar and signature setting above is now effective.

6) To exitthe menu mode, press the [MENU] key.

You can also exit the menu mode by pressing the [CURSOR @)] key as many times as required until exiting the menu mode. Deleting an unnecessary bar/signature setting You can delete an unnecessary bar/signature setting from the signature map.

2) Use the [CURSOR ©] key to move the cursor to

"IDEL]" atthe lower right of the screen, then press the [ENTER] key. The selected setting is immediately deleted. The following shows the screen examples for deleting "16bar > 3/4". MEHUkSonakSis. Mar Bar = 16 bar Sig. = 2-4 CCANCEL.]CENTER ] MEHURSonskSis. Mar dbar + 44 dbar + 344 + dd 12bar + =:

3) To exitthe menu mode, press the [MENU] key.

You can also exit the menu mode by pressing the [CURSOR ©] key as many times as required until exiting the menu mode. Changing the bar offset If you locate the ABS zero point (the beginning of a song) while the time base is set to Bar/Beat/ CIK, the display will show "-2bar 14 00cIk" by default. This means the ABS zero point corre- sponds to "bar -2, beat 1". This offset (the Bar/Beat position at the ABS zero point) is called "bar offset”. You can set a desired bar offset if necessary.

1) Bring up the song edit menu screen and use the

ICURSOR ©] key to highlight "Bar Offset" on the first page of the screen, then press the [ENTER] key. The current bar offset flashes ("-2bar" by default), showing that you can now edit it. MENURSonsrEar Offset Select Sons + Feñame Sons + Delete Sons + Protect = Off MEHU+SomarBar Offset Select Sons Feñname Sons + Delete Sons Le

off Protect Delete Unused Fear Offset

2) Use the [CURSOR G/®] keys to select a desired

option, then press the [ENTER] key. The selected option is now effective, while "Bar Offset” is highlighted on the screen.

3) To exitthe menu mode, press the [ME NU] key.

You can also exit the menu mode by pressing the [CURSOR @] key as many times as required until exiting the menu mode.

Creating the tempo map After setting the signature map, you have to cre- ate the tempo map. Like the signature map, the tempo map specifies the tempo at the tempo changing point. Each tempo specified in the signature map is effective until another tempo is specified. For example, you can set the tempo to 120 at the third beat in bar 4, and set to 90 at the second beat in bar 12, etc. By creating the signature map and tempo map, the signature/tempo map is completed, and you can output the guide click or feed the MIDI clock and song position pointer to an external MIDI device. Let's assume to create the tempo map as below. The first beat in bar 1 The second beat in bar 4 The third beat in bar 8 The first beat in bar 12 The fourth beat in bar 16 ->120 ->180 ->90 ->120 ->250

1) Bring up the song edit menu screen and use the

ICURSOR ®)] key to highlight "Tempo Map", then press the [ENTER] key. The display shows the screen for new tempo set- ting, By default, "Ibar L->120bpm'" and "bar -J->- -bpm" are shown. In this condition, the tempo is set to "120bpm" from the beginning to the end of a song. You can create the tempo map as shown above by the following procedure. MENU+SonabTemes Mar Si ture far k

2) Use the [CURSOR ©]key to highlight

"bar -J->—bpm", then press the [ENTER] key. The display shows the screen for new tempo setting. Initially, the upper "2" for bar number entry flashes. You can enter a numeric value between 1 and 999. HEHUkSonSkTenrc Mar MENUkSonakTenec Mar |_flashing

4) Use the [CURSOR ©] key to flash "1" for "Beat"

setting. You can enter a beat number between 1 and 8. MEHURSSnSkTemeo Mar Ear = bar Beat L_ flashing Tempo = 129 brm

CCAHNCEL]CENMTER]COEL]

5) Use the [CURSOR ©/®)] keys to entei

MENURSonskTenec Mar Bar = 4 bar Eeat = | fashing Tempo = 124 bpm CCAHCEL]CENTERJCOEL]

6) Usethe [CURSOR @]key to flash "120" for "Tempo"

setting. You can enter a tempo value between 30 and 250.

7) Use the [CURSOR @/®)] keys to enter "180".

8) Usethe [CURSOR @]key to highlight"IENTER]" at

the lower center of the screen, then press the [ENTER] key. The tempo setting above is completed and the display changes to show the tempo map screen, in which the ne ting is reflected. If you want to cancel the setting, highlight "[CANCEL]" instead of "[ENTER]", then press the [ENTER] key. HEHUkSSnakTenrs Mar Éar = 4 bar eat = 2 d Tempo = 188 bem LCANCEL 1SNENLDEL 1 MENURSonsiTenre Mar

9) Use the [CURSOR ©] key to highlight

"bar -/->--bpm", then press the [ENTER] key. The display shows the screen for new tempo setting as Shown in step 2 above. Follow the same procedure as described above until you finish all settings.

10) After completing all settings, use the [CURSOR @]

key to retum the display to show the menu selection screen. Then, in order to use the rhythm guide function, continue to the procedure for click level setting described on page 85. To edit the tempo map you created, see below.

MR-8 Owner's Manual Editing the tempo map Deleting an unnecessary tempo setting You can edit the tempo map you created.

1) While the display shows the tempo map screen,

use the [CURSOR @/®] key to highlightthe setting you want to change, then press the [ENTER] key. The display changes to show the screen where the bar number currently set is highlighted, showing that you can now edit it. HEHDkSonSkTemre Mar |_fashing

number currently set. You can now edit the beat number.

4) Use the [CURSOR @/®] keys to enter a desired

value currently set. You can now edit the tempo value.

6) Use the [CURSOR @/®)] keys to enter a desired

7) After editing is completed, use the [CURSOR ©]

key to move the cursor to "[ENTER]" at the lower center of the screen, then press the [ENTER] key. The new tempo setting above is now effective, while the display changes to show the tempo map screen.

8) To exit the menu mode, press the [ME NU] key.

You can also exit the menu mode by pressing the [CURSOR @] key as many times as required until exiting the menu mode. You can delete an unnecessary tempo setting from the tempo map.

1) Onthe tempo map screen, use the [CURSOR @/®]

key highlight the tempo setting you want to delete, then press the [ENTER] key. The display changes to show the screen where the bar number currently set is highlighted, showing that you can now edit it. HEHUkSonSkTenrc Mar ibar 14 + 126brm 186brm SobEri L_fashing Bar És |

Tempo = 126 bp CCANCELICENTERCOEL 1

2) Use the [CURSOR @] key to move the cursor to

“[DEL]" atthe lower right of the screen, then press the [ENTER] key. The selected setting is immediately deleted and the subsequent settings go up in the list. The following shows the screen examples for deleting "12bar 1/-> 120bpm". MEHURSonsETenro Mar Tempo = 128 brm CCANCELI]CENTER 1] MENURSonaYTenro Mar ibar 14 + 126brm bar 23 + 186@brm Sd DE:

3) To exitthe menu mode, press the [ME NU] key.

You can also exit the menu mode by pressing the [CURSOR @)] key as many times as required until exiting the menu mode. 84 a |

MR-8 Owner's Manual Setting the click level After creating the signature/tempo map, set the click level finally. In the initial condition, the click is not output (the click level is set to "OfF"). Therefore, to use the rhythm guide function, you have to set to output the click at the desired level.

1) in the menu selection screen, use the [CURSOR @]

key to highlight "System", then press the [ENTER] key. The display now shows the system menu screen, in which "Card Format" is highlighted. MENUkSSS tem You can select the click level from among levels 1 through 10 and Off (default). Selecting larger level number outputs the louder rhythm guide click.

4) To exit the menu mode, press the [MENU] key.

As described above, you can hear the rhythm guide dlick by setting the signature/tempo map and click level. The click is output via the stereo buss (L, R), and you can play back or record while listening to the rhythm guide. <Note> When mixing down tracks or recording the mixed stereo signals to an external master recorder, set the "Click Level" to "Off". Otherwise, the click is also output from the [STEREO OUT (L, R)] jacks together with the mixdown signals. C Tia Pre Roll Time +. ÈS PostRoll Time = 1.8s Delas Tare LR Midi Sanc Out = Off FHTC FrameRate = 25

3) Use the [CURSOR ©/®] keys to select a desired

MR-8 Owner's Manual WAV file conversion You can convert track data recorded on tracks 7/8 (which consists of an L/R pair of mono WAV files) to a stereo WAV file, which can be exported to a personal computer. The following describes how to convert data on tracks 7/8 (which may be bounced from other tracks or simply recorded in stereo) to a stereo WAV file. Two mono WAV files recorded on tracks 7/8 are converted to a stereo WAV file as shown below. (Note that only files recorded on tracks 7/8 can be converted to a stereo WAV file.) Track 7 {L ch} Track 8 {R ch) Stereo {L,R)

<Note> If you are going to make file conversion when no WAV data exists on tracks 7/8, an error message (“Track 7/8 Empty!”) appears and the operation is canceled. You can select the range of track data to be converted between all data (from ABS ZERO to REC END) and a specific part (from the LO- CATE A and LOCATE B points). <Note> If you want to convert a part of track data, you have to store the LOCATE A and LOCATE B points in advance. Enabling the file conversion You can enable the WAV file conversion func- tion by pressing the [7/8 >STEREO WAV FILE] key. 14>5/6 18 >STEREO 16>78 7? WAV FILE BOUNCE [7/8 >STEREO WAV FILE] key DELETE Each press of the [7/8 > STEREO WAV FILE] key enables or disables the conversion function. The key lights when the conversion function is en- abled.

Procedure of file conversion The following is assumed that the song whose track data you want to convert is loaded.

1) While the recorder is stopped, press the

[7/8 > STEREO WAV FILE] key to enable the file conversion function. The display shows the "7/8 > STEREO WAV FILE" screen, in which you can select the range of track data to be converted. You can select between "ABS ZERO to REC END" (i.e. all data) and "LOCATE A - LOCATE B"' (specified range). By default, "ABS ZERO to REC END" is shown. "NAME =#" Shows the name for the converted file, and you can enter a desired name. Initially, it shows the name of the source file, therefore, if you do not change the name, the same file name is given. See the next page for details about how to enter a desired name. When you convert more than one data in the same song, You have to give a different name for each converted file. See the <Note> on the next page.

— Convert UWAN File - MÔDE HAE = doit CCAMCEL 1 CEHTER 1

2) After selecting the range to be converted using the

ICURSOR &/E] keys, use the [CURSOR ©] key to move the cursor to "[ENTER]" at the lower right of the screen, then press the [ENTER] key. The file conversion starts and the percent number on the n counts up as the conversion progres If you want to cancel the conversion after the conversion has started, press the [STOP] key. Note> If you cancel the conversion after the conver- sion has started, no file is converted.

The MR:8 quits the conversion function and the display returns to the home screen. <Æditing a file name> You can edit a file name by the following procedure. L After selecting the range of track data to be converted, press the [CURSOR ®] key to move the cursor to the leftmost position of the file name. F#EkSTERED WAU FILE - Convert WAU Fils - MÔDE

AME flashing—{@Qrrkttttt C CAHCEL 1 LEHTEE ]

2. Use the [CURSOR @/®] keys to move the

edit position and enter a new name with the character entry keys. While the leftmost position is flash- ing, pressing the [1-4>5-6, 1-6>7-8]/ IDELETE] key repeatedly deletes the current file name.

After entering a new name, use the ICURSOR ®] key to move the cursor to "[ENTER]" at the lower right of the screen, then press the [ENTER] key. The conversion is immediately carried out and then "Completed!" is shown on the display.

<Note> If you convert data with the same name as previously converted data, the follow- ing screen appears on the display. This screen warns you that the WAV file with the same name already exists and asks you to carry out the conversion by over- writing the existing file or cancel the con- version. TÉkSTEREO WAU FILE — Convert WAU File - Same file name exists! Dverurite Preu File? CHO] LVES] If you carry out the conversion by over- writing the existing file, use the [CURSOR ©) key to move the cursor to "[YES]", then press the [ENTER] key. If you do not want to overwrite the exist- ing file, use the [CURSOR ©] key to move the cursor to "[NO]", then press the [EN- TER] key. The display returns to show the screen for editing the file name, so you can enter a different file name and then carry out the conversion. If you want to cancel the conversion when the screen above is shown, use the [CUR- SOR ®)] key to move the cursor to "[NO]" and press the [ENTER] key to show the screen for editing the file name, and then press the [7-8>STEREO WAV FILE] key to quit the conversion function.

MR-8 Owner's Manual BE XPorting data to a personal compute M The MR-8 is equipped with the USB port for direct connection to a personal computer using a USB cable. This allows you to export stereo WAV file data, which is converted from a pair of mono WAV files for tracks 7/8, to your computer. The exported data can be played back or edited using a computer's music software, or used as a source when burning an original audio CD using a CD-RW drive. You can also export whole song data to a personal computer for backup only when the remaining space of a CompactFlash card becomes small. USB cable _ machine with the USB port(s) Connection to a personal computer Notes on exporting a file Connect the [USB] port of the MR-8 to the USB port of a personal computer using a USB cable, as shown above. (A USB cable is not supplied with the MR-8.) - l Windows Me/2000/XP You can export only a stereo WAV file which is converted from a pair of mono WAV files for tracks 7/8, as described earlier in "WAV file conversion”. A mono WAV file or undo file cannot be ex- <ote> : ported to a personal computer. When the MR-8 is connected to a computer, See the next page for details about the rt- we recommend to use the AC adaptor for able files. f supplying the stable power to the MR-8. <Note> <Note on backup> Only Windows Me, 2000 or XP computers When exporting whole data of a song on a with the USB port(s) can be used with the card to a personal computer for backup only, MR-8. Other computers (such as Macintosh always export the whole song folder, instead machines) cannot be used. of'individual track data. Check your computer before making connec- tion. <Tip> By using a card reader for CompactFlash cards on the market, you can back up MR- 8 song data to a personal computer which does not provides the USB port.

MR-8 Owner's Manual Exporting a WAV file to a personal computer The following describes the procedure for export- ing a WAV file to a Windows ME computer. <mportant note> Converted stereo WAV files are located in the "2 MIX" folder in the Song folder, as shown below. So you can export only a stereo WAV file in the "2 MIX" folder (indicated by an ar- TOW). Note that, if you export a WAV file which is located in a folder other than the "2 MIX" folder, the MR-8 may malfunction. Song 2MIX TN B es , nes nes

1) Tum on the power of the personal computer and

The MENU screen is shown in which "System" is highlighted. ÎE. USE ter

press the [ENTER] key (or the [CURSOR ©] key). The MR-8 enters the USB mode, while the display shows the lower screen below. MEMLHUISE Suster Sons Track Part LEE MEMURUSE —--— USE Mode ---- STOF Key + Exit <Note> While the MR-8 is in the USB mode, no keys except the [STOP] key are ineffective. Press- ing the [STOP] key exits the USB mode.

4) Connect the MR-8 to a personal computer using a

5) Open "My computer" on the computer screen.

You see the "Removable disc" drive added on the computer. The first time you connect the MR-8, the device driver is installed automatically.

6) Open the "Removable disc" drive added, and

select a desired stereo WAV file in the "2 MIX" folder in a desired song folder, then copy to the computer. When you open the "Removable disc" drive added, the contents of the card inserted to the MR-8 are shown, in which you can see all the song folders.

Open the "2 MIX" folder in a desired song folder, and select a desired stereo WAV file then copy to the computer. While copying data, the [RECORD] key indicator of the MR:8 flashes, showing that the card is accessed. When completing data copy, the indicator turns off. Note> After copying a WAV file in a folder to a computer, the original file remains. How- ever, if you execute "move to another folder", the original file on the card is lost. When completing the data export, disconnectthe MR-8 from the personal computer. <Note> To disconnect the MR-8 from the personal computer after completing the data export, make sure that the [RECORD] key indica- tor of the MR-8 is not lit, and follow the procedure for hardware disconnection of Windows. Press the [MENU] key to exit the menu mode. [ <Tip> A stereo WAV file transferred to a personal computer can be played back or edited us- ing a computer's music software, or used as a source when burning an original audio CD using a CD-RW drive.

MR-8 Owner's Manual Initializing the MR-8 By initi ng the MR-8, you can initialize all global menu settings common to all songs, as well as the time base and display contrast level. Initialized item Default setting Pre-roll time seting 4 seconds Post-roll me setting 1 second Delay type setting LR (stereo) delay MIDI sync out setting of MTC frame rate setting 25 frames Beatresolution mode setting of Click level setting of Time base (shown when turing on the power) | BarBeat Display contrast level Factory preset level

1) While the recorder is stopped, press the [MENU]

key to enter the menu mode. The MENU screen is shown in which "System" is highlighted. ICEEEN Track Part USE

then press the [ENTER] key. The display now shows the confirmation screen for initializing. in which "Yes->RECORD+YES key" and "No->NO Key" alternatively flash. MEHURÉSS temblmit Mem id Resolusion off PIRE Level Off MENURSsstemkIinit Mem | — Initialize Memors - Initialize Sastem Settinss! Are nou sure? “es+ RECORD4VES Keys

4) Press the [CURSOR ®]key while holding down the

[RECORD] key. The settings are immediately initialized, and "Completed!" is shown. To cancel the initialization, press the [CURSOR @)] key. MENURkSsStemkTnit Men — Initialize Memors — Comrletedl Press ENTER Keul

5) Press the [ENTER] key.

"Initmemory" is highlighted on the display.

6) Press the [MENU] key to exit the menu mode.

MR-8 Owner's Manual | Troubleshooting En If you encounter any problem while operating the MR-8, check the following for the possible cause of the problem before contacting our service station or dealer. Troubles for recordi <Trouble 3> <Trouble 1> Tam going to make recording using the inter- nal microphone but I cannot see the input level on the display. The meter shows very low level and actually the recording level is too low.

+_Isthe [INPUT A SELECT]switch on the rear panel setto “INT MIC"? To make recording using the internal microphone, set the switch to "INT MIC". +_ Is the [TRIM] control for the [INPUT A] section adjusted appropriately? Set the sound source near to the internal microphone or set the [TRIM] control just below the position where the [PEAK] indicator in the [INPUT A] section lights at the loudest part.

+_Is the [RECORD] key flashing and does "ERTEN" light on the display? Press the [RECORD] key to set the armed (record-ready) track to the input monitor mode by pressing only the [RECORD] key. +_Is the [TRIM] control for the input section the sound source is connected adjusted appropriately? Set the [TRIM] control just below the position where the [PEAK] indicator in the [INPUT A] section lights at the loudest part (see page 30). [ <rrouble 4> The meter shows good level for recording, but no signal can be monitored via headphones though the [PHONES VOL] control is brought up. <Trouble 2> The recorder stopped suddenly when record- ing. +_ Is there enough recordable space on the CompactFlash card? You cannot record onto the CompactFlash card which is full. Replace it with a new card or delete unnecessary data (see page 20). + _ Are the track fader for the recording track and the [MASTER] fader brought up? Both of these fader, as well as the [PHONES VOL] control, have to be brought up in order to monitor the recording signal via headphones. We recommend to bring up both the track fader for the recording track and the [MASTER] fader to the ” position (see page 32 and 34).

MR-8 Owner's Manual <Trouble 5> During overdubbing, the playback signal of the recorded track cannot be monitored. +_ Is the track fader for the playback track brought up? During overdubbing, bring up the faders for both the playback and recording tracks appropriately. Otherwise, you cannot make overdubbing while listening to the recorded track(s) (see page 34). <Trouble 6> Auto punch in/out cannot be executed. + _Is"CTAE]" shown on the screen? it is not, press the [AUTO PUNCHI] key to make the auto punch in/out function active. + _Arethe punch-in and punch-out points set correctiy? To check each point, press the [LOCATE A/ IN] or [LOCATE B/OUT] key. The recorder locates to the punch-in or punch-out point, while the screen shows the appropriate time data. If the punch-out point is earlier than the punch-in point, set these points appropriately so that the punch-in point is earlier than the punch- out point (see page 36). <Trouble 7> Cannot record audio data of a song onto an external digital recorder. +_Is the connection between the [DIGITAL OUT] connector on the MR-8 and the optical input connector ofthe digital recorder made correctiy? Check the connection, as well as the optical cable (see page 48).

+_ Is the digital recorder set correctiy for recording the signal fed to the digital input. See the manual of the digital recorder for details about the setting. + _ Did the song data you are going to record onto the digital recorder created by the normal mode (44.1-kHz, 16-bit}? Only song data created by the normal mode can be output from the [DIGITAL OUT] connector. Song data created by the extended mode (22.05-kKHZz, 16-bit) cannot be digitally output. Troubles for playback <Trouble 1> During playback, the recorder suddenly ex- ecutes locating. Is" EE or "EMETEN" shown on the display? If so, the play mode is set to the auto return or loop mode. Press the [PLAY MODE] key until "Off" is selected (see page 50). <Trouble 2> Cannot monitor the playback sound. + Are the track fader(s) for the playback track(s) and the [MASTER] fader brought up to the appropriate positions? You cannot hear the sound of a playback track if either of the corresponding track fader or the [MASTER] fader is set at the minimum position. If you monitor via headphones, the [PHONE VOL] control also have to be brought up (see page 32 and 34).

MR-8 Owner's Manual <Trouble 3> Troubles for USB connection Pressing the [PLAY] key while holding down the [STOP] key cannot execute the loop play- <Trouble 1> back function. Cannot export a WAV file to a personal com- puter. + _Arethe LOCATE A and LOCATE B points set correctiy? +_Is the USB cable connected correctiy? By default, both of these points are set to Check the connection, as well as the USB the beginning of a song (i.e. "Om00.000s" cable (see page 88). or "-2bar 1/00clKk"). In this condition, you cannot carry out the loop playback “ls the personal computer meets the function. requirement? Also, if the LOCATE B point is earlier than Only Windows Me/2000/XP machines can the LOCATE A point, you cannot carry out be used with the MR-8 (see page 88). the loop playback function (see page 53). Troubles for power supply Troubles for effect (Trouble 1> The MR-8 suddenly turned off the power. <Trouble 1> Cannot apply the effect. + _Arethe plugs of the AC adaptor plugged in fimly? + _Arethe [EFFECT SEND]control forthetrack you Check the connection of the AC adaptor with wantto apply the effect and track fader brought the MR-8 and AC main outlet (see page 17).

up appropriately? + _Arethe batteries empty? (when supplying the power from batteries) Check the batteries (see page 17).

Other troubles The [EFFECT SEND)] control for the track you <Trouble 1> want to apply the effect have to be brought Cannot hear the rhythm guide click, though up, otherwise, the track signal is not sent to the signature/tempo map is set. the internal digital effector (see page 40). e Also, the track fader have to be brought up. *_Is the "Click level" item in the menu mode set correctiy? By default, this item is set to "Off" and no rhythm guide click is output. Set it appropriately (see page 85). RE 94 ____ _

MR-8 Owner's Manual MR-8 specifications [nputs/Outputs] 0 dBu=0.775 Vrms, O0 dBV=1/0 Vrms. Analog inputs [INPUT A, INPUT B] Connectors : XLR-3-31 type 1/4-inch, phone type Input level :-50 dBV (MIC) to +2 dBV (LINE) Input impedance : 1.5kQ or more (MIC/BAL) : 40KQ or more (LINE/UNBAL) : 500KkQ or more (GUITAR/UNBAL) Stereo analog output [STEREO OUT (L, R)] Connectors : 1/4-inch, phone type Nominal output level : -10 dBV (unbalanced) Load impedance :10KkQ or more *Headphones output [PHONES] Connectors : 1/4-inch, stereo phone type Load impedance :16Q or more Outputlevel_: 20mW or more (@ 32Q load) + MIDI output [MIDI OUT] Connector : DIN 5-pin Format : conformed to the MIDI standard -Digital output [DIGITAL OUT] Connector : Toslink optical type Format : IEC 60958 (S/P DIF)

• Only normal mode song data is output. *Footswitch Connector : 1/4-inch, phone type Level : TTL level *USB Connector :B type (standard) [Record/playback] + Recording medium _: CompactFlash" card + Sampling frequencies : 44,1 kHz (Normal mode) : 22.05 kHz (Extended mode) ° Quantization : 16 bits, linear (non expanded)

• the number of simultaneously recordable tracks: 2 + Recording time ° ADC : 16-bit, delta-sigma e DAC : 16-bit, delta-sigma + Frequency response : 20 Hz to 20 KHz + Dynamic range : 88 dB or more (TYPICAL)

• Total harmonic distortion : 0.05% or more (TYPICAL)/Normal mode [General] + Weight(net) _: MR-8/approx. 1.6kg : AD-12A/approx. 500g + Dimensions :283 (W)x215 (D)x65 (H) mm + Power requirements _: DC 12 V : Using the AC adaptor or six AA- type alkaline batteries + Supplied accessories : AC adaptor : Owner’s manual Changes in specifications and features may be made without notice or obligation. CompactFlash" is the trademark of SanDisk Corporation in U.S. A. and licensed to CFA (CompactFlash"" Association). The polarity of the supplied AC adaptor is center plus/outer minus. E—8—0Q [Pin assignment of XLR connectors] UN - 2 EN GND NS 2 | HOT 3 | COLD a |

MR-8 Owner's Manual Optional accessaries Dynamic microphone Model M521 XLR type (Female) -> PHONE

RP Stereo Headphone Model T40RP RP dynamic type, Closed type Headphone distributor Model PH-50 Stereo Headphone Model T-5 Dynamic type, Semi-open type

Personal Monitor Model 6301B/BX RP Stereo Headphone Model T20RP RP dynamic type, Semi-open type

Powered near field studio monitor Model NF-01A

MR-8 Owner's Manual Declaration of EC Directive This equipment is compatible with the EMC Directive (89/336/EEC) - Directive on approximation of member nations ordinance conceming the electromagnetic compatibilty and with the Low Voltage Directive (73/23/EEC) - Directive on approximation of member nation's ordinance conceming electric equipment designed to be used within the specified voltage range. The Affect of Immunity on This Equipment on this equipmentare as shown below. The affect ofthe European Specification EN50082-1 (coexistence of electromagnetic waves - common immunity specification) generation of noise in some cases. In the electrical fasttransientburst requirements, surge, conducted disturbances by radio-frequency fields, power frequency magnetic field, radiate electromagneti field requirements and static electicity discharging environment, this could be affected by

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