PA50 - Clavier arrangeur KORG - Free user manual and instructions

USER MANUAL PA50 KORG

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CONSERVER LE MODE D’EMPLOI NETTOYER UNIQUEMENT AVEC UN CHIFFON SEC Pa50-FRE.book Page 1 Friday, February 23, 2007 6:42 PM THE FCC REGULATION WARNING (FOR THE U.S.A. AND CANADA ONLY) This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. • Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. • Consult the dealer or an experienced radio/TV technician for help. Unauthorized changes or modification to this system can void theuser's authority to operate this equipment.

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COMMENT… Clavier …sélectionner un Son (Program) …sélectionner une Performance …jouer un Program sur toute l’extension du clavier, comme sur un piano …partager le clavier en deux …ajouter des sons à la main droite …désactiver/activer des sons

28 27 26, 32 26, 31 26 26

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5 Supprimer rapidement via les boutons du tableau de bord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58 Page principale (Main) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58 Page Style Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 Page Step Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61 Comment enregistrer un Style . . . . . . . . . . . . . . . . . . . . . . . 61 Reproduire le Style en mode d’enregistrement Record/Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 Structure des pages d’édition . . . . . . . . . . . . . . . . . . . . . . . . 65 Page 1 - Edit: Quantize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66 Page 2 - Edit: Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66 Page 3 - Edit: Velocity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67 Page 4 - Event Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67 Page Event Filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 Procédure Event Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 Page 6 - Edit: Delete . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70 Page 7 - Edit: Delete All . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71 Page 8 - Edit: Copy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71 Page 9 - Style Element Controls: Programs . . . . . . . . . . . . . 72 Page 10 - Style Element Controls: Expression . . . . . . . . . . . 72 Page 11 - Style Element Controls: Keyboard Range . . . . . . 72 Page 12 - Style Element Controls: Chord Variation Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73 Page 13 - Style Controls: Mode/Tension . . . . . . . . . . . . . . . 73 Mode opérationnel Song Play . . . . . . . . . . . . . . . . 74 Format des morceaux et des fichiers Standard MIDI . . . . . 74 Contrôles de transport . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74 MIDI Clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74 Passer d’un séquenceur à l’autre pendant l’édition . . . . . . . 74 Sélectionner un morceau en composant son numéro progressif . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74 Pistes clavier et du séquenceur . . . . . . . . . . . . . . . . . . . . . . . 75 Master Volume et Sequencer Volume . . . . . . . . . . . . . . . . . 75 Effets en mode Song Play . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 Fenêtre Groove Quantize . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 La fenêtre Write . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Page Principale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Page Tracks 1-8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77 Page Tracks 9-16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77 Page Song Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77 Page des textes (Lyrics) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 Reproduire un fichier Jukebox . . . . . . . . . . . . . . . . . . . . . . . 79 Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79 Structure des pages d’édition . . . . . . . . . . . . . . . . . . . . . . . . 79 Page 1 - Mixer: Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80 Page 2 - Mixer: Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80 Page 3 - Mixer: FX Send A/B . . . . . . . . . . . . . . . . . . . . . . . . . 80 Page 3 - Mixer: FX Send C/D . . . . . . . . . . . . . . . . . . . . . . . . 80 Page 4 - FX: A/B Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 Page 4 - FX: C/D Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 Page 5 - FX: A Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 Page 6 - FX: B Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 Page 5 - FX: C Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82 Page 6 - FX: D Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82 Page 7 - Track: Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82 Page 8 - Track: Internal/External . . . . . . . . . . . . . . . . . . . . . 82 Page 9 - Jukebox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83 Page 10 - Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83 Sauvegarder une liste de Morceaux . . . . . . . . . . . . . . . . . . . 84

Mode opérationnel Backing Sequence . . . . . . . . . 86 Contrôles de transport . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .86 Les modes Backing Sequence, Song et Song Play . . . . . . . .86 Comment reproduire un Morceau . . . . . . . . . . . . . . . . . . . .86 Mode d’enregistrement Realtime . . . . . . . . . . . . . . . . . . . . .86 Mode d’enregistrement Chord/Acc Step . . . . . . . . . . . . . . .87 Page Principale (Backing Sequence Play) . . . . . . . . . . . . . . .88 Page Load Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .88 Page Save Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .89 Page Realtime Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .89 Page Chord/Acc Step Recording . . . . . . . . . . . . . . . . . . . . . .90 Comment supprimer un Morceau entier . . . . . . . . . . . . . . .92 Mode opérationnel Song . . . . . . . . . . . . . . . . . . . . 93 Contrôles de Transport . . . . . . . . . . . . . . . . . . . . . . . . . . . . .93 Master Volume et Sequencer Volume . . . . . . . . . . . . . . . . .93 Format des morceaux et des fichiers Standard MIDI . . . . .93 Suppression rapide d’une piste . . . . . . . . . . . . . . . . . . . . . . .93 Comment supprimer un Morceau entier . . . . . . . . . . . . . . .93 Page Principale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .93 Page des pistes 1-8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .94 Page des pistes 9-16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .94 Page Song Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .94 Page Save Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95 Procédure Realtime Record . . . . . . . . . . . . . . . . . . . . . . . . . .96 Procédure Step Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .96 Page Song Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .97 Page Step Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .98 Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .99 Structures des pages d’édition . . . . . . . . . . . . . . . . . . . . . . . .99 Page 1 - Mixer: Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . .100 Page 2 - Mixer: Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .100 Page 3 - Mixer: FX Block . . . . . . . . . . . . . . . . . . . . . . . . . . .100 Page 4 - Mixer: FX Send A/B (ou C/D) . . . . . . . . . . . . . . .101 Page 5 - Tuning: Detune . . . . . . . . . . . . . . . . . . . . . . . . . . .101 Page 6 - Tuning: Scale . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101 Page 7 - Tuning: PitchBend/Scale . . . . . . . . . . . . . . . . . . . .102 Page 8 - FX: A/B Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . .102 Page 9 - FX: C/D Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . .102 Page 10 - FX: A Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . .103 Page 11 - FX: B Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . .103 Page 12 - FX: C Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . .103 Page 13 - FX: D Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . .103 Page 14 - Track: Easy Edit . . . . . . . . . . . . . . . . . . . . . . . . . .103 Page 15 - Track: Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . .104 Page 16 - Track: Internal/External . . . . . . . . . . . . . . . . . . .104 Page 17 - Edit: Quantize . . . . . . . . . . . . . . . . . . . . . . . . . . . .105 Page 18 - Edit: Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . .105 Page 19 - Edit: Velocity . . . . . . . . . . . . . . . . . . . . . . . . . . . .105 Page 20 - Edit: Delete . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .106 Page 21 - Edit: Cut Measures . . . . . . . . . . . . . . . . . . . . . . . .106 Page 22 - Edit: Insert Measures . . . . . . . . . . . . . . . . . . . . . .106 Page 23 - Edit: Copy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .107 Page 24 - Event Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .107 Page 25 - Event Filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .109 Procédure Event Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .109 Mode opérationnel Program . . . . . . . . . . . . . . . . 111 Page principale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .111 Programs Sound et Programs Drum . . . . . . . . . . . . . . . . .111 Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .111 Structure des pages d’édition . . . . . . . . . . . . . . . . . . . . . . . .112

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Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .141 Page 1 - Load (charger) . . . . . . . . . . . . . . . . . . . . . . . . . . . .142 Page 2 - Save (sauvegarder) . . . . . . . . . . . . . . . . . . . . . . . . .144 Page 3 - Copy (copier) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .148 Page 4 - Erase (supprimer) . . . . . . . . . . . . . . . . . . . . . . . . . .149 Page 5 - Format (formater) . . . . . . . . . . . . . . . . . . . . . . . . .149 Page 6 - New Dir (nouveau répertoire) . . . . . . . . . . . . . . .150 Page 7 - Rename (modifier le nom) . . . . . . . . . . . . . . . . . .151 Page 8 - Utilitaires 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .151 Page 9 - Utilitaires 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .153

Pa50-FRE.book Page 7 Friday, February 23, 2007 6:42 PM INTRODUCTION Pa50-FRE.book Page 8 Friday, February 23, 2007 6:42 PM

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Pa50-FRE.book Page 13 Friday, February 23, 2007 6:42 PM Face avant

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Pa50-FRE.book Page 15 Friday, February 23, 2007 6:42 PM Face avant

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Pa50-FRE.book Page 17 Friday, February 23, 2007 6:42 PM Face avant

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Pa50-FRE.book Page 19 Friday, February 23, 2007 6:42 PM Face avant

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Disk:Load NEWNAME.SET

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CLOSE Pa50-FRE.book Page 23 Friday, February 23, 2007 6:42 PM Face arrière

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Pa50-FRE.book Page 25 Friday, February 23, 2007 6:42 PM GUIDE DE L’UTILISATEUR Pa50-FRE.book Page 26 Friday, February 23, 2007 6:42 PM

Upper 1, Upper 2, Upper 3, Lower

Drum, Percussion, Bass, Acc1, Acc2, Acc3, Acc4, Acc5,

Program, Volume, Pan, Octave, Detune, Pitch Bend, Poly/Mono/Drum, Int/Ext, Wrap Around, Keyboard Range A&B Effect Send level, Type, Parameters Program parameters Drum Mapping, Kick&Snare Assignation

D’autres paramètres de “performance” sont sauvegardés dans Global. Global

Chord Recognition Mode, Memory Mode, Velocity Trigger, Lock

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BS:New Song Load Song

Maintenant, appuyez sur RECORD. You are prompted to select either the Realtime recording mode, or the Chord/Acc Step recording mode.

Record Realtime Recording Chord/Acc Step Mode

Select the Realtime recording mode. Simply press one of the A VOLUME/VALUE buttons. The Record page appears.

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Pa50-FRE.book Page 37 Friday, February 23, 2007 6:42 PM Didacticiel 6 - La gamme Arabe

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Pa50-FRE.book Page 39 Friday, February 23, 2007 6:42 PM MIDI Le canal Global

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MIDI Piloter un autre instrument via le Pa50

Pa50-FRE.book Page 43 Friday, February 23, 2007 6:42 PM GUIDE DE REFERENCE Pa50-FRE.book Page 44 Friday, February 23, 2007 6:42 PM

*.SET > STYLE > USER01

Pa50-FRE.book Page 45 Friday, February 23, 2007 6:42 PM Mode opérationnel Style Play Page Principale

A-H (Style Track Programs)

Nom des Programs affectés aux pistes de Style. Appuyez sur ces boutons pour couper/activer ou modifier le volume des pistes correspondantes.

COMMENT SÉLECTIONNER LES PROGRAMS Vous pouvez affecter un Program différent à chacune des pistes clavier et de Style. Voir “Sélectionner un Program” à page 28 for more information. Après avoir sélectionné un nouveau Program, sauvegardez vos modifications dans une Performance, un Style ou un STS (voir la section suivante, “La fenêtre Write”).

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Write to Perf.Name: Perf.No.: STS No.: Current Style

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Tuning:Scale Scale:User

Track:Easy Edit - - - - -

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Pref:Ctl (Gbl) ChrdRecMode:One Finger

Scale Mode:RT Tracks Memory Mode:Chord

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CV1 Drum Perc Bass Acc1 Acc2 Acc3 Acc4 Acc5 CV2 CV3 CV4 CV5

Pa50-FRE.book Page 57 Friday, February 23, 2007 6:42 PM Mode Style Record Style Import/Export

Write to Style name: NewBossa

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Low Pass Filter Cutoff

Pa50-FRE.book Page 59 Friday, February 23, 2007 6:42 PM Mode Style Record Page principale (Main)

RL (Recording Length)

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Pa50-FRE.book Page 61 Friday, February 23, 2007 6:42 PM Mode Style Record Page Step Record

Step V1-CV1 T:DR (a)

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Pa50-FRE.book Page 63 Friday, February 23, 2007 6:42 PM Mode Style Record Comment enregistrer un Style

10. Lorsque l’enregistrement du nouveau Style est terminé,

appuyer sur WRITE ou RECORD pour le sauvegarder dans la mémoire. L’écran affiche la page Write : 5.

Write to Style name: NewBossa

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E:V1 CV:CV1 R:RT RL:2

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PAGE 2 - EDIT: TRANSPOSE Edit:Quantize E:V1 CV:CV1 Trk:All Resol:

E/CV (Style Element/Chord Variation)

E/CV (Style Element/Chord Variation)

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Event Edit Edit:Velocity EV1 CV:CV1

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Low Pass Filter Cutoff

Trk: DRUM E:V1 CV:CV1

Trk: DRUM E:V1 CV:CV1

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Mode Style Record Page 6 - Edit: Delete

Edit:Delete E:V1 CV:CV1 Trk:All Ev:Note S001-01-000 E001-01-192 Bottom:G-1

Pa50-FRE.book Page 71 Friday, February 23, 2007 6:42 PM Mode Style Record Page 7 - Edit: Delete All

Edit:Delete All Del:V1-CV1

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Pa50-FRE.book Page 73 Friday, February 23, 2007 6:42 PM Mode Style Record Page 12 - Style Element Controls: Chord Variation Table

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WRITE: Press 'Enter/Yes' to memorize the Seq 1/2 Setup

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Effects Track ctrls Jukebox

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Track:Int/Ext Internal

Pa50-FRE.book Page 83 Friday, February 23, 2007 6:42 PM Mode opérationnel Song Play Page 9 - Jukebox

PAGE 9 - JUKEBOX La fonction Jukebox permet de reproduire une liste de Morceaux (127 max), en appuyant simplement sur un bouton. Vous pouvez reproduire un fichier Jukebox en le sélectionnant dans la page Song Select (voir “Reproduire un fichier Jukebox” à page 79), exactement comme tout autre Morceau.

JB List:NEW_NAME 01 Sunday.mid

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BS:New Song Load Song

OPEN CLOSE A-C (File, folder)

Pa50-FRE.book Page 89 Friday, February 23, 2007 6:42 PM Mode opérationnel Backing Sequence Page Save Song

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Pa50-FRE.book Page 91 Friday, February 23, 2007 6:42 PM Mode opérationnel Backing Sequence Page Chord/Acc Step Recording

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Mode opérationnel Song Page des pistes 1-8

A-H (Tracks 9-16 programs)

OPEN CLOSE A-C (File, folder)

Pa50-FRE.book Page 95 Friday, February 23, 2007 6:42 PM Mode opérationnel Song Page Save Song

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Pa50-FRE.book Page 97 Friday, February 23, 2007 6:42 PM Mode opérationnel Song Page Song Record

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Pa50-FRE.book Page 103 Friday, February 23, 2007 6:42 PM Mode opérationnel Song Page 10 - FX: A Editing

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Pa50-FRE.book Page 105 Friday, February 23, 2007 6:42 PM Mode opérationnel Song Page 17 - Edit: Quantize

PAGE 17 - EDIT: QUANTIZE PAGE 18 - EDIT: TRANSPOSE La fonction de quantification permet de corriger les erreurs de rythme commises pendant l’enregistrement.

Edit:Quantize Edit:Transpose

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Edit:Delete Trk:1 Ev:All

Pa50-FRE.book Page 107 Friday, February 23, 2007 6:42 PM Mode opérationnel Song Page 23 - Edit: Copy

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QoT (Quarter of Tone)

QoT Clear (Quarter of Tone Clearing)

Pa50-FRE.book Page 109 Friday, February 23, 2007 6:42 PM Mode opérationnel Song Page 25 - Event Filter

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Pa50-FRE.book Page 111 Friday, February 23, 2007 6:42 PM Mode opérationnel Program Page principale

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Pa50-FRE.book Page 113 Friday, February 23, 2007 6:42 PM Mode opérationnel Program Page 1 - Basic

Note : Vous ne pouvez pas sauvegarder sur un emplacement de Program d’usine.

PAGE 1 - BASIC Dans cette page, vous pouvez effectuer des réglages élémentaires pour les Programs, tels que les réglages de base d’oscillateurs, le compteur d’oscillateur et le choix de la gamme.

Basic Oascillators: Mode:

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Pa50-FRE.book Page 115 Friday, February 23, 2007 6:42 PM Mode opérationnel Program Page 2 - DK Samples (Drum Programs)

Pa50-FRE.book Page 116 Friday, February 23, 2007 6:42 PM

Intensity (AMS Intensity)

Définissez à l’aide de ce paramètre l’intensité et la direction de l’effet produit par la source “AMS”. Si par exemple vous attribuez le réglage Velocity au paramètre “AMS” et que vous affectez la valeur +12.00 à “Intensity”, le toucher vous permettra de contrôler sur une plage de ±1 octave l’intensité de changement de hauteur produit par l’enveloppe de

Pa50-FRE.book Page 117 Friday, February 23, 2007 6:42 PM Mode opérationnel Program Page 4 - Pitch LFO1

Pitch LF01 |Osc1 Selected:

Pitch LF02 |Osc1 Selected:

ChannelAT Pa50-FRE.book Page 118 Friday, February 23, 2007 6:42 PM

AMS1/2 (L) (Alternate Modulation Source 1/2)

Pitch envelope Réglages de changement de hauteur dans le temps (lorsque Pitch EG Intensity = +12.00 +99 = environ 1 octave

Intensity (AMS1/2 Intensity)

Start/Attack/Decay/Release Level

Définissez via ces réglages la quantité de changement de hauteur. Le changement de hauteur produit dépend du réglage défini pour le paramètre “Intensity (AMS1/2 Intensity)” (voir successivement). Si par exemple vous avez affecté la valeur +12.00 à “Intensity” et que vous affectez +99 à “Level”, la hauteur augmente d’une octave. Si vous affectez -99 à “Level”, la hauteur descend d’une octave. -99…+99 Valeur du paramètre. Start Level (niveau d’enclenchement)

Détermine l’intensité de changement de hauteur produit lors de l’enclenchement de note. Attack Level (niveau d’attaque)

Attack/Decay/Release Time

Decay Time (temps de chute)

Définit la durée pendant laquelle la hauteur change, à partir du moment où le niveau d’attaque est atteint jusqu’au retour à la valeur normale.

Pa50-FRE.book Page 119 Friday, February 23, 2007 6:42 PM Mode opérationnel Program Page 7 - Filter

Intensity (AMS(T) Intensity)

Pa50-FRE.book Page 120 Friday, February 23, 2007 6:42 PM

Filter Mod |Osc1 Selected:

Frequency B (Cutoff Frequency B)

Pa50-FRE.book Page 121 Friday, February 23, 2007 6:42 PM Mode opérationnel Program Page 8 - Filter Modulation

Intensity to A Filter EG modulation Note-on

Pa50-FRE.book Page 122 Friday, February 23, 2007 6:42 PM

Note-off Sustain Level

Start/Attack/Break/Sustain/Release Level

Intensity (AMS Intensity)

Pa50-FRE.book Page 124 Friday, February 23, 2007 6:42 PM

Amp Selected: Level:

Pa50-FRE.book Page 125 Friday, February 23, 2007 6:42 PM Mode opérationnel Program Page 13 - Amp Modulation

Amplifier Modulation Amp Mod Selected:

Joystick -Y Intensity:

Pa50-FRE.book Page 126 Friday, February 23, 2007 6:42 PM

Amplifier EG Note-off

Start/Attack/Break/Sustain/Release Level

Joystick -Y Intensity:

Amp EG Selected: Start Level: Attack Time: Attack Level:

Pa50-FRE.book Page 127 Friday, February 23, 2007 6:42 PM Mode opérationnel Program Page 16 - Amp EG

Pa50-FRE.book Page 128 Friday, February 23, 2007 6:42 PM

Square Sine Guitar Exponential Triangle Exponential Saw Down Exponential Saw Up

Pa50-FRE.book Page 129 Friday, February 23, 2007 6:42 PM Mode opérationnel Program Page 18 - LFO2

AMS2(F) (Alternate Modulation Source2) Intensity (AMS2 Intensity)

Pa50-FRE.book Page 130 Friday, February 23, 2007 6:42 PM

Amp EG Amp EG within the same oscillator

LFO1 within the same oscillator

LFO2 within the same oscillator

Flt KTrk +/+ (Filter Keyboard Track +/+)

Filter keyboard tracking within the same oscillator

Flt KTrk +/– (Filter Keyboard Track +/–)

Filter keyboard tracking within the same oscillator

Flt KTrk 0/+ (Filter Keyboard Track 0/+)

Filter keyboard tracking within the same oscillator

Flt KTrk +/0 (Filter Keyboard Track +/0)

Filter keyboard tracking within the same oscillator

Amp KTrk +/+ (Amp Keyboard Track +/+)

Amp keyboard tracking within the same oscillator

Amp KTrk +/– (Amp Keyboard Track +/–)

Amp keyboard tracking within the same oscillator

Amp KTrk 0/+ (Amp Keyboard Track 0/+)

Amp keyboard tracking within the same oscillator

Amp KTrk +/0 (Amp Keyboard Track +/0)

Amp keyboard tracking within the same oscillator

Velocity Poly AT (Poly

Velocity After Touch)(a)

Polyphonic After Touch (transmitted from the Pa50 only as sequence data)

After Touch (Channel After Touch)

Joystick +Y (vertical upward) direction and After Touch

JS–Y & AT/2 (Joy Stick –Y & After Touch/2)

Joystick –Y (vertical downward) direction and After Touch

+/– Flt KTrk +/+ (Filter Keyboard Track +/+) Flt KTrk +/– (Filter Keyboard Track +/–) Flt KTrk 0/+ (Filter Keyboard Track 0/+) Flt KTrk +/0 (Filter Keyboard Track +/0) Amp KTrk +/+ (Amp Keyboard Track +/+) Amp KTrk +/– (Amp Keyboard Track +/–) Amp KTrk 0/+ (Amp Keyboard Track 0/+) Amp KTrk +/0 (Amp Keyboard Track +/0)

Pa50-FRE.book Page 132 Friday, February 23, 2007 6:42 PM

AMS = Amp KTrk +/– AMS Intensity = valeur positive (+)

AMS = Amp KTrk 0/+ AMS Intensity = valeur positive (+)

zéro Intensité et direction de la modulation - max

AMS = Amp KTrk +/0 AMS Intensity = valeur positive (+)

AMS = Amp KTrk +/+ AMS Intensity = valeur positive (+)

Write Global: Press 'Enter' to store the Global

Pa50-FRE.book Page 134 Friday, February 23, 2007 6:42 PM

Pre-OSC Gbl:M.Transpose Style/Realtime:Sync Sequsencer1/2 :On Midi In

:Post-KB Style/Realtime

Gbl:Midi In Chnl Ch01:Upper1 Ch05:Upper3

Pa50-FRE.book Page 136 Friday, February 23, 2007 6:42 PM

UppOct (Upper Octave)

Gbl:Midi Out Chnl Ch01:Upper1 Ch05:Upper3 Ch02:Lower

Pa50-FRE.book Page 138 Friday, February 23, 2007 6:42 PM

Pa50-FRE.book Page 140 Friday, February 23, 2007 6:42 PM

Pa50-FRE.book Page 142 Friday, February 23, 2007 6:42 PM

Disk:Load NEWNAME.SET

Pa50-FRE.book Page 143 Friday, February 23, 2007 6:42 PM Environnement d’édition Disk Page 1 - Load (charger)

USER02.STY USER03.STY FD

Disk:Load PERFORM STYLE FD

USER02.STY USER03.STY FD

Pa50-FRE.book Page 144 Friday, February 23, 2007 6:42 PM

.SET Disk:Load to U1: 1 16BeatNew to U1: 2 _ _ _ _ _ _ to U1: 3 _ _ _ _ _ _ |

Pa50-FRE.book Page 146 Friday, February 23, 2007 6:42 PM

USER02.STY USER03.STY FD

PERFORM PROGRAM FD SAVE

USER02.STY USER03.STY FD SAVE OPEN

to U1: 2 8Beat to U1: 3 _ _ _ _ _ _ |

Use F1 to select a target device.

Pa50-FRE.book Page 148 Friday, February 23, 2007 6:42 PM

Pa50-FRE.book Page 150 Friday, February 23, 2007 6:42 PM

Pa50-FRE.book Page 152 Friday, February 23, 2007 6:42 PM

Pa50-FRE.book Page 154 Friday, February 23, 2007 6:42 PM

Environnement d’édition Disk Page 9 - Utilitaires 2

Pa50-FRE.book Page 155 Friday, February 23, 2007 6:42 PM APPENDICE Pa50-FRE.book Page 156 Friday, February 23, 2007 6:42 PM

PC Bank: Latin Dance

PC Bank: Traditional

Pa50-FRE.book Page 158 Friday, February 23, 2007 6:42 PM

PC Bank: Direct FD Page 1-2

PC Bank: Direct FD Page 3-4

0-15 *.SET PC Bank: Direct FD Page 5-6

PC STS PC STS PC STS PC STS

Pa50-FRE.book Page 160 Friday, February 23, 2007 6:42 PM

Odissey Grand Choir Slow Choir Symph. Bows Cyber Choir Choir Light Vocalesque Synth Voice Voice Lead Choir Pad Halo Pad FullVox Pad FreshBreath EtherVoices DreamVoice Humming AnalogVoice Mmmh Choir StringChoir ClassicVox Doolally Fresh Air Vocalscape Heaven Airways Yang Chin

61 61 61 61 59 60 62 55

Bank: Trumpet & Trombone MonoTrumpet Flugel Horn TrumptPitch TrumpetExpr HardTrombon SoftTrombon Wha Trumpet Muted Trp Dual Trump Warm Flugel Trumpet Trumpet 2 Trombone Trombone 2 PitchTromb BeBopCornet DarkTrumpet Tuba Tuba Gold Ob.Tuba Dynabone BrightTromb Muted Trp 2 Bank: Brass BigBandBrs Tight Brass Trp & Brass Glen&Friend MutEnsemble Horns & Ens Syn Brass Orches. Hit

Pa50-FRE.book Page 162 Friday, February 23, 2007 6:42 PM

80 81 81 87 87 87 80 80 80 84 55 87 87 80 81 80 81 81 80 55 89 80 90 90 93 101 84 81 90 91 90

Mega Synth TecnoPhonic DarkElement Band Passed Cat Lead Pan Reso Square Rez Rezbo Auto Pilot MetallicRez Square Bass Syn Pianoid Brian Sync Arp Twins Arp Angeles Big & Raw Caribbean Lead Square Lead Saw Calliope Chiff Charang Fifths Lead Bass & Lead New Age Pad Polysynth BowedGlass MetallicPad Crystal Atmosphere Brightness LeadSquare2 Lead Sine Lead Saw 2 LeadSawPuls LeadDblSaw Seq. Analog Wire Lead Soft Wrl

Bank: Synth 2 Old Portam Power Saw Octo Lead ElectroLead Rich Lead ThinAnaLead Dance Lead Wave Lead Sine Wave Synchro Cit Wild Arp EspressLead HipHop Lead Analog Lead Seq Lead Old&Analog PhatSawLead Glide Lead Gliding Sq. Flip Blip Power Synth Sine Switch Reso Sweep Syn Sweeper Cosmic MotionRaver Sync Kron Fire Wave Dig PolySix Pop Syn Pad Noisy Stabb

Pa50-FRE.book Page 164 Friday, February 23, 2007 6:42 PM

Pa50-FRE.book Page 166 Friday, February 23, 2007 6:42 PM

Organ 1 Organ 1 Organ 1 Organ 1 Organ 2 Organ 2 Organ 2 Organ 2 Organ 2 Organ 2 Organ 2 Organ 2 Organ 2 Organ 2 Organ 2 Organ 2 Accordion Accordion Accordion Accordion Accordion Accordion Accordion Accordion Accordion Accordion Accordion Accordion Accordion Accordion Accordion Accordion Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar

Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass

Pa50-FRE.book Page 168 Friday, February 23, 2007 6:42 PM

Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Synth 2 Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Drum & Perc Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals

50 50 50 51 52 52 52 52 52 52 52 52 52 52 52 52 52 52 53 53 53 53 54 54 54 54 54 54 55 55 55 55 55 55 55 55 56 56 56 56 56 56 56 56 56 56 57 57 57 57 57 57 58 58 58 58 59 59 59 59

Analog Str AnalogVelve Odissey SynStrings2 Choir Aahs Choir Aahs2 Oooh Voices OhSlowVoice Take Voices TakeVoices2 Oooh Choir Aaah Choir Mmmh Choir Oh-AhVoices Slow Choir Grand Choir Choir Light StringChoir Voice Oohs Humming Doolally Airways Synth Voice AnalogVoice Vocalesque Vocalscape ClassicVox DreamVoice Orches. Hit BassHitPlus 6th Hit Euro Hit BrassImpact HitInIndia Wild Arp Flip Blip Trumpet DarkTrumpet Trumpet 2 MonoTrumpet TrumpetExpr TrumptPitch Dual Trump Flugel Horn Warm Flugel BeBopCornet Trombone Trombone 2 BrightTromb HardTrombon SoftTrombon PitchTromb Tuba Ob.Tuba Tuba Gold Dynabone Muted Trp Muted Trp 2 Wha Trumpet MutEnsemble

Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Strings & Vocals Brass Brass Brass Brass Brass SFX Synth 2 Synth 2 Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn Trp & Trbn

Oboe Double Reed EnglishHorn EnglisHorn2 Bassoon Clarinet Jazz Clarin Clarinet G Sect Winds Sect Winds2 ClarinetEns Woodwinds Folk Clarin Piccolo Small Orch Nay Flute Jazz Flute FluteSwitch FluteDyn5th Flute Frull Orch. Flute Flute Muted WoodenFlute Bambu Flute Flute 2 Recorder Recorder 2 Pan Flute Kawala BlownBottle Shakuhachi Old Shaku Shaku 2 Whistle Whistle 2 Ocarina Lead Square LeadSquare2 Lead Sine Old Portam Dance Lead Wave Lead Sine Wave Analog Lead Old&Analog Gliding Sq. Sine Switch Square Rez Lead Saw Lead Saw 2 LeadSawPuls LeadDblSaw Seq. Analog Power Saw Octo Lead Seq Lead PhatSawLead Glide Lead Fire Wave

Pa50-FRE.book Page 170 Friday, February 23, 2007 6:42 PM

Synth 2 Synth 2 Synth 2 Synth 2 Synth 2 Synth 2 Synth 2 Synth 2 Synth 2 Synth 2 Synth 2 Strings & Vocals Strings & Vocals Strings & Vocals Synth 2 Synth 2 Synth 2 Synth 2 Synth 2 Synth 2 Synth 2 Synth 2 Synth 2 Synth 2 Synth 2 Synth 2 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Strings & Vocals Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1

Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 1 Synth 2 SFX Mallet & Bell Mallet & Bell Mallet & Bell Synth 1 Mallet & Bell Synth 1 Synth 2 Synth 2 Synth 1 Synth 1 SFX Synth 2 Synth 1 SFX SFX SFX Synth 2 Synth 2 Synth 1 SFX Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar Guitar SFX Guitar Guitar Guitar Guitar

Guitar Guitar Mallet & Bell Mallet & Bell Woodwind Woodwind Strings & Vocals Woodwind Woodwind Woodwind Mallet & Bell Mallet & Bell Mallet & Bell Mallet & Bell Drum & Perc Mallet & Bell Mallet & Bell Drum & Perc Drum & Perc Drum & Perc Drum & Perc Drum & Perc Drum & Perc Drum & Perc Drum & Perc Drum & Perc Drum & Perc Drum & Perc Drum & Perc Drum & Perc SFX SFX SFX Guitar SFX Woodwind

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Pa50-FRE.book Page 186 Friday, February 23, 2007 6:42 PM

Pa50-FRE.book Page 187 Friday, February 23, 2007 6:42 PM Effets Diagrammes

Pa50-FRE.book Page 188 Friday, February 23, 2007 6:42 PM

Wet / Dry Gain Adjust

Pa50-FRE.book Page 189 Friday, February 23, 2007 6:42 PM

Pa50-FRE.book Page 190 Friday, February 23, 2007 6:42 PM Effets Filtre/Dynamique

Pa50-FRE.book Page 191 Friday, February 23, 2007 6:42 PM

Peaking, Shelving-Low

Band4 Type Spécifie le type du filtre de la bande 4

Peaking, Shelving-High

3dB Band4 Type=Shelving High Band4 Type=Peaking

Pa50-FRE.book Page 192 Friday, February 23, 2007 6:42 PM

Envelope Shape Response

Pa50-FRE.book Page 193 Friday, February 23, 2007 6:42 PM

Pa50-FRE.book Page 194 Friday, February 23, 2007 6:42 PM

(Stereo Sub Oscillator)

Cet effet combine un Exciter qui ajoute du punch au son et un Enhancer qui lui confère espace et présence. Entrée stéréo - Sortie stéréo Gauche

LEQ HEQ Exciter EQ Trim

Wet / Dry Envelope Shape

Pa50-FRE.book Page 195 Friday, February 23, 2007 6:42 PM

013: Talking Mod (Talking Modulator)

Bottom, 1...49, Center, 51...99, Top

Pa50-FRE.book Page 196 Friday, February 23, 2007 6:42 PM

High Damp Output Level

High Damp Output Level

Pa50-FRE.book Page 197 Friday, February 23, 2007 6:42 PM

High Damp Feedback High Damp

High/Low Split Point

Pa50-FRE.book Page 198 Friday, February 23, 2007 6:42 PM

019: Ensemble 018: MTap Ch/Dly (Multitap Chorus/Delay)

Pa50-FRE.book Page 199 Friday, February 23, 2007 6:42 PM

Wet / Dry LFO Phase LFO: Tri / Sine

LFO Phase LFO: Step-Tri/Random

LFO Shape = 0...+100

Pa50-FRE.book Page 200 Friday, February 23, 2007 6:42 PM

Pa50-FRE.book Page 201 Friday, February 23, 2007 6:42 PM

EG Wet / Dry LFO Phase LFO: Step-Tri/Random

Pa50-FRE.book Page 202 Friday, February 23, 2007 6:42 PM

Pa50-FRE.book Page 203 Friday, February 23, 2007 6:42 PM

LFO Frequency =1.0+3.0=4.0Hz

LFO Frequency =1.0Hz

Invert: On/Off Pitch, Fine [cent]

Pa50-FRE.book Page 204 Friday, February 23, 2007 6:42 PM Pitch/Phase Mod.

Pa50-FRE.book Page 205 Friday, February 23, 2007 6:42 PM Effets Pitch/Phase Mod.

Pa50-FRE.book Page 206 Friday, February 23, 2007 6:42 PM

Pa50-FRE.book Page 207 Friday, February 23, 2007 6:42 PM

“LFO Frequency [Hz]”=8.0, “Envelope Amount [Hz]”=–7.0 “Depth”=100, “Envelope Amount”=–100 Enveloppe du signal original

LFO LFO Shape LFO Phase

Pa50-FRE.book Page 208 Friday, February 23, 2007 6:42 PM

Pa50-FRE.book Page 209 Friday, February 23, 2007 6:42 PM

038: PitchShift (Pitch Shifter)

Pa50-FRE.book Page 210 Friday, February 23, 2007 6:42 PM

040: RotarySpeak (Rotary Speaker)

Speed Switch: Slow/Fast

Mic Distance Mic Spread

041: Early Refl (Early Reflections)

Rotary Speaker - Mic Placement Mic Spread

Pa50-FRE.book Page 212 Friday, February 23, 2007 6:42 PM

Reverse Envelope Select = Input

Pa50-FRE.book Page 213 Friday, February 23, 2007 6:42 PM

(Stereo/Cross Delay)

High Damp Low Damp (1) Mode Tap1 Level High Damp Low Damp

Mode: Cross Feedback

045: M.Tap Delay (Stereo Multitap Delay)

Pa50-FRE.book Page 214 Friday, February 23, 2007 6:42 PM

(Stereo Dynamic Delay) Delay Droite

L/R: +/+ +/– LFO Shape

Wet / Dry High Damp Low Damp

Pa50-FRE.book Page 215 Friday, February 23, 2007 6:42 PM Effets ER/Delay

049: L/C/R BPM Delay

Control Target=Out Polarity= (–) Delay Time

(Stereo Auto Panning Delay)

Wet / Dry High Damp Low Damp

Delay High Damp Low Damp Droite

Pa50-FRE.book Page 216 Friday, February 23, 2007 6:42 PM

051: Seq. Delay (Sequence Delay)

Pa50-FRE.book Page 217 Friday, February 23, 2007 6:42 PM

Reverb Pre Delay Thru Temps

052: Rev. Hall Pre Delay

EQ Trim HEQ Pre Delay

Pa50-FRE.book Page 218 Friday, February 23, 2007 6:42 PM

Pre Delay Thru Pre Delay

Pa50-FRE.book Page 219 Friday, February 23, 2007 6:42 PM

Pa50-FRE.book Page 220 Friday, February 23, 2007 6:42 PM

(Parametric 4-Band EQ – Multitap Delay)

Pa50-FRE.book Page 221 Friday, February 23, 2007 6:42 PM

(Compressor – Amp Simulation)

[C] Pre LEQ Gain [dB] Table , “Amplification/atténuation des graves,” on page 188

[C] Pre LEQ Gain [dB] Table , “Amplification/atténuation des graves,” on page 188

Driver Output Level Mode: Overdrive / Hi-Gain Drive

Pa50-FRE.book Page 222 Friday, February 23, 2007 6:42 PM

(Compressor – Chorus/Flanger)

[C] Pre LEQ Gain [dB] Table , “Amplification/atténuation des graves,” on page 188

Pa50-FRE.book Page 223 Friday, February 23, 2007 6:42 PM

069: Cmp–MTapDly (Compressor – Multitap Delay)

(Compressor – Phaser)

High Damp (1) Output Level

[C] Pre LEQ Gain [dB] Table , “Amplification/atténuation des graves,” on page 188

[C] Pre LEQ Gain [dB] Table , “Amplification/atténuation des graves,” on page 188

Pa50-FRE.book Page 224 Friday, February 23, 2007 6:42 PM

EQ Trim LEQ HEQ Gain Adjust

Pa50-FRE.book Page 225 Friday, February 23, 2007 6:42 PM

(Limiter – Multitap Delay)

Gain Adjust High Damp (1)

Pa50-FRE.book Page 226 Friday, February 23, 2007 6:42 PM

Exciter EQ Trim LEQ HEQ

[P] LFO Frequency [Hz]

Pa50-FRE.book Page 227 Friday, February 23, 2007 6:42 PM

(Overdrive/Hi.Gain – Amp Simulation)

(Exciter – Multitap Delay)

Driver Output Level Mode: Overdrive / Hi-Gain Drive

Exciter EQ Trim LEQ HEQ

Pa50-FRE.book Page 228 Friday, February 23, 2007 6:42 PM

(Overdrive/Hi.Gain – Chorus/Flanger)

(Overdrive/Hi.Gain – Phaser)

Cet effet combine un effet mono de distorsion overdrive/ high-gain avec un Chorus/Flanger. Vous pouvez changer l’ordre de la chaîne.

Output Level Mode: Overdrive / Hi-Gain Drive

Mode: Overdrive / Hi-Gain Drive

Pa50-FRE.book Page 229 Friday, February 23, 2007 6:42 PM

(Overdrive/Hi.Gain – Multitap Delay)

Mt.Dly Wet / Dry Mode: Overdrive / Hi-Gain Drive Droite

(Decimator – Amp Simulation)

DECI→AMP, AMP→DECI Pa50-FRE.book Page 230 Friday, February 23, 2007 6:42 PM

085: Decim–Cmp (Decimator – Compressor)

(Chorus/Flanger – Multitap Delay)

Chorus/Flanger EQ LEQ HEQ Trim

Pa50-FRE.book Page 231 Friday, February 23, 2007 6:42 PM

(Phaser – Chorus/Flanger)

EQ LEQ HEQ Trim Phaser Feedback Wet / Dry

Pa50-FRE.book Page 232 Friday, February 23, 2007 6:42 PM

Variation down Fade in/out Memory Bass inversion Manual Bass Upper 1 Mute

Accompaniment Volume

Vdf cutoff (RT tracks)

Pa50-FRE.book Page 234 Friday, February 23, 2007 6:42 PM

PunchI/O Active/désactive Punch Recording

QuarterT Quarter Tone on/off

Filter cutoff (Brilliance)

Control Change #32-63 are the LSB (Least Significant Bytet) of Control Change #0-31, i.e. the MSB (Most Significant Byte), and are changed according to their MSB counterparts. 64

Pa50-FRE.book Page 236 Friday, February 23, 2007 6:42 PM

X O Sequencer data only

O O Harmonic Content, EG time (Release, Attack)

O O Brightness, Decay Time

O All sounds off, Reset all controllers

*A: Sent and received when MIDI Filters In and Out are set to Off in Global mode. *1: LSB, MSB = 00,00: Pitch Bend range, =01,00: Fine Tune, =02,00: Course Tune. *2: Includes Inquiry and Master Volume messages. *3: Transmitted only when the Clock Send parameter (Global page 6) is set to Midi.

Mode 2:OMNI ON, MONO Mode 4:OMNI OFF, MONO O: Yes X: No

Pa50-FRE.book Page 237 Friday, February 23, 2007 6:42 PM Paramètres

√ √ √ √ √ √ – – – – √ √ (A, B) √ (A/B) √ (A/B) √ (A/B) √ √ √ √ – – – – – – – – – √ √ √ √ √

– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

Pa50-FRE.book Page 238 Friday, February 23, 2007 6:42 PM

– – – – – √ √ √ √ √ √ √ √

Seq1+Seq2 Setup – – – – – – – – – – – – –

– – – – – – – – – – – –

– – – – – – – – – – – –

– √ – – – √ √ √ √ – √ –

√ √ √ √ √ – – – – – – – –

Single Touch Setting (STS) √ √ √ √ √ – – – – – – – –

Style Performance – – – – – – – – – – – – –

– – – – – – – – – – – –

– – – – – – – – – – – –

Clock Send Midi In Channels (1…16) Chord 1 Channel Chord 2 Channel Velocity Input 8 Upper Octave Lower Octave Octave Transp. on the Midi In Mute In 9 Midi In Filters (1…8) 10 Midi Out Channels (1…16) 11 Midi Out Filters (1…8) 12 Drum Mode Drum Category Disk Edit Environment 9 Global Protect

– – – – – – – – – – – – – –

– – – – – – – – – – – – – –

– – – – – – – – – – – – – –

√ √ √ √ √ √ √ √ √ √ √ √ √ √

– – – – – – – – – – – – – –

Pa50-FRE.book Page 239 Friday, February 23, 2007 6:42 PM Paramètres

Morceau (Song) Tracks –

Pa50-FRE.book Page 240 Friday, February 23, 2007 6:42 PM

T T T T Major 7th 4-note

T T Dominant 7th 4-note

T T T T T T T T T T Dominant 7th Sus 4 4-note

T Dominant 7th 5 3-note

T T T T T Major 7th Sus 4 4-note

= constituent notes of the chord

T = can be used as tension

Pa50-FRE.book Page 241 Friday, February 23, 2007 6:42 PM Accords reconnus

T T Diminished Major 7th

T T T T Minor 7th 5 4-note

T T Augmented 3-note

T Augmented 7th 4-note

T T Augmented Major 7th 4-note

T T T T T T No 3rd, no 5th 1-note

= constituent notes of the chord

T = can be used as tension

Pa50-FRE.book Page 242 Friday, February 23, 2007 6:42 PM

Cannot Load JBX File to Seq 2 (Press Exit)

Style Record Arranger is Running! (Press Exit)

Mode Backing Sequence Too Many Styles! (Press Exit)

Pa50-FRE.book Page 244 Friday, February 23, 2007 6:42 PM

Messages d’erreur & problèmes Messages d’erreur

File Is Protected (Press Exit)

File in Use (Press Exit)

Le fichier que vous voulez supprimer est utilisé par une autre opération. Attendez la fin de l’opération et essayez de nouveau.

Files in Use Not Deleted (Press Exit)

Echec de l’opération Load (chargement). Essayez de nouveau avec le même fichier ou avec un fichier différent.

Ce message est affiché pendant une opération Erase. Les fichiers utilisés par d’autres opérations n’ont pas été supprimés.

Not a Pa-series or Corrupted File

Files in use have not been overwritten

Ce message est affiché pendant une opération Copy prévoyant une opération Overwrite. Les fichiers utilisés par d’autres opérations n’ont pas été copiés.

La disquette n’est pas insérée dans le lecteur. Insérez une disquette et essayez de nouveau.

File not found – Directory not found

Format Completed (Press Exit)

Taille de mémoire insuffisante pour charger, sauvegarder ou copier des données. L’opération n’a pas été complétée. Remplacez le dispositif de sauvegarde et utilisez un dispositif vide pour sauvegarder les données. Si ce message est affiché pendant une opération de chargement, le SSD (Solid State Disk), c’est à dire la mémoire interne de l’instrument, est pleine.

Le formatage est terminé.

Nothing to Rename (Press Exit)

Il n’y a aucun paramètre à renommer.

L’opération de formatage est échouée.

Overwrite Existing File? (Yes/No)

Format failed! (Press Exit)

Une erreur s’est vérifiée pendant l’opération Format. Le formatage est échoué.

Vous êtes en train d’écrire des données sur un répertoire “.SET” ou sur un fichier du type “.MID” ou “.JBX” déjà présents sur le dispositif de sauvegarde.

Illegal name (Press Exit)

Overwrite on Backup? (Yes/No)

Ce type de nom n’est pas accepté par les instruments de la série Pa.

Overwrite on Copy? (Yes/No)

Some Files Missing (Press Exit)

Pa50-FRE.book Page 246 Friday, February 23, 2007 6:42 PM

Pa50-FRE.book Page 247 Friday, February 23, 2007 6:42 PM Spécifications

Korg HI - Hyper Integrated.

4 Variations, 2 Fills, 2 Intros, 2 Endings, Counter In/ Break, Synchro Start/Stop, Tap Tempo/Reset, Fade In/Out, Bass Inversion, Manual Bass, Tempo Lock, Memory, Accompaniment Volume, Accompaniment Mute, Drum Mapping, Snare & Kick Designation, Single Touch.

Damper, Assignable (continue, au pied)

2 × In, Impédance Line

Pa50-FRE.book Page 248 Friday, February 23, 2007 6:42 PM

Trim 119 LFO Waveform, LFO waveform 128 Local Off 40 Lock 54 Low Pass & High Pass 119 Low Pass Resonance 119 Lyrics 77

M Master Transpose 18 Master Volume 10, 13 Menu 16

Pa50-FRE.book Page 249 Friday, February 23, 2007 6:42 PM Index

Pa50-FRE.book Page 250 Friday, February 23, 2007 6:42 PM

Pa50-FRE.book Page 251 Friday, February 23, 2007 6:42 PM Pa50-FRE.book Page 252 Friday, February 23, 2007 6:42 PM Pa50-FRE.book Page 253 Friday, February 23, 2007 6:42 PM Pa50-FRE.book Page 254 Friday, February 23, 2007 6:42 PM Address KORG ITALY Spa Via Cagiata, 85 I-60027 Osimo (An) Italy Web servers www.korg.co.jp www.korg.com www.korg.co.uk www.jam-ind.com www.korgfr.net www.korg.de www.korg.it www.letusa.es

PART © KORG NUMBER: Italy 2004. MAN000xxxx All rights reserved