Revolution XT 8F - Loudspeaker TANNOY - Free user manual and instructions
Find the device manual for free Revolution XT 8F TANNOY in PDF.
| Product Type | Floor-standing loudspeaker |
| Model | Revolution XT 8F |
| Brand | Tannoy |
| Driver Configuration | 3-way bass reflex |
| Woofer | 8-inch (200 mm) treated paper cone |
| Midrange | 6-inch (150 mm) treated paper cone |
| Tweeter | 1-inch (25 mm) soft dome |
| Frequency Response | 40 Hz – 30 kHz (±3 dB) |
| Impedance | 8 ohms (nominal) |
| Sensitivity | 91 dB (2.83 V @ 1 m) |
| Power Handling | 200 W RMS (400 W peak) |
| Recommended Amplifier Power | 50 – 200 W RMS |
| Enclosure Type | Bass reflex with front-firing port |
| Dimensions (H x W x D) | 1040 x 245 x 380 mm (41 x 9.6 x 15 in) |
| Weight | 22 kg (48.5 lbs) each |
| Finishes | Black, Walnut, Cherry |
| Cleaning | Wipe with soft dry cloth; avoid solvents |
| Safety | Place on stable surface; keep away from heat sources; do not block port |
| Spare Parts & Repairability | Contact authorized Tannoy service center for replacement drivers or crossovers |
| General Information | High-quality floor-standing speaker for stereo and home cinema; magnetic grille included |
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USER MANUAL Revolution XT 8F TANNOY
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Product series of black multi-tiered audio speakers with varying sizes and speaker bases (no visible text or labels)REVOLUTION XT 8F/6F/6
2½ Way Floorstanding 8"/6" Dual Concentric HiFi Loudspeaker
REVOLUTION XT Mini
2 Way Stand Mount 4" Dual Concentric HiFi Loudspeaker
REVOLUTION XT C
2½ Way 4" Dual Concentric Centre Channel Loudspeaker
LEGAL DISCLAIMER
MUSIC Group accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description, photograph, or statement contained herein. Technical specifications, appearances and other information are subject to change without notice. All trademarks are the property of their respective owners. MIDRS, KARK TERRIK, LAB GRUPPER, LAKE, TANNOY, TURBOODOM, TC ELECTRONIC, TC HELICON, BEHRINGER, BUGERA, COOL AUDIO and FLOCOM are trademarks or registered trademarks of MUSIC Group © Ltd. © MUSIC Group IP Ltd. 2017. All rights reserved.
LIMITED WARRANTY
For the applicable warranty terms and conditions and additional information regarding MUSIC Group's Limited Warranty, please see complete details online at music group.com/warranty.
NEGACIÓN LEGAL
BESCHRÄNKTE GARANTIE
Thank you for selecting TANBOY loudspeakers, developed in the UK by our dedicated team of design engineers. They are the choice of discriminating music towers the world over. Musical excellence is designed into our loudspeakers from the start. Careful selection of the very best components combined with strict quality control procedures in the production process ensures this level of excellence is maintained. To gain maximum performance from your loudspeakers, please take time to read this owner's manual in full before installation. Once you have set up your new loudspeakers please register them on our website - this does not limit your legal rights. Loudspeakers are electromechanical devices that "run-in" through use: performance will therefore improve after an initial period of 24-hn use. Once they have been further run in over a longer period, there will be clear enhancement of the stereo-imaging, mid-band quality and bias performance characteristics. We are confident that you will continue to enjoy your new TANBOY Revolution XT loudspeakers for many years to come.
Driver Technology
The TAMNOY Dual Concentric™
TANBOY Dual Concentric drivers have been incorporated into the Revolution XT loudspeaker, intensive research and development has produced an all-new version of this proven technology that builds upon the legendary performance of this exclusive TANBOY driver design. This new driver, officers enhanced dispersion—creating an even more uniform spread of sound around the listening environment. At the same time, the introduction of the OmniOmega ^™ configuration allows the high frequency unit to be placed even closer to the acoustic centre of the low frequency unit, further improving time alignment between the two drive units. The time coherent, point source and constant directivity nature of the dispersion characteristics inherent in the Dual Concentric makes it an accepted industry standard in studio monitoring. By exceeding the rigorous demands of the recording and mastering environment, TANBOY can ensure that playbook performance in the home for two channel stereo or multi-channel home cinema is strictly controlled to accurately reflect the sound engineer's artistry. In nature, all sounds emanate from a single point in space. The high frequency unit of the Dual Concentric, centrally mounted in the throat of the main mid-thess driver, is so positioned as to acoustically replicate this single point source. This delivers an exceptionally natural sound with an incredibly wide imaging “screw-spot” which is further enhanced by the newly developed Torus Ogire Waveguidus ^™ , creating an expensive soundstage with remarkably focused placement of images.
Amplifi er Choice
Consult the product specification as this clearly shows the acceptable power range for amplifier matching to your speakers. The high peak power handling of TANNOY loudspeakers permits responsible use with more powerful amplifiers - please read the warranty. As with all loudspeaker systems, the power handling is a function of white cell thermal capacity. Care should be taken to avoid overhanging any amplifier, as this will cause output overload resulting in "clipping" or distortion within the output signal. Thus, if done for any extended period, will cause damage to the speakers. Generally an amplifier of higher power that is running hard, but free of distortion, will do less damage to the loudspeaker than a lower power amplifier continually dipping. Remember also that a high powered amplifier running at less than 90% of output power generally sounds a great deal better than a lower powered example struggling to achieve 100%. An amplifier with insufficient drive capability will not allow the full performance of the loudspeakers to be realised.
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Quick Start Guide 11
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Cable Choice
Always use the best quality of cable available within your budget. High quality audio signals passing from the amplifier to the loudspeaker are unusual in their demands on the cable. Wide dynamic range and frequency bandwidth information has to consist with the ability to transmit peak currents of at least 10 amps, without incurring any loss or signal impairment. This explains why the sound quality of the information reproduced by the loudspeakers is so dependent on the physical properties of the cables connecting them to the amplifier. We would recommend that you always keep the cable nuns as short as possible and the same length for each speaker. Remember that cable construction can affect the sound quality so be prepared to experiment to find a cable that suits your ear and audio system.
Unpacking
To unpack the loudspeakers from their boxes remove tape from the top then fold the flaps right back before inverting the carton and contents. Lift the carton clear of the contents then remove all inner packaging. It is strongly recommended that you store all the packaging to allow protected transportation in future.

flowchart
graph TD
A["Open Box"] --> B["Folded Box"]
B --> C["Unfolded Box"]
C --> D["Unfolded Box"]
Floor Standing Models
Revolution XT floor-standing models perform best with carpet piercing spikes fitted. These are supplied, along with lock nuts, and should be inserted into the threaded holes in the base of the cabinet. Level the speaker and then tighten the lock nuts firmly but without using undue force. Spike locating cups are provided in the accessory pack and these may be used to protect sensitive floor surfaces.
Warning
Ensure that the spikes are levelled and that the lock nuts are tightened firmly. The spikes should be pushed through the carpet to locate into the flooring surface by applying pressure to the top of the cabinet. If using on a sensitive floor surface place the protective cups under the levelled spikes, Failure to do so could render the speaker unsteady and result in damage or injury should it be knocked over.
Stand Mounting Models
Stand mounting or brookshelf speakers should be located securely on stands or a shelf in an appropriate position to place the Dual Concentric driver high frequency unit roughly at ear height when seated in the chosen listening position. Positioning recommendations for stand-mounted speakers can be found under the section entitled "Positioning and tuning". The Revolution (ST Mini) may also be wall mounted with a suitable bracket, using two inserts on the rear of the loudspeaker, with standard 60 mm spacing. The thread in the inserts is MS. It is the responsibility of the customer to ensure the chosen bracket is used within its load rating, and the bracket is securely mounted to the wall with suitable hardware.
Installation
To avoid potential damage to your loudspeaker, ensure that the amplifier is switched OFF prior to connecting or disconnecting any cables. Before switching on double check that all connections are secure and that polarity is correct.
Connection in Single Wire Mode
For single wire mode, leave the link plates between the LF and HF terminals in place. For optimum performance in single wire mode, loudspeaker cable connections from the amplifier should be made to the high frequency (HF) terminals of the loudspeaker.

- The positive (plus) terminal on the amplifier left channel (praised + or coloured only) must be connected to the positive (if terminal on the left speaker. The left speaker is the one on the left as per look at the store pair from your listening position.
- The negative (minus) terminal on the amplification left channel (marked - or coloured black) must be connected to the negative left terminal on the left speaker.
- Repeat this connection process for the right speaker. Furthermore that the positive (→ correct) on the amplifier must be connected to the positive (→ correct) on the speaker and the negative (- at block) to negative.
- Select signal source, such as a 2D player, switch on the amplifier and steady turn up the volume control to check that both loudspeaker are repolarizing and tactile information.
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Quick Start Guide
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Connection in Bi-Wire Mode
Please note in bi-wire mode that the link plates must not be used.

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- Be sure that the amplifier is satisfied OFF and then prepare the two sets of calling for each "side" at the system separately. Measure and cut four lengths of cable, two per speaker.
- Label (usual for size, length left HF and left HF) is proper (and high frequency) then expect the process for the right pair
- If your amplifier is not equipped with separate output terminals for basic and middle information then, or the amplifier end of the case, rather than the left HF - positive and the left HF - positive) together. Correct these to the amplifier Left channel positive terminal marks (plus) or coloured.
- Twist the off-F-s Negative and the F-s Negative cables together and current them to the amplified left channel negative terminal markers - pinhole or audio track.
- At the bus speaker end connected the cable labeled Lell Li + and Lell Li - to the left hand out perter J terminis, ensuring that you note the pointy margins on the cable sheathing.
- Then proceed to connect the Left HF + and Left HF - in the HF termination on the same loudspeaker.
- Repeat this process to connect the right, near bus or receiver to one and if the right channel output, once again ensuring that polarity is correct throughout.
- Switch the amplifier or with the volume control unit in lowest setting. Select a specific source are slowly run up the volume to low level. Check that box and wire information is being produced from both speakers — then, switch 0.1 the amplifier and check the connection.
Bi-Amping
Bi-ampling extends the principle of bi-wiring one stage further. In this connection option separate power amplifiers are used for bass and treble signals in each loudspeaker. Four mono (or two stereo) amplifiers of the same type are required for a stereo pair of loudspeakers. Ensure that the link plates between the loudspeaker terminals are removed and that correct polarity is maintained throughout. If two stereo amplifiers are used, it is recommended that one amplifier supply bass information to left and right loudspeakers and the other, the treble information.

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Positioning and Fine Tuning
To get best results from your new TAN/KEY Revolution XT loudspeakers it is worthwhile spending a little time finding the optimum setup configuration. Begin by angling the speakers towards your closer listening position, usually this is on the centre line of the room, so that when scaled you can just see the inner side panel of each speaker. The front of the loudspeaker should not be obstructed in any way. The loudspeakers should be located between 1.5 to 4.5 metres (5 ft to 15 ft) apart with the listening position set slightly further away than the speakers are apart. Avoid providing the loudspeakers in corners of the room, as this will have a negative effect on performance, ideally, maintain a distance of at least 0.5 metres (20°) from the rear wall, and 1 metre (39°) from the side.

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14 Revolution X
Quick Start Guide 15
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The Revolution XT grille has been designed to provide acoustic transparency. However, for ultimate fidelity the enthusiast will appreciate the slight improvement in clarity and detail that is achieved by removing the grilles during listening. It is held in place by concealed magnets, to promote a neat visual appearance when removed.
Care of Cabinet
The cabinets should only be cleaned with a dry cloth or with a light application of quality non-silicone furniture polish.
Revolution XT Home Theatre 5.1 - General Information
Unlike other forms of encoded surround audio, 5.1 offers full band width capability for the surround and centre channels, with the ability to treat the subworker as a single discreet channel for special effects playback or, for music applications, as a dedicated low frequency instrument channel. Places now demands on the surround and centre channel loudspeakers in both the mixing environment and the playback environment. The 5.1 format allows the mix engineer in the recording studio to assign audio information to one or more discreet channels of playback, providing very vivid and exacting localisation for the apparent sound sources in the listening environment. To reliably record that accurate localisation during playback, the selection and location of loudspeakers becomes the single most critical issue next to the talent of the mix engineer in the studio.

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Top-down view of a car with surrounding furniture and parking areas (no visible text or symbols)The System
A fully operational 5.1 system consists of two main front loudspeakers, two rear effects speakers at the rear (usually wall-mounted) and a centre channel. The subwoofer provides the .1 part of the system. In home Theatre applications the matched dispersion of all Revolution XT models provides a very focused soundstage, retaining natural voicing and ensuring that aural effects and speech localisation "san" from left to right and front to rear seamlessly.
WARNING, STRONG MAGNETIC FIELDS
The powerful magnet system in Revolution XT models will cause picture distortion with conventional CRT televisions and monitors, and should not be used in close proximity. There are no issues with plasma, LCD or LED televisions or monitors.
Front Speakers
The ultra-wide dynamic range and power handling capability of Revolution XT loudspeakers will provide a stunning home cinema experience. The speakers should be positioned on either side of the TV or projection screen and then placed in line with the screen surface.
Centre Channel Speaker
In all cases the centre channel speaker should be positioned as near to the TV screen as possible. The viewing position when seated determines the ideal mounting height, but in all cases this should be as close as possible to ear height. As with the main speakers the front bar/fe panel should be as near as possible in line with the screen surface. The Revolution XT C can be wired in single wire, bi-wire or bi-amp modes. Please refer to figs. 2, 3 & 4 for connection guidance bearing in mind that connection should be made to the dedicated centre channel output on your A/V processor amplifier's.
Rear Effects Speakers
The integrity of the special effects soundstage created by the source material will be compromised if the speakers are installed on the sidewalls, for that reason they should always be placed behind the main viewing position. Placement should mirror as near as possible the location of the front pair and 0.5 metres (20°) from the rear wall.
Subwoofer
As the subwoofer only produces low frequency, therefore nonaural information, it is difficult to detect its location by ear. It could as a result be situated anywhere in the room, but optimum performance will be gained by locating the subwoofer between the main stereo pair of speakers. Bass output will increase when placed next to a wall or in a corner so use the subwoofer volume control to balance the output with the rest of the system.
Please refer to the manual supplied with the subwoofer for advice on installation and set-up.
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16 Revolution X
EN Technical Specifications
REVOLUTION AT 6 REVOLUTION AT 6F REVOLUTION AT 3F REVOLUTION AT Mini REVOLUTION AT C
| Performance | |||||
| Recommended computer power print RMS1 | 25 - 132.75 - 94.75 - 200.75 - 106.75 - 125 | ||||
| Continuous power handling (with RMS) | 60.75 - 100.50.00 | ||||
| Free access handling (width) | 240 | 300 | 450 | 200 | 240 |
| Constantity (2.82 inch g / m) | 33.68 | 90.68 | 97.68 | 18.48 | 80.48 |
| Memory impedance (MHz) | K | K | K | K | K |
| Frequency response (kHz) | 40 Hz - 32 kHz | 38 Hz - 32 kHz | 34 Hz - 32 kHz | 28 Hz - 32 kHz | 62 Hz - 52 kHz |
| Basic Data | |||||
| Dual Commercial High frequency | 25 mm (1"); low 25 inches with Texas Angle Wave Field and Centralized Technology | 25 mm (1"); low 25 inches with Texas Angle Wave Field and Centralized technology | 25 mm (1"); low 25 inches with Texas Angle Wave Field and Centralized technology | 26 mm (0.75"); low 25 inches with Texas Angle Wave Field and Centralized technology | 25 mm (0.75"); low 25 inches with Texas Angle Wave Field and Centralized technology |
| Dual Commercial Low frequency | 150 mm (6"); multi-layer paper, 44 mm (1.25"); wood cell | 150 mm (6"); multi-layer paper, 44 mm (1.25"); wood cell | 250 mm (6"); multi-layer paper, 44 mm (1.25"); wood cell | 100 mm (2"); multi-layer paper, 12 mm (1.25"); wood cell | 120 mm (4"); multi-layer paper, 32 mm (1.25"); wood cell |
| Base driver | — | 150 mm (2"); multi-layer paper, 44 mm (1.25"); wood cell | 250 mm (2"); multi-layer paper, 44 mm (1.25"); wood cell | — | 2 × 100 mm (4) [m] dual; three multipurpose core wire notebook, 35 mm (1.25"); wood cell |
| Consumer | |||||
| Consumer Response | 1.6kHz | 250 Hz - 1 kHz | 250 Hz - 1.6kHz | 2 kHz | 2 kHz |
| Consumer type | Positive low base 2nd lower low pass, 1st lower high pass | Positive low base 2nd lower low pass, 1st lower high pass | Positive low base 2nd lower low pass, 1st lower high pass | Positive low base 2nd lower low pass, 1st lower high pass | Positive low base 2nd lower low pass, 1st lower high pass |
| Constructs | |||||
| Endurance type | Downward ported lines | Downward ported lines, cut wire coupled lines | Downward ported lines, cut wire coupled lines | Base ported lines | Base ported lines |
| Volume | 12.81 (0.38 in. ft.) | 30.71 (1.46 in. ft.) | 49.81 (1.72 in. ft.) | 3.41 (1.12 in. ft.) | 7.61 (0.32 in. ft.) |
| Dimensions (inches x 6"): | 400 x 220 x 300 mm | 1000 x 200 x 317 mm | 1000 x 317 x 345 mm | 232.2 x 152.7 x 99.3 mm | 176.5 x 450 x 205.6 mm |
| Lack size | 15.6 x 6.7 x 11.9" | 15.6 x 10.8 x 12.5" | 16.2 x 16.5 x 13.8" | 11.7 x 6.6 x 7.8" | 10.9 x 12.7 x 8.2" |
| Maw ring | 8 kg (12.6 lb/d) | 17 kg (17.5 lb/d) | 31.7 kg (47.3 lb/d) | 3.5 kg (0.7 lb/d) | 8 kg (17.6 lb/d) |
| Falls | Dark Washer Medium Disk | Dark Washer Medium Disk | Dark Washer Medium Disk | Dark Washer Medium Disk | Dark Washer Medium Disk |
Quick Start Guide
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Other important information

Important information
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Register online. Please register your new MUSIC Group equipment right after you purchase it by visiting tummy.com. Registering your purchase using our simple online form helps us to process your repair claims more quickly and efficiently. Also, read the terms and conditions of our warranty, if applicable.
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Malfunction. Should your MUSIC Group Authorized Reseller not be listed in your vicinity, you may contact the MUSIC Group Authorized Full list for your country listed under "Support" at tanney.com. Should your country not be listed, please check if your problem can be dealt with by our "Online Support" which may also be found under "Support" at tanney.com. Alternatively, please submit an online warranty claim at behinger.com BEFORE returning the product.
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Power Connections. Before plugging the unit into a power socket, please make sure you are using the correct mains voltage for your particular model. Faulty fuses must be replaced with fuses of the same type and rating without exception.