ARX-01 - Synthesizer ROLAND - Free user manual and instructions

Product type	Extension card for synthesizer
Brand	Roland
Model	ARX-01
Category	Sound expansion card
Approximate dimensions	10 × 6 × 1 cm
Approximate weight	50 g
Power supply	Powered by the host device via the connector
Main functions	Adds additional sounds and effects (modulation delay) to the host synthesizer
Installation	Insert into a dedicated expansion slot of the host device, secured by locked brackets
Compatibility	Roland devices with an ARX expansion slot
Connector	Specific connector for expansion card
Material	Printed circuit board with electronic components
Maintenance and cleaning	Avoid humidity and static electricity; clean with a dry, antistatic cloth
Safety	Discharge static electricity before handling; do not touch the components
Spare parts and repairability	Not user-serviceable; contact Roland customer support in case of problem
General information	Complies with Class B of the Canadian Interference-Causing Equipment Regulations

Frequently Asked Questions - ARX-01 ROLAND

How to install the ARX-01 card in my Roland synthesizer?

Follow the host device's user guide to access the expansion slot. Discharge static electricity by touching a grounded metal object. Hold the card by the edges, align it with the slot, insert it into the unlocked brackets until it clicks, then lower it and press at the indicated points to lock the brackets.

What to do if the card doesn't insert easily?

Never force it. Remove the card and check alignment with the slot and brackets. Make sure the brackets are unlocked before insertion. Try again gently.

How to remove the ARX-01 card from the device?

Access the expansion slot per the device guide. Unlock the two card brackets. Gently pull the card to disconnect the connector, then remove it from the brackets.

Which devices are compatible with the ARX-01 card?

The ARX-01 card is designed for Roland synthesizers with an ARX expansion slot, such as certain models in the Fantom, Juno, or other series. Check compatibility in your device's manual.

What precautions to take before handling the card?

Always discharge static electricity by touching a grounded metal object. Do not touch the components or connectors. Store the card in its original antistatic bag when not installed.

Does the ARX-01 card require external power?

No, it is powered directly by the host device via the connector. No additional power source is needed.

What to do if the card is not recognized after installation?

Check that the card is properly inserted and the brackets are locked. Restart the host device. Consult the user guide for verification procedures. If the problem persists, contact Roland support.

Can I install the card in any order when adding multiple cards?

Follow the specific instructions of the host device. In general, order does not matter, but some configurations may require a particular order. Consult your device documentation.

How to clean the ARX-01 card?

Use a soft, dry cloth, preferably antistatic. Avoid any liquid or solvent. If the card is very dirty, use a cloth slightly moistened with isopropyl alcohol, then dry completely before reinstalling.

Is the ARX-01 card user-serviceable?

No, the card contains no user-serviceable parts. In case of malfunction, contact a Roland authorized service center.

USER MANUAL ARX-01 ROLAND

SuperNATURAL Expansion Board

ARX-01

DRUMS

Owner's Manual

取扱説明書

SuperNATURAL

ARX-01

DRUMS

Owner's Manual

Before using this product, carefully read the sections entitled: "USING THE UNIT SAFELY" and "IMPORTANT NOTES" (p. 4; p. 6). These sections provide important information concerning the proper operation of the product. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new product, Owner's Manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Copyright © 2008 ROLAND CORPORATION

All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.

USING THE UNIT SAFELY

INSTRUCTIONS FOR THE PREVENTION OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS

About ⚠️ WARNING and ⚠️ CAUTION Notices

⚠ WARNING	Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
⚠ CAUTION	Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.* Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

About the Symbols

	The △ symbol alerts the user to important instructions or warnings. The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.
	The ⬇ symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.
	The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power-cord plug must be unplugged from the outlet.

ALWAYS OBSERVE THE FOLLOWING

WARNING

- Do not open or perform any internal modifications on the product.

- Do not open or perform any internal modifications on the product. (The only exception would be where this manual provides specific instructions which should be followed in order to put in place user-installable options; see p. 8.)

- Do not attempt to repair the product, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page.

WARNING

- Never use or store the product in places that are:

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are
• Damp (e.g., baths, washrooms, on wet floors); or are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.

- In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the product.

WARNING

- Protect the product from strong impact. (Do not drop it!)

- Before installing the ARX-01, you must first always turn off the unit (Fantom-G6/G7/G8) and unplug its power cord.

CAUTION

- Install the circuit board only into the specified unit (Fantom-G6/G7/G8). Remove only the specified screws during the installation.

IMPORTANT NOTES

When you purchase the ARX-01 SuperNATURAL Expansion Board from an authorized Roland dealer, the included sounds and samples are licensed, not sold, to you by Roland Corporation, for commercial use in music production, public performance, broadcast, etc.

You may use any of the included phrases and/or samples in a commercial or non-commercial recording without paying any additional license fees. However, you must strictly adhere to the following crediting guidelines on any music recording that utilize material from ARX-01.

Reproduction or duplication of this collection or any of the sound recording contained in the ARX-01, either as they exist on this expansion board or by any means of reformatting, mixing, filtering, re-synthesizing, processing or otherwise

editing for use in another product or for re-sale, is strictly prohibited without the express written consent of Roland. All unauthorized giving, trading, lending, renting, re-issue, redistribution or re-sale of the sounds included in the ARX-01 are expressly prohibited.

In Plain English: Be creative in your application of the ARX-01 sounds, and keep this library for your use only. DO NOT COPY IT.

Roland constantly monitors other Soundware releases to check for copyright infringements, and will prosecute all piracy and copyright violations to the fullest extent of the law.

THIS LIBRARY IS GUARANTEED TO BE 100% COPYRIGHT CLEAN.

Placement

- This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

Additional Precautions

• To avoid disturbing your neighbors, try to keep the product's volume at reasonable levels (especially when it is late at night).
• When you need to transport the product, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
  * In the interest of product improvement, the specifications and/or appearance of this product are subject to change without prior notice.

Contents

USING THE UNIT SAFELY....4

IMPORTANT NOTES......6

Installing the expansion board in your product .... 8

Installation in your product......8

Confirmation after installation ....11

To remove the board from the product....12

Introduction......17

Main Features....17

ARX series SuperNATURAL expansion boards...... 17

Roland SuperNATURAL Technology 17

ARX-01 Drums.... 17

The structure of ARX-01 Drums....18

Creating a Kit 19

The basic screen 19

Selecting a kit 19

Group Fader....19

Saving a kit (on the Fantom-G) 20

Selecting a Tone (Tone screen) 21

Tone Settings 22

Customizing a tone (Tone/Customize screen) ...... 22

Flam/Roll settings (Tone/Flam/Roll screen) 24

Volume change and tone adjustments (Tone/Comp/EQ screen) 26

Volume adjustment (Tone/Output screen) 27

Adjusting the volume balance of the tones (Mixer screen)....28

Applying effects (Effects/Routing screen)....28

Multi-effect settings (Effects/MFX screen)....29

Multi-effect control (Effects/MFX Ctrl screen) 29

Setting of Reverb (Effects/Reverb screen)....31

Choking/muting the drum sound (Ctrl screen) ......32

Initializing a Kit/Tone or copying a Tone (Utility screen)...33

Initializing a kit or tone....33

Copying a tone 33

Multi-Effects List.... 34

Multi-Effects Types 34

Multi-Effects Parameters 35

About the STEP RESET function....66

About Note......67

Specifications 68

Index 69

Installing the expansion board in your product

Cautions when installing

• Before you install this expansion board (hereafter referred to as "the board"), you should carefully read the procedure for installing expansion boards given in the owner's manual of the product in which you're installing it.

• To avoid the risk of damage to internal components that can be caused by static electricity, please carefully observe the following whenever you handle the board.

• Before you touch the board, always first grasp a metal object (such as a water pipe), so you are sure that any static electricity you might have been carrying has been discharged.

• When handling the board, grasp it only by its edges. Avoid touching any of the electronic components or connectors.
• Save the bag in which the board was originally shipped, and put the board back into it whenever you need to store or transport it.

- Do not touch any of the printed circuit pathways or connection terminals.

- Never use excessive force when installing a circuit board. If it doesn't fit properly on the first attempt, remove the board and try again.

- When you've finished installing the expansion board, follow the steps described in the owner's manual of your device to verify that the board was installed correctly.

Installation in your product

1. As described in your product's owner's manual, expose the slot in which the expansion board is to be installed.
2. Orient the board with the slot of your product as shown in the illustration.

Slot of the product

graph LR
    A["Latched holders"] --> B["Diagram of a rectangular structure"]
    C["Non-latched holders"] --> B
    style A fill:#f9f,stroke:#333
    style C fill:#f9f,stroke:#333

Board

(expansion board)

graph TD
    A["Roland logo"] --> B["Device"]
    B --> C["Holes that engage the non-latched holders"]

1. Insert the board into the product's non-latched board holders until you hear a click.

1. Gently lower the board into place.

Pure technical line drawing of a mechanical assembly without any text, numbers, or symbols

Non-latched holders

1. From above, press down on the board at the three locations indicated in the illustration until the latched board holders lock into place.

1. Verify that the latched board holders are locked.

Technical line drawing of a mechanical component with mounting holes and a close-up view showing internal components (no text or symbols)

1. Return the expansion board installation slot to its original state.

Confirmation after installation

After you've finished installing the expansion board, you will need to perform the following procedure to confirm the installation. This installation procedure needs to be performed only the first time you power up your device after installing the expansion board.

1. Power up your device as described in its owner's manual.
2. If the expansion board was installed correctly, an installation confirmation screen will appear. Press [F8 (Execute)] button to begin installation.

* The screen shown here is for when the board is installed in the Fantom-G.

If the installation confirmation screen does not appear the first time you power up after installing the expansion board, it is likely that the board was not installed correctly. Check once again to make sure that the board is correctly installed.

It may take five to ten minutes before installation is finished. Never turn off the power during this installation process.

1. When you see the Power Off screen indicating that installation is finished, switch your device's power off, then on again as described in its owner's manual.

This completes the expansion board installation process.

To remove the board from the product

1. As described in your product's owner's manual, expose the slot in which the expansion board was installed.
2. Unlatch the latched board holders.

Diagram showing a device with mounting holes and a mechanical component, no text or symbols present

1. Verify that the two latched board holders are unlocked, then gently pull up the board and disconnect the connector.

Technical line drawing of a mechanical assembly with no visible text or symbols

1. Disengage the board from the non-latched board holders, and remove the board.

for Canadian Safety Standard

Technical line drawing of a mechanical assembly with no visible text or symbols

Supports non bloqués

Technical line drawing of a mechanical component with mounting holes and a close-up view of its base (no text or symbols)

Diagram showing a device with mounting holes and a mechanical component, no text or symbols present

Technical line drawing of a mechanical assembly with no visible text or symbols

ARX series SuperNATURAL expansion boards

The ARX series SuperNATURAL expansion boards represent a further evolution for Roland's line of expansion solutions, which began with the SR-JV80 series and SRX series—they are a completely new type of expansion board. SuperNATURAL technology delivers natural, richly expressive sounds and effects along with a dedicated graphic user interface, all adding up to a comprehensive application environment that allows an unprecedented degree of expressive playability and customization.

Roland SuperNATURAL Technology

SuperNATURAL

Proprietary Roland sound generation technology that realistically reproduces the tonal changes and performance techniques distinctive of an acoustic instrument, allowing you to perform music that is natural and richly expressive.

ARX-01 Drums

SuperNATURAL technology provides powerful drum customizing

The SuperNATURAL technology featured in the ARX-01 allows aggressive customization of the drum sounds. You can change the depth of the shell, the diameter of a cymbal, the position of the mic, or even the muffling (muting), giving you the same degree of customization that you have over an acoustic drum. Customizing the drum sound is easy, and does not require specialized knowledge. A graphical user interface allows you to edit intuitively while watching the screen. In contrast to the way in which you “choose a drum sound” on a conventional PCM synthesizer or sampler, this new technology lets you work more creatively to “make a drum kit” that’s just right for your song.

From acoustic drum sounds that cover the full range of musical styles to the sounds of vintage gear, such as the ever-popular TR-808/909, numerous presets are provided, giving you a powerful array of resources to create drum parts for your productions.

Effects that can be set independently for each tone, and powerful mixing functionality

Up to twenty-four different tones can be assigned to a single kit. A compressor and equalizer are provided for each tone. There's also a 24-channel mixer that lets you make detailed volume and pan settings

for each tone, in addition to a multi-effect and a reverb. Using just the ARX-01, you can construct drum parts that are at a level that's comparable to those used by recording studios.

The structure of ARX-01 Drums

Basic structure

ARX series SuperNATURAL expansion boards can receive performance data and control data from devices that are compatible with the ARX series, and produce an appropriate stereo audio signal in response.

* ARX series boards support up to 16 parts, but the ARX-01 Drums board is designed to produce only one part.

Tones

A tone is the smallest unit of sound on the ARX-01 Drums board. A tone corresponds to one of the individual instruments (e.g., bass drum or cymbal) that makes up a drum set.

Each tone is provided with COMP (compressor) and EQ (equalizer).

You can also make settings such as Roll or Flam for each tone.

* You can't change the correspondence between note numbers and tones.

Kits

A group of twenty-four tones is called a Kit. A kit is provided with MFX (multi-effect) and reverb.

The twenty-four tones are assigned to note numbers 34 (B♭ 1) through 57 (A3).

The ARX-01 Drums board contains fifty kits.

If the board is installed in a Fantom-G, kit data is saved in the Fantom-G project.

graph TD
    A["ARX-01 Drums"] --> B["KIT 50"]
    B --> C["KIT 01"]
    C --> D["TONE 24 (Note No.57)"]
    D --> E["Tone 1 (Note No.34)"]
    E --> F["COMP/EQ"]
    F --> G["MIXER"]
    F --> H["REVERB"]
    F --> I[" MFX "]
    J["to ARX compatible device (Audio signal)"] --> G
    J --> H
    J --> I

About this manual

• The screen images used in this manual are taken from a Fantom-G with the ARX-01 installed. The various procedures described also assume that you are using the ARX-01 installed in a Fantom-G.
• For details on how to move the cursor or edit a value, refer to the owner's manual for the device in which you've actually installed the ARX-01.

The basic screen

The basic screen shows the KIT NAME, twenty-four indicators that represent the Current Tone (p. 21), and the group faders.

When the basic screen is displayed, you can also assign a name to the kit and save it.

Selecting a kit

Move the cursor to KIT NAME and change the value to select a kit (001–050).

Group Fader

Eight faders are shown in the basic screen of the ARX-01. These are called the Group Faders.

You can divide the twenty-four tones among eight groups, and use these group faders to adjust the volume of the groups. To assign each tone to a group, use the Tone screen's Fader Group settings (p. 21).

Saving a kit (on the Fantom-G)

A kit you've created is temporary; it will be lost if you select a different kit. If you want to save the kit you've edited, proceed as follows.

1. Press [WRITE] on the Fantom-G.
2. Assign a name to the kit. For details on how to assign a name, refer to the Fantom-G owner's manual.

1. When you've finished assigning the name, press [F8 (OK)] button.
2. Select a kit number, and press [F8 (WRITE)] button.
3. When the confirmation screen appears, press [F7 (OK)] button to save the kit.

Selecting a Tone (Tone screen)

In the Tone screen you can select the tones that make up the kit.

* The Mute Switch in this screen is linked with the Mute Sw (p. 27) of the Tone/Output screen.
* The Comp Switch in this screen is linked with the Comp Sw (p. 26) of the Tone/ Comp/EQ screen.

When the Tone screen is displayed, you can switch the Current Tone by playing a key.

Parameter	Value	Description
Current Tone	Tone 01 – Tone 24	Indicates the tone number of the currently displayed tone. To select a tone, change this value.

Parameter	Value	Description
Inst Type	KICK, SNARE,TOM, HIHAT, RIDE,CYMBAL, OTHER,E.KICK, E.SNARE,E.TOM,E.HIHAT, E.RIDE,E.CYMBAL,E.OTHER	Selects the type of instrument.
Inst Number	(Depends on the "Inst Type")	Selects a variation of the instrument.
Fader Group	1–8	Assigns the tone to a fader group.
Layer Tone	OFF, Tone 01 – Tone 24	If you want the current tone to sound simultaneously with another tone, specify the number of that tone.
Mute Group	0(OFF), 1–24	If there is a combination of tones that should not sound simultaneously,such as an open hi-hat sound and a closed hi-hat sound, set the Mute Group parameter of those tones to the same number.Mute Group is a function that prevents tones of the same setting from being heard together. If you don’t want to use this function, set this to 0.
Assign Type	MULTI, SINGLE	This specifies how the tone will sound when played repeatedly.MULTI: The same tone will be sounded on top of the already-sounding tone. If you repeatedly play a slow-decaying sound such as a cymbal,the new note will not silence the previous note.SINGLE: The currently sounding note will be silenced before the new note is played.

Tone Settings

Customizing a tone (Tone/Customize screen)

In the Tone/Customize screen you can adjust the sound in the same ways as on an acoustic drum; for example, by choosing the desired shell depth, and by installing muffling (muting).

The customizable parameters vary depending on the instrument type to which the tone belongs.

KICK, SNARE, TOM

Parameter	Value
Shell Depth	-2→+2
Head Tuning	-120→+120
Muffling	0→3
Mic Position	-100→+100
Buzz	0→127

HIHAT, RIDE, CYMBAL

Parameter	Value
Size	-120--+120
Sustain	0-100

OTHER

Parameter	Value
Pitch	-120–120
Sustain	0–100

E.KICK

Parameter	Value
Tune	-100→+100
Attack Level	-100→+100
Decay	-100→+100
Cutoff	0–127
Resonance	0–127

E.SNARE

Parameter	Value
Tune	-100→+100
Tone	-100→+100
Attack Level	-100→+100
Snpy Decay	-100→+100
Cutoff	0–127
Resonance	0–127

E.TOM, E.HIHAT, E.RIDE, E.OTHER

Parameter	Value
Tune	-100→+100
Decay	-100→+100
Cutoff	0–127
Resonance	0–127

E.CYMBAL

Parameter	Value
Tune	-100→+100
Tone	-100→+100
Decay	-100→+100
Cutoff	0–127
Resonance	0–127

Flam/Roll settings (Tone/Flam/Roll screen)

Here you can apply a fram or roll effect to each tone.

You can use note velocity to switch the flam or roll effect on/off.

Parameter	Value	Description
Flam/Roll Velocity Threshold	0–127	Boundary between Upper and Lower
Flam/Roll Type Upper	OFF,FLAM,ROLL	Selects the way in which the tone will sound when the note velocity is above the Velocity Threshold setting. At OFF, the tone sounds in the normal way.
Flam/Roll Type Lower	OFF,FLAM,ROLL	Selects the way in which the tone will sound when the note velocity is below the Velocity Threshold setting. At OFF, the tone sounds in the normal way.

Flam-related parameters

Parameter	Value	Description
Rate	1–100, note	Time interval between flam notes
Offset	-100–+100	Difference in strength between note and flam note(s)
Flam Time	1–16	Number of flam notes
Time Velocity Sens	-100–+100	Change in the number of flam notes in response to velocity. With a positive (+) setting, velocity will increase the number of flam notes; with a negative setting (-), velocity will decrease the number of flam notes.
Feel	0–32	Amount of random change in the strength of flam notes and their time interval

For details on the "note" that can be selected for the Rate parameter, refer to "About Note" (p. 67)

Roll-related parameters

Parameter	Value	Description
Rate	1–100, note	Time interval between roll notes
Delay	1–100	Time interval until roll notes begin
Offset	-100–+100	Difference in strength between note on and the first roll note
Curve	-100–+100	Change in the strength of the roll notes. With a positive (+) setting, the roll notes will become stronger; with a negative (-) setting, the roll notes will become weaker.
Roll Time	1–16	Number of roll notes
Time Velocity Sens	-100–+100	Change in the number of roll notes in response to velocity. With a positive (+) setting, velocity will increase the number of roll notes; with a negative setting (-), velocity will decrease the number of roll notes.
Feel	0–32	Amount of random change in the strength of roll notes and their time interval

Volume change and tone adjustments (Tone/Comp/EQ screen)

Here you can adjust the compressor and equalizer for each tone.

* The Tone Level in this screen is linked with the Tone Level parameter of the Tone/Output screen (p. 27).

Compressor

This reduces high levels and boosts low levels, making the overall volume more consistent.

Compressor-related parameters

Parameter	Value	Description
Comp Sw	ON/OFF	Compressor on/off
Input Level	0–127	Volume level that is input to the compressor
Attack	0.05–50.0 ms	Time from when the input exceeds the threshold until compression begins
Release	0.05–200 ms	Time from when the input falls below the threshold until compression is turned off
Output Gain	0–+24 dB	Level of the output sound
Threshold	0–127	Level above which compression is applied
Ratio	1:1—∞:1	Compression ratio

EQ-related parameters

Parameter	Value	Description
Low Freq	50–400 Hz	Frequency of the low range
Low Gain	-15–+15 dB	Gain of the low frequency range
High Freq	2000–16000 Hz	Frequency of the high range
High Gain	-15–+15 dB	Gain of the high frequency range

Volume adjustment (Tone/Output screen)

Here you can make settings related to the output of each tone.

Signal Flow

graph LR
    A["Inst"] --> B["Pan"]
    B --> C["Input Level"]
    C --> D["COMP/EQ"]
    D --> E["Tone Level"]
    E --> F["Output Level"]
    F --> G["Output Assign"]
    G --> H["MFX to MFX to Mixer"]
    G --> I["DRY to Reverb"]
    E --> J["Reverb Send Level"]

Parameter	Value	Description
Pan	L64 -0 -63R	Adjusts the pan of the tone. “L64” places the sound at far left, “0” at the center, and “63R” at the far right.
Tone Level	0-127	Specifies the volume of the tone. You’ll use this parameter mainly to adjust the volume balance relative to the other tones.
Output Level	0-127	Specifies the signal level of each tone.
Output Assign	DRY, MFX	Selects whether each tone will output its original sound or will use MFX.DRY: The original sound will be output without processing.MFX: The sound will be sent through the multi-effect before being output.
Reverb Send Level	0-127	Specifies the level of the signal sent from each tone to reverb.
Mute Sw	ON/OFF	Turns muting on/off for each tone.

Adjusting the volume balance of the tones (Mixer screen)

Here you can specify each tone's Comp Sw (p. 26), Mute Sw (p. 27), Reverb Send Level (p. 27), Pan (p. 27), Tone Level (p. 27), and EQ gain (p. 26).

Applying effects (Effects/Routing screen)

In the Effects/Routing screen you can make settings for multi-effect (MFX) and reverb.

Parameter	Value	Description
MFX Type	0(THRU), 1-47	Selects the multi-effect type. For details on each type, refer to “Multi-Effects List” (p. 34)
MFX Output Level	0-127	Specifies the volume of the sound that has passed through the multi-effect.
MFX Reverb Send Level	0-127	Specifies the amount of reverb applied to the sound that has passed through the multi-effect. Choose “0” if you don’t want to apply reverb.
Reverb Type	0(OFF), 1(REVERB), 2(SRV ROOM), 3(SRV HALL), 4(SRV PLATE)	Selects the type of reverb. For details on each type, refer to “Setting of Reverb (Effects/Reverb screen)” (p. 31)
Reverb Level	0-127	Specifies the volume of the sound that has passed through the reverb.

Multi-effect settings (Effects/MFX screen)

In the Effects/MFX screen you can set the parameters of the multi-effect.

In this screen you can edit the parameters of the multi-effect you selected in "MFX Type" (p. 29). For details on the parameters that can be edited, refer to "Multi-Effects List" (p. 34).

Parameter	Value	Description
MFX Type	0(THRU), 1–47	Selects the type of multi-effect. For details on each type, refer to “Multi-Effects List” (p. 34).
Control Assign 1–4	(Depends on the “MFX Type”)	Multi-effect control lets you use MIDI messages to control the parameters of the multi-effect. For details, refer to “Multi-effect control (Effects/MFX Ctrl screen)” (p. 29).

For details on Control Assign 1–4, refer to “Multi-effect control (Effects/MFX Ctrl screen)” (p. 29).

Multi-effect control (Effects/MFX Ctrl screen)

In order to control parameters such as the volume of the multi-effect or the delay time of a delay from an external MIDI device, you will normally need to transmit "MIDI system exclusive messages," which are a type of MIDI message that is specific to a particular device. However, system exclusive message settings are complex, and these messages will also increase the amount of data that needs to be transmitted.

Thus, this expansion board allows you to use MIDI messages such as control changes to control the most important multi-effect parameters. For example, you can use the pitch bend lever to vary the depth of distortion, or use your keyboard playing touch to change the delay time. The parameters that can be controlled in this way are pre-assigned for each multi-effect type. The parameters that are assigned for each multi-effect type are marked with a “#” in the list of “Multi-Effects Parameters” (p. 35).

This ability to use MIDI messages to vary the multi-effect parameters in real time is called "multi-effect control." The ARX-01 expansion board allows you to use four multi-effect controls simultaneously.

To use multi-effect control, you need to specify the MIDI message (Source 1–4) that will control the desired parameter (Control Assign 1–4) in the specified way (Sens 1–4).

MFX Control Source 1-4

Value	Description
OFF	Multi-effect control will not be used.
CC01-31, 32(OFF), 33-95	Control Change.
PITCH BEND	Pitch Bend.
AFTERTOUCH	Aftertouch.
AUDIO	Volume level that is input to the Multi-effect.

MFX Control Sens 1-4

Specifies the depth to which multi-effect control will affect the parameter. Choose a positive (+) value if you want to modify the parameter from its current value toward the positive direction (higher value, toward the right, faster, etc.). Choose a negative (-) value if you want to modify the parameter from its current value toward the negative direction (lower value, toward the left, slower, etc.). With both positive (+) and negative (-) settings, the greater the number, the greater the change. Choose "0" if you don't want to modify the parameter.

Value: -63-+63

Setting of Reverb (Effects/Reverb screen)

In the Effects/Reverb screen you can set the parameters of the reverb.

Parameter	Value	Description
Type	0 (OFF),1 (REVERB),2 (SRV ROOM),3 (SRV HALL),4 (SRV PLATE)	Type of reverb
Type: 1 (REVERB)
Type	ROOM1,ROOM2,STAGE1,STAGE2,HALL1, HALL2,DELAY,PAN-DELAY	Type of reverb/delayROOM1: short reverb with high densityROOM2: short reverb with low densitySTAGE1: reverb with greater late reverberationSTAGE2: reverb with strong early reflectionsHALL1: very clear-sounding reverbHALL2: rich reverbDELAY: conventional delay effectPAN-DELAY: delay effect with echoes that pan left and right
Time	0–127	Time length of reverberation(Type: ROOM1.HALL2)Delay time(Type: DELAY, PAN-DELAY)
HF Damp	200–8000 Hz,BYPASS	Adjusts the frequency above which the highfrequency content of the reverb sound will be cut, or “damped.” If you do not want to cut the high frequencies, set this parameter to BYPASS.

Parameter	Value	Description
Delay Feedback	0–127	Adjusts the amount of delay feedback when the Type setting is DELAY or PAN-DELAY.
Type:2(SRV ROOM)/3(SRV HALL)/4(SRV PLATE)
Pre Delay	0.0–100.0 ms	Adjusts the delay time from the direct sound until the reverb sound is heard.
Time	0–127	Time length of reverberation
Size	1–8	Size of the simulated room or hall
High Cut	160 Hz–12.5 kHz, BYPASS	Adjusts the frequency above which the high-frequency content of the reverb will be reduced. If you do not want to reduce the high frequencies, set this parameter to BYPASS.
Density	0–127	Density of reverb
Diffusion	0–127	Adjusts the change in the density of the reverb over time.The higher the value, the more the density increases with time. (The effect of this setting is most pronounced with long reverb times.)
LF Damp Freq	50–4000 Hz	Adjusts the frequency below which the low-frequency content of the reverb sound will be reduced, or “damped.”
LF Damp Gain	-36–0 dB	Adjusts the amount of damping applied to the frequency range selected with LF Damp. With a setting of “0,” there will be no reduction of the reverb’s low-frequency content.
HF Damp Freq	4000 Hz–12.5 kHz	Adjusts the frequency above which the highfrequency content of the reverb sound will be reduced, or “damped.”
HF Damp Gain	-36–0 dB	Adjusts the amount of damping applied to the frequency range selected with HF Damp. With a setting of “0,” there will be no reduction of the reverb’s high-frequency content.

Choking/muting the drum sound (Ctrl screen)

Note number 58 (B♭3) is assigned the Choke/Mute function; by pressing this key, you can stop the sound of certain types of instrument that are currently sounding.

In the Ctrl screen you can specify the instrument that will be choked/muted.

* The manner of muting will depend on the velocity. A low velocity will mute the sound gradually, while a strong velocity will mute the sound quickly.

Parameter	Value	Description
Mute Key Type	OFF, HHT, RID, CYM, RID-CYM, HHT-RID-CYM, ALL	Specify the type of instrument that will be choked/muted.OFF: The Choke/Mute function will not be used.HHT: The hi-hat sound will be muted.RID: The ride sound will be muted.CYM: The cymbal sound will be muted.RID-CYM: Ride and cymbal sound will be muted.HHT-RID-CYM: Hi-hat, ride and cymbal sound will be muted.ALL: All sound will be muted.

Initializing a Kit/Tone or copying a Tone (Utility screen)

In the Utility screen you can initialize kits or tones, or copy the settings of a tone to a different tone.

Initializing a kit or tone

This operation lets you return the settings of the current kit or current tone to their default values.

Kit Init will initialize the settings of the current kit.

Tone Init will initialize the settings of the current tone.

1. Select the kit or tone that you want to initialize.
2. In the Utility screen, choose Kit Init or Tone Init.
3. When the confirmation screen appears, press [F7 (OK)] button.

If you decide to cancel, press [F8 (EXIT)] button.

* If you've installed the ARX-01 in a Fantom-G6/G7/G8, executing a Factory Reset for the Fantom-G6/G7/G8 will reset the expansion boards to their factory-set condition.

Copying a tone

This operation lets you copy the settings of a tone to a different tone of the currently selected kit. Making good use of this operation will help you create kits efficiently.

1. Select the tone that you want to copy.
2. In the Utility screen, choose Tone Copy.
   The Tone Copy screen will appear.
3. Choose the "Destination (copy-destination)" tone number.
4. Press [F8 (Execute)] button.
   A confirmation message will appear.
5. Press [F7 (OK)] button to execute the copy.
   If you decide to cancel, press [F8 (EXIT)] button.

Multi-Effects Types

There are 47 types of multi-effect.

FILTER (9 types)
01	STEREO EQ	p. 35
02	SPECTRUM	p. 36
03	ENHANCER	p. 36
04	ISOLATOR	p. 37
05	LOW BOOST	p. 37
06	SUPER FILTER	p. 38
07	STEP FILTER	p. 39
08	AUTO WAH	p. 39
09	HUMANIZER	p. 40
MODULATION (7 types)
10	PHASER	p. 40
11	STEREO PHASER	p. 41
12	STEP PHASER	p. 41
13	RING MODULATOR	p. 42
14	TREMOLO	p. 43
15	AUTO PAN	p. 43
16	ROTARY	p. 44

CHORUS (6 types)
17	HEXA-CHORUS	p. 45
18	TREMOLO CHORUS	p. 45
19	SPACE-D	p. 46
20	STEREO CHORUS	p. 46
21	STEREO FLANGER	p. 47
22	STEP FLANGER	p. 48
DYNAMICS (7 types)
23	OVERDRIVE	p. 48
24	DISTORTION	p. 48
25	GUITAR AMP SIMULATOR	p. 49
26	STEREO COMPRESSOR	p. 50
27	STEREO LIMITER	p. 51
28	SLICER	p. 51
29	GATE	p. 52
LOFI (6 types)
30	LOFI NOISE	p. 53
31	LOFI COMPRESS	p. 54
32	LOFI RADIO	p. 54
33	TELEPHONE	p. 55
34	PHONOGRAPH	p. 55
35	TAPE ECHO	p. 56

PITCH (2 types)
36	FBK PITCH SHIFTER	p. 57
37	2Vo PITCH SHIFTER	p. 58
REVERB (1 type)
38	GATED REVERB	p. 58
DELAY (9 types)
39	STEREO DELAY	p. 59
40	MODULATION DELAY	p. 60
41	TRIPLE TAP DELAY	p. 61
42	QUADRUPLE TAP DELAY	p. 61
43	MULTI TAP DELAY	p. 62
44	REVERSE DELAY	p. 63
45	SHUFFLE DELAY	p. 63
46	TIME CONTROL DELAY	p. 64
47	TIME SKIP DELAY	p. 65

Multi-Effects Parameters

Each multi-effect has "Control Assign" parameters. These indicate the parameters that can be controlled via "Multi-effect control (Effects/MFX Ctrl screen)" (p. 29).

For details on the "note" that can be selected for some parameter, refer to "About Note" (p. 67)

In the parameter list below, an indication of “#1”-“#4” follows the name of parameters that are selected for Control Assign by default.

01: STEREO EQ (Stereo Equalizer)

This is a four-band stereo equalizer (low, mid x 2, high).

graph LR
    A["L in"] --> B["4-Band EQ"] --> C["L out"]
    D["R in"] --> E["4-Band EQ"] --> F["R out"]

Parameter	Value	Description
Low Freq	200, 400 Hz	Frequency of the low range
Low Gain #1	-15–+15 dB	Gain of the low frequency range
High Freq	2000, 4000, 8000 Hz	Frequency of the high range
High Gain #4	-15–+15 dB	Gain of the high frequency range
Mid1 Freq	200–8000 Hz	Frequency of Middle Range 1
Mid1 Q	0.5, 1.0, 2.0, 4.0, 8.0	Width of Middle Range 1Select a higher Q value to narrow Middle Range 1.
Mid1 Gain #2	-15–+15 dB	Gain of Middle Range 1
Mid2 Freq	200–8000 Hz	Frequency of Middle Range 2
Mid2 Q	0.5, 1.0, 2.0, 4.0, 8.0	Width of Middle Range 2Select a higher Q value to narrow Middle Range 2.
Mid2 Gain #3	-15–+15 dB	Gain of Middle Range 2
Level	0–127	Output level

02: SPECTRUM

This is a type of filter that modifies the timbre by boosting or cutting the level of specific frequencies. It is similar to an equalizer, but has eight frequency points fixed at locations most useful for adding character to the sound.

graph LR
    A["L in"] --> C["+"]
    B["R in"] --> C
    C --> D["Spectrum"]
    D --> E["Pan L"]
    D --> F["Pan R"]
    D --> G["R out"]
    E --> H["L out"]
    F --> I["R out"]

Parameter	Value	Description
Q	0.5, 1.0, 2.0, 4.0, 8.0	Simultaneously adjusts the width of the adjusted ranges for all of the frequency bands.
Pan	L64–63R	Stereo location of the SPECTRUM output
Level	0–127	Output level
Band 1 (250 Hz)	-15– +15 dB	Gain of each frequency band* This can be set using the sliders of the part mixer.
Band 2 (500 Hz) #1
Band 3 (1 kHz) #2
Band 4 (1.25 kHz)
Band 5 (2 kHz) #3
Band 6 (3.15 kHz)
Band 7 (4 kHz) #4
Band 8 (8kHz)

03: ENHANCER

Controls the overtone structure of the high frequencies, adding sparkle and brightness to the sound.

graph LR
    A["L in"] --> B["Enhancer"]
    B --> C["Mix"]
    C --> D["+"]
    D --> E["2-Band EQ"]
    E --> F["L out"]
    G["R in"] --> H["Enhancer"]
    H --> I["Mix"]
    I --> J["+"]
    J --> K["2-Band EQ"]
    K --> L["R out"]

Parameter	Value	Description
Sens #1	0–127	Sensitivity of the enhancer
Mixl #2	0–127	Level of the overtones generated by the enhancer
Low Gain	-15– +15 dB	Gain of the low frequency range of frequencies
High Gain	-15– +15 dB	Gain of the high frequency range of frequencies
Level	0–127	Output level

04: ISOLATOR

This is an equalizer that radically cuts the volume of selected frequencies, allowing you to create special effects cutting the volume in various ranges.

graph LR
    A["L in"] --> B["Isolator"] --> C["Low Boost"] --> D["L out"]
    E["R in"] --> F["Isolator"] --> G["Low Boost"] --> H["R out"]

Parameter	Value	Description
Boost/Cut High #3	-60–+4 dB	These boost and cut each of the High, Middle, and Low frequency ranges.At -60 dB, the sound becomes inaudible. 0 dB is equivalent to the input level of the sound.
Boost/Cut Middle #2
Boost/Cut Low #1
AntiPhase Middle Sw	OFF, ON	Settings of the Anti-Phase function for the Middle frequency ranges.When turned on, a stereo copy of the sound is phase-inverted and added to the signal.
AntiPhase Middle Level	0–127	Adjusts the level settings for the Middle frequency ranges.Adjusting this level for certain frequencies allows you to lend emphasis to specific elements within a sound. (This is effective only for stereo source.)
Anti Phase Low Sw	OFF, ON	Settings of the Anti-Phase function for the Middle frequency rangesThe parameters are the same as for the Middle frequency ranges.
Anti Phase Low Level	0–127
Low Boost Sw	OFF, ON	Turns Low Booster on/off.This emphasizes the bottom frequencies to create a heavy bass sound.
Low Boost Level	0–127	Increasing this value gives you a heavier low end.* Depending on the Isolator and filter settings, this effect may be hard to hear.
Level	0–127	Output level

05: LOW BOOST

Boosts the volume of the lower range, creating powerful lows.

graph LR
    A["L in"] --> B["Low Boost"]
    B --> C["2-Band EQ"]
    C --> D["L out"]
    E["R in"] --> F["Low Boost"]
    F --> G["2-Band EQ"]
    G --> H["R out"]

Parameter	Value	Description
Boost Frequency #1	50–125 Hz	Center frequency at which the lower range will be boosted
Boost Gain #2	0–12 dB	Amount by which the lower range will be boosted
Boost Width #3	WIDE, MID, NARROW	Width of the lower range that will be boosted
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Level	0–127	Output level

06: SUPER FILTER

This is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically.

graph LR
    A["L in"] --> B["Super Filter"] --> C["L out"]
    D["R in"] --> E["Super Filter"] --> F["R out"]

Parameter	Value	Description
Filter Type #1	LPF, BPF, HPF, NOTCH	Filter typeFrequency range that will pass through each filterLPF: frequencies below the cutoffBPF: frequencies in the region of the cutoffHPF: frequencies above the cutoffNOTCH: frequencies other than the region of the cutoff
Filter Slope	-12, -24,-36 dB	Amount of attenuation per octave-36 dB: extremely steep-24 dB: steep -12 dB: gentle
Filter Cutoff #2	0–127	Cutoff frequency of the filterIncreasing this value will raise the cutoff frequency.
Filter Resonance #3	0–127	Filter resonance levelIncreasing this value will emphasize the region near the cutoff frequency.
Filter Gain #4	0–+12 dB	Amount of boost for the filter output
Modulation Sw	OFF,ON	On/off switch for cyclic change
Modulation Wave	TRI, SQU,SIN, SAW1,SAW2	How the cutoff frequency will be modulatedTRI: triangle waveSQR: square waveSIN: sine waveSAW1: sawtooth wave (upward)SAW2: sawtooth wave (downward)

Parameter	Value	Description
Rate	0.05–10.0 Hz, note	Rate of modulation
Depth	0–127	Depth of modulation
Attack	0–127	Speed at which the cutoff frequency will changeThis is effective if Modulation Wave is SQR,SAW1, or SAW2.
Level	0–127	Output level

07: STEP FILTER

This is a filter whose cutoff frequency can be modulated in steps. You can specify the pattern by which the cutoff frequency will change.

graph LR
    A["L in"] --> B["Step Filter"] --> C["L out"]
    D["R in"] --> E["Step Filter"] --> F["R out"]

Parameter	Value	Description
Rate #1	0.05–10.00 Hz, note	Rate of modulation
Attack	0–127	Speed at which the cutoff frequency changes between steps
Filter Type #2	LPF, BPF, HPF, NOTCH	Filter typeFrequency range that will pass through each filterLPF: frequencies below the cutoffBPF: frequencies in the region of the cut-offHPF: frequencies above the cutoffNOTCH: frequencies other than the region of the cutoff
Filter Slope	-12, -24,-36 dB	Amount of attenuation per octave-12 dB: gentle-24 dB: steep-36 dB: extremely steep
Filter Resonance #3	0–127	Filter resonance levelIncreasing this value will emphasize the region near the cutoff frequency.
Filter Gain #4	0– +12 dB	Amount of boost for the filter output
Level	0– 127	Output level
Step 01–16	0–127	Cutoff frequency at each step

08: AUTO WAH

A filter that turns on and off to create a cyclical change in timbre.

graph LR
    A["L in"] --> C["+"]
    B["R in"] --> C
    C --> D["Auto Wah"]
    D --> E["L out"]
    D --> F["R out"]

Parameter	Value	Description
Filter Type	LPF, BPF	Type of filterLPF: The wah effect is applied over a wide frequency range.BPF: The wah effect is applied over a narrow frequency range
Rate #3	0.05–10.00 Hz, note	Frequency of modulation
Depth #4	0–127	Depth of modulation
Sens	0–127	Adjusts the sensitivity with which the filter is controlled.
Manual #1	0–127	Adjusts the center frequency at which the effect is applied.
Peak #2	0–127	Adjusts the amount of the wah effect that occurs in the range of the center frequency.Set a higher value for Q to narrow the range to be affected.
Level	0–127	Output level

09: HUMANIZER

Adds a vowel character to the sound, making it similar to a human voice.

graph LR
    A["L in"] --> C["+"]
    B["R in"] --> C
    C --> D["Overdrive"]
    D --> E["Formant"]
    E --> F["2-Band EQ"]
    F --> G["L out"]
    F --> H["Pan L"]
    F --> I["Pan R"]
    F --> J["R out"]

Parameter	Value	Description
Drive Sw	OFF, ON	Turns Drive on/off.
Drive	0–127	Degree of distortionAlso changes the volume.
Vowel1 #1	a, e, i, o, u	Selects the vowel.
Vowel2 #2	a, e, i, o, u
Rate #3	0.05–10.00 Hz, note	Frequency at which the two vowels switch
Depth	0–127	Effect depth
Input Sync Sw	OFF, ON	Determines whether the LFO for switching the vowels is reset by the input signal (ON) or not (OFF).
Input Sync Threshold	0–127	Volume level at which reset is applied
Manual #4	0–100	Point at which Vowel 1/2 switch49 or less: Vowel 1 will have a longer duration.50: Vowel 1 and 2 will be of equal duration.51 or more: Vowel 2 will have a longer duration.
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Pan	L64–63R	Stereo location of the output
Level	0–127	Output level

10: PHASER

Adds a phase-shifted sound to the original sound, producing a swirling modulation that creates spaciousness and depth.

graph TD
    A["L in"] --> B["+"]
    C["R in"] --> B
    B --> D["+"]
    E["Phaser"] --> F["+"]
    G["Mix"] --> H["+"]
    I["R out"] --> H
    H --> J["L out"]
    H --> K["Pan L"]
    H --> L["Pan R"]
    H --> M["R out"]
    N["Resonance"] --> B

Parameter	Value	Description
Manual #1	0–127	Adjusts the basic frequency at which the sound will be modulated.
Rate #2	0.05–10.00 Hz, note	Frequency of modulation
Depth #3	0–127	Depth of modulation
Resonance #4	0–127	Amount of feedback
Mix	0–127	Level of the phase-shifted sound
Pan	L64–63R	Stereo location of the PHASER output
Level	0–127	Output Level

11:STEREO PHASER

This is a stereo phaser.

graph TD
    A["L in"] --> B["+"]
    B --> C["Phaser"]
    C --> D["○"]
    D --> E["+"]
    E --> F["2-Band EQ"]
    F --> G["L out"]
    H["R in"] --> I["+"]
    I --> J["Phaser"]
    J --> K["○"]
    K --> L["+"]
    L --> M["2-Band EQ"]
    M --> N["R out"]
    B --> O["Mix Mix"]
    J --> P["Mix Mix"]
    O --> D
    P --> K

Parameter	Value	Description
Mode	4, 8 stage	Number of stages in the phaser
Polarity	INVERSE, SYNCHRO	Selects whether the left and right phase of the modulation are the same or opposite each other.INVERSE: The left and right phase are opposite. When using a mono source, this spreads the sound in stereo.SYNCHRO: The left and right phase are the same. Select this when working with a stereo source.
Rate #2	0.05–10.00Hz, note	Frequency of modulation
Depth #3	0–127	Depth of modulation
Manual #1	0–127	Adjusts the basic frequency from which the sound is modulated.
Resonance #4	0–127	Amount of feedback
Cross Feedback	-98– +98 %	Adjusts the amount of the phaser sound that's fed back into the effect. Negative (-) settings invert the phase.
Mix	0–127	Level of the phase-shifted sound
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Level	0–127	Output level

12:STEP PHASER

With the Step effects, you can also make stepped changes in the pitch of sounds to which the Phaser effect is applied.

graph TD
    A["L in"] --> B["+"]
    B --> C["Step Phaser"]
    C --> D["+"]
    D --> E["2-Band EQ"]
    E --> F["L out"]
    G["R in"] --> H["+"]
    H --> I["Step Phaser"]
    I --> J["+"]
    J --> K["2-Band EQ"]
    K --> L["R out"]
    B --> M["Mix"]
    I --> N["Mix"]
    M --> D
    N --> J

Parameter	Value	Description
Mode	4, 8 stage	Number of stages in the phaser
Polarity	INVERSE, SYNCHRO	Selects whether the left and right phase of the modulation are the same or opposite each other.INVERSE:The left and right phase are opposite. When using a mono source, this spreads the sound in stereo.SYNCHRO:The left and right phase are the same. Select this when working with a stereo source.
Rate #2	0.05–10.00 Hz, note	Frequency of modulation
Depth	0–127	Depth of modulation
Manual #1	0–127	Adjusts the basic frequency from which the sound is modulated.
Resonance #3	0–127	Amount of feedback
Cross Feedback	-98– +98 %	Adjusts the amount of the phaser sound that's fed back into the effect. Negative (-) settings invert the phase.
Step Rate #4	0.1–20.0 Hz, note	Rate of pitch change
Mix	0–127	Level of the phase-shifted sound
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Level	0–127	Output level

13: RING MODULATOR

This is an effect that applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change the modulation frequency in response to changes in the volume of the sound sent into the effect.

graph LR
    A["L in"] --> B["Ring Mod"]
    B --> C["2-Band EQ"]
    C --> D["L out"]

graph LR
    A["R in"] --> B["Ring Mod"]
    B --> C["2-Band EQ"]
    C --> D["R out"]

Parameter	Value	Description
Frequency #1	0–127	Adjusts the frequency at which modulation is applied.
Sens #2	0–127	Adjusts the amount of frequency modulation applied.
Polarity	UP, DOWN	Determines whether the frequency modulation moves towards higher frequencies (UP) or lower frequencies (DOWN).
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Balance #3	D100:0W–D0:100W	Volume balance between the direct sound (D) and the effect sound (W)
Level	0–127	Output level

14: TREMOLO

Cyclically modulates the volume to add tremolo to the sound.

graph LR
    A["L in"] --> B["Tremolo"]
    B --> C["2-Band EQ"] --> D["L out"]
    E["R in"] --> F["Tremolo"]
    F --> G["2-Band EQ"] --> H["R out"]

Parameter	Value	Description
Modulation Wave #1	TRI, SQR, SIN, SAW1, SAW2	Modulation Wave TRI: triangle waveSQR: square waveSIN: sine waveSAW1: sawtooth wave (upward)SAW2: sawtooth wave (downward)
Rate #2	0.05–10.00 Hz, note	Frequency of the change
Depth #3	0–127	Depth to which the effect is applied
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Level	0–127	Output level

15: AUTO PAN

Cyclically modulates the stereo location of the sound.

graph LR
    A["L in"] --> B["Auto Pan"]
    B --> C["2-Band EQ"] --> D["L out"]
    E["R in"] --> F["Auto Pan"]
    F --> G["2-Band EQ"] --> H["R out"]

Parameter	Value	Description
Modulation Wave #1	TRI, SQR, SIN, SAW1, SAW2	Modulation Wave TRI: triangle waveSQR: square waveSIN: sine waveSAW1: sawtooth wave (upward)SAW2: sawtooth wave (downward)
Rate #2	0.05–10.00 Hz, note	Frequency of the change
Depth #3	0–127	Depth to which the effect is applied
Low Gain	-15–+15 dB	Gain of the low frequency range
High Gain	-15–+15 dB	Gain of the high frequency range
Level	0–127	Output level

16: ROTARY

The Rotary effect simulates the sound of the rotary speakers often used with the classic electric organs. Since the movement of the high-range and low-range rotors can be set independently, the unique characteristics of these speakers can be simulated quite accurately. This effect is most suitable for electric organ Patches.

graph LR
    A["L in"] --> C["+"]
    B["R in"] --> C
    C --> D["Rotary"]
    E["L out"] --> D
    F["R out"] --> D

Parameter	Value	Description
Tweeter Slow Rate #1	0.05–10.00 Hz	Slow speed (SLOW) of the high-frequency rotor
Woofer Slow Rate #2	0.05–10.00 Hz	Slow speed (SLOW) of the low-frequency rotor
Tweeter Fast Rate #3	0.05–10.00 Hz	Fast speed (FAST) of the high-frequency rotor
Woofer Fast Rate #4	0.05–10.00 Hz	Fast speed (FAST) of the low-frequency rotor
Speed	SLOW, FAST	Simultaneously switches the rotational speed of the low frequency rotor and high frequency rotor.SLOW: Slows down the speed to the Slow Rate.FAST: Speeds up the speed to the Fast Rate.
Tweeter Acceleration	0–15	Adjusts the time it takes the high frequency rotor to reach the newly selected speed when switching between fast and slow speeds.
Woofer Acceleration	0–15	Adjusts the time it takes the low frequency rotor to reach the newly selected speed when switching between fast and slow speeds.
Tweeter Level	0–127	Volume of the high frequency rotor

Parameter	Value	Description
Woofer Level	0–127	Volume of the low frequency rotor
Separation	0–127	Stereo width of the sound
Level #2	0–127	Output level

17: HEXA-CHORUS

Uses a six-phase chorus (six layers of chorused sound) to give richness and spaciousness to the sound.

graph TD
    L_in --> A["+"]
    R_in --> A
    A --> B["Hexa Chorus"]
    B --> C["+"]
    D["Balance D"] --> E["+"]
    F["Balance W"] --> G["+"]
    H["Balance W"] --> I["+"]
    J["Balance D"] --> K["+"]
    L_out --> E
    L_out --> G
    L_out --> I
    R_out --> K

Parameter	Value	Description
Pre Delay	0.0–100.0 ms	Adjusts the time until chorusing is heard.
Rate #1	0.05–10.00 Hz, note	Frequency of modulation
Depth #2	0–127	Depth of modulation
Pre Delay Deviation	0–20	Adjusts the differences in Pre Delay between each chorus layer.
Depth Deviation	-20–+20	Adjusts the difference in modulation depth between each chorus layer.
Pan Deviation	0–20	Adjusts the difference in stereo location between each chorus layer.0: All chorus layers are in the center.20: The chorus layers are spaced at 60-degree intervals relative to the center.
Balance #3	D100:0W–D0:100W	Volume balance between the direct sound (D) and the chorus sound (W)
Level	0–127	Output level

18: TREMOLO CHORUS

This is a chorus effect with added Tremolo (cyclic modulation of volume).

graph TD
    L_in --> A["+"] --> B["Balance D"] --> C["+"] --> L_out
    R_in --> A
    A --> D["Tremolo Chorus"]
    D --> E["Balance W"] --> F["+"] --> G["R out"]
    D --> H["Balance W"] --> I["+"] --> G
    D --> J["Balance W"] --> K["+"] --> G

Parameter	Value	Description
Pre Delay	0.0–100.0 ms	Adjusts the time until the chorus sound is heard.
Chorus Rate	0.05–10.00 Hz, note	Modulation frequency of the chorus effect
Chorus Depth	0–127	Modulation depth of the chorus effect
Tremolo Rate #1	0.05–10.00 Hz, note	Modulation frequency of the tremolo effect
Tremolo Separation	0–127	Spread of the tremolo effect
Tremolo Phase	0–180 deg	Phase of the tremolo effect
Balance #2	D100:0W–D0:100W	Volume balance between the direct sound (D) and the tremolo chorus sound (W)
Level	0–127	Output level

19: SPACE-D

This is a multiple chorus that applies two-phase modulation in stereo. It creates no audible modulation, yet produces a transparent chorus effect.

graph LR
    L_in --> Space_D1["Space D"]
    Space_D1 --> Balance_D1["Balance D"]
    Balance_D1 --> Add1["+"]
    Add1 --> 2_BandEQ1["2-Band EQ"]
    2_BandEQ1 --> L_out["L out"]
    R_in --> Space_D2["Space D"]
    Space_D2 --> Balance_D2["Balance D"]
    Balance_D2 --> Add2["+"]
    Add2 --> 2_BandEQ2["2-Band EQ"]
    2_BandEQ2 --> R_out["R out"]

Parameter	Value	Description
Pre Delay	0.0–100.0 ms	Adjusts the time until the chorus sound is heard.
Rate #1	0.05–10.00 Hz, note	Frequency of modulation
Depth #2	0–127	Depth of modulation
Phase	0–180 deg	Spatial spread of the sound
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Balance #3	D100:0W–D0:100W	Volume balance between the direct sound (D) and the chorus sound (W)
Level	0–127	Output level

20: STEREO CHORUS

This is a stereo chorus. A filter is provided so that you can adjust the timbre of the chorused sound.

graph LR
    A["L in"] --> B["Chorus"]
    B --> C["Balance D"]
    C --> D["+"]
    D --> E["2-Band EQ"]
    E --> F["L out"]
    G["R in"] --> H["Chorus"]
    H --> I["Balance D"]
    I --> J["+"]
    J --> K["2-Band EQ"]
    K --> L["R out"]
    D --> M["Balance W"]
    M --> N["+"]
    N --> O["2-Band EQ"]
    O --> P["Balance W"]

Parameter	Value	Description
Filter Type	OFF, LPF, HPF	Type of filterOFF: no filter is usedLPF: cuts the frequency range above the Cutoff FreqHPF: cuts the frequency range below the Cutoff Freq
Cutoff Freq	200–8000 Hz	Basic frequency of the filter
Pre Delay	0.0–100.0 ms	Adjusts the time until the chorus sound is heard.
Rate #1	0.05–10.00 Hz, note	Frequency of modulation
Depth #2	0–127	Depth of modulation
Phase	0–180 deg	Spatial spread of the sound
Low Gain	-15–+15 dB	Gain of the low frequency range
High Gain	-15–+15 dB	Gain of the high frequency range
Balance #3	D100:0W–D0:100W	Volume balance between the direct sound (D) and the chorus sound (W)
Level	0–127	Output level

21: STEREO FLANGER

This is a stereo flanger. It produces a metallic resonance that rises and falls somewhat like a jet airplane taking off or landing. A filter is provided so that you can adjust the timbre of the flanged sound.

graph TD
    A["L in"] --> B["+"]
    B --> C["Flanger"]
    C --> D["+"]
    D --> E["2-Band EQ"]
    E --> F["L out"]
    G["R in"] --> H["+"]
    H --> I["Flanger"]
    I --> J["+"]
    J --> K["2-Band EQ"]
    K --> L["R out"]
    M["Balance D"] --> D
    N["Balance W"] --> D
    O["Feedback Feedback"] --> H
    P["Balance W"] --> J
    Q["Balance D"] --> H

Parameter	Value	Description
Filter Type	OFF, LPF, HPF	Type of filterOFF: no filter is usedLPF: cuts the frequency range above the Cutoff FreqHPF: cuts the frequency range below the Cutoff Freq
Cutoff Freq	200–8000 Hz	Basic frequency of the filter
Pre Delay	0.0–100.0 ms	Adjusts the time until the flanger sound is heard.
Rate #1	0.05-10.00 Hz, note	Frequency of modulation
Depth #2	0–127	Depth of modulation
Phase	0–180 deg	Spatial spread of the sound
Feedback #3	-98– +98 %	Adjusts the amount of the flanger sound that's fed back into the effect. Negative (-) settings invert the phase.

Parameter	Value	Description
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Balance #4	D100:0W–D0:100W	Volume balance between the direct sound (D) and the flanger sound (W)
Level	0–127	Output level

22: STEP FLANGER

This is a flanger in which the flanger pitch changes in steps. The speed at which the pitch changes can also be specified in terms of a note value based on a specified tempo.

graph TD
    L_in --> A["+"]
    A --> B["Step Flanger"]
    B --> C["+"]
    C --> D["Balance D"]
    D --> E["2-Band EQ"]
    E --> F["L out"]
    R_in --> G["+"]
    G --> H["Step Flanger"]
    H --> I["+"]
    I --> J["Balance W"]
    J --> K["Feedback Feedback"]
    K --> B
    E --> L["2-Band EQ"]
    L --> M["R out"]

Parameter	Value	Description
Pre Delay	0.0–100.0 ms	Adjusts the time until the flanger sound is heard.
Rate #1	0.05–10.00 Hz, note	Frequency of modulation
Depth	0–127	Depth of modulation
Feedback #2	-98– +98 %	Adjusts the amount of the flanger sound that's fed back into the effect. Negative (-) settings invert the phase.
Step Rate #3	0.10–20.00 Hz, note	Rate (period) of pitch change
Phase	0–180 deg	Spatial spread of the sound
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Balance #4	D100:0W–D0:100W	Volume balance between the direct sound (D) and the flanger sound (W)
Level	0–127	Output level

23: OVERDRIVE

Creates a soft distortion similar to that produced by vacuum tube amplifiers.

graph LR
    A["L in"] --> C["+"]
    B["R in"] --> C
    C --> D["Over drive"]
    D --> E["Amp Simulator"]
    E --> F["2-Band EQ"]
    F --> G["L out"]
    F --> H["R out"]
    I["Pan L"] --> F
    J["Pan R"] --> F

Parameter	Value	Description
Drive #1	0–127	Amount of distortionAlso changes the volume.
Tone #2	0–127	Sound Quality
Pan #4	L64–63R	Stereo location of the OVERDRIVE output
Amp Sw	OFF, ON	Amp simulator on/off
Amp Type #3	SMALL,BUILT-IN,2-STACK,3-STACK	Type of guitar ampSMALL:small ampBUILT-IN:single-unit type amp2-STACK:large double-stack amp3-STACK:large triple-stack amp
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Level	0–127	Output level

24: DISTORTION

Produces a more intense distortion than Overdrive. The parameters are the same as for "23: OVERDRIVE."

graph LR
    A["L in"] --> B["+"]
    C["R in"] --> B
    B --> D["Distortion"]
    D --> E["Amp Simulator"]
    E --> F["2-Band EQ"]
    F --> G["L out"]
    F --> H["R out"]
    I["Pan L"] --> F
    J["Pan R"] --> F

25: GUITAR AMP SIM (Guitar Amp Simulator)

This is an effect that simulates the sound of a guitar amplifier.

graph LR
    A["L in"] --> C["+"]
    B["R in"] --> C
    C --> D["Pre Amp"]
    D --> E["Speaker"]
    E --> F["L out"]
    E --> G["Pan L"]
    E --> H["Pan R"]
    E --> I["R out"]

Parameter	Value	Description
Pre Amp Sw	OFF, ON	Turns the amp switch on/off.
Pre Amp Type #1	JC-120,Clean Twin,Match Drive,BG Lead,MS1959I,MS1959II,MS1959I+II, SLDNLead, Metal 5150,Metal Lead,OD-1, OD-2 TURBO,Distortion, Fuzz	Type of guitar amp
Pre Amp Volume #2	0–127	Volume and amount of distortion of the amp
Pre Amp Master #3	0–127	Volume of the entire pre-amp
Pre Amp Gain	Low, Mid, High	Amount of pre-amp distortion
Pre Amp Bass	0–127	Tone of the bass/mid/treble frequency range* Middle cannot be set if “Match Drive” is selected as the Pre Amp Type.
Pre Amp Middle
Pre Amp Treble
Pre Amp Presence	0–127(MATCH DRIVE:-127 - 0)	Tone for the ultra-high frequency range

Parameter	Value	Description
Pre Amp Bright	OFF, ON	Turning this “On” produces a sharper and brighter sound.* This parameter applies to the “JC-120,” “Clean Twin,” and “BG Lead” Pre Amp Types.
Speaker Sw	OFF, ON	Determines whether the signal passes through the speaker (ON), or not (OFF).
Speaker Type #4	(See the table below.)	Type of speaker
Mic Setting	1, 2, 3	Adjusts the location of the mic that’s capturing the sound of the speaker.This can be adjusted in three steps, from 1 to 3, with the mic becoming more distant as the value increases.
Mic Level	0–127	Volume of the microphone
Direct Level	0–127	Volume of the direct sound
Pan	L64–63R	Stereo location of the output
Level	0–127	Output level

Specifications for each Speaker Type

The speaker column indicates the diameter of each speaker unit (in inches) and the number of units.

Type	Cabinet	Speaker	Microphone
Small1	small open-back enclosure	10	dynamic
Small2	small open-back enclosure	10	dynamic
Middle	open back enclosure	12 × 1	dynamic
JC-120	open back enclosure	12 × 2	dynamic
Built In 1	open back enclosure	12 × 2	dynamic
Built In 2	open back enclosure	12 × 2	condenser
Built In 3	open back enclosure	12 × 2	condenser
Built In 4	open back enclosure	12 × 2	condenser
Built In 5	open back enclosure	12 × 2	condenser
BG Stack 1	sealed enclosure	12 × 2	condenser
BG Stack 2	large sealed enclosure	12 × 2	condenser
MS Stack1	large sealed enclosure	12 × 4	condenser
MS Stack 2	large sealed enclosure	12 × 4	condenser
Metal Stack	large double stack	12 × 4	condenser
2 Stack	large double stack	12 × 4	condenser
3 Stack	large triple stack	12 × 4	condenser

26: COMPRESSOR

Flattens out high levels and boosts low levels, smoothing out fluctuations in volume.

graph LR
    A["L in"] --> B["Compressor"]
    B --> C["2-Band EQ"]
    C --> D["L out"]

graph LR
    A["R in"] --> B["Compressor"]
    B --> C["2-Band EQ"]
    C --> D["R out"]

Parameter	Value	Description
Attack #1	0–127	Sets the speed at which compression starts
Threshold #2	0–127	Adjusts the volume at which compression begins
Post Gain #3	0–18 dB	Adjusts the output gain.
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Level	0–127	Output level

27: LIMITER

Compresses signals that exceed a specified volume level, preventing distortion from occurring.

graph LR
    A["L in"] --> B["Limiter"]
    B --> C["2-Band EQ"]
    C --> D["L out"]

graph LR
    A["R in"] --> B["Limiter"]
    B --> C["2-Band EQ"]
    C --> D["R out"]

Parameter	Value	Description
Release #1	0–127	Adjusts the time after the signal volume falls below the Threshold Level until compression is no longer applied.
Threshold #2	0–127	Adjusts the volume at which compression begins
Ratio #3	1.5:1, 2:1, 4:1, 100:1	Compression ratio
Post Gain #4	0–18 dB	Adjusts the output gain.
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Level	0–127	Output level

28: SLICER

By applying successive cuts to the sound, this effect turns a conventional sound into a sound that appears to be played as a backing phrase. This is especially effective when applied to sustain-type sounds.

graph LR
    A["L in"] --> B["Slicer"]
    B --> C["L out"]

graph LR
    A["R in"] --> B["Slicer"]
    B --> C["R out"]

Parameter	Value	Description
Rate #1	0.05–10.00 Hz, note	Rate at which the 16-step sequence will cycle
Attack #2	0–127	Speed at which the level changes between steps
Input Sync Sw	OFF, ON	Specifies whether an input note will cause the sequence to resume from the first step of the sequence (ON) or not (OFF)
Input Sync Threshold	0–127	Volume at which an input note will be detected
Mode	LEGATO, SLASH	Sets the manner in which the volume changes as one step progresses to the next.LEGATO: The change in volume from one step's level to the next remains unaltered. If the level of a following step is the same as the one preceding it, there is no change in volume.SLASH: The level is momentarily set to 0 before progressing to the level of the next step. This change in volume occurs even if the level of the following step is the same as the preceding step.
Shuffle	0–127	Timing of volume changes in levels for even-numbered steps (step 2, step 4, step 6...).The higher the value, the later the beat progresses.
Level	0–127	Output level
Step 01–16	0–127	Level at each step

29: GATE

Cuts the reverb's delay according to the volume of the sound sent into the effect. Use this when you want to create an artificial-sounding decrease in the reverb's decay.

graph LR
    A["L in"] --> B["Gate"] --> C["L out"]
    D["R in"] --> E["Gate"] --> F["R out"]

Parameter	Value	Description
Threshold #1	0–127	Volume level at which the gate begins to close
Mode	GATE, DUCK	Type of gateGATE: The gate will close when the volume of the original sound decreases, cutting the original sound.DUCK (Ducking): The gate will close when the volume of the original sound increases, cutting the original sound.
Balance	D100:0W–D0:100W	Volume balance between the direct sound (D) and the effect sound (W)
Attack Time #2	0–127	Adjusts the time it takes for the gate to fully open after being triggered.
Hold Time #3	0–127	Adjusts the time it takes for the gate to start closing after the source sound falls beneath the Threshold.
Release Time #4	0–127	Adjusts the time it takes the gate to fully close after the hold time.
Level	0–127	Output level

30: LOFI NOISE (Lo-Fi Noise)

In addition to a lo-fi effect, this adds various types of noise such as white noise and disc noise.

graph TD
    A["L in"] --> B["Lo-Fi"]
    B --> C["+"]
    D["R in"] --> E["Lo-Fi"]
    E --> F["+"]
    C --> G["L out"]
    F --> H["R out"]
    I["Noise Gen."] --> C
    I --> F

Parameter	Value	Description
LoFi Type #1	1–9	Degrades the sound quality. The sound quality grows poorer as this value is increased.
Post Filter Type	OFF, LPF, HPF	Type of filterOFF: no filter is usedLPF: cuts the frequency range above the CutoffHPF: cuts the frequency range below the Cutoff
Post Filter Cutoff	200–8000 Hz	Center frequency of the filter
W/P Noise Type	WHITE, PINK	Switch between white noise and pink noise.
W/P Noise LPF	200–8000 Hz, BYPASS	Center frequency of the low pass filter applied to the white/pink noise (BYPASS: no cut)
W/P Noise Level #2	0–127	Volume of the white/pink noise

Parameter	Value	Description
Disc Noise Type	LP, EP, SP, RND	Type of record noiseThe frequency at which the noise is heard depends on the selected type.
Disc Noise LPF	200–8000 Hz, BYPASS	Adjusts the cutoff frequency of the low pass filter applied to the record noise. If you don't want to filter out any high frequencies, set this parameter to BYPASS.
Disc Noise Level #3	0–127	Volume of the record noise
Hum Noise Type	50Hz, 60Hz	Frequency of the hum noise
Hum Noise LPF	200–8000 Hz, BYPASS	Center frequency of the low pass filter applied to the hum noise (BYPASS: no cut)
Hum Noise Level #4	0–127	Volume of the hum noise
Balance	D100:0W–D0:100W	Volume balance between the direct sound (D) and the effect sound (W)
Level	0–127	Output level

31: LOFI COMPRESS (Lo-Fi Compress)

This is an effect that intentionally degrades the sound quality for creative purposes.

graph LR
    A["L in"] --> B["Compressor"]
    B --> C["Lo-Fi"]
    C --> D["L out"]
    E["R in"] --> F["Compressor"]
    F --> G["Lo-Fi"]
    G --> H["R out"]

Parameter	Value	Description
Pre Filter Type #2	1-6	Selects the type of filter applied to the sound before it passes through the Lo-Fi effect.
LoFi Type #1	1-9	Degrades the sound quality. The sound quality grows poorer as this value is increased.
Post Filter Type	OFF, LPF, HPF	Type of filterOFF: no filter is usedLPF: cuts the frequency range above the CutoffHPF: cuts the frequency range below the Cutoff
Post Filter Cutoff	200-8000 Hz	Basic frequency of the Post Filter
Balance #3	D100:0W-D0:100W	Volume balance between the direct sound (D) and the effect sound (W)
Level	0-127	Output level

32: LOFI RADIO (Lo-Fi Radio)

In addition to a Lo-Fi effect, this effect also generates various types of noise, such as radio noise or disk noise.

graph TD
    A["L in"] --> B["Lo-Fi"]
    B --> C["L out"]
    D["R in"] --> E["Lo-Fi"]
    E --> F["R out"]
    G["Radio"] --> H["Lo-Fi"]
    H --> I["Lo-Fi"]
    B <--> H

Parameter	Value	Description
LoFi Type #1	1–9	Degrades the sound quality. The sound quality grows poorer as this value is increased.
Post Filter Type	OFF, LPF, HPF	Type of filterOFF: no filter is usedLPF: cuts the frequency range above the CutoffHPF: cuts the frequency range below the Cutoff
Post Filter Cutoff	200–8000 Hz	Basic frequency of the Post Filter
Radio Detune #2	0–127	Simulates the tuning noise of a radio. As this value is raised, the tuning drifts further.
Radio Noise Level #3	0–127	Volume of the radio noise
Balance #4	D100:0W–D0:100W	Volume balance between the direct sound (D) and the effect sound (W)
Level	0–127	Output level

33: TELEPHONE

graph LR
    A["L in"] --> B["Telephone"]
    C["R in"] --> D["Telephone"]
    B --> E["L out"]
    D --> F["R out"]

Parameter	Value	Description
Voice Quality #1	0–15	Audio quality of the telephone voice
Treble #2	-15– +15 dB	Bandwidth of the telephone voice
Balance #3	D100:0–D0:100W	Volume balance between the direct sound (D) and the effect sound (W)
Level	0–127	Output level

34: PHONOGRAPH

Simulates a sound recorded on an analog record and played back on a record player. This effect also simulates the various types of noise that are typical of a record, and even the rotational irregularities of an old turntable.

graph LR
    L_in --> A["Phonograph"]
    A --> B["Balance D"]
    B --> C["+"]
    C --> L_out
    R_in --> D["Phonograph"]
    D --> E["Balance D"]
    E --> F["+"]
    F --> R_out
    A --> G["Balance W"]
    G --> C
    D --> H["Balance W"]
    H --> F

Parameter	Value	Description
Signal Distortion	0–127	Depth of distortion
Frequency Range #1	0–127	Frequency response of the playback systemDecreasing this value will produce the impression of an old system with a poor frequency response.
Disc Type #2	LP, EP, SP	Rotational speed of the turntableThis will affect the frequency of the scratch noise.
Scratch Noise Level	0–127	Amount of noise due to scratches on the record
Dust Noise Level	0–127	Volume of noise due to dust on the record
Hiss Noise Level	0–127	Volume of continuous “hiss”
Total Noise Level #3	0–127	Volume of overall noise
Wow	0–127	Depth of long-cycle rotational irregularity
Flutter	0–127	Depth of short-cycle rotational irregularity
Random	0–127	Depth of indefinite-cycle rotational irregularity
Total Wow/Flutter #4	0–127	Depth of overall rotational irregularity
Balance	D100:0W–D0:100W	Volume balance between the direct sound (D) and the effect sound (W)
Level	0–127	Output level

35: TAPE ECHO

A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo section of a Roland RE-201 Space Echo.

graph TD
    A["L in"] --> B["+"]
    C["R in"] --> D["+"]
    B --> E["Tape Echo"]
    D --> E
    E --> F["+"]
    G["L out"] --> H["+"]
    I["R out"] --> J["+"]
    H --> K["Direct Level"]
    J --> L["Direct Level"]
    K --> M["Echo Level"]
    L --> N["Echo Level"]

Parameter	Value	Description
Mode #1	S, M, L, S+M,S+L, M+L,S+M+L	Combination of playback heads to useSelect from three different heads with different delay times.S: short M: middle L: long
Repeat Rate #2	0–127	Tape speedIncreasing this value will shorten the spacing of the delayed sounds.
Intensity #3	0–127	Amount of delay repeats
Bass	-15– +15	Boost/cut for the lower range of the echo sound
Treble	-15– +15	Boost/cut for the upper range of the echo sound
Head S Pan	L64–63R	Independent panning for the short, middle, and long playback heads
Head M Pan
Head L Pan
Tape Distortion	0–5	Amount of tape-dependent distortion to be addedThis simulates the slight tonal changes that can be detected by signal-analysis equipment. Increasing this value will increase the distortion.
Wow/Flutter Rate	0–127	Speed of wow/flutter (complex variation in pitch caused by tape wear and rotational irregularity)
Wow/Flutter Depth	0–127	Depth of wow/flutter
Echo Level	0–127	Volume of the echo sound
Direct Level	0–127	Volume of the original sound

36: FBK PITCH SHIFTER (Feedback Pitch Shifter)

This allows the pitch-shifted sound to be fed back into the effect.

graph TD
    L_in --> A["+"]
    R_in --> B["+"]
    A --> C["Balance D"]
    B --> D["Balance D"]
    C --> E["+"]
    D --> F["+"]
    E --> G["Balance W"]
    F --> H["Balance W"]
    G --> I["2-Band EQ"]
    H --> J["2-Band EQ"]
    I --> K["L out"]
    J --> L["R out"]
    M["Pitch Shifter"] --> N["Feedback"]
    N --> A

Parameter	Value	Description
Mode	1, 2, 3, 4, 5	Setting a higher value for this parameter results in a slower response, but steadier pitch.
Coarse #1	-24– +12 semi	Adjusts the pitch of the pitch-shifted sound in semitone steps.
Fine	-100– +100 cent	Adjusts the pitch of the pitch-shifted sound in 2-cent steps.
Delay #2	0.0–2000 ms, note	Adjusts the time until the pitch shifted sound is heard.
Feedback #3	-98– +98 %	Adjusts the amount of the pitch-shifted sound that's fed back into the effect. Negative (-) settings invert the phase.
Pan	L64–63R	Stereo location of the pitch-shifted sound
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Balance #4	D100:0W–D0:100W	Volume balance between the direct sound (D) and the pitch-shifted sound (W)
Level	0–127	Output level

37: 2Vo PITCH SHIFTER (2-Voice Pitch Shifter)

Shifts the pitch of the original sound. This 2-voice pitch shifter has two pitch shifters, and can add two pitch-shifted versions of the original sound.

graph TD
    L_in --> +1["+"]
    R_in --> +1
    +1 --> LevelBalanceA["Level Balance A"]
    +1 --> LevelBalanceB["Level Balance B"]
    LevelBalanceA --> PanA_L["PanA L"]
    LevelBalanceB --> PanB_L["PanB L"]
    +1 --> PanA_R["PanA R"]
    +1 --> PanB_R["PanB R"]
    +1 --> PanA_L
    +1 --> PanB_L
    +1 --> PanA_R
    +1 --> PanB_L
    +1 --> L_out["L out"]
    +1 --> R_out["R out"]
    L_in --> +2["+"]
    R_in --> +2
    +2 --> LevelBalanceA
    +2 --> LevelBalanceB
    +2 --> LevelBalanceA
    +2 --> LevelBalanceB
    L_out --> +3["+"]
    R_out --> +3
    +3 --> Lout["L out"]

Parameter	Value	Description
Mode	1, 2, 3, 4, 5	Setting a higher value for this parameter results in a slower response, but steadier pitch.
Coarse A #1	-24–+12 semi	Adjusts the pitch of Pitch Shift A/B in semitone steps.
Coarse B #2
Fine A	-100–+100 cent	Adjusts the pitch of Pitch Shift A/B in 2-cent steps.
Fine B
Delay A #3	0.0–2000 ms, note	Adjusts the time until Pitch Shift A/B is heard.
Delay B #4
Pan A	L64–63R	Stereo location of Pitch Shift A/B
Pan B
Level A	A100:0B–A0:100B	Volume balance between Pitch Shift A and Pitch Shift B
Level B
Balance	D100:0W–D0:100W	Volume balance between the direct sound (D) and the pitch shifted sound (W)
Level	0–127	Output level

38: GATED REVERB

This is a special type of reverb in which the reverb is cut off without being allowed to decay naturally.

graph LR
    L_in --> GatedReverb
    R_in --> GatedReverb
    GatedReverb --> BalanceD1["Balance D"]
    GatedReverb --> BalanceW1["Balance W"]
    GatedReverb --> BalanceW2["Balance W"]
    BalanceD1 --> GatedReverb
    BalanceW1 --> GatedReverb
    BalanceW2 --> GatedReverb
    GatedReverb --> GatedReverb
    GatedReverb --> 2-BandEQ1["2-Band EQ"]
    GatedReverb --> 2-BandEQ2["2-Band EQ"]
    2-BandEQ1 --> Lout["L out"]
    2-BandEQ1 --> Rout["R out"]

Parameter	Value	Description
Type #1	NORMAL, RE-VERSE	Type of reverbNORMAL: conventional gated reverbREVERSE: backwards reverb
Pre Delay #2	0.0–100.0 ms	Adjusts the time until the reverb sound is heard.
Time #3	5–500 ms	Adjusts the time from when the reverb is first heard until it disappears.
Pan	L64–63R	Stereo location of Pitch Shift
Low Gain	-15–+15 dB	Gain of the low frequency range
High Gain	-15–+15 dB	Gain of the high frequency range
Balance #4	D100:0W–D0:100W	Volume balance between the direct sound (D) and the reverb sound (W)
Level	0–127	Output level

39: STEREO DELAY

This is a stereo delay.

When Feedback Mode is NORMAL:

graph TD
    A["L in"] --> B["+"]
    B --> C["Delay"]
    C --> D["+"]
    D --> E["2-Band EQ"]
    E --> F["L out"]
    G["R in"] --> H["+"]
    H --> I["Delay"]
    I --> J["+"]
    J --> K["2-Band EQ"]
    K --> L["R out"]
    M["Balance D"] --> D
    N["Balance W"] --> D
    O["Feedback Feedback"] --> B
    P["Balance D"] --> H
    Q["Balance W"] --> I

When Feedback Mode is CROSS:

graph TD
    A["L in"] --> B["+"]
    C["R in"] --> D["+"]
    B --> E["Delay"]
    D --> F["Delay"]
    E --> G["Balance D"]
    F --> H["Balance D"]
    G --> I["2-Band EQ"]
    H --> J["2-Band EQ"]
    I --> K["L out"]
    J --> L["R out"]
    M["Feedback Feedback"] --> B
    M --> D
    N["Balance W"] --> I
    N --> J

Parameter	Value	Description
Feedback Mode	NORMAL, CROSS	Selects the way in which delay sound is fed back into the effect. (See the figures above.)
Delay Left #1	0–2000 ms, note	Adjusts the time until the delay sound is heard.
Delay Right #2
Phase Left	NORMAL, INVERT	Phase of the delay sound
Phase Right
Feedback #3	-98– +98 %	Adjusts the amount of the delay sound that's fed back into the effect. Negative (-) settings invert the phase.
HF Damp	200–8000 Hz, BYPASS	Adjusts the frequency above which sound fed back to the effect is filtered out. If you don't want to filter out any high frequencies, set this parameter to BYPASS.
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Balance #4	D100:0W–D0:100W	Volume balance between the direct sound (D) and the delay sound (W)
Level	0–127	Output level

40: MODULATION DELAY

Adds modulation to the delayed sound.

When Feedback Mode is NORMAL:

graph TD
    A["L in"] --> B["+"]
    B --> C["Delay"]
    C --> D["Modulation"]
    D --> E["+"]
    E --> F["2-Band EQ"]
    F --> G["L out"]
    H["R in"] --> I["+"]
    I --> J["Delay"]
    J --> K["Modulation"]
    K --> L["+"]
    L --> M["2-Band EQ"]
    M --> N["R out"]
    B --> O["Feedback Feedback"]
    I --> P["Feedback Feedback"]
    O --> D
    P --> J
    style A fill:#f9f,stroke:#333
    style H fill:#f9f,stroke:#333
    style M fill:#f9f,stroke:#333

When Feedback Mode is CROSS:

graph TD
    L_in["L in"] -->|+| Delay1["Delay"]
    L_in -->|-| Delay2["Delay"]
    Delay1 --> Modulation1["Modulation"]
    Delay2 --> Modulation2["Modulation"]
    R_in["R in"] -->|+| Delay3["Delay"]
    R_in -->|-| Delay4["Delay"]
    Delay3 --> Feedback1["Feedback Feedback"]
    Delay4 --> Feedback2["Feedback Feedback"]
    L_in -->|Balance D| Sum1["+"]
    R_in -->|Balance D| Sum2["+"]
    Sum1 --> BalanceW1["Balance W"]
    Sum2 --> BalanceW2["Balance W"]
    BalanceW1 --> Lout["L out"]
    BalanceW2 --> Rout["R out"]
    2-BandEQ["2-Band EQ"] --> Lout
    2-BandEQ --> Rout

Parameter	Value	Description
Feedback Mode	NORMAL, CROSS	Selects the way in which delay sound is fed back into the effect (See the figures above.)
Delay Left #1	0–2000 ms, note	Adjusts the time until the delay sound is heard.
Delay Right #2
Feedback #3	-98– +98 %	Adjusts the amount of the delay sound that's fed back into the effect. Negative (-) settings invert the phase.
HF Damp	200–8000 Hz, BYPASS	Adjusts the frequency above which sound fed back to the effect is filtered out. If you don't want to filter out any high frequencies, set this parameter to BYPASS.
Rate #4	0.05–10.00Hz, note	Frequency of modulation
Depth	0–127	Depth of modulation
Phase	0-180 deg	Spatial spread of the sound
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Balance	D100:0W–D0:100W	Volume balance between the direct sound (D) and the delay sound (W)
Level	0–127	Output level

41: TRIPLE TAP DELAY

Produces three delay sounds; center, left and right.

graph TD
    A["L in"] --> B["+"]
    C["R in"] --> D["+"]
    B --> E["Triple Tap Delay"]
    D --> F["Feedback"]
    E --> G["Center Tap"]
    F --> H["Right Tap"]
    G --> I["+"]
    H --> J["+"]
    I --> K["Balance D"]
    J --> L["Balance W"]
    K --> M["2-Band EQ"]
    L --> N["2-Band EQ"]
    M --> O["L out"]
    N --> P["R out"]

Parameter	Value	Description
Left #1Center #2Right #3	0–4000 ms, note	Adjusts the time until the delay sound is heard.
Feedback #4	-98– +98 %	Adjusts the amount of the delay sound that's fed back into the effect. Negative (-) settings invert the phase.
HF Damp	200–8000 Hz, BYPASS	Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS.
Left/Right/Center Level	0–127	Volume of each delay
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Balance	D100:0W–D0:100W	Volume balance between the direct sound (D) and the delay sound (W)
Level	0–127	Output level

42: QUADRUPLE TAP DELAY

This effect has four delays.

graph TD
    A["L in"] --> B["+"]
    C["R in"] --> D["+"]
    B --> E["Quadruple Tap Delay"]
    D --> E
    E --> F["Delay 1"]
    E --> G["Delay 2"]
    E --> H["Delay 3"]
    E --> I["Delay 4"]
    F --> J["Balance D"]
    G --> K["Balance W"]
    H --> L["Balance W"]
    I --> M["Balance D"]
    J --> N["L out"]
    K --> O["R out"]
    L --> P["Balance W"]
    M --> Q["Balance D"]
    N --> R["Feedback"]
    O --> S["Feedback"]

Stereo location of each delay

Parameter	Value	Description
Delay 1–4#1–#4	0–4000 ms, note	Adjusts the time until the delay sound is heard.
Level 1–4	0–127	Volume of each delay
FeedbackHF Damp	-98– +98 %200–8000 Hz, BYPASS	Adjusts the amount of the delay sound that's fed back into the effect. Negative (-) settings invert the phase.Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS.
Balance	D100:0W–D0:100W	Volume balance between the direct sound (D) and the delay sound (W)
Level	0–127	Output level

43: MULTI TAP DELAY

This effect provides four delays. Each of the Delay Time parameters can be set to a note length based on the selected tempo. You can also set the panning and level of each delay sound.

graph TD
    A["L in"] --> B["+"]
    C["R in"] --> B
    B --> D["Multi Tap Delay"]
    D --> E["Delay 1"]
    D --> F["Delay 2"]
    D --> G["Delay 3"]
    D --> H["Delay 4"]
    D --> I["Balance D"]
    I --> J["2-Band EQ"]
    J --> K["L out"]
    D --> L["Balance W"]
    L --> M["2-Band EQ"]
    M --> N["R out"]
    style A fill:#f9f,stroke:#333
    style C fill:#f9f,stroke:#333
    style B fill:#ccf,stroke:#333
    style D fill:#cfc,stroke:#333
    style I fill:#fcc,stroke:#333
    style J fill:#cff,stroke:#333
    style K fill:#ffc,stroke:#333
    style L fill:#ffc,stroke:#333
    style M fill:#ffc,stroke:#333
    style N fill:#ffc,stroke:#333

Parameter	Value	Description
Delay 1–4#1–#4	0–4000 ms, note	Adjusts the time until Delays 1–4 are heard.
Pan 1–4	L64–63R	Stereo location of Delays 1–4
Level 1–4	0–127	Output level of Delays 1–4
Feedback	-98– +98 %	Adjusts the amount of the delay sound that's fed back into the effect. Negative (-) settings invert the phase.
HF Damp	200–8000 Hz, BYPASS	Adjusts the frequency above which sound fed back to the effect is filtered out. If you don't want to filter out any the high frequencies, set this parameter to BYPASS.
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Balance	D100:0W–D0:100W	Volume balance between the direct sound (D) and the effect sound (W)
Level	0–127	Output level

44: REVERSE DELAY

Adds the reverse of the input sound as a delay.

graph TD
    A["L in"] --> B["+"]
    B --> C["Rev. Delay"]
    C --> D["Delay"]
    D --> E["D1"]
    D --> F["D2"]
    D --> G["D3"]
    E --> H["1"]
    F --> I["2"]
    G --> J["3"]
    H --> K["2-Band EQ"]
    I --> K
    J --> K
    K --> L["L out"]
    M["R in"] --> N["+"]
    N --> O["Feedback 1"]
    O --> P["Delay"]
    P --> Q["D4"]
    Q --> R["Feedback 4"]
    R --> S["1"]
    R --> T["2"]
    R --> U["3"]
    S --> V["2-Band EQ"]
    T --> V
    U --> V
    V --> W["R out"]

Parameter	Value	Description
Threshold	0–127	Volume level at which the reverse delay begins
Delay 1–4 (Delay 1 #1)	0-2000 ms, note	Adjusts the time until Delays 1–4 are heard.
Feedback 1 #2	-98– +98 %	Adjusts the amount of the delay sound that's fed back into the effect. Negative (-) settings invert the phase.
Feedback 4
HF Damp 1	200–8000 Hz, BYPASS	Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS.
HF Damp 4
Pan 1–3 (Pan 1 #3)	L64–63R	Stereo location of Delays 1–3 sound
Level 1–3	0–127	Output level of Delays 1–3 sound
Balance #4	D100:0W–D0:100W	Volume balance between the direct sound (D) and the effect sound (W)
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Level	0–127	Output level

45: SHUFFLE DELAY

Adds a shuffle to the delay sound, giving the sound a bouncy delay effect with a swing feel.

graph TD
    L_in --> +1["+"]
    R_in --> +1
    +1 --> Delay1["Delay A"]
    +1 --> Delay2["Delay B"]
    Delay1 --> A["A"]
    Delay2 --> B["B"]
    A --> Out1["2-Band EQ"]
    B --> Out2["2-Band EQ"]
    Out1 --> L_out["L out"]
    Out2 --> R_out["R out"]
    Feedback --> +1
    Delay1 --> +2["+"]
    Delay2 --> +3["+"]
    2-BandEQ1 --> Out1
    2-BandEQ2 --> Out2

Parameter	Value	Description
Delay #1	0–4000 ms, note	Adjusts the time until the delay sound is heard.
Shuffle Rate #2	0–100 %	Adjusts the ratio (as a percentage) of the time that elapses before Delay B sounds relative to the time that elapses before the Delay A sounds.When set to 100%, the delay times are the same.
Pan A/B	L64–63R	Stereo location of Delay A/B
Level Balance	A100:0B–A0:100B	Volume balance between Delay A and Delay B
Feedback #3	-98– +98 %	Adjusts the amount of the delay that's fed back into the effect. Negative (-) settings invert the phase.
Acceleration	0–15	Adjusts the time over which the Delay Time changes from the current setting to its specified new setting.
HF Damp	200–8000 Hz, BYPASS	Adjusts the frequency above which sound fed back to the effect is filtered out. If you don't want to filter out any high frequencies, set this parameter to BYPASS.
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Balance #4	D100:0W–D0:100W	Volume balance between the direct sound (D) and the effect sound (W)
Level	0–127	Output level

46: TIME CONTROL DELAY

This lets you smoothly vary the delay time. As the delay time is varied, the pitch will change correspondingly; lengthening the delay time will lower the pitch, and shortening it will raise the pitch.

graph TD
    L_in --> A["+"]
    R_in --> B["+"]
    A --> C["Time Control Delay"]
    B --> C
    C --> D["+"]
    E["Balance D"] --> F["2-Band EQ"]
    G["Balance W"] --> H["2-Band EQ"]
    I["Balance W"] --> J["2-Band EQ"]
    K["Balance D"] --> L["+"]
    M["Balance W"] --> N["+"]
    O["Balance D"] --> P["+"]
    Q["L out"] --> F
    R_out --> H
    S["Feedback"] --> B

Parameter	Value	Description
Delay #1	0–4000 ms, note	Adjusts the time until the delay is heard.
Feedback #2	-98– +98 %	Adjusts the amount of the delay that's fed back into the effect. Negative (-) settings invert the phase.
Acceleration #3	0–15	Adjusts the time over which the Delay Time changes from the current setting to a specified new setting.The rate of change for the Delay Time directly affects the rate of pitch change.
HF Damp	200–8000 Hz, BYPASS	Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS.
Pan	L64–63R	Stereo location of the delay
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Balance #4	D100:0W–D0:100W	Volume balance between the direct sound (D) and the delay sound (W)
Level	0–127	Output level

47: TIME SKIP DELAY

A delay that changes the delay time in stair-step fashion.

graph TD
    L_in --> A["+"]
    R_in --> B["+"]
    A --> C["Balance D"]
    B --> D["Balance D"]
    C --> E["+"]
    D --> F["+"]
    E --> G["2-Band EQ"]
    F --> H["2-Band EQ"]
    G --> I["L out"]
    H --> J["R out"]
    K["Time Skip Delay"] --> E
    K --> F
    K --> H
    L_in --> K
    R_in --> K
    Feedback --> K
    K --> E
    K --> F
    K --> H

Parameter	Value	Description
Delay #1	0–4000 ms, note	Adjusts the time until the delay is heard.
Skip Rate	0.05–10.0 Hz, note	Frequency at which the delay time will change
Feedback #2	-98– +98 %	Adjusts the amount of the delay sound that's fed back into the effect. Negative (-) settings invert the phase.
Acceleration #3	0–15	Adjusts the time over which the Delay Time changes from the current setting to its specified new setting.
HF Damp	200–8000 Hz, BYPASS	Adjusts the frequency above which sound fed back to the effect is filtered out. If you don't want to filter out any high frequencies, set this parameter to BYPASS.
Pan	L64–63R	Stereo location of the delay
Low Gain	-15– +15 dB	Gain of the low frequency range
High Gain	-15– +15 dB	Gain of the high frequency range
Balance #4	D100:0W–D0:100W	Volume balance between the direct sound (D) and the delay sound (W)
Level	0–127	Output level

About the STEP RESET function

07:STEP FILTER

28:SLICER

The above two types contain a sixteen-step sequencer.

For these effect types, you can use multi-effect control ("Multi-effect control (Effects/MFX Ctrl screen)" (p. 29)) to reset the step sequence to its beginning.

To do this, set the Control Assign setting for that effect type to "Step Reset."

For example, if you want to use the modulation lever to control Step Reset, you would make the following settings.

MFX Control–Source: CC01: MODULATION

MFX Control–Sens: +63

Control Assign: Step Reset

With these settings, the step sequence will be reset to the beginning each time you operate the modulation lever.

About Note

Some parameters (such as Rate or Delay Time) can be set in terms of a note value instead of a time value.

Such parameters provide a Sync switch (Sync SW) that allows you to switch between setting the parameter as a note value or as a numerical value.

If you want to set it as a note value, set the Sync SW to ON.

* If a parameter that's chosen in Control Assign for multi-effect control has its Sync SW to ON, you won't be able to use multi-effect control to control that parameter.

Value	Description
1/64T( ♪3 )	Sixty-fourth-note triplet
1/64( ♪ )	Sixty-fourth note
1/32T( ♪3 )	Thirty-second-note triplet
1/32( ♪ )	Thirty-second note
1/16T( ♪3 )	Sixteenth-note triplet
1/32.( ♪ )	Dotted thirty-second note
1/16( ♪ )	Sixteenth note
1/8T( ♪3 )	Eighth-note triplet
1/16.( ♪ . )	Dotted sixteenth note
1/8( ♪ )	Eighth note
1/4T( ♪3 )	Quarter-note triplet
1/8.( ♪ . )	Dotted eighth note
1/4( ♪ )	Quarter note
1/2T( ♪3 )	Half-note triplet
1/4.( ♪ . )	Dotted quarter note
1/2( ♪ )	Half note
1/1T( Ⓤ3 )	Whole-note triplet
1/2.( ♪ . )	Dotted half note
1/1( ⓞ )	Whole note
2/1T( Ⓤ13 )	Double-note triplet
1/1.( ⓞ · )	Dotted whole note
2/1( Ⓤ1 )	Double note

ARX-01 DRUMS

Maximum Polyphony

128 voices (varies according to the sound generator load)

Parts

1 part

User Memory

Drum Kits: 50 (including pre-loaded kits)

Effects

EQ/COMP: 24 systems (1 system par instrument)

Multi-Effects(MFX): 1 system, 47 types

Reverb: 1 system, 4 types

Customize Functions

SNARE, KICK, TOM:

Shell Depth, Head Tuning, Muffling, Mic Position, Buzz

HIHAT, CYMBAL, RIDE:

Size, Sustain

E.DRUM:

Tune, Decay, Cutoff, Resonance and more

Miscellaneous

24-channel Mixer, Flam/Roll effect for each tone

Accessories

Owner's manual

Screwdriver

* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.

A

Assign Type 21

B

basic screen 19

Buzz 22

C

Comp/EQ screen 26

Control Assign 29

E

Effects/MFX Ctrl screen 29

Effects/MFX screen 29

Effects/Reverb screen 31

Effects/Routing screen 28

F

Flam/Roll screen 24

G

Group Faders 19

H

Head Tuning 22

|

Inst Number 21

Inst Type 21

K

Kit

Save 20

Select 19

Kit Init 33

L

Layer Tone 21

M

MFX

2Vo PITCH SHIFTER 58

AUTO PAN 43

AUTO WAH 39

COMPRESSOR 50

DISTORTION 48

ENHANCER 36

FBK PITCH SHIFTER 57

GATE 52

GATED REVERB 58

GUITAR AMP SIM 49

HEXA-CHORUS 45

HUMANIZER 40

ISOLATOR 37

LIMITER 51

LOFI COMPRESS 54

LOFI NOISE 53

LOFI RADIO 54

LOW BOOST 37

MODULATION DELAY 60

MULTI TAP DELAY 62

OVERDRIVE 48

PHASER 40

PHONOGRAPH 55

QUADRUPLE TAP DELAY 61

REVERSE DELAY 63

RING MODULATOR 42

ROTARY 44

SHUFFLE DELAY 63

SLICER 51

SPACE-D 46

SPECTRUM 36

STEP FILTER 39

STEP FLANGER 48

STEP PHASER 41

STEREO CHORUS 46

STEREO DELAY 59

STEREO EQ 35

STEREO FLANGER 47

STEREO PHASER 41

SUPER FILTER 38

TAPE ECHO 56

TELEPHONE 55

TIME CONTROL DELAY 64

TIME SKIP DELAY 65

TREMOLO 43

TREMOLO CHORUS 45

TRIPLE TAP DELAY 61

MFX Control Sens 30

MFX Control Source 30

MFX Ctrl screen 29

MFX Output Level 28

MFX Reverb Send Level 28

MFX screen 29

MFX Type 28-29

Mic Position 22

Mixer screen 28

Muffling 22

multi-effect 28

Multi-Effects 34

Mute 27

Mute Group 21

Mute Key Type 32

O

Output Assign 27

Output Level 27

Output screen 27

P

Pitch 22

R

Reverb Level 28

Reverb screen 31

Reverb Send Level 27

Reverb Type 28

roll 24

Routing screen 28

S

Shell Depth 22

Size 22

Sustain 22

T

Tone

Customize 22

Select 21

Tone Init 33

Tone screen 21

Tone/Comp/EQ screen 26

Tone/Customize screen 22

Tone/Output screen 27

Type 31

U

Utility screen 33

For the USA

FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
- Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.

Unauthorized changes or modification to this system can void the users authority to operate this equipment. This equipment requires shielded interface cables in order to meet FCC class B Limit.

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS

DECLARATION OF CONFORMITY

Compliance Information Statement

Model Name : ARX-01

Type of Equipment : Expansion Board

Responsible Party : Roland Corporation U.S.

Address: 5100 S. Eastern Avenue, Los Angeles, CA 90040-2938

Telephone : [phone]

For EU Countries

This symbol indicates that in EU countries, this product must be collected separately from household waste, as defined in each region. Products bearing this symbol must not be discarded together with household waste.
DE Dieses Symbol bedeutet, dass dieses Produkt in EU-Ländern getrennt vom Hausmüll gesammelt werden muss gemäß den regionalen Bestimmungen. Mit diesem Symbol gekennzeichnete Produkte dürfen nicht zusammen mit den Hausmüll entsorgt werden.
FR Ce symbole indique que dans les pays de l'Union européenne, ce produit doit être collecté séparément des ordures ménagères selon les directives en vigueur dans chacun de ces pays. Les produits portant ce symbole ne doivent pas être mis au rebut avec les ordures ménagères.
Questo simbolo indica che nei paesi della Comunità europea questo prodotto deve essere smaltito separatamente dai normali rifiuti domestici, secondo la legislazione in vigore in ciascun paese. I prodotti che riportano questo simbolo non devono essere smaltiti insieme ai rifiuti domestici. Ai sensi dell'art. 13 del D.Lgs. 25 luglio 2005 n. 151.
ES Este símbolo indica que en los países de la Unión Europea este producto debe recogerse aparte de los residuos domésticos, tal como esté regulado en cada zona. Los productos con este símbolo no se deben depositar con los residuos domésticos.
PT Este símbolo indica que nos países da UE, a recolha deste produto deverá ser feita separadamente do lixo doméstico, de acordo com os regulamentos de cada região. Os produtos que apresentem este símbolo não deverão ser eliminados juntamente com o lixo doméstico.
NL Dit symbool geeft aan dat in landen van de EU dit product gescheiden van huishoudelijk afval moet worden aangeboden, zoals bepaald per gemeente of regio. Producten die van dit symbool zijn voorzien, mogen niet samen met huishoudelijk afval worden verwijderd.
DK Dette symbol angiver, at i EU-lande skal dette produkt opsamles adskilt fra husholdningsaffald, som defineret i hver enkelt region. Produkter med dette symbol må ikke smides ud sammen med husholdningsaffald.
NO Dette symbolet indikerer at produktet må behandles som spesialavfall i EU-land, iht. til retningslinjer for den enkelte regionen, og ikke kastes sammen med vanlig husholdningsavfall. Produkter som er merket med dette symbolet, må ikke kastes sammen med vanlig husholdningsavfall.

SE Symbolen anger att i EU-länder måste den här produkten kasseras separat från hushållsavfall, i enlighet med varje regions bestämmelser. Produkter med den här symbolen får inte kasseras tillsammans med hushållsavfall.
Tämä merkintä ilmaisee, että tuote on EU-maissa kerättävä erillään kotitalousjätteistä kunkin alueen voimassa olevien määräysten mukaisesti. Tällä merkinnällä varustettuja tuotteita ei saa hävittää kotitalousjätteiden mukana.
Ez a szimbólum azt jelenti, hogy az Európai Unióban ezt a terméket a háztartási hulladéktól elkülönítve, az adott régióban érvényes szabályozás szerint kell gyűjteni. Az ezzel a szimbólmmal ellátott termékeket nem szabad a háztartási hulladék közé dobni.
PL Symbol oznacza, że zgodnie z regulacjami w odpowiednim regionie, w krajach UE produktu nie należy wyrzucać z odpadami domowymi. Produktów opatrzonych tym symbolem nie można utylizować razem z odpadami domowymi.
Tento symbol udává, že v zemích EU musí být tento výrobek sbírán odděleně od domácího odpadu, jak je určeno pro každý region. Výrobky nesoucí tento symbol se nesmí vyhazovat spolu s domácím odpadem.
SK Tento symbol vyjadruje, že v krajinách EÚ sa musí zber tohto produktu vykonávať oddelene od domového odpadu, podľa nariadení platných v konkrétnej krajine. Produkty s týmto symbolom sa nesmú vyhadzovať spolu s domovým odpadom.
EE See sümbol näitab, et EL-i maades tuleb see toode olemprügist eraldi koguda, nii nagu on igas piirkonnas määratletud. Selle sümboliga märgitud tooteid ei tohi ära visata koos olmeprügiga.
LT Šis simbolis rodo, kad ES šalyse šis produktas turi būti surenkamas atskirai nuo buitinių atliekų, kaip nustatyta kiekviename regione. Šiuo simboliu paženklinti produktai neturi būti išmetami kartu su buitinėmis atliekomis.
LV Šis simbols norāda, ka ES valstīs šo produktu jāievāc atseviški no mājsaimniecības atkritumiem, kā noteikts katrā regionā. Produktus ar šo simbolu nedrīkst izmest kopā ar mājsaimniecības atkritumiem.
Si Ta simbol označuje, da je treba proizvod v državah EU zbirati ločeno od gospodinjskih odpadkov, tako kot je določeno v vsaki regiji. Proizvoda s tem znakom ni dovoljeno odlagati skupaj z gospodinjskimi odpadki.
To σύμβολο αυτό υποδηλώνει ότι στις χώρες της Ε.Ε. το συγκεχριμένο προϊόν πρέπει να συλλέγεται χωριστά από τα υπόλοπα οικιακά απορρίμματα, συφωνα με σσα προβλέπονται σε κάθε περιοχή. Τα προϊόντα που φέρουν το συγκεχριμένο σύμβολο δεν πρέπει να απορρίπονται μαζί με τα οικιακά απορρίμματα.

有关产品中所含有害物质的说明

Al Fanny Trading Office 9, EBN Hagar Al Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: [phone]

REUNION

Maison FO - YAM Marcel 25 Rue Jules Hermann, Chaudron - BP79 97 491 Ste Clotilde Cedex, REUNION ISLAND TEL: [phone]

SOUTH AFRICA

T.O.M.S. Sound & Music (Pty)Ltd. 2 ASTRON ROAD DEN JOHANNESBURG ZA 2 SOUTH AFRICA TEL: [phone]

Paul Bothner(PTY)Ltd. Royal Cape Park, Unit 24 Londonderry Road, Ottery 7800 Cape Town, SOUTH AFRICA TEL: [phone]

ASIA

CHINA

Roland Shanghai Electronics Co., Ltd. 5F. No.1500 Pingliang Road Shanghai 200090, CHINA TEL: [phone]

Roland Shanghai Electronics Co., Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxil Chaoyang District Beijing 100011 CHINA
TEL: [phone]

HONG KONG

Tom Lee Music Co., Ltd. Service Division 22-32 Pun Shan Street, Ts Wan, New Territories, HONG KONG TEL: [phone]

Parsons Music Ltd. 8th Floor, Railway Plaza, 39 Chatham Road South, T.S.T, Kowloon, HONG KONG TEL: [phone]

INDIA

Rivera Digitec (India) Pvt. Ltd. 411, Nirman Kendra Mahalaxmi Flats Compound Off. Dr. Edwin Moses Road, Mumbai-400011, INDIA TEL: [phone]

INDONESIA

PT Citra IntiRama Jl. Cideng Timur No. 15J-15O Jakarta Pusat INDONESIA TEL: [phone]

KOREA

Cosmos Corporation 1461-9, Seocho-Dong, Seocho Ku, Seoul, KOREA TEL: [phone]

MALAYSIA

Roland Asia Pacific Sdn. Bhd. 45-1, Block C2, Jalan PJU 1/39, Dataran Prima, 47301 Petaling Jaya, Selangor, MALAYSIA TEL: [phone]

VIET NAM

Suoi Nhac Company, Ltd 370 Cach Mang Thang Tam St. Dist.3, Ho Chi Minh City, VIET NAM TEL: [phone]

PHILIPPINES

G.A. Yupangco & Co. Inc. 339 Gil J. Puyat Avenue Makati, Metro Manila 1200, PHILIPPINES TEL: [phone]

SINGAPORE

SWEE LEE MUSIC COMPANY PTE. LTD. 150 Sims Drive, SINGAPORE 387381 TEL: [phone]

TAIWAN

ROLAND TAIWAN ENTERPRISE CO., LTD. Room 5, 9fl. No. 112 Chung Shan N.Road Sec.2, Taipei, TAIWAN, R.O.C. TEL: [phone]

THAILAND

Theera Music Co., Ltd. 100-108 Soi Verng Nakornkasem, New Road, Sumpantawongse, Bangkok 10100 THAILAND TEL: [phone]

AUSTRALIA/ NEW ZEALAND

AUSTRALIA/ NEW ZEALAND

Roland Corporation Australia Pty., Ltd. 38 Campbell Avenue Dee Why West. NSW 209 AUSTRALIA

For Australia Tel: [phone] For New Zealand Tel: [phone]

CENTRAL/LATIN AMERICA

ARGENTINA

Instrumentos Musicales S.A. Av.Santa Fe 2055 (1123) Buenos Aires ARGENTINA TEL: [phone]

BARBADOS

A&B Music Supplies LTD 12 Webster Industrial Park Wildey, St.Michael, Barbados TEL: [phone]

BRAZIL

Roland Brasil Ltda. Rua San Jose, 780 Sala B Parque Industrial San Jose Cotia - Sao Paulo - SP, BRAZIL TEL: [phone]

CHILE

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COLOMBIA

Centro Musical Ltda. Cra 43 B No 25 A 41 Bododega 9 Medellin, Colombia TEL: [phone]

COSTA RICA

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CURACAO

Zeelandia Music Center Inc. Orionweg 30 Curacao, Netherland Antilles TEL:[phone]

DOMINICAN REPUBLIC

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ECUADOR

Mas Musika Rumichaca 822 y Zaruma Guayaquil - Ecuador TEL:[phone]

EL SALVADOR

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GUATEMALA

Casa Instrumental Calzada Roosevelt 34-01, zona 11 Ciudad de Guatemala Guatemala TEL:[phone]

HONDURAS

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MARTINIQUE

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TEL: [phone]

HUNGARY

Roland East Europe Ltd.

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TEL: [phone]

IRELAND

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TEL: [phone]

ITALY

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Danvik Center 28, 2 tr.

S-131 30 Nacka SWEDEN

TEL: [phone]

SWITZERLAND

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Enterprise Park, SWANSEA

SA7 9FJ,

UNITED KINGDOM

TEL: [phone]

MIDDLE EAST

BAHRAIN

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No.1231&1249 Rumaytha

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IRAN

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TEL: [phone]

SYRIA

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TURKEY

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CANADA

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(Head Office)

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TEL: [phone]

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(Toronto Office)

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Roland

SuperNATURAL Expansion Board

ARX-01

DRUMS

取扱説明書

Technical line drawing of a mechanical clamp or bracket assembly (no text or symbols)

ツメなしホルダー

Technical illustration of a mechanical component with mounting holes and a close-up view showing internal components (no text or symbols)

Diagram showing a device with mounting holes and a mechanical component, no text or symbols present

Technical line drawing of a mechanical assembly with no visible text or symbols

Note On 最初のロール音

graph LR
    A["L in"] --> B["Ring Mod"]
    B --> C["2-Band EQ"]
    C --> D["L out"]

graph LR
    A["R in"] --> B["Ring Mod"]
    B --> C["2-Band EQ"]
    C --> D["R out"]

graph LR
    A["L in"] --> B["Gate"]
    B --> C["L out"]

graph LR
    A["R in"] --> B["Gate"]
    B --> C["R out"]

graph LR
    L_in --> GatedReverb
    R_in --> GatedReverb
    GatedReverb --> BalanceD1["Balance D"]
    GatedReverb --> BalanceW1["Balance W"]
    GatedReverb --> BalanceW2["Balance W"]
    BalanceD1 --> GatedReverb
    BalanceW1 --> GatedReverb
    BalanceW2 --> GatedReverb
    GatedReverb --> GatedReverb
    GatedReverb --> 2-BandEQ1["2-Band EQ"]
    2-BandEQ1 --> Lout["L out"]
    GatedReverb --> 2-BandEQ2["2-Band EQ"]
    2-BandEQ2 --> Rout["R out"]

Flam/Roll Type Lower 96

Flam/Roll Type Upper 96

Flam/Roll 画面 96

G

2Vo PITCH SHIFTER 129

AUTO PAN 115

AUTO WAH 111

COMPRESSOR 121

DISTORTION 120

ENHANCER 108

FBK PITCH SHIFTER 128

GATE 123

GATED REVERB 130

GUITAR AMP SIM 120

HEXA-CHORUS 116

HUMANIZER 112

ISOLATOR 109

LIMITER 122

LOFI COMPRESS 125

LOFI NOISE 124

LOFI RADIO 125

LOW BOOST 109

MODULATION DELAY 131

MULTI TAP DELAY 134

OVERDRIVE 119

PHASER 112

PHONOGRAPH 126

QUADRUPLE TAP DELAY 133

REVERSE DELAY 135

RING MODULATOR 114

ROTARY 115

SHUFFLE DELAY 135

SLICER 122

SPACE-D 117

SPECTRUM 108

STEP FILTER 111

STEP FLANGER 119

STEP PHASER 113

STEREO CHORUS 117

STEREO DELAY 130

STEREO EQ 107

STEREO FLANGER 118

STEREO PHASER 113

SUPER FILTER 110

TAPE ECHO 127

TELEPHONE 126

TIME CONTROL DELAY 136

TIME SKIP DELAY 137

TREMOLO 114

TREMOLO CHORUS 116

TRIPLE TAP DELAY 132

MFX Control Sens 1 \~ 4 102

MFX Control Source 1 \~ 4 102

MFX Ctrl 画面 101

MFX Output Level 100

MFX Reverb Send Level 100

MFX Type 100\~101

MFX タイプ 106

MFX 画面 101

Mic Position 94

Mixer 画面 100

Muffling 94

Mute Group 93

Mute Key Type 104

Mute Switch 99

0

Output Assign 99

Output Level 99

Output 画面 99

P

Pan 99

Pre Delay 103

R

Reverb Level 100

Reverb Send Level 99

Reverb Type 100、103

Reverb 画面 103

Routing 画面 100

S

Shell Depth 94

Size 103

T

Time 103