CVP-109-107-105-103-103M-700 - Digital piano YAMAHA - Free user manual and instructions
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USER MANUAL CVP-109-107-105-103-103M-700 YAMAHA
Drum/key Assignment List 10
Style List 12
Vocal Harmony Type List (CVP-109/107/700) 13
Parameter Chart 13
Fingering Chart 15
MIDI Data Format 16
MIDI Implementation Chart 38
CVP-103:Assembly 40
CVP-105:Assembly 46
CVP-700:Assembly 52
CVP-109/107:Assembly 60
Specifications 67
CVP-109/107/700
| Category | Voice Name | Voice # | ||
| MSB # | LSB # | Program Change # | ||
| Piano | Grand Piano | 0 | 112 | 0 |
| Bright Piano | 0 | 112 | 1 | |
| Mellow Piano | 0 | 114 | 0 | |
| Rock Piano | 0 | 113 | 1 | |
| Midi Grand | 0 | 115 | 2 | |
| Harpsichord1 | 0 | 112 | 6 | |
| Harpsichord2 | 0 | 113 | 6 | |
| Grand Harpsi | 0 | 115 | 6 | |
| Honky Tonk | 0 | 112 | 3 | |
| NewAgePiano | 0 | 118 | 2 | |
| E.Piano | Stage EP 1 | 0 | 112 | 4 |
| Galaxy EP | 0 | 118 | 5 | |
| New Tines | 0 | 113 | 5 | |
| Funk EP | 0 | 113 | 4 | |
| DX EP Modern | 0 | 115 | 5 | |
| Vintage EP | 0 | 115 | 4 | |
| CP80 | 0 | 116 | 2 | |
| Tremolo EP | 0 | 118 | 4 | |
| Hyper Tines | 0 | 117 | 5 | |
| Clavi. | 0 | 112 | 7 | |
| DX EP | 0 | 112 | 5 | |
| Venus EP | 0 | 116 | 5 | |
| Dream EP | 0 | 114 | 5 | |
| Stage EP 2 | 0 | 117 | 4 | |
| Wah Clavi. | 0 | 113 | 7 | |
| DX treme | 0 | 113 | 92 | |
| Funky Clavi. | 0 | 114 | 7 | |
| Galaxian EP | 0 | 113 | 100 | |
| DX-EP & Str. | 0 | 118 | 88 | |
| Guitar | Spanish Gtr. | 0 | 113 | 24 |
| 12Str.Guitar | 0 | 115 | 25 | |
| Solid Guitar | 0 | 115 | 27 | |
| Bright Clean | 0 | 113 | 27 | |
| Solid Chord | 0 | 117 | 27 | |
| Jazz Guitar1 | 0 | 113 | 26 | |
| Mute Guitar | 0 | 112 | 28 | |
| Banjo | 0 | 112 | 105 | |
| HawaiianGtr. | 0 | 114 | 26 | |
| Crunch Gtr | 0 | 113 | 30 | |
| Smooth Nylon | 0 | 114 | 24 | |
| Elec12string | 0 | 126 | 27 | |
| Folk Guitar1 | 0 | 116 | 25 | |
| 60's Clean | 0 | 124 | 27 | |
| Clean Guitar | 0 | 112 | 27 | |
| Jazz Guitar2 | 0 | 112 | 26 | |
| OctaveGuitar | 0 | 115 | 26 | |
| Mandolin | 0 | 114 | 25 | |
| Pedal Steel | 0 | 114 | 27 | |
| Feedback Gtr | 0 | 113 | 29 | |
| Gut Guitar | 0 | 112 | 24 | |
| Folk Guitar2 | 0 | 112 | 25 | |
| StackCrunch | 0 | 114 | 30 | |
| Dist. Guitar | 0 | 112 | 30 | |
| Synth | Golden Age | 0 | 115 | 88 |
| Insomnia | 0 | 113 | 94 | |
| Wave 2010 | 0 | 114 | 95 | |
| NewAge Pad | 0 | 113 | 88 | |
| Fire Wire | 0 | 113 | 81 | |
| Wire Lead | 0 | 114 | 81 | |
| Blaster | 0 | 112 | 87 | |
| Category | Voice Name | Voice # | ||
| MSB # | LSB # | Program Change # | ||
| Synth | Square Lead | 0 | 112 | 80 |
| Analogon | 0 | 115 | 81 | |
| Funky Lead | 0 | 116 | 81 | |
| Cyber Pad | 0 | 113 | 99 | |
| Choir Pad | 0 | 112 | 91 | |
| Atmosphere | 0 | 112 | 99 | |
| Brass Pad | 0 | 112 | 90 | |
| Warm Pad | 0 | 112 | 89 | |
| Saw. Lead | 0 | 112 | 81 | |
| Equinox | 0 | 112 | 94 | |
| Stardust | 0 | 112 | 96 | |
| Millenium | 0 | 114 | 88 | |
| Template | 0 | 113 | 95 | |
| Loch Ness | 0 | 113 | 93 | |
| Strings Pad | 0 | 112 | 51 | |
| Wave 2001 | 0 | 112 | 95 | |
| Harp Pad | 0 | 112 | 88 | |
| DX Pad | 0 | 112 | 92 | |
| Organ | Pipe Organ | 0 | 112 | 19 |
| Chapel Org.1 | 0 | 115 | 19 | |
| Chapel Org.2 | 0 | 116 | 19 | |
| Accordion1 | 0 | 112 | 21 | |
| Small Accrd. | 0 | 113 | 21 | |
| Rotor Organ | 0 | 112 | 18 | |
| Jazz Organ 1 | 0 | 114 | 17 | |
| Rock Organ | 0 | 116 | 18 | |
| Elec. Organ | 0 | 113 | 16 | |
| Organ Flutes | 0 | 116 | 16 | |
| Class. Organ | 0 | 113 | 19 | |
| Chapel Org.3 | 0 | 114 | 19 | |
| Tango Accrd. | 0 | 112 | 23 | |
| Accordion2 | 0 | 114 | 21 | |
| Tutti Accord | 0 | 115 | 21 | |
| Rotary Drive | 0 | 115 | 18 | |
| Jazz Organ 2 | 0 | 117 | 16 | |
| Jazz Organ 3 | 0 | 115 | 16 | |
| Perc. Organ | 0 | 115 | 17 | |
| Full Rocker | 0 | 114 | 18 | |
| Theatre Org. | 0 | 114 | 16 | |
| 60's Organ | 0 | 113 | 17 | |
| Strings / Choir | Strings | 0 | 118 | 48 |
| Orch.Str.1 | 0 | 115 | 48 | |
| ClassicalStr | 0 | 114 | 48 | |
| Popular Str | 0 | 116 | 48 | |
| Vivaldi Str | 0 | 116 | 49 | |
| Violin | 0 | 112 | 40 | |
| Sweet Cello | 0 | 113 | 42 | |
| Choir | 0 | 112 | 52 | |
| Air Choir | 0 | 112 | 54 | |
| Pizzicato | 0 | 112 | 45 | |
| Orch.Str.2 | 0 | 117 | 48 | |
| ChamberStr | 0 | 113 | 48 | |
| Strings Slow | 0 | 113 | 49 | |
| Str.Quartet | 0 | 113 | 40 | |
| Fiddle | 0 | 112 | 110 | |
| Cello | 0 | 114 | 42 | |
| Choir Oohs | 0 | 112 | 53 | |
| Choir Slow | 0 | 113 | 52 | |
| Harp | 0 | 112 | 46 | |
| OrchestraHit | 0 | 112 | 55 | |
CVP-109/107/700
| Category | Voice Name | Voice # | ||
| MSB # | LSB # | Program Change # | ||
| Brass | SweetTrumpet | 0 | 115 | 56 |
| Trombone | 0 | 114 | 57 | |
| MuteTrumpet1 | 0 | 113 | 59 | |
| Soft Trumpet | 0 | 114 | 56 | |
| Brass Band | 0 | 118 | 57 | |
| BrassSection | 0 | 112 | 61 | |
| Mellow Brass | 0 | 123 | 61 | |
| BigBnd Brass | 0 | 115 | 61 | |
| Soft Brass | 0 | 116 | 61 | |
| Analog Brass | 0 | 112 | 63 | |
| Solo Trumpet | 0 | 112 | 56 | |
| Trb.Section | 0 | 113 | 57 | |
| MuteTrumpet2 | 0 | 112 | 59 | |
| Flugel Horn | 0 | 113 | 56 | |
| Tuba | 0 | 113 | 58 | |
| Big Brass | 0 | 114 | 61 | |
| Bright Brass | 0 | 117 | 61 | |
| French Horn | 0 | 112 | 60 | |
| Ballroom Brs | 0 | 114 | 59 | |
| Synth Brass | 0 | 112 | 62 | |
| Sax / Flute | Sweet Tenor | 0 | 113 | 66 |
| Sweet Flute | 0 | 115 | 73 | |
| Sweet Clari. | 0 | 113 | 71 | |
| Sweet Alto | 0 | 116 | 65 | |
| Growl Sax | 0 | 114 | 66 | |
| Soprano Sax | 0 | 112 | 64 | |
| Pan Flute 1 | 0 | 113 | 75 | |
| Modern Harp | 0 | 113 | 22 | |
| Sax Section | 0 | 114 | 65 | |
| WindEnsemble | 0 | 113 | 73 | |
| Breath Tenor | 0 | 115 | 66 | |
| Classical FI | 0 | 116 | 73 | |
| Clarinet | 0 | 112 | 71 | |
| Breath Alto | 0 | 115 | 65 | |
| Baritone Sax | 0 | 113 | 67 | |
| Oboe | 0 | 112 | 68 | |
| Piccolo | 0 | 113 | 72 | |
| Blues Harm. | 0 | 114 | 22 | |
| Bassoon | 0 | 113 | 70 | |
| Whistle | 0 | 112 | 78 | |
| Tenor Sax | 0 | 116 | 66 | |
| Flute | 0 | 112 | 73 | |
| Alto Sax | 0 | 112 | 65 | |
| English Horn | 0 | 112 | 69 | |
| Recorder | 0 | 113 | 74 | |
| Harmonica | 0 | 112 | 22 | |
| Pan Flute 2 | 0 | 112 | 75 | |
| Bass | Acous.Bass 1 | 0 | 112 | 32 |
| Elec. Bass | 0 | 113 | 33 | |
| Finger Bass | 0 | 114 | 33 | |
| E. Bass Slap | 0 | 112 | 33 | |
| Pick Bass | 0 | 112 | 34 | |
| FretlessBass | 0 | 112 | 35 | |
| Slap Bass | 0 | 112 | 36 | |
| Synth Bass 1 | 0 | 112 | 38 | |
| Analog Bass | 0 | 113 | 39 | |
| Bass&Cymbal | 0 | 114 | 32 | |
| Acous.Bass 2 | 0 | 113 | 32 | |
| Bert's Bass | 0 | 113 | 34 | |
| Category | Voice Name | Voice # | ||
| MSB # | LSB # | Program Change # | ||
| Bass | Synth Bass 2 | 0 | 112 | 39 |
| Hi Q Bass | 0 | 114 | 38 | |
| Synth Bass 3 | 0 | 113 | 38 | |
| Percussion | Vibes | 0 | 112 | 11 |
| Marimba | 0 | 112 | 12 | |
| Music Box | 0 | 113 | 10 | |
| Steel Drums | 0 | 112 | 114 | |
| Celesta | 0 | 113 | 8 | |
| Jazz Vibes | 0 | 113 | 11 | |
| Xylophone | 0 | 112 | 13 | |
| Glockenspiel | 0 | 113 | 9 | |
| TubularBells | 0 | 112 | 14 | |
| Timpani | 0 | 112 | 47 | |
| Xylomarimba | 0 | 113 | 12 | |
| Dulcimer | 0 | 112 | 15 | |
| Kalimba | 0 | 112 | 108 | |
| Standard Kit | 127 | 0 | 0 | |
| Standard2Kit | 127 | 0 | 1 | |
| Hit Kit | 127 | 0 | 4 | |
| Room Kit | 127 | 0 | 8 | |
| Rock Kit | 127 | 0 | 16 | |
| Electro Kit | 127 | 0 | 24 | |
| Analog Kit | 127 | 0 | 25 | |
| Dance Kit | 127 | 0 | 27 | |
| Jazz Kit | 127 | 0 | 32 | |
| Brush Kit | 127 | 0 | 40 | |
| Classic Kit | 127 | 0 | 48 | |
| SFX1 Kit | 126 | 0 | 0 | |
| SFX2 Kit | 126 | 0 | 1 | |
| Ensemble | 1 Oct. Piano | 0 | 113 | 3 |
| 2 Oct. Piano | 0 | 114 | 3 | |
| Piano & Str | 0 | 118 | 1 | |
| Piano Heaven | 0 | 114 | 100 | |
| Piano&Choir | 0 | 118 | 0 | |
| Orchestral 1 | 0 | 117 | 49 | |
| Orchestral 2 | 0 | 118 | 49 | |
| Orchestral 3 | 0 | 118 | 68 | |
| Orchestral 4 | 0 | 116 | 68 | |
| Orchestral 5 | 0 | 117 | 68 | |
| Baroque | 0 | 118 | 6 | |
| Flute&Mallet | 0 | 118 | 73 | |
| Guitar&Flute | 0 | 118 | 24 | |
| Guitar&Str | 0 | 115 | 99 | |
| TwelveString | 0 | 114 | 99 | |
| Hallelujah | 0 | 113 | 53 | |
| Evensong 1 | 0 | 118 | 53 | |
| Evensong 2 | 0 | 118 | 52 | |
| X'mas Organ | 0 | 118 | 19 | |
| Sunrise Pad | 0 | 116 | 100 | |
| Brass&Sax 1 | 0 | 118 | 65 | |
| Brass&Sax 2 | 0 | 118 | 66 | |
| Moon Sax 1 | 0 | 117 | 71 | |
| Moon Sax 2 | 0 | 118 | 71 | |
| Trump.&Clari | 0 | 118 | 56 | |
| Brass&Lyra | 0 | 118 | 63 | |
| Flute&Lyra | 0 | 118 | 72 | |
| Electric Jazz | 0 | 116 | 26 | |
| Galaxy Choir | 0 | 117 | 100 | |
| Heaven Stack | 0 | 115 | 100 | |
CVP-105/103
| Category | Voice Name | Voice # | ||
| MSB # | LSB # | Program Change # | ||
| Piano | Grand Piano | 0 | 112 | 0 |
| Bright Piano | 0 | 112 | 1 | |
| Mellow Piano | 0 | 114 | 0 | |
| Rock Piano | 0 | 113 | 1 | |
| Midi Grand | 0 | 115 | 2 | |
| Harpsichord1 | 0 | 112 | 6 | |
| Harpsichord2 | 0 | 113 | 6 | |
| Grand Harpsi | 0 | 115 | 6 | |
| Honky Tonk | 0 | 112 | 3 | |
| NewAge Piano | 0 | 118 | 2 | |
| E.Piano | Stage EP 1 | 0 | 112 | 4 |
| Galaxy EP | 0 | 118 | 5 | |
| New Tines | 0 | 113 | 5 | |
| Funk EP | 0 | 113 | 4 | |
| DX EP Modern | 0 | 115 | 5 | |
| CP80 | 0 | 116 | 2 | |
| Tremolo EP | 0 | 118 | 4 | |
| Hyper Tines | 0 | 117 | 5 | |
| Venus EP | 0 | 116 | 5 | |
| Clavi. | 0 | 112 | 7 | |
| Dream EP | 0 | 114 | 5 | |
| Stage EP 2 | 0 | 117 | 4 | |
| Wah Clavi. | 0 | 113 | 7 | |
| DX treme | 0 | 113 | 92 | |
| Funky Clavi. | 0 | 114 | 7 | |
| Galaxian EP | 0 | 113 | 100 | |
| DX-EP & Str. | 0 | 118 | 88 | |
| Guitar | Spanish Gtr. | 0 | 113 | 24 |
| 12Str.Guitar | 0 | 115 | 25 | |
| Solid Guitar | 0 | 115 | 27 | |
| Bright Clean | 0 | 113 | 27 | |
| Clean Guitar | 0 | 112 | 27 | |
| Jazz Guitar1 | 0 | 113 | 26 | |
| Mute Guitar | 0 | 112 | 28 | |
| Banjo | 0 | 112 | 105 | |
| HawaiianGtr. | 0 | 114 | 26 | |
| Dist. Guitar | 0 | 112 | 30 | |
| Smooth Nylon | 0 | 114 | 24 | |
| Elec12string | 0 | 126 | 27 | |
| Folk Guitar1 | 0 | 116 | 25 | |
| Jazz Guitar2 | 0 | 112 | 26 | |
| OctaveGuitar | 0 | 115 | 26 | |
| Gut Guitar | 0 | 112 | 24 | |
| Folk Guitar2 | 0 | 112 | 25 | |
| Pedal Steel | 0 | 114 | 27 | |
| Synth | Golden Age | 0 | 115 | 88 |
| Insomnia | 0 | 113 | 94 | |
| Wave 2010 | 0 | 114 | 95 | |
| NewAge Pad | 0 | 113 | 88 | |
| Fire Wire | 0 | 113 | 81 | |
| Wire Lead | 0 | 114 | 81 | |
| Blaster | 0 | 112 | 87 | |
| Category | Voice Name | Voice # | ||
| MSB # | LSB # | Program Change # | ||
| Synth | Square Lead | 0 | 112 | 80 |
| Analogon | 0 | 115 | 81 | |
| Saw. Lead | 0 | 112 | 81 | |
| Cyber Pad | 0 | 113 | 99 | |
| Choir Pad | 0 | 112 | 91 | |
| Atmosphere | 0 | 112 | 99 | |
| Brass Pad | 0 | 112 | 90 | |
| Warm Pad | 0 | 112 | 89 | |
| Equinox | 0 | 112 | 94 | |
| Stardust | 0 | 112 | 96 | |
| Millenium | 0 | 114 | 88 | |
| Strings Pad | 0 | 112 | 51 | |
| Wave 2001 | 0 | 112 | 95 | |
| Harp Pad | 0 | 112 | 88 | |
| DX Pad | 0 | 112 | 92 | |
| Organ | Pipe Organ | 0 | 112 | 19 |
| ChapelOrgan1 | 0 | 115 | 19 | |
| ChapelOrgan2 | 0 | 116 | 19 | |
| Accordion | 0 | 112 | 21 | |
| Tutti Accord | 0 | 115 | 21 | |
| Rotor Organ | 0 | 112 | 18 | |
| Jazz Organ 1 | 0 | 114 | 17 | |
| Rock Organ | 0 | 116 | 18 | |
| Elec. Organ | 0 | 113 | 16 | |
| Jazz Organ 2 | 0 | 117 | 16 | |
| Class. Organ | 0 | 113 | 19 | |
| ChapelOrgan3 | 0 | 114 | 19 | |
| Tango Accrd. | 0 | 112 | 23 | |
| Jazz Organ 3 | 0 | 115 | 16 | |
| Perc. Organ | 0 | 115 | 17 | |
| Theatre Org. | 0 | 114 | 16 | |
| 60's Organ | 0 | 113 | 17 | |
| Strings / Choir | OrchStrings1 | 0 | 115 | 48 |
| ClassicalStr | 0 | 114 | 48 | |
| Popular Str | 0 | 116 | 48 | |
| Vivaldi Str | 0 | 116 | 49 | |
| Chamber Str | 0 | 113 | 48 | |
| Violin | 0 | 112 | 40 | |
| Cello | 0 | 114 | 42 | |
| Choir | 0 | 112 | 52 | |
| Air Choir | 0 | 112 | 54 | |
| Pizzicato | 0 | 112 | 45 | |
| OrchStrings2 | 0 | 117 | 48 | |
| Strings Slow | 0 | 113 | 49 | |
| Str.Quartet | 0 | 113 | 40 | |
| Fiddle | 0 | 112 | 110 | |
| Choir Oohs | 0 | 112 | 53 | |
| Choir Slow | 0 | 113 | 52 | |
| Harp | 0 | 112 | 46 | |
| OrchestraHit | 0 | 112 | 55 | |
CVP-105/103
| Category | Voice Name | Voice # | ||
| MSB # | LSB # | Program Change # | ||
| Brass | SweetTrumpet | 0 | 115 | 56 |
| Trombone | 0 | 114 | 57 | |
| MuteTrumpet1 | 0 | 113 | 59 | |
| Soft Trumpet | 0 | 114 | 56 | |
| Brass Band | 0 | 118 | 57 | |
| BrassSection | 0 | 112 | 61 | |
| Mellow Brass | 0 | 123 | 61 | |
| Big Brass | 0 | 114 | 61 | |
| Analog Brass | 0 | 112 | 63 | |
| Synth Brass | 0 | 112 | 62 | |
| Solo Trumpet | 0 | 112 | 56 | |
| Trb.Section | 0 | 113 | 57 | |
| MuteTrumpet2 | 0 | 112 | 59 | |
| Flugel Horn | 0 | 113 | 56 | |
| Tuba | 0 | 113 | 58 | |
| French Horn | 0 | 112 | 60 | |
| BallroomBrs | 0 | 114 | 59 | |
| Sax / Flute | Breath Tenor | 0 | 115 | 66 |
| Flute | 0 | 112 | 73 | |
| Clarinet | 0 | 112 | 71 | |
| Breath Alto | 0 | 115 | 65 | |
| Baritone Sax | 0 | 113 | 67 | |
| Soprano Sax | 0 | 112 | 64 | |
| Pan Flute 1 | 0 | 113 | 75 | |
| Harmonica | 0 | 112 | 22 | |
| Sax Section | 0 | 114 | 65 | |
| WindEnsemble | 0 | 113 | 73 | |
| Tenor Sax | 0 | 116 | 66 | |
| Alto Sax | 0 | 112 | 65 | |
| Oboe | 0 | 112 | 68 | |
| Piccolo | 0 | 113 | 72 | |
| Bassoon | 0 | 113 | 70 | |
| Whistle | 0 | 112 | 78 | |
| English Horn | 0 | 112 | 69 | |
| Recorder | 0 | 113 | 74 | |
| Pan Flute 2 | 0 | 112 | 75 | |
| Bass | Acous.Bass | 0 | 112 | 32 |
| Elec. Bass | 0 | 113 | 33 | |
| Finger Bass | 0 | 114 | 33 | |
| E. Bass Slap | 0 | 112 | 33 | |
| Pick Bass | 0 | 112 | 34 | |
| FretlessBass | 0 | 112 | 35 | |
| Slap Bass | 0 | 112 | 36 | |
| Synth Bass 1 | 0 | 112 | 38 | |
| Analog Bass | 0 | 113 | 39 | |
| Bass&Cymbal | 0 | 114 | 32 | |
| Bert's Bass | 0 | 113 | 34 | |
| Synth Bass 2 | 0 | 112 | 39 | |
| Hi Q Bass | 0 | 114 | 38 | |
| Synth Bass 3 | 0 | 113 | 38 | |
| Category | Voice Name | Voice # | ||
| MSB # | LSB # | Program Change # | ||
| Percussion | Vibes | 0 | 112 | 11 |
| Marimba | 0 | 112 | 12 | |
| Music Box | 0 | 113 | 10 | |
| Steel Drums | 0 | 112 | 114 | |
| Celesta | 0 | 113 | 8 | |
| Jazz Vibes | 0 | 113 | 11 | |
| Xylophone | 0 | 112 | 13 | |
| Glockenspiel | 0 | 113 | 9 | |
| TubularBells | 0 | 112 | 14 | |
| Timpani | 0 | 112 | 47 | |
| Xylomarimba | 0 | 113 | 12 | |
| Dulcimer | 0 | 112 | 15 | |
| Kalimba | 0 | 112 | 108 | |
| Standard Kit | 127 | 0 | 0 | |
| Standard2Kit | 127 | 0 | 1 | |
| Room Kit | 127 | 0 | 8 | |
| Rock Kit | 127 | 0 | 16 | |
| Electro Kit | 127 | 0 | 24 | |
| Analog Kit | 127 | 0 | 25 | |
| Dance Kit | 127 | 0 | 27 | |
| Jazz Kit | 127 | 0 | 32 | |
| Brush Kit | 127 | 0 | 40 | |
| Classic Kit | 127 | 0 | 48 | |
| SFX1 Kit | 126 | 0 | 0 | |
| SFX2 Kit | 126 | 0 | 1 | |
| Ensemble | 1 Oct. Piano | 0 | 113 | 3 |
| 2 Oct. Piano | 0 | 114 | 3 | |
| Piano & Str | 0 | 118 | 1 | |
| Piano Heaven | 0 | 114 | 100 | |
| Piano&Choir | 0 | 118 | 0 | |
| Orchestral 1 | 0 | 117 | 49 | |
| Orchestral 2 | 0 | 118 | 49 | |
| Orchestral 3 | 0 | 118 | 68 | |
| Orchestral 4 | 0 | 116 | 68 | |
| Orchestral 5 | 0 | 117 | 68 | |
| Baroque | 0 | 118 | 6 | |
| Flute&Mallet | 0 | 118 | 73 | |
| Guitar&Flute | 0 | 118 | 24 | |
| Guitar&Str | 0 | 115 | 99 | |
| TwelveString | 0 | 114 | 99 | |
| Hallelujah | 0 | 113 | 53 | |
| Evensong 1 | 0 | 118 | 53 | |
| Evensong 2 | 0 | 118 | 52 | |
| X'mas Organ | 0 | 118 | 19 | |
| Sunrise Pad | 0 | 116 | 100 | |
| Brass&Sax 1 | 0 | 118 | 65 | |
| Brass&Sax 2 | 0 | 118 | 66 | |
| Moonsax 1 | 0 | 117 | 71 | |
| Moonsax 2 | 0 | 118 | 71 | |
| Trump.&Clari | 0 | 118 | 56 | |
| Brass&Lyra | 0 | 118 | 63 | |
| Flute&Lyra | 0 | 118 | 72 | |
| Electric Jazz | 0 | 116 | 26 | |
| GalaxyChoir | 0 | 117 | 100 | |
| Heaven Stack | 0 | 115 | 100 | |
XG
| Voice Name | Voice # | ||
| MSB # | LSB # | Program Change # | |
| GrandPno | 0 | 0 | 0 |
| GrndPnoK | 0 | 1 | 0 |
| MelloGrP | 0 | 18 | 0 |
| PianoStr | 0 | 40 | 0 |
| Dream | 0 | 41 | 0 |
| BritePno | 0 | 0 | 1 |
| BritPnoK | 0 | 1 | 1 |
| El.Grand | 0 | 0 | 2 |
| ElGrPnoK | 0 | 1 | 2 |
| Det.CP80 | 0 | 32 | 2 |
| LayerCP1 | 0 | 40 | 2 |
| LayerCP2 | 0 | 41 | 2 |
| HnkyTonk | 0 | 0 | 3 |
| HnkyTnkK | 0 | 1 | 3 |
| E.Piano1 | 0 | 0 | 4 |
| El.Pno1K | 0 | 1 | 4 |
| MelloEP1 | 0 | 18 | 4 |
| Chor.EP1 | 0 | 32 | 4 |
| HardEI.P | 0 | 40 | 4 |
| VX EI.P1 | 0 | 45 | 4 |
| 60sEI.P1 | 0 | 64 | 4 |
| E.Piano2 | 0 | 0 | 5 |
| El.Pno2K | 0 | 1 | 5 |
| Chor.EP2 | 0 | 32 | 5 |
| DX Hard | 0 | 33 | 5 |
| DXLegend | 0 | 34 | 5 |
| DX Phase | 0 | 40 | 5 |
| DX+Analg | 0 | 41 | 5 |
| DXKotoEP | 0 | 42 | 5 |
| VX EI.P2 | 0 | 45 | 5 |
| Harpsi. | 0 | 0 | 6 |
| Harpsi.K | 0 | 1 | 6 |
| Harpsi.2 | 0 | 25 | 6 |
| Harpsi.3 | 0 | 35 | 6 |
| Clavi | 0 | 0 | 7 |
| Clavi K | 0 | 1 | 7 |
| ClaviWah | 0 | 27 | 7 |
| PulseClv | 0 | 64 | 7 |
| PierceCI | 0 | 65 | 7 |
| Celesta | 0 | 0 | 8 |
| Glocken | 0 | 0 | 9 |
| MusicBox | 0 | 0 | 10 |
| Orgel | 0 | 64 | 10 |
| Vibes | 0 | 0 | 11 |
| Vibes K | 0 | 1 | 11 |
| HardVibe | 0 | 45 | 11 |
| Marimba | 0 | 0 | 12 |
| MarimbaK | 0 | 1 | 12 |
| SineMrmb | 0 | 64 | 12 |
| Balimba | 0 | 97 | 12 |
| Log Drum | 0 | 98 | 12 |
| Xylophon | 0 | 0 | 13 |
| TubulBel | 0 | 0 | 14 |
| ChrchBel | 0 | 96 | 14 |
| Carillon | 0 | 97 | 14 |
| Dulcimer | 0 | 0 | 15 |
| Dulcimr2 | 0 | 35 | 15 |
| Cimbalom | 0 | 96 | 15 |
| Santur | 0 | 97 | 15 |
| DrawOrgn | 0 | 0 | 16 |
| Voice Name | Voice # | ||
| MSB # | LSB # | Program Change # | |
| DetDrwOr | 0 | 32 | 16 |
| 60sDrOr1 | 0 | 33 | 16 |
| 60sDrOr2 | 0 | 34 | 16 |
| 70sDrOr1 | 0 | 35 | 16 |
| DrawOrg2 | 0 | 36 | 16 |
| 60sDrOr3 | 0 | 37 | 16 |
| EvenBar | 0 | 38 | 16 |
| 16+2'2/3 | 0 | 40 | 16 |
| Organ Ba | 0 | 64 | 16 |
| 70sDrOr2 | 0 | 65 | 16 |
| CheezOrg | 0 | 66 | 16 |
| DrawOrg3 | 0 | 67 | 16 |
| PercOrgn | 0 | 0 | 17 |
| 70sPcOr1 | 0 | 24 | 17 |
| DetPrcOr | 0 | 32 | 17 |
| Lite Org | 0 | 33 | 17 |
| PercOrg2 | 0 | 37 | 17 |
| RockOrgn | 0 | 0 | 18 |
| RotaryOr | 0 | 64 | 18 |
| SloRotar | 0 | 65 | 18 |
| FstRotar | 0 | 66 | 18 |
| ChrchOrg | 0 | 0 | 19 |
| ChurOrg3 | 0 | 32 | 19 |
| ChurOrg2 | 0 | 35 | 19 |
| NotreDam | 0 | 40 | 19 |
| OrgFlute | 0 | 64 | 19 |
| TrmOrgFl | 0 | 65 | 19 |
| ReedOrgn | 0 | 0 | 20 |
| Puff Org | 0 | 40 | 20 |
| Acordion | 0 | 0 | 21 |
| Accordlt | 0 | 32 | 21 |
| Harmnica | 0 | 0 | 22 |
| Harmo. 2 | 0 | 32 | 22 |
| TangoAcd | 0 | 0 | 23 |
| TngoAcd2 | 0 | 64 | 23 |
| NylonGtr | 0 | 0 | 24 |
| NylonGt2 | 0 | 16 | 24 |
| NylonGt3 | 0 | 25 | 24 |
| VelGtHrm | 0 | 43 | 24 |
| Ukulele | 0 | 96 | 24 |
| SteelGtr | 0 | 0 | 25 |
| SteelGt2 | 0 | 16 | 25 |
| 12StrGtr | 0 | 35 | 25 |
| Nyln&Stl | 0 | 40 | 25 |
| Stl&Body | 0 | 41 | 25 |
| Mandolin | 0 | 96 | 25 |
| Jazz Gtr | 0 | 0 | 26 |
| MelloGtr | 0 | 18 | 26 |
| Jazz Amp | 0 | 32 | 26 |
| CleanGtr | 0 | 0 | 27 |
| ChorusGt | 0 | 32 | 27 |
| Mute Gtr | 0 | 0 | 28 |
| FunkGtr1 | 0 | 40 | 28 |
| MuteStlG | 0 | 41 | 28 |
| FunkGtr2 | 0 | 43 | 28 |
| Jazz Man | 0 | 45 | 28 |
| Ovrdrive | 0 | 0 | 29 |
| Gt.Pinch | 0 | 43 | 29 |
| Dist.Gtr | 0 | 0 | 30 |
| FeedbkGt | 0 | 40 | 30 |
| Voice Name | Voice # | ||
| MSB # | LSB # | Program Change # | |
| FeedbGt2 | 0 | 41 | 30 |
| GtrHarmo | 0 | 0 | 31 |
| GtFeedbk | 0 | 65 | 31 |
| GtrHrmo2 | 0 | 66 | 31 |
| Aco.Bass | 0 | 0 | 32 |
| JazzRthm | 0 | 40 | 32 |
| VXUprght | 0 | 45 | 32 |
| FngrBass | 0 | 0 | 33 |
| FingrDrk | 0 | 18 | 33 |
| FlangeBa | 0 | 27 | 33 |
| Ba&DstEG | 0 | 40 | 33 |
| FngrSlap | 0 | 43 | 33 |
| FngBass2 | 0 | 45 | 33 |
| Mod.Bass | 0 | 65 | 33 |
| PickBass | 0 | 0 | 34 |
| MutePkBa | 0 | 28 | 34 |
| Fretless | 0 | 0 | 35 |
| Fretles2 | 0 | 32 | 35 |
| Fretles3 | 0 | 33 | 35 |
| Fretles4 | 0 | 34 | 35 |
| SynFretl | 0 | 96 | 35 |
| SmithFrt1 | 0 | 97 | 35 |
| SlapBas1 | 0 | 0 | 36 |
| ResoSlap | 0 | 27 | 36 |
| PunchThm | 0 | 32 | 36 |
| SlapBas2 | 0 | 0 | 37 |
| VeloSlap | 0 | 43 | 37 |
| SynBass1 | 0 | 0 | 38 |
| SynBa1Dk | 0 | 18 | 38 |
| FastResB | 0 | 20 | 38 |
| AcidBass | 0 | 24 | 38 |
| Clv Bass | 0 | 35 | 38 |
| TechnoBa | 0 | 40 | 38 |
| Orbiter | 0 | 64 | 38 |
| Sqr.Bass | 0 | 65 | 38 |
| RubberBa | 0 | 66 | 38 |
| Hammer | 0 | 96 | 38 |
| SynBass2 | 0 | 0 | 39 |
| MelloSBa | 0 | 6 | 39 |
| Seq Bass | 0 | 12 | 39 |
| ClkSynBa | 0 | 18 | 39 |
| SynBa2Dk | 0 | 19 | 39 |
| SmthSynB | 0 | 32 | 39 |
| ModulrBa | 0 | 40 | 39 |
| DX Bass | 0 | 41 | 39 |
| X WireBa | 0 | 64 | 39 |
| Violin | 0 | 0 | 40 |
| Slow VIn | 0 | 8 | 40 |
| Viola | 0 | 0 | 41 |
| Cello | 0 | 0 | 42 |
| Contrabs | 0 | 0 | 43 |
| Trem.Str | 0 | 0 | 44 |
| SlwTrStr | 0 | 8 | 44 |
| Susp. Str | 0 | 40 | 44 |
| Pizz.Str | 0 | 0 | 45 |
| Harp | 0 | 0 | 46 |
| YangChin | 0 | 40 | 46 |
| Timpani | 0 | 0 | 47 |
| Strings1 | 0 | 0 | 48 |
| S Strings | 0 | 3 | 48 |
XG
| Voice Name | Voice # | ||
| MSB # | LSB # | Program Change # | |
| Slow Str | 0 | 8 | 48 |
| Arco Str | 0 | 24 | 48 |
| 60sString | 0 | 35 | 48 |
| Orchestr | 0 | 40 | 48 |
| Orchstr2 | 0 | 41 | 48 |
| TremOrch | 0 | 42 | 48 |
| Velo.Str | 0 | 45 | 48 |
| Strings2 | 0 | 0 | 49 |
| S.SlwStr | 0 | 3 | 49 |
| LegatoSt | 0 | 8 | 49 |
| Warm Str | 0 | 40 | 49 |
| Kingdom | 0 | 41 | 49 |
| 70s Str | 0 | 64 | 49 |
| Strings3 | 0 | 65 | 49 |
| Syn Str1 | 0 | 0 | 50 |
| Reso Str | 0 | 27 | 50 |
| Syn Str4 | 0 | 64 | 50 |
| Syn Str5 | 0 | 65 | 50 |
| Syn Str2 | 0 | 0 | 51 |
| ChoirAah | 0 | 0 | 52 |
| S.Choir | 0 | 3 | 52 |
| Ch.Aahs2 | 0 | 16 | 52 |
| Melchoir | 0 | 32 | 52 |
| ChoirStr | 0 | 40 | 52 |
| VoiceOoh | 0 | 0 | 53 |
| SynVoice | 0 | 0 | 54 |
| SyVoice2 | 0 | 40 | 54 |
| Choral | 0 | 41 | 54 |
| AnaVoice | 0 | 64 | 54 |
| Orch.Hit | 0 | 0 | 55 |
| OrchHit2 | 0 | 35 | 55 |
| Impact | 0 | 64 | 55 |
| Trumpet | 0 | 0 | 56 |
| Trumpet2 | 0 | 16 | 56 |
| BriteTrp | 0 | 17 | 56 |
| Warm Trp | 0 | 32 | 56 |
| Trombone | 0 | 0 | 57 |
| Trombone2 | 0 | 18 | 57 |
| Tuba | 0 | 0 | 58 |
| Tuba 2 | 0 | 16 | 58 |
| Mute Trp | 0 | 0 | 59 |
| Fr.Horn | 0 | 0 | 60 |
| FrHrSolo | 0 | 6 | 60 |
| FrHorn 2 | 0 | 32 | 60 |
| HornOrch | 0 | 37 | 60 |
| BrssSect | 0 | 0 | 61 |
| Tp&TbSec | 0 | 35 | 61 |
| BrssSec2 | 0 | 40 | 61 |
| HiBrass | 0 | 41 | 61 |
| MelloBrs | 0 | 42 | 61 |
| SynBrss1 | 0 | 0 | 62 |
| Quack Br | 0 | 12 | 62 |
| RezSynBr | 0 | 20 | 62 |
| PolyBrss | 0 | 24 | 62 |
| SynBrss3 | 0 | 27 | 62 |
| JumpBrss | 0 | 32 | 62 |
| AnVelBr1 | 0 | 45 | 62 |
| AnVelBr2 | 0 | 64 | 62 |
| SynBrss2 | 0 | 0 | 63 |
| Soft Brs | 0 | 18 | 63 |
| SynBrss4 | 0 | 40 | 63 |
| Voice Name | Voice # | ||
| MSB # | LSB # | Program Change # | |
| ChoirBrs | 0 | 41 | 63 |
| VelBrss2 | 0 | 45 | 63 |
| AnaBrss2 | 0 | 64 | 63 |
| SprnoSax | 0 | 0 | 64 |
| Alto Sax | 0 | 0 | 65 |
| Sax Sect | 0 | 40 | 65 |
| HyprAlto | 0 | 43 | 65 |
| TenorSax | 0 | 0 | 66 |
| BrthTnSx | 0 | 40 | 66 |
| SoftTenr | 0 | 41 | 66 |
| TnrSax 2 | 0 | 64 | 66 |
| Bari.Sax | 0 | 0 | 67 |
| Oboe | 0 | 0 | 68 |
| Eng.Horn | 0 | 0 | 69 |
| Bassoon | 0 | 0 | 70 |
| Clarinet | 0 | 0 | 71 |
| Piccolo | 0 | 0 | 72 |
| Flute | 0 | 0 | 73 |
| Recorder | 0 | 0 | 74 |
| PanFlute | 0 | 0 | 75 |
| Bottle | 0 | 0 | 76 |
| Shakhchi | 0 | 0 | 77 |
| Whistle | 0 | 0 | 78 |
| Ocarina | 0 | 0 | 79 |
| SquareLd | 0 | 0 | 80 |
| SquamLd2 | 0 | 6 | 80 |
| LMSquare | 0 | 8 | 80 |
| Hollow | 0 | 18 | 80 |
| Shroud | 0 | 19 | 80 |
| Mellow | 0 | 64 | 80 |
| SoloSine | 0 | 65 | 80 |
| SineLead | 0 | 66 | 80 |
| Saw Lead | 0 | 0 | 81 |
| Saw Ld 2 | 0 | 6 | 81 |
| ThickSaw | 0 | 8 | 81 |
| Dyna Saw | 0 | 18 | 81 |
| Digi Saw | 0 | 19 | 81 |
| Big Lead | 0 | 20 | 81 |
| HeavySyn | 0 | 24 | 81 |
| WaspySyn | 0 | 25 | 81 |
| PulseSaw | 0 | 40 | 81 |
| Dr. Lead | 0 | 41 | 81 |
| VeloLead | 0 | 45 | 81 |
| Seq Ana. | 0 | 96 | 81 |
| CaliopLd | 0 | 0 | 82 |
| PureLead | 0 | 65 | 82 |
| Chiff Ld | 0 | 0 | 83 |
| Robby | 0 | 64 | 83 |
| CharanLd | 0 | 0 | 84 |
| DistLead | 0 | 64 | 84 |
| WireLead | 0 | 65 | 84 |
| Voice Ld | 0 | 0 | 85 |
| SynthAah | 0 | 24 | 85 |
| Vox Lead | 0 | 64 | 85 |
| Fifth Ld | 0 | 0 | 86 |
| Big Five | 0 | 35 | 86 |
| Bass&Ld | 0 | 0 | 87 |
| Big&Low | 0 | 16 | 87 |
| Fat&Prky | 0 | 64 | 87 |
| Soft Wrl | 0 | 65 | 87 |
| NewAgePd | 0 | 0 | 88 |
| Voice Name | Voice # | ||
| MSB # | LSB # | Program Change # | |
| Fantasy | 0 | 64 | 88 |
| Warm Pad | 0 | 0 | 89 |
| ThickPad | 0 | 16 | 89 |
| Soft Pad | 0 | 17 | 89 |
| Sine Pad | 0 | 18 | 89 |
| Horn Pad | 0 | 64 | 89 |
| RotarStr | 0 | 65 | 89 |
| PolySyPd | 0 | 0 | 90 |
| PolyPd80 | 0 | 64 | 90 |
| ClickPad | 0 | 65 | 90 |
| Ana. Pad | 0 | 66 | 90 |
| SquarPad | 0 | 67 | 90 |
| ChoirPad | 0 | 0 | 91 |
| Heaven | 0 | 64 | 91 |
| Itopia | 0 | 66 | 91 |
| CC Pad | 0 | 67 | 91 |
| BowedPad | 0 | 0 | 92 |
| Glacier | 0 | 64 | 92 |
| GlassPad | 0 | 65 | 92 |
| MetalPad | 0 | 0 | 93 |
| Tine Pad | 0 | 64 | 93 |
| Pan Pad | 0 | 65 | 93 |
| Halo Pad | 0 | 0 | 94 |
| SweepPad | 0 | 0 | 95 |
| Shwimmer | 0 | 20 | 95 |
| Converge | 0 | 27 | 95 |
| PolarPad | 0 | 64 | 95 |
| Celstial | 0 | 66 | 95 |
| Rain | 0 | 0 | 96 |
| ClaviPad | 0 | 45 | 96 |
| HrmoRain | 0 | 64 | 96 |
| AfrcnWnd | 0 | 65 | 96 |
| Carib | 0 | 66 | 96 |
| SoundTrk | 0 | 0 | 97 |
| Prologue | 0 | 27 | 97 |
| Ancestral | 0 | 64 | 97 |
| Crystal | 0 | 0 | 98 |
| SynDrCmp | 0 | 12 | 98 |
| Popcorn | 0 | 14 | 98 |
| TinyBell | 0 | 18 | 98 |
| RndGlock | 0 | 35 | 98 |
| GlockChi | 0 | 40 | 98 |
| ClearBel | 0 | 41 | 98 |
| ChorBell | 0 | 42 | 98 |
| SynMalet | 0 | 64 | 98 |
| SftCryst | 0 | 65 | 98 |
| LoudGlok | 0 | 66 | 98 |
| ChristBel | 0 | 67 | 98 |
| VibeBell | 0 | 68 | 98 |
| DigiBell | 0 | 69 | 98 |
| AirBells | 0 | 70 | 98 |
| BellHarp | 0 | 71 | 98 |
| Gamelmba | 0 | 72 | 98 |
| Atmosphr | 0 | 0 | 99 |
| WarmAtms | 0 | 18 | 99 |
| HollwRIs | 0 | 19 | 99 |
| Nylon EP | 0 | 40 | 99 |
| NylInHarp | 0 | 64 | 99 |
| Harp Vox | 0 | 65 | 99 |
| AtmosPad | 0 | 66 | 99 |
| Planet | 0 | 67 | 99 |
XG
| Voice Name | Voice # | ||
| MSB # | LSB # | Program Change # | |
| Bright | 0 | 0 | 100 |
| FantaBel | 0 | 64 | 100 |
| Smokey | 0 | 96 | 100 |
| Goblins | 0 | 0 | 101 |
| GobSynth | 0 | 64 | 101 |
| Creeper | 0 | 65 | 101 |
| Ring Pad | 0 | 66 | 101 |
| Ritual | 0 | 67 | 101 |
| ToHeaven | 0 | 68 | 101 |
| Night | 0 | 70 | 101 |
| Glisten | 0 | 71 | 101 |
| BelChoir | 0 | 96 | 101 |
| Echoes | 0 | 0 | 102 |
| Echoes 2 | 0 | 8 | 102 |
| Echo Pan | 0 | 14 | 102 |
| EchoBell | 0 | 64 | 102 |
| Big Pan | 0 | 65 | 102 |
| SynPiano | 0 | 66 | 102 |
| Creation | 0 | 67 | 102 |
| StarDust | 0 | 68 | 102 |
| Reso&Pan | 0 | 69 | 102 |
| Sci-Fi | 0 | 0 | 103 |
| Starz | 0 | 64 | 103 |
| Sitar | 0 | 0 | 104 |
| DetSitar | 0 | 32 | 104 |
| Sitar 2 | 0 | 35 | 104 |
| Tambra | 0 | 96 | 104 |
| Tamboura | 0 | 97 | 104 |
| Banjo | 0 | 0 | 105 |
| MuteBnjo | 0 | 28 | 105 |
| Rabab | 0 | 96 | 105 |
| Gopichnt | 0 | 97 | 105 |
| Oud | 0 | 98 | 105 |
| Shamisen | 0 | 0 | 106 |
| Koto | 0 | 0 | 107 |
| Taisho-k | 0 | 96 | 107 |
| Kanoon | 0 | 97 | 107 |
| Kalimba | 0 | 0 | 108 |
| Bagpipe | 0 | 0 | 109 |
| Voice Name | Voice # | ||
| MSB # | LSB # | Program Change # | |
| Fiddle | 0 | 0 | 110 |
| Shanai | 0 | 0 | 111 |
| Shanai 2 | 0 | 64 | 111 |
| Pungi | 0 | 96 | 111 |
| Hichriki | 0 | 97 | 111 |
| TnklBell | 0 | 0 | 112 |
| Bonang | 0 | 96 | 112 |
| Altair | 0 | 97 | 112 |
| Gamelan | 0 | 98 | 112 |
| S.Gamlan | 0 | 99 | 112 |
| Rama Cym | 0 | 100 | 112 |
| AsianBel | 0 | 101 | 112 |
| Agogo | 0 | 0 | 113 |
| SteelDrm | 0 | 0 | 114 |
| GlasPerc | 0 | 97 | 114 |
| ThaiBell | 0 | 98 | 114 |
| WoodBlok | 0 | 0 | 115 |
| Castanet | 0 | 96 | 115 |
| TaikoDrm | 0 | 0 | 116 |
| Gr.Cassa | 0 | 96 | 116 |
| MelodTom | 0 | 0 | 117 |
| Mel Tom2 | 0 | 64 | 117 |
| Real Tom | 0 | 65 | 117 |
| Rock Tom | 0 | 66 | 117 |
| Syn Drum | 0 | 0 | 118 |
| Ana Tom | 0 | 64 | 118 |
| ElecPerc | 0 | 65 | 118 |
| RevCymbl | 0 | 0 | 119 |
| FretNoiz | 0 | 0 | 120 |
| BrthNoiz | 0 | 0 | 121 |
| Seashore | 0 | 0 | 122 |
| Tweet | 0 | 0 | 123 |
| Telephone | 0 | 0 | 124 |
| Helicptr | 0 | 0 | 125 |
| Applause | 0 | 0 | 126 |
| Gunshot | 0 | 0 | 127 |
| CuttnNgz | 64 | 0 | 0 |
| CttngNz2 | 64 | 0 | 1 |
| Str Slap | 64 | 0 | 3 |
| Voice Name | Voice # | ||
| MSB # | LSB # | Program Change # | |
| FI.KClik | 64 | 0 | 16 |
| Shower | 64 | 0 | 32 |
| Thunder | 64 | 0 | 33 |
| Wind | 64 | 0 | 34 |
| Stream | 64 | 0 | 35 |
| Bubble | 64 | 0 | 36 |
| Feed | 64 | 0 | 37 |
| Dog | 64 | 0 | 48 |
| Horse | 64 | 0 | 49 |
| Tweet 2 | 64 | 0 | 50 |
| Ghost | 64 | 0 | 54 |
| Maou | 64 | 0 | 55 |
| Tel.Dial | 64 | 0 | 64 |
| DoorSqek | 64 | 0 | 65 |
| DoorSlam | 64 | 0 | 66 |
| ScratchC | 64 | 0 | 67 |
| ScratchS | 64 | 0 | 68 |
| WindChim | 64 | 0 | 69 |
| Telphon2 | 64 | 0 | 70 |
| CarElght | 64 | 0 | 80 |
| CarTSquel | 64 | 0 | 81 |
| Car Pass | 64 | 0 | 82 |
| CarCrash | 64 | 0 | 83 |
| Siren | 64 | 0 | 84 |
| Train | 64 | 0 | 85 |
| JetPlane | 64 | 0 | 86 |
| Starship | 64 | 0 | 87 |
| Burst | 64 | 0 | 88 |
| Coaster | 64 | 0 | 89 |
| Submarin | 64 | 0 | 90 |
| Laugh | 64 | 0 | 96 |
| Scream | 64 | 0 | 97 |
| Punch | 64 | 0 | 98 |
| Heart | 64 | 0 | 99 |
| Footstep | 64 | 0 | 100 |
| MchinGun | 64 | 0 | 112 |
| LaserGun | 64 | 0 | 113 |
| Xplosion | 64 | 0 | 114 |
| Firework | 64 | 0 | 115 |
Demo Songs
SONG DEMO
| Title | Composer | |
| Song 1 | Klavier Konzert a moll op.16 (Piano Concert a minor op.16) | E.Grieg |
| Song 3 | Beautiful Dreamer | S.C.Foster |
| Song 4 | Annie Laurie | Traditional |
VOICE DEMO
| Title | Composer | |
| Piano | Walzer op.70-1 | F.Chopin |
| SYNTHESIZER | Bruyeres | C.A.Debussy |
| ORGAN | Choralvorspiele "Ich ruf zu dir, Herr Jesus Christ" | J.S.Bach |
| PERCUSSION | Air de ballet | M.Moszkowski |
| XG | TREPAK from "Nutcracker Suite" op.71a | P.I.Tschaikovsky |
- Some of the demonstration pieces listed above are specially-arranged excerpts from the original compositions listed above. All other songs are original (©1999 Yamaha Corporation).
| Bank Select MSB | 127 | 127 | 127 | 127 | 127 | 127 | 127 | ||||
| Bank Select LSB | 0 | 0 | 0 | 0 | 0 | 0 | 0 | ||||
| Program # (1-128) | 1 | 2 | 4 | 9 | 17 | 25 | 26 | ||||
| Keyboard Note | MIDI | Key off | Alternate assign | Standard Kit | Standard 2 Kit | Hit Kit(CVP-109/107/700) | Room Kit | Rock Kit | Electro Kit | Analog Kit | |
| Note # | Note | ||||||||||
| C# 1 | 13 | C# -1 | 3 | Surdo Mute | Surdo Mute | Surdo Mute | Surdo Mute | Surdo Mute | Surdo Mute | Surdo Mute | |
| D 1 | 14 | D -1 | 3 | Surdo Open | Surdo Open | Surdo Open | Surdo Open | Surdo Open | Surdo Open | Surdo Open | |
| D# 1 | 15 | D# -1 | Hi Q | Hi Q | Hi Q | Hi Q | Hi Q | Hi Q | Hi Q | ||
| E 1 | 16 | E -1 | Whip Slap | Whip Slap | Whip Slap | Whip Slap | Whip Slap | Whip Slap | Whip Slap | ||
| F 1 | 17 | F -1 | 4 | Scratch H | Scratch H | Scratch H | Scratch H | Scratch H | Scratch H | Scratch H | |
| F# 1 | 18 | F# -1 | 4 | Scratch L | Scratch L | Scratch L | Scratch L | Scratch L | Scratch L | Scratch L | |
| G 1 | 19 | G -1 | Finger Snap | Finger Snap | Finger Snap | Finger Snap | Finger Snap | Finger Snap | Finger Snap | ||
| G# 1 | 20 | G# -1 | Click Noise | Click Noise | Click Noise | Click Noise | Click Noise | Click Noise | Click Noise | ||
| A 1 | 21 | A -1 | Mtmmm Click | Mtmmm Click | Mtmmm Click | Mtmmm Click | Mtmmm Click | Mtmmm Click | Mtmmm Click | ||
| A# 1 | 22 | A# -1 | Mtmmm Bell | Mtmmm Bell | Mtmmm Bell | Mtmmm Bell | Mtmmm Bell | Mtmmm Bell | Mtmmm Bell | ||
| B 1 | 23 | B -1 | Seq Click L | Seq Click L | Seq Click L | Seq Click L | Seq Click L | Seq Click L | Seq Click L | ||
| C 2 | 24 | C 0 | Seq Click H | Seq Click H | Seq Click H | Seq Click H | Seq Click H | Seq Click H | Seq Click H | ||
| C# 2 | 25 | C# 0 | Brush Tap | Brush Tap | Brush Tap | Brush Tap | Brush Tap | Brush Tap | Brush Tap | ||
| D 2 | 26 | D 0 | O | Brush Swirl | Brush Swirl | Brush Swirl | Brush Swirl | Brush Swirl | Brush Swirl | Brush Swirl | |
| D# 2 | 27 | D# 0 | Brush Slap | Brush Slap | Brush Slap | Brush Slap | Brush Slap | Brush Slap | Brush Slap | ||
| E 2 | 28 | E 0 | O | BrushTapSwrl | BrushTapSwrl | BrushTapSwrl | BrushTapSwrl | BrushTapSwrl | ReversCymbal | ReversCymbal | |
| F 2 | 29 | F 0 | O | Snare Roll | Snare Roll 2 | Snare Roll | Snare Roll | Snare Roll | Snare Roll | Snare Roll | |
| F# 2 | 30 | F# 0 | Castanet | Castanet | Castanet | Castanet | Castanet | Hi Q 2 | Hi Q 2 | ||
| G 2 | 31 | G 0 | Snare Soft | Snare Soft 2 | Snare Electro | Snare Soft | Snare Noisy | SnrSpnyElctr | SnareNoisy 4 | ||
| G# 2 | 32 | G# 0 | Sticks | Sticks | Sticks | Sticks | Sticks | Sticks | Sticks | ||
| A 2 | 33 | A 0 | Kick Soft | Kick Soft | Kick Tight L | Kick Soft | Kick Tight 2 | Kick 3 | Kick Tight 2 | ||
| A# 2 | 34 | A# 0 | OpenRimShot | RimShotHSrt | Snare Pitched | OpenRimShot | OpenRimShot | OpenRimShot | OpenRimShot | ||
| B 2 | 35 | B 0 | Kick Tight | KickTightShrt | Kick Wet | Kick Tight | Kick 2 | Kick Gate | KickAnlgShrt | ||
| C 3 | 36 | C 1 | Kick | Kick Short | Kick Tight H | Kick | Kick Gate | KcKGateHeavy | Kick Analog | ||
| C# 3 | 37 | C# 1 | Side Stick | Side Stick | Stick Ambient | Side Stick | Side Stick | Side Stick | SideStickAn | ||
| D 3 | 38 | D 1 | Snare | Snare Short | Snare Ambient | Snare Snappy | Snare Rock | SnareNoisy 2 | SnareAnalog | ||
| D# 3 | 39 | D# 1 | Hand Clap | Hand Clap | Hand Clap | Hand Clap | Hand Clap | Hand Clap | Hand Clap | ||
| E 3 | 40 | E 1 | Snare Tight | SnareTight H | SnareTight SNpy | SnareTightSNpy | SnareRockRim | SnareNoisy 3 | SnareAnalog 2 | ||
| F 3 | 41 | F 1 | Floor Tom L | Floor Tom L | Hybrid Tom 1 | Tom Room 1 | Tom Rock 1 | TomElectro 1 | Tom Analog 1 | ||
| F# 3 | 42 | F# 1 | 1 | Hi-HatClosed | Hi-HatClosed | Hi-HatClosed | Hi-HatClosed | Hi-HatClosed | Hi-HatClosed | HiCloseAnlg | |
| G 3 | 43 | G 1 | Floor Tom H | Floor Tom H | Hybrid Tom 2 | Tom Room 2 | Tom Rock 2 | TomElectro 2 | Tom Analog 2 | ||
| G# 3 | 44 | G# 1 | 1 | Hi-Hat Pedal | Hi-Hat Pedal | Hi-Hat Pedal Light | Hi-Hat Pedal | Hi-Hat Pedal | Hi-Hat Pedal | HiCloseAnlg | |
| A 3 | 45 | A 1 | Low Tom | Low Tom | Hybrid Tom 3 | Tom Room 3 | Tom Rock 3 | TomElectro 3 | Tom Analog 3 | ||
| A# 3 | 46 | A# 1 | 1 | Hi-Hat Open | Hi-Hat Open | Hi-Hat Open Light | Hi-Hat Open | Hi-Hat Open | Hi-Hat Open | HiOpen Anlg | |
| B 3 | 47 | B 1 | Mid Tom L | Mid Tom L | Hybrid Tom 4 | Tom Room 4 | Tom Rock 4 | TomElectro 4 | Tom Analog 4 | ||
| C 4 | 48 | C 2 | Mid Tom H | Mid Tom H | Hybrid Tom 5 | Tom Room 5 | Tom Rock 5 | TomElectro 5 | Tom Analog 5 | ||
| C# 4 | 49 | C# 2 | CrashCymbal1 | CrashCymbal1 | CrashCymbal1 | CrashCymbal1 | CrashCymbal1 | CrashCymbal1 | Crash Analog | ||
| D 4 | 50 | D 2 | High Tom | High Tom | Hybrid Tom 6 | Tom Room 6 | Tom Rock 6 | TomElectro 6 | Tom Analog 6 | ||
| D# 4 | 51 | D# 2 | RideCymbal 1 | RideCymbal 1 | RideCymbal 1 | RideCymbal 1 | RideCymbal 1 | RideCymbal 1 | RideCymbal 1 | ||
| E 4 | 52 | E 2 | Chinese Cym | Chinese Cym | Chinese Cym | Chinese Cym | Chinese Cym | Chinese Cym | Chinese Cym | ||
| F 4 | 53 | F 2 | Ride Cym Cup | Ride Cym Cup | Ride Cym Cup | Ride Cym Cup | Ride Cym Cup | Ride Cym Cup | Ride Cym Cup | ||
| F# 4 | 54 | F# 2 | Tambourine | Tambourine | Tambourine Light | Tambourine | Tambourine | Tambourine | Tambourine | ||
| G 4 | 55 | G 2 | SplashCymbal | SplashCymbal | SplashCymbal | SplashCymbal | SplashCymbal | SplashCymbal | SplashCymbal | ||
| G# 4 | 56 | G# 2 | Cowbell | Cowbell | Cowbell | Cowbell | Cowbell | Cowbell | Cowbell | ||
| A 4 | 57 | A 2 | CrashCymbal2 | CrashCymbal2 | CrashCymbal2 | CrashCymbal2 | CrashCymbal2 | CrashCymbal2 | CrashCymbal2 | ||
| A# 4 | 58 | A# 2 | Vibraslap | Vibraslap | Vibraslap | Vibraslap | Vibraslap | Vibraslap | Vibraslap | ||
| B 4 | 59 | B 2 | RideCymbal 2 | RideCymbal 2 | RideCymbal 2 | RideCymbal 2 | RideCymbal 2 | RideCymbal 2 | RideCymbal 2 | ||
| C 5 | 60 | C 3 | Bongo H | Bongo H | Bongo H | Bongo H | Bongo H | Bongo H | Bongo H | ||
| C# 5 | 61 | C# 3 | Bongo L | Bongo L | Bongo L | Bongo L | Bongo L | Bongo L | Bongo L | ||
| D 5 | 62 | D 3 | Conga Mute | Conga Mute | Conga Mute | Conga Mute | Conga Mute | Conga H Mute | Conga Anlg H | ||
| D# 5 | 63 | D# 3 | Conga H Open | Conga H Open | Conga H Open | Conga H Open | Conga H Open | Conga H Open | Conga Anlg M | ||
| E 5 | 64 | E 3 | Conga L | Conga L | Conga L | Conga L | Conga L | Conga L | Conga L | ||
| F 5 | 65 | F 3 | Timbale H | Timbale H | Timbale H | Timbale H | Timbale H | Timbale H | Timbale L | ||
| F# 5 | 66 | F# 3 | Timbale L | Timbale L | Timbale L | Timbale L | Timbale L | Timbale L | Timbale L | ||
| G 5 | 67 | G 3 | Agogo H | Agogo H | Agogo H | Agogo H | Agogo H | Agogo H | Agogo H | ||
| G# 5 | 68 | G# 3 | Agogo L | Agogo L | Agogo L | Agogo L | Agogo L | Agogo L | Agogo L | ||
| A 5 | 69 | A 3 | Cabasa | Cabasa | Cabasa | Cabasa | Cabasa | Cabasa | Cabasa | ||
| A# 5 | 70 | A# 3 | Maracas | Maracas | Maracas | Maracas | Maracas | Maracas | Maracas 2 | ||
| B 5 | 71 | B 3 | O | SambaWhistLH | SambaWhistLH | SambaWhistLH | SambaWhistLH | SambaWhistLH | SambaWhistLH | SambaWhistLH | |
| C 6 | 72 | C 4 | O | SambaWhistLH | SambaWhistLH | SambaWhistLH | SambaWhistLH | SambaWhistLH | SambaWhistLH | SambaWhistLH | |
| C# 6 | 73 | C# 4 | Guigo Short | Guigo Short | Guigo Short | Guigo Short | Guigo Short | Guigo Short | Guigo Short | ||
| D 6 | 74 | D 4 | O | Guigo Long | Guigo Long | Guigo Long | Guigo Long | Guigo Long | Guigo Long | Guigo Long | |
| D# 6 | 75 | D# 4 | Claves | Claves | Claves | Claves | Claves | Claves | Claves 2 | ||
| E 6 | 76 | E 4 | Wood Block H | Wood Block H | Wood Block H | Wood Block H | Wood Block H | Wood Block H | Wood Block H | ||
| F 6 | 77 | F 4 | Wood Block L | Wood Block L | Wood Block L | Wood Block L | Wood Block L | Wood Block L | Wood Block L | ||
| F# 6 | 78 | F# 4 | Cuca Mute | Cuca Mute | Cuca Mute | Cuca Mute | Cuca Mute | Scrack H 2 | Scrack H 2 | ||
| G 6 | 79 | G 4 | Cuca Open | Cuca Open | Cuca Open | Cuca Open | Cuca Open | Scrack L 2 | Scrack L 2 | ||
| G# 6 | 80 | G# 4 | TriangleMute | TriangleMute | TriangleMute | TriangleMute | TriangleMute | TriangleMute | TriangleMute | ||
| A 6 | 81 | A 4 | TriangleOpen | TriangleOpen | TriangleOpen | TriangleOpen | TriangleOpen | TriangleOpen | TriangleOpen | ||
| A# 6 | 82 | A# 4 | Shaker | Shaker | Shaker | Shaker | Shaker | Shaker | Shaker | ||
| B 6 | 83 | B 4 | Jingle Bells | Jingle Bells | Jingle Bells | Jingle Bells | Jingle Bells | Jingle Bells | Jingle Bells | ||
| C 7 | 84 | C 5 | Bell Tree | Bell Tree | Bell Tree | Bell Tree | Bell Tree | Bell Tree | Bell Tree | ||
Key Off: Keys marked "O" stop sounding the instant they are released.
- Alternate Assign: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
| Bank Select MSB | 127 | 127 | 127 | 126 | 126 | ||||
| Bank Select LSB | 0 | 0 | 0 | 0 | 0 | ||||
| Program # (1-128) | 28 | 33 | 41 | 49 | 1 | ||||
| Keyboard Note | MIDI | Key off | Alternate assign | Dance Kit | Jazz Kit | Brush Kit | Symphony Kit | SFX Kit 1 | |
| Note # | Note | ||||||||
| C# 1 | 13 | C# -1 | 3 | Surdo Mute | Surdo Mute | Surdo Mute | Surdo Mute | ||
| D 1 | 14 | D -1 | 3 | Surdo Open | Surdo Open | Surdo Open | Surdo Open | ||
| D# 1 | 15 | D# -1 | Hi Q | Hi Q | Hi Q | Hi Q | |||
| E 1 | 16 | E -1 | Whip Slap | Whip Slap | Whip Slap | Whip Slap | |||
| F 1 | 17 | F -1 | 4 | Scratch H | Scratch H | Scratch H | Scratch H | ||
| F# 1 | 18 | F# -1 | 4 | Scratch L | Scratch L | Scratch L | Scratch L | ||
| G 1 | 19 | G -1 | Finger Snap | Finger Snap | Finger Snap | Finger Snap | |||
| G# 1 | 20 | G# -1 | Click Noise | Click Noise | Click Noise | Click Noise | |||
| A 1 | 21 | A -1 | Mtmrm Click | Mtmrm Click | Mtmrm Click | Mtmrm Click | |||
| A# 1 | 22 | A# -1 | Mtmrm Bell | Mtmrm Bell | Mtmrm Bell | Mtmrm Bell | |||
| B 1 | 23 | B -1 | Seq Click L | Seq Click L | Seq Click L | Seq Click L | |||
| C 2 | 24 | C 0 | Seq Click H | Seq Click H | Seq Click H | Seq Click H | |||
| C# 2 | 25 | C# 0 | Brush Tap | Brush Tap | Brush Tap | Brush Tap | |||
| D 2 | 26 | D 0 | O | Brush Swirl | Brush Swirl | Brush Swirl | Brush Swirl | ||
| D# 2 | 27 | D# 0 | Brush Slap | Brush Slap | Brush Slap | Brush Slap | |||
| E 2 | 28 | E 0 | O | ReversCymbal | BrushTapSwrl | BrushTapSwrl | BrushTapSwrl | ||
| F 2 | 29 | F 0 | O | Snare Roll | Snare Roll | Snare Roll | Snare Roll | ||
| F# 2 | 30 | F# 0 | Hi Q 2 | Castanet | Castanet | Castanet | |||
| G 2 | 31 | G 0 | Snare Techno3 | Snare Soft | Brush Slap 2 | Brush Slap 2 | |||
| G# 2 | 32 | G# 0 | Sticks | Sticks | Sticks | Sticks | |||
| A 2 | 33 | A 0 | Kick Techno Q | Kick Soft | Kick Soft | Kick Soft 2 | |||
| A# 2 | 34 | A# 0 | Rim Gate | OpenRimShot | OpenRimShot | OpenRimShot | |||
| B 2 | 35 | B 0 | Kick Techno L | Kick Tight | Kick Tight | Gran Cassa | |||
| C 3 | 36 | C 1 | Kick Techno 2 | Kick Jazz | Kick Small | GranCassa Mu | CuttingNoiz | ||
| C# 3 | 37 | C# 1 | SideStickAn | Side Stick | Side Stick | Side Stick | CuttingNoz2 | ||
| D 3 | 38 | D 1 | Snare Clap | Snare | Brush Slap 3 | Band Snare | Door Squeak | ||
| D# 3 | 39 | D# 1 | Hand Clap | Hand Clap | Hand Clap | Hand Clap | Door Slap | ||
| E 3 | 40 | E 1 | Snare Dry 2 | Snare Tight | Brush Tap 2 | Band Snare 2 | |||
| F 3 | 41 | F 1 | Tom Analog 1 | Tom Jazz 1 | Tom Brush 1 | Tom Jazz 1 | |||
| F# 3 | 42 | F# 1 | 1 | HiHatClose 3 | Hi-HatClosed | Hi-HatClosed | Hi-HatClosed | ||
| G 3 | 43 | G 1 | Tom Analog 2 | Tom Jazz 2 | Tom Brush 2 | Tom Jazz 2 | |||
| G# 3 | 44 | G# 1 | 1 | HiHatCloseAn 2 | Hi-HatPedal | Hi-HatPedal | Hi-HatPedal | ||
| A 3 | 45 | A 1 | Tom Analog 3 | Tom Jazz 3 | Tom Brush 3 | Tom Jazz 3 | |||
| A# 3 | 46 | A# 1 | 1 | HiHat Open 3 | Hi-Hat Open | Hi-Hat Open | Hi-Hat Open | ||
| B 3 | 47 | B 1 | Tom Analog 4 | Tom Jazz 4 | Tom Brush 4 | Tom Jazz 4 | |||
| C 4 | 48 | C 2 | Tom Analog 5 | Tom Jazz 5 | Tom Brush 5 | Tom Jazz 5 | |||
| C# 4 | 49 | C# 2 | Crash Analog | CrashCymbal1 | CrashCymbal1 | Hand Cymbal | |||
| D 4 | 50 | D 2 | Tom Analog 6 | Tom Jazz 6 | Tom Brush 6 | Tom Jazz 6 | |||
| D# 4 | 51 | D# 2 | RideCymbal 1 | RideCymbal 1 | RideCymbal 1 | HandCymShort | |||
| E 4 | 52 | E 2 | Chinese Cym | Chinese Cym | Chinese Cym | FI.Key Click | Ignition | ||
| F 4 | 53 | F 2 | Ride Cym Cup | Ride Cym Cup | Ride Cym Cup | Ride Cym Cup | |||
| F# 4 | 54 | F# 2 | Tambourine | Tambourine | Tambourine | Squeal | |||
| G 4 | 55 | G 2 | SplashCymbal | SplashCymbal | SplashCymbal | Exhaust | |||
| G# 4 | 56 | G# 2 | Cowbell Anlg | Cowbell | Cowbell | Siren | |||
| A 4 | 57 | A 2 | CrashCymbal2 | CrashCymbal2 | CrashCymbal2 | HandCymbal 2 | |||
| A# 4 | 58 | A# 2 | Vibraslap | Vibraslap | Vibraslap | Vibraslap | |||
| B 4 | 59 | B 2 | RideCymbal 2 | RideCymbal 2 | RideCymbal 2 | HandCym2Shrt | |||
| C 5 | 60 | C 3 | Bongo H | Bongo H | Bongo H | Burst | |||
| C# 5 | 61 | C# 3 | Bongo L | Bongo L | Bongo L | Coaster | |||
| D 5 | 62 | D 3 | Conga Anlg H | Conga Mute | Conga H Mute | Conga H Mute | |||
| D# 5 | 63 | D# 3 | Conga Anlg M | Conga H Open | Conga H Open | Conga H Open | |||
| E 5 | 64 | E 3 | Conga Anlg L | Conga L | Conga L | Conga L | |||
| F 5 | 65 | F 3 | Timbale H | Timbale H | Timbale H | ||||
| F# 5 | 66 | F# 3 | Timbale L | Timbale L | Timbale L | ||||
| G 5 | 67 | G 3 | Agogo H | Agogo H | Agogo H | ||||
| G# 5 | 68 | G# 3 | Agogo L | Agogo L | Agogo L | Shower | Laugh | ||
| A 5 | 69 | A 3 | Cabasa | Cabasa | Cabasa | Thunder | Scream | ||
| A# 5 | 70 | A# 3 | Maracas 2 | Maracas | Maracas | Wind | Punch | ||
| B 5 | 71 | B 3 | O | SambaWhistH | SambaWhistH | SambaWhistH | Stream | Heartbeat | |
| C 6 | 72 | C 4 | O | SambaWhistL | SambaWhistL | SambaWhistL | Bubble | Footsteps | |
| C# 6 | 73 | C# 4 | Guiro Short | Guiro Short | Guiro Short | Guiro Short | |||
| D 6 | 74 | D 4 | O | Guiro Long | Guiro Long | Guiro Long | |||
| D# 6 | 75 | D# 4 | Claves 2 | Claves | Claves | Claves | |||
| E 6 | 76 | E 4 | Wood Block H | Wood Block H | Wood Block H | ||||
| F 6 | 77 | F 4 | Wood Block L | Wood Block L | Wood Block L | ||||
| F# 6 | 78 | F# 4 | Scratch H 2 | Cuica Mute | Cuica Mute | ||||
| G 6 | 79 | G 4 | Scratch L 3 | Cuica Open | Cuica Open | ||||
| G# 6 | 80 | G# 4 | 2 | TriangleMute | TriangleMute | TriangleMute | |||
| A 6 | 81 | A 4 | 2 | TriangleOpen | TriangleOpen | TriangleOpen | |||
| A# 6 | 82 | A# 4 | Shaker | Shaker | Shaker | Shaker | |||
| B 6 | 83 | B 4 | Jingle Bells | Jingle Bells | Jingle Bells | ||||
| C 7 | 84 | C 5 | Bell Tree | Bell Tree | Bell Tree | Dog | Machine Gun | ||
| 85 | C# 5 | Horse | Laser Gun | ||||||
| 86 | D 5 | Bird Tweet 2 | Expllosion | ||||||
| 87 | D# 5 | Firework | |||||||
| 88 | E 5 | ||||||||
| 89 | F 5 | ||||||||
| 90 | F# 5 | Ghost | |||||||
| 91 | G 5 | Maou | |||||||
| Category | Style Name |
| 8 BEAT | 8 Beat 1 |
| 8 Beat 2 | |
| 8Bt Adria | |
| 8Bt Pop 1 | |
| 8Bt Pop 2 | |
| British Pop | |
| 8 Beat Rock • | |
| 8 Beat Soft | |
| 8Beat Ballad | |
| Light Pop | |
| 16 BEAT | 16 Beat 1 |
| 16 Beat 2 | |
| 16 Beat 3 | |
| 16 Beat 4 | |
| 16 Beat 5 | |
| Soft Fusion | |
| Groundbeat • | |
| Hip Hop Pop | |
| 16Bt Funk | |
| Funky Pop | |
| Funky Dance | |
| 80's Fusion | |
| Jazz Rock | |
| Funk • | |
| FusionShfl. • | |
| 16 Beat 6 | |
| BALLAD | 16-Ballad 1 |
| 16-Ballad 2 | |
| Piano Ballad | |
| Rock Ballad | |
| U.S. Ballad | |
| Slow Rock 1 | |
| Slow Rock 2 | |
| Slow Ballad | |
| Analog Pop • | |
| Modern 6/8 | |
| Pop Ballad 1 | |
| Pop Ballad 2 | |
| Cool Night | |
| GuitarBallad | |
| Organ Ballad | |
| Pop Ballad 3 | |
| Pop Ballad 4 • | |
| Blues Ballad ■ • | |
| Epic Ballad | |
| Pop Waltz |
| Category | Style Name |
| DANCE | Clubdance |
| Techno | |
| Entrance | |
| Eurobeat | |
| Trance • | |
| 70's disco 1 '1 | |
| 80's disco • | |
| 90's disco | |
| Disco Soul | |
| Cool Dance | |
| Miami Pop | |
| Disco Tropic | |
| Disco Hands | |
| Electro Pop • | |
| 70's disco 2 • | |
| ROCK/R&B | Rock 1 '2 |
| Hard Rock | |
| R & Roll 1 '3 | |
| Rock Shuffle | |
| Gospel Shfl | |
| R & B 1 | |
| Twist 1 '4 | |
| Motown | |
| Soul • • | |
| 4/4 Blues | |
| Rock 2 • | |
| 8 Beat Heat | |
| R & Roll 2 • • | |
| Soul Shuffle | |
| Pop Shuffle | |
| R & B 2 | |
| Twist 2 • • | |
| 6/8 Blues | |
| Blues Rock • • | |
| 6/8 Rock | |
| SWING/JAZZ | Swing 1 '5 |
| Big Band 1 | |
| BigBand Bld | |
| Jazz Ballad | |
| Jazz Trio | |
| Boogie 1 '6 | |
| Dixieland 1 | |
| BBand Boogie • | |
| Gypsy Swing • | |
| Bebop | |
| Swing 2 • |
| Category | Style Name |
| SWING/JAZZ | Big Band 2 |
| Big Band 3■●● | |
| Jazz Club 1■●● | |
| Jazz Club 2■●● | |
| Boogie 2■●● | |
| Dixieland 2 | |
| Swing Ballad■●● | |
| Jazz Waltz 1 | |
| Jazz Waltz 2 | |
| LATIN | Samba Rio |
| Bossa Nova 17 | |
| Bossa Nova 2● | |
| Reggae■●● | |
| Swing Reggae | |
| GuitarRhumba | |
| Guitar Bossa | |
| Salsa | |
| Mambo | |
| Pop Samba●● | |
| Jazz Samba● | |
| Pop Bossa 18 | |
| Pop Bossa 2●● | |
| Spanish Paso | |
| Pop Reggae | |
| Pop Rhumba●● | |
| Pop Cha Cha●● | |
| COUNTRY | Country Rock |
| Country 8Bt | |
| Country Pop | |
| CntryShuffle | |
| Cntry Swing | |
| Bluegrass | |
| Cntry Ballad | |
| Two Step | |
| CowboyBoogie● | |
| Hoedown | |
| CountryWaltz | |
| Folk | |
| BALLROOM | Vienna Waltz |
| Slow Waltz | |
| Slow Fox | |
| Quickstep 1 | |
| Tango | |
| Cha Cha | |
| Samba | |
| Rhumba | |
| Pasodoble | |
| Jive | |
| Orch.Waltz | |
| Beguine | |
| Foxtrot | |
| Quickstep 2 |
| Category | Style Name |
| TRAD./WALTZ | U.S. March |
| German March | |
| 6/8 March 1 | |
| Showtune | |
| Polka Pop | |
| Ober Polka | |
| Oberkrain.W. | |
| Tarantella | |
| Musette | |
| Guitar Waltz | |
| 6/8 March 2 | |
| Enka 1 | |
| Enka 2 | |
| PIANIST | Stride 1 |
| Stride 2 | |
| Swing 1 | |
| Swing 2 | |
| Jazz Ballad | |
| Blues 1 | |
| Blues 2 | |
| BoogieWoogie | |
| Jazz Waltz | |
| Arpeggio 1 | |
| 8Bt Ballad 1 | |
| 8Bt Ballad 2 | |
| 8 Beat | |
| Rock'n' Roll | |
| Slow Rock | |
| 2Beat Swing | |
| Ragtime 1 | |
| Ragtime 2 | |
| March 1 | |
| 6/8 March | |
| 4 Stroke | |
| March 2 | |
| Musical | |
| Traditional1 | |
| Traditional2 | |
| Traditional3 | |
| Arpeggio 2 | |
| Arpeggio 3 | |
| Waltz | |
| Slow Waltz | |
| Bossa Nova | |
| Samba | |
| Rhumba | |
| Cha Cha | |
| Beguine |
- Styles marked with a are not available on the CVP-107/700.
- Styles marked with a are not available on the CVP-105.
- Styles marked with a are not available on the CVP-103.
1 "70's disco" on the CVP-105/103.
2 "Rock" on the CVP-103.
3 "R & Roll" on the CVP-105/103.
4 "Twist" on the CVP-107/105/103/700.
5 "Swing" on the CVP-103.
6 "Boogie" on the CVP-107/105/103/700.
7 "Bossa Nova" on the CVP-103.
8 "Pop Bossa" on the CVP-105/103.
| Display Name | Harmony Type | Harmony Mode |
| Std:Duet | Standard:Duet | Chordal/Vocoder |
| Girl:Duet | Girl:Duet | Chordal/Vocoder |
| Lisa&Tina | Lisa and Tina | Chordal/Vocoder |
| Singer | Singer | Chordal/Vocoder |
| Dream Girls | Dream Girls | Chordal/Vocoder |
| MenChoir | Men Choir | Chordal/Vocoder |
| WomenChoir | Women Choir | Chordal/Vocoder |
| ClosedChoir | Closed Choir | Chordal/Vocoder |
| MixedChoir | Mixed Choir | Chordal/Vocoder |
| CountryMen | Country Men | Chordal/Vocoder |
| CntryGirls | Country Girls | Chordal/Vocoder |
| Barbershop | Barbershop | Chordal/Vocoder |
| MenCho:Jazz | MenChoir:Jazz | Chordal/Vocoder |
| WomenCho:J | WomenCho:Jazz | Chordal/Vocoder |
| CloseCho:J | ClosedCho:Jazz | Chordal/Vocoder |
| MixedCho:J | MixedCho:Jazz | Chordal/Vocoder |
| MenCho:Dia | MenCho:Diatonic | Chordal/Vocoder |
| Girl:Diatnc | Girl:Diatonic | Chordal/Vocoder |
| ACapellBoy | A Capella Boy | Chordal/Vocoder |
| ACapellaMix | A Capella Mix | Chordal/Vocoder |
| ACapellaDia | A Capella Dia | Chordal/Vocoder |
Note: Vocal harmony types that have "Chordal/Vocoder" in the Harmony Mode column can be used in either Chordal or Vocoder mode.
| Display Name | Harmony Type | Harmony Mode |
| Falset:Duet | Falsetto:Duet | Chordal/Vocoder |
| Falsett:Trio | Falsetto:Trio | Chordal/Vocoder |
| Falsetto:Dia | Falsetto:Dia | Chordal/Vocoder |
| Falset:Jazz | Falsetto:Jazz | Chordal/Vocoder |
| FalACapella | Fal A Capella | Chordal/Vocoder |
| UnisonLow:2 | Unison Low:2 | Chordal/Vocoder |
| UnisonHigh:2 | Unison High:2 | Chordal/Vocoder |
| UnisonLow:3 | Unison Low:3 | Chordal/Vocoder |
| UnisonHigh:3 | Unison High:3 | Chordal/Vocoder |
| XG | XG | Chordal/Vocoder |
| Karaok:Duet | Karaoke:Duet | Chordal/Vocoder |
| Karaok:Trio | Karaoke:Trio | Chordal/Vocoder |
| KaraokGirl | Karaoke:Girl | Chordal/Vocoder |
| KaraokPich | Karaoke:Pitch | Chordal/Vocoder |
| SingBass | Sing the Bass | Chromatic |
| SpdyMouse | Speedy Mouse | Chromatic |
| ChromatXG | ChromaticXG | Chromatic |
| DetuneXG | DetuneXG | Detune |
| Voice&Inst | Voice & Inst | Chromatic |
| VoiceTolnst | Voice to Inst | Chromatic |
| Thru | Thru | --- |
Parameter Chart
| Group | Contents | Default | V. Harmony Memory | One Touch Setting | Music Database | Set Up Memory | Registration Freeze Group | All Set Up | Backup Group | Recall Group |
| VOICE | RIGHT1 VOICE | Grand Piano | — | ○ | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING |
| RIGHT1 OCTAVE SHIFT | 0 | — | ○ | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| RIGHT1 PAN | Center | — | ○ | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| RIGHT1 VOLUME | 127 | — | ○ | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| Selected voice in each VOICE SELECT page | Top voice | — | — | — | — | — | ○ | VOICE SETTING | VOICE SETTING | |
| HARMONY ON/OFF | OFF | — | ○ | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| HARMONY TYPE | Depends on voice selection. | — | ○ | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| HARMONY VOLUME | Depends on voice selection. | — | ○ | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| HARMONY SPEED | Depends on voice selection. | — | ○ | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| DUAL | DUAL ON/OFF | OFF | — | ○ | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING |
| RIGHT2 VOICE | Strings Slow | — | ○ | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| RIGHT2 OCTAVE SHIFT | 0 | — | ○ | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| DUAL DETUNE DEPTH | 5 | — | ○ | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| RIGHT2 PAN | Center | — | ○ | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| RIGHT2 VOLUME | 127 | — | ○ | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| SPLIT | SPLIT ON/OFF | OFF | — | — | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING |
| LEFT VOICE | Acous.Bass 1 | — | — | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| LEFT OCTAVE SHIFT | +1 | — | — | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| SPLIT POINT | F#2 | — | — | — | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| LEFT PAN | Center | — | — | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| LEFT VOLUME | 127 | — | — | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| PEDAL RANGE | RIGHT | — | — | — | ○ | PEDAL | ○ | PEDAL | PEDAL | |
| ORGAN FLUTES (109/107/700)1 | ORGAN FLUTES VOICE | JAZZ ORGAN | — | — | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING |
| FOOTAGE (16', 8', 5+1/3', 4', 2+2/3', 2', 1+1/3', 1) | Depends on voice selection. | — | — | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| ATTACK (4', 2+2/3', 2', LENGTH, RESPONSE) | Depends on voice selection. | — | — | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| ATTACK MODE (EACH/FIRST) | Depends on voice selection. | — | — | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| REVERB ON/OFF | Depends on voice selection. | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| REVERB TYPE | Depends on style (voice) selection. | — | — | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| Natural Reverb Type (109) | Depends on style (voice) selection. | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| Reverb System (RIGHT1, RIGHT2, LEFT) (109) | Depends on voice selection. | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| REVERB TOTAL DEPTH | 64 | — | — | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| REVERB PART DEPTH (RHYTHM, ACMP) | 64 | — | — | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| REVERB PART DEPTH (LEFT, RIGHT1, RIGHT2) | Depends on voice selection. | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| EFFECT | EFFECT ON/OFF | Depends on voice selection. | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF |
| EFFECT TYPE (RIGHT1, RIGHT2, LEFT) (105/103) | Depends on voice selection. | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| EFFECT1 TYPE (109/107/700) | Depends on voice selection. | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| EFFECT2 TYPE (109/107/700) | Depends on voice selection. | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| EFFECT DEPTH (105/103) | Depends on voice selection. | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| EFFECT1 DEPTH (109/107/700) | Depends on voice selection. | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| EFFECT2 DEPTH (109/107/700) | Depends on voice selection. | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| EFFECT VARIATION (105/103) | Depends on voice selection. | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| EFFECT1 VARIATION (109/107/700) | Depends on voice selection. | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| EFFECT2 VARIATION (109/107/700) | Depends on voice selection. | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| EFFECT1 PART (109/107/700) | RIGHT 1 | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| EFFECT2 PART (109/107/700) | RIGHT 2 | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| CHORUS | CHORUS ON/OFF (109/107/105/700) | Depends on voice selection. | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF |
| CHORUS TYPE | Depends on style selection. | — | — | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| CHORUS DEPTH (RIGHT1, RIGHT2, LEFT) | Depends on voice selection. | — | ○ | ○ | ○ | REV/CHO/EFF | ○ | REV/CHO/EFF | REV/CHO/EFF | |
| EQUALIZER 2 (109/107/700) | EQUALIZER TYPE | STANDARD | — | — | — | — | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING |
| EQUALIZER GAIN | Depends on equalizer type selection. | — | — | — | — | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| REGISTRATION | REGISTRATION FREEZE ON/OFF | OFF | — | — | — | — | — | — | REGISTRATION | REGISTRATION |
| FREEZE CATEGORY ON/OFF (VOICE SETTING, REV/CHO/EFF(109/107/700), REVERSE/EFFECT(105/103), TUNE, PEDAL, ACMP. SETTING, VOCAL HARMONY(109/107/700)) | ACMP. SETTING: ON Others: OFF | — | — | — | — | — | — | REGISTRATION | REGISTRATION | |
| REGISTRATION NAME (109/107/105/700) | REGIST Bank-Num. | — | — | — | — | Always recalled. | ○ | REGISTRATION | REGISTRATION | |
| ALL REGISTRATION MEMORY Data (20) | Factory preset data | — | — | — | — | — | ○ | REGISTRATION | REGISTRATION | |
| MIXER | MIXER PART VOLUME (RHYTHM, BASS, CHORD, PAD, PHRASE) | 110 | — | — | ○ | — | ACMP. SETTING | ○ | ACMP SETTING | ACMP SETTING |
| KEYBOARD VOLUME | 127 | — | — | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| ACCOMPANIMENT | STYLE | 8 Beat 1 | — | — | ○ | — | ACMP. SETTING | ○ | ACMP SETTING | ACMP SETTING |
| Selected style in each STYLE SELECT page | Top style | — | — | — | — | — | ○ | ACMP SETTING | ACMP SETTING | |
| MAIN A/B/C/D | MAIN C | — | — | ○ | — | ACMP. SETTING | ○ | ACMP SETTING | ACMP SETTING | |
| ACMP. ON/OFF | OFF | — | ON | ON | — | ACMP. SETTING | ○ | ACMP SETTING | ACMP SETTING | |
| ACCOMPANIMENT MODE | MULTI FINGER | — | — | — | — | ACMP. SETTING | ○ | ACMP SETTING | ACMP SETTING | |
| TEMPO3 | Depends on style selection. | — | — | ○ | — | ACMP. SETTING | ○ | ACMP SETTING | ACMP SETTING | |
| INTRO/FILL IN/ENDING | OFF | — | — | — | — | ACMP. SETTING | ○ | — | — | |
| METRONOME | METRONOME TYPE | NORMAL | — | — | — | — | — | ○ | ACMP SETTING | ACMP SETTING |
| METRONOME VOLUME | 64 | — | — | — | — | — | ○ | ACMP SETTING | ACMP SETTING | |
| SONG | GUIDE MODE | NORMAL | — | — | — | — | — | — | — | — |
| SOUND REPEAT | AUTO | — | — | — | — | — | ○ | SONG SETTING | SONG SETTING | |
| PIANO ROLL DISPLAY | AUTO | — | — | — | — | — | ○ | SONG SETTING | SONG SETTING | |
| GUIDE LAMP ON/OFF | ON | — | — | — | — | — | ○ | SONG SETTING | SONG SETTING | |
| LYRCS ON/OFF | ON | — | — | — | — | — | ○ | SONG SETTING | SONG SETTING | |
| SONG VOLUME | [ACMP/SONG VOLUME] slider value | — | — | — | — | — | — | SONG SETTING | — | |
| HELP | LANGUAGE | ENGLISH | — | — | — | — | — | ○ | Always backed up. | — |
| FUNCTION | TUNE | 440.0Hz (A3) | — | — | — | — | — | ○ | TUNE | TUNE |
| TRANSPOSE (ALL) | 0 | — | — | — | — | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| TRANSPOSE (SONG) | 0 | — | — | — | — | — | ○ | VOICE SETTING | VOICE SETTING | |
| VOICE SETTING | AUTO | — | — | — | — | — | ○ | VOICE SETTING | VOICE SETTING | |
| KEY TOUCH | NORMAL | — | — | — | — | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| FIXED VELOCITY | 76 | — | — | — | — | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| LEFT PEDAL FUNCTION | SOFT | — | — | ○ | ○ | PEDAL | ○ | PEDAL | PEDAL | |
| RIGHT PEDAL FUNCTION (109/107/700) | Depends on R1 voice selection. | — | — | ○ | ○ | VOICE SETTING | ○ | VOICE SETTING | VOICE SETTING | |
| LEFT PART MIDI SEND Ch. | 3 | — | — | — | — | — | ○ | MIDI SETTING | MIDI SETTING | |
| RIGHT 1 PART MIDI SEND Ch. | 1 | — | — | — | — | — | ○ | MIDI SETTING | MIDI SETTING | |
| RIGHT 2 PART MIDI SEND Ch. | 2 | — | — | — | — | — | ○ | MIDI SETTING | MIDI SETTING | |
| LOCAL CONTROL ON/OFF | ON | — | — | — | — | — | ○ | MIDI SETTING | MIDI SETTING | |
| SYNC. CLOCK | INT. | — | — | — | — | — | ○ | MIDI SETTING | MIDI SETTING | |
| PROGRAM CHANGE SEND/RECEIVE ON/OFF | TX&RX (ON) | — | — | — | — | — | ○ | MIDI SETTING | MIDI SETTING | |
| CONTROL CHANGE SEND/RECEIVE ON/OFF | TX&RX (ON) | — | — | — | — | — | ○ | MIDI SETTING | MIDI SETTING | |
| SYSTEM EXCLUSIVE SEND/RECEIVE ON/OFF | TX&RX (ON) | — | — | — | — | — | ○ | MIDI SETTING | MIDI SETTING | |
| START/STOP SEND/RECEIVE ON/OFF | OFF | — | — | — | — | — | ○ | MIDI SETTING | MIDI SETTING | |
| MIDI FILTER ON/OFF (all channels) | ON | — | — | — | — | — | ○ | MIDI SETTING | MIDI SETTING | |
| MIDI TRANSMPOSE RECEIVE ON/OFF | ON | — | — | — | — | — | ○ | MIDI SETTING | MIDI SETTING | |
| ACMP & RHY SEND ON/OFF | OFF | — | — | — | — | — | ○ | MIDI SETTING | MIDI SETTING | |
| HARMONY SEND ON/OFF | OFF | — | — | — | — | — | ○ | MIDI SETTING | MIDI SETTING | |
| SEQUENCES SEND ON/OFF | OFF | — | — | — | — | — | ○ | MIDI SETTING | MIDI SETTING | |
| REMOTE KEYBOARD | OFF | — | — | — | — | — | ○ | MIDI SETTING | MIDI SETTING | |
| MICRO TUNING ON/OFF | OFF | — | — | — | — | — | ○ | TUNE | TUNE | |
| MICRO TUNE. SETTING | 0 | — | — | — | — | — | ○ | TUNE | TUNE | |
| SCALE TUNING SELECT | Preset | — | — | — | — | TUNE | ○ | TUNE | TUNE | |
| Preset SCALE SELECT | EQUAL | — | — | — | — | TUNE | ○ | TUNE | TUNE | |
| Preset SCALE KEY | C | — | — | — | — | TUNE | ○ | TUNE | TUNE | |
| USER SCALE SETTING | 0 | — | — | — | — | TUNE | ○ | TUNE | TUNE | |
| BACKUP ON/OFF | Set separately for each group.4 | Always backed up. | ||||||||
| Video Out Screen SIZE (109/107/700) | LARGE | — | — | — | — | — | — | Always backed up. | — | |
| Video Out CHARACTER Color (109/107/700) | BLUE (19) | — | — | — | — | — | — | Always backed up. | — | |
| Video Out BACKGROUND Color (109/107/700) | WHITE | Always backed up. | — | |||||||
| VOCAL HARMONY (109/107/700) | VOCAL HARMONY ON/OFF | OFF | ○ | — | — | — | VOCAL HARMONY | ○ | VOCAL HARMONY | VOCAL HARMONY |
| VOCAL HARMONY TYPE | MenChoir | ○ | — | — | — | VOCAL HARMONY | ○ | VOCAL HARMONY | VOCAL HARMONY | |
| VOCAL HARMONY REVERB DEPTH | 64 | ○ | — | — | — | VOCAL HARMONY | ○ | VOCAL HARMONY | VOCAL HARMONY | |
| VOCAL HARMONY CHORUS DEPTH | 0 | ○ | — | — | — | VOCAL HARMONY | ○ | VOCAL HARMONY | VOCAL HARMONY | |
| VOCAL HARMONY EFFECT DEPTH | 50 | ○ | — | — | — | VOCAL HARMONY | ○ | VOCAL HARMONY | VOCAL HARMONY | |
| VOCAL HARMONY EFFECT TYPE | KARAOKE1 | ○ | — | — | — | VOCAL HARMONY | ○ | VOCAL HARMONY | VOCAL HARMONY | |
| VOCAL HARMONY BALANCE | Depends on Vocal Harmony type. | ○ | — | — | — | VOCAL HARMONY | ○ | VOCAL HARMONY | VOCAL HARMONY | |
| VOCAL HARMONY PITCH TO NOTE PART | Depends on Vocal Harmony type. | ○ | — | — | — | VOCAL HARMONY | ○ | VOCAL HARMONY | VOCAL HARMONY | |
| VOCAL HARMONY GENDER TYPE | Depends on Vocal Harmony type. | ○ | — | — | — | VOCAL HARMONY | ○ | VOCAL HARMONY | VOCAL HARMONY | |
| VOCAL HARMONY PART | Automatically set | ○ | — | — | — | VOCAL HARMONY | ○ | VOCAL HARMONY | VOCAL HARMONY | |
| VOCAL HARMONY HARMONY MODE | AUTO | ○ | — | — | — | VOCAL HARMONY | ○ | VOCAL HARMONY | VOCAL HARMONY | |
| VOCAL HARMONY PITCH CORRECTION | Depends on Vocal Harmony type. | ○ | — | — | — | VOCAL HARMONY | ○ | VOCAL HARMONY | VOCAL HARMONY | |
| VOCAL HARMONY LOCK ON/OFF | OFF | — | — | — | — | — | ○ | VOCAL HARMONY | VOCAL HARMONY |
1 The One Touch Setting function can only set this parameter for the RIGHT1 part. The Registration function and All Set Up files can set this item for the RIGHT1, RIGHT2, and LEFT parts. Parameters related to the Organ Flutes voice will be recalled with a registration, Music Database setup, or All Setup file only if the Organ Flutes voice is selected by the recalled data.
2 The Registration function only stores the gain values for the currently selected equalizer type. The Backup function backs up the gain values for all equalizer types.
3 When a Music Database setup or registration is recalled during Auto Accompaniment playback, the style thereby selected will begin playing immediately if it is the same as the style that is currently playing, or from the top of the next measure if it is a different style.
4 REGISTRATION: ON; Others: OFF
- All fingerings shown are simple root-position types.
- Die hier gezeigten Akkorde sind jeweils die Grundakkorde.
- Tous les doigts indiqués sont du type à position fondamentale simple.
- Todos los digitados se muestran como temas de pos山坡 de raíz sencilla.
Example for "C" chords
Many MIDI messages listed in the MIDI Data Format are expressed in decimal numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers may include the letter "H" as a suffix. Also, "n" can freely be defined as any whole number.
To enter data/values, refer to the table below.
| Decimal | Hexadecimal | Binary |
| 0 | 00 | 0000 0000 |
| 1 | 01 | 0000 0001 |
| 2 | 02 | 0000 0010 |
| 3 | 03 | 0000 0011 |
| 4 | 04 | 0000 0100 |
| 5 | 05 | 0000 0101 |
| 6 | 06 | 0000 0110 |
| 7 | 07 | 0000 0111 |
| 8 | 08 | 0000 1000 |
| 9 | 09 | 0000 1001 |
| 10 | 0A | 0000 1010 |
| 11 | 0B | 0000 1011 |
| 12 | 0C | 0000 1100 |
| 13 | 0D | 0000 1101 |
| 14 | 0E | 0000 1110 |
| 15 | 0F | 0000 1111 |
| 16 | 10 | 0001 0000 |
| 17 | 11 | 0001 0001 |
| 18 | 12 | 0001 0010 |
| 19 | 13 | 0001 0011 |
| 20 | 14 | 0001 0100 |
| 21 | 15 | 0001 0101 |
| 22 | 16 | 0001 0110 |
| 23 | 17 | 0001 0111 |
| 24 | 18 | 0001 1000 |
| 25 | 19 | 0001 1001 |
| 26 | 1A | 0001 1010 |
| 27 | 1B | 0001 1011 |
| 28 | 1C | 0001 1100 |
| 29 | 1D | 0001 1101 |
| 30 | 1E | 0001 1110 |
| 31 | 1F | 0001 1111 |
| 32 | 20 | 0010 0000 |
| 33 | 21 | 0010 0001 |
| 34 | 22 | 0010 0010 |
| 35 | 23 | 0010 0011 |
| 36 | 24 | 0010 0100 |
| 37 | 25 | 0010 0101 |
| 38 | 26 | 0010 0110 |
| 39 | 27 | 0010 0111 |
| 40 | 28 | 0010 1000 |
| 41 | 29 | 0010 1001 |
| 42 | 2A | 0010 1010 |
| 43 | 2B | 0010 1011 |
| 44 | 2C | 0010 1100 |
| 45 | 2D | 0010 1101 |
| 46 | 2E | 0010 1110 |
| 47 | 2F | 0010 1111 |
| 48 | 30 | 0011 0000 |
| 49 | 31 | 0011 0001 |
| 50 | 32 | 0011 0010 |
| 51 | 33 | 0011 0011 |
| 52 | 34 | 0011 0100 |
| 53 | 35 | 0011 0101 |
| 54 | 36 | 0011 0110 |
| 55 | 37 | 0011 0111 |
| 56 | 38 | 0011 1000 |
| 57 | 39 | 0011 1001 |
| 58 | 3A | 0011 1010 |
| 59 | 3B | 0011 1011 |
| 60 | 3C | 0011 1100 |
| 61 | 3D | 0011 1101 |
| 62 | 3E | 0011 1110 |
| 63 | 3F | 0011 1111 |
| Decimal | Hexadecimal | Binary |
| 64 | 40 | 0100 0000 |
| 65 | 41 | 0100 0001 |
| 66 | 42 | 0100 0010 |
| 67 | 43 | 0100 0011 |
| 68 | 44 | 0100 0100 |
| 69 | 45 | 0100 0101 |
| 70 | 46 | 0100 0110 |
| 71 | 47 | 0100 0111 |
| 72 | 48 | 0100 1000 |
| 73 | 49 | 0100 1001 |
| 74 | 4A | 0100 1010 |
| 75 | 4B | 0100 1011 |
| 76 | 4C | 0100 1100 |
| 77 | 4D | 0100 1101 |
| 78 | 4E | 0100 1110 |
| 79 | 4F | 0100 1111 |
| 80 | 50 | 0101 0000 |
| 81 | 51 | 0101 0001 |
| 82 | 52 | 0101 0010 |
| 83 | 53 | 0101 0011 |
| 84 | 54 | 0101 0100 |
| 85 | 55 | 0101 0101 |
| 86 | 56 | 0101 0110 |
| 87 | 57 | 0101 0111 |
| 88 | 58 | 0101 1000 |
| 89 | 59 | 0101 1001 |
| 90 | 5A | 0101 1010 |
| 91 | 5B | 0101 1011 |
| 92 | 5C | 0101 1100 |
| 93 | 5D | 0101 1101 |
| 94 | 5E | 0101 1110 |
| 95 | 5F | 0101 1111 |
| 96 | 60 | 0110 0000 |
| 97 | 61 | 0110 0001 |
| 98 | 62 | 0110 0010 |
| 99 | 63 | 0110 0011 |
| 100 | 64 | 0110 0100 |
| 101 | 65 | 0110 0101 |
| 102 | 66 | 0110 0110 |
| 103 | 67 | 0110 0111 |
| 104 | 68 | 0110 1000 |
| 105 | 69 | 0110 1001 |
| 106 | 6A | 0110 1010 |
| 107 | 6B | 0110 1011 |
| 108 | 6C | 0110 1100 |
| 109 | 6D | 0110 1101 |
| 110 | 6E | 0110 1110 |
| 111 | 6F | 0110 1111 |
| 112 | 70 | 0111 0000 |
| 113 | 71 | 0111 0001 |
| 114 | 72 | 0111 0010 |
| 115 | 73 | 0111 0011 |
| 116 | 74 | 0111 0100 |
| 117 | 75 | 0111 0101 |
| 118 | 76 | 0111 0110 |
| 119 | 77 | 0111 0111 |
| 120 | 78 | 0111 1000 |
| 121 | 79 | 0111 1001 |
| 122 | 7A | 0111 1010 |
| 123 | 7B | 0111 1011 |
| 124 | 7C | 0111 1100 |
| 125 | 7D | 0111 1101 |
| 126 | 7E | 0111 1110 |
| 127 | 7F | 0111 1111 |
- Except the table above, for example 144-159(decimal)/9nH/1001 0000-1001 1111binary) displays the Note On Message for each channel (1-16). 176-191/ BnH/1011 0000-1011 1111 displays the Control Change Message for each channel (1-16). 192-207/CnH/1100 0000-1100 1111 displays the Program Change Message for each channel (1-16). 240/F0H/1111 0000 denotes the start of a System Exclusive Message. 247/F7H/1111 0111 denotes the end of a System Exclusive Message.
- aaH (hexadecimal)/0aaaaaaa (binary) denotes the data address. The address contains High, Mid, and Low.
- bbH/0bbbbbb denotes the byte count.
- ccH/OCCCCCC denotes the check sum.
- ddH/0ddddddd denotes the data/value.

(1) TRANSMIT FLOW

(2) RECEIVE FLOW

(3) TRANSMIT/RECEIVE DATA
(3-1) CHANNEL VOICE MESSAGES
(3-1-1) KEY OFF
| STATUS | 1000nnn(8nH) | n = 0 - 15 VOICE CHANNEL NUMBER |
| NOTE NUMBER | 0kkkkkkk | k = 0 (C-2) - 127 (G8) |
| VELOCITY | 0vdddd | v: ignored |
(3-1-2) KEY ON/OFF
| STATUS | 1001nnnn(9nH) | n = 0 - 15 VOICE CHANNEL NUMBER |
| NOTE NUMBER | 0kkkkkkk | k = 0 (C-2) - 127 (G8) |
| VELOCITY | 0vvvvvv | (v ≠ 0) NOTE ON |
| 00000000 | (v = 0) NOTE OFF |
(3-1-3) PROGRAM CHANGE
| STATUS | 1100nnnn(CnH) | n = 0 - 15 VOICE CHANNEL NUMBER |
| PROGRAM NUMBER | 0ppppppp | p = 0 - 127 |
- PROGRAM NUMBER: XG DRUM VOICE number correspondence
| P = 0 | Standard Kit |
| P = 1 | Standard2 Kit |
| P = 4 | Hit Kit(CVP-109/107/700) |
| P = 8 | Room Kit |
| P = 16 | Rock Kit |
| P = 24 | Electro Kit |
| P = 25 | Analog Kit |
| P = 27 | Dance Kit |
| P = 32 | Jazz Kit |
| P = 40 | Brush Kit |
| P = 48 | Classic Kit |
- PROGRAM NUMBER: XG SFX KIT number correspondence
| P = 0 | SFX1 KIt |
| P = 1 | SFX2 KIt |
When DRUM VOICE is selected and program change data for a different DRUM VOICE is received, the currently selected Drum Setup data will be replaced with the new DRUM VOICE DATA.
(3-1-4) CHANNEL AFTER TOUCH (Receive only)
| STATUS | 1101nnnn(DnH) | n = 0 - 15 VOICE CHANNEL NUMBER |
| VALUE | 0vyyyyvv | v = 0 - 127 AFTER TOUCH VALUE |
(3-1-5) PITCH BEND CHANGE
| STATUS | 1110nnn(EnH) | n = 0 - 15 | VOICE CHANNEL NUMBER |
| LSB | 0vcccc | PITCH | BEND CHANGE LSB |
| MSB | 0vcccc | PITCH | BEND CHANGE MSB |
(3-1-6) CONTROL CHANGE
| STATUS | 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER |
| CONTROL NUMBER | 0ccccccc |
| CONTROL VALUE | 0vyyyyyy |
- Transmit CONTROL NUMBER.
| c = 0 | BANK SELECT MSB | ; v = 0:XG NORMAL,64: SFX NORMAL,126:XG SFX KIT,127:XG DRUM |
| c = 32 | BANK SELECT LSB | ; v = 0 - 127 |
| c = 6 | DATA ENTRY MSB | ; v = 0 - 127 |
| c = 38 | DATA ENTRY LSB | ; v = 0 - 127 |
| c = 7 | MAIN VOLUME | ; v = 0 - 127 |
| c = 10 | PANPOT ; v = 0 - 127 | |
| c = 11 | EXPRESSION | ; v = 0 - 127 |
| c = 64 | SUSTAIN | ; v = 0-63:OFF , 64-127:ON *2 |
| c = 66 | SOSTENUTO | ; v = 0-63:OFF , 64-127:ON *2 |
| c = 67 | SOFT PEDAL | ; v = 0-63:OFF , 64-127:ON *2 |
| c = 84 | PORTAMENTO CONTROL | ; v = 0 - 127 |
| c = 91 | REVERB SEND LEVEL | ; v = 0 - 127 |
| c = 93 | CHORUS SEND LEVEL | ; v = 0 - 127 |
| c = 94 | VARIATION SEND LEVEL | ; v = 0 - 127 |
| (When only Connection = 1[System]) | ||
| c = 100 | RPN LSB | ; v = 0 - 127 |
| c = 101 | RPN MSB | ; v = 0 - 127 |
- Receive CONTROL NUMBER.
| c = 0 | BANK SELECT MSB | ; v = 0:XG NORMAL,64:SFX NORMAL,126:XG SFX KIT,127:XG DRUM |
| c = 32 | BANK SELECT LSB | ; v = 0 - 127 |
| c = 1 | MODULATION | ; v = 0 - 127 |
| c = 5 | PORTAMENTO TIME | ; v = 0 - 127 |
| c = 6 | DATA ENTRY MSB | ; v = 0 - 127 |
| c = 38 | DATA ENTRY LSB | ; v = 0 - 127 |
| c = 7 | MAIN VOLUME | ; v = 0 - 127 |
| c = 10 | PANPOT; v = 0 - 127 | |
| c = 11 | EXPRESSION | ; v = 0 - 127 |
| c = 64 | SUSTAIN | ; v = 0-63:OFF , 64-127:ON *2 |
| c = 65 | PORTAMENTO | ; v = 0-63:OFF , 64-127:ON *2 |
| c = 66 | SOSTENUTO | ; v = 0-63:OFF , 64-127:ON *2 |
| c = 67 | SOFT PEDAL | ; v = 0-63:OFF , 64-127:ON *2 |
| c = 71 | HARMONIC CONTENT | ; v = 0:-64 - 64:0 - 127:+63 *2 |
| c = 72 | RELEASE TIME | ; v = 0:-64 - 64:0 - 127:+63 *2 |
| c = 73 | ATTACK TIME | ; v = 0:-64 - 64:0 - 127:+63 *2 |
| c = 74 | BRIGHTNESS | ; v = 0:-64 - 64:0 - 127:+63 *2 |
| c = 84 | PORTAMENT CONTROL | ; v = 0 - 127 |
| c = 91 | REVERB SEND LEVEL | ; v = 0 - 127 |
| c = 93 | CHORUS SEND LEVEL | ; v = 0 - 127 |
| c = 94 | VARIATION SEND LEVEL | ; v = 0 - 127 |
| (When only Connection = 1[System]) | ||
| c = 96 | DATA INCREMENT | ; v = 0 - 127 |
| c = 97 | DATA DECREMENT | ; v = 0 - 127 |
| RPN MSB/LSB, NRPN MSB/LSB |
1 Only when setting the appointed parameter with RPN, NRPN.
2 Does not effect Rhythm Voice.
- Until a PROGRAM CHANGE message is received, the BANK SELECT operation will be suspended. When a Voice, including VOICE BANK, is changed, set the BANK SELECT and Program Change Message, and transmit in the following order, BANK SELECT MSB, LSB, PROGRAM CHANGE.
- MODULATION controls the Vibrato Depth.
- PORTAMENTO TIME controls the Pitch Change Speed when the Portamento Switch = ON. 0 being the shortest time, and 127 being the longest.
- PANPOT changes the value for the melody voice and rhythm voice in relation to the preset value.
-
Portamento time is fixed to 0 when the PORTAMENTO CONTROL is used.
-
HARMONIC CONTENT applies adjustment to the resonance value that is set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. As values get higher the sound becomes increasingly eccentric. Note that for some voices the effective parameter range is narrower than the legal parameter range.
- RELEASE TIME applies adjustment to the envelope release time set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment.
- ATTACK TIME applies adjustment to the envelope attack time set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment.
- BRIGHTNESS applies adjustment to the cut-off frequency set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. Lower voices produce a softer sound. For some voices the effective parameter range is narrower than the legal parameter range.
(3-2) CHANNEL MODE MESSAGES
| STATUS | 1011nnnn(BnH) | n = 0 - 15 VOICE CHANNEL NUMBER |
| CONTROL NUMBER | 0cccccc | c = CONTROL NUMBER |
| CONTROL VALUE | 0vdddd | v = DATA VALUE |
(3-2-1) ALL SOUND OFF (Receive only)
(CONTROL NUMBER = 78H DATA VALUE = 0
Switches off all sound from the channel. Reset Note On and Hold On conditions established by Channel Messages.
(3-2-2) RESET ALL CONTROLLERs (Receive only)
(CONTROL NUMBER = 79H, DATA VALUE = 0)
Resetscontrollersasfollows.
| PITCH BEND CHANGE | 0 (Center) |
| AFTER TOUCH | 0 (min.) |
| MODULATION | 0 (min.) |
| EXPRESSION | 127 (max.) |
| SUSTAIN | 0 (off) |
| SOSTENUTO | 0 (off) |
| SOFT PEDAL | 0 (off) |
| NRPN | Sets number to null. (Internal data remains unchanged) |
| RPN | Sets number to null. (Internal data remains unchanged) |
| PORTAMENT CONTROL | Resetts portamento source note number |
| PORTAMENTO | 0 (off) |
(3-2-3) ALL NOTES OFF (Receive only)
(CONTROL NUMBER = 7BH, DATA VALUE = 0)
Switches off all of the channel's "on" notes. However, any notes being held by SUSTAIN or SOSTENUTO continue to sound until SUSTAIN/SOSTENUTO goes off.
(3-2-4) OMNI OFF (Receive only) (CONTROL NUMBER = 7CH, DATA VALUE = 0) Same processing as for All Notes Off.
(3-2-5) OMNI ON (Receive only) (CONTROL NUMBER = 7DH, DATA VALUE = 0) Same processing as for All Notes Off. Omni On is not executed.
(3-2-6) MONO (Receive only) (CONTROL NUMBER = 7EH, DATA VALUE = 0) Same processing as for All Notes Off. If the 3rd byte is in a range of 0-16 the corresponding channel will be changed to Mode 4 (m = 1) .
(3-2-7) POLY (Receive only) (CONTROL NUMBER = 7FH, DATA VALUE = 0) Same processing as for All Sounds Off and the corresponding channel will be changed to Mode 3.
(3-3) REGISTERED PARAMETER NUMBER(RPN)
| STATUS | 1011nnnn(BnH) | n = 0 - 15 VOICE CHANNEL NUMBER |
| RPN LSB | 01100100(64H) | |
| RPN LSB NUMBER | 0ppppppp | p = RPN LSB (refer to the list below) |
| RPN MSB | 01100101(65H) | |
| RPN MSB NUMBER | 0qqqqqqq | q = RPN MSB (refer to the list below) |
| DATA ENTRY MSB | 00000110(06H) | |
| DATA VALUE | 0mmmmmm | m = Data Value |
| DATA ENTRY LSB | 00100110(26H) | |
| DATA VALUE | 01111111 | l = Data Value |
First appoints the parameter for RPN MSB/LSB, then sets the parameter value for data entry MSB/LSB.
| RPN | D.ENTRY | ||||
| LSB MSB | MSB LSB | PARAMETER NAME DATA RANGE | |||
| 00H 00H | mmH - | PITCH BEND SENSITIVITY 00H-18H (0~24 semitones) | |||
| 01H 00H | mmH 11H | FINE TUNE | {mmH,11H} = {00H,00H}-{40H,00H}-{7FH,7FH}(-8192*100/8192) - 0 - (+8192*100/8192) | ||
| 02H 00H | mmH - | COARSE TUNE | 28H - 40H - 58H (-24 - 0 - +24 semitones) | ||
| 7FH 7FH | - - | NULL | Cleared the current RPN number setting.Does not change the internal parameter settings | ||
(3-4) NON-REGISTERED PARAMETER NUMBER(NRPN) (Receive only)
| STATUS | 1011nnnn(BnH) | n = 0 - 15 VOICE CHANNEL NUMBER |
| NRPN LSB | 01100010(62H) | |
| NRPN LSB NUMBER | 0ppppppp | p = NRPN LSB (refer to the list below) |
| NRPN MSB | 01100011(63H) | |
| NRPN MSB NUMBER | 0qqqqqqq | q = NRPN MSB (refer to the list below) |
| DATA ENTRY MSB | 00000110(06H) | |
| DATA VALUE | 0mmmmmmmm | m = Data Value |
First appoints the parameter for NRPN MSB/LSB, then sets the parameter value for data entry MSB/LSB.
| NRPN | D.ENTRY | ||
| MSB LSB | MSB LSB | PARAMETER NAMEDATA RANGE | |
| 01H 08H | mmH - | VIBRATO RATE | 00H - 40H - 7FH (-64 - 0 - +63) |
| 01H 09H | mmH - | VIBRATO DEPTH | 00H - 40H - 7FH (-64 - 0 - +63) |
| 01H 0AH | mmH - | VIBRATO DELAY | 00H - 40H - 7FH (-64 - 0 - +63) |
| 01H 20H | mmH - | FILTER CUTOFF FREQUENCY | 00H - 40H - 7FH (-64 - 0 - +63) |
| 01H 21H | mmH - | FILTER RESONANCE | 00H - 40H - 7FH (-64 - 0 - +63) |
| 01H 30H | mmH - | EQ BASS (CVP-109/107/700) | 00H - 40H - 7FH (-64 - 0 - +63) |
| 01H 31H | mmH - | EQ TREBLE (CVP-109/107/700) | 00H - 40H - 7FH (-64 - 0 - +63) |
| 01H 34H | mmH - | EQ BASS FREQ. (CVP-109/107/700) | 00H - 40H - 7FH (-64 - 0 - +63) |
| 01H 35H | mmH - | EQ TREBLE FREQ. (CVP-109/107/700) | 00H - 40H - 7FH (-64 - 0 - +63) |
| 01H 63H | mmH - | EG ATTACK TIME | 00H - 40H - 7FH (-64 - 0 - +63) |
| 01H 64H | mmH - | EG DECAY TIME | 00H - 40H - 7FH (-64 - 0 - +63) |
| 01H 66H | mmH - | EG RELEASE | 00H - 40H - 7FH (-64 - 0 - +63) |
| 14H rrH | mmH - | DRUM FILTER CUTOFF FREQ. | 00H - 40H - 7FH (-64 - 0 - +63) |
| 15H rrH | mmH - | DRUM FILTER RESONANCE | 00H - 40H - 7FH (-64 - 0 - +63) |
| 16H rrH | mmH - | DRUM AEG ATTACK RATE | 00H - 40H - 7FH (-64 - 0 - +63) |
| 17H rrH | mmH - | DRUM AEG DECAY RATE | 00H - 40H - 7FH (-64 - 0 - +63) |
| 18H rrH | mmH - | DRUM PITCH COARSE | 00H - 40H - 7FH (-64 - 0 - +63) |
| 19H rrH | mmH - | DRUM PITCH FINE | 00H - 40H - 7FH (-64 - 0 - +63) |
| 1AH rrH | mmH - | DRUM LEVEL | 00H - 7FH (0 - max.) |
| 1CH rrH | mmH - | DRUM PANPOT | 00H ,01H - 40H - 7FH (random,left - center - right) |
| 1DH rrH | mmH - | DRUM REVERB SEND LEVEL | 00H - 7FH (0 - max.) |
| 1EH rrH | mmH - | DRUM CHORUS SEND LEVEL | 00H - 7FH (0 - max.) |
| 1FH rrH | mmH - | DRUM VARIATION SEND LEVEL | 00H - 7FH (0 - max.) |
The MSB 14H-1FH (for drums) message is received when multi-part parameters PART MODE = DRUMS1...2.
rrH:drum instrument note number
(3-5) SYSTEM REALTIME MESSAGES
(3-5-1)MIDI CLOCK
STATUS 1111000 (F8H)
Transmission: 96 clocks per measure are transmitted.
Reception: If the instrument's clock is set to external, after FAH is received from the external device the instrument's clock will sync with the 96 beats per measure received from the external device.
Decides whether the internal clock, or Timing Clocks received via the MIDI IN will be used.
(3-5-2) START
STATUS 1111010 (FAH)
Transmission: Transmitted when instrument's Rhythm or Song playback is started. Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will start.
(3-5-3) STOP
STATUS 1111100 (FCH)
Transmission: Transmitted when instrument's Rhythm or Song playback is stopped.
Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will stop.
(3-5-4) ACTIVE SENSING
STATUS 1111110 (FEH)
Transmission: Transmitted approximately once every 200msec.
Reception: Sensing is started once this Code is received. If Status or Data is not received within 400ms, the MIDI Receive Buffer will be cleared, and all notes, including those being sustained, will be cut OFF. Also, all control values will be reset to their factory defaults.
(3-6) SYSTEM EXCLUSIVEMESSAGE
(3-6-1)YAMAHA MIDI FORMAT
(3-6-1-1) SECTION CONTROL
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01111110 | 7E | Style |
| 00000000 | 00 | |
| 0sssssss | SS | Switch No. |
| 00H : INTRO A | ||
| 01H : INTRO B | ||
| 02H : INTRO C/D | ||
| 03H~07H : INTRO C/D | ||
| 08H : MAIN A | ||
| 09H : MAIN B | ||
| 0AH : MAIN C | ||
| 0BH~0FH : MAIN D | ||
| 10H : FILL IN A | ||
| 11H : FILL IN B | ||
| 12H : FILL IN C | ||
| 13H~17H : FILL IN D | ||
| 18H : BREAK FILL | ||
| 19H : BREAK FILL | ||
| 1AH : BREAK FILL | ||
| 1BH~1FH : BREAK FILL | ||
| 20H : ENDING A | ||
| 21H : ENDING B | ||
| 22H : ENDING C/D | ||
| 23H~27H : ENDING C/D | ||
| 0dddddd | DD | Switch On/Off: 00H(Off), 7FH(On) |
| 11110111 | F7 | End of Exclusive |
When an ON code is received, the appointed section will be changed.
(3-6-1-2) TEMPO CONTROL
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01111110 | 7E | Style |
| 00000000 | 01 | |
| 0t tt t t t | TT | Tempo4 |
| 0t t t t t t | TT | Tempo3 |
| 0t t t t t t | TT | Tempo2 |
| 0t t t t t t | TT | Tempo1 |
| 11110111 | F7 | End of Exclusive |
The internal clock will be set to the received Tempo value.
Tempo Meta Event is a large data block (24-bit), it is divided into 4 groups with 7-bits going
into each of the Tempos 1-4 (4 receives the remaining 3 bits).
(3-6-1-3) CHORD CONTROL type1
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01111110 | 7E | Style |
| 00000010 | 02 | type 1 |
| 0dddddddd | dd | chord root(cr) |
| 0ddddddd | dd | chord type(ct) |
| 0ddddddd | dd | bass note(bn) |
| 0ddddddd | dd | bass type(bt) |
| 11111110 | F7 | End of Exclusive |
Chord transmit: Transmitted using type 1 format.
| cr | Chord | Root | 0kkknnnn | (kkk: Change symbol, nnnn: Note) | ||
| Binary | Hex | Change symbol | Binary | Hex | Note | |
| 0000nnnn | 0n | bbb(3 flats) | 0kkk0000 | k0 | reserved | |
| 0001nnnn | 1n | bb (2 flats) | 0kkk0001 | k1 | C | |
| 0010nnnn | 2n | b (1 flat) | 0kkk0010 | k2 | D | |
| 0011nnnn | 3n | natural | 0kkk0011 | k3 | E | |
| 0100nnnn | 4n | # (1 sharp) | 0kkk0100 | k4 | F | |
| 0101nnnn | 5n | ## (2 sharps) | 0kkk0101 | k5 | G | |
| 0110nnnn | 6n | ##### (3 sharps) | 0kkk0110 | k6 | A | |
| 0kkk0111 | k7 | B | ||||
| ct | Chord Type | 0 - 34,127 | ||||||
| Binary | Hex | Dec | Chord type | Binary | Hex | Dec | Chord type | |
| 00000000 | 00 | 0 | Maj | 00010010 | 12 | 18 | dim7 | |
| 00000001 | 01 | 1 | Maj6 | 00010011 | 13 | 19 | 7th | |
| 00000010 | 02 | 2 | Maj7 | 00010100 | 14 | 20 | 7sus4 | |
| 00000011 | 03 | 3 | Maj7(#11) | 00010101 | 15 | 21 | 7b5 | |
| 00000100 | 04 | 4 | Maj(9) | 00010110 | 16 | 22 | 7(9) | |
| 00000101 | 05 | 5 | Maj7(9) | 00010111 | 17 | 23 | 7(#11) | |
| 00000110 | 06 | 6 | Maj6(9) | 00011000 | 18 | 24 | 7(13) | |
| 00000111 | 07 | 7 | aug | 00011001 | 19 | 25 | 7(b9) | |
| 00001000 | 08 | 8 | min | 00011010 | 1A | 26 | 7(b13) | |
| 00001001 | 09 | 9 | min6 | 00011011 | 1B | 27 | 7(#9) | |
| 00001010 | 0A | 10 | min7 | 00011100 | 1C | 28 | Maj7aug | |
| 00001011 | 0B | 11 | min7b5 | 00011101 | 1D | 29 | 7aug | |
| 00001100 | 0C | 12 | min(9) | 00011110 | 1E | 30 | 1+8 | |
| 00001101 | 0D | 13 | min7(9) | 00011111 | 1F | 31 | 1+5 | |
| 00001110 | OE | 14 | min7(11) | 00100000 | 20 | 32 | sus4 | |
| 00001111 | OF | 15 | minMaj7 | 00100001 | 21 | 33 | 1+2+5 | |
| 00010000 | 10 | 16 | minMaj7(9) | 00100010 | 22 | 34 | cc | |
| 00010001 | 11 | 17 | dim | |||||
| bn | On Bass Note | Same as Chord root, 127:No bass chord | ||||||
| bt | Bass Chord | Same as Chord type 127:No bass chord | ||||||
(3-6-2) UNIVERSAL SYSTEM EXCLUSIVE
(3-6-2-1) UNIVERSAL REALTIMEMESSAGE
(3-6-2-1-1) MIDI MASTER VOLUME (Receive only)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 0111110 | 7F | Universal Realtime |
| 0111111 | 7F | ID of target Device |
| 00001001 | 04 | Sub-ID #1=Device Control Message |
| 00000001 | 01 | Sub-ID #2=Master Volume |
| 0ssssss | SS | Volume LSB |
| 0tttttt | TT | Volume MSB |
| 11110111 | F7 | End of Exclusive |
| or | ||
| 11110000 | F0 | Exclusive status |
| 0111110 | 7F | Universal Realtime |
| 0xxxnnnn | XN | When N is received N=0-F, whichever is received. |
| When N is transmitted N always=0. | ||
| X = don't care | ||
| 00001001 | 04 | Sub-ID #1=Device Control Message |
| 00000001 | 01 | Sub-ID #2=Master Volume |
| 0ssssss | SS | Volume LSB |
| 0tttttt | TT | Volume MSB |
| 11110111 | F7 | End of Exclusive |
The volume for all channels will be changed simultaneously.
The TT value is used as the MIDI Master Volume value. (the SS value is ignored.)
(3-6-2-2) UNIVERSAL NON REALTIMEMESSAGE
(3-6-2-2-1) GENERAL MIDI SYSTEM ON
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01111110 | 7E | Universal Non-Realtime |
| 01111111 | 7F | ID of target Device |
| 00001001 | 09 | Sub-ID #1=General MIDI Message |
| 00000001 | 01 | Sub-ID #2=General MIDI On |
| 11110111or | F7 | End of Exclusive |
| 11110000 | F0 | Exclusive status |
| 01111110 | 7E | Universal Non-Realtime |
| 0xxxnnnnn | XN | When N is received N=0-F, whichever is received.When N is transmitted N always=0.X = don't care |
| 00001001 | 09 | Sub-ID #1=General MIDI Message |
| 00000001 | 01 | Sub-ID #2=General MIDI On |
| 11110111 | F7 | End of Exclusive |
Depending upon the received ON message, the System Mode will be changed to XG.
Except MIDI Master Tuning, all control data be reset to default values.
This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent.
After the GM System ON message is received, message reception of the following will be limited.
- Bank Select MSB-LSB in channel 10 will be ignored and the drum voice will be fixed.
- Bank Select MSB-LSB except in channel 10 will be ignored except 127/0 .
- NRPN is not received.
When XG SYSTEM ON is received, these restrictions will be cancelled.
(3-6-3) XG STANDARD
(3-6-3-1) XG PARAMETER CHANGE
(3-6-3-1-1) XG SYSTEM ON
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 0001nnnn | 1N | Device Number |
| 01001100 | 4C | Model ID |
| 00000000 | 00 | Address High |
| 00000000 | 00 | Address Mid |
| 01111110 | 7E | Address Low |
| 00000000 | 00 | Data |
| 11110111 | F7 | End of Exclusive |
Depending upon the received ON message, the SYSTEM MODE will be changed to XG Controllers will be reset, all values of Multi Part and Effect, and All System values denoted by "XG" data within All System will be reset to default values in the table. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent.
(3-6-3-1-2) XG PARAMETER CHANGE
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 0001nnnnn | 1N | Device Number |
| 01001100 | 4C | Model ID |
| 0aaaaaaa | AA | Address High |
| 0aaaaaa | AA | Address Mid |
| 0aaaaaaa | AA | Address Low |
| 0dddddd | DD | Data |
| | | | | |
| 11110111 | F7 | End of Exclusive |
For parameters with data size of 2 or 4, transmit the appropriate number of data bytes. For more information on Address and Parameters, refer to < Table 1-2> (page 23) and < Table 1-4> ~ < Table 1-10> (pages 23-29).
The following Parameter Changes are handled.
XG System Data
Multi Effect 1 Data
Multi EQ Data (CVP-109/107/700)
Multi Effect 2 Data(CVP-109/107/700)
Special Effect Data(CVP-109/107/700)
Multi Part Data
A/D Part Data (CVP-109/107/700)
Drums Setup Data
(3-6-3-2) XG BULK DUMP
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 0000nnn | ON | Device Number |
| 01001100 | 4C | Model ID |
| 0bbbbbbb | BB | ByteCount |
| 0bbbbbb | BB | ByteCount |
| 0aaaaaa | AA | Address High |
| 0aaaaaa | AA | Address Mid |
| 0aaaaaa | AA | Address Low |
| 0dddddd | DD | Data |
| | | | | |
| 0ccccccc | CC | Check sum |
| 11110111 | F7 | End of Exclusive |
For more information on Address and Byte Count, refer to < Table 1-2 > < Table 1-10 > (pages 23-29).
The Check Sum value is set such that the sum of Byte Count, Address, Data, and Check Sum has value zero in its seven least significant bits.
If the top of the block is appointed to the Address the XG Bulk Dump, Bulk Request will be received.
The Block is a unit that consists of the data, arranged in the list, as the Total Size.
The following Bulk Dumps are handled.
XG System Data
Multi Effect 1 Data(Individual effect unit)
Multi EO Data (CVP-109/107/700)
Multi Effect 2 Data(CVP-109/107/700)
Special Effect Data(CVP-109/107/700)
Multi Part Data(Individual part unit)
A/D Part Data (CVP-109/107/700)
Drums Setup Data(Individual note unit)
System Information(Transmit only)
(3-6-3-3) XG PARAMETER REQUEST (Receive only)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000111 | 43 | YAMAHA ID |
| 0011nnnnn | 3n | Device Number |
| 01001100 | 4C | Model ID |
| 0aaaaaaa | AA | Address High |
| 0aaaaaaa | AA | Address Mid |
| 0aaaaaaa | AA | Address Low |
| 11110111 | F7 | End of Exclusive |
For more information on Address and Byte Count refer to < Table 1-2 > (page 23) and < Table 1-4 > < Table 1-10 > (pages 23-29).
The following Parameter Requests are handled.
XG System Data
Multi Effect 1 Data
Multi EO Data(CVP-109/107/700)
Multi Effect 2 Data(CVP-109/107/700)
Special Effect Data(CVP-109/107/700)
Multi Part Data
A/D Part Data (CVP-109/107/700)
Drums Setup Data
(3-6-3-4) XG DUMP REQUEST (Receive only)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 0010nnnn | 2n | Device Number |
| 01001100 | 4C | Model ID |
| 0aaaaaa | AA | Address High |
| 0aaaaaaa | AA | Address Mid |
| 0aaaaaaa | AA | Address Low |
| 11110111 | F7 | End of Exclusive |
For more information on Address and Byte Count refer to < Table 1-2 > < Table 1-10> (pages 23-29).
The following Dump Requests are handled.
XG System Data
Multi Effect 1 Data(Individual module unit)
Multi EQ Data(CVP-109/107/700)
Multi Effect 2 Data(CVP-109/107/700)
Special Effect Data(CVP-109/107/700)
Multi Part Data(Individual part unit)
A/D Part Data (CVP-109/107/700)
Drums Setup Data(Individual note unit)
System Information
(3-6-4) CLAVINOVA MIDI COMPLIANCE
(3-6-4-1) INTERNAL CLOCK / EXTERNAL CLOCK (Receive only)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 00000001 | 01 | Clavinova common ID |
| 0000001n | ON | N: 2(Internal Clock),3(External Clock) |
| 11110111 | F7 | End of Exclusive |
(3-6-4-2) BULK DUMP ORGAN FLUTE DATA (CVP-109/107/700)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA |
| 01110011 | 73 | CLAVINOVA ID |
| 00000001 | 01 | Model ID (Clavinova common ID) |
| 00000110 | 06 | Bulk ID |
| 00001011 | 0B | Bulk No. (ORGAN FLUTE Bulk Dump DATA) |
| 0000nnnn | 0n | Data Length |
| 0000nnnn | 0n | Data Length |
| 0000nnnn | 0n | Data Length |
| 0000nnnn | 0n | Data Length (Data Length=nnnnH bytes) |
| 0dddddd | dd1 | Bulk Data |
| : | : | |
| 0cccccc | cc | don't care |
| 11110111 | F7 | End of Exclusive |
Data Length = 16Hbytes
| [BULK DATA items dd1...dd22] | |||||
| 1st | OnH | n: MIDI Channel | No. | Discription | |
| 2nd | Drawber | [1'] | 00 - 07H | 0: | -∞ [dB] |
| 3rd | [1 1/3'] | 00 - 07H | 1: | -12 [dB] | |
| 4th | don't care | 00H | 2: | -9 [dB] | |
| 5th | [2'] | 00 - 07H | 3: | -6 [dB] | |
| 6th | [2 2/3'] | 00 - 07H | 4: | -4.5 [dB] | |
| 7th | [4'] | 00 - 07H | 5: | -3 [dB] | |
| 8th | [5 1/3'] | 00 - 07H | 6: | -1.5 [dB] | |
| 9th | [8'] | 00 - 07H | 7: | 0 [dB] | |
| 10th | [16'] | 00 - 07H | |||
| 11th | [Attack 2'] | 00 - 07H | |||
| 12th | [Attack 2 2/3'] | 00 - 07H | |||
| 13th | [Attack 4'] | 00 - 07H | |||
| 14th | Settings | [Attack Length] | 00 - 07H | ||
| 15th | [Response] | 00 - 07H | |||
| 16th | [Attack Mode] | 00 - 01H | 00H:Each, 01H:First | ||
| 17th | don't care | 00H | |||
| 18th | don't care | 00H | |||
| 19th | don't care | 00H | |||
| 20th | don't care | 00H | |||
| 21th | don't care | 00H | |||
| 22th | don't care | 00H | |||
(3-6-4-3) DOC MULTI TIMBRE ON / OFF (Receive only)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 00000001 | 01 | Clavinova common ID |
| 00000110 | 1N | N:3(DOC Multi Timbre Off) , 4(DOC Multi Timbre On) |
| 11110111 | F7 | End of Exclusive |
(3-6-4-4) PANEL LED ON / OFF (Receive only)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 00000001 | 01 | Clavinova common ID |
| 00011010 | 1A | PANEL LED On/Off |
| 0mmmmmmm | MM | MM:00H(LED Off), 01H(LED On), 02H(The LED flashes)03H(LED All off),04H (Panel LED returns to normal operation) |
| 00000000 | 00 | |
| 0nnnnnnn | NN | LED No. |
| 11110111 | F7 | End of Exclusive |
Remotely switches the Panel LED On/Off.
(3-6-4-5) PANEL VOICE SETTING (Receive only)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 01000101 | 01 | Clavinova common ID |
| 00100010 | 22 | Piano Live Exclusive Substatus |
| 00000000 | 00 | Panel Voice Setting Substatus |
| 0000nnnn | On | Panel Part No. |
| 00H (RIGHT 1) | ||
| 01H (RIGHT 2) | ||
| 02H (LEFT) | ||
| 0mmmmmm | mm | Bank Select MSB |
| 01111111 | 11 | Bank Select LSB |
| 0ppppppp | pp | Program Change |
| 11110111 | F7 | End of Exclusive |
(3-6-4-6) PANEL VOICE VOLUME SETTING (Receive only)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 01000101 | 01 | Clavinova common ID |
| 00100010 | 22 | Piano Live Exclusive Substatus |
| 00000001 | 01 | Panel Voice Volume Setting Substatus |
| 0000nnnn | On | Panel Part No. |
| 00H (RIGHT 1) | ||
| 01H (RIGHT 2) | ||
| 02H (LEFT) | ||
| 0vvvvvvv | vv | Value (0 - 7FH) |
| 11110111 | F7 | End of Exclusive |
(3-6-4-7) PANEL VOICE REVERB DEPTH SETTING (Receive only)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 01000101 | 01 | Clavinova common ID |
| 00100010 | 22 | Piano Live Exclusive Substatus |
| 00000010 | 02 | Panel Voice Reverb Depth Setting Substatus |
| 0000nnnn | On | Panel Part No. |
| 00H (RIGHT 1) | ||
| 01H (RIGHT 2) | ||
| 02H (LEFT) | ||
| 0vvvvvvv | vv | Value (0 - 7FH) |
| 11110111 | F7 | End of Exclusive |
(3-6-4-8) PANEL VOICE EFFECT DEPTH SETTING (Receive only)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 01000101 | 01 | Clavinova common ID |
| 00100010 | 22 | Piano Live Exclusive Substatus |
| 00000011 | 03 | Panel Voice Effect Depth Setting Substatus |
| 0000nnnn | On | Panel Part No. |
| 00H (RIGHT 1) | ||
| 01H (RIGHT 2) | ||
| 02H (LEFT) | ||
| 0vvvvvvv | VV | Value (0 - 7FH) |
| 11110111 | F7 | End of Exclusive |
(3-6-4-9) MIDI FA CANCEL (Receive only)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 01000101 | 01 | Clavinova common |
| 01100001 | 61 | MIDI FA Cancel |
| 11110111 | F7 | End of Exclusive |
If this message is received, even if FAH is received the Rhythm will not start.
(3-6-5-1) SPLIT POINT
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 01000101 | 01 | Clavinova common ID |
| 00010001 | 11 | Sub ID |
| 00000000 | 00 | |
| 00010100 | 14 | Split Point |
| 0dddddd | DD | Split Key No. |
| 11110111 | F7 | End of Exclusive |
(3-6-5-2) STYLE NUMBER
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 01011010 | 5E | CVP-103/105/107/109/700 ID |
| 00010001 | 11 | Sub ID |
| 00000000 | 00 | Channel No. (always 00) |
| 00010110 | 16 | Style No. Control No. |
| Ommmmmmmm | mm | Style No. MSB |
| 01111111 | 11 | Style No. LSB |
| 11110111 | F7 | End of Exclusive |
(3-6-5-3) FINGERING
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 01000101 | 01 | Clavinova common ID |
| 00010001 | 11 | Sub ID |
| 00000000 | 00 | |
| 01000000 | 40 | Fingering |
| 0000ddd | 0D | 0D: 00H(Off),01H(Single Finger),02H(Fingered 1),03H(Fingered 2),04H(Full Keyboard),07H(Multi Finger) |
| 11110111 | F7 | End of Exclusive |
(3-6-5-4) ACCOMP VOLUME
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 01000101 | 01 | Clavinova common ID |
| 00010001 | 11 | Sub ID |
| 0000nnnn | ON | Part: 00H(All Part), 05H(Rhythm), 0AH(Bass), 06H(Chord), 0DH(Pad), 07H(Phrase) |
| 01000000 | 42 | Accomp Volume |
| 0dddddddd | DD | Volume Data: 00H-7FH |
| 11110111 | F7 | End of Exclusive |
(3-6-5-5) CHANNEL DETUNE
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 0100011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 01000101 | 01 | Clavinova common ID |
| 00010001 | 11 | Sub ID |
| 00000nnn | ON | N = MIDI Channel |
| 01000111 | 43 | Dual Detune |
| 0vvvvvvv | VV | Value VV: 00H - 40H - 7FH (-64 - 0 - +63) |
| 11110111 | F7 | End of Exclusive |
The Channel Detune message only affects the specified channel.
(3-6-5-6) VOLUME ,EXPRESSION AND PAN REALTIME CONTROL OFF
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 01000101 | 01 | Clavinova common ID |
| 00010001 | 11 | Sub ID |
| 0000nnnn | ON | N = MIDI Channel |
| 01001001 | 45 | Volume and Expression Realtime Control Off |
| 0vvvvvv | VV | Value VV: off=7FH, on=00H |
| 11110111 | F7 | End of Exclusive |
When "On" is received, subsequent volume, expression, and PAN changes are only valid after the reception of the next key on. Normal operation resumes when "Off" is received.
(3-6-5-7) MIDI KEY LED MODE ON / OFF (Receive only)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 01000101 | 01 | Clavinova common ID |
| 00010001 | 11 | Sub ID |
| 0000nnnn | ON | N = MIDI Channel |
| 01000111 | 47 | MIDI Key LED Mode On / Off |
| 0ddddddd | DD | DD: 00H(Key LED Mode Off), 01H(Key LED Mode On + no tone), 02H(Key LED Mode On + tone) |
| 11110111 | F7 | End of Exclusive |
(3-6-5-8) NATURAL REVERB TYPE (CVP-109)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 01011001 | 5D | CVP-109 ID |
| 00010001 | 11 | Sub ID |
| 00000000 | 00 | Channel No. (always 00) |
| 01010010 | 52 | Natural Reverb Control No. |
| 00000000 | 00 | Natural Reverb Type Parameter No. |
| 0mmmmmm | mm | Natural Reverb Type MSB |
| 01111111 | 11 | Natural Reverb Type LSB |
| 11110111 | F7 | End of Exclusive |
(3-6-5-9) NATURAL REVERB TRACK ON/OFF (CVP-109)
| binary | hexadecimal | |||
| 11110000 | F0 | Exclusive status | ||
| 01000011 | 43 | YAMAHA ID | ||
| 01110011 | 73 | Clavinova ID | ||
| 01011001 | 5D | CVP-109 ID | ||
| 00010001 | 11 | Sub ID | ||
| 0000nnnn | On | Channel No. (00H - 0FH) | ||
| 00H - 0FH (MIDI Channel 1 - 16) | ||||
| 01010011 | 53 | Natural Reverb Track On/Off Control No. | ||
| 0dddddd | dd | Natural Reverb Track On/Off | ||
| dd Natural Rev. XG Rev. | ||||
| 0 | Off | On (default) | ||
| 1 | Off | Off | ||
| 2 | On | On | ||
| 3 | On | Off | ||
| 11110111 | F7 | End of Exclusive | ||
(3-6-5-10) VOCAL HARMONY PITCH TO NOTE (CVP-109/107/700)
(Receive only)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 01000101 | 01 | Clavinova common ID |
| 00010001 | 11 | Sub ID |
| 00000000 | 00 | Channel No. (always 00) |
| 01010000 | 50 | Vocal Harmony Additional Parameter Control No. |
| 00000000 | 00 | Pitch to Note Parameter No. |
| 0sssssss | ss | Pitch to Note Switch 00H (Off) 01H (On) |
| 11110111 | F7 | End of Exclusive |
(3-6-5-11) VOCAL HARMONY PITCH TO NOTE PART (CVP-109/107/700)
(Receive only)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 01000101 | 01 | Clavinova common ID |
| 00010001 | 11 | Sub ID |
| 00000000 | 00 | Channel No. (always 00) |
| 01010000 | 50 | Vocal Harmony Additional Parameter Control No. |
| 00000001 | 01 | Pitch to Note Part Parameter No. |
| 0sssssss | ss | Pitch to Note Part No. |
| 00H (RIGHT 1) | ||
| 01H (RIGHT 2) | ||
| 02H (LEFT) | ||
| 11110111 | F7 | End of Exclusive |
(3-6-5-12) VOCAL HARMONY VOCODER PART (CVP-109/107/700) (Harmony Part [Panel]) (Receive only)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 01110011 | 73 | Clavinova ID |
| 01000101 | 01 | Clavinova common ID |
| 00010001 | 11 | Sub ID |
| 00000000 | 00 | Channel No. (always 00) |
| 01010000 | 50 | Vocal Harmony Additional Parameter Control No. |
| 00010000 | 10 | Vocoder Part Parameter No. |
| 0sssssss | ss | Harmony Part No. |
| 00H (Off) | ||
| 01H (RIGHT 1) | ||
| 02H (LEFT) | ||
| 11110111 | F7 | End of Exclusive |
(3-6-6) Others
(3-6-6-1) MIDI MASTER TUNING (Receive only)
| binary | hexadecimal | |
| 11110000 | F0 | Exclusive status |
| 01000011 | 43 | YAMAHA ID |
| 0001nnnn | 1N | When N is received N=0-F, whichever is received. |
| 00100111 | 27 | Model ID |
| 00110000 | 30 | Sub ID |
| 00000000 | 00 | |
| 00000000 | 00 | |
| 0mmmmmmm | MM | Master Tune MSB |
| 01111111 | LL | Master Tune LSB |
| 0ccccccc | CC | don't care |
| 11110111 | F7 | End of Exclusive |
Changes tuning of all channels.
MM, LL values are used to define the MIDI Master Tuning value.
T = M - 128
T: Tuning value (-99 cents to +99 cents)
M: A single byte value (28-228) that consists of bits 0-3 of MM as MSB, bits 0-3 of LL as LSB.
This setting is not reset when the GM System or XG System is turned on.
Parameter Basic Address
Parameter Change
Address
(H) (M) (L) Description
SYSTEM 00 00 00 System
00 00 7D Drum Setup Reset
00 00 7E XG System On
00 00 7F All Parameter Reset
INFORMATION 01 00 00 System Information
EFFECT 1 02 01 00 Effect1(Reverb,Chorus,Variation)
MULTI EQ(CVP-109/107/700) 02 40 00 Multi EQ
EFFECT 2(CVP-109/107/700) 03 00 00 Effect2 Insertion Effect1
: : :
03 02 00 (Insertion Effect3)
SPECIAL EFFECT (CVP-109/107/700) 04 00 00 Special Insertion Effect1
MULTI PART 08 00 00 Multi Part 1
:
08 OF 00 Multi Part 16
A/D (CVP-109/107/700) 10 00 00 A/D Part 1
DRUM 30 OD 00 Drum Setup 1 Address Parameter
31 OD 00 Drum Setup 2
3n 0D 00 note number 13
3n 0E 00 note number 14
: :
3n 5B 00 note number 91
MIDI Parameter Change table (SYSTEM)
Address Size Data Parameter Name Description Default
(H) (H) (H) Value(H)
00 00 4 0000 Master Tune -102.4..+102.3[cent] 00 04 00 00
01 ..07FF 1st bit3-0 -> bit15-12 (0400)
02 2nd bit3-0 -> bit11-8
03 3rd bit3-0 -> bit7-4
4th bit3-0 -> bit3-0
04 1 00..7F Master Volume 0..127 7F
05 1 Not Used
06 1 28..58 Transpose -24..+24[semitones] 40
7D n Drum Setup Reset n=Drum Setup Number
7E 00 XG System On 00=XG Sytem on
7F 00 All Parameter Reset 00=on (receive only)
TOTAL SIZE 6
MIDI Parameter table (System information)
Address Size Data Parameter Name Description (H) (H) 01 00 00 E 20..7F Model Name 32..127(ASCII) : 0D 0E 1 00 0F 1 01 TOTAL SIZE 10 (Transmitted by Dump Request. Not received. Bulk Dump Only)
MIDI Parameter Change table ( EFFECT 1)
Address Size Data Parameter Name Description Default (H) (H) (H) Value(H) 02 01 00 2 00..7F Reverb Type MSB Refer to the Effect Type List 01 HALL1) 00..7F Reverb Type LSB 00 : basic type 00 02 1 00..7F Reverb Parameter 1 Refer to the Ef. Parameter List Depend on Reverb type 03 1 00..7F Reverb Parameter 2 Refer to the Ef. Parameter List Depend on Reverb type 04 1 00..7F Reverb Parameter 3 Refer to the Ef. Parameter List Depend on Reverb type 05 1 00..7F Reverb Parameter 4 Refer to the Ef. Parameter List Depend on Reverb type
| 06 | 1 | 00..7F | Reverb Parameter 5 | Refer to the Ef. Parameter List | Depend on Reverb type | |
| 07 | 1 | 00..7F | Reverb Parameter 6 | Refer to the Ef. Parameter List | Depend on Reverb type | |
| 08 | 1 | 00..7F | Reverb Parameter 7 | Refer to the Ef. Parameter List | Depend on Reverb type | |
| 09 | 1 | 00..7F | Reverb Parameter 8 | Refer to the Ef. Parameter List | Depend on Reverb type | |
| OA | 1 | 00..7F | Reverb Parameter 9 | Refer to the Ef. Parameter List | Depend on Reverb type | |
| OB | 1 | 00..7F | Reverb Parameter 10 | Refer to the Ef. Parameter List | Depend on Reverb type | |
| OC | 1 | 00..7F | Reverb Return | ~.0..+6dB(0..96..127) | 40 | |
| OD | 1 | 01..7F | Reverb Pan | L63..C..R63(1..64..127) | 40 | |
| TOTAL SIZE OE | ||||||
| 02 | 01 | 10 | 00..7F | Reverb Parameter 11 | Refer to the Ef. Parameter List | Depend on Reverb type |
| 11 | 00..7F | Reverb Parameter 12 | Refer to the Ef. Parameter List | Depend on Reverb type | ||
| 12 | 00..7F | Reverb Parameter 13 | Refer to the Ef. Parameter List | Depend on Reverb type | ||
| 13 | 00..7F | Reverb Parameter 14 | Refer to the Ef. Parameter List | Depend on Reverb type | ||
| 14 | 00..7F | Reverb Parameter 15 | Refer to the Ef. Parameter List | Depend on Reverb type | ||
| 15 | 00..7F | Reverb Parameter 16 | Refer to the Ef. Parameter List | Depend on Reverb type | ||
| TOTAL SIZE 6 | ||||||
| 02 | 01 | 20 | 00..7F | Chorus Type MSB | Refer to the Effect Type List | 41(=Chorus1) |
| 00..7F | Chorus Type LSB | 00: basic type | 00 | |||
| 22 | 1 | Chorus Parameter 1 | Refer to the Ef. Parameter List | Depend on Chorus Type | ||
| 23 | 1 | Chorus Parameter 2 | Refer to the Ef. Parameter List | Depend on Chorus Type | ||
| 24 | 1 | Chorus Parameter 3 | Refer to the Ef. Parameter List | Depend on Chorus Type | ||
| 25 | 1 | Chorus Parameter 4 | Refer to the Ef. Parameter List | Depend on Chorus Type | ||
| 26 | 1 | Chorus Parameter 5 | Refer to the Ef. Parameter List | Depend on Chorus Type | ||
| 27 | 1 | Chorus Parameter 6 | Refer to the Ef. Parameter List | Depend on Chorus Type | ||
| 28 | 1 | Chorus Parameter 7 | Refer to the Ef. Parameter List | Depend on Chorus Type | ||
| 29 | 1 | Chorus Parameter 8 | Refer to the Ef. Parameter List | Depend on Chorus Type | ||
| 2A | 1 | Chorus Parameter 9 | Refer to the Ef. Parameter List | Depend on Chorus Type | ||
| 2B | 1 | Chorus Parameter 10 | Refer to the Ef. Parameter List | Depend on Chorus Type | ||
| 2C | 1 | Chorus Return | ~.0..+6dB(0..96..127) | 40 | ||
| 2D | 1 | Chorus Pan | L63..C..R63(1..64..127) | 40 | ||
| 2E | 1 | Send Chorus To Reverb | ~.0..+6dB(0..96..127) | 00 | ||
| TOTAL SIZE OF | ||||||
| 02 | 01 | 30 | 00..7F | Chorus Parameter 11 | Refer to the Ef. Parameter List | Depend on Chorus Type |
| 31 | 00..7F | Chorus Parameter 12 | Refer to the Ef. Parameter List | Depend on Chorus Type | ||
| 32 | 1 | Chorus Parameter 13 | Refer to the Ef. Parameter List | Depend on Chorus Type | ||
| 33 | 1 | Chorus Parameter 14 | Refer to the Ef. Parameter List | Depend on Chorus Type | ||
| 34 | 1 | Chorus Parameter 15 | Refer to the Ef. Parameter List | Depend on Chorus Type | ||
| 35 | 1 | Chorus Parameter 16 | Refer to the Ef. Parameter List | Depend on Chorus Type | ||
| TOTAL SIZE 6 | ||||||
| 02 | 01 | 40 | 00..7F | Variation Type MSB | Refer to the Effect Type List | "05(=DELAY L,C,R)" |
| 00..7F | Variation Type LSB | 00: basic type | 00 | |||
| 42 | 2 | Vari. Param. 1 MSB | Refer to the Ef. Parameter List | Depend on Vari. Type | ||
| 00..7F | Vari. Param. 1 LSB | Refer to the Ef. Parameter List | Depend on Vari. Type | |||
| 44 | 2 | Vari. Param. 2 MSB | Refer to the Ef. Parameter List | Depend on Vari. Type | ||
| 00..7F | Vari. Param. 2 LSB | Refer to the Ef. Parameter List | Depend on Vari. Type | |||
| 46 | 2 | Vari. Param. 3 MSB | Refer to the Ef. Parameter List | Depend on Vari. Type | ||
| 00..7F | Vari. Param. 3 LSB | Refer to the Ef. Parameter List | Depend on Vari. Type | |||
| 48 | 2 | Vari. Param. 4 MSB | Refer to the Ef. Parameter List | Depend on Vari. Type | ||
| 00..7F | Vari. Param. 4 LSB | Refer to the Ef. Parameter List | Depend on Vari. Type | |||
| 4A | 2 | Vari. Param. 5 MSB | Refer to the Ef. Parameter List | Depend on Vari. Type | ||
| 00..7F | Vari. Param. 5 LSB | Refer to the Ef. Parameter List | Depend on Vari. Type | |||
| 4C | 2 | Vari. Param. 6 MSB | Refer to the Ef. Parameter List | Depend on Vari. Type | ||
| 00..7F | Vari. Param. 6 LSB | Refer to the Ef. Parameter List | Depend on Vari. Type | |||
| 4E | 2 | Vari. Param. 7 MSB | Refer to the Ef. Parameter List | Depend on Vari. Type | ||
| 00..7F | Vari. Param. 7 LSB | Refer to the Ef. Parameter List | Depend on Vari. Type | |||
| 50 | 2 | Vari. Param. 8 MSB | Refer to the Ef. Parameter List | Depend on Vari. Type | ||
| 00..7F | Vari. Param. 8 LSB | Refer to the Ef. Parameter List | Depend on Vari. Type | |||
| 52 | 2 | Vari. Param. 9 MSB | Refer to the Ef. Parameter List | Depend on Vari. Type | ||
| 00..7F | Vari. Param. 9 LSB | Refer to the Ef. Parameter List | Depend on Vari. Type | |||
| 54 | 2 | Vari. Param. 10 MSB | Refer to the Ef. Parameter List | Depend on Vari. Type | ||
| 00..7F | Vari. Param. 10 LSB | Refer to the Ef. Parameter List | Depend on Vari. Type | |||
| 56 | 1 | 00..7F | ~.0..+6dB(0..96..127) | 40 | ||
| 57 | 1 | 01..7F | L63..C..R63(1..64..127) | 40 | ||
| 58 | 1 | 00..7F | ~.0..+6dB(0..96..127) | 00 | ||
| 59 | 1 | 00..7F | ~.0..+6dB(0..96..127) | 00 | ||
| 5A | 1 | 00..01 | 0: insertion,1:system | 00 | ||
| 5B | 1 | 00..1F | part1..32(0..31),off(127) | 7F | ||
| 5C | 1 | 01..7F | -63..+63 | 40 | ||
| 5D | 1 | 01..7F | PB Vari. Ctrl Depth | 40 | ||
| 5E | 1 | 01..7F | CAT Vari. Ctrl Depth | 40 | ||
| 5F | 1 | 01..7F | Not Used | |||
| 60 | 1 | 01..7F | Not Used | |||
TOTAL SIZE 21
| 02 | 01 | 70 | 1 | 00..7F | Variation Parameter 11 | option Parameter | Depend on Variation Type |
| 71 | 1 | 00..7F | Variation Parameter 12 | option Parameter | Depend on Variation Type | ||
| 72 | 1 | 00..7F | Variation Parameter 13 | option Parameter | Depend on Variation Type | ||
| 73 | 1 | 00..7F | Variation Parameter 14 | option Parameter | Depend on Variation Type | ||
| 74 | 1 | 00..7F | Variation Parameter 15 | option Parameter | Depend on Variation Type | ||
| 75 | 1 | 00..7F | Variation Parameter 16 | option Parameter | Depend on Variation Type | ||
| TOTAL SIZE | 6 | ||||||
| MIDI Parameter Change table ( MULTI EQ ) (CVP-109/107/700) | ||||||
| Address (H) | Size (H) | Data (H) | Parameter Name | Description | Default Value(H) | |
| 02 40 | 00 | 1 | 34..4C | EQ Type | 0:FLAT | 0 |
| 1:JAZZ | ||||||
| 2:POPS | ||||||
| 3:ROCK | ||||||
| 4:CLASSIC | ||||||
| 01 | 1 | 34..4C | EQ Gain1 | -12..+12[dB] | 40 | |
| 02 | 1 | 04..28 | EQ Frequency1 | 32..2000[Hz] | 0C | |
| 03 | 1 | 01..78 | EQ Q1 | 0.1..12.0 | 07 | |
| 04 | 1 | 00..01 | EQ Shape1 | 00:Shelving,01:Peaking | 00 | |
| 05 | 1 | 34..4C | EQ Gain2 | -12..+12[dB] | 40 | |
| 06 | 1 | 0E..36 | EQ Frequency2 | 0.1..10[KHz] | 1C | |
| 07 | 1 | 01..78 | EQ Q2 | 0.1..12.0 | 07 | |
| 08 | 1 | Not Used | ||||
| 09 | 1 | 34..4C | EQ Gain3 | -12..+12[dB] | 40 | |
| 0A | 1 | 0E..36 | EQ Frequency3 | 0.1..10[KHz] | 22 | |
| 0B | 1 | 01..78 | EQ Q3 | 0.1..12.0 | 07 | |
| 0C | 1 | Not Used | ||||
| 0D | 1 | 34..4C | EQ Gain4 | -12..+12[dB] | 40 | |
| 0E | 1 | 0E..36 | EQ Frequency4 | 0.1..10[KHz] | 2E | |
| 0F | 1 | 01..78 | EQ Q4 | 0.1..12.0 | 07 | |
| 10 | 1 | Not Used | ||||
| 11 | 1 | 34..4C | EQ Gain5 | -12..+12[dB] | 40 | |
| 12 | 1 | 1C..3A | EQ Frequency5 | 0.5..16.0[KHz] | 34 | |
| 13 | 1 | 01..78 | EQ Q5 | 0.1..12.0 | 07 | |
| 14 | 1 | 00..01 | EQ Shape5 | 00:Shelving,01:Peaking | 00 | |
| TOTAL SIZE | 15 | |||||
| MIDI Parameter Change table ( EFFECT 2) (CVP-109/107/700) | |||||||
| Address (H) | Size (H) | Data (H) | Parameter Name | Description | Default | ||
| 03 | On | 00 | 2 | 00..7F | Insertion Type MSB | Refer to the Ef. Type List | |
| 00..7F | Insertion Type LSB | 00 : basic type | |||||
| 02 | 1 | 00..7F | Insertion Parameter1 | Refer to the Ef. Parameter List | |||
| 03 | 1 | 00..7F | Insertion Parameter2 | Refer to the Ef. Parameter List | |||
| 04 | 1 | 00..7F | Insertion Parameter3 | Refer to the Ef. Parameter List | |||
| 05 | 1 | 00..7F | Insertion Parameter4 | Refer to the Ef. Parameter List | |||
| 06 | 1 | 00..7F | Insertion Parameter5 | Refer to the Ef. Parameter List | |||
| 07 | 1 | 00..7F | Insertion Parameter6 | Refer to the Ef. Parameter List | |||
| 08 | 1 | 00..7F | Insertion Parameter7 | Refer to the Ef. Parameter List | |||
| 09 | 1 | 00..7F | Insertion Parameter8 | Refer to the Ef. Parameter List | |||
| 0A | 1 | 00..7F | Insertion Parameter9 | Refer to the Ef. Parameter List | |||
| 0B | 1 | 00..7F | Insertion Parameter10 | Refer to the Ef. Parameter List | |||
| 0C | 1 | 00..7F | Insertion Part | Part1..16,OFF | |||
| 0D | 1 | 00..7F | MW INS CTRL DPT | ||||
| 0E | 1 | 00..7F | BEND INS CTRL DPT | ||||
| 0F | 1 | 00..7F | CAT INS CTRL DPT | ||||
| 10 | 1 | 00..7F | Not Used | ||||
| 11 | 1 | 00..7F | Not Used | ||||
| TOTAL SIZE | 12 | ||||||
| 03 | On | 20 | 1 | 00..7F | Insertion Parameter11 | Refer to the Ef. Parameter List | |
| 21 | 1 | 00..7F | Insertion Parameter12 | Refer to the Ef. Parameter List | |||
| 22 | 1 | 00..7F | Insertion Parameter13 | Refer to the Ef. Parameter List | |||
| 23 | 1 | 00..7F | Insertion Parameter14 | Refer to the Ef. Parameter List | |||
| 24 | 1 | 00..7F | Insertion Parameter15 | Refer to the Ef. Parameter List | |||
| 25 | 1 | 00..7F | Insertion Parameter16 | Refer to the Ef. Parameter List | |||
| TOTAL SIZE | 06 | ||||||
| 03 | On | 30 | 2 | 00..7F | Ins. | Param.1 MSB | Refer to the Ef. | Parameter | List |
| 00..7F | Ins. | Param.1 LSB | Refer to the Ef. | Parameter | List | ||||
| 03 | On | 32 | 2 | 00..7F | Ins. | Param.2 MSB | Refer to the Ef. | Parameter | List |
| 00..7F | Ins. | Param.2 LSB | Refer to the Ef. | Parameter | List | ||||
| 03 | On | 34 | 2 | 00..7F | Ins. | Param.3 MSB | Refer to the Ef. | Parameter | List |
| 00..7F | Ins. | Param.3 LSB | Refer to the Ef. | Parameter | List | ||||
| 03 | On | 36 | 2 | 00..7F | Ins. | Param.4 MSB | Refer to the Ef. | Parameter | List |
| 00..7F | Ins. | Param.4 LSB | Refer to the Ef. | Parameter | List | ||||
| 03 | On | 38 | 2 | 00..7F | Ins. | Param.5 MSB | Refer to the Ef. | Parameter | List |
| 00..7F | Ins. | Param.5 LSB | Refer to the Ef. | Parameter | List | ||||
| 03 | On | 3A | 2 | 00..7F | Ins. | Param.6 MSB | Refer to the Ef. | Parameter | List |
| 00..7F | Ins. | Param.6 LSB | Refer to the Ef. | Parameter | List | ||||
| 03 | On | 3C | 2 | 00..7F | Ins. | Param.7 MSB | Refer to the Ef. | Parameter | List |
| 00..7F | Ins. | Param.7 LSB | Refer to the Ef. | Parameter | List | ||||
| 03 | On | 3E | 2 | 00..7F | Ins. | Param.8 MSB | Refer to the Ef. | Parameter | List |
| 00..7F | Ins. | Param.8 LSB | Refer to the Ef. | Parameter | List | ||||
| 03 | On | 40 | 2 | 00..7F | Ins. | Param.9 MSB | Refer to the Ef. | Parameter | List |
| 00..7F | Ins. | Param.9 LSB | Refer to the Ef. | Parameter | List | ||||
| 03 | On | 42 | 2 | 00..7F | Ins. | Param.10 MSB | Refer to the Ef. | Parameter | List |
| 00..7F | Ins. | Param.10 LSB | Refer to the Ef. | Parameter | List |
TOTAL SIZE 14
For effect types that do not require MSB, the Parameters for Address 02-0B will be received. Address 30-42 will not be received.
For effect types that require MSB, the Parameters for Address 30-42 will be received. Address 02-0B will not be received.
When Bulk Dumps that include Effect Type data are transmitted, the Parameters for Address 02 - 0B will always be transmitted. But, effects that require MSB, when the bulk dump is received the Parameters for Address 02 - 0B will not be received.
n = Insertion Effect No. (0 - 2)
The INSERTION EFFECT Parameter cannot be reset to its factory settings with XG SYSTEM ON or XG ALL PARAMETER RESET, there is no default value.
When a Parameter Request or Bulk Request message is received, the currently set value is always transmitted.
MIDI PARAMETER CHANGE TABLE (SPECIAL EFFECT) (CVP-109/107/700)
| Address (H) | Size (H) | Data (H) | Parameter | Description | Default | ||
| 04 | 00 | 00 | 2 | 00 - 7F | Insertion Effect Type MSB | Refer to the XG Effect Map | |
| 00 - 7F | Insertion Effect Type LSB | 00 : basic type | |||||
| 02 | 1 | 00 - 7F | Insertion Effect Parameter1 | Refer to the XG Ef. Parameter List | |||
| 03 | 1 | 00 - 7F | Insertion Effect Parameter2 | Refer to the XG Ef. Parameter List | |||
| 04 | 1 | 00 - 7F | Insertion Effect Parameter3 | Refer to the XG Ef. Parameter List | |||
| 05 | 1 | 00 - 7F | Insertion Effect Parameter4 | Refer to the XG Ef. Parameter List | |||
| 06 | 1 | 00 - 7F | Insertion Effect Parameter5 | Refer to the XG Ef. Parameter List | |||
| 07 | 1 | 00 - 7F | Insertion Effect Parameter6 | Refer to the XG Ef. Parameter List | |||
| 08 | 1 | 00 - 7F | Insertion Effect Parameter7 | Refer to the XG Ef. Parameter List | |||
| 09 | 1 | 00 - 7F | Insertion Effect Parameter8 | Refer to the XG Ef. Parameter List | |||
| 0A | 1 | 00 - 7F | Insertion Effect Parameter9 | Refer to the XG Ef. Parameter List | |||
| 0B | 1 | 00 - 7F | Insertion Effect Parameter10 | Refer to the XG Ef. Parameter List | |||
| 0C | 1 | 00 - 7F | Insertion Effect Part | Part1...16(0...15)AD1(64)OFF(16...63, 65...127) | |||
| 0D | 1 | 00 - 7F | MW Insertion Control Depth | Don't care | |||
| 0E | 1 | 00 - 7F | BEND Insertion Control Depth | Don't care | |||
| 0F | 1 | 00 - 7F | CAT Insertion Control Depth | Don't care | |||
| 10 | 1 | 00 - 7F | AC1 Insertion Control Depth | Don't care | |||
| 11 | 1 | 00 - 7F | AC2 Insertion Control Depth | Don't care | |||
| TOTAL | SIZE | 12 | |||||
| 04 | 00 | 14 | 1 | 00 - 7F | Unique Insertion Effect External Control CH1(Harmony Channel) | 1...16(0...15), off(127) | |
| 15 | 1 | 00 - 7F | Unique Insertion Effect External Control CH2 (MELODY CHANNEL) | 1...16(0...15), off(127) | |||
| TOTAL | SIZE | 2 | |||||
| 04 | 00 | 20 | 1 | 00 - 7F | Insertion Effect Parameter11 | Refer to the XG Ef. Parameter List | |
| 21 | 1 | 00 - 7F | Insertion Effect Parameter12 | Refer to the XG Ef. Parameter List | |||
| 22 | 1 | 00 - 7F | Insertion Effect Parameter13 | Refer to the XG Ef. Parameter List | |||
| 23 | 1 | 00 - 7F | Insertion Effect Parameter14 | Refer to the XG Ef. Parameter List | |||
| 24 | 1 | 00 - 7F | Insertion Effect Parameter15 | Refer to the XG Ef. Parameter List | |||
| 25 | 1 | 00 - 7F | Insertion Effect Parameter16 | Refer to the XG Ef. Parameter List | |||
| TOTAL | SIZE | 6 | |||||
Insertion Effect Type MSB: Assigns the Harmony Mode.
If the value is not a Harmony Mode value, the Harmony function will be OFF and the input signal will be transmitted as is.
Insertion Effect Type LSB: Assigns the Harmony Kit.
If the value is not an existing harmony kit value, don't care.
Harmony Channel: Harmony control channel.
Melody Channel: Melody play channel.
When both are received, the last message received will take priority.
For example, when the Melody Channel is 3 and the Harmony Channel 3 message is received, the Melody Channel will be OFF and the Harmony Channel will be 3.
Note) The SPECIAL EFFECT Parameter cannot be reset to its factory settings with XG SYSTEM ON or XG ALL PARAMETER RESET, there is no default value.
When a request message is received, the currently set value is always transmitted.
| MIDI Parameter Change table (MULTI PART) | ||||||
| Address (H) | Size (H) | Data (H) | Parameter Name | Description | Default Value(H) | |
| 08 | nn | 00 | 1 | 00..20 | Element Reserve | 0..32 |
| nn | 01 | 1 | 00..7F | Bank Select MSB | 0..127 | |
| nn | 02 | 1 | 00..7F | Bank Select LSB | 0..127 | |
| nn | 03 | 1 | 00..7F | Program Number | 1..128 | |
| nn | 04 | 1 | 00..0F, 7F | Rcv Channel | 0..16;1..16,127;off | |
| nn | 05 | 1 | 00..01 | Mono/Poly Mode | 0:mono,1:poly | |
| nn | 06 | 1 | 00..02 | Same Note Number | 0:single | |
| Key On Assign | 1:multi | |||||
| 2:inst (for DRUM) | ||||||
| nn | 07 | 1 | 00..02 | Part Mode | 0:normal | |
| 1..3:drum thru,drum1..2 | ||||||
| nn | 08 | 1 | 28..58 | Note Shift | -24..+24[semitones] | |
| nn | 09 | 2 | 00..FF | Detune | -12.8..+12.7[Hz] | |
| nn | 0A | 08 00 | ||||
| 1st bit3..0 -> bit7..4 | ||||||
| 2nd bit3..0 -> bit3..0 | ||||||
| nn | 0B | 1 | 00..7F | Volume | 0..127 | |
| nn | 0C | 1 | 00..7F | Velocity Sense Depth | 0..127 | |
| nn | 0D | 1 | 00..7F | Velocity Sense Offset | 0..127 | |
| nn | 0E | 1 | 00..7F | Pan | 0:random | |
| L63..C..R63(1..64..127) | ||||||
| nn | 0F | 1 | 00..7F | Note Limit Low | C-2..G8 | |
| nn | 10 | 1 | 00..7F | Note Limit High | C-2..G8 | |
| nn | 11 | 1 | 00..7F | Dry Level | 0..127 | |
| nn | 12 | 1 | 00..7F | Chorus Send | 0..127 | |
| nn | 13 | 1 | 00..7F | Reverb Send | 0..127 | |
| nn | 14 | 1 | 00..7F | Variation Send | 0..127 | |
| nn | 15 | 1 | 00..7F | Vibrato Rate | -64..+63 | |
| nn | 16 | 1 | 00..7F | Vibrato Depth | -64..+63 | |
| nn | 17 | 1 | 00..7F | Vibrato Delay | -64..+63 | |
| nn | 18 | 1 | 00..7F | Filter Cutoff Freq. | -64..+63 | |
| nn | 19 | 1 | 00..7F | Filter Resonance | -64..+63 | |
| nn | 1A | 1 | 00..7F | EG Attack Time | -64..+63 | |
| nn | 1B | 1 | 00..7F | EG Decay Time | -64..+63 | |
| nn | 1C | 1 | 00..7F | EG Release Time | -64..+63 | |
| nn | 1D | 1 | 28..58 | MW Pitch Control | -24..+24[semitones] | |
| nn | 1E | 1 | 00..7F | MW Filter Control | -9600..+9450[cent] | |
| nn | 1F | 1 | 00..7F | MW Amp. Control | -100..+100[%] | |
| nn | 20 | 1 | 00..7F | MW LFO PMod Depth | 0..127 | |
| nn | 21 | 1 | 00..7F | MW LFO FMod Depth | 0..127 | |
| nn | 22 | 1 | 00..7F | MW LFO AMod Depth | 0..127 | |
| nn | 23 | 1 | 28..58 | Bend Pitch Control | -24..+24[semitones] | |
| nn | 24 | 1 | 00..7F | Bend Filter Control | -9600..+9450[cent] | |
| nn | 25 | 1 | 00..7F | Bend Amp. Control | -100..+100[%] | |
| nn | 26 | 1 | 00..7F | Bend LFO PMod Depth | 0..127 | |
| nn | 27 | 1 | 00..7F | Bend LFO FMod Depth | 0..127 | |
| nn | 28 | 1 | 00..7F | Bend LFO AMod Depth | 0..127 | |
| TOTAL SIZE | 29 | |||||
| nn | 30 | 1 | Not Used | |||
| nn | 34 | 1 | Not Used | |||
| nn | 35 | 1 | 00..01 | RCv Note Message (CVP-109/107/700) | OFF, ON | |
| nn | 36 | 1 | Not Used | |||
| nn | 40 | 1 | Not Used | |||
| nn | 41 | 1 | 00..7F | Scale Tuning C | -64..+63[cent] | |
| nn | 42 | 1 | 00..7F | Scale Tuning C# | -64..+63[cent] | |
| nn | 43 | 1 | 00..7F | Scale Tuning D | -64..+63[cent] | |
| nn | 44 | 1 | 00..7F | Scale Tuning D# | -64..+63[cent] | |
| nn | 45 | 1 | 00..7F | Scale Tuning E | -64..+63[cent] | |
| nn | 46 | 1 | 00..7F | Scale Tuning F | -64..+63[cent] | |
| nn | 47 | 1 | 00..7F | Scale Tuning F# | -64..+63[cent] | |
| nn | 48 | 1 | 00..7F | Scale Tuning G | -64..+63[cent] | |
| nn | 49 | 1 | 00..7F | Scale Tuning G# | -64..+63[cent] | |
| nn | 4A | 1 | 00..7F | Scale Tuning A | -64..+63[cent] | |
| nn | 4B | 1 | 00..7F | Scale Tuning A# | -64..+63[cent] | |
| nn | 4C | 1 | 00..7F | Scale Tuning B | -64..+63[cent] | |
| nn 4D | 1 | 28..58 | CAT Pitch Control | -24..+24[semitones] | 40 | |
| nn 4E | 1 | 00..7F | CAT Filter Control | -9600..+9450[cent] | 40 | |
| nn 4F | 1 | 00..7F | CAT Amplitude Control | -100..+100[%] | 40 | |
| nn 50 | 1 | 00..7F | CAT LFO PMod Depth | 0..127 | 00 | |
| nn 51 | 1 | 00..7F | CAT LFO FMod Depth | 0..127 | 00 | |
| nn 52 | 1 | 00..7F | CAT LFO AMod Depth | 0..127 | 00 | |
| nn 53 | Not Used | |||||
| : | : | |||||
| 66 | Not Used | |||||
| nn 67 | 1 | 00..01 | Portamento Switch | off/on | 00 | |
| nn 68 | 1 | 00..7F | Portamento Time | 0..127 | 00 | |
| nn 69 | Not Used | |||||
| : | : | |||||
| 6E | Not Used | |||||
| TOTAL SIZE | 3F | |||||
| 08 | nn 70 | 1 | Not Used | Don't care | ||
| nn 71 | 1 | Not Used | Don't care | |||
| nn 72 | 1 | 00 - 7F | EQ Bass (CVP-109/107/700) | -64 - +63(-12 - +12[dB]) | 40 | |
| nn 73 | 1 | 00 - 7F | EQ Treble (CVP-109/107/700) | -64 - +63(-12 - +12[dB]) | 40 | |
| TOTAL SIZE | 04 | |||||
| 08 | nn 74 | 1 | Not Used | Don't care | ||
| 75 | 1 | Not Used | Don't care | |||
| 76 | 1 | 04 - 28 | EQ Bass frequency (CVP-109/107/700) | 32-2.0k[Hz] | 0C | |
| 77 | 1 | 1C - 3A | EQ Treble frequency (CVP-109/107/700) | 500-16.0k[Hz] | 36 | |
| 78 | 1 | Not Used | Don't care | |||
| 79 | 1 | Not Used | Don't care | |||
| 7A | 1 | Not Used | Don't care | |||
| 7B | 1 | Not Used | Don't care | |||
| 7C | 1 | Not Used | Don't care | |||
| 7D | 1 | Not Used | Don't care | |||
| 7E | 1 | Not Used | Don't care | |||
| 7F | 1 | Not Used | Don't care | |||
| TOTAL SIZE | OC | |||||
nn = PartNumber
If there is a Drum Voice assigned to the Part, the following parameters are ineffective.
Bank Select LSB
Pitch EG
- Portamento
- Soft Pedal
- Mono/Poly
Scale Tuning
| MIDI Parameter Change Table (A/D Part) (CVP-109/107/700) | ||||||
| Address (H) | Size (H) | Data (H) | Parameter | Description | Default value(H) | |
| 10 | nn | 0 | 1 | 00 - 01 | Input Gain | Don't care |
| 1 | 1 | 00 - 7F | Bank Select MSB | Don't care | ||
| 2 | 1 | 00 - 7F | Bank Select LSB | Don't care | ||
| 3 | 1 | 00 - 7F | Program Number | Don't care | ||
| 4 | 1 | 00 - 1F, 7F | Rcv Channel | A1 - A16, OFF | ||
| 5 | 1 | Not Used | ||||
| 6 | 1 | Not Used | ||||
| 7 | 1 | Not Used | ||||
| 8 | 1 | Not Used | ||||
| 9 | 1 | Not Used | ||||
| 0A | 1 | Not Used | ||||
| 0B | 1 | 00 - 7F | Volume | 0 - 127 | ||
| 0C | 1 | Not Used | ||||
| 0D | 1 | Not Used | ||||
| 0E | 1 | 01 - 7F | Pan | L63...C...R63(1...64...127) | ||
| 0F | 1 | Not Used | ||||
| 10 | 1 | Not Used | ||||
| 11 | 1 | 00 - 7F | Dry Level | 0 - 127 | ||
| 12 | 1 | 00 - 7F | Chorus Send | 0 - 127 | ||
| 13 | 1 | 00 - 7F | Reverb Send | 0 - 127 | ||
| 14 | 1 | 00 - 7F | Variation Send | 0 - 127 | ||
| TOTAL SIZE | 15 | |||||
| Address | Size Data | Parameter Name | Description | Default | |||
| (H) | (H) | (H) | Value(H) | ||||
| 3n | rr | 00 | 1 | 00..7F | Pitch Coarse | -64..+63 | 40 |
| 3n | rr | 01 | 1 | 00..7F | Pitch Fine | -64..+63[cent] | 40 |
| 3n | rr | 02 | 1 | 00..7F | Level | 0..127 | Depend on the Note |
| 3n | rr | 03 | 1 | 00..7F | Alternate Group | 0:off,1..127 | Depend on the Note |
| 3n | rr | 04 | 1 | 00..7F | Pan | 0:random | Depend on the Note |
| L63..C..R63(1..64..127) | |||||||
| 3n | rr | 05 | 1 | 00..7F | Reverb Send Level | 0..127 | Depend on the Note |
| 3n | rr | 06 | 1 | 00..7F | Chorus Send Level | 0..127 | Depend on the Note |
| 3n | rr | 07 | 1 | 00..7F | Variation Send Level | 0..127 | 7F |
| 3n | rr | 08 | 1 | 00..01 | Key Assign | 0:single,1:multi | 00 |
| 3n | rr | 09 | 1 | 00..01 | Rcv Note Off | off/on | Depend on the Note |
| 3n | rr | 0A | 1 | 00..01 | Rcv Note On | off/on | 01 |
| 3n | rr | 0B | 1 | 00..7F | Filter Cutoff Freq. | -64..63 | 40 |
| 3n | rr | 0C | 1 | 00..7F | Filter Resonance | -64..63 | 40 |
| 3n | rr | 0D | 1 | 00..7F | EG Attack Rate | -64..63 | 40 |
| 3n | rr | 0E | 1 | 00..7F | EG Decay1 Rate | -64..63 | 40 |
| 3n | rr | 0F | 1 | 00..7F | EG Decay2 Rate | -64..63 | 40 |
| TOTAL SIZE 10 | |||||||
| TYPE MSB | TYPE LSB | |||||||||||||
| DEC | HEX | 00 | 01 | 02 | 03 | ... | 07 | 08 | ... | 16 | 17 | 18 | 19 | 20 |
| 000 | 0 | NO EFFECT | ||||||||||||
| 001 | 1 | *HALL1 | HALL2 | *HALL2 | *HALL3 | *HALL4 | ||||||||
| 002 | 2 | ROOM1 | ROOM2 | ROOM3 | *ROOM1 | *ROOM2 | *ROOM3 | *ROOM4 | ||||||
| 003 | 3 | STAGE1 | STAGE2 | *STAGE1 | *STAGE2 | |||||||||
| 004 | 4 | PLATE | *PLATE1 | *PLATE2 | ||||||||||
| 005 | 5 | NO EFFECT | ||||||||||||
| : | : | : | ||||||||||||
| 015 | F | NO EFFECT | ||||||||||||
| 016 | 10 | WHITE ROOM | ||||||||||||
| 017 | 11 | TUNNEL | ||||||||||||
| 018 | 12 | CANYON | ||||||||||||
| 019 | 13 | BASEMENT | ||||||||||||
| 020 | 14 | NO EFFECT | ||||||||||||
| : | : | : | ||||||||||||
| 127 | 7F | NO EFFECT | ||||||||||||
| TYPE MSB | TYPE LSB | |||||||||||||
| DEC | HEX | 00 | 01 | 02 | 03 | ... | 07 | 08 | ... | 16 | 17 | 18 | 19 | 20 |
| 000 | 0 | NO EFFECT | ||||||||||||
| 001 | 1 | NO EFFECT | ||||||||||||
| : | : | : | ||||||||||||
| 064 | 40 | NO EFFECT | ||||||||||||
| 065 | 41 | CHORUS1 | CHORUS2 | *CHORUS5 | CHORUS4 | |||||||||
| 066 | 42 | CELESTE1 | *CHORUS4 | CELESTE3 | *CHORUS2 | *CHORUS3 | *CHORUS1 | |||||||
| 067 | 43 | FLANGER 1 | *FLANGER 4 | *FLANGER1 | *FLANGER2 | *FLANGER3 | ||||||||
| 068 | 44 | SYMPHONIC | Symphonic | |||||||||||
| 069 | 45 | NO EFFECT | ||||||||||||
| : | : | : | ||||||||||||
| 071 | 47 | NO EFFECT | ||||||||||||
| 072 | 48 | PHASER 1 | ||||||||||||
| 073 | 49 | NO EFFECT | ||||||||||||
| : | : | : | ||||||||||||
| 086 | 56 | NO EFFECT | ||||||||||||
| 087 | 57 | ENSEMBLE DETUNE | ||||||||||||
| 088 | 58 | NO EFFECT | ||||||||||||
| : | : | : | ||||||||||||
| 127 | 7F | NO EFFECT | ||||||||||||
| TYPE MSB | TYPE LSB | |||||||||||||
| DEC | HEX | 00 | 01 | 02 | 03 | ... | 07 | 08 | ... | 16 | 17 | 18 | 19 | 20 |
| 000 | 0 | NO EFFECT | ||||||||||||
| 001 | 1 | HALL | HALL2 | HALL | HALL | HALL | ||||||||
| 002 | 2 | ROOM1 | ROOM2 | ROOM3 | ROOM | ROOM | ROOM | ROOM | ||||||
| 003 | 3 | STAGE1 | STAGE2 | STAGE | STAGE | |||||||||
| 004 | 4 | PLATE | PLATE | PLATE | ||||||||||
| 005 | 5 | DELAY L,C,R | DELAY LCR | |||||||||||
| 006 | 6 | DELAY LR | ||||||||||||
| 007 | 7 | ECHO | ||||||||||||
| 008 | 8 | CROSS DELAY | ||||||||||||
| 009 | 9 | EARLY REF1 | EARLY REF | |||||||||||
| 010 | A | GATE REVERB | ||||||||||||
| 011 | B | REVERSE GATE | ||||||||||||
| 012 | C | NO EFFECT or THRU | ||||||||||||
| : | : | : | ||||||||||||
| 015 | F | NO EFFECT or THRU | ||||||||||||
| 016 | 10 | WHITE ROOM | ||||||||||||
| 017 | 11 | TUNNEL | ||||||||||||
| 018 | 12 | CANYON | ||||||||||||
| 019 | 13 | BASEMENT | ||||||||||||
| 020 | 14 | KARAOKE 1 | KARAOKE 2 | KARAOKE 3 | ||||||||||
| 021 | 15 | NO EFFECT or THRU | ||||||||||||
| : | : | : | ||||||||||||
| 063 | 3F | NO EFFECT or THRU | ||||||||||||
| TYPE MSB | TYPE LSB | |||||||||||||
| DEC | HEX | 00 | 01 | 02 | 03 | ... | 07 | 08 | ... | 16 | 17 | 18 | 19 | 20 |
| 064 | 40 | THRU | ||||||||||||
| 065 | 41 | CHORUS1 | CHORUS2 | CHORUS | CHORUS4 | |||||||||
| 066 | 42 | CELESTE1 | CHORUS | CELESTE3 | CHORUS | CHORUS | CHORUS | CHORUS | Rotary Sp | |||||
| 067 | 43 | FLANGER 1 | FLANGER | FLANGER | FLANGER | FLANGER | FLANGER | |||||||
| 068 | 44 | SYMPHONIC | SYMPHONIC | |||||||||||
| 069 | 45 | ROTARY SP. | ROTARY SP | |||||||||||
| 070 | 46 | TREMOLO | TREMOLO | ROTARY SP | ||||||||||
| 071 | 47 | AUTO PAN | AUTO PAN | ROTARY SP | ROTARY SP | TREMOLO | GTR TREMOLO | |||||||
| 072 | 48 | PHASER | PHASER 2 | |||||||||||
| 073 | 49 | DISTORTION | COMP+ DISTORTION | |||||||||||
| 074 | 4A | OVER DRIVE | ||||||||||||
| 075 | 4B | AMP SIM. | DIST HARD | DIST SOFT | ||||||||||
| 076 | 4C | 3BAND EQ | EQ DISCO | EQ TEL | ||||||||||
| 077 | 4D | 2BAND EQ | ||||||||||||
| 078 | 4E | AUTO WAH | AUTO WAH+ DIST | AUTO WAH+ OVERDRIVE | AUTO WAH | |||||||||
| 079 | 4F | THRU | ||||||||||||
| 080 | 50 | PITCH CHANGE1 | PITCH CHANGE2 | |||||||||||
| 081 | 51 | HARMONIC ENHANCEDER | ||||||||||||
| 082 | 52 | TOUCH WAH 1 | TOUCH WAH+ DIST | TOUCH WAH+ OVERDRIVE | TOUCH WAH 2 | |||||||||
| 083 | 53 | COMPRESSOR | ||||||||||||
| 084 | 54 | NOISE GATE | ||||||||||||
| 085 | 55 | VOICE CANCEL | ||||||||||||
| 086 | 56 | 2WAY ROTARY SP | ||||||||||||
| 087 | 57 | ENSEMBLE DETUNE | ||||||||||||
| 088 | 58 | AMBIENCE | ||||||||||||
| 089 | 59 | THRU | ||||||||||||
| : | : | |||||||||||||
| 092 | 5C | THRU | ||||||||||||
| 093 | 5D | TALKING MODULATOR | ||||||||||||
| 094 | 5E | LO-FI | ||||||||||||
| 095 | 5F | DIST+DELAY | OVERDRIVE+ DELAY | |||||||||||
| 096 | 60 | COMP+DIST+DELAY | COMP+ OVERDRIVE+ DELAY | |||||||||||
| 097 | 61 | WAH+DIST+DELAY | WAH+ OVERDRIVE+ DELAY | |||||||||||
| 098 | 62 | THRU | ||||||||||||
| : | : | |||||||||||||
| 127 | 7F | THRU | ||||||||||||
| TYPE MSB | TYPE LSB | |||||||||||||
| DEC | HEX | 00 | 01 | 02 | 03 | ... | 07 | 08 | ... | 16 | 17 | 18 | 19 | 20 |
| 000 | 0 | THRU | ||||||||||||
| 001 | 1 | *HALL1 | HALL 2 | *HALL2 | *HALL3 | *HALL4 | ||||||||
| 002 | 2 | ROOM 1 | ROOM 2 | ROOM 3 | *ROOM1 | *ROOM2 | *ROOM3 | *ROOM4 | ||||||
| 003 | 3 | STAGE 1 | STAGE 2 | *STAGE1 | *STAGE2 | |||||||||
| 004 | 4 | PLATE | *PLATE1 | *PLATE2 | ||||||||||
| 005 | 5 | DELAY L,C,R | *DELAY LCR | |||||||||||
| 006 | 6 | *DELAY LR | ||||||||||||
| 007 | 7 | *ECHO | ||||||||||||
| 008 | 8 | *CROSS DELAY | ||||||||||||
| 009 | 9 | THRU | ||||||||||||
| : | : | : | ||||||||||||
| 019 | 13 | THRU | ||||||||||||
| 020 | 14 | *KARAOKE1 | *KARAOKE2 | *KARAOKE3 | ||||||||||
| 021 | 15 | THRU | ||||||||||||
| : | : | : | ||||||||||||
| 063 | 3F | THRU | ||||||||||||
| 064 | 40 | THRU | ||||||||||||
| 065 | 41 | CHORUS 1 | CHORUS 2 | *CHORUS5 | CHORUS 4 | |||||||||
| 066 | 42 | CELESTE 1 | *CHORUS4 | CELESTE 3 | *CHORUS2 | *CHORUS3 | *CHORUS1 | *ROTARY SP5 | ||||||
| 067 | 43 | FLANGER 1 | *FLANGER4 | *FLANGER1 | *FLANGER2 | *FLANGER3 | ||||||||
| 068 | 44 | *SYMPHONIC2 | *SYMPHONIC1 | |||||||||||
| 069 | 45 | ROTARY SPEAKER 1 | *ROTARY SP1 | |||||||||||
| 070 | 46 | TREMOLO | *TREMOLO1 | *ROTARY SP4 | ||||||||||
| 071 | 47 | *AUTO PAN2 | *AUTO PAN1 | *ROTARY SP2 | *ROTARY SP3 | *TREMOLO2 | *GTR TREMOLO | |||||||
| 072 | 48 | *PHASER | ||||||||||||
| 073 | 49 | DISTORTION | ||||||||||||
| 074 | 4A | OVER DRIVE | ||||||||||||
| 075 | 4B | *AMP SIMULATOR | *DIST HARD | *DIST SOFT | ||||||||||
| 076 | 4C | 3BAND EQ | *EQ DISCO | *EQ TEL | ||||||||||
| 077 | 4D | 2-BAND EQ | ||||||||||||
| 078 | 4E | *AUTO WAH2 | *AUTO WAH1 | |||||||||||
| 079 | 4F | THRU | ||||||||||||
| 080 | 50 | THRU | ||||||||||||
| 081 | 51 | HARMONIC ENHANCED | ||||||||||||
| 082 | 52 | *TOUCH WAH1 | *TOUCH WAH2 | |||||||||||
| 083 | 53 | COMPRESSOR | ||||||||||||
| 084 | 54 | NOISE GATE | ||||||||||||
| 085 | 55 | THRU | ||||||||||||
| 086 | 56 | THRU | ||||||||||||
| 087 | 57 | ENSEMBLE DETUNE | ||||||||||||
| 088 | 58 | THRU | ||||||||||||
| : | : | : | ||||||||||||
| 127 | 7F | THRU | ||||||||||||
| TYPE MSB | TYPE LSB | |||||||||||||
| DEC | HEX | 00 | 01 | 02 | 03 | ... | 07 | 08 | ... | 16 | 17 | 18 | 19 | 20 |
| 000 | 0 | NO EFFECT | ||||||||||||
| 001 | 1 | *HALL1 | HALL2 | *HALL2 | *HALL3 | *HALL4 | ||||||||
| 002 | 2 | ROOM1 | ROOM2 | ROOM3 | *ROOM1 | *ROOM2 | *ROOM3 | *ROOM4 | ||||||
| 003 | 3 | STAGE1 | STAGE2 | *STAGE1 | *STAGE2 | |||||||||
| 004 | 4 | PLATE | *PLATE1 | *PLATE2 | ||||||||||
| 005 | 5 | NO EFFECT | ||||||||||||
| : | : | : | ||||||||||||
| 015 | F | NO EFFECT | ||||||||||||
| 016 | 10 | WHITE ROOM | ||||||||||||
| 017 | 11 | TUNNEL | ||||||||||||
| 018 | 12 | CANYON | ||||||||||||
| 019 | 13 | BASEMENT | ||||||||||||
| 020 | 14 | NO EFFECT | ||||||||||||
| : | : | : | ||||||||||||
| 127 | 7F | NO EFFECT | ||||||||||||
| TYPE MSB | TYPE LSB | |||||||||||||
| DEC | HEX | 00 | 01 | 02 | 03 | ... | 07 | 08 | ... | 16 | 17 | 18 | 19 | 20 |
| 000 | 0 | NO EFFECT | ||||||||||||
| 001 | 1 | NO EFFECT | ||||||||||||
| : | : | : | ||||||||||||
| 064 | 40 | NO EFFECT | ||||||||||||
| 065 | 41 | CHORUS1 | CHORUS2 | *CHORUS5 | CHORUS4 | |||||||||
| 066 | 42 | CELESTE1 | *CHORUS4 | CELESTE3 | *CHORUS2 | *CHORUS3 | *CHORUS1 | |||||||
| 067 | 43 | FLANGER 1 | *FLANGER 4 | *FLANGER1 | *FLANGER2 | *FLANGER3 | ||||||||
| 068 | 44 | NO EFFECT | ||||||||||||
| : | : | : | ||||||||||||
| 127 | 7F | NO EFFECT | ||||||||||||
| TYPE MSB | TYPE LSB | |||||||||||||
| DEC | HEX | 00 | 01 | 02 | 03 | ... | 07 | 08 | ... | 16 | 17 | 18 | 19 | 20 |
| 000 | 0 | NO EFFECT | ||||||||||||
| 001 | 1 | *HALL1 | HALL2 | *HALL2 | *HALL3 | *HALL4 | ||||||||
| 002 | 2 | ROOM1 | ROOM2 | ROOM3 | *ROOM1 | *ROOM2 | *ROOM3 | *ROOM4 | ||||||
| 003 | 3 | STAGE1 | STAGE2 | *STAGE1 | *STAGE2 | |||||||||
| 004 | 4 | PLATE | *PLATE1 | *PLATE2 | ||||||||||
| 005 | 5 | DELAY L,C,R | *DELAY LCR | |||||||||||
| 006 | 6 | *DELAY LR | ||||||||||||
| 007 | 7 | *ECHO | ||||||||||||
| 008 | 8 | *CROSS DELAY | ||||||||||||
| 009 | 9 | *EARLY REF1 | *EARLY REF2 | |||||||||||
| 010 | A | *GATE REVERB | ||||||||||||
| 011 | B | *REVERSE GATE | ||||||||||||
| 012 | C | NO EFFECT or THRU | ||||||||||||
| : | : | : | ||||||||||||
| 019 | 13 | NO EFFECT or THRU | ||||||||||||
| 020 | 14 | KARAOKE 1 | KARAOKE 2 | KARAOKE 3 | ||||||||||
| 021 | 15 | NO EFFECT or THRU | ||||||||||||
| : | : | : | ||||||||||||
| 063 | 3F | NO EFFECT or THRU | ||||||||||||
| TYPE MSB | TYPE LSB | |||||||||||||
| DEC | HEX | 00 | 01 | 02 | 03 | ... | 07 | 08 | ... | 16 | 17 | 18 | 19 | 20 |
| 064 | 40 | THRU | ||||||||||||
| 065 | 41 | CHORUS1 | CHORUS2 | *CHORUS5 | CHORUS4 | |||||||||
| 066 | 42 | CELESTE1 | *CHORUS4 | CELESTE3 | *CHORUS2 | *CHORUS3 | *CHORUS1 | *Rotary Sp5 | ||||||
| 067 | 43 | FLANGER 1 | *FLANGER4 | *FLANGER1 | *FLANGER2 | *FLANGER3 | ||||||||
| 068 | 44 | SYMPHONIC | *SYMPHONIC | |||||||||||
| 069 | 45 | ROTARY SP. | *ROTARY SP1 | |||||||||||
| 070 | 46 | TREMOLO | *TREMOLO1 | *ROTARY SP4 | ||||||||||
| 071 | 47 | AUTO PAN | *AUTO PAN | *ROTARY SP2 | *ROTARY SP3 | *TREMOLO2 | *GTR TREMOLO | |||||||
| 072 | 48 | *PHASER | PHASER 2 | |||||||||||
| 073 | 49 | DISTORTION | ||||||||||||
| 074 | 4A | OVER DRIVE | ||||||||||||
| 075 | 4B | AMP SIM. | *DIST HARD | *DIST SOFT | ||||||||||
| 076 | 4C | 3BAND EQ | *EQ DISCO | *EQ TEL | ||||||||||
| 077 | 4D | 2BAND EQ | ||||||||||||
| 078 | 4E | AUTO WAH | *AUTO WAH | |||||||||||
| 079 | 4F | THRU | ||||||||||||
| : | : | |||||||||||||
| 127 | 7F | THRU | ||||||||||||
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Reverb Time | 0.3–30.0s | 0–69 | table#4 | ||
| 2 | Diffusion | 0–10 | 0–10 | |||
| 3 | Initial Delay | 0.1mS–99.3mS | 0–63 | table#5 | ||
| 4 | HPF Cutoff | Thru–8.0kHz | 0–52 | table#3 | ||
| 5 | LPF Cutoff | 1.0k–Thru | 34–60 | table#3 | ||
| 6 | ||||||
| 7 | ||||||
| 8 | ||||||
| 9 | ||||||
| 10 | Dry/Wet | D63>W – D=W – D<W63 | 1–127 | ● | ||
| 11 | Rev Delay | 0.1mS–99.3mS | 0–63 | table#5 | ||
| 12 | Density | 0–4 (reverb, variation block) | 0–4 | CVP-109/107/700 | ||
| 0–3 (reverb, variation block) | 0–3 | CVP-105/103 | ||||
| 0–2 (insertion block) | 0–2 | CVP-109/107/700 only | ||||
| 13 | Er/Rev Balance | E63>R – E=R – E<R63 | 1–127 | |||
| 14 | High Damp | 0.1–1.0 | 1–10 | CVP-109/107/700 only | ||
| 15 | Feedback Level | -63→+63 | 1–127 | |||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Reverb Time | 0.3–30.0s | 0–69 | table#4 | ||
| 2 | Diffusion | 0–10 | 0–10 | |||
| 3 | Initial Delay | 0.1mS–99.3mS | 0–63 | table#5 | ||
| 4 | HPF Cutoff | Thru–8.0kHz | 0–52 | table#3 | ||
| 5 | LPF Cutoff | 1.0k–Thru | 34–60 | table#3 | ||
| 6 | Width | 0.5–10.2m | 0–37 | table#11 | ||
| 7 | Heigt | 0.5–20.2m | 0–73 | table#11 | ||
| 8 | Depth | 0.5–30.2m | 0–104 | table#11 | ||
| 9 | Wall Vary | 0–30 | 0–30 | |||
| 10 | Dry/Wet | D63=W – D=W – D<W63 | 1–127 | ● | ||
| 11 | Rev Delay | 0.1mS–99.3mS | 0–63 | table#5 | ||
| 12 | Density | 0–4 | 0–4 | CVP-109/107/700 | ||
| 0–3 | 0–3 | CVP-105/103 | ||||
| 13 | Er/Rev Balance | E63>R – E=R – E<R63 | 1–127 | |||
| 14 | High Damp | 0.1–1.0 | 1–10 | CVP-109/107/700 only | ||
| 15 | Feedback Level | -63→+63 | 1–127 | |||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Lch Delay | 0.1-715.0ms (variation block) | 1-7150 | CVP-109/107/700 only | ||
| 0.1-715.0ms (Insertion block) | 1-7150 | |||||
| 2 | Rch Delay | 0.1-715.0ms (variation block) | 1-7150 | CVP-109/107/700 only | ||
| 0.1-715.0ms (Insertion block) | 1-7150 | |||||
| 3 | Cch Delay | 0.1-715.0ms (variation block) | 1-7150 | CVP-109/107/700 only | ||
| 0.1-715.0ms (Insertion block) | 1-7150 | |||||
| 4 | Feedback Delay | 0.1-715.0ms (variation block) | 1-7150 | CVP-109/107/700 only | ||
| 0.1-715.0ms (Insertion block) | 1-7150 | |||||
| 5 | Feedback Level | -63-+63 | 1-127 | |||
| 6 | Cch Level | 0-127 | 0-127 | |||
| 7 | High Damp | 0.1-1.0 | 1-10 | |||
| 8 | ||||||
| 9 | ||||||
| 10 | Dry/Wet | D63-W - D=W - D<W63 | 1-127 | ● | ||
| 11 | ||||||
| 12 | ||||||
| 13 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | CVP-109/107/700 | |
| 50Hz-2.0kHz | 8-40 | table#3 | CVP-105/103 | |||
| 14 | EQ Low Gain | -12+12dB | 52-76 | |||
| 15 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 16 | EQ High Gain | -12+12dB | 52-76 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Lch Delay | 0.1-715.0ms (variation block) | 1-7150 | CVP-109/107/700 only | ||
| 0.1-715.0ms (Insertion block) | 1-7150 | |||||
| 2 | Rch Delay | 0.1-715.0ms (variation block) | 1-7150 | |||
| 0.1-715.0ms (Insertion block) | 1-7150 | |||||
| 3 | Feedback Delay 1 | 0.1-715.0ms (variation block) | 1-7150 | CVP-109/107/700 only | ||
| 0.1-715.0ms (Insertion block) | 1-7150 | |||||
| 4 | Feedback Delay 2 | 0.1-715.0ms (variation block) | 1-7150 | CVP-109/107/700 only | ||
| 0.1-715.0ms (Insertion block) | 1-7150 | |||||
| 5 | Feedback Level | -63-+63 | 1-127 | |||
| 6 | High Damp | 0.1-1.0 | 1-10 | |||
| 7 | ||||||
| 8 | ||||||
| 9 | ||||||
| 10 | Dry/Wet | D63-W - D=W - D<W63 | 1-127 | ● | ||
| 11 | ||||||
| 12 | ||||||
| 13 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | CVP-109/107/700 | |
| 50Hz-2.0kHz | 8-40 | table#3 | CVP-105/103 | |||
| 14 | EQ Low Gain | -12+12dB | 52-76 | |||
| 15 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 16 | EQ High Gain | -12+12dB | 52-76 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Lch Delay1 | 0.1~355.0ms (variation block) | 1~3550 | CVP-109/107/700 only | ||
| 0.1~355.0ms (insertion block) | 1~3550 | |||||
| 2 | Lch Feedback Level | -63~+63 | 1~127 | |||
| 3 | Rch Delay1 | 0.1~355.0ms (variation block) | 1~3550 | CVP-109/107/700 only | ||
| 0.1~355.0ms (insertion block) | 1~3550 | |||||
| 4 | Rch Feedback Level | -63~+63 | 1~127 | |||
| 5 | High Damp | 0.1~1.0 | 1~10 | |||
| 6 | Lch Delay2 | 0.1~355.0ms (variation block) | 1~3550 | CVP-109/107/700 only | ||
| 0.1~355.0ms (insertion block) | 1~3550 | |||||
| 7 | Rch Delay2 | 0.1~355.0ms (variation block) | 1~3550 | CVP-109/107/700 only | ||
| 0.1~355.0ms (insertion block) | 1~3550 | |||||
| 8 | Delay2 Level | 0~127 | 0~127 | |||
| 9 | ||||||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1~127 | ● | ||
| 11 | ||||||
| 12 | ||||||
| 13 | EQ Low Frequency | 32Hz~2.0kHz | 4~40 | table#3 | CVP-109/107/700 | |
| 50Hz~2.0kHz | 8~40 | table#3 | CVP-105/103 | |||
| 14 | EQ Low Gain | -12~+2dB | 52~76 | |||
| 15 | EQ High Frequency | 500Hz~16.0kHz | 28~58 | table#3 | ||
| 16 | EQ High Gain | -12~+2dB | 52~76 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | L->R Delay | 0.1~355.0ms (variation block) | 1~3550 | CVP-109/107/700 only | ||
| 0.1~355.0ms (insertion block) | 1~3550 | |||||
| 2 | R->L Delay | 0.1~355.0ms (variation block) | 1~3550 | CVP-109/107/700 only | ||
| 0.1~355.0ms (insertion block) | 1~3550 | |||||
| 3 | Feedback Level | -63~+63 | 1~127 | |||
| 4 | Input Select | L,R,L&R | 0~2 | |||
| 5 | High Damp | 0.1~1.0 | 1~10 | |||
| 6 | ||||||
| 7 | ||||||
| 8 | ||||||
| 9 | ||||||
| 10 | Dry/Wet | D63->W - D=W - D<W63 | 1~127 | ● | ||
| 11 | ||||||
| 12 | ||||||
| 13 | EQ Low Frequency | 32Hz~2.0kHz | 4~40 | table#3 | CVP-109/107/700 | |
| 50Hz~2.0kHz | 8~40 | table#3 | CVP-105/103 | |||
| 14 | EQ Low Gain | -12~+12dB | 52~76 | |||
| 15 | EQ High Frequency | 500Hz~16.0kHz | 28~58 | table#3 | ||
| 16 | EQ High Gain | -12~+12dB | 52~76 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Type | S-H, L-H, Rdm, Rvs, Pt, Spr | 0-5 | |||
| 2 | Room Size | 0.1-7.0 | 0-44 | table#6 | ||
| 3 | Diffusion | 0-10 | 0-10 | |||
| 4 | Initial Delay | 0.1mS-99.3mS | 0-63 | table#5 | ||
| 5 | Feedback Level | -63+63 | 1-127 | |||
| 6 | HPF Cutoff | Thru-8.0kHz | 0-52 | table#3 | ||
| 7 | LPF Cutoff | 1.0k-Thru | 34-60 | table#3 | ||
| 8 | ||||||
| 9 | ||||||
| 10 | Dry/Wet | D63-W - D=W - D<W63 | 1-127 | ● | ||
| 11 | Liveness | 0-10 | 0-10 | |||
| 12 | Density | 0-3 | 0-3 | |||
| 13 | High Damp | 0.1-1.0 | 1-10 | |||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Type | TypeA, TypeB | 0-1 | |||
| 2 | Room Size | 0.1-20.0 | 0-127 | table#6 | ||
| 3 | Diffusion | 0-10 | 0-10 | |||
| 4 | Initial Delay | 0.1mS-200.0mS | 0-127 | table#5 | ||
| 5 | Feedback Level | -63+63 | 1-127 | |||
| 6 | HPF Cutoff | Thru-8.0kHz | 0-52 | table#3 | ||
| 7 | LPF Cutoff | 1.0k-Thru | 34-60 | table#3 | ||
| 8 | ||||||
| 9 | ||||||
| 10 | Dry/Wet | D63-W - D=W - D<W63 | 1-127 | ● | ||
| 11 | Liveness | 0-10 | 0-10 | |||
| 12 | Density | 0-3 | 0-3 | |||
| 13 | High Damp | 0.1-1.0 | 1-10 | |||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Delay Time | 0.1mS-400.0mS | 0-127 | table#7 | ||
| 2 | Feedback Level | -63->63 | 1-127 | |||
| 3 | HPF Cutoff | Thru-8.0kHz | 0-52 | table#3 | ||
| 4 | LPF Cutoff | 1.0k->Thru | 34-60 | table#3 | ||
| 5 | ||||||
| 6 | ||||||
| 7 | ||||||
| 8 | ||||||
| 9 | ||||||
| 10 | Dry/Wet | D63-W - D=W - D<w63 | 1-127 | ● | ||
| 11 | ||||||
| 12 | ||||||
| 13 | ||||||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | LFO Frequency | 0.00Hz-39.7Hz | 0-127 | table#1 | ||
| 2 | LFO Depth | 0-127 | 0-127 | |||
| 3 | Feedback Level | -63+63 | 1-127 | |||
| 4 | Delay Offset | 0.0mS-50mS | 0-127 | table#2 | ||
| 5 | ||||||
| 6 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | CVP-109/107/700 | |
| 50Hz-2.0kHz | 8-40 | table#3 | CVP-105/103 | |||
| 7 | EQ Low Gain | -12+12dB | 52-76 | |||
| 8 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 9 | EQ High Gain | -12+12dB | 52-76 | |||
| 10 | Dry/Wet | D63+W - D=W - D<W63 | 1-127 | ● | ||
| 11 | EQ Mid Frequency | 100Hz-10.0kHz (variation block) | 14-54 | table#3 | CVP-109/107/700 only | |
| 12 | EQ Mid Gain | -12+12dB (variation block) | 52-76 | CVP-109/107/700 only | ||
| 13 | EQ Mid Width | 1.0-12.0 (variation block) | 10-120 | CVP-109/107/700 only | ||
| 14 | ||||||
| 15 | Input Mode | mono/stereo | 0-1 | |||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | LFO Frequency | 0.00Hz-39.7Hz | 0-127 | table#1 | ||
| 2 | LFO Depth | 0-127 | 0-127 | |||
| 3 | Feedback Level | -63+63 | 1-127 | |||
| 4 | Delay Offset | 0.0mS-50mS | 0-127 | table#2 | ||
| 5 | ||||||
| 6 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | CVP-109/107/700 | |
| 50Hz-2.0kHz | 8-40 | table#3 | CVP-105/103 | |||
| 7 | EQ Low Gain | -12+12dB | 52-76 | |||
| 8 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 9 | EQ High Gain | -12+12dB | 52-76 | |||
| 10 | Dry/Wet | D63+W - D=W - D<W63 | 1-127 | ● | ||
| 11 | EQ Mid Frequency | 100Hz-10.0kHz (variation block) | 14-54 | table#3 | CVP-109/107/700 only | |
| 12 | EQ Mid Gain | -12+12dB (variation block) | 52-76 | CVP-109/107/700 only | ||
| 13 | EQ Mid Width | 1.0-12.0 (variation block) | 10-120 | CVP-109/107/700 only | ||
| 14 | LFO Phase Difference | -180+180deg(resolution=3deg.) | 4-124 | |||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | LFO Frequency | 0.00Hz-39.7Hz | 0-127 | table#1 | ||
| 2 | LFO Depth | 0-127 | 0-127 | |||
| 3 | Delay Offset | 0.0mS-50mS | 0-127 | table#2 | ||
| 4 | ||||||
| 5 | ||||||
| 6 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | CVP-109/107/700 | |
| 50Hz-2.0kHz | 8-40 | table#3 | CVP-105/103 | |||
| 7 | EQ Low Gain | -12+12dB | 52-76 | |||
| 8 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 9 | EQ High Gain | -12+12dB | 52-76 | |||
| 10 | Dry/Wet | D63-W - D=W - D<W63 | 1-127 | ● | ||
| 11 | EQ Mid Frequency | 100Hz-10.0kHz (variation block) | 14-54 | table#3 | CVP-109/107/700 only | |
| 12 | EQ Mid Gain | -12+12dB (variation block) | 52-76 | CVP-109/107/700 only | ||
| 13 | EQ Mid Width | 1.0-12.0 (variation block) | 10-120 | CVP-109/107/700 only | ||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Detune | -50→+50cent | 14→114 | |||
| 2 | Lch Init Delay | 0.0mS-50mS | 0→127 | table#2 | ||
| 3 | Rch Init Delay | 0.0mS-50mS | 0→127 | table#2 | ||
| 4 | ||||||
| 5 | ||||||
| 6 | ||||||
| 7 | ||||||
| 8 | ||||||
| 9 | ||||||
| 10 | Dry/Wet | D63→W - D=W - D< W63 | 1→127 | ● | ||
| 11 | EQ Low Frequency | 32Hz-2.0kHz(variation, insertion block) | 4→40 | table#3 | CVP-109/107/700 only | |
| 12 | EQ Low Gain | -12→+12dB(variation, insertion block) | 52→76 | CVP-109/107/700 only | ||
| 13 | EQ High Frequency | 500Hz-16.0kHz(variation, insertion block) | 28→58 | table#3 | CVP-109/107/700 only | |
| 14 | EQ High Gain | -12→+12dB(variation, insertion block) | 52→76 | CVP-109/107/700 only | ||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Delay Time | 0.0mS-50mS | 0-127 | table#2 | ||
| 2 | Output Phase | normal/invers | 0-1 | |||
| 3 | ||||||
| 4 | ||||||
| 5 | ||||||
| 6 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | ||
| 7 | EQ Low Gain | -12+12dB | 52-76 | |||
| 8 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 9 | EQ High Gain | -12+12dB | 52-76 | |||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1-127 | ● | ||
| 11 | ||||||
| 12 | ||||||
| 13 | ||||||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | LFO Frequency | 0.00Hz-39.7Hz | 0-127 | table#1 | ● | |
| 2 | LFO Depth | 0-127 | 0-127 | |||
| 3 | ||||||
| 4 | ||||||
| 5 | ||||||
| 6 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | CVP-109/107/700 | |
| 50Hz-2.0kHz | 8-40 | table#3 | CVP-105/103 | |||
| 7 | EQ Low Gain | -12+12dB | 52-76 | |||
| 8 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 9 | EQ High Gain | -12+12dB | 52-76 | |||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1-127 | |||
| 11 | EQ Mid Frequency | 100Hz-10.0kHz (variation block) | 14-54 | table#3 | CVP-109/107/700 only | |
| 12 | EQ Mid Gain | -12+12dB (variation block) | 52-76 | CVP-109/107/700 only | ||
| 13 | EQ Mid Width | 1.0-12.0 (variation block) | 10-120 | CVP-109/107/700 only | ||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Rotor Speed | 0.0Hz-39.7Hz | 0-127 | table#1 | ● | |
| 2 | Drive Low | 0-127 | 0-127 | |||
| 3 | Drive High | 0-127 | 0-127 | |||
| 4 | Low/High | L63>H - L=H - L<H63 | 1-127 | |||
| 5 | ||||||
| 6 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | ||
| 7 | EQ Low Gain | -12-+12dB | 52-76 | |||
| 8 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 9 | EQ High Gain | -12-+12dB | 52-76 | |||
| 10 | ||||||
| 11 | Crossover Frequency | 100Hz-10.0kHz | 14-54 | table#3 | ||
| 12 | Mic L-R Angle | 0deg-180deg(resolution=3deg.) | 0-60 | |||
| 13 | ||||||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | LFO Frequency | 0.00Hz-39.7Hz | 0-127 | table#1 | ● | |
| 2 | AM Depth | 0-127 | 0-127 | |||
| 3 | PM Depth | 0-127 | 0-127 | |||
| 4 | ||||||
| 5 | ||||||
| 6 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | CVP-109/107/700 | |
| 50Hz-2.0kHz | 8-40 | table#3 | CVP-105/103 | |||
| 7 | EQ Low Gain | -12+12dB | 52-76 | |||
| 8 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 9 | EQ High Gain | -12+12dB | 52-76 | |||
| 10 | ||||||
| 11 | EQ Mid Frequency | 100Hz-10.0kHz (variation block) | 14-54 | table#3 | CVP-109/107/700 only | |
| 12 | EQ Mid Gain | -12+12dB (variation block) | 52-76 | CVP-109/107/700 only | ||
| 13 | EQ Mid Width | 1.0-12.0 (variation block) | 10-120 | CVP-109/107/700 only | ||
| 14 | LFO Phase Difference | -180+180deg(resolution=3deg.) | 4-124 | |||
| 15 | Input Mode | mono/stereo | 0-1 | |||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | LFO Frequency | 0.00Hz-39.7Hz | 0-127 | table#1 | ● | |
| 2 | L/R Depth | 0-127 | 0-127 | |||
| 3 | F/R Depth | 0-127 | 0-127 | |||
| 4 | PAN Direction | L<-R,L>R,L<-R,Ltum,Rtum,L/R | 0-5 | |||
| 5 | ||||||
| 6 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | CVP-109/107/700 | |
| 50Hz-2.0kHz | 8-40 | table#3 | CVP-105/103 | |||
| 7 | EQ Low Gain | -12→+2dB | 52-76 | |||
| 8 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 9 | EQ High Gain | -12→+12dB | 52-76 | |||
| 10 | ||||||
| 11 | EQ Mid Frequency | 100Hz-10.0kHz (variation block) | 14-54 | table#3 | CVP-109/107/700 only | |
| 12 | EQ Mid Gain | -12→+12dB (variation block) | 52-76 | CVP-109/107/700 only | ||
| 13 | EQ Mid Width | 1.0-12.0 (variation block) | 10-120 | CVP-109/107/700 only | ||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | LFO Frequency | 0.00Hz-39.7Hz | 0-127 | table#1 | ||
| 2 | LFO Depth | 0-127 | 0-127 | |||
| 3 | Phase Shift Offset | 0-127 | 0-127 | |||
| 4 | Feedback Level | -63→+63 | 1-127 | |||
| 5 | ||||||
| 6 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | CVP-109/107/700 | |
| 50Hz-2.0kHz | 8-40 | table#3 | CVP-105/103 | |||
| 7 | EQ Low Gain | -12→+2dB | 52-76 | |||
| 8 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 9 | EQ High Gain | -12→+2dB | 52-76 | |||
| 10 | Dry/Wet | D63-W - D=W - D<W63 | 1-127 | ● | ||
| 11 | Stage | 4,5,6 (chorus, insertion block) | 4-6 | CVP-109/107/700 only | ||
| 4-12 (variation block) | 4-12 | CVP-109/107/700 | ||||
| 6-10 (variation block) | 6-10 | CVP-105/103 | ||||
| 12 | Diffusion | mono/stereo | 0-1 | |||
| 13 | ||||||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | LFO Frequency | 0.00Hz-39.7Hz | 0-127 | table#1 | ||
| 2 | LFO Depth | 0-127 | 0-127 | |||
| 3 | Phase Shift Offset | 0-127 | 0-127 | |||
| 4 | Feedback Level | -63-+63 | 1-127 | |||
| 5 | ||||||
| 6 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | CVP-109/107/700 | |
| 50Hz-2.0kHz | 8-40 | table#3 | CVP-105/103 | |||
| 7 | EQ Low Gain | -12-+12dB | 52-76 | |||
| 8 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 9 | EQ High Gain | -12-+12dB | 52-76 | |||
| 10 | Dry/Wet | D63-W - D=W - D<W63 | 1-127 | ● | ||
| 11 | Stage | 3,4,5,6 | 3-6 | CVP-109/107/700 | ||
| 12 | 3,4,5 | 3-5 | CVP-105/103 | |||
| 13 | LFO Phase Difference | -180deg-+180deg(resolution=3deg.) | 4-124 | |||
| 14 | ||||||
| 15 | ||||||
| 16 |
DISTORTION
OVERDRIVE (variation, insertion block)| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Drive | 0-127 | 0-127 | ● | ||
| 2 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | CVP-109/107/700 | |
| 50Hz-2.0kHz | 8-40 | table#3 | CVP-105/103 | |||
| 3 | EQ Low Gain | -12→+2dB | 52-76 | |||
| 4 | LPF Cutoff | 1.0k-Thru | 34-60 | table#3 | ||
| 5 | Output Level | 0-127 | 0-127 | |||
| 6 | ||||||
| 7 | EQ Mid Frequency | 100Hz-10.0kHz | 14-54 | table#3 | CVP-109/107/700 | |
| 500Hz-10.0kHz | 28-54 | table#3 | CVP-105/103 | |||
| 8 | EQ Mid Gain | -12→+2dB | 52-76 | |||
| 9 | EQ Mid Width | 1.0-12.0 | 10-120 | |||
| 10 | Dry/Wet | D63=W-W-D-W-DW63 | 1-127 | |||
| 11 | Edge(Clip Curve) | 0-127 | 0-127 | mild-sharp | ||
| 12 | ||||||
| 13 | ||||||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Drive | 0-127 | 0-127 | ● | ||
| 2 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | ||
| 3 | EQ Low Gain | -12+12dB | 52-76 | |||
| 4 | LPF Cutoff | 1.0k-Thru | 34-60 | table#3 | ||
| 5 | Output Level | 0-127 | 0-127 | |||
| 6 | ||||||
| 7 | EQ Mid Frequency | 100Hz-10.0kHz | 14-54 | table#3 | ||
| 8 | EQ Mid Gain | -12+12dB | 52-76 | |||
| 9 | EQ Mid Width | 1.0-12.0 | 10-120 | |||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1-127 | |||
| 11 | Edge(Clip Curve) | 0-127 | 0-127 | mild-sharp | ||
| 12 | Attack | 1ms-40ms | 0-19 | table#8 | ||
| 13 | Release | 10ms-680ms | 0-15 | table#9 | ||
| 14 | Threshold | -48dB-6dB | 79-121 | |||
| 15 | Ratio | 1.0-20.0 | 0-7 | table#10 | ||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Drive | 0-127 | 0-127 | ● | ||
| 2 | AMP Type | Off,Stack,Combo,Tube | 0-3 | |||
| 3 | LPF Cutoff | 1.0k-Thru | 34-60 | table#3 | ||
| 4 | Output Level | 0-127 | 0-127 | |||
| 5 | ||||||
| 6 | ||||||
| 7 | ||||||
| 8 | ||||||
| 9 | ||||||
| 10 | Dry/Wet | D63-W - D=W - D<W63 | 1-127 | |||
| 11 | Edge(Clip Curve) | 0-127 | 0-127 | mild-sharp | ||
| 12 | ||||||
| 13 | ||||||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | EQ Low Gain | -12--+12dB | 52-76 | |||
| 2 | EQ Mid Frequency | 100Hz-10.0kHz | 14-54 | table#3 | CVP-109/107/700 | |
| 500Hz-10.0kHz | 28-54 | table#3 | CVP-105/103 | |||
| 3 | EQ Mid Gain | -12--+12dB | 52-76 | |||
| 4 | EQ Mid Width | 1.0-12.0 | 10-120 | |||
| 5 | EQ High Gain | -12--+12dB | 52-76 | |||
| 6 | EQ Low Frequency | 50Hz-2.0kHz | 8-40 | table#3 | ||
| 7 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 8 | ||||||
| 9 | ||||||
| 10 | ||||||
| 11 | ||||||
| 12 | ||||||
| 13 | ||||||
| 14 | ||||||
| 15 | Input Mode | mono/stereo | 0-1 | |||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | CVP-109/107/700 | |
| 50Hz-2.0kHz | 8-40 | table#3 | CVP-105/103 | |||
| 2 | EQ Low Gain | -12→+12dB | 52-76 | |||
| 3 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 4 | EQ High Gain | -12→+12dB | 52-76 | |||
| 5 | ||||||
| 6 | ||||||
| 7 | ||||||
| 8 | ||||||
| 9 | ||||||
| 10 | ||||||
| 11 | ||||||
| 12 | ||||||
| 13 | ||||||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | LFO Frequency | 0.00Hz-39.7Hz | 0-127 | table#1 | ||
| 2 | LFO Depth | 0-127 | 0-127 | |||
| 3 | Cutoff Frequency Offset | 0-127 | 0-127 | ● | ||
| 4 | Resonance | 1.0-12.0 | 10-120 | |||
| 5 | ||||||
| 6 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | CVP-109/107/700 | |
| 50Hz-2.0kHz | 8-40 | table#3 | CVP-105/103 | |||
| 7 | EQ Low Gain | -12+12dB | 52-76 | |||
| 8 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 9 | EQ High Gain | -12+12dB | 52-76 | |||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1-127 | |||
| 11 | Drive | 0-127(variation block) | 0-127 | |||
| 12 | ||||||
| 13 | ||||||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | LFO Frequency | 0.00Hz-39.7Hz | 0-127 | table#1 | ||
| 2 | LFO Depth | 0-127 | 0-127 | |||
| 3 | Cutoff Frequency Offset | 0-127 | 0-127 | ● | ||
| 4 | Resonance | 1.0-12.0 | 10-120 | |||
| 5 | ||||||
| 6 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | ||
| 7 | EQ Low Gain | -12-+12dB | 52-76 | |||
| 8 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 9 | EQ High Gain | -12-+12dB | 52-76 | |||
| 10 | Dry/Wet | D63=W-D=W-DW63 | 1-127 | |||
| 11 | Drive | 0-127 | 0-127 | |||
| 12 | EQ Low Gain (distortion) | -12-+12dB | 52-76 | |||
| 13 | EQ Mid Gain (distortion) | -12-+12dB | 52-76 | |||
| 14 | LPF Cutoff | 1.0kHz-thru | 34-60 | table#3 | ||
| 15 | Output Level | 0-127 | 0-127 | |||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Sensitive | 0-127 | 0-127 | |||
| 2 | Cutoff Frequency Offset | 0-127 | 0-127 | ● | ||
| 3 | Resonance | 1.0-12.0 | 10-120 | |||
| 4 | ||||||
| 5 | ||||||
| 6 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | ||
| 7 | EQ Low Gain | -12+12dB | 52-76 | |||
| 8 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 9 | EQ High Gain | -12+12dB | 52-76 | |||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1-127 | |||
| 11 | Drive | 0-127(variation block) | 0-127 | |||
| 12 | ||||||
| 13 | ||||||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Sensitive | 0-127 | 0-127 | |||
| 2 | Cutoff Frequency Offset | 0-127 | 0-127 | ● | ||
| 3 | Resonance | 1.0-12.0 | 10-120 | |||
| 4 | ||||||
| 5 | ||||||
| 6 | EQ Low Frequency | 32Hz-2.0kHz | 4-40 | table#3 | ||
| 7 | EQ Low Gain | -12-+12dB | 52-76 | |||
| 8 | EQ High Frequency | 500Hz-16.0kHz | 28-58 | table#3 | ||
| 9 | EQ High Gain | -12+12dB | 52-76 | |||
| 10 | Dry/Wet | D63=W-D=W-DW63 | 1-127 | |||
| 11 | Drive | 0-127(variation block) | 0-127 | |||
| 12 | EQ Low Gain (distortion) | -12-+12dB(variation block) | 52-76 | |||
| 13 | EQ Mid Gain (distortion) | -12-+12dB(variation block) | 52-76 | |||
| 14 | LPF Cutoff | 1.0kHz-thru(variation block) | 34-60 | table#3 | ||
| 15 | Output Level | 0-127(variation block) | 0-127 | |||
| 16 | Release | 10-680ms | 52-67 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Pitch | -24→+24 | 40-88 | |||
| 2 | Initial Delay | 0.1mS-400.0mS | 0-127 | table#7 | ||
| 3 | Fine 1 | -50→+50 | 14-114 | |||
| 4 | Fine 2 | -50→+50 | 14-114 | |||
| 5 | Feedback Level | -63→+63 | 1-127 | |||
| 6 | ||||||
| 7 | ||||||
| 8 | ||||||
| 9 | ||||||
| 10 | Dry/Wet | D63-W - D=W - D<W63 | 1-127 | ● | ||
| 11 | Pan 1 | L63-R63 | 1-127 | |||
| 12 | Output Level 1 | 0-127 | 0-127 | |||
| 13 | Pan 2 | L63-R63 | 1-127 | |||
| 14 | Output Level 2 | 0-127 | 0-127 | |||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Pitch | -24+24 | 40-88 | |||
| 2 | Initial Delay | 0.1mS-400.0mS | 0-127 | table#7 | ||
| 3 | Fine 1 | -50+50cent | 14-114 | |||
| 4 | Fine 2 | -50+50cent | 14-114 | |||
| 5 | Feedback Level | -63-+63 | 1-127 | |||
| 6 | ||||||
| 7 | ||||||
| 8 | ||||||
| 9 | ||||||
| 10 | Dry/Wet | D63-W - D=W - D<W63 | 1-127 | ● | ||
| 11 | Pan 1 | L63-R63 | 1-127 | |||
| 12 | Output Level 1 | 0-127 | 0-127 | |||
| 13 | Pan 2 | L63-R63 | 1-127 | |||
| 14 | Output Level 2 | 0-127 | 0-127 | |||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Attack | 1-40ms | 0-19 | table#8 | ||
| 2 | Release | 10-680ms | 0-15 | table#9 | ||
| 3 | Threshold | -48-6dB | 79-121 | |||
| 4 | Ratio | 1.0-20.0 | 0-7 | table#10 | ||
| 5 | Output Level | 0-127 | 0-127 | |||
| 6 | ||||||
| 7 | ||||||
| 8 | ||||||
| 9 | ||||||
| 10 | ||||||
| 11 | ||||||
| 12 | ||||||
| 13 | ||||||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Attack | 1-40ms | 0-19 | table#8 | ||
| 2 | Release | 10-680ms | 0-15 | table#9 | ||
| 3 | Threshold | -72-30dB | 55-97 | |||
| 4 | Output Level | 0-127 | 0-127 | |||
| 5 | ||||||
| 6 | ||||||
| 7 | ||||||
| 8 | ||||||
| 9 | ||||||
| 10 | ||||||
| 11 | ||||||
| 12 | ||||||
| 13 | ||||||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | ||||||
| 2 | ||||||
| 3 | ||||||
| 4 | ||||||
| 5 | ||||||
| 6 | ||||||
| 7 | ||||||
| 8 | ||||||
| 9 | ||||||
| 10 | ||||||
| 11 | Low Adjust | 0-26 | 0-26 | |||
| 12 | High Adjust | 0-26 | 0-26 | |||
| 13 | ||||||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | ||||||
| 2 | ||||||
| 3 | ||||||
| 4 | ||||||
| 5 | ||||||
| 6 | ||||||
| 7 | ||||||
| 8 | ||||||
| 9 | ||||||
| 10 | ||||||
| 11 | ||||||
| 12 | ||||||
| 13 | ||||||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | HPF Cutoff | 500Hz-16kHz | 28-58 | table#3 | ||
| 2 | Drive | 0-127 | 0-127 | |||
| 3 | Mix Level | 0-127 | 0-127 | |||
| 4 | ||||||
| 5 | ||||||
| 6 | ||||||
| 7 | ||||||
| 8 | ||||||
| 9 | ||||||
| 10 | ||||||
| 11 | ||||||
| 12 | ||||||
| 13 | ||||||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Vowel | a,i,u,e,o | 0-4 | |||
| 2 | Move speed | 1-62 | 1-62 | |||
| 3 | Drive | 0-127 | 0-127 | |||
| 4 | Output Level | 0-127 | 0-127 | |||
| 5 | ||||||
| 6 | ||||||
| 7 | ||||||
| 8 | ||||||
| 9 | ||||||
| 10 | ||||||
| 11 | ||||||
| 12 | ||||||
| 13 | ||||||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Sampling Freq Control | a,i,u,e,o | 0-4 | |||
| 2 | Word Length | 1-62 | 1-62 | |||
| 3 | Output Gain | 0-127 | 0-127 | |||
| 4 | LPF Cutoff | 0-127 | 0-127 | |||
| 5 | Filter Type | Thru,PowerBass,Radio,Tel, Clean,Low | 0-5 | |||
| 6 | LPF Resonance | 1.0-12.0 | 10-120 | |||
| 7 | Bit Assign | 0-6 | 0-6 | |||
| 8 | Emphasis | Off/On | 0-1 | |||
| 9 | ||||||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1-127 | ● | ||
| 11 | ||||||
| 12 | ||||||
| 13 | ||||||
| 14 | ||||||
| 15 | Input Mode | mono/stereo | ||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Lch Delay Time | 0.1-1486.0ms | 1-14860 | |||
| 2 | Rch Delay Time | 0.1-1486.0ms | 1-14860 | |||
| 3 | Delay Feedback Time | 0.1-1486.0ms | 1-14860 | |||
| 4 | Delay Feedback Level | -63-+63 | 1-127 | |||
| 5 | Delay Mix | 0-127 | 0-127 | |||
| 6 | Dist Drive | 0-127 | 0-127 | |||
| 7 | Dist Output Level | 0-127 | 0-127 | |||
| 8 | Dist EQ Low Gain | -12-+12dB | 52-76 | |||
| 9 | Dist EQ Mid Gain | -12-+12dB | 52-76 | |||
| 10 | Dry/Wet | D63=W - D=W - D<W63 | 1-127 | ● | ||
| 11 | ||||||
| 12 | ||||||
| 13 | ||||||
| 14 | ||||||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Delay Time | 0.1-1486.0ms | 1-14860 | |||
| 2 | Delay Feedback Level | -63->+63 | 1-127 | |||
| 3 | Delay Mix | 0-127 | 0-127 | |||
| 4 | Dist Drive | 0-127 | 0-127 | |||
| 5 | Dist Output Level | 0-127 | 0-127 | |||
| 6 | Dist EQ Low Gain | -12->+12dB | 52-76 | |||
| 7 | Dist EQ Mid Gain | -12->+12dB | 52-76 | |||
| 8 | ||||||
| 9 | ||||||
| 10 | Dry/Wet | D63->W - D=W - D<W63 | 1-127 | ● | ||
| 11 | Comp. Attack | 1ms-40ms | 0-19 | table#8 | ||
| 12 | Comp. Release | 10ms-680ms | 0-15 | table#9 | ||
| 13 | Comp. Threshold | -48dB - 6dB | 79-121 | |||
| 14 | Comp. Ratio | 1.0-20.0 | 0-7 | table#10 | ||
| 15 | ||||||
| 16 |
| No. | Parameter | Display | Value | See Table | Comment | Control |
| 1 | Delay Time | 0.1-1486.0ms | 1-14860 | |||
| 2 | Delay Feedback Level | -63->+63 | 1-127 | |||
| 3 | Delay Mix | 0-127 | 0-127 | |||
| 4 | Dist Drive | 0-127 | 0-127 | |||
| 5 | Dist Output Level | 0-127 | 0-127 | |||
| 6 | Dist EQ Low Gain | -12->+12dB | 52-76 | |||
| 7 | Dist EQ Mid Gain | -12->+12dB | 52-76 | |||
| 8 | ||||||
| 9 | ||||||
| 10 | Dry/Wet | D63->W - D=W - D<W63 | 1-127 | ● | ||
| 11 | Wah Sensitive | 0-127 | 0-127 | |||
| 12 | Wah Cutoff Freq Offset | 0-127 | 0-127 | |||
| 13 | Wah Resonance | 1.0-12.0 | 10-120 | |||
| 14 | Wah Release | 10-680ms | 52-67 | |||
| 15 | ||||||
| 16 |
VOCAL HARMONY MIDI SPECIFICATIONS
Channel message
| 1) Note on / off | Harmony ch | Melody ch | |
| 9n kk vv | note on message | ○ | ○ |
| Specifies pitch in the Vocoder mode. | |||
| Velocity not recognized. | |||
| Also used as Gender Threshold source for the Melody channel. | |||
| 8n kk vv | note off message | ○ | ○ |
| Turns the current note off in the Vocoder mode. | |||
| 9n kk 00 | |||
| Also used as Gender Threshold source for the Melody channel. | |||
| 2) Control change | ||||
| Bn | 40 vv | damper pedal | ○ | ○ |
| 64 | RPN | ○ | ○ | |
| 65 | RPN | ○ | ○ | |
| 62 | NRPN | ○ | ○ | |
| 63 | NRPN | ○ | ○ | |
| 06 | Data entry MSB | ○ | ○ | |
| 64 | Data Increment | ○ | ○ | |
| 26 | Data Decrement | ○ | ○ | |
| 7B | All note off | ○ | ○ | |
| 3) RPN | ||||
| MSB | LSB | |||
| 00 | 00 | Pitch bend sensitivity | O | O |
| 7F | 7F | NULL | O | O |
| 4) NRPN | ||||
| MSB | LSB | |||
| 00 | 00 | Harmony mute | ○ | × |
| 01 | 08 | Vibrato rate modulation | ○ | ○ |
| 01 | 09 | Vibrato depth modulation | ○ | ○ |
| 01 | 0A | Vibrato delay modulation | ○ | ○ |
| 01 | 1A | Detune modulation | ○ | × |
| Controls the overall amount of detune. | ||||
| 02 | 10 | Harmony 1 volume | ○ | × |
| 02 | 11 | Harmony 2 volume | ○ | × |
| 02 | 20 | Harmony 1 pan | ○ | × |
| 02 | 21 | Harmony 2 pan | ○ | × |
| 02 | 30 | Harmony 1 detune | ○ | × |
| 02 | 31 | Harmony 2 detune | ○ | × |
| 03 | 00 | Lead gender type | × | ○ |
| 03 | 01 | Lead gender amount | × | ○ |
| 5) Pitch bend | |
| E0 nn nn | O |
| Data | Value | Data | Value | Data | Value | Data | Value |
| 0 | 0.00 | 32 | 1.35 | 64 | 2.69 | 96 | 8.41 |
| 1 | 0.04 | 33 | 1.39 | 65 | 2.78 | 97 | 8.75 |
| 2 | 0.08 | 34 | 1.43 | 66 | 2.86 | 98 | 9.08 |
| 3 | 0.13 | 35 | 1.47 | 67 | 2.94 | 99 | 9.42 |
| 4 | 0.17 | 36 | 1.51 | 68 | 3.03 | 100 | 9.76 |
| 5 | 0.21 | 37 | 1.56 | 69 | 3.11 | 101 | 10.1 |
| 6 | 0.25 | 38 | 1.60 | 70 | 3.20 | 102 | 10.8 |
| 7 | 0.29 | 39 | 1.64 | 71 | 3.28 | 103 | 11.4 |
| 8 | 0.34 | 40 | 1.68 | 72 | 3.37 | 104 | 12.1 |
| 9 | 0.38 | 41 | 1.72 | 73 | 3.45 | 105 | 12.8 |
| 10 | 0.42 | 42 | 1.77 | 74 | 3.53 | 106 | 13.5 |
| 11 | 0.46 | 43 | 1.81 | 75 | 3.62 | 107 | 14.1 |
| 12 | 0.51 | 44 | 1.85 | 76 | 3.70 | 108 | 14.8 |
| 13 | 0.55 | 45 | 1.89 | 77 | 3.87 | 109 | 15.5 |
| 14 | 0.59 | 46 | 1.94 | 78 | 4.04 | 110 | 16.2 |
| 15 | 0.63 | 47 | 1.98 | 79 | 4.21 | 111 | 16.8 |
| 16 | 0.67 | 48 | 2.02 | 80 | 4.37 | 112 | 17.5 |
| 17 | 0.72 | 49 | 2.06 | 81 | 4.54 | 113 | 18.2 |
| 18 | 0.76 | 50 | 2.10 | 82 | 4.71 | 114 | 19.5 |
| 19 | 0.80 | 51 | 2.15 | 83 | 4.88 | 115 | 20.9 |
| 20 | 0.84 | 52 | 2.19 | 84 | 5.05 | 116 | 22.2 |
| 21 | 0.88 | 53 | 2.23 | 85 | 5.22 | 117 | 23.6 |
| 22 | 0.93 | 54 | 2.27 | 86 | 5.38 | 118 | 24.9 |
| 23 | 0.97 | 55 | 2.31 | 87 | 5.55 | 119 | 26.2 |
| 24 | 1.01 | 56 | 2.36 | 88 | 5.72 | 120 | 27.6 |
| 25 | 1.05 | 57 | 2.40 | 89 | 6.06 | 121 | 28.9 |
| 26 | 1.09 | 58 | 2.44 | 90 | 6.39 | 122 | 30.3 |
| 27 | 1.14 | 59 | 2.48 | 91 | 6.73 | 123 | 31.6 |
| 28 | 1.18 | 60 | 2.52 | 92 | 7.07 | 124 | 33.0 |
| 29 | 1.22 | 61 | 2.57 | 93 | 7.40 | 125 | 34.3 |
| 30 | 1.26 | 62 | 2.61 | 94 | 7.74 | 126 | 37.0 |
| 31 | 1.30 | 63 | 2.65 | 95 | 8.08 | 127 | 39.7 |
Table#2
Modulation Delay Offset| Data | Value | Data | Value | Data | Value | Data | Value |
| 0 | 0.0 | 32 | 3.2 | 64 | 6.4 | 96 | 9.6 |
| 1 | 0.1 | 33 | 3.3 | 65 | 6.5 | 97 | 9.7 |
| 2 | 0.2 | 34 | 3.4 | 66 | 6.6 | 98 | 9.8 |
| 3 | 0.3 | 35 | 3.5 | 67 | 6.7 | 99 | 9.9 |
| 4 | 0.4 | 36 | 3.6 | 68 | 6.8 | 100 | 10.0 |
| 5 | 0.5 | 37 | 3.7 | 69 | 6.9 | 101 | 11.1 |
| 6 | 0.6 | 38 | 3.8 | 70 | 7.0 | 102 | 12.2 |
| 7 | 0.7 | 39 | 3.9 | 71 | 7.1 | 103 | 13.3 |
| 8 | 0.8 | 40 | 4.0 | 72 | 7.2 | 104 | 14.4 |
| 9 | 0.9 | 41 | 4.1 | 73 | 7.3 | 105 | 15.5 |
| 10 | 1.0 | 42 | 4.2 | 74 | 7.4 | 106 | 17.1 |
| 11 | 1.1 | 43 | 4.3 | 75 | 7.5 | 107 | 18.6 |
| 12 | 1.2 | 44 | 4.4 | 76 | 7.6 | 108 | 20.2 |
| 13 | 1.3 | 45 | 4.5 | 77 | 7.7 | 109 | 21.8 |
| 14 | 1.4 | 46 | 4.6 | 78 | 7.8 | 110 | 23.3 |
| 15 | 1.5 | 47 | 4.7 | 79 | 7.9 | 111 | 24.9 |
| 16 | 1.6 | 48 | 4.8 | 80 | 8.0 | 112 | 26.5 |
| 17 | 1.7 | 49 | 4.9 | 81 | 8.1 | 113 | 28.0 |
| 18 | 1.8 | 50 | 5.0 | 82 | 8.2 | 114 | 29.6 |
| 19 | 1.9 | 51 | 5.1 | 83 | 8.3 | 115 | 31.2 |
| 20 | 2.0 | 52 | 5.2 | 84 | 8.4 | 116 | 32.8 |
| 21 | 2.1 | 53 | 5.3 | 85 | 8.5 | 117 | 34.3 |
| 22 | 2.2 | 54 | 5.4 | 86 | 8.6 | 118 | 35.9 |
| 23 | 2.3 | 55 | 5.5 | 87 | 8.7 | 119 | 37.5 |
| 24 | 2.4 | 56 | 5.6 | 88 | 8.8 | 120 | 39.0 |
| 25 | 2.5 | 57 | 5.7 | 89 | 8.9 | 121 | 40.6 |
| 26 | 2.6 | 58 | 5.8 | 90 | 9.0 | 122 | 42.2 |
| 27 | 2.7 | 59 | 5.9 | 91 | 9.1 | 123 | 43.7 |
| 28 | 2.8 | 60 | 6.0 | 92 | 9.2 | 124 | 45.3 |
| 29 | 2.9 | 61 | 6.1 | 93 | 9.3 | 125 | 46.9 |
| 30 | 3.0 | 62 | 6.2 | 94 | 9.4 | 126 | 48.4 |
| 31 | 3.1 | 63 | 6.3 | 95 | 9.5 | 127 | 50.0 |
Table#5
Delay Time(200.0ms)| Data | Value | Data | Value | Data | Value | Data | Value |
| 0 | 0.1 | 32 | 50.5 | 64 | 100.8 | 96 | 151.2 |
| 1 | 1.7 | 33 | 52.0 | 65 | 102.4 | 97 | 152.8 |
| 2 | 3.2 | 34 | 53.6 | 66 | 104.0 | 98 | 154.4 |
| 3 | 4.8 | 35 | 55.2 | 67 | 105.6 | 99 | 155.9 |
| 4 | 6.4 | 36 | 56.8 | 68 | 107.1 | 100 | 157.5 |
| 5 | 8.0 | 37 | 58.3 | 69 | 108.7 | 101 | 159.1 |
| 6 | 9.5 | 38 | 59.9 | 70 | 110.3 | 102 | 160.6 |
| 7 | 11.1 | 39 | 61.5 | 71 | 111.9 | 103 | 162.2 |
| 8 | 12.7 | 40 | 63.1 | 72 | 113.4 | 104 | 163.8 |
| 9 | 14.3 | 41 | 64.6 | 73 | 115.0 | 105 | 165.4 |
| 10 | 15.8 | 42 | 66.2 | 74 | 116.6 | 106 | 166.9 |
| 11 | 17.4 | 43 | 67.8 | 75 | 118.2 | 107 | 168.5 |
| 12 | 19.0 | 44 | 69.4 | 76 | 119.7 | 108 | 170.1 |
| 13 | 20.6 | 45 | 70.9 | 77 | 121.3 | 109 | 171.7 |
| 14 | 22.1 | 46 | 72.5 | 78 | 122.9 | 110 | 173.2 |
| 15 | 23.7 | 47 | 74.1 | 79 | 124.4 | 111 | 174.8 |
| 16 | 25.3 | 48 | 75.7 | 80 | 126.0 | 112 | 176.4 |
| 17 | 26.9 | 49 | 77.2 | 81 | 127.6 | 113 | 178.0 |
| 18 | 28.4 | 50 | 78.8 | 82 | 129.2 | 114 | 179.5 |
| 19 | 30.0 | 51 | 80.4 | 83 | 130.7 | 115 | 181.1 |
| 20 | 31.6 | 52 | 81.9 | 84 | 132.3 | 116 | 182.7 |
| 21 | 33.2 | 53 | 83.5 | 85 | 133.9 | 117 | 184.3 |
| 22 | 34.7 | 54 | 85.1 | 86 | 135.5 | 118 | 185.8 |
| 23 | 36.3 | 55 | 86.7 | 87 | 137.0 | 119 | 187.4 |
| 24 | 37.9 | 56 | 88.2 | 88 | 138.6 | 120 | 189.0 |
| 25 | 39.5 | 57 | 89.8 | 89 | 140.2 | 121 | 190.6 |
| 26 | 41.0 | 58 | 91.4 | 90 | 141.8 | 122 | 192.1 |
| 27 | 42.6 | 59 | 93.0 | 91 | 143.3 | 123 | 193.7 |
| 28 | 44.2 | 60 | 94.5 | 92 | 144.9 | 124 | 195.3 |
| 29 | 45.7 | 61 | 96.1 | 93 | 146.5 | 125 | 196.9 |
| 30 | 47.3 | 62 | 97.7 | 94 | 148.1 | 126 | 198.4 |
| 31 | 48.9 | 63 | 99.3 | 95 | 149.6 | 127 | 200.0 |
Table#6
Room Size| Data | Value | Data | Value | Data | Value | Data | Value |
| 0 | 0.1 | 32 | 5.1 | 64 | 10.1 | 96 | 15.1 |
| 1 | 0.3 | 33 | 5.3 | 65 | 10.3 | 97 | 15.3 |
| 2 | 0.4 | 34 | 5.4 | 66 | 10.4 | 98 | 15.5 |
| 3 | 0.6 | 35 | 5.6 | 67 | 10.6 | 99 | 15.6 |
| 4 | 0.7 | 36 | 5.7 | 68 | 10.8 | 100 | 15.8 |
| 5 | 0.9 | 37 | 5.9 | 69 | 10.9 | 101 | 15.9 |
| 6 | 1.0 | 38 | 6.1 | 70 | 11.1 | 102 | 16.1 |
| 7 | 1.2 | 39 | 6.2 | 71 | 11.2 | 103 | 16.2 |
| 8 | 1.4 | 40 | 6.4 | 72 | 11.4 | 104 | 16.4 |
| 9 | 1.5 | 41 | 6.5 | 73 | 11.5 | 105 | 16.6 |
| 10 | 1.7 | 42 | 6.7 | 74 | 11.7 | 106 | 16.7 |
| 11 | 1.8 | 43 | 6.8 | 75 | 11.9 | 107 | 16.9 |
| 12 | 2.0 | 44 | 7.0 | 76 | 12.0 | 108 | 17.0 |
| 13 | 2.1 | 45 | 7.2 | 77 | 12.2 | 109 | 17.2 |
| 14 | 2.3 | 46 | 7.3 | 78 | 12.3 | 110 | 17.3 |
| 15 | 2.5 | 47 | 7.5 | 79 | 12.5 | 111 | 17.5 |
| 16 | 2.6 | 48 | 7.6 | 80 | 12.6 | 112 | 17.6 |
| 17 | 2.8 | 49 | 7.8 | 81 | 12.8 | 113 | 17.8 |
| 18 | 2.9 | 50 | 7.9 | 82 | 12.9 | 114 | 18.0 |
| 19 | 3.1 | 51 | 8.1 | 83 | 13.1 | 115 | 18.1 |
| 20 | 3.2 | 52 | 8.2 | 84 | 13.3 | 116 | 18.3 |
| 21 | 3.4 | 53 | 8.4 | 85 | 13.4 | 117 | 18.4 |
| 22 | 3.5 | 54 | 8.6 | 86 | 13.6 | 118 | 18.6 |
| 23 | 3.7 | 55 | 8.7 | 87 | 13.7 | 119 | 18.7 |
| 24 | 3.9 | 56 | 8.9 | 88 | 13.9 | 120 | 18.9 |
| 25 | 4.0 | 57 | 9.0 | 89 | 14.0 | 121 | 19.1 |
| 26 | 4.2 | 58 | 9.2 | 90 | 14.2 | 122 | 19.2 |
| 27 | 4.3 | 59 | 9.3 | 91 | 14.4 | 123 | 19.4 |
| 28 | 4.5 | 60 | 9.5 | 92 | 14.5 | 124 | 19.5 |
| 29 | 4.6 | 61 | 9.7 | 93 | 14.7 | 125 | 19.7 |
| 30 | 4.8 | 62 | 9.8 | 94 | 14.8 | 126 | 19.8 |
| 31 | 5.0 | 63 | 10.0 | 95 | 15.0 | 127 | 20.0 |
Table#8
Compressor Attack Time| Data | Value |
| 0 | 1 |
| 1 | 2 |
| 2 | 3 |
| 3 | 4 |
| 4 | 5 |
| 5 | 6 |
| 6 | 7 |
| 7 | 8 |
| 8 | 9 |
| 9 | 10 |
| 10 | 12 |
| 11 | 14 |
| 12 | 16 |
| 13 | 18 |
| 14 | 20 |
| 15 | 23 |
| 16 | 26 |
| 17 | 30 |
| 18 | 35 |
| 19 | 40 |
Table#9
Compressor Release Time| Data | Value |
| 0 | 10 |
| 1 | 15 |
| 2 | 25 |
| 3 | 35 |
| 4 | 45 |
| 5 | 55 |
| 6 | 65 |
| 7 | 75 |
| 8 | 85 |
| 9 | 100 |
| 10 | 115 |
| 11 | 140 |
| 12 | 170 |
| 13 | 230 |
| 14 | 340 |
| 15 | 680 |
Table#10
Compressor Ratio| Data | Value |
| 0 | 1.0 |
| 1 | 1.5 |
| 2 | 2.0 |
| 3 | 3.0 |
| 4 | 5.0 |
| 5 | 7.0 |
| 6 | 10.0 |
| 7 | 20.0 |
Table#11
Reverb Width;Depth;Height| Data | Value | Data | Value | Data | Value | Data | Value |
| 0 | 0.5 | 32 | 8.8 | 64 | 17.6 | 96 | 27.5 |
| 1 | 0.8 | 33 | 9.1 | 65 | 17.9 | 97 | 27.8 |
| 2 | 1.0 | 34 | 9.4 | 66 | 18.2 | 98 | 28.1 |
| 3 | 1.3 | 35 | 9.6 | 67 | 18.5 | 99 | 28.5 |
| 4 | 1.5 | 36 | 9.9 | 68 | 18.8 | 100 | 28.8 |
| 5 | 1.8 | 37 | 10.2 | 69 | 19.1 | 101 | 29.2 |
| 6 | 2.0 | 38 | 10.4 | 70 | 19.4 | 102 | 29.5 |
| 7 | 2.3 | 39 | 10.7 | 71 | 19.7 | 103 | 29.9 |
| 8 | 2.6 | 40 | 11.0 | 72 | 20.0 | 104 | 30.2 |
| 9 | 2.8 | 41 | 11.2 | 73 | 20.2 | ||
| 10 | 3.1 | 42 | 11.5 | 74 | 20.5 | ||
| 11 | 3.3 | 43 | 11.8 | 75 | 20.8 | ||
| 12 | 3.6 | 44 | 12.1 | 76 | 21.1 | ||
| 13 | 3.9 | 45 | 12.3 | 77 | 21.4 | ||
| 14 | 4.1 | 46 | 12.6 | 78 | 21.7 | ||
| 15 | 4.4 | 47 | 12.9 | 79 | 22.0 | ||
| 16 | 4.6 | 48 | 13.1 | 80 | 22.4 | ||
| 17 | 4.9 | 49 | 13.4 | 81 | 22.7 | ||
| 18 | 5.2 | 50 | 13.7 | 82 | 23.0 | ||
| 19 | 5.4 | 51 | 14.0 | 83 | 23.3 | ||
| 20 | 5.7 | 52 | 14.2 | 84 | 23.6 | ||
| 21 | 5.9 | 53 | 14.5 | 85 | 23.9 | ||
| 22 | 6.2 | 54 | 14.8 | 86 | 24.2 | ||
| 23 | 6.5 | 55 | 15.1 | 87 | 24.5 | ||
| 24 | 6.7 | 56 | 15.4 | 88 | 24.9 | ||
| 25 | 7.0 | 57 | 15.6 | 89 | 25.2 | ||
| 26 | 7.2 | 58 | 15.9 | 90 | 25.5 | ||
| 27 | 7.5 | 59 | 16.2 | 91 | 25.8 | ||
| 28 | 7.8 | 60 | 16.5 | 92 | 26.1 | ||
| 29 | 8.0 | 61 | 16.8 | 93 | 26.5 | ||
| 30 | 8.3 | 62 | 17.1 | 94 | 26.8 | ||
| 31 | 8.6 | 63 | 17.3 | 95 | 27.1 |
Table#3
EQ Frequency| Data | Value | Data | Value |
| 0 | THRU(0) | 32 | 800 |
| 1 | 22 | 33 | 900 |
| 2 | 25 | 34 | 1.0k |
| 3 | 28 | 35 | 1.1k |
| 4 | 32 | 36 | 1.2k |
| 5 | 36 | 37 | 1.4k |
| 6 | 40 | 38 | 1.6k |
| 7 | 45 | 39 | 1.8k |
| 8 | 50 | 40 | 2.0k |
| 9 | 56 | 41 | 2.2k |
| 10 | 63 | 42 | 2.5k |
| 11 | 70 | 43 | 2.8k |
| 12 | 80 | 44 | 3.2k |
| 13 | 90 | 45 | 3.6k |
| 14 | 100 | 46 | 4.0k |
| 15 | 110 | 47 | 4.5k |
| 16 | 125 | 48 | 5.0k |
| 17 | 140 | 49 | 5.6k |
| 18 | 160 | 50 | 6.3k |
| 19 | 180 | 51 | 7.0k |
| 20 | 200 | 52 | 8.0k |
| 21 | 225 | 53 | 9.0k |
| 22 | 250 | 54 | 10.0k |
| 23 | 280 | 55 | 11.0k |
| 24 | 315 | 56 | 12.0k |
| 25 | 355 | 57 | 14.0k |
| 26 | 400 | 58 | 16.0k |
| 27 | 450 | 59 | 18.0k |
| 28 | 500 | 60 | THRU(20.0k) |
| 29 | 560 | ||
| 30 | 630 | ||
| 31 | 700 |
Table#4
Reverb time| Data | Value | Data | Value | Data | Value |
| 0 | 0.3 | 32 | 3.5 | 64 | 17.0 |
| 1 | 0.4 | 33 | 3.6 | 65 | 18.0 |
| 2 | 0.5 | 34 | 3.7 | 66 | 19.0 |
| 3 | 0.6 | 35 | 3.8 | 67 | 20.0 |
| 4 | 0.7 | 36 | 3.9 | 68 | 25.0 |
| 5 | 0.8 | 37 | 4.0 | 69 | 30.0 |
| 6 | 0.9 | 38 | 4.1 | ||
| 7 | 1.0 | 39 | 4.2 | ||
| 8 | 1.1 | 40 | 4.3 | ||
| 9 | 1.2 | 41 | 4.4 | ||
| 10 | 1.3 | 42 | 4.5 | ||
| 11 | 1.4 | 43 | 4.6 | ||
| 12 | 1.5 | 44 | 4.7 | ||
| 13 | 1.6 | 45 | 4.8 | ||
| 14 | 1.7 | 46 | 4.9 | ||
| 15 | 1.8 | 47 | 5.0 | ||
| 16 | 1.9 | 48 | 5.5 | ||
| 17 | 2.0 | 49 | 6.0 | ||
| 18 | 2.1 | 50 | 6.5 | ||
| 19 | 2.2 | 51 | 7.0 | ||
| 20 | 2.3 | 52 | 7.5 | ||
| 21 | 2.4 | 53 | 8.0 | ||
| 22 | 2.5 | 54 | 8.5 | ||
| 23 | 2.6 | 55 | 9.0 | ||
| 24 | 2.7 | 56 | 9.5 | ||
| 25 | 2.8 | 57 | 10.0 | ||
| 26 | 2.9 | 58 | 11.0 | ||
| 27 | 3.0 | 59 | 12.0 | ||
| 28 | 3.1 | 60 | 13.0 | ||
| 29 | 3.2 | 61 | 14.0 | ||
| 30 | 3.3 | 62 | 15.0 | ||
| 31 | 3.4 | 63 | 16.0 |
Table#7
Delay Time(400.0ms)| Data | Value | Data | Value | Data | Value | Data | Value |
| 0 | 0.1 | 32 | 100.9 | 64 | 201.6 | 96 | 302.4 |
| 1 | 3.2 | 33 | 104.0 | 65 | 204.8 | 97 | 305.5 |
| 2 | 6.4 | 34 | 107.2 | 66 | 207.9 | 98 | 308.7 |
| 3 | 9.5 | 35 | 110.3 | 67 | 211.1 | 99 | 311.8 |
| 4 | 12.7 | 36 | 113.5 | 68 | 214.2 | 100 | 315.0 |
| 5 | 15.8 | 37 | 116.6 | 69 | 217.4 | 101 | 318.1 |
| 6 | 19.0 | 38 | 119.8 | 70 | 220.5 | 102 | 321.3 |
| 7 | 22.1 | 39 | 122.9 | 71 | 223.7 | 103 | 324.4 |
| 8 | 25.3 | 40 | 126.1 | 72 | 226.8 | 104 | 327.6 |
| 9 | 28.4 | 41 | 129.2 | 73 | 230.0 | 105 | 330.7 |
| 10 | 31.6 | 42 | 132.4 | 74 | 233.1 | 106 | 333.9 |
| 11 | 34.7 | 43 | 135.5 | 75 | 236.3 | 107 | 337.0 |
| 12 | 37.9 | 44 | 138.6 | 76 | 239.4 | 108 | 340.2 |
| 13 | 41.0 | 45 | 141.8 | 77 | 242.6 | 109 | 343.3 |
| 14 | 44.2 | 46 | 144.9 | 78 | 245.7 | 110 | 346.5 |
| 15 | 47.3 | 47 | 148.1 | 79 | 248.9 | 111 | 349.6 |
| 16 | 50.5 | 48 | 151.2 | 80 | 252.0 | 112 | 352.8 |
| 17 | 53.6 | 49 | 154.4 | 81 | 255.2 | 113 | 355.9 |
| 18 | 56.8 | 50 | 157.5 | 82 | 258.3 | 114 | 359.1 |
| 19 | 59.9 | 51 | 160.7 | 83 | 261.5 | 115 | 362.2 |
| 20 | 63.1 | 52 | 163.8 | 84 | 264.6 | 116 | 365.4 |
| 21 | 66.2 | 53 | 167.0 | 85 | 267.7 | 117 | 368.5 |
| 22 | 69.4 | 54 | 170.1 | 86 | 270.9 | 118 | 371.7 |
| 23 | 72.5 | 55 | 173.3 | 87 | 274.0 | 119 | 374.8 |
| 24 | 75.7 | 56 | 176.4 | 88 | 277.2 | 120 | 378.0 |
| 25 | 78.8 | 57 | 179.6 | 89 | 280.3 | 121 | 381.1 |
| 26 | 82.0 | 58 | 182.7 | 90 | 283.5 | 122 | 384.3 |
| 27 | 85.1 | 59 | 185.9 | 91 | 286.6 | 123 | 387.4 |
| 28 | 88.3 | 60 | 189.0 | 92 | 289.8 | 124 | 390.6 |
| 29 | 91.4 | 61 | 192.2 | 93 | 292.9 | 125 | 393.7 |
| 30 | 94.6 | 62 | 195.3 | 94 | 296.1 | 126 | 396.9 |
| 31 | 97.7 | 63 | 198.5 | 95 | 299.2 | 127 | 400.0 |
| Function ... | Transmitted | Recognized | Remarks | |
| Basic Channel Changed | 1 - 161 - 16 *1 | 1 - 161 - 16 *2 | Memorized | |
| Mode Default Messages Altered | 3x********** | 33,4 (m=1) *3x | ||
| Note Number : True voice | 0 - 127********** | 0 - 1270 - 127 | ||
| Velocity Note ON Note OFF | o 9nH,v=1-127x 9nH,v=0 | o 9nH,v=1-127x | ||
| After Key's Touch Ch's | xx | x0 | ||
| Pitch Bend | o | o 0-24 semi | ||
| Control change | 0,32157,10,116,3864,66,676571-748491,93,9496,9798,99100,101 | oxo o o o o x x x x x | o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o oo | Bank Select Modulation Portamento Time Data Entry Portamento Sound Controller Portamento Cntrl Effect Depth RPN Inc,Dec NRPN LSB,MSB RPN LSB,MSB |
| Prog Change : True # | o 0 - 127********** | o 0 - 127 | ||
| System Exclusive | o | o | ||
| Common : Song Sel. : Tune | xxx | xxx | ||
| System : Clock Real Time : Commands | o0 | o0 | ||
| Aux : All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Mes- Active Sense sages:Reset | xxxxxx | o(120,126,127)0(121)x0(123-125)0x | ||
| Notes: | ||||
Notes:
*1: The send channel for the RIGHT1, RIGHT2, and LEFT parts can be set using the Send Channel (Keyboard) function. The transmission of accompaniment, harmony, and song data can be turned on or off using the Send Channel (Accompaniment/Harmony) and Song Transmission functions. *2: Messages received on the channel set by the Remote Keyboard function are handled as operations performed directly on the keyboard or panel. Only the following messages are received on this channel: Note On/Off (A-1...C7) Control Changes Bank Select MSB/LSB (RIGHT1 part) Modulation Data Entry MSB (when PITCH BEND SENS. is set by RPN LSB/MSB) Volume Expression Sustain Sostenuto Soft Pedal Data Increment/Decrement (when PITCH BEND SENS. is set by RPN LSB/MSB) RPN LSB/MSB (PITCH BEND SENS. only) All Note Off - Program Change (RIGHT1 part) - Pitch Bend *3: "m" is always treated as "1" regardless of its value. *4: Transmitted when ACPI&RHY or HARMONY setting of Send Channel (Accompaniment/Harmony) function is on.  1  Cord holders x 2CVP-103: Assembly
CAUTION
- Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the sequence given below. Assembly should be carried out by at least two persons. - Be sure to use the correct screw size, as indicated above. Use of incorrect screws can cause damage. - Be sure to tighten up all screws upon completing assembly of each unit. - To disassemble, reverse the assembly sequence given below.1 Open the box and remove all the parts.
Take out the two cardboard packing cushions on top of the main unit and place them on the floor. Then take out main unit (A) and place it on top of the packing cushions. Position the cushions so as to protect the phone jacks on the base of the unit. Remove all parts from the box. Confirm that all parts shown in the illustration above are provided.  2 Attach the side panels (D) to the pedal box (C).
Before installing the pedal box, untie and straighten out the bundled cord attached to the bottom of the pedal box. Don't discard the vinyl tie, you'll need it later in step 5. Place the pedal box on top of the brackets attached to the side panels (D), and attach using the four 6 × 20 millimeter round-head screws ① — two screws on each side. Make sure the pedals extend in the same direction as the side panel feet.  3 Attach the rear panel (B).
With the rear panel slightly angled as shown in the illustration, lower it onto the feet's protruding edge at the rear of the pedal box. Then, while eliminating any gaps between the rear and side panels, secure the top of the rear panel to the side panel brackets using two 4 × 12 mm round-head screws. Finally, secure the bottom of the rear panel to the pedal box using four 4 × 20 mm tapping screws.4 Install the main unit (A).
Place the main unit (A) on the side panels (D) with the screws on its bottom panel (toward the rear of the main unit) just behind the grooves in the brackets located at the top of the side panels. Then slide the main unit forward until it stops. WATCH YOUR FINGERS WHEN DOING THIS!! Align the holes on the bottom panel of the main unit with the holes in the brackets on the side panels (also center the main unit to produce equal clearance on the left and right sides, as shown in the illustration), then screw in and securely tighten the four 6 × 16 millimeter flat-head screws.CAUTION
- Do not hold the keyboard in any position other than the position shown in the above illustration. - Fingers can become pinched between the main unit and the rear or side panels, be extra careful so as not to drop the main unit.   5  - Use the vinyl tie that was removed from the bundled pedal cord in step 2 to tie up any slack in the pedal cord.5 Connect the pedal cord.
The pedal cord from the pedal box must be plugged into the PEDAL connector on the rear of the main unit. Once connected, attach the cord holders to the rear panel as shown, then clip the cord into the holders.  6 Voltage Selector
Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a "minus" screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, slide the AC power cord over the rear panel and connect the cord to the AC INLET, then connect the other end of the cord to an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area.CAUTION
- An improper voltage setting can cause serious damage to the CVP-103 or result in improper operation.7 Set the adjuster.
For stability, an adjuster is provided on the bottom of the pedal box (C). Rotate the adjuster until it comes in firm contact with the floor surface. The adjuster ensures stable pedal operation and facilitates pedal effect control. If the adjuster is not in firm contact with the floor surface, distorted sound may result. - Models without keyboard cover CAUTION
- When moving the instrument after assembly, always hold the lower surface of the main unit, NEVER the top portion or keyboard cover. Improper handling can result in damage to the instrument or personal injury. - Models with keyboard cover After completing the assembly, please check the following.
- Are there any parts left over? Review the assembly procedure and correct any errors. - Is the Clavinova clear of doors and other movable fixtures? Move the Clavinova to an appropriate location. - Does the Clavinova make a rattling noise when you shake it? Tighten all screws. - Does the pedal box rattle or give way when you step on the pedals? Turn the adjuster so that it is set firmly against the floor. - Are the pedal and power cords inserted securely into the sockets? Check the connection. - If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws.  1 - Cardboard packing cushions   - AC power cord  - 5 × 12 ~mm screws × 30CVP-105: Assembly
CAUTION
- Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the sequence given below. Assembly should be carried out by at least two persons. - Be sure to use the correct screw size, as indicated above. Use of incorrect screws can cause damage. - Be sure to tighten up all screws upon completing assembly of each unit. - To disassemble, reverse the assembly sequence given below.1 Open the box and remove all the parts.
Take out the two cardboard packing cushions and place them on the floor. Then take out main unit and place it on top of the packing cushions. Position the cushions so as to protect the phone jacks on the base of the unit. Remove all parts from the box. Confirm that all parts shown in the illustration above are provided.CAUTION
- When you lift the pedal box assembly, make sure that you lift by both legs.  2  3  - Three screws on each side2 Carefully lean the main unit against a wall.
To make it easier to install the legs, place a soft blanket or similar material on the floor near a wall, close the Clavinova keyboard cover, place the front panel of the Clavinova (the side with the keyboard) on the blanket and gently lean the unit against the wall — MAKING SURE THAT IT CAN NOT FALL — as shown in the illustration.CAUTION
- Do not lay the main unit upside-down on the floor.3 Attach the front legs.
Securely attach the two front legs using three screws for each leg (use a Philips "+" screwdriver) as shown in the illustration. Make sure that the screws are firmly tightened.  4 Attach the speaker box.
Gently rest the speaker box onto the corresponding brackets on the front legs. Make sure the speaker cord is extending out from the rear of the speaker box. Loosely secure the speaker box to the main keyboard unit using four screws on both the front and back. (The speaker will be secured in step 5.) Insert the speaker cord connector into the corresponding socket on the main keyboard unit, making sure that the protruding clip on the connector is facing up.5 Attach the pedal box assembly.
First, remove the vinyl tie from the left leg. Make sure you don't remove the cord holder on the top of the left leg. Using 6 screws for each leg (four screws per leg and two screws on each leg bracket) loosely secure the rear leg and pedal box assembly making sure that the pedal cord on the left leg protrudes from the cut hole on the underside of the main unit. Once loosely attached, go back and firmly tighten all 12 screws on the rear leg and pedal assembly, and also secure the 8 screws on the speaker box. After the rear leg and pedal assembly is securely attached, insert the pedal cord plug into the PEDAL connector on the rear panel.   66 Secure the speaker box.
Stand the main unit on its legs and securely attach the speaker box to the bracket on the front legs using two screws for each bracket. If it is impossible to align the bracket holes with the speaker box holes, slightly loosen the three screws on each of the front legs, align the holes, and secure the speaker box. After the speaker box is firmly attached, retighten the screws on the front legs firmly.  Voltage Selector
Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a "minus" screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC power cord to the AC INLET and an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area.CAUTION
- An improper voltage setting can cause serious damage to the CVP-105 or result in improper operation.8 Set the adjuster.
For stability, an adjuster is provided on the bottom of the pedal box. Rotate the adjuster until it comes in firm contact with the floor surface. The adjuster ensures stable pedal operation and facilitates pedal effect control. If the adjuster is not in firm contact with the floor surface, distorted sound may result. CAUTION
- When moving the instrument after assembly, always hold the lower surface of the main unit, NEVER the top portion or keyboard cover. Improper handling can result in damage to the instrument or personal injury.After completing the assembly, please check the following.
- Are there any parts left over? Review the assembly procedure and correct any errors. - Is the Clavinova clear of doors and other movable fixtures? Move the Clavinova to an appropriate location. - Does the Clavinova make a rattling noise when you shake it? Tighten all screws. - Does the pedal box rattle or give way when you step on the pedals? Turn the adjuster so that it is set firmly against the floor. - Are the pedal and power cords inserted securely into the sockets? Check the connection. - If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws.  1  5 x 20 mm long screws x 20  Cord holders x 2 - AC power cord CVP-700: Assembly
CAUTION
- Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the sequence given below. Assembly should be carried out by at least two persons. Attempting to assemble alone is dangerous. - Be sure to use the correct screw size, as indicated above. Use of incorrect screws can cause damage. - Be sure to tighten up all screws upon completing assembly of each unit. - The entire package must be turned over during assembly, so select an area that is large enough for the unpacking and assembly operation.1 Open the carton and remove the parts from the upper level.
Referring to the illustration, make sure that you have all the required parts.  NOTE - A bench may be supplied or optional, depending on the location in which the instrument was purchased.  22 Attach the three legs (A, B, C).
Use scissors or a cutter to remove the packing material in which the main unit is wrapped. Then attach the legs to the bottom of the main unit using four 5 × 20 ~mm long screws per leg. Please refer to the illustration carefully when attaching the legs, to ensure that the positions of the (A) and (B) legs are not reversed. Also make sure that there is minimum space between the (A) and (B) leg flanges and the metal frame on the bottom of the main unit (the screws which attach the legs to this frame will be installed later, in step 6).  33 Attach the pedal box (D).
Before attaching the pedal box, connect the pedal cord. Pull the pedal plug out from the hole in the base plate and plug it into the socket in the bottom of the main unit with the lug on the plug facing the rear of the main unit (refer to the illustration). If the plug won't go in properly, don't force it ... check the plug orientation and try again. Making sure that the pedal cord doesn't get caught between the base plate and main unit, carefully lower the pedal box assembly onto the bottom of the main unit and line up the screw holes. Finally, attach the pedal box with four 5 × 20 mm long screws.  44 Turn over the instrument and packing.
Make sure that the three legs are firmly attached, then using the front legs (A) and (B) for support, turn over the instrument and packing so that the carton is on top of the instrument.CAUTION
- Make sure that two persons are used to turn the instrument over. Holding the sides carefully turn over the instrument. 5  5 Remove the carton and packing material.
Lift and remove the carton, then remove the remaining packing material from the main unit.  6 6 Attach the front leg/frame screws.
Firmly attach the front legs (A) and (B) to the frame on the bottom of the main unit using two 5 × 20 ~mm long screws for each leg.Voltage Selector
Check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a "minus" screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped.CAUTION
- An improper voltage setting can cause serious damage to the CVP-700 or result in improper operation.  8 Attach the cord holders and plug in the AC cord.
Remove the protective backing from the adhesive surface of the cord holders, and attach at approximately the locations shown in the illustration. Plug the main-unit end of the AC cord into the corresponding socket on the bottom of the main unit, then secure the cord with the cord holders. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area.9 Set the adjuster.
For stability, an adjuster is provided on the bottom of the pedal box (D). Rotate the adjuster until it comes in firm contact with the floor surface. The adjuster ensures stable pedal operation and facilitates pedal effect control. If the adjuster is not in firm contact with the floor surface, distorted sound may result. CAUTION
- When moving the instrument after assembly, always hold the lower surface of the main unit, NEVER the lid or keyboard cover. Improper handling can result in damage to the instrument or personal injury.After completing the assembly, please check the following.
- Are there any parts left over? → Review the assembly procedure and correct any errors. - Is the Clavinova clear of doors and other movable fixtures? Move the Clavinova to an appropriate location. - Does the Clavinova make a rattling noise when you shake it? Tighten all screws. - Does the pedal box rattle or give way when you step on the pedals? → Turn the adjuster so that it is set firmly against the floor. - Are the pedal and power cords inserted securely into the sockets? - Check the connection. - If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws.  1CVP109/107: Assembly
CAUTION
- Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the sequence given below. Assembly should be carried out by at least two persons. - Be sure to use the correct screw size, as indicated above. Use of incorrect screws can cause damage. - Be sure to tighten up all screws upon completing assembly of each unit. - To disassemble, reverse the assembly sequence given below.1 Open the box and remove all the parts.
Take out the two cardboard packing cushions and place them on the floor. Then take out main unit and place it on top of the packing cushions. Position the cushions so as to protect the phone jacks on the base of the unit. Remove all parts from the box. Confirm that all parts shown in the illustration above are provided. - AC power cord   - 4 x 12 mm small screws x 4  - 5 × 12 mm large screws x 302
 3
   - Left leg2 Carefully lean the main unit against a wall.
To make it easier to install the legs, place a soft blanket or similar material on the floor near a wall, close the Clavinova keyboard cover, place the front panel of the Clavinova (the side with the keyboard) on the blanket and gently lean the unit against the wall — MAKING SURE THAT IT CAN NOT FALL — as shown in the illustration.CAUTION
- Do not lay the main unit upside-down on the floor.3 Pedal assembly.
A: Under the pedal box, remove the vinyl tie from the pedal cable (the illustration shows the tie removed). Paying close attention to the direction of the rear legs (take note of the leg brackets in the illustration), slide the pedal box onto the left leg. B: Align the cut hole in the pedal box with the hole in the left leg and insert the cable into the hole on the left leg, pull the cable out of the top of the left leg. C: Align the screw holes, attach the two 4 × 12 millimeter small screws to 2 locations. (First tighten both screws loosely, once the position has been determined tighten firmly.) Use the same procedure (A, B and C) to attach the right leg. (However, the right leg is not equipped with a pedal cord.)CAUTION
- When you lift the pedal box assembly, make sure that you lift by both legs.  4 Attach the front legs.
Securely attach the two front legs using three 5 × 12 millimeter large screws for each leg (use a Philips “+” screwdriver) as shown in the illustration. Make sure that the screws are firmly tightened.5 Attach the speaker box.
Remove the speaker box cover (attached to the speaker box in 6 places with plastic plugs) from the speaker box. Gently rest the speaker box onto the corresponding brackets on the front legs. (Be careful not to touch the speakers when handling the speaker box. Damage may result.) Make sure the speaker cord is extending out from the rear of the speaker box. Loosely secure the speaker box to the main keyboard unit using four 5 × 12 millimeter large screws on both the front and back. (The speaker will be secured in step ⑥.) Insert the speaker cord connector into the corresponding socket on the main keyboard unit, making sure that the protruding clip on the connector is facing up. 6 6 Attach the pedal box assembly.
CAUTION
- When you lift the pedal box assembly, make sure that you lift by both legs. Before attaching the rear leg and pedal box assembly, insert the pedal cord plug extending from the left leg into the corresponding socket in the main unit. Make sure that the protruding clip on the connector is on the right. Put the excess cord into the leg and loosely secure the rear leg and pedal assembly using six 5 × 12 millimeter large screws for each leg (four screws per leg and two screws on each leg bracket). Once the rear leg and pedal assembly has been loosely attached, go back and tighten all 12 of the screws on the rear leg and pedal assembly, and also secure the 8 screws on the speaker box.  7   - Make sure the plugs are fully inserted and there is no space left around the plugs and holes.7 Secure the speaker box.
Stand the main unit on its legs and securely attach the speaker box to the bracket on the front legs using two 5 × 12 millimeter large screws for each bracket. If it is impossible to align the bracket holes with the speaker box holes, slightly loosen the three screws on each of the front legs, align the holes, and secure the speaker box. After the speaker box is firmly attached, retighten the screws on the front legs firmly. Put the speaker box cover back in place with the rounded edge of the cover at the bottom, insert the plugs on the cover into their corresponding holes on the speaker box.CAUTION
- When attaching the cover first, make sure the cover is not upside-down (the plugs will damage the speakers if attached upside-down) and make sure you push where the plugs are. The speaker cover is made of a soft material so pushing in a place where there are no plugs may cause damage. 8  - A voltage selector is provided in some areas.  98 Voltage Selector
Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a "minus" screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC power cord to the AC INLET and an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area.CAUTION
- An improper voltage setting can cause serious damage to the CVP-109/107 or result in improper operation.9 Set the adjuster.
For stability, an adjuster is provided on the bottom of the pedal box. Rotate the adjuster until it comes in firm contact with the floor surface. The adjuster ensures stable pedal operation and facilitates pedal effect control. If the adjuster is not in firm contact with the floor surface, distorted sound may result. CAUTION
- When moving the instrument after assembly, always hold the lower surface of the main unit, NEVER the top portion or keyboard cover. Improper handling can result in damage to the instrument or personal injury.After completing the assembly, please check the following.
- Are there any parts left over? Review the assembly procedure and correct any errors. - Is the Clavinova clear of doors and other movable fixtures? Move the Clavinova to an appropriate location. - Does the Clavinova make a rattling noise when you shake it? Tighten all screws. - Does the pedal box rattle or give way when you step on the pedals? Turn the adjuster so that it is set firmly against the floor. - Is the power cord inserted securely into the socket? Check the connection. - If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws.| KEYBOARD | 88 keys (A-1 — C7) | |||||
| TONE GENERATOR | AWM (Advanced Wave Memory) | |||||
| MAXIMUM SIMULTANEOUS POLYPHONY | 128 (CVP-109), 64 (CVP-107/700), 64 (CVP-105), 64 (CVP-103) | |||||
| VOICES | Clavinova voices: 224 (CVP-109/107/700), 195 (CVP-105/103) Organ Flutes voices: 6 (CVP-109/107/700) XG voices: 480 Drum Kits: 13 sets (CVP-109/107/700), 12 sets (CVP-105/103) Voice Groups: Piano, Electric Piano, Guitar, Synthesizer, Organ, Strings/Choir, Brass, Sax/Flute, Bass, Percussion, Ensemble, XG Dual, Split | |||||
| EFFECTS | Natural Reverb: 5 types (CVP-109) Reverb: 12 types Chorus: 9 types Effect: 50 types x 2 (CVP-109/107/700), 45 types (CVP-105/103) Vocal Harmony: 42 types (CVP-109/107/700) | |||||
| TONE CONTROLS | Master Equalizer (CVP-109/107/700) | |||||
| ACCOMPANIMENT STYPES | Rhythm Styles: 157 (CVP-109), 147 (CVP-107/700), 135 (CVP-105), 125 (CVP-103) Pianist Styles: 35 Custom Styles: 12 (CVP-109/107/105/700), 4 (CVP-103) Style Groups: 8Beat, 16Beat, Ballad, Dance, Rock/R&B, Swing/Jazz, Latin, Country, Ballroom, Trad/Waltz, Pianist, Disk/Custom Controls: Intro, Main A, Main B, Main C, Main D, Auto-fill, Ending, Fade in/out, Synchro, Start/Stop, Tap, Metronome, Tempo +/- | |||||
| AUTO ACCOMPANIMENT | Music Database: 564 (CVP-109), 534 (CVP-107/700), 498 (CVP-105), 463 (CVP-103) Single Finger, Multi Finger, Fingered1, Fingered2, Full Keyboard Acmp Assist (CVP-109/107/105/700), Harmony, One Touch Setting, Chord Assist, Synchro Stop, Individual Part Volume Control (Mixer) | |||||
| REGISTRATION | Bank A - E x 4 memory locations (20), Freeze, Registration Name (CVP-109/107/105/700) | |||||
| SONG PLAY MODE | Song Playback, Repeat, Volume control of individual Parts (Mixer) Controls: Song, Play/Stop, Rewind, Fast forward, Pause Guide Control: Easy Play, Next Note, Sound Repeat Lyric Display, Piano Roll Display, Keyboard Guide Lamps | |||||
| SONG RECORD MODE | Quick Recording, Track Recording, Chord Sequence, Step Edit (CVP-109/107/105/700), Song Name, Track Edit, Initial Edit, Setup Memory, Vocal Harmony Memory (CVP-109/107/700) | |||||
| LCD/CONTROLS | 320 x 240 dot (240 x 64 dot: CVP-103) liquid crystal display, Contrast dial, Beat lamp, Function button, Mixer button, Page ↓ buttons, Direct Access button, LCD buttons, data dial, +/- buttons, Exit button | |||||
| VOLUME CONTROLS | Master volume, Acmp/Song volume | |||||
| DEMO/HELP | 50 Demo Songs; 5 help languages (English, Japanese, German, French, Spanish) | |||||
| DISK DRIVE | 3.5-inch micro floppy disk drive | |||||
| PEDAL CONTROLS | RIGHT | Damper, Pitch Bend (CVP-109/107/700) | ||||
| CENTER | Sostenuto | |||||
| LEFT | Soft, Damper (CVP-109/107/700), Start/Stop, Harmony, Registration, Registration Freeze, Ending/rit, Break, Break Fill, Bass Hold, Fade In/Out, Effect 1/2 Variation (CVP-109/107/700), Effect Variation (CVP-105/103), Glide | |||||
| JACKS AND TERMINALS | PHONES jacks x 2, AUX OUT jacks (L/L+R, R), AUX IN jacks (L/L+R, R), EXP.PEDAL jack (CVP-109/107/700), MIC. jack (CVP-109/107/700),VIDEO OUT jack (CVP-109/107/700), TO HOST terminal, MIDI terminals (IN, OUT, THRU) | |||||
| INPUT/OUTPUT SPECIFICATIONS | AUX OUT: Output Impedance: 600 Ω AUX IN: Input Impedance: 10 kΩ; Input Sensitivity: -10 dBm | |||||
| CVP-109 | CVP-107 | CVP-105 | CVP-103 | CVP-700 | ||
| MAIN AMPLIFIERS | 240W (60W x 4) | 120W (60W x 2) | 80W (40W x 2) | 80W (40W x 2) | 120W (60W x 2) | |
| SPEAKERS | 16cm x 2, 13cm x 2, 3cm x 2, 5cm x 2 | 16cm x 2, 5cm x 2, 3cm x 2 | 16cm x 2, 5cm x 2 | 16cm x 2, 5cm x 2 | 16cm x 2, 5cm x 2 3cm x 2 | |
| DIMENSIONS (W x D x H) | Music stand down | Lid down | ||||
| 1415mm x 602mm x 887mm (55-3/4" x 23-11/16" x 34-15/16") | 1415mm x 602mm x 887mm (55-3/4" x 23-11/16" x 34-15/16") | 1402mm x 609mm x 888mm (55-3/16" x 24" x 35") | 1394mm x 561mm x 854mm (54-7/8" x 22-1/16" x 33-5/8") | 1417mm x 870mm x 908mm (55-3/4" x 34-1/4" x 35-3/4") | ||
| Music stand up | Lid up | |||||
| 1415mm x 602mm x 1054mm (55-3/4" x 23-11/16" x 41-1/2") | 1415mm x 602mm x 1054mm (55-3/4" x 23-11/16" x 41-1/2") | 1402mm x 609mm x 1049mm (55-3/16" x 24" x 41-5/16") | 1394mm x 561mm x 1020mm (54-7/8" x 22-1/16" x 40-1/8") | 1417mm x 870mm x 1253mm (55-3/4" x 34-1/4" x 49-3/8") | ||
| WEIGHT | 71.3kg (157lbs., 3oz.) | 66.3kg (146lbs., 3oz.) | 64.1kg (141lbs., 5oz.) | Models with key cover: 56.0kg (123lbs., 7oz.) Models without key cover: 54.0kg (119lbs., 1oz.) | 86.5kg (190lbs., 11oz.) | |