DGX-205 - Digital piano YAMAHA - Free user manual and instructions

USER MANUAL DGX-205 YAMAHA

This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha.

This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer's warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

This product may also use "household" type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged.

When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

92-BP (bottom)

PLEASE KEEP THIS MANUAL

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

1. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
2. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class "B" digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does

not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit "OFF" and "ON", please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

• This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

(class B)

OBSERVERA!

• Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

Power supply/AC power adaptor

• Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
• Use the specified adaptor (PA-5D, PA-3C or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating.
• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
• Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.

Do not open

• Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.

Water warning

• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.
• Never insert or remove an electric plug with wet hands.

Fire warning

• Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.

If you notice any abnormality

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:

Power supply/AC power adaptor

• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord.
• Unplug the AC power adaptor when not using the instrument, or during electrical storms.
• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.

Battery

• Always make sure all batteries are inserted in conformity with the +/- polarity markings. Failure to do so might result in overheating, fire, or battery fluid leakage.

• Always replace all batteries at the same time. Do not use new batteries together with old ones. Also, do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause overheating, fire, or battery fluid leakage.

• Do not dispose of batteries in fire.

• Do not attempt to recharge batteries that are not intended to be charged.
• When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument to prevent possible leakage of the battery fluid.
• Keep batteries away from children.
• If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery fluid is corrosive and may possibly cause loss of sight or chemical burns.

Location

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components.
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
• Do not place the instrument in an unstable position where it might accidentally fall over.
• Before moving the instrument, remove all connected adaptor and other cables.
• Use only the stand specified for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over.

Connections

• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.

Maintenance

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinkers, solvents, cleaning fluids, or chemical-impregnated wiping cloths.

Handling caution

• Do not insert a finger or hand in any gaps on the instrument.
• Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
• Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.

Saving data

Saving and backing up your data

• The panel settings and some other types of data (page 42) will be lost if the power is turned off before they are saved. Be sure to save data you want to keep to the internal Flash Memory (page 42) before turning off the power. Saved data may be lost due to malfunction or incorrect operation. Save the important data to your computer. For information on sending the data, see page 64 (FUNCTION Bulk Send item)

Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

When using a power adaptor, even when the power switch is in the "STANDBY" position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.

Make sure to discard used batteries according to local regulations.

The illustrations and LCD screens as shown in this owner's manual are for instructional purposes only, and may be different from the ones on your instrument.
- Unless otherwise indicated, the example panel control illustrations, Keyboard illustrations and LCD screenshots are taken from the DGX-205.
- Please note that the DGX-205/203 and PSR-295/293 have different numbers of keys: the DGX-205/203 has 76 keys, and the PSR-295/293 has 61 keys.

Trademarks

• Windows is the registered trademark of Microsoft® Corporation.
• All other trademarks are the property of their respective holders.

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Copyright Notice

The followings are the titles, credits and copyright notices for three (3) of the songs pre-installed in this electronic keyboard:

Don't Know Why

Words and Music by Jesse Harris

Copyright © 2002 Sony/ATV Songs LLC and Beanly Songs

All Rights Administered by Sony/ATV Music Publishing, 8 Music

Square West, Nashville, TN 37203

International Copyright Secured All Rights Reserved

My Favorite Things from THE SOUND OF MUSIC

Lyrics by Oscar Hammerstein II

Music by Richard Rodgers

Copyright © 1959 by Richard Rodgers and Oscar Hammerstein II

Copyright Renewed

WILLIAMSON MUSIC owner of publication and allied rights throughout the world

International Copyright Secured All Rights Reserved

Killing Me Softly With His Song

Words by Norman Gimbel

Music by Charles Fox

Copyright © 1972 Rodali Music and Fox-Gimbel Productions, Inc. (P.O. Box 15221, Beverly Hills, CA 90209 USA)

Copyright Renewed

All Rights on behalf of Rodali Music Administered by Sony/ATV

Music Publishing, 8 Music Square West, Nashville, TN 37203

International Copyright Secured All Rights Reserved

All Rights Reserved, Unauthorized copying, public performance and broadcasting are strictly prohibited regarding the above three songs pre-installed.

COPYRIGHT NOTICE This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others' copyrights. Such copyrighted materials include, without limitation, all computer software, styles files, MIDI files, WAVE data and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON'T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.

Copying of the commercially available software is strictly prohibited except for your personal use.

Panel logos

GM System Level 1

"GM System Level 1" is an addition to the MIDI standard which ensures that any GM-compatible music data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM mark is affixed to all software and hardware products that support GM System Level.

XGlite

As its name implies, "XGlite" is a simplified version of Yamaha's high-quality XG tone generation format. Naturally, you can play back any XG song data using an XGlite tone generator. However, keep in mind that some songs may play back differently compared to the original data, due to the reduced set of control parameters and effects.

USB

USB is an abbreviation for Universal Serial Bus. It is a serial interface for connecting a computer with peripheral Devices. It allows "hot swapping" (connecting peripheral devices while the power to the computer is on).

Congratulations and thank you for purchasing the Yamaha DGX-205/203 Portable Grand or PSR-295/293 PortaTone!

Please read this owner's manual carefully before using the instrument in order to take full advantage of its various features.

Make sure to keep this manual in a safe and handy place even after you finish reading, and refer to it often when you need to better understand an operation or function.

Supplied Accessories

The DGX-205/203, PSR-295/293 package includes the following items. Please check that you have them all.

Music rest

• Accessory CD-ROM

• Owner's manual (this book)

Song book

- About the Supplied CD-ROM

The following software which facilitates data transfer between a computer and the instrument is provided on the supplied CD-ROM.

This software is compatible with Windows operating systems only.

• USB driver
• Musicsoft Downloader

The USB Driver enables data communication with the computer via USB. The Musicsoft Downloader application allows you to transfer songs downloaded from the Internet, as well as songs provided on the Accessory CD-ROM, to the instrument's flash memory. For details refer to the Accessory CD-ROM Installation Guide (page 70) and to the online help provided for each program.

CAUTION

• Never attempt to play the supplied CD-ROM on an audio CD player. Doing so can result in damage to your audio system and speakers, and potentially to your hearing!

Music Rest

■ Performance assistant technology

page 14

Play along with a song on the instrument's keyboard and produce a perfect performance every time ... even if you play wrong notes! All you have to do is play on the keyboard – alternately on the left- and right-hand ranges of the keyboard, for example – and you'll sound like a pro as long as you play in time with the music.

Play a Variety Of Instrument Voices

page 18

The instrument voice that sounds when you play the keyboard can be changed to violin, flute, harp, or any of an extensive range of voices. You can change the mood of a song written for piano, for example, by using violin to play it instead. Experience a whole new world of musical variety.

Learning music is fun page 32

This instrument includes a range of songs covering a variety of genres that are enjoyable to listen to, or to play along with. You can start practicing with just one hand, and you can even practice at your own tempo, one note at a time as slowly as you like, until you are able to play at full speed. Song playback will automatically follow your tempo. You can also use songs you have downloaded from the Internet for lessons, so your musical resources are essentially unlimited! The instrument will even evaluate and grade your performance for you!

Excellen

■ Play Along With Styles ▶ page 24

Want to play with full accompaniment? Try the auto-accompanyment Styles. The accompaniment styles provide the equivalent of a full backing band covering wide variety of styles from waltzes to 8-beat to euro-trance ... and much more. Select a style that matches the music you want to play, or experiment with new styles to expand your musical horizons.

ForBossa

080

100

Contents

Copyright Notice 6
Panellogos 6
Supplied Accessories. 7
Special features of the DGX-205/203, PSR-295/293...... 8

Setting Up 10

Power Requirements 10
Connecting headphones (PHONES/OUTPUT jack) 11
Connecting a footswitch (SUSTAIN JACK) 11
Connecting to a computer (USB terminal) 11
Turn on the power 11

Panel Controls and Terminals 12

Front Panel 13

Rear Panel. 13

Quick Guide

The Easy Way To Play Piano 14

Play With Both Hands 14
Change the Song Tempo. 17
Play the Demo Song 17

Try Playing a Variety Of Instrument Voices 18

Select and Play a Voice - MAIN 18
Play Two Voices Simultaneously - DUAL 19
Play Different Voices With the Left and Right Hands - SPLIT..20
Play the Grand Piano Voice 22
Pitch Bend (DGX-205/203 only). 22
Touch Response 22

Fun Sounds 23

Drum Kits 23
Sound Effects 23

Styles (Auto Accompaniment) 24

Play Along With Auto Accompaniment - STYLE 24
Harmony 26
A Variety Of Ways To Start and Stop Style Playback. 28

Using Songs 30

Select and Listen To a Song 30
Types Of Songs 31

Select a Song For a Lesson 32

Lesson 1: Waiting 32
Lesson 2: Your Tempo. 34
Lesson 3: Minus One 35
Practice Makes Perfect - Repeat and Learn 35

Change a Song's Style 36

Using the Easy Song Arranger 36

Record Your Own Performance 38

Track Configuration 38
Recording Procedure 39
Song Clear - Deleting User Songs 41
Track Clear - Deleting a Specified Track From a User Song... 41

Backup and Initialization 42

Backup 42
Initialization 42

Basic Operation and Displays 43

Basic Operation 43
Display Items 45

Reference

Handy Performance Features 46

Adding Reverb 46
Adding Chorus 47
The Metronome 48
Touch Response Sensitivity. 49
One Touch Setting 49
Adjusting the Voice Parameters. 50
Adjusting the Harmony Volume 50
Panel Sustain. 50

Style (Auto-accompaniment) Functions 51

Setting the Split Point 51
Play Only the Style Rhythm 51
Play a Style With Chords but No Rhythm (Stop Accompaniment) 52
Adjusting the Style Volume 52
Playing Auto-accompany Chords 53
Looking Up Chords Using the Chord Dictionary 55

Song Settings 57

Song Volume 57
A-B Repeat 57
Muting Independent Song Parts 57
Change the Key Of a Song 58
Song Fast Forward, Fast Reverse, and Pause 58
Change the Melody Voice 59

Memorize Your Favorite Panel Settings 60

Saving Settings to the Registration Memory 60

Function settings 62

Locating and Editing the Function Settings 62

Connecting To a Computer 65

What Is MIDI? 65
USB Connection 66
MIDI Settings 66
MIDI (PC Mode) Settings For Computer Connection 67
Remote Control Of MIDI Devices 67
Transferring Song Files From a Computer 68

Accessory CD-ROM Installation Guide 70

CD-ROM Contents 70
System Requirements. 71
Software Installation 71

Appendix

Troubleshooting 75
Specifications. 77
Voice List. 78
Drum Kit List 82
Style List 84
Song List. 85
Effect Type List 86
MIDI Implementation Chart 87
MIDI Data Format 88
Index 89

Be sure to do the following operations BEFORE turning on the power.

Power Requirements

Although the instrument will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources.

Using an AC Power Adaptor

1 Make sure that the [STANDBY/ON] switch of the instrument is set to STANDBY.

WARNING

• Use ONLY a Yamaha PA-5D or PA-3C AC Power Adaptor (or other adaptor specifically recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the instrument.

Connect the AC adaptor (PA-5D, PA-3C or other adaptor specifically recommended by Yamaha) to the power supply jack.
Plug the AC adaptor into an AC outlet.

CAUTION

• Unplug the AC Power Adaptor when not using the instrument, or during electrical storms.

Using Batteries

Open the battery compartment cover located on the instrument's bottom panel.
Insert the six new batteries, being careful to follow the polarity markings on the inside of the compartment.
Replace the compartment cover, making sure that it locks firmly in place.

NOTE

• Connecting the AC power adaptor automatically supplies power from the adaptor and overrides battery power, even when batteries are installed.

For battery operation the instrument requires six 1.5V "D" size, R20P (LR20) or equivalent batteries. (Alkaline batteries are recommended.) When battery power becomes too low for proper operation, the battery exchange indication flashes in the display. As soon as this message appears, make sure to replace all batteries, following the precautions listed below.

If necessary, also make sure to save all important User data (see page 42), since custom panel settings are lost when the batteries are removed.

CAUTION

• Use only manganese or alkaline batteries for this instrument. Other types of batteries (including rechargeable batteries) may have sudden drops of power when battery power becomes low, possibly resulting in loss of data in the flash memory.
• Make sure to install the batteries in the same direction, maintaining the correct polarity (as shown). Incorrect battery installation may result in heat, fire and/or leaking of corrosive chemicals.
• When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new batteries. Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time.
• If the instrument is not to be in use for a long time, remove the batteries from it, in order to prevent possible fluid leakage from the battery.
• Please use the power adaptor when transferring data to flash memory. Batteries (including rechargeable types) can be drained rapidly by this type of operation. If the batteries do become drained during a data transfer, both the data being transferred and the data currently in the transfer destination will be lost.

Make all necessary connections BEFORE turning the power on.

Connecting headphones (PHONES/OUTPUT jack)

The DGX-205/203, PSR-295/293 speakers are automatically shut off when a plug is inserted into this jack.

The PHONES/OUTPUT jack also functions as an external output.

You can connect the PHONES/OUTPUT jack to a keyboard amplifier, stereo system, mixer, tape recorder, or other line-level audio device to send the instrument's output signal to that device.

WARNING

• Avoid listening with the headphones at high volume for long periods of time; doing so may not only result in ear fatigue, it may be damaging to your hearing.

CAUTION

• To prevent damage to the speakers, set the volume of the external devices at the minimum setting before connecting them. Failure to observe these cautions may result in electric shock or equipment damage. Also, be sure to set the volumes of all devices at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.

Connecting a footswitch (SUSTAIN JACK)

The sustain function lets you produce a natural sustain as you play by pressing an optional footswitch. Plug the Yamaha FC4 or FC5 footswitch into this jack and use it to switch sustain on and off.

NOTE

• Make sure that the footswitch plug is properly connected to the SUS-TAIN jack before turning on the power.
• Do not press the footswitch while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation.

Connecting to a computer (USB terminal)

Connect the instrument's USB terminal to the USB terminal of a computer, and you can transfer performance data and song files between the two (page 66).

To use the USB data-transfer features you'll need to do the following:

• Connect the USB terminal of the computer to the USB terminal on the instrument using a standard USB cable.
• Install the USB MIDI driver on your computer.

Installation of the USB MIDI driver is described on page 71.

With this capability you can, for example, use the Musicsoft Downloader software provided on the supplied CD-ROM to transfer songs from your computer to the instrument's flash memory.

NOTE

• Make sure to purchase a quality USB cable at a musical instrument store, computer store or electrical appliance store.

Turn on the power

Turn down the volume by turning the [MASTER VOLUME] control to the left and press the [STANDBY/ON] switch to turn on the power. Pressing the switch again turns the power off.

Backup data in the flash memory (page 42) is loaded to the instrument when the power is turned on. If no backup data exists on flash memory, all instrument settings are restored to the initial factory defaults when the power is turned on.

CAUTION

• Even when the switch is in the "STANDBY" position, a small amount of electricity is still being consumed by the instrument. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument.

CAUTION

• Never attempt to turn the power off when a "WRITING!" message is shown in the display. Doing so can damage the flash memory and result in a loss of data.

DGX-205/203

PSR-295/293

DGX-205/203, PSR-295/293

Front Panel
1 [STANDBY/ON] switch	page 11
2 [MASTER VOLUME] control	pages 11, 15
3 [TOUCH] button	page 22, 49
4 [HARMONY] button	page 26
5 [DUAL] button	page 19
6 [SPLIT] button	page 20
7 [DEMO] button	page 17
8 [LESSON MODE] button	page 33
9 [LESSON L/R] button	page 32
10 [LESSON REPEAT & LEARN] button	page 35
11 [PERFORMANCE ASSISTANT] button	page 14
12 [FUNCTION] button	page 62
13 [PC] button	page 67
14 [METRONOME] button	page 48
15 [PORTABLE GRAND] button	page 22
16 Dial	pages 44, 62
17 CATEGORY buttons [▲], [▼]	pages 44, 62

18 [SONG] button page 30
[EASY SONG ARRANGER] button... page 36
20 [STYLE] button page 24
21 [VOICE] button.. page 18
Number buttons [0] - [9],
[+] and [-] buttons pages 44, 62
[ACMP ON/OFF] /[A←B] button pages 24, 57
[SYNC STOP] button . page 28
[SYNC START] / [II] button. pages 25, 58
[INTRO/ENDING/rit.] / [←] button...... pages 25, 58
[MAIN/AUTO FILL] / [▶▶] button pages 26, 58
[START/STOP]/[▶■] button.... pages 24, 30, 44
[TEMPO/TAP] button . page 17
30 REGIST. MEMORY [●] (MEMORY/BANK), [1], [2] buttons...... page 60
SONG MEMORY [REC], [1] - [5], [A] buttons.. page 39
PITCH BEND wheel (DGX-205/203 only)......page 22

Rear Panel

USB terminal pages 11, 66
SUSTAIN jack.. page 11
PHONES/OUTPUT jack.. page 11
DC IN 12V jack page 10

This instrument includes a performance assistant technology feature that lets you play along with a song and sound like a great pianist (even though you might be making lots of mistakes)! In fact, you can play any notes and still sound good! So even if you can't play piano and can't read a note of music, you can have some musical fun.

The secret to the performance assistant technology's ability to turn random playing into music is divulged on page 16. Enjoy the feature for a while first, then read about how its done.

Play With Both Hands

To use the performance assistant technology you must be playing a song that includes chord data.

Press the [SONG] button.

The song number and name will be displayed. You can use the dial or other selection controls to select a different song.

NOTE

• For details on Chords, see pages 53, 54.

Select a song.

Rotate the dial and watch the displayed song names – for this example we'll select song “026 Twinkle Star.”

Twirkle 026

The song displayed here will be played.

NOTE

• MIDI songs included on the supplied Accessory CD-ROM can also be transferred to the instrument and used with the performance assistant technology. (page 16, 68)

Press the [PERFORMANCE ASSISTANT] button.

This turns on the performance assistant technology feature.

Icon will appear after displaying "PERFORMANCE ASSISTANT".

Press the [START/STOP] button.

Song playback will begin.

Use the [MASTER VOLUME] control to adjust the overall volume.

Play on the keyboard.

To begin, try to feel the rhythm of the song. Then, with your hands spread as shown in the illustration, simply play the keyboard alternately with your left and right hands (any notes will do).

How does it sound? You'll get acceptable results no matter where you play thanks to performance assistant technology!

Next try the three playing methods illustrated below. Different ways of playing produce different results.

• Play with the left and right hands at the same timing - type 1.

Play 3 notes at once with your right hand.

• Play with the left and right hands at the same timing - type 2.

Play 1 note at a time with your right hand (for example: index finger middle finger ring finger).

• Play alternately with the left and right hands - type 3.

Play 3 notes at once with your right hand.

Once you get a feel for it, try playing chords with your left hand and a melody with your right ... or any other combination.

Song playback will stop automatically when the song has played all the way through.

You can also stop playback at any time by pressing the [START/STOP] button. When you want to end performance assistant technology operation press the [PERFORMANCE ASSISTANT] button.

The Secret Of performance assistant technology

How It Creates Music From Random Notes

Performance assistant technology reads the chord data from the song and only assigns notes that will "work" at that moment to the keyboard. Since the chords of a song are constantly changing, different notes and chords will be produced even if you repeatedly play the same keys.

You produce a harmonious group of notes no matter where you play.

Songs That Can Be Used With the performance assistant technology

Performance assistant technology can only be used with songs that include chord data. Preset Songs can be used with performance assistant technology since the songs include chord data.

External Songs and the performance assistant technology

In addition to the instrument's internal songs, the 70 songs provided on the Accessory CD-ROM (page 70) can be used with performance assistant technology. A list of the MIDI songs included on the Accessory CD-ROM is provided on page 85.

Songs downloaded from the Internet can also be used with performance assistant technology as long as they include the required chord data. Transfer song files you want to use from your computer to the instrument's flash memory (page 68).

Change the Song Tempo

When using the performance assistant technology or in other situations in which the tempo of the song is too fast or too slow for you, you can change the tempo as required. Press the [TEMPO/TAP] button. The tempo display will appear and you can use the dial, the [+] and [-] buttons, or the [0] - [9] number buttons to set to tempo to anywhere from 032 and 280 quarter-note beats per minute.

You can also set the tempo by simply tapping the [TEMPO/TAP] button at the required tempo - 4 times for time signatures in 4, and three times for time signatures in 3. You can change the tempo during song playback by pressing the button just twice.

You can return to the original tempo by simultaneously pressing the [+] and [-] buttons.

About the Beat Display

The arrow marks in the beat display flash in time with the rhythm of the song or style.

Play the Demo Song

DGX-205/203 and PSR-295/293 are packed with a total of 30 songs, including three Demo songs – listen to some of the outstanding instrument voices provided! You can use the performance assistant technology with the demo songs.

Press the [DEMO] button.

The demo songs will start playing. The song playback sequence will repeat: 001

$$ \rightarrow 0 0 2 \rightarrow 0 0 3 \rightarrow 0 0 1 \dots $$

You can stop demo playback at any time by pressing the [START/STOP] button.

In addition to piano, organ, and other "standard" keyboard instruments, this instrument has a large range of voices that includes guitar, bass, strings, sax, trumpet, drums and percussion, sound effects ... a wide variety of musical sounds.

Select and Play a Voice - MAIN

This procedure selects the main voice you will play on the keyboard. The voice is known as the "main voice."

Press the [VOICE] button.

The voice number and name will be displayed. You can use the dial or other selection controls to select a different song.

Select the voice you want to play.

While watching the displayed voice name rotate the dial. The available voices will be selected and displayed in sequence. The voice selected here becomes the main voice.

For this example select the 090 Flute voice.

NOTE

• You can also select the voice using the CATEGORY button [▲], [▼] after pressing the [VOICE] button.

Play the keyboard.

Try selecting and playing a variety of voices.

Play Two Voices Simultaneously - DUAL

You can select a second voice which will play in addition to the main voice when you play the keyboard. The second voice is known as the "dual" voice.

Press the [DUAL] button.

The [DUAL] button turns the dual voice on or off.

When turned on the dual voice icon will appear in the display. The currently selected dual voice will sound in addition to the main voice when you play the keyboard.

NOTE

• The dual voice feature cannot be used during a song lesson (page 32).

Press and hold the [DUAL] button for longer than a second.

"D. VOICE" appears in the display for a few seconds, then the currently selected dual voice will be displayed.

NOTE

• You can also select the Dual Voice display by pressing the [FUNCTION] button and then using the CATEGORY buttons to select the "D.Voice" item.

Select the desired dual voice.

Watch the displayed dual voice and rotate the dial until the voice you want to use is selected. The voice selected here becomes the dual voice.

For this example try selecting the 107 Vibraphone voice.

Play the keyboard.

Try selecting and playing a range of dual voices.

Play Different Voices With the Left and Right Hands - SPLIT

In the split mode you can play different voices to the left and right of the keyboard "split point." The main and dual voices can be played to the right of the split point, while the voice played to the left of the split point is known as the "split voice". The split point setting can be changed as required (page 51).

Press the [SPLIT] button.

The [SPLIT] button turns the split voice on or off.

When turned on the split voice icon will appear in the display. The currently selected split voice will sound to the left of the keyboard split point.

NOTE

• The split voice feature cannot be used during a song lesson (page 32).

Press and hold the [SPLIT] button for longer than a second.

"S. VOICE" appears in the display for a few seconds, then the currently selected split voice will be displayed.

NOTE

• You can also select the Split Voice display by pressing the [FUNCTION] button and then using the CATEGORY buttons to select the "S.Voice" item.

Select the desired split voice.

Watch the displayed split voice and rotate the dial until the voice you want to use is selected. The voice selected here becomes the split voice which will play to the left of the keyboard split point. For this example try selecting the 031 Folk Guitar voice.

Folk Gtr

031

Play the keyboard.

Try selecting and playing a range of split voices.

Play the Grand Piano Voice

When you just want to play piano, all you have to do is press one convenient button.

Press the [PORTABLE GRAND] button.

The "001 Grand Piano" voice will be selected.

NOTE

• When you press the [PORTABLE GRAND] button all settings other than touch sensitivity are turned off. The dual and split voices will also be turned off, so only the Grand Piano voice will play over the entire keyboard.

Pitch Bend (DGX-205/203 only)

The pitch bend wheel provided on the DGX-205/203 can be used to add smooth pitch variations to notes you play on the keyboard. Roll the wheel upward to raise the pitch, or downward to lower the pitch.

If you use this feature with a voice such as the "038 Overdriven" guitar voice (page 18), you can produce remarkably realistic string-bending effects.

Touch Response

When touch response is on you can control the volume of notes according to how hard you play the keys – much like a real piano responds to subtle touch nuances. When touch response is off the same volume will be produced no matter how hard you play the keys.

Press the [TOUCH] button.

The [TOUCH] button turns touch response on or off. Touch response is normally on. When touch response is on the touch response icon will appear in the display.

NOTE

• Touch response sensitivity can be adjusted in three steps - page 49.

Fun Sounds

This instrument includes a range of drum kits and unique sound effects you can use for entertainment. Laughter, babbling brooks, jet fly-bys, eerie effects, and much more. These sounds can be a great way to enhance the mood at parties.

Drum Kits

Drum kits are collections of drum and percussion instruments. When you select a violin or other normal instrument main voice, for example, all keys produce the sound of the same violin, only at different pitches. If you select a drum kit as the main voice, however, each key produces the sound of a different drum or percussion instrument.

Drum Kit Selection Procedure (refer to steps 1 and 2 on page 18)

1 Press the [VOICE] button.
2 Use the dial to select "115 Std.Kit1".
3 Try out each key and enjoy the drum and percussion sounds!

Don't forget the black keys! You'll hear a triangle, maracas, bongs, drums ... a comprehensive variety of drum and percussion sounds. For details on the instruments included in the drum kit voices (voice numbers 115 - 126), see the "Drum kit List" on page 82.

Sound Effects

The sound effects are included in the drum kit voice group (voice numbers 125 and 126). When either of these voices are selected you will be able to play a range of sound effects on the keyboard.

Sound Effect Selection Procedure (refer to steps 1 and 2 on page 18)

1 Press the [VOICE] button from the MAIN display.
Use the dial to select "126 SFX Kit2".
3 Try out each key and enjoy the sound effects!

As you try out the various keys you'll hear the sound of a submarine, a telephone bell, a creaking door, laughter, and many other useful effects. "125 SFX Kit 1" includes lightning, running water, dogs barking, and others. Some keys do not have assigned sound effects, and will therefore produce no sound. For details on the instruments included in the SFX kit voices, see "SFX Kit 1" and "SFX Kit 2" in the "Drum kit List" on page 83.

This instrument includes an auto-accompanyment feature that plays appropriate "styles" (rhythm + bass + chord accompaniment) when you play left-hand chords. 135 different styles covering a wide range of musical genres are provided (see page 84 for a complete style list). Here's how you can use the auto-accompanyment feature.

Play Along With Auto Accompaniment - STYLE

Press the [STYLE] button.

The currently selected style number and name will be displayed. You can now use the dial to select the desired style

SetModr1 00

The currently selected style number and name

2 Select a style.

Use the dial to select a style.

For this example try selecting the "080 PopBossa" style.

PopBcca 080

Press the [START/STOP] button.

Rhythm-only playback of the selected style will begin.

Style rhythm start!

Press the [START/STOP] button again.

The style rhythm will stop.

Press the [ACMP ON/OFF] button.

This turns auto-accompaniment on. Check that "ACMP ON" appears in the display.

PopBuaa 080

ACMPON

"ACMP ON" appears when auto-accompaniment is on.

NOTE

• Since style number 112 and the pianist category styles (124 - 135) have no rhythm parts, no sound will be produced if you start rhythm-only playback. To use these styles turn on the auto-accompanyment and play on the keyboard as described on page 28 (the bass and chord accompaniment parts will sound).

NOTE

• If "ACMP ON" is not showing in the display press the [ACMP ON/OFF] button so that it appears. The [ACMP ON/OFF] button alternately turns auto-accompanyment on and off.

- When Auto-accompanyment Is On ...

The left-hand section of the keyboard becomes the "accompaniment range" in which you will play the chords that define the accompaniment.

If you press the [START/STOP] button at this point rhythm-only playback will begin. Then if you play a chord in the accompaniment range bass and chord accompaniment will also begin.

You can start style playback in a number of ways - see page 28.

NOTE

• The auto-accompanyment range of the keyboard can be changed as required by changing the split point (page 51).

Press the [INTRO/ENDING/rit.] button.

"INTRO A" or "INTRO B" will appear in the display. Style playback will then start with an introduction, which will lead to either the MAIN A or MAIN B accompaniment pattern, accordingly.

INTRO-B

ACMPON

Press the [SYNC START] button.

The beat display will begin flashing, indicating that the synchro-start standby mode has been engaged.

The Synchro-start Standby Mode Is ...

When the synchro-start standby mode is engaged style playback will begin as soon as you play a chord in the accompaniment range of the keyboard. You can disengage the synchro-start standby mode by pressing the [SYNC START] button again.

Start style playback by playing a chord in the accompani-ment range of the keyboard.

Not sure how to play chords? No problem! This instrument is capable of playing chords even if you only play one key – refer to page 53 for detailed instructions for playing chords.

There's even a "Chord Dictionary" that will show you the fingerings for chords you specify by name (page 55).

Play along with the style.

Play a melody with right hand while playing cords in the accompaniment range of the keyboard with your left hand. The beat display will flash at the current playback tempo.

Each style has two main patterns - MAIN A and MAIN B.

If you press the [MAIN/AUTO FILL] button during playback a fill-in will play and then playback will switch to the other MAIN pattern.

An example of how you might play a pattern:

Press the [INTRO/ENDING/rit.] button to end.

Style playback will stop after an appropriate ending.

ENDING

Harmony

This feature adds harmony notes to the main voice.

When you press the [HARMONY] button to turn this feature on, the appropriate harmony type for the currently selected main voice is automatically selected. 26 different harmony types are provided. You can select a different harmony type by following the procedure outlined below. The effect and operation of each harmony type is different – refer to the Harmony Type List on page 86 for details.

Press the [HARMONY] button.

The [HARMONY] button turns the harmony feature on and off.

When harmony is on the harmony icon will appear in the display.

NOTE

• Harmony cannot be turned on or off during a song lesson.

GrandPro

001

HARMONY

Harmony icon

Press and hold the [HARMONY] button for longer than a second.

"HarmType" appears in the display for a few seconds, and the currently selected harmony type will be displayed. Use the dial to select a different harmony type.

Select a harmony type.

Rotate the dial to select a harmony type from 01 through 26. Select "03 (Block)" for this example.

Perform steps 1, 2, 3, and 5 on page 24.

Auto-accompanyment will be on. Check that "ACMP ON" appears in the display. If "ACMP ON" is not showing in the display press the [ACMP ON/OFF] button so that it appears.

Play a chord in the accompaniment range of the keyboard.

Style playback will begin.

Play the keyboard.

Harmony notes will be added to a melody you play in the right-hand section of the keyboard.

NOTE

• You can also select the Harmony Type item after pressing the [FUNCTION] button (page 62).

NOTE

• Harmony types 01 - 05 only function when auto-accompany-ment is on and a style is being played. Harmony notes are added to the right-hand melody based on the chords played in the accompaniment range of the keyboard.
• Harmony types 06 - 26 can be used when auto-accompanyment is off. After step 4, try playing these harmony types after checking the operating conditions listed in the Harmony type list on page 86.

NOTE

• The Harmony feature produces little or no effect with drum kit or sound effect voices. Use the Harmony feature with pitched instrument voices.

A Variety Of Ways To Start and Stop Style Playback

■ Ways To Start Style Playback.

There are four different ways to start style playback, listed below. In all cases you will need to press the [ACMP ON/OFF] button to turn auto-accompanyment on before actually starting style playback.

Whichever method you choose, you can press the [INTRO/ENDING/rit.] before starting playback. To begin your performance, an introduction will play automatically, then will automatically switch to the MAIN section when finished.

Immediate Start

Press the [START/STOP] button to begin rhythm-only playback of the selected style. The bass and chords will begin playing as soon as you play a chord in the accompaniment range of the keyboard.

- Chord Start

Press the [SYNC START] button and the beat display will begin flashing, indicating that the synchro start "standby" mode has been engaged. The style will begin playing as soon as you play a chord in the accompaniment range of the keyboard.

Synchro Stop

When this function is selected the accompaniment style will only play while you are playing chords in the accompaniment range of the keyboard. Style playback will stop when you release the keys.

Press the [SYNC STOP] button. The synchro-start standby mode will be engaged and the beat display will begin flashing. Style playback will begin as soon as you play a chord in the accompaniment range of the keyboard, but then style playback will stop (the synchro start standby mode will be re-engaged) when you release the left-hand keys. Style playback will continue only while you are actually playing in the keyboard's accompaniment range.

Press the [SYNC STOP] button to disengage the synchro-stop mode.

Tap Start

You can supply a count-in at any tempo you like to start playback. Simply tap the [TEMPO/TAP] button at any tempo - 4 times for time signatures in 4, and 3 times for time signatures in 3 - and the selected style will begin playing at the tapped tempo.

Start at the tapped tempo

■ Ways To Stop Style Playback

The following three methods can be used to stop style playback.

Immediate Stop

Playback will stop as soon as you press the [START/STOP] button.

- Stop and Enter Synchro Start Mode

If you press the [SYNC START] button during style playback, playback will stop immediately and the synchro-start standby mode will be engaged (the beat display will flash).

- Play the Ending and Stop

Press the [INTRO/ENDING/rit.] button to begin playing ending section. Playback will stop when the ending has played all the way through.

If you press the [INTRO/ENDING/rit.] button a second time (while the ending is playing) the ending will play ritardando (the tempo will gradually get slower).

Changing the Voice

During style playback the voice you play on the keyboard is the currently selected main/dual/split voices. Select an appropriate voice for the style you are using in the normal way (page 18).

This instrument has 30 built in songs that you can simply listen to and enjoy, or use with a range of other features. Use the songs with the lesson features described on page 32 and you have an advanced learning tool that will let you learn playing techniques. The internal songs aren't the only ones you can use, however. Songs you have downloaded from the Internet can also be used with many of the instrument's features.

The term "SONG" refers to a data file including both melody and auto-accompanyiment data.

Select and Listen To a Song

Press the [SONG] button.

The song number and name will be displayed. You can now use the dial to select a different song.

The currently selected song and number are displayed

Select a song.

Select a song after referring to the preset song category list on page 31. Rotate the dial to select the song you want to listen to.

The song displayed here can be played

Listen to the song.

Press the [START/STOP] button to begin playback of the selected song.
You can stop playback at any time by pressing the [START/STOP] button again.

Song start!

NOTE

• In addition to the dial you can also use the [+] and [-] buttons or the number buttons [0] - [9] to directly select songs.
• You can also listen to songs you have recorded yourself (page 38) and songs transferred from computer into the instrument's flash memory (page 68).

Types Of Songs

The following three types of songs can be used by the DGX-205/203 and PSR-295/293.

• Preset Songs (the 30 songs built into the instrument)............ Song numbers 001 - 030.

• User Songs (recordings of your own performances) Song numbers 031 - 035.
  External song files (song data transferred from a computer*) ... Song numbers 036 -.

• The Accessory CD-ROM includes a selection of 70 MIDI songs. See page 68 for instructions on how to transfer the songs to the instrument.

The different types of songs can be saved to different song numbers. The chart below shows the basic DGX-205/203 and PSR-295/293 processes flow for using the preset songs, user songs, and external song files – from storage to playback.

- Preset Song Categories

The 30 preset songs have been organized into 8 categories that make it easier to select appropriate songs for lessons. Refer to this chart when selecting songs.

Category	Number	Ideal for ...
Favorites	001 – 003	Popular songs, for people who want to play pops.
Easy Play	004 – 008	Right-hand melody songs. Ideal for beginner lessons.
Pianist	009 – 013	Folk songs arranged for piano. For people who want to play in a classic style.
Organist	014 – 016	Players who enjoy the rich resonance of organ pieces.
Advanced	017 – 021	Lively tunes ... when it's time to move up from one-hand lessons.
Band Play	022 – 024	Slow ballads. Experience the role of the pianist in an ensemble.
Duet	025 – 027	Songs made up of two right-hand melodies.
Holidays	028 – 030	Songs for anyone who wants to expand their repertoire.

Yamaha Education Suite 4

You can select any song you like and use it for a left-hand, right-hand,

or both-hands lesson.You can also use songs (only SMF format 0)

downloaded from the Internet and saved to flash memory. During the

lesson you can play as slowly as you like, and you can even play wrong

notes. Song playback will slow down to a speed you can handle.

It's never too late to start learning!

The lesson procedure is as follows:

Select the song you want to learn.	(Refer to the category list on page 31)
↓
Select the part you want to work on (right hand, left hand, both hands)	(Refer to step 2 below)
↓
Select lesson 1, 2, or 3.	(Refer to step 3 on page 33)

• Lesson 1 .........(Learn to play the correct notes): The song will wait until you play the right note.
• Lesson 2 .........(Learn to play the correct notes with the correct timing): Song playback tempo will vary to match the speed you are playing at. The song will slow down when you play wrong notes, so you can learn at your own pace
• Lesson 3............(Learn to play the correct notes at the correct timing along with the song): here's where you can perfect your technique.

Only songs in SMF Format 0 can be used for practice. You need to specify which channels are to be played back as the right/left-hand parts when you practice using songs downloaded from the Internet (page 69).

Lesson 1: Waiting

Select a song for your lesson.

Press the [SONG] button so that the song number and name are displayed. Use the dial to select the song you want to use for your lesson. As listed on page 31 there are a variety of song types. For this example select "011 Londonderry Air" from the "PIANIST" category (009 - 013).

NOTE

Song numbers 004 - 008 (Simple melodies) are intended for use as right-hand lessons, and cannot be used for left-hand or both-hands lessons.

Select the part you want to practice.

Press the [LESSON L/R] button to select the part you want to practice. Each time you press the [LESSON L/R] button the parts are selected in sequence: right hand left hand both hands right hand .... The currently selected part is shown in the display.

Use the [LESSON MODE] button to select Lesson 1.

Press the [LESSON MODE] button to select Lesson 1.

Each time the [LESSON MODE] button is pressed the lesson modes are selected in sequence: Lesson 1 Lesson 2 Lesson 3 Off Lesson 1 .... The currently selected mode is shown in the display.

NOTE

• What the upper-right-corner displays mean:

	Right Hand	Left Hand	Both hands
Lesson 1	r l	L l	L r l
Lesson 2	r 2	L 2	L r 2
Lesson 3	r 3	L 3	L r 3

Song playback will begin automatically when you select Lesson 1.

Start the lesson!

Play the note shown in the display. When you play the correct note, the next note you need play is shown.

The song will wait until you play the correct note.

See How You've Done.

When the lesson song has played all the way through your performance will be evaluated in 4 levels: OK, Good, Very Good, or Excellent. "Excellent" is the highest evaluation.

The evaluation will appear after you have played all the way through the song. After the evaluation display has appeared, the lesson will start again from the beginning. Press the [START/STOP] button to exit from the lesson mode.

Once you've mastered Lesson 1, move on to Lesson 2.

NOTE

• The evaluation feature can be turned off via the FUNCTION Grade item (page 64).

Lesson 2: Your Tempo

1 Select the song and part you want to practice (steps 1 and 2 on page 32).

Press the [LESSON MODE] button twice to start Lesson 2.

Each time the [LESSON MODE] button is pressed the lesson modes are selected in sequence: Lesson 1 Lesson 2 Lesson 3 Off Lesson 1 ...

In this case the icons "r e" indicate that right-hand lesson 2 has been selected.

Song playback will begin automatically when Lesson 2 is selected.
Start the lesson!

Play the note shown in the display. Try to play the notes at the correct timing. As you learn to play the right notes at the right timing the tempo will increase until eventually you'll be playing at the song's original tempo.

The evaluation display will appear when the song has played all the way through.

Press the [START/STOP] button to exit from the lesson mode.

Once you've mastered Lesson 2, move on to Lesson 3.

Lesson 3: Minus One

1 Select the song and part you want to practice (steps 1 and 2 on page 32).
Press the [LESSON MODE] button three times to start Lesson 3.

Each time the [LESSON MODE] button is pressed the lesson modes are selected in sequence: Lesson 1 Lesson 2 Lesson 3 Off Lesson 1 ...

MirusOne

-3

In this case the icons "r 3" indicate that right-hand lesson 3 has been selected.

Song playback will begin automatically when Lesson 3 is selected.

Start the lesson!

The song will play at the normal tempo, minus the part you have chosen to play. Play along while listening to the song.

The evaluation display will appear when the song has played all the way through. Press the [START/STOP] button to exit from the lesson mode.

Practice Makes Perfect - Repeat and Learn

Use this feature when you want to start again just ahead of a section on which you made a mistake, or to repeatedly practice a section you find difficult.

Press the [LESSON REPEAT & LEARN] button during a lesson.

The song location will move back four measures from the point at which you pressed the button, and playback will begin after a one-measure count-in. Playback will continue up to the point at which you pressed the [LESSON REPEAT & LEARN] button, and then jump back four measures and begin again after a count-in. This process will repeat, so all you have to do is press [LESSON REPEAT & LEARN] when you make a mistake in order to repeat practice of that section until you get it right.

NOTE

• You can change the number of measures the Repeat and learn function jumps back by pressing a number button [0] - [9] during repeat playback.

In addition to each song's default style, you can select any other style to play the song with the Easy Song Arranger feature. This means that you can play a song that is normally a ballad, for example, as a bossa nova, as a hip-hop tune, etc. Since songs are combinations of a melody and a style, you can create totally different arrangements by changing the style with which a song is played. You can also change the song's melody voice and the keyboard voice for a complete change of image.

Using the Easy Song Arranger

Press the [EASY SONG ARRANGER] button.

The song number and name will be displayed. You can now use the dial to select a different song.

Londorde

011

The currently selected song number and name

2 Select a song.

Use the dial to select the song you want to arrange. For this example select "004 Down By The River."

Riversid

004

3 Listen to the song.

Press the [START/STOP] button to begin playback of the song. Move on to the next step while the song is playing.

Song start!

NOTE

• When playing song numbers 022 - 024 while using the Easy Song Arranger, melody tracks will be automatically muted and no melody will sound. In order to hear the melody tracks you will need to press the SONG MEMORY buttons [3] - [5].

Press the [EASY SONG ARRANGER] button.

The style number and name will be displayed. You can now use the dial to select a different style.

FopShf 1

012

The currently selected style number and name

Select a style.

Rotate the dial and listen to how the song sounds with different styles. As you select different styles the song will remain the same while only the styles change. When you have selected a suitable style move on to the next step while the song is still playing (if you have stopped the song, start it again by pressing the [START/STOP] button).

TchPolis 031

NOTE

• Because the Easy Song Arranger uses song data you can't specify chords by playing in the accompaniment range of the keyboard. The [ACMP ON/OFF] button will not function.
• If the time signature of the song and style are different, the time signature of the song will be used.

Press the [VOICE] button.

The currently selected voice number and name will be displayed. You can now use the dial to select a different voice.

Select a voice.

Rotate the dial until the voice you want to use is selected.

Press and hold the [VOICE] button for longer than a second.

After MELODY VOICE CHANGE appears on the display the voice you selected in step 7 becomes the song's melody voice.

NELODY U

You can record up to 5 of your own performances and save them as user songs 031 through 035. You can also record performances using the performance assistant technology feature.

Recordable Data

You can record to a total of 6 tracks: 5 melody tracks and 1 style (chord) track. Each track can be recorded individually.

• Melody Track [1] - [5]. Record the melody parts.
• Style Track [A] .................... Records the chord part.

Data Recorded On the Melody Tracks [1] - [5]

Note on/off (keys pressed and released)
- Velocity (keyboard dynamics)
Voice number
- Reverb type
- Chorus type
- Harmony note
- Sustain on/off
- Tempo/time signature (only when the style track is not recorded)
- Pitch bend (DGX-205/203 only)
- Pitch bend range (DGX-205/203 only)
- Dual voice on/off
- Panel sustain on/off
- Main/Dual voice - Voice volume, Octave, Pan, Reverb send level, Chorus send level

Data Recorded On the Style Track [A]

• Chord changes and chord timing
• Style pattern changes
• Style number*
• Reverb type*
• Chorus type*
• Tempo
• Time signature*
• Style volume*

NOTE

• A maximum of 5 user songs can be recorded. If you record a 6th song after recording to the 5 available user song locations, choose a song number (031 - 035) containing a song that you don't mind erasing so that you can overwrite the internal user song memory without permanently losing your song data.
• Up to approximately 10,000 notes can be recorded if you record only to the melody tracks. Up to approximately 5,500 chord changes can be recorded if you record only to the style track.

Track Configuration

To record your own performance, first use the SONG MEMORY [1] – [5] and [A] buttons to specify the track(s) you want to record on. The track you record on determines the part that plays back later.

The parts played by each track when a user song is played back.

• Track [1] – Will play back as the right-hand melody part (MELOODY R)
• Track [2] – Will play back as the left-hand melody part (MELODY L)
• Tracks [3] - [5] - Will play back as "other" performance data.
• Track [A] - Will play back as the Style (auto-accompanyment) part.

NOTE

The Difference Between MELODY R and MELODY L ...

Songs are a combination of a melody and an autoaccompaniment style. Normally "melody" refers to the right-hand part, but in this instrument "melody" parts are provided for both the right and left hands. MELODY R is the melody part played by the right hand, and MELODY L is the melody part played by the left hand.

Recording Procedure

Press the [SONG] button, then use the dial to select the user song number (031 - 035) you want to record to.

2 Select the track(s) you want to record to and confirm your selection on the display.

Record a Melody Track and the Accompaniment Track Together

Press the melody track button [1] - [5] you want to record to while holding the [REC] button.

Next, press the [A] button while holding the [REC] button.

The selected tracks will flash in the display.

Record a Melody track

Press the melody track button [1] - [5] you want to record to while holding the [REC] button.

The selected track will flash in the display.

CAUTION

• If you record to a track that contains previously-recorded data the previous data will be overwritten and lost.

NOTE

• Style accompaniment is automatically turned on when you select the style track [A] for recording.
• Style accompaniment cannot turned on or off while recording is in progress.
• If you use a split voice for recording, notes played to the left of the split point will not be recorded.

NOTE

• If style accompaniment is on and track [A] has not yet been recorded, the style track [A] will automatically be selected for recording when a melody track is selected. If you only want to record a melody track, be sure to turn the style track [A] off.
• To cancel recording to a selected track, press that track button a second time. Style accompaniment cannot be turned on or off while recording is in progress.

Recording will start when you play on the keyboard.

You can also start recording by pressing the [START/STOP] button. The current measure will be shown on the display during recording.

NOTE

• If the memory becomes full during recording a warning message will appear and recording will stop automatically. Use the song clear or track clear (page 41) function to delete unwanted data and make more room available for recording, then do the recording again.

Recording starts

Current measure

Stop recording by pressing the [START/STOP] or [REC] button.

or

If you press the [INTRO/ENDING/rit.] button while recording the style track an appropriate ending pattern will play and then recording will stop. When recording stops the current measure number will return to 001 and the recorded track numbers in the display will light.

To Record Other Tracks

Repeat steps 2 through 4 to record any of the remaining tracks. By selecting an unrecorded track - SONG MEMORY buttons [1] - [5], [A] - you can record the new track while listening to previously recorded tracks (the playback tracks will appear in the display). You can also mute previously recorded tracks (the muted tracks will not appear in the display) while recording new tracks.

To Re-record a Track

Simple select the track you want to re-record for recording in the normal way. The new material will overwrite the previous data.

When the recording is done ...

To Play Back a User Song

User songs are played back in the same way as regular songs (page 30).

1 Press the [SONG] button.
2 The current song number/name will be displayed – use the dial to select the user song (031 – 035) you want to play.
3 Press the [START/STOP] button to start playback.

Song Clear - Deleting User Songs

This function clears an entire user song (all tracks).

Press the [SONG] button, then select the user song (031 - 035) you want to clear.
Press and hold the SONG MEMORY [1] button for longer than a second while holding the SONG MEMORY [A] button.

A confirmation message will appear on the display.

Hold for longer than a second

Press the ([+] button.

A confirmation message will appear on the display.

You can cancel the clear operation by pressing the [-] button.

4 Press the [+] button to clear the song.

The clear-in-progress message will appear briefly on the display while the song is being cleared.

NOTE

• If you only want to clear a specific track from a user song use the Track Clear function.

NOTE

To execute the Song Clear function press the [+] button. Press [-] to cancel the Song Clear operation.

Track Clear - Deleting a Specified Track From a User Song

This function lets you delete a specified track from a user song.

Press the [SONG] button, then select the user song (031 - 035) you want to clear.
Press and hold the SONG MEMORY track button ([1] - [5], [A]) corresponding to the track you want to clear for longer than a second.

A confirmation message will appear on the display.

Hold for longer than a second

Press the [+] button.

A confirmation message will appear on the display.

You can cancel the clear operation by pressing the [-] button.

Press the [+] button to clear the track.

The clear-in-progress message will appear briefly on the display while the track is being cleared.

NOTE

To execute the Track Clear function press the [+] button. Press [-] to cancel the Track Clear operation.

Backup

Some internal DGX-205/203 and PSR-295/293 parameters will revert to their default values if not saved before the power is turned off. In order to backup these parameters press and hold the [FUNCTION] button for longer than a second.

Hold for longer than a second

The Backup Parameters

• User songs.
• Touch response on/off.
• Registration memory.
• The following FUNCTION settings:
  Tuning, Split Point, Touch Sensitivity, Style Volume, Song Volume, Metronome Volume, Grade, Demo Cancel, Panel Sustain.

Initialization

This function erases all backup data in the instrument's flash memory and restores the initial default settings. The following initialization procedures are provided.

■ Backup Clear

To clear data backed up to the internal flash memory – panel user setting, registration memory (page 60), user songs (page 39) – turn the power on by pressing the [STANDBY/ON] switch while holding the highest white key on the keyboard. The backed up data will be erased and the default values restored.

■ Flash Clear

To clear song data that has been transferred to the internal flash memory from a computer, turn the power on by pressing the [STANDBY/ON] switch while simultaneously holding the highest white key on the keyboard and the three highest black keys.

CAUTION

• When you execute the Flash Clear operation, song data you have purchased will also be cleared. Be sure to save data you want to keep to a computer.

Basic Operation

Overall DGX-205/203 and PSR-295/293 control is based on the following simple operations.

1 Press a button to select a basic function.
2 Use the dial to select an item or value.
3 Start a function.

Volume Adjustment

Adjusts the volume of the sound heard via the instrument's speakers or a pair of headphones plugged into the PHONES jack.

The "Press & Hold" Symbol

The " ” symbol that appears next to some buttons indicates that the button can be pressed and held for longer than a second to call up a related function. This provides convenient direct access to a range of functions.

1 Press a button to select a basic function.

2 Use the dial to select an item or value.

When you select a basic function, the item corresponding to that function will be displayed. You can then use the dial or the number buttons [0] - [9] to select the desired item.

DontKnow 001

This portion of the display indicates the name and number of the currently selected song, voice and style. It also displays the name and current setting/ value of other functions.

Changing Values

- Dial

Rotate the dial clockwise to increase the value of the selected item, or counterclockwise to decrease its value. Rotate the dial continuously to continuously increase or decrease the value.

- [+] and [-] Buttons

Press the [+] button briefly to increment the value by 1, or press the [-] button briefly to decrement the value by 1. Press and hold either button to continuously increment or decrement the value in the corresponding direction.

Press briefly to decrement.

- CATEGORY Buttons [▲], [▼]

When selecting a song, style, or voice, you can use these buttons to jump to the first item in the next or previous category.

The CATEGORY buttons are useful for selecting categorized items, as in the example below.

Example: Song number "003" can be entered in three ways.

Jump to the first item in the next or previous category.

Example: VOICE SELECT

SweetFlt 088

The first voice in the selected category is selected.

Number Buttons [0] - [9]

The number buttons can be used to directly enter a song number or parameter value.

Hundreds or tens digits that are "0" can be omitted (see below).

• [0] [0] [3]
• [0] → [3]

("003" will appear on the display after a brief delay)

[3]

(003" will appear on the display after a brief delay)

Press number buttons [0], [0], [3].

In a display in which a category appears, selection is easy if you first use the CATEGORY [▲] and [▼] buttons to select the category containing the desired item, then use the dial or [+] and [-] buttons to select the item. This can be particularly handy when you have to select from a large number of voices.

In most procedures described throughout this owner's manual the dial is recommended for selection simply because it is the easiest and most intuitive selection method. Please note however, that most items or values that can be selected using the dial can also be selected using the [+] and [-] buttons.

3 Start a function.

This is the [START/STOP] button.

Press the [START/STOP] button after pressing the [SONG] or [STYLE] button to start playback of the selected song or style (rhythm).

Display Items

The display shows all of the current basic settings: song, style, voice.

It also includes a range of indicators that show the on/off status of a range of functions.

Adding Reverb

Reverb lets you play with a rich concert hall type ambience.

When you select a style or song the optimum reverb type for the voice used is automatically selected. If you want to select a different reverb type, use the procedure described below. Refer to the Effect Type List on page 86 for information about the available reverb types.

Press the [FUNCTION] button.

Stylevol1 100

2 Use the CATEGORY [▲] and [▼] buttons to select the Reverb Type item. "Reverb" appears in the display for a few seconds, then the currently selected reverb type will be displayed.

Ha112 02

The currently selected Reverb Type

3 Use the dial to select a reverb type.

You can check how the selected reverb type sounds by playing on the keyboard.

H311303

Selected reverb type

Adjusting the Reverb Send Level

You can individually adjust the amount of reverb that is applied to the main, dual, and split voices. If you press the CATEGORY [▲] or [▼] button a number of times in step 2 of the above procedure, the items listed below will appear. You can then use the dial to adjust the reverb send level for the selected voice (refer to page 62 for details).

• M. Reverb Main voice reverb send level.
  D. Reverb Dual voice reverb send level.
• S. Reverb Split voice reverb send level.

Adding Chorus

The chorus effect creates a thick sound that is similar to many of the same voices being played in unison. When you select a style or song the optimum chorus type for the voice used is automatically selected. If you want to select a different chorus type, use the procedure described below.

Press the [FUNCTION] button.

2 Use the CATEGORY [A] and [Y] buttons to select the Chorus Type item. "Chorus" appears in the display for a few seconds, then the currently selected chorus type will be displayed.

3 Use the dial to select a chorus type.

You can check how the selected chorus type sounds by playing on the keyboard.

Adjusting the Chorus Send Level

You can individually adjust the amount of chorus that is applied to the main, dual, and split voices. If you press the CATEGORY [▲] or [▼] button a number of times in step 2 of the above procedure, the items listed below will appear. You can then use the dial to adjust the chorus send level for the selected voice (refer to page 62 for details).

• M. Chorus Main voice chorus send level.
  D. Chorus Dual voice chorus send level.
• S. Chorus Split voice chorus send level.

The Metronome

The metronome can be set for up to 15-beat time signatures. A chime will sound on the first beat of each measure, while a metronome "click" will sound on all others. You can also set the time signature to "00," in which case the chime will not sound and the "click" sound will be heard on all beats.

The metronome will automatically be set to match the time signature and tempo of the selected song or style, but you can also change the tempo and time signature yourself.

Press the [METRONOME] button to start the metronome.

You can stop the metronome by pressing the [METRONOME] button a second time.

2 Press the [TEMPO/TAP] button to call up the TEMPO setting.

Temo

090

3 Use the dial or the [0] - [9] number buttons to select a tempo from 032 to 280 quarternote beats per minute.
4 Press and hold the [METRONOME] button for longer than a second so that the Time Signature item appears.

Hold for longer than a second

TineSi9

04

NOTE

• You can also access the Time Signature item by pressing the [FUNCTION] button and using the CATEGORY [▲] and [▼] buttons to locate the item (page 62).

5 Use the dial or the [0] - [9] number buttons to select a time signature between 00 and 15 beats per measure.
Adjusting the Metronome

Volume

6 Press the [FUNCTION] button.

7 Use the CATEGORY [A] and [Y] buttons to select the Metronome Volume item.

MtrUol 100

8 Use the dial or the [0] - [9] number buttons to set the metronome volume as required.

Touch Response Sensitivity

When touch response is on you can adjust the sensitivity of the keyboard in response to keyboard dynamics in three steps.

Press the [TOUCH] button to turn touch response on.

The touch response icon will appear in the display when touch response is on (pages 22, 45).

2 Press and hold the [TOUCH] button for longer than a second so that the Touch Sensitivity item appears. "TouchSns" appears in the display for a few seconds, then the currently selected Touch Sensitivity will be displayed.

3 Use the dial to select a touch sensitivity setting between 1 and 3. Higher values produce greater (easier) volume variation in response to keyboard dynamics – i.e. greater sensitivity.

NOTE

• The initial default touch sensitivity setting is "2."
• You can also access the Touch Sensitivity item by pressing the [FUNCTION] button and using the CATEGORY [▲] and [▼] buttons to locate the item (page 62).

One Touch Setting

Sometimes selecting the ideal voice to play with a song or style can be confusing. The One Touch Setting feature automatically selects a well-balanced voice for you when you select a style or song. Simply select voice number "000" to activate this feature.

1 Select voice number "000" (steps 1 - 2 on page 18).

Use the dial to select voice number 000.

2 Select and play back any song (steps 1 - 3 on page 30).
3 Play the keyboard and remember the sound of the voice.

If you have stopped playback at some point during this procedure press the [START/STOP] button to start playback again.

4 Use the dial to change songs, then play the keyboard and listen to the voice.

You should hear a different keyboard voice than you played in step 3. If you select a different song the keyboard voice will also change accordingly.

Adjusting the Voice Parameters

Reverb send level, pan, and a variety of other parameters can be individually adjusted for the main, dual, and split voices. Press the [FUNCTION] button and then use the CATEGORY [▲] and [▼] buttons to locate any of the following parameters. Once you have selected an appropriate parameter you can use the dial to adjust its value.

- Main Voice Parameters (page 63)

• M. Volume Main voice volume.
• M. Octave Main voice octave.
• M. Pan Main voice pan.
• M. Reverb Main voice reverb send level.
• M. Chorus Main voice chorus send level.

Dual Voice Parameters (page 63)

D. Volume Dual voice volume.
D. Octave Dual voice octave.
D. Pan Dual voice pan.
D. Reverb Dual voice reverb send level.
D. Chorus Dual voice chorus send level.

- Split Voice Parameters (page 63)

S. Volume Split voice volume.
S. Octave Split voice octave.
- S. Pan Split voice pan.
- S. Reverb Split voice reverb send level.
- S. Chorus Split voice chorus send level.

Adjusting the Harmony Volume

The harmony volume level can be adjusted for harmony types 01 (Duet) through 05 (octave).

Press the [FUNCTION] button.

2 Use the CATEGORY [A] and [Y] buttons to select the Harmony Volume item.

Harpo1 080

3 Use the dial or the [0] – [9] number buttons to set the harmony volume from 000 through 127 as required.

Panel Sustain

This function adds sustain to the keyboard voices. Use it when you want to add sustain to the voices at all times, regardless of footswitch (optionally-available) operation.

Press the [FUNCTION] button and then use the CATEGORY [] and [] buttons to locate the Sustain item. You can then use the [+] and [-] buttons to turn panel sustain on or off.

NOTE

• The sustain of some voices may not be markedly affected when the panel sustain function is turned on.

Basic operation of the Style (auto-accompanyment) feature is described on page 24 of the Quick Guide.

Here are some other ways you can play the styles, the style volume adjustment procedure, how you can play chords using the styles, and more.

Setting the Split Point

The initial default split point is key number 54 (the F#2 key), but you can change it to another key using the procedure described below.

1 Press the [STYLE] button or the [EASY SONG ARRANGER] button.
2 Press and hold the [ACMP ON/OFF] for longer than a second so that the FUNCTION Split point item appears.

NOTE

• The FUNCTION Split point item can only be accessed by pressing and holding the [ACMP ON/OFF] button when either the [STYLE] button or the [EASY SONG ARRANGER] is engaged and lit.

3 Use the dial or the [0] - [9] number buttons to set the split point to any key from 000 (C-2) through 127 (G8).

NOTE

• When you change the split point the auto-accompaniment split point also changes.
• The split point cannot be changed during a song lesson.
• The split voice sounds when the split-point key is played.

NOTE

• You can also access the Split Point item by pressing the [FUNCTION] button and using the CATEGORY [▲] and [▼] buttons to locate the item (page 62).

Play Only the Style Rhythm

Auto-accompanyment is alternately turned on and off each time the [ACMP ON/OFF] button is pressed.

If you use the [ACMP ON/OFF] button to turn auto-accompanyment off, only the rhythm (percussion) parts will play when the style is started.

Press the [STYLE] button to engage the style function.

NOTE

• Since style numbers 112 and 124 - 135 (Pianist) have no rhythm parts, no rhythm will play when you start these styles.

Play a Style With Chords but No Rhythm (Stop Accompaniment)

When auto accompaniment is on (the ACPI ON icon is showing) and Synchro Start is off, you can play chords in the left-hand accompaniment range of the keyboard while the style is stopped and still hear the accompaniment chords. This is "Stop Accompaniment," and any of the chord fingerings recognized by the instrument can be used (page 53). The chord root and type will be shown on the display. You can also use the Harmony effects with Stop Accompaniment.

Press the [STYLE] button to engage the style function.

080

Accompaniment

Adjusting the Style Volume

Press the [STYLE] button to engage the style function.

Press the [FUNCTION] button.

2 Use the CATEGORY [▲] and [▼] buttons to select the Style Volume item.

Stylevol 100

3 Use the dial or the [0] - [9] number buttons to set the style volume between 000 and 127 as required.

Playing Auto-accompaniment Chords

There are two ways of playing auto-accompanyment chords:

• Easy Chords
  Standard Chords

The instrument will automatically recognize the different chord types. This function is called Multi Fingering.

Press the [ACMP ON/OFF] button to turn auto-accompany on (page 24). The keyboard to the left of the split point (default: 54/F#2) becomes the "accomplement range." Play the accompaniment chords in this area of the keyboard.

Easy Chords

This method lets you easily play chords in the accompaniment range of the keyboard using only one, two, or three fingers.

C

• To play a major chord

Press the root note of the chord.

Cm

To play a minor chord

Press the root note together with the nearest black key to the left of it.

C7

To play a seventh chord

Press the root note together with the nearest white key to the left of it.

Cm7

To play a minor seventh chord

Press the root note together with the nearest white and black keys to the left of it (three keys altogether).

Standard Chords.

This method lets you produce accompaniment by playing chords using normal fingerings in the accompaniment range of the keyboard.

• How to play Standard Chords [Example for "C" chords]

• Notes enclosed in parentheses ( ) are optional; the chords will be recognized without them.

Recognized Standard Chords

All chords in the chart are "C-root" chords.

Chord Name/[Abbreviation]	Normal Voicing	Chord (C)	Display
Major [M]	1 - 3 - 5	C	C
Add ninth [(9)]	1 - 2 - 3 - 5	C(9)	C(9)
Sixth [6]	1 - (3) - 5 - 6	C6	C6
Sixth ninth [6(9)]	1 - 2 - 3 - (5) - 6	C(9)	C6(9)*
Major seventh [M7]	1 - 3 - (5) - 7 or 1 - (3) - 5 - 7	CM7	CM7
Major seventh ninth [M7(9)]	1 - 2 - 3 - (5) - 7	CM7(9)	CM7(9)*
Major seventh add sharp eleventh [M7(#11)]	1 - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - 7	CM7(11)	CM7(#11)*
Flatted fifth [(b5)]	1 - 3 - b5	C(b5)	Cb5*
Major seventh flatted fifth [M7b5]	1 - 3 - b5 - 7	CM7(5)	CM7b5*
Suspended fourth [sus4]	1 - 4 - 5	Csus4	Csus4
Augmented [aug]	1 - 3 - #5	Caug	Caug
Major seventh augmented [M7aug]	1 - (3) - #5 - 7	CM7aug	CM7aug*
Minor [m]	1 - b3 - 5	Cm	Cm
Minor add ninth [m(9)]	1 - 2 - b3 - 5	C(9)	Cm(9)
Minor sixth [m6]	1 - b3 - 5 - 6	Cm6	Cm6
Minor seventh [m7]	1 - b3 - (5) - b7	Cm7	Cm7
Minor seventh ninth [m7(9)]	1 - 2 - b3 - (5) - b7	CM7(9)	Cm7(9)
Minor seventh add eleventh [m7(11)]	1 - (2) - b3 - 4 - 5 - (b7)	CM7(11)	Cm7(11)*
Minor major seventh [mM7]	1 - b3 - (5) - 7	CmM7	CmM7
Minor major seventh ninth [mM7(9)]	1 - 2 - b3 - (5) - 7	CM7(9)	CmM7(9)*
Minor seventh flatted fifth [m7b5]	1 - b3 - b5 - b7	CM7(5)	Cm7b5
Minor major seventh flatted fifth [mM7b5]	1 - b3 - b5 - 7	CM7(5)	CmM7b5*
Diminished [dim]	1 - b3 - b5	Cdim	Cdim
Diminished seventh [dim7]	1 - b3 - b5 - 6	Cdim7	Cdim7
Seventh [7]	1 - 3 - (5) - b7 or 1 - (3) - 5 - b7	C7	C7
Seventh flatted ninth [7(b9)]	1 - b2 - 3 - (5) - b7	C(9)	C7(9)
Seventh add flatted thirteenth [7(b13)]	1 - 3 - 5 - b6 - b7	C(13)	C7(13)
Seventh ninth [7(9)]	1 - 2 - 3 - (5) - b7	C(9)	C7(9)
Seventh add sharp eleventh [7(#11)]	1 - (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b7	C(11)	C7(#11)
Seventh add thirteenth [7(13)]	1 - 3 - (5) - 6 - b7	C(13)	C7(13)
Seventh sharp ninth [7(#9)]	1 - #2 - 3 - (5) - b7	C(9)	C7(#9)
Seventh flatted fifth [7b5]	1 - 3 - b5 - b7	C7b5	C7b5*
Seventh augmented [7aug]	1 - 3 - #5 - b7	C7aug	C7aug
Seventh suspended fourth [7sus4]	1 - 4 - (5) - b7	C7sus4	C7sus4
One plus two plus five [1+2+5]	1 - 2 - 5	C1+2+5	C*

• These chords are not shown in the Dictionary function.

NOTE

Notes in parentheses can be omitted.
- Playing two same root keys in the adjacent octaves produces accompaniment based only on the root.
- A perfect fifth (1 + 5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords.
- The chord fingerings listed are all in "root" position, but other inversions can be used — with the following exceptions: m7 , m7^5 , 6, m6 , sus4 , aug, dim7 , 7^5 , 6(9), 1 + 2 + 5 .

NOTE

• Inversion of the 7sus4 and m7(11) chords are not recognized if the notes shown in parentheses are omitted.
• The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh).
• Two-note fingerings will produce a chord based on the previously played chord.

Looking Up Chords Using the Chord Dictionary

The Dictionary function is essentially a built-in "chord book" that shows you the individual notes of chords. It is ideal when you know the name of a certain chord and want to quickly learn how to play it.

Press and hold the [LESSON MODE] button for longer than a second.

2 As an example, we'll learn how to play a GM7 (G major seventh) chord. Press the "G" key in the section of the keyboard labeled "CHORD ROOT." (The note doesn't sound.) The root note you set is shown in the display.

3 Press the "M7" (major seventh) key in the section of the keyboard labeled "CHORD TYPE." (The note doesn't sound.) The notes you should play for the specified chord (root note and chord type) are shown in the display, both as notation and in the keyboard diagram.

Individual notes of chord (keyboard)
- To call up possible inversions of the chord, press the [+] / [-] buttons.

NOTE

• About major chords: Simple major chords are usually indicated only by the root note. For example, "C" refers to C major. However, when specifying major chords here, make sure to select "M" (major) after pressing the root note.

4 Try playing a chord in the auto accompani- ment section of the keyboard, checking the indications in the display. When you've played the chord properly, a bell sound signals your success and the chord name in the display flash.

Chord Basics

Two or more notes played together constitute a "chord."

The most basic chord type is the "triad" consisting of three notes: the root, third, and fifth degrees of the corresponding scale. A C major triad, for example, is made up of the notes C (the root), E (the third note of the C major scale), and G (the fifth note of the C major scale).

In the C major triad shown above, the lowest note is the "root" of the chord (this is the chord's "root position" ... using other chord notes for the lowest note results in "inversions"). The root is the central sound of the chord, which supports and anchors the other chord notes.

The distance (interval) between adjacent notes of a triad in root position is either a major or minor third.

Major third - four half steps (semitones)

Minor third - three half steps (semitones)

The lowest interval in our root-position triad (between the root and the third) determines whether the triad is a major or minor chord, and we can shift the highest note up or down by a semitone to produce two additional chords, as shown below.

The basic characteristics of the chord sound remain intact even if we change the order of the notes to create different inversions. Successive chords in a chord progression can be smoothly connected, for example, by choosing the appropriate inversions (or chord "voicings").

- Reading Chord Names

Chord names tell you just about everything you need to know about a chord (other than the inversion/voicing). The chord name tells you what the root of the chord is, whether it is a major, minor, or diminished chord, whether it requires a major or flatted seventh, what alterations or tensions it uses ... all at a glance.

• Some Chord Types (These are just some of the "Standard" chord types recognized by the DGX-205/203 and PSR-295/ 293.)

Song Volume

Press the [FUNCTION] button.

2 Use the CATEGORY [▲] and [▼] buttons to select the Song Volume item.

3 Use the dial or the [0] - [9] number buttons to set the song volume between 000 and 127 as required.

NOTE -Song volume can be adjusted while a song is selected.

A-B Repeat

You can specify a section of a song – “A” is the start point and “B” is the end point – for repeat playback.

1 Play the song (page 30) and press the [A B] button at the beginning of the section you want to repeat (the “A” point).

2 Press the [A B] button a second time at the end of the section you want to repeat (the “B” point).

3 The specified A-B section of the song will now play repeatedly.

You can stop repeat playback at any time by pressing the [A B] button.

NOTE

• The repeat start and end points can be specified in one-measure increments.
• The current measure number is shown in the display during playback.
• If you want to set the start point "A" at the very beginning of the song press the [A B] button before starting playback of the song.

Muting Independent Song Parts

Each "track" of a song plays a different part of the song - melody, percussion, accompaniment, etc. You can mute individual tracks and play the muted part on the keyboard yourself, or simply mute tracks other than the ones you want to listen to. Use the SONG MEMORY [1] - [5] and [A] buttons to mute or un-mute the corresponding tracks. The track number in the display disappears when that track is muted.

Refer to page 38 for information about the song track configuration.

Track number on — Track will play back.

Track number off

Track is muted or contains no data

Change the Key Of a Song

Large Pitch Changes (Transpose)

The overall pitch of the instrument can by shifted up or down by a maximum of 1 octave in semitone increments.

1 Press the [FUNCTION] button.

2 Use the CATEGORY [A] and [B] buttons to select the Transpose item.

3 Use the dial or the [0] - [9] number buttons to set the transpose value between -12 and +12 as required.

NOTE

• The pitch of Drum Kits voices cannot be changed.

Small Pitch Changes (Tuning)

The overall tuning of the instrument can by shifted up or down by a maximum of 100 cents in 1-cent increments (100 cents = 1 semitone).

1 Press the [FUNCTION] button.

2 Use the CATEGORY [▲] and [▼] buttons to select the Tuning item.

3 Use the dial or the [0] - [9] number buttons to set the tuning value between -100 - +100 as required.

NOTE

• The pitch of Drum Kits voices cannot be changed.

Song Fast Forward, Fast Reverse, and Pause

These are just like the transport controls on a cassette deck or CD player, letting you fast forward [▶], rewind [←] and pause [■] playback of the song.

NOTE

• When an A-B repeat range is specified the fast reverse and forward function will only work within that range.

Change the Melody Voice

You can change a song's melody voice to any other voice you prefer.

NOTE

• You cannot change the melody voice of a user song.

1 Select the song and play it.
2 Rotate the dial to select the song you want to listen to after pressing the [VOICE] button.

Strings 048

3 Press the [VOICE] button for longer than a second.

"MELODY VOICE CHANGE" appears in the display for a few seconds, indicating that the voice selected in step #2 has replaced the song's original melody voice.

Hold for longer than a second

NEODY U

This instrument has a Registration Memory feature that lets you save your favorite settings for easy recall whenever they're needed. Up to 16 complete setups can be saved (8 banks of two setups each).

Up to 16 presets (eight banks of two each) can be memorized.

Saving Settings to the Registration Memory

Settings That Can be Saved to the Registration Memory

• Style settings*

Style number, Auto Accompaniment ON/OFF, Split Point, Style settings (Main A/B), Style Volume, Tempo

Voice settings

Main Voice setting (Voice number, Volume, Octave, Pan, Reverb Send Level, Chorus Send Level), Dual Voice settings (Dual ON/OFF, Voice number, Volume, Octave, Pan, Reverb Send Level, Chorus Send Level), Split Voice settings (Split ON/OFF, Voice number, Volume, Octave, Pan, Reverb Send Level, Chorus Send Level)

• Effect settings

Reverb Type, Chorus Type, Panel Sustain ON/OFF

• Harmony settings

Harmony ON/OFF, Harmony Type, Harmony Volume

• Other settings

Transpose, Pitch Bend Range (DGX-205/203 only)

• Style settings are not available for Registration Memory when using the Song features.

Saving to the Registration Memory

1 Set the panel controls as required - select a voice, accompaniment style, etc.
2 Press the [●] (MEMORY/BANK) button. A bank number will appear in the display when you release the button.

3 Use the dial or the [1] - [8] number buttons to select a bank number from 1 to 8.

NOTE

• Data cannot be saved to the registration memory during song playback.

4 Press the REGIST. MEMORY [1] or [2] button while holding the [●] (MEMORY/BANK) button to store the current panel settings to the specified registration memory.

Bark

NOTE

• If you select a Registration Memory number that already contains data, the previous data is deleted and overwritten by the new data.

CAUTION

• Do not turn off the power while saving settings to the registration memory, otherwise the data may be damaged or lost.

Recalling a Registration Memory
Press the [●] (MEMORY/BANK) button. A bank number will appear in the display when you release the button.

Bark

2 Use the dial or the [1] - [8] number buttons to select bank you want to recall.

3 Press the REGIST. MEMORY button, [1] or [2], containing the settings you want to recall. The panel controls will be instantly set accordingly.

The Function settings include detailed settings for the instrument's voices, effects, split point, tuning, and more. Button shortcuts can be used to quickly access commonly used settings: hold a shortcut button for longer than a second to directly access the related setting.

Locating and Editing the Function Settings

Press the [FUNCTION] button.

Stulol1 100

2 Use the CATEGORY [A] and [▼] buttons to select the required item.

For details on individual settings refer to the FUNC-TION Setting List on page 63.

TransFos 00

Current item

3 Set the value as required using the dial, the [+] and [-] buttons, or the [0] - [9] number buttons.

For ON/OFF settings use the [+] button to turn the function ON and the [-] button to turn the function OFF. Use the [+] button to begin execution of operations, or the [-] button to cancel the selected operation. All these settings can be conveniently reset to their initial default values by pressing the [+] and [-] buttons simultaneously. (The exception to this is Initial Setup Send and Bulk Send, which is an operation, not a setting.)

4 If necessary, hold the [FUNCTION] button for longer than a second to save your settings to flash memory.

Although all settings are retained by the instrument while the power is on, your custom settings will be lost when the power is turned off unless you save them to flash memory. Simply save the settings to flash memory by holding the [FUNCTION] button for more than a second, and your settings will be retained in flash memory even while the power is off and will be recalled the next time the instrument is turned on.

Hold for longer than a second

CAUTION

• Do not turn off the power while saving settings, otherwise the data may be damaged or lost.

Function Setting List

Category	Setting	Item title	Range/Settings	Description
VOLUME	Style Volume	StyleVol	000 - 127	Determines the volume of the Style.
	Song Volume	SongVol	000 - 127	Determines the volume of the Song.
OVERALL	Transpose	Transpos	-12 - 12	Determines the pitch of the instrument by semitone increments.
	Tuning	Tuning	-100 - 100	Sets the pitch of the instrument's sound in 1-cent increments.
	Pitch Bend Range (DGX-205/203 only)	PBRange	01 - 12	Sets the pitch bend range in semitone increments.
	Split Point	SplitPnt	000 - 127 (C-2 - G8)	Determines the highest key for the Split voice and sets the Split "point" — in other words, the key that separates the Split (lower) and Main (upper) voices. The Split Point setting and Accompaniment Split Point setting are automatically set to the same value.
	Touch Sensitivity	TouchSns	1 (Soft)/2 (Medium)/3 (Hard)	When Touch Response is on, this determines the sensitivity of the feature.
MAIN VOICE	Volume	M. Volume	000 - 127	Determines the volume of the Main voice.
	Octave	M. Octave	-2 - +2	Determines the octave range for the Main voice.
	Pan	M. Pan	000 (left) - 64 (center) - 127 (right)	Determines the pan position of the Main voice in the stereo image. The value "0" results in the sound being panned full left; the value "127" results in the sound being panned full right.
	Reverb Send Level	M. Reverb	000 - 127	Determines how much of the Main voice's signal is sent to the Reverb effect.
	Chorus Send Level	M. Chorus	000 - 127	Determines how much of the Main voice's signal is sent to the Chorus effect.
DUAL VOICE	Voice	D. Voice	001 - 487	Selects the Dual voice.
	Volume	D. Volume	000 - 127	Determines the volume of the Dual voice.
	Octave	D. Octave	-2 - +2	Determines the octave range for the Dual voice.
	Pan	D. Pan	000 (left) - 64 (center) - 127 (right)	Determines the pan position of the Dual voice in the stereo image. The value "0" results in the sound being panned full left; the value "127" results in the sound being panned full right.
	Reverb Send Level	D. Reverb	000 - 127	Determines how much of the Dual voice's signal is sent to the Reverb effect.
	Chorus Send Level	D. Chorus	000 - 127	Determines how much of the Dual voice's signal is sent to the Chorus effect.
SPLIT VOICE	Voice	S. Voice	001 - 487	Selects the Split voice.
	Volume	S. Volume	000 - 127	Determines the volume of the Split voice.
	Octave	S. Octave	-2 - +2	Determines the octave range for the Split voice.
	Pan	S. Pan	000 (left) - 64 (center) - 127 (right)	Determines the pan position of the Split voice in the stereo image. The value "0" results in the sound being panned full left; the value "127" results in the sound being panned full right.
	Reverb Send Level	S. Reverb	000 - 127	Determines how much of the Split voice's signal is sent to the Reverb effect.
	Chorus Send Level	S. Chorus	000 - 127	Determines how much of the Split voice's signal is sent to the Chorus effect.
EFFECT	Reverb Type	Reverb	01 - 10	Determines the Reverb type, including off (10). (See the list on page 86)
	Chorus Type	Chorus	01 - 05	Determines the Chorus type, including off (05). (See the list on page 86)
	Panel Sustain	Sustain	ON/OFF	Determines whether or not panel sustain is always applied to the MAIN/DUAL/SPLIT voices. Panel sustain is applied continuously when ON, or not applied when OFF. (page 50)
HARMONY	Harmony Type	HarmType	01 - 26	Determines the Harmony type. (See the list on page 86)
	Harmony Volume	HarmVol	000 - 127	Determines the volume of the Harmony effect when Harmony type 1-5 is selected.
PC MODE	PC mode	PC mode	PC1/PC2/OFF	Optimizes the MIDI settings when you connect to a computer (page 67).PC1 sets local off and external clock on for use with an external sequencer or similar device. The PC2 setting allows the instrument to use Digi-tal Music Notebook content on the connected computer.OFF turns local control on, external clock off, key-board out on, style out on, and song out on.
MIDI	Local On/Off	Local	ON/OFF	Determines whether the instrument's keyboard controls the internal tone generator (ON) or not (OFF). (page 66)
	External Clock	ExtClock	ON/OFF	Determines whether the instrument synchronizes to the internal clock (OFF) or an external clock (ON). (page 66)
	Keyboard Out	KbdOut	ON/OFF	Determines whether keyboard performance data of the instrument is transmitted (ON) or not (OFF).
	Style Out	StyleOut	ON/OFF	Determines whether Style data is transmitted (ON) via USB or not (OFF) during Style playback.
	Song Out	SongOut	ON/OFF	Determines whether Song data is transmitted (ON) via USB or not (OFF) during Song playback.
	Initial Setup Send	InitSend	YES/NO	Lets you send the data of the panel settings to a computer. Press [+] to send, or press [-] to cancel. Use the [+] button to transmit the data. Use the [-] button to stop the transmission.
	Bulk Send	BulkSend	YES/NO	User song and registration memory data can be transmitted as bulk data to sequence software running on your computer, where it can be stored for later retrieval and use. The instrument must be connected to a computer on which the appropriate USB MIDI driver is installed. With Bulk Send showing on the instrument's display, press [+] to begin bulk data transmission. Press [-] to cancel the transmission.Refer to page 67 for information on connecting the instrument to a computer, and to page 71 for information on installing the USB MIDI driver.
METRONOME	Time Signature	TimeSig	00 - 15	Determines the time signature of the Metronome.
	Metronome Volume	MtrVol	000 - 127	Determines the volume of the Metronome.
LESSON	Lesson Track (R)	R-Part	GuideTrack 1 - 16	Determines the guide track number for your right hand lesson. The setting is only effective for songs in SMF format 0 transferred from a computer.
	Lesson Track (L)	L-Part	GuideTrack 1 - 16	Determines the guide track number for your left hand lesson. The setting is only effective for songs in SMF format 0 transferred from a computer.
UTILITY	Grade	Grade	ON/OFF	Determines whether the Grade function is on or off.
	Demo Cancel	D-Cancel	ON/OFF	Determines whether Demo cancel is enabled or not. When this is set to ON, the Demo Song will not play, even if the [DEMO] button is pressed.

• All these settings can be conveniently reset to their initial default values by pressing the [+] and [-] buttons simultaneously.
  (The exception to this is Initial Setup Send and Bulk Send, which is an operation, not a setting.)

Nearly all of the electronic musical instruments made today – particularly synthesizers, sequencers and computer music related devices – use MIDI. MIDI is a worldwide standard that allows these devices to send and receive performance and setting data. Naturally, this instrument lets you save or send your keyboard performance as MIDI data, as well as the songs, styles and panel settings.

The potential MIDI holds for your live performances and music creation/production is enormous - simply by connecting this instrument to a computer and transmitting MIDI data. In this section, you'll learn the basics of MIDI and the specific MIDI functions provided by this instrument.

What Is MIDI?

No doubt you have heard the terms "acoustic instrument" and "digital instrument." In the world today, these are the two main categories of instruments. Let's consider a grand piano and a classical guitar as representative acoustic instruments. They are easy to understand. With the piano, you strike a key, and a hammer inside hits some strings and plays a note. With the guitar, you directly pluck a string and the note sounds. But how does a digital instrument go about playing a note?

• Acoustic guitar note production
  
  Pluck a string and the body resonates the sound.

Digital instrument note production

Based on playing information from the keyboard, a sampling note stored in the tone generator is played through the speakers.

As shown in the illustration above, in an electronic instrument the sampling note (previously recorded note) stored in the tone generator section (electronic circuit) is played based on information received from the keyboard. So then what is the information from the keyboard that becomes the basis for note production?

For example, let's say you play a "C" quarter note using the grand piano sound on the instrument. Unlike an acoustic instrument that puts out a resonated note, the electronic instrument puts out information from the keyboard such as "with what voice," "with which key," "about how strong," "when was it pressed," and "when was it released." Then each piece of information is changed into a number value and sent to the tone gener

ator. Using these numbers as a basis, the tone generator plays the stored sampling note.

Example of Keyboard Information

Voice number (with what voice)	1 (grand piano)
Note number (with which key)	60 (C3)
Note on (when was it pressed) and note off (when was it released)	Timing expressed numerically (quarter note)
Velocity (about how strong)	120 (strong)

Your keyboard performance and all panel operations of this instrument are processed as MIDI data. The songs, auto accompaniment (styles), and User songs are also made up of MIDI data.

MIDI is an acronym that stands for Musical Instrument Digital Interface and it allows different musical instruments and devices to instantly communicate with each other, via digital data. The MIDI standard is used all over the world and was designed to transmit performance data between electronic musical instruments (or computers). Thanks to MIDI, you can control one instrument from another and transmit performance data between the devices-taking your creative and performance potential to even higher levels.

MIDI messages can be divided into two groups: Channel messages and System messages.

- Channel Messages

This instrument is capable of handling 16 MIDI channels simultaneously – meaning it can play up to sixteen different instruments at the same time. Channel messages transmit information such as Note ON/OFF, Program Change, for each of the 16 channels.

Message Name	Instrument Operation/Panel Setting
Note ON/OFF	Performance data of the keyboard (contains note number and velocity data)
Program Change	Instrument selection (including bank select MSB/LSB, if necessary)
Control Change	Instrument settings (volume, pan, etc.)

- System Messages

This is data that is used in common by the entire MIDI system. System messages include messages like Exclusive Messages that transmit data unique to each instrument manufacturer and Realtime Messages that control the MIDI device.

Message Name	Instrument Operation/Panel Setting
Exclusive Message	Reverb/chorus settings, etc.
Realtime Messages	Start/stop operation

USB Connection

This instrument can be connected to a computer to allow transfer of MIDI data.

Connect a standard USB cable between the instrument's rear-panel USB connector and the USB connector on your computer (USB cable sold separately).

It is also necessary to install the USB driver provided on the supplied CD-ROM on your computer. Refer to the "Accessory CD-ROM Installation Guide" on page 70 for details.

The supplied CD-ROM also includes a Musicsoft Downloader application that allows you to transfer song files from your computer to the instrument's flash memory.

USB Precautions

Please observe the following precautions when connecting the instrument to a computer via a USB cable.

Failure to do so can cause the instrument and/or the computer to hang up (freeze), possibly causing corruption or loss of data.

If the instrument or computer does hang up, turn the power to both devices off and then on again, and restart the computer.

CAUTION

• Wake the computer from a sleep/suspended/standby mode before connecting the USB cable.
• Connect the USB cable to the instrument and computer before turning power to the instrument on.

• Check the following points before turning the instrument's power on or off, and before plugging or unplugging the USB cable.

• Quit all applications.

• Make sure that no data transfer is in progress (data is transferred whenever you play on the keyboard or play a song).
• Allow at least 6 seconds between turning the instrument's power on and off, and between plugging and unplugging the USB cable.
• Directly connect the instrument to the computer using a single USB cable. Do not use a USB hub.

NOTE

• The Musicsoft Downloader application may not be able to access the instrument in the following cases:
• During a MIDI bulk dump.
• During style playback.
• During song playback.

MIDI Settings

These settings pertain to MIDI data transmission and reception.

Local ON/OFF.

Local control determines whether or not notes played on the instrument are sounded by its internal tone generator system: the internal tone generator is active when local control is on, and inactive when local control is off.

ON This is the normal setting in which notes played on the instrument's keyboard are sounded by the internal tone generator system. Data received via the instrument's USB connector will also be played by the internal tone generator.

OFF With this setting the instrument itself produces no sound (keyboard performance, harmony, or style playback), but the performance data is transmitted via the USB connector. Data received via the instrument's USB connector will also be played by the internal tone generator.

Local control can turned on or off via the FUNCTION Local item (page 64).

NOTE

• If you can't get any sound out of the instrument, this may be the most likely cause. Playing the keyboard results in no sound when Local is set to OFF.

External Clock ON/OFF

These settings determine whether the instrument is synchronized to its own internal clock (OFF), or to a clock signal from an external device (ON).

ON The instrument's time based functions will be synchronized to the clock from an external device connected to the USB connector.

OFF The instrument uses its own internal clock (default).

External clock control can turned on or off via the FUNCTION External Clock item (page 64).

NOTE

• If External Clock is ON and no clock signal is being received from an external device, the song, style, and metronome functions will not start.

MIDI (PC Mode) Settings For Computer Connection

A number of MIDI settings need to be made when you connect the instrument to a computer. The PC Mode item can conveniently make multiple settings for you in one operation. Three settings are available: PC1, PC2, and OFF. Press the [PC] button to call up the PC Mode item, and select PC1 or PC2, as required. The setting you choose will set parameters such as Local ON/OFF, External Clock ON/OFF, and others for optimum operation with a sequencer application on your computer, for example. Refer to page 64 for details about the MIDI settings.

NOTE

• Set the PC mode to PC2 when using Digital Music Notebook* in the supplied CD-ROM.

• "Digital Music Notebook" is a software application for handling songs and scores on your computer. Refer to the application's online help file for more information.

	PC1	PC2	PC Mode = OFF
Local	OFF	OFF	ON
External Clock	ON	OFF	OFF
Keyboard Out	OFF	ON	ON
Style Out	OFF	OFF	ON
Song Out	OFF	OFF	ON

Setting the PC Mode

Press the [PC] button so that the FUNCTION display PC Mode item appears.

2 Use the dial or the [+] and [-] buttons to select PC1, PC2, or OFF.

NOTE

• When the PC2 setting is selected the instrument's style, song, demo, song recording, and lesson features cannot be used.

NOTE

• You can also access the PC Mode item by first pressing the [FUNCTION] button and then using the CATEGORY [▲] and [▼] buttons to locate it (page 62).

Remote Control Of MIDI Devices

You can also use this instrument as a remote control device for the Digital Music Notebook application on your computer (via the USB connection) — controlling playback, stop and transport functions from the panel.

Remote control keys.

DGX-205/203: To use the remote control functions, simultaneously hold down the lowest two keys on the keyboard (E0 and F#0) and press the appropriate key (shown below).

PSR-295/293: To use the remote control functions, simultaneously hold down the lowest two keys on the keyboard (C1 and C#1) and press the appropriate key (shown below).

NOTE

• Remote control of MIDI devices will function independently of the PC2 mode.

Transferring Song Files From a Computer

This instrument can access flash memory for storage and retrieval of song data: When song files are transferred to flash memory media from your computer they can be used with the instrument's performance assistant technology or Lesson functions.

In order to transfer songs between your computer and the instrument you will need to install the Musicsoft Downloader application and the USB-MIDI Driver included on the Accessory CD-ROM on your computer. Refer to the Accessory CD-ROM Installation Guide on page 70 for installation details.

NOTE

• A USB cable is required in order to transfer song files to the instrument's flash memory. USB cables can be purchased at an electrical goods or computer supply store.

Data That Can be Transferred From a Computer To This Instrument

• Song Capacity (max.) Flash memory 99 songs (Song numbers 036 - 134)
• Data Capacity Flash memory 373 kb
• Data Format SMF format 0/1

- What is SMF (Standard MIDI File)?

The SMF (Standard MIDI File) format is one of the most common and widely compatible sequence formats used for storing sequence data. There are two variations: Format 0 and Format 1. A large number of MIDI devices are compatible with SMF Format 0, and most commercially available MIDI sequence data is provided in SMF Format 0.

■ With the Musicsoft Downloader You Can

• Transfer MIDI songs you have downloaded from the Internet or created on your computer from the computer to the instrument's flash memory.

Refer to the step #1 - #9.

The procedure for transferring songs included on the Accessory CD-ROM from your computer to the instrument is given as an example.

Use the Musicsoft Downloader application with Internet Explorer 5.5 or higher.

■ Use Musicsoft Downloader To Transfer Songs From the Accessory CD-ROM To the Instrument's Flash Memory

NOTE

• If a song or style is being played, stop playback before proceeding.

1 Install the Musicsoft Downloader application and the USB-MIDI driver on your computer (page 71 - 73).
2 Insert the supplied CD-ROM into your computer's CD-ROM drive. The start window should appear automatically, and close the window.
3 Double-click the Musicsoft Downloader shortcut icon that is created on the desktop. This will launch the Musicsoft Downloader application and the main window will appear.

NOTE

• The instrument cannot be operated while the Musicsoft Downloader is running.

4 Click the "Add File" button and the Add File window will appear.
5 Click the [▼] button to the right of "Look in" and select the CD-ROM drive from the dropdown menu that appears. Double-click the "SongCollection" Folder on the window. Select the file you want to transfer to the instrument, and click "Open."

Double-click "SongCollection" Folder. Double-click "for_CD" Folder and click a song file.
3 Click "Open"

6 A copy of the selected MIDI song file will appear in the "List of files stored temporarily" at the top of the window. The flash memory medium will also be displayed at the bottom of the window to specify the destination for the transfer. Click the flash memory.

1 Click the "Flash Memory"

7 After selecting the file in the "List of files stored temporarily", click the downward [Move] button and a confirmation message will appear. Click [OK] and the song will be transferred from the "List of files stored temporarily" to the instrument's flash memory.
8 Close the window to end the Musicsoft Downloader.

NOTE

• Quit the Musicsoft Downloader to play back the song transferred from your computer.

9 To play back a song stored in flash memory, press the [SONG] button. Use the dial to select the song you want to play, then press the [START/STOP] button to start playback.

CAUTION

• Do not unplug the USB cable during a data transfer. Not only will the data not be transferred and saved, but operation of the memory media may become unstable and its contents may disappear completely when the power is turned on or off.

CAUTION

• Stored data can be lost due to equipment malfunction or improper operation. For safety we recommend that you keep a copy of all important data stored on your computer.

• We recommend that you use a power adaptor rather than batteries when transferring data. The data can be corrupted if the batteries fail during the transfer.

• To Use transferred Songs For Lessons In order to use songs (only SMF format 0) transferred from a computer for lessons it is necessary to specify which channels are to be played back as the right-hand and left-hand parts. The procedure for setting the "guide track" is as follows:

1 Press the [SONG] button and select the song (036-) residing in flash memory for which you want to set the guide track.
Press the [FUNCTION] button.
3 Use the CATEGORY [A] and [▼] buttons to select the R-Part or L-Part item.
4 Use the dial to select the channel you want to play back as the specified right- or left-hand part.

We recommend that you select channel 1 for the right-hand part and channel 2 for the left-hand part.

SPECIALNOTICES

• The software and this Installation Guide are exclusive copyrights of Yamaha Corporation.
• Use of the software and this guide is governed by the SOFTWARE LICENSING AGREEMENT which the purchaser fully agrees to upon breaking the seal of the software packaging. (Please read the AGREEMENT at the end of this guide carefully before installing the application.)
• Copying of the software or reproduction of this guide in whole or in part by any means is expressly forbidden without the written consent of the manufacturer.
• Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this guide and the software.

• This disc is a CD-ROM. Do not attempt to play the disc on an audio CD player. Doing so may result in irreparable damage to your audio CD player.

• Copying of commercially available music data is strictly prohibited except for your personal use.

• The company names and product names in this Installation Guide are the trademarks or registered trademarks of their respective companies.
• Future upgrades of application and system software and any changes in specifications and functions will be announced separately.
• Software such as the USB MIDI driver may be revised and updated without prior notice. Make sure to check and download the latest version of the software from the following site. http://music.yamaha.com/download/
• Depending on the version of your operating system, the screen shots and messages shown in this guide may differ to those that you see on your computer screen.

CD-ROM Contents

The data on this CD-ROM is compatible with computers running the Windows® operating system.

CAUTION

• Do not attempt to play this CD-ROM on an audio CD player. The result high-volume noise can potentially cause hearing damage or damage your CD player and speakers.

Folder Name	Application/Data Name	Contents
MSD_	Musicsoft Downloader *1 *2	This application can be used to download MIDI song data from the Internet and transfer it from the computer to memory media supported by the instrument (eg. flash memory).
DMN_	Digital Music Notebook *2	Digital Music Notebook is a major new multimedia platform for music tuition and performance.
USBdrv_	USB Driver For Windows 98/Me	This driver software is necessary to connect MIDI devices to your computer via USB.
USBdrv2k_	USB Driver For Windows 2000/XP
SongCollection	for_CD	The "SongCollection" folder contains two folders. The "for_CD" folder contains the 70 MIDI songs and the corresponding 70 notation PDF files. These songs can be transferred to the instrument for listening and/or lessons. The "for_Preset (Only Score)" folder contains the notation PDF files of the 30 songs provided with the instrument (not including copyrighted songs).
	for_Preset (Only Score)

• 1 The software cannot be used when the instrument is in the following state:

• During style or song playback.
  During a lesson.

• 2 This software includes an online manual.

• 3 This software is not supported by Yamaha Corporation.

Using the CD-ROM

Please read the Software License Agreement on page 74 before opening the CD-ROM package.

1 Check the system requirements to make sure that the software will run on your computer.
2 Insert the Accessory CD-ROM into your computer's CD-ROM drive. The start window should appear automatically.

3 Connect the instrument to the computer. The connection procedure is described on page 66.
4 Install the driver on your computer and make the necessary settings. Refer to "Installing the USB-MIDI Driver" on page 71 for installation and setup instructions.

5 Install the software.

• Digital Music Notebook and Musicsoft Downloader:

Refer to page 73.

YAMAHA USB-MIDI Driver:

Refer to page 71.

6 Launch the software.

For further software operation refer to the online help supplied with the software.

System Requirements

Application/Data	OS	CPU	Memory	Hard Disk	Display
Musicsoft Downloader	Windows 98SE/Me/2000/XP Home Edition/XP Professional	233 MHz or higher; Intel®Pentium®/Celeron®processor family	64 MB or more(256 MB or moreis recommended)	at least 128 MB offree space (at least512 MB of free spaceis recommended)	800 x 600HighColor(16-bit)
USB Driver for Windows 98/Me	Windows 98/98SE/Me	166 MHz or higher; Intel®Pentium®/Celeron®processor family	32 MB or more (64MB or more is reommended)	at least 2 MB of free space	—
USB Driver for Windows2000/XP	Windows 2000/XP HomeEdition/XP Professional
Digital Music Notebook	Windows® XP ProfessionalEdition, SP1a moreWindows® XP HomeEdition, SP1a moreWindows 2000 Professional,SP4 more	300MHz or higher; Intel®Pentium®/Celeron®Processor family (1GHzor more is recommended)	128 MB or more(256 MB or moreis recommended)	at least 50 MB of freespace	1024 x 768HighColor(16-bit)
Digital Music Notebook(Requirements for playingcontent with video included.)		1GHz or higher; Intel®Pentium®/Celeron®Processor family (1.4GHzor more is recommended)	256 MB or more

Software Installation

- Uninstall (Removing the Software)

Installed software can be removed from your computer as follows:

From the Windows Start menu select Start Settings Control panel Add or Remove Applications Install and Uninstall. Select the item you want to remove and click [Add or Remove]. Follow the on-screen instructions to remove the selected software.

NOTE

• The actual names of the menu items and buttons will depend on the OS version you are using.

■ Installing the USB-MIDI Driver...

In order to be able to communicate with and use MIDI devices connected to your computer, the appropriate driver software must be properly installed on your computer.

The USB-MIDI driver allows sequence software and similar applications on your computer to transmit and receive MIDI data to and from MIDI devices via a USB cable.

• Windows 98/Me installation page 72.
• Windows 2000 installation page 72.
• Windows XP installation page 73.

Check the drive name of the CD-ROM drive you will be using (D:, E:, Q: etc.) The drive name is displayed beside the CD-ROM icon in your "My Computer" folder. The root directory of the CD-ROM drive will be D:\E:\ or Q:\ respectively.

Installing the driver on Windows 98/Me

1 Start the computer.
2 Insert the supplied CD-ROM into the CD-ROM drive. A start window will appear automatically. Close the window.
3 First, make sure the POWER switch on the instrument is set to OFF, then use a USB cable to connect the USB terminal of the computer to the USB connector of the instrument. When the instrument is turned on, the computer automatically displays the "Add New Hardware Wizard." If the Add New Hardware Wizard does not appear, click "Add New Hardware" in the Control Panel.

For Windows Me users, check the radio button to the left of "Automatic search for a better driver (Recommended)" and click [Next]. The system automatically starts searching and installing the driver. Proceed to Step 8. If the system does not detect the driver, select "Specify the location of the driver (Advanced)" and specify the CD-ROM drive's "USBdrv_ folder to install the driver and click [Next]. Execute the installation by following the onscreen instructions and proceed to Step 8.

NOTE

• If you are using Windows Me, skip Step 4 - 7.

4 Click [Next].

The window that appears enables you to select the search method.

5 Check the radio button to the left of “Search for the best driver for your device. (Recommended).” Click [Next].

The window that appears enables you to select a location in which to install the driver.

6 Check the "Specify a location" box, click "Browse...", then specify the USBdrv directory of the CD-ROM drive (such as D:\USBdrv_) and continue the installation.
7 When the system detects the driver on the CD-ROM and is ready for installation, an appropriate message will appear on the screen. Make sure that the "YAMAHA USB MIDI Driver" is listed, and click [Next]. The installation process will begin.
8 When installation is complete, a message indicating so appears. Click [Finish].

NOTE

• Some computers may take about ten seconds to show this screen after the installation is complete.

The driver has been installed.

Installing the driver on Windows 2000

1 Start the computer and use the "Administrator" account to log into Windows 2000.
2 Select [My Computer] [Control Panel] [System] [Hardware] [Driver Signing] [File Signature Verification], and check the radio button to the left of "Ignore — Install all files, regardless of file signature" and click [OK].
3 Insert the supplied CD-ROM into the CD-ROM drive. A start window will appear automatically. Close the window.
4 First, make sure the POWER switch on the instrument is set to OFF, then use a USB cable to connect the USB connector of the computer to the USB connector of the instrument. When the instrument is turned on, the computer automatically displays "Found New Hardware Wizard." Click [Next].
5 Check the radio button to the left of "Search for a suitable driver for my device. (Recommended)." Click [Next].

The window that appears enables you to select a location in which to install the driver.

6 Check the "CD-ROM drives" box and uncheck all other items. Click [Next].
NOTE
- The system may ask you to insert a Windows CD-ROM while it checks for the driver. Specify the "USBdrv2k" directory of the CD-ROM drive (such as D:\USBdrv2k_) and continue the installation.
7 When the installation is complete, the system displays "Completing the Found New Hardware Wizard." Click [Finish].
NOTE
- Some computers may take about ten seconds to show this screen after the installation is complete.
8 Restart the computer.
The driver has been installed.

Installing the driver on Windows XP

1 Start the computer.
2 Select [Start] [Control Panel]. If the control panel appears as "Pick a category", click "Switch to Classic View" in the upper left of the window. All control panels and icons will be displayed.
3 Go to [System] [Hardware] [Driver Sign- ing Options] and check the radio button to the left of "Ignore" and click [OK].
4 Click the [OK] button to close System Properties, and then click "X" in the upper right of the window to close the Control Panel.
5 Insert the supplied CD-ROM into the CD-ROM drive. A start window will appear automatically. Close the window.
6 First, make sure the POWER switch on the instrument is set to OFF, then use a USB cable to connect the USB connector of the computer to the USB connector of the instrument. When the instrument is turned on, the computer automatically displays the "Found New Hardware Wizard."

NOTE

• Some computers may take a few minutes to show this screen.

7 Check the radio button to the left of "Install the software automatically. (Recommended)." Click [Next]. The system starts the installation.
8 When the installation is complete, the system displays "Completing the Found New Hardware Wizard." Click [Finish].

NOTE

• Some computers may take about a few minutes to show this screen after the installation is complete.

9 Restart the computer. The driver has been installed.

The driver has been installed.

■ Installing the Musicsoft Downloader and Digital Music Notebook Applications

IMPORTANT

• You will need to log in with administrator (root) privileges in order to install Musicsoft Downloader on a computer running Windows 2000 or XP.
• You will need to log in with administrator (root) privileges in order to install Digital Music Notebook on a computer running Windows 2000 or XP.

IMPORTANT

• When installing the Digital Music Notebook, make sure that Internet Explorer 6.0 (with SP1) or higher is installed to your computer.

IMPORTANT

• Credit card settlement is required to purchase Digital Music Notebook content. Credit card processing may not be possible for some areas, so please check with your local authorities to make sure that your credit card can be used.

NOTE

• Use of the DMN (Digital Music Notebook) is governed by the SIBELIUS SCORCH LICENSE AGREEMENT, which the purchaser fully agrees to when using the application. Please read carefully the AGREEMENT at the end of this manual before using the application.
  1 Insert the Accessory CD-ROM into your computer's CD-ROM drive. The start window will appear automatically showing software applications.

NOTE

• If the start window does not appear automatically, double click your "My Computer" folder to open it. Right-click the CD-ROM icon and select "Open" from the pop-up menu. Double click "Start.exe" and proceed to step 2, below.

2 Click [Musicsoft Downloader] or [Digital Music Notebook].
3 Click the [install] button, and follow the on-screen instructions to install the software.

For Digital Music Notebook operating instructions see the help menu: launch the Digital Music Notebook application and click "Help".

For Musicsoft Downloader operating instructions see the Help menu: launch the Musicsoft Downloader application and click "Help".

• You can obtain the latest version of the Musicsoft Downloader at the following Internet URL.

http://music.yamaha.com/download/

IMPORTANT

• Only Musicsoft Downloader can be used to transfer files between this instrument and a computer. No other file transfer application can be used.

SOFTWARE LICENSING AGREEMENT

The following is a legal agreement between you, the end user, and Yamaha Corporation ("Yamaha"). The enclosed Yamaha software program is licensed by Yamaha to the original purchaser for use only on the terms set forth herein. Please read this licensing agreement with care. Opening this package indicates that you accept all terms outlined herein. If you do not agree to the terms, return this package unopened to Yamaha for a full refund. In the event that you obtained the enclosed Yamaha software program(s) as a part of a software package or software bundled with a hardware product, you may not return the enclosed Yamaha software program(s) to Yamaha.

1. GRANT OF LICENSE AND COPYRIGHT

Yamaha grants you, the original purchaser, the right to use one copy of the enclosed software program and data ("SOFTWARE") on a single-user computer system. You may not use it on more than one computer or computer terminal. The SOFTWARE is owned by Yamaha and is protected by Japanese copyright laws and all applicable international treaty provisions. You are entitled to claim ownership of the media in which the SOFTWARE is included. Therefore, you must treat the SOFTWARE like any other copyrighted materials.

2. RESTRICTIONS

The SOFTWARE program is copyrighted. You may not engage in reverse engineering or reproduction of the SOFTWARE by other conceivable methods. You may not reproduce, modify, change, rent, lease, resell, or distribute the SOFTWARE in whole or in part, or create derivative works from the SOFTWARE. You may not transmit or network the SOFTWARE with other computers. You may transfer ownership of the SOFTWARE and the accompanying written materials on a permanent basis provided that you retain no copies and the recipient agrees to the terms of the licensing agreement.

3. TERMINATION

The licensing condition of the software program becomes effective on the day that you receive the SOFTWARE. If any one of the copyright laws or clauses of the licensing conditions is violated, the licensing agreement shall be terminated automatically without notice from Yamaha. In this case, you must destroy the licensed SOFTWARE and its copies immediately.

4.PRODUCT WARRANTY

Yamaha warrants to the original purchaser that if the SOFTWARE, when used in normal conditions, will not perform the functions described in the manual provided by Yamaha, the sole remedy will be that Yamaha will replace any media which proves defective in materials or workmanship on an exchange basis without charge. Except as expressly set forth above, the SOFTWARE is provided "as is," and no other warranties, either expressed or implied, are made with respect to this software, including, without limitation the implied warranties of merchantability and fitness for a particular purpose.

5. LIMITED LIABILITY

Your sole remedies and Yamaha's entire liability are as set forth above. In no event will Yamaha be liable to you or any other person for any damages, including without limitation any incidental or consequential damages, expenses, lost profits, lost savings or other damages arising out of the use or inability to use such SOFTWARE even if Yamaha or an authorized dealer has been advised of the possibility of such damages, or for any claim by any other party.

6. GENERAL

This license agreement shall be interpreted according to and governed by Japanese laws.

For the DGX-205/203, PSR-295/293

Problem	Possible Cause and Solution
When the instrument is turned on or off, a popping sound is temporarily produced.	This is normal and indicates that the instrument is receiving electrical power.
When using a mobile phone, noise is produced.	Using a mobile phone in close proximity to the instrument may produce interference. To prevent this, turn off the mobile phone or use it further away from the instrument.
There is no sound even when the keyboard is played or when a song or style is being played back.	Check that nothing is connected to the PHONES/OUTPUT jack on the rear panel. When a set of headphones is plugged into this jack, no sound is output.
	Check the Local Control on/off. (See page 66.)
Playing keys in the right hand area of the keyboard does not produce any sound.	When using the Dictionary function (page 55), the keys in the right hand area are used only for entering the chord root and type.
• The volume is too soft. • The sound quality is poor. • The rhythm stops unexpectedly or will not play. • The recorded data of the song, etc. does not play correctly. • The LCD display suddenly goes dark, and all panel settings are reset.	The batteries are low or dead. Replace all six batteries with completely new ones, or use the optional AC adaptor.
The style or song does not play back when the [START/STOP] button is pressed.	Is External Clock set to ON? Make sure External Clock is set to OFF; refer to “External Clock” on page 66.
The style does not sound properly.	Make sure that the Style Volume (page 63) is set to an appropriate level.
	Is the split point set at an appropriate key for the cords you are playing? Set the split point at an appropriate key (page 51). Is the “ACMP ON” indicator showing in the display? If it is not showing press the [ACMP ON/OFF] button so that it does show.
No rhythm accompaniment plays when the [START/STOP] button is pressed after selecting style number 112 or a style between 124 and 135 (Pianist).	This is not a malfunction. Style number 112 and style numbers 124 – 135 (Pianist) have no rhythm parts, so no rhythm will play. The other parts will begin playing when you play a chord in the accompaniment range of the key-board if style playback is turned on.
Not all of the voices seem to sound, or the sound seems to be cut off.	The instrument is polyphonic up to a maximum of 32 notes. If the Dual voice or Split voice is being used and a style or song is playing back at the same time, some notes/sounds may be omitted (or “stolen”) from the accompani-ment or song.
The footswitch (for sustain) seems to produce the opposite effect. For example, pressing the footswitch cuts off the sound and releasing it sustains the sounds.	The polarity of the footswitch is reversed. Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power.
The sound of the voice changes from note to note.	This is normal. The AWM tone generation method uses multiple recordings (samples) of an instrument across the range of the keyboard; thus, the actual sound of the voice may be slightly different from note to note.
The wrong notes sound when the keyboard is played.	Perhaps the performance assistant technology is turned on. Press the [PERFORMANCE ASSISTANT] button to turn it off.
The ACPI ON indicator does not appear when the [ACMP ON/OFF] button is pressed.	Is the [STYLE] button lit? Always press the [STYLE] button first when you are going to use any style-related function.
There is no harmony sound.	The harmony effects (01 – 26) behave differently according to their type. Types 01 – 05 function when style playback is on, chords are played in the accompaniment range of the keyboard, and a melody is played in the right-hand range. Types 06 – 26 will function whether style playback is on or off. For types 06 = 12 you need to play two notes at the same time.

For the included software

The driver cannot be installed.

• Is the USB cable connected correctly?

Check the USB cable connection. Disconnect the USB cable, then connect it again.

• Is the USB function enabled on your computer?

When you connect the instrument to the computer for the first time, if the "Add New Hardware Wizard" does not appear, the USB function on the computer may be disabled. Perform the following steps.

1 Select [Control Panel] [System] [Device Manager] (for Windows 98/Me), or select [Control Panel]* [System] [Hardware] [Device Manager] (for Windows 2000/XP).

• Classic View only in Windows XP.

2 Make sure that no “!” or “x” marks appear at “Universal serial bus controller” or “USB Root Hub.” If you see an “!” or “x” mark, the USB controller is disabled.

• Is any unknown device registered?

If driver installation fails, the instrument will be marked as an "Unknown device," and you will not be able to install the driver. Delete the "Unknown device" by following the steps below.

1 Select [Control Panel] [System] [Device Manager] (for Windows 98/Me), or select [Control Panel] [System] [Hardware] [Device Manager] (for Windows 2000/XP).
Classic View only in Windows XP.
2 Look for "Other devices" in the menu "View devices by type."
3 If you find "Other devices," double-click it to extend the tree to look for "Unknown device." If one appears, select it and click the [Remove] button.
4 Remove the USB cable from the instrument, and make the connection again.
5 Install the driver again.

• Windows 98/Me users...... see page 72
• Windows 2000 users...... see page 72
• Windows XP users. see page 73

When controlling the instrument from your computer via USB, the instrument does not operate correctly or no sound is heard.

• Did you install the driver? (page 71)
• Is the USB cable connected correctly?
• Are the volume settings of the instrument, playback device, and application program set to the appropriate levels?

• Have you selected an appropriate port in the sequence software?

• Are you using the latest USB MIDI driver? The latest driver can be downloaded from the following web site.

http://music.yamaha.com/download/

Playback response is delayed.

• Does your computer satisfy the system requirements?
• Is any other application or device driver running?

Cannot suspend or resume the computer correctly.

• Do not suspend the computer while the MIDI application is running.

If you are using Windows 2000, you may not be able to suspend/resume normally, depending on the particular environment (USB Host Controller, etc.). Even so, simply disconnecting and connecting the USB cable will allow you to use the instrument functions again.

How can I delete or re-install the driver?

Windows Me/98

When the instrument is recognized correctly, double-click "System" in the Control Panel to open the System window.
2 Double-click the "Device Manager" tab, select "YAMAHA USB MIDI Driver" and delete it.
3 Use the MS-DOS prompt or Explorer to delete the following three files.

NOTE

• To delete these files using Explorer, select "Folder Options" from the Tool (View) menu, and select "Show all files (and folders)."

· WINDOWS\INF\OTHER***.INF
- \WINDOWS\SystemXgusb.drv
- \WINDOWS\System\Ymidusb.sys

4 Disconnect the USB cable.
5 Restart the computer.
6 Re-install the driver.

Keyboards

• DGX-205/203: 76 standard-size keys (E0 - G6), with Touch Response.
• PSR-295/293: 61 standard-size keys (C1 - C6), with Touch Response.

Display

Large multi-function LCD display (backlit)

Setup

STANDBY/ON
- MASTER VOLUME: MIN - MAX

Panel Controls

• SONG, VOICE, STYLE, EASY SONG ARRANGER, PERFORMANCE ASSISTANT, PC, LESSON L/R, LESSON MODE, LESSON REPEAT & LEARN, METRONOME, PORTABLE GRAND, DEMO, FUNCTION, TOUCH, HARMONY, DUAL, SPLIT, TEMPO/TAP, [0] - [9], [+, [-], CATEGORY, Dial, ACMP ON/OFF, SYNC STOP, SYNC START, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL, REGIST. MEMORY ([●] (MEMORY/BANK), [1], [2]), SONG MEMORY (REC, [1] - [5], [A])

Realtime Control

• Pitch Bend Wheel (DGX-205/203 only)

Voice

114 panel voices + 12 drum kits + 359 XGlite voices + 2 XGlite optional voices
- Polyphony: 32
DUAL
SPLIT

Style

135 Preset Styles
- Style Control: ACMP ON/OFF, SYNC STOP, SYNC START, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL
Fingering: Multi fingering
- Style Volume

Education Feature

• Dictionary
• Lesson 1-3, Lesson Repeat & Learn

Registration Memory

• 8 banks x 2 types

Function

• VOLUME: Style Volume, Song Volume
• OVERALL: Tuning, Transpose, Split Point, Touch Sensitivity, Pitch Bend Range (DGX-205/203 only)
• MAIN VOICE: Volume, Octave, Pan, Reverb Send Level, Chorus Send Level
  DUAL VOICE: Voice, Volume, Octave, Pan, Reverb Send Level, Chorus Send Level
• SPLIT VOICE: Voice, Volume, Octave, Pan, Reverb Send Level, Chorus Send Level
• EFFECT: Reverb Type, Chorus Type, Panel Sustain
  HARMONY: Harmony Type, Harmony Volume
  PC: PC1/PC2/Off
• MIDI: Local On/Off, External Clock, Initial Setup Send, Keyboard Out, Style Out, Song Out, Bulk Send
• METRONOME: Time Signature, Metronome Volume
• LESSON: Lesson Track (R), Lesson Track (L)
• UTILITY: Grade, Demo Cancel

Effects

• Reverb: 9 types
• Chorus: 4 types
  Harmony: 26 types

Song

• 30 Preset Songs + 5 User Songs + Accessory CD-ROM Songs (70)
  Song Clear, Track Clear
  Song Volume

Performance assistant technology

Recording

Song

User Song: 5 Songs

Recording Tracks: 1, 2, 3, 4, 5, STYLE

MIDI

• Local On/Off

• Initial Setup Send

• Style Out

External Clock

Song Out

• Bulk Send

Auxiliary jacks

• PHONES/OUTPUT, DC IN 12V, USB, SUSTAIN

Amplifier

• DGX-205/203: 6W + 6W
• PSR-295/293: 3W + 3W

Speakers

• 12 cm × 2 + 3 cm × 2

Power Consumption

• DGX-205/203: 20W (When using PA-5D power adaptor)
• PSR-295/293: 16W (When using PA-3C power adaptor)

Power Supply

Adaptor: Yamaha PA-5D AC power adaptor (DGX-205/203)
Yamaha PA-3C AC power adaptor (PSR-295/293)
- Batteries: Six "D" size, R20P (LR20) or equivalent batteries

Dimensions (W x D x H)

• DGX-205/203: 1,178 x 412 x 150 mm (46-3/8" x 16-1/4" x 5-7/8")
• PSR-295/293: 952 x 388 x 146 mm (37-1/2" x 15-1/4" x 5-3/4")

Weight

• DGX-205/203: 8.8kg (19 lbs. 6 oz.) (not including batteries)
• PSR-295/293: 7.0kg (15 lbs. 7 oz.) (not including batteries)

Supplied Accessories

Music Rest
- Accessory CD-ROM
- Owner's Manual
Song Book

Optional Accessories

• AC Power Adaptor: PA-5D/PA-5C (DGX-205/203)
  PA-3C (PSR-295/293)
• Footswitch: FC4/FC5
• Keyboard Stand: LW-15/LW-16 (DGX-205/203)

L-2C/L-2L (PSR-295/293)

• Specifications and descriptions in this owner's manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

Maximum Polyphony

The instrument has 32-note maximum polyphony. This means that it can play a maximum of up to 32 notes at once, regardless of what functions are used. Auto accompaniment uses a number of the available notes, so when auto accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song functions. If the maximum polyphony is exceeded, earlier played notes will be cut off and the most recent notes have priority (last note priority).

NOTE

• The Voice List includes MIDI program change numbers for each voice. Use these program change numbers when playing the instrument via MIDI from an external device.

• Program Numbers 001 to 128 directly relate to MIDI Program Change Numbers 000 to 127. That is, Program Numbers and Program Change Numbers differ by a value of 1. Remember to take this into consideration.
  Some voices may sound continuously or have a long decay after the notes have been released while the sustain pedal (footswitch) is held.

• Panel Voice List

Voice No.	Bank Select		MIDI Program Change# (1 - 128)	Voice Name
	MSB (0 - 127)	LSB (0 - 127)
PIANO
001	000	112	001	Grand Piano
002	000	112	002	Bright Piano
003	000	112	004	Honky-tonk Piano
004	000	112	003	MIDI Grand Piano
005	000	113	003	CP 80
006	000	112	007	Harpsichord
E.PIANO
007	000	114	005	Cool! Galaxy Electric Piano
008	000	112	005	Funky Electric Piano
009	000	112	006	DX Modern Electric Piano
010	000	113	006	Hyper Tines
011	000	114	006	Venus Electric Piano
012	000	112	008	Clavi
ORGAN
013	000	118	019	Cool! Organ
014	000	112	017	Jazz Organ 1
015	000	113	017	Jazz Organ 2
016	000	112	018	Click Organ
017	000	116	017	Bright Organ
018	000	112	019	Rock Organ
019	000	114	019	Purple Organ
020	000	118	017	\(16^{\prime}+2^{\prime}\)Organ
021	000	119	017	\(16^{\prime}+4^{\prime}\)Organ
022	000	114	017	Theater Organ
023	000	112	020	Church Organ
024	000	113	020	Chapel Organ
025	000	112	021	Reed Organ
ACCORDION
026	000	113	022	Traditional Accordion
027	000	112	022	Musette Accordion
028	000	113	024	Bandoneon
029	000	112	023	Harmonica
GUITAR
030	000	112	025	Classical Guitar
031	000	112	026	Folk Guitar
032	000	113	026	12Strings Guitar
033	000	112	027	Jazz Guitar
034	000	113	027	Octave Guitar
035	000	112	028	Clean Guitar
036	000	117	028	60's Clean Guitar
037	000	112	029	Muted Guitar
038	000	112	030	Overdriven Guitar
039	000	112	031	Distortion Guitar
BASS
040	000	112	033	Acoustic Bass
041	000	112	034	Finger Bass
042	000	112	035	Pick Bass
043	000	112	036	Fretless Bass
044	000	112	037	Slap Bass
045	000	112	039	Synth Bass
046	000	113	039	Hi-Q Bass
047	000	113	040	Dance Bass

Voice No.	Bank Select		MIDI Program Change# (1 - 128)	Voice Name
	MSB (0 - 127)	LSB (0 - 127)
STRINGS
048	000	112	049	String Ensemble
049	000	112	050	Chamber Strings
050	000	112	051	Synth Strings
051	000	113	050	Slow Strings
052	000	112	045	Tremolo Strings
053	000	112	046	Pizzicato Strings
054	000	112	041	Violin
055	000	112	043	Cello
056	000	112	044	Contrabass
057	000	112	106	Banjo
058	000	112	047	Harp
059	000	112	056	Orchestra Hit
CHOIR
060	000	112	053	Choir
061	000	113	053	Vocal Ensemble
062	000	112	054	Vox Humana
063	000	112	055	Air Choir
SAXOPHONE
064	000	117	067	Sweet! Tenor Sax
065	000	113	065	Sweet! Soprano Sax
066	000	112	067	Tenor Sax
067	000	112	066	Alto Sax
068	000	112	065	Soprano Sax
069	000	112	068	Baritone Sax
070	000	114	067	Breathy Tenor Sax
071	000	112	069	Oboe
072	000	112	072	Clarinet
073	000	112	070	English Horn
074	000	112	071	Bassoon
TRUMPET
075	000	115	057	Sweet! Trumpet
076	000	112	057	Trumpet
077	000	112	060	Muted Trumpet
078	000	112	058	Trombone
079	000	113	058	Trombone Section
080	000	112	061	French Horn
081	000	112	059	Tuba
BRASS
082	000	112	062	Brass Section
083	000	113	062	Big Band Brass
084	000	119	062	Mellow Horns
085	000	112	063	Synth Brass
086	000	113	063	80's Brass
087	000	114	063	Techno Brass
FLUTE
088	000	114	074	Sweet! Flute
089	000	113	076	Sweet! Pan Flute
090	000	112	074	Flute
091	000	112	073	Piccolo
092	000	112	076	Pan Flute
093	000	112	075	Recorder
094	000	112	080	Ocarina
SYNTH LEAD
095	000	112	081	Square Lead
096	000	112	082	Sawtooth Lead
097	000	112	086	Voice Lead
098	000	112	099	Star Dust
099	000	112	101	Brightness
100	000	115	082	Analogon
101	000	119	082	Cargo
SYNTH PAD
102	000	112	089	Fantasia
103	000	113	101	Bell Pad
104	000	112	092	Xenon Pad
105	000	112	095	Equinox
106	000	113	090	Dark Moon
PERCUSSION
107	000	112	012	Vibraphone
108	000	112	013	Marimba
109	000	112	014	Xylophone
110	000	112	115	Steel Drums
111	000	112	009	Celesta
112	000	112	011	Music Box
113	000	112	015	Tubular Bells
114	000	112	048	Timpani
DRUM KITS
115	127	000	001	Standard Kit 1
116	127	000	002	Standard Kit 2
117	127	000	009	Room Kit
118	127	000	017	Rock Kit
119	127	000	025	Electronic Kit
120	127	000	026	Analog Kit
121	127	000	028	Dance Kit
122	127	000	033	Jazz Kit
123	127	000	041	Brush Kit
124	127	000	049	Symphony Kit
125	126	000	001	SFX Kit 1
126	126	000	002	SFX Kit 2

XGlite Voice/XGlite Optional Voice* List

Voice No.	Bank Select		MIDI Program Change# (1 - 128)	Voice Name
	MSB (0 - 127)	LSB (0 - 127)
PIANO
127	000	000	001	Grand Piano
128	000	001	001	Grand Piano KSP
129	000	040	001	Piano Strings
130	000	041	001	Dream
131	000	000	002	Bright Piano
132	000	001	002	Bright Piano KSP
133	000	000	003	Electric Grand Piano
134	000	001	003	Electric Grand Piano KSP
135	000	032	003	Detuned CP80
136	000	000	004	Honky-tonk Piano
137	000	001	004	Honky-tonk Piano KSP
138	000	000	005	Electric Piano 1
139	000	001	005	Electric Piano 1 KSP
140	000	032	005	Chorus Electric Piano 1
141	000	000	006	Electric Piano 2
142	000	001	006	Electric Piano 2 KSP
*143	000	032	006	Chorus Electric Piano 2
144	000	041	006	DX + Analog Electric Piano
145	000	000	007	Harpsichord
146	000	001	007	Harpsichord KSP
147	000	035	007	Harpsichord 3
148	000	000	008	Clavi
149	000	001	008	Clavi KSP
CHROMATIC
150	000	000	009	Celesta
151	000	000	010	Glockenspiel
152	000	000	011	Music Box

Voice No.	Bank Select		MIDI Program Change# (1 - 128)	Voice Name
	MSB (0 - 127)	LSB (0 - 127)
153	000	064	011	Orgel
154	000	000	012	Vibraphone
155	000	001	012	Vibraphone KSP
156	000	000	013	Marimba
157	000	001	013	Marimba KSP
158	000	064	013	Sine Marimba
159	000	097	013	Balimba
160	000	098	013	Log Drums
161	000	000	014	Xylophone
162	000	000	015	Tubular Bells
163	000	096	015	Church Bells
164	000	097	015	Carillon
165	000	000	016	Dulcimer
166	000	035	016	Dulcimer 2
167	000	096	016	Cimbalom
168	000	097	016	Santur
ORGAN
169	000	000	017	Drawbar Organ
170	000	032	017	Detuned Drawbar Organ
171	000	033	017	60's Drawbar Organ 1
172	000	034	017	60's Drawbar Organ 2
173	000	035	017	70's Drawbar Organ 1
174	000	037	017	60's Drawbar Organ 3
175	000	040	017	16+2' 2/3
176	000	064	017	Organ Bass
177	000	065	017	70's Drawbar Organ 2
178	000	066	017	Cheezy Organ
179	000	067	017	Drawbar Organ 3
180	000	000	018	Percussive Organ
181	000	024	018	70's Percussive Organ
182	000	032	018	Detuned Percussive Organ
183	000	033	018	Light Organ
184	000	037	018	Percussive Organ 2
185	000	000	019	Rock Organ
186	000	064	019	Rotary Organ
187	000	065	019	Slow Rotary
188	000	066	019	Fast Rotary
189	000	000	020	Church Organ
190	000	032	020	Church Organ 3
191	000	035	020	Church Organ 2
192	000	040	020	Notre Dame
193	000	064	020	Organ Flute
194	000	065	020	Tremolo Organ Flute
195	000	000	021	Reed Organ
196	000	040	021	Puff Organ
197	000	000	022	Accordion
198	000	000	023	Harmonica
199	000	032	023	Harmonica 2
200	000	000	024	Tango Accordion
201	000	064	024	Tango Accordion 2
GUITAR
202	000	000	025	Nylon Guitar
203	000	043	025	Velocity Guitar Harmonics
204	000	096	025	Ukulele
205	000	000	026	Steel Guitar
206	000	035	026	12-string Guitar
207	000	040	026	Nylon & Steel Guitar
208	000	041	026	Steel Guitar with Body Sound
209	000	096	026	Mandolin
210	000	000	027	Jazz Guitar
211	000	032	027	Jazz Amp
212	000	000	028	Clean Guitar
213	000	032	028	Chorus Guitar
214	000	000	029	Muted Guitar
215	000	040	029	Funk Guitar 1
216	000	041	029	Muted Steel Guitar
217	000	045	029	Jazz Man
218	000	000	030	Overdriven Guitar
219	000	043	030	Guitar Pinch
220	000	000	031	Distortion Guitar
221	000	040	031	Feedback Guitar
222	000	041	031	Feedback Guitar 2
223	000	000	032	Guitar Harmonics
224	000	065	032	Guitar Feedback
225	000	066	032	Guitar Harmonics 2
BASS
226	000	000	033	Acoustic Bass
227	000	040	033	Jazz Rhythm
228	000	045	033	Velocity Crossfade Upright Bass
229	000	000	034	Finger Bass
230	000	018	034	Finger Dark
231	000	040	034	Bass & Distorted Electric Guitar
232	000	043	034	Finger Slap Bass
233	000	045	034	Finger Bass 2
234	000	065	034	Modulated Bass
235	000	000	035	Pick Bass
236	000	028	035	Muted Pick Bass
237	000	000	036	Fretless Bass
238	000	032	036	Fretless Bass 2
239	000	033	036	Fretless Bass 3
240	000	034	036	Fretless Bass 4
241	000	000	037	Slap Bass 1
242	000	032	037	Punch Thumb Bass
243	000	000	038	Slap Bass 2
244	000	043	038	Velocity Switch Slap
245	000	000	039	Synth Bass 1
246	000	040	039	Techno Synth Bass
247	000	000	040	Synth Bass 2
248	000	006	040	Mellow Synth Bass
249	000	012	040	Sequenced Bass
250	000	018	040	Click Synth Bass
251	000	019	040	Synth Bass 2 Dark
*252	000	040	040	Modular Synth Bass
253	000	041	040	DX Bass
STRING
254	000	000	041	Violin
255	000	008	041	Slow Violin
256	000	000	042	Viola
257	000	000	043	Cello
258	000	000	044	Contrabass
259	000	000	045	Tremolo Strings
260	000	008	045	Slow Tremolo Strings
261	000	040	045	Suspense Strings
262	000	000	046	Pizzicato Strings
263	000	000	047	Orchestral Harp
264	000	040	047	Yang Chin
265	000	000	048	Timpani
ENSEMBLE
266	000	000	049	Strings 1
267	000	003	049	Stereo Strings
268	000	008	049	Slow Strings
269	000	035	049	60's Strings
270	000	040	049	Orchestra
271	000	041	049	Orchestra 2
272	000	042	049	Tremolo Orchestra
273	000	045	049	Velocity Strings
274	000	000	050	Strings 2
275	000	003	050	Stereo Slow Strings
276	000	008	050	Legato Strings
277	000	040	050	Warm Strings
278	000	041	050	Kingdom
279	000	000	051	Synth Strings 1
280	000	000	052	Synth Strings 2
281	000	000	053	Choir Aahs
282	000	003	053	Stereo Choir
283	000	032	053	Mellow Choir
284	000	040	053	Choir Strings
285	000	000	054	Voice Oohs
286	000	000	055	Synth Voice
287	000	040	055	Synth Voice 2

Voice No.	Bank Select		MIDI Program Change# (1 - 128)	Voice Name
	MSB (0 - 127)	LSB (0 - 127)
288	000	041	055	Choral
289	000	064	055	Analog Voice
290	000	000	056	Orchestra Hit
291	000	035	056	Orchestra Hit 2
292	000	064	056	Impact
BRASS
293	000	000	057	Trumpet
294	000	032	057	Warm Trumpet
295	000	000	058	Trombone
296	000	018	058	Trombone 2
297	000	000	059	Tuba
298	000	000	060	Muted Trumpet
299	000	000	061	French Horn
300	000	006	061	French Horn Solo
301	000	032	061	French Horn 2
302	000	037	061	Horn Orchestra
303	000	000	062	Brass Section
304	000	035	062	Trumpet & Trombone Section
305	000	000	063	Synth Brass 1
306	000	020	063	Resonant Synth Brass
307	000	000	064	Synth Brass 2
308	000	018	064	Soft Brass
309	000	041	064	Choir Brass
REED
310	000	000	065	Soprano Sax
311	000	000	066	Alto Sax
312	000	040	066	Sax Section
313	000	000	067	Tenor Sax
314	000	040	067	Breathy Tenor Sax
315	000	000	068	Baritone Sax
316	000	000	069	Oboe
317	000	000	070	English Horn
318	000	000	071	Bassoon
319	000	000	072	Clarinet
PIPE
320	000	000	073	Piccolo
321	000	000	074	Flute
322	000	000	075	Recorder
323	000	000	076	Pan Flute
324	000	000	077	Blown Bottle
325	000	000	078	Shakuhachi
326	000	000	079	Whistle
327	000	000	080	Ocarina
SYNTH LEAD
328	000	000	081	Square Lead
329	000	006	081	Square Lead 2
330	000	008	081	LM Square
331	000	018	081	Hollow
332	000	019	081	Shroud
333	000	064	081	Mellow
334	000	065	081	Solo Sine
335	000	066	081	Sine Lead
336	000	000	082	Sawtooth Lead
337	000	006	082	Sawtooth Lead 2
338	000	008	082	Thick Sawtooth
339	000	018	082	Dynamic Sawtooth
340	000	019	082	Digital Sawtooth
341	000	020	082	Big Lead
342	000	096	082	Sequenced Analog
343	000	000	083	Calliope Lead
344	000	065	083	Pure Pad
345	000	000	084	Chiff Lead
346	000	000	085	Charang Lead
347	000	064	085	Distorted Lead
348	000	000	086	Voice Lead
349	000	000	087	Fifths Lead
350	000	035	087	Big Five
351	000	000	088	Bass & Lead
352	000	016	088	Big & Low
353	000	064	088	Fat & Perky
354	000	065	088	Soft Whirl
SYNTH PAD
355	000	000	089	New Age Pad
356	000	064	089	Fantasy
357	000	000	090	Warm Pad
358	000	000	091	Poly Synth Pad
359	000	000	092	Choir Pad
360	000	066	092	Itopia
361	000	000	093	Bowed Pad
362	000	000	094	Metallic Pad
363	000	000	095	Halo Pad
364	000	000	096	Sweep Pad
SYNTH EFFECTS
365	000	000	097	Rain
366	000	065	097	African Wind
367	000	066	097	Carib
368	000	000	098	Sound Track
369	000	027	098	Prologue
370	000	000	099	Crystal
371	000	012	099	Synth Drum Comp
372	000	014	099	Popcorn
373	000	018	099	Tiny Bells
374	000	035	099	Round Glockenspiel
375	000	040	099	Glockenspiel Chimes
376	000	041	099	Clear Bells
377	000	042	099	Chorus Bells
378	000	065	099	Soft Crystal
379	000	070	099	Air Bells
380	000	071	099	Bell Harp
381	000	072	099	Gamelimba
382	000	000	100	Atmosphere
383	000	018	100	Warm Atmosphere
384	000	019	100	Hollow Release
385	000	040	100	Nylon Electric Piano
386	000	064	100	Nylon Harp
387	000	065	100	Harp Vox
388	000	066	100	Atmosphere Pad
389	000	000	101	Brightness
390	000	000	102	Goblins
391	000	064	102	Goblins Synth
392	000	065	102	Creeper
393	000	067	102	Ritual
394	000	068	102	To Heaven
395	000	070	102	Night
396	000	071	102	Glisten
397	000	096	102	Bell Choir
398	000	000	103	Echoes
399	000	000	104	Sci-Fi
WORLD
400	000	000	105	Sitar
401	000	032	105	Detuned Sitar
402	000	035	105	Sitar 2
403	000	097	105	Tamboura
404	000	000	106	Banjo
405	000	028	106	Muted Banjo
406	000	096	106	Rabab
407	000	097	106	Gopichant
408	000	098	106	Oud
409	000	000	107	Shamisen
410	000	000	108	Koto
411	000	096	108	Taisho-kin
412	000	097	108	Kanoon
413	000	000	109	Kalimba
414	000	000	110	Bagpipe
415	000	000	111	Fiddle
416	000	000	112	Shanai
PERCUSSIVE
417	000	000	113	Tinkle Bell
418	000	096	113	Bonang
419	000	097	113	Altair

Voice No.	Bank Select		MIDI Program Change# (1 - 128)	Voice Name
	MSB (0 - 127)	LSB (0 - 127)
420	000	098	113	Gamelan Gongs
421	000	099	113	Stereo Gamelan Gongs
422	000	100	113	Rama Cymbal
423	000	000	114	Agogo
424	000	000	115	Steel Drums
425	000	097	115	Glass Percussion
426	000	098	115	Thai Bells
427	000	000	116	Woodblock
428	000	096	116	Castanets
429	000	000	117	Taiko Drum
430	000	096	117	Gran Cassa
431	000	000	118	Melodic Tom
432	000	064	118	Melodic Tom 2
433	000	065	118	Real Tom
434	000	066	118	Rock Tom
435	000	000	119	Synth Drum
436	000	064	119	Analog Tom
437	000	065	119	Electronic Percussion
438	000	000	120	Reverse Cymbal
SOUND EFFECTS
439	000	000	121	Fret Noise
440	000	000	122	Breath Noise
441	000	000	123	Seashore
442	000	000	124	Bird Tweet
443	000	000	125	Telephone Ring
444	000	000	126	Helicopter
445	000	000	127	Applause
446	000	000	128	Gunshot
447	064	000	001	Cutting Noise
448	064	000	002	Cutting Noise 2
449	064	000	004	String Slap
450	064	000	017	Flute Key Click
451	064	000	033	Shower
452	064	000	034	Thunder
453	064	000	035	Wind
454	064	000	036	Stream
455	064	000	037	Bubble
456	064	000	038	Feed
457	064	000	049	Dog
458	064	000	050	Horse
459	064	000	051	Bird Tweet 2
460	064	000	056	Maou
461	064	000	065	Phone Call
462	064	000	066	Door Squeak
463	064	000	067	Door Slam
464	064	000	068	Scratch Cut
465	064	000	069	Scratch Split
466	064	000	070	Wind Chime
467	064	000	071	Telephone Ring 2
468	064	000	081	Car Engine Ignition
469	064	000	082	Car Tires Squeal
470	064	000	083	Car Passing
471	064	000	084	Car Crash
472	064	000	085	Siren
473	064	000	086	Train
474	064	000	087	Jet Plane
475	064	000	088	Starship
476	064	000	089	Burst
477	064	000	090	Roller Coaster
478	064	000	091	Submarine
479	064	000	097	Laugh
480	064	000	098	Scream
481	064	000	099	Punch
482	064	000	100	Heartbeat
483	064	000	101	Footsteps
484	064	000	113	Machine Gun
485	064	000	114	Laser Gun
486	064	000	115	Explosion
487	064	000	116	Firework

The voice number with an asterisk (*) is XGlite optional voice.

• " ” indicates that the drum sound is the same as “Standard Kit 1”.
  Each percussion voice uses one note.
• The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example, in "115:
  Standard Kit 1", the "Seq Click H" (Note# 36/Note C1) corresponds to (Note# 24/Note C0).
  Key Off: Keys marked "O" stop sounding the instant they are released.
• Voices with the same Alternate Note Number (*1 ... 4) cannot be played simultaneously. (They are designed to be played alternately with each other.)

E0

G0

A0

G1

G1

C1

B0

A#0

B1

F1

F#

G1

G1

C2

C2

D2

D2

G2

G2

A2

A2

B2

F3

C3

C3

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

C4

A4

A4

A4

A4

C4

B4

B4

B4

B4

C4

B5

B5

B5

B5

C4

G6

F6

F6

C4

G7

G7

G7

C4

G8

G8

G8

C4

G9

G9

G9

C4

G10

G10

G10

C4

G10

G10

G10

C4

G10

G10

G10

C4

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G11

G11

G11

C4

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G20

G20

G20

G20

C4

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G11

G11

G12

G12

G12

G12

C4

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G12

G12

G12

G12

G12

G12

C4

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G11

G11

G11

G11

G12

G12

G12

G12

G12

G12

C4

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G10

G11

G11

G11

G11

G11

G11

G12

G12

G12

G12

G12

G12

MSB (0-127) LMS (1-127) PC (1-126)

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Notes

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

Note

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

No.

32

G4

G5

G6

G7

G8

G9

G10

G11

G12

G13

G14

G15

G16

G17

G18

G19

G20

G21

G22

G23

G24

G25

G26

G27

G28

G29

G30

G31

G32

G33

G34

G35

G36

G37

G38

G39

G40

G41

G42

G43

G44

G45

G46

G47

G48

G49

G50

G51

G52

G53

G54

G55

G56

G57

G58

G59

G60

G61

G62

G63

G64

G65

G66

G67

G68

G69

G70

G71

G72

G73

G74

G75

G76

G77

G78

G79

G80

G81

G82

G83

G84

G85

G86

G87

G88

G89

G90

G91

G92

G93

G94

G95

G96

G97

G98

G99

G100

G101

G102

G103

G104

G105

G106

G107

G108

G109

G110

G111

G112

G113

G114

G115

G116

G117

G118

G119

G120

G121

G122

G123

G124

G125

G126

G127

G128

G129

G130

G131

G132

G133

G134

G135

G136

G137

G138

G139

G140

G141

G142

G143

G144

G145

G146

G147

G148

G149

G150

G151

G152

G153

G154

G155

G156

G157

G158

G159

G160

G161

G162

G163

G164

G165

G166

G167

G168

G169

G170

G171

G172

G173

G174

G175

G176

G177

G178

G179

G180

G181

G182

G183

G184

G185

G186

G187

G188

G189

G190

G191

G192

G193

G194

G195

G196

G197

G198

G199

G200

G201

G202

G203

G204

G205

G206

G207

G208

G209

G210

G211

G212

G213

G214

G215

G216

G217

G218

G219

G220

G221

G222

G223

G224

G225

G226

G227

G228

G229

G230

G231

G232

G233

G234

G235

G236

G237

G238

G239

G240

G241

G242

G243

G244

G245

G246

G247

G248

G249

G250

G251

G252

G253

G254

G255

G256

G257

G258

G259

G260

G261

G262

G263

G264

G265

G266

G267

G268

G269

G270

G271

G272

G273

G274

G275

G276

G277

G278

G279

G280

G281

G282

G283

G284

G285

G286

G287

G288

G289

G290

G291

G292

G293

G294

G295

G296

G297

G298

G299

G300

G301

G302

G303

G304

G305

G306

G307

G308

G309

G310

G311

G312

G313

G314

G315

G316

G317

G318

G319

G320

G321

G322

G323

G324

G325

G326

G327

G328

G329

G330

G331

G332

G333

G334

G335

G336

G337

G338

G339

G340

G341

G342

G343

G344

G345

G346

G347

G348

G349

G350

G351

G352

G353

G354

G355

G356

G357

G358

G359

G360

G361

G362

G363

G364

G365

G366

G367

G368

G369

G370

G371

G372

G373

G374

G375

G376

G377

G378

G379

G380

G381

G382

G383

G384

G385

G386

G387

G388

G389

G390

G391

G392

G393

G394

G395

G396

G397

G398

G399

G400

G401

G402

G403

G404

G405

G406

G407

G408

G409

G410

G411

G412

G413

G414

G415

G416

G417

G418

G419

G420

G421

G422

G423

G424

G425

G426

G427

G428

G429

G430

G431

G432

G433

G434

G435

G436

G437

G438

G439

G440

G441

G442

G443

G444

G445

G446

G447

G448

G449

G450

G451

G452

G453

G454

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MSB (0, 127) L/S (0, 127) PC (1, 126)
Note	Note	Note	Note	Note	Key	Alternate	Standard Kit 1	MildI	Assign	Alternate	Standard Kit 1	Dance Kit	Jazz Kit	Brush Kit	Symphony Kit	SFX Kit 1	12.5	12.4	12.3	12.2	12.1	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.1	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.0	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.0	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.0	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.1	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.1	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.2	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.0	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.2	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.0	12.0	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.0	12.2	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.2	12.0	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.2	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.0	12.2	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.2	12.2	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.0	12.0	12.0	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.0	12.0	12.2	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.0	12.2	12.0	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.0	12.2	12.2	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.2	12.0	12.0	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.2	12.0	12.2	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.2	12.2	12.0	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.2	12.2	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.0	12.0	12.2	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.0	12.2	12.2	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.2	12.0	12.2	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.2	12.2	12.2	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.0	12.0	12.0	12.2	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.0	12.0	12.2	12.0	12.0	12.2	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.0	12.2	12.0	12.0	12.2	12.8	13

Style No.	Style Name
8BEAT
001	8BeatModern
002	60'sGuitarPop
003	8BeatAdria
004	60's8Beat
005	8Beat
006	OffBeat
007	60'sRock
008	HardRock
009	RockShuffle
010	8BeatRock
16BEAT
011	16Beat
012	PopShuffle1
013	PopShuffle2
014	GuitarPop
015	16BeatUptempo
016	KoolShuffle
017	JazzRock
018	HipHopLight
BALLAD
019	PianoBallad
020	LoveSong
021	6/8ModernEP
022	6/8SlowRock
023	OrganBallad
024	PopBallad
025	16BeatBallad1
026	16BeatBallad2
DANCE
027	EuroTrance
028	Ibiza
029	HouseMusik
030	SwingHouse
031	TechnoPolis
032	Clubdance
033	ClubLatin
034	Garage1
035	Garage2
036	TechnoParty
037	UKPop
038	HipHopGroove
039	HipShuffle
040	HipHopPop
DISCO
041	70'sDisco1
042	70'sDisco2
043	LatinDisco
044	DiscoPhilly
045	SaturdayNight
046	DiscoChocolate
047	DiscoHands
SWING&JAZZ
048	BigBandFast
049	BigBandMedium
050	BigBandBallad
051	BigBandShuffle
052	JazzClub
053	Swing1

Style No.	Style Name
054	Swing2
055	Five/Four
056	JazzBallad
057	Dixieland
058	Ragtime
059	AfroCuban
060	Charleston
R&B
061	Soul
062	DetroitPop1
063	60'sRock&Roll
064	6/8Soul
065	CrocoTwist
066	Rock&Roll
067	DetroitPop2
068	BoogieWoogie
069	ComboBoogie
070	6/8Blues
COUNTRY
071	Country8Beat
072	CountryPop
073	CountrySwing
074	Country2/4
075	CowboyBoogie
076	CountryShuffle
077	Bluegrass
LATIN
078	BrazilianSamba
079	BossaNova
080	PopBossa
081	Tijuana
082	DiscoLatin
083	Mambo
084	Salsa
085	Beguine
086	GuitarRumba
087	RumbaFlamenca
088	Rumbalsland
089	Reggae
BALLROOM
090	VienneseWaltz
091	EnglishWaltz
092	Slowfox
093	Foxtrot
094	Quickstep
095	Tango
096	Pasodoble
097	Samba
098	ChaChaCha
099	Rumba
100	Jive
TRADITIONAL
101	USMarch
102	6/8March
103	GermanMarch
104	PolkaPop
105	OberPolka
106	Tarantella
107	Showtune

Style No.	Style Name
108	ChristmasSwing
109	ChristmasWaltz
110	ScottishReel
111	Hawaiian
WALTZ
112	GuitarSerenade
113	SwingWaltz
114	JazzWaltz1
115	JazzWaltz2
116	CountryWaltz
117	OberWaltzer
118	Musette
DJ
119	DJ-HipHop
120	DJ-DanceSwing
121	DJ-House
122	DJ-GarageHouse
123	DJ-PopR&B
PIANIST
124	Stride
125	PianoSwing
126	PianoRag
127	Arpeggio
128	Musical
129	Habanera
130	SlowRock
131	8BtPianoBallad
132	PianoMarch
133	6/8PianoMarch
134	PianoWaltz
135	PianoBeguine

Preset Songs

Song No.	Song Name
Favorites
001	Don't Know Why (Jesse Harris (Norah Jones))
002	My Favorite Things (Richard Rodgers)
003	Killing Me Softly With His Song (Charles Fox (Roberta Flack))
Easy Play
004	Down By The Riverside (Traditional)
005	I've Been Working On The Railroad (Traditional)
006	Carry Me Back To Old Virginny (James A. Bland)
007	The Last Rose Of Summer (Thomas Moore)
008	The First Noel (Traditional)
Pianist
009	The Entertainer (S. Joplin)
010	Greensleeves (Traditional)
011	Londonderry Air (Traditional)
012	Träumerei (R. Schumann)
013	Pastorale (J.F. Burgmüller)
Organist
014	Wedding March From A Midsummer Night's Dream (F. Mendelssohn)
015	Allein Gott In Der Hoh Sei Eh (N. Decius)
016	Wachet Auf, Ruft Uns Die Stimme. (J.S. Bach)
Advanced
017	Menuett In G Major WoO 10-2 (L.v. Beethoven)
018	Prelude Op.28 No.7 (F. Chopin)
019	To A Wild Rose (E.A. Macdowell)
020	Für Elise (L.v. Beethoven)
021	Etude Op.10-3 “Chanson de l'adieu” (F. Chopin)
Band Play
022	Aura Lee (G. Poulton)
023	Canon (J. Pachelbel)
024	Symphonie Nr.9 (L.v. Beethoven)
Duet
025	Sur Le Pont D'Avignon (Traditional)
026	Twinkle Twinkle Little Star (Traditional)
027	Muffin Man (Traditional)
Holidays
028	Joy To The World (G.F. Hänel)
029	Ave Maria (F. Schubert)
030	Jingle Bells (Traditional)

70 MIDI Songs Provided On the Supplied CD-ROM

File Name	Song Name
AMERICA	America The Beautiful (S.A. Ward)
ATHOME	Old Folks At Home (S.C. Foster)
AURALEE	Aura Lee (G. Poulton)
BABBINO	O Mio Babbino Caro (From “Gianni Schicchi”)(G. Puccini)
BANJO	Ring De Banjo (S.C. Foster)
BILLBAIL	Bill Bailey (Won’t You Please Come Home)(H. Cannon)
BROWNJUG	Little Brown Jug (Traditional)
CAMPTOWN	Camptown Races (S.C. Foster)
CANON	Canon (J. Pachelbel)
D(agstin	O Du Lieber Augustin (DUET) (Traditional)
D_CHTREE	O Christmas Tree (DUET) (Traditional)
D_CLOSE	Close Your Hands, Open Your Hands (DUET)(J.J. Rousseau)
D_CUCKOO	The Cuckoo (DUET) (Traditional)
D_IMMAI	Im Mai (DUET) (Traditional)
D_INDIAN	Ten Little Indians (DUET) (Septimus Winner)
D_LONDON	London Bridge (DUET) (Traditional)
D_MARY	Mary Had A Little Lamb (DUET) (Traditional)
D_ROWROW	Row Row Row Your Boat (DUET) (Traditional)

File Name	Song Name
D_SCARBO	Scarborough Fair (DUET) (Traditional)
D_SMOKY	On Top Of Old Smoky (DUET) (Traditional)
D_THREE	Three Blind Mice (DUET) (Traditional)
D_WEASEL	Pop Goes The Weasel (DUET) (Traditional)
D_WEWISH	We Wish You A Merry Christmas (DUET) (Traditional)
DANUBEWA	The Danube Waves (I. Ivanovici)
FRULIED	Fruhlingslied (F. Mendelssohn)
FRUSTIME	Fruhlingsstimmen (J. Strauss II)
FUNICULA	Funiculi-Funicula (L. Denza)
GAVOTTE	Gavotte (F.J. Gossec)
GUILLAUM	Guillaume Tell (G. Rossini)
IRISHEYE	When Irish Eyes Are Smiling (E.R. Ball)
JOYOFMAN	Jesu, Joy Of Man's Desiring (J.S. Bach)
LIEBEST3	Liebesträume Nr.3 (F. Liszt)
LOMOND	Loch Lomond (Traditional)
LORELEI	Die Lorelei (F. Silcher)
MAGICFLT	From “The Magic Flute” (W.A Mozart)
MIRLITON	Danse Des Mirlitons From “The Nutcracker” (P.I. Tchaikovsky)
MONDSHIN	Piano Sonate Op.27-2 “Mondschein” (L.v. Beethoven)
MUSSIDEN	Muss I Denn (F. Silcher)
MYBONNIE	My Bonnie (Traditional)
ORPHEE	“Orphée Aux Enfers” Ouverture (J. Offenbach)
P_ANGELS	Angels Serenade (Traditional)
P_ARABES	Arabesque (J.F. Burgmüller)
P_CANDEU	La Candeur (J.F. Burgmüller)
P_CHEVAL	La Chevaleresque (J.F. Burgmüller)
P_CONSOL	Consolation (J.F. Burgmüller)
P_INOCEN	Innocence (J.F. Burgmüller)
P MENUBA	Menuett (J.S. Bach)
P-MenUBO	Menuett (L. Boccherini)
PMoment	Moments Musicaux Op.94-3 (F. Schubert)
P_PCHIEN	Valse Op.64-1 “Petit Chien” (F. Chopin)
P_PETITE	Petite Réunion (J.F. Burgmüller)
P_PROGRE	Progrès (J.F. Burgmüller)
P_SARAFA	Krasnyj Sarafan (Traditional)
P_TENDRE	Tendre Fleur (J.F. Burgmüller)
P_TMARCH	Turkish March (W.A. Mozart)
P_VIOLET	La Viollette (Streabbog)
PEARLFIS	Song Of The Pearl Fisher (G. Bizet)
PRIMVERA	La Primavera (From Le Quattro Stagioni) (A. Vivaldi)
SAINTSGO	When The Saints Go Marchin' In (Traditional)
SERENAHY	String Quartet No.17 2nd Mov. “Serenade” (F.J. Haydn)
SILENTNT	Silent Night (F. Gruber)
SLAVON10	Slavonic Dances No.10 (A. Dvořák)
SURPRISE	“The Surprise” Symphony (F.J. Haydn)
SUSANNA	Oh! Susanna (S.C. Foster)
SYMPHO9	Symphonie Nr.9 (L.v. Beethoven)
THAIS	Méditation De Thais (J. Massenet)
TOREADOR	Air de Toréador “Carmen” (G. Bizet)
TURKEY	Turkey In The Straw (Traditional)
UNGARIS5	Ungarische Tänze Nr.5 (J. Brahms)
VOGLEIN	Wenn Ich Ein Vöglein Wär? (Traditional)

File names that begin with "P_ do not include chord data and they cannot be used with the performance assistant technology feature or Easy Song Arranger feature.

Harmony Types

No.	Harmony Type	Description
01	Duet	Harmony types 01 - 05 are pitch-based and add one-, two- or three-note harmonies to the single-note melody played in the right hand. These types sound when chords are played in the auto accompaniment range of the keyboard. These Harmony types will also work when playing songs that contain chord data.
02	Trio
03	Block
04	Country
05	Octave
06	Trill 1/4 note	3	Types 6 - 26 are rhythm-based effects and add embellishments or delayed repeats in time with the auto accompaniment. These types sound whether the auto accompaniment is on or not; however, the actual speed of the effect depends on the Tempo setting (page 17). The individual note values in each type let you synchronize the effect precisely to the rhythm. Triplet settings are also available: 1/6 = quarter-note triplets, 1/12 = eighth-note triplets, 1/24 = sixteenth-note triplets. • The Trill effect Types (06 - 12) create two-note trills (alternating notes) when two notes are held. • The Tremolo effect Types (13 - 19) repeat all held notes (up to four). • The Echo effect Types (20 - 26) create delayed repeats of each note played.
07	Trill 1/6 note
08	Trill 1/8 note
09	Trill 1/12 note
10	Trill 1/16 note
11	Trill 1/24 note
12	Trill 1/32 note
13	Tremolo 1/4 note
14	Tremolo 1/6 note
15	Tremolo 1/8 note
16	Tremolo 1/12 note
17	Tremolo 1/16 note
18	Tremolo 1/24 note
19	Tremolo 1/32 note
20	Echo 1/4 note
21	Echo 1/6 note
22	Echo 1/8 note
23	Echo 1/12 note
24	Echo 1/16 note
25	Echo 1/24 note
26	Echo 1/32 note

Reverb Types

No.	Reverb Type	Description
01 – 03	Hall 1 – 3	Concert hall reverb.
04 – 05	Room 1 – 2	Small room reverb.
06 – 07	Stage 1 – 2	Reverb for solo instruments.
08 – 09	Plate 1 – 2	Simulated steel plate reverb.
10	Off	No effect.

Chorus Types

No.	Chorus Type	Description
01 – 02	Chorus 1 – 2	Conventional chorus program with rich, warm chorusing.
03 – 04	Flanger 1 – 2	Pronounced three-phase modulation with a slight metallic sound.
05	Off	No effect.

YAMAHA [Portable Grand/PORTATONE]

Date:27-Jan-2004

Model DGX-205/203,PSR-295/293

MIDI Implementation Chart

Version : 1.0

Function...		Transmitted	Recognized	Remarks
Basic Channel	Default Changed	1 - 16x	1 - 16x
Mode	Default Messages Altered	3x**********	3x x
		**********	x x
Note Number : True voice		0 - 127**********	0 - 1270 - 127
Velocity	Note ON Note OFF	o 9nH,v=1-127x	o 9nH,v=1-127x
After Touch	Key's Ch's	x x	x x
Pitch Bend		o *2	o
Control Change	0,32163871064737491,9396,97100,101	o x *1o *2o *2o o *1o *1o *1o *1o *2	o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o oo	Bank Select Modulation wheel Data Entry (MSB) Data Entry (LSB) Part Volume Pan Expression Sustain Portamento Cntrl Harmonic Content Release Time Attack Time Brightness Effect Depth RPN Inc,Dec RPN LSB,MSB
Prog Change : True #		o 0 - 127**********	o 0 - 127
System Exclusive		o *3	o *3
Common : Song Sel. : Tune		x x x x	x x x
System : Clock Real Time: Commands		o o	o o
Aux :All Sound OFF :Reset All Cntrls :Local ON/OFF :All Notes OFF Mes-Active Sense sages:Reset		x x x x x x o x	o(120,126,127)o(121)o(122)o(123-125)o x

NOTE:

1 By default (factory settings) the instrument ordinarily functions as a 16-channel multi-timbral tone generator, and incoming data does not affect the panel voices or panel settings. However, the MIDI messages listed below do affect the panel voices, auto accompaniment, and songs.

MIDI Master Tuning
- System exclusive messages for changing the Reverb Type and Chorus Type.

2 Messages for these control change numbers cannot be transmitted from the instrument itself. However, they may be transmitted when playing the accompaniment, song or using the Harmony effect.

3 Exclusive

F0H, 7EH, 7FH, 09H, 01H, F7H

• This message automatically restores all default settings for the instrument, with the exception of MIDI Master Tuning.

F0H, 7FH, 7FH, 04H, 01H, II, mm, F7H

• This message allows the volume of all channels to be changed simultaneously (Universal System Exclusive).
• The values of "mm" is used for MIDI Master Volume. (Values for "II" are ignored.)

F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mm, II, cc, F7H

• This message simultaneously changes the tuning value of all channels.
• The values of "mm" and "ll" are used for MIDI Master Tuning.
• The default value of "mm" and "ill" are 08H and 00H, respectively. Any values can be used for "n" and "cc."

• mm : Reverb Type MSB
• II:Reverb Type LSB

Refer to the Effect Map (page 88) for details.

Refer to the Effect Map (page 88) for details.

4 When the accompaniment is started, an FAH message is transmitted. When accompaniment is stopped, an FCH message is transmitted. When the clock is set to External, both FAH (accompaniment start) and FCH (accompaniment stop) are recognized.

5 Local ON/OFF

Bn, 7A, 7F
Bn, 7A, 00
Value for "n" is ignored.

■ Effect map

• When a Type LSB value is received that corresponds to no effect type, a value corresponding to the effect type (coming the closest to the specified value) is automatically set.
• The numbers in parentheses in front of the Effect Type names correspond to the number indicated in the display.

REVERB

TYPEMSB	TYPE LSB
	00	01	02	08	16	17	18	19	20
000	No Effect
001	(01)Hall1				(02)Hall2	(03)Hall3
002	Room					(04)Room1		(05)Room2
003	Stage				(06)Stage1	(07)Stage2
004	Plate				(08)Plate1	(09)Plate2
005...127	No Effect

CHORUS

TYPE MSB	TYPE LSB
	00	01	02	08	16	17	18	19	20
000...063	No Effect
064	Thru
065	Chorus		(02)Chorus2
066	Celeste					(01)Chorus1
067	Flanger			(03)Flanger1		(04)Flanger2
068...127	No Effect

Panel controls and terminals

+/- 13,44

13,58

13,58

13,58

43

A B 13,57

13,44

0-9 13,44

ACMP ON/OFF 13,24

CATEGORY A/

DC IN 12V 10, 13

DEMO 13,17

Dial 13,44

DUAL 13, 19

EASYSONGARRANGER 13,36

FUNCTION 13

HARMONY 13,26

INTRO/ENDING/rit. 13, 25, 28, 29

LESSON L/R 13, 32

LESSON MODE 13,33

LESSON REPEAT & LEARN ....13, 35

MAIN/AUTO FILL 13,26

MASTER VOLUME 11, 13, 43

MEMORY/BANK, 1, 2 13, 60

METRONOME 13,48

PC 13,67

PERFORMANCE ASSISTANT 13, 14, 16

PHONES/OUTPUT 11, 13

PITCH BEND wheel 13,22

PORTABLE GRAND 13,22

REC,1-5,A 13,38,41,57

REGIST.MEMORY 13,60

SONG 13,30,31

SONG MEMORY 13, 38, 41, 57

SPLIT 13,20,51

STANDBY/ON 11, 13, 42

START/STOP 13,44

STYLE 13,24,28,51

SUSTAIN 11, 13

SYNC START 13,25

SYNC STOP 13,28

TEMPO/TAP 13,17,48

TOUCH 13,22,49

USB 13,66

VOICE 13, 18

Alphabetical order

A

A-B Repeat 57

Accessories (Optional) 77

Accessories (Supplied) 7

ACMP ON 24, 28

Auto Accompaniment Range 25

Auto-Accompaniment 24, 25, 28

AWM 75

B

Backup 42

Battery 10

Bulk Send 64

C

CD-ROM 70

Channel Message 65

Chord 25, 53, 55

CHORDROOT 55

CHORD TYPE 55

Chorus 47

Chorus Type 63,86

Computer 11,31,65,66,67

D

D. Chorus 50, 63

D. Octave 50, 63

D.Pan 50,63

D.Reverb 50,63

D. Volume 50, 63

Default Setting 62

Demo 17

Demo Cancel 64

Dictionary 55

Display 45

DrumKit 23,79

Drum Kit List 82

Dual Voice 19

E

Easy Chords 53

Easy Song Arranger 13

Effect Map 88

Effect Type List 86

ExternalClock 64,66

External Song 31

F

Flash Memory 31

Foot Switch 11

Function 62, 63, 64

G

Grade 34,64

H

Harmony 26

Harmony Type 86

Harmony Volume 50

Headphones 11

1

Initial Send 64

Initialization 42

K

Keyboard Out 64

L

Lesson 32

Local 66

L-Part 32,64

M

M. Chorus 50, 63

M. Octave 50, 63

M.Pan 50,63

M.Reverb 50,63

M. Volume 50, 63

Main Voice 18

Measure 45

Melody 38

MELODY R, MEODY L 38

Melody Voice 37,59

Metronome 48

MIDI 66,67

MIDI Data Format 88

MIDI Implementation Chart 87

Music Rest 7

Musicsoft Downloader 68, 70, 73

Mute 57

0

One Touch Setting 49

P

Panel Sustain 50,63

PC Mode 64, 67

performance assistant technology..14,16

Pitch Bend Range 22,63

Power Adaptor 10

Preset Song 30, 31

R

Recording 38

Registration Memory 60

Remote control 67

Repeat 35, 57

Reverb 46

Reverb Type 86

R-Part 32,64

s

S. Chorus 50, 63

S. Octave 50, 63

S.Pan 50,63

S.Reverb 50,63

S. Volume 50, 63

SMF (Standard MIDI File) 68

Software Licensing Agreement 74

Song 30, 31

Song Book 7, 70

Song Clear 41

Song List 85

Song Memory 38,41,57

Song Out 64

Song Volume 57

Specifications 77

Split Point 20, 51

Split Voice 20

Standard Chords 53

Style 13,24,28,51

StyleList 84

Style Out 64

Style Volume 52

Sustain 50,63

Synchro Start 13,25

Synchro Stop 13,28

System Message 65

T

Tempo 17,48

Time Signature 48

Touch Response 22

Touch Sensitivity 49

Track 38

Track Clear 41

Transfer 31,68,69

Transpose 58,63

Troubleshooting 75

Tuning 58,63

U

USB 13,66

USB MIDI Driver 66, 68, 70, 71

UserSong 31,38

V

Voice 18

Voice List 78

X

XGlite 6

By using this Product you (an individual or legal entity) agree with the License to be bound by the terms of this License which will govern your use of the Product. If you do not accept these terms, do not use this Product.

This Product is copyright (c) Sibelius Software Limited and its licensors 1987-2005.

1. Definitions

In this License the following words and expressions have the following meanings :

"License": this agreement between you and the Licensor and, if permitted by the context, the conditional license granted to you in this agreement.

"Licensor": Sibelius Software Limited, an English company (registered no. 3338819) of The Old Toy Factory, 20-22 City North, Fonthill Road, London N4 3HN, UK.

"Product": the Software and the Documentation.

"Software": the Sibelius Scorch web browser plug-in, Opus and Inkpen2 font families, any other programs or files supplied by the Licensor which are included in or with the Sibelius Scorch installer, and the Sibelius Scorch installer.

"Documentation": any documentation in any form relating to the Software supplied to you with the Software or by the Licensor.

2. License

2.1 The Licensor grants to you a non-exclusive non-transferable license to use this Software in accordance with the Documentation on a single terminal of a single computer in a single location. Any further use is prohibited. Title to the Product is not transferred to you. Ownership of the Product remains vested in the Licensor, subject to the rights granted to you under this License. All other rights are reserved.
2.2 You may make one printout for your own use of any part of the Documentation provided in electronic form. You shall not make or permit any third party to make any further copies of any part of the Product whether in eye or machine-readable form.
2.3 You shall not, and shall not cause or permit any third party to,(1) translate, enhance, modify, alter or adapt the Product or any part of it for any purpose (including without limitation for the purpose of error correction); (2) create derivative works based on the Product, or cause the whole or any part of the Product to be combined with or incorporated into any other program, file or product, for any purpose; or (3) use the Software to create files in any format (other than temporary files created and required by your computer's operating system), including without limitation screen capture files, files generated from the Software's playback, graphics files and print files, for any purpose, except for creating MIDI files (if permitted by the Software) for private non-commercial use.
2.4 You shall not, and shall not cause or permit any third party to, decompile, decode, disassemble or reverse engineer the Software in whole or in part for any purpose.
2.5 You shall not, and shall not cause any third party to, translate, convert, decode or reverse engineer any file capable of being read by any copy or version of the Software or any data transmitted to or from any copy or version of the Software, in whole or in part for any purpose.
2.6 The Product or any part of it must not be used to infringe any right of copyright or right of privacy, publicity or personality or any other right whatsoever of any other person or entity.

3. Copyright

3.1 You acknowledge that copyright in the Product as a whole and in the components of the Product as between you and the Licensor belongs to the Licensor or its licensees and is protected by copyright laws, national and international, and all other applicable laws.

4. Disclaimer of Liability

4.1 In consideration of the fact that the Product is licensed hereunder free of charge, (a) the Licensor disclaims any and all warranties with respect to the Product, whether expressed or implied, including without limitation any warranties that the Product is free from defects, will perform in accordance with the Documentation, is merchantable, or is fit for any particular purpose, and (b) the Licensor shall not have or incur any liability to you for any loss, cost, expense or claim (including without limitation any liability for loss or corruption of data and loss of profits, revenue or goodwill and any type of special, indirect or consequential loss) that may arise out of or in connection with your installation and use of the Product.

5. Termination

5.1 This License shall terminate automatically upon your destruction of the Product. In addition, the Licensor may elect to terminate this License in the event of a material breach by you of any condition of this License or of any of your representations, warranties, covenants or obligations hereunder. Upon notification of such termination by the Licensor, you will immediately delete the Software from your computer and destroy the Documentation.

6. Miscellaneous

6.1 No failure to exercise and no delay in exercising on the part of the Licensor of any right, power or privilege arising hereunder shall operate as a waiver thereof, nor shall any single or partial exercise of any right, power or privilege preclude any other or further exercise thereof or the exercise of any other right, power or privilege. The rights and remedies of the Licensor in connection herewith are not exclusive of any rights or remedies provided by law.
6.2 You may not distribute, loan, lease, sub-license, rent or otherwise transfer the Product to any third party.
6.3 You agree to the use of your personal data in accordance with the Licensor's privacy policy (available from the Licensor or on www.sibelius.com) which may change from time to time.
6.4 This License is intended by the parties hereto to be a final expression of their agreement with respect to the subject matter thereof and a complete and exclusive statement of the terms of such agreement. This License supercedes any and all prior understandings, whether written or oral, between you and the Licensor relating to the subject matter thereof.
6.5 (This section only applies if you are resident in the European Union:) This License shall be construed and governed by the laws of England, and both parties agree to submit to the exclusive jurisdiction of the English courts.
6.6 (This section only applies if you are not resident in the European Union:) This License shall be construed and enforced in accordance with and governed by the laws of the State of California. Any suit, action or proceeding arising out of or in any way related or connected to this License shall be brought and maintained only in the United States District Court for the Northern District of California, sitting in the City of San Francisco. Each party irrevocably submits to the jurisdiction of such federal court over any such suit, action or proceeding. Each party knowingly, voluntarily and irrevocably waives trial by jury in any suit, action or proceeding (including any counterclaim), whether at law or in equity, arising out of or in any way related or connected to this License or the subject matter thereof.

(License v2.8, 10 Jan 2005)

Limited Warranty

90 DAYS LABOR

1 YEAR PARTS

Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models included in the following series of products:

Portable GrandTM, PSR SERIES OF ELECTRONIC KEYBOARDS

If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor.

If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as warranty replacements.

THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITIES LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCUSES AND SHALL NOT BE LIABLE IN ANY EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES.

Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these limitations and exclusions may not apply to you.

This warranty gives you specific legal rights. You may also have other rights which vary from state to state.

CONSUMERS RESPONSIBILITIES

If warranty service should be required, it is necessary that the consumer assume certain responsibilities:

1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for assistance. You may also contact Yamaha directly at the address provided below.
2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under warranty.
3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely.

*Repaired units will be returned PREPAID if warranty service is required within the first 90 days.

IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed.

1. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and to follow all safety precautions.

EXCLUSIONS

This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to failures and/or damages that may occur as a result of:

1. Neglect, abuse, abnormal strain, modification or exposure to extremes in temperature or humidity.
2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an authorized service center, or an authorized service representative of Yamaha.
3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia, and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.

Please record the model and serial number of the product you have purchased in the spaces provided below.

Model

Serial #

Sales Slip #

Purchased from

Date

(Retailer)

YAMAHA CORPORATION OF AMERICA

Electronic Service Division

6600 Orangethorpe Avenue

Buena Park, CA 90620

KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!

For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tel: [phone]

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

U.S.A.

Tel: [phone]

CENTRAL & SOUTH AMERICA

MEXICO

Yamaha de Mexico S.A. de C.V.

Calz.Javier Rojo Gomez #1149

Col. Guadalupe del Moral

C.P.09300, Mexico,D.F.,Mexico

Tel: [phone]

BRAZIL

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES

CARIBBEAN COUNTRIES

Yamaha Music Latin America, S.A.

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, England

Tel: [phone]

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Tel: [phone]

GERMANY

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: [phone]

147 Skiathou Street, 112-55 Athens, Greece

Tel: [phone]

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1

Box 30053

S-400 43 Göteborg, Sweden

Tel: [phone]

DENMARK

YS Copenhagen Liaison Office

Generatorvej 6A

DK-2730 Herlev, Denmark

Tel: [phone]

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260,

SF-00101 Helsinki, Finland

Tel: [phone]

NORWAY

N-1345 Østerås, Norway

Tel: [phone]

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120

IS-128 Reykjavik, Iceland

Tel: [phone]

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: [phone]

AFRICA

Yamaha Corporation,

Asia-Pacific Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: [phone]

MIDDLE EAST

TURKEY/CYPRUS

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: [phone]

OTHER COUNTRIES

Yamaha Music Gulf FZE

LB21-128 Jebel Ali Freezone

P.O.Box 17328, Dubai, U.A.E.

Tel: [phone]

ASIA

THE PEOPLE'S REPUBLIC OF CHINA

Yamaha Music & Electronics (China) Co.,Ltd.

25/F., United Plaza, 1468 Nanjing Road (West),

Jingan, Shanghai, China

Tel: [phone]

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: [phone]

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

SubROTO Kav. 4, Jakarta 12930, Indonesia

Tel: [phone]

KOREA

Yamaha Music Korea Ltd.

Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,

Youngdungpo-ku, Seoul, Korea

Tel: [phone]

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: [phone]

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Makati, Metro Manila, Philippines

Tel: [phone]

SINGAPORE

Yamaha Music Asia Pte., Ltd.

03-11 A-Z Building

140 Paya Lebor Road, Singapore 409015

Tel: [phone]

TAIWAN

Yamaha KHS Music Co., Ltd.

3F, #6, Sec.2, Nan Jing E. Rd. Taipei.

Taiwan 104, R.O.C.

Tel: [phone]

THAILAND

Siam Music Yamaha Co., Ltd.

891/1 Siam Motors Building, 15-16 floor

Rama 1 road, Wangmai, Pathumwan

Bangkok 10330, Thailand

Tel: [phone]

OTHER ASIAN COUNTRIES

Yamaha Corporation,

Asia-Pacific Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: [phone]

OCEANIA

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 99 Queensbridge Street, Southbank,

Victoria 3006, Australia

Tel: [phone]

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa,

Auckland, New Zealand

Tel: [phone]

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

Asia-Pacific Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: [phone]

Yamaha PK CLUB (Portable Keyboard Home Page, English Only)

http://www.yamahaPKclub.com/

Yamaha Manual Library

http://www2.yamaha.co.jp/manual/english/

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

© 2004 Yamaha Corporation