G3 - Multi-effets pour guitare ZOOM - Notice d'utilisation et mode d'emploi gratuit

Intitulé	Description
Type de produit	Multi-effets pour guitare électrique
Caractéristiques techniques principales	Processeur DSP, 68 effets intégrés, 40 presets utilisateur, 20 presets d'usine
Alimentation électrique	Adaptateur secteur 9V inclus ou 4 piles AA
Dimensions approximatives	320 mm (L) x 200 mm (P) x 60 mm (H)
Poids	1,2 kg
Compatibilités	Compatible avec la plupart des guitares électriques et acoustiques
Type de batterie	Piles AA (4 unités)
Tension	9V
Puissance	Non spécifiée
Fonctions principales	Effets de modulation, de délai, de réverbération, simulateur d'ampli
Entretien et nettoyage	Utiliser un chiffon doux, éviter les produits chimiques agressifs
Pièces détachées et réparabilité	Réparabilité limitée, pièces disponibles via le service après-vente
Sécurité	Ne pas exposer à l'humidité, utiliser uniquement l'adaptateur fourni
Informations générales	Idéal pour les guitaristes en quête de polyvalence sonore

FOIRE AUX QUESTIONS - G3 ZOOM

Comment réinitialiser le ZOOM G3 aux paramètres d'usine ?

Pour réinitialiser le ZOOM G3, éteignez l'appareil, puis maintenez enfoncé le bouton 'WRITE' tout en le rallumant. Cela réinitialisera tous les paramètres aux valeurs d'usine.

Pourquoi le ZOOM G3 ne s'allume pas ?

Assurez-vous que l'appareil est correctement alimenté. Vérifiez que le câble d'alimentation est branché et que la prise fonctionne. Si vous utilisez des piles, vérifiez leur état et remplacez-les si nécessaire.

Comment ajouter des effets sur le ZOOM G3 ?

Pour ajouter des effets, tournez le bouton 'PARAMETER' pour sélectionner l'effet souhaité, puis utilisez les boutons de sélection pour ajuster les paramètres de cet effet.

Comment sauvegarder mes réglages sur le ZOOM G3 ?

Pour sauvegarder vos réglages, appuyez sur le bouton 'WRITE', sélectionnez un emplacement de mémoire, puis appuyez à nouveau sur 'WRITE' pour confirmer la sauvegarde.

Le son est faible, que faire ?

Vérifiez le niveau de sortie dans les paramètres de l'appareil. Assurez-vous également que le volume de votre instrument est suffisamment élevé et que les câbles sont en bon état.

Comment connecter le ZOOM G3 à un ordinateur ?

Pour connecter le ZOOM G3 à un ordinateur, utilisez un câble USB. L'appareil devrait être reconnu automatiquement par votre système d'exploitation. Assurez-vous d'avoir installé les pilotes nécessaires si requis.

Comment utiliser le ZOOM G3 en tant qu'interface audio ?

Pour utiliser le ZOOM G3 comme interface audio, connectez-le à votre ordinateur via USB et sélectionnez-le comme périphérique d'entrée et de sortie dans les paramètres audio de votre logiciel.

Les effets ne fonctionnent pas, que faire ?

Vérifiez que l'effet est activé en regardant le LED correspondant. Si l'effet est désactivé, appuyez sur le bouton 'ON/OFF' pour l'activer. Assurez-vous également que la chaîne de signal est correctement configurée.

Quel type de câble dois-je utiliser pour le ZOOM G3 ?

Utilisez des câbles de guitare standard de 6,35 mm (1/4 pouce) pour connecter votre instrument au ZOOM G3 et pour le connecter à des amplificateurs ou à d'autres équipements.

Comment mettre à jour le firmware du ZOOM G3 ?

Pour mettre à jour le firmware, visitez le site officiel de ZOOM, téléchargez la dernière version du firmware, puis suivez les instructions fournies pour effectuer la mise à jour via USB.

MODE D'EMPLOI G3 ZOOM

Guitar Effects & Amp Simulator

G3/G3X

OPERATION MANUAL

Thank you very much for purchasing the ZOOM GB/GBX.

Please read this manual carefully to learn about all the functions of the GB3/GB3X so that you will be able to use it fully for a long time.

Keep this manual in a convenient place for reference when necessary.

Contents

Usage and safety precautions 2

Introduction 3

Terms Used in This Manual. 3

Part Names. 4

Turning the power on. 6

Adjusting effects. 8

Selecting Patches 12

Storing Patches. 14

Setting patch-specific parameters 16

Changing Various Settings 20

Using the Tuner 26

Using Rhythms 28

Using the Looper 30

Using Audio Interface Functions 36

Adjusting the expression pedal. 37

Updating the firmware. 38

Restoring the GB/GBX to its factory default settings. 39

Effect Types and Parameters 40

Troubleshooting 58

Specifications 59

Rhythm List 59

Usage and safety precautions

SAFETY PRECAUTIONS

In this manual, symbols are used to highlight warnings and cautions that you must read to prevent accidents. The meanings of these symbols are as follows:

Warning

Something that could cause serious injury or death.

Caution

Something that could cause injury or damage to the equipment.

Other symbols

Required (mandatory) actions

Prohibited actions

Warning

Operation using an AC adapter

Use only a ZOOM AD-16 AC adapter with this unit.
Do not use do anything that could exceed the ratings of outlets and other electrical wiring equipment. Before using the equipment in a foreign country or other region where the electrical voltage differs from that indicated on the AC adapter, always consult with a shop that carries ZOOM products beforehand and use the appropriate AC adapter.

Operation using batteries

Use 4 conventional 1.5-volt AA batteries (alkaline or nickel-metal hydride).
Read battery warning labels carefully.
Always close the battery compartment cover when using the unit.

Alterations

Never open the case or attempt to modify the product.

Precautions

Product handling

1 Do not drop, bump or apply excessive force to the unit.
1 Be careful not to allow foreign objects or liquids to enter the unit.

Operating environment

Do not use in extremely high or low temperatures.
Do not use near heaters, stoves and other heat sources.
Do not use in very high humidity or near splashing water.
Do not use in places with excessive vibrations.
Do not use in places with excessive dust or sand.

AC adapter handling

When disconnecting the AC adapter from an outlet, always pull the body of the adapter itself.
During lightning storms or when not using the unit for a long time, disconnect the power plug from the AC outlet.

Battery handling

Install the batteries with the correct + / - orientation.
Use a specified battery type. Do not mix new and old batteries or different brands or types at the same time. When not using the unit for an extended period of time, remove the batteries from the unit.
If a battery leak should occur, wipe the battery compartment and the battery terminals carefully to remove all battery residue.

Connecting cables with input and output jacks

Always turn the power OFF for all equipment before connecting any cables.
Always disconnect all connection cables and the AC adapter before moving the unit.

Volume

Do not use the product at a loud volume for a long time.

Usage Precautions

Interference with other electrical equipment

In consideration of safety, the G3/G3X has been designed to minimize the emission of electromagnetic radiation from the device and to minimize external electromagnetic interference. However, equipment that is very susceptible to interference or that emits powerful electromagnetic waves could result in interference if placed nearby. If this occurs, place the G3/G3X and the other device farther apart. With any type of electronic device that uses digital control, including the G3/G3X, electromagnetic interference could cause malfunction, corrupt or destroy data and result in other unexpected trouble. Always use caution.

Cleaning

Use a soft cloth to clean the panels of the unit if they become dirty. If necessary, use a damp cloth that has been wrung out well. Never use abrasive cleansers, wax or solvents, including alcohol, benzene and paint thinner.

Malfunction

If the unit becomes broken or malfunctions, immediately disconnect the AC adapter, turn the power OFF and disconnect other cables. Contact the store where you bought the unit or ZOOM service with the following information: product model, serial number and specific symptoms of failure or malfunction, along with your name, address and telephone number.

Copyrights

• Windows®, Windows Vista® and Windows® 7 are trademarks or registered trademarks of Microsoft®.
• Macintosh® and Mac OS® are trademarks or registered trademarks of Apple Inc.
• All other trademarks, product names and company names mentioned in this documentation are the property of their respective owners.

Note: All trademarks and registered trademarks mentioned in this manual are for identification purposes only and are not intended to infringe on the copyrights of their respective owners.

Six simultaneous effects

You can select and arrange the order of up to six effects as you like and use them simultaneously. With the SCROLL keys, you can quickly change which effects are shown.

Feels just like using effect pedals

Three effects can be shown on the displays at the same time, allowing you to control them intuitively using the parameter knobs and footswitches.

Realistic amplifier modeling

Using our new ZFX-IV DSP, we have faithfully recreated the distortion rich with harmonics and the compression characteristic of tube amps.

The precisely-crafted modeled sounds are extremely responsive to picking dynamics and guitar volume control.

Combine diverse effects as you like

With over 100 types of effects that you can freely combine, the G3/G3X is a multi-effects unit that will let your imagination run wild.

Looper that can be synchronized with rhythms

The looper can be synchronized with rhythms and record phrases of up to 40 seconds.

Works with ZOOM Edit & Share software

The GB3/GB3X can be used with Edit & Share software, which is a patch editor and librarian, on a computer to back up patches and change the order of effects.

See the ZOOM website (http://wwwzoom.co.jp/) for further information about Edit & Share.

Terms Used in This Manual

Patch

The ON/OFF status and the parameter settings of each effect are stored as "patches." Use patches to recall and save effects. The GB/GBX can store 100 patches.

Bank

A set of 10 patches is called a "bank." The GB/GBX has 10 banks labeled A-J.

Top Panel

Rear Panel

To turn the power on

• Lower the amplifier's volume all the way.

When using batteries

Insert batteries into the battery compartment and set the POWER switch to ON.

Bottom of the unit

When using an adapter

Connect the AC adapter and set the POWER switch to ON.

• Turn the amplifier's power on and raise its volume.

Using the POWER switch eco setting

If the G3 /G3X is not used for about 25 minutes, it will automatically switch to standby.

If a guitar signal is being input, the G3 / G3X will not automatically switch to standby.

Display information

Home Screens show the current patch

HINT

• The positions of the virtual knobs change with the parameter values.

■ Edit Screens show parameters being edited

HINT

• If there are 4 or more parameters that can be adjusted, multiple page tabs will be shown.

Confirm that the Home screens are shown.

1 | To turn effects ON and OFF

Turns the effect ON/OFF.

NOTE

• An effect is ON when its footswitch LED is lit.
• An effect is OFF when its footswitch LED is not lit.

2 | To select an effect type

Press

TYPE

• The effect type changes.

HINT

• See page 40 for information about effect types and parameters.
• When the GLOBAL menu AUTO SAVE function is ON, changes made will be saved automatically. (See page 24.)

3 | To adjust parameters

• Turn

and

• The editing screen opens where you can adjust parameters.

NOTE

• Time, rate and some other effect parameters can be set in note durations that are synchronized to the tempo.

4 | To change the page

Press

PAGE

• The next page opens.

Effect processing capacity

The G3/G3X allows you to combine six effects as you like. However, if you combine effect types that require great amounts of processing power (amp models, for example), the available processing capacity might not be enough. If the processing required for an effect exceeds the available capacity, the effect is bypassed and a "DSP Full!" message appears. This can be avoided by changing one or more of the effect types or setting them to THRU.

NOTE

• An effect requires the same amount of processing power whether it is on or off.

HINT

• Press and hold the PAGE button for at least one second to immediately set an effect to THRU.

5 | To scroll through the effects shown

Example: If you press

HINT

You can also scroll using the footswitches.

• Left: Press

) simultaneously.

Right: Press

() simultaneously.

This shows there are more effects in this direction.

This shows the number of effects hidden in this direction.

About scrolling the effects

With the G3/G3X, you can arrange and use up to six effects simultaneously. The display shows three of these effects at a time. By scrolling, you can move to different parts of the effect chain and view effects that might have been hidden.

Confirm that the Home display is shown.

1 To activate patch selection

• Press and Hold 0.1N oL D P A T C H for 1 second.
• The screens show the patch bank, number and name.

2 | To change the patch

• Press ^2 to select the next lower patch.
• Press to select the next higher patch.
• Turn of the middle effect.

• The patch number and name changes.

HINT

• You can also change patches

by pressing as you

press and hold

3 | To change the bank

• Press 1 and 2 at the same time to select the next lower bank.
• Press and at the same time to select the next higher bank.

• Turn 1 of the middle effect.

• The patch bank and name changes.

NOTE

• When pressing two footswitches at the same time, the sound could be affected by the footswitch that is pressed slightly earlier. To avoid this, do not make sound when switching banks.

4 | To return to the Home Screens

• Press and hold HOLD FOR PATCH for 1 second.

When the AUTO SAVE function is ON, settings are saved automatically after parameters are adjusted.

1 | To store a patch or swap

STORE/SWAP

Press

STORE/SWAP

• O blinks and the screens appear as below.

Selected patch

Saved/swapped patch destination

2 | To select whether to store or swap the patch

• Turn of the left effect.

Store

Swap

3 | To set where to store or swap the new patch

To change the patch number where stored/swapped

• Turn

of the right effect.

Change the patch number

To change the bank where stored/swapped

• Turn

of the right effect.

NOTE

• When the GLOBAL menu AUTO SAVE function is ON, the currently active patch cannot be selected as the destination.

4 | To complete patch storing/swapping

Press

STORE/SWAP

• After "COMPLETE!" appears on the display, the store/swap patch opens.

HINT

• To cancel this, press any key instead of STORE/SWAP

1 | To activate the TOTAL menu

Press

TOTAL

NOTE

• Settings made for TOTAL parameters are saved separately for each patch.

2 | To change the patch name

- Turn

and

of the left effect.

:Turn

to move the cursor.

:Turn

to change the type of character/symbol.

:Turn

to change the character.

NOTE

• The following characters and symbols can be used.

! $ % & ' ) + , - ; = @ [ ] ^ _ ` { } ~A-Z, a-z, 0-9, (space)

3 | To adjust the patch level

Press

of the left effect and turn

NOTE

The setting range is 0-120.

HINT

• To change the overall volume of all patches, adjust the master level. (See page 20.)

4 | To change the order of the effects

• Turn 1, 2 and 3 of the middle and right effects to change effect positions.

HINT

• Effects that are OFF appear gray.

5 | To set an optional footswitch function

Press

and turn

of the middle effect.

• Effect functions that can be assigned are shown.

HINT

• BYPASS/MUTE: Use to bypass or mute the effect.
• TAP TEMPO: Press the footswitch repeatedly at the desired tempo to set the tempo used for rhythms, the looper and effects.
  NO ASSIGN: No function is assigned to the footswitch.
  If the selected parameter has multiple functions, use to select one.

NOTE

• In order to use the function set, the corresponding effect must also be ON.
  See "Effect types and parameters" for details about the functions that can be assigned for each effect.
• If you connect a ZOOM FP01 or FP02 pedal to the G3X, you can use it as a volume pedal.

6 | To set an expression pedal function

Using the built-in expression pedal of the G3X or an optional external expression pedal (ZOOM FP01/FP02) connected to a G3, you can control volume and effect parameters in real-time.

To select the controlled parameter

• Press of the middle effect and turn of the right effect.
• Parameters that can be assigned to the expression pedal are shown on the right display.

NOTE

• If multiple effects that support AUTO ASSIGN are active, all their corresponding parameters will be assigned to the expression pedal at the same time.
• See "Effect types and parameters" for details about the functions that can be assigned for each effect.

HINT

• INPUT VOL: Controls the input level.
• OUTPUT VOL: Controls the output level. (Does not affect the volume of the rhythm or looper).
• AUTO ASSIGN: When an effect that supports auto assign is selected, a parameter will be assigned to the pedal automatically as follows.

Effect type	Parameter
PedalVx	Freq
PedalCry	Freq
TheVibe	Speed
PDL Pitch	Bend
PDL MnPitch	Bend

• NO ASSIGN: no function is assigned to the footswitches.
• The effect that assigned to the expression pedal can be used to turn an effect ON/OFF with the pedal switch.

Set the parameter range that the pedal can adjust

• Turn 2 of the right effect to set the minimum value.
• Turn 3 of the right effect to set the maximum value.

HINT

• The minimum value can be set higher than the maximum value. When set this way, pushing the pedal down decreases the effect, while letting it up increases the effect.
• When using AUTO ASSIGN, the minimum and maximum values of parameters are set automatically and cannot be changed.

7 To exit the TOTAL menu

1 | To activate the GLOBAL menu

Press

NOTE

• Global parameter settings affect all patches.

2 | To adjust the master level

• Turn

of the left effect.

NOTE

The setting range is 0-120.

3 To set the master tempo

- Turn

of the left effect.

NOTE

The setting range is 40-250.
- This tempo setting is used by every effect, rhythms and the looper.

Setting the tempo by tapping

• Press two or more times at the desired tempo.

HINT

You can also set the tempo using an FS01 footswitch (sold separately). (See page 17)

4 | To select the connected equipment

- Turn

of the left effect.

Parameter value	Meaning
DIRECT	Use when connected to headphones or monitor speakers
COMBO FRONT	Use when connected to an ordinary combo amp input
STACK FRONT	Use when connected to an ordinary stack amp input
COMBO POWER AMP	Use when connected to an ordinary combo amp return
STACK POWER AMP	Use when connected to an ordinary stack amp return

5 | To change the direction of the signal flow

• Press on the left effect.

• Turn to set the signal flow direction.

6 | To set the amount of time until the backlight dims

• Turn of the middle effect.

NOTE

• The setting options are ON and 1-30 seconds.

HINT

• The amount of power consumed can be reduced by dimming the backlight.

7 To select the battery type

• Turn 2 of the middle effect to set the battery type to ALKALINE or Ni-MH (nickel-metal hydride).

:Operating on batteries :Operating on adapter power :Operating on USB bus power

NOTE

• Set the battery type correctly in order to allow the remaining battery charge to be shown accurately.

8 | To check the eco mode status

• The eco mode ON/OFF status is shown beneath the power icon.

9 | To adjust the display contrast

• Press O of the middle effect.

• Turn , and of the middle effect.

1 : Left display
2 : Center display
3 : Right display

10 | To set the auto save function

• Press O of the middle effect.

• Turn 1 of the middle effect.

HINT

• ON: Patch changes will be saved automatically.
• OFF: Patch changes will not be saved until they are saved manually. (See page 14.)

11 | To adjust the USB audio monitoring balance

• Turn of the right effect.

NOTE

• This adjusts the balance between the output signal from the DAW software (computer) and the DIRECT signal from the unit (after effects).
  The setting range is 0-100.
• Set to 0 to monitor only the DIRECT signal or 100 to monitor only the DAW (computer) output signal.

12 | To adjust the recording level

• Turn 2 of the right effect.

NOTE

• This adjusts the level of the signal sent to the DAW software (computer).
• The setting range is ± 6 dB.

13 | To view the firmware versions

• Press of the right effect.

HINT

• Check the ZOOM website (http://www.zoom.co.jp) for the latest firmware versions.

14 | To exit the GLOBAL menu

1 | To activate the tuner

• Press ^2 for 1 second.

NOTE

1 -Turn switch be MUTE.

of the left effect to between BYPASS and

2 | To change the tuner's standard pitch

• Turn of the right effect.

NOTE

The standard pitch for middle A can be adjusted to 435 - 445Hz
- The standard pitch setting is saved even when the power is turned OFF.

3 | To select the tuner type

• Turn of the right effect.

CHROMATIC

The chromatic tuner shows the nearest pitch name (semitone) and how far the input sound is from that pitch.

Other tunes types

Depending on the selected type, the nearest string name and how far the sound input is from that pitch are shown. Select from the following tunings.

Display	Meaning	String number/Note name
		7	6	5	4	3	2	1
GUITAR	Standard tuning for guitars, including 7-string guitars	B	E	A	D	G	B	E
OPEN A	In open A tuning, the open strings make an A chord	-	E	A	E	A	C#	E
OPEN D	In open D tuning, the open strings make a D chord	-	D	A	D	F#	A	D
OPEN E	In open E tuning, the open strings make an E chord	-	E	B	E	G#	B	E
OPEN G	In open G tuning, the open strings make a G chord	-	D	G	D	G	B	D
DADGAD	This alternate tuning is often used for tapping, etc.	-	D	A	D	G	A	D

4 | To use a drop tuning

• Turn

of the right effect.

NOTE

• You can lower the tuning by one (b × 1) , two (b × 2) or three (b × 3) semitones.
• Drop tuning is not possible when the TYPE is set to CHROMATIC.

5 | To tune the guitar

• Play the open string that you want to tune and tune it.

CHROMATICTUNER

The name of the nearest note and the pitch accuracy are shown.

OTHERTUNERS

The number of the nearest string and the pitch accuracy are shown.

HINT

• The keys above the displays also light to show the pitch accuracy.

Pitch too low

6 | To end tuning

Press

1 | To activate a rhythm

Press

RHYTHM

• The rhythm pattern starts to play and the rhythm setting screens open.

HINT

• You can use a rhythm pattern while using the looper.

2 To select the rhythm pattern

• Turn

of the left effect.

NOTE

See page 59 for types of patterns.

3 To adjust the tempo

• Turn

of the middle effect.

HINT

• You can also set the tempo using

NOTE

The setting range is 40-250.
- This tempo setting is used by every effect, rhythms and the looper.

4 | To adjust the rhythm level

• Turn 1 of the right effect.

NOTE

The setting range is 0-100.

5 | To stop the rhythm

Press

HINT

Press again to restart rhythm pattern playback.

6 | To complete setting the rhythm

The rhythm stops and the previous screen reappears

To select a patch (and keep the rhythm playing)

To return to the Home Screens (and keep the rhythm playing)

1 | To activate the Looper

Press

for 1 second.

2 | To set the recording time

• Turn

on the left effect.

Manual

Use the footswitch to start and stop recording.

Note mark

Set the recording time by setting the tempo and the number of quarter notes.

NOTE

• The looper can record 1.5-40 seconds (20 seconds when UNDO is enabled).
• If the setting (number of quarter notes) would not fall in this range, it will automatically be adjusted.
• Changing the recording time will erase the currently recorded loop.

3 | To adjust the tempo

• Turn

of the middle effect.

HINT

• You can also set the tempo using
• If no loop has been recorded yet, you can also set the tempo by tapping 2.

NOTE

The setting range is 40-250.
- Changing the tempo will erase the currently recorded loop.
- This tempo setting is used by every effect, rhythms and the looper.

4 | To record a phrase and play it back

Press

Recording standby

Recording

Loop playing back

If set to "Manual"

• When is pressed again or the maximum recording time (about 40 seconds) is reached, loop playback starts (and "PLAY" appears on the display).

If set to a note mark

• After recording continues for the set time, loop playback starts (and "PLAY" appears on the display).

HINT

During recording, press to cancel recording.

NOTE

• During rhythm playback, recording will start after the precount.
• Since quantization is applied during rhythm playback, even if you stop the recording a little out of time, adjustment will be made automatically and the loop will play with correct timing.

5 To stop loop playback

Press

6 | To overdub a recorded loop

To start over dubbing

• During loop playback, press

Loop playing back

Over dubbing

To end overdubbing

• Press again.

Over dubbing

Loop playing back

7 To erase the loop

Press

for 1 second.

• "CLEAR" appears on the display.

8 | To adjust the loop volume

To adjust the volume of the looped phrase

• Turn

of right effect.

NOTE

The setting range is 0-100.

To adjust the volume of the rhythm

Press

PAGE

of the right effect and turn

NOTE

The setting range is 0-100.

9 | To return to the Home Screens

Press

HINT

• You can return to the Home Screens while the loop is playing.

NOTE

• Returning to the Home Screens will not erase the loop.
• Turning the power OFF will erase the loop.

10 | To change the Looper settings

• Press O of the right effect.

PAGE

To activate the Undo function

• Turn 1 of the right effect.

NOTE

• When Undo is ON, the maximum loop recording time is limited to 20 seconds.

HINT

• When Undo is ON, you can cancel the last overdubbing by pressing for 1 second. After undoing, you can also redo by pressing for 1 second again, restoring the last overdubbing.

To select the STOP MODE

• Turn 2 of the right effect.

STOP MODE	How loop playback stops
STOP	Playback stops immediately
FINISH	Playback stops after the loop plays to its end
FADE OUT	Playback stops after fading out

HINT

Even when set to "FINISH" or "FADE OUT", you can stop loop playback immediately by pressing and holding down

This unit can be used with computers running the following operating systems.

Compatible OS

Windows

Windows® XP SP3 (32bit) or newer

Windows® Vista SP1 (32bit, 64bit) or newer

Windows® 7 (32bit, 64bit)

32bit: Intel® Pentium® 4 1.8GHz or faster, RAM 1GB or more

64bit: Intel Pentium Dual-Core 2.7GHz or faster, RAM 2GB or more

Mac

OS X 10.5/10.6/10.7

Intel® Core Duo 1.83GHz or faster

RAM 1GB or more

Quantization (bit-rate)

16-bit

Sampling frequency

44.1kHz

For details about recording, playback and other functions, please see the included startup guide.

HINT

• You can adjust the balance between the signals from the G3/G3X and the computer. (See page 24.)
• You can adjust the recording level. (See page 25.)
• When its POWER switch is set to OFF, the G3/G3X can be connected to a computer by USB and powered by its USB bus.

NOTE

• To monitor the signal of your connected guitar after it has passed through your DAW software (computer), set the USB AUDIO MONITOR balance to 100. (See page 24.)

At other settings, the signals from the computer and the G3/G3X will be mixed, causing the output signal to sound like a flanger effect is being used.

1 | To calibrate its sensitivity

While pressing

GLOBAL

, set the POWER switch to ON.

GLOBAL

USB
POWER

ECO

K

• Following the instructions shown, operate the pedal and press

STORE/SWAP

O each time.

• When calibration is over, "OK!" appears on the screen and play mode starts.

HINT

• If "ERROR!" appears, restart calibration from the beginning.

2 | To adjust the torque

You can use a 5mm hex key (Allen wrench) to adjust the torque of the expression pedal.

• Insert the hex key into the torque adjustment screw on the side of the pedal.
  Turn it clockwise to tighten the pedal, and turn it counterclockwise to loosen the pedal.

NOTE

• Be careful when loosening a torque adjustment screw, because if you loosen it too much, it could come off inside the unit, making it impossible to hold the pedal in place.

To download the latest firmware Update application:

• Visit the ZOOM website (http://wwwzoomo.co.jp).

HINT

• Open the GLOBAL menu to check the current firmware versions. (See page 25.)

1 | To prepare to update the firmware

• Confirm that the POWER switch is set to OFF.

• While pressing both USB cable.

, connect the unit to a computer using the

• The VERSION UPDATE screen appears.

VERSION UPDATE

Ready for version update!

2 | To update the firmware

• Launch the firmware update application on your computer, and execute the update.

NOTE

• Do not disconnect the USB cable while the firmware is being updated.

HINT

• See the ZOOM website for instructions about how to use the application.

3 | To complete updating

• When the G3/G3X has finished updating, "Complete!" appears on the display.

• Disconnect the USB cable.

HINT

• Updating the firmware will not erase saved patches.

Restoring the G3/G3X to its factory default settings

1. To use the All Initialize function

• While pressing STORE/SWAP, set the POWER switch to ON.

STORE/SWAP

• The All Initialize screen appears.

All Initialize

Are You Sure?

YES:STORE

NO : ANY KEY

2. To execute the All Initialize function

STORE/SWAP

Press

NOTE

• Press any key other than STOK/SWAP to cancel.

HINT

• Executing the All Initialize function will restore all the settings of the G3/G3X, including its patches, to factory defaults. Do not use this function unless you are certain that you want to do this.

■ Effect Types and Parameters

001 Comp		This compressor in the style of the MXR Dyna Comp.
		Knob1				Knob2			Knob3
		Page01	Sense	0-10	P	Tone	0-10		Level	0-150	P
			Adjusts the compressor sensitivity.			Adjusts the tone.			Adjusts the output level.
		Page02	ATTCK	Slow, Fast
			Sets compressor attack speed toFast or Slow.
002 RackComp		This compressor allows more detailed adjustment than COMP.
		Knob1				Knob2			Knob3
		Page01	THRSH	0-50	P	Ratio	1-10		Level	0-150	P
			Sets the level that activates thecompressor.			Adjusts the compression ratio.			Adjusts the output level.
		Page02	ATTCK	1-10
			Adjusts the compressor attack rate.
003 M Comp		This compressor provides a more natural sound.
		Knob1				Knob2			Knob3
		Page01	THRSH	0-50	P	Ratio	1-10		Level	0-150	P
			Sets the level that activates thecompressor.			Adjusts the compression ratio.			Adjusts the outal output level.
		Page02	ATTCK	1-10
			Adjusts the compressor attack rate.
004 SlowATTCK		This effect slows the attack of each note, resulting in a violin-like performance.
		Knob1				Knob2			Knob3
		Page01	Time	1-50	P	Curve	0-10	P	Level	0-150	P
			Adjusts the attack time.			Set the curve of volume change duringattack.			Adjusts the output level.
		Page02
005 ZNR		ZOOM's unique noise reduction cuts noise during pauses in playing without affecting the tone.
		Knob1				Knob2			Knob3
		Page01	THRSH	1-25	P	DETCT	Gtrl, Efxln		Level	0-150	P
			Adjusts the effect sensitivity.			Sets control signal detection level.			Adjusts the output level.
		Page02

006 NoiseGate This is a noise gate that cuts the sound during playing pauses.

THICK LEVEL Noise Gate

Page01

Knob1

Knob2

Knob3

THRSH

1-25

P

Level

0-150

P

Adjusts the effect sensitivity.

Adjusts the output level.

Page02

007 DirtyGate This vintage style gate features a characteristic way of closing.

THICK LEVEL DIRTY CATE

Page01

Knob1

Knob2

Knob3

THRSH

1-25

P

Level

0-150

P

Adjusts the effect sensitivity.

Adjusts the output level.

Page02

008 GraphicEQ This unit has a six band equalizer.

ParaEQ This is a 2-band parametric equalizer.

ParaEQ

Page01

Knob1

Knob2

Knob3

Freq1

20Hz-20kHz

Q1

0.5, 1, 2, 4, 8, 16

Gain1

-12-12

Adjusts center frequency of EQ1.

Adjusts EQ1 Q.

Adjusts EQ1 gain.

Page02

Freq2

20Hz-20kHz

Q2

0.5, 1, 2, 4, 8, 16

Gain2

-12-12

Adjusts center frequency of EQ2.

Adjusts EQ2 Q.

Adjusts EQ2 gain.

Page03

Level

0-150

P

Adjusts the output level.

010 CombFLTR This effect uses the comb filter that results from fixing the modulation of the flanger like an equalizer.

CombFLTR

Page01

Knob1

Knob2

Knob3

Freq

1-50

P

Reso

-10-10

P

Mix

0-100

P

This sets the emphasized frequency.

Adjusts the intensity of the resonance sound of the effect.

Adjusts the amount of effected sound that is mixed with the original sound.

Page02

HiDMP

0-10

Level

0-150

P

Adjusts the treble attenuation of the effect sound.

Adjusts the output level.

011 AutoWah This effect varies wah in accordance with picking intensity.

AutoWah

Page01

Knob1

Knob2

Knob3

Sense

-10-1, 1-10

P

Reso

0-10

P

Level

0-150

P

Adjusts the sensitivity of the effect.

Adjusts the intensity of the resonance sound.

Adjusts the output level.

Page02

012 Resonance This effect varies the resonance filter frequency according to picking intensity.

AutoResonance

Page01

Knob1

Knob2

Knob3

Sense

-10-1, 1-10

P

Reso

0-10

P

Level

0-150

P

Adjusts the sensitivity of the effect.

Adjusts the intensity of the resonance sound.

Adjusts the input level.

Page02

013 Cry

This effect varies the sound like a talking modulator.

Knob1

Knob2

Knob3

Page01

Range

1-10

P

Reso

0-10

P

Sense

-10-1, 1-10

P

Adjusts the frequency range processed by the effect.

Adjusts the intensity of the modulation resonance sound.

Adjusts the sensitivity of the effect.

Page02

Bal

0-100

P

Level

0-150

P

Adjusts the balance between original and effect sounds.

Adjusts the output level.

014 M-Filter

This envelope filter has the flavor of a MOOG MF-101 low pass filter and can be set in a wide range.

Knob1

Knob2

Knob3

Page01

Freq

0-100

P

Sense

0-10

P

Reso

0-10

P

Sets minimum frequency of envelope filter.

Sets effect sensitivity.

Sets effect resonance.

Page02

Type

HPF, BPF, LPF

Chara

2Pole, 4Pole

VLCTY

Fast, Slow

Sets filter type.

Adjusts amount of filter applied.

Sets speed of filter action.

Page03

Bal

0-100

P

Level

0-150

P

Adjusts the balance between original and effect sounds.

Adjusts the output level.

015 Step

This special effect gives the sound a stepped quality.

Knob1

Knob2

Knob3

Page01

Depth

0-100

Rate

0-50

P

Reso

0-10

P

Sets the depth of the modulation.

Sets the speed of the modulation.

Adjusts the intensity of the modulation resonance sound.

Page02

Shape

0-10

Level

0-150

P

Adjusts the effect envelope.

Adjusts the output level.

016 SeqFLTR

The sequence filter has the flavor of a Z.Vex Seek-Wah.

Knob1

Knob2

Knob3

Page01

Step

2-8

PTTRN

1-8

Speed

1-50

P

Adjusts number of sequence steps.

Sets effect pattern.

Sets modulation speed.

Page02

Shape

0-10

Reso

0-10

P

Level

0-150

P

Sets effect sound envelope.

Sets effect resonance.

Adjusts the output level.

017 RndmFLTR

This filter effect changes character randomly.

Knob1

Knob2

Knob3

Page01

Speed

1-50

P

Range

0-100

P

Reso

0-10

P

Sets modulation speed.

Adjusts frequency range affected.

Sets effect resonance.

Page02

Type

HPF, BPF, LPF

Chara

2Pole, 4Pole

Bal

0-100

P

Sets filter type.

Adjusts amount of filter applied.

Adjusts the balance between original and effect sounds.

Page03

Level

0-150

P

Adjusts the output level.

018 Booster

The booster increases signal gain to make the sound more powerful.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level.

Page02

019 OverDrive

Simulation of the Boss OD-1, the compact effect box that was the first to take the "overdrive" title.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level.

Page02

020 T Scream

Simulation of the Ibanez TS808, which is loved by many guitarists as a booster and has inspired numerous clones.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level.

Page02

021 Governor

Simulation of the Guv'nor distortion effect from Marshall.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level.

Page02

022 Dist+

Simulation of the MXR distortion+ effect that made distortion popular worldwide.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level.

Page02

023 Dist 1

Simulation of the Boss DS-1 distortion pedal, which has been a long-seller.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level.

Page02

024 Squeak

Simulation of the popular Pro Co Rat famous for its edgy distortion sound.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level.

Page02

025 FuzzSmile

Simulation of the Fuzz Face, which has made rock history with its humorous panel design and smashing sound.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level

Page02

026 GreatMuff

Simulation of the Electro-Harmonix Big Muff, which is loved by famous artists around the world for its fat, sweet fuzz sound.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level。

Page02

027 MetalWRLD

Simulation of the Boss Metal Zone, which is characterized by long sustain and a powerful lower midrange.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level。

Page02

028 HotBox

Simulation of the compact Matchless Hotbox pre-amplifier with a built-in tube.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level.

Page02

029 Z Clean

ZOOM original unadorned clean sound.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level.

Page02

030 Z MP1

An original sound created by merging characteristics of an ADA MP1 and a MARSHALL JCM800.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level.

Page02

031 Z Bottom

A high gain sound that emphasizes low and middle frequencies.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level.

Page02

032 Z Dream

A high gain sound for lead playing based on the Mesa Boogie Road King Series II Lead channel.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level.

Page02

033 Z Scream

An original high gain sound balanced from low to high frequencies.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level

Page02

034 Z Neos

A crunch sound modeled on the sound of a modified British class A combo amplifier.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level. 0-150

Page02

035 Z Wild

A high gain sound with even more overdrive boost.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tone

0-100

Level

0-150

P

Adjusts the gain.

Adjusts the tone.

Adjusts the output level. I

Page02

036 Lead	Lead a bright and smooth distortion sound.
LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LED LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD LEAD	Lead a bright and smooth distortion sound.
	Page01	Knob1			Knob2			Knob3
		Gain	0-100	P	Tone	0-100		Level	0-150	P
		Adjusts the gain.			Adjusts the tone.			Adjusts the output level.
	Page02
037 ExtremeDS	This distortion effect boasts the highest gain in the world.
EXTREME DISTORTION	Page01	Knob1			Knob2			Knob3
		Gain	0-100	P	Tone	0-100		Level	0-150	P
		Adjusts the gain.			Adjusts the tone.			Adjusts the output level.
	Page02
038 Aco.Sim	This effect changes the tone of an electric guitar to make it sound like an acoustic guitar.
ACCOASTIC TRUENJOY FD COMBO	Page01	Knob1			Knob2			Knob3
		Top	0-100	P	Body	0-100		Level	0-150	P
		Adjusts the unique string tone of acoustic guitars.			Adjusts the body resonance of acoustic guitars.			Adjusts the output level.
	Page02
039 FD COMBO	Modeled sound of a Fender Twin Reverb ('65), which is loved by guitarists in various genres.
FD COMBO FD COMBO	Page01	Knob1			Knob2			Knob3
		Gain	0-100	P	Tube	0-100		Level	0-150	P
		Adjusts the gain.			Adjusts tube amp compression.			Adjusts the output level.
	Page02	Trebl	0-100		Middl	0-100		Bass	0-100
		Adjusts volume of high frequencies.			Adjusts volume of middle frequencies.			Adjusts volume of low frequencies.
	Page03	Prese	0-100		CAB	See Table 1
		Adjusts volume of super-high frequencies.			Selects cabinet.
040 DELUXE-R	This models the sound of a Fender Deluxe Reverb made in 1965.
DELUXE-R FD VIBRO	Page01	Knob1			Knob2			Knob3
		Gain	0-100	P	Tube	0-100		Level	0-150	P
		Adjusts the gain.			Adjusts tube amp compression.			Adjusts the output level.
	Page02	Trebl	0-1200		Middl	0-100		Bass	0-100
		Adjusts volume of high frequencies.			Adjusts volume of middle frequencies.			Adjusts volume of low frequencies.
	Page03	Prese	0-100		CAB	See Table 1
		Adjusts volume of super-high frequencies, Selects cabinet.
041 FD VIBRO	Modeled sound of a '63 Fender Vibroverb.
FD VIBRO FD VIBRO	Page01	Knob1			Knob2			Knob3
		Gain	0-100	P	Tube	0-100		Level	0-150	P
		Adjusts the gain.			Adjusts tube amp compression.			Adjusts the output level.
	Page02	Trebi	0-100		Middl	0-100		Bass	0-100
		Adjusts volume of high frequencies.			Adjusts volume of middle frequencies.			Adjusts volume of low frequencies.
	Page03	Prese	0-100		CAB	See Table 1
		Adjusts volume super-high frequencies.			Selects cabinet.
042 US BLUES	Crunch sound of a Fender Tweed Bassman.
US BLUES US BLUES	Page01	Knob1			Knob2			Knob3
		Gain	0-100	P	Tube	0-100		Level	0-150	P
		Adjusts the gain.			Adjusts tube amp compression.			Adjusts the output level.
	Page02	Trebl	0-1500		Middl	0-100		Bass	0-100
		Adjusts volume of high frequencies.			Adjusts volume of middle frequencies.			Adjusts volume of low frequencies.
	Page03	Prese	0-100		CAB	See Table 1
		Adjusts volume of super-high frequencies Selects cabinet.

043 VX COMBO		Modeled sound of a British combo amplifier representing the 1960s Liverpool sound.
		Knob1				Knob2			Knob3
		Page01	Gain	0-100	P	Tube	0-100		Level	0-150	P
			Adjusts the gain.			Adjusts tube amp compression.			Adjusts the output level.
		Page02	Treib	0-100		Middl	0-100		Bass	0-100
			Adjusts volume of high frequencies.			Adjusts volume of middle frequencies.			Adjusts volume of low frequencies.
		Page03	Prese	0-100		CAB	See Table 1
			Adjusts volume of super-high frequencies.			Selects cabinet.
044 VX JMI		This simulates the sound of an early model of a class-A British combo amp.
		Knob1				Knob2			Knob3
		Page01	Gain	0-100	P	Tube	0-100		Level	0-150	P
			Adjusts the gain.			Adjusts tube amp compression.			Adjusts the output level.
		Page02	Treib	0-100		Middl	0-100		Bass	0-100
			Adjusts volume of high frequencies.			Adjusts volume of middle frequencies.			Adjusts volume of low frequencies.
		Page03	Prese	0-100		CAB	See Table1
			Adjusts volume of super-high frequencies.			Selects cabinet.
045 BG CRUNCH		Crunch sound of a Mesa Boogie MkIII combo amp.
		Knob1				Knob2			Knob3
		Page01	Gain	0-100	P	Tube	0-100		Level	0-150	P
			Adjusts the gain.			Adjusts tube amp compression.			Adjusts the output levels.
		Page02	Treib	0-100		Middl	0-100		Bass	0-100
			Adjusts volume of high frequencies.			Adjusts volume of middle frequencies.			Adjusts volume of low frequencies.
		Page03	Prese	0-100		CAB	Seetable 1
			Adjusts volume of super-high frequencies.			Selects cabinet.
046 MATCH 30		Modeled sound of a DC-30 (channel 1), the Matchless flagship combo amp.
		Knob1				Knob2			Knob3
		Page01	Gain	0-100	P	Tube	0-100		Level	0-150	P
			Adjusts the gain.			Adjusts tube amp compression.			Adjusts the output-level.
		Page02	Treib	0-100		Middl	0-100		Bass	0-100
			Adjusts volume of high frequencies.			Adjusts volume of middle frequencies.			Adjusts volume of low frequencies.
		Page03	Prese	0-100		CAB	Sleetable 1
			Adjusts volume of super-high frequencies.			Selects cabinet.
047 CAR DRIVE		This models the sound of a Carr Mercury high-end small combo amp.
		Knob1				Knob2			Knob3
		Page01	Gain	0-100	P	Tube	0-100		Level	0-150	P
			Adjusts the gain.			Adjusts tube amp compression.			Adjusts the outputlevel.
		Page02	Treib	0-100		Middl	0-100		Bass	0-100
			Adjusts volume of high frequencies.			Adjusts volume of middle frequencies.			Adjusts volume of low frequencies.
		Page03	Prese	0-100		CAB	seeTable 1
			Adjusts volume of super-high frequencies.			Selects cabinet.
048 TW ROCK		This crunch sound uses the drive channel of a Two Rock Emerald 50, an American boutique amplifier.
		Knob1				Knob2			Knob3
		Page01	Gain	0-100	P	Tube	0-100		Level	0-150	P
			Adjusts the gain.			Adjusts tube amp compression.			Adjusts the output level.
		Page02	Treib	0-100		Middl	0-100		Bass	0-100
			Adjusts volume of high frequencies.			Adjusts volume of middle frequencies.			Adjusts volume of low frequencies.
		Page03	Prese	0-100		CAB	SeeTable 1
			Adjusts volume of super-high frequencies.			Selects cabinet.

049 TONE CITY This models the sound of a Sound City 50 Plus Mark 2, a legendary British amplifier.
		Knob1				Knob2			Knob3
	Page01	Gain	0-100		P	Tube	0-100		Level	0-150
		Adjusts the gain.				Adjusts tube amp compression.			Adjusts the output level.
	Page02	Treib	0-100			Middl	0-100		Bass	0-100
		Adjusts volume of high frequencies.				Adjusts volume of middle frequencies.			Adjusts volume of low frequencies.
	Page03	Prese	0-100			CAB	See Table 1
		Adjusts volume of super-high frequencies.				Selects cabinet.
050 HW STACK Modeled sound of the legendary Hiwatt Custom 100 all-tube amplifier from the UK.
		Knob1				Knob2			Knob3
	Page01	Gain	0-100		P	Tube	0-100		Level	0-150
		Adjusts the gain.				Adjusts tube amp compression.			Adjusts the output level.

055

MS DRIVE

The high gain sound of a JCM2000 Marshall stack amp.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tube

0-100

Level

0-150

Adjusts the gain.

Adjusts tube amp compression.

Adjusts the output level.

Page02

Treib

0-100

Middl

0-100

Bass

0-100

Adjusts volume of high frequencies.

Adjusts volume of middle frequencies.

Adjusts volume of low frequencies.

Page03

Prese

0-100

CAB

See Table 1

Adjusts volume of super-high frequencies.

Selects cabinet.

056

BGN DRIVE

This simulates the lead sound from channel 3 of a Bogner Ecstasy.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tube

0-100

Level

0-150

Adjusts the gain.

Adjusts tube amp compression.

Adjusts the output level.

P

Page02

Treib

0-100

Middl

0-100

Bass

0-100

Adjusts volume of high frequencies.

Adjusts volume of middle frequencies.

Adjusts volume of low frequencies.

Page03

Prese

0-100

CAB

See Table 2

Adjusts volume of super-high frequencies.

Selects cabinet.

057

BG DRIVE

The high gain sound of the Mesa Boogie Dual Rectifier red channel (Vintage mode).

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tube

0-100

Level

0-150

Adjusts the gain.

Adjusts tube amp compression.

Adjusts the output level.

P

Page02

Treib

0-100

Middl

0-100

Bass

0-100

Adjusts volume of high frequencies.

Adjusts volume of middle frequencies.

Adjusts volume of low frequencies.

Page03

Prese

0-100

CAB

0-100

Adjusts volume of super-high frequencies.

Selects cabinet.

058

DZ DRIVE

The 3-channel high gain sound of a Diezel Herbert, which is a handmade German guitar amplifier that allows control of three independent channels.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tube

0-100

Level

0-150

Adjusts the gain.

Adjusts tube amp compression.

Adjusts the output level.

Page02

Treib

0-100

Middl

0-100

Bass

0-100

Adjusts volume of high frequencies.

Adjusts volume of middle frequencies.

Adjusts volume of low frequencies.

Page03

Prese

0-100

CAB

See Table 3

Adjusts volume of super-high frequencies.

Selects cabinet.

059

ALIEN

This simulates the high-gain sound of the Engl Invader, which features a powerful low-end.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tube

0-100

Level

0-150

Adjusts the gain.

Adjusts tube amp compression.

Adjusts the output level.

Page02

Treib

0-100

Middl

0-100

Bass

0-100

Adjusts volume of high frequencies.

Adjusts volume of middle frequencies.

Adjusts volume of low frequencies.

Page03

Prese

0-100

CAB

See Table 4

Adjusts volume of super-high frequencies.

Selects cabinet.

060

REVO-1

This simulates the high-gain sound of a Krank Revolution 1 Plus.

Knob1

Knob2

Knob3

Page01

Gain

0-100

P

Tube

0-100

Level

0-150

Adjusts the gain.

Adjusts tube amp compression.

Adjusts the output level.

Page02

Treib

0-100

Middl

0-100

Bass

0-100

Adjusts volume of high frequencies.

Adjusts volume of middle frequencies.

Adjusts volume of low frequencies.

Page03

Prese

0-100

CAB

See Table 5

Adjusts volume of super-high frequencies.

Selects cabinet.

061 Tremolo	This effect varies the volume at a regular rate.
	Page01	Knob1			Knob2			Knob3
		Depth	0-100	P	Rate	0-50	P	Level	0-150	P
		Adjust the depth of the modulation.			Adjusts the rate of the modulation.			Adjusts the output level.
	Page02	Wave	UP 0-UP 9, DWN 0-DWN 9, TRI 0-TRI 9	P
		Sets the modulation waveform.
062 Slicer	This effect creates a rhythmical sound by continuously slicing the input.
	Page01	Knob1			Knob2			Knob3
		PTTRN	1-20		Speed	1-50	P	Bal	0-100	P
		Sets effect pattern.			Sets modulation speed.			Adjusts the balance between original and effect sounds.
	Page02	THRSH	0-50		Level	0-150		P
		Adjusts effect threshold.			Adjusts the output level.
063 Phaser	This effect adds a phasing variation to the sound.
	Page01	Knob1			Knob2			Knob3
		Rate	1-50	P	Color	4 STG, 8 STG, inv 4, inv 8		Level	0-150	P
		Sets the speed of the modulation.			Sets the tone of the effect type.			Adjusts the output level.
	Page02
064 DuoPhase	This effect combines two phasers.
	Page01	Knob1			Knob2			Knob3
		RateA	1-50	P	RateB	1-50, SyncA, RvrsA		Level	0-150	P
		Adjusts speed of LFO A modulation.			Adjusts speed of LFO B modulation.			Adjusts the output level.
	Page02	ResoA	0-10		ResoB	0-10		Link	Seri, Para, STR
		Adjusts resonance of LFO A modulation.			Adjusts resonance of LFO B modulation.			Sets how two phasers are connected.
	Page03	DPT_A	1-100		DPT_B	1-100		P
		Adjusts depth of LFO A modulation.			Adjusts depth of LFO B modulation.
065 WarpPhase	This phaser has a one way effect.
	Page01	Knob1			Knob2			Knob3
		Speed	1-50	P	Reso	0-10		Level	0-150	P
		Sets modulation speed.			Sets effect resonance.			Adjusts the output level.
	Page02	DRCTN	Go, Back
		Sets direction of warping.
066 Chorus	This effect mixes a shifted pitch with the original sound to add movement and thickness.
	Page01	Knob1			Knob2			Knob3
		Depth	0-100		Rate	1-50		Mix	0-100	P
		Sets the depth of the modulation.			Sets the speed of the modulation.			Adjusts the amount of effected sound that is mixed with the original sound.
	Page02	Tone	0-10		Level	0-150		P
		Adjusts the tone.			Adjusts the output level.
067 Detune	By mixing an effect sound that is slightly pitch-shifted with the original sound, this effect type has a chorus effect without much sense of modulation.
	Page01	Knob1			Knob2			Knob3
		Cent	-25-25		PreD	0-50		Mix	0-100	P
		Adjusts the detuning in cents, which are fine increments of 1/100-semitone.			Sets the pre-delay time of the effect sound.			Adjusts the amount of effected sound that is mixed with the original sound.
	Page02	Tone	0-10		Level	0-150		P
		Adjusts the tone.			Adjusts the output level.
068	VintageCE	This is a simulation of the BOSS CE-1.
		Knob1			Knob2			Knob3
		Page01	Comp	0-9		Rate	1-50	P	Mix	0-100	P
			Sets the sensitivity of the compressor.		Sets the speed of the modulation.			Adjusts the amount of effected sound that is mixed with the original sound.
		Page02	Level	0-150
			Adjusts the output level.
069	StereoCho	This is a stereo chorus with a clear tone.
		Knob1			Knob2			Knob3
		Page01	Depth	0-100		Rate	1-50	P	Mix	0-100	P
			Sets the depth of the modulation.		Sets the speed of the modulation.			Adjusts the amount of effected sound that is mixed with the original sound.
		Page02	Tone	0-10		Level	0-150	P
			Adjusts the tone.		Adjusts the output level.
070	Ensemble	This is a chorus ensemble that features three-dimensional movement.
		Knob1			Knob2			Knob3
		Page01	Depth	0-100		Rate	1-50	P	Mix	0-100	P
			Sets the depth of the modulation.		Sets the speed of the modulation.			Adjusts the amount of affected sound that is mixed with the original sound.
		Page02	Tone	0-10		Level	0-150	P
			Adjusts the tone.		Adjusts the output level.
071	VinFLNGR	This analog flanger sound is similar to an MXR M-117R.
		Knob1			Knob2			Knob3
		Page01	Depth	0-100		Rate	0-50	P	Reso	-10-10	P
			Sets the depth of the modulation.		Sets the speed of the modulation.			Adjusts the intensity of the modulation resonance.
		Page02	PreD	0-50		Mix	0-100	P	Level	0-150	P
			Sets pre-delay time of effect sound.		Adjusts the amount of effected sound that is mixed with the original sound.			Adjusts the output level.
072	Flanger	This is a jet sound like an ADA flanger.
		Knob1			Knob2			Knob3
		Page01	Depth	0-100		Rate	0-50	P	Reso	-10-10	P
			Sets the depth of the modulation.		Sets the speed of the modulation.			Adjusts theIntensity of the modulation resonance.
		Page02	PreD	0-50		Mix	0-100	P	Level	0-150	P
			Sets pre-delay time of effect sound.		Adjusts the amount of effected sound that is mixed with the original sound.			Adjusts the output level.
073	DynaFLNGR	The volume of the effect sound changes according to the input signal level with this dynamic flanger.
		Knob1			Knob2			Knob3
		Page01	Depth	0-100		Rate	0-50	P	Sense	-10-1, 1-10	P
			Sets the depth of the modulation.		Sets the speed of the modulation.			Adjusts the sensitivity of the effect.
		Page02	Reso	-10-10		Level	0-150	P
			Adjusts the intensity of the modulation resonance.		Adjusts the output level.
074	Vibrato	This effect automatically adds vibrato.
		Knob1			Knob2			Knob3
		Page01	Depth	0-100		Rate	0-50	P	Bal	0-100	P
			Sets the depth of the modulation.		Sets the speed of the modulation.			Adjusts the balance between original and effect sounds.
		Page02	Tone	0-10		Level	0-150	P
			Adjusts the tone.		Adjusts the output level.
075	Octave	This effect adds sound one octave and two octaves below the original sound.
		Knob1			Knob2			Knob3
		Page01	Oct1	0-100		Oct2	0-100	P	Dry	0-100	P
			Adjusts the level of the sound one octave below the effect sound.		Adjusts the level of the sound two octaves below the effect sound.			Adjusts the volume of the unaffected sound.
		Page02	Chara	0-100		Tone	0-10	P	Level	0-150	P
			Adjusts effect character.		Adjusts the tone.			Adjusts the output level.
076 PitchSHFT		This effect shifts the pitch up or down.
		PitchSHFT	Knob1			Knob2			Knob3
		Page01	Shift	-12-12, 24		Tone	0-10		Bal	0-100	P
			Adjusts the pitch shift amount in semitones. Selecting "0" gives a detuning effect.			Adjusts the tone.			Adjusts the balance between original and effect sounds.
		Page02	Fine	-25-25		Level	0-150		P
			Allows fine adjustment of pitch shift amount in Cent (1/100 semitone) steps.			Adjusts the output level.
077 MonoPitch		This is a pitch shifter with little sound variance for monophonic (single note) playing.
		Page01	Shift	-12-12, 24		Tone	0-10		Bal	0-100	P
			Adjusts the pitch shift amount in semitones. Selecting "0" gives a detuning effect.			Adjusts the tone.			Adjusts the balance between original and effect sounds.
		Page02	Fine	25-25		Level	0-150		P
			Allows fine adjustment of pitch shift amount in Cent (1/100 semitone) steps.			Adjusts the output level.
078 HPS		This intelligent pitch shifter outputs the effect sound with the pitch shifted according to scale and key settings.
		Page01	Scale	-6, 5, 4, -3, -m, m, 3, 4, 5, 6 (See Table 2)		Key	C, C#, D, D#, E, F, F#, G, G#, A, A#, B		Mix	0-100	P
			Sets the pitch of the pitch-shifted sound added to the original sound.			Sets the tonic (root) of the scale used for pitch shifting.			Adjusts the amount of effected sound that is mixed with the original sound.
		Page02	Tone	0-10		Level	0-150		P
			Adjusts the tone.			Adjusts the output level.
079 BendCho		This effect provides pitch bending that uses the input signal as trigger and processes each note separately.
		Page01	Knob1			Knob2			Knob3
			Depth	0-100		Time	0-50		P	0-100	P
			Adjusts the effect depth.			Sets time before effect starts.			Adjusts the balance between original and effect sounds.
		Page02	Mode	Up, Down		Tone	0-10		Level	0-150	P
			Sets direction of pitch bend.			Adjusts the tone.			Adjusts the output level.
080 RingMod		This effect produces a metallic ringing sound. Adjusting the "Freq" parameter results in a drastic change of sound character.
		Page01	Knob1			Knob2			Knob3
			Freq	1-50		Tone	0-10		Bal	0-100	P
			Sets the frequency of the modulation.			Adjusts the tone.			Adjusts the balance between original and effect sounds.
		Page02	Level	0-150		P
			Adjusts the output level.
081 BitCrush		This effect creates a lo-fi sound.
		Page01	Knob1			Knob2			Knob3
			Bit	4-16		SMPL	0-50		P	0-100	P
			Sets bit depth.			Sets sampling rate.			Adjusts the balance between original and effect sounds.
		Page02	Tone	0-10		Level	0-150		P
			Adjusts the tone.			Adjusts the output level.
082 Bomber		This effect produces an explosive sound when picking.							FS	Trigger
		Page01	Knob1			Knob2			Knob3
			PTTRN	HndGn, Arm, Bomb, Thndr		Decay	1-100		P	0-100	P
			Sets type of effect sound.			Sets length of reverberations.			Adjusts the balance between original and effect sounds.
		Page02	THRSH	0-50		Power	0-30		Tone	0-10
			Adjusts effect threshold.			Adjusts strength of explosive sound.			Adjusts the tone.
		Page03	Level	0-150		P
			Adjusts the output level.

083 MonoSynth	This effect produces the sound of a monophonic (single-note playing) guitar synthesizer that detects the pitch of the input signal.
	Page01	Knob1			Knob2			Knob3
		Synth	0-100	P	Dry	0-100	P	Level	0-150	P
		Adjusts synthesizer sound level.			Adjusts level of original sound.			Adjusts the output level.
	Page02	Wave	Sine, Tri, SawUp, SawDn	Tone	0-10		Speed	0-100	P
		Sets waveform.			Adjusts the tone.			Adjusts smoothness of pitch change.
084 Z-Organ	This effect simulates an organ sound.
	Page01	Knob1			Knob2			Knob3
		Upper	0-100	P	Lower	0-100	P	Dry	0-100	P
		Adjusts volume of high frequencies.			Adjusts volume of low frequencies.			Adjusts level of original sound.
	Page02	HPF	0-10	LPF	0-10		Level	0-150	P
		Adjusts high-pass filter cutoff frequency.			Adjusts low-pass filter cutoff frequency.			Adjusts the output level.
085 Delay	This long delay has a maximum length of 2500 ms.							FS	Hold, InputMute
	Page01	Knob1			Knob2			Knob3
		Time	1-2500	F	FB	0-100	P	Mix	0-100	P
		Sets the delay time.			Adjusts the feedback amount.			Adjusts the amount of effected sound that is mixed with the original sound.
	Page02	HiDMP	0-10	P-P	MONO, P-P		Level	0-150	P
		Adjusts the treble attenuation of the delay sound.			Sets delay output to mono or ping-pong.			Adjusts the output level.
086 TapeEcho	This effect simulates a tape echo. Changing the "Time" parameter changes the pitch of the echoes.							FS	InputMute
	Page01	Knob1			Knob2			Knob3
		Time	1-2000	P	FB	0-100	P	Mix	0-100	P
		Sets the delay time.			Adjusts the feedback amount.			Adjusts the amount of effected sound that is mixed with the original sound.
	Page02	HiDMP	0-10	Level	0-150	P
		Adjusts the treble attenuation of the delay sound.			Adjusts the output level.
087 ModDelay	This delay effect allows the use of modulation.							FS	InputMute
	Page01	Knob1			Knob2			Knob3
		Time	1-2000	F	FB	0-100	P	Mix	0-100	P
		Sets the delay time.			Adjusts the feedback amount.			Adjusts the amount of effected sound that is mixed with the original sound.
	Page02	Rate	1-50	P	Level	0-150	P
		Sets the speed of the modulation.			Adjusts the output level.
088 AnalogDly	This analog delay simulation has a long delay with a maximum length of 2500 ms.							FS	Hold, InputMute
	Page01	Knob1			Knob2			Knob3
		Time	1-2500	F	FB	0-100	P	Mix	0-100	P
		Sets the delay time.			Adjusted the feedback amount.			Adjusts the amount of effected sound that is mixed with the original sound.
	Page02	HiDMP	0-10	P-P	MONO, P-P		Level	0-150	P
		Adjusts the treble attenuation of the delay sound.			Sets delay output to mono or ping-pong.			Adjusts the output level.
089 ReverseDL	This reverse delay is a long delay with a maximum length of 1250 ms.							FS	Hold, InputMute
	Page01	Knob1			Knob2			Knob3
		Time	10-1250	F	FB	0-100	P	Bal	0-100	P
		Sets the delay time.			Adjusts the feedback amount.			Adjusts the balance between original and effect sounds.
	Page02	HiDMP	0-10	Level	0-150	P
		Adjusts the treble attenuation of the delay sound.			Adjusts the output level.
090 MultiTapD		This effect produces several delay sounds with different delay times.						FS	InputMute
		Knob1			Knob2			Knob3
		Page01	Time	1-2500	P	PTTRN	1-8	Mix	0-100	P
			Sets the delay time.		Sets the tap pattern, which varies from rhythmicall to random patterns.			Adjusts the amount of effected sound that is mixed with the original sound.
		Page02	Tone	0-10	Level	0-150	P
			Adjusts the tone.		Adjusts the output level.
091 DynaDelay		This dynamic delay adjusts the volume of the effect sound according to the input signal level.						FS	InputMute
		Knob1			Knob2			Knob3
		Page01	Time	1-2000	Sense	-10-1, 1-10	P	Mix	0-100	P
			Sets the delay time.		Adjusts the effect sensitivity.			Adjusts the amount of effected sound that is mixed with the original sound.
		Page02	FB	0-100	P	Level	0-150	P
			Adjusts the feedback amount.		Adjusts the output level.
092 FilterDly		This effect filters a delayed sound.						FS	InputMute
		Knob1			Knob2			Knob3
		Page01	Time	1-2000	FB	0-100	P	Mix	0-100	P
			Sets the delay time.		Adjusts the feedback amount.			Adjusts the amount of effected sound that is mixed with the original sound.
		Page02	Rate	1-50	Depth	0-100	P	Reso	0-10	P
			Sets the speed of the modulation.		Sets the depth of the modulation.			Adjusts the intensity of the modulation resonance.
		Page03	Level	0-150	P
			Adjusts the output level.
093 PitchDly		This effect applies pitch shift to a delayed sound.						FS	InputMute
		Knob1			Knob2			Knob3
		Page01	Time	1-2000	Pitch	-12-12	P	Mix	0-100	P
			Sets the delay time.		Sets volume of pitch shift applied to delayed sound.			Adjusts the amount of effected sound that is mixed with the original sound.
		Page02	FB	0-100	P	Tone	0-10	Level	0-150	P
			Adjusts the feedback amount.		Adjusts the tone.			Adjusts the output level.
094 StereoDly		This stereo delay allows the left and right delay times to be set separately.						FS	InputMute
		Knob1			Knob2			Knob3
		Page01	TimeL	1-1000	TimeR	1-1000	P	Mix	0-100	P
			Adjusts delay time of left channel delay.		Adjusts delay time of right channel delay.			Adjusts the amount of effected sound that is mixed with the original sound.
		Page02	LchFB	0-100	P	RchFB	0-100	P	Level	0-150
			Adjusts delay feedback of left channel.		Adjusts delay feedback of right channel.			Adjusts the output level.
		Page03	LchLv	0-100	P	RchLv	0-100	P
			Adjusts delay output of left channel.		Adjusts delay output of right channel.
095 PhaseDly		This effect applies a phaser to a delayed sound.						FS	InputMute
		Knob1			Knob2			Knob3
		Page01	Time	1-2000	FB	0-100	P	Mix	0-100	P
			Sets the delay time.		Adjusts the feedback amount.			Adjuststhe amount of effected sound that is mixed with the original sound.
		Page02	Rate	1-50	Color	4 STG, 8 STG, inv 4, inv 8		Level	0-150	P
			Sets the speed of the modulation.		Sets the tone of the effect type.			Adjusts the output level.
096 TrgHldDly		This delay samples and holds using picking as the trigger.						FS	InputMute
		Knob1			Knob2			Knob3
		Page01	Time	10-1000	Duty	25-100		Mix	0-100	P
			Sets the delay time.		Sets the time that the sample-and-hold sound is produced.			Adjusts the amount of effected sound that is mixed with the original sound.
		Page02	THRSH	0-30	Level	0-150	P
			Adjusts effect threshold.		Adjusts the output level.

097 HD Reverb

This is a high-definition reverb.

FS

InputMute

HD Reverb

Knob1

Knob2

Knob3

Page01

Decay

0-100

Tone

0-10

Mix

0-100

P

Sets the duration of the reverberations.

Adjusts the tone.

Adjusts the amount of effected sound that is mixed with the original sound.

Page02

PreD

1-200

HPF

0-10

Level

0-150

P

Adjusts the delay between input of the original sound and start of the reverb sound.

Adjusts high-pass filter cutoff frequency.

Adjusts the output level.

098 Hall

This reverb effect simulates the acoustics of a concert hall.

FS

InputMute

HALL

Knob1

Knob2

Knob3

Page01

Decay

1-30

P

Tone

0-10

Mix

0-100

P

Sets the duration of the reverberations.

Adjusts the tone.

Adjusts the amount of effected sound that is mixed with the original sound.

Page02

PreD

1-100

Level

0-150

P

Adjusts the delay between input of the original sound and start of the reverb sound.

Adjusts the output level.

099 Room

This reverb effect simulates the acoustics of a room.

FS

InputMute

ROOM

Knob1

Knob2

Knob3

Page01

Decay

1-30

P

Tone

0-10

Mix

0-100

P

Sets the duration of the reverberations.

Adjusts the tone.

Adjusts the amount of effected sound that is mixed with the original sound.

Page02

PreD

1-100

Level

0-150

P

Adjusts the delay between input of the original sound and start of the reverb sound.

Adjusts the output level.

100 TiledRoom

This reverb effect simulates the acoustics of a tiled room.

FS

InputMute

TiledRoom

Knob1

Knob2

Knob3

Page01

Decay

1-30

P

Tone

0-10

Mix

0-100

P

Sets the duration of the reverberations.

Adjusts the tone.

Adjusts the amount of effected sound that is mixed with the original sound.

Page02

PreD

1-100

Level

0-150

P

Adjusts the delay between input of the original sound and start of the reverb sound.

Adjusts the output level.

101 Spring

This reverb effect simulates a spring reverb.

FS

InputMute

NEW ROOM

Knob1

Knob2

Knob3

Page01

Decay

1-30

P

Tone

0-10

Mix

0-100

P

Sets the duration of the reverberations.

Adjusts the tone.

Adjusts the amount of effected sound that is mixed with the original sound.

P

Page02

PreD

1-100

Level

0-150

P

Adjusts the delay between input of the original sound and start of the reverb sound.

Adjusts the output level.

102 Arena

This reverb effect simulates the acoustics of a large enclosure such as a sports arena.

FS

InputMute

BRENN REVERB

Knob1

Knob2

Knob3

Page01

Decay

1-30

P

Tone

0-10

Mix

0-100

P

Sets the duration of the reverberations.

Adjusts the tone.

Adjusts the amount of effected sound that is mixed with the original sound.

Page02

PreD

1-100

Level

0-150

P

Adjusts the delay between input of the original sound and start of the reverb sound.

Adjusts the output level.

103 EarlyRef

This effect reproduces only the early reflections of reverb.

DEHY SHEET MIX

Knob1

Knob2

Knob3

Page01

Decay

1-30

Shape

-10-10

P

Mix

0-100

P

Adjusts the duration of the reverb.

Adjusts the effect envelope.

Adjusts the amount of effected sound that is mixed with the original sound.

Page02

Tone

0-10

Level

0-150

P

Adjusts the tone.

Adjusts the output level.

104 Air		This effect reproduces the ambience of a room, to create spatial depth.
		Knob1				Knob2			Knob3
		Size	1-100			Tone	0-10		Mix	0-100	P
		Sets the size of the space.				Adjusts the tone.			Adjusts the amount of effected sound that is mixed with the original sound.
		Ref	0-10		P	Level	0-150		P
		Adjusts the amount of reflection from the wall.				Adjusts the output level.
105 Comp+OD		This effect combines compressor and overdrive.
		Knob1				Knob2			Knob3
		Comp	0-10			Gain	0-100		P	Level	0-150
		Sets compressor strength.				Sets overdrive gain.			Adjusts the output level.
		Tone	0-100
		Sets overdrive tone.
106 Comp+Phsr		This effect combines compressor and phaser.
		Knob1				Knob2			Knob3
		Comp	0-10			Rate	1-50		P	Level	0-150
		Sets compressor strength.				Sets the speed of the modulation.			Adjusts the output level.
		Color	4 STG, 8 STG, inv 4, inv 8
		Sets phaser color.
107 Comp+AWah		This effect combines compressor and auto-wah.
		Knob1				Knob2			Knob3
		Comp	0-10			Sense	10-1, 1-10		P	Level	0-150
		Sets compressor strength.				Sets auto-wah sensitivity.			Adjusts the output level.
		Reso	0-10		P
		Sets resonance of auto-wah.
108 Cho+Dly		This effect combines chorus and delay.
		Knob1				Knob2			Knob3
		ChoRt	1-50		P	ChoMx	0-100		P	DlyTm	1-2000
		Adjusts chorus rate.				Adjusts chorus mix.			Adjusts delay time.
		DlyF8	0-100		P	DlyMx	0-100		P	Level	0-150
		Adjusts delay feedback.				Adjusts delay mix.			Adjusts the output level.
109 Dly+Rev		This effect combines delay and reverb.
		Knob1				Knob2			Knob3
		DlyTm	1-1500			DlyMx	0-100		P	RevMx	0-100
		Adjusts delay time.				Adjusts delay mix.			Adjusts delay mix.
		DlyF8	0-100		P	Level	0-150		P
		Adjusts delay feedback.				Adjusts the output level.
110 Cho+Rev		This effect combines chorus and reverb.
		Knob1				Knob2			Knob3
		ChoRt	1-50		P	ChoMx	0-100		P	RevMx	0-100
		Adjusts chorus rate.				Adjusts chorus mix.			Adjusts reverb mix.
		Level	0-150		P
		Adjusts the output level.
111 FLG+VCho		This effect combines flanger and vintage chorus.
		Knob1				Knob2			Knob3
		FlgDp	0-100		P	FlgRt	0-50		P	ChoMx	0-100
		Adjusts flanger depth.				Adjusts flanger rate.			Adjusts vintage chorus mix.
		ChoRt	1-50		P	Level	0-150		P
		Adjusts vintage chorus rate.				Adjusts the output level.
112 PedalVx		This simulates a vintage British wah pedal.
		Knob1				Knob2			Knob3
		Page01	Freq	1-50		DryMX	0-100	P	Level	0-150	P
			Adjusts the emphasized frequency.			Adjusts the mix with the unaffected sound.			Adjusts the output level.
		Page02
113 PedalCry		This simulates a vintage CRYBABY wah pedal.
		Knob1				Knob2			Knob3
		Page01	Freq	1-50		DryMX	0-100	P	Level	0-150	P
			Adjusts the emphasized frequency.			Adjusts the mix with the unaffected sound.
		Page02
114 TheVibe		This vibe sound features unique undulations.
		Knob1				Knob2			Knob3
		Page01	Speed	0-50		Depth	0-100	P	Bias	0-100	P
			Sets modulation speed.			Sets the depth of the modulation.			Adjusts bias of waveform modulation.
		Page02	Wave	0-100	P	Mode	VIBRT, CHORS		Level	0-150	P
			Adjusts modulation waveform.			Sets effect to vibrato or chorus.			Adjusts the output level.
115 PDL Pitch		Use an expression pedal to change the pitch in real time with this effect.
		Knob1				Knob2			Knob3
		Page01	Color	1-9(See Table 3)		Tone	0-10		Bend	0-100	P
			Sets the type of pitch change control with the expression pedal.			Adjusts the tone.			Sets the amount of pitch shift.
		Page02	Mode	Up, Down		Level	0-150	P
			Sets the direction of the pitch change to Up or Down.			Adjusts the output level.
116 PDL MnPit		This is a pitch shifter specially for monophonic sound (single-note playing), which allows the pitch to be shifted in real time with the expression pedal.
		Knob1				Knob2			Knob3
		Page01	Color	1-9(See Table 3)		Tone	0-10		Bend	0-100	P
			Sets the type of pitch change control with the expression pedal.			Adjusts the tone			Sets the amount of pitch shift.
		Page02	Mode	Up, Down		Level	0-150	P
			Sets the direction of the pitch change to Up or Down.			Adjusts the output level.

Table 1

Type	Modeled cabinet and speakers
FD COMBO 2x12	Fender Twin Reverb ('65) cabinet with 2x12-inch Jensen speakers
DELUXE-R 1X12	Fender Deluxe Reverb cabinet with 1x12-inch Jensen speaker
FD VIBRO 2x10	Fender Vibroverb ('63) cabinet with 2x10-inch Jensen speakers
US BLUES 4x10	Fender Tweed Bassman cabinet with 4x10-inch Jensen speakers
VX COMBO 2x12	British combo amp cabinet with 2x12-inch Celestion Alnico speakers
VX JMI 2x12	Early model British combo amp cabinet with 2x12-inch Celestion Alnico speakers
BG CRUNCH 1x12	Mesa Boogie MkIII cabinet with 1x12-inch Electro Voice speaker
MATCH 30 2x12	Matchless DC30 cabinet with 2x12-inch Celestion speakers
CAR DRIVE 1x12	Carr Mercury cabinet with 1x12-inch Eminence speaker
TW ROCK 1x12	Two Rock Emerald 50 cabinet with 1x12-inch Fane speaker
TONE CITY 4x12	Cabinet with 4x12-inch Fane speakers
HW STACK 4x12	Hiwatt Custom 100 cabinet with 4x12-inch Fane speakers
TANGERINE 4x12	Orange Graphic 120 cabinet with 4x12-inch Celestion speakers
B-BREAKER 2x12	Marshall Bluesbreaker cabinet with 2x12-inch Celestion speakers
MS CRUNCH 4x12	Marshall 1959 cabinet with 4x12-inch Celestion speakers
MS 1959 4x12	Marshall 1959 B cabinet with 4x12-inch Celestion speakers
MS DRIVE 4x12	Marshall JCM2000 cabinet with 4x12-inch Celestion speakers
BGN DRIVE 4x12	Bogner Ecstasy cabinet with 4x12-inch Celestion speakers
BG DRIVE 4x12	Mesa Boogie Dual Rectifier cabinet with 4x12-inch Celestion speakers
DZ DRIVE 4x12	Diezel Herbert cabinet with 4x12-inch Celestion speakers
ALIEN 4x12	Engl Invader cabinet with 4x12-inch Celestion speakers
REVO-1 4x12	Krank Revolution 1 Plus cabinet with 4x12-inch Eminence speakers
OFF	No cabinet used.

Table 2

Setting	Scale used	Interval
-6	Major	6th down
-5		5th down
-4		4th down
-3		3rd down
-m	Minor	3rd down
m		3rd up

Setting	Scale used	Interval
3	Major	3rd up
4		4th up
5		5th up
6		6th up

Table 3

Color	Pedal min	Pedal max
1	0 cent	+1 octave
2	0 cent	+2 octaves
3	0 cent	-100 cents
4	0 cent	-2 octave
5	0 cent	--∞

Color	Pedal min	Pedal max
6	-1 octave + original	+1 octave + original
7	-700 cents + original	+500 cents + original
8	Doubling	Detuned + original
9	~∞ (0 Hz) + original	+1 octave + original

The unit will not turn ON

• Confirm that the POWER switch is set to "ON". When using bus power, set the switch to "OFF" before connecting the USB cable.
• When using batteries, confirm that they still have a charge.

No sound or very low volume

• Check the connections ( P4 - 5)
• Adjust the patch level ( P16) .
• Adjust the master level ( P20).
• When adjusting the volume with an expression pedal, make sure that a suitable volume setting has been set with the pedal.
• Confirm that unit is not in mute mode ( P26).

There is a lot of noise

• Check shielded cables for defects.
• Use only a genuine ZOOM AC adapter.

The sound distorts strangely/has an odd timbre

• Set the OUTPUT parameter according to the output equipment ( P21) .
• Set the ACTIVE/PASSIVE switch according to the type of guitar pickups or the device connected directly to the G3/G3X ( P5).

An effect is not working

• If the effect processing capacity is exceeded, "DSP Full!" appears on the effect graphic. In this case, the effect is bypassed ( P10)

The expression pedal is not working well

• Check the expression pedal settings ( P18) .
• Adjust the expression pedal ( P37) .

The recorded level in a DAW is low

• Check the recording level setting ( P25)

Batteries lose their charge quickly

• Confirm that you are not using manganese batteries. Alkaline batteries should provide 6 hours of continuous operation.
• Check the battery setting ( P23) .
• Set the type of battery being used to enable the remaining charge to be shown more accurately.

Effect types		116 types
Number of simultaneous effects		6
Number of user banks/patches		10 patches x 10 banks
Sampling frequency		44.1kHz
A/D conversion		24-bit with 128x oversampling
D/A conversion		24-bit with 128x oversampling
Signal processing		32-bit floating point & 32-bit fixed point
Frequency characteristics		20-20 kHz +1 dB, -3 dB (10 kΩ load)
Display		LCD x 3
Input		Standard monaural phone jackRated input level -20dBmInput impedance 1MΩACTIVE/PASSIVE (switch selectable)
Output R		Standard monaural phone jackMaximum output level:Line: +5 dBm (with output load impedance of 10 kΩ or more)
	L/MONO/PHONES	Standard stereo phone jack (line/headphones)Maximum output level:Line: +5 dBm (with output load impedance of 10 kΩ or more)Headphones: 20 mW + 20 mW (into 32 Ω load)
	BALANCED OUTPUT	XLR connectorOutput impedance100 Ω (HOT-GND, COLD-GND), 200 Ω (HOT-COLD)PRE/POST (switch selectable)GND LIFT (switch selectable)
Control input		For FP01/FP02/FS01
Power		AC adapter DC9V (center minus plug), 500 mA (ZOOM AD-16)Batteries 6 hours of continuous operation using 4 AAalkaline batteriesUSB Bus power
Dimensions		G3 170mm(D) x 234mm(W) x 54mm(H)G3X 175mm(D) x 323mm(W) x 66mm(H)
USB		USB Audio
Weight		G3 1.2kgG3X 1.6kg
Options		FP01/FP02 expression pedal and FS01 foot switch

• 0dBm = 0.775Vrms

Rhythm List

#	PatternName	TimSig
1	GUIDE	4/4
2	8Beat1	4/4
3	8Beat2	4/4
4	8Beat3	4/4
5	8SHFFL	4/4
6	16Beat1	4/4
7	16Beat2	4/4
8	16SHFFL	4/4
9	Rock	4/4
10	Hard	4/4
11	Metal1	4/4
12	Metal2	4/4
13	Thrush	4/4
14	Punk	4/4

#	PatternName	TimSig
15	DnB	4/4
16	Funk1	4/4
17	Funk2	4/4
18	Hiphop	4/4
19	R'nR	4/4
20	Pop1	4/4
21	Pop2	4/4
22	Pop3	4/4
23	Dance1	4/4
24	Dance2	4/4
25	Dance3	4/4
26	Dance4	4/4
27	3Per4	3/4
28	6Per8	3/4

#	PatternName	TimSig
29	5Per4_1	5/4
30	5Per4_2	5/4
31	Latin	4/4
32	Ballad1	4/4
33	Ballad2	3/4
34	Blues1	4/4
35	Blues2	3/4
36	Jazz1	4/4
37	Jazz2	3/4
38	Metro3	3/4
39	Metro4	4/4
40	Metro5	5/4
41	Metro

BANK / PATCH		PATCH NAME	COMMENT
Demo	A	0	WAH BGN This drive sound uses the BGN DRIVE effect. Press the expression pedal down to use pedal wah.
		1	TREM FD This uses FD COMBO for a clean sound. Use the expression pedal to control the Tremolo effect.
		2	DZ Bend This high-gain sound combines DZ DRIVE and PDL Mono Pitch.
		3	Movejet The expression pedal controls the Resonance of the Flanger in this simple flanger sound.
		4	FunkyWah This is a funky pedal wah sound. Turn the compressor and phaser ON for a perfect tone for single-note muted backing lines.
		5	MS Echo Use the expression pedal with this 70s Marshall sound to control the TapeEcho Mix.
		6	MultiMod This rich modulation sound with a wide stereo feel is created by a combination of DuoPhase and StereoChorus effects.
		7	ShuffleAT Using the Slicer, this patch automatically generates a shuffle backing pattern.
		8	DriveA-Wah Combining a nice drive sound with auto-wah, this patch sings in response to dynamics with both single note lines and chords.
		9	Taste-AC You don't need to change your axe in the middle of a show. This patch uses the acoustic simulator for a tone with a lot of air.
	B	0	GoodFuzz With this patch, you can get a great fuzz sound no matter what the volume setting of the guitar. The clear sound when the volume is around 2 is really great!
		1	Jazz This sound is good for jazz with a cool tone.
		2	Fripper This ambient ReverseDelay sound uses a spacious loop. Use the expression pedal to control the ReverseDelay.
		3	Horn Short reflections from the Air effect make this patch sound like a wind instrument. This is great for playing sax-style phrases.
		4	Clean FLNG Instead of chorus, this clean sound is modulated by a flanger effect. Suits a retro atmosphere.
		5	DST&VIBRO This bluesy drive sound combines DIST and FD VIBRO effects.
		6	Fast Filt This filter sound responds quickly to picking dynamics. Single note lines work best with this effect.
		7	CRY&BLUES This crunch sound uses the B-BREAKER effect. Use the expression pedal to assign PedalCry.
		8	BoostCity This drive sound uses the TONE CITY effect. Turn the Booster ON for an even more powerful sound.
		9	Heaven This patch creates a chord sound that will make you feel like you are in Heaven. This is recommended for long chord backing parts.
Richie Kotzen	C	0	StereoFunk This auto-wah sound is cool and funky. The Air effect creates wide stereo imaging.
		1	Tele CInRW A wide stereo chorus and hard compression create a clean sound for backing parts.
		2	410BIsSolo Delay and reverb are added to the US BLUES 4x10 combo sound. Hit an open chord, let it ring and check the sustain!
		3	Str CIn LD This combines chorus and delay in a tone with aggressive compression. The tone is clean, but suitable when you want to solo through a high gain amp.
		4	Trem Clean This clean sound has a vintage feel. Use the expression pedal to control the tremolo.
		5	Elec Rhythm This rhythm sound for classic hard rock uses a little EarlyRef. Remember the shorts and the backpack?
		6	Washed Out The CAR DRIVE, Cho+Dly and Comp in this patch create a big overdriven tone that sounds like multiple layered guitars.
		7	BigFatFing This dirty, big-bottomed flanged guitar sound transforms a clean amp into a fat rocking sound!
		8	Robo Funk M Comp, RdnnFLTR, and ParaEQ create a sick funk sound best for quick staccato single-note lines.
		9	Fool Frnds This emulates the sound of an acoustic guitar plugged directly into an amp. Reverb is optional.
Kiko Loureiro	D	0	MatchVibe This classic rock tone uses MATCH 30. Turn OverDrive on for leads or TheVibe on for backing.
		1	Revolving This heavy sound with a beautiful low end is great for riffs. Boost and delay can also be added in this patch that is great for modern metal style solos.
		2	Livid This clean sound uses a chorus and two delays to create width perfect for arpeggios and chords.
		3	ValleyRock Add flanger and delay to this 80s Heavy Rock sound for a Van Halen flavor.
		4	IndieDrive This indie rock patch has two types of delays that can be used independently or simultaneously.
		5	MetallicCh A slight chorus gives this modern heavy sound greater width.
		6	Progressng This prog metal solo tone for fast picking has an effective modulated ping-pong delay.
		7	Enfermo This heavy rock tone uses the Booster to maximize lead sounds.
		8	7 mirrors This is a tribute to the enigmatic master guitarist Allan Holdsworth.
		9	HolyShift This sound features pitch shifting and is great for solos. Use the expression pedal to control the HPS Mix.
Rob Caggiano	E	0	Honeydrip This is a very usable sound for single note lines and lead playing.
		1	It's Alive This killer sound for solos has a vocal quality depending on the guitar note pitch.
		2	Tropicana This lead tone features the TANGERINE amp sound.
		3	Thrash Em No explanation needed for this exemplary thrash sound.
		4	Zipper This really obnoxious fuzziéd-out sound has some depth added by the Air effect.
		5	Solottery Using BG CRUNCH, this smooth and squashed solo sound adds nice warmth with AnalogDly.
		6	Creeper This ominous and creepy sound is great with an amp.
		7	Heavy D This heavy tone that uses Z Bottom and BG DRIVE was designed with drop D tuning in mind.
		8	Classic This patch has a very Classic Rock feel to it and is great with an amp.
		9	Wood This sound uses Governor, M Comp and DELUXE-R for a woody drive tone. The Cry effect adds the feeling of a human voice.

G3 / G3X presets have been created by professional guitarists.

ANK C:Richie Kotzen

ANK D: Kiko Loureiro

ANK E:Rob Caggiano

ANK F: Mike Orlando

Manufacturer names and product names mentioned in this patch list are trademarks or registered trademarks of their respective owners and do not indicate any affiliation with ZOOM CORPORATION.

All product and artist names are intended only to illustrate sonic characteristics that were used as reference in the development of this product.

BANK/ patch	Patch NAME	COMMENT
Mike Orlando	0	XtremeWah This is a spacious and distorted auto wah sound. The expression pedal controls the delay feedback.
	1	HeavyMedal This very saturated distortion sound is great for heavy metal and rock, as well as rhythm and lead playing.
	2	MetaSynCor Synth octaves and a lush delay make this tone huge. The expression pedal controls the synth.
	3	StackedUp This is a classic British rock tone. The expression pedal controls the delay.
	4	AngelFaze This patch adds a tone that sound like an acoustic sound with a beautiful phase effect. The expression pedal controls the FilterDly Mix.
	5	MrGoveron This uses the Governor effect to produce an overdrive sound good for rock. Use the expression pedal to control the Delay Mix.
	6	PitchedOut This insane pitch transposition sound is great for tricky solos. The expression pedal controls the HPS Mix.
	7	Open Wah! This cry effect is great for soloing and chord playing. The expression pedal controls the delay of DLY+Reverb.
	8	CrunchCore Chorus adds width to this big rock sound. Use the expression pedal to control the StereoCho Mix.
	9	DreamScape With this clean filter effect the notes seem to take off in a pitch-changing delay. This is great for special effects and unaccompanied moments.
Amp Modeling	0	FD COMBO This is the clean sound of the FD COMBO. Press the expression pedal down to turn PedalVx ON.
	1	DELUXE-R This crunch sound uses the DELUXE-R effect. Turn the HotBox ON to boost it even more.
	2	FD VIBRO This crunch sound uses the FD VIBRO model. Use the expression pedal to add Tremolo.
	3	US BLUES This crunch sound uses the US BLUES model. Use the expression pedal to add TapeEcho.
	4	VX COMBO This crunch sound uses the VX COMBO model. Use the expression pedal to add Ensemble.
	5	VX JMI This crunch sound uses VX JMI. Turn the Booster ON for solos.
	6	BG CRUNCH This crunch sound uses the BG CRUNCH model. EarlyRef provides the secret ingredient.
	7	MATCH 30 This clean sound uses the MATCH30 model and gets more width from the Air effect.
	8	CAR DRIVE This crunch sound uses CAR DRIVE and features resonance characteristic of a small amp.
	9	TW ROCK This crunch sound uses the TW ROCK model. Reverbations from the PhaseDly stand out.
H	0	TONE CITY This crunch sound uses the TONE CITY model. Use the expression pedal to add Flanger.
	1	HW STACK This clean sound uses the HW STACK model and gives the sound a 3D feeling with a combination of EarlyRef and Air effects.
	2	TANGERINE This crunch sound uses the TANGERINE effect. Try turning the Phaser ON.
	3	B-BREAKER This crunch sound uses the B-Breaker model. The open tone is characteristic of an open-back amp.
	4	MS CRUNCH This solo sound combines MS CRUNCH and T Scream and features ping-pong Delay.
	5	MS 1959 This is the MS 1959 crunch. The Vibe is ready to be activated at the head of the chain.
	6	MS DRIVE This drive sound uses the MS DRIVE model. Turn Comp ON to get a clean sound.
	7	BGN DRIVE This drive sound is based on the BGN DRIVE effect. Use the expression pedal to control the StereoDly Mix.
	8	BG DRIVE This is the high-gain sound of the BG DRIVE model. Move the expression pedal to raise the pitch by 2 octaves!
	9	DZ DRIVE This high-gain sound uses DZ DRIVE and features a crisp, tight tone.
I	0	ALIEN This high-gain sound uses the ALIEN effect. This monstrous tone features a fat low-end.
	1	REVO-1 This high-gain sound uses REVO-1. The NoiseGate shuts out noise.
	2	JB Crunch This long reverb sound is ideal for emotional performances like when Jeff Beck plays "Amazing Grace."
	3	BrianDL This patch was inspired by the sound used by Queen's Brian May in "Brighton Rock." The delay flying left and right every two beats is the key.
	4	Smooth This smooth distortion sound is inspired by Eric Johnson's performance of "Cliffs of Dover."
	5	Hendrix Press down on the pedal to turn PedalVx ON in this Jimi Hendrix sound. Use the expression pedal to control wah and The Vibe.
	6	MetalKirk This modeled Mesa Boogie Dual Rectifier sound is perfect for riffs with the right amount of gain. Use the expression pedal to turn wah ON.
	7	U2... This dotted-eighth-note delay that bounces left and right was popularized by U2's guitarist The Edge.
	8	E.V.H This captures the crisp rifling sound of Van Halen's "You Really Got Me."
	9	Beatle AC This is the characteristic thick crunch sound used by The Beatles in their early days.
J	0	J.Page This is the sound used by Jimmy Page live at Madison Square Garden. Turn the wah ON to get it!
	1	Layla... This tone can be heard in Eric Clapton's eternal hit Layla. Enjoy it with a Strat in a between pickup setting.
	2	Mr.Moore This extreme Marshall sound is a tribute to Gary Moore.
	3	M.S-Wah Everyone has tried Michael Schenker's half-cocked wah sound once, right?
	4	JazzFusion John S cofield inspired this crunch with chorus sound. This patch is perfect for funky jazz fusion.
	5	Step Chord Use the tap button to match the tempo of the song that you play and strum a power cord just once to create a new arrangement.
	6	FilterCLN The M-Filter responds slowly to picking dynamics for a clean sound. This effect is good for cutting, arpeggios and other chord playing.
	7	Theremin This patch simulates the strange sound of a Theremin using the MonoSynth effect. Use your arm to change the pitch in large increments for a more convincing performance.
	8	Atom This hall sound is created by setting the pitch delay interval to two.
	9	DreamSeq This special effect sound uses Z Dream and SeqFLTR effects. Use the expression pedal to control the StereoDly Mix.